Podcasts about guadalupe pineda

Guadalupe Pineda sale en DEFENSA de Ángela Aguilar tras FUERTES críticas y abucheosSee omnystudio.com/listener for privacy information.

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Guadalupe Pineda, una de las artistas más queridas y talentosas de México, nos habla sobre sus orígenes, su cercanía con los Aguilar, su versión de "La Llorona" y más.

Tenemos a los invitados más divertidos y unas voces excepcionales, además jugamos en la radio, nos enteramos de las notas más virales de la red y tenemos a los mejores colaboradores, sólo aquí con Roger en exa.See omnystudio.com/listener for privacy information.

Hoy con Ingrid y Tamara en MVS, ¿Cómo podemos ayudar al planeta a través de nuestras compras? Javier Herrero y Germán Bricio de sistemas B, nos hablan sobre el impacto que causan estas empresas cuidando el planeta. La talentosa Paty Cantú nos presenta su nuevo sencillo “Mi Funeral 2:0”, una canción en donde se reinventa. Alicia Ramírez, licenciada en nutrición, nos explica si son o no necesarios los suplementos en los niños. Pregunta del día: ¿Qué métodos aplicas para estirar el dinero a final de quincena? El secretario de turismo del estado de Veracruz, el Dr. Iván Martínez Olvera, nos invita a “Salsa Fest Veracruz 24”, que se llevará a cabo los días 13. 14 y 15 de junio en el Salsódromo, Boca del Río. La exitosa cantante Guadalupe Pineda, nos platica sobre su próxima presentación “Celebrando a Mamá”, en el Teatro Metropolitan este 10 de mayo. Conéctate con Ingrid y Tamara en MVS, de lunes a viernes, de 10:00 AM a 1:00 PM por MVS 102.5 FM.See omnystudio.com/listener for privacy information.

#EugeniaLeón mantiene una GRAN amistad con #TaniaGuadalupe después de 'celos profesionales'See omnystudio.com/listener for privacy information.

La cantante Guadalupe Pineda cumple 50 años de exitosa carrera artística

Guadalupe Pineda con Los Tres Ases — Historia de un amor Buena Vista Social Club — Dos Gardenias (2021 — Remaster) (@buena-vista-social-club) Monna Bell — Estaba escrito Caro Emerald — Tangled Up (@caroemerald) Gotan Project — Queremos Paz The Lost Fingers — Tom's Diner (@thelostfingersofficial) Oscar Oleman — Estambul (Digitally Remastered) Lu Colombo & Mauricio Geri Swingtet — Gina Beegie Adair — Oh Look At Me Now Soul Goodman, Waldeck, Patrizia Ferrara — The Moon Above (@klaus-waldeck-1) Saint Privat — Mille Baci (@saintprivat) Mop Mop — Habanera 80 Omara Portuondo — ¿Dónde Estabas Tú? (2019 — Remaster) Caro Emerald — A Night Like This (Acoustic session) Buena Vista Social Club — Orgullecida (2021 — Remaster) Una Mas Trio — Clear As Water Kat Edmonson & Vince Giordano and The Nighthawks — Mountain Greenery Hailey Tuck — Cry to Me (@hailey-tuck) Waldeck — Rough Landing Pochill — Porque Jill Barber — Petite fleur Мумий Троль — Боксерский вальс Cesaria Evora — Tiempo Y Silencio (With Pedro Guerra) Touch & Go — Life's A Beach Hindi Zahra — Beautiful tango (unplugged) Janne Schra — What I Really Want To Do The Gentle Waves — Falling from Grace

Edgar Estrada nos cuenta todo sobre el mundo del entretenimiento; espectáculos, cultura, cine, televisión, teatro y muchas recomendaciones a tu alcance. ¡Estamos "Del Tingo al Tango"!Una producción original de Audio Centro

Luego de de la filtración de una imágenes de #ángelaAguilar con su exnovio #GussyLau, la tía de la cantante, #GuadalupePineda reprobó contundentemente que la intimidad de su sobrina haya sido expuesta.

Cantante, compositora, actriz y bailarina, en María León diferentes disciplinas artísticas convergen y dan forma a una de las personalidades más multifacéticas del entretenimiento en Latinoamérica, quien lo mismo ha brillado en su faceta de intérprete solista, que en los mejores escenarios teatrales de México. Recientemente lanzó su segundo disco de solista, del cual se desprenden los éxitos “Pedir Permiso” con Edwin Luna y la Trakalosa de Monterrey, “Mudanza de Hormiga” con Gloria Trevi, “Alquimia” con Rubén Albarrán y la Bruja de Texcoco, “Te quedas sin mí” con Yuri, “Llamada Perdida” con Leonel García, “Así sí” con Bronco, entre otras grandes personalidades; a la par, recorre la República Mexicana con su “Alquimia Tour”, el cual inició el pasado 15 de enero con un contundente Sold Out en el Teatro Metropólitan, emblemático recinto de la Ciudad de México. María León, licenciada en Artes Escénicas por la Universidad de Guadalajara, es una artista completa que puede presumir el haber compartido escenario con íconos de la música nacional, como Juan Gabriel, Los Ángeles Azules, Gloria Trevi, Guadalupe Pineda y Bronco, entre otros. --- Send in a voice message: https://anchor.fm/lascompositoras/message

Cantante, compositora, actriz y bailarina, en María León diferentes disciplinas artísticas convergen y dan forma a una de las personalidades más multifacéticas del entretenimiento en Latinoamérica, quien lo mismo ha brillado en su faceta de intérprete solista, que en los mejores escenarios teatrales de México. Recientemente lanzó su segundo disco de solista, del cual se desprenden los éxitos “Pedir Permiso” con Edwin Luna y la Trakalosa de Monterrey, “Mudanza de Hormiga” con Gloria Trevi, “Alquimia” con Rubén Albarrán y la Bruja de Texcoco, “Te quedas sin mí” con Yuri, “Llamada Perdida” con Leonel García, “Así sí” con Bronco, entre otras grandes personalidades; a la par, recorre la República Mexicana con su “Alquimia Tour”, el cual inició el pasado 15 de enero con un contundente Sold Out en el Teatro Metropólitan, emblemático recinto de la Ciudad de México. María León, licenciada en Artes Escénicas por la Universidad de Guadalajara, es una artista completa que puede presumir el haber compartido escenario con íconos de la música nacional, como Juan Gabriel, Los Ángeles Azules, Gloria Trevi, Guadalupe Pineda y Bronco, entre otros. --- Send in a voice message: https://anchor.fm/lascompositoras/message

#GuadalupePineda nos acompañó en el foro de #SaleElSol para platicarnos de su más reciente colaboración con #Bronco y nos reveló cuál ha sido su trago más amargo en la vida.

Mi invitado del día de hoy es el Ing. Alberto J Rodriguez, estudió la carrera de electrónica en la Universidad Tecnológica de México y audio en la Universidad de la Música G. Martell. Se ha dedicado al audio profesional desde 2005 y se ha especializado en el área de la grabación discográfica. Trabajó en estudios continental de 2006 a 2007, en los estudios de Sony Music México de 2008 a 2013 y en la casa productora Cosmos Producciones desde 2013 hasta la actualidad. Ha participado en cientos de producciones discográficas a nivel nacional e internacional y ha trabajado como ingeniero para artistas como: Panteón Rocco, Gloria Trevi, DLD, María José, Natalia Jiménez, Guadalupe Pineda, Leo Dan. Aleks Syntek, Yuridia, Carlos Rivera, Thalia, y muchos más. *Ingeniero brasileño mencionado Antonio "Moogie" Canazio Escucha la discografia del invitado en Spotify: https:// open.spotify.com/playlist/6CLjyf2vX4G8SGc89QNXQj?si=rD2Kc3S6RA6AH0a9cc_htg síguelo en: Twitter @betojorge00 Instagram @betojorge00 Facebook @Alberto J. Rodríguez Creditos Si te gustó el podcast, porfavor deja una reseña y calificación: Aquí Instagram @MaestrosdelAudio @ericlee.audio Facebook @MaestrosdelAudio @ericleess88

En este episodio volvemos a hablar de más de un artista, y en esta ocasión es el turno de Tania Libertad, Guadalupe Pineda y Eugenia León.Hablamos sobre sus comienzos y trayectoria, así como la similitud que han ido teniendo en cuanto a los géneros, sus grandes voces, éxitos que han conseguido, y en los pocos momentos en los que coincidieron.Hablamos también sobre la historia de cada una, los discos de opera de Tania y Guadalupe y sus paso por diferentes géneros que les han generado grandes éxitos en sus presentaciones y ventas de discos.Además, como en cada capítulo, escuchamos estas canciones:* Gracias a la Vida* Coincidir* La Flor De La Canela* El Unicornio Azul* El Fandango Aquí* Popurrí "Álvaro Carrillo"Con Jesús Martínez y Gerardo OrtegaSíguenos en Instagram: https://www.instagram.com/codigolibre.radio/https://www.instagram.com/gerryortegaisme/Escúchanos en https://www.codigolibreradio.com#SomosLoQueDecimos See acast.com/privacy for privacy and opt-out information.

The Mariachi Cobre has been entertaining guests traveling around Epcot's World Showcase since opening day making them one of the best-known Mariachi bands in the world. The internationally-acclaimed performers share that opening day distinction with only the Voices of Liberty. The Mariachi Cobre started in 1971, a full 10 years before Epcot Opening Day. It was formed by Randy Carrillo with the support of his younger brother Steve, his friend Mack Ruiz, and musical arranger, Frank Grijalva. Mariachi played in Anaheim at Disneyland for a Cinco De Mayo event not long after they became an opening day addition to Epcot where they have been playing ever since. The group has worked with such renowned artists as Linda Ronstadt, Julio Iglesias, Vicki Carr, Lucha Villa, Lola Beltran, Ana Gabriel, Guadalupe Pineda, Jose Luis Rodriguez, Rocio Banquells, and Beatriz Adriana. Those recordings include Mariachi Cobre, Este es Mi Mariachi and XXV Anniversary. https://youtu.be/USvIggF8tJE

Con motivo de #NocheBuena y #Navidad, #GuadalupePineda junto a su hija #MarianaGurrola y sus nietos, lanzaron esta divertida y emotiva canción navideña 'Amigos del Mundo' ¿Será que sigan sus pasos en el mundo artístico? See acast.com/privacy for privacy and opt-out information.

Programa 10 diciembre: Guadalupe Pineda nos presenta su nuevo sencillo Besos y copas, Fernando de la Mora invita a participar en la campaña Donando se alegran los corazones y el Show cómico, mágico, musical, sensual y de autos con José Ramón Zavala.

Thijs Borsten & Erminia Fernández Córdoba Nací En Álamo Jacob Gurevitsch & Buika Melancolía Compay Segundo Morir de Amor (Mourir D'aimer) (con Charles Aznavour) Mina Adoro Guadalupe Pineda Historia de un Amor Halie Loren Sway (Quien Sera) Tony Dallara Norma Silvana di Lorenzo He Sabido Que Te Amaba Shirley Bassey Life Goes On Leonard Cohen Almost Like the Blues The Cooltrane Quartet Back to Black (feat. Dinah York) L.E.J Encore Victor Biliac Kamia Fora Maya Fadeeva & Club des Belugas Straight to My Heart Cassette My Way Anouk Aiata Ce n'est pas une larme Ibrahim Maalouf & Golshifteh Farahani Love In Portofino Ibrahim Maalouf, Monica Bellucci & M Paroles paroles Dj Club feat. Enbe Orch. Rain Enrico Macias & TOMA Mon histoire c'est ton histoire Luca Barbarossa Dance Me to the End of Love (feat. Chiara Civello) Mel Tormé Comin' Home Baby Alfredito Linares Ain't No Sunshine French Latino Fly Me To The Moon (Llévame a la Luna) Sting & Shirazee Englishman / African in New York Gigi D'Alessio 'A città 'e pulecenella (feat. Dear Jack) Schérazade L'amour à plusieurs Waldeck Quando (feat. Patrizia Ferrara) Michel Louvain Qui sait, qui sait, qui sait ? Les Au Revoir Tha Ksanartheis Monika Stala Rupa & The April Fishes Neruda Dj Dami & Relight Orchestra Woman Jessie Ware Selfish Love Michelle Gurevich First Six Months of Love Victor Biliac Boheme Bodane Caruso ( Rumba / 28 Bpm ) The Brave ¡Hasta Luego! Goodbye

La Familia Musical (Adrian Rojo Trevino @adrianrojotrevino S01 E001). Desde Monterrey Nuevo Leon, Mexico, ingeniero de audio, productor y músico que ha producido, grabado, mezclado y colaborado con algunos de los artistas más importantes de la música en Latinoamérica como Panda, Jumbo, Zoé, Los Claxons, Elefante, Jesse y Joy, Motel, Aleks Syntek, Guadalupe Pineda, Gloria Trevi, Guadalupe Esparza y muchos más. Con participaciones en múltiples proyectos nominados a Grammys ® y con varios discos de oro y platino ya a su nombre, se ha convertido en uno de los productores mas reconocidos y ocupados en México. Adrian Rojo Trevino y nuestro podcast host Marcelo Trevino recuerdan cómo comenzaron en la industria de la música y cuales son y fueron sus mentores e influencias. También Adrian Rojo Trevino nos comparte cuando conoció el Pro Tools, su proceso físico y mental al mezclar y el momento en el que reconoció qué quería participar en la creación de la música. ¡Disfruten! Tendremos episodios en inglés y español, invitados compositores, productores, músicos y creadores de tracks que cuentan historias que inspiran. ¡Gracias por ser parte de El Composer Podcast! Este episodio está patrocinado por El Luchador Audio, empresa productora de beautifully crafted loops, samples, tools y contenido exclusivo para la creación de música y con enfoque en la promoción del talento musical latino.Gracias, thank you por estar con nosotros, gracias por hacer, escuchar y/o apoyar música, si todo bien no se les olvide subscribirse y nos escuchamos en el que sigue. m.Support this podcast at — https://redcircle.com/elcomposerpodcast/donations

“I cannot pontificate about it, but by the time I'm done, I will have done one movie, and it's all the movies I want.People say, you know, "I like your Spanish movies more than I like your English-language movies because they are not as personal", and I go "Fuck, you're wrong!" Hellboy is as personal to me as Pan's Labyrinth. They're tonally different, and yes, of course you can like one more than the other – the other one may seem banal or whatever it is that you don't like. But it really is part of the same movie. You make one movie. Hitchcock did one movie, all his life.” —Guillermo del Toro, Twitch Film, January 15, 2013 Ok, passengers! First off, if you don’t know who Guermillo Del Toro is, press pause on this show, smack yourself in the mouth and then go watch Pan’s Labrynth, Hellboy or even Scary Stories to Tell in the Dark and then come back to finish. Go on… git! We’ll wait! Del Toro was born in Guadalajara, Jalisco, Mexico, the son of Guadalupe Gómez and Federico del Toro Torres, an automotive entrepreneur. Both of whom are of Spanish descent. He was raised in a strict Catholic household. Del Toro studied at the Centro de Investigación y Estudios Cinematográficos, at the University of Guadalajara. Having a taste for the macabre at an early age, del Toro decorated his family home with decidedly spooky elements. Del Toro loves monsters. . He claims that monsters used to crowd into his room at night, and he made a pact with them: If they let him go to the washroom, he’d be their friend for life. It worked, and del Toro says, “To this day, monsters are the thing I love most.” Del Toro liked monsters so much as a child that his Catholic grandmother, fearing for his soul, performed a real-life exorcism on him, and when that didn’t work, she actually performed a second one. Del Toro considers himself a book-person first and foremost, and there were two books that shaped his universe as a child. One was an encyclopedia of health (which led to an obsession with anatomy), and the other an encyclopedia of art. When del Toro was about eight years old, he began experimenting with his father's Super 8 camera, making short films with Planet of the Apes toys and other objects. One short focused on a "serial killer potato" with ambitions of world domination; it murdered del Toro's mother and brothers before stepping outside and being crushed by a car.  Del Toro made about 10 short films before his first feature, including one titled Matilde, but only the last two, Doña Lupe and Geometria, have been made available.  He wrote four episodes and directed five episodes of the cult series La Hora Marcada, along with other Mexican filmmakers such as Emmanuel Lubezki and Alfonso Cuarón.Del Toro got his first big break when he made Cronos in 1993.The movie, about the effects of a device that confers immortality, won nine Ariel Awards from the Mexican Academy of Film—including best picture, best director, best screenplay, and best original story—and also received the International Critics’ Week grand prize at the Cannes film festival.  Del Toro studied special effects and make-up with special-effects artist Dick Smith. Dick Smith had been a huge influence on del Toro throughout his life. He bought Smith’s make-up kit when The Exorcist came out in 1973, and applied for his make-up course in New York in 1987.  He spent 10 years as a special-effects make-up designer and formed his own company, Necropia. He also co-founded the Guadalajara International Film Festival. Later in his directing career, he formed his own production company, the Tequila Gang. In 1997, at the age of 33, Guillermo was given a $30 million budget from Miramax Films to shoot another film, Mimic. After turning in a draft of his screenplay for Mimic to Miramax, the studio was not happy with how little was explained about the creatures at the centre of the story, and decided to commission a number of rewrites. One of these drafts was written by none other than Steven Soderbergh, but almost none of his work ended up in the film. Del Toro is not a fan of second unit work, and for his director’s cut of Mimic he managed to excise the majority of the second unit footage. Robert Rodriguez was one of the second unit directors on the film. Mimic was a very troubled production, and del Toro claims that his experience butting heads with studio execs at Miramax was actually more traumatic than his father’s kidnapping( which we'll discuss in a bit): “What was happening to me and the movie was far more illogical than kidnapping, which is brutal, but at least there are rules.” He was ultimately unhappy with the way Miramax had treated him during production, which led to his friend James Cameron almost coming to blows with Miramax co-founder and owner Harvey Weinstein during the 70th Academy Awards. In 2001 Del toro made The Devil's backbone. The Devil’s Backbone, was produced by renowned Spanish filmmaker Pedro Almodovar. Almodovar afforded del Toro a level of creative freedom that he’d never experienced up to that point, and the eternally grateful del Toro has tried to pay this gesture forward as a producer for many directors’ films. The film was an international co-production between Spain and Mexico. Del Toro wrote the first draft before writing his debut film Cronos. This "very different" version was set in the Mexican Revolution and focused not on a child's ghost but a "Christ with three arms". According to del Toro, and as drawn in his notebooks, there were many iterations of the story, some of which included antagonists who were a "doddering ... old man with a needle," a "desiccated" ghost with black eyes as a caretaker (instead of the living Jacinto who terrorizes the orphans), and "beings who are red from head to foot." As to motivation for the villain, according to the actor who portrayed him (Eduardo Noriega), Jacinto "suffered a lot when he was a child at this orphanage. Somebody probably treated him wickedly: this is his heritage. And then there is the brutalizing effect of the War." Noriega further notes that "What Guillermo did was to write a biography of Jacinto (which went into Jacinto's parents, what they did in life, and more) and gave it to me." DDT Studios in Barcelona created the final version of the crying ghost (victim and avenger) Santi, with his temple that resembled cracked, aged porcelain. The response was overwhelmingly positive, though it did not receive the critical success that Pan's Labyrinth would in 2006. Del Toro considers The Devil’s Backbone and Pan’s Labyrinth to be companion pieces, and claims that they reveal “symmetries and reflections” if watched together. His next film was on 2002, Blade 2. directed by Guillermo Del Toro and written by David S. Goyer, it is a sequel to the first film and the second part of the Blade film series, followed by Blade: Trinity. Guillermo del Toro was hired to direct Blade II by New Line production president Michael De Luca after Stephen Norrington turned down the offer to direct the sequel. Del Toro chose not to alter the script too much from the ideas created by Goyer and Snipes. "I wanted the movie to have a feeling of both a comic book and Japanese animation", said the director. "I resurrected those sources and viewed them again. I dissected most of the dailies from the first movie; I literally grabbed about four boxes of tapes and one by one saw every single tape from beginning to end until I perfectly understood where the language of the first film came from. I studied the style of the first one and I think Norrington used a tremendous narrative style. His work is very elegant". Blade II was released on March 22, 2002. This was during a period of the year (months March and April) considered to be a bad time for sequels to be released. Despite this, the film became the highest-grossing film of the Blade series, making $80 million in the United States and $150 million worldwide.  Hellboy is a 2004 supernatural superhero film written and directed by Guillermo del Toro from a story by Del Toro and Peter Briggs. It is based on the Dark Horse Comics graphic novel Hellboy: Seed of Destruction by Mike Mignola. Del Toro and Hellboy creator Mike Mignola envisioned the film as a Ray Harryhausen film. The film was shopped and rejected by various studios for years due to studios disliking the title, script, and the fact that Perlman was cast as Hellboy.[7][8] Del Toro invited Harryhausen to teach the film's animators what made his effects techniques unique but he declined, feeling that modern films were too violent. While writing the script, Del Toro researched occult Nazi philosophies and used them as a reference for the film's opening scene. In an early version of the script, the gyroscope portal was described being made out of rails that formed into pentagrams, hexagrams, and inverted stars to illustrate the film's magic and occult elements. Del Toro chose to alter the origin from the comic to give main characters interconnected origins. Aside from working with Perlman before, Del Toro chose him for the title role because he felt Perlman can deliver subtlety and nuance with makeup.[23] Del Toro assigned his real life friend, Santiago Segura, to play the train driver who assaults Hellboy. The film was shot 6 days a week for 130 days, Mondays through Saturdays without a second unit. Sundays were reserved for editing.  Del Toro noted that the film could have commenced filming in 1998, however, the film had difficulty finding a committed studio due to the stigma Hollywood associated superhero and comic book films with, at the time. The action scenes were staged after Harryhausen films with little to no camera movement using wide shots. The cemetery sequence was filmed in a real cemetery in Prague. Pan's labyrinth is a  2006 dark fantasy film written and directed by Guillermo del Toro. The film is  a Spanish-Mexican co-production. Del Toro stated that he considers the story to be a parable, influenced by fairy tales, and that it addresses and continues themes related to his earlier film The Devil's Backbone, to which Pan's Labyrinth is a spiritual successor, according to del Toro in his director's DVD commentary. The idea for Pan's Labyrinth came from Guillermo del Toro's notebooks, which he says are filled with "doodles, ideas, drawings and plot bits". He had been keeping these notebooks for twenty years. At one point during production, he left the notebook in a taxi in London and was distraught, but the cabbie returned it to him two days later. Though he originally wrote a story about a pregnant woman who falls in love with a faun,[12] Sergi López said that del Toro described the final version of the plot a year and a half before filming. Lopez said that "for two hours and a half he explained to me all the movie, but with all the details, it was incredible, and when he finished I said, 'You have a script?' He said, 'No, nothing is written'". López agreed to act in the movie and received the script one year later; he said that "it was exactly the same, it was incredible. In his little head he had all the history with a lot of little detail, a lot of characters, like now when you look at the movie, it was exactly what he had in his head".  Del Toro got the idea of the faun from childhood experiences with "lucid dreaming". He stated on The Charlie Rose Show that every midnight, he would wake up, and a faun would gradually step out from behind the grandfather's clock. Originally, the faun was supposed to be a classic half-man, half-goat faun fraught with beauty. But in the end, the faun was altered into a goat-faced creature almost completely made out of earth, moss, vines, and tree bark. Some of the  works he drew on for inspiration include Lewis Carroll's Alice books, Jorge Luis Borges' Ficciones, Arthur Machen's The Great God Pan and The White People, Lord Dunsany's The Blessing of Pan, Algernon Blackwood's Pan's Garden and Francisco Goya's works. In 2004, del Toro said: "Pan is an original story. Some of my favourite writers (Borges, Blackwood, Machen, Dunsany) have explored the figure of the god Pan and the symbol of the labyrinth. These are things that I find very compelling and I am trying to mix them and play with them." It was also influenced by the illustrations of Arthur Rackham.There are differing ideas about the film's religious influences. Del Toro himself has said that he considers Pan's Labyrinth "a truly profane film, a layman's riff on Catholic dogma", but that his friend Alejandro González Iñárritu described it as "a truly Catholic film". Del Toro's explanation is "once a Catholic, always a Catholic," however he also admits that the Pale Man's preference for children rather than the feast in front of him is intended as a criticism of the Catholic Church. Additionally, the priest's words during the torture scene were taken as a direct quote from a priest who offered communion to political prisoners during the Spanish Civil War: "Remember my sons, you should confess what you know because God doesn't care what happens to your bodies; He already saved your souls." Hellboy II: The Golden Army is a 2008 American superhero film based on the fictional character Hellboy created by Mike Mignola. The film was written and directed by  del Toro and is a sequel to the 2004 film Hellboy, which del Toro also directed. Ron Perlman reprises his starring role as the eponymous character. Hellboy II: The Golden Army was released by Universal Pictures.The director sought to create a film trilogy with the first sequel anticipated for release in 2006. Revolution Studios planned to produce the film and distribute it through a deal with Columbia Pictures, but by 2006, their distribution deal wasn't renewed and Revolution began refocusing on exploiting their film library. In August 2006, Universal Pictures acquired the project with the intent to finance and distribute the sequel, which was newly scheduled to be released in summer of 2008. Production was scheduled to begin in April 2007 in Etyek, Hungary (near Budapest) and London, England. del Toro explored several concepts for the sequel, initially planning to recreate the classic versions of Frankenstein, Dracula and the Wolf Man. He and comic book creator Mike Mignola also spent a few days adapting the Almost Colossus story, featuring Roger the Homunculus. They then found it easier to create an original story based on folklore, because del Toro was planning Pan's Labyrinth, and Mignola's comics were becoming increasingly based on mythology. Later, del Toro pitched a premise to Revolution Studios that involved four Titans from the four corners of Earth—Wind, Water, Fire, and Earth—before he replaced the Titans with a Golden Army. Mignola described the theme of the sequel, "The focus is more on the folklore and fairy tale aspect of Hellboy. It's not Nazis, machines and mad scientists but the old gods and characters who have been kind of shoved out of our world." Pacific Rim is a 2013 science-fiction monster film directed by del Toro. In February 2006, it was reported that Guillermo del Toro would direct Travis Beacham's fantasy screenplay, Killing on Carnival Row, but the project never materialized.[48] Beacham conceived Pacific Rim the following year. While walking on the beach near Santa Monica Pier, the screenwriter imagined a giant robot and a giant monster fighting to the death. "They just sort of materialized out of the fog, these vast, godlike things." He later conceived the idea that each robot had two pilots, asking "what happens when one of those people dies?" Deciding this would be "a story about loss, moving on after loss, and dealing with survivor's guilt", Beacham commenced writing the film. On May 28, 2010, it was reported that Legendary Pictures had purchased Beacham's detailed 25-page film treatment, now titled Pacific Rim. On July 28, 2010, it was reported that del Toro would next direct an adaptation of H. P. Lovecraft's At the Mountains of Madness for Universal Studios, with James Cameron producing.[51] When del Toro met with Legendary Pictures to discuss the possibility of collaborating with them on a film, he was intrigued by Beacham's treatment—still a "very small pitch" at this point. Del Toro struck a deal with Legendary: while directing At the Mountains of Madness, he would produce and co-write Pacific Rim; because of the films' conflicting production schedules, he would direct Pacific Rim only if At the Mountains of Madness were cancelled. Tom Cruise was attached to star in the Lovecraft adaptation. On March 7, 2011, it was reported that Universal would not proceed with At the Mountains of Madness because del Toro was unwilling to compromise on the $150 million budget and R rating. The director later reflected, "When it happened, this has never happened to me, but I actually cried that weekend a lot. I don't want to sound like a puny soul, but I really was devastated. I was weeping for the movie." The project collapsed on a Friday, and del Toro signed to direct Pacific Rim the following Monday. Del Toro spent a year working with Beacham on the screenplay, and is credited as co-writer. He introduced ideas he had always wished to see in the genre, such as a Kaiju birth and a Kaiju attack seen from a child's perspective. The film was shot using Red Epic cameras.[65] At first Guillermo del Toro decided not to shoot or convert the film to 3D, as the effect would not work due to the sheer size of the film's robots and monsters, explaining I didn't want to make the movie 3D because when you have things that big ... the thing that happens naturally, you're looking at two buildings lets say at 300 feet [away], if you move there is no parallax. They're so big that, in 3D, you barely notice anything no matter how fast you move ... To force the 3D effects for robots and monsters that are supposed to be big you are making their [perspective] miniaturized, making them human scale. It was later announced that the film would be converted to 3D, with the conversion taking 40 weeks longer than most. Del Toro said: "What can I tell you? I changed my mind. I'm not running for office. I can do a Romney."  Del Toro envisioned Pacific Rim as an earnest, colorful adventure story, with an "incredibly airy and light feel", in contrast to the "super-brooding, super-dark, cynical summer movie". The director focused on "big, beautiful, sophisticated visuals" and action that would satisfy an adult audience, but has stated his "real hope" is to introduce the Kaiju and mecha genres to a generation of children. While the film draws heavily on these genres, it avoids direct references to previous works. Del Toro intended to create something original but "madly in love" with its influences, instilled with "epic beauty" and "operatic grandeur". The film was to honor the Kaiju and mecha genres while creating an original stand-alone film, something "conscious of the heritage, but not a pastiche or an homage or a greatest hits of everything". The director made a point of starting from scratch, without emulating or referencing any previous examples of those genres. He cautioned his designers not to turn to films like Gamera, Godzilla, or The War of the Gargantuas for inspiration, stating: "I didn't want to be postmodern, or referential, or just belong to a genre. I really wanted to create something new, something madly in love with those things. I tried to bring epic beauty to it, and drama and operatic grandeur." Crimson Peak is a 2015 gothic romance film directed by  del Toro and written by del Toro and Matthew Robbins. The story, set in Victorian era England, follows an aspiring author who travels to a remote Gothic mansion in the English hills with her new husband and his sister. There, she must decipher the mystery behind the ghostly visions that haunt her new home. Del Toro and Robbins wrote the original spec script after the release of Pan's Labyrinth in 2006. It was sold quietly to Donna Langley at Universal. Del Toro planned to direct the film, but postponed the project to make Hellboy II: The Golden Army, and then again to work on The Hobbit films. Langley suggested that del Toro produce the film for another director, but he could not find one he deemed suitable. While directing Pacific Rim, del Toro developed a good working relationship with Legendary Pictures' Thomas Tull and Jon Jashni, who asked what he wanted to do next. Del Toro sent them his screenplays for a film adaptation of At the Mountains of Madness, a Western adaptation of The Count of Monte Cristo, and Crimson Peak. The producers deemed the last of these "the best project for us, just the right size". Universal allowed del Toro to move the project to Legendary, with the caveat that they could put up money for a stake in the film. Del Toro called the film a "ghost story and gothic romance". He has described it as "a very set-oriented, classical but at the same time modern take on the ghost story", and said that it would allow him to play with the genres' conventions while subverting their rules. He stated, "I think people are getting used to horror subjects done as found footage or B-value budgets. I wanted this to feel like a throwback." Del Toro wanted the film to honor the "grand dames" of the haunted house genre, namely Robert Wise's The Haunting and Jack Clayton's The Innocents. The director intended to make a large-scale horror film in the tradition of those he grew up watching, such as The Omen, The Exorcist, and The Shining. He cited the latter as "another Mount Everest of the haunted house movie", praising the high production values and Stanley Kubrick's control over the large sets. British playwright Lucinda Coxon was enlisted to rewrite the script with del Toro, in hopes of bringing it a "proper degree of perversity and intelligence", but she is not credited on the finished film. The Shape of Water is a 2017 romantic fantasy drama film directed del Toro and written by del Toro and Vanessa Taylor. Set in Baltimore, Maryland, in 1962, the story follows a mute cleaner at a high-security government laboratory who falls in love with a captured humanoid amphibian creature. Filming took place in Hamilton, Ontario, Canada, between August and November 2016.  The idea for The Shape of Water formed during del Toro's breakfast with Daniel Kraus in 2011, with whom he later co-wrote the novel Trollhunters. It shows similarities to the 2015 short film The Space Between Us. It was also primarily inspired by del Toro's childhood memories of seeing Creature from the Black Lagoon and wanting to see the Gill-man and Kay Lawrence (played by Julie Adams) succeed in their romance. When del Toro was in talks with Universal to direct a remake of Creature from the Black Lagoon, he tried pitching a version focused more on the creature's perspective, where the Creature ended up together with the female lead, but the studio executives rejected the concept. Del Toro set the film during the 1960s Cold War era to counteract today's heightened tensions: "if I say once upon a time in 1962, it becomes a fairy tale for troubled times. People can lower their guard a little bit more and listen to the story and listen to the characters and talk about the issues, rather than the circumstances of the issues".  In an interview with IndieWire about the film, del Toro said: This movie is a healing movie for me. ... For nine movies I rephrased the fears of my childhood, the dreams of my childhood, and this is the first time I speak as an adult, about something that worries me as an adult. I speak about trust, otherness, sex, love, where we're going. These are not concerns that I had when I was nine or seven." The Shape of Water grossed $63.9 million in the United States and Canada, and $131.4 million in other countries, for a total of $195.2 million. The film had received a universally favorable response from critics and audiences.  Pinocchio is an upcoming stop-motion animated musical dark fantasy film co-written and directed by Guillermo del Toro, based on Gris Grimly’s design from his 2002 edition of the 1883 Italian novel The Adventures of Pinocchio by Carlo Collodi. It was written from a screenplay by del Toro, Gris Grimly, Patrick McHale and Matthew Robbins and a story by del Toro and Robbins. The film marks the animated feature film directorial debut of Guillermo del Toro. In 2008, Guillermo del Toro announced that his next project, a darker adaptation of the Italian novel The Adventures of Pinocchio, was in development. He has called Pinocchio his passion project, stating that: "no art form has influenced my life and my work more than animation and no single character in history has had as deep of a personal connection to me as Pinocchio", and "I've wanted to make this movie for as long as I can remember". On February 17, 2011, it was announced that Gris Grimly and Mark Gustafson would co-direct a stop motion animated Pinocchio film written by Guillermo del Toro and Matthew Robbins based by Grimly's designs, with del Toro producing along with The Jim Henson Company and Pathé. On May 17, 2012, del Toro took over for Grimly. On February 2012, Del Toro released some concept arts with the designs of Pinocchio, Geppetto, the Talking Cricket, Mangiafuoco and the Fox and the Cat. On July 30, 2012, it was announced that the film would be produced and animated by ShadowMachine. On January 23, 2017, Patrick McHale was announced to co-write the script with del Toro. On August 31, 2017, del Toro told IndieWire and at the 74th Venice International Film Festival that the film need a budget increase of $35 million more dollars or it would be cancelled. On November 8, 2017, he reported that the project was not happening, because no studios were willing to finance it.[9] At one point, Matthew Robbins considered making the movie as a 2D-animated film with French artist Joann Sfar to bring the costs down, but del Toro eventually decided that it had to be stop-motion, even if the higher budget made it harder get greenlighted. However, on October 22, 2018, it was announced that the film had been revived, with Netflix acquiring it.  So that's his  film history as a director let's get into some other aspects of his life!!He was married to Lorenza Newton, cousin of Mexican singer Guadalupe Pineda. They have two children. He started dating Lorenza when both were studying at the Instituto de Ciencias in Guadalajara. Del Toro and Newton separated in early 2017, and divorced in September of the same year. He maintains residences in Toronto and Los Angeles, and returns to Guadalajara every six weeks to visit his family. He also owns two houses devoted exclusively to his collection of books, poster artwork and other belongings pertaining to his work. He explains, "As a kid, I dreamed of having a house with secret passages and a room where it rained 24 hours a day. The point of being over 40 is to fulfill the desires you've been harboring since you were 7." Politics EditIn a 2007 interview, del Toro described his political position as "a little too liberal". He pointed out that the villains in most of his films, such as the industrialist in Cronos, the Nazis in Hellboy, and the Francoists in Pan's Labyrinth, are united by the common attribute of authoritarianism. "I hate structure. I'm completely anti-structural in terms of believing in institutions. I hate them. I hate any institutionalised social, religious, or economic holding." Religion EditDel Toro was raised Roman Catholic. In a 2009 interview with Charlie Rose, he described his upbringing as excessively "morbid," saying, "I mercifully lapsed as a Catholic ... but as Buñuel used to say, 'I'm an atheist, thank God.'" Though insisting that he is spiritually "not with Buñuel" and that "once a Catholic, always a Catholic, in a way." He concluded, "I believe in Man. I believe in mankind, as the worst and the best that has happened to this world." He has also responded to the observation that he views his art as his religion by saying, "It is. To me, art and storytelling serve primal, spiritual functions in my daily life. Whether I'm telling a bedtime story to my kids or trying to mount a movie or write a short story or a novel, I take it very seriously." Nevertheless, he became a "raging atheist" after seeing a pile of human fetuses while volunteering at a Mexican hospital. He has claimed to be horrified by the way the Catholic Church complied with Francoist Spain, down to having a character in his film quote what actual priests would say to Republican faction members in concentration camps.[66] Upon discovering the religious beliefs of C.S. Lewis, Del Toro has stated that he no longer feels comfortable enjoying his work, despite having done so beforehand. He describes Lewis as "too Catholic" for him, despite the fact that Lewis was never a Catholic. However, Del Toro isn't entirely disparaging of Catholicism, and his background continues to influence his work. While discussing The Shape of Water, Del Toro discussed the Catholic influence on the film, stating, "A very Catholic notion is the humble force, or the force of humility, that gets revealed as a god-like figure toward the end. It's also used in fairy tales. In fairy tales, in fact, there is an entire strand of tales that would be encompassed by the title 'The Magical Fish.' And [it's] not exactly a secret that a fish is a Christian symbol." In the same interview, he still maintained that he does not believe in an afterlife, stating "I don't think there is life beyond death, I don't. But I do believe that we get this clarity in the last minute of our life. The titles we achieved, the honors we managed, they all vanish. You are left alone with you and your deeds and the things you didn't do. And that moment of clarity gives you either peace or the most tremendous fear, because you finally have no cover, and you finally realize exactly who you are." In 2010, del Toro revealed that he was a fan of video games, describing them as "the comic books of our time" and "a medium that gains no respect among the intelligentsia". He has stated that he considers Ico and Shadow of the Colossus to be masterpieces. He has cited Gadget Invention, Travel, & Adventure, Cosmology of Kyoto, Asteroids and Galaga as his favorite games. Del Toro's favorite film monsters are Frankenstein's monster, the Alien, Gill-man, Godzilla, and the Thing. Frankenstein in particular has a special meaning for him, in both film and literature, as he claims he has a "Frankenstein fetish to a degree that is unhealthy", and that it's "the most important book of my life, so you know if I get to it, whenever I get to it, it will be the right way". He has Brazil, Nosferatu, Freaks and Bram Stoker's Dracula listed among his favourite films. Del Toro is also highly interested in Victorian culture. He said: "I have a room of my library at home called 'The Dickens room'. It has every work by Charles Dickens, Wilkie Collins and many other Victorian novelists, plus hundreds of works about Victorian London and its customs, etiquette, architecture. I'm a Jack the Ripper aficionado, too. My museum-slash-home has a huge amount of Ripperology in it". Father's 1997 kidnapping EditAround 1997, del Toro's father, Federico del Toro Torres, was kidnapped in Guadalajara. Del Toro's family had to pay twice the amount originally asked for as a ransom; immediately after learning of the kidnapping, fellow filmmaker James Cameron, a friend of Del Toro since they met during the production of 1993's Cronos, withdrew over $1 million in cash from his bank account and gave it to Del Toro to help pay the ransom. After the ransom was paid, Federico was released, having spent 72 days kidnapped; the culprits were never apprehended, and the money of both Cameron and Del Toro's family was never recovered. The event prompted del Toro, his parents, and his siblings to move abroad. In a 2008 interview with Time magazine, he said this about the kidnapping of his father: "Every day, every week, something happens that reminds me that I am in involuntary exile [from my country]." Del Toro has directed a wide variety of films, from comic book adaptations (Blade II, Hellboy) to historical fantasy and horror films, two of which are set in Spain in the context of the Spanish Civil War under the authoritarian rule of Francisco Franco. These two films, The Devil's Backbone and Pan's Labyrinth, are among his most critically acclaimed works. They share similar settings, protagonists and themes with the 1973 Spanish film The Spirit of the Beehive, widely considered to be the finest Spanish film of the 1970s. Del Toro views the horror genre as inherently political, explaining, "Much like fairy tales, there are two facets of horror. One is pro-institution, which is the most reprehensible type of fairy tale: Don't wander into the woods, and always obey your parents. The other type of fairy tale is completely anarchic and antiestablishment." He is close friends with two other prominent and critically praised Mexican filmmakers Alfonso Cuarón and Alejandro González Iñárritu. The three often influence each other's directorial decisions, and have been interviewed together by Charlie Rose. Cuarón was one of the producers of Pan's Labyrinth, while Iñárritu assisted in editing the film. The three filmmakers, referred to as the "Three Amigos" founded the production company Cha Cha Cha Films, whose first release was 2008's Rudo y Cursi. Del Toro has also contributed to the web series Trailers from Hell. In April 2008, del Toro was hired by Peter Jackson to direct the live-action film adaptation of J. R. R. Tolkien's The Hobbit. On May 30, 2010, del Toro left the project due to extended delays brought on by MGM's financial troubles. Although he did not direct the films, he is credited as co-writer in An Unexpected Journey, The Desolation of Smaug and The Battle of the Five Armies. On December 1, 2008, del Toro expressed interest in a stop-motion remake to Roald Dahl's novel The Witches, collaborating with Alfonso Cuarón. On June 19, 2018 it was announced that Del Toro and Cuarón would instead be attached as Executive Producers on the remake with Robert Zemeckis helming the project as Director and Screenwriter. On June 2, 2009, del Toro's first novel, The Strain, was released. It is the first part of an apocalyptic vampire trilogy co-authored by del Toro and Chuck Hogan. The second volume, The Fall, was released on September 21, 2010. The final installment, The Night Eternal, followed in October 2011. Del Toro cites writings of Antoine Augustin Calmet, Montague Summers and Bernhardt J. Hurwood among his favourites in the non-literary form about vampires. On December 9, 2010, del Toro launched Mirada Studios with his long-time cinematographer Guillermo Navarro, director Mathew Cullen and executive producer Javier Jimenez. Mirada was formed in Los Angeles, California to be a collaborative space where they and other filmmakers can work with Mirada's artists to create and produce projects that span digital production and content for film, television, advertising, interactive and other media. Mirada launched as a sister company to production company Motion Theory. Del Toro directed Pacific Rim, a science fiction film based on a screenplay by del Toro and Travis Beacham. In the film, giant monsters rise from the Pacific Ocean and attack major cities, leading humans to retaliate with gigantic mecha suits called Jaegers. Del Toro commented, "This is my most un-modest film, this has everything. The scale is enormous and I'm just a big kid having fun." The film was released on July 12, 2013 and grossed $411 million at the box office. Del Toro directed "Night Zero", the pilot episode of The Strain, a vampire horror television series based on the novel trilogy of the same name by del Toro and Chuck Hogan. FX has commissioned the pilot episode, which del Toro scripted with Hogan and was filmed in Toronto in September 2013. FX ordered a thirteen-episode first season for the series on November 19, 2013, and series premiered on July 13, 2014. After The Strain's pilot episode, del Toro directed Crimson Peak, a gothic horror film he co-wrote with Matthew Robbins and Lucinda Cox. Del Toro has described the film as "a very set-oriented, classical but at the same time modern take on the ghost story", citing The Omen, The Exorcist and The Shining as influences. Del Toro also stated, "I think people are getting used to horror subjects done as found footage or B-value budgets. I wanted this to feel like a throwback." Jessica Chastain, Tom Hiddleston, Mia Wasikowska, and Charlie Hunnam starred in the film. Production began February 2014 in Toronto, with an April 2015 release date initially planned. The studio later pushed the date back to October 2015, to coincide with the Halloween season. He was selected to be on the jury for the main competition section of the 2015 Cannes Film Festival. Del Toro directed the Cold War drama film The Shape of Water, starring Sally Hawkins, Octavia Spencer, and Michael Shannon. Filming began on August 15, 2016 in Toronto, and wrapped twelve weeks later. On August 31, 2017, the film premiered in the main competition section of the 74th Venice International Film Festival, where it was awarded the Golden Lion for best film, making Del Toro the first Mexican director to win the award. The film became a critical and commercial success and would go on to win multiple accolades, including the Academy Award for Best Picture, with del Toro winning the Academy Award for Best Director. Del Toro collaborated with Japanese video game designer Hideo Kojima to produce P.T., a video game intended to be a "playable trailer" for the ninth Silent Hill game, which was cancelled. The demo was also removed from the PlayStation Network. At the D23 Expo in 2009, his Double Dare You production company and Disney announced a production deal for a line of darker animated films. The label was announced with one original animated project, Trollhunters. However, del Toro moved his deal to DreamWorks in late 2010. From 2016 to 2018, Trollhunters was released to great acclaim on Netflix and "is tracking to be its most-watched kids original ever". In 2017, Del Toro had an exhibition of work at the Minneapolis Institute of Art titled Guillermo del Toro: At Home with Monsters, featuring his collection of paintings, drawings, maquettes, artifacts, and concept film art. The exhibition ran from March 5, 2017, to May 28, 2017. In 2019, del Toro appeared in Hideo Kojima's video game Death Stranding, providing his likeness for the character Deadman. Upcoming projects EditIn 2008, del Toro announced Pinocchio, a dark stop-motion film based on the Italian novel The Adventures of Pinocchio, co-directed by Adam Parrish King, with The Jim Henson Company as production company, and music by Nick Cave. The project had been in development for over a decade. The pre-production was begun by the studio ShadowMachine. In 2017, del Toro announced that Patrick McHale is co-writing the script of the film. In the same year, del Toro revealed at the 74th Venice International Film Festival that the film will be reimagined during the rise of Benito Mussolini, and that he would need $35 million to make it. In November 2017, it was reported that del Toro had cancelled the project because no studios were willing to finance it. In October 2018, it was announced that the film had been revived, with Netflix backing the project. Netflix had previously collaborated with del Toro on Trollhunters. Many of the same details of the project remain the same, but with Mark Gustafson now co-directing rather than Adam Parrish King. In December 2017, Searchlight Pictures announced that del Toro would direct a new adaptation of the 1946 novel Nightmare Alley by William Lindsay Gresham, the screenplay of which he co-wrote with Kim Morgan. In 2019, it was reported that Bradley Cooper, Cate Blanchett, Toni Collette and Rooney Mara had closed deals to star in the film, which went into production in January 2020. https://aznmodern.com/2017/10/10/13-facts-guillermo-del-toro-may-not-know/ https://editorial.rottentomatoes.com/guide/all-guillermo-del-toro-movies-ranked-by-tomatometer/ The Midnight Train Podcast is sponsored by VOUDOUX VODKA.www.voudoux.com Ace’s Depothttp://www.aces-depot.com BECOME A PRODUCER!http://www.patreon.com/themidnighttrainpodcast Find The Midnight Train Podcast:www.themidnighttrainpodcast.comwww.facebook.com/themidnighttrainpodcastwww.twitter.com/themidnighttrainpcwww.instagram.com/themidnighttrainpodcastwww.discord.com/themidnighttrainpodcastwww.tiktok.com/themidnighttrainp And wherever you listen to your favorite podcasts. Subscribe to our official YouTube channel:OUR YOUTUBE

Eugenia León, Tania Libertad y Guadalupe Pineda, quienes decidieron unir sus voces por primera vez para ser reconocidas como “Las Tres Grandes”, ofrecen testimonio de su gran trayectoria con la producción “Primera fila”. --- Send in a voice message: https://anchor.fm/altoescandalo/message Support this podcast: https://anchor.fm/altoescandalo/support

La famosa y talentosa cantante Guadalupe Pineda comenta con Mariano Osorio sobre su próxima presentación en el Auditorio Nacional, en donde se presentará junto con el grupo El Consorcio.Promete interpretar sus más grandes éxitos como Yolanda, Coincidir,  Te Amo, Cómo Fue, Unicornio Azul, Todo Cambia, Cuando Vuelva A Tú Lado, entre otras.La cantante recordó sus inicios en la música cuando cantaba en lo que era conocido como "Peñas".

El revuelo de las ultimas 24 horas de Instagram, Reunion 20 de Septiembre para entrar al Area 51 en Nevada, Tania Ruiz en una rueda de prensa comprometida con Enrique Pena Nieto, Enrique Guzman y Carmen Salinas con mas discusiones, Cyber bullying, Belinda se podria casar con Lupillo Rivera, Guadalupe Pineda opina sobre el caso Placido Domingo.

Episode 857 (August 20, 2019) - Escucha la bella voz de Guadalupe Pineda, hoy en el estudio del Sow de Piolin Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

The Mariachi Cobre has been entertaining guests traveling around Epcot’s World Showcase since opening day making them one of the best-known Mariachi bands in the world. The internationally-acclaimed performers share that opening day distinction with only the Voices of Liberty. The Mariachi Cobre started in 1971, a full 10 years before Epcot Opening Day. It was formed by Randy Carrillo with the support of his younger brother Steve, his friend Mack Ruiz, and musical arranger, Frank Grijalva. Mariachi played in Anaheim at Disneyland for a Cinco De Mayo event not long after they became an opening day addition to Epcot where they have been playing ever since. The group has worked with such renowned artists as Linda Ronstadt, Julio Iglesias, Vicki Carr, Lucha Villa, Lola Beltran, Ana Gabriel, Guadalupe Pineda, Jose Luis Rodriguez, Rocio Banquells, and Beatriz Adriana. Those recordings include:  Mariachi Cobre, Este es Mi Mariachi and XXV Anniversary. While the Mariachi Cobre continues to entertain guests with traditional Mexican music, they recently added an element of storytelling to their performance. Starting in March 2019, the Mariachi will present “The Story of Coco” along with a few Folklorico dancers to tell the tale of Miguel Rivera, his love of music, and his journey to find what matters most, his familia. The dancers will perform to the music of the film, and Miguel himself appears in the form of a hand-crafted puppet. Be sure to check your times guide; typically the Mariachi Cobre performs 5 days a week, with specific shows dedicated to the “Story of Coco”

uadalupe Pineda (23 de febrero de 1955) es una famosa cantante mexicana, nacida en Guadalajara, Jalisco; cuya privilegiada voz y estilo han marcado el panorama musical de México y Latinoamérica. Ganadora del Grammy Latino a la Excelencia Musical, ha grabado 30 discos con más de 10 millones de copias vendidas.1​2​3​ Su versatilidad y fuerza interpretativa la han convertido en una de las voces favoritas y más reconocidas de México.4​ En 1984 graba el tema "Yolanda" (más conocido como "Te amo"), que la lanza definitivamente al gran público, logrando vender un millón y medio de discos, adquiriendo una creciente popularidad entre las nuevas voces jóvenes de la canción en México.5​ Merecedora de innumerables premios, varios discos de oro y platino, y menciones especiales por parte de la crítica, Guadalupe es siempre un punto de encuentro para quienes gustan de la buena música. En 1991, con su álbum Costumbres, obtuvo su primer Disco de Oro.6​7​8​En 2004, recibe Doble Disco de Platino por su disco Arias de Opera, grabado con la participación de la Camerata de las Américas.9​10​11​ Y en 2007, le otorgan el nombramiento "Mujer del Año" por parte de la UNESCO y el Parlamento Europeo en Cannes, Francia.12​Así mismo, es la única artista mexicana que ha recibido el Grand Prix, premio que otorga la Sociedad de Autores, Compositores y Editores de Francia (SACEM), galardón que recibió en la ciudad de París, Francia, en diciembre del 2009, por su exitosa producción discográfica Francia con Sabor Latino, la cual se ubicó en el primer lugar de ventas por ocho semanas seguidas en México.13​ Pineda, también ha sido reconocida por La Federación Ibero Latinoamericana de Artistas, Intérpretes y Ejecutantes por su trayectoria profesional.14​Con su clara y potente voz, ha abarcado diferentes géneros, tanto el bolero como el tango, la canción ranchera, la ópera, la lírica y el pop latino. Sus obras discográficas han sido editadas en diversos países, algunos tan lejanos como Japón. Incluso ha grabado interesantes dúos entre los que se destaca el realizado con la popular cantante argentina Mercedes Sosa con el tema "Gracias a la vida", y con el mismo Pablo Milanés. Ambos incluidos en su álbum Gracias a la Vida.15​Ha realizado giras por Estados Unidos, Irlanda, España, Italia, Francia, Colombia, Puerto Rico, Ecuador, Venezuela, Argentina, Centro y Sudamérica , incluyendo una presentación en el Teatro Colón de la ciudad de Buenos Aires junto a Mercedes Sosa en Noviembre de 2006. También, ha compartido escenario con figuras de la talla de Mireille Mathieu, Rocío Dúrcal, Olga Guillot, Marco Antonio Muñiz, Plácido Domingo, Natalia Lafourcade, Eugenia León, Tania Libertad, Joan Báez, Linda Ronstadt, Pablo Milanés, Fernando de la Mora, Antonio Aguilar y Armando Manzanero, entre muchos otros.2​5​En septiembre de 2012, celebra 35 años de vida artística con dos conciertos completamente agotados en el Palacio de Bellas Artes de la Ciudad de México, grabados para CD y DVD por su disquera Sony Music.16​ Mismo éxito que se repetiría a principios de 2013 en el Auditorio Nacional, logrando un lleno total con un gran espectáculo, demostrando que la intérprete se encuentra en el mejor momento de su carrera.17​En 2016, recibe Disco de Oro junto a Tania Libertad y Eugenia León por las altas ventas de su exitoso proyecto "Las Tres Grandes" Primera Fila, otorgado por Sony Music.18​ Espectáculo con el cual realizáron una gira de promoción con llenos totales por toda la república mexicana, en lugares como el Auditorio Nacional en la Ciudad de México, el Auditorio TelMex de Guadalajara, Jalísco y el Auditorio Banamex de Monterrey, Nuevo León.19​Este álbum con CD/DVD recibe nominación en la 17a Entrega del Grammy Latino, en la categoría Mejor Video Musical Versión Larga.20​En 2017, la Academia Latina de la Grabación le otorga el Grammy a la Excelencia Musical honrando su brillante carrera artística.21​Fue sobrina del actor y cantante Antonio Aguilar, dado que su mamá Josefina era hermana del actor. Prima hermana de los cantantes y actores Antonio Aguilar y Pepe Aguilar. Estuvo casada con el reconocido periodista Ricardo Rocha. Y, actualmente es esposa de Antonio Lozano Gracia.

Podcast de la "Entrevista" en el programa Nocturno 93.7 FM.Guadalupe Pineda,  en una muy divertida noche, nos platico de su nueva producción “Homenaje a los grandes compositores”.

Tania LibertadTania Libertad de Souza Zúñiga (Chiclayo, Perú; 24 de octubre de 1952) es una cantante peruana nacionalizada mexicana1​ que reside en México. Es integrante de la World Music y ganadora del Grammy Latino a la Excelencia Musical.2​ Con más de 50 años de trayectoria, 44 producciones discográficas, y más de 10 millones de copias vendidas a nivel mundial,3​4​5​ Tania Libertad es considerada una de las mejores cantantes latinoamericanas. Su arte ha sido aplaudido en las mejores salas de conciertos tales como el Palacio de Bellas Artes en México, el Sydney Opera House de Australia, el Olympia de París, el Queen Elizabeth Hall de Londres, el Lincoln Center y el Carnegie Hall de Nueva York, el Palacio de la Zarzuela en España, el Hollywood Bowl de Los Ángeles, entre otros;6​7​8​9​ y en los más importantes festivales del Continente Americano, Europa, parte de África y Oceanía.10​Ha sido acreedora de innumerables premios y reconocimientos, entre los que destacan: Artista de la UNESCO por la paz y Embajadora Iberoamericana de la Cultura.4​ También, ha sido condecorada en el grado de “Comendadora” por el gobierno peruano,11​ con la Orden de Río Blanco por el gobierno de Brasil,12​ y en el 2010 fue nombrada "Huésped De Honor" de la ciudad de Buenos Aires.13​A lo largo de su carrera, Tania Libertad ha compartido su talento con otras grandes figuras como Mercedes Sosa, Eva Ayllón, Joan Manuel Serrat, Silvio Rodríguez, Pablo Milanés, Alberto Cortez, Guadalupe Pineda, León Gieco, Fito Páez, Eugenia León, Juan Carlos Baglietto, Chico Buarque, Gal Costa, Alfredo Zitarrosa, Ruben Rada, Cesária Évora, Cecilia Bracamonte, Vicente Fernández, Francesco Petrozzi, Juan Gabriel, Edith Barr, Miguel Bosé, Plácido Domingo, Armando Manzanero, Simón Díaz, Willie Colón, Tito Puente, Oscar Chávez, Gabino Palomares, Iván Lins, Azúcar Moreno, Gian Marco, Ely Guerra, Paquita la del Barrio, Aida Cuevas, Ricardo Cocciante, Soledad Pastorutti, Marco Antonio Muñiz, Pedro Guerra, Soledad Bravo, Amália Rodrigues, Cecilia Barraza, Susana Rinaldi, Phil Manzanera, Lila Downs, Lucha Villa, Axel, Gian Marco, Susana Harp, Filippa Giordano, La Sonora Santanera, Daniela Romo, Teresa Parodi, Joan Báez, Víctor Heredia, José Carbajal, y el grupo chileno Inti Illimani, entre otros.

Entrevista de la sección "LA ESFERA" en el Programa: “Hoy con Mariano”Eugenia León, Tania Libertad y Guadalupe Pineda, las Tres Grandes nos regalaron una charla muy amena, donde nos platican de este proyecto y mucho más.Escucha eso y más...

Contenido de este episodio: Noticia: Navegando ya está en iVoox. El sueño del navegante. Entrevista a la fotógrafa Laura Martino, Nos habla de su trayectoria y de los retos de ser un profesional de la imagen con discapacidad visual. Navegando por el tiempo. Entrevista a la cantante mexicana Guadalupe Pineda. Navegando por la música. Entrevista al cantautor Isaak Victoria. Además: ¿Que tal un nuevo arreglo orquestal al tema Killer Queen?.. Esto y mas en Navegando, episodio 4.

Abel Domínguez Borrás: "Hay que saber perder" es la obra musical que mayores satisfacciones le dio al Mtro. Domínguez, y a la fecha es un tema que registra más de 120 grabaciones. No menos importantes son sus inspiradas composiciones Cuando caiga la tarde, Desprecio, Tu Imagen, Lejos de Ti, Una Página, Por Ti, Yo Soy Aquél, Perdón, Óyelo bien, v Te vengo a decir adiós, y Abandono, entre otras.http://www.sacm.org.mx/archivos/biografias.asp?txtSocio=08027 Alberto Domínguez Borrás: "Perfidia" y "Frenesí" rompieron todos los récords de permanencia en los primeros lugares del hit parade de Estados Unidos, consideradas desde la década de los años cuarenta y hasta la fecha, como canciones de autor latinoamericano. El maestro Alberto Domínguez también influyó en otras áreas de las artes, al musicalizar Perfidia, una película rodada en México con capital norteamericano. Adicionalmente, contribuyó con su música en otras cintas como Al son de la marimba, y Mil estudiantes y una muchacha. Escribió otras obras, entre ellas, Mala Noche, Humanidad, Hilos de plata y Eternamente. http://www.sacm.org.mx/archivos/biografias.asp?txtSocio=08030 Armando Domínguez Borrás: Empezó su carrera como compositor cuando tenía 14 años. Su primera obra fue ¿Dónde estás ahora, corazón? Fundo su propia orquesta, la New Metropolitan Jazzer y a partir de ese momento se dedicó por completo a la música, como compositor y director de orquesta. Vivió 10 años en los Estados Unidos de América, desarrollando ahí una exitosa carrera. Después volvió a la ciudad de México, en donde residió hasta su fallecimiento. Como compositor la obra que le hizo sentir más orgulloso fue Miénteme, porque, solía decir, gracias a esa canción alcanzó fama mundial. Esta canción fue y sigue siendo un gran éxito, interpretada por artistas de la talla del Trío Los Diamantes, Olga Guillot, El Pirulí, Freddy Noriega, Guadalupe Pineda, Gualberto Castro, Jorge Muñiz, entre otros.http://es.wikipedia.org/wiki/Armando_Dom%C3%ADnguez_Borrás Síguenos en https://www.facebook.com/elestudioverdeyoro Descarga este y todos los podcast anteriores automáticamente a través de tu suscripción en iTunes: https://itunes.apple.com/mx/podcast/el-estudio-verde-y-oro/id678936139?mt=2

Mario Ruiz Armengol (Veracruz, 1914 - Quintana Roo, 2002) fue un pianista y compositor mexicano de música clásica y música popular. Hijo del pianista y director de orquesta Ismael Ruiz Suárez y Rosa Armengol, a los quince años debuta como director de orquesta en la compañía de Leopoldo Beristaín. A los 16 años forma parte del grupo fundador de la XEW y empieza a establecerse como compositor, arreglista y director de orquesta, interpretando su música Andy Rusell, Chucho Martínez Gil, Jorge Negrete, Emilio Tuero, Fernando Fernández, María Luisa Landin, Amparo Montes, José Antonio Méndez, Lola Beltrán, Marco Antonio Muñiz, y recientemente José José, Gualberto y Arturo Castro, Guadalupe Pineda, Roberto Pérez Vázquez, Rodolfo "Popo" Sánchez, José Luis Caballero, Enrique Méndez, Paty Carrión, Mariana Alvarez y Verónica Ituarte entre otros. Su obra es de gran envergadura, rebasando las 300 obras para piano, boleros, sinfónicas y danzas cubanas.1 Entre su obra pianística, aparte de sus canciones de exquisita armonía, cuenta con 31 Piezas Infantiles, 19 Danzas Cubanas, 16 Estudios, 16 Reflexiones, 32 Miniaturas, 5 Valses, Sherzos, Minuetos, Sonatas, Fantasías, Preludios y Música para Piano a cuatro manos, Música de Cámara para Piano y Violín, Violonchelo, Arpa y Flauta. http://www.mruizarmengol.com