Podcasts about asian american media

While KellieAnn is recovering from surgery, our good friend Heather Kelly is guest hosting Fan Effect this February with her limited Money Making Sense series live from Sundance 2025. This episode is ”Third Act.” Filmmaker Tadashi Nakamura had big shoes to fill, following in his father's footsteps.  So, he made a documentary about his dad, Robert A. Nakamura, the godfather of Asian-American Media. In the film, Third Act, Tadashi follows his father's footsteps from his time in a Concentration Camp for Japanese Americans during WWII to his diagnosis with Parkinson's Disease.  You can see Third Act on PBS later this year if you miss the Sundance Film Festival.  The brains behind Fan Effect are connoisseurs of categories surpassing nerdy with a goal to publish a weekly "What to Watch on the Weekend" minisode taken from KSL-TV's Friday segment, and two deep-dives a month on shows, creative works, artists, local events, and other fandom topics. Fan Effect is sponsored by Megaplex Theatres, Utah's premiere movie entertainment company.

Send us a textWelcome to our third and final episode for Sundance 2025, featuring two very timely feature length documentaries.Third Act is a documentary that follows the life of Asian American artist and activist Robert A. Nakamura (aka the godfather of Asian American media), while grappling with his recent Parkinson's diagnosis. We were joined by filmmaker (and Robert's son) Tadashi Nakamura and one of the subjects of the film/his mother, Karen Ishizuka, to discuss making this film as a family, the universal nature of grief and loss, and Tad's son Prince's potential run for president in 2040 (jk but also not).Heightened Scrutiny follows civil rights lawyer Chase Strangio's courtroom battle against anti-trans laws, while exposing the media's role in impacting public perception of transgender rights. Director Sam Feder shares his rush to get this film out as soon as possible, the importance of being able to give a voice to children in a conversation about them, and how this film is his way of showing the younger generations that we tried/are trying.Follow Third Act on IGFollow filmmaker Tadashi Nakamura on IGFollow director Sam Feder on IG Support the showThanks for listening and for your support! We couldn't have reached 11 years, recorded 800+ episodes, and won Best of the Bay Best Podcast in 2022 , 2023 , and 2024 without your help! -- Be well, stay safe, Black Lives Matter, AAPI Lives Matter, and abortion is normal. -- Subscribe to our channel on YouTube for behind the scenes footage! Rate and review us wherever you listen to podcasts! Visit our website! www.bitchtalkpodcast.com Follow us on Instagram & Facebook Listen every Tuesday at 9 - 10 am on BFF.FM

Filmmaker Tadashi Nakamura had big shoes to fill following in his father's footsteps.  So, he made a documentary about his dad, Robert A. Nakamura, the godfather of Asian-American Media. In the film, Third Act, Tadashi follows his father's footsteps from his time in a Concentration Camp for Japanese Americans during WWII to his diagnosis with Parkinson's Disease.  If you miss the Sundance Film Festival, you can see Third Act on PBS later this year.   You can follow this show on Instagram and Facebook.  And to see what Heather does when she's not talking money, go to her personal X (Twitter) page. Be sure to email Heather with your questions and request topics you'd like her to cover here.

Jonathan is a serial entrepreneur and investor, known for founding Geekwire.com and PicMonkey, a leading photo-editing platform. He currently owns and publishes the re-booted Seattle Magazine and Seattle Business Magazine. Jonathan has the unique distinction of being the first to sell two companies to Google and a third to Shutterstock. His latest venture, JoySauce.com, highlights AAPI talent in TV, film, and podcasts, receiving recognition from the Center for Asian American Media and GLAAD. In 2016, he made headlines for committing to invest only in female-founded companies. Previously, he was a senior manager at Microsoft, contributing to the first Xbox and various MSN applications. Jonathan is a graduate of Whitman College and serves on its Board of Trustees. In this finale episode of Asian Pacific Voices Radio, host Sasha Foo deeply converses with Jonathan Sposato, a prominent entrepreneur and cultural advocate. They explore Jonathan's unique upbringing in Hong Kong, his transition to life in America, and the challenges he faced as an Asian American. Jonathan shares insights from his entrepreneurial journey, emphasizing the importance of resilience and creativity. The discussion also touches on the balance between cultural assimilation and embracing one's heritage, culminating in Jonathan's advice for the next generation of creators and thinkers.

Four experienced arts administrators discuss agency in storytelling and community voice. • Francisco Guajardo, Chief Executive Officer of the Museum of South Texas History in Edinburg, Texas; • Madeline Matson, Executive Director of the Columbia Pacific Heritage Museum in Ilwaco, Washington; and • Gwendolyn Trice, founder and Executive Director of the Maxville Heritage Interpretive Center (MHIC), a museum located in Joseph, Oregon.• Stephen Gong, executive director of the Center for Asian American Media

Michael Hsieh is the Founder and President of Fung Capital, a venture capital firm investing in early-stage technology companies. Fung Capital is the investment arm of the Fung family in Hong Kong which separately controls the Fung Group that sources, distributes, and retails consumer products globally. The Fung Group of companies include Li & Fung, Global Brands Group, and Fung Retailing, with over $22B in total revenues and 45,000 employees in over 40 countries. Fung Capital invests in B2B technology companies that enable omni-channel retailing and improve supply chain efficiency.For decades, he has been heavily involved in numerous civic engagement initiatives, spanning from serving on non-profit boards such as Center for Asian American Media, Head Royce School, and Center for the Pacific Rim at USF, to co-founding Roses in Concrete, a public charter school serving primarily students of color in East Oakland. He and his wife Tonia started Karma Pictures, a media company developing feature films telling Asian American stories. Michael has a B.A degree in economics from Harvard College and an MBA degree from Harvard Business School.

We're celebrating CAAMFest (Center for Asian American Media) 2024 with two films about young women athletes!Home Court is a documentary that follows Ashley Chea, a basketball prodigy and first generation Cambodian-American, as she navigates recruitment, injury, and generational trauma. We are joined by director Erica Tanamachi and producer Jenn Lee Smith who share their excitement in telling a story about Asian American sport leagues, showing a positive relationship between a player and her coach, prioritizing people on and off camera, and working with two Bitch Talk favorites, Lisa Ling and Ruby Ibarra.The documentary Ashima follows a year in the life of 13 year-old Ashima Shiraishi, one of the world's youngest elite rock climbers, as she travels with her father/coach from New York to South Africa in the hopes of becoming the youngest climber to conquer a V14 boulder (in the climbing world, this is an elite ranked climb). Director Kenji Tsukamoto and producer Minji Chang share their decade long journey into getting this film made, Kenji's intimate filmmaking experience that involved living with the family, and Ashima's reaction to watching the film ten years later.Follow Home Court on IGFollow director Erica Tanamachi on IGFollow producer Jenn Lee Smith on IGFollow Ashima on IGFollow director Kenji Tsukamoto on IGFollow producer Minji Chang on IGSupport the Show.Thanks for listening and for your support! We couldn't have reached 11 years, recorded 800+ episodes, and won Best of the Bay Best Podcast in 2022 and 2023 without your help! -- Be well, stay safe, Black Lives Matter, AAPI Lives Matter, and abortion is normal. -- Subscribe to our channel on YouTube for behind the scenes footage! Rate and review us wherever you listen to podcasts! Visit our website! www.bitchtalkpodcast.com Follow us on Instagram & Facebook Listen every Tuesday at 9 - 10 am on BFF.FM

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Join Powerleegirl hosts Miko Lee, Jalena Keane-Lee and Ayame Keane-Lee, a mother daughters team. They are celebrating Asian American Native Hawaiian, Pacific Islander Heritage month.They talk with artists and activists who are telling their stories in so many different ways. Artists from the annual United States of Asian America festival, including artistic director, Melanie Elvena, storyteller Nancy Wang, and musician, Scott Oshiro. Jalena learns about the POC Food and Wine festival from Director Gina Mariko Rosalis and talks with Thuy Tran about CAAMfest, Asian American film festival. Miko speaks with Cyn Choi from Stop AAPI Hate.   Events Covered in this APEX Episode May 2-5, 2024  POC Food & Wine Festival @cielcreativespace, Berkeley & @fouroneninesf, San Francisco, CA April 25-June 23, 2024 United States of Asian American Festival various locations throughout SF. Including performers such as Eth-Noh-Tec and Scott Oshiro May 9-19, 2024 CAAMfest various locations throughout the Bay Area. May 10-12th, 2024 After The War Blues Z Space May 16-June 1, 2024, DARKHEART – A Concert Narrative by Golda Sargento at Bindlestiff Studio Stop AAPI Hate campaign Spread AAPI Love   Additional Events: May 10-12, 2024 After The War Blues at Z Space May 31, 2024, from 5:00 p.m. to 10:00 p.m. Sacramento AAPI NIGHT MARKET   SHOW Transcripts Opening: [00:00:00] Apex Express. Asian Pacific Expression Community and cultural coverage. Music and calendar. New visions and voices. Coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Miko Lee: [00:00:34] Good evening. You're tuned into apex express. We're bringing you an Asian American Pacific Islander view from the Bay and around the world. We are your hosts, Miko Lee and Jalena Keane-Lee, the PowerLeeGirls, a mother-daughter team. Tonight we are talking about Asian American Native Hawaiian Pacific Islander Heritage Month and all of the amazing events that you can experience. We meet with artists and activists who are telling their stories in so many different ways. We hear from the artists from the annual United States of Asian America festival, including artistic director, Melanie Elvena storyteller, Nancy Wang, and musician Scott Oshiro. Jalena learns about the POC food and wine festival from director Gina Mariko Rosales and talks with Thúy Trần about CAAMFest an Asian American film festival. And I hear from Cinci from StopAAPIHate. First up, we're going to hear about all the amazing artists behind the 27th annual United States of Asian America festival.   Hello, Artistic Director Melanie Elvena from Asian Pacific Islander Cultural Center. We're so glad to have you on Apex Express.   Melanie Elvena: [00:01:44] Hello, everyone. Thank you so much, Miko, for having me here today and letting me talk about our festival.   Miko Lee: [00:01:49] This is the 27th year of the United States of Asian America Festival, which is stunning to me, already 27 years. Tell us about the theme this year, Be(long)ing Here.   Melanie Elvena: [00:02:02] Yeah, it's crazy to believe that it's 27 years. It's also my 10th year with APIC. And our theme this year is Be(long)ing Here which asks us what it means to be, Here, what it means to belong here, but also what are we longing here? Actually, I created this theme with our previous festival coordinator who unfortunately passed away in October, but he came here from San Diego and was just blown away by the richness of the AAPI arts community and our culture and our history. We just wanted together to reflect on where we have been, where we are now, And just what our collective future holds while acknowledging our backgrounds as immigrants, as refugees, mixed race descendants, and just really wanting to dive into what it means to belong. I think a lot of us as AAPI community members are folks who immigrated here, we're always looking for our home and our place where we can feel safe and belong, especially with everything going on right now in the world politically, the war in Gaza, a lot of us have even just in our own AAPI community, have lost a lot of community members. We're going through this moment of grief and reflecting upon our time in the pandemic, where we also just lost a lot of there was just so much death, right? What does that mean now in this current moment? Every year we try to come up with a theme that, you know, reflects upon us. What we're experiencing as Asian Americans, Pacific Islanders. And also what do we see for ourselves in the future?   Miko Lee: [00:03:21] Thank you for sharing Melanie. I'm so sorry to hear about your colleague. That's heartbreaking and you're right. We are living in such a time of immense grief. It is powerful how we can use arts and cultural events to enrich us and bring our spirits back to ourselves. Can you talk about the breadth of the festival and what people can expect?   Melanie Elvena: [00:03:40] Of course. So every year we have multiple events. , this year I believe we have 22 different events. It showcases all disciplines, theater, music, dance, film, literature, visual arts, many, many more. There's even culinary events and we have artists of all different disciplines, AAPI backgrounds, represented and, it goes from May through June. There's a little bit of something for everyone but I just want to talk a little bit about our featured events. Our first event is a kickoff celebration for the festival, but it's also an opening reception for our annual arts exhibition. This year, I worked with Independent curator Delaney Chieyen Holton, and they curated this exhibition called Where is Your Body and for them they are exploring how the body is the lowest common denominator for solidarity and thinking about the body and our vulnerabilities. What does it mean to have a body, especially as someone who identifies as AAPI, a person of color, queer, for us, we're always negotiating what the body means, for ourselves out in the world. There's a handful of artists and that's going to open on April 25th. Then the exhibition will run through May 24th at SOMArts cultural center. So we would love for everyone to come and see the show. Another event that we're highlighting. We have two featured. the first one is Megan Lowe Dances from May 31st through June 9 at The Joe Goode Annex called Just a Shadow. Megan is bringing together seven artists to make six different duets. It's about pretty much celebrating life, but also acknowledging grief and the memory of loved ones and resilience. For Megan, who personally has experienced a lot of loss in the last handful of years, she's using this piece to reflect upon everyone's collective grief that we've all been experiencing. Our next featured artist is Ramon Abad, who's doing an immersive theater experience for children and families at Bindlestiff Studios called Duck Soup. He has shows from June 8th through June 15th. I really love about Ramon's work is, he works with puppets and brings in children and youth to tell their own stories. There's going to be multiple stories with different youth, and they're going to be able to tell them to an audience and to have families involved, especially in San Francisco, where there's not as many programming for children. We wanted to highlight Ramon and be like, San Francisco is a place where families can thrive and have a space and with his art with his theater his puppetry. It brings to life, the humor, the joy, but also some of the hard things that we have to go through, especially through the perspective of youth and of children.   Miko Lee: [00:05:58] What is a collaborative event that you're doing this year that you're excited about?   Melanie Elvena: [00:06:02] Yeah, so We're collaborating with Sunday Streets Tenderloin to do an outdoor showcase from 1 to 4pm on June 23rd It's a street fair, two blocks on Golden Gate Avenue in the Tenderloin between Jones and Hyde Streets. We're so excited to have this partnership again with Sunday Streets and Livable City. We're going to have a whole afternoon of performances from both artists, as well as Tenderloin artists and local artists. Our Artists we're featuring is dNaga Dance Co., Johnny Huy Nguyễn & Tim Kim, Sun Park, as well as Swetha Prabakaran Productions with Nirmathi. We're just so excited for this day because last year we had such a good time. We brought the stage to this street fair and people from all walks of life came to enjoy as well as a lot of families and youth. It was just like a beautiful day where folks could just come and enjoy as well as take advantage of the free services that they had. The street fair offered, especially when we talk about the tenderloin and all the issues and problems you think of homelessness substance abuse and all those things. But, for one day, there was just like this beautiful time where everybody was just enjoying and being each other's company. That's the real San Francisco. I think that's the real beauty that we have here. The real richness and what it means to experience art together. It really brings people together and it brings some healing. I'm super excited to have this again and can't wait to be out there.   Miko Lee: [00:07:20] Thank you so much APICC, for continuing to show up and provide us with a varied experience of what it means to be Asian American for curating such an amazing event. We really appreciate your work. People can have access to all of these amazing adventures with APICC and a greater understanding of belonging here by looking at the website, which we will link to on our apex express site at KPFA. Next up, listen to elements of freedom from Scott Oshiro Part of Afro Asian futures playing Saturday, May 18th. As part of the United States of Asian America Festival.   MUSIC   That was Scott Oshiro from Afro Asian Futures playing the song Elements of Freedom. This will also be part of the United States of Asian America Festival.   Welcome Nancy Wang from Eth-Noh-Tec to Apex Express.   Nancy Wang: [00:10:18] Thank you. Thank you, Miko. Miko Lee: [00:10:20] We are so happy to have you, and I understand that Ethnotech is going to be part of APICC United States of Asian America Festival. Can you tell me about what work you're going to be presenting in APICC Festival?   Nancy Wang: [00:10:34] Yes, my piece is called Shadows & Secrets, and it's about my grandfather's death in 1924. We had all been brought up to think it was an accident, although my grandmother accused her own brother of murdering him, so no one took her really seriously, but I began to notice inconsistencies around what was going on at the time of his death. And so I've been doing a lot of research and I've come up with too many suspicious circumstances around his death. I agree with her. I think it was murder. And so my piece is about trying to find in this cold case, uh, Who could have been the murder. There are four suspects I have found, and maybe they all did it together, or maybe they all wanted to do it, but this is what this piece is about and it's multidisciplinary. So there's going to be media behind it with different photos of this restaurant. He was a very famous restaurateur in Chicago. I have six other actors who are going to do the parts. It's going to be a stage radio play genre. So it's kind of exciting with all the Foley sounds. It's going to be at the Mission Cultural Center on May 4th and 5th. May 4th at 6:30pm. and May 5th at 2pm. In addition to that, we're doing an art exhibit at 447 Minna, because there's an artist in New York, Chee Wang Ng, who has been collecting various memorabilia of Chinese restaurants in that era of the early 1900s. It is going to be really interesting to see the lavishness of the restaurants at that time, east of the Mississippi river, because both. non Chinese and Chinese were very, very much in love with Chau Sui. If they could afford it, they went to these lavish restaurants.   Miko Lee: [00:12:20] And how is the exhibit connected to your work?   Nancy Wang:[00:12:24]  Because my grandfather had one of those lavish restaurants in Chicago. He was known as the, Prince of Merchandom or the wealthiest Chinaman in the Midwest. Because of his fame and his ability to draw in like the upper crust of the lo fan or the European Americans who came to his restaurant and were loyal to him. He had more than one restaurant and they were all very lavish. You'd have opera singers and violinists from Russia. And he had a 10, 000 organ in his restaurant and he had, uh, organ player every night besides bringing in special guests. So it was really very lavish, but very suspect as to what else was going on. Everyone's dead. So I can say what I need to say. [Laughs].   Miko Lee: [00:13:14] This feels like a new genre for Eth-Noh-Tec in terms of doing a radio play and an art gallery. How, what does it feel like to expand into a new kind of medium?   Nancy Wang: [00:13:24] We saw the Ross Valley players put on a stage radio play and it was so interesting. I just love the idea of it. And it also saves the actors from having to memorize because they get to use their scripts since it's supposed to be a radio show. They all get to play different characters, so they have to find different stances and different voices, so it's a challenge for them. so it really simplifies and at the same time is really interesting and exciting.   Miko Lee: [00:13:50] I'm excited to see it because mostly your work is movement oriented. Many different forms of Asian, traditional dance forms that are moved in this storytelling style, so it will be very fun to see a new kind of work. Can you talk a little bit about how your show fits into the festival's theme of belonging here?   Nancy Wang: [00:14:09] I think, everything that happens whether they're part of the Tong Wars or they're part of, just trying to make a living, survive, it's all about trying to belong here. Even if the Tongs are at war, it's about territory. It's about saying, no, this is where I live. This is my territory. I belong here. So it's always about trying to make sure that your own way of life is going to be grounded in some kind of permanency, trying to make sure that you get to stay in this country. So, whether you have to, you end up doing it illegally, It's still about trying to stake out where you belong. That's how I see it.   Miko Lee: [00:14:51] And lastly, Nancy, talk to me about what Asian American Pacific Islander Native Hawaiian Heritage Month means to you.   Nancy Wang: [00:14:59] Well, you know, it should be our heritage all year round, but in this time that the federal government has put aside for us, , it's a way to really hone in on here we are. This is who we are. This is what we're capable of doing. This is how we think. This is how we express ourselves. We belong. Please understand. We're not foreigners forever. We have been here for seven to eight generations already. So how can you say we don't belong? This is our world. This is our country too. It's really important for us to use this time to celebrate who we are. And hopefully that the rest of the country, who are not Asian, Get to understand that and somehow create the bridge that will connect us all in some way so that diversity is celebrated rather than something to fear.   Miko Lee: [00:15:52] Nancy Wang, thank you so much. Looking forward to seeing your show as part of APICCFestival. Thank you.   Nancy Wang: [00:15:58] Thank you, Miko, for having me on your show.   Jalena Keane-Lee: [00:16:00] I am here with Gina Mariko Rosales and so excited to talk about the POC Food and Wine Festival. Thank you so much for joining us on Apex Express.   Gina Mariko Rosales: [00:16:10] Yeah, I'm so excited to be here. Thank you for having me.   Jalena Keane-Lee: [00:16:14] Can you tell us a little bit about the festival and what listeners can expect if they are to attend?   Gina Mariko Rosales: [00:16:20] Been a long time event planner, producer. We've been doing a ton of work in the Filipino community in San Francisco for over seven years. So one of our biggest festivals has been Undiscovered SF, this Filipino night market. And it's been so beautiful for us to be producing that event. But I've really had this desire to build with more multicultural communities. And so that's how this idea of POC Food and Wine was born, was really wanting to bring together multicultural communities in food, beverage, art, music and how do we bring all these folks together to build something that's bigger than any one of us? How do we share knowledge resources across our communities? So POC Food and Wine Festival is launching. It's a four day festival and we're featuring all kinds of different events, but our main event is happening on saturday May 4th. So it's the main dish where we're featuring pairings so like tastings from amazing award winning chefs. It's paired with POC winemakers, spirits, non alcoholic drinks, and beverage brands. And then of course, Make it Mariko, we always do music really big in everything we do. So of course there's going to be tons of amazing DJs and live music performers. But there's really something for everyone. You want that festival vibe, you want our after party vibe, you can come to that or we have these really amazing family meals where it's like more of the traditional sit down, coursed out, dinner service.   Jalena Keane-Lee: [00:17:45] So exciting. And for people who don't know, why is it particularly important to highlight POC winemakers and food creators? What is it about those fields that makes it difficult for people to rake into?   Gina Mariko Rosales: [00:17:57] In the mainstream spaces and all of those industries so many of these festivals, a lot of the smaller batch winemakers or just folks who don't maybe have PR agencies, they don't really get access to a lot of these festivals. And even when POC folks do get access. A lot of the time it costs a ton of money for these chefs to come and present at some of these festivals. And so that's not accessible to a lot of people who may be really amazing chefs but don't have the budget for that. So our whole goal with our festival was to create a space that was highlighting folks who don't necessarily typically get access to these big festival spaces and how do we do it accessibly for them so they can really come and be a part of it.   Jalena Keane-Lee: [00:18:41] And speaking of accessibility, I feel like wine sometimes can be something that it feels like, you know, there's a lot of clout around it or maybe some studying or something that's needed. Can you talk a little bit about the space around wine and inclusion in that field?   Gina Mariko Rosales: [00:18:57] Totally. I mean, so I'm a wine lover. I love drinking wine. I love going to wine bars. I just got back from Calistoga last week. , but sometimes the reality is a lot of these wine spaces for people of color may not feel accessible or safe or welcoming. A lot of them are, but I've definitely been to a lot of spaces where I've kind of been ignored. Or maybe I'm the only person of color in the room. Maybe you've even had the experience of feeling, getting shushed at a winery or a wine event. And that just, to me, doesn't feel comfortable. It doesn't feel like home. So we really wanted to create a wine studio. space that feels more comfortable and accessible. Even just playing music that we like, little things like that make people feel comfortable in a space like I can come as my authentic self.   Jalena Keane-Lee: [00:19:42] That's so true. I think a lot of times the culture around wine can feel a bit stuffy and exclusionary. For someone who's not sure about wine, what would you say to them about reduced barriers to entry to be a connoisseur or an appreciator of wine?   Gina Mariko Rosales: [00:19:58] This festival is a perfect way to get introduced to that culture and start to feel comfortable there people who love drinking wine But maybe don't they don't consider themselves like a wine person because they don't have knowledge about it Because we're creating these pairings for you So we're gonna be telling you like here's this bite this amazing tasting from this chef and we paired it with this drink for these Reasons, so why don't you try it out and see how you feel how you like it and if you don't then that's fine like at least you're learning something and you're getting your, foot in the door and, learning how to even do a wine tasting. So we'll be sharing some tips like that for people before they go to the festival like, all right, here's some things that you might want to know about and here's how you can taste at a wine festival. Here's how you can spit at a wine festival. Here's what these buckets are for. So we're going to help try to introduce people to that culture and make it, you know, less scary.   Jalena Keane-Lee: [00:20:51] How did you first connect with wine and what was that experience like?   Gina Mariko Rosales: [00:20:56] My dad loves drinking wine and he would always drink like the darkest, richest red wines. And so when I would taste it, I was like, I do not like this. This is gross. I started drinking my first foray into wine was like really sweet wines, like Gewürztraminer and the more I got into it, my palate started developing and I was like, okay, I'm starting to like this now and now I like this. And it changed. So I actually took a sabbatical from my company after like a really bad burnout after COVID and I got a received a wine scholarship to this program that gave me an introduction to wine that I could actually now learn and study it and that gave me so much inspiration to be like, Oh, this is something that I can do. This is accessible to me and now I'm just educating myself. And there's so many of these kinds of scholarships available for people who are. excited or curious about wine and just want to get into it and make it more of a passion. So we really want to introduce those to folks too.   Jalena Keane-Lee: [00:21:57] Wow. That's so incredible. When you're talking about who you want to come to the event, can you talk a little bit more about that of who would be the ideal audience for this event and who, or what are you hoping that they bring with them?   Gina Mariko Rosales: [00:22:11] Yeah, that's a great question. Of course, we really want those like wine lovers, wine connoisseurs, folks who are, even studying wine, going up for the WCET, or, even like high class sommeliers who are really lovers of wine and understand it really deeply because some of the winemakers we are featuring are just wine Amazing, amazing winemakers with very delicious wine. So the wine pro is welcome here and we'll have an amazing time, especially with the pairings. But The like, entry, I'm just curious about wine, and really I just like, love music and festivals in general, like you are absolutely welcome here, because who doesn't love food, first of all? People all love really delicious food and drinks, so that's gonna be there for you. Some of the other people that we'd love to come or even people who just love music. I love music. I love culture. I love dancing. That is going to be on display throughout the week. So we have some of the best DJs, not even just in the Bay Area, but in the world that are going to be showcasing and spinning at the events. There'll be line dancing galore. So even if that's more of your jam, you're going to have an amazing time too. Another group that might be really excited about coming and that we really want to come to the festival are industry people. So if you are a person who's actively working in the food, beverage, hospitality events or entertainment industry, like we want you to come. Friday night we're hosting a special event. special sip and scratch industry night reception just for the people who are working in the industry. And we're going to be hosting like a really amazing industry roundtable discussion where we want to like get people's thoughts and ideas. How do we help improve diversity in these industries? Who's out there doing it really well? What are some ideas of what we could do better? And how can we come together as the industry? Fellow folks in the industries and, you know, work together to improve that. So that's something that I'm really excited about too. We really just want to have a community conversation. Jalena Keane-Lee: [00:24:12] That's great. And you know, this is a mother-daughter radio show. And you know, my mom thought that this was more my lane, but I'm curious what you think about the parents and older generations coming through too.   Gina Mariko Rosales: [00:24:23] Oh my gosh, absolutely. Mother's Day is coming up. And we really love the idea of people buying tickets for their moms or chosen moms or aunties or dads or whoever, and bring your family to this event. It's really going to be a super family friendly. Festival where you can come, bring your parents, do all the tastings together, dance a little. I invited my parents to the after party last year Brown is Beautiful and they had an amazing time and we're just like dancing up a storm. So I definitely encourage people like make this a family friendly day and invite them.   Jalena Keane-Lee: [00:24:57] I love that. And I'm so glad that you're bringing this event to the Bay and that, you know, all of these world renowned people are going to be here in our hometown. And of course, there's so much wine production that happens nearby us as well. What is special about the Bay Area informing the idea of the event and your own worldview?   Gina Mariko Rosales: [00:25:17] I mean, I am a Bay girl born and raised. So I was born in Pacifica and raised in Daly City, San Francisco, Berkeley, you know, so I've been around the Bay and I probably will be for the rest of my life. So I just. Love it here so much. I love the creativity of people, the diversity of people and diversity of thought out here. So of course, like the festival is really highlighting the best of the Bay and we're really focusing on What are some of the amazing diverse creatives that are building here currently? What is it that makes the Bay the amazing place that it is? And highlighting some of those key businesses throughout. So they're going to come and give you tastings at the festival, but some of them have beautiful brick and mortars that really do need support outside of that. So that's one of our big goals too, is like, how do we just introduce people to new spaces that they never knew of before? Because we all know that we get stuck in our little pockets of places, even me, sometimes it's hard to get even out of like Excelsior and Soma in San Francisco, but how do we challenge ourselves to find new spaces outside of our comfort zones and then become part of a bigger community and expand our community.   Jalena Keane-Lee: [00:26:28] Yeah, I'm so glad, and that definitely happens to me too. I'll get this idea that nothing happens here, and then I'm like, girl, you're the one that's been inside, like, all this time.   Gina Mariko Rosales: [00:26:38] The thing, too, is like ever since COVID, the pandemic, we got so comfortable in these little niche spaces. And that's okay. You know, we went through trauma together, but now it's time for us to really explore and expand. And I think that doing this multicultural festival really challenges us to meet new people, meet new restaurants, meet new small businesses that we can support, and connecting people is one of the biggest goals of our festival.   Jalena Keane-Lee: [00:27:02] Yeah, and what have been some of the unique challenges that you have faced and overcome when it comes to making a multicultural festival in this place and time?   Gina Mariko Rosales: [00:27:11] Oh, man, it's definitely, it's definitely been a journey, but one I'm really, honored to be on. First off, we're long time festival producers, but new to the wine industry. And so that was really a big hump and I had to kind of get over was figuring out my way. Who's the who's who of the industry? Who's already doing diversity work? Who are some of the big players? And who can I also reach out to for help? You know, so that's been definitely a challenge. But one I'm really have been excited about because I've been meeting all these amazing new people. Secondly, we're self funding this festival. We do have some sponsors, which I'm really excited about, but the majority of the festival is self funded by our agency and we are really small startup women of color owned agency. So that alone is a lot of investment, but we feel so passionate about the space that we're trying to build and highlighting the people that we are. So we're very excited about that and really excited for the community to turn out and show their support for something like this.   Jalena Keane-Lee: [00:28:10] That's so great. Can you talk a little bit more about your agency and being a woman run business? And I know that, some of the events are at CL Space, which is also a woman owned, great studio in Berkeley. So yeah, how does that impact the festival?   Gina Mariko Rosales: [00:28:23] One of the hardest things I was like, daughters, sons of immigrants, you know, I'm a second generation. My parents came from Japan and the Philippines and immigrated here. We often deal with so much scarcity mentality, like we're just trying our best to make it. Maybe we have imposter syndrome. Maybe we're the only woman or person of color in a room. So there's a lot of challenges already from us just taking up space. So that alone has been a real mental challenge for me to even just Say like, Hey, we deserve to be in this space. The space is necessary and we want you to hear us loud and proud. You know, we say it so confidently, but there's a lot of mental work that comes behind just getting to that place of confidence to say that out loud.   Jalena Keane-Lee: [00:29:08] Absolutely. And it feels to me like the festival is really an example too of, staking a claim in the fact that we deserve joy too, and we deserve rest and play and luxury, and that as important as it is, of course, to come together across, you know, lines of difference when it comes to like urgent actions and organizing. It's also so important to be able to have that kind of space in our joy and in our leisure too.   Gina Mariko Rosales: [00:29:34] Yes. Oh my gosh. I'm so glad that you did have that takeaway because we try so hard to really just constantly put this message of, Hey folks, we know you're tired. We're tired too. And we've been doing a lot. We've been pushing a lot. We all have. And yes, we deserve nice things. We deserve joyful experiences. We deserve spaces where it's centered on us being taken care of. And that's really the kind of environment that we want to create here at this festival, a place of. You know, wellness and healing and joy, because food is healing. Food is also connection, food is culture. So by creating this space, also like, you know, we have, we're featuring a CBD wine sound bath. You know, there's all kinds of other activities. So come be fed in your, in your belly, but also of your heart and your mind, you know, take care of that too. So it's this holistic approach to joy and healing.   Jalena Keane-Lee: [00:30:30] I love that. And how does your own cultural background impact, why you wanted to create this event and how you organize?   Gina Mariko Rosales: [00:30:37] Oh, yes. So I'm Filipino Japanese, and there's not many Filipino Japanese people around my age, mainly because of, like, that was like World War II time, that our grandparents were kind of coming together. So, I take a lot from both of my cultural backgrounds that kind of helped me determine like, what I do and how I curate, you know, Japanese people are so beautiful at creation and curation and really just like honing a craft and becoming well at it. I take a lot of inspiration from that and try to really do that for myself. But when it comes time to party time, Filipinos. know what is up. And so a lot of my curation of how I plan parties and festivals comes from my Filipino upbringing and what a Filipino family party looked like. You know, tons of food, karaoke, singing, drinking, you know, laughing. Like that is my background and what I want to bring to every festival we produce.   Jalena Keane-Lee: [00:31:40] I love that. And you know, as someone born and raised in the Bay Area who did a lot of theater growing up, I have been to many a Filipino party. They're always amazing. Great, great food, great, uh, singing. Although some content is a bit competitive, but [Laughs].   Gina Mariko Rosales: [00:32:00] Absolutely. You might even see my mom there and then, you know, it's like a big party. She'll just be welcoming everyone at the front.   Jalena Keane-Lee: [00:32:06] That's so sweet. Um, what are three of your like highlights of the festival? Like things that you're really, really looking forward to? Gina Mariko Rosales: [00:32:17] First is basically our Main Dish Palate Pass Experience. That's what we're calling it. And that's basically the 14 to 15 chef pairings with beverage that you're going to get to experience at the main dish. We're really excited because we've paired these amazing chefs. With the multicultural beverage providers creating these collaborations that never existed before. I'm really excited about our opening family meal that is going to be, hosted by Chef Reem Assil of Reem's California. So we're really highlighting the Palestinian family meal experience, which is going to be served family style. So I'm really excited because Chef Reem is just, just a joy that cooks straight from her soul onto the plate. So I'm excited to experience that intimate dinner. And I'm really excited about our Brown is Beautiful after party. So that's the one that's sponsored by like Bacardi and Doucet and Case Tea. So this whole mix of like spirits and also non alcoholic Asian tea and putting together this fashion forward after party experience where people just get to come and enjoy and get down.   Jalena Keane-Lee: [00:33:26] That sounds great. We've talked about the wine and the food and a little bit about the music too and how important that is. I know that there's also a marketplace. What can people look forward to from the marketplace?   Gina Mariko Rosales: [00:33:38] Yeah, we're so excited about featuring about 15 retail vendors who are going to be selling some amazing array of goods. So like jewelry, cookbooks, we're even going to have a vendor doing like massages and chiropractic services. So there's going to be this huge mix of vendors. selling their goods as well, selling some art, selling pastries too. If you can't get enough from the tastings, you can buy extras on the side. So there'll be so much stuff for you to explore in this 40, 000 square foot space at CL.   Jalena Keane-Lee: [00:34:12] Beautiful. Is there anything else that you'd like to share?   Gina Mariko Rosales: [00:34:15] I think the last thing is I just really want people to come as themselves in whatever capacity that is and really just to be ready and open to meet whoever comes along. I know it sometimes can be hard for folks to get out nowadays, can feel really introverted, and we really just want people to feel like they're coming to a giant family party where we're all welcome.   Jalena Keane-Lee: [00:34:38] Amazing. And yeah, I'm sure it is going to feel just like that and so much joy and how important it is in this time to have a space that is centered on joy and, building up our resilience and resistance through just things that are fun and pleasurable and full of culture.   Gina Mariko Rosales: [00:34:57] Absolutely. Yes, absolutely. And centering our cultures and our stories center stage.   Miko Lee: [00:35:03] Next up listen to StayGo from DARKHEART,  A Concert Narrative by singer, & songwriter Golda Sargento playing at Bindlestiff through May   MUSIC   That was the voice of Golda Sargento from the new Filipina|x|o Futurism Punk Rock Sci-Fi  DARKHEART at Bindlestiff thru May.   Jalena Keane-Lee: [00:39:04] Hi, everyone. I'm so happy to be joined by Thuy Trần, the Festival and Exhibitions Director of CAAM, or Center for Asian American Media. Thanks so much for joining me, Thúy.   Thúy Trần: [00:39:15] Thank you for having me. I'm so excited.   Jalena Keane-Lee: [00:39:18] We're so excited too. We're such big fans of CAAM and, you know, long time participants and audience members, what do we have in store for CAAM 2024 this year?   Thúy Trần: [00:39:29] Yes. So CAAMFest is May 9th through the 19th is the leading showcase for Asian American talent and film, food, and music. And we're probably the only festival where you can see this large concentration of Asian American media. So the last few years we've expanded to having multidisciplinary programs with food and music. And what's really important for us is, you know, curating, A holistic and experiential experience for a guest, whether you're a filmmaker, artist or audience member. and so I guess a couple of things that, I feel really excited about this coming year. Of course, we have our opening night this is going to be at a brand new venue, new to Camp Fest, we'll be at the Palace of Fine Arts up in the Presidio and our opening night film is Admissions Granted, by Hao Wu and Miao Wang. and it follows the events leading up to the overturning of affirmative action and all the players that are involved. And, afterwards, there will be the opening night gala at the Asian art museum. We have some amazing chefs. And food vendors confirmed there, including Audrey Tang of Batik and Baker, their Malaysian pastry pop up, Sita's Kamai Kitchen. We also have Patty Liu from Gear of the Snake, another Asian American pop up in Berkeley, and Melissa Chu, who's the pastry chef of Grand Opening. And she used to work at Mr. Ju's. and of course you have music by DJ Dree Lee, who's the resident DJ and organizer of Honey's and Hot Sauce, and you'll frequently see them DJing at Jolene's and, you know, other venues across the Bay Area.   Jalena Keane-Lee: [00:40:59] Incredible. Well, that sounds really exciting. what are some upcoming dates that people need to keep in mind? Are the tickets available already, or what's kind of upcoming?   Thúy Trần: [00:41:07] Dates are available. You can get them online at camfest.Com. and, the dates are May 9th through the 19th, with most of our programming concentrated during the two weekends.   Jalena Keane-Lee: [00:41:17] Perfect. And what's an event or a screening that you personally are really looking forward to?   Thúy Trần: [00:41:22] I'm looking forward to a lot. I mean, of course, our centerpieces are pretty amazing. You know, we have our centerpiece documentary called Q by Jude Chehab. and that one is on May 11th at the SFMOMA, Jude made this film to save her mother, who's been deeply indoctrinated into a mysterious religious order that has has woven through three generations of their matriarchal lineage. Another film that I'm really looking forward to is, Ashima by Kenji Tsukamoto and this is about 13-year-old rock climbing prodigy Ashima. It follows her trying to solve a, I think it was like a grade 14 boulder problem, something really advanced. and she does this with her coach, who's an eccentric retired avant garde dancer who has zero professional climbing experience and also happens to be her father. So it's a really touching, tender documentary. and of course we also have our food programs as well. One of the programs this year highlights, Chef Tracy Koh from Damansara, as well Chef Emily Lim from Davao, Singapore. So they are coming together for a really specially curated menu, celebrating Malaysian and Singaporean cuisine and this will take place on May 14th at Damansara. We also have our Directions in Sound, music concert that's a collaboration with the Yerba Buena Gardens Festival, and we are highlighting Tao formerly of Tao in the Get Down, Stay Down, she's a local, Bay Area musician, and she had a CAAM funded documentary called Nobody Dies back in 2017. So we're all really excited about these programs.   Jalena Keane-Lee: [00:42:53] Beautiful. So many fun and exciting things coming up. So many things to do in the Bay. And we'll link to the tickets and all the other information in our show notes, too, for anyone listening who wants to figure out how to get tickets. When you were kind of building up the program for this year and going over all of the submissions, were there any themes or anything that stood out that's kind of maybe unique to this year?   Thúy Trần: [00:43:15] Definitely. This is, in election year. We want folks to go out and vote and also thinking about the social issues that are important to us. So we do have a couple of films that talk a lot about, just empowerment through community building. And so many of our stories come from their personal stories from our chefs. And we're also looking at CAAMFest as, we're shining a light on truth tellers. and thinking how we're lifting the truth of our stories, how these stories are brave and beautiful, bizarre, and they're all true of something, right? They're ours, and they're generous expressions of what impacts us, what matters, and what we long for and imagine. So those two themes were really resonant for us throughout this entire curatorial process.   Jalena Keane-Lee: [00:44:02] That makes so much sense. And I love the films that you highlighted. Jude is one of my really close friends and I can't wait to see her screening here in that year. You're bringing her to the Bay Area. I'm so excited for that. And I saw Ashima in the fall and I love that one too.   Thúy Trần: [00:44:15] Oh, that's so amazing. I know we're flying Jude in from out of the country. So it's going to be really special. We're actually, you know what, her mom is going to be with us as well. I know. So it's going to be really special. Jude was saying that her mom, I think she was only able to make it out for their world premiere at Tribeca. Right. And so we're, yeah, it's going to be, it's going to be really incredible to have both of them on stage.   Jalena Keane-Lee: [00:44:41] Wow, that's gonna be, that is an event that you cannot miss, everyone listening. It's gonna be so phenomenal, and Q is truly breathtaking, as is Ashima, and I'm sure all of the other films that were programmed, and it's just so beautiful to see how diverse and unique and, you know, everything you're talking about our community is, and so much breadth and depth, so thank you so much for hosting this event and bringing us all together.   Thúy Trần: [00:45:06] Awesome. And thank you, Jalena, for again, having me and of course, like all the wonderful work and art that you create.   Jalena Keane-Lee: [00:45:13] Thank you. Is there anything else that you'd like to share before we wrap up?   Thúy Trần: [00:45:16] I just want to say that, you know, everyone is, of course, invited, and I just want folks to know that, yes, lifts Asian American storytellers, but ultimately it's for everyone, it's for the community as a whole, and we really encourage you to bring all of your friends, your family, tell everyone. We really rely on our community bringing folks in. It's a really special time to get folks together too. This is a great way to celebrate Asian American Heritage Month.   Jalena Keane-Lee: [00:45:44] Exactly. And you know, you don't have to be Asian American to celebrate the month and learning about Asian American stories from Asian American storytellers is a great way to do that.   Thúy Trần: [00:45:56] Yes, a hundred percent.   Jalena Keane-Lee: [00:45:58] All right. Thank you so much. Hope you have a great rest of your day.   Thúy Trần: [00:46:01] Thank you.   Miko Lee: [00:46:02] Welcome Cyn Choi to Apex express. We are so happy to have one of the co-founders of Stop AAPI Hate on Apex express.   Cyn Choi: [00:46:12] Thank you so much, Miko, for having me.   Miko Lee: [00:46:14] Can you tell us where Stop AAPI Hate comes from?   Cyn Choi: [00:46:19] Stop AAPI Hate was born out of a crisis moment for our community nearly four years ago when COVID was being racialized we decided to create a reporting center. So we can have everyday people share with us what was happening to them. With that data and those stories, we have been able to establish number one, that this was a pervasive issue that we needed to have a robust response to the different forms of hate and discrimination and harassment that our communities were experiencing. We've used that to advocate for meaningful change and we've done that in a myriad of ways at the grassroots level, policy, local, state, and national level.   Miko Lee: [00:47:04] And you have grown with your collaborators Stop AAPI Hate from a conversation around a table about what was going on in the world into a national movement. What does that feel like for you to be a founder of this?   Cyn Choi: [00:47:17] It's really humbling, and I think what's really important to note is that, of course we have experienced racism, discrimination, ,and violence throughout our history, and it defines our experience in many ways, and that our movement Is robust and diverse, and it's both about we are shaping this country the ideals of a multiracial democracy. And obviously, we have contributed in ways that I think are really important to lift up and to celebrate. And unfortunately, that's not really taught within our public education system. It's not what we talk about within our families. And that is something that I think is really important to note, especially in light of AAPI Heritage Month.   Miko Lee: [00:48:13] Can you tell me a little bit about what AAPINH Heritage Month means to you personally?   Cyn Choi: [00:48:19] I think Heritage Month becomes a time where we get to focus on our history which includes our history of resilience, resistance and solidarity, where we get to in our own words and share with our own stories what that means. It allows. others to have exposure. And so we think that focusing on our heritage and what that all means within the month of May is really just our opportunity to share what that means for us.   Miko Lee: [00:48:49] Thank you for sharing that. I wanna step back and ask a question about you, and I am wondering who you are, who your people are, and what is the legacy that you carry with you from your people?   Cyn Choi: [00:49:03] First and foremost I have to name that I am a daughter of immigrants. My parents came to the United States, to California specifically in the early sixties. And they benefited from the lifting up of really severe restrictions. quotas that allowed my family and so many others so I think that's incredibly important and the legacy of the civil rights movement that really pushed for and advocated for these kinds of changes. It continues to define who I am in terms of how I see the world. And it really does inspire me in terms of my advocacy work. It makes sense that I have been concerned about removing barriers and opening up opportunities for immigrants, for refugees, for women and girls and people who have been traditionally locked out. And so I know that my inspiration and my grounding comes from that. My people, that's an interesting one for me to answer because I'm a part of so many different communities, a community of activists, a community of mothers who wants to raise their children so that they are compassionate I am a part of a community of organizational leaders that is really trying to make sure that whatever we do, we are Thinking seven generations ahead, what are we trying to build? What are we trying to nurture? And for me, that's not just a privilege, but it certainly is a feeling of responsibility. So I'm a part of a lot of communities that make me feel grounded and accountable to.   Miko Lee: [00:50:42] Thank you, Cyn. Can you share with us this new campaign that Stop AAPI Hate is showcasing during our Heritage Month?   Cyn Choi: [00:50:50] We have been working on a new campaign called Spread AAPI Love. It's a project of Stop AAPI Hate, and it's specifically for AAPI Heritage Month. It's a storytelling campaign that amplifies the voices of Asian Americans and Pacific Islanders. It's about stories of resilience, it's celebration, solidarity, resistance. It's from everyday people, it's from community members. We want to hear from our communities. It's also about highlighting those in our community who represent many of the values that we uphold around solidarity, around unity around justice. and equality and it's about harnessing our joy and power and our cultural pride.   Miko Lee: [00:51:35] What inspired this campaign?   Cyn Choi: [00:51:37] After four years of emphasizing and highlighting the rise of hate and structural racism against our communities, we really wanted to center more affirmative narratives. Of who we are and the power that we have to create change. We are not victims of hate. We are more than a series of tragic headlines. We are a richly diverse group of people. And again that is about joy. It's about our power. It's about our collective power and a celebration of our diversity and with that it is pride and the sense that we have come from somewhere. That we have journeyed, we are still on this journey of establishing belonging, in a sense that we have collective fate and shared fate, not just amongst and within our AAPI communities, but with other communities as well.   Miko Lee: [00:52:31] And what do you hope that the community will understand or walk away with after hearing some of these stories?   Cyn Choi: [00:52:37] One of the things that we're really trying to uplift is, that we have to focus beyond acts of hate, that it is about, as I said, our power and joy, but also that We need to tend to healing from this trauma. We need to be able to sustain ourselves because this work is long term and we also need to uplift the fact that. It's not just visibility. But it's about what do we do in these moments. So it's about mobilizing community members to take action. There's aspects of it where it's about representation. We want to amplify the voices, the many voices and perspectives and experiences. So that our community members feel seen. and heard and represented. Again, it's about healing. So we want to really promote this idea that we can heal, that we can overcome moving from a place of anger to really be anchored in love. from a place of love. And that needs to be our driving motivation. It's about the narrative change. What are the stories that we're able to tell? From our own voice. It's about being affirmative about the richness and diversity of our communities and that we have never been a monolith and that it's important that we also uplift those that tend to be underrepresented within our communities.   Miko Lee: [00:53:59] And how can people get involved in this campaign?   Cyn Choi: [00:54:02] One of the fundamental ways that we're hoping to engage with people is we're going to invite people to share their stories. And so we have a campaign microsite. It's spreadaapilove.org. This is where we're going to feature stories. People can submit stories, video, audio, art, photography. We're going to highlight some amazing people who have turned. A tragedy or an experience of racism into something positive. We also want to just hear everyday stories about what makes you feel proud. What makes you, what do you want to lift up about your experience, your family's history? And it could be something as simple as cooking together. It could be as simple as understanding your family's contribution, whether it's in your local community or in the schools, in your neighborhoods.   Miko Lee: [00:54:53] Cyn, I understand that there has been some research that's been recently released around some of the work of Stop AAPI Hate. Can you share with us about that research and what it says?   Cyn Choi: [00:55:02] Another aspect of our research and data collection is we also do nationally representative surveys. And one of the things that we wanted to learn more about is what really motivates people when it comes to taking action against racial injustice, and our research shows that APS are actually more motivated By positive factors like hope acts of solidarity and cultural pride and some of the statistics that I want to share with you, which was really enlightening to me is when we asked them about if this is motivating 81 percent said that hope for a better future for younger generations was really motivating. It was one of the top 72 percent said that seeing the collective efforts of AAPIs to combat racism, that was number two. And then 69 percent said that feeling strongly connected to their ethnic and racial identity. And so that could take many different forms. And then finally what was a motivating factor? To get involved to take action was, of course, their own direct experiences with hate, and that was roughly a little over 60 percent. And so what that really tells us is that we need to share more affirmative stories about how everyday people are choosing to be grounded in love, to take affirmative steps, to do acts of care, of solidarity to feel that they are doing this as part of a larger movement. And that is really driving in large part our spread API love campaign and the work that we're doing every day.   Miko Lee: [00:56:40] Thank you. It's so important to hear positive stories and hear about the work that's going on in the community. Thank you so much for joining us today. We will put a link to the campaign on our website so people can access this and share their own stories. Thank you so much, Cyn, for joining us today.   Cyn Choi: [00:56:57] Thank you, Miko.   Miko Lee: [00:56:59] Please check out our website, kpfa.org to find out more . We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. Apex express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Hien Nguyen, Jalena Keane-Lee, Miko Lee, Nate Tan, Paige Chung, Preti Mangala-Shekar, and Swati Rayasam. Tonight's show was produced by Miko Lee and edited by Ayame Keane-Lee. Have a great night.     The post APEX Express – 5.2.24 – Celebrating AAPINH Month! appeared first on KPFA.

Welcome to CAAMFest (Center for Asian American Media) 2023, where we're covering a documentary on our favorite pool player of all time, Jeanette Lee VS.Director Ursula Liang and Jeanette Lee (aka the Black Widow) sat down with us to share how this film came to be during a very life changing time for both of them. Ursula shares some insight for indie filmmakers on being commissioned to direct a film, and the importance of us being able to tell our own stories. Jeanette Lee opens up about being vulnerable on camera, and how she dealt with mansplaining at the pool table. Then Jeanette gives an update on her stage 4 cancer diagnosis, and shares some words of inspiration.Watch Jeanette Lee VS on ESPN hereFollow Jeanette Lee on IG & FB & TwitterFollow Ursula Liang on IG & Twitter--Thanks for listening and for your support! We couldn't have reached 10 years, 700 episodes or Best of The Bay Best Podcast without your help! --Be well, stay safe, Black Lives Matter, AAPI Lives Matter, and abortion is normal.--SUPPORT US HERE!Subscribe to our channel on YouTube for behind the scenes footage!Rate and review us wherever you listen to podcasts!Visit our website! www.bitchtalkpodcast.comFollow us on Instagram, Facebook, and Twitter.Listen every Tuesday at 9 - 10 am on BFF.FMPOWERED BY GO-TO Productions 

May is Asian American and Pacific Islander Heritage Month, and every May, the Center for Asian American Media (also known as CAAM) puts on CAAMFest, a ten-day excursion into film, music, food and culture that highlights the contributions of Asian Americans and Pacific Islanders.  To hear more about what CAAM does to celebrate AAPI communities in May and year-round, KCBS Radio's Mallory Somera attended opening night of CAAMFest and caught up with Stephen Gong, Executive Director of CAAM.

Jason Rhee is an emerging documentary filmmaker who is editing his first film: EJ Lee: All-American . Eun Jung Lee, known as EJ, was a college basketball star in the 1980s, nicknamed "the Korean Magic Johnson of NCAA women's basketball."  She went on to work at her alma mater, University of Louisiana Monroe (ULM) as an assistant coach and recruiter for over twenty years. In 2022, at the age of sixty, after years of rejections, she finally was named head coach of a college basketball team in Texas.  Jason Rhee had been a comedy writer but was so taken with EJ's journey that he became a documentary filmmaker to be able to tell her story. In the podcast, we talk about EJ, how her story moved him so deeply, the connections he saw between EJ and his recently deceased mother-- an undocumented immigrant from Korea who had endured a great deal of hardship--and how EJ's story also speaks to the larger Asian-American experience in the United States. He also talks about the importance of basketball in his own life and the sisterhood he sees in the team EJ is now coaching. We discuss his pivot to doc filmmaking, his fellowships at Kartemquin and the Center for Asian-American Media, and the challenges and joys of documentary film.  Let us know what you think about Art Works—email us at artworkspod@arts.gov. 

Jason Rhee is an emerging documentary filmmaker who is editing his first film: EJ Lee: All-American . Eun Jung Lee, known as EJ, was a college basketball star in the 1980s, nicknamed "the Korean Magic Johnson of NCAA women's basketball."  She went on to work at her alma mater, University of Louisiana Monroe (ULM) as an assistant coach and recruiter for over twenty years. In 2022, at the age of sixty, after years of rejections, she finally was named head coach of a college basketball team in Texas.  Jason Rhee had been a comedy writer but was so taken with EJ's journey that he became a documentary filmmaker to be able to tell her story. In the podcast, we talk about EJ, how her story moved him so deeply, the connections he saw between EJ and his recently deceased mother-- an undocumented immigrant from Korea who had endured a great deal of hardship--and how EJ's story also speaks to the larger Asian-American experience in the United States. He also talks about the importance of basketball in his own life and the sisterhood he sees in the team EJ is now coaching. We discuss his pivot to doc filmmaking, his fellowships at Kartemquin and the Center for Asian-American Media, and the challenges and joys of documentary film.  Let us know what you think about Art Works—email us at artworkspod@arts.gov. 

Artist, filmmaker, and Assistant Professor for the School of Contemporary Arts, Nadia Shihab, sits down with Am Johal to explore her path as a filmmaker. Nadia begins by sharing her university days as an Iraqi student at the University of Texas, feeling a personal sense of loss from the war, and burnout from her student activism within a conservative state. She speaks of this as the inspiration for her first film, I Come from Iraq. Nadia also explores the inspirations and meanings of her other films, such as Amal's Garden and Jaddoland. She and Am also explore her urban planning background, and Nadia shares some advice for aspiring student filmmakers. Full episode details: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/205-nadia-shihab.html Read the transcript: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/transcripts/205-nadia-shihab.html Resources: Nadia's website: https://www.nadiashihab.com/ I Come from Iraq: https://vimeo.com/59374843 Amal's Garden: https://www.nadiashihab.com/amalsgarden-archived Jaddoland: https://www.nadiashihab.com/jaddoland Echolocation: https://www.nadiashihab.com/echolocation 57 Manchester: https://www.nadiashihab.com/57manchester Bio: Nadia Shihab is an artist and filmmaker whose work explores the personal, the relational, and the diasporic. Her studio practice includes film, collage and sound. She is the director of several short films and the feature-length film JADDOLAND, which was awarded five festival jury awards, including the Independent Spirit "Truer than Fiction" Award, and went on to broadcast for two seasons on US public television. Her work has shown in exhibitions and festivals internationally, including at the Centre Pompidou, Walker Art Center, Berkeley Art Museum, Dubai International Film Festival, DOXA, CAAMFest, and New Orleans Film Festival. She is the recipient of fellowships and support from the Sundance Institute, Center for Asian American Media, Firelight Media, and Tribeca Film Institute, and has been an artist-in-residency at the MacDowell Colony and Djerassi Residency. Her creative practice is bolstered by over a decade of experience as a community practitioner. She holds an MFA in Art Practice (UC Berkeley, 2021), as well as a Master in City & Regional Planning (UC Berkeley, 2009) – a degree which grounds her art practice within critical understandings of urban space and practical training in ethnography. Her community-based work includes Fulbright research in southeastern Turkey, and facilitating projects spanning affordable housing preservation, refugee youth mentorship, and community-guided philanthropy. She was raised in west Texas by immigrant parents from Iraq & Yemen. Cite this episode: Chicago Style Johal, Am. “Film and the Political — with Nadia Shihab.” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, March 14, 2023. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/205-nadia-shihab.html.

SuChin Pak, journalist, producer, and cohost of the Add to Cart podcast, joins Jerry to share how the Pak family came to America, her career in journalism, and the journey from California to New York. Listen in as SuChin and Jerry talk about understanding representation in the media (and the lack thereof), the impact of being an Asian American newscaster on MTV before social media, and using your voice to speak out during difficult times. Buy SuChin's book, My Life Growing Up in Asian America, and listen to her podcast Add to Cart wherever you listen.Meet SuChinSuChin Pak is a veteran journalist who has been hosting and reporting the news for over 25 years. She has reported on ABC, NBC, Discovery Networks, Oxygen and E!. She is most known for her long career as the only female reporter for MTV News. From hosting red carpet shows, to reporting on presidential elections, international relief efforts and covering some of the biggest headlines in news, Pak has been a dedicated journalist since reporting on her first show at the age of 16.Connect with SuChinInstagram: https://www.instagram.com/suchinpak/?hl=enTwitter: https://twitter.com/suchinpak?lang=enWeb: https://lemonadamedia.com/show/addtocart/ Buy her book:My Life Going Up Asian In America: https://www.capeusa.org/my-life-growing-up-asian-in-americaThis episode of Dear Asian Americans is brought to you by the Quarter Pounder with Cheese from McDonald's. It's QPC time. Did your mouth just water? The QPC is the burger that breaks the norms of etiquette, the burger that napkins were made for, the burger that's saucy, drippy, oozing with flavor, always cooked when you order. So the next time you want a mouthwatering burger, order the QPC from McDonald's!// Support Dear Asian Americans:Merch: https://www.bonfire.com/store/dearasianamericans/Buy Me a Coffee: https://www.buymeacoffee.com/jerrywonLearn more about DAA Creator and Host Jerry Won:LinkedIn: https://www.linkedin.com/in/jerrywon/Instagram: https://www.instagram.com/jerryjwon/// Listen to Dear Asian Americans on all major platforms:Transistor.fm: http://www.dearasianamericans.comApple: https://apple.dearasianamericans.comSpotify: https://spotify.dearasianamericans.comStitcher: https://stitcher.dearasianamericans.comGoogle: https://google.dearasianamericans.com  Follow us on Instagram:  http://www.instagram.com/dearasianamericans Like us on Facebook: http://www.facebook.com/dearasianamericans Subscribe to our YouTube: http://www.youtube.com/dearasianamericans // Join the Asian Podcast Network:Web: https://asianpodcastnetwork.com/Facebook Group: https://www.facebook.com/groups/asianpodcastnetwork/Instagram: https://www.instagram.com/asianpodcastnetwork/Dear Asian Americans is produced by Just Like Media:Web: http://www.justlikemedia.comInstagram.com: http://www.instagram.com/justlikemedia

Delia and Dawn talk about Asian Americans in the media when they were growing up, and how that contrasts with the landscape of Asian Americans in the media for their kids.

Frances Kai-Hwa Wang is a prolific writer, passionate speaker, multicultural educator, and activist on Asian Pacific American issues. In her new collection of essays, You Cannot Resist Me When My Hair Is in Braids, she navigated the space between cultures and reflects on lessons learned from both Asian American elders and young multiracial children. It's a rich space, filled with linguistic nuance that Wang so deftly weaved throughout her writing. In the aftermath of a messy divorce, Wang writes in hope of beginning to build a new life with four children, bossy aunties, unreliable suitors, and an uncertain political landscape. Her essays are peppered with a wide range of topics, including cooking food to show love, surviving Chinese School, being an underpaid lecturer, finding love in a time of elections, crying with children separated from their parents at the border, charting the landscape of frugal/hoarder elders during the pandemic, witnessing COVID-inspired anti–Asian American violence while reflecting on the death of Vincent Chin, teaching her sixteen-year-old son to drive after the deaths of Trayvon Martin and George Floyd, and trusting the power of writing herself into existence. Within the lyric essays, Wang found the courage and hope to speak out for herself and for an entire generation of Asian American women. Frances Kai-Hwa Wang is an award-winning poet, essayist, journalist, activist focused on issues of Asian America, race, justice, and the arts. Her writing has appeared at NBCAsianAmerica, PRIGlobalNation, Center for Asian American Media, Detroit Journalism Cooperative, Cha Asian Literary Journal, Kartika Review, Drunken Boat, and the Joao Roque Literary Journal. She co-created a multimedia artwork for Smithsonian Asian Pacific American Center, is a Knight Arts Challenge Detroit artist, and is a Communities Correspondent for the PBS NewsHour out of Dearborn/Detroit. Buy the Book: You Cannot Resist Me When My Hair Is in Braids (Made in Michigan Writers) (Paperback) from Third Place Books Presented by Town Hall Seattle. To become a member or make a donation click here. 

David nominated this Movie-Go-Round Future Classic, Kubo and the Two Strings. This 2016 stop-motion animation film is inarguably gorgeous, and beautifully made, but it is not without its controversy. We talk about the low Asian representation in casting, touch on parental mental illness, and debate how astute a 10-year old should be expected to be when confronted with a magic monkey. Come check it out! The article David references early in the show can be found on the website for the Center for Asian American Media. Email the show at hi@mgrpodcast.com. Find us online by heading over to mgrpodcast.com. Help shape the show by voting during You Did This to Us polls every 5 weeks on our site and social media! Movie-Go-Round is hosted by Nicole Davis, David Luzader, and Brett Stewart. The show is edited by Brett Stewart and Nicole Davis. Our theme, "The Show Must Be Go," is by Kevin MacLeod and used under license to Tilting Windmill Studios. Movie-Go-Round is hosted on Pinecast. Get 40% off your first 4 months using code r-7ca2df.

Welcome to Beyond The Fog Radio! Recording for Season 3 is underway, but in the meantime, our team wanted to take a look back at some of our favorite episodes from both Season 1 and Season 2. This week, our spotlight is on the culturally and historically rich community of Chinatown — and who better to tell us about this amazing neighborhood than the equally amazing David Lei? In April of 2021, the Beyond The Fog Radio team had the honor to speak to Mr. Lei, a retired social worker and businessman who currently works with various nonprofit organizations to promote community-building, youth education, and the arts. He is an active participant within the Chinese Performing Arts Foundation, the Asian Art Museum, the Chinese-American Community Fund, Chung Ngai Dance Troupe, the Academy of Chinese Performing Arts, the World Arts West San Francisco Ethnic Dance Festival, the Bancroft Library, and the Center for Asian American Media — and a tried-and-true San Franciscan and wonderful human being. Meet David Lei!

In this episode, filmmaker and writer Quyen Nguyen-Le talk about their films, generational divides, queer stories, and struggles with self-identity. Quyên Nguyen-Le (they/them) is a queer vietnamese american filmmaker and writer. Born to refugee parents in the place where Chumash and Tongva lands meet (San Fernando Valley, Los Ángeles), Quyên's work focuses on the ways histories emerge in the quotidian everyday. Their short films Nước (Water/Homeland) (2016) and Hoài (Ongoing, Memory) (2018) have screened in film festivals, museums, art galleries, universities, libraries, and community spaces worldwide. Recently, Quyên's documentary The Morning Passing on El Cajón Boulevard, a segment of a 4-part feature anthology, premiered as the Opening for the 20th San Diego Asian Film Festival. In the past, Quyên was a recipient of the Emma L. Bowen Foundation's Fellowship at Focus Features/NBCUniversal (2011-2013), Visual Communications' Armed with a Camera Fellowship (2016), the National Multicultural Alliance's documentary fellowship with the Center for Asian American Media (2018), and Points North Institute's North Star Fellowship (2019). Quyên holds B.A. in Comparative Literature and Philosophy, Politics & Law from the University of Southern California.

Lisa Yadao is a badass producer/director/screenwriter that we first met at a Center for Asian American Media event in 2018. We bonded over our mutual love of food, and it's fitting that she is now here to talk about her exciting new food doc series, Roots & Wings. The series "profiles WOC chefs who use food as a conduit for cultural awareness and as a means of perpetuating their cultural traditions". And the first episode highlights Yana Gilbuena, a traveling Filipino chef bringing Kamayan food to the people, one state at a time. We get into Lisa's company, Paper Tongue Productions, how they chose which chefs to highlight, the importance of the series being 100% female made and majority BIPOC, the awesome perks on their GoFundMe campaign, and the perks of being Filipino. We had a lot of fun with this one, and we think this is the beginning of a beautiful friendship. You can help bring Roots & Wings to completion by donating to their GoFundMe campaign right now!You can follow Lisa Yadao on IG & FB Paper Tongue ProductionsRoots & Wings: Yana GilbuenaThanks for listening and for your support! We couldn't have reached 600 episodes without your help! --Be well, stay safe, Black Lives Matter, AAPI Lives Matter, and thank you for being vaxxed!--SUPPORT US HERE!Subscribe to our channel on YouTube for behind the scenes footage!Rate and review us wherever you listen to podcasts!Visit our website! www.bitchtalkpodcast.comFollow us on Instagram, Facebook, and Twitter.Listen every other Thursday 9:30 - 10 am on BFF.FMPOWERED BY GO-TO Productions 

// Meet Hanna LeeInstagram / Twitter  Show Resources Get your copy of The Ones Who Misbehave! Visit Hanna's Website!  In this episode we talk about: Intro (Happy Pride Month!): 0:00 Please welcome, Hanna Lee: Origin Story: 5:51 Developing Relationships in Topeka, KS: 15:32 Jerry Won, the “Stan Lee” of Asian American Media: 21:13 Re-recognizing Your Asian Identity: 24:48 Influences Growing Up: 28:45 The Journey Towards Writing: 32:23 The Ones Who Misbehave: 37:48 Advocacy, Activism, and Using Our Voices: 44:57 SMOOTH LIKE BUTTER: 59:50 ---// Support/Follow the Show! Online at janchishow.comSupport the show at janchishow.com/support Facebook, Twitter, and Instagram: @janchishowJoin our Group! janchishow.com/afterparty Watch our Youtube Videos The Janchi Show Quick BioWe're three Korean Adoptees spread out around America and each of us are at different stages in life. We'll talk about the Korean adoptee experience from our perspectives and learn more about our shared culture, usually with food. And it won't just be the three of us; each week we'll have other adoptees from all over the world joining us to talk about what makes us similar and what makes us unique. So join the party!// Meet the Janchi Boys!Nathan NowackNathan was adopted from Seoul and raised in a small town in Oklahoma by a loving family and adopted sister.  After college in Colorado he later moved to Los Angeles to pursue a digital media career and eventually started 2 photography companies.  He has a wife and 3 kids and has reconnected with his biological family in 2014. Connect with Nathan! Website: http://www.nathannowack.com LinkedIn: http://linkedin.com/in/nathann/ Instagram: http://instagram.com/nowackphoto Patrick ArmstrongPatrick was adopted from Seoul and raised in a small(er than Nathan's) town in Indiana. After dropping out of college, he travelled around, working a variety of jobs before co-founding the All Times Are Local Foundation with his adopted sister in Chicago. He currently lives in Indianapolis with his fiancé and is 7 seconds into his journey of exploring his Korean-American adoptee identity. Connect with Patrick! Website: http://www.alltimesarelocal.org LinkedIn: http://linkedin/in/patrickarmstrong219 Instagram: http://instagram.com/patrickintheworld K.J. RoelkeKJ was adopted from Daegu and raised in Dallas, Texas with his two biological, older siblings and his younger sister, adopted from Russia. He graduated from Greenville College and has served as the Worship & Creative Director at Schweitzer Church in Springfield, Missouri since then. He is married, with no children (yet!), and has been on his journey of discovery since 2015.Connect with K.J.! Website: http://kj.roelke.info/ LinkedIn: http://linkedin/in/kjroelke Instagram: http://instagram.com/kjroelke // Listen to/Watch The Janchi Show on all major platforms: Apple: http://janchishow.com/apple Spotify: http://janchishow.com/spotify Youtube: http://janchishow.com/youtube // Join the Asian Podcast Network: Website: https://asianpodcastnetwork.com/ Facebook Group: https://www.facebook.com/groups/asianpodcastnetwork/ Instagram: https://www.instagram.com/asianpodcastnetwork/  // The Janchi Show is produced by Just Like Media: Website: http://www.justlikemedia.com Instagram: http://www.instagram.com/justlikemedia Executive Producer: Jerry WonCreative Director: Michelle NamAudio & Video Engineer: K.J. Roelke

Masashi Niwano is the Festival Exhibition Director for the Center for Asian American Media's film festival, CAAMFEST. This year's festival is virtual, so anyone from anywhere can attend! I especially encourage Asian American filmmakers from the American south to check it out since CAAM is partnering with other groups to support your endeavors, check out their website for more details. And to all you aspiring filmmakers CAAM offers fellowships! funding! and distribution! So get to work on your films so we can see them next year, hopefully in person! CAAMFEST 2021 MAY 13TH - MAY 23RD https://caamfest.com/2021/ https://caamedia.org Produced and hosted by Angie Suh  twitter: @asian_fail  www.asianfail.com  Music by Purple Planet Royalty Free Music: https://www.purple-planet.com Do you wanna start your own podcast?  Record via Squadcast.fm  Host with Podbean.com   Tell them Asian Fail with Angie Suh referred you. Elbow taps all around!

Many people, tourists and San Franciscans alike, think of Chinatown as restaurants and knickknacks, and don’t recognize Chinatown for the culturally rich, deeply historical, and close knit community it is. It is a neighborhood as resilient as its people, both of which have faced turmoil and struggle in their histories. We were fortunate enough to have the opportunity to speak to David Lei, who shared his encyclopedic knowledge of Chinatown’s history with us. David Lei worked in Chinatown as a social worker for at-risk youth before starting his business in 1981 where he specialized in exporting consumer products to Mexico. In 2003 Lei sold his business, retiring to indulge his passions for community building, youth education, and the arts. He is an active participant with several nonprofit organizations including The Chinese Performing Arts Foundation, the Asian Art Museum, the Chinese American Community Fund, Chung Ngai Dance Troupe, Academy of Chinese Performing Arts, World Arts West - San Francisco Ethnic Dance Festival, the Bancroft Library, and the Center for Asian American Media. David Lei is a tried and true San Franciscan, he grew up attending San Francisco public schools, graduated from UC Berkeley, and raised a family here. Meet David Lei!

Tackling social issues in today’s world is hard enough for adults, and even harder when you have to explain the issues and injustices we experience and watch to our kids! My guest, Scotty Iseri, is the creator and host of the award-winning family podcast, The Imagine Neighborhood, which is a kid-focused podcast. In this fun podcast for kids, along with promoting social-emotional learning, they teach 4 important pillars: Understanding Identity, the value of diversity, justice and injustice, and activism.  The show paves the way for parents to talk to about these big issues even if their kids are at a young age. In this episode we talk about: Teaching kids about their identity and all the things that make up who they are (not just their gender or race) and how unfair it is to be judged for just one part of who you are. The value of diversity and how it makes the world a better place Justice and injustice and how people can be excluded because of their identity (that’s true injustice) How anyone can be an activist and how we have to right injustices How we need to have grace for each other so we can forgive those who are trying to do better and sometimes get it wrong. You can find The Imagination Neighborhood on all podcast providers.  Join the Parent Toolbox at www.parent-toolbox for Scotty's gift: Food Fight Activities!    About Scotty Iseri   Scotty Iseri is the creator and host of the hit family podcast, The Imagine Neighborhood. An award-winning producer and narrative designer, he spent 10 years as a media producer for Chicago Public Radio and the nationally syndicated programs HIV Talk Radio Project and Smart City Radio. As a fellow at the Center for Asian American Media, Scotty created the award-winning mobile app and video program, The Digits. His favorite part of the Imagine Neighborhood is when listeners tell him how they were kind today. Twitter @cfchildren Facebook @cfchildren Instagram @theimagineneighborhood www.imagineneighborhood.org     Thanks for listening! It means so much to me that you listened to my podcast! If you would like to purchase my book or other parenting resources, visit me at www.yellingcurebook.com   With this podcast, my intention is to build a community of parents that can have open and honest conversations about parenting without judgement or criticism.  We have too much of that!  I honor each parent and their path towards becoming the best parent they can be.  My hope is to inspire more parents to consider the practice of Peaceful Parenting. If you know somebody who would benefit from this message, or would be an awesome addition to our community, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a note in the comment section below!   Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe on the podcast app on your mobile device.   Leave a review I appreciate every bit of feedback to make this a value adding part of your day. Ratings and reviews from listeners not only help me improve, but also help others find me in their podcast app. If you have a minute, an honest review on iTunes goes a long way! Thank You!!  

Abraham Ferrer is the Archives and Distribution Manager for Visual Communications, a non-profit media arts organization based in downtown Los Angeles. They host the annual Los Angeles Asian Pacific Film Festival. Because of the pandemic, the festival was moved to September this year. Send your entries now! Volunteer, sign up for classes, or even get some seasonal work at Visual Communications if you wanna help get our voices heard. We chat about the history of Visual Communications and the state of Asian American cinema now.  Visual Communications: vcmedia.org Asian CineVisions and the Asian American International Film Festival: asiancinevision.org Center for Asian American Media (nee National Asian American Telecommunications Association): caamedia.org San Francisco International Asian American Film Festival (now CAAMFest): caamedia.org/caamfest/ Pacific Arts Movement (presenter of the San Diego Asian Film Festival): pacarts.org Vancouver Asian Film Festival: paff.org Asian American Film Lab (presenter of the 72 Hour Film Shootout): asianamericanfilmlab.com   Report hate crimes to: https://stopaapihate.org   Abe also mentioned the D word (diversity) and the R word (representation).    Check out earlier episodes with Dr. Grace and Dr. Nathan, as we discuss specific issues growing up Asian in America: model minority myth, anxiety/depression, how Asian women and men are seen in America.    Produced and hosted by Angie Suh  twitter: @asian_fail  www.asianfail.com  Music by Purple Planet Royalty Free Music: https://www.purple-planet.com Do you wanna start your own podcast?  Record via Squadcast.fm  Host with Podbean.com   Tell them Asian Fail with Angie Suh referred you. Elbow taps all around!

Celebrating Women’s History Month with WOMEN ON BRAND! As we continue with Women’s History Month, we are thrilled to share the stories of amazing women who have and continue to shape culture and transform their businesses. Throughout the month, we are showcasing amazing leaders - all who happen to be women, and who continue to impact in their industry and the world. In addition, you can check out some incredible shows from Season 1 at www.LeadWithYourBrand.com/women with a number of our favorite female voices from the podcast. So, to all of the women who lead with their brand everyday, we salute you. If you ever get the chance to talk to Paula Williams Madison one-on-one, take it. She has had an amazing career spanning journalism, television news, entertainment, diversity & inclusion, and even owning a professional basketball team - along with being an author, filmmaker, executive producer and changemaker. Even in retirement, Paula hasn’t slowed down or missed a beat. Her life stories and bits of advice are something we can all learn from. Guest Bio Paula Madison Paula Williams Madison is Chairman and CEO of Madison Media Management LLC and 88 Madison Media Works Inc. In 2011, Madison retired from NBCUniversal, where she had been Executive Vice President of Diversity as well as a Vice President of the General Electric Company (GE), then the parent company of NBCU. During her 22 years with NBCU, she held a number of successful leadership roles, including President and General Manager of NBC4 Los Angeles, Los Angeles Regional General Manager for NBCU’s Telemundo TV stations and Vice President and News Director of NBC4 New York. Madison, named one of the “75 Most Powerful African Americans in Corporate America” by Black Enterprise Magazine in 2005 and included in the Hollywood Reporter’s “Power 100," she's been honored by Asian organizations as well, having been recognized in 2014 as one of the Outstanding 50 Asian Americans in Business and in 2015, she was honored by the East West Players and AARP with their Visionary Award and by the Chinese American Museum in Los Angeles with the Historymaker Award. She's also the author and executive producer, respectively, of the book and documentary FINDING SAMUEL LOWE, which tell of her successful search to locate her Chinese grandfather's descendants in China. In 2013, Mayor Eric Garcetti appointed Madison to the Los Angeles Police Commission where she served as vice president until 2015.Paula, a dual citizen of both the US and Jamaica, serves on the board of the Black Filmmaker Foundation, the Chinese American Museum of Los Angeles, the Center for Asian American Media and more. Links To learn more about Lead With Your Brand and the Career Breakthrough Mentoring program , please visit: https://www.leadwithyourbrand.com To book Jayzen for a speaking engagement or workshop at your company, visit: https://www.jayzenpatria.com Please connect on LinkedIn: https://www.linkedin.com/in/jayzenpatria

At 19, Tom Ngo, started club promoting by passing out flyers. In no time, he set out to become the Asian American Puff Daddy, throwing his own nightclub events and managing artists. Always the visionary and innovator, Tom has helped push Asian American representation to where we are today. Over his career, Tom has: Managed Asian American artists like Far East Movement, MC Jin, Dumbfounded, and Keith Ape. Helped create CXSHXNLY, an Asian American artist management company that later became 88rising. Helped create ISATV, an Asian American Media platform, with co-creaters Wongfu Productions and Far East Movement. Founded Jetset LA, an Asian American events company, that has done over 4000 nightclub events. Today, Tom is the head of content for PopShop Live a livestreaming e-commerce app. Find Tom online: Tom Ngo TED Talk: I am Azn American Good Luck Glow Up Podcast: @goodluckglowup @tomngo422 PopShop Live: popshop.live A16Z's Article on Livestream E-commerce: Shopatainment: Video Shopping as Entertainment Please subscribe to our podcast! You can find the latest episodes and notes at: willandlee.show

Jayzen is excited to welcome Bill Imada to the show. He is the co-founder, chairman and chief connectivity officer of IW Group. He has spent decades helping brands understand multicultural markets and being the official “connector of dots,” bringing people together for the greater good. Having a diverse network is key to leading with your brand and getting that next career breakthrough. The truth is that when you see a position posted, there is likely already a pool of candidates interviewing for the job because they have been identified through their networks and were top of mind to the team hiring - all before it landed on your social feed or inbox. Self-similarity principle tells us we often gravitate to those who are most like us - those that look like us, think like us, and even do the same type of job as us. The key to a powerful network is fostering as much diversity of thought, talent and background in your connections, people that you can rely on for unique and diverse perspectives, ideas and skill sets. Bill Imada is a SuperConnector! His areas of expertise include marketing, advertising, public relations, cross-cultural communications, crisis management, training and development, and community relations. He is a huge believer in civic engagement and civil discourse and has co-founded four different national organizations. He prides himself on also being a serial entrepreneur, angel investor, and problem solver who strives to be intentional in making our world a better place for all. Guest Bio Bill Imada is the Chairman and Chief Connectivity Officer of IW Group, a full-service communication, advertising, and marketing agency specializing in the multicultural and multi generational markets. For three decades, Bill and his team have served some of the top global and regional companies, including Bank of the West/PNB Paribas, Coca-Cola, Lexus, McDonald’s, Netflix, Northwestern Mutual, Walmart, Walt Disney, Warner Bros, Wells Fargo, Westfield, and many others. Bill’s areas of expertise include community relations, crisis communications, cross-cultural training, and media training. Bill is active in the community and serves on ten nonprofit boards and advisory councils, including the Advertising Educational Foundation, Center for Asian American Media, Nielsen External Advisory Council, PBS Foundation, and the University of Southern California PR Advisory Council. Bill co-founded the National Millennial and Gen Z Community, an association devoted to helping companies and organizations connect with young-adult consumers. Links To learn more about Lead With Your Brand and the Career Breakthrough Mentoring program , please visit : https://www.leadwithyourbrand.com To book Jayzen for a speaking engagement or workshop at your company, visit : https://www.jayzenpatria.com Please connect on LinkedIn : https://www.linkedin.com/in/jayzenpatria

Episode 35: Benny Luo (@bennyluo) is the founder and CEO of NextShark, a media company that speaks primarily to the global Asian youth. A venture that was started with just $3,000, NextShark has since grown to serve millions of monthly readers, with hundreds of thousands of followers spanning across their social media.Learn the insights of Benny's entrepreneurial and personal journey in this week's episode of the Why You No Doctor podcast. "It really helped to find other Asians or Asian Americans around me that really had that Asian pride and showed me that I wasn't alone."Show Notes:01:23 - Living in Puerto Rico and its taxes3:03 - NextShark, how Benny is doing, how COVID disrupted some of those plans5:21 - Benny's background, working four jobs in college, and how NextShark evolved into its Asian American niche7:39 - Having Asian pride, running an Asian American blog, and the emptiness10:43 - Elaborating on Asian pride and the diversity of the Asian American experience13:46 - Growing an Asian American audience and pivoting towards that audience17:49 - Asian Americans gaining a presence and trying to make a difference20:33 - Aiming for quick growth or for sustainability, and the difficulties of digital marketing in this environment25:00 - Spikes in growth and covering different kinds of stories with the rise of COVID28:56 - Dealing with burnout, resiliency, and finding motivation beyond just making money34:33 - Staying on top of the direction of his goals and being wary of news networks42:51 - The Great Hack, advertising, and the rise of social media51:20 - Life outside of work — being a foodie, working out, and board games55:31 - Meeting neighbors, restaurant business, and dry aging fish1:00:24 - Benny's restaurant recommendations and final thoughtsJoin the community! Follow us on Instagram @wyndpodcast and find all of our socials at whyyounodoctor.com/podcast.Support the show (http://whyyounodoctor.com/podcast)

Vera Brunner-Sung is a filmmaker who uses experimental, documentary, and narrative techniques to explore the relationship between place and identity. Vera's documentary short film, Character, premiered at the 2020 Sundance Film Festival. The child of immigrants from Korea and Switzerland, Vera grew up in Ann Arbor, Michigan. Early on, her intercultural, mixed-race experience created a fluid sense of belonging that informs her work. After undergraduate work in public policy and visual art at Brown University, she moved to California to study film with Thom Andersen, Rebecca Baron, James Benning, and Betzy Bromberg at CalArts. Vera’s films, videos, and photographs have been presented at festivals, museums, and galleries in the U.S. and abroad, including Sundance, the Torino Film Festival, CPH:DOX, Leeum Samsung Museum of Art, MoMA PS1, San Francisco International Film Festival, Ann Arbor Film Festival, and Images Festival. Her first feature, Bella Vista, had its world premiere at the International Film Festival Rotterdam in 2014, and went on to win her the George C. Lin Emerging Filmmaker Award at the 15th San Diego Asian Film Festival. She is a 2015 Fellow with the Center for Asian American Media and a 2020 Sundance FilmTwo Fellow. In addition to making films, Vera is a writer and educator. Her essays, reviews, and reports have appeared in print and online publications including Sight & Sound, Cinema Scope, and Millennium Film Journal. Her chapter on the representation of site-specific art in contemporary documentary film appears in Documenting the Visual Arts (ed. Roger Hallas, Routledge, 2019). She has taught at the University of California, San Diego, and the University of Montana, and is currently an assistant professor at The Ohio State University. This episode was recorded in partnership with the Big Sky Documentary Film Festival. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/americanfilmmaker/support

A note from Talking Taiwan host Felicia Lin:   A-Doc, the Asian American Documentary Network was established in 2016 and is a resource and network for nonfiction filmmakers at all different stages of their career. I spoke with one of A-Doc’s Co-founders, Grace Lee, about the organization, and its “Stories of the Coronavirus” microdoc series, with microdocs being released throughout the month of May and beyond.   Grace also told me about two of her most recent documentary film projects, the PBS five-part documentary “Asian Americans,” which will air May 11 and May 12, and the “And She Could Be Next” docuseries for POV on PBS that will be released in June.     Here’s a little preview of what we talked about in this podcast episode:   How Grace got involved with the Auntie Sewing Squad A-Doc (Asian American Documentary Network) and its mission The A-Doc “Stories of the Coronavirus” microdoc series How Valerie’s microdoc “Sewing in the Time of Coronavirus” became A-Doc’s proof of concept for the “Stories of the Coronavirus” microdoc series The events, work and initiatives of A-Doc Resources that Grace recommends for documentary filmmakers to deal with the COVI-19 pandemic A-Doc’s partnership with the Center for Asian American Media (in San Francisco) on a mentorship/fellowship program A-Doc’s work on creating a database of documentary films made by Asian American filmmakers The networking opportunities for filmmakers facilitated by A-Doc What’s in the future for A-Doc How has the landscape of Asian American documentary films and filmmakers changed since Grace started her career The PBS five-part documentary “Asian Americans,” that Grace worked on “And She Could Be Next” series for POV (television’s longest-running showcase for independent non-fiction films on PBS) that Grace has worked on Grace’s advice for aspiring documentary filmmakers   Related Links:   A-Doc (Asian American Documentary Network): https://a-doc.org/   A-Doc’s “Stories of the Coronavirus” series on their YouTube channel: https://bit.ly/2ZuQSK0   A-Doc’s “Stories of the Coronavirus” series Facebook (Find it on the A-Doc Facebook page’s video playlist #AsianAmCovidStories): https://www.facebook.com/watch/AADocNetwork/679806489500783/     A-Doc’s social media channels:   A-Doc Facebook page: https://www.facebook.com/AADocNetwork/   A-Doc on Instagram: https://www.instagram.com/aadocnetwork/   A-Doc on Twitter: https://twitter.com/aadocnetwork   A-Doc YouTube channel: https://www.youtube.com/channel/UCeuFgUcrtY06flPt9n9T4iw   The PBS five-hour series “Asian Americans”: https://www.pbs.org/show/asian-americans/     “And She Could Be Next” A new docuseries from POV: https://www.andshecouldbenext.com/     A-Doc Co-Founder Grace Lee’s website: http://www.gracelee.net/     A-Doc Co-Founder Leo Chiang’s website: http://sleochiang.com/     Loni Ding (The “godmother of Asian American documentaries”): http://www.cetel.org/ding.html     Resources for documentary filmmakers:   Filmmaker's Guide To Applying For US Coronavirus Federal Relief: https://www.documentary.org/creators/covid19   The International Documentary Association: https://www.documentary.org/   Creative Capital: https://creative-capital.org/   California Humanities: https://calhum.org/

Jemarc Axinto is a Filipino-American and the CEO of We Are Heroes Productions. Jemarc created his production company in order to ensure inclusivity based on race, gender, and sexuality. Their flagship show, Tabletop For the End of the World, is an actual play podcast mixed with audio drama where players live in a post-apocalyptic America. In this episode, we discuss Asian American representation on the big screens, including The Farewell, Crazy Rich Asians, and Wong Fu Productions. 1:25 Jemarc’s approach to Asian American representation 8:46 Advocacy from allies/non-POCs 13:35 Less representation from Asians that are still connected to their culture(s) 15:15 Target Audience (The Farewell) 20:25 Crazy Rich Asians 25:20 YouTube 34:45 Asians behind the camera 43:40 Self-Promotion

Watch the video referenced in the first half of this podcast at: https://vimeo.com/263167752/c555110813 For the 60 years, from 1882–1943, long before Muslim travel bans and family separations at the U.S.–Mexico border, the Chinese Exclusion Act prohibited Chinese laborers from entering the United States and denied persons of Chinese descent a path to U.S. citizenship. The act grew out of political pressure from labor unions and U.S. cities to which large numbers of immigrants had moved in the decades following the California Gold Rush. The act's effects on the Chinese immigrant communities across the United States were lasting and dramatic. Join us for a screening of a 49-minute version of The Chinese Exclusion Act, a feature-length documentary made by award-winning documentary filmmakers Ric Burns and Li-Shin Yu and co-produced by the Center for Asian American Media in association with the New-York Historical Society and shown on the acclaimed PBS series “American Experience.” Bay Area entrepreneur and cultural advocate David Lei, who provided much of the inspiration for the documentary, will be present to discuss his perspective and answer questions about the Exclusion Act's relevance to the immigration debate today. MLF Organizer: Virginia Cheung MLF: Asia Pacific Affairs In association with the Center for Asian American Media Learn more about your ad choices. Visit megaphone.fm/adchoices

Watching The Farewell this summer had us all crying...and starting conversations about what we say and don’t say to our families. Elsa talks to two good friends, Masashi Niwano and Czarina Garcia, from CAAM (Center for Asian American Media) about their experiences seeing (and not seeing) themselves on the screen growing up, running one of the largest AAPI film festivals year to year, and watching The Farewell only to immediately run out and call their grandparents. Long and Elsa also have very different reactions to The Farewell, and they check in with each other on memory and history. There’s a lot here, so let’s dive in! Send your questions, comments and episode ideas to goldandgreat@kollaboration.org. Visit CAAM's website to learn more about the important work they do: caamedia.org --- Send in a voice message: https://anchor.fm/gold-and-great/message

Vivek Bald, Associate Professor of Writing and Digital Media, reads from a new essay that uses a teenage encounter with police and the justice system to explore questions of immigrant acceptability, racialization, and the South Asians American embrace of model minority status. He also provides an update on his documentary film, In Search of Bengali Harlem, recently funded by the PBS-affiliated Center for Asian American Media, and currently being edited by Comparative Media Studies master’s alum, Beyza Boyacioglu. Between the essay and film, Bald reflects on South Asian American experiences of multi-racial identity and histories of cross-racial community-making. Bald is a scholar, writer, and documentary filmmaker whose work focuses on histories of migration and diaspora, particularly from the South Asian subcontinent. He is the author of Bengali Harlem and the Lost Histories of South Asian America (Harvard University Press, 2013), and co-editor, with Miabi Chatterji, Sujani Reddy, and Manu Vimalassery of The Sun Never Sets: South Asian Migrants in an Age of U.S. Power (NYU Press, 2013).

We asked our listener community, “How did you learn where you come from?” What came back was a wide range of personal stories about how tricky it can be to access our heritage. From kids going to culture camp, to adoptees making journeys to their birth countries, to Asian Americans of all ages realizing that they’re inevitably going to lose a piece of themselves — we explore how we fit in with what came before us and figure out what comes next. We need your help! Please take this 1-minute survey, so we can have better conversations with partners and sponsors and keep this show growing. It’s fast, easy, and anonymous. Resources and Recommended Reading Misha recommends that Self Evident listeners check out episode 2 of Tell Them, I Am, “Deana.” Read some of Ansley’s poetry, accompanied by her own visual artwork, on Culturestrike. If you’d like to participate in Henry’s Chinese geneaology workshop, e-mail Henry [dot] Tom [at] Cox [dot] net. Mark, one of the voices on today’s episode, has told the full story of his trip to find his birth record in Korea on this episode of the Escape from Plan A podcast. Check out Leading Youth Forward, Chicago Desi Youth Rising, NQAPIA, and APIENC to see examples of Asian American spaces for cultural and political education. To learn more about “Love Boat” and how it’s impacted Asian Americans, check out Valerie Soe’s documentary, Love Boat: Taiwan, which is touring film festivals across the country. Shout Outs Shout out to Yin Kong and Yin Mei of Think!Chinatown for inviting us to the workshop where we met Henry Tom. Thanks to everyone from our listener community who shared their experiences with us in the making of this episode: Alice Chou, Davey Kim, Gabor Fu, Jenni Wong, Kathleen Burkinshaw, Lily Susman, Lori Wanko, Mark from Plan A, Mark Zastrow, Merk Nguyen, Michelle Chu, Rekha Radhakrishnan, Waverly Colville, and Win-Sie Tow. And very special thanks to our advisors for this season of the show: Alex Laughlin, Anika Gupta, Blair Matsuura, Christina Choi, Davey Kim, and Ted Hsieh. Credits Produced by James Boo Edited by Julia Shu and Cheryl Devall Editorial support from Davey Kim Production support by Jaye McAuliffe Sound engineering by Timothy Lou Ly Theme music by Dorian Love Music by Blue Dot Sessions and Epidemic Sound Self Evident is a Studiotobe production. Season 1 is presented by the Center for Asian American Media (CAAM), the Ford Foundation, and our listener community. Our show was incubated at the Made in New York Media Center by IFP. About CAAM: CAAM (Center for Asian American Media) is a nonprofit organization dedicated to presenting stories that convey the richness and diversity of Asian American experiences to the broadest audience possible. CAAM does this by funding, producing, distributing, and exhibiting works in film, television, and digital media. For more information on CAAM, please visit www.caamedia.org. With support from the Corporation for Public Broadcasting, CAAM provides production funding to independent producers who make engaging Asian American works for public media.

Under the Trump administration, the United States has pushed aggressively to deport Southeast Asian Americans with criminal records. Hurt that members of the Vietnamese community would support this action, guest producer Thanh Tan (creator of the podcast “Second Wave”) seeks out the people at risk of deportation — and the organizers fighting to keep them in the only home they’ve known. Along the way, she learns to embrace a new direction for Vietnamese Americans confronting the deeply rooted narrative of “the good refugee.” We need your help! Please take this 1-minute survey, so we can have better conversations with partners and sponsors and keep this show growing. It’s fast, easy, and anonymous. Resources and Recommended Reading Suicide Prevention Lifeline: 1-800-273-8255. The Lifeline provides 24/7, free and confidential support for people in distress and prevention and crisis resources for you or your loved ones. "Know Your Rights" resources to prepare for ICE raids written in Arabic, Bangla, Burmese, Chinese, Dar/Farsi, Gujarati, Hindi, Karen, Khemer, Korean, Nepali, Punjabi, Tagalog, Urdu, and Vietnamese, compiled by the Asian American Federation in NY. Primary sources: The Illegal Immigration Reform and Immigrant Responsibility Act of 1996, which laid much groundwork for today’s deportations The 2008 Memorandum of Understanding between the U.S. and Vietnam President Trump’s Jan 25, 2017 Executive Order on Border Security and Immigration Enforcement President Trump’s Jan 25, 2017 Executive Order declaring that the presence of “removable aliens” from “foreign nations that refuse the repatriation of their nationals” is “contrary to the national interest” Text of President Trump’s Jan 27, 2017 Executive Order temporarily ceasing admission of refugees to the United States (a.k.a. “the travel ban”) Migration Policy Institute dataset on U.S. annual refugee resettlement ceilings and refugee admissions, starting from 1980 ICE datasets on deportations from FY 2011 through FY 2018 Reporting and analysis on the federal government’s role in detention and deportation of immigrants: “City of Fear” by New York Magazine and The Marshall Project “The Disastrous, Forgotten 1996 Law That Created Today’s Immigration Problem” by Dara Lind, for Vox “ICE and the Banality of Spin” by Eileen Guo, for Topic “U.S.: 20 Years of Immigrant Abuses,” a summary of reports by Human Rights Watch on harm caused by the Antiterrorism and Effective Death Penalty Act of 1996 and the Illegal Immigration Reform and Immigrant Responsibility Act Reporting and analysis on the detention and deportation of Vietnamese Americans and Cambodian Americans: “As Cambodian Deportations Resume, Community Looks for Ways to Cope” by Agnes Constante, for NBC Asian America “Deported: A Grassroots Movement” (5-part docuseries) by Sahra V. Nguyen, for NBC Asian America “Fear Grips Immigrants Who Fled Here to Escape Genocide” by Matt Driscoll, for The News Tribune of Tacoma, Washington “A State of Captivity: Immigrants Detained Repeatedly for Old Crimes” by Anjali Enjeti, for Guernica Magazine “Trump Is Pushing Vietnam to Accept Deportees Who Have Lived in the US for Over 20 years” by Dara Lind, for Vox “Trump Moves to Deport Vietnam War Refugees” by Charles Dunst and Krishnadev Calamur, for The Atlantic “The U.S. Ambassador Who Crossed Trump on Immigration” by Mike Ives, for the New York Times Shout Outs John Woo and Kerry Donahue voiced the English translations of Thanh’s parents. Thanks to Julia Preston and Willoughby Mariano for their advice on reporting this story. Credits Produced by Thanh Tan and James Boo Edited by Julia Shu and Cheryl Devall Production support by Austin Jenkins, Jamala Henderson, Kevin Rinker, and Merk Nguyen Sound engineering by Timothy Lou Ly Theme music by Dorian Love Music by Blue Dot Sessions and Epidemic Sound Self Evident is a Studiotobe production. Season 1 is presented by the Center for Asian American Media (CAAM), the Ford Foundation, and our listener community. Our show was incubated at the Made in New York Media Center by IFP. About CAAM: CAAM (Center for Asian American Media) is a nonprofit organization dedicated to presenting stories that convey the richness and diversity of Asian American experiences to the broadest audience possible. CAAM does this by funding, producing, distributing, and exhibiting works in film, television, and digital media. For more information on CAAM, please visit www.caamedia.org. With support from the Corporation for Public Broadcasting, CAAM provides production funding to independent producers who make engaging Asian American works for public media.

Three intimate conversations reveal how we deal with changes to our most deeply rooted identities, and how we tell the people who matter most. “Unspoken” Documentary filmmaker Patrick G. Lee tells Cathy about the unexpected ways that coming out affected his family. “The Debut” Producer Preeti Varathan and her cousin Srinidhi unpack complicated feelings about their larger-than-life, coming-of-age musical performances. “Buzz Cut” Old college friends L and Sindhu reunite to talk about why they decided to cut off their hair. We need your help! Please take this 1-minute survey, so we can have better conversations with partners and sponsors and keep this show growing. It’s fast, easy, and anonymous. Resources and Recommended Reading To learn more about Patrick G. Lee’s documentary, “Unspoken,” follow the film on Facebook. Self Evident and Patrick will screen the film exclusively for our listeners in August, so if you want to see it online, subscribe to our mailing list. If you’re in New York on July 31, you can catch the big screen debut at the Asian American International Film Festival. There’s more at the intersection of LGBTQIA and Asian American identity than coming out, but our friends at Mochi Mag recently put together this sweet collection of coming-out stories from Chinese, Korean, Taiwanese, and Singaporean Americans to celebrate Pride. And one of our favorite podcasts, Nancy, has lots of awesome stories and episodes about being queer and Asian American — including this favorite, about co-host Kathy Tu’s visit with family to Taiwan. To hear Preeti’s violin performance from this episode, check out this video of her last concert. For more about arangetrams, their history, and discussions about class and gender, Preeti recommends this primer from The Hindu and this deep look at T.M. Krishan, whose writing explores how to “de-Brahmanize” carnatic music. For more work from Pavana Reddy (the poet who Srinidhi collaborated with onstage), visit pavanareddy.com. You can check out L's writing and comics here. Shout Outs Thanks to Sindhu Gnanasambandan for the conversation with L, and all the members of our community panel who gave us feedback on these stories. Credits Produced by Julia Shu, Preeti Varathan, and Alex Laughlin Edited by Cheryl Devall Production support by James Boo Sound engineering by Timothy Lou Ly Theme music by Dorian Love Music by Blue Dot Sessions and Epidemic Sound Sound effects by Soundsnap Self Evident is a Studiotobe production. Season 1 is presented by the Center for Asian American Media (CAAM), the Ford Foundation, and our listener community. Our show was incubated at the Made in New York Media Center by IFP. About CAAM: CAAM (Center for Asian American Media) is a nonprofit organization dedicated to presenting stories that convey the richness and diversity of Asian American experiences to the broadest audience possible. CAAM does this by funding, producing, distributing, and exhibiting works in film, television, and digital media. For more information on CAAM, please visit www.caamedia.org. With support from the Corporation for Public Broadcasting, CAAM provides production funding to independent producers who make engaging Asian American works for public media.

Self Evident tells Asian American stories — but that term itself, “Asian American,” can mean many different things to different people. In this episode we present three stories from our listener community to explore the ways “Asian American” reflects both representation and exclusion, empowerment and stereotyping, under the diverse umbrella of Asian American identity. Share your story and keep the conversation going! We want to hear from you! Do you identify as Asian American? Why or why not? Email your story to community@selfevidentshow.com, or share with us on social media @SelfEvidentShow, with the hashtag #WeAreSelfEvident. Resources and Recommend Reading: Key Facts about Asian Americans research from the Pew Research Center “Who Is Vincent Chin? The History and Relevance of a 1982 Killing” by Frances Kai-Hwa Wang from NBC Asian America Census Suppression podcast episode of “In the Thick,” with Hansi Lo Wang from NPR and Dorian Warren from the Center for Community Change, for more discussion about the upcoming Census The Asian American Movement, a history book recommended by Marissiko Wheaton Activist Amy Uyematsu Proclaims the Emergence of “Yellow Power,” a 1969 article recommended by Marissiko Wheaton Shout Outs: In addition to the nearly 100 community members who shared their perspectives with us for this episode, we want to give a special shout out to everyone who sent in voice memos and had conversations with us about how they felt about the term “Asian American”: Akira Olivia Kumamoto, Alana Mohamed, Andrew Hsieh, Julia Arciga, Kelly Chan, Maha Chaudhry, Marissiko Wheaton, Mia Warren, Nicole Go, Sharmin Hossain, and Veasna Has. This episode was made possible by the generous support of Noah Berland and the rest of our 1,004 crowdfund backers. Credits: Produced by Julia Shu and Cathy Erway Edited by Cheryl Devall and Julia Shu Tape syncs by Mona Yeh and Shana Daloria Production support and fact checking by Katherine Jinyi Li Editorial support from Davey Kim, Alex Laughlin, Managing Producer James Boo, and Executive Producer Ken Ikeda Sound Engineering by Timothy Lou Ly Theme Music by Dorian Love Music by Blue Dot Sessions and Epidemic Sound Self Evident is a Studiotobe production. Season 1 is presented by the Center for Asian American Media (CAAM), the Ford Foundation, and our listener community. Our show was incubated at the Made in New York Media Center by IFP. About CAAM: CAAM (Center for Asian American Media) is a nonprofit organization dedicated to presenting stories that convey the richness and diversity of Asian American experiences to the broadest audience possible. CAAM does this by funding, producing, distributing, and exhibiting works in film, television, and digital media. For more information on CAAM, please visit www.caamedia.org. With support from the Corporation for Public Broadcasting, CAAM provides production funding to independent producers who make engaging Asian American works for public media.

Fortunately, we are experiencing a new kind of Golden Age in Hollywood. The movement for inclusion of all marginalized communities is changing the landscape of the industry before our eyes, and an influx of talent and fresh perspectives are energizing this powerful media. Since the Muslim Public Affairs Council (MPAC)’s Hollywood Bureau was launched in 2011, Sue Obeidi has blended the love of her faith with her love of film, television, and digital series to change and expand the narrative of Islam and Muslims in the entertainment industry. Obeidi and her team ensure that MPAC’s Hollywood Bureau is a partner with the entertainment industry. Behind the scenes, Obeidi engages decision makers and creatives to improve the quality and number of authentic, nuanced, and inclusive presentations of Islam and Muslims so that audiences can see Muslims as vital contributors to creating social and cultural change in America and around the world. She also enriches the pool of Muslim talent in Hollywood by nurturing and connecting them to those who can assist with their careers, both on the creative and business sides of the industry. In 2017, Obeidi was chosen for Variety's Inclusion Impact Report as one of 60 changemakers making the entertainment industry more inclusive. On the frontlines of media, Obeidi is a vibrant and fresh voice. Her poignant and passionate perspective appears in Op-Ed pieces for top industry publications such as Variety, The Hollywood Reporter, and The Wrap. Obeidi has been a guest lecturer at American University, University of Southern California, and Georgetown University, and she has spoken on panels at the Sundance Film Festival, Variety Inclusion Summit, Variety Family TV Summit, Teen Vogue Summit, Women in Entertainment, Color of Change, and the Center for Asian American Media. Obeidi is the “go-to” interviewee for perspectives on Islam and Muslims in the entertainment industry, having been quoted in many articles by national publications including, The Los Angeles Times, The New York Times, Vanity Fair, Variety, TMZ, and The Hollywood Reporter. MPAC’s Hollywood Bureau has consulted on projects with The Walt Disney Studios, Disney/ABC Television, Paramount Studios, Amazon, Hulu, Legendary TV, Nickelodeon, CBS, NBC, Fox, FX, NatGeo, Starz, BBC1, and Participant Media, among others. She is a self-professed couch potato at heart and a huge consumer of content. What attracts Obeidi to the entertainment industry are the stories being told. Obeidi always says, “Good stories can change hearts; changed hearts can change minds; and changed minds impact our values and can galvanize us into action.” She has an MBA and B.A. in Marketing and has been with the Muslim Public Affairs Council since November of 2000. Follow her on Facebook (Sue.Obeidi) and Twitter (@SueObeidi).  

What does it mean to be excluded from the American Dream? Two stories, set 100 years apart, explore this question from the perspective of immigrants who think they’ve made it in America, only to find out that their dream comes at a cost. "No Place Like Home" At the height of America’s Exclusion era, an Indian immigrant’s quest for prosperity ends in a tragic realization that being a “good immigrant” isn’t enough to escape the realities of racism. "Non-White Picket Fences" A fight over a homeless shelter in one of America’s most Asian cities reveals the choices that Americans face in seeking suburban paradise. Share your story and keep the conversation going! Do you have a story about feeling excluded from the “American Dream”? Where or when in your life have you felt most like you belonged? Email your story to community@selfevidentshow.com or share with us on social media @SelfEvidentShow, with the hashtag #WeAreSelfEvident. Resources and Recommended Reading: Suicide Prevention Lifeline, 1-800-273-8255 The Lifeline provides 24/7, free and confidential support for people in distress and prevention and crisis resources for you or your loved ones. History of Angel Island Immigration Station, by the Angel Island Immigration Station Foundation History of “Race, Nationality, and Reality” (including more about the Supreme Court decisions that declared only white people could be U.S. citizens) at National Archives Primary Sources chronicling the life of Vaishno Das Bagai, preserved by the South Asian American Digital Archive The Making of Asian America: A History by Erika Lee, published by Simon & Schuster “Escape From Los Angeles: White Flight From Los Angeles and Its Schools, 1960-1980” by Jack Schneider, for the Journal of Urban History “The Court Case That Forced OC to Stop Ignoring Its Homeless” by Jill Replogle, for LAist Public Record of Irvine City Council Emergency Town Hall Meeting to discuss the proposal to place an emergency homeless shelter in the Orange County Great Park Public Record of Orange County Board of Supervisors Meeting to discuss the proposal to place emergency homeless shelters in Huntington Beach, Irvine, and Laguna Niguel The OC Needle Exchange Program research directory lists many sources of information regarding the public health outcomes of syringe exchanges “In Fighting Homeless Camp, Irvine’s Asians Win, but at a Cost” by Anh Do, for the Los Angeles Times “Asian Americans in Irvine Draw Outrage for Protesting Homeless Shelters” by Carl Samson, for NextShark “Supervisors Defend Their Turf and Criticize Spitzer’s Homeless Warnings” by Nick Gerda, for Voice of OC “Homelessness in Orange County: The Costs to Our Community,” a research report by UC Irvine faculty, sponsored by OC United Way and Jamboree Housing Executive Summary of research on our national homelessness crisis done by the National Law Center on Homelessness & Poverty "Student Housing Issues at UC Irvine," a recently released research report by Izzak Mirales at UC Irvine, based in part on data collected by the ASUCI Housing Security Commission. "Irvine Student Housing Cost and Crowding Under Scrutiny in Report Presented at UCI" by Lilly Nguyen, for the Los Angeles Times “Not in My Backyard: What the Shouting Down of One Homeless Housing Complex Means for Us All” by Jill Replogle for Southern California Public Radio Shout Outs: Erika Lee and Samip Mallick helped us connect with Rani Bagai. Brandon Morales, Mike Carman and Molly Nichelson helped us report our story about homelessness in Irvine, California. Anne Saini and Jill Replogle graciously consulted with our team on these stories. We received feedback on this episode from Aileen Tieu, Aishwarya Krishnamoorthy, Akira Olivia Kumamoto,  Alex Wong, Alicia Tyree, Anish Patel, Chris Lam, Emily Ewing Hays, Erica Eng, Irene Noguchi, Jen Young, Jennifer Zhan, Jon Yang, Jonathon Desimone, Kelly Chan, Kevin Do, Lynne Guey, Marci Calabretta Cancio-Bello, Marvin Yueh, Mia Warren, Rebecca Jung, Robyn Lee, and Tommy Tang. This episode was made possible by the generous support of Stefan Mancevski and the rest of our 1,004 crowdfund backers. Credits: Produced by James Boo, Cathy Erway, and Associate Producer Kathy Im Additional reporting by Anthony Kim Edited by James Boo and Cheryl Devall Tape syncs by Mona Yeh and Eilis O’Neill Production support and fact checking by Katherine Jinyi Li Editorial support from Davey Kim, Alex Laughlin, Senior Producer Julia Shu, and Executive Producer Ken Ikeda Sound Engineering by Timothy Lou Ly Theme Music by Dorian Love Music by Blue Dot Sessions and Epidemic Sound Sound effects by Soundsnap Self Evident is a Studiotobe production. Our show was incubated at the Made in New York Media Center by IFP. Season 1 is presented by the Center for Asian American Media (CAAM), the Ford Foundation, and our listener community. About CAAM: CAAM (Center for Asian American Media) is a nonprofit organization dedicated to presenting stories that convey the richness and diversity of Asian American experiences to the broadest audience possible. CAAM does this by funding, producing, distributing, and exhibiting works in film, television, and digital media. For more information on CAAM, please visit www.caamedia.org. With support from the Corporation for Public Broadcasting, CAAM provides production funding to independent producers who make engaging Asian American works for public media.

Benny Luo is founder of NextShark.com, the largest online publication targeting Asian Americans. It reaches over 10 million per week on social media and has been cited by The New York Times, Washington Post, BBC, Forbes, Business Insider, and more. Previously, he founded NewMediaRockstars.com, a media destination for internet culture, acquired by Zealot Networks in 2013. In 2017, he was inducted into the Forbes 30 Under 30 Class of 2018.

Ravi Chandra, M.D. is a psychiatrist and author in San Francisco. He is a Distinguished Fellow of the American Psychiatric Association. Facebuddha: Transcendence in the Age of Social Networks is his full length debut nonfiction work. He writes blogs for Psychology Today and for the Center for Asian American Media, on film.

Kiyong Kim was born in Korea and grew up in Los Angeles before going to art school in Boston. He studied Illustration at the Massachusetts College of Art, and took creative writing classes at Emerson College where he first discovered what a script was. After graduating, he moved back to Los Angeles and focused on writing and directing. His first script, Brobot, placed 4th in the Slamdance Screenwriting Competition. Since then, he’s written and directed short films that have won contests, played at festivals, and have been licensed for distribution. Kiyong decided to focus on television writing, and was chosen for the Nickelodeon Writing Fellowship, the NBC Writers on the Verge program, and the CAAM Fellowship, where Kourtney Kang was his mentor. He works full time as a Graphic Designer pushing pixels around by day, and works on scripts and an animated web series on nights and weekends. “I need to see the small wins for me. And make it an achievable thing to aim for. Otherwise it's so overwhelming, this thing that we're trying to do.” • Kiyong Kim on Twitter and his blog • Nickelodeon Writing Program • NBC Writers on the Verge • Center for Asian-American Media   // Pulling Your Hair Out is produced and hosted by Richard Lowe. Music by Joshua Moshier.  

Vaishali Sinha and Face2Face host David Peck talk about her new film Ask The Sexpert, cultural context, “women as allies”, a Doctor as a 90-year-old pioneer and the latent effects of colonialism. IMDB Synopsis ASK THE SEXPERT is a feature length documentary about a highly popular 93-year-old sex advice columnist for a daily newspaper in Mumbai. Despite sex being a taboo topic in that country, the column’s brand of non-moralistic advice and humor has emboldened many to write in with their questions, the vast majority of whom seek basic information. The columnist gains popularity even while a ban on comprehensive sex education in schools is adopted by approximately one third of India’s states. https://www.youtube.com/watch?v=1yRR1_VU1cQ  Biography Vaishali Sinha Co-Directed/Produced the feature documentary MADE IN INDIA about the personal stories behind the phenomenon of outsourcing surrogate mothers to India. The film premiered at Hot Docs Film Festival and aired on PBS in 2012. The film received several Jury awards at festivals and is currently a case study at Harvard Business School for their class on ethics. ASK THE SEXPERT is Vaishali’s second feature length documentary; a presentation by her company Coast to Coast Films. Vaishali has also produced numerous shorts. She has received support for her films from ITVS, the MacArthur Foundation, Tribeca Film Institute, Catapult Fund, Firelight Media, Playboy Foundation, Chicken & Egg Pictures, The Fledgling Fund, Center for Asian American Media, Mozilla, Ford Foundation, Nextpix and more. Vaishali also freelances at Videoline Productions founded by Peabody award-winning filmmaker Richard Wormser (Rise and Fall of Jim Crow). Vaishali speaks regularly at events and has acted as jury member at film festivals. In the past she has worked with women’s right group Point of View, in Mumbai. She is originally from Mumbai, and now resides in Brooklyn, NY with her husband Fred Lassen, a Music Director and their two-year-old son Luca. See acast.com/privacy for privacy and opt-out information.

Tonight we welcome a new voice to APEX, Sierra Lee who daylights at the Center for Asian American Media. Salima Hamarani talks with Hyun Lee with Working Group on Peace and Demilitarization in Asia and the Pacific and Arnie Saiki with the Moana Nui Action Alliance speaking about the potential impact of the Terminal High Altitude Area Defense System on US-East Asia relations. We talk with artist Sita Kuratomi Bhaumik about her upcoming exhibit Estamos contra el muro: We Are Against the Wall at Southern Exposure where you can pummel a wall of piñatas that represents Trump's proposed border wall with Mexico. And we flashback to 2006 when local punk band La Plebe was embarking on its biggest tour yet–to Eastern Europe. Community Calendar Estamos contra el muro: We Are Against the Wall  Opening Sept 9th | Talk Sept 22nd | Community Demolition Oct 15th La Plebe's final shows are this Friday in Watsonville, Saturday at Gilman, October 14 at Bottom of the Hill, and October 15 at El Rio. On Saturday, at 7 p.m. spend your evening with the indie, action, Filipino vampire film, Vampiriah! It screens at San Francisco Chinatown's Historic Great Star Theater at 7 p.m. And next Thursday, don't miss out! Mass Bass is playing at 12:30 at the Yerba Buena Gardens Festival! You thought they broke up, you thought that frontman Kiwi left the country! Be there on August 8. It may be your last chance to catch this seven-piece radical hip-hop soul collective from Oakland. Next Thursday after 5 p.m. is “Kristina Night” at the Asian Art Museum! Comedian Kristina Wong joins filmmaker Jeff Adachi, performer Khmera Rouge, and other local artists and museum docents to reinterpret famous pieces of performance art from Yoko Ono, Shia Lebeouf and more. You won't want to miss this hilarious, one-night only takeover. The post We Are Against the Wall, Goodbye to La Plebe, and Resistance to THAAD appeared first on KPFA.

This week for H*28, Chuks and Kari are joined by ragstoreverie to discuss Asian-American Media. In the last few years, especially the rise of YouTube stars, Asian American media has boomed with Wong Fu Productions, Fung Brothers, KevJumba, JK Films/David So, Jabbawockeez, and many more. They play an important role in the community--needed representation and control of production, for example--but they are not without their problems. For asks this week, we answer an ask from Sarah about access to social justice movement, butchrobot about developed/developing nation terminology, and 2goldensnitches about fighting with family members over the Gaza-Israel conflict.

In this episode, I chat with two very talented ladies: documentary filmmaker/writer/director/producer Grace Lee and actress/comedian/writer Jane Edith Wilson. Grace Lee is an award winning filmmaker whose credits include: The Grace Lee Project, American Zombie and Janeane From Des Moines. Her work as appeared on the Sundance Channel and at festivals such as Slamdance and the Toronto International Film Festival. You may have seen Jane Edith Wilson performing standup on Comedy Central or on many a TV show or feature film. Her credits include: Curb Your Enthusiasm, FrankTV, ER, Eight Legged Freaks, Seinfeld, The Adventures of Rocky and Bullwinkle, American Zombie, Significant Others, TV Guide Letter Theater and Janeane From Des Moines, just to name a few. Grace and Jane first met when Grace directed Jane in the feature American Zombie. They also recently worked on a second feature together, Janeane From Des Moines, a mockumentary about the 2012 Iowa Caucuses (Janeane From Des Moines is now available on iTunes). We talk about everything from making Larry David laugh to creating a movie about the softer side of zombies to making the national news alongside Mitt Romney.  GRACE LEE'S BIO GRACE LEE (Producer/Writer/Director) Lee's most recent feature film JANEANE FROM DES MOINES had its world premiere at the 2012 Toronto International Film Festival. Grace Lee was born and raised in Columbia, Missouri. She has a BA in History from the University of Missouri and an MFA in Film Directing from UCLA Film School where she won DGA and Student Academy Awards for her thesis film, BARRIER DEVICE, starring Sandra Oh.  Her first documentary THE GRACE LEE PROJECT was released in 2005, broadcast on the Sundance Channel and is distributed by Women Make Movies. She also co-wrote and directed AMERICAN ZOMBIE, a feature film, released in 2008 by Cinema Libre.  She is the recipient of the Henry Hampton Award for Excellence in Digital Media, a Rockefeller Media Arts grant, the PPP Pusan Prize as well as funding from the Ford Foundation, Center for Asian American Media, Chicken and Egg Pictures, and the Armani Directing Fellowship through Film Independent. Other documentary credits include BEST OF THE WURST, which is permanently featured at the Currywurst Museum in Berlin and CAMP ARIRANG. She is currently in postproduction for AMERICAN REVOLUTIONARY: THE EVOLUTION OF GRACE LEE BOGGS about a 97-year-old Chinese American philosopher and activist in Detroit. JANE EDITH WILSON'S BIO Jane Edith Wilson acts, writes, produces, and can tell a joke or two. She welcomes anyone who wishes to give her money to make her next film. Tweet her @JaneEdithWilson Random fun fact about Jane: She appeared as one of the "NCIS dancers/singers" in an episode of my web series TV GUIDE LETTER THEATER.

This week we feature socially engaged art at UC Berkeley, a “denim social club” on Central Market, and celebrate the retirement of the “Godfather of Asian American Media.”   Photo by Scott Tsuchitani   We ignite a discussion about socially engaged art with students from UC Berkeley and one of the co-teachers of the class Socially Engaged Art and the Future of the Public University, which culminated in an action at entrance of the UC Berkeley campus.   Julian Dash, founder of Holy Stitch   We take you to Central Market where Julian Dash and his project Holy Stitch use sewing machines to transform youth from consumers into empowered producers. And finally, we pay tribute to the “Godfather of Asian American Media” Robert Nakamura, as he retires from  33 years of teaching Asian American studies and motion picture/television at UCLA. We'll broadcast excerpts from the discussion with his whole family at the 30th San Francisco International Asian American Film Festival. Hosted by No-No Girl and Salima. The post APEX Express – June 21, 2012 appeared first on KPFA.

  This has been a week of devastating news coming from Japan. Tonight, we reflect on the tragic events in Japan and how our local community has responded. We'll talk with Sri Lankan reporter Suvendrini Kakuchi who was in Tokyo at the time of the earthquake. We talk with Stephen Gong, executive director at the Center for Asian American Media to find out how they are harnessing their large Festival audience to donate funds to the relief effort. Paul Osaki talks with us about the Japanese Cultural and Community Center of Northern California's quick response to set up the Northern Japan Earthquake Relief Fund based on a long relationship between Japan and San Francisco. Keith Kamisugi, director of communications on sabbatical from the Equal Justice Society, talks with us about his use of social media upon learning about the devastation in northern Japan.Laura Adleman with the San Francisco Department of Emergency Management talks with us about how WE can be better prepared for an emergency. Important sites are 72hours.org and alertsf.org. And finally, we take you to the Save Rapa Nui Day of Action held yesterday outside the Chilean Consulate's office. The post APEX Express – March 17, 2011 appeared first on KPFA.