Podcasts about Wikipedia

Free online encyclopedia that anyone can edit

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    Best podcasts about Wikipedia

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    Latest podcast episodes about Wikipedia

    The Patrick Madrid Show
    The Patrick Madrid Show: June 26, 2025 - Hour 2

    The Patrick Madrid Show

    Play Episode Listen Later Jun 26, 2025 51:05


    Patrick offers thoughtful Catholic advice, fields passionate questions about sacraments, spiritual authority, and healing, and responds directly to callers with both encouragement and occasional gentle pushback. Grandma (email) – What Bible would you recommend to my 21-year-old grandson who is interested in becoming a Catholic? (00:50) Mary - I work in a big retail place and a group of women acting weird came in wanting to pray over people. Is this something I need to be concerned about? (05:44) Kimberly - The Eucharist: What about the fact that this is not just a physical state but a spiritual state? (10:20) Kim - You are causing division. I heard the comment about people praying over other people. I feel offended by Catholic radio rejecting charismatic gifts and the Holy Spirit. (13:49) Saul (email) - Can theosis occur with a Spiritual Communion besides the regular way of receiving Communion/Eucharist and is there a difference of degree? (18:29) Andrew (email) - I came across your Wikipedia page and it mentions that you used to be in the Coast Guard and an electrical engineer. Are either of these true? Sheila (email) - St. Monica did not get Augustine baptized as an infant at that time, but why? Was it because of the “fad” at the time to delay it because of sin? How long did this practice last and when did it end? Michael - According to Jesus, laying on of hands can be effective. Are we dismissing this a little too lightly? (26:29) Jeff - I have heard that as a lay person, if you lay hands on a person, you could become possessed. Is this true? (37:22) Jen - What do the words of the Centurion that we repeat at Mass mean? (41:45)

    Danny Clinkscale: Reasonably Irreverent
    Thirsty Thursdays Sense and Nonsense June 26th

    Danny Clinkscale: Reasonably Irreverent

    Play Episode Listen Later Jun 26, 2025 56:26


    The buddies banter sessios over beers is in fine tune batting back and forth about Lake of the Ozarks, waveboarding, road tripping, a bit of golf, Wikipedia, Led Zeppelin, and of course the ever-demanded fact check. Raise a glass and join the fun!

    Nice Games Club
    Nice Games Jam: "Head of the Clouds"

    Nice Games Club

    Play Episode Listen Later Jun 26, 2025


    This week, your Nice Hosts have a new prompt from a new source. Lydia's husband, Ian, draws from a rainy source of inspiration and the Hosts are all-in. We brush up on the water cycle, requisition the equipment, practice our Trans-Atlantic accents, dunk on hot dogs, and puzzle over water-based cloud economies.Big Pharma - SteamLe Ballon Rouge - WikipediaWater Cycle - WikipediaLoop Hero - SteamHuman Resource Machine - SteamPromptto match the current weather - what goes on inside the clouds during a thunderstorm?Game typeDesign documentPlayer count1RulesYou control a cloud factory and manage what the cloud distributesMission-based, scenariosPlenty of fun fantasy optionsCondition optionsSunshineWaterStatic (use a balloon?)WindThe shape of your factory/cloudWater is your core resourceUse it to build the factory, use it to make the rain and complete tasks, use it to expandGain it from water vapor and such (water cycle)Your factory is also water, you can reuse itYou go through a campaignPick between a set of jobs each time, bigger jobs give more repIsometric viewLevel 1: rain on the hot dog cartHave the cloud rain over an area for a specific period of timeThe mission before you just needed to dump some waterThe player needs to collect water to have enough rain on the hot dog cartAutomation is the gameYou need to shape the cloud to fit all of the machines that you order from a catalogCatalog has a ton of options, with their own efficienciesLevel 2: rain on a hot dog festivalLevel ??: Flood the Nile 

    Nightlife
    History of Wikipedia

    Nightlife

    Play Episode Listen Later Jun 26, 2025 53:09


    Founded twenty-five years ago this editable internet encyclopedia is used by millions to pull up instantaneous information on any person and subject. It has been compared to a termite mound, with thousands of people contributing tiny increments to make it immense. Who actually writes it and how can the information be verified as being accurate?

    I Can’t Sleep Podcast

    Surfing, the ancient art of standing on wood while water moves under you, has somehow endured from Polynesian rituals to Olympic events. From Peruvian reed boards to the chilled-out surf culture of today, it's a long, sleepy paddle through history—perfect for bedtime stories and insomnia relief. Want More?Visit to request a topic: https://www.icantsleeppodcast.com/request-a-topicListen ad-free & support: https://icantsleep.supportingcast.fm/Shop sleep-friendly products: https://www.icantsleeppodcast.com/sponsorsJoin the discussion on Discord: https://discord.gg/myhGhVUhn7 This content is derived from the Wikipedia article on Surfing, available under the Creative Commons Attribution-ShareAlike (CC BY-SA) license. Read the full article: Wikipedia - Surfing. Learn more about your ad choices. Visit megaphone.fm/adchoices

    Marvel by the Month
    #273: August 1976 (w/Seanbaby) - "Improbable As It May Seem -- The Impossible Man is Back In Town!"

    Marvel by the Month

    Play Episode Listen Later Jun 25, 2025 68:35


    After teaching the internet what humor was in the 1990s, Seanbaby wrote for a number of publications that were all ruined by venture capitalists. He then cofounded 1900HOTDOG, the last comedy website, which delivers the hilarity on a daily basis, like the internet used to when this was a proper country.For over 90 minutes of bonus content — our coverage of Amazing Spider-Man #162 and 31 more Marvel comics in the Mighty MBTM Checklist — support us at patreon.com/marvelbythemonth. $5 a month gets you instant access to our bonus feed of over 160 extended and exclusive episodes! Stories Covered in this Episode:"Improbable As It May Seem -- The Impossible Man is Back In Town!" - Fantastic Four #176, written by Roy Thomas, art by George Pérez and Joe Sinnott, letters by Joe Rosen, colors by Michele Wolfman, edited by Roy Thomas, ©1976 Marvel Comics"Do Not Forsake Me!" - Incredible Hulk #205, written by Len Wein, art by Sal Buscema and Joe Staton, letters by John Costanza, colors by Glynis Wein, edited by Len Wein, ©1976 Marvel Comics "Marvel by the Month" theme v. 4 written and performed by Robb Milne. All incidental music by Robb Milne.Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth.Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

    Silicon Weekly
    Wieso sich Wikipedia gegen KI wehrt

    Silicon Weekly

    Play Episode Listen Later Jun 25, 2025 51:21 Transcription Available


    Der Input in dieser Woche dreht sich um einen Internet-Dino: Wikipedia. Die Enzyklopädie der Neuzeit kämpft nämlich gerade damit, wie sie selbst mit künstlicher Intelligenz umgehen will. Wir besprechen, wie es generell um Wikipedia steht, warum die Community sich gegen den KI-Einsatz wehrt und wie die Zukunft dieser Wissensdatenbank aussehen könnte.Links zur EpisodeDen ausführlichen Artikel von Watson zu Telegram und den Verbindungen nach Russland findet ihr hierEllis Podcasttipp Sockenpuppenzoo gibts beim SWRCaspars Webtipp zu Six Degrees of Wikipedia gibt es hier Und falls ihr uns Feedback schicken wollt, schreibt uns entweder bei Instagram oder schickt uns eine Mail an post@silicon-weekly.de

    This Day in Esoteric Political History
    Wikipedia, The Last Good Place On The Internet (2003) w/ Garrett Graff

    This Day in Esoteric Political History

    Play Episode Listen Later Jun 24, 2025 31:01


    It's June 24th. In 2003, Jimmy Wales, the owner of Wikipedia, made the decision to put the site under the ownership of a non-profit company.Jody, Niki, and Kellie discuss why this decision made a huge difference for the site, and reflected a lot of the ways that the Internet has worked, and not worked, in the decades since. They are joined by journalist Garrett Graff, host of a new series called "Long Shadow: Breaking The Internet." The first episode of Long Shadow is out now!Find out more at thisdaypod.comThis Day In Esoteric Political History is a proud member of Radiotopia from PRX.Your support helps foster independent, artist-owned podcasts and award-winning stories.If you want to support the show directly, you can do so on our website: ThisDayPod.comGet in touch if you have any ideas for future topics, or just want to say hello. Follow us on social @thisdaypodOur team: Jacob Feldman, Researcher/Producer; Brittani Brown, Producer; Khawla Nakua, Transcripts; music by Teen Daze and Blue Dot Sessions; Audrey Mardavich is our Executive Producer at Radiotopia Learn about your ad choices: dovetail.prx.org/ad-choices

    Seriously Mysterious
    Where is Bobby Boyes?

    Seriously Mysterious

    Play Episode Listen Later Jun 24, 2025 19:15


    It was the day after Christmas and 10 year old Bobby Boyes went to visit some friends.  He never came home, and decades worth of investigative efforts still haven't been able to find the truth of what happened to him.If you have any information about the disappearance of Bobby Boyes, please contact the Maryland State Police Prince Frederick Barracks at 410-535-1400.Do you have any comments, or a case you'd like to suggest? You'll find a comment form and case submission link at LordanArts.com.Thank you WMAR 2 News Baltimore, WUSA9,  Maryland.gov, NAMUS, NCMEC The Charley Project, The Vanished Podcast, Facebook, Reddit, Websleuths and Wikipedia for information contributing to today's story.This episode written by The Certified Roarikle and John Lordan, produced by LordanArts.This is not intended to act as a means of proving or disproving anything related to the investigation.  It is a conversation about the current known facts and theories being discussed.  Everyone directly or indirectly referred to is innocent until proven guilty in a court of law.LordanArts 2025

    I Can’t Sleep Podcast
    Homeostasis

    I Can’t Sleep Podcast

    Play Episode Listen Later Jun 23, 2025 35:07


    Maintaining internal stability in the face of life's relentless chaos, homeostasis is your body's way of keeping things boring—which, fortunately, is perfect for sleep. From blood sugar to body temp, it's all about not rocking the boat. Ideal for bedtime stories, relaxation, and insomnia relief. Want More? Request a topic: https://www.icantsleeppodcast.com/request-a-topic Listen ad-free & support the show: https://icantsleep.supportingcast.fm/ Shop sleep-friendly products: https://www.icantsleeppodcast.com/sponsors Join the discussion on Discord: https://discord.gg/myhGhVUhn7 This content is derived from the Wikipedia article on Homeostasis, available under the Creative Commons Attribution-ShareAlike (CC BY-SA) license. Read the full article: Wikipedia - Homeostasis. Learn more about your ad choices. Visit megaphone.fm/adchoices

    From Beneath the Hollywood Sign
    "EDITH HEAD: OLD HOLLYWOOD'S QUEEN OF FASHION" (093)

    From Beneath the Hollywood Sign

    Play Episode Listen Later Jun 23, 2025 46:58


    "EDITH HEAD: OLD HOLLYWOOD'S QUEEN OF FASHION" (093) EPISODE 93 -  6/23/25 With eight Academy Awards to her name — more than any other woman in history — EDITH HEAD wasn't just a costume designer; she was a storyteller in fabric, silhouette, and sparkle. From BETTE DAVIS to GRACE KELLY to AUDREY HEPBURN, she dressed the biggest stars of the silver screen, leaving an indelible mark on both fashion and film. In this episode, we explore how a shy schoolteacher became the most powerful woman in Hollywood wardrobes, her collaborations with iconic directors like Alfred Hitchcock, and how her designs helped shape characters, define eras, and influence fashion far beyond the studio lot. So, slip into something fabulous, and let's step behind the curtain into the life and legacy of the great Edith Head. SHOW NOTES:  Sources: Dressing Up The Stars: The Story of Movie Costume Designer Edith Head (12022), by Jeanne Walker Harvey;  Edith Head: The 50 Year Career of Hollywood's Greatest Costume Designer (2010), by Jay Jorgensen; Edith Head: The Life and Times of Hollywood's Celebrated Costume Designer (2003), by David Chierichetti; Edith Head's Hollywood (1983), by Edith Head; The Dress Doctor (1959), by Edith Head; “How To Dress For the Oscars,” February 11, 2015, ⁠www.oscars.com⁠; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned:  Wings (1927); The Saturday Night Kid (1929); Love Me Tonight (1932); She Done Him Wrong (1933); Little Miss Marker (1934); Rhythm on the Range (1936); College Holiday (1936); The Jungle Princess (1936); Internes Can't Take Money (1937); The Big Broadcast of 1938 (1938); Thanks for the Memories (1938); Mad about Music (1938); Dangerous To Know (1938);  Beau Geste (1939); Remember the Night (1939); The Cat and the Canary (1939);  The Lady Eve (1941); Sullivan's Travels (1941); The Glass Key (1942); I Married a Witch (1942); Star Spangled Rhythm (1942); Hold That Blonde (1945); The Blue Dahlia (1946); Holiday Inn (1942); The Uninvited (1944); Double Indemnity (1944); Incendiary Blonde (1945); To Each His Own (1946); The Strange Love of Martha Ivers (1946); A Connecticut Yankee in King Arthur's Court (1949); The Great Gatsby (1949);  Notorious (1946); The Emperor's Waltz (1948); The Heiress (1949); All About Eve (1950); Sunset Boulevard (1950); Samson & Delilah (1949); A Place in the Sun (1951); Roman Holiday (1953); Sabrina (1954);  Funny Face (1957); Rear Window (1954); To Catch a Thief (1955); The Trouble With Harry (1955); The Man Who Knew Too Much (1956); Vertigo (1958); Ace In the Hole (1951); The Greatest Show on Earth (1952); Shane (1953); White Christmas (1954);  The Rose Tattoo (1955); The Rainmaker (1956); The Ten Commandments (1957); Loving You (1958); The Pink Panther (1963); A Shot In the Dark (1964); The Man Who Shot Liberty Valance (1963); Love With the Proper Stranger (1963); Sex and the Single Girl (1964); Inside Daisy Clover (1965); The Great Race (1965);  Penelope (1966); This Property is Condemned (1966); G.I. Blues (1960);  Blue Hawaii (1961);  Girls! Girls! Girls! (1962);  Fun In Acapulco (1963);  Roustabout (1964); Paradise Hawaiian Style (1966); What a Way to Go! (1964); Sweet Charity (1969); Summer and Smoke (1961);  Hud (1963); The Birds (1963); Harlow (1965); Barefoot in the Park (1967); Butch Cassidy & the Sundance Kid (1969); Topaz (1969); Airport (1970); Airport ‘75 (1974); Airport ‘77 (1977); Myra Breckenridge (1970); Lady Sings The Blues (1972); The Sting (1974); The Great Waldo Pepper (1975);,  The Man Who Would Be King (1976);  Family Plot (1976); Gable and Lombard (1976); W.C. Fields and Me (1976); Rooster Cogburn (1975); Sextette (1978); Dead Men Don't Wear Plaid (1982); --------------------------------- ⁠http://www.airwavemedia.com⁠ Please contact ⁠sales@advertisecast.com⁠ if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

    MCU Rewind
    Avengers: Endgame - Part 1

    MCU Rewind

    Play Episode Listen Later Jun 23, 2025 104:06


    In this episode we chat about the 22nd MCU movie, Avengers: Endgame. This is from the start of the film to Tony Sark giving Cap the shield at the Avengers Facility. You can find the complete plot on Wikipedia here (https://en.wikipedia.org/wiki/Avengers:_Endgame#Plot)

    The Flop House
    Ep.#454 - The Garfield Movie

    The Flop House

    Play Episode Listen Later Jun 21, 2025 84:21


    Ah, here he comes, that son of a gun, that cat, that Garfield, that gigantic thing -- except... There's something different about him. It's weird. He just doesn't seem very... Garfield-y? Anyway, in honor of the birthday of one of our great Americans, Garfield the cat, and also maybe one other guy, we take on 2024's The Garfield Movie.Wikipedia page for The Garfield MovieRecommended in this episode:Dan: The Thief and the Cobbler "Recobbled Cut" (1993)Stu: Jack's Back (1988)Elliott: An Actor's Revenge (1963)Head to squarespace.com/FLOP for a free trial, and when you're ready to launch, use OFFER CODE: FLOP to save 10% off your first purchase of a website or domain.

    Weird Darkness: Stories of the Paranormal, Supernatural, Legends, Lore, Mysterious, Macabre, Unsolved
    FROM DANIEL LEEDS TO DEVIL'S LEGEND: How Religious Controversy Birthed Jersey's Most Famous Monster

    Weird Darkness: Stories of the Paranormal, Supernatural, Legends, Lore, Mysterious, Macabre, Unsolved

    Play Episode Listen Later Jun 21, 2025 64:12


    For nearly three centuries, the Jersey Devil has terrorized New Jersey's Pine Barrens with its glowing red eyes and leathery wings, but the monster's true origins lie not in supernatural birth, but in a 17th-century religious scandal. When Quaker settler Daniel Leeds was branded "Satan's harbinger" for publishing controversial almanacs, his family name became forever linked to the devil—transforming a community dispute into America's most enduring cryptid legend.Join the DARKNESS SYNDICATE: https://weirddarkness.com/syndicateABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.DISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.IN THIS EPISODE: Deep in the heart of New Jersey's Pine Barrens lurks a legend that has haunted the Garden State for nearly three centuries. The Jersey Devil, a creature of nightmares with leathery wings and glowing red eyes, was born from a curse in the 1700s and has endured ever since – with sightings still taking place. (From Leeds to Lore, The Jersey Devil) *** In the mid-1970s, a terrifying predator stalked the streets of Oakland County, Michigan, abducting and murdering four innocent children. For nearly half a century, the identity of the Oakland County Child Killer has eluded investigators, leaving a trail of anguish, conspiracy theories, and unanswered questions in its wake. It's a cold case that continues to haunt the community, as justice never came. (The Child Predator of Oakland County) *** The Sabretooth Clan… a group of modern-day vampires who blend seamlessly into society by day but embrace their nocturnal alter egos by night. With custom fangs, vintage attire, and a unique philosophy, these "lifestylers" host extravagant balls, perform rituals, and even have their own spiritual pantheon – all while maintaining a strict no-blood-drinking policy. What is it like to live as a vampire? (What Is It Like To Live As a Vampire?) *** In 1864 Canton, Ohio, a romance between German immigrant Ferdinand Hoffman and local girl Caroline Yost spiraled into a tale of deception, abuse, and ultimate tragedy. Their ill-fated union, marred by Hoffman's criminal past and violent tendencies, culminated in a shocking church stabbing and a dramatic manhunt. (The Canton Church Murder) *** From fiery pits to Satan's domain, our modern conception of hell is a tapestry woven from centuries of art, literature, and religious interpretation. But how much of what we believe about the underworld actually aligns with biblical teachings? We'll look at some common misconceptions about hell, and discover how our cultural understanding of eternal damnation often diverges from scriptural truths. (What The Hell)CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Lead-In00:01:25.789 = Show Open00:04:38.188 = From Leeds To Lore: The Jersey Devil00:13:28.903 = The Child Predator of Oakland County00:37:17.204 = What Is It Like To Live As A Vampire?00:43:54.348 = The Canton Church Murder00:47:49.106 = What The Hell01:02:44.810 = Show CloseSOURCES AND RESOURCES FROM THE EPISODE…“From Leads To Lore, The Jersey Devil” source: Amy Briggs, National Geographic:https://weirddarkness.tiny.us/mw722p3f“The Child Predator of Oakland County” source: The Scare Chamber: https://weirddarkness.tiny.us/mpee9zbs“What Is It Like To Live As A Vampire?” source: Jodie Smith, Graveyard Shift/Ranker: https://weirddarkness.tiny.us/2p9dz58b“The Canton Church Murder” source: Robert Wilhelm, MurderByGaslight.com: https://weirddarkness.tiny.us/3zeet7dx“What The Hell” sources: Quinn Armstrong, Ranker: https://weirddarkness.tiny.us/57v4chdu; Bible Gateway: https://weirddarkness.tiny.us/45tmyjhp, GotQuestions.org: https://weirddarkness.tiny.us/2p8zfdas, Wikipedia: https://weirddarkness.tiny.us/2p8p88hc=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: August 21, 2024NOTE: Some of this content may have been created with assistance from AI tools, but it has been reviewed, edited, narrated, produced, and approved by Darren Marlar, creator and host of Weird Darkness — who, despite popular conspiracy theories, is NOT an AI voice. (AI Policy)EPISODE PAGE at WeirdDarkness.com (includes list of sources): https://weirddarkness.com/JerseyDevil

    Grumpy Old Geeks
    702: TikTaco

    Grumpy Old Geeks

    Play Episode Listen Later Jun 20, 2025 84:51


    In this week's episode, Trump delays the TikTok ban for the third time—because procrastination is the new policy—and Twitter's old sign finds new purpose as desert firewood. Tesla continues its streak of “hold my beer” engineering by blowing past a school bus in FSD tests, then mysteriously dumps Cybertrucks in Jersey parking lots while prepping a July 4th factory nap. Meanwhile, Elon's xAI is incinerating a billion bucks a month and allegedly poisoning Memphis, OpenAI and Microsoft are beefing over who's the bigger megalomaniac, and Sam Altman thinks your power bill should fund his robot overlords.In other signs of the apocalypse: Amazon is gleefully replacing workers with AI, Microsoft finally admits it might've wasted billions chasing Skynet, and Wikipedia's editors say no thanks to dumbed-down AI summaries. Studies warn ChatGPT may be turning your brain into smooth pudding, while swearing data reveals the internet prefers the F-word with regional flair. A broke crypto TikToker gets released because he's too poor to ransom, and bankruptcies spike across the Bay as tech jobs vanish like investor confidence.Media Candy brings a buffet from Inside Out to Murderbot to Stick, and Liam Neeson somehow makes the Naked Gun reboot look awesome; Apple tunes CarPlay to fit your weird dashboard, Trump sells a gold Android that's tackier than his ties, and Dave goes full retro with Open EMU 2 and FPGA gaming; plus: Dr. Demento retires, Disneyland hits your screen, and we swear this isn't all a fever dream.Sponsors:DeleteMe - Head over to JoinDeleteMe.com/GOG and use the code "GOG" for 20% off.Private Internet Access - Go to GOG.Show/vpn and sign up today. For a limited time only, you can get OUR favorite VPN for as little as $2.03 a month.SetApp - With a single monthly subscription you get 240+ apps for your Mac. Go to SetApp and get started today!!!1Password - Get a great deal on the only password manager recommended by Grumpy Old Geeks! gog.show/1passwordShow notes at https://gog.show/702FOLLOW UPDonald Trump will delay a looming TikTok ban for a third timeThe 560-pound Twitter sign met a fiery end in a Nevada desertIN THE NEWSTesla blows past stopped school bus and hits kid-sized dummies in Full Self-Driving testsFerris Bueller's Day Off: Nine TimesWhat are hundreds of Teslas doing in a New Jersey mall parking lot?Residents Baffled as Tesla Dumps Dozens of Cybertrucks in Shopping CenterTesla plans to shut down Model Y and Cybertruck production over the week of July 423andMe founder Anne Wojcicki will regain control of embattled DNA company after allOpenAI and Microsoft Tensions Are Reaching a Boiling PointAmazon says it will reduce its workforce as AI replaces human employeesMusk's xAI Burns Through $1 Billion a Month as Costs Pile UpMicrosoft CEO Satya Nadella shocks industry by admitting AI has yet to deliver real value despite massive investmentWikipedia cancels plan to test AI summaries after editors skewer the ideaYour Brain on ChatGPT: Accumulation of Cognitive Debt when Using an AI Assistant for Essay Writing TaskSam Altman Says "Significant Fraction" of Earth's Total Electricity Should Go to Running AIxAI faces legal threat over alleged Colossus data center pollution in MemphisKidnappers free TikTok crypto influencer after realizing he has no moneyPersonal bankruptcy surges in the Bay as tech employment sags - The San Francisco Standard201 ways to say ‘f**k': what 1.7 billion words of online text shows about how the world swearsVulgarity in online discourse around the English-speaking worldMEDIA CANDYBraveInside OutFamilies Like OursStickMurderbotFUBARSinnersRear WindowThe SnakeThe Naked Gun - Official Trailer (2025) Liam Neeson, Pamela AndersonThe Sandman: Season 2 | Official Trailer | NetflixDavid Zaslav Is Getting a Pay CutHow adversarial attacks in audio files give musicians new power against AI theft – Here's what you need to knowMusic Music tech Tech WebBenn Jordan's AI poison pill and the weird world of adversarial noiseAPPS & DOODADSiOS 26 will fit CarPlay to better match the shape of your car's screenMahjong Titan+Trump's New Cash Grab Is a Gold iPhone Lookalike That's Worse Than Any Budget AndroidThe golden Trump Phone is almost certainly not made in the USAT THE LIBRARYHappy: Why More or Less Everything is Absolutely Fine by Derren BrownAI Snake Oil: What Artificial Intelligence Can Do, What It Can't, and How to Tell the Difference by Sayash Kapoor, Arvind NarayananDiaries 1969–1979: The Python Years (Michael Palin Diaries Book 1)THE DARK SIDE WITH DAVEDave BittnerThe CyberWireHacking HumansCaveatControl LoopOnly Malware in the BuildingOpen EMU 2Analogue Pocket OpenFPGA GuideAll Major Gen-AI Models Vulnerable to ‘Policy Puppetry' Prompt Injection AttackVisit Disneyland From the Comfort of Disney+ With More POV WalkthroughsDr. Demento Announces Retirement After 55 YearsStar Wars metal.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

    TechStuff
    Week in Tech: There's No Place Like AI

    TechStuff

    Play Episode Listen Later Jun 20, 2025 32:20 Transcription Available


    What does Google Search sound like? This week in the News Roundup, Oz explores Google’s new AI-generated audio summaries — and why a simple question like “what’s two plus two?” triggered a two-minute podcast. Then, Wikipedia tried its own AI experiment and faced backlash from editors. On TechSupport, Semafor’s Reed Albergotti recasts Big Tech as characters from The Wizard of Oz and explains the current AI landscape.See omnystudio.com/listener for privacy information.

    I Can’t Sleep Podcast
    Quality Management Systems

    I Can’t Sleep Podcast

    Play Episode Listen Later Jun 20, 2025 38:57


    If your idea of a relaxing bedtime story involves process audits and ISO compliance, you're in luck. Tonight's episode meanders through the riveting world of quality management systems—because nothing lulls you to sleep quite like risk-based thinking, internal controls, and continuous improvement cycles. Ideal for insomnia relief or anyone who finds comfort in bureaucracy. Want More? Request a topic: https://www.icantsleeppodcast.com/request-a-topic Listen ad-free & support: https://icantsleep.supportingcast.fm/ Shop sleep-friendly products: https://www.icantsleeppodcast.com/sponsors Join the discussion on Discord: https://discord.gg/myhGhVUhn7 This content is derived from the Wikipedia article on Quality management systems, available under the Creative Commons Attribution-ShareAlike (CC BY-SA) license. Read the full article: Wikipedia – Quality management systems. Learn more about your ad choices. Visit megaphone.fm/adchoices

    Reconcilable Differences
    263: A Ragnarok of the Mind

    Reconcilable Differences

    Play Episode Listen Later Jun 20, 2025 83:04


    Fri, 20 Jun 2025 23:15:00 GMT http://relay.fm/rd/263 http://relay.fm/rd/263 A Ragnarok of the Mind 263 Merlin Mann and John Siracusa John's Prom Results and Merlin's Camping Results. John's Prom Results and Merlin's Camping Results. clean 4984 John's Prom Results and Merlin's Camping Results. This episode of Reconcilable Differences is sponsored by: TRMNL: Clarity, at a glance. Get $15 off for 1 week only. Grist: A modern, open source spreadsheet that goes beyond the grid. Try it for free today. Links and Show Notes: Credits Audio Editor: Jim Metzendorf Admin Assistance: Kerry Provenzano Music: Merlin Mann The Suits: Stephen Hackett, Myke Hurley Get an ad-free version of the show, plus a monthly extended episode. Lisa's First Word (The Simpsons, season 4, episode 10) - Wikipedia “The Nice Price” stickers @katieonviolin tells Merlin about The Apparatus™ in 2024 Hypercritical #42: The Wrong Guy The Plumber Problem Hors d'oeuvre - Wikipedia

    BMitch & Finlay
    Ask JP and Tobi Anything

    BMitch & Finlay

    Play Episode Listen Later Jun 20, 2025 17:42


    JP and Tobi answer questions about RFK stadium, Sleeper NBA players, and Wikipedia

    The Lutheran Ladies' Lounge from KFUO Radio
    #299. Rachel's Trivia Challenge: History of Heresies

    The Lutheran Ladies' Lounge from KFUO Radio

    Play Episode Listen Later Jun 20, 2025 52:34


    The word “heretic” gets bandied about online so much these days that it has become almost meaningless, but it remains an important theological concept with serious implications for the life of the church.   In this unexpectedly sobering Trivia Challenge, Rachel quizzes Erin and Sarah on the meanings and history of major heresies in the church, from Gnosticism to modernism and beyond.  What even is “heresy,” anyway? Where is heresy mentioned in the Bible? How were the ecumenical creeds specifically formulated to combat heresy? What are good and bad ways to respond to heresy in the church? And is heresy still something we actually struggle with today?   Resources referenced in this episode include the following:   Journey through Church History: Student Book - Concordia Publishing House (highly recommended for families and educators!)  Journey through Church History: Leader Guide - Concordia Publishing House  Lutheran Witness: May 2025 – The Lutheran Witness: Councils and Conventions  Lutheran Witness: August 2023 – The Lutheran Witness: Heresies Ancient and Modern  Other sources mentioned include:  Jakob Wendesten (@jakobwendesten) | TikTok  HETERODOX Definition & Meaning - Merriam-Webster  DOXOLOGY Definition & Meaning - Merriam-Webster  36 Bible verses about Heresies  Arianism | Definition, History, Christology, & Controversy | Britannica  Bishop Nicholas Loses His Cool ::: St. Nicholas Center  Did St. Nicholas punch Arius at the Council of Nicaea?  Ecumenical council - Wikipedia  Albigensian Crusade - Wikipedia  Gnosticism | Definition, Texts, Movements, & Influence | Britannica  Connect with the Lutheran Ladies on social media in The Lutheran Ladies' Lounge Facebook discussion group (facebook.com/groups/LutheranLadiesLounge) and on Instagram @lutheranladieslounge. Follow Sarah (@hymnnerd), Rachel (@rachbomberger), and Erin (@erinaltered) on Instagram! Sign up for the Lutheran Ladies' Lounge monthly e-newsletter here, and email the Ladies at lutheranladies@kfuo.org.

    Relay FM Master Feed
    Reconcilable Differences 263: A Ragnarok of the Mind

    Relay FM Master Feed

    Play Episode Listen Later Jun 20, 2025 83:04


    Fri, 20 Jun 2025 23:15:00 GMT http://relay.fm/rd/263 http://relay.fm/rd/263 Merlin Mann and John Siracusa John's Prom Results and Merlin's Camping Results. John's Prom Results and Merlin's Camping Results. clean 4984 John's Prom Results and Merlin's Camping Results. This episode of Reconcilable Differences is sponsored by: TRMNL: Clarity, at a glance. Get $15 off for 1 week only. Grist: A modern, open source spreadsheet that goes beyond the grid. Try it for free today. Links and Show Notes: Credits Audio Editor: Jim Metzendorf Admin Assistance: Kerry Provenzano Music: Merlin Mann The Suits: Stephen Hackett, Myke Hurley Get an ad-free version of the show, plus a monthly extended episode. Lisa's First Word (The Simpsons, season 4, episode 10) - Wikipedia “The Nice Price” stickers @katieonviolin tells Merlin about The Apparatus™ in 2024 Hypercritical #42: The Wrong Guy The Plumber Problem Hors d'oeuvre - Wikipedia

    Un Mensaje a la Conciencia
    «Su primer nido»

    Un Mensaje a la Conciencia

    Play Episode Listen Later Jun 20, 2025 4:01


    (Día Internacional del Refugiado) En el año 1916, en medio de la Primera Guerra Mundial, Juan Ramón Jiménez viajó por tierra y mar desde Madrid hasta Nueva York para casarse con la escritora y lingüista Zenobia Camprubí Aymar, que provenía de una acomodada familia catalano-puertorriqueña. La crónica de su viaje transatlántico la plasma en un diario íntimo que llega a ser una de sus obras más reconocidas por su audacia literaria, titulada: Diario de un poeta recién casado. Se divide en seis partes, en las que el autor documenta sus impresiones cotidianas al viajar desde Madrid hasta su pueblo natal de Moguer en la provincia de Huelva, y luego a Cádiz; desde Cádiz hasta Nueva York (donde se casa el 2 de marzo, y donde pasa buena parte de su residencia en los Estados Unidos entre enero y julio); y luego desde Nueva York de regreso a Madrid vía Cádiz y Moguer. El 20 de junio Juan Ramón y Zenobia desembarcan en Cádiz, donde comienza la quinta parte del diario, titulada «España». «¡Patria y alma! —exclama el poeta—. / Una abriga a la otra... / de la cuna a la muerte. / ... Ahora que el cuerpo entró en su patria, / el alma se le entra. / ¡Así, bien lleno! ¡Así, todo completo! / ¡Con mi alma, en mi patria!» Los recién casados visitan el colegio de San Luis Gonzaga en el Puerto de Santa María donde estudió Juan Ramón, y luego van a Moguer. Como es de esperar, allí la familia los recibe con cariño y con regalos de bodas. El 30 de junio, durante el retorno a Sevilla con destino a Madrid, el poeta le dedica a su madre los siguientes versos: ¡Qué bien le viene al corazón su primer nido! ¡Con qué alegre ilusión torna siempre volando a él; con qué descuido se echa en su fresca ramazón, rodeado de fe, de paz, de olvido! ... ¡Y con qué desazón vuelve a dejarlo, pobre y desvalido! ¡Parece que, en un trueque de pasión, el corazón se trae, roto, el nido, [y] se queda en el nido, roto, el corazón!1 Veinte años después, celebrado ya su Aniversario de Porcelana, la guerra civil de 1936 sorprendió a Juan Ramón y a Zenobia en Madrid, desde donde lograron volver a marcharse a América. Exiliado voluntario, en 1958 el poeta, ahora Premio Nobel español, murió en la isla de Puerto Rico sin haber querido volver a su patria, también roto el corazón por el fallecimiento de su esposa un año y medio antes que él.2 Quiera Dios que quienes añoramos nuestra patria desde lejos, al recordar nuestro primer nido determinemos más bien ocupar para siempre el glorioso nido que Jesucristo fue a preparar para los que nos hagamos ciudadanos de la patria celestial. Así podremos decir junto con los salmistas de Israel: ¡Cuán hermosas son tus moradas, Señor Todopoderoso! Anhelo con el alma los atrios del Señor; casi agonizo por estar en ellos. Con el corazón, con todo el cuerpo, canto alegre al Dios de la vida. Mi Dios y rey, Dios del universo, cerca de tu altar gorriones y golondrinas hallan lugar para sus nidos y allí ponen a sus polluelos. Felices quienes moran en tu casa y te alaban sin cesar.3 Carlos ReyUn Mensaje a la Concienciawww.conciencia.net 1 Juan Ramón Jiménez, Diario de un poeta recién casado (1916) (Madrid: Casa Editorial Calleja, 1917), pp. 220, 233; Enrique González Duro, Biografía interior de Juan Ramón Jiménez (Madrid: Ediciones Libertarias, 2002), p. 116; Wikipedia, s.v. «Zenobia Camprubí» En línea 18 diciembre 2018. 2 Diego Marín, Literatura española, Tomo 2: Época moderna (New York: Holt, Rinehart and Winston, 1968), p. 308. 3 Sal 84:1-2 (NVI), 3 (TLA), 5 (BLPH)

    K Drama Chat
    11.15 - Podcast Review of Episode 15 of When Life Gives You Tangerines

    K Drama Chat

    Play Episode Listen Later Jun 20, 2025 77:57


    Comment on this episode by going to KDramaChat.comToday, we'll be discussing Episode 15 of When Life Gives You Tangerines, the hit K Drama on Netflix starring IU as Oh Ae-sun and Park Bo-gum as Yang Gwan-sik as young adults, then Moon So-ri as Oh Ae-sun and Park Hae-joon as Yang Gwan-sik as older adults. We discuss:The song featured during the recap: A daughter becoming a mother like her own by Kim Hyun Do.The powerful opening scene of Gwan-sik panicking during Ae-sun's childbirth and the touching portrayal of new parent fears.Ae-sun's remarkable emotional radar when she realizes Geum-myeong is struggling just by how she packs fruit.The dramatic family argument over Geum-myeong quitting her job and her business aspirations, revealing generational and emotional rifts.Gwan-sik risking everything to start a seafood restaurant and Ae-sun's unwavering support despite her doubts.The emotional note and ultrasound photo reveal: Geum-myeong is pregnant, offering a beautiful full-circle moment between mother and daughter.An intense childbirth for Geum-myeong, mirroring her mother's experiences and bringing them closer.The brilliant character arc of Gwan-sik and Ae-sun, whose hard work and diligence transform their struggling restaurant into a success.The surprising reveal that Gwan-sik once saved a suicidal actress, Jeong Mi-in, who later helps boost their restaurant with a promotional video.Geum-myeong starting her own business, named after her mother's selfless mantra: Whoever, Wherever, Whenever.Yeong-ran's empowerment journey: she starts a real estate business and leaves her cruel husband, backed by financial and emotional support from her mother-in-law.A cultural moment: Korea repays its IMF loans early, reflecting national pride and resilience paralleled in the Yang family's journey.ReferencesPark Ji-sung - WikipediaGuus Hiddink - WikipediaAll In (TV series) - WikipediaChoi Bool-am - Wikipedia

    Start Local
    Talking Music and Selling Records with Shawn Cephas

    Start Local

    Play Episode Listen Later Jun 20, 2025 62:47


    For many, music is as much a part of life as breathing. We drop the needle on a conversation with Shawn Cephas, owner of Forever Changes, a record store in Phoenixville, Pennsylvania. Shawn shares how his deep love for and expansive knowledge of music has driven him to open a shop that is as much a space to learn about music as to buy records. We explore the intimate connection that Shawn's family has with music. Through our conversation, Shawn offers a lesson in music history as we journey through genres. Whether you're a lifelong collector or just getting into the groove, this episode strikes a chord.OUR PARTNERSouthern Chester County Chamber of CommerceLINKSForever ChangesWebsite: foreverchangesrecords.comInstagram: instagram.com/forever.changesForever Changes on FacebookBluesky: @foreverchangespxv.bsky.socialAdditional LinksWXPNSteel City CaféPhoenixville Area Community Services (PACS)Ann's HeartKit's ClosetLocal Music VenuesThe Fenix Bar & LoungeSoulJoel's (at SunnyBrook, Pottstown)SunnyBrook BallroomThe GemBands and Artists MentionedWe linked to the Wikipedia page for all the artists below. We invite you to check out their music wherever you listen.Hüsker DüBlack FlagMinor ThreatRites of SpringMetallicaSlayerAnthraxDeathBig StarThe ClashThe JamThe SmithsR.E.M.Talking HeadsRamonesDepeche ModeThe CureBad BrainsMy Morning JacketBelle and SebastianChappell RoanDeath Cab for CutieThe Postal ServiceCat PowerMannequin PussySoccer MommyBlondshellBullyFlorence + The MachineGreta Van FleetMadonnaDuran DuranTaylor SwiftRay CharlesLuther VandrossPocoBuffalo SpringfieldJethro TullJapanese BreakfastBlack PumasMaya DelilahAdeleLordeCulture ClubCharlie ParkerDuke EllingtonDizzy GillespieBill EvansPaul MotianScott LaFaroMac MillerSuki WaterhouseSteve LacyN.W.A.Dr. DreIce CubePrinceJimi HendrixMovie: High FidelityRecord LabelsBlue Note RecordsOriginal Jazz Composers (OJC)Riverside RecordsTranscriptThe transcript will be posted on our website as soon as it is available.

    KPFA - Letters and Politics
    Henrietta Wood: A Legacy of Slavery and Reparations in America

    KPFA - Letters and Politics

    Play Episode Listen Later Jun 19, 2025 18:27


    Guest: W. Caleb McDaniel is associate professor of history at Rice University in Houston. He won the Pulitzer price in History in 2020 for his book, Sweet Taste of Liberty: A True Story of Slavery and Restitution in America. Photo: Henrietta Wood was enslaved at Brandon Hall in Mississippi on Wikipedia. The post Henrietta Wood: A Legacy of Slavery and Reparations in America appeared first on KPFA.

    WikiListen
    Magical Negro

    WikiListen

    Play Episode Listen Later Jun 19, 2025 17:25


    Victor Varnado, KSN and Rachel Teichman, LCSW explore the origins and critiques of the “Magical Negro” trope in literature and film. This character type, often portrayed as a wise Black figure whose main role is to help the white protagonist, is examined through a cultural and historical lens. The episode raises thoughtful questions about representation and storytelling, as laid out in the Wikipedia entry. Coined by filmmaker Spike Lee, the term has become central to conversations about racial stereotypes in media.Produced and hosted by Victor Varnado & Rachel TeichmanFull Wikipedia article here: https://en.wikipedia.org/wiki/Magical_Negro#See_alsoSubscribe to our new newsletter, WikiWeekly at https://newsletter.wikilisten.com/ for a fun fact every week to feel smart and impress your friends, and MORE! https://www.patreon.com/wikilistenpodcastFind us on social media!https://www.facebook.com/WikiListenInstagram @WikiListenTwitter @Wiki_Listen Hosted on Acast. See acast.com/privacy for more information.

    Spot Show Podcast with Dickie and Madrox
    The Sandman - Spot Show Podcast Ep. 91

    Spot Show Podcast with Dickie and Madrox

    Play Episode Listen Later Jun 19, 2025 67:14


    After months of waiting, The Sandman makes his way onto The Spot Show Podcast! Dickie teamed up with Reb and Minderz to bring you Bash The Rail and sit down with The Hardcore Icon. Sandman talks about his thoughts on modern wrestling, WWE's ECW relaunch, his heat with Wikipedia, sharing the ring with Sabu, and so much more! Then, Madrox joins the show to discuss Money in the Bank 2025 PLE Draft results.Please consider supporting us on Patreon! Patreon.com/MadBashStudios-Socials-MadBashStudios.comFacebook: https://www.facebook.com/MadBashStudios-MadBash Studios is powered by powered by-patreon.com/MadBashStudiosElite Pro Wrestling: www.eliteprofessionalwrestling.com/Venom Energy: https://www.venomenergy.com/Music: "Deep and Dirty" Kevin MacLeod (incompetech.com, Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/Support the show

    Horror Homeroom Conversations
    50 Years Later: Talking the Jaws Franchise

    Horror Homeroom Conversations

    Play Episode Listen Later Jun 19, 2025 56:40


    We're celebrating the 50th anniversary of Jaws by looking back at Spielberg's genre-defining original and its progressively wilder sequels. A quartet of films that not only redefined summer horror but also played a pivotal role in shaping contemporary fears of the ocean, the Jaws franchise embraced genre hybridity, influenced public perception of sharks, and contributed to the rise of the summer blockbuster. But are there other reasons that explain the original film's enduring cultural relevance? We're diving in today with spoilers, so stay tuned!ReferencesCaputi, Jane E. "Jaws as Patriarchal Myth." Journal of Popular Film, vol. 6, no. 4, 1978, pp. 305-326.Caputi, Jane. "Jaws as Patriarchal—and Ecocidal—Myth." "This Shark, Swallow You Whole": Essays on the Cultural Influence of Jaws, edited by Kathy Merlock Jackson and Philip L. Simpson, McFarland, 2023, pp. 9 - 17.Edgerton, Gary R. “Summer Spielberg, Winter Spielberg: Generational Transitions from Jaws to the Age of Convergence.” "This Shark, Swallow You Whole": Essays on the Cultural Influence of Jaws, edited by Kathy Merlock Jackson and Philip L. Simpson, McFarland, 2023, pp. 227-244.Howe, Andrew. “Amity Means Friendship: Jaws and the Post-Vietnam Politics of Perception.” "This Shark, Swallow You Whole": Essays on the Cultural Influence of Jaws, edited by Kathy Merlock Jackson and Philip L. Simpson, McFarland, 2023, pp. 31 - 45.Jackson, Kathy Merlock, and Philip L. Simpson, eds. " This shark, swallow you whole": Essays on the Cultural Influence of Jaws. McFarland, 2023.“Jaws (franchise).” Wikipedia, Wikimedia Foundation, 30 May 2025, en.wikipedia.org/wiki/Special_relativity. Accessed 6 June 2025.Le Busque, Brianna, and Carla Litchfield. "Sharks on Film: An Analysis of How Shark-Human Interactions Are Portrayed in Films." Human Dimensions of Wildlife, vol. 27, no. 2, 2022, pp. 193-199.Lucken, Melissa Ford. “Struggling Against the Tide: Narrative Structure and the Human Connection in Jaws.” "This Shark, Swallow You Whole": Essays on the Cultural Influence of Jaws, edited by Kathy Merlock Jackson and Philip L. Simpson, McFarland, 2023, pp. 46 - 58.Melia, Matthew. "Relocating the Western in Jaws." The 'Jaws' Book: New Perspectives on the Classic Summer Blockbuster, edited by IQ Hunter and Matthew Melia, Bloomsbury Academic, 2020.McFarland, 2023, pp. 46 - 58.Rubey, Dan. "⁠The Jaws in the Mirror⁠." Jump Cut: A Review of Contemporary Media, no. 10-11, 1976, pp. 20-23. Copyright Jump Cut: A Review of Contemporary Media, 1976, 2004.

    I Can’t Sleep Podcast
    Edinburgh, Scotland

    I Can’t Sleep Podcast

    Play Episode Listen Later Jun 18, 2025 35:55


    Sleep comes easily when the topic is Edinburgh, a city where volcanic rock, medieval alleys, and Enlightenment thinkers all somehow coexist without making too much noise. This bedtime journey through Scotland's capital delivers a gentle mix of royalty, architecture, and vague weather references—ideal for insomnia relief and fans of historical ambiance who are already half-asleep. Want More? Request a topic: https://www.icantsleeppodcast.com/request-a-topic Listen ad-free & support: https://icantsleep.supportingcast.fm/ Shop sleep-friendly products: https://www.icantsleeppodcast.com/sponsors Join the discussion on Discord: https://discord.gg/myhGhVUhn7 This content is derived from the Wikipedia article on Edinburgh, available under the Creative Commons Attribution-ShareAlike (CC BY-SA) license. Read the full article: Wikipedia – Edinburgh. Learn more about your ad choices. Visit megaphone.fm/adchoices

    The Climate Denier's Playbook
    ACTUALLY It's Global COOLING [Patreon Unlock]

    The Climate Denier's Playbook

    Play Episode Listen Later Jun 18, 2025 50:35


    First it was getting colder, now it's getting hotter. wHiCh oNe iS iT?!BONUS EPISODES available on Patreon (https://www.patreon.com/deniersplaybook) SOCIALS & MORE (https://linktr.ee/deniersplaybook) CREDITS Created by: Rollie Williams, Nicole Conlan & Ben BoultHosts: Rollie Williams & Nicole ConlanExecutive Producer: Ben Boult Editors: Laura Conte & Gregory HaddockResearcher: Carly Rizzuto Art: Jordan Doll Music: Tony Domenick Special Thanks: The Civil Liberties Defense CenterSOURCESAnother Ice Age? (1974, June 24). Time; TIME USA. Banerjee, N., Song, L., & Hasemyer, D. (2015, September 16). Exxon's Own Research Confirmed Fossil Fuels' Role in Global Warming Decades Ago. Inside Climate News. C-Span. (2020). President Trump: “I don't think science knows, actually.” YouTube. Callendar, G. S. (1938). The artificial production of carbon dioxide and its influence on temperature. Quarterly Journal of the Royal Meteorological Society, 64(275), 223–240. Charlson, R. J., Schwartz, S. E., Hales, J. M., Cess, R. D., Coakley, J. A., Hansen, J. E., & Hofmann, D. J. (1992). Climate Forcing by Anthropogenic Aerosols. Science, 255(5043), 423–430. Charlson, R. J., Vanderpol, A. H., Waggoner, A. P., Covert, D. S., & Baker, M. B. (1976). The Dominance of Tropospheric Sulfate in Modifying Solar Radiation. Radiation in the Atmosphere, 32. National Research Council. (1979). Carbon Dioxide and Climate: A Scientific Assessment. The National Academies Press. ExxonMobil. (2001, July 10). Media Statement - Global Climate Change. Perma.cc. Foote, E. N. (1856). Circumstances Affecting the Heat of Sun's Rays. American Journal of Art and Science, 2nd Series, XXII(LXVI), 382–383. Global Climate Change. (2003, July 31). C-SPAN. Goldmacher, S. (2017, May 15). How Trump gets his fake news. POLITICO. Joe Rogan Experience #1928 - Jimmy Corsetti & Ben van Kerkwyk. (2023, January 18). JRE Podcast. NASA. (2022, January 29). World of Change: Global Temperatures. Earth Observatory. Newsweek's “Global Cooling” Article From April 28, 1975. (1975, April 28). Scribd. O'Rourke, C., & PolitiFact. (2019, May 23). No, a Time magazine cover didn't tell readers “how to survive the coming Ice Age.” PolitiFact; Poynter Institute. Peake, B. (2020, September 1). In Search Of The Coming Ice Age ... With Leonard Nimoy (1978). YouTube. Peterson, T. C., Connolley, W. M., & Fleck, J. (2008). THE MYTH OF THE 1970s GLOBAL COOLING SCIENTIFIC CONSENSUS. Bulletin of the American Meteorological Society, 89(9), 1325–1338. The Global Warming Survival Guide. (2007, April 9). TIME. The Learning Network. (2020, April 30). What's Going On in This Graph? | Global Temperature Change. The New York Times. Trump, D. J. (2013, July 31). Twitter. Walsh, B. (2013, June 6). Sorry, a TIME Magazine Cover Did Not Predict a Coming Ice Age. TIME. Wikipedia Contributors. (2019, August 16). Global cooling. Wikipedia; Wikimedia Foundation. 1977 “coming ice age” Time magazine cover is a fake. (2019, December 16). Climate Feedback. 1997 Exxon's Lee Raymond Speech at World Petroleum Congress. (1997, October 13). Climate Files. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

    Marvel by the Month
    PREVIEW - #272: MARTIAN by the Month 02 - "Washington Nightmare!"

    Marvel by the Month

    Play Episode Listen Later Jun 18, 2025 8:30


    Every other week, we focus on a Marvel series that sits partially or entirely outside of mainstream Marvel continuity. The first episode of every new series that we cover is available on the public feed. The rest of the episodes are exclusive to our Patreon supporters.Not a Patron yet? Support us at patreon.com/marvelbythemonth for just $5 a month to get instant access to our bonus feed of over 160 extended and exclusive episodes! Stories Covered in this Episode: "The Mutant Slayers!" - Amazing Adventures #21, written by Don McGregor, art by Herb Trimpe and Yolande Pijcke, letters by Artie Simek, colors by Petra Goldberg, edited by Roy Thomas, ©1973 Marvel Comics"Washington Nightmare!" - Amazing Adventures #22, written by Don McGregor, art by Herb Trimpe and Frank Chiaramonte, letters by Charlotte Jetter, colors by Linda Lessmann, edited by Roy Thomas, ©1973 Marvel Comics"The Legend Assassins!" - Amazing Adventures #23, written by Don McGregor, art by Herb Trimpe and Frank Chiaramonte, letters by John Costanza, colors by Petra Goldberg, edited by Roy Thomas, ©1973 Marvel Comics "MARTIAN by the Month" theme written and performed by Robb Milne. All incidental music by Robb Milne.Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth.Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

    Something Shiny: ADHD!
    Do you trust that others (especially those in power) will help you?

    Something Shiny: ADHD!

    Play Episode Listen Later Jun 18, 2025 16:10


    So with news articles and headlines about how folks with ADHD need to get off their meds or go outside or be 'cured', there's something of a big misunderstanding and gaps in perspectives on ADHD and what it actually means. Including our shared values as a real ADHD culture, especially around how people or authority figures will relate to us. David and Isabelle describe some of the shared values in neurodivergent or ADHD culture, including ideas around masking, disclosing, lateral thinking, and questioning authority--and whether you believe that others, particularly those in power, will help you or understand you. Exploring many aspects of the neurodivergent community--and how groups form--ADHDers (more likely than the average bear) identify as members of LGBTQ+ communities, members of nontraditional or non-dominant faith groups, entrepreneurs, tech-friendly folx, and members of the military, to start. From recognizing that there are stages and phases to feeling like you can both belong and be unique, to the power of community in developing a sense of self-esteem, the need to have metacognition (or an understanding of WHY a thing is or how it works for you). --David starts by naming that within a neurodivergent or ADHD culture, there are shared values. And what we believe might be impacted by our approach to masking and our context—did we have to mask a lot? Do we need masking or not? But it also asks us: do we believe that people will help us? That schools will help us? That people with power or systemic power will support us or understand us?  David doesn't think that trust in these systems is high in the ADHD population. A lot of people don't feel like they can trust the system and it might be why we don't disclose, we don't share, we don't ask. We are a subgroup, but we are not substandard. Lots of wars being waged on ADHD, and that entire perspective ignores the things that are important. Since David joined Eye to Eye years ago and joined the ND community, he watched graduation rates go up, he'd give talks in a room and ask “who has adhd?” And no one would raise their hand. “Does it feel wrong to be asked?” And now when you talk about it in a group, people raise their hands right away. There is the good work. There is a cultural war on ADHD. Isabelle names that one of the strengths of ADHD, which is important to include in any future articles, is that we think ‘creatively,' also known as lateral or divergent thinking. We don't necessarily follow a linear thought process and skip around  think laterally or divergently. For her fellow AuDHDers, Isabelle recognizes that she does want clarity and often tries to go back to a linear though process to make sure she's understanding something clearly. But in general, the lateral thinking—lends itself to questioning authority, taking multiple perspectives, playing devil's advocate, which doesn't necessarily mean that people feel comfortable sharing this. There's a larger percentage of us that identify as queer or LGBTQ+ communities, nonbinary, gender fluid—there's also a larger percentage of us that its int he military, tech community, entrepreneurs. We tolerate risk differently. David names that this allows us a different way of recognizing our needs. If the rest of the world tells you something should meet your needs but it doesn't, you're going to maybe go back to the drawing board and start to think about things a little differently. You may be a more natural out of the box thinker, because of a lack of neural pruning. More doesn't mean better, and it doesn't mean worse. It's not a a hierarchy. Just acknowledging it exists gives people a place to belong. Isabelle describes the stages of building a group—we first debate if we want to join, we norm and create a share a set of values and create a cohesion, and then the strength of the group's cohesiveness is tested and retested with storming and questioning and then you come to the place where you are both an individual and belong, that both can coexist dynamically. Even in Isabelle's own process of joining this group of neurodivergence, when she cried at the mailboxes with David, she is feeling this with the autistic side of her, and she's seeing it everywhere and she deeply wants to belong, and then she's questioning or noticing the differences, and then she's cozy in being different and yet belonging. David names how important self esteem is for us; and we can't really develop self esteem alone, it helps you to see others who get it and can resonate with you. Three most important factors: self esteem, ability to advocate for your needs, and metacognition (understand we do what we do). You shouldn't have to try so hard to ‘fit into' a culture, it should be more natural. Isabelle names how metacognition, or changing your operating instructions, gives you a chance to reframe your own history, your present and your plans, and your needs are different than what you realized. Referencing the NYT article about ADHD meds—if you have no concept of what medication is doing for you or connecting with your medication, it's like you're fueling yourself up with a really good fuel source and you have no direction to put it in. David wants a formalized response to the NYTimes article. A formal round table. The strengths of ADHD — see Dr. Holly White's work at the University of Michigan (Scientific American article)Divergent or lateral thinking - probably most commonly called "brainstorming," it's when you generate multiple ideas, applications, solutions, problems, and hop around instead of just focusing on one answer--see this interesting guide from the University of Texas at Austin that helps teachers learn how to ENCOURAGE divergent thinking in their students.  How divergent thinking is connected to creativity (study)As well as addressing self esteem and practicing self-advocacy, work with ADHD means developing:Metacognition — thinking about your thinking, or why you do what you do. It's like understanding you've been handled incorrect or inapplicable instructions. Knowing why you need an accommodation and why it helps. It involves an awareness as well as an ability to regulate/choose a strategy (eg. changing how you study for a particular test). (source: Wikipedia).------Cover Art by: Sol VázquezTechnical Support by: Bobby Richards------Cover Art by: Sol VázquezTechnical Support by: Bobby Richards------Cover Art by: Sol VázquezTechnical Support by: Bobby Richards------Cover Art by: Sol VázquezTechnical Support by: Bobby Richards------Cover Art by: Sol VázquezTechnical Support by: Bobby Richards------Cover Art by: Sol VázquezTechnical Support by: Bobby Richards

    Art of Discussing
    President Trump's First 100 Days: DOGE

    Art of Discussing

    Play Episode Listen Later Jun 18, 2025 52:55


    In this episode, Ben and Kate discuss DOGE's structure and actions so far, court cases and what's next for the agency.Research/Resources:Department of Government Efficiency. https://doge.gov/. 2025“The White House: Establishing and Implementing The President's ‘Department of Government Efficiency'”. Published in The White House website January 20, 2025 and available on https://www.whitehouse.gov/presidential-actions/2025/01/establishing-and-implementing-the-presidents-department-of-government-efficiency/Doge is Busier Than Ever – and Trump Says Elon Musk is ‘Really Not Leaving' by Makena Kelly, Leah Feiger, Zoe Schiffer. Published on Wired website May 30, 2025 and available on https://www.wired.com/story/doge-elon-musk-really-not-leaving/“The White House: Restoring Accountability to Policy – Influencing  Positions Within the Federal Workforce'”. Published in The White House website January 20, 2025 and https://www.whitehouse.gov/presidential-actions/2025/01/restoring-accountability-to-policy-influencing-positions-within-the-federal-workforce/ “U.S. Presidents with the Largest Budget Deficits” by Mary Hall. Published in Investopedia website June 11, 2025 and available on https://www.investopedia.com/ask/answers/030515/which-united-states-presidents-have-run-largest-budget-deficits.asp“A Century of Federal Spending, 1925 -2025” by Chris Edwards. Published in CATO Institute  website March 16, 2023 and available on https://www.cato.org/blog/century-federal-spending-1925-2025“United States Digital Service”. Published in Wikipedia last edited June 12, 2025 and available on https://en.wikipedia.org/wiki/United_States_Digital_Service “Department of Government Efficiency”. Published in Wikipedia last edited June 17, 2025 and available on  https://en.wikipedia.org/wiki/Department_of_Government_Efficiency“What's next for DOGE after Elon Musk's departure? ‘Only just begun” by Andrew Mark Miller. Published in Fox News website May 29, 2025 and available on https://www.foxnews.com/politics/whats-next-doge-after-elon-musks-departure-only-just-begun“Musk's real DOGE legacy will be decided by courts long after his departure” by Avery Lotz. Published in Axios website May 29, 2025 and available on https://www.axios.com/2025/05/29/musk-doge-legacy-lawsuits-trump-adminstrationCheck out our website at http://artofdiscussing.buzzsprout.com, on Facebook at Art of Discussing and on Instagram @artofdiscussing.Got a topic that you'd like to see discussed? Interested in being a guest on our show? Just want to reach out to share an opinion, experience, or resource? Leave us a comment below or contact us at info@artofdiscussing.com!! We'd love to hear from you! Keep Discussing!Music found on Pixabay. Song name: "Clear Your Mind" by Caffeine Creek Band"

    Free Audiobooks
    One-Act Play Collections - Book 10, Part 1

    Free Audiobooks

    Play Episode Listen Later Jun 18, 2025 151:58


    One-Act Play Collections - Book 10, Part 1 Title: One-Act Play Collections - Volume 10 Overview: The tenth volume of one-act plays in the public domain is read by a variety of LibriVox members. A one-act play is a play that has only one act and is distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One-act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one-act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon. One act plays became more common in the 19th century and is now a standard part of repertory theatre and fringe festivals. Published: Various Series: One-Act Play Collections List: One-Act Play Collections, Play #20 Author: Various Genre: Plays, Theater, Drama Episode: One-Act Play Collections - Book 10, Part 1 Book: 10 Volume: 10 Part: 1 of 2 Episodes Part: 5 Length Part: 2:31:58 Episodes Volume: 10 Length Volume: 4:28:05 Episodes Book: 10 Length Book: 4:28:05 Narrator: Collaborative Language: English Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: plays, theater, drama, comedy, hit, musical, opera, performance, show, entertainment, farce, theatrical, tragedy, one-act, stage show Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #plays #theater #drama #comedy #hit #musical #opera #performance #show #entertainment #farce #theatrical #tragedy #one-act #StageShow Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream.

    Dirt Church Radio
    Camille Herron. Dirt Church Radio Episode 331.

    Dirt Church Radio

    Play Episode Listen Later Jun 18, 2025 98:01


    Kia ora e te whānau. It would be easy to start this post off with something like “the internet sucks” and again, that would date us. In today's context, the internet is, and with that comes its joys, its horrors, and the amplification of the worst angels of our psyche. In the physical world, moments come and go; in the digital world, a senseless act is immortal. Camille Herron, who returns to Dirt Church Radio for a third time, remains one of the greatest talents in our sport, having set multiple world records across various distances. In 2024, the wheels fell off over allegations of Wikipedia tampering. Contracts were lost, and the pile-on was massive and brutal. Ali Pottinger and Andrew McDowall speak with Camille about her career, the recent challenges she has faced, and where she sees our sport heading in her first podcast interview for 2025. We encourage you to have a good listen to this one, if for nothing else, for an incredible Greatest Run Ever. Dirt Church Radio- Best Enjoyed Running--- --- ---Episode LinksCamille Herron HomeCamille Herron InstagramSign up to the DCR AidStation newsletterDirt Church Merch!The Squadrun 4-Week Training Trial for DCR Listeners!Dirt Church Radio on InstagramDirt Church Radio on FacebookFurther Faster New ZealandEnjoy!

    Seriously Mysterious
    Justice for Emily Pike

    Seriously Mysterious

    Play Episode Listen Later Jun 17, 2025 18:41


    Emily Pike's life had taken an unexpected turn that she was not happy with, and she was fighting fiercely to escape it, but someone would take away all her chances and her future.If you have any information that could help bring justice to Emily and her family, please contact one of the following agencies.  The Gila County Sheriff's Office at 928-200-2352, the Bureau of Indian Affairs Special Agent at 505-917-7830 or the San Carlos Apache Tribal Police at 928-475-1755.Thank you People.com, University of Alabama, NBCNews.com, NativeHope.org, WSAZ.com, Koat.com, AZMirror.com, CrimeTimelines.com, AZFamily.com, AZCentral.com, Dannelle Hallan's Emily Pike: Runaway Turned Murder on Youtube and Wikipedia for  information contributing to today's story.Do you have any insights, or even a case you'd like to suggest?  Feel free to send it to me, you'll find a comment form and case submission link at LordanArts.com.This episode was written by Christy Arnhart, edited by John Lordan and is produced by LordanArts.This is not intended to act as a means of proving or disproving anything related to the investigation or potential charges associated to the investigation.  It is a conversation about the current known facts and theories being discussed.  Please do not contact people you are suspicious of or attempt to harass, threaten or intimidate them in any way. Do not release information that can be used to do the same, or join in attacks being conducted by others.  Everyone directly or indirectly referred to is innocent until proven guilty in a court of law. 

    The Autistic Culture Podcast
    Pillar 5: Pattern Matching (Episode 141)

    The Autistic Culture Podcast

    Play Episode Listen Later Jun 17, 2025 68:05


    An episode where our detail-oriented, data-loving, information-hungry selves come to life!In Episode 141 of The Autistic Culture Podcast, Dr Angela Kingdon continues our journey through the 10 Pillars of Autistic Culture with Jodi Britcha-Coyne, as we move onto Pillar 5 — Pattern Matching. Jodi Brichta-Coyne is a Certified Life Coach, Author, Strategic Interventionist, Certified Relationship Coach, and an NLP (neurolinguistic programmer) for working moms and women with small businesses. As a mother of 2, Jodi started coaching to help other women deal with the stress and sometimes overwhelming combination of balancing a business life while maintaining a household. Before and while raising her family, Jodi has spent over 15 years as a corporate executive and small business owner.Pattern Matching is the cultural heart of autistic analysis, organization, and perception. While neurotypical culture often values quick generalizations and intuitive leaps, autistic minds notice what's actually there. We observe first. We track anomalies. And we build understanding by recognizing patterns, not assumptions.Here's what defines this core Autistic trait:*

    Les matins
    Quand Wikipedia dit non à l'IA !

    Les matins

    Play Episode Listen Later Jun 17, 2025 3:04


    durée : 00:03:04 - Un monde connecté - par : François Saltiel - Après quelques jours de tests, la communauté des contributeurs anglophones de l'encyclopédie en ligne Wikipédia a manifesté son rejet de l'usage de l'intelligence artificielle générative dans les contributions.

    WikiListen
    Gay Bomb

    WikiListen

    Play Episode Listen Later Jun 17, 2025 6:50


    In this unforgettable episode, Rachel Teichman, LMSW, and Victor Varnado, KSN, read through the Wikipedia page for the "gay bomb"—a non-lethal chemical weapon concept actually proposed by a U.S. military lab in 1994. The strange idea was to deploy an aphrodisiac to disrupt enemy morale, highlighting one of the more bizarre chapters in military brainstorming. The hosts bring humor and curiosity as they explore how the concept ended up in the public eye and why it's now often referenced in discussions of failed military experiments. You won't want to miss this wild ride through defense history's more peculiar proposals.Produced and hosted by Victor Varnado & Rachel TeichmanFull Wikipedia article here: https://en.wikipedia.org/wiki/Gay_bombSubscribe to our new newsletter, WikiWeekly at https://newsletter.wikilisten.com/ for a fun fact every week to feel smart and impress your friends, and MORE! https://www.patreon.com/wikilistenpodcastFind us on social media!https://www.facebook.com/WikiListenInstagram @WikiListenTwitter @Wiki_ListenGet bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

    WikiListen
    Charlie The Unicorn

    WikiListen

    Play Episode Listen Later Jun 17, 2025 14:17


    Rachel Teichman, LMSW and Victor Varnado, KSN dive into the bizarre and whimsical world of Charlie the Unicorn, the viral animated short that took the internet by storm in the mid-2000s. As they read through the Wikipedia page, listeners learn how a simple quest for a candy mountain spiraled into a cult classic. The episode uncovers the surreal humor and unexpected darkness that helped define early YouTube culture. Fun fact: the original video was created by Jason Steele and has inspired sequels, merchandise, and countless memes.Full Wikipedia here: https://en.wikipedia.org/wiki/Charlie_the_UnicornSubscribe to our new newsletter, WikiWeekly at https://newsletter.wikilisten.com/ for a fun fact every week to feel smart and impress your friends, and MORE! https://www.patreon.com/wikilistenpodcastFind us on social media!https://www.facebook.com/WikiListenInstagram @WikiListenTwitter @Wiki_ListenYoutubeGet bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

    Off the Trails
    104: Survival - Tom and Linda Bosworth

    Off the Trails

    Play Episode Listen Later Jun 17, 2025 53:39


    Tom and Linda Bosworth set out for what should have been a fun off-road day in the New Mexico backcountry- but when their Jeep rolls over miles from help, everything changes. Stranded with scorching heat, limited water, and no way to call for help, they face impossible choices that push them to their limits. How far will they go to survive- and will rescue come in time?Support us on Patreon for as little as $1 a month, with benefits starting at the $3 tier!Follow us on Instagram at offthetrailspodcastFollow us on Facebook at Off the Trails PodcastIf you have your own outdoor misadventure (or adventure) story that you'd like us to include in a listener episode, send it to us at offthetrailspodcast@gmail.com  Please take a moment to rate and review our show, and a big thanks if you already have!Episode Sources:YouTube - I Shouldn't be Alive, The Westerner, USFS, Wikipedia, REI, Reddit**We do our own research and try our best to cross-reference reliable sources to present the most accurate information we can. Please reach out to us if you believe we have mispresented any information during this episode, and we will be happy to correct ourselves in a future episode.

    The End of Tourism
    S6 #7 | Ecologias de los Medios | Carlos Scolari

    The End of Tourism

    Play Episode Listen Later Jun 17, 2025 64:03


    Mi entrevistado en este episodio es Carlos A. Scolari, Catedrático del Departamento de Comunicación de la Universitat Pompeu Fabra – Barcelona. Ha sido Investigador Principal de diversos proyectos de investigación internacionales y estatales, desde el proyecto H2020 TRANSLITERACY (entre 2015 y 2018) hasta el proyecto LITERAC_IA, que comenzó en 2024 y dirige junto a María del Mar Guerrero. Sus últimos libros son Cultura Snack (2020), La guerra de las plataformas (2022) y Sobre la evolución de los medios (2024). Ahora está trabajando en un libro sobre los fósiles mediáticos.Notas del Episodio* Historia de ecologia de los medios* Historia de Carlos* Diferencias entre el anglosfero y el hispanosfero* La coevolucion entre tecnologia y humanos* La democratizacion de los medios* Evolucion de los medios* Alienacion y addiccion* Como usar los medios conscientementeTareaCarlos A. Scolari - Pagina Personal - Facebook - Instagram - Twitter - Escolar GoogleSobre la evolución de los mediosHipermediaciones (Libros)Transcrito en espanol (English Below)Chris: [00:00:00] Bienvenido al podcast el fin de turismo Carlos. Gracias por poder hablar conmigo hoy. Es un gran gusto tener tu presencia aquí conmigo hoy. Carlos: No gracias a ti, Chris, por la invitación. Es un enorme placer honor charlar contigo, gran viajero y bueno, yo nunca investigué directamente el tema del turismo.Pero bueno, entiendo que vamos a hablar de ecología de los medios y temas colaterales que nos pueden servir para entender mejor, darle un sentido a todo esto que está pasando en el mundo del turismo. Bueno, yo trabajo en Barcelona. No vivo exactamente en la ciudad, pero trabajo, en la universidad en Barcelona, en la zona céntrica.Y bueno, cada vez que voy a la ciudad cada día se incrementa la cantidad de turistas y se incrementa el debate sobre el turismo, en todas sus dimensiones. Así que es un tema que está la orden del día, no? Chris: Sí, pues me imagino que aunque si no te gusta pensar o si no quieres pensar en el turismo allá, es inevitable tener como una enseñanza [00:01:00] personal de esa industria.Carlos: Sí, hasta que se está convirtiendo casi en un criterio taxonómico, no? ...de clasificación o ciudades con mucho turista ciudades o lugares sin turistas que son los más buscados hasta que se llenan de turistas. Entonces estamos en un círculo vicioso prácticamente. Chris: Ya pues, que en algún memento se que se cambia, se rompe el ciclo, al menos para dar cuenta de lo que estamos haciendo con el comportamiento.Y, yo entiendo que eso también tiene mucho que ver con la ecología de los medios, la falta de capacidad de entender nuestros comportamientos, actitudes, pensamientos, sentimientos, etcétera. Entonces, antes de seguir por tu trabajo y obras, este me gustaría preguntarte de tu camino y de tu vida.Primero me pregunto si podrías definir para nuestros oyentes qué es la ecología de los medios y cómo te [00:02:00] interesó en este campo? Cómo llegaste a dedicar a tu vida a este estudio?Carlos: Sí. A ver un poco. Hay una, esta la historia oficial. Diríamos de la ecología de los medios o en inglés "media ecology," es una campo de investigación, digamos, eh, que nace en los años 60. Hay que tener en cuenta sobre todos los trabajos de Marshall McLuhan, investigador canadiense muy famoso a nivel mundial. Era quizá el filósofo investigador de los medios más famosos en los años 60 y 70.Y un colega de el, Neil Postman, que estaba en la universidad de New York en New York University un poco, digamos entre la gente que rodeaba estos dos referentes, no, en los años 60, de ahí se fue cocinando, diríamos, lo que después se llamó la media ecology. Se dice que el primero que habló de media ecology que aplicó esta metáfora a los medios, fue el mismo Marshall McLuhan en algunas, conversaciones privadas, [00:03:00] cartas que se enviaban finales dos años 50, a principios de los 60, se enviaban los investigadores investigadora de estos temas?Digamos la primera aparición pública del concepto de media ecology fue una conferencia en el año 1968 de Neil Postman. Era una intervención pública que la hablaba de un poco como los medios nos transforman y transforman los medios formar un entorno de nosotros crecemos, nos desarrollamos, no. Y nosotros no somos muy conscientes a veces de ese medio que nos rodea y nos modela.El utilizó por primera vez el concepto de media ecology en una conferencia pública. Y ya, si vamos a principio de los años 70, el mismo Postman crea en NYU, en New York University crea el primer programa en media ecology. O sea que ya en el 73, 74 y 75, empieza a salir lo que yo llamo la segunda generación, de gente [00:04:00] formada algunos en estos cursos de New York.Por ejemplo Christine Nystrom fue la primera tesis doctoral sobre mi ecology; gente como, Paul Levinson que en el año 1979 defiende una tesis doctoral dirigida por Postman sobre evolución de los medios, no? Y lo mismo pasaba en Toronto en los años 70. El Marshall McLuhan falleció en el diciembre del 80.Digamos que los años 70 fueron su última década de producción intelectual. Y hay una serie de colaboradores en ese memento, gente muy joven como Robert Logan, Derrick De Kerchove, que después un poco siguieron trabajando un poco todo esta línea, este enfoque. Y ahí hablamos del frente canadiense, eh?Toda esta segunda generación fue desarrollando, fue ampliando aplicando. No nos olvidemos de Eric McLuhan, el hijo de Marshall, que también fue parte de toda esta movida. [00:05:00] Y si no recuerdo mal en el año 2000, se crea la asociación la Media Ecology Association, que es la Asociación de Ecología de los Medios, que es una organización académica, científica, que nuclea a la gente que se ocupa de media ecology. Si pensamos a nivel más científico epistemológico, podemos pensar esta metáfora de la ecología de los medios desde dos o tres perspectivas. Por un lado, esta idea de que los medios crean ambientes. Esta es una idea muy fuerte de Marsha McLuhan, de Postman y de todo este grupo, no? Los medios - "medio" entendido en sentido muy amplio, no, cualquier tecnología podría ser un medio para ellos.Para Marsha McLuhan, la rueda es un medio. Un un telescopio es un medio. Una radio es un medio y la televisión es un medio, no? O sea, cualquier tecnología puede considerarse un medio. Digamos que estos medios, estas tecnologías, generan un [00:06:00] ambiente que a nosotros nos transforma. Transforma nuestra forma, a veces de pensar nuestra forma de percibir el mundo, nuestra concepción del tiempo del espacio.Y nosotros no somos conscientes de ese cambio. Pensemos que, no sé, antes de 1800, si alguien tenía que hacer un viaje de mil kilómetros (y acá nos acercamos al turismo) kilómetros era un viaje que había que programarlo muchos meses antes. Con la llegada del tren, ya estamos en 1800, esos kilómetros se acortaron. Digamos no? Ahí vemos como si a nosotros hoy nos dicen 1000 kilómetros.Bueno, si, tomamos un avión. Es una hora, una hora y cuarto de viaje. Hoy 1000 kilómetro es mucho menos que hace 200 años y incluso a nivel temporal, se a checo el tiempo. No? Todo eso es consecuencia, digamos este cambio, nuestra percepción es consecuencia de una serie de medios y tecnologías.El ferrocarril. Obviamente, hoy tenemos los aviones. Las mismas redes digitales que, un poco nos han llevado esta idea de "tiempo [00:07:00] real," esta ansiedad de querer todo rápido, no? También esa es consecuencia de estos cambios ambientales generados por los medios y las tecnologías, eh? Esto es un idea muy fuerte, cuando McLuhan y Postman hablaban de esto en los años 60, eran fuertes intuiciones que ellos tenían a partir de una observación muy inteligente de la realidad. Hoy, las ciencias cognitivas, mejor las neurociencia han confirmado estas hipótesis. O sea, hoy existen una serie de eh metodología para estudiar el cerebro y ya se ve como las tecnologías.Los medios afectan incluso la estructura física del cerebro. No? Otro tema que esto es histórico, que los medios afectan nuestra memoria. Esto viene de Platón de hace 2500 años, que él decía que la escritura iba a matar la memoria de los hombres. Bueno, podemos pensar nosotros mismos, no, eh?O por lo menos esta generación, que [00:08:00] vivimos el mundo antes y después de las aplicaciones móviles. Yo hace 30 años, 25 años, tenía mi memoria 30-40 números telefónicos. Hoy no tengo ninguno. Y en esa pensemos también el GPS, no? En una época, los taxistas de Londres, que es una ciudad latica se conocían a memoria la ciudad. Y hoy eso, ya no hace falta porque tienen GPS.Y cuando han ido a estudiar el cerebro de los taxistas de Londres, han visto que ciertas áreas del cerebro se han reducido, digamos, así, que son las áreas que gestionaban la parte espacial. Esto ya McLuhan, lo hablaba en los años 60. Decía como que los cambios narcotizan ciertas áreas de la mente decía él.Pero bueno, vemos que mucha investigación empírica, bien de vanguardia científica de neurociencia está confirmando todas estos pensamientos, todas estas cosas que se decían a los años 60 en adelante, por la media ecology. Otra posibilidad es entender [00:09:00] esto como un ecosistema de medios, Marshall McLuhan siempre decía no le podemos dar significado,no podemos entender un medio aislado de los otros medios. Como que los medios adquieren sentido sólo en relación con otros medios. También Neil Postman y mucha otra gente de la escuela de la media ecology, defiende esta posición, de que, bueno, los medios no podemos entender la historia del cine si no la vinculamos a los videojuegos, si no lo vinculamos a la aparición de la televisión.Y así con todos los medios, no? Eh? Hay trabajos muy interesantes. Por ejemplo, de como en el siglo 19, diferentes medios, podríamos decir, que coevolucionaron entre sí. La prensa, el telégrafo. El tren, que transportaba los diarios también, aparecen las agencias de noticias. O sea, vemos cómo es muy difícil entender el desarrollo de la prensa en el siglo XIX y no lo vinculamos al teléfono, si no lo vinculamos a la fotografía, si no lo vinculamos a la radio fotografía, [00:10:00] también más adelante.O sea, esta idea es muy fuerte. No también es otro de los principios para mí fundamentales de esta visión, que sería que los medios no están solos, forman parte de un ecosistema y si nosotros queremos entender lo que está pasando y cómo funciona todo esto, no podemos, eh, analizar los medios aislados del resto.Hay una tercera interpretación. Ya no sé si es muy metafórica. No? Sobre todo, gente en Italia como el investigador Fausto Colombo de Milán o Michele Cometa, es un investigador de Sicilia, Michele Cometa que él habla de l giro, el giro ecomedial. Estos investigadores están moviéndose en toda una concepción según la cual, estamos en único ecosistema mediático que está contaminado.Está contaminado de "fake news" está contaminado de noticias falsas, está contaminado de discursos de odio, etcétera, etc. Entonces ellos, digamos, retoman esta metáfora ecológica para decir [00:11:00] precisamente tenemos que limpiar este ecosistema así como el ecosistema natural está contaminado, necesita una intervención de limpieza, digamos así de purificación, eh? También el ecosistema mediático corre el mismo peligro, no? Y esta gente también llama la atención, y yo estoy muy cerca de esta línea de trabajo sobre la dimensión material de la comunicación. Y esto también tiene que ver con el turismo, queriendo, no? El impacto ambiental que tiene la comunicación hoy.Entrenar una inteligencia artificial implica un consumo eléctrico brutal; mantener funcionando las redes sociales, eh, tiktok, youtube, lo que sea, implica millones de servidores funcionando que chupan energía eléctrica y hay que enfriarlos además, consumiendo aún más energía eléctrica. Y eso tiene un impacto climático no indiferente.Así que, bueno, digamos, vemos que está metáfora de lo ecológico, aplicado los medios da para dos o tres interpretaciones. Chris: Mmm. [00:12:00] Wow. Siento que cuando yo empecé tomando ese curso de de Andrew McLuhan, el nieto de Marshall, como te mencioné, cambio mi perspectiva totalmente - en el mundo, en la manera como entiendo y como no entiendo también las nuestras tecnologías, mis movimientos, etcétera, pero ya, por una persona que tiene décadas de estudiando eso, me gustaría saber de de como empezaste. O sea, Andrew, por ejemplo tiene la excusa de su linaje, no de su papá y su abuelo.Pero entonces, como un argentino joven empezó aprendiendo de ecología de medios. Carlos: Bueno, yo te comento. Yo estudié comunicación en argentina en Rosario. Terminé la facultad. El último examen el 24 de junio del 86, que fue el día que nacía el Lionel Messi en Rosario, en Argentina el mismo día. Y [00:13:00] yo trabajaba, colaboraba en una asignatura en una materia que era teorías de la comunicación.E incluso llegué a enseñar hasta el año 90, fueron tres años, porque ya después me fui vivir Italia. En esa época, nosotros leíamos a Marshall McLuhan, pero era una lectura muy sesgada ideológicamente. En América latina, tú lo habrás visto en México. Hay toda una historia, una tradición de críticas de los medios, sobre todo, a todo lo que viene de estados unidos y Canadá está muy cerca de Estados Unidos. Entonces, digamos que en los años 70 y 80 y y hasta hoy te diría muchas veces a Marshall McLuhan se lo criticó mucho porque no criticaba los medios. O sea el te tenía una visión. Él decía, Neil Postman, si tenía una visión muy crítica. Pero en ese caso, este era una de las grandes diferencias entre Postman y McLuhan, que Marshall McLuhan, al menos en [00:14:00] público, él no criticaba los medios. Decía bueno, yo soy un investigador, yo envío sondas. Estoy explorando lo que pasa. Y él nunca se sumó... Y yo creo que eso fue muy inteligente por parte de él... nunca se sumó a este coro mundial de crítica a los medios de comunicación. En esa época, la televisión para mucha gente era un monstruo.Los niños no tenían que ver televisión. Un poco lo que pasa hoy con los móviles y lo que pasa hoy con tiktok. En esa época en la televisión, el monstruo. Entonces, había mucha investigación en Estados Unidos, que ya partía de la base que la televisión y los medios son malos para la gente. Vemos que es una historia que se repite. Yo creo que en ese sentido, Marshall McLuhan, de manera muy inteligente, no se sumó ese coro crítico y él se dedico realmente a pensar los medios desde una perspectiva mucho más libre, no anclada por esta visión yo creo demasiado ideologizada, que en América Latina es muy fuerte. Es muy fuerte. Esto no implica [00:15:00] bajar la guardia, no ser crítico. Al contrario.Pero yo creo que el el verdadero pensamiento crítico parte de no decir tanto ideológica, decimos "esto ya es malo. Vamos a ver esto." Habrá cosas buenas. Habrá cosas mala. Habrá cosa, lo que es innegable, que los medios mas ya que digamos son buenos son va, nos transforman. Y yo creo que eso fue lo importante de la idea McLuhaniana. Entonces mi primer acercamiento a McLuhan fue una perspectiva de los autores críticos que, bueno, sí, viene de Estados Unidos, no critica los medios. Vamos a criticarlo a nosotros a él, no? Y ese fue mi primer acercamiento a Marshall McLuhan. Yo me fui a Italia en la decada de 90. Estuve casi ocho años fuera de la universidad, trabajando en medios digitales, desarrollo de páginas, webs, productos multimédia y pretexto. Y a finales de los 90, dije quiero volver a la universidad. Quiero ser un doctorado. Y dije, "quiero hacer un doctorado. Bueno. Estando en Italia, el doctorado iba a ser de semiótica." Entonces hizo un [00:16:00] doctorado. Mi tesis fue sobre semiótica de las interfaces.Ahi tuve una visión de las interfaces digitales que consideran que, por ejemplo, los instrumentos como el mouse o joystick son extensiones de nuestro cuerpo, no? El mouse prolonga la mano y la mete dentro de la pantalla, no? O el joystick o cualquier otro elemento de la interfaz digital? Claro. Si hablamos de que el mouse es una extensión de la mano, eso es una idea McLuhaniana.Los medios como extensiones del ser humano de sujeto. Entonces, claro ahi yo releo McLuhan en italiano a finales de los años 90, y me reconcilio con McLuhan porque encuentro muchas cosas interesantes para entender precisamente la interacción con las máquinas digitales. En el a 2002, me mudo con mi familia a España. Me reintegro la vida universitaria. [00:17:00] Y ahí me pongo a estudiar la relación entre los viejos y los nuevos medios. Entonces recupero la idea de ecosistema. Recupero toda la nueva, la idea de ecología de mi ecology. Y me pongo a investigar y releer a McLuhan por tercera vez. Y a leerlo en profundidad a él y a toda la escuela de mi ecology para poder entender las dinámicas del actual ecosistema mediático y entender la emergencia de lo nuevo y cómo lo viejo lucha por adaptarse. En el 2009, estuve tres meses trabajando con Bob Logan en the University of Toronto. El año pasado, estuve en el congreso ahí y tuvimos dos pre conferencias con gente con Paolo Granata y todo el grupo de Toronto.O sea que, tengo una relación muy fuerte con todo lo que se producía y se produce en Toronto. Y bueno, yo creo que, a mí hoy, la media ecology, me sirve muchísimo junto a otras disciplina como la semiótica para poder entender el ecosistema [00:18:00] mediático actual y el gran tema de investigación mío hoy, que es la evolución del la ecosistema mediático.Mm, digamos que dentro de la media ecology, empezando de esa tesis doctoral del 79 de Paul Levinson, hay toda una serie de contribuciones, que un poco son los que han ido derivando en mi último libro que salió el año pasado en inglés en Routledge, que se llama The Evolution of Media y acaba de salir en castellano.Qué se llama Sobre La Evolución De los Medios. En la teoría evolutiva de los medios, hay mucha ecología de los medios metidos. Chris: Claro, claro. Pues felicidad es Carlos. Y vamos a volver en un ratito de ese tema de la evolución de medios, porque yo creo que es muy importante y obviamente es muy importante a ti. Ha sido como algo muy importante en tu trabajo. Pero antes de de salir de esa esquina de pensamiento, hubo una pregunta que me mandó Andrew McLuhan para ti, que ya ella contestaste un poco, pero este tiene que ver entre las diferencias en los [00:19:00] mundos de ecología de medios anglofonos y hispánicos. Y ya mencionaste un poco de eso, pero desde los tiempos en los 80 y noventas, entonces me gustaría saber si esas diferencias siguen entre los mundos intelectuales, en el mundo anglofono o hispánico.Y pues, para extender su pregunta un poco, qué piensas sería como un punto o tema o aspecto más importante de lo que uno de esos mundos tiene que aprender el otro en el significa de lo que falta, quizás. Carlos: Si nos focalizamos en el trabajo de Marshall McLuhan, no es que se lo criticó sólo de América Latina.En Europa no caía simpático Marshall McLuhan en los 60, 70. Justamente por lo mismo, porque no criticaba el sistema capitalista de medios. La tradición europea, la tradición de la Escuela de Frankfurt, la escuela de una visión anti [00:20:00] capitalista que denuncia la ideología dominante en los medio de comunicación.Eso es lo que entra en América Latina y ahí rebota con mucha fuerza. Quizá la figura principal que habla desde América Latina, que habló mucho tiempo de América latina es Armand Mattelart. Matterlart es un teórico en la comunicación, investigador de Bélgica. Y él lo encontramos ya a mediados de los años 60 finales de los 60 en Chile en un memento muy particular de la historia de Chile donde había mucha politización y mucha investigación crítica, obviamente con el con con con con el capitalismo y con el imperialismo estadounidense. Quizá la la obra clásica de ese memento es el famoso libro de Mattelart y Dorfman, eh, eh? Para Leer El Pato Donald, que donde ellos desmontan toda la estructura ideológica capitalista, imperialista, que había en los cics en las historietas del pato Donald.Ellos dicen esto se publicó a [00:21:00] principio los 70. Es quizá el libro más vendido de la comic latinoamericana hasta el día de hoy, eh? Ellos dicen hay ideología en la literatura infantil. Con el pato Donald, le están llenando la cabeza a nuestros niños de toda una visión del mundo muy particular.Si uno le el pato Donald de esa época, por lo menos, la mayor parte de las historia del pato Donald, que era, había que a buscar un tesoro y adónde. Eran lugares africana, peruviana, incaica o sea, eran países del tercer mundo. Y ahí el pato Donald, con sus sobrinos, eran lo suficientemente inteligentes para volverse con el oro a Patolandia.Claro. Ideológicamente. Eso no se sostiene. Entonces, la investigación hegemónica en esa época en Europa, en Francia, la semiología pero sobre todo, en América latina, era ésa. Hay que estudiar el mensaje. Hay que estudiar el contenido, porque ahí está la ideología [00:22:00] dominante del capitalismo y del imperialismo.En ese contexto, entra McLuhan. Se traduce McLuhan y que dice McLuhan: el medio es el mensaje. No importa lo que uno lee, lo que nos transforma es ver televisión, leer comics, escuchar la radio. Claro, iba contramano del mainstream de la investigación en comunicación. O sea, digamos que en América latina, la gente que sigue en esa línea que todavía existe y es fuerte, no es una visión muy crítica de todo esto, todavía hoy, a Marshal McLuhan le cae mal, pero lo mismo pasa en Europa y otros países donde la gente que busca una lectura crítica anti-capitalista y anti-sistémica de la comunicación, no la va a encontrar nunca en Marshall McLuhan, por más que sea de América latina, de de de Europa o de Asia. Entonces yo no radicaría todo esto en un ámbito anglosajón y el latinoamericano. Después, bueno, la hora de McLuhan es bastante [00:23:00] polisemica. Admite como cualquier autor así, que tiene un estilo incluso de escritura tan creativo en forma de mosaico.No era un escritor Cartesiano ordenadito y formal. No, no. McLuhan era una explosión de ideas muy bien diseñada a propósito, pero era una explosión de ideas. Por eso siempre refrescan tener a McLuhan. Entonces normal que surjan interpretaciones diferentes, no? En estados unidos en Canadá, en Inglaterra, en Europa continental o en Latinoamérica o en Japón, obviamente, no? Siendo un autor que tiene estas características. Por eso yo no en no anclaría esto en cuestiones territoriales. Cuando uno busca un enfoque que no tenga esta carga ideológica para poder entender los medios, que no se limite sólo a denunciar el contenido.McLuhan y la escuela de la ecología de los medios es fundamental y es un aporte muy, muy importante en ese sentido, no? Entonces, bueno, yo creo que McLuhan tuvo [00:24:00] detractores en Europa, tuvo detractores en América latina y cada tanto aparece alguno, pero yo creo que esto se ido suavizando. Yo quiero que, como que cada vez más se lo reivindica McLuhan.La gente que estudia, por ejemplo, en Europa y en América latina, que quizá en su época criticaron a McLuhan, todas las teorías de la mediatización, por ejemplo, terminan coincidiendo en buena parte de los planteos de la media ecology. Hoy que se habla mucho de la materialidad de la comunicación, los nuevos materialismos, yo incluyo a Marshall McLuhan en uno de los pioneros des esta visión también de los nuevos materialismos. Al descentrar el análisis del contenido, al medio, a la cosa material, podemos considerar a macl también junto a Bruno Latour y otra gente como pionero, un poco de esta visión de no quedarse atrapados en el giro lingüístico, no, en el contenido, en el giro semiótico e incorporar también la dimensión material de la comunicación y el medio en sí.[00:25:00] Chris: Muy bien. Muy bien, ya. Wow, es tanto, pero lo aprecio mucho. Gracias, Carlos. Y me gustaría seguir preguntándote un poco ahora de tu propio trabajo. Tienes un capítulo en tu libro. Las Leyes de la Interfaz titulado "Las Interfaces Co-evolucionan Con Sus Usuarios" donde escribes "estas leyes de la interfaz no desprecian a los artefactos, sus inventores ó las fuerzas sociales. Solo se limitan á insertarlos á una red socio técnica de relaciones, intercambios y transformaciones para poder analizarlos desde una perspectiva eco-evolutiva."Ahora, hay un montón ahí en este paragrafito. Pero entonces, me gustaría preguntarte, cómo vea los humanos [00:26:00] co-evolucionando con sus tecnologías? Por ejemplo, nuestra forma de performatividad en la pantalla se convierte en un hábito más allá de la pantalla.Carlos: Ya desde antes del homo sapiens, los homínidos más avanzados, digamos en su momento, creaban instrumentos de piedra. Hemos descubierto todos los neandertales tenían una cultura muy sofisticada, incluso prácticas casi y religiosas, más allá de la cuestión material de la construcción de artefactos. O sea que nuestra especie es impensable sin la tecnología, ya sea un hacha de piedra o ya sea tiktok o un smartphone. Entonces, esto tenemos que tenerlo en cuenta cuando analizamos cualquier tipo de de interacción cotidiana, estamos rodeados de tecnología y acá, obviamente, la idea McLuhaniana es fundamental. Nosotros creamos estos medios. Nosotros creamos estas tecnologías.Estas tecnologías también nos reformatean. [00:27:00] McLuhan, no me suena que haya usado el concepto de coevolución, pero está ahí. Está hablando de eso. Ahora bien. Hay una coevolución si se quiere a larguísimo plazo, que, por ejemplo, sabemos que el desarrollo de instrumentos de piedra, el desarrollo del fuego, hizo que el homo sapiens no necesitara una mandíbula tan grande para poder masticar los alimentos. Y eso produce todo un cambio, que achicó la mandíbula le dejó más espacio en el cerebro, etcétera, etcétera. Eso es una coevolución en término genético, digamos a larguísimo plazo, okey. También la posición eréctil, etcétera, etcétera. Pero, digamos que ya ahí había tecnologías humanas coevolucionando con estos cambios genéticos muy, muy lentos.Pero ahora tenemos también podemos decir esta co evolución ya a nivel de la estructura neuronal, entonces lo ha verificado la neurociencia, como dije antes. Hay cambio físico en la estructura del cerebro a lo largo de la vida de una persona debido a la interacción con ciertas tecnologías. Y por qué pasa eso?Porque [00:28:00] la producción, creación de nuevos medios, nuevas tecnologías se ido acelerando cada vez más. Ahi podemos hacer una curva exponencial hacia arriba, para algunos esto empezó hace 10,000 años. Para algunos esto se aceleró con la revolución industrial. Algunos hablan de la época el descubrimiento de América.Bueno, para alguno esto es un fenómeno de siglo xx. El hecho es que en términos casi geológicos, esto que hablamos del antropoceno es real y está vinculado al impacto del ser humano sobre nuestro ambiente y lo tecnológico es parte de ese proceso exponencial de co evolución. Nosotros hoy sentimos un agobio frente a esta aceleración de la tecnología y nuestra necesidad. Quizá de adaptarnos y coevolucionar con ella. Como esto de que todo va muy rápido. Cada semana hay un problema nuevo, una aplicación nueva. Ahora tenemos la inteligencia artificial, etc, etcétera. Pero esta sensación [00:29:00] no es nueva. Es una sensación de la modernidad. Si uno lee cosas escritas en 1,800 cuando llega el tren también la gente se quejaba que el mundo iba muy rápido. Dónde iremos a parar con este caballo de hierro que larga humo no? O sea que esta sensación de velocidad de cambio rápido ya generaciones anteriores la vivían. Pero evidentemente, el cambio hoy es mucho más rápido y denso que hace dos siglos. Y eso es real también. Así que, bueno, nuestra fe se va coevolucionando y nos vamos adaptando como podemos, yo esta pregunta se la hice hace 10 años a Kevin Kelly, el primer director de la revista Wire que lo trajimos a Barcelona y el que siempre es muy optimista. Kevin Kelly es determinista tecnológico y optimista al mismo tiempo. Él decía que "que bueno que el homo sapiens lo va llevando bastante bien. Esto de co evolucionar con la tecnología." Otra gente tiene una [00:30:00] visión radicalmente opuesta, que esto es el fin del mundo, que el homo sapiens estamos condenados a desaparecer por esta co evolución acelerada, que las nuevas generaciones son cada vez más estúpidas.Yo no creo eso. Creo, como McLuhan, que los medios nos reforman, nos cambian algunas cosas quizás para vivir otras quizá no tanto, pero no, no tengo una visión apocalíptica de esto para nada. Chris: Bien, bien. Entonces cuando mencionaste lo de la televisión, yo me acuerdo mucho de de mi niñez y no sé por qué. Quizás fue algo normal en ese tiempo para ver a tele como un monstruo, como dijiste o quizás porque mis mis papás eran migrantes pero fue mucho de su idea de esa tecnología y siempre me dijo como no, no, no quédate ahí tan cerca y eso.Entonces, aunque lo aceptaron, ellos comprendieron que el poder [00:31:00] de la tele que tenía sobre las personas. Entonces ahora todos, parece a mí, que todos tienen su propio canal, no su propio programación, o el derecho o privilegio de tener su propio canal o múltiples canales.Entonces, es una gran pregunta, pero cuáles crees que son las principales consecuencias de darle a cada uno su propio programa en el sentido de como es el efecto de hacer eso, de democratizar quizás la tecnología en ese sentido? Carlos: Cuando dices su propio canal, te refieres a la posibilidad de emitir o construir tu propia dieta mediática.Chris: Bueno primero, pero puede ser ambos, claro, no? O sea, mi capacidad de tener un perfil o cuenta mía personal. Y luego como el fin del turismo, no? Y luego otro. Carlos: Sí, a ver. Yo creo que, bueno, esto fue el gran cambio radical que empezó a darse a partir la década del 2000 o [00:32:00] sea, hace 25 años. Porque la web al principio sí era una red mundial en los años 90. Pero claro la posibilidad de compartir un contenido y que todo el mundo lo pudiera ver, estaba muy limitado a crear una página web, etcétera. Cuando aparecen las redes sociales o las Web 2.0 como se la llamaba en esa época y eso se suma los dispositivos móviles, ahí se empieza a generar esta cultura tan difundida de la creación de contenido. Hasta digamos que hasta ese momento quien generaba contenido era más o menos un profesional en la radio y en la televisión, pero incluso en la web o en la prensa o el cine. Y a partir de ahí se empieza, digamos, a abrir el juego. En su momento, esto fue muy bien saludado fue qué bueno! Esto va nos va a llevar a una sociedad más democrática. 25 años después, claro, estamos viendo el lado oscuro solamente. Yo creo que el error hace 25 años era pensar solo las posibilidades [00:33:00] buenas, optimistas, de esto. Y hoy me parece que estamos enredados en discursos solamente apocalípticos no?No vemos las cosas buenas, vemos solo las cosas malas. Yo creo que hay de las dos cosas hoy. Claro, hoy cualquier persona puede tener un canal, sí, pero no todo el mundo crea un canal. Los niveles de participación son muy extraños, o sea, la mayor parte de la población de los usuarios y usuarias entre en las redes. Mira. Mete un me gusta. Quizá un comentario. Cada tanto comparte una foto. Digamos que los "heavy users" o "heavy producers" de contenido son siempre una minoría, ya sea profesionales, ya sea influencers, streamers, no? Es siempre, yo no sé si acá estamos en un 20-80 o un 10-90 son estas curvas que siempre fue así? No? Si uno ve la Wikipedia, habrá un 5-10 por ciento de gente que genera contenido mucho menos incluso. Y un 90 por ciento que se [00:34:00] beneficia del trabajo de una minoría. Esto invierte la lógica capitalista? La mayoría vive de la minoría y esto pasaba antes también en otros, en otros sistemas. O sea que en ese sentido, es sólo una minoría de gente la que genera contenido de impacto, llamémoslo así, de alcance mayor.Pero bueno, yo creo que el hecho de que cualquier persona pueda dar ese salto para mí, está bien. Genera otra serie de problemas, no? Porque mientras que genera contenido, es un profesional o un periodista, digamos, todavía queda algo de normas éticas y que deben cumplir no? Yo veo que en el mundo de los streamers, el mundo de los Tik tokers etcétera, etcétera, lo primero que ellos dicen es, nosotros no somos periodistas. Y de esa forma, se inhiben de cualquier, control ético o de respeto a normas éticas profesionales. Por otro lado, las plataformas [00:35:00] Meta, Google, todas. Lo primero que te dicen es nosotros no somos medio de comunicación. Los contenidos los pone la gente.Nosotros no tenemos nada que ver con eso. Claro, ellos también ahí se alejan de toda la reglamentación. Por eso hubo que hacer. Europa y Estados Unidos tuvo que sacar leyes especiales porque ellos decían no, no, las leyes del periodismo a nosotros no nos alcanzan. Nosotros no somos editores de contenidos.Y es una mentira porque las plataformas sí editan contenido a través los algoritmos, porque nos están los algoritmos, nos están diciendo que podemos ver y que no está en primera página. No están filtrando información, o sea que están haciendo edición. Entonces, como que se generan estas equivocaciones.Y eso es uno de los elementos que lleva esta contaminación que mencioné antes en el en los ámbitos de la comunicación. Pero yo, si tuviera que elegir un ecosistema con pocos enunciadores pocos medios controlados por profesionales y este ecosistema [00:36:00] caótico en parte contaminado con muchos actores y muchas voces, yo prefiero el caos de hoy a la pobreza del sistema anterior.Prefiero lidiar, pelearme con y estar buscar de resolver el problema de tener mucha información, al problema de la censura y tener sólo dos, tres puntos donde se genera información. Yo he vivido en Argentina con dictadura militar con control férreo de medios, coroneles de interventores en la radio y la televisión que controlaban todo lo que se decía.Y yo prefiero el caos de hoy, aún con fake news y todo lo que quieras. Prefiero el caos de hoy a esa situación. Chris: Sí, sí, sí, sí. Es muy fuerte de pensar en eso para la gente que no han vivido en algo así, no? Osea algunos familiares extendidos han vivido en mundos comunistas, en el pasado en el este de Europa y no se hablan [00:37:00] exactamente así.Pero, se se hablan, no? Y se se dicen que lo que lo que no tenía ni lo que no tiene por control y por fuerza. Entonces, en ese como mismo sentido de lo que falta de la memoria vivida, me gustaría preguntarte sobre tu nuevo libro. Y sobre la evolución de medios. Entonces me gustaría preguntarte igual por nuestros oyentes que quizás no han estudiado mucho de la ecología de los medios Para ti qué es la evolución de los medios y por qué es importante para nuestro cambiante y comprensión del mundo. O sea, igual al lado y no solo pegado a la ecología de medios, pero la evolución de los medios,Carlos: Sí, te cuento ahí hay una disciplina, ya tradicional que es la historia y también está la historia de la comunicación y historia de los medios. [00:38:00] Hay libros muy interesantes que se titulan Historia de la Comunicación de Gutenberg a Internet o Historia de la Comunicación del Papiro a Tiktok. Entonces, qué pasa? Esos libros te dicen bueno, estaba el papiro, después vino el pergamino, el manuscrito, después en 1450 vino Gutenberg, llegó el libro. Pero eso el libro no te cuentan que pasó con el manuscrito, ni que pasó con el papiro. Y te dicen que llega la radio en 1920 y en 1950 llega la televisión y no te dicen que pasó con la radio, que pasó con el cine.Son historias lineales donde un medio parece que va sustituyendo al otro. Y después tenemos muchos libros muy buenos también. Historia de la radio, historia de la televisión, historia de internet, historia del periodismo. Como dije antes, retomando una idea, de McLuhan no podemos entender los medios aislados.Yo no puedo entender la evolución de la radio si no la vinculo a la prensa, a [00:39:00] la televisión y otro al podcast. Okey, entonces digo, necesitamos un campo de investigación, llamémoslo una disciplina en construcción, que es una teoría y también es metodología para poder entender el cambio mediático, todas estas transformaciones del ecosistema de medios a largo plazo y que no sea una sucesión de medios, sino, ver cómo esa red de medios fue evolucionando. Y eso yo lo llamo una teoría evolutiva o una "media evolution" Y es lo que estoy trabajando ahora. Claro, esta teoría, este enfoque, este campo de investigación toma muchas cosas de la ecología de los medios, empezando por Marshall McLuhan pero también gente de la tradición previa a la media ecology como Harold Innis, el gran historiador, economista de la comunicación y de la sociedad, que fue quizás el intelectual más famoso en Canadá en la primera mitad del siglo XX. Harold Innis que influenció mucho a Marshall McLuhan [00:40:00] Marshall McLuhann en la primera página de Gutenberg Galaxy, dice este libro no es otra cosa que una nota al pie de página de la obra de Harold Innis Entonces, Harold Innis que hizo una historia de los tiempos antiguos poniendo los medios al centro de esa historia. Para mí es fundamental. Incluso te diría a veces más que McLuhan, como referencia, a la hora de hacer una teoría evolutiva del cambio mediático. Y después, obviamente tomo muchas cosas de la historia de los medios.Tomo muchas cosas de la arqueología de los medios (media archeology). Tomo cosas también de la gente que investigó la historia de la tecnología, la construcción social de la tecnología. O sea, la media evolution es un campo intertextual, como cualquier disciplina que toma cosas de todos estos campos para poder construir una teoría, un enfoque, una mirada que sea más a largo plazo, que no sea una sucesión de medios, sino que vea la evolución de todo el ecosistema mediático, prestando mucha atención a las relaciones [00:41:00] entre medios, y con esta visión más compleja sistémica de cómo cambian las cosas.Yo creo que el cambio mediático es muy rápido y necesitamos una teoría para poder darle un sentido a todo este gran cambio, porque si nos quedamos analizando cosas muy micro, muy chiquititas, no vemos los grandes cambios. No nos podemos posicionar... esto un poco como el fútbol. Los mejores jugadores son los que tienen el partido en la cabeza y saben dónde está todo. No están mirando la pelota, pero saben dónde están los otros jugadores? Bueno, yo creo que la media evolution sirve para eso. Más allá de que hoy estemos todos hablando de la IA generativa. No? Tener esta visión de de conjunto de todo el ecosistema mediático y tecnológico, yo creo que es muy útil.Chris: Mm. Wow Increíble, increíble. Sí. Sí. Pienso mucho en como las nuevas generaciones o las generaciones más jóvenes en el día de hoy. O sea, [00:42:00] al menos más joven que yo, que la mayoría, como que tiene 20 años hoy, no tienen una memoria vívida de cómo fuera el mundo, sin redes sociales o sin el internet. Y así como me voy pensando en mi vida y como yo, no tengo una memoria de vida como fuera el mundo sin pantallas de cualquier tipo, o sea de tele de compus. No solo de internet o redes. Carlos: Sí, no, te decia que mi padre vivió, mi padre tiene 90 años y él se recuerda en el año 58, 59, su casa fue la primera en un barrio de Rosario que tuvo televisión y transmitían a partir de la tarde seis, siete de la tarde. Entonces venían todos los vecinos y vecinas a ver televisión a la casa de mi abuela. Entonces cada uno, cada generación tiene sus historias. No? Chris: Ajá. Ajá. Sí. Pues sí. Y también, como dijiste, para [00:43:00] entender los medios como sujetos o objetos individuales, o sea en su propio mundo, no? Este recuerdo un poco de la metáfora de Robin Wall Kimmerer que escribió un libro que se llama Braiding Sweetgrass o Trenzando Pasto Dulce supongo, en español. Y mencionó que para entender el entendimiento indígena, digamos entre comillas de tiempo, no necesitamos pensar en una línea, una flecha desde el pasado hacia el futuro. Pero, un lago, mientras el pasado, presente, y futuro existen, a la vez, en ese lago.Y también pienso como en el lugar, el pasado, presente, y el futuro, como todos esos medios existiendo a la vez, como en un lago y obviamente en una ecología de su evolución de sus cambios. Carlos: Es, muy interesante eso. Después te voy a pedir la referencia del libro porque, claro, [00:44:00] McLuhan siempre decía que el contenido de un medio es otro medio. Entonces, puede pasar que un medio del pasado deja su huella o influye en un medio del futuro. Y entonces ahí se rompe la línea temporal. Y esos son los fenómenos que a mí me interesa estudiar. Chris: Mmm, mmm, pues Carlos para terminar, tengo dos últimas preguntas para ti. Esta vez un poco alineado con el turismo, y aunque no estas enfocado tanto en en el estudio de turismo. Por mis estudios y investigaciones y por este podcast, he amplificado esa definición de turismo para ver cómo existiría más allá de una industria. Y para mí, el turismo incluye también el deseo de ver una persona, un lugar o una cultura como destino, como algo útil, temporal en su valor de uso y por tanto, desechable. Entonces, me gustaría [00:45:00] preguntarte, si para ti parece que nuestros medios populares, aunque esto es un tiempo, digamos con más libertad de otros lugares o tiempos en el pasado, más autoritarianos o totalitarianos? Si te ves la posibilidad o la evidencia de que nuestros medios digamos como mainstream más usados, están creando o promoviendo un , un sentido de alienación en la gente por efectivamente quedarles a distancia al otro o la otra.Carlos: Yo ya te dije no, no tengo una visión apocalíptica de los medios. Nunca, la tuve. Esto no quita de que los medios y como dijimos antes, tienen problemas. Generan también contaminación. Llamémoslo así si seguimos con la metáfora, ? El tema de alienación viene desde hace [00:46:00] muchísimos años. Ya cuando estudiaba en la universidad, nunca sintonicé con las teorías de la alienación.El concepto de alienación viene del siglo XIX. Toda una teoría de la conciencia, el sujeto, el proletario, llamémoslo, así que tenía que tomar conciencia de clase. Bueno, las raíces de esa visión del concepto alienación vienen de ahí. Yo, a mí nunca me convenció, justamente. Y acá si interesante.El aporte de América Latina en teorías de la comunicación siempre fue diferente. Fue reivindicar la resignificación, la resemantización el rol activo del receptor, cuando muchas veces las teorías que venían de Europa o Estados Unidos tenían esta visión del receptor de la comunicación como un ser pasivo. En ese sentido, la media ecology nunca entró en ese discurso porque se manejaba con otros parámetros, pero digamos que lo que era el mainstream de la investigación de estados unidos, pero también de Europa, siempre coincidían en esto en considerar el receptor pasivo, alienado, [00:47:00] estupidizado por los medios. Y yo realmente nunca, me convenció ese planteo, ni antes ni hoy, ni con la televisión de los 70 y 80, ni con el tiktok de hoy.Esto no quita que puede haber gente que tenga alguna adicción, etcétera, etcétera. Pero yo no creo que toda la sociedad sea adicta hoy a la pantallita. Deja de ser adicción. Okey. Esto no implica que haya que no tener una visión crítica. Esto no implica que haya que eventualmente regular los usos de ciertas tecnologías, obviamente.Pero de ahí a pensar que estamos en un escenario apocalíptico, de idiotización total del homo sapiens o de alienación. Yo no lo veo, ni creo que lo los estudios empíricos confirmen eso. Más allá que a veces hay elecciones y no nos gusten los resultados.Pero ahí es interesante, porque cuando tu propio partido político pierde, siempre se le echa la culpa a los medios porque ganó el otro. Pero cuando tu partido político gana, nadie dice nada de los medios. Ganamos porque somos mejores, [00:48:00] porque tenemos mejores ideas, porque somos más democráticos, porque somos más bonitos.Entonces, claro te das cuenta que se usan los medios como chivo expiatorio para no reconocer las propias debilidades políticas a la hora de denunciar una propuesta o de seducir al electorado.Chris: Claro, claro. Ya pues estos temas son vastos y complejos. Y por eso me gusta, y por eso estoy muy agradecido por pasar este tiempo contigo, Carlos.Pero los temas requieren un profundo disciplina para comprender, o al menos según yo, como alguien que está muy nuevo a estos temas. Entonces, a nuestra época, parece que somos, según yo, arrastrados a una velocidad sin precedentes. Nuestras tecnologías están avanzando y quizás socavando simultáneamente nuestra capacidad de comprender lo que está sucediendo en el mundo. Los usamos como protesta a veces como, como mencionaste, [00:49:00] pero sin una comprensión más profunda de cómo nos usan también. Entonces tengo la curiosidad por saber qué papel desempeña la ecología de los medios en la redención o curación de la cultura en nuestro tiempo. Cómo podría la ecología de los medios ser un aliado, quizás, en nuestros caminos? Carlos: Sí, yo creo que esta idea estaba presente, no? En los teóricos de la media ecology, digamos la primera generación.Ahora que lo pienso, estaba también en la semiótica de Umberto Eco, no? Cuando decía la semiótica más allá de analizar cómo se construye significado, también aporta a mejorar la vida significativa, o sea, la vida cultural, la vida comunicacional, nuestro funcionamiento como sujeto, digamos. Y yo creo que en ese sentido, la media ecology también.Digamos, si nosotros entendemos el ecosistema mediático, vamos a poder sacarlo mejor [00:50:00] coevolucionar mejor. Vamos a ser más responsables también a la hora de generar contenidos, a la hora de retwittear de manera a veces automática ciertas cosas. Yo creo que es todo un crecimiento de vivir una vida mediática sana, que yo creo que hoy existe esa posibilidad.Yo estoy en Twitter desde el 2008-2009 y sólo dos veces tuve así un encontronazo y bloqueé a una persona mal educada. Después el resto de mi vida en Twitter, es rica de información de contactos. Aprendo muchísimo me entero de cosas que se están investigando. O sea, también están uno elegir otras cosas.Y por ejemplo, donde veo que yo hay que hay redes que no me aportan nada, no directamente ni entro. También es eso de aprender a sacar lo mejor de este ecosistema mediático. Y lo mismo para el ecosistema natural. Así como estamos aprendiendo a preocuparnos de dónde viene la comida, [00:51:00] cuánto tiempo se va a tardar en disolver este teléfono móvil por los componentes que tiene. Bueno, también es tomar conciencia de eso. Ya sea en el mundo natural, como en el mundo de la comunicación. Y yo creo que todos estos conocimientos, en este caso, la media ecology nos sirve para captar eso, no? Y mejorar nosotros también como sujetos, que ya no somos más el centro del universo, que esta es la otra cuestión. Somos un átomo más perdido entre una complejidad muy grande. Chris: Mm. Mm, pues que estas obras y trabajos y estudios tuyos y de los demás nos da la capacidad de leer y comprender ese complejidad, no?O sea, parece más y más complejo cada vez y nos requiere como más y más discernimiento. Entonces, yo creo que pues igual, hemos metido mucho en tu voluntad y capacidad de [00:52:00] hacer eso y ponerlo en el mundo. Entonces, finalmente Carlos me gustaría a extender mi agradecimiento y la de nuestros oyentes por tu tiempo hoy, tu consideración y tu trabajo.Siento que pues, la alfabetización mediática y la ecología de los medios son extremadamente deficientes en nuestro tiempo y su voluntad de preguntar sobre estas cosas y escribir sobre ellas es una medicina para un mundo quebrantado y para mi turístico. Entonces, así que muchísimas gracias, Carlos, por venir hoy.Carlos: Gracias. Te agradezco por las preguntas. Y bueno, yo creo que el tema del turismo es un tema que está ocupa lugar central hoy. Si tú estuvieras en Barcelona, verías que todos los días se está debatiendo este tema. Así que yo creo que bueno, adelante con esa reflexión y esa investigación sobre el turismo, porque es muy pertinente y necesaria.Chris: Pues sí, gracias. [00:53:00] Igual yo siento que hay una conexión fuerte entre esas definiciones más amplias de turismo y la ecología de medios. O sea, ha abierto una apertura muy grande para mí para entender el turismo más profundamente. Igual antes de terminar Carlos, cómo podrían nuestros oyentes encontrar tus libros y tu trabajo?Sé que hemos hablado de dos libros que escribiste, pero hay mucho más. Muchísimo más. Entonces, cómo se pueden encontrarlos y encontrarte?Carlos: Lo más rápido es en en mi blog, que es hipermediaciones.com Ahí van a encontrar información sobre todos los libros que voy publicando, etcétera, etc. Y después, bueno, yo soy muy activo, como dije en Twitter X. Me encuentran la letra CEscolari y de Carlos es mi Twitter. Y bueno, también ahí trato de difundir información sobre estos [00:54:00] temas.Como dije antes, aprendo mucho de esa red y trato de también devolver lo que me dan poniendo siempre información pertinente. Buenos enlaces. Y no pelearme mucho.Chris: Muy bien, muy bien, pues voy a asegurar que esos enlaces y esas páginas estén ya en la sección de tarea el sitio web de El fin del turismo cuando sale el episodio. Igual otras entrevistas y de tus libros. No hay falta. Entonces, con mucho gusto, los voy compartiendo. Bueno, Carlos, muchísimas gracias y lo aprecio mucho.Carlos: Muchas gracias y nos vemos en México.English TranscriptionChris: [00:00:00] Welcome to the podcast The End of Tourism, Carlos. Thank you for being able to speak with me today. It's a great pleasure to have you here with me today.Carlos: No, thank you, Chris, for the invitation. It is a great pleasure and honor to chat with you, a great traveler and, well, I have never directly investigated the subject of tourism.Well, I understand that we are going to talk about media ecology and collateral issues that can help us better understand, give meaning to all that is happening in the world of tourism. Well, I work in Barcelona. I don't live in the city exactly, but I work at the university in Barcelona, in the central area.Well, every time I go to the city, the number of tourists increases every day and the debate on tourism in all its dimensions increases. So it is a topic that is on the agenda, right?Chris: Yes, well I imagine that even if you don't like to think or if you don't want to think about tourism there, it is inevitable to have a personal lesson [00:01:00] from that industry.Carlos: Yes, to the point that it is almost becoming a taxonomic criterion, right? ...of classification or cities with a lot of tourists, cities or places without tourists that are the most sought after until they are filled with tourists. So we are practically in a vicious circle.Chris: Well, at some point I know that it changes, the cycle breaks, at least to account for what we are doing with the behavior.And I understand that this also has a lot to do with the ecology of the media, the lack of ability to understand our behaviors, attitudes, thoughts, feelings, etc. So, before continuing with your work and deeds, I would like to ask you about your path and your life.First, I wonder if you could define for our listeners what media ecology is and how you [00:02:00] became interested in this field? How did you come to dedicate your life to this study?Carlos: Yes. Let's see a little bit. There is one, this is the official history. We would say media ecology, it is a field of research, let's say, that was born in the 60s. We must take into account above all the work of Marshall McLuhan, a Canadian researcher who is very famous worldwide. He was perhaps the most famous media researcher philosopher in the 60s and 70s.And a colleague of his, Neil Postman, who was at New York University, was a bit, let's say, among the people who surrounded these two references, no, in the 60s, from there it was brewing, let's say, what was later called media ecology. It is said that the first person to talk about media ecology, who applied this metaphor to the media, was Marshall McLuhan himself in some private conversations, [00:03:00] letters that were sent to each other in the late 50s, early 60s, by researchers on these topics?Let's say the first public appearance of the concept of media ecology was a lecture in 1968 by Neil Postman. It was a public speech that talked about how the media transforms us and how the media transforms us, forming an environment in which we grow, develop, and so on. And we are sometimes not very aware of this environment that surrounds us and shapes us.He first used the concept of media ecology in a public lecture. And then, if we go back to the early 70s, Postman himself created the first program in media ecology at NYU, at New York University. So, in 73, 74 and 75, what I call the second generation began to emerge, of people [00:04:00] some of whom were trained in these courses in New York.For example, Christine Nystrom was the first PhD thesis on my ecology; people like Paul Levinson who in 1979 defended a PhD thesis directed by Postman on the evolution of the media, right? And the same thing happened in Toronto in the 70s. Marshall McLuhan died in December 80.Let's say that the 70s were his last decade of intellectual production. And there are a number of collaborators at that time, very young people like Robert Logan, Derrick De Kerchove, who later continued to work a bit along these lines, along these lines. And there we talk about the Canadian front, eh?This whole second generation was developing, expanding and applying. Let's not forget Eric McLuhan, Marshall's son, who was also part of this whole movement. [00:05:00] And if I remember correctly, in 2000, the Media Ecology Association was created, which is the Media Ecology Association, which is an academic, scientific organization that brings together people who deal with media ecology.If we think at a more scientific epistemological level, we can think of this metaphor of media ecology from two or three perspectives. On the one hand, this idea that media create environments. This is a very strong idea of Marsha McLuhan, of Postman and of this whole group, isn't it? The media - "medium" understood in a very broad sense, no, any technology could be a medium for them.For Marsha McLuhan, the wheel is a medium. A telescope is a medium. A radio is a medium and television is a medium, right? I mean, any technology can be considered a medium. Let's say that these media, these technologies, generate a [00:06:00] environment that transforms us. It transforms our way, sometimes our way of thinking, our way of perceiving the world, our conception of time and space.And we are not aware of that change. Let's think that, I don't know, before 1800, if someone had to make a trip of a thousand kilometers (and here we are approaching tourism) kilometers was a trip that had to be planned many months in advance. With the arrival of the train, we are already in 1800, those kilometers were shortened. Let's say no? There we see as if today they tell us 1000 kilometers.Well, yes, we take a plane. It's an hour, an hour and a quarter of a journey. Today, 1000 kilometres is much less than 200 years ago and even in terms of time, time has changed. Right? All of that is a consequence, let's say, of this change, our perception is a consequence of a series of media and technologies.The railroad. Obviously, today we have airplanes. The same digital networks that have somewhat brought us this idea of "time [00:07:00] real," this anxiety of wanting everything fast, right? That is also a consequence of these environmental changes generated by the media and technologies, eh? This is a very strong idea, when McLuhan and Postman talked about this in the 60s, they were strong intuitions that they had from a very intelligent observation of reality. Today, cognitive sciences, or rather neuroscience, have confirmed these hypotheses. In other words, today there are a series of methodologies to study the brain and we can already see how technologies...The media even affects the physical structure of the brain. Right? Another thing that is historical is that the media affects our memory. This comes from Plato 2,500 years ago, who said that writing would kill the memory of men. Well, we can think for ourselves, right?Or at least this generation, who [00:08:00] lived in a world before and after mobile apps. 30 years ago, 25 years ago, I had 30-40 phone numbers in my memory. Today I don't have any. And let's also think about GPS, right? At one time, taxi drivers in London, which is a Latin city, knew the city by heart. And today, that's no longer necessary because they have GPS.And when they went to study the brains of London taxi drivers, they saw that certain areas of the brain had shrunk, so to speak, which are the areas that manage the spatial part. McLuhan already talked about this in the 60s. He said that changes narcotize certain areas of the mind, he said.But well, we see that a lot of empirical research, very cutting-edge neuroscience research is confirming all these thoughts, all these things that were said in the 60s onwards, by media ecology. Another possibility is to understand [00:09:00] this as a media ecosystem, Marshall McLuhan always said we cannot give it meaning,We cannot understand a medium in isolation from other media. It is as if media only acquire meaning in relation to other media. Neil Postman and many other people from the school of media ecology also defend this position, that, well, we cannot understand the history of cinema if we do not link it to video games, if we do not link it to the appearance of television.And so with all the media, right? Eh? There are some very interesting works. For example, about how in the 19th century, different media, we could say, co-evolved with each other. The press, the telegraph. The train, which also transported newspapers, news agencies appeared. I mean, we see how it is very difficult to understand the development of the press in the 19th century and we don't link it to the telephone, if we don't link it to photography, if we don't link it to radio photography, [00:10:00] also later on.I mean, this idea is very strong. It is also one of the principles that I consider fundamental to this vision, which would be that the media are not alone, they are part of an ecosystem and if we want to understand what is happening and how all this works, we cannot, uh, analyze the media in isolation from the rest.There is a third interpretation. I don't know if it's too metaphorical, right? Above all, people in Italy like the researcher Fausto Colombo from Milan or Michele Cometa, he is a researcher from Sicily, Michele Cometa who talks about the turn, the ecomedia turn. These researchers are moving in a whole conception according to which, we are in a unique media ecosystem that is contaminated.It is contaminated by "fake news" it is contaminated by false news, it is contaminated by hate speech, etc., etc. So they, let's say, take up this ecological metaphor to say [00:11:00] We have to clean this ecosystem just as the natural ecosystem is contaminated, it needs a cleaning intervention, let's say a purification, eh?The media ecosystem is also in the same danger, isn't it? And these people are also calling attention, and I am very close to this line of work on the material dimension of communication. And this also has to do with tourism, right? The environmental impact that communication has today.Training an artificial intelligence involves a huge amount of electricity; keeping social networks running, eh, TikTok, YouTube, whatever, involves millions of servers running that suck up electricity and also have to be cooled, consuming even more electricity. And that has a significant impact on the climate.So, well, let's say, we see that this metaphor of the ecological, applied to the media, gives rise to two or three interpretations.Chris: Mmm. [00:12:00] Wow. I feel like when I started taking that course from Andrew McLuhan, Marshall's grandson, as I mentioned, it changed my perspective completely - on the world, on the way I understand and how I don't understand our technologies, my movements, etc. But now, from a person who has been studying this for decades, I would like to know how you started. I mean, Andrew, for example, has the excuse of his lineage, not his father and his grandfather.But then, as a young Argentine, he began learning about media ecology.Carlos: Well, I'll tell you. I studied communication in Argentina, in Rosario. I finished college. The last exam was on June 24, 1986, which was the day that Lionel Messi was born in Rosario, Argentina, on the same day. And [00:13:00] I worked, I collaborated in a class in a subject that was communication theories.And I even taught until 1990, three years, because after that I went to live in Italy. At that time, we read Marshall McLuhan, but it was a very ideologically biased reading. In Latin America, you must have seen it in Mexico. There is a whole history, a tradition of criticism from the media, especially of everything that comes from the United States, and Canada is very close to the United States.So, let's say that in the 70s and 80s and until today I would tell you that Marshall McLuhan was often criticized because he did not criticize the media. I mean, he had a vision. He said, Neil Postman, yes, he had a very critical vision. But in that case, this was one of the big differences between Postman and McLuhan, that Marshall McLuhan, at least in [00:14:00] public, he did not criticize the media. He said, well, I am a researcher, I send out probes. I am exploring what is happening.And he never joined in... And I think that was very clever of him... he never joined in this worldwide chorus of criticism of the media. At that time, television was a monster for many people.Children were not supposed to watch television. A bit like what happens today with cell phones and what happens today with TikTok. At that time, television was the monster. At that time, there was a lot of research in the United States, which was already based on the premise that television and the media are bad for people.We see that it is a story that repeats itself. I think that in that sense, Marshall McLuhan, very intelligently, did not join that critical chorus and he really dedicated himself to thinking about the media from a much freer perspective, not anchored by this vision that I believe is too ideologized, which is very strong in Latin America. It is very strong. This does not imply [00:15:00] letting down one's guard, not being critical. On the contrary.But I think that true critical thinking starts from not saying so much ideology, we say "this is already bad. Let's look at this." There will be good things. There will be bad things. There will be things, which is undeniable, that the media, even if we say they are good, will transform us. And I think that was the important thing about the McLuhanian idea.So my first approach to McLuhan was from the perspective of critical authors who, well, yes, come from the United States, they don't criticize the media. We're going to criticize him, right? And that was my first approach to Marshall McLuhan.I went to Italy in the 90s. I was out of college for almost eight years, working in digital media, web development, multimedia products, and pretext. And in the late 90s, I said, I want to go back to college. I want to be a PhD. And I said, "I want to do a PhD. Well. Being in Italy, the PhD was going to be in semiotics." So I did a [00:16:00] PhD. My thesis was on semiotics of interfaces.There I had a vision of digital interfaces that consider, for example, instruments like the mouse or joystick as extensions of our body, right? The mouse extends the hand and puts it inside the screen, right? Or the joystick or any other element of the digital interface? Of course. If we talk about the mouse being an extension of the hand, that is a McLuhanian idea.The media as extensions of the human being as a subject. So, of course, I reread McLuhan in Italian at the end of the 90s, and I reconciled with McLuhan because I found many interesting things to understand precisely the interaction with digital machines.In 2002, I moved with my family to Spain. I returned to university life. [00:17:00] And there I began to study the relationship between old and new media. Then I recovered the idea of ecosystem. I recovered the whole new idea, the id

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    United States of Murder

    Play Episode Listen Later Jun 16, 2025 52:03


    This week, we're in Indiana discussing young men searching for a thrill kill. Then, we'll talk about a deadly explosion. Buckle up and join us on this dark and twisted ride through the Hoosier State.Be sure to subscribe on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and leave a review, or email us at unitedstatesofmurder@gmail.comFollow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!Music by ⁠⁠⁠⁠Pixabay⁠⁠⁠⁠Sources: TribStar, ⁠⁠CBS News, Reddit, ABC News, Newkirk's Funeral Home, Wikipedia, History, Indy Star

    The Seen and the Unseen - hosted by Amit Varma
    Ep 420: Siddhartha Basu Is in the Hot Seat

    The Seen and the Unseen - hosted by Amit Varma

    Play Episode Listen Later Jun 16, 2025 250:06


    Circumstance made him a legend of the quizzing world, but Siddhartha Basu is a man of many parts. He joins Amit Varma in episode 420 of The Seen and the Unseen to talk about life, India, the art of asking questions and the answers he has found. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Siddhartha Basu on Wikipedia, Twitter, Instagram and IMDb. 2. Tree of Knowledge, DigiTok. 3. Quizzitok on YouTube. 4. Middlemarch -- George Eliot. 5. The Gita Press and Hindu Nationalism — Episode 139 of The Seen and the Unseen (w Akshaya Mukul). 6. Gita Press and the Making of Hindu India — Akshaya Mukul. 7. Episodes of The Seen and the Unseen featuring Ramachandra Guha: 1, 2, 3, 4, 5, 6. 9. The Life and Times of KP Krishnan — Episode 355 of The Seen and the Unseen. 10. The Life and Times of Vir Sanghvi — Episode 236 of The Seen and the Unseen. 11. Gods, Guns and Missionaries: The Making of the Modern Hindu Identity — Manu Pillai. 12. The Forces That Shaped Hinduism — Episode 405 of The Seen and the Unseen (w Manu Pillai). 13. How to Become a Tyrant -- Narrated by Peter Dinklage. 14. What Is Populism? -- Jan-Werner Müller. 15. The Populist Playbook -- Episode 42 of Everything is Everything. 16. 20,000 Leagues Under the Sea -- Richard Fleischer. 17. The Hedgehog And The Fox — Isaiah Berlin. 18. Trees of Delhi : A Field Guide -- Pradip Krishen. 19. The Rooted Cosmopolitanism of Sugata Srinivasaraju — Episode 277 of The Seen and the Unseen. 20. The Refreshing Audacity of Vinay Singhal — Episode 291 of The Seen and the Unseen. 21. Stage.in. 22. Dance Like a Man -- Mahesh Dattani. 23. How Old Are You? -- Rosshan Andrrews. 24. The Mehta Boys -- Boman Irani. 25. A Portrait of the Artist as a Young Man -- James Joyce. 26. Massey Sahib -- Pradip Krishen. 27. Derek O'Brien talks to Siddhartha Basu -- Episode 6 of the Quizzitok Podcast. 28. Kwizzing with Kumar Varun. 29. Ivanhoe, Treasure Island and Black Beauty. 30. Jane Austen, Walter Scott, Charles Dickens, John Steinbeck, Albert Camus, Jean-Paul Sartre, Charles Baudelaire, Arthur Rimbaud, Allan Ginsberg, Jack Kerouac, James Joyce, TS Eliot and Vivekananda. 31. Ramayana and Mahabharata -- C Rajagopalachari. 32. Paradise Lost -- John Milton. 33. Morte d'Arthur -- Alfred Tennyson. 34. Death of a Salesman -- Arthur Miller. 35. Salman Rushdie, Amitav Ghosh, Mukul Kesavan, Rukun Advani, Vikram Seth, Shashi Tharoor, Jhumpa Lahiri, I Allan Sealy, Arundhati Roy and William Dalrymple. 36. The Trotter-nama -- I Allan Sealy. 37. The Everest Hotel -- I Allan Sealy. 38. The Life and Times of Altu-Faltu -- Ranjit Lal. 39. Mr Beast on YouTube. 40. The Spectacular Life of Prahlad Kakar — Episode 414 of The Seen and the Unseen. 41. Ramki and the Ocean of Stories -- Episode 415 of The Seen and the Unseen. 42. Adolescence -- Created by Stephen Graham & Jack Thorne. 43. Anora -- Sean Baker. 44. Jerry Seinfeld on the results of the Seinfeld pilot. 45. Scam 1992 -- Hansal Mehta. 46. Dahaad -- Created by Reema Kagti & Zoya Akhtar. 47. The Delhi Walla -- Mayank Austen Soofi. 48. Flood of Fire -- Amitav Ghosh. 49. The Shadow Lines -- Amitav Ghosh. 50. The God of Small Things -- Arundhati Roy. 51. Shillong Chamber Choir. 52. The Waste Land -- TS Eliot. 53. Omkara, Maqbool and Haider -- Vishal Bhardwaj. 54. A Tale of Two Cities -- Charles Dickens. 55. William Shakespeare and Henry James. Amit Varma and Ajay Shah have launched a new course called Life Lessons, which aims to be a launchpad towards learning essential life skills all of you need. For more details, and to sign up, click here. Amit and Ajay also bring out a weekly YouTube show, Everything is Everything. Have you watched it yet? You must! And have you read Amit's newsletter? Subscribe right away to The India Uncut Newsletter! It's free! Also check out Amit's online course, The Art of Clear Writing. Episode art: ‘Your Time Starts Now' by Simahina.

    From Beneath the Hollywood Sign
    “BORN TO BE BAD - Old Hollywood's Favorite Brats" (092) 6/16/25

    From Beneath the Hollywood Sign

    Play Episode Listen Later Jun 16, 2025 40:20


    EPISODE 92 -  “BORN TO BE BAD - Old Hollywood's Favorite Brats" - 6/16/25 This week, we're getting into the pint-sized punks, the tantrum-throwers, the eye-rollers, and the sharp-tongued little legends who strutted across the silver screen like they owned the studio. That's right—we're talking about our favorite bratty kids in classic movies. You know the type: too smart for their age, too bold for their britches, and way too good at stealing scenes from their adult co-stars. Whether they were lighting up the screen with sass or shutting it down with a glare, these kids were iconic—and let's be honest, a little terrifying. So buckle up, because we're about to revisit the child stars who threw shade before it was cool, and tantrums that deserved an Oscar. Let the chaos begin. SHOW NOTES:  Sources: “There's Always Tomorrow,” August 13, 2021, by Richard Brody, The New Yorker;  “Jane Withers, Child Star Who Later Won Fame in Commercials, Does at 95,” August 8, 2021, The New York Times; “Denise Nickerson, Violet in ‘Willy Wonka & the Chocolate Factory, Has Died,” July 11, 2019, Times Union; “Violence to Lord of Flies,” December 19, 2012, RogerEbert.com;  “A Long Way From Brooklyn,” April 23, 2010,  by Dave Kehr, New York Times; “Bonita Granville Wrather, 65, an Actress and Executive (Obit),” October 8, 1988, The New York Times; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

    The Love of Cinema
    "The Big Heat": Films of 1953 + Gripes about "Spaceballs", "Stick", Warner-Discover-HBO

    The Love of Cinema

    Play Episode Listen Later Jun 16, 2025 103:32


    This week, the boys discuss the remarkable film year of 1953, the events that transpired around the world in that year, and Fritz Lang's “The Big Heat”. Perhaps an early trailblazer of the detective-with-a-personal-vendetta genre (is it a film noir???), this fascinating film led to a productive conversation! We drank a bit this week, too. Grab a cold one and listen or watch on YouTube! Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro;  4:43 Gripes; 16:27 1953 Year in Review; 48:03 Films of 1953: “The Big Heat”; 1:27:43 What You Been Watching?; 1:34:18 Jeff's second gripe, 1:42:34 Next Episode Teaser Additional Cast/Crew: Glenn Ford, Gloria Grahame, Jocelyn Brando, Alexander Scourby, Lee Marvin, Jeanette Nolan, Peter Whitney, Sydney Boehm, William P. McGivern, Robert Arthur, Charles Lang. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: Shane, Stick, Peter Pan, Roman Holiday, Mission: Impossible, submarine, nuclear weapons, Top Gun: Maverick, Ben Mendelsohn, French Accents, Tom Cruise, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellen Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Your Friends and Neighbors, The Canadian Grand Prix.  

    Dr. Berg’s Healthy Keto and Intermittent Fasting Podcast

    They call it “settled science” that vaccines don't cause autism, so then what causes autism? Wikipedia says there's no known cause, and that it's most likely genetic and possibly environmental. There's no known cure, and it's heavily emphasized that vaccines don't cause autism. So let's take a look at the facts. Dr. Coimbra, a Brazilian neurologist, found that people with autism have chronic inflammation in the brain that's not related to a microbe or a pathogen. It's also important to note that 70% of autistic children have higher rates of autoimmune conditions.Vaccines do not create an adequate immune response without an adjuvant. Aluminum compounds are the most commonly used vaccine adjuvants. Research shows that aluminum is toxic on multiple levels. Its neurotoxicity manifests in learning, concentration, memory, and speech deficits. When injected with a vaccine, it also crosses the blood-brain barrier.From 1980 to 2023, vaccine rates, aluminum exposure, and autism rates have significantly increased. In 2023, 1 in 36 children were diagnosed with autism and had the most aggressive vaccine schedule to date.Children are exposed to 5000 mcg of aluminum by age 6 with the current vaccine schedule. Most studies on vaccines use aluminum adjuvant placebos or other aluminum-containing vaccines in the control group, which is problematic. Other developed countries without such an aggressive vaccine schedule are not seeing the same levels of autism. Similarly, the Amish community, which is largely unvaccinated, has very low rates of autism. Dr. Coimbra utilizes the following protocol to reduce the symptoms of autism.1. 10,000 IU of vitamin D3 2. Propolis 3. Oral silica (monomethylsilanetriol) 100 to 200 mg 3 times per day 4. 4 grams of glycinate for hyperactivityA low-carb diet can also be beneficial for children with autism.Dr. Coimbra explains that the kidneys do not eliminate aluminum when injected with a vaccine. It remains in the organs and within the immune cells, and enters the brain carried by these cells. Dr. Eric Berg DC Bio:Dr. Berg, age 60, is a chiropractor who specializes in Healthy Ketosis & Intermittent Fasting. He is the author of the best-selling book The Healthy Keto Plan, and is the Director of Dr. Berg Nutritionals. He no longer practices, but focuses on health education through social media.

    The Bobby Bones Show
    THURS PT 2: Morgan Was Featured In A Magazine + Eddie Builds His Wikipedia Page + Poop Pills + Spending $500 Million To Rent Disneyland?!

    The Bobby Bones Show

    Play Episode Listen Later Jun 12, 2025 70:47 Transcription Available


    Morgan shares the details of her philanthropy charity event last night and how she was on the cover of a magazine. Eddie shared yesterday that he wants to have his own Wikipedia page so today he brought in a list of his accomplishments that he thinks is noteworthy. We judged whether or not they are worthy of a page and how much he’s actually done outside of the Bobby Bones Show. Morgan shared a list of the best fast food French fries and we got triggered. We go down a rabbit hole of famous duos. We got an update on what the dads on the show are doing for Father’s day.See omnystudio.com/listener for privacy information.

    The Bobby Bones Show
    WEDS PT 2: Whales Are Trying To Talk To Humans!? + Raymundo Asks Bobby For A Big Favor + Amy Had To Apologize To Bobby + Bobby HATES This Common Thing!

    The Bobby Bones Show

    Play Episode Listen Later Jun 11, 2025 56:58 Transcription Available


    Bobby shares why scientists say whales are trying to send messages to humans leading us to maybe one of the dumbest conversations we’ve ever had. We try to fix Bobby’s Wikipedia page after finding out it hasn’t been updated in a long time. Raymundo asks Bobby for a big favor that will get him closer to his favorite artists. Amy had to apologize to Bobby over something she said recently. Bobby went off on why he HATES something that most consider normal but he finds it to be a waste of time. Morgan shares a story of an unusual way a woman caught her boyfriend cheating.See omnystudio.com/listener for privacy information.