Podcasts about stones

Carolyn Forché joins Kevin Young to read and discuss “The Owl's Night,” by Mahmoud Darwish, translated by Jeffrey Sacks, and her own poem “The Museum of Stones.” A poet, translator, editor, and activist, Forché is the author of six poetry collections—including, most recently, “Otherwhere: New and Selected Poems, 1976-2026”—and a memoir, “What You Have Heard Is True.” She is a chancellor of the Academy of American Poets, a member of the American Academy of Arts and Sciences, and a recipient of the Lannan Literary Award for Poetry, the Windham-Campbell Prize, and the Academy of American Poets Fellowship for distinguished literary achievement. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jerry Grover walks in with a theory meant to end the shouting match.Joseph and Oliver said they used the **interpreters** the whole time. Emma, David Whitmer, and others talk about the **brown seer stone** after the 116 pages. Historians pick a side. Jerry's riff: **maybe both were in the hat.**In this episode with Chris Blythe and Brad Whitbeck:- Interpreters first, curtain first — then the hat- Why the switch may have come from the lost 116 pages (skins over the face)- One interpreter stone + Joseph's own stone- “Gift and power of God” covers both tools- What **Gazalem** might actually name- The brown stone is banded iron formation — not dinosaur gizzard- How a Wyoming-looking rock ended up 25 feet down in New York- Provenance: Oliver → Phineas Young fight → Brigham → the Church- Is *this* the stone, or one from the donated box?- Don Bradley and Jerry hunting the white seer stone in a developed hot spring- Why seminary “lied to me” is usually human error, not a conspiracyIf this kind of speculation shakes you, the episode says it out loud: **your faith was never supposed to live in the geology of one rock.**#SeerStone #BookOfMormon #JosephSmith #WardRadioGot it. Fewer chapters from here on.Chapter markers0:00 – Intro 1:14 – The contradiction: interpreters vs. seer stone 4:40 – Why he switched to the hat 8:10 – What the primary sources actually say 11:00 – Both stones in the hat 16:00 – What the brown stone even is 21:10 – Is this the right stone? 32:10 – If this shakes you 34:20 – Chris and the white-stone hunt 38:00 – Context vs. “the Church lied” 43:30 – OutroBecome a member of this channel to get early access to videos and members only content:https://www.youtube.com/channel/UCnmsAFGrFuGe0obW6tkEY6w/joinSupport the channel by purchasing equipment to help make content through our Amazon Wish List (please write a limerick in the "gist notes" and we will read it on the show!): https://www.amazon.com/hz/wishlist/ls/1AQLMTSMBM4DC?ref_=wl_shareTo order Ward Radio Branded "merch", please visit: https://www.wardradio.com/category/all-products For this and more, please visit: WardRadio.comNow go do your ministering! (Home Teaching)

Vi inleder med att summera vår beredskapsvecka och alla fantastiska möten vi haft. Men att det också är ett turbulent politiskt läge just nu i Sverige med anklagelser om valfusk och röda linjer. Detta tillsammans med det säkerhetspolitiska läget i världen får oss att fundera på, hur skall vi själva hålla oss fast grundade när det är stormigt runt omkring oss. Shownotes och länkar på https://www.hemberedskap.se/avsnitt487 Stötta oss och lyssna på extra bonusavsnitt på https://www.patreon.com/hemberedskap

Hundreds of Chicago's most noted historic figures are buried behind the stone and iron gates of the 121 acres that make up Graceland Cemetery and Arboretum. This graveyard is clearly one of the best examples of a garden cemetery, featuring rolling hills, lush landscaping and peaceful winding paths. It was a perfect place for people to bring their picnics as a family and pay their respects to their dead.  Intro and Outro music "Stones and Bones" was written and produced by History Goes Bump and any use is strictly prohibited. Check us out at: https://historygoesbump.com

The two-man conversational canoe paddles the rock and roll tideway, stopping off this week at …… Van Morrison's set-opener is Kidney Stew Blues by Eddie ‘Cleanhead' Vinson. Do people have to play their big hits?… what's the key ingredient in success?... “all great albums automatically have great sleeves. Bar one!”… does Beyonce have a horsefly named after her? Is there a Jerry Garcia wood roach? A Sting tree-frog?… U2's new album cover is an Abbey Road pastiche. So … is this their swansong?… “dress for the job you want, not the job you have”… Elvis, Stones, psychedelia, Be Bop Deluxe, power pop, punk, Pete Doherty: rock stars in ‘statement' ties… the many ways Songs In The Key Of Life was a masterpiece… plus “fibrous weaves, over-stuffed loons”, the Plimsouls, the Roaring Boys, Josh Rouse and birthday guest James Ewen.Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The two-man conversational canoe paddles the rock and roll tideway, stopping off this week at …… Van Morrison's set-opener is Kidney Stew Blues by Eddie ‘Cleanhead' Vinson. Do people have to play their big hits?… what's the key ingredient in success?... “all great albums automatically have great sleeves. Bar one!”… does Beyonce have a horsefly named after her? Is there a Jerry Garcia wood roach? A Sting tree-frog?… U2's new album cover is an Abbey Road pastiche. So … is this their swansong?… “dress for the job you want, not the job you have”… Elvis, Stones, psychedelia, Be Bop Deluxe, power pop, punk, Pete Doherty: rock stars in ‘statement' ties… the many ways Songs In The Key Of Life was a masterpiece… plus “fibrous weaves, over-stuffed loons”, the Plimsouls, the Roaring Boys, Josh Rouse and birthday guest James Ewen.Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The two-man conversational canoe paddles the rock and roll tideway, stopping off this week at …… Van Morrison's set-opener is Kidney Stew Blues by Eddie ‘Cleanhead' Vinson. Do people have to play their big hits?… what's the key ingredient in success?... “all great albums automatically have great sleeves. Bar one!”… does Beyonce have a horsefly named after her? Is there a Jerry Garcia wood roach? A Sting tree-frog?… U2's new album cover is an Abbey Road pastiche. So … is this their swansong?… “dress for the job you want, not the job you have”… Elvis, Stones, psychedelia, Be Bop Deluxe, power pop, punk, Pete Doherty: rock stars in ‘statement' ties… the many ways Songs In The Key Of Life was a masterpiece… plus “fibrous weaves, over-stuffed loons”, the Plimsouls, the Roaring Boys, Josh Rouse and birthday guest James Ewen.Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Memorial Stones Speaker: Michael Shockley, ReCreate Church Scripture: Joshua 4:1-9 Bigger Than The Room Series, Part 3 Episode Summary In the final message from The Lord's Corner, Pastor Michael leads ReCreate Church through its last Sunday in the building it has called home for seven years. Through the story of Israel's crossing of the Jordan River and the memorial stones they carried to the other side, we discover that remembering God's faithfulness behind us is the key to trusting His faithfulness ahead of us. Key Points - Just as Israel stood at the Jordan River between wilderness and promise, ReCreate stands at its own Jordan moment - God told His people to stop and build a memorial before moving forward, so future generations would ask "what are these stones about?" - The memorial stones pointed to the story of everything God had done - they were not magical, but meaningful - ReCreate's seven years at The Lord's Corner are filled with memorial stones: souls saved, kids discipled, lives healed, a congregation becoming a family - This room didn't make ReCreate a Church. ReCreate made this room feel like a holy place. Main Takeaway Remembering God's faithfulness behind us helps us trust His faithfulness ahead of us. The same God who carried us through this season is going forward with us into the next. Wherever we go, we must ask: "Lord, what are You going to do here?" Memorable Quotes - "Remembering God's faithfulness behind us helps us trust His faithfulness ahead of us." - "Crossing the Jordan doesn't mean transitioning to an easy life. It means a new season and a new reason to trust." - "This room didn't make ReCreate a Church. ReCreate made this room feel like a holy place." - "Everywhere we go, we must ask, 'Lord, what are You going to do here?'" - "If You have been so good to us here, give us faith that Your Grace will be with us as we go forward." - "We can't lose that feeling of home and family." Reflection Question What memorial stones are you carrying from this season of your life? And what do those stones tell you about how much God can be trusted with what comes next? Tune in to hear the final service at The Lord's Corner - including Pastor Michael's reflections on seven years of sacred moments in a building that started as a restaurant, became a rental shop, and ended as a holy place. Connect & Give Learn more about ReCreate Church at www.recreatechurch.org Give online easily and securely through Tithe.ly

When the stones of judgment and old beliefs fall around us, truth is still alive within us. You will not regret investing your time to listen – everyone needs to hear this discussion. Join my Jerry and Sherry Podcasters as they discuss my metaphysical understanding of the end of Acts 14 in their new podcast episode, “When the Stones Fall, Truth Still Rises.” We'll consider Paul's rising, the disciples who gathered around him, and the door of trust that opened beyond familiar boundaries.I invite you to listen and share what speaks to you. We are One with Elohim, and the stones do not have the final word. Please share this with your world, and spread the “real” Good News. See less

Series: The Gospel of Mark Speaker: Brian Silver Hope Community Church - Lowertown Download Message Slides Discussion Guide For more resources or to learn more about Hope Lowertown, visit hopecc.com/lowertown. (00:08) - Good News and Temples (07:24) - Prophecy of the Messenger (12:45) - Temple Judgment Begins (17:21) - Look at These Stones (22:53) - The Stone That Stays (25:19) - Rebuilding the Heart Temple

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Links For The Occult Rejectshttps://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Substackhttps://substack.com/@theoccultrejects?r=7auau0&utm_campaign=profile&utm_medium=profile-pageCash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsPatreonhttps://www.patreon.com/TheOccultRejectsAlso want to remind people about the website, if you're into reading we have tons of information by multiple contributors, and we got t-shirts up on the site if you're interested. Fun fact, the art is all based on the eyeball. 

Yes! It took a member of Mission of Burma to finally pick a Beatles film to discuss, three years into the podcast! Totally honored to have the person behind so much of my favorite sonic wizardry, Roger Clark Miller, on Revolutions Per Movie.We discuss the mysterious lore behind the Horrible Truth About Burma live LP and how it might be the high water mark of their tape manipulator (Martin Swope), the moment when Roger first heard the elements of Burma come together, the journey to get Peter Prescott a microphone so he could also sing in the band, Sproton Layer--Roger's band he started in 1969 with his brothers when they were barely teenagers, playing Sun Ra records to weed out the drummers who auditioned for Burma, the influences on the chaos inside the beauty of their songs, why Roger thinks Sproton Layer was Burma through a psychedelic lens rather than a post-punk one (and how they interconnected artistically), the hope baked within The Summer Of Love, Roger's first band Factor and why he had to leave them behind, Silver Apples, recording an improv session with your brothers while your parents go square dancing, how a 70 year old modern dancer heard Sproton Layer and decided their music needed to be published in score format, how Roger felt he finally became a good guitar player by the time they recorded Burma's VS, the making of the Vacu Trem and Vacu Fuzz guitar pedals, the Vacuheads, Roger's scientific family and living with monkeys in their backyard, how Roger writes lyrics and Syd Barrett's influence on him, how frustratingly great Yellow Submarine is (of course The Beatles have a fantastic animated film in them!), how George Harrison's drone pop tracks were often the highlight for us, Roger seeing the film on acid in the theater, The Beatles' animated shows, George's song "Blue Jay Way" and its lyrical influence on Roger's new record (The Green Man), getting off the Beatles train and the butcher cover, how different The Stones are versus The Beatles in dealing with their legacy and more!Roger Clark Miller:rogerclarkmiller.com/The Green Man:rogercmillermusic.bandcamp.com/album/the-green-manSproton Layer:sprotonlayer12xu.bandcamp.com/album/press-your-hand-and-the-whole-room-fluctuatesREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional exclusive bonus episodes every Sunday on our Patreon (over 125 bonus episodes are available and counting). If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, A Devotees Look At New Wave Theater, Exploring The Axis: The Oral History Of Frontier Records With Lisa Fancher, Dips On Chips w/ Jeff McDonald of Redd Kross, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenslinktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

What if some of the strongest evidence for the Bible's reliability has been buried beneath our feet for thousands of years? We are living in a time when almost every foundational belief is being questioned. Scripture is no exception. People ask whether the people were real, whether the places existed, whether the events actually happened, and whether the Bible can be trusted as more than a collection of religious stories. That is what makes my conversation with Dinesh D'Souza so fascinating. Dinesh is a bestselling author, filmmaker, and cultural commentator whose newest book, The Stones Cry Out: Biblical Archaeology, Prophecy, and the Last Days, takes him into the world of biblical archaeology. Instead of beginning only with theology, he asks a factual question: What does the physical evidence tell us? Archaeological discoveries can take us into the ancient world of Scripture through inscriptions, ruins, pottery, seals, cities, manuscripts, and other artifacts that have survived for centuries. And that raises an even bigger question. If archaeology can shed light on what the Bible records about the past, what does that mean for how seriously we take what Scripture says about the present and the future? In this episode of Equipped To Be, Dinesh and I explore the questions at the heart of The Stones Cry Out, the relationship between faith and evidence, biblical history, Israel, prophecy, and why these discoveries matter to Christians today. This is not simply a conversation about ancient stones. It is a conversation about whether the Bible we hold in our hands describes real people, real places, and real history, and why that matters to the way we live now.   Read the full show notes with links here: Can Archaeology Confirm the Bible? Dinesh D'Souza on The Stones Cry Out   If you enjoy listening to Parenting and Homeschool Advice ~ Equipped To Be with Connie Albers, please leave a review and a five-star rating. It is easy and will only take a few seconds. When you do, it helps others see the show in their feed. Also, would you kindly share this with a friend or two? Equipped To Be might be an encouragement to them, too. Thank you ~ Connie   Have a question? Interested in having Connie speak? Send an email to Connie here: https://conniealbers.com/contact/   

This episode is a wild ride, folks! We've got a mix of music, politics, and some seriously interesting conversations. Ross is chatting with a special guest about the upcoming midterms, but first, they're discussing the latest news in the music world. Ella Langley, a young country star, is making waves with her hit song "Choose in Texas," which has spent 23 weeks at number one on the Billboard Hot 100. But what's really interesting is the price of tickets to see her live - a single general admission ticket at Red Rocks is a whopping $738! This episode also delves into the world of politics, with a discussion about the upcoming midterms and the current state of the Republican Party. Ross is joined by a special guest, Henry Olsen, a Washington Post columnist and senior fellow at the Ethics and Public Policy Center. They're discussing the latest polls and what they mean for the midterms, as well as the potential implications for President Trump. But don't worry, it's not all serious talk - Ross and Jeana also share some fun stories and jokes, including a hilarious exchange about a listener's question about popcorn. But that's not all - this episode also touches on some serious topics, like the recent lawsuit filed against the group that collected signatures for the proposed graduated income tax ballot measure in Colorado. And if you're a music lover, you'll love the story about Ruby Mazur, a legendary artist who's been involved in the music industry for decades and has worked with some of the biggest names in the business. So if you're looking for a podcast that's a little bit of everything - music, politics, and some good old-fashioned fun - then this episode is for you. Tune in to hear the full conversation and find out what's really going on in the world.See omnystudio.com/listener for privacy information.

GRAMMY® winner Janet Robin and David Vito Gregoli join forces for a bold, modern reimagining of Jeff Beck's iconic instrumental, “Beck's Bolero.” Their version goes live on all streaming media on Friday July 24 at 12:00 AM PT.Pre-save here https://lnk.dmsmusic.co/janetrobindavidvitogregoli_becksboleroThere's also a music video that features Robin, Gregoli, plus percussionist MB Gordy working on “Beck's Bolero” in the studio. This goes live also Friday at midnight, as well, at www.youtube.com/watch?v=fthUxd9Elyw.Vito says, “This is our homage to someone who constantly evolved, never rested on his fame or laurels. The song's unique beat — and the fact it was recorded with members of Led Zeppelin, The Who, The Yardbirds, The Stones — all make this a historic piece.”Though both artists are most recently recognized for their acoustic work within the music community, Robin and Gregoli have a lifetime of experience as virtuosic electric guitarists.  They bring decades of musicianship, production experience, and artistic vision to this fresh exploration of one of rock guitar's most enduring compositions. Their version honors the mystery, tension, and cinematic power of the original while reshaping it through a contemporary, expressive instrumental lens.The Drum Motive & Why This Version TravelsThe recording's not‑so‑secret weapon is GRAMMY®‑winning drummer/percussionist MB Gordy, whose opening drum figure adds a brief jolt of energy — a deliberate ignition that sets the piece in motion. Vito describes it as “a take‑off on a James Brown beat, giving it urgency as it weaves in and out of the traditional Bolero pulse.”Gordy's blend of Middle Eastern dumbek, shakers, classic rock tambourine, and triangle creates a shifting rhythmic landscape that propels the performance forward. This interplay — drums sparking motion, guitars expanding texture — is what makes the interpretation travel: the piece evolves, opens, and moves through dynamic layers rather than staying fixed in a single emotional register.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Fluent Fiction - Catalan: Echoes of Tarragona: Love and Legacy Among Ancient Stones Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ca/episode/2026-09-22-22-34-02-ca Story Transcript:Ca: El sol de finals d'estiu tenyia el cel de Tarragona amb una llum càlida i daurada.En: The late summer sun dyed the sky of Tarragona with a warm, golden light.Ca: L'amfiteatre romà s'alçava majestuós davant dels ulls dels visitants, un testimoni silenciós dels temps antics.En: The Roman amphitheater stood majestically before the eyes of the visitors, a silent witness to ancient times.Ca: Allà, entre les pedres velles, Oriol treballava amb dedicació en el projecte de restauració.En: There, among the old stones, Oriol worked diligently on the restoration project.Ca: Aquest lloc era part de la seva història i volia preservar-lo per a futures generacions.En: This place was part of his history, and he wanted to preserve it for future generations.Ca: Martina havia arribat a Tarragona emocionada per les festes de La Mercè.En: Martina had arrived in Tarragona excited for the La Mercè festivities.Ca: La ciutat vibrava amb colors i música.En: The city vibrated with colors and music.Ca: Núria, amiga i guia local, havia parlat molt d'aquestes celebracions a Martina, insistint que eren una oportunitat única per viure la cultura catalana en tota la seva esplendor.En: Núria, a friend and local guide, had spoken a lot about these celebrations to Martina, insisting that they were a unique opportunity to experience Catalan culture in all its splendor.Ca: Tot i la festa, Martina es va sentir atreta pel projecte al qual treballava Oriol.En: Despite the festivity, Martina felt drawn to the project Oriol was working on.Ca: Hi havia alguna cosa en el silenci dels murs vells que la captivava.En: There was something in the silence of the old walls that captivated her.Ca: Un dia, mentre Oriol feia una pausa, Martina es va apropar amb curiositat.En: One day, while Oriol was taking a break, Martina approached with curiosity.Ca: "Hola, soc Martina.En: "Hello, I'm Martina.Ca: Em pots explicar què estàs fent aquí?En: Can you tell me what you're doing here?"Ca: " va preguntar amb un somriure afable.En: she asked with an affable smile.Ca: Oriol va aixecar la vista sorprès.En: Oriol looked up surprised.Ca: Tot i ser tímid, va sentir alguna cosa diferent en la presència de Martina.En: Despite being shy, he felt something different in the presence of Martina.Ca: "Estem treballant en la restauració d'aquest tram de l'amfiteatre", va contestar amb timidesa, però fent un esforç per ser més obert.En: "We are working on the restoration of this section of the amphitheater," he replied timidly, but making an effort to be more open.Ca: Amb el pas dels dies, Martina va començar a passar més temps al costat d'Oriol, compartint idees i aprenent sobre la història del lloc.En: As the days passed, Martina began spending more time alongside Oriol, sharing ideas and learning about the history of the place.Ca: A poc a poc, Oriol es va sentir còmode compartint les seves idees i passió.En: Little by little, Oriol felt comfortable sharing his ideas and passion.Ca: Núria, sempre entusiasta, es va alegrar de veure com Martina trobava inspiració nova.En: Núria, always enthusiastic, was pleased to see how Martina found new inspiration.Ca: La nit de La Mercè, una lluna brillant il·luminava Tarragona.En: On the night of La Mercè, a bright moon illuminated Tarragona.Ca: Tot semblava més màgic.En: Everything seemed more magical.Ca: Oriol i Martina, retirats de la festa bulliciosa, es van asseure en un racó tranquil de l'amfiteatre.En: Oriol and Martina, away from the bustling festivity, sat in a quiet corner of the amphitheater.Ca: "Aquest lloc té una història que m'agrada compartir", va dir Oriol, mirant les estrelles.En: "This place has a story I like to share," said Oriol, looking at the stars.Ca: Martina va assentir, emocionada.En: Martina nodded, excited.Ca: "Jo també vull comptar les històries que fan viure el passat.En: "I also want to tell the stories that bring the past to life.Ca: I tu tens el talent per fer-les sentir properes", va dir ella.En: And you have the talent to make them feel close," she said.Ca: En aquella conversa sota les estrelles, es van adonar que compartien desigs similars: la preservació de la història i la connexió amb altres a través d'ella.En: In that conversation under the stars, they realized they shared similar desires: the preservation of history and the connection with others through it.Ca: La relació entre Oriol i Martina es va enfortir.En: The relationship between Oriol and Martina strengthened.Ca: Van decidir treballar conjuntament en futurs projectes, unificant les seves passions per la història i la narració.En: They decided to work together on future projects, uniting their passions for history and storytelling.Ca: Al final de l'estiu, tant Oriol com Martina se sentien transformats.En: By the end of the summer, both Oriol and Martina felt transformed.Ca: Oriol va aprendre a ser més obert i a equilibrar la seva passió amb les relacions personals.En: Oriol learned to be more open and balance his passion with personal relationships.Ca: Martina, d'altra banda, va veure la narració no només com una feina, sinó com un vincle amb les persones i la història.En: Martina, on the other hand, saw storytelling not just as a job, but as a connection with people and history.Ca: L'amfiteatre, banyat per la llum del matí següent, semblava somriure davant del futur que ara es dibuixava davant d'ells.En: The amphitheater, bathed by the light of the following morning, seemed to smile at the future that now lay before them. Vocabulary Words:afternoon: tardamoon: llunafestivity: festaancient: anticsfuture: futurtogether: conjuntamentvisitor: visitantbreak: pausasmile: somiureheart: corcuriosity: curiositatenthusiastic: entusiastastories: històriesillustrate: dibuixarproject: projectesilence: silencipreservation: preservacióconnection: connexióshy: tímidlearning: aprenentatgecompanion: companytransformation: transformaciódawn: matípassion: passióinspiration: inspiraciógenerations: generacionsrestoration: restauraciócelebration: celebraciócorner: racóbright: brillant

Dinesh D'Souza Discusses His New Book ‘The Stones Cry Out' With Eric Metaxas Today On The Eric Metaxas Show, Dinesh D'Souza joins Eric to discuss his new book The Stones Cry Out and the archaeological evidence he believes supports the historical reliability of the Bible. Dinesh and Eric discuss discoveries connected to King David, the Exodus, Balaam, Belshazzar, Jericho, Caiaphas, and the world of Jesus. They also explore why Dinesh believes biblical archaeology has increasingly forced skeptics to retreat from claims that major biblical people and events were simply invented, and why he sees the growing number of discoveries as especially significant in a secular age.Later, Grace Precious Metals CEO Bill Armor joins Eric to discuss the “Everything Bubble,” stock-market valuations, and precious metals.⭐ ORDER NOW:Revolution: The Birth of the Greatest Nation in the History of the World

http://www.copperplatemailorder.com                                COPPERPLATE TIME 550                                presented by Alan O'Leary                             www.copperplatemailorder.com                             Preview of 5th Féile Liam O'Flynn 1. BOTHY BAND: Green Groves of Erin/Flowers of Red Hill. After Hours 2. LIAM FLYNN:   The Humours of Carrigaholt/Mayor Harrison's/Gan Ainm.                          The Piper's Call3. PLANXTY:  Raggle Taggle Gypsy/Tabhair Don Do Lámh.  Planxty  4. MICK, LOUISE & MICHELLE MULCAHY:                   The Bold Thady Quill/Boys of Tandaragee/Celia's Jig.   The Reel Note5. LAOISE KELLY & TIARNÁN ÓDUINNCHINN:               Paddy Huidai Byrne's/Darby Gallagher's/Con Cassidy's.                      Ar Lorg na Laochra (On the Shoulders of Giants) 6. McCARTHY FAMILY:   The Tempest/The Steam Packet. The Family Album 7. THE BONNY MEN: Tunnel Tigers  The Broken Pledge 8. DAITHI GORMLEY & ELAINE O'REILLY:               Dillon's Fancy/The Road to Thurles/Hanley's Tweed                         Daithi Gormley & Elaine O'Reilly 9. THE DUBLIN TRIO:  The Pride of Pimlico.  The Pride of Pimlico 10. DANNY O'MAHONY & MICHEAL O'RAGHAILLAIGH:   Humours of Ballyloughlan/                Boys of Tandragee/Connaughtman's Rambles. As It Happened 11. MARTIN HAYES & DENNIS:             Martin Rochford's/The Green Gowned Lass. Live in Seattle 12. RALPH McTELL & LAIM O'FLYNN:   Water of Dreams.   Water of Dreams Winter   13. JOHN McEVOY: Paddy the Piper/Master Henry's Reel/The Sporting Days of Easter.                   Traditional Irish Fiddle 14. DANU:   Only 19 Years Old.   When All is Said & Done 15. JOHN DOYLE:  The Rambler from Clare.  The Path of Stones 16. ANDY IRVINE:   Never Tire of the Road.   Devoted 17. 4 MEN & A DOG:   Lucy Campbell Set.    Wallop The Spot 18. PLANXTY:  Timedance.  Riverdance

The 12 stones at Jordan were never meant to be silent monuments to a forgotten past; they were placed there to provoke a question from the children and demand an answer from the fathers. But when one generation stopped explaining what God had done, another generation arose “which knew not the LORD.” That same tragedy is unfolding before our eyes today. America is covered with churches, crosses and Bibles, yet millions of young people have no idea what any of them mean because fathers have stopped teaching, pulpits have stopped preaching, and churches have traded sound doctrine for entertainment, emotionalism and political religion. One generation possessed the truth, the next merely assumed it, and now another is preparing to abandon it altogether. The stones are still standing, but their testimony is being forgotten."That this may be a sign among you, that when your children ask their fathers in time to come, saying, What mean ye by these stones?" Joshua 4:6 (KJB)The answer is to remember the works of God, teach the next generation, preach the word and answer the Macedonian call. The Church was never commissioned to preserve the gospel inside comfortable buildings while a lost and dying world cried out from the darkness. The same truth entrusted to us must be committed to faithful men who will teach others also, then carried into the regions beyond by missionaries preaching the gospel of the grace of God. We have a commission, the only question is, will we carry it out?

In 1710, strange disturbances began inside Knowehead House on the Islandmagee peninsula in County Antrim. Stones appeared from nowhere, bedclothes were arranged into the shape of corpses, and a ragged childlike figure was seen moving through the house before apparently predicting the death of its elderly resident, Ann Haltridge. After Ann died, eighteen-year-old Mary Dunbar arrived and soon began suffering violent fits, claiming invisible women were attacking her and producing pins, feathers and other objects from her mouth. Her accusations eventually sent eight women to prison for witchcraft and drew a ninth person into a case that became Ireland's last major witch trial.The BOOKBY US A COFFEESubscribe to our PATREONEMAIL us your storiesJoin us on INSTAGRAMJoin us on TWITTERJoin us on FACEBOOKVisit our WEBSITEResearch:https://pure.ulster.ac.uk/ws/portalfiles/portal/215482763/Sneddon_Devlin_Islandmagee_Witches_Documents_online_.pdfhttps://pure.ulster.ac.uk/en/publications/documents-from-the-trial-of-the-islandmagee-witches-at-carrickfer/https://pure.ulster.ac.uk/en/publications/possessed-by-the-devil-the-history-of-the-islandmagee-witch-trial/https://pure.ulster.ac.uk/en/publications/roundtable-the-islandmagee-witches-1711-creative-and-digital-proj/https://www.ulster.ac.uk/news/2013/october/mark-twain-and-the-irish-connectionSarah xx"Spacial Winds," Kevin MacLeod (incompetech.com)Licenced under Creative Commons: By Attribution 4.0 Licencehttp://creativecommons.org/licenses/by/4.0/SURVEY Hosted on Acast. See acast.com/privacy for more information.

Fluent Fiction - Swedish: From Slippery Stones to Lasting Bonds: A Friendship in Gamla Stan Find the full episode transcript, vocabulary words, and more:fluentfiction.com/sv/episode/2026-09-19-22-34-02-sv Story Transcript:Sv: I Gamla Stan, där kullerstensgator slingrar sig genom kvarteren, är hösten närvarande i varje pust.En: In Gamla Stan, where cobblestone streets wind through the neighborhoods, autumn is present in every breath.Sv: Träden kantar gatorna med guldgula löv.En: Trees line the streets with golden yellow leaves.Sv: Färggranna byggnader står tätt intill varandra.En: Colorful buildings stand closely together.Sv: Regnet har precis slutat och kvar lämnar det blöta stenar, vilket ger en speglande yta under den grå himlen.En: The rain has just stopped, leaving wet stones that create a reflective surface under the gray sky.Sv: Viktor och Elin går tillsammans längs stortorget.En: Viktor and Elin walk together along the stortorget.Sv: De njuter av den friska luften.En: They enjoy the fresh air.Sv: Elins skratt hörs mellan husväggarna när de diskuterar helgens planer.En: Elin's laughter echoes between the walls of the houses as they discuss the weekend's plans.Sv: Viktor noterar alltid Elins glädje, som smittar av sig, även den gråaste dagen.En: Viktor always notes Elin's joy, which is contagious, even on the grayest day.Sv: Men plötsligt hörs ett dämpat utrop.En: But suddenly a muffled shout is heard.Sv: Elin har halkat på de hala stenarna och drabbats av en vristvrickning.En: Elin has slipped on the slick stones and suffered a twisted ankle.Sv: Hon sätter sig haltande på en nearby bänk, försäkrande Viktor att det inte är så farligt.En: She limps over to a nearby bench, assuring Viktor that it's not so bad.Sv: "Jag kan gå det här av mig," säger hon med ett leende, även om hennes ansikte dras samman av smärta.En: "I can walk this off," she says with a smile, even though her face tightens with pain.Sv: Viktor känner en oro bubbla inom sig.En: Viktor feels a worry bubble up inside him.Sv: Även om han är lite tystlåten av natur har han ett hjärta av guld.En: Although he is a bit reserved by nature, he has a heart of gold.Sv: Han böjer sig ner bredvid Elin och säger försiktigt, "Vi kan sitta här en stund, men du borde få hjälp."En: He bends down next to Elin and says gently, "We can sit here for a while, but you should get help."Sv: Elin, envis som alltid, viftar bort hans oro.En: Elin, stubborn as always, brushes off his concern.Sv: Men när hon försöker ställa sig upp igen, viker sig foten under henne.En: But when she tries to stand up again, her foot gives way beneath her.Sv: För första gången erinrar hon sig att det kanske behövs mer än viljestyrka för att övervinna skadan.En: For the first time, she recalls that it might take more than willpower to overcome the injury.Sv: Viktor ser chansen.En: Viktor sees the opportunity.Sv: "Stanna här," säger han.En: "Stay here," he says.Sv: "Jag kommer tillbaka med någon som kan hjälpa."En: "I'll come back with someone who can help."Sv: Hon nickar till slut, med en blandning av motvilja och ödmjukhet.En: She nods at last, with a mix of reluctance and humility.Sv: Medan Viktor försvinner mellan gränderna för att hitta hjälp, inser Elin värdet av att söka stöd när det behövs.En: As Viktor disappears between the alleys to find help, Elin realizes the value of seeking support when needed.Sv: Det är något betryggande med att veta att man inte alltid måste stå emot ens faktiskt.En: There's something reassuring about knowing you don't always have to stand alone.Sv: Efter en stund återvänder Viktor med en lokal medic.En: After a while, Viktor returns with a local medic.Sv: Han är en äldre man med ett vänligt leende, välbekant med liknande skador.En: He is an older man with a friendly smile, well-acquainted with similar injuries.Sv: Han följer Elin till en närliggande klinik där hon får den omsorg som behövs.En: He accompanies Elin to a nearby clinic where she gets the care she needs.Sv: När Viktor och Elin senare lämnar kliniken, håller de en lugn promenad tillbaka längs de fuktiga gatorna.En: When Viktor and Elin later leave the clinic, they take a calm walk back along the damp streets.Sv: Elin lutar sig lite mot Viktor, tacksam för hans tålamod och omtanke.En: Elin leans a little on Viktor, grateful for his patience and care.Sv: "Tack, Viktor," säger hon uppriktigt.En: "Thank you, Viktor," she says sincerely.Sv: "Du har verkligen hjälpt mig idag."En: "You've really helped me today."Sv: Viktor ler och svarar, "Det betyder mycket att kunna hjälpa någon jag bryr mig om."En: Viktor smiles and replies, "It means a lot to be able to help someone I care about."Sv: De går vidare genom Gamla Stans charmiga gator.En: They continue through Gamla Stan's charming streets.Sv: Regnet har upphört, och hos dem båda finns nu en starkare förståelse för vänskapens band och vikten av att både ge och ta emot hjälp.En: The rain has ceased, and within both of them, there's now a stronger understanding of the bonds of friendship and the importance of both giving and receiving help.Sv: Under den glittrande himlen blir deras vänskap än mer värdefull.En: Under the shimmering sky, their friendship becomes even more valuable. Vocabulary Words:cobblestone: kullerstensneighborhoods: kvarterenmuffled: dämpattwisted: vristvrickninglimps: haltandebench: bänktightens: dras sammanreserved: tystlåtenbubble up: bubblawillpower: viljestyrkahumility: ödmjukhetalley: gränderreassuring: betryggandeclinic: klinikmedic: medicpatience: tålamodsincerely: uppriktigtvaluable: värdefullcharming: charmigaceased: upphörtbonds: bandseeking: sökasupport: stödshimmering: glittrandecontagious: smittar av sigautumn: höstenreflective: speglandeconcerning: orostubborn: envisdiscuss: diskuterar

CLASSIC HAWK: A Rolling Stone Restaurant with Paul ScheerOriginally released April 7, 2025.The Hard Rock Cafe Val Verde has a new owner, a new concept and almost no legitimate connection to the Rolling Stones.Flip Turley, played by Paul Scheer, visits the Rock & Roll RV to unveil his completely unauthorized Rolling Stones restaurant. Come for the Stones-themed meals. Stay for the specially shaped urinals and Flip's extremely distant connection to Ronnie Wood.Also on this broadcast:• Geoff and Whisp examine Eric Clapton's unnecessary remakes• The Popcorn Ghost returns• Flip explains his vision for the future of rock-based dining• A surprise guest enters the Rock & Roll RVGuest starring Paul Scheer from How Did This Get Made?, Dark Web, Unspooled, Black Monday and The League.Sponsored by Jefferson Starchips and Channel 8's Bloody Well Right!Keep The Transmitter PoweredListen to every episode of 108.9 The Hawk at 1089thehawk.com.Support the station at patreon.com/1089thehawk.Watch full broadcasts and clips at youtube.com/@1089thehawk. Hosted on Acast. See acast.com/privacy for more information.

Thank you and enjoy the episode!Links For The Occult Rejectshttps://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Substackhttps://substack.com/@theoccultreject...Cash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsPatreon@theoccultrejects Krautheimer, Richard. Early Christian and Byzantine Architecture. 4th ed. New Haven: Yale University Press, 1986. Essential. This is the backbone source for early Christian basilicas, liturgical space, urban context, and the development of Christian architecture after Constantine. Krautheimer is especially useful for not treating churches as isolated floor plans, but as part of city, ritual, bishop, patronage, and memory.Krautheimer, Richard. Rome: Profile of a City, 312–1308. Princeton: Princeton University Press, 1980. Very useful for Rome as a layered city: imperial remains, Christian churches, papal authority, public space, and the transformation of Roman urban memory.Krautheimer, Richard, Wolfgang Frankl, and Spencer Corbett. Corpus Basilicarum Christianarum Romae: The Early Christian Basilicas of Rome. 5 vols. Vatican City: Pontificio Istituto di Archeologia Cristiana, 1937–1977. Heavy academic reference work. Best for the Lateran, Old Saint Peter's, early Roman churches, plans, architectural evidence, and dating.Mathews, Thomas F. The Early Churches of Constantinople: Architecture and Liturgy. University Park: Pennsylvania State University Press, 1971. More focused on Constantinople, but excellent for connecting architecture and liturgical movement.White, L. Michael. Building God's House in the Roman World: Architectural Adaptation among Pagans, Jews, and Christians. Baltimore: Johns Hopkins University Press, 1990. Great for the transition from house settings and adapted spaces into larger public Christian architecture.Brandenburg, Hugo. Ancient Churches of Rome from the Fourth to the Seventh Century: The Dawn of Christian Architecture in the West. Turnhout: Brepols, 2005. Very useful for Rome, the Lateran, Santa Maria Maggiore, Santa Sabina, and the formation of Christian public architecture.Snyder, Graydon F. Ante Pacem: Archaeological Evidence of Church Life Before Constantine. Macon: Mercer University Press, 2003. Best for the “before Constantine” contrast: house churches, burial spaces, symbols, and pre-public Christian material culture.Elsner, Jaś. Imperial Rome and Christian Triumph: The Art of the Roman Empire AD 100–450. Oxford: Oxford University Press, 1998. Excellent for the transformation from Roman imperial art and space into Christian visual culture and triumphal imagery. Elsner's work is especially useful for your “empire becomes the bones of the church” angle.Constantine, Legal Shift, and Imperial PatronageEusebius. Life of Constantine. Translated by Averil Cameron and Stuart G. Hall. Oxford: Clarendon Press, 1999. Primary source. Use carefully because it is highly pro-Constantine and partly panegyric, but it is essential for Constantine's Christian image, patronage, and sacred building projects. Eusebius is one of the key ancient witnesses for Constantine's role in Christian imperial memory.Eusebius. Ecclesiastical History. Translated by Kirsopp Lake. Loeb Classical Library. Cambridge, MA: Harvard University Press, 1926–1932. Useful background for the pre-Constantinian church, persecution memory, martyr tradition, and Christian self-understanding before public imperial patronage.Barnes, Timothy D. Constantine and Eusebius. Cambridge, MA: Harvard University Press, 1981. Major scholarly source on Constantine, Eusebius, politics, Christian patronage, and imperial ideology.Drake, H. A. Constantine and the Bishops: The Politics of Intolerance. Baltimore: Johns Hopkins University Press, 2000. Excellent for the political complexity of Constantine's relationship with bishops and Christian institutions.Lenski, Noel, ed. The Cambridge Companion to the Age of Constantine. Cambridge: Cambridge University Press, 2006. Good edited volume for Constantine's world: religion, politics, empire, law, cities, and Christianization.Odahl, Charles Matson. Constantine and the Christian Empire. 2nd ed. London: Routledge, 2010. Useful general scholarly overview, especially for readers/listeners who need the historical framework.MacMullen, Ramsay. Christianizing the Roman Empire: A.D. 100–400. New Haven: Yale University Press, 1984. Classic work on Christianization as a social and political process.Brown, Peter. The Rise of Western Christendom: Triumph and Diversity, A.D. 200–1000. 3rd ed. Malden, MA: Wiley-Blackwell, 2013. Excellent big-picture framing. Helps avoid the cartoon version where Constantine instantly creates medieval Christianity.Basilicas, Liturgy, Space, and the BodyYasin, Ann Marie. Saints and Church Spaces in the Late Antique Mediterranean: Architecture, Cult, and Community. Cambridge: Cambridge University Press, 2009. Very strong for how churches organized community, memory, saints, ritual space, and sacred presence.Yasin, Ann Marie. “Sacred Installations: The Material Conditions of Liturgy in Late Antique Churches.” In Objects in Context, Objects in Use, edited by Luke Lavan, Ellen Swift, and Toon Putzeys. Leiden: Brill, 2007. Useful for altars, liturgical furnishing, and how sacred space is made materially.Bowes, Kim. Private Worship, Public Values, and Religious Change in Late Antiquity. Cambridge: Cambridge University Press, 2008. Good for the public/private transition, elite patronage, domestic religion, and late antique religious change.Markus, R. A. The End of Ancient Christianity. Cambridge: Cambridge University Press, 1990. Important for the shift from ancient Christian worlds into more structured post-Constantinian Christianity.Brown, Peter. The Cult of the Saints: Its Rise and Function in Latin Christianity. Chicago: University of Chicago Press, 1981. This will become even more important for your next episode on martyrs, relics, tombs, bones, and pilgrimage.MacCormack, Sabine. Art and Ceremony in Late Antiquity. Berkeley: University of California Press, 1981. Great for public ceremony, imperial ritual, Christian adaptation, and how power becomes theatrical and architectural.Lateran, Old Saint Peter's, and Holy SepulchreDavis, Raymond. The Book of Pontiffs: The Ancient Biographies of the First Ninety Roman Bishops to AD 715. Rev. ed. Liverpool: Liverpool University Press, 2010. Translation of the Liber Pontificalis. Useful for the Lateran, papal memory, church foundations, donations, and claims about Constantine.Mango, Cyril. The Art of the Byzantine Empire, 312–1453: Sources and Documents. Toronto: University of Toronto Press, 1986. Excellent sourcebook for texts on Christian art, architecture, and sacred building.Ward-Perkins, J. B. “The Shrine of St. Peter's and Its Twelve Spiral Columns.” Journal of Roman Studies 42, no. 1–2 (1952): 21–33. Very useful for Old Saint Peter's, reused columns, Solomonic column traditions, and apostolic memory. The tradition of reused marble columns at Old Saint Peter's directly supports your spolia-and-memory section.Krautheimer, Richard. “Mensa-Coemeterium-Martyrium.” Cahiers Archéologiques 11 (1960): 15–40. Important for tomb, altar, martyr memory, and architectural development.Wilken, Robert Louis. The Land Called Holy: Palestine in Christian History and Thought. New Haven: Yale University Press, 1992. Useful for Jerusalem, holy geography, sacred memory, and the Holy Sepulchre.Taylor, Joan E. Christians and the Holy Places: The Myth of Jewish-Christian Origins. Oxford: Clarendon Press, 1993. Strong source for holy places, memory, archaeology, and early Christian sacred geography.Biddle, Martin. The Tomb of Christ. Stroud: Sutton Publishing, 1999. Useful for Holy Sepulchre archaeology and the architectural framing of crucifixion, burial, and resurrection.Spolia, Reused Stone, and Roman Material InheritanceKinney, Dale. “Spolia. Damnatio and Renovatio Memoriae.” Memoirs of the American Academy in Rome 42 (1997): 117–148. One of the key scholarly pieces for spolia, memory, reuse, and interpretation.Kinney, Dale. “Rape or Restitution of the Past? Interpreting Spolia.” In The Art of Interpreting, edited by Susan C. Scott, 52–67. University Park: Pennsylvania State University Press, 1995. Great for your nuance: spolia is not always theft, not always theology, not always conquest. It can be practical, symbolic, aesthetic, political, or all of those at once.Brilliant, Richard, and Dale Kinney, eds. Reuse Value: Spolia and Appropriation in Art and Architecture from Constantine to Sherrie Levine. Farnham: Ashgate, 2011. Excellent broader collection on reuse, appropriation, memory, and architectural meaning.Hansen, Maria Fabricius. The Eloquence of Appropriation: Prolegomena to an Understanding of Spolia in Early Christian Rome. Rome: L'Erma di Bretschneider, 2003. Very relevant to your point that reused materials could create a meaningful Christian aesthetic, not just a cheap construction solution.Brenk, Beat. “Spolia from Constantine to Charlemagne: Aesthetics versus Ideology.” Dumbarton Oaks Papers 41 (1987): 103–109. Very useful for the practical-versus-symbolic debate.Greenhalgh, Michael. The Survival of Roman Antiquities in the Middle Ages. London: Duckworth, 1989. Good for how Roman materials, statues, columns, and monuments survive, are reused, or are reinterpreted.Pensabene, PatrizioAlso want to remind people about the website, if you're into reading we have tons of information by multiple contributors, and we got t-shirts up on the site if you're interested. Fun fact, the art is all based on the eyeball. 

RIP to our cherished member Lacy Hughes who unfortunately passed earlier this week. Lots of content in today's episode also, she would want the gains to continue :)All links: Swolenormous Links

This sermon explores the historical destruction of Solomon's Temple and the subsequent Second Temple to illustrate God's unwavering faithfulness amidst human failure and idolatry. By examining how God used pagan kings to build a glorious structure that was ultimately rejected by His people, the message highlights the transition from physical buildings to the spiritual reality of the Church as the new temple. The preacher emphasizes that Jesus Christ fulfills the prophecy of greater glory by becoming the true dwelling place of God among humanity. Through personal testimonies, the text demonstrates how believers now serve as living stones, carrying the Holy Spirit and reflecting divine glory in their daily lives. Ultimately, the sermon calls listeners to allow Christ to cleanse their inner sanctuaries from idolatry and to glorify God through their bodies and spirits.

The quest for the next segment of the Key to Time takes the Doctor and Romana to... checks notes... Earth. So on this exotic planet these first two episodes of ‘The Stones of Blood' have our classic Whosome Twosome in rural England finding Neo-Druids in lieu of the third piece. Whilst attempting to course-correct Romana wears incorrect foot-wear, the ‘Doctor' pushes her off a cliff for her folly, and the titular stones sadly beat K9. If only K9 was made of paper...

This sermon explores the historical destruction of Solomon's Temple and the subsequent Second Temple to illustrate God's unwavering faithfulness amidst human failure and idolatry. By examining how God used pagan kings to build a glorious structure that was ultimately rejected by His people, the message highlights the transition from physical buildings to the spiritual reality of the Church as the new temple. The preacher emphasizes that Jesus Christ fulfills the prophecy of greater glory by becoming the true dwelling place of God among humanity. Through personal testimonies, the text demonstrates how believers now serve as living stones, carrying the Holy Spirit and reflecting divine glory in their daily lives. Ultimately, the sermon calls listeners to allow Christ to cleanse their inner sanctuaries from idolatry and to glorify God through their bodies and spirits.

This week, Stu and Joe tread verrrrrry carefully around a bunch of hot-button topics: on-stage politics, billionaires billionaire-ing, and whether AI music is getting to the believable stage. In this week's show:You've probably already heard about the Macklemore and Ed Sheeran kerfuffle over the former's statements on Palestine. Now one big festivals promoter has launched an ‘artistic code' explaining its policies when artists make statements on-stage...The UK now has a ‘homegrown' albums chart to showcase British artists. What's it for, and will it work? 167 million people are using a streaming platform called Soda Music... and most of us have probably only just heard of it. So what – and where – is it?Suno has released a "wild" version of its AI-music model, that gives you less-predictable results. Is it any good – or is AI music just like a covers band: you can be impressed by how convincing they they are, but you don't want to listen to their music?Some unusual sounds are coming out of Lime Bikes in London this month. But no, it's not because teenagers hacking them to ride without paying…The music industry has launched its latest war on streaming fraud with a ‘Streaming Integrity Initiative'. Which sounds very dry, but how could it help beat the fraudsters?Good news if you collect Beyoncé vinyl and like giving lots of money to billionaires – Beyoncé is selling a record box made of pine, and it costs a whopping $900 (and you have to buy the records separately).And in the special post-show lock-in section just for our ⁠⁠Patreon Superfans⁠⁠, Stu and Joe prop themselves up at the bar – in this week's bonus material:Joe was sent into a spiral of self-reflection by this fact: “The Rolling Stones still performing today is like a band formed in 1898 still performing when the Stones formed in 1962.” But what other fascinating temporal pop facts are there?More songs of the summer! Mungo Jerry's In the Summertime VS Stardust's Music Sounds Better with You?  (Plus: “The ‘Song of the Summer' Is Dead. Thank God for That”) How do you file your records at home? This is extremely telling about a person's approach to life, and so Joe reveals his objectively chaotic system and Stu explains why CD singles and CD albums MUST be kept separate...===================================As ever, we welcome your feedback, emails and – in particular – any questions you might have about how the music biz works!Email us: ⁠⁠⁠⁠⁠thepriceofmusicpodcast@gmail.com⁠⁠⁠⁠⁠See you next week!Stuart and Joe======TPOM online: ⁠http://tpom.uk/⁠Support The Price of Music on Patreon:⁠⁠⁠⁠⁠https://www.patreon.com/ThePriceofMusic⁠⁠⁠Follow Stuart on X - @stuartdredgeFollow The Price of Music on X - @PriceofMusicpodFor sponsorship opportunities, please email - ⁠⁠⁠joe@musically.com⁠

This sermon explores the historical destruction of Solomon's Temple and the subsequent Second Temple to illustrate God's unwavering faithfulness amidst human failure and idolatry. By examining how God used pagan kings to build a glorious structure that was ultimately rejected by His people, the message highlights the transition from physical buildings to the spiritual reality of the Church as the new temple. The preacher emphasizes that Jesus Christ fulfills the prophecy of greater glory by becoming the true dwelling place of God among humanity. Through personal testimonies, the text demonstrates how believers now serve as living stones, carrying the Holy Spirit and reflecting divine glory in their daily lives. Ultimately, the sermon calls listeners to allow Christ to cleanse their inner sanctuaries from idolatry and to glorify God through their bodies and spirits.

Welcome to this special 40th birthday podcast.  My brief story as a song writer starts as a DJ aged 15. At university I made songs and remixes and as an adult I have always written poems and lyrics.  During lockdown I built a little studio, wrote some songs and never got anywhere with them (one of them is on this album - Stones in my pocket - well burnt out!!).  This year Olly sent me an Ai App and we started making songs together.  It has been a slog but we managed to get first 6 finished for the album. This is my 40th Bday Gift to you!!!! 6 Songs Start with start up Then making it and burnout Finish light hearted My favourite is number 4, Meet my Addiction - Many of you will be able to relate Let me know what you think by leaving this episode a review or send me a message on social, I would genuinely love to know what you think. I hope you enjoy! Want to learn more?

Legendary hitmaker David Foster joins Bill Maher on Club Random with the stories behind some of music's biggest hits—and a few well-kept secrets. Foster explains why even the greatest artists only bat “50 out of 1,000,” reveals how a fake rough mix helped turn Whitney Houston's “I Will Always Love You” into an iconic recording, and recounts the terrifying night he accidentally struck actor Ben Vereen while driving home from a session with Michael Bolton. Foster weighs in on Barbra Streisand's Guilty, puts The Beatles in a league of their own, and shares a hilarious story about trying hash as a teenager in Canada. He and Maher also tackle AI's growing influence on music, age-gap relationships, education, dream dinner guests, and whether Bill changed—or the Democratic Party did.During a lively round of rapid-fire questions about the Beatles versus the Stones and dream dinner guests, Foster and Maher tackle AI's growing influence on music, age-gap relationships, education, and whether Bill changed—or the Democratic Party did. Subscribe to the Club Random YouTube channel: https://www.youtube.com/c/clubrandompodcast?sub_confirmation=1 Watch episodes ad-free – subscribe to Bill Maher's Substack: https://billmaher.substack.com Subscribe to the podcast for free wherever you listen: ⁠https://bit.ly/ClubRandom Support our Advertisers: Find your next fall favorites at Quince. Download the Quince app for app-exclusive offers or go to Quince dot com slash RANDOM. Go to One Two Zero L-I-F-E dot com and use the code RANDOM to save twenty percent. Ready to have an AI that can tackle real work? Try Claude Cowork today on any paid plan at Claude.ai slash random. Dose: New customers can save 35% on your first month of subscription by going to dosedaily.co/RANDOM or entering RANDOM at checkout. Buy Club Random Merch: https://clubrandom.com Learn more about your ad choices. Visit https://podcastchoices.com/adchoices ABOUT CLUB RANDOM In Club Random, Bill Maher unleashes his comedic wit on an unpredictable lineup – from Bill Burr and Jerry Seinfeld to Quentin Tarantino and Neil deGrasse Tyson – digging into everything but politics. It's Maher in his familiar element: one-on-one vibes, unfiltered laughs, and the kind of freewheeling banter only he can deliver. ABOUT BILL MAHER Bill Maher was the host of “Politically Incorrect” (Comedy Central, ABC) from 1993-2002, and for the last 23 years on HBO's “Real Time,” Maher's combination of unflinching honesty and big laughs have garnered him 41 Emmy nominations. Maher won his first Emmy in 2014 as executive producer for the HBO series, “VICE.” In October of 2008, this same combination was on display in Maher's uproarious and unprecedented swipe at organized religion, “Religulous.” Maher has written six bestsellers: “True Story,” “Does Anybody Have a Problem with That? Politically Incorrect's Greatest Hits,” “When You Ride Alone, You Ride with Bin Laden,” “New Rules: Polite Musings from a Timid Observer,” “The New New Rules: A Funny Look at How Everybody But Me Has Their Head Up Their Ass", and most recently "What This Comedian Said Will Shock You". FOLLOW CLUB RANDOM https://www.clubrandom.com https://www.facebook.com/Club-Random-101776489118185 https://twitter.com/clubrandom_ https://www.instagram.com/clubrandompodcast https://www.tiktok.com/@clubrandompodcast FOLLOW BILL MAHER https://www.billmaher.com https://twitter.com/billmaher https://www.instagram.com/billmaher Learn more about your ad choices. Visit podcastchoices.com/adchoices

What has God done in your life that no one can convince you otherwise?In this powerful Sunday message at Cornerstone Church, Dr. Carolyn Savelle teaches on “Memorial Stones”—the biblical practice of remembering and marking what God has done. When you have personally experienced the faithfulness, goodness, healing, provision, and power of God, you have a memorial stone. Opinions can't erase it. Circumstances can't rewrite it. No one can talk you out of what you know God has done.Be encouraged to remember His faithfulness, rehearse your testimonies, and allow yesterday's memorial stones to build your faith for what God will do again.What has God done for you? Don't forget it. Build a memorial. Sundays at 8:30 & 10:30 AMWe are branded by the fire of God. We carry the fire of God to ignite our generation to burn for Jesus. Find us:www.fuquayrevival.comwww.facebook.com/cornerstonefuquayig: @cornerstonechurch.fv

Series: The Ten CommandmentsDate: 9-13-26Message Title: Drop Your StonesSpeaker: Jeremy DykemanScripture: Exodus 20:13, Matthew 5:21-26To learn more about New Story Church, you can do that by visiting NewStory.Church or find us on Instagram and Facebook at @NewStoryKC.

Clint Boon was at the heart of “the two biggest musical revolutions of my lifetime” – as a teenager for Joy Division and Buzzcocks, and later the Stone Roses, Happy Mondays and Hacienda and onstage with Inspiral Carpets, a world of characters as big as his own. His memoir ‘The Manchester Chronicles' is about obsessions, schoolteachers, purple winklepickers, mobile discos, good luck, catastrophe and being in the right place at the right time for 30 years. Along with … … why Manchester listens to music so intently: “we're stuck inside while it rains” … auditioning Noel Gallagher “as the Lockerbie plane flew directly overhead” … the new economy: making a Number 2 album funded by t-shirt and cassette sales … growing up on Tom Jones, Shirley Bassey, Little Richard and Gary Lewis & the Playboys … Inspiral Carpets' obsession with West Coast psychedelia … when the band all got houses with their Mute advance “and I just bought some $800 sunglasses” … great bowl-heads haircuts (Stones, Byrds, Jefferson Airplane) and why he got one too … seeing the Pistols at the Electric Circus: “I left college the next morning” … the sudden split: playing Glastonbury one minute, living on milk tokens and income support the next … his 1975 disco playing Mud, the Rubettes and Showaddywaddy (“I was a 14 year-old Ted”) … and how 24 Hour Party People captured “the spirit, chaos, colour and madness”. Order copies of ‘The Manchester Chronicles: True Tales of Music, Madness and Mayhem 1976-2006' here: https://geni.us/manchesterchroniclesHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Clint Boon was at the heart of “the two biggest musical revolutions of my lifetime” – as a teenager for Joy Division and Buzzcocks, and later the Stone Roses, Happy Mondays and Hacienda and onstage with Inspiral Carpets, a world of characters as big as his own. His memoir ‘The Manchester Chronicles' is about obsessions, schoolteachers, purple winklepickers, mobile discos, good luck, catastrophe and being in the right place at the right time for 30 years. Along with … … why Manchester listens to music so intently: “we're stuck inside while it rains” … auditioning Noel Gallagher “as the Lockerbie plane flew directly overhead” … the new economy: making a Number 2 album funded by t-shirt and cassette sales … growing up on Tom Jones, Shirley Bassey, Little Richard and Gary Lewis & the Playboys … Inspiral Carpets' obsession with West Coast psychedelia … when the band all got houses with their Mute advance “and I just bought some $800 sunglasses” … great bowl-heads haircuts (Stones, Byrds, Jefferson Airplane) and why he got one too … seeing the Pistols at the Electric Circus: “I left college the next morning” … the sudden split: playing Glastonbury one minute, living on milk tokens and income support the next … his 1975 disco playing Mud, the Rubettes and Showaddywaddy (“I was a 14 year-old Ted”) … and how 24 Hour Party People captured “the spirit, chaos, colour and madness”. Order copies of ‘The Manchester Chronicles: True Tales of Music, Madness and Mayhem 1976-2006' here: https://geni.us/manchesterchroniclesHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Clint Boon was at the heart of “the two biggest musical revolutions of my lifetime” – as a teenager for Joy Division and Buzzcocks, and later the Stone Roses, Happy Mondays and Hacienda and onstage with Inspiral Carpets, a world of characters as big as his own. His memoir ‘The Manchester Chronicles' is about obsessions, schoolteachers, purple winklepickers, mobile discos, good luck, catastrophe and being in the right place at the right time for 30 years. Along with … … why Manchester listens to music so intently: “we're stuck inside while it rains” … auditioning Noel Gallagher “as the Lockerbie plane flew directly overhead” … the new economy: making a Number 2 album funded by t-shirt and cassette sales … growing up on Tom Jones, Shirley Bassey, Little Richard and Gary Lewis & the Playboys … Inspiral Carpets' obsession with West Coast psychedelia … when the band all got houses with their Mute advance “and I just bought some $800 sunglasses” … great bowl-heads haircuts (Stones, Byrds, Jefferson Airplane) and why he got one too … seeing the Pistols at the Electric Circus: “I left college the next morning” … the sudden split: playing Glastonbury one minute, living on milk tokens and income support the next … his 1975 disco playing Mud, the Rubettes and Showaddywaddy (“I was a 14 year-old Ted”) … and how 24 Hour Party People captured “the spirit, chaos, colour and madness”. Order copies of ‘The Manchester Chronicles: True Tales of Music, Madness and Mayhem 1976-2006' here: https://geni.us/manchesterchroniclesHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Did Native Americans use seer stones? What if the roots of the Book of Mormon’s narrative trace back not just to revelation, but to a classroom? Book of Mormon Ties to Darmouth? In this second part of our conversation with anthropologist Dr. Thomas Murphy, we explore a detail of Smith family history that rarely gets discussed: Hyrum Smith’s education at Dartmouth’s Moor’s Indian Charity School, where he studied alongside Haudenosaunee students. It’s a small historical fact with potentially large implications for how we understand the origins of the Book of Mormon. https://youtu.be/9nNErpiSeb8 Don't miss our other conversations with Thomas: https://gospeltangents.com/people/thomas-murphy/ Copyright © 2026 Gospel Tangents All Rights Reserved Check out a transcript of the interview on Amazon. Shared Classroom, A Shared World Moor’s Charity School was founded with the explicit purpose of educating Native American students alongside colonial settlers. Hyrum Smith — Joseph Smith’s own brother — sat in classrooms with Haudenosaunee (Iroquois) peers! This raises a compelling question: how much of the cultural and spiritual knowledge exchanged in that setting might have made its way, directly or indirectly, into the Smith family’s later religious project? Murphy doesn’t claim to have all the answers, but he makes a compelling case that this connection deserves far more attention than it has historically received. Seer Stones and the Zelph Story Zelph was a supposed ancient warrior whose bones Joseph Smith claimed to have identified during Zion’s Camp. Murphy examines whether these practices and stories reflect genuine Native American spiritual traditions, Mormon religious innovation, or some blend of both — a question that sits at the heart of his broader research. This is part 2 of our multi-part conversation with Dr. Thomas Murphy on his book Unsettling Scripture: Iroquois and the Book of Mormon. Subscribe to Gospel Tangents to follow the rest of the series, where we’ll explore Onondaga and Oneida connections, the ethics of Book of Mormon archaeology, and the long-running Heartland versus Mesoamerica debate. Gospel Tangents is dedicated to exploring Mormon history, science, and theology through in-depth conversations with scholars, historians, and researchers. Chapters 0:00 Dartmouth / Moor’s Indian Charity School Connection 4:00 Cultural Context, Not Plagiarism 9:27 Susquehanna Valley & Indigenous Prophetic Movements 12:20 Seer Stone Divination & Haudenosaunee Parallels 15:58 Catalyst Theory 18:38 Handsome Lake as Parallel Scripture Don't miss our other conversations with Thomas: https://gospeltangents.com/people/thomas-murphy/ Copyright © 2026 Gospel Tangents All Rights Reserved Check out a transcript of the interview on Amazon.

Remember the Stones — In Joshua 4, God commanded His people to remember the miracle He performed by setting up stones as a memorial. In the same way, we all have “stones” in our lives—moments when God showed His grace, power, protection, and love. This episode is a reminder to look back, remember what God has done, and let His past faithfulness give us faith for whatever we're facing today.

"Stones volvió al Bernabéu y palmó, y Marlaska define como nadie el momento del Madrid" 

When I was in college, I spent a semester living in London, and I did a lot of solo traveling all over the UK. And one of the things that I loved was when in one of my little wanders, I would stumble across a little ruin. I found some that had clearly been part at one time of a big complex. There was the remains of a tower or stairs, going somewhere that used to be grand. And other times I would just find a few stones, probably the remnants of a simple cottage. What I saw in all of these abandoned little places were simply stones. They were just stones. A sign, however, of life that had once been there, where people had experienced something. And I always wondered, why are these stones here? What stories do they hold? Our story from Joshua today has at its center the building of a stone marker at the Jordan. Many ancient cultures, including our Hebrew ancestors, used stones to signify a meaningful place or a meaningful story. You may have heard of Ebenezer, literally "stones of help," which were stones that our ancestors used to mark a place where God had rescued or helped God's people. And today, Joshua directs the representatives from each of the twelve tribes of Israel to take stones from the River Jordan and create what's called a Gilgal. Have you ever heard of a Gilgal? Some of you might have heard of a Gilgal rune. A Gilgal is a memorial, a reminder not just of a moment, but of the story that gives their lives hope and a sense of identity. The stones are gathered so that in time to come, when children ask, they will see these stones, and as did I in my early travels, they will ask the question, what do these stones mean? What we receive in the text today is the moment when the forty years of wilderness wandering come to their end. Remember that after the people of Israel were brought out of slavery, God gave them a wondrous passage through the Red Sea. From there they were led into the wilderness, where they so journeyed for forty years, guided and sustained by God with a pillar of fire at night, a pillar of smoke by day, and manna from heaven to sustain them. In our story they've now arrived at the Jordan, and just as at the Red Sea, the waters of the Jordan are stopped. This time, as the priests who are carrying the Ark of the Covenant step into the waters and stand in the riverbed, the people cross over to the other side on dry ground and into the land that they understand God has promised them. What happens as Israel takes possession of that land raises difficult questions of violence and displacement, questions that deserve more attention than we can give them today. But here at the river, the story is about a people who have survived the wilderness, and they're remembering the God who brought them through that. That, children, is what the stones mean. They are a reminder for generations to come that God brought the whole people out of bondage, through the wilderness, and to this threshold of new life stretching out before them. God brought all of them through. Every tribe, from the largest to the smallest, is represented. Every tribe carries a stone, and every time they go back to this place, they will see the stones and remember the goodness and the faithfulness of God. Sometimes when I am walking or driving around in this city, or when I'm traveling in other towns and cities, I see beautiful stone buildings with crumbling steeples and their windows boarded up. And I wonder about the stories that those stones could tell. But sadly, just like ancient ruins, the stones no longer have a living community to interpret their meaning. Today we gather in the shelter of the stones that create this sanctuary, the stones that house our mission and study and life together. While the oldest stones in this building are 112 years old, 122, sorry, all my historians were going to check me, even though they are 122 years old, they carry forward the story of this congregation that stretches back 212 years. They are a memorial to the providence of God, who over all those years has brought us out of situations that were unjust or harmful, has brought us through times of struggle and need and pain, and has brought us to this very day. Many of us can tell stories of our recent past. The stories of bold action to end chronic homelessness, and to champion the rights and the dignity of our LGBTQ plus siblings. The times of heartbreak amid bruising general conferences, the moments of transcendent worship, the ways that we persevered through the Covid pandemic. Do you remember how we longed to be in God's dwelling place in those days? "How I long for the courts of the Lord," I remember thinking. Will we ever get to be back in God's dwelling place called Foundry? Do you remember those days, Stanley? There were times when we thought, we'll never get back to the way it was, we'll never have the choir singing the way that we sang. We had those conversations. We did. I'm just telling the truth. We persevered through that, and by God's grace, we emerged, ready to discern how to be the church in a new reality. We can tell those stories, many of us, because we've lived through them. So many more, but there's something in our text today that makes me pause. When you read the text carefully, you'll notice that verses three through eight describe twelve stones being taken out of the Jordan and carried to the place where Israel camps, at Gilgal. But then immediately after that, in verse nine, it suddenly says Joshua has set up twelve stones in the middle of the Jordan, in the place where the feet of the priests bearing the Ark of the Covenant had stood. So where exactly were the stones placed? Inquiring minds want to know. Scholars have long seen this as evidence that different oral stories were woven together when they got written down. Some of those stories remembered the stones in the camp where people lived, and some people remembered the stones out there in the middle of the river. We can wonder about all of that, the textual issue, the historical issue. But what remains in the text as it stands is that there is a memorial where the people live, and there is a memorial where they crossed. One can be viewed, and the other may eventually disappear into or beneath the water. And it makes me think about the stones that tell our story. Some are visible. We can see them. We can remember them. We can tell the stories through our own experience. And some are submerged. There are experiences, people, sacrifices, struggles, prayers, decisions, conflicts, acts of courage and acts of grace, from 212 years of ministry, under the surface, without which the congregation standing here today would not exist. It's poignant to be preaching this message today, as we have shared the news of the death of one of Foundry's faithful ones, Barbara Cambridge. Only God knows all that she gave of herself to provide leadership through moments of difficulty and change in this community of faith. How quietly and effectively she organized so many things. I know how quietly and effectively she organized this little idea I had about having a prayer ministry on Sunday mornings. How she encouraged and taught others through her words and her witness. Barbara is in a long line of saints, many whose names we don't know to say today, whose stories and faithfulness make Foundry who we are. Can we say thanks be to God? Those of us who do make up the Foundry community today will each have our own answer about what these stones mean to you in our own lives. Only you will know the moment when a person prayed with you and it changed everything. Only you will know how you met God in the face of a neighbor as you served. Only you will know that moment in worship when tears cleansed your heart. Only you will know how conversation over coffee saved your sanity. Only you will know the class that blew your mind open to new possibilities about God and about faith. Only you will know how this congregation has given you strength or hope to keep going in this beautiful, broken world. Beloveds, we don't look at the old stones of an old building to look back at the good old days with nostalgia. The stones are not tombstones. These are not tombstones marking lives lost. These stones are a memorial, a reminder of a living God and the living people of God who continue to remember, to testify, to tell the stories of how God has brought Foundry out and how God has brought Foundry through. And we do this not just for ourselves. We do this for those yet to experience the great good news of a God who liberates, sustains, and gives new life. We tell the stories for the children in generations stretching out in front of us, so that they will know what these stones mean, because there are people around to tell them the story so that they can carry the mission forward. And as we gather today for this homecoming service, we come bearing items, prayers, literal or metaphorical stones to mark this moment, to remember how God has been with us over these past months of summer break or summer work, times of travel, and for some times of travail. Wherever we have been so journeying, God has been our sustainer and our guide. And now God has brought us home. But remember this: when the people of Israel crossed the Jordan, they had not reached the end of their journey. They stood at a threshold. Behind them was the wilderness through which God had carried them. Ahead of them was a future they could not yet see. We don't know what's ahead. It was at that point, at that crossing, where they gathered stones and they remembered. Perhaps that's where we are. On this day we gather up the signs of where we've been and what we've been through. We remember those whose faithfulness lies beneath everything we have inherited. We tell the stories of how God has brought Foundry out and brought Foundry through. And then we take up together the journey into the months and years ahead. Lord knows we've got work to do. We don't know what awaits on the other side of this moment, but the stones remind us that the God who has brought us this far is not finished with us yet. And so, filled with the promises of God's grace and mercy, and guided by our perennial call to love God, love each other, and change the world, we together cross over. We live and we serve and we love in such a way that generations from now, when a child comes to this place and asks, what do these stones mean, there will still be a living people of a living God to tell them the story. To tell how God brought us out, how God brought us through, and how by grace God keeps leading us on. Thanks be to God. Amen.

Above the Warwickshire village of Long Compton stands one of England's strangest prehistoric landscapes. According to legend, the Rollright Stones are a king and his army turned to stone by a witch, while generations of local people told stories of bleeding elder trees, fairies dancing around the stones, impossible stone counts, shape-shifting witches and ancient monuments that moved after dark. Even into the twentieth century, Long Compton retained its extraordinary reputation as a village where the influence of witches was said to come and go like the full moon.As summer wanes and the nights grow long, we turn to tales of witches, curses, and the old ways that never truly died. For centuries, harvest time has carried its own magic: charms for fields, blessings for homes, and darker stories of those who bent nature to their will.After Dark - Apple Spotify AmazonJoin Sarah's new FACEBOOK GROUPSubscribe to our PATREONEMAIL us your storiesJoin us on INSTAGRAMJoin us on TWITTERJoin us on FACEBOOKVisit our WEBSITEResearch Links: https://www.rollrightstones.co.uk/articles/story/folklore-and-legends https://www.rollrightstones.co.uk/stones/whispering-knights https://www.rollrightstones.co.uk/stones/kings-men https://www.rollrightstones.co.uk/stones/king-stone https://www.ourwarwickshire.org.uk/content/article/murder-long-compton https://www.themodernantiquarian.com/post/51780/folklore/king-stone https://www.themodernantiquarian.com/post/54048/folklore/rollright-stones https://www.themodernantiquarian.com/post/150625/folklore/rollright_stones.html https://www.themodernantiquarian.com/site/65/rollright-stones https://www.themodernantiquarian.com/site/462/king-stoneJulia_Phillips_Doctoral_Thesis.pdfSarah and Tobie xx"Spacial Winds," Kevin MacLeod (incompetech.com)Licenced under Creative Commons: By Attribution 4.0 Licencehttp://creativecommons.org/licenses/by/4.0/SURVEY Hosted on Acast. See acast.com/privacy for more information.

Airbourne: Joel O'Keeffe When it comes to gutsy, high-voltage rock'n'roll, few bands do it better than Australia's Airbourne. Frontman Joel O'Keeffe joins us to discuss Airbourne's new, self-titled album, the involvement of “Mutt” Lange and Bryan Adams, co-writes by Johnny Crash frontman Vicki James Wright and why bands like Broken Teeth, Rhino Bucket and Dirty Looks will always be kindred spirits. He also shares a priceless story about Keith Richards hand-picking Airbourne to open for the Stones. Yes, it's good to be Airbourne! Created and Produced by Jared Tuten

1 Peter 2:4-10

Today's Song of the Day is “Kick Stones (The Boys)” from Westside Cowboy's album It Goes On, out now.

Ghost Hounds is a Pittsburgh-based blues-rock band with a sound that may remind you of classic early 70s bands like The Rolling Stones. In fact, they've opened for the Stones and do a cover of that band's song “Gimme Shelter” on the new Ghost Hounds album. But most of their music is original and their latest record, called Justified, is full of apocalyptic imagery and songs that swagger their way through the End Of Days. Ghost Hounds brings a rootsy, intimate version of the band to play these new songs, in-studio. Set list: 1. Something Wicked 2. Sinner's Prayer 3. Pale Horse Riding Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

For decades, the sailing stones of Death Valley were a mystery. They'd show up in lists of the world's unexplained phenomena, alongside the Bermuda Triangle and ball lightning. But then, two cousins came along and decided to ruin everything by solving this mystery once and for all. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Steve & Kristin Austin are back in not-so-sunny So Cal and doing the first podcast from 317 Gimmick Street (that's no typo)! They share travel stories, and then Steve tackles your questions about squared circle communication & talking trash, blading & kicking out of pins, Stone Cold's last match, shooting arrows at Vince McMahon, the Bionic Redneck Gimmick, Beatles vs Stones, Led Zeppelin vs Rush, and the return of the Ford Bronco. He's also ranting on some first world problems plaguing the city of angels.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.