Podcast appearances and mentions of frances stonor saunders

Bienvenidos a un nuevo directo desde Twitter para luego emitirlo en Ivoox junto a los casi 950 audios que tenemos allí publicados. Una gran audioteca que junto con el blog tecnicopreocupado punto com y los videos publicados en Youtube, Odysee, Bitchute y Ugetube forman una enorme hemeroteca que de momento sigue a disposición de todos de forma totalmente altruista. Recuerden que tengo un crowfunding para recaudar dinero para mi defensa judicial, la cual, creanme que la necesito y ojala no fuera así. Pero ese tema me produce demasiada quemazón y estamos en verano, a punto de entrar en Agosto. Se han dado cuenta de que si observan las puestas de Sol o las salidas de este durante todo el año van a descubrir el movimiento hacia atrás y hacia adelante que recrea a un ocho. Aunque no podamos ver esta figura cuando esta bajo el horizonte o el mar pero nos aparecerá si tomamos una fotografía del Sol en el cielo desde el mismo punto y a la misma hora todos los días. Tiene dos extremos, uno en el solsticio de verano en junio y otro en el solsticio de invierno en diciembre. Se llama técnicamente Analema. En astronomía, el analema, del griego «pedestal de un reloj de sol» es la curva que describe el Sol en el cielo si todos los días del año se lo observa a la misma hora del día (huso horario) y desde el mismo lugar de observación. Por eso los relojes de arena se empezaron a representar con la forma de un 8. Es una de tantas cosas sabias del pasado que hemos ido desaprendiendo. En la descripción del podcast os dejaremos un precioso video tomado en Canarias donde vemos las puestas de Sol mirando hacia el Teide. Poco a poco vamos perdiendo el conocimiento ancestral y nos cargamos de morralla inservible. Porque aunque el tramposo de Darwin le haya vendido a la ciencia que estamos evolucionando, la verdad, es que si miramos a nuestro alrededor todo es mas chabacano, triste, feo, desamparado y poco creativo. El arte ha involucionado hacia una copia barata, cutre e incluso sucia de lo que acostumbraba ser. Solo es necesario ponerle el marchamo de arte a cualquier cosa y de repente se convierte en arte. Tal y como podemos leer en la biografía de Marcel Duchamp, un ajedrecista y artista que pululó por las vanguardias de principios del siglo XX que trajeron el dadaísmo: “Duchamp es uno de los principales valedores de la creación artística como resultado de un puro ejercicio de la voluntad, sin necesidad estricta de formación, preparación o talento.” Y es que talento, lo que se dice talento no es necesario para comprar un urinario en 1917, ponerle la firma de un tal R. Mutt en el borde inferior y pretender exponerlo en una exposición de la Sociedad de artistas independientes en Nueva York donde mas de 20.000 personas hubieran visto “su meada”. Al final, no le dejaron exponerlo, pero esto mas que ser una contrariedad fue el detonante para que Alfred Stieglitz la fotografiase para la posteridad. Desde luego estamos hablando del urinario más famoso del mundo. Lo que vino después ya lo conocemos, cualquier gilipollas puede declararse artista y pintar, modelar o construir cosas con cualquier parte de su cuerpo. Desde globos de pintura arrojados desde los anos o las vaginas del artista, pinceles fálicos, o insertados en cualquier agujero corporal, pintura a través de la estampación del cuerpo desnudo del artista o, en fin, cualquier cosa que se le ocurra al o la gilipollas de turno sin necesidad estricta de formación, preparación o talento. En el periódico The Independent escribe Frances Stonor Saunders: “Durante décadas, en los círculos artísticos, esto fue un rumor o una broma, pero ahora se ha confirmado como un hecho. La CIA utilizó el arte moderno estadounidense, incluidas las obras de artistas como Jackson Pollock, Robert Motherwell, Willem de Kooning y Mark Rothko, como arma en la Guerra Fría. A la manera de un príncipe renacentista, pero actuando en secreto, la CIA promovió y promovió la pintura expresionista abstracta estadounidense en todo el mundo durante más de 20 años.” Esto lo vimos por ejemplo al leer el informe Iron Mountain de 1967 donde se nos dice que las elites ya están desarrollando un tipo de arte determinado: “Resulta interesante observar que el trabajo correspondiente a una estética libre de valores de esta naturaleza ya se está realizando hoy en los crecientes experimentos artísticos que carecen de contenido, posiblemente anticipando así la venida de un mundo sin conflictos. Se ha desarrollado un culto alrededor de un nuevo determinismo cultural que propone que la forma tecnológica de la expresión cultural determina sus valores en lugar de hacerlo a través de un contenido con un significado ostensible.” Traduzco. “Estética libre de valores”, “experimentos artísticos que carecen de contenido” y “contenido que no tenga significado ostensible” significa “crear cualquier mierda” y hacerla pasar por arte para seguir entreteniendo a los dormidos. Creanme que hay magníficos creadores en todos los campos artísticos y por supuesto son relegados al ostracismo mientras suben al estrellato a desgraciados abrazafarolas dedostorcidos y uñas largas. Ni que decir que las películas son copias de otras películas que a la vez fueron obras maestras incluso del cine mudo. Todo es una copia de una copia y al final en ese trajín de copias y pegas se pierde la verdadera esencia que nos trasmitían aquellos filmes, aquellas viejas obras de arte que la mayoría de las veces se basaban en buenas novelas o en obras inmortales de la mitología. En el mundo de la música ocurre lo mismo, todo se degrada a una velocidad que hace imposible conectar con lo que escuchan las nuevas generaciones. El reguetón no ceja en parir lechones. Supuestos cantantes mas cantamañanas que la anterior camada. Nos están obligando a involucionar de tanto tragar mierda. Y ese, desde luego, es uno de los objetivos que tienen las elites para con el pueblo llano. Con todos nosotros a los que nos denominan masa sucia, a veces incluso los muertos porque realmente no reaccionamos. Aunque cada vez más se aprecia una reacción contraria a lo que pretenden las elites. Esto lo hemos visto en la inauguración de los juegos olímpicos de Paris, o más bien deberíamos llamarles los primeros juegos Woke olímpicos de la historia. Finalmente han tenido que retirar de las plataformas para terminar pidiendo perdón. Curiosamente la portavoz de los juegos olímpicos que pidió perdón se llama Anne Descamps, sí, un apellido muy parecido a aquel del urinario. Vivimos en un mundo woke, aunque los muy sibilinos de los que mandan le han dado una definición muy chula a esa palabreja. Woke significa «despierto» en inglés y es un término que, originado en los Estados Unidos, inicialmente se usaba para referirse a quienes se enfrentan o se mantienen alerta frente al racismo. “Tócate los cojones” que diría mi abuela. Los wokes son los despiertos y los que los criticamos somos los dormidos…ja, ja, ja, el mundo al revés. Puro satanismo que coloca a la mierda en el altar y degrada a lo puro y a la vida al cubo de la basura. Mierda, sí. Eso ha sido esta enorme mierda de inauguración olímpica en un río Sena lleno de mierda hasta los topes. Hubo incluso una quedada para inundar de heces el río antes de la celebración de estos juegos. No sé si se llevaría a cabo, pero da igual, no se puede limpiar en 5 minutos lo que se ha ensuciado durante años. Hemos podido ver sobretodo unas claras referencias a la masonería y burlas hacia la religión católica y más concretamente contra el cristianismo. Casualmente en las 33 olimpiadas, numero muy importante dentro de la masonería. No nos debería de sorprender si el coreógrafo principal, Thomas Jolly, es de la religión de los recaudadores de impuestos. Bueno, él e imagino que gran parte del elenco de trans, bailarines con un huevo colgando y demás purria que intentaba imitar la última cena de Da Vinci en vez de bajo la luz divina de Cristo bajo tres filas de 6 fluorescentes. Sí, el 666 estuvo bien presente en todo esto, cada tramo de ese puente tenia sus 6 fluorescentes. La figura femenina elegida para representar a Cristo fue la obesa mórbida y DJ B. B. (diremos las iniciales ya que ha terminado por denunciar a troche y moche a todos los que la han criticado). Por supuesto, también es de la religión de los recaudadores de impuestos. Las 12 escenas guionizadas por Jolly, el jovial recaudador, describirían un pais rico en diversidad, inclusivo, no una Francia, sino varias Francias, así como un mundo entero reunido. En clara alusión a los doce apóstoles que se convierten así en las doce Francias, en los 12 despojos de un pais soberano lobotomizado y sometido a la involución. Vimos artistas con la cabeza cortada fingiendo ser Maria Antonieta en horario infantil, bailarines negros bailando, bueno, estrujando a niñas de ocho años, trans de todos los colores y modelos, fuegos artificiales simulando ser sangre palaciega y todo tipo de luces realizando figuras que nos recuerdan a la escuadra y el compás masónico o al sigilo de Lucifer. También los vimos bailando sincopadamente en el ajedrezado masónico y colapsando en el piso iluminado de rojo como si de una repentinitis se tratase. Y es que lo que comenzaba con el izado de la bandera olímpica del revés no podia augurar nada bueno. Ya saben que dentro del satanismo hacer las cosas del revés está bien visto, por eso muchas camisetas satánicas se cosen con las costuras por fuera. Como guinda del pastel debemos hablar del caballo pálido que trotó por encima de las aguas del Sena simulando a Cristo pero trayendo un mensaje claro que podemos leer en Apocalipsis 6:8 “Miré, y he aquí un caballo amarillo, y el que lo montaba tenía por nombre Muerte, y el Hades le seguía; y le fue dada potestad sobre la cuarta parte de la tierra, para matar con espada, con hambre, con mortandad, y con las fieras de la tierra.” Sí, amigos, las élites psicopatocraticas no solo nos quieren pervertir y degradar haciendo que involucionemos sino que nos quieren directamente asesinar. Sus mentes eugenistas ven demasiadas almas poblando “su” Tierra. Esta gentuza ha probado la sangre y conoce su sabor dulzón. Y quiere más y más rápido. A ellos les importa una mierda que el camino al infierno sea muy corto y la vuelta sin embargo dure toda la eternidad. ………………………………………………………………………………………. Invitados: Ira @Genes72 …. Dra Yane #JusticiaParaUTP @ayec98_2 Médico y Buscadora de la verdad. Con Dios siempre! No permito q me dividan c/izq -derecha, raza, religión ni nada de la Creación. https://youtu.be/TXEEZUYd4c0 …. UTP Ramón Valero @tecn_preocupado Un técnico Preocupado un FP2 IVOOX UTP http://cutt.ly/dzhhGrf BLOG http://cutt.ly/dzhh2LX Ayúdame desde mi Crowfunding aquí https://cutt.ly/W0DsPVq ………………………………………………………………………………………. Enlaces citados en el podcast: Un año, 365 puestas de sol https://www.youtube.com/watch?v=kRENfTomQIo La fuente' de Duchamp, el urinario que cambió la historia del arte https://www.elconfidencial.com/cultura/2017-04-15/arte-vanguardias-duchamp-fuente-urinario_1366043/ El arte moderno era un “arma” de la CIA https://litwinbooks.com/modern-art-was-cia-weapon/ Hilo inauguración Paris https://x.com/tecn_preocupado/status/1817085972607041692 La organización de los JJ.OO. pide perdón a los ofendidos por la representación de 'La última cena’ https://www.youtube.com/watch?v=-CYaWi_bOjA Ceremonia inaugural Juegos Olímpicos París 2024 (según el Español, pero mira, mira, no hay nada) https://www.youtube.com/watch?v=Ag7xCxFsLe0 Paris 2024 Historic Olympic Opening Ceremony: Lady Gaga, Celine Dion, Gojira & MORE https://www.youtube.com/watch?v=myAHrXIwqXs Masones célebres (Jacques y Etienne Montgolfier https://issuu.com/retalesdemasoneria/docs/retales_masoneria_numero_124_-_octubre_2021/s/13696938 ¿REALMENTE SABES QUIÉN FUE KARL MARX? I https://tecnicopreocupado.com/2015/05/07/realmente-sabes-quien-fue-karl-marx/ ¿REALMENTE SABES QUIÉN FUE KARL MARX? II https://tecnicopreocupado.com/2015/05/08/realmente-sabes-quien-fue-karl-marx-ii/ PIRÁMIDE TRUNCADA ILLUMINATI EN GOBIERNO FRANCES MACRON https://tecnicopreocupado.com/2017/05/11/el-octagono-satanico-y-las-masonicas-elecciones-francesas/piramide-truncada-illuminati-en-gobierno-frances-macron/ EL OCTÁGONO SATÁNICO Y LAS MASÓNICAS ELECCIONES FRANCESAS https://tecnicopreocupado.com/2017/05/11/el-octagono-satanico-y-las-masonicas-elecciones-francesas/ SATANISMO Y ANTISATANISMO https://tecnicopreocupado.com/2014/05/12/satanismo-y-antisatanismo/comment-page-1/ OVNIS, BASURA RADIACTIVA Y SEUDOCIENTÍFICOS I https://tecnicopreocupado.com/2014/05/22/ovnis-basura-radiactiva-sectas-y-pseudocientificos/ OVNIS, BASURA RADIACTIVA Y SEUDOCIENTÍFICOS II https://tecnicopreocupado.com/2014/05/23/ovnis-basura-radiactiva-y-pseudocientificos-ii/ Atentado a Trump que lo catapulta como presidente https://foroconspiracion.com/threads/atentado-a-trump-que-lo-catapulta-como-presidente.345/ PÓNGAME UN QUARTO DE MASONERÍA EN UN POBLET I https://tecnicopreocupado.com/2019/08/31/pongame-un-quarto-de-masoneria-en-un-poblet-i/ PÓNGAME UN QUARTO DE MASONERÍA EN UN POBLET II https://tecnicopreocupado.com/2019/09/01/pongame-un-quarto-de-masoneria-en-un-poblet-ii/ Sealand, el país más pequeño del mundo que está en una plataforma marina https://www.idealista.com/news/inmobiliario/internacional/2018/11/14/769523-sealand-la-plataforma-marina-que-es-el-pais-mas-pequeno-del-mundo Con los trevifans hemos topado https://www.elmundo.es/blogs/elmundo/elblogdesantiagogonzalez/2016/08/14/con-los-trevifans-hemos-topado.html Sealand o de como montarse una patria con un poco de morro https://x.com/juliodelarrosa/status/960822921991254016 Decapitan a otro hombre en Valencia, el segundo en menos de 30 horas https://x.com/CarlosMontas13/status/1818946314303934789 Videos Es Clave https://tecnicopreocupado.com/videos/videos-es-clave/ LA SATÁNICA DERIVA DEL FEMINISMO QUE SACRIFICA LA FERTILIDAD FEMENINA https://tecnicopreocupado.com/2019/07/28/la-satanica-deriva-del-feminismo-que-sacrifica-la-fertilidad-femenina/ LIBRO DE MICRORRELATOS https://tecnicopreocupado.com/libro-de-microrrelatos/ ………………………………………………………………………………………. Música utilizada en este podcast: Tema inicial Heros ………………………………………………………………………………………. Epílogo Los Aldeanos - Censurados https://youtu.be/k8pGYFN1a_4?feature=shared

Bienvenidos a un nuevo directo desde Twitter para luego emitirlo en Ivoox junto a los casi 950 audios que tenemos allí publicados. Una gran audioteca que junto con el blog tecnicopreocupado punto com y los videos publicados en Youtube, Odysee, Bitchute y Ugetube forman una enorme hemeroteca que de momento sigue a disposición de todos de forma totalmente altruista. Recuerden que tengo un crowfunding para recaudar dinero para mi defensa judicial, la cual, creanme que la necesito y ojala no fuera así. Pero ese tema me produce demasiada quemazón y estamos en verano, a punto de entrar en Agosto. Se han dado cuenta de que si observan las puestas de Sol o las salidas de este durante todo el año van a descubrir el movimiento hacia atrás y hacia adelante que recrea a un ocho. Aunque no podamos ver esta figura cuando esta bajo el horizonte o el mar pero nos aparecerá si tomamos una fotografía del Sol en el cielo desde el mismo punto y a la misma hora todos los días. Tiene dos extremos, uno en el solsticio de verano en junio y otro en el solsticio de invierno en diciembre. Se llama técnicamente Analema. En astronomía, el analema, del griego «pedestal de un reloj de sol» es la curva que describe el Sol en el cielo si todos los días del año se lo observa a la misma hora del día (huso horario) y desde el mismo lugar de observación. Por eso los relojes de arena se empezaron a representar con la forma de un 8. Es una de tantas cosas sabias del pasado que hemos ido desaprendiendo. En la descripción del podcast os dejaremos un precioso video tomado en Canarias donde vemos las puestas de Sol mirando hacia el Teide. Poco a poco vamos perdiendo el conocimiento ancestral y nos cargamos de morralla inservible. Porque aunque el tramposo de Darwin le haya vendido a la ciencia que estamos evolucionando, la verdad, es que si miramos a nuestro alrededor todo es mas chabacano, triste, feo, desamparado y poco creativo. El arte ha involucionado hacia una copia barata, cutre e incluso sucia de lo que acostumbraba ser. Solo es necesario ponerle el marchamo de arte a cualquier cosa y de repente se convierte en arte. Tal y como podemos leer en la biografía de Marcel Duchamp, un ajedrecista y artista que pululó por las vanguardias de principios del siglo XX que trajeron el dadaísmo: “Duchamp es uno de los principales valedores de la creación artística como resultado de un puro ejercicio de la voluntad, sin necesidad estricta de formación, preparación o talento.” Y es que talento, lo que se dice talento no es necesario para comprar un urinario en 1917, ponerle la firma de un tal R. Mutt en el borde inferior y pretender exponerlo en una exposición de la Sociedad de artistas independientes en Nueva York donde mas de 20.000 personas hubieran visto “su meada”. Al final, no le dejaron exponerlo, pero esto mas que ser una contrariedad fue el detonante para que Alfred Stieglitz la fotografiase para la posteridad. Desde luego estamos hablando del urinario más famoso del mundo. Lo que vino después ya lo conocemos, cualquier gilipollas puede declararse artista y pintar, modelar o construir cosas con cualquier parte de su cuerpo. Desde globos de pintura arrojados desde los anos o las vaginas del artista, pinceles fálicos, o insertados en cualquier agujero corporal, pintura a través de la estampación del cuerpo desnudo del artista o, en fin, cualquier cosa que se le ocurra al o la gilipollas de turno sin necesidad estricta de formación, preparación o talento. En el periódico The Independent escribe Frances Stonor Saunders: “Durante décadas, en los círculos artísticos, esto fue un rumor o una broma, pero ahora se ha confirmado como un hecho. La CIA utilizó el arte moderno estadounidense, incluidas las obras de artistas como Jackson Pollock, Robert Motherwell, Willem de Kooning y Mark Rothko, como arma en la Guerra Fría. A la manera de un príncipe renacentista, pero actuando en secreto, la CIA promovió y promovió la pintura expresionista abstracta estadounidense en todo el mundo durante más de 20 años.” Esto lo vimos por ejemplo al leer el informe Iron Mountain de 1967 donde se nos dice que las elites ya están desarrollando un tipo de arte determinado: “Resulta interesante observar que el trabajo correspondiente a una estética libre de valores de esta naturaleza ya se está realizando hoy en los crecientes experimentos artísticos que carecen de contenido, posiblemente anticipando así la venida de un mundo sin conflictos. Se ha desarrollado un culto alrededor de un nuevo determinismo cultural que propone que la forma tecnológica de la expresión cultural determina sus valores en lugar de hacerlo a través de un contenido con un significado ostensible.” Traduzco. “Estética libre de valores”, “experimentos artísticos que carecen de contenido” y “contenido que no tenga significado ostensible” significa “crear cualquier mierda” y hacerla pasar por arte para seguir entreteniendo a los dormidos. Creanme que hay magníficos creadores en todos los campos artísticos y por supuesto son relegados al ostracismo mientras suben al estrellato a desgraciados abrazafarolas dedostorcidos y uñas largas. Ni que decir que las películas son copias de otras películas que a la vez fueron obras maestras incluso del cine mudo. Todo es una copia de una copia y al final en ese trajín de copias y pegas se pierde la verdadera esencia que nos trasmitían aquellos filmes, aquellas viejas obras de arte que la mayoría de las veces se basaban en buenas novelas o en obras inmortales de la mitología. En el mundo de la música ocurre lo mismo, todo se degrada a una velocidad que hace imposible conectar con lo que escuchan las nuevas generaciones. El reguetón no ceja en parir lechones. Supuestos cantantes mas cantamañanas que la anterior camada. Nos están obligando a involucionar de tanto tragar mierda. Y ese, desde luego, es uno de los objetivos que tienen las elites para con el pueblo llano. Con todos nosotros a los que nos denominan masa sucia, a veces incluso los muertos porque realmente no reaccionamos. Aunque cada vez más se aprecia una reacción contraria a lo que pretenden las elites. Esto lo hemos visto en la inauguración de los juegos olímpicos de Paris, o más bien deberíamos llamarles los primeros juegos Woke olímpicos de la historia. Finalmente han tenido que retirar de las plataformas para terminar pidiendo perdón. Curiosamente la portavoz de los juegos olímpicos que pidió perdón se llama Anne Descamps, sí, un apellido muy parecido a aquel del urinario. Vivimos en un mundo woke, aunque los muy sibilinos de los que mandan le han dado una definición muy chula a esa palabreja. Woke significa «despierto» en inglés y es un término que, originado en los Estados Unidos, inicialmente se usaba para referirse a quienes se enfrentan o se mantienen alerta frente al racismo. “Tócate los cojones” que diría mi abuela. Los wokes son los despiertos y los que los criticamos somos los dormidos…ja, ja, ja, el mundo al revés. Puro satanismo que coloca a la mierda en el altar y degrada a lo puro y a la vida al cubo de la basura. Mierda, sí. Eso ha sido esta enorme mierda de inauguración olímpica en un río Sena lleno de mierda hasta los topes. Hubo incluso una quedada para inundar de heces el río antes de la celebración de estos juegos. No sé si se llevaría a cabo, pero da igual, no se puede limpiar en 5 minutos lo que se ha ensuciado durante años. Hemos podido ver sobretodo unas claras referencias a la masonería y burlas hacia la religión católica y más concretamente contra el cristianismo. Casualmente en las 33 olimpiadas, numero muy importante dentro de la masonería. No nos debería de sorprender si el coreógrafo principal, Thomas Jolly, es de la religión de los recaudadores de impuestos. Bueno, él e imagino que gran parte del elenco de trans, bailarines con un huevo colgando y demás purria que intentaba imitar la última cena de Da Vinci en vez de bajo la luz divina de Cristo bajo tres filas de 6 fluorescentes. Sí, el 666 estuvo bien presente en todo esto, cada tramo de ese puente tenia sus 6 fluorescentes. La figura femenina elegida para representar a Cristo fue la obesa mórbida y DJ B. B. (diremos las iniciales ya que ha terminado por denunciar a troche y moche a todos los que la han criticado). Por supuesto, también es de la religión de los recaudadores de impuestos. Las 12 escenas guionizadas por Jolly, el jovial recaudador, describirían un pais rico en diversidad, inclusivo, no una Francia, sino varias Francias, así como un mundo entero reunido. En clara alusión a los doce apóstoles que se convierten así en las doce Francias, en los 12 despojos de un pais soberano lobotomizado y sometido a la involución. Vimos artistas con la cabeza cortada fingiendo ser Maria Antonieta en horario infantil, bailarines negros bailando, bueno, estrujando a niñas de ocho años, trans de todos los colores y modelos, fuegos artificiales simulando ser sangre palaciega y todo tipo de luces realizando figuras que nos recuerdan a la escuadra y el compás masónico o al sigilo de Lucifer. También los vimos bailando sincopadamente en el ajedrezado masónico y colapsando en el piso iluminado de rojo como si de una repentinitis se tratase. Y es que lo que comenzaba con el izado de la bandera olímpica del revés no podia augurar nada bueno. Ya saben que dentro del satanismo hacer las cosas del revés está bien visto, por eso muchas camisetas satánicas se cosen con las costuras por fuera. Como guinda del pastel debemos hablar del caballo pálido que trotó por encima de las aguas del Sena simulando a Cristo pero trayendo un mensaje claro que podemos leer en Apocalipsis 6:8 “Miré, y he aquí un caballo amarillo, y el que lo montaba tenía por nombre Muerte, y el Hades le seguía; y le fue dada potestad sobre la cuarta parte de la tierra, para matar con espada, con hambre, con mortandad, y con las fieras de la tierra.” Sí, amigos, las élites psicopatocraticas no solo nos quieren pervertir y degradar haciendo que involucionemos sino que nos quieren directamente asesinar. Sus mentes eugenistas ven demasiadas almas poblando “su” Tierra. Esta gentuza ha probado la sangre y conoce su sabor dulzón. Y quiere más y más rápido. A ellos les importa una mierda que el camino al infierno sea muy corto y la vuelta sin embargo dure toda la eternidad. ………………………………………………………………………………………. Invitados: Ira @Genes72 …. Dra Yane #JusticiaParaUTP @ayec98_2 Médico y Buscadora de la verdad. Con Dios siempre! No permito q me dividan c/izq -derecha, raza, religión ni nada de la Creación. https://youtu.be/TXEEZUYd4c0 …. UTP Ramón Valero @tecn_preocupado Un técnico Preocupado un FP2 IVOOX UTP http://cutt.ly/dzhhGrf BLOG http://cutt.ly/dzhh2LX Ayúdame desde mi Crowfunding aquí https://cutt.ly/W0DsPVq ………………………………………………………………………………………. Enlaces citados en el podcast: Un año, 365 puestas de sol https://www.youtube.com/watch?v=kRENfTomQIo La fuente' de Duchamp, el urinario que cambió la historia del arte https://www.elconfidencial.com/cultura/2017-04-15/arte-vanguardias-duchamp-fuente-urinario_1366043/ El arte moderno era un “arma” de la CIA https://litwinbooks.com/modern-art-was-cia-weapon/ Hilo inauguración Paris https://x.com/tecn_preocupado/status/1817085972607041692 La organización de los JJ.OO. pide perdón a los ofendidos por la representación de 'La última cena’ https://www.youtube.com/watch?v=-CYaWi_bOjA Ceremonia inaugural Juegos Olímpicos París 2024 (según el Español, pero mira, mira, no hay nada) https://www.youtube.com/watch?v=Ag7xCxFsLe0 Paris 2024 Historic Olympic Opening Ceremony: Lady Gaga, Celine Dion, Gojira & MORE https://www.youtube.com/watch?v=myAHrXIwqXs Masones célebres (Jacques y Etienne Montgolfier https://issuu.com/retalesdemasoneria/docs/retales_masoneria_numero_124_-_octubre_2021/s/13696938 ¿REALMENTE SABES QUIÉN FUE KARL MARX? I https://tecnicopreocupado.com/2015/05/07/realmente-sabes-quien-fue-karl-marx/ ¿REALMENTE SABES QUIÉN FUE KARL MARX? II https://tecnicopreocupado.com/2015/05/08/realmente-sabes-quien-fue-karl-marx-ii/ PIRÁMIDE TRUNCADA ILLUMINATI EN GOBIERNO FRANCES MACRON https://tecnicopreocupado.com/2017/05/11/el-octagono-satanico-y-las-masonicas-elecciones-francesas/piramide-truncada-illuminati-en-gobierno-frances-macron/ EL OCTÁGONO SATÁNICO Y LAS MASÓNICAS ELECCIONES FRANCESAS https://tecnicopreocupado.com/2017/05/11/el-octagono-satanico-y-las-masonicas-elecciones-francesas/ SATANISMO Y ANTISATANISMO https://tecnicopreocupado.com/2014/05/12/satanismo-y-antisatanismo/comment-page-1/ OVNIS, BASURA RADIACTIVA Y SEUDOCIENTÍFICOS I https://tecnicopreocupado.com/2014/05/22/ovnis-basura-radiactiva-sectas-y-pseudocientificos/ OVNIS, BASURA RADIACTIVA Y SEUDOCIENTÍFICOS II https://tecnicopreocupado.com/2014/05/23/ovnis-basura-radiactiva-y-pseudocientificos-ii/ Atentado a Trump que lo catapulta como presidente https://foroconspiracion.com/threads/atentado-a-trump-que-lo-catapulta-como-presidente.345/ PÓNGAME UN QUARTO DE MASONERÍA EN UN POBLET I https://tecnicopreocupado.com/2019/08/31/pongame-un-quarto-de-masoneria-en-un-poblet-i/ PÓNGAME UN QUARTO DE MASONERÍA EN UN POBLET II https://tecnicopreocupado.com/2019/09/01/pongame-un-quarto-de-masoneria-en-un-poblet-ii/ Sealand, el país más pequeño del mundo que está en una plataforma marina https://www.idealista.com/news/inmobiliario/internacional/2018/11/14/769523-sealand-la-plataforma-marina-que-es-el-pais-mas-pequeno-del-mundo Con los trevifans hemos topado https://www.elmundo.es/blogs/elmundo/elblogdesantiagogonzalez/2016/08/14/con-los-trevifans-hemos-topado.html Sealand o de como montarse una patria con un poco de morro https://x.com/juliodelarrosa/status/960822921991254016 Decapitan a otro hombre en Valencia, el segundo en menos de 30 horas https://x.com/CarlosMontas13/status/1818946314303934789 Videos Es Clave https://tecnicopreocupado.com/videos/videos-es-clave/ LA SATÁNICA DERIVA DEL FEMINISMO QUE SACRIFICA LA FERTILIDAD FEMENINA https://tecnicopreocupado.com/2019/07/28/la-satanica-deriva-del-feminismo-que-sacrifica-la-fertilidad-femenina/ LIBRO DE MICRORRELATOS https://tecnicopreocupado.com/libro-de-microrrelatos/ ………………………………………………………………………………………. Música utilizada en este podcast: Tema inicial Heros DANZIG - LONG WAY BACK FROM HELL [TRADUCIDA] https://www.youtube.com/watch?v=2xlncV0Qo-0 Gente Inteligente - Falsos Heroes! https://www.youtube.com/watch?v=fu6wtYqo-5Y Heroes del Silencio - Despertar https://www.youtube.com/watch?v=B51j9B09rJk Auxiliadora Cárdenas y Luis Enrique Mejía Godoy - MIS DERECHOS DE MUJER https://www.youtube.com/watch?v=JDd1DHgnnw4 ………………………………………………………………………………………. Epílogo Los Aldeanos - Censurados https://youtu.be/k8pGYFN1a_4?feature=shared

Welcome to the travel/literary podcast The Wandering Book Collector with host Michelle Jana Chan. This is a series of conversations with writers exploring what's informed their books and their lives around themes of movement, memory, sense of place, borders, identity, belonging and home.In this edition, I'm joined by the writer Jessi Jezewska Stevens, to discuss her book, Ghost Pains. Please consider supporting your local bookshop.If you're enjoying the podcast, I'd love you to leave a rating or a review. To learn about future editions, please subscribe or hit “follow” on your podcast app of choice. Thank you for listening!For more on the podcast, book recs, what books to pack for where's next, and who's up next, I'm across socials @michellejchan. I'd love to hear from you.And if you've missed any, do catch up. From Janine di Giovanni to Bernardine Evaristo to Afua Hirsch to Carla Power to Maaza Mengiste to Kapka Kassabova to Sara Wheeler to Brigid Delaney to Horatio Clare to Rebecca Mead to Preti Taneja to Kathryn D. Sullivan to Emmanuel Jal to Jennifer Steil to Winnie M Li to Mona Arshi to Tim Mackintosh-Smith to Karen Joy Fowler and Shannon Leone Fowler to Ariana Neumann to Anthony Sattin to Roger Robinson to Justin Marozzi to Frances Stonor Saunders to Osman Yousefzada to Kylie Moore-Gilbert to Doreen Cunningham to Ngũgĩ wa Thiong'o to Sophie Ward to Damian Le Bas to Hanne Ørstavik to Khashayar J Khabushani to Daljit Nagra to Ayọ̀bámi Adébáyọ̀ to Nastassja Martin to Ginanne Brownell to Hilary Bradt. All credit for sound effects goes to the artists and founders of Freesound.org and Zapsplat.com. All credit for music goes to the artists and founders of Soundstripe.com Hosted on Acast. See acast.com/privacy for more information.

Internationell författarscen 6 april 2006.

Bertsch, Matthias www.deutschlandfunk.de, Andruck - Das Magazin für Politische Literatur

Welcome to the travel/literary podcast The Wandering Book Collector with host Michelle Jana Chan. This is a series of conversations with writers exploring what's informed their books and their lives around themes of movement, memory, sense of place, borders, identity, belonging and home.In this edition, I'm joined by the writer Hilary Bradt to discuss Taking the Risk: My Adventures in Travel & Publishing. Please consider supporting your local bookshop.If you're enjoying the podcast, I'd love you to leave a rating or a review. To learn about future editions, please subscribe or hit “follow” on your podcast app of choice. Thank you for listening! For more on the podcast, book recs, what books to pack for where's next, and who's up next, I'm across socials @michellejchan. I'd love to hear from you.And if you've missed any, do catch up. From Janine di Giovanni to Bernardine Evaristo to Afua Hirsch to Carla Power to Maaza Mengiste to Kapka Kassabova to Sara Wheeler to Brigid Delaney to Horatio Clare to Rebecca Mead to Preti Taneja to Kathryn D. Sullivan to Emmanuel Jal to Jennifer Steil to Winnie M Li to Mona Arshi to Tim Mackintosh-Smith to Karen Joy Fowler and Shannon Leone Fowler to Ariana Neumann to Anthony Sattin to Roger Robinson to Justin Marozzi to Frances Stonor Saunders to Osman Yousefzada to Kylie Moore-Gilbert to Doreen Cunningham to Ngũgĩ wa Thiong'o to Sophie Ward to Damian Le Bas to Hanne Ørstavik to Khashayar J Khabushani to Daljit Nagra to Ayọ̀bámi Adébáyọ̀ to Nastassja Martin to Ginanne Brownell. All credit for sound effects goes to the artists and founders of Freesound.org and Zapsplat.com. All credit for music goes to the artists and founders of Soundstripe.com Hosted on Acast. See acast.com/privacy for more information.

Die spannende Odyssee einer rumänischen Familie, die im Zweiten Weltkrieg über Umwege nach England gelangte. Ein Land, das erst für die Enkel zur Heimat wurde. Rezension von Margrit Irgang

Welcome to the travel/literary podcast The Wandering Book Collector with host Michelle Jana Chan. This is a series of conversations with writers exploring what's informed their books and their lives around themes of movement, memory, sense of place, borders, identity, belonging and home.In this edition, I'm joined by the writer Ginanne Brownell, to discuss her book, GHETTO CLASSICS: How a youth orchestra changed a Nairobi slum Please consider supporting your local bookshop.If you're enjoying the podcast, I'd love you to leave a rating or a review. To learn about future editions, please subscribe or hit “follow” on your podcast app of choice. Thank you for listening! For more on the podcast, book recs, what books to pack for where's next, and who's up next, I'm across socials @michellejchan. I'd love to hear from you.And if you've missed any, do catch up. From Janine di Giovanni to Bernardine Evaristo to Afua Hirsch to Carla Power to Maaza Mengiste to Kapka Kassabova to Sara Wheeler to Brigid Delaney to Horatio Clare to Rebecca Mead to Preti Taneja to Kathryn D. Sullivan to Emmanuel Jal to Jennifer Steil to Winnie M Li to Mona Arshi to Tim Mackintosh-Smith to Karen Joy Fowler and Shannon Leone Fowler to Ariana Neumann to Anthony Sattin to Roger Robinson to Justin Marozzi to Frances Stonor Saunders to Osman Yousefzada to Kylie Moore-Gilbert to Doreen Cunningham to Ngũgĩ wa Thiong'o to Sophie Ward to Damian Le Bas to Hanne Ørstavik to Khashayar J Khabushani to Daljit Nagra to Ayọ̀bámi Adébáyọ̀ to Nastassja Martin. All credit for sound effects goes to the artists and founders of Freesound.org and Zapsplat.com. All credit for music goes to the artists and founders of Soundstripe.com Hosted on Acast. See acast.com/privacy for more information.

Wüllenkemper, Corneliuswww.deutschlandfunk.de, Büchermarkt

Karches, Norawww.deutschlandfunk.de, Büchermarkt

Welcome to the travel/literary podcast The Wandering Book Collector with host Michelle Jana Chan. This is a series of conversations with writers exploring what's informed their books and their lives around themes of movement, memory, sense of place, borders, identity, belonging and home.In this edition, I'm joined by the writer Nastassja Martin to discuss her book, IN THE EYE OF THE WILD. Please consider supporting your local bookshop.If you're enjoying the podcast, I'd love you to leave a rating or a review. To learn about future editions, please subscribe or hit “follow” on your podcast app of choice. Thank you for listening! For more on the podcast, book recs, what books to pack for where's next, and who's up next, I'm across socials @michellejchan. I'd love to hear from you.And if you've missed any, do catch up. From Janine di Giovanni to Bernardine Evaristo to Afua Hirsch to Carla Power to Maaza Mengiste to Kapka Kassabova to Sara Wheeler to Brigid Delaney to Horatio Clare to Rebecca Mead to Preti Taneja to Kathryn D. Sullivan to Emmanuel Jal to Jennifer Steil to Winnie M Li to Mona Arshi to Tim Mackintosh-Smith to Karen Joy Fowler and Shannon Leone Fowler to Ariana Neumann to Anthony Sattin to Roger Robinson to Justin Marozzi to Frances Stonor Saunders to Osman Yousefzada to Kylie Moore-Gilbert to Doreen Cunningham to Ngũgĩ wa Thiong'o to Sophie Ward to Damian Le Bas to Hanne Ørstavik to Khashayar J Khabushani to Daljit Nagra to Ayọ̀bámi Adébáyọ̀. All credit for sound effects goes to the artists and founders of Freesound.org and Zapsplat.com. All credit for music goes to the artists and founders of Soundstripe.com Hosted on Acast. See acast.com/privacy for more information.

Welcome to the travel/literary podcast The Wandering Book Collector with host Michelle Jana Chan. This is a series of conversations with writers exploring what's informed their books and their lives around themes of movement, memory, sense of place, borders, identity, belonging and home.In this edition, I'm joined by the writer Ayọ̀bámi Adébáyọ̀ to discuss her new book, A Spell of Good Things. Please consider supporting your local bookshop.If you're enjoying the podcast, I'd love you to leave a rating or a review. To learn about future editions, please subscribe or hit “follow” on your podcast app of choice. Thank you for listening! For more on the podcast, book recs, what books to pack for where's next, and who's up next, I'm across socials @michellejchan. I'd love to hear from you.And if you've missed any, do catch up. From Janine di Giovanni to Bernardine Evaristo to Afua Hirsch to Carla Power to Maaza Mengiste to Kapka Kassabova to Sara Wheeler to Brigid Delaney to Horatio Clare to Rebecca Mead to Preti Taneja to Kathryn D. Sullivan to Emmanuel Jal to Jennifer Steil to Winnie M Li to Mona Arshi to Tim Mackintosh-Smith to Karen Joy Fowler and Shannon Leone Fowler to Ariana Neumann to Anthony Sattin to Roger Robinson to Justin Marozzi to Frances Stonor Saunders to Osman Yousefzada to Kylie Moore-Gilbert to Doreen Cunningham to Ngũgĩ wa Thiong'o to Sophie Ward to Damian Le Bas to Hanne Ørstavik to Khashayar J Khabushani to Daljit Nagra. All credit for sound effects goes to the artists and founders of Freesound.org and Zapsplat.com. All credit for music goes to the artists and founders of Soundstripe.com Hosted on Acast. See acast.com/privacy for more information.

Welcome to the travel/literary podcast The Wandering Book Collector with host Michelle Jana Chan. This is a series of conversations with writers exploring what's informed their books and their lives around themes of movement, memory, sense of place, borders, identity, belonging and home.In this edition, I'm joined by the writer Daljit Nagra to discuss his latest collection of poetry, Indiom.Please consider supporting your local bookshop.The Wandering Book Collector would like to thank the supporter of this podcast:Abercrombie & Kent — Creating unique, meticulously planned journeys into hard-to-reach wildernesses and cultures.If you're enjoying the podcast, I'd love you to leave a rating or a review. To learn about future editions, please subscribe or hit “follow” on your podcast app of choice.Thank you for listening!For more on the podcast, book recs, what books to pack for where's next, and who's up next, I'm across socials @michellejchan. I'd love to hear from you.And if you've missed any, do catch up. From Janine di Giovanni to Bernardine Evaristo to Afua Hirsch to Carla Power to Maaza Mengiste to Kapka Kassabova to Sara Wheeler to Brigid Delaney to Horatio Clare to Rebecca Mead to Preti Taneja to Kathryn D. Sullivan to Emmanuel Jal to Jennifer Steil to Winnie M Li to Mona Arshi to Tim Mackintosh-Smith to Karen Joy Fowler and Shannon Leone Fowler to Ariana Neumann to Anthony Sattin to Roger Robinson to Justin Marozzi to Frances Stonor Saunders to Osman Yousefzada to Kylie Moore-Gilbert to Doreen Cunningham to Ngũgĩ wa Thiong'o to Sophie Ward to Damian Le Bas to Hanne Ørstavik to Khashayar J Khabushani.All credit for sound effects goes to the artists and founders of Freesound.org and Zapsplat.com. All credit for music goes to the artists and founders of Soundstripe.com Hosted on Acast. See acast.com/privacy for more information.

Welcome to the travel/literary podcast The Wandering Book Collector with host Michelle Jana Chan. This is a series of conversations with writers exploring what's informed their books and their lives around themes of movement, memory, sense of place, borders, identity, belonging and home.In this edition, I'm joined by the writer Khashayar J Khabushani to discuss his debut, I Will Greet the Sun Again.Please consider supporting your local bookshop.The Wandering Book Collector would like to thank the supporter of this podcast:Cox & Kings — Arranging captivating travel experiences for over 260 years.If you're enjoying the podcast, I'd love you to leave a rating or a review. To learn about future editions, please subscribe or hit “follow” on your podcast app of choice. Thank you for listening!For more on the podcast, book recs, what books to pack for where's next, and who's up next, I'm across socials @michellejchan. I'd love to hear from you.And if you've missed any, do catch up. From Janine di Giovanni to Bernardine Evaristo to Afua Hirsch to Carla Power to Maaza Mengiste to Kapka Kassabova to Sara Wheeler to Brigid Delaney to Horatio Clare to Rebecca Mead to Preti Taneja to Kathryn D. Sullivan to Emmanuel Jal to Jennifer Steil to Winnie M Li to Mona Arshi to Tim Mackintosh-Smith to Karen Joy Fowler and Shannon Leone Fowler to Ariana Neumann to Anthony Sattin to Roger Robinson to Justin Marozzi to Frances Stonor Saunders to Osman Yousefzada to Kylie Moore-Gilbert to Doreen Cunningham to Ngũgĩ wa Thiong'o to Sophie Ward to Damian Le Bas to Hanne Ørstavik.All credit for sound effects goes to the artists and founders of Freesound.org and Zapsplat.com. All credit for music goes to the artists and founders of Soundstripe.com Hosted on Acast. See acast.com/privacy for more information.

Welcome to the travel/literary podcast The Wandering Book Collector with host Michelle Jana Chan. This is a series of conversations with writers exploring what's informed their books and their lives around themes of movement, memory, sense of place, borders, identity, belonging and home.In this edition, I'm joined by the writer Hanne Ørstavik to discuss her book, Ti Amo. It is her 16th novel. Please consider supporting your local bookshop.The Wandering Book Collector would like to thank the supporter of this podcast: Abercrombie & Kent — Creating unique, meticulously planned journeys into hard-to-reach wildernesses and cultures.If you're enjoying the podcast, I'd love you to leave a rating or a review. To learn about future editions, please subscribe or hit “follow” on your podcast app of choice. Thank you for listening! For more on the podcast, book recs, what books to pack for where's next, and who's up next, I'm across socials @michellejchan. I'd love to hear from you.And if you've missed any, do catch up. From Janine di Giovanni to Bernardine Evaristo to Afua Hirsch to Carla Power to Maaza Mengiste to Kapka Kassabova to Sara Wheeler to Brigid Delaney to Horatio Clare to Rebecca Mead to Preti Taneja to Kathryn D. Sullivan to Emmanuel Jal to Jennifer Steil to Winnie M Li to Mona Arshi to Tim Mackintosh-Smith to Karen Joy Fowler and Shannon Leone Fowler to Ariana Neumann to Anthony Sattin to Roger Robinson to Justin Marozzi to Frances Stonor Saunders to Osman Yousefzada to Kylie Moore-Gilbert to Doreen Cunningham to Ngũgĩ wa Thiong'o to Sophie Ward to Damian Le Bas.All credit for sound effects goes to the artists and founders of Freesound.org and Zapsplat.com. All credit for music goes to the artists and founders of Soundstripe.com

Welcome to the travel/literary podcast The Wandering Book Collector with host Michelle Jana Chan. This is a series of conversations with writers exploring what's informed their books and their lives around themes of movement, memory, sense of place, borders, identity, belonging and home.In this edition, I'm joined by the writer Damian Le Bas to discuss his debut, The Stopping Places. Please consider supporting your local bookshop.The Wandering Book Collector would like to thank the supporter of this podcast:Abercrombie & Kent — Creating unique, meticulously planned journeys into hard-to-reach wildernesses and cultures.If you're enjoying the podcast, I'd love you to leave a rating or a review. To learn about future editions, please subscribe or hit “follow” on your podcast app of choice. Thank you for listening! For more on the podcast, book recs, what books to pack for where's next, and who's up next, I'm across socials @michellejchan. I'd love to hear from you.And if you've missed any, do catch up. From Janine di Giovanni to Bernardine Evaristo to Afua Hirsch to Carla Power to Maaza Mengiste to Kapka Kassabova to Sara Wheeler to Brigid Delaney to Horatio Clare to Rebecca Mead to Preti Taneja to Kathryn D. Sullivan to Emmanuel Jal to Jennifer Steil to Winnie M Li to Mona Arshi to Tim Mackintosh-Smith to Karen Joy Fowler and Shannon Leone Fowler to Ariana Neumann to Anthony Sattin to Roger Robinson to Justin Marozzi to Frances Stonor Saunders to Osman Yousefzada to Kylie Moore-Gilbert to Doreen Cunningham to Ngũgĩ wa Thiong'o to Sophie Ward. All credit for sound effects goes to the artists and founders of Freesound.org and Zapsplat.com. All credit for music goes to the artists and founders of Soundstripe.com

Welcome to the travel/literary podcast The Wandering Book Collector with host Michelle Jana Chan. This is a series of conversations with writers exploring what's informed their books and their lives around themes of movement, memory, sense of place, borders, identity, belonging and home.In this edition, I'm joined by the writer Sophie Ward to discuss her novels, The Schoolhouse, and her debut Love and Other Thought Experiments, long listed for the Booker. Before that, a work of non-fiction, A Marriage Proposal: The Importance of Equal Marriage and What it Means for All of Us. Please consider supporting your local bookshop.The Wandering Book Collector would like to thank the supporter of this podcast:Abercrombie & Kent — Creating unique, meticulously planned journeys into hard-to-reach wildernesses and cultures.If you're enjoying the podcast, I'd love you to leave a rating or a review. To learn about future editions, please subscribe or hit “follow” on your podcast app of choice. Thank you for listening! For more on the podcast, book recs, what books to pack for where's next, and who's up next, I'm across socials @michellejchan. I'd love to hear from you.And if you've missed any, do catch up. From Janine di Giovanni to Bernardine Evaristo to Afua Hirsch to Carla Power to Maaza Mengiste to Kapka Kassabova to Sara Wheeler to Brigid Delaney to Horatio Clare to Rebecca Mead to Preti Taneja to Kathryn D. Sullivan to Emmanuel Jal to Jennifer Steil to Winnie M Li to Mona Arshi to Tim Mackintosh-Smith to Karen Joy Fowler and Shannon Leone Fowler to Ariana Neumann to Anthony Sattin to Roger Robinson to Justin Marozzi to Frances Stonor Saunders to Osman Yousefzada to Kylie Moore-Gilbert to Doreen Cunningham to Ngũgĩ wa Thiong'o. All credit for sound effects goes to the artists and founders of Freesound.org and Zapsplat.com. All credit for music goes to the artists and founders of Soundstripe.com

Welcome to the travel/literary podcast The Wandering Book Collector with host Michelle Jana Chan. This is a series of conversations with writers exploring what's informed their books and their lives around themes of movement, memory, sense of place, borders, identity, belonging and home.In this edition, I'm joined by the writer and scholar Ngũgĩ wa Thiong'o to discuss his life's works including Wrestling with the Devil, which reflects on his imprisonment back in 1978. Also, his first novel Caitaani Mũtharabainĩ, in English, Devil on the Cross, which he wrote in prison. And Weep Not, Child; The River Between; A Grain of Wheat. More recently his memoirs, Birth of a Dream Weaver and In the House of the Interpreter, and a novel in verse, The Perfect Nine: The Epic of Gikuyu and Mumbi.Please consider supporting your local bookshop.The Wandering Book Collector would like to thank the supporter of this podcast:Cox & Kings — Arranging captivating travel experiences for over 260 years.If you're enjoying the podcast, I'd love you to leave a rating or a review. To learn about future editions, please subscribe or hit “follow” on your podcast app of choice.Thank you for listening!For more on the podcast, book recs, what books to pack for where's next, and who's up next, I'm across socials @michellejchan. I'd love to hear from you.And if you've missed any, do catch up. From Janine di Giovanni to Bernardine Evaristo to Afua Hirsch to Carla Power to Maaza Mengiste to Kapka Kassabova to Sara Wheeler to Brigid Delaney to Horatio Clare to Rebecca Mead to Preti Taneja to Kathryn D. Sullivan to Emmanuel Jal to Jennifer Steil to Winnie M Li to Mona Arshi to Tim Mackintosh-Smith to Karen Joy Fowler and Shannon Leone Fowler to Ariana Neumann to Anthony Sattin to Roger Robinson to Justin Marozzi to Frances Stonor Saunders to Osman Yousefzada to Kylie Moore-Gilbert to Doreen Cunningham.All credit for sound effects goes to the artists and founders of Freesound.org and Zapsplat.com. All credit for music goes to the artists and founders of Soundstripe.com

Welcome to the travel/literary podcast The Wandering Book Collector with host Michelle Jana Chan. This is a series of conversations with writers exploring what's informed their books and their lives around themes of movement, memory, sense of place, borders, identity, belonging and home.In this edition, I'm joined by the writer Doreen Cunningham to discuss her debut, SOUNDINGS: Journeys in the company of whales. From the lagoons of Mexico to Arctic glaciers, Doreen followed the route of the gray whale on one of the longest mammalian migrations — with Max, her little boy, by her side. Her book mixes up memoir with nature, climate and science writing.Please consider supporting your local bookshop.The Wandering Book Collector would like to thank the supporter of this podcast:Abercrombie & Kent — Creating unique, meticulously planned journeys into hard-to-reach wildernesses and cultures.If you're enjoying the podcast, I'd love you to leave a rating or a review. To learn about future editions, please subscribe or hit “follow” on your podcast app of choice.Thank you for listening!For more on the podcast, book recs, what books to pack for where's next, and who's up next, I'm across socials @michellejchan. I'd love to hear from you.And if you've missed any, do catch up. From Janine di Giovanni to Bernardine Evaristo to Afua Hirsch to Carla Power to Maaza Mengiste to Kapka Kassabova to Sara Wheeler to Brigid Delaney to Horatio Clare to Rebecca Mead to Preti Taneja to Kathryn D. Sullivan to Emmanuel Jal to Jennifer Steil to Winnie M Li to Mona Arshi to Tim Mackintosh-Smith to Karen Joy Fowler and Shannon Leone Fowler to Ariana Neumann to Anthony Sattin to Roger Robinson to Justin Marozzi to Frances Stonor Saunders and Osman Yousefzada to Kylie Moore-Gilbert.All credit for sound effects goes to the artists and founders of Freesound.org and Zapsplat.com. All credit for music goes to the artists and founders of Soundstripe.com

Welcome to the travel/literary podcast The Wandering Book Collector with host Michelle Jana Chan. This is a series of conversations with writers exploring what's informed their books and their lives around themes of movement, memory, sense of place, borders, identity, belonging and home.In this edition, I'm joined by the writer and scholar Kylie Moore-Gilbert to discuss her book, THE UNCAGED SKY: My 804 days in an Iranian prison. Kylie was arrested at Tehran Airport in September 2018 by the Islamic Revolutionary Guards and convicted of espionage. She was sentenced to 10 years in prison, but released early in a three-nation prisoner swap.Please consider supporting your local bookshop.The Wandering Book Collector would like to thank the supporter of this podcast:Abercrombie & Kent — Creating unique, meticulously planned journeys into hard-to-reach wildernesses and cultures.If you're enjoying the podcast, I'd love you to leave a rating or a review. To learn about future editions, please subscribe or hit “follow” on your podcast app of choice. Thank you for listening! For more on the podcast, book recs, what books to pack for where's next, and who's up next, I'm across socials @michellejchan. I'd love to hear from you.And if you've missed any, do catch up. From Janine di Giovanni to Bernardine Evaristo to Afua Hirsch to Carla Power to Maaza Mengiste to Kapka Kassabova to Sara Wheeler to Brigid Delaney to Horatio Clare to Rebecca Mead to Preti Taneja to Kathryn D. Sullivan to Emmanuel Jal to Jennifer Steil to Winnie M Li to Mona Arshi to Tim Mackintosh-Smith to Karen Joy Fowler and Shannon Leone Fowler to Ariana Neumann to Anthony Sattin to Roger Robinson to Justin Marozzi to Frances Stonor Saunders and Osman Yousefzada.All credit for sound effects goes to the artists and founders of Freesound.org and Zapsplat.com. All credit for music goes to the artists and founders of Soundstripe.com

Welcome to the travel/literary podcast The Wandering Book Collector with host Michelle Jana Chan. This is a series of conversations with writers exploring what's informed their books and their lives around themes of movement, memory, sense of place, borders, identity, belonging and home.In this edition, I speak with the writer Osman Yousefzada to discuss his debut The Go-Between: A portrait of growing up between different worlds. It's a coming-of-age memoir, reflecting on his early life in Birmingham, a childhood within the embrace of an ultra-conservative community of immigrants from Pakistani Pashtun.Please consider supporting your local bookshop.The Wandering Book Collector would like to thank the supporter of this podcast:Abercrombie & Kent — Creating unique, meticulously planned journeys into hard-to-reach wildernesses and cultures.If you're enjoying the podcast, I'd love you to leave a rating or a review. To learn about future editions, please subscribe or hit “follow” on your podcast app of choice. Thank you for listening! For more on the podcast, book recs, what books to pack for where's next, and who's up next, I'm across socials @michellejchan. I'd love to hear from you.And if you've missed any, do catch up. From Janine di Giovanni to Bernardine Evaristo to Afua Hirsch to Carla Power to Maaza Mengiste to Kapka Kassabova to Sara Wheeler to Brigid Delaney to Horatio Clare to Rebecca Mead to Preti Taneja to Kathryn D. Sullivan to Emmanuel Jal to Jennifer Steil to Winnie M Li to Mona Arshi to Tim Mackintosh-Smith to Karen Joy Fowler and Shannon Leone Fowler to Ariana Neumann to Anthony Sattin to Roger Robinson to Justin Marozzi to Frances Stonor Saunders.All credit for sound effects goes to the artists and founders of Freesound.org and Zapsplat.com. All credit for music goes to the artists and founders of Soundstripe.com

Welcome to the travel/literary podcast The Wandering Book Collector with host Michelle Jana Chan. This is a series of conversations with writers exploring what's informed their books and their lives around themes of movement, memory, sense of place, borders, identity, belonging and home.In this edition, I speak with the writer Frances Stonor Saunders to discuss her book The Suitcase, Six Attempts to Cross a Border.Please consider supporting your local bookshop.The Wandering Book Collector would like to thank the supporter of this podcast:Abercrombie & Kent — Creating unique, meticulously planned journeys into hard-to-reach wildernesses and cultures.If you're enjoying the podcast, I'd love you to leave a rating or a review. To learn about future editions, please subscribe or hit “follow” on your podcast app of choice. Thank you for listening! For more on the podcast, book recs, what books to pack for where's next, and who's up next, I'm across socials @michellejchan. I'd love to hear from you.And if you've missed any, do catch up. From Janine di Giovanni to Bernardine Evaristo to Afua Hirsch to Carla Power to Maaza Mengiste to Kapka Kassabova to Sara Wheeler to Brigid Delaney to Horatio Clare to Rebecca Mead to Preti Taneja to Kathryn D. Sullivan to Emmanuel Jal to Jennifer Steil to Winnie M Li to Mona Arshi to Tim Mackintosh-Smith to Karen Joy Fowler and Shannon Leone Fowler to Ariana Neumann to Anthony Sattin to Roger Robinson to Justin Marozzi.All credit for sound effects goes to the artists and founders of Freesound.org and Zapsplat.com. All credit for music goes to the artists and founders of Soundstripe.com

In this episode Dr. Dan covers the 1999 book The Cultural Cold War by author Frances Stonor Saunders. The Cultural Cold War refers to propaganda campaigns waged by both the United States and the Soviet Union during the Cold War, with each country promoting their own culture—arts, literature, music—as well as, less overtly, their opposing political choices and ideologies at the expense of the other. Show is recorded at Grand Forks Best Source. For studio information, visit www.gfbestsource.com #gfbs #gfbestsource.com #grandforksbestsource #opensecrets @grandforksnd #thegreatreset #drdanstanislowski @GFBestSource #culturalcoldwar #propaganda #arts #literature #music

This 14th SIMM-podcast episode is presenting interviews with British musician-scholar-trainer Jonathan Vaughan (00:22->19:35), American musician-trainer Louise Zeitlin (20:10->33:05), Belgian  organist, composer, conductor and opera director Bernard Foccroulle (33:34->45:53) and conductor, ethnomusicologist, music educator, writer, and human rights activist André de Quadros (45:56->60:44).We hear Lukas Pairon interview them about training and accompanying programmes proposed to musicians and social and community workers engaged or wanting to engage themselves as facilitators in social and community music projects.The short music extracts you will hear are recordings of some of the programmes being discussed and presented during this and previous episodes of the podcast.Referenced during this podcast-episode: Moneim Adwan, Aix-en-Provence Opera Festival, Aix Academy, Aix Passerelles, James S. Bowman, Julia Bullock, Conducting 21C (Musical Leadership for a New Century), Emilie Delorme (Conservatory of Paris), John Dewey, Jonathan Dove ('The Monster in the Maze'), Elliott & Silverman & Bowman ('Artistic Citizenship'), Eric Ericson International Choral Centre, Guildhall School of Music and Drama, Emily Levy, LSO Discovery, Monnaie Opera, Oberlin Community Music School, Frances Stonor Saunders ('Who Paid The Piper?'), Sibelius Academy, Sarah Thery, Thierry Thieû Niang, Ana Vujanoviz ('Art as a Bad Public Good'), Roddy Williams, Paul Woodfordcontact: info@simm-platform.eu / www.simm-platform.eu

Are you coming back? That is what potter Edmund de Waal was asked by readers when he published his best-selling book about his family's refugee history The Hare with Amber Eyes. It's not a question he had easy answers for. In Refugee Week, Anne McElvoy and her guests, Edmund de Waal, Frances Stonor Saunders and Fariha Shaikh look at what it means to have to move your family and belongings - from the Jewish people who fled from central Europe to the colonial settlers of Charles Dickens's novels. Edmund de Waal's latest book is called Letters to Camondo. You can find a recent series of Radio 3's The Essay De Waal's Itinerant Pots available on BBC Sounds. If you want to hear the conversation between him and Nobel prize winning author Orhan Pamuk in the Free Thinking studio - check out our archives all available to download as Arts & Ideas podcasts. https://www.bbc.co.uk/programmes/p033cmt3 Frances Stonor Saunders has published a history of her family's travels from Romania, to Turkey, Egypt and then Britain in The Suitcase: Six Attempts to Cross a Border You can hear Frances Stonor Saunders discussing American Abstract Expressionist Art with novelist William Boyd in the Free Thinking archives https://www.bbc.co.uk/programmes/p048m2v5 Dr Fariha Shaikh is a New Generation Thinker on the scheme run by BBC Radio 3 and the Arts and Humanities Research Council which choses ten academics each year to turn their research into radio. She is a senior lecturer in Victorian Literature at the Department of English Literature at the University of Birmingham. Producer: Ruth Watts

In this freewheeling bonus episode, Kylie and Dan assess Jarett Kobek's claim in I Hate the Internet that "the good novel, as an idea, was created by the Central Intelligence Agency." Kylie summarizes her dissertation research on the relationship between the American intelligence community and American fiction, Dan comes up with some wild metaphors, and they both weigh in on whether the CIA's influence on literary production prevented authors from developing new forms or ideas. Plus, a spontaneous NewlyReads Game and Dan's infamous T.S. Eliot impression!An incomplete bibliography of great books on this topic that Kylie references in the episode: For more information on the Congress of Cultural Freedom, see Frances Stonor Saunders's The Cultural Cold War: The CIA and the World of Arts and Letters. For more on the general relationship between American intelligence, literature, and university humanities programs, see Timothy Melley's The Covert Sphere: Secrecy, Fiction, and the National Security State and Robin Winks's Cloak and Gown: Scholars in the Secret War, 1939-1961.For a more focused examination of how Faulkner was promoted as an American asset in the Cold War cultural battle, see Lawrence H. Schwartz's Creating Faulkner's Reputation: The Politics of Modern Literary Criticism. And finally, for more information on the FBI's policing of black writers and thinkers in the twentieth century, see F.B. Eyes: How J. Edgar Hoover's Ghostreaders Framed African American Literature , Barbara Foley's Wrestling with the Left: The Making of Ralph Ellison's Invisible Man, and Richard Gid Powers's G-Men: Hoover's FBI in American Popular Culture. 

Casper wants to feel closer to his paternal grandparents. But there’s a problem: they’ve been dead for a few years now. Is there a way, as he grows older, for him to keep his grandparents an active part of his life?Drawing upon The Suitcase by Frances Stoner Saunders and Children and Art from the musical Sunday in the Park with George, Casper and Vanessa think through how grief changes over time.--We are so grateful to our supporters on Patreon who make this show possible. If you can, please considering chipping in! See acast.com/privacy for privacy and opt-out information.

It was difficult to coordinate release schedules with the CIA but we got there in the endThis week we discuss the CIA and the art world with Frances Stonor Saunders, author of the canonical book in this field "Who Paid The Piper?". Big thanks to the HKW for facilitating this discussion, and be sure to check out the other programming from their "Disappearance of Music" event.LINKSWho Paid the Piper?:https://granta.com/products/who-paid-the-piper/HKW Disappearance of Music: https://www.hkw.de/en/programm/projekte/2020/das_verschwinden_der_musik/start.php#:~:text=The%20discursive%20digital%20music%20festival,or%20under%20strict%20protective%20measures.

Ben & Paul talk about American cowboy-painter Jackson Pollock and how the CIA boosted Abstract Expressionism in order to look cooler than Communists. We draw heavily on "The Cultural Cold War: The CIA and the World of Arts and Letters" by Frances Stonor Saunders.

收听提示 1、台北故宫出借颜真卿《祭侄文稿》赴日本为何引发争议？ 2、为什么《祭侄文稿》能出借日本，却不能来内地？ 3、国宝级文物究竟该不该外借？ 本集展览 "颜真卿：超越王羲之的名笔"书画特展，展览地点：东京国立博物馆 本集书目 《Who Paid the Piper?》作者：Frances Stonor Saunders 内容简介 在冷战期间，作家和艺术家面临着巨大的挑战。在苏维埃世界，人们期望他们能够创作出能够激发战斗和不屈不挠的乐观主义作品。在西方，言论自由被吹嘘为自由民主最宝贵的财产，但这种自由可能需要代价。 这本书记录了一场秘密运动的奇特精神，在这场运动中，在这场运动中，一些西方最能鼓吹知识自由的人都是美国秘密机构的工具——不管他们是否知道，不管他们是否喜欢。 推荐文章 《赴日参展争议：被民族主义情绪裹挟的文物保护和利用》作者：林子人，来自：界面文化公众号 《国宝外借怎么了？这些不看画的人莫名愤怒个啥？》作者：画事君，来自：民国画事公众号 《Imaging China: China';s cultural diplomacy through loan exhibitions to British museums》作者：Da Kong，来自 lra.le.ac.uk  收听更多 中国艺术杰作《画说：20幅作品里的中国美术史》 西方艺术杰作《10件作品里的西方艺术史》 全新《八分》每周三、周五更新 欢迎留言与我们互动

收听提示 1、台北故宫出借颜真卿《祭侄文稿》赴日本为何引发争议？ 2、为什么《祭侄文稿》能出借日本，却不能来内地？ 3、国宝级文物究竟该不该外借？ 本集展览 "颜真卿：超越王羲之的名笔"书画特展，展览地点：东京国立博物馆 本集书目 《Who Paid the Piper?》作者：Frances Stonor Saunders 内容简介 在冷战期间，作家和艺术家面临着巨大的挑战。在苏维埃世界，人们期望他们能够创作出能够激发战斗和不屈不挠的乐观主义作品。在西方，言论自由被吹嘘为自由民主最宝贵的财产，但这种自由可能需要代价。 这本书记录了一场秘密运动的奇特精神，在这场运动中，在这场运动中，一些西方最能鼓吹知识自由的人都是美国秘密机构的工具——不管他们是否知道，不管他们是否喜欢。 推荐文章 《赴日参展争议：被民族主义情绪裹挟的文物保护和利用》作者：林子人，来自：界面文化公众号 《国宝外借怎么了？这些不看画的人莫名愤怒个啥？》作者：画事君，来自：民国画事公众号 《Imaging China: China';s cultural diplomacy through loan exhibitions to British museums》作者：Da Kong，来自 lra.le.ac.uk  收听更多 中国艺术杰作《画说：20幅作品里的中国美术史》 西方艺术杰作《10件作品里的西方艺术史》 全新《八分》每周三、周五更新 欢迎留言与我们互动

"Slavery is likely to be abolished by the war power and chattel slavery destroyed. This, I and my European friends are in favour of, for slavery is but the owning of labour and carries with it the care of the labourers, while the European plan, led by England, is that capital shall control labour by controlling wages..." This letter, known as the Hazard Circular, is to be found on Pages 44-45 in The Money Manipulators by June Grem. Evolutionism, Derivatives, Rich Kids, Jordan Peterson & Bret Weinstein on Joe Rogan, Postmodernism, Naturalistic Materialism, The Turning Point: Science Society and the Rising Culture Book by Fritjof Capra, Who Paid the Piper? The CIA and the Cultural Cold War is a 1999 book by Frances Stonor Saunders, Mutual of Omaha Wild Kingdom, False Duality, Veganism, The Bell Curve, To Eliminate the Opiate: An In depth Study of Communist and Conspiratorial Group .Book by Marvin Antelman, The Trial-David Irving, The Jews, EXPO 2017 Astana, The Great Exhibition of 1851, The Age of the Sun God, Electric Cars, Biomass, Mercantilism, Chorizo, Ricard's Flagrant Cultural Appropriation, Glean Kealey, Bats-Cats-Rats. Intro Hold Music Snippet: Curly Chalker Steel Guitar solo LP from 1966 Endcap: Jimmy Dean Sausage Guy, War Games Scares Congress, Bill Burr-Terrorist Sandwich, RichDstroi. hoaxbusterscall.com

Frances Stonor-Saunders explores how the young Donald Trump stormed into Manhattan from the outer boroughs in the late 1970s and headed straight for New York's most outrageous nightclub. He didn't dance, didn't drink, and didn't take drugs. So what was he doing in the cocaine-fuelled hothouse of the Disco revolution? And what was the link to Roy Cohn, infamous attack dog of the McCarthy era, go-to Attorney for the Mob and the man Trump was happy to call his mentor? Producer: Fiona Leach Research: Serena Tarling.

The Royal Shakespeare Company presents Anders Lustgarten's new play Seven Acts of Mercy; drawing connections between Caravaggio and modern Liverpool Spike Lee's latest film Chi-raq retells the classic Greek tale of Lysistrata imagining a sex strike organised by the women of Chicago in order to get their menfolk to renounce violence. American painter, sculptor, printmaker, photographer and performance artist Robert Rauschenberg is the subject of a retrospective at Tate Modern; the first since his death in 2008 Two books of poetry, one American, one British - Ben Lerner's No Art and Rachael Boast's Void Studies This Is Us has been enormously successful in the USA and has now been bought by Channel 4 - will it be embraced by British viewers? Tom Sutcliffe's guests are Tiffany Jenkins, Damian Barr and Frances Stonor Saunders. The producer is Oliver Jones.

[NOTE: There are a few discontinuities in the audio from technical issues.] In this Hoax Busters Call Special Report, John and I (Chris) join Nino Teuheneugh for a riveting discussion regarding; The Blank Generation Defined, Detroit Scene, MC 5, John Sinclair, The Fifth Estate Magazine, Harvey Ovshinsky, Hardcore Radical Socialists, Abby Hoffman, 68â?? Chicago Riots, LSD, Wayne Kramer, Lexington Penitentiary, UCLA Neuropsychiatric Institute, MK Ultra, The Narcotic Farm, William S. Burroughs, Fred "Sonic" Smith, Richard "Handsome Dick" Manitoba, James Newell Osterberg, Jr., (Iggy Pop), Louis Jolyon West, The Velvet Underground, Andy Warhol, Frances Stonor Saunders, The Cultural Cold War: The CIA and the World of Arts and Letters(Book), American Abstract Expressionism, Bibbe Hansen, Beck, The New School for Social Research, The Factory, Lou Reed, White Light White Heat, Alice Bailey, Brian Eno, Syracuse University, In this Hoax Busters Call Special Report, John and I (Chris) join Nino Teuheneugh for a riveting discussion regarding; The Blank Generation Defined, Detroit Scene, MC 5, John Sinclair, The Fifth Estate Magazine, Harvey Ovshinsky, Hardcore Radical Socialists, Abby Hoffman, 68â?? Chicago Riots, LSD, Wayne Kramer, Lexington Penitentiary, UCLA Neuropsychiatric Institute, MK Ultra, The Narcotic Farm, William S. Burroughs, Fred "Sonic" Smith, Richard "Handsome Dick" Manitoba, James Newell Osterberg, Jr., (Iggy Pop), Louis Jolyon West, The Velvet Underground, Andy Warhol, Frances Stonor Saunders, The Cultural Cold War: The CIA and the World of Arts and Letters(Book), American Abstract Expressionism, Bibbe Hansen, Beck, The New School for Social Research, The Factory, Lou Reed, White Light White Heat, Alice Bailey, Brian Eno, Syracuse University, Free Jazz, John Cale, Fluxus Movement, John Cage, Hotel Chelsea, Timothy Leary, Skull and Bones, Suicide(band), Martin Rev , Alan Vega, New York University, CBGBâ??s, Situationist International Philosophy, Electrosynth, Richard Hell(first â??punk rockerâ??), Television(band), Charles Bukowski, 27 Club, Harry Everett Smith, Into Music: Blank Generation by Richard Hell and the Voidoids, Outro Snippet-â??Punk: Attitudeâ??, Film by Don Letts, hoaxbusterscall.com

Frances Stonor Saunders examines the crossing of borders, in her LRB Winter Lecture delivered at the British Museum.Read Frances Stonor Saunders in the LRB: https://lrb.me/stonorsaundersodSign up to the LRB newsletter: https://lrb.me/acast See acast.com/privacy for privacy and opt-out information.

On Start the Week Andrew Marr explores the question of citizenship. While immigration issues dominate political debate, little attention is paid to the big increase in the number of people becoming British. The academic Thom Brooks and the Eurosceptic MEP Daniel Hannan look at the relationship between the two and the challenges for modern UK citizenship. Ben Rawlence spent four years reporting the stories of those who are stateless, living in the largest refugee camp in the world, while Frances Stonor Saunders explores the increasing complexity of today's border regimes and the obsession with the verified self. Producer: Katy Hickman.

Thousands of migrants are stuck in Vienna, their journey to Germany cut short. Will they ever realise their European dreams? Frances Stonor Saunders reports. Producer: Lucy Proctor.

Greece's future in Europe dominated headlines throughout the summer, but can the country turn its fortunes around? While it's true that the country owes hundreds of billions of euros and is facing austerity for years to come, Frances Stonor Saunders finds that Greece has plenty going for it - and not just its idyllic islands where Brits like to holiday. Frances takes a trip to picturesque Skiathos, with its sandy beaches and boutique hotels, before exploring the 'real' Greece on the mainland of Volos. Along the way she discovers that, contrary to the popular narrative, the Greek people are accepting responsibility for the crisis that now engulfs them, and are coming up with innovative solutions to fix the future. Presenter: Frances Stonor Saunders Producer: Ben Crighton.

The gun attack on the beach resort of Sousse that killed 38 tourists in June deterred many holidaymakers from travelling to Tunisia. But not journalist Frances Stonor Saunders. She set off for an all-inclusive holiday package to Hammamet, a nearby seaside resort. As well as deserted beaches and eerily empty hotels, Frances has a chance encounter with a man who helped foil a previous terror attack at a popular tourist site. And she hears why Tunisians are refusing to go to local hotels, despite desperate pleas from hotel owners. Producer: Ben Crighton. (Image credit: European Photopress Agency)

The gun attack on the beach resort of Sousse that killed 38 tourists, deterred many holiday-makers from travelling to Tunisia. But not journalist, Frances Stonor Saunders. She packed her bags, no flak jacket in sight, and set off for an all-inclusive package deal to Hammamet, a nearby seaside resort. What did she find? As well as deserted beaches and eerily empty hotels, Frances has a chance meeting with a man who helped foil a previous terror attack on a popular tourist site; and she finds out why Tunisians are refusing to go to local hotels, despite desperate pleas from hotel owners.

The gun attack on the beach resort of Sousse that killed 38 tourists, deterred many holiday-makers from travelling to Tunisia. But not journalist, Frances Stonor Saunders. She packed her bags, no flak jacket in sight, and set off for an all-inclusive package deal to Hammamet, a nearby seaside resort. What did she find? As well as deserted beaches and eerily empty hotels, Frances has a chance meeting with a man who helped foil a previous terror attack on a popular tourist site; and she finds out why Tunisians are refusing to go to local hotels, despite desperate pleas from hotel owners.

A brand new interpretation of the classical story The Oresteia begins a Greek Season at London's Almeida Theatre. How well does it bring an ancient story up-to-date? Czech writer Milan Kundera has just published his first novel for 12 years The Festival of Insignificance Iain Banks' 2012 novel Stonemouth about a young man returning - under a shadow - to his Scottish hometown has been dramatised for BBC1 London's Serpentine Gallery has 2 portraiture exhibitions opening - Duane Hanson and Lynette Yiadom Boakye. The film Listen Up Philip follows the life and relationships of an obnoxious young author who seeks life advice from a similarly obnoxious older writer Tom Sutcliffe's guests are Linda Grant, John Mullan and Frances Stonor Saunders. The producer is Oliver Jones.

The wish to be anonymous in our dealings with private companies or governments, in commenting on the news or in daily life seems to be increasing. For some, anonymity is an ironic response to the cult of celebrity that usually preoccupies us. For others, being anonymous enables us to reject the endless celebration of the individual that characterises our times and instead to find comfort and ease in the unidentifiable mass. Frances Stonor Saunders examines if the desire for being unknown - whether by the NHS or your search engine - is set to be the new trend of our times. She explores with those who use the cloak of anonymity - including whistleblowers, authors and medical practitioners - the benefits which concealing your identity can confer. But she also considers the dangers of not being identifiable and how these pitfalls may affect the rest of society. Producer Simon Coates.

Self knowledge through numbers is the motto of the "quantified self" movement. Calories consumed, energy expended, work done, places visited or how you feel. By recording the data of your daily life online, the life-loggers claim, you get to know who you really are. So far this type of self-tracking is the obsession of a geeky minority. But through our smartphones and social networking sites more and more of us being drawn into this world by stealth. Frances Stonor Saunders asks what it means for our ideas about privacy and sense of self. Producer: Fiona Leach.

We dream about it, argue about it, worry about it, celebrate it, spend it, save it, we transfer it from one emotion to another. But what exactly is money? And why do we trust it? Frances Stonor Saunders takes a journey through some of the fundamentals of money. During her journey she dips her toe into the world of quantitative easing. How is that money invented? Is it as real as the pieces of paper in our wallets? And she explores some of the reasons for the calls to return to a gold standard. Essentially, she tries to gain a better understanding of what this stuff which we call money is really about; how and why do we maintain our faith in it, or has it just become too complicated?

Frances Stonor Saunders looks at the role of cultural diplomacy in spreading liberal British values around the world. The British Council and the BBC World Service, both part-funded by the Foreign Office, are the two most important institutions of British cultural diplomacy. The British Council organises exhibitions and events at its offices around the world with artists such as Grayson Perry. He feels that the fact his work deals with controversial themes is part of his attraction for the cultural diplomats keen to convey the values of liberalism by saying, "Look what we put up with in our country: a cross-dressing potter who's talking about the evils of advertising." The BBC World Service is editorially independent but is funded by the Foreign Office. Frances Stonor Saunders explores the tension between the fact that cultural diplomacy has an official purpose yet the endeavours it seeks to promote need to maintain freedom and independence as a mark of a liberal society. Contributors include Grayson Perry, Timothy Garton Ash and Sir Sherard Cowper Coles.

--{ CFR, RIIA, IPR, CIA and Global Culture: (Continued from Yesterday) "Lots of Old Books, Dry Dusty Pages, Following a System Down through Ages, Chameleon-like, Adapt! Then Conflagration, With Tentacle Arms Reaching Each Nation, Out of Each Conflict, Create Closer Ties, Low-Level Workers Fed Idealism, Lies, Old Wealthy Families at the Top, of Course, Now Own Every Animal, Mineral, Human Resource, Front-Men Leaders, Scriptwriters Play Sage, Announcing the Birth of This New Age, Equality and Unity, All Sounds So Nice, The Rich Own the World, Rest are Church Mice" © Alan Watt }-- Knowledge is Never Lost - Government Run by Secrecy - OSS, CIA, Culture Creation - Communist Regimes - Predictive Programming. Novelists, Writers, Publication, Guaranteed Sales - Congress for Cultural Freedom, PEN, Funding - Movies, Fiction, Shaping Opinion, "Sin Cities". Hollywood Films, Bolshevism, Russia, Germany - Changing Enemies, Orwell's "1984"- War in Iraq - RIIA-CFR Meeting, Creation of World Culture. Movie Exports, Foreign Policy, "American Values" - Pentagon-Funded War Movies - All Groups Used - Youth, "Antique" History - Folk and Rock Music. Laurel Canyon, Military Families - Communism Funded by Canada and U.S. - Degeneracy, Cold War, Reece Commission. Chatham House (WWII OSS Headquarters), RIIA, Cecil Rhodes, Alfred Milner, LON, UN - Professor Carroll Quigley, Alfred Zimmerman. Britain, British Commonwealth - Lord Lothian, Hess - Royal Institute for International Affairs, Council on Foreign Relations. (Books: [Continued: "The Cultural Cold War: The CIA and the World of Arts and Letters" by Frances Stonor Saunders.] ["Tragedy and Hope" by Carroll Quigley.]) *Title/Poem and Dialogue Copyrighted Alan Watt - Jan. 20, 2009 (Exempting Music, Literary Quotes, and Callers' Comments)

--{ The CIA's Dream Machine---Still Dreamin': " 'It's One, Two, Three, What're We Fighting For?' Read about CIA in 'The Cultural Cold War,' Where Sons of the Rich were Given Free Hand To Take Over Culture, Be In Command, Creating New Culture for World Federation, Payrolled by the 'Charitable' Foundations, They Worked Alongside Britain's MI6, Which Taught Them All Subversive Tricks, Whole Countries Saw Old Culture Leave 'em, New Ones Courtesy 'Congress for Cultural Freedom,' Cold War is Over, Cultural Leaders Remain, Still Paid by Foundations, Never Losing the Aim Of a New World Order, States Federated, Where We're All Numbered, Watched, Regulated" © Alan Watt }-- Communism, Cold War, Organization Ability - Transition Phase, Surveillance - OSS, CIA, World War II - "Organizational Weapon". East-West Dialectic, "Foundations: Their Power and Influence" book - Culture Industry, Promotion of "Decadence" - Truth and Propaganda. Novelists, Arts, Nihilism, Apathy Creation - Lend-Lease Program, United Europe - Henry Kissinger - Elite Families' Profiteering. Philanthropic Foundations, CIA Funding, Fronts - Control of Technology - Thousand Points of Light - Congress for Cultural Freedom. Council on Foreign Relations, RIIA, World Government - (John D., Nelson, David) Rockefeller Foundation, Covert Intelligence Operations. (Recommended Read: "The Cultural Cold War: The CIA and the World of Arts and Letters" by Frances Stonor Saunders.) *Title/Poem and Dialogue Copyrighted Alan Watt - Jan. 19, 2009 (Exempting Music, Literary Quotes, and Callers' Comments)