Podcasts about hurry love

The oft suited and booted Portsmouth-born comedian Suzi Ruffell went from aspiring actor to standout stand-up. She's had five sell-out runs at The Edinburgh Fringe, has appeared on all the big comedy TV and panel shows….and is a regular voice on radio and with her women's football podcast ‘Big Kick Energy'. Her debut memoir, Am I Having Fun Now? is a funny and hopeful exploration of her life, battle with anxiety, therapy and becoming a mother.Inherited: You Can't Hurry Love by The Supremes Passed on: Heart's Content by Brandi CarlileProducer: Catherine Powell

“Bully,” the eleventh studio album by Kanye West, now known as Ye, marks a striking return to solo artistry for the controversial rapper and producer. Released on March 18, 2025, and officially uploaded to YouTube on March 21, 2025, this project arrives amid a whirlwind of personal and public turmoil, reflecting both Ye's creative evolution and his unapologetic defiance. The album's title draws inspiration from a personal anecdote involving his son, Saint West, who reportedly kicked another child for being “weak,” a story Ye shared with a mix of amusement and pride in a February 2025 interview with Justin LaBoy. This incident, paired with thematic nods to Larry Clark's 2001 film “Bully”—a tale of teens exacting revenge on an abusive peer—frames the album as a symbolic break from external control, notably Ye's tumultuous history with Adidas, whom he casts as his own metaphorical tormentor.Musically, “Bully” diverges from the collaborative chaos of Ye's recent “Vultures” series with Ty Dolla $ign, embracing a self-produced, introspective soundscape that critics have hailed as his strongest in over a decade. The album blends the soulful patience of his early work, like “The College Dropout,” with the experimental warmth of singles such as “Only One” (2014) and “FourFiveSeconds” (2015). Tracks like “Preacher Man” and “Beauty and the Beast,” previewed in September 2024 at a China listening event, showcase lush samples—from The Supremes' “You Can't Hurry Love” to Cortex's “Huit Octobre 1971”—chopped with a meticulous hand, evoking a nostalgic yet forward-thinking vibe. GQ praised its “rich, warm, even optimistic” tone, a stark contrast to Ye's public persona, suggesting a retreat from the internet's noise into a cloistered creative space.Yet, “Bully” is unmistakably a work in progress. Released initially as a 45-minute short film directed by Ye and edited by Hype Williams, it features Saint battling Japanese wrestlers with a plastic mallet—a surreal visual that mirrors the album's raw, unfinished state. Ye himself admitted on X that it's “not finished and half the vocals AI,” a choice that divides listeners. The AI-generated vocals, often mimicking his “808s & Heartbreak” style, serve as texture rather than substance, occasionally jarring against the otherwise masterful beats. Three versions—“Screening,” “Post Hype,” and “Post Post Hype”—circulated online, with the YouTube release, “BULLY V1,” trimming the tracklist to nine songs, notably dropping “Melrose” featuring Playboi Carti and Ty Dolla $ign amid reported feuds.The album's rollout was overshadowed by Ye's latest social media spiral, rife with antisemitic rants, swastika imagery, and attacks on peers like Jay-Z, Beyoncé, and Kendrick Lamar. An alternative cover featuring a red swastika underscored his provocative stance, aligning with previews like “World War 3,” where he doubles down on his polarizing views. This chaos contrasts sharply with the music's calm, almost serene quality—tracks that narrate betrayal and resilience with a soothing undercurrent, as one X user noted, calling it “the complete opposite of what its title suggests.”Despite the controversy, “Bully” has garnered acclaim for its production, with some fans and critics dubbing it a return to form, even in its rough state. Its unconventional release—bypassing streaming platforms for X and YouTube—reflects Ye's disdain for industry norms, as he decried “fake streams” and “French and Jewish record labels.” Whether it evolves into a polished final product or remains a snapshot of Ye's turbulent 2025, “Bully” stands as a testament to his enduring genius and unrelenting defiance, a paradox of beauty and unrest at the heart of his legacy.

Finishing our mini series on L

In the first song, the woman is ready to move ahead, the "dod" is more hesitant. In the second song., the "dod" is all excited; the "ra'aya" - the woman - is expressing doubts and excuses. This is the nature of unripe love.

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our milestone 100th episode with the legendary Lamont Dozier! ABOUT LAMONT DOZIERLamont Dozier, along with brothers Eddie and Brian Holland, wrote and produced more than 20 consecutive singles recorded by the Supremes, including ten #1 pop hits: “Where Did Our Love Go,” “Baby Love,” “Come See About Me,” “Stop! In the Name of Love,” “Back in My Arms Again,” “I Hear a Symphony,” “You Can't Hurry Love,” “You Keep Me Hangin' On,” “Love is Here and Now You're Gone,” and “The Happening.” Other Top 5 singles they wrote for the Supremes include “My World is Empty Without You” and “Reflections.” In addition to their hits with the Supremes, Holland, Dozier, and Holland helped further define the Motown sound by writing major pop and R&B hits such as “Heat Wave,” “Nowhere to Run,” and “Jimmy Mack” for Martha and the Vandellas, “Mickey's Monkey” for the Miracles, “Can I Get a Witness” and “You're a Wonderful One” for Marvin Gaye, and “(I'm A) Road Runner” for Junior Walker and the All Stars. The trio found particular success with The Four Tops, who scored hits with their songs “Baby I Need Your Loving,” “I Can't Help Myself (Sugar Pie Honey Bunch),” “It's the Same Old Song,” “Reach Out I'll Be There,” “Standing in the Shadows of Love,” and “Bernadette.” Additional hits include “Crumbs Off the Table” for Glass House, “Give Me Just a Little More Time” for Chairmen of the Board, “Band of Gold” for Freda Payne, and Dozier's own recording of “Why Can't We Be Lovers.” Hit cover versions of his songs by rock artists include “Don't Do It” by the Band, “Take Me in Your Arms (Rock Me a Little While)” by the Doobie Brothers, “How Sweet It Is (To Be Loved By You)” by James Taylor, and “This Old Heart of Mine” by Rod Stewart. With hits spanning multiple decades, Dozier also co-wrote “Two Hearts” with Phil Collins, earning a #1 pop hit, a Grammy award, a Golden Globe, and an Oscar nomination. Dozier is in the Songwriters Hall of Fame and the Rock and Roll Hall of Fame. He is the recipient of the prestigious Johnny Mercer Award for songwriting, as well as the BMI Icon award. Lamont Dozier was additionally named among Rolling Stone magazine's 100 Greatest Songwriters of All Time.

Bienvenidos a La Diez Capital Radio! Están a punto de comenzar un nuevo episodio de nuestro Programa de Actualidad, donde la información, la formación y el entretenimiento se encuentran para ofrecerles lo mejor de las noticias y temas relevantes. Este programa, dirigido y presentado por Miguel Ángel González Suárez, es su ventana directa a los acontecimientos más importantes, así como a las historias que capturan la esencia de nuestro tiempo. A través de un enfoque dinámico y cercano, Miguel Ángel conecta con ustedes para proporcionar una experiencia informativa y envolvente. Desde análisis profundos hasta entrevistas exclusivas, cada emisión está diseñada para mantenerles al tanto, ofrecerles nuevos conocimientos y, por supuesto, entretenerles. Para más detalles sobre el programa, visiten nuestra web en www.ladiez.es - Informativo de primera hora de la mañana, en el programa El Remate de La Diez Capital Radio. Hoy hace un año: El papa Francisco abordará hoy con Clavijo el drama migratorio. Se prevé que el presidente de Canarias reitere su invitación al pontífice para que visite las Islas en noviembre, con motivo de una escala rumbo a Argentina. Hoy hace 365 días: Helicópteros y maquinaria pesada refrescan el incendio en la planta de compostaje de Arona. El incendio comenzó 4 días antes. Hoy se cumplen 1.056 días del cruel ataque e invasión de Rusia a Ucrania. Hoy es miércoles 15 de enero de 2025. Día mundial de la nieve “Año de nieves, año de bienes”. Los refranes populares nos recuerdan la importancia de la nieve. Afirman que si nieva en invierno, la cosecha y los animales son más productivos el resto del año. Los ecosistemas naturales de agua dulce son los más productivos del mundo y su influencia en la economía local es crucial. A pesar de que el 70% de la Tierra está cubierta por agua, sólo una mínima parte es dulce y la mayoría se encuentra congelada en los polos o forma parte de aguas subterráneas, aguas alimentadas, en última instancia, por el deshielo de las zonas más altas. El Día Mundial de la Nieve fue una iniciativa de la Federación Internacional de Esquí con el objetivo de promocionar las distintas actividades que se realizan en la nieve sobre todo entre los niños, facilitar a que la gente disfrute el deporte del esquí y otros tipos de deporte que se realizan en la nieve. 1759.- Inauguración del Museo Británico, en Londres. 1798.- Goya empieza a pintar los frescos de la iglesia madrileña de San Antonio de la Florida. 1913.- Primera transmisión telefónica sin hilos entre Nueva York y Berlín. 1934.- Fulgencio Batista se hace con el poder en Cuba. 1941.- Alfonso XIII abdica en Roma de sus derechos al trono español en su hijo el príncipe don Juan, conde de Barcelona. 1971.- Inauguración de la gran presa de Asuán, en el río Nilo. 1992.- La Comunidad Europea reconoce a Croacia y Eslovenia, lo que supone la desmembración de Yugoslavia como Estado unitario a efectos europeos. 2001.- Nace Wikipedia, enciclopedia libre y publicada en Internet creada por Jimmy Wales y Larry Sanger. 2006.- Alberto Núñez Feijóo sustituye a Manuel Fraga como presidente del PP de Galicia. 2009.- Se salvan los 155 viajeros del Airbus 320, caído al río Hudson, en Nueva York (EEUU), gracias a la pericia del piloto. Santos Pablo, Mauro, Macario y Miqueas. Israel y Hamás ultiman los detalles de un acuerdo de tregua en Gaza que según EE.UU. está "listo para firmar" La ampliación de la Unión Europea "se basará en el mérito" y no en la geopolítica, según Bruselas. Felipe VI pide "hacer valer" a España como "aliado necesario" y "ahondar" en la relación con EE.UU. en la era Trump. Junts descarta apoyar una moción de censura del PP e insiste en que Sánchez debe someterse a una cuestión de confianza. Ayuso califica como un nuevo Watergate el caso del fiscal general del Estado y Óscar López pide su "dimisión inmediata" Interior tiene detectados en Canarias 6.769 casos activos por violencia de género Por comunidades, el mayor número de casos activos por violencia de género está en Andalucía. Por comunidades, el mayor número de casos activos por violencia de género está en 1.- Andalucía, con 26.716 ; le sigue la 2.- Comunidad Valenciana, con 16.886; la 3.- Comunidad de Madrid, con 12.812; 4.- Canarias, con 6.769. El 20% de los migrantes irregulares que cruzan la frontera de la UE entra por Canarias. Frontex advierte que la ruta atlántica es la vía migratoria que más creció en 2024, con un incremento del 18% de las llegadas. El precio de la vivienda en Canarias supera en casi un 8% el máximo de la burbuja inmobiliaria. Los precios se dispararon en el archipiélago en diciembre, anotando el mayor incremento del país: un 11,5%. El Ayuntamiento de Las Palmas de Gran Canaria sigue sin concretar las ubicaciones de los diferentes actos del Carnavala tres semanas y media de su inicio, y lo único que ha anunciado es que se celebrará entre el parque Santa Catalina y la plaza Manuel Becerra. Proyectan instalar 11 radares para detectar vertidos marinos en Tenerife. 15 enero de 1983. Llega al número 1 en UK el single You Can´t Hurry Love de Phil Collins. - Sección de actualidad con mucho sentido de Humor inteligente en el programa El Remate de La Diez Capital radio con el periodista socarrón y palmero, José Juan Pérez Capote, El Nº 1. - Sección en el programa El Remate de La Diez Capital radio con el analista político, Manolo Fernández. Ayuso califica como un nuevo Watergate el caso del fiscal general del Estado y Óscar López pide su "dimisión inmediata" Junts descarta apoyar una moción de censura del PP e insiste en que Sánchez debe someterse a una cuestión de confianza. - Entrevista en “El Remate” de La Diez Capital Radio. Hoy, en el programa El Remate de La Diez Capital Radio, contamos con la presencia del Dr. Antonio Alarcó, Adjunto al Diputado del Común. Durante esta interesante entrevista, hablamos sobre su nuevo libro, “Conciencia Colectiva”, una obra que invita a reflexionar sobre el papel de la sociedad en la toma de decisiones conjuntas para enfrentar los desafíos actuales. Además, el Dr. Alarcó nos ofrece su análisis experto sobre un tema de gran relevancia: la incidencia de la gripe en un contexto con cinco virus en circulación. Nos explica las claves para protegernos y prevenir contagios, destacando la importancia de la salud pública y de actuar de manera conjunta para enfrentar estos retos sanitarios. ¡No te pierdas esta entrevista imprescindible para entender mejor nuestra realidad actual! - No te pierdas el “Especial Bodas” de los “Cabañas”. En unos minutos comenzará en Capital Radio “La Hora de Beatriz Cabañas”, un programa para almas inquietas y amantes de la vida. Estás invitado/a. Saludos y feliz día a tod@s! B.C. - Sección en El Remate de La Diez Capital Radio. En la sección de hoy en El Remate de La Diez Capital Radio, el coordinador de la Alianza de Vecinos de Canarias, Abel Román, conversa con un invitado de excepción: el Dr. Rodrigo Martín, presidente del Colegio Oficial de Médicos de Santa Cruz de Tenerife. El tema central de esta edición es la carga laboral de los médicos en el sistema sanitario español. Analizan la cantidad de horas que dedican los profesionales de la salud en su jornada, las consecuencias de estas largas jornadas en su bienestar y la calidad de la atención que reciben los pacientes. Un debate crucial que pone de manifiesto los desafíos del sistema sanitario y la necesidad de buscar soluciones que beneficien tanto a los médicos como a los ciudadanos. ¡No te lo pierdas! - Sección en El Remate de La Diez Capital Radio. En la sección de hoy en El Remate de La Diez Capital Radio, contamos con la participación de Virginia Teja para analizar la actualidad informativa. Abordamos los temas más relevantes del momento, desgranando las claves y los puntos de vista que marcan la agenda mediática. Una conversación dinámica y enriquecedora que ofrece una visión clara y reflexiva sobre las noticias que están dando forma a nuestra realidad.

Informativo de primera hora de la mañana, en el programa El Remate de La Diez Capital Radio. Hoy hace un año: El papa Francisco abordará hoy con Clavijo el drama migratorio. Se prevé que el presidente de Canarias reitere su invitación al pontífice para que visite las Islas en noviembre, con motivo de una escala rumbo a Argentina. Hoy hace 365 días: Helicópteros y maquinaria pesada refrescan el incendio en la planta de compostaje de Arona. El incendio comenzó 4 días antes. Hoy se cumplen 1.056 días del cruel ataque e invasión de Rusia a Ucrania. Hoy es miércoles 15 de enero de 2025. Día mundial de la nieve “Año de nieves, año de bienes”. Los refranes populares nos recuerdan la importancia de la nieve. Afirman que si nieva en invierno, la cosecha y los animales son más productivos el resto del año. Los ecosistemas naturales de agua dulce son los más productivos del mundo y su influencia en la economía local es crucial. A pesar de que el 70% de la Tierra está cubierta por agua, sólo una mínima parte es dulce y la mayoría se encuentra congelada en los polos o forma parte de aguas subterráneas, aguas alimentadas, en última instancia, por el deshielo de las zonas más altas. El Día Mundial de la Nieve fue una iniciativa de la Federación Internacional de Esquí con el objetivo de promocionar las distintas actividades que se realizan en la nieve sobre todo entre los niños, facilitar a que la gente disfrute el deporte del esquí y otros tipos de deporte que se realizan en la nieve. 1759.- Inauguración del Museo Británico, en Londres. 1798.- Goya empieza a pintar los frescos de la iglesia madrileña de San Antonio de la Florida. 1913.- Primera transmisión telefónica sin hilos entre Nueva York y Berlín. 1934.- Fulgencio Batista se hace con el poder en Cuba. 1941.- Alfonso XIII abdica en Roma de sus derechos al trono español en su hijo el príncipe don Juan, conde de Barcelona. 1971.- Inauguración de la gran presa de Asuán, en el río Nilo. 1992.- La Comunidad Europea reconoce a Croacia y Eslovenia, lo que supone la desmembración de Yugoslavia como Estado unitario a efectos europeos. 2001.- Nace Wikipedia, enciclopedia libre y publicada en Internet creada por Jimmy Wales y Larry Sanger. 2006.- Alberto Núñez Feijóo sustituye a Manuel Fraga como presidente del PP de Galicia. 2009.- Se salvan los 155 viajeros del Airbus 320, caído al río Hudson, en Nueva York (EEUU), gracias a la pericia del piloto. Santos Pablo, Mauro, Macario y Miqueas. Israel y Hamás ultiman los detalles de un acuerdo de tregua en Gaza que según EE.UU. está "listo para firmar" La ampliación de la Unión Europea "se basará en el mérito" y no en la geopolítica, según Bruselas. Felipe VI pide "hacer valer" a España como "aliado necesario" y "ahondar" en la relación con EE.UU. en la era Trump. Junts descarta apoyar una moción de censura del PP e insiste en que Sánchez debe someterse a una cuestión de confianza. Ayuso califica como un nuevo Watergate el caso del fiscal general del Estado y Óscar López pide su "dimisión inmediata" Interior tiene detectados en Canarias 6.769 casos activos por violencia de género Por comunidades, el mayor número de casos activos por violencia de género está en Andalucía. Por comunidades, el mayor número de casos activos por violencia de género está en 1.- Andalucía, con 26.716 ; le sigue la 2.- Comunidad Valenciana, con 16.886; la 3.- Comunidad de Madrid, con 12.812; 4.- Canarias, con 6.769. El 20% de los migrantes irregulares que cruzan la frontera de la UE entra por Canarias. Frontex advierte que la ruta atlántica es la vía migratoria que más creció en 2024, con un incremento del 18% de las llegadas. El precio de la vivienda en Canarias supera en casi un 8% el máximo de la burbuja inmobiliaria. Los precios se dispararon en el archipiélago en diciembre, anotando el mayor incremento del país: un 11,5%. El Ayuntamiento de Las Palmas de Gran Canaria sigue sin concretar las ubicaciones de los diferentes actos del Carnavala tres semanas y media de su inicio, y lo único que ha anunciado es que se celebrará entre el parque Santa Catalina y la plaza Manuel Becerra. Proyectan instalar 11 radares para detectar vertidos marinos en Tenerife. 15 enero de 1983. Llega al número 1 en UK el single You Can´t Hurry Love de Phil Collins.

Fosforo 1716: I brani della striscia numero 4 della settimana: Frank Zappa - Work with Me Annie - Annie Had a Baby (Alternate Edit); Youn Sun Nah - You Can`t Hurry Love; Wilco - Speak Into The Rose; Paolo Fresu - I Loves You Porgy; Fantastic Negrito - Goddamn Biscuit; Fosforo va in onda ogni giorno alle 01:20 e alle 18:00. Puoi ascoltare le sequenze musicali di Rufus T. Firefly sulla frequenza di Radio Tandem, 98.400FM, o in streaming e anche in podcast.Per info: https://www.radiotandem.it/fosforo

Découvrez l'histoire de la reprise par Phil Collins du titre "You Can't Hurry Love", initialement enregistré par Diana Ross et les Suprêmes en 1966. Cet épisode de Music Story vous plongera dans les coulisses de la création du deuxième album solo de Phil Collins, sorti en 1982. Alors que son groupe Genesis marquait une pause, le célèbre batteur a saisi l'opportunité de se lancer dans une carrière solo. Admirateur de la mythique Motown, Phil Collins a choisi de réinterpréter ce classique du label, en rendant hommage à l'originale tout en y apposant sa propre touche. Apprenez comment il a réussi le pari de s'approprier ce titre emblématique, tout en restant fidèle à l'esprit de la version initiale.Vous découvrirez également les anecdotes savoureuses autour de la genèse de cette reprise, comme le lien étroit entre les auteurs de "You Can't Hurry Love" et les plus grands succès de la Motown. De quoi ajouter une nouvelle dimension à l'écoute de ce titre intemporel !Alors que Phil Collins s'impose comme l'une des figures majeures de la pop des années 80, cet épisode vous offrira un éclairage unique sur les influences et les inspirations qui ont façonné son style musical singulier. Ne manquez pas cette plongée passionnante au cœur de l'histoire d'un morceau culte

AKASHI MEDIA PODCAST LIVE Commentary with Podcast Host Variety Chenevert. Commentary Kamala Harris sit down with Charmalagne God in Detroit. Variety Chenevert says that African American men have control of this 2024 election between Donald Trump and Kamala Harris and that they actually matter and black men are taking control demonstrating that they are not going to be told who to vote for. They are taking their time on the decision and it's just not about a woman of color being in the White House African American men in America want to know what has she done ? What can she do for them. Detroit is a city that have men who grew up on songs You Can't Hurry Love nor can you hurry a vote decision. Black men come from a culture they can have multiple wives or can be serial daters or have multiple relationships at once and they also see themselves as a God. So what better platform to set up in Detroit a city of black business owners a city where many men do for themselves and are educated. Kamala Harris being a prosecutor isn't really appealing to black men. She's begging for a job right now. But what has she done for them lately? She said reparations is something to be studied not something she would do in other words. She hasn't thought about it or studied as a Vice President. She didn't intervene and save a black man from being executed during her current term as Vice President who was found innocent base on his DNA but she didn't save him . Kamala is a Indian Indian where I'm sure Charmalagne is more than likely a Cherokee or Black Foot African American like many in America and Kamala Harris basically is asking a Detroit professional entrepreneur who's last name is God and who sees himself as one like many black men see themselves to have a job that gives her power over them. This year vote black men are voting for Donald Trump. There are many who are also voting for her. Black men in America knows that Money is Power and they need it to take care of themselves and their family, post bail if they get let out or pay child support and they know if they don't they get prosecuted. Being a prosecutor is not --- Support this podcast: https://podcasters.spotify.com/pod/show/akashimediapodcastlive/support

AKASHI MEDA PODCAST LIVE Podcast Host Variety Chenevert Commentary Review on the Charlemagne Tha God interview with America's Vice President Kamala Harris for the 2024 November 4, election Against Donald Trump. African American men America have a strong presence with this election which is the first time in America History that the BLACK Men Matter. They are even being persuaded to vote for Kamala Harris but many of them said they are voting for Donald Trump. Why simply because MONEY is POWER and Money is needed for everyman to carry himself and take care of their family, and start a business and more. Money is needed to pay child support and if they don't they get prosecuted and locked up for it. But right now the BLACK MAN I n America is important. Black Men see themselves as GOD and for many years have been looked down on in society as the devil. However, the devil was God's greatest angel who was cast into the earth with the inheritance of the earth the gift that the Father in Heaven gave him. The African man aka th Akebulan existence has been around over 180,000 years and the black woman just as long. The Detroit platform was excellent set up a God a Akebulan man more than likely mixed with African and Cherokee or Black Indian, interviewing a Indian woman who wants the permission and the vote to have power over a God and others. The question what about raparations? Kamala Harris responded it's something to be studied not that it is something she ever thought about giving during her current status and presence as America's Vice President. She's never mentioned since she's been in office. Black men in America are sticking together. They are not being told what to do or who to vote for. Detroit men are entrepreneurs who can carry themselves. They grew up in Detroit listening to songs such as You Can't Hurry Love and they don't want to just hurry up and vote either. --- Support this podcast: https://podcasters.spotify.com/pod/show/akashimediapodcastlive/support

!!Warning!! This episode contains some outrageous Afrikaans euphemisms! Paulo and Dori are joined by Noel Opperman, The Curator Supreme of the Pretoria Retro Fair for a deep dive into Liewe Heksie, among other puppet related things. We dispute the denials about a Goonies sequel - we just think they don't want Corey Feldman to show up. Jon Bon Jovi saves someone who was living on a prayer, Dori tries to hurry love fro the sake of finishing a Plex movie and Paulo has the Munchies. Finally, we reopen Wham! corner and we're glad to report that it's held its moistness. Here are the mentions with timestamps arranged by topic: Tools, Websites, and Links Mixcloud**: "00:04:13" That 80s Show Facebook**: "00:07:16" KTV**: "00:18:13" Liewe Heksie**: "00:23:50" SABC**: "00:34:04" Plex**: "00:39:12" Netflix**: "00:52:08" Pretoria Retro Thursday**: "01:06:45" Yellow Pages**: "01:06:51" Books and Videos Bon Jovi Documentary**: "00:12:56" Books related to Lever Hexi**: "00:23:54" Songs and Albums "Body Language" by Queen**: "00:03:32" "Under Pressure" by Queen**: "00:06:14" "Hot Space" by Queen**: "00:07:03" "Living on a Prayer" by Bon Jovi**: "00:11:51" "You Give Love a Bad Name" by Bon Jovi**: "00:11:51" "Girl I'm Gonna Miss You"**: "00:52:40" "Blame It on the Rain"**: "00:52:54" "Ice Ice Baby"**: "00:53:30" "Don't Dream It's Over" by Crowded House**: "00:53:35" Movies You Can't Hurry Love**: "00:42:20" Munchies**: "00:55:13" Notable Mentions Kasper de Vries**: "00:36:22" Milli Vanilli**: "00:51:49" Roger Corman**: "00:54:11" #Dori, #Noel Opperman, #That 80s Show, #Pretoria Retrofit, #podcast, #grooming, #nose hair waxing, #80s pop culture, #butlers, #Alfred, #Geoffrey, #Mr. Belvedere, #Queen, #Body Language, #music, #Goonies sequel, #Corey Feldman, #Jon Bon Jovi, #nostalgia, #humor, #personal anecdotes, #pop culture references, #KTV, #South Africa, #Freddie Mercury, #Hot Space, #Under Pressure, #rock star, #music video, #childhood memories, #iconic characters, #social media, #retro culture, #laughter, #camaraderie, #entertainment, #storytelling.

Phil Collins ist einer der meistgespielten Künstler im Radio aller Zeiten – in seiner Heimat UK, in den USA und ganz besonders in Deutschland. Ende der 80er, Anfang der 90er führte kein Weg an ihm und seiner Band Genesis vorbei, so unwiderstehlich und zahlreich waren die Hits: „Invisible Touch“, „A Groovy Kind of Love“, „Another Day in Paradise“, „I Can't Dance“. Grandioser Pop sagen die einen, zu gefällig sagen seine Kritiker. Die aber vernachlässigen in ihrem Urteil, wie schwierig es ist, geniale Pop-Songs zu schreiben und dass Phil Collins mit den frühen Genesis-Alben und mit den Deep Cuts der Spätwerke progressive und innovative Musik erschaffen hat. Und wie vielseitig er als Solo-Künstler ist: Seine Version von „You Can't Hurry Love“ machte den Motown-Song zum Hit, „Sussudio“ ist perfekter 80er Jahre Synthie Dance Pop. Späte und ewige Anerkennung bekam er für seine allererste Single „In The Air Tonight“, dem ersten Song auf seinem ersten Solo-Album. Der exzellente Drummer zeigt darauf weniger seine Fähigkeiten, als sein herausragendes Verständnis von Timing, Klang und dessen, was ein Song braucht, um ihn unvergänglich zu machen. 78 Episoden nach der Episode über Peter Gabriel ist das Buch Genesis endlich vollständig. In #95PhilCollins geht es naturgemäß mehr um die Jahre nach Gabriels Ausstieg und um die Solo-Karriere von Phil Collins. Dazu besucht die Stereo.Typen Jochen Schliemann, der mit der Musik von Phil Collins und Genesis aufgewachsen ist und sie immer in seinem Herzen bewahrt hat, auch wenn dies danach mehr für alternative und Grenzen sprengende Musik schlagen sollte.

Join us this week for our 11 AM worship service. This Sunday, Rev. Kristin Steed preaches from Luke 10:38-42, exploring how sitting and listening can guide us in moving and being in the world—especially as we enter a busy season of life. Visit Christ United online at www.cumc.com or come see us live on Sundays at 3101 […] The post August 4, 2024 Traditional | You Can't Hurry Love appeared first on Christ United Methodist Church.

FTF is back to discuss the first week of the Green Bay Packers' 2024 training camp, as Evan "Tex" Western and Paul Noonan discuss the first several days of practice. Oh, and Jordan Love signed a new contract, too! That's probably a big deal that should be discussed. Who's having a good first week, and just how many roster spots are even up for grabs this season? Download, listen, like, subscribe, you know the drill. Hosted on Acast. See acast.com/privacy for more information.

They say "no news is good news", but we'll keep our fingers crossed that remains true as the Green Bay Packers go into the weekend with quarterback still staging a "hold-in" until his contract negotiations are complete. What's holding up the show? Jersey Al, Kelly, and CD all chip in with their theories as they also discuss Rashan Gary's hot start, Kenny Clark's hefty extension, and all the training camp news. Be sure to join C.D., Al and Kelly on their regular jaunts through the Packers Universe. You can follow them on twitter (X) at @tundravision, @JerseyAlGBP and @ThatPackerGirl.Cheesehead Radio is a part of the Packers Talk family of podcasts, serving up five distinct podcasts to satisfy the most fervent of Packer fans. Variety is the spice of life, so subscribe to Packers Talk on Apple Podcasts, Spotify or wherever you get your podcasts. You can also follow Packers Talk on Twitter and Facebook.

Grant reacts to Day 1 of Packers Training Camp- including an extension for Kenny Clark and a lack of an extension for Jordan Love.  Some fun is also had at the expense of Craig Counsell, Cristopher Morel and the Chicago Cubs. See omnystudio.com/listener for privacy information.

On today's episodeIngrid Andress the National Anthem performance and after math.Jason and Travis Kelce Golf?All of Hollywood is pregnantThe Bachelorette started!Love island update!BS: Does Harry Styles performing with Stevie Nicks mean that a new album is on the way.

Estás a punto de escuchar otro programa de música alternativa más. ¿Y qué tiene este que no tienen los demás? Nada. Bueno, algo tendrá. “Los Ideales” te ofrece 180 minutos de buenos temas del panorama independiente internacional, cosidos a mano. Una selección hecha por y para mentes abiertas. Dale al play. Han sonado: 1) John Parish; Aldous Harding - Three Hours 2) Ghostpoet - X Marks the Spot 3) Crumb; Melody's Echo Chamber - Le Temple Volant 4) Matt Duncan - The Keys 5) Benji Hughes - Peacockin' Party 6) Brainstory - Hanging On 7) Misun - Battlefields 8) The Love Language - Brittany's Back 9) Trouble Andrew - Chase Money 10) BRONCHO - Try Me out Sometime 11) Ron Gallo - Young Lady, You're Scaring Me 12) The Orwells - Buddy 13) Adult Books - I Don't Think I Can Stay 14) Los Tones - Waste of Space 15) The Pesos - Chapel 16) Dum Dum Girls - Bedroom Eyes 17) Coves - Cast a Shadow 18) Gaz Coombes - Salamander 19) Baxter Dury; Jason Williamson - Almond Milk 20) Mawr - When You Coming to See Me? 21) Hidden Charms - Dreaming of Another Girl 22) Night Beats - Right / Wrong 23) The Black Angels - Telephone 24) She's In Parties - Ritual 25) Hazel English - Nine Stories 26) bby - Kill Me 27) Lime Garden - Sick & Tired 28) HotWax - High Tea 29) Glyders - Geneva Strangemod 30) BRNDA - Perfect World 31) Nancy - 7ft Tall Post-Suicidal Feel Good Blues 32) Hierophants - Stress 33) Au Revoir Simone - Somebody Who 34) Class Actress - Let Me Take You Out 35) Phèdre - In Decay 36) Scissor Sisters - Let's Have A Kiki 37) The Concretes - You Can't Hurry Love 38) Spiritualized - Do It All Over Again 39) The Long Blondes - Once & Never Again 40) Yeah Yeah Yeahs - Mosquito 41) TV On The Radio - Happy Idiot 42) Metric - Dead Disco 43) Kevin Morby - I Have Been to the Mountain 44) Parquet Courts - Wide Awake 45) King Tuff - Smalltown Stardust 46) Black Lips - Veni Vidi Vici 47) Shannon & The Clams - Ozma 48) Mystic Braves - Bright Blue Day Haze 49) Loma - Relay Runner - Single Version 50) TTRRUUCES - Cherry Cola 51) TOLEDO - Lindo Lindo 52) Astrocolor; Wendy Rene - Laughter 53) Born At Midnite - Y o Y 54) Oracle Sisters - Asc. Scorpio 55) Suki Waterhouse - My Fun 56) Parallel Dance Ensemble - Possessions 57) Domenique Dumont - Faux savage 58) Delta 5 - Mind Your Own Business 59) ESG - It's Alright 60) Pip Blom - I Think I'm In Love 61) noonday underground - London 62) Kit Sebastian - Pangea 63) Hana Vu - Airplane

Kruser talks about The Supremes Song "You Can't Hurry Love" for this week's musical anatomy and asks LEX18's Bill Meck if we should worry about the upcoming solar storm in hour 2.  See omnystudio.com/listener for privacy information.

We stuck a few coins in this week's Wurlitzer and these were the tunes that got played … … when records became all about sound not songs. … Fonzworth Bentley, Puff Daddy's butler, the man who held an umbrella over him on the beach at Cannes. … what Henry Kissinger, Martha Stewart and Leonardo DiCaprio kept very quiet about. … Manchester's Co-Op, a tale of unprecedented hopelessness. … what's the definition of a song? And can you steal a record? … the magical skill of Aston Barrett on I Shot The Sheriff and James Jamerson on You Can't Hurry Love. … ‘Duane Eddy Does Bob Dylan' and its ingenious sleeve. … does anybody still want pop posters? … “I'd watch Jeremy Clarkson boil an egg.” … Moneybagg Yo & DaBaby, Cigarettes After Sex and other acts playing the O2 and Wembley Arena we've ever heard of.   … the ultimate autograph. … and New Whirl Odor, Road To Rouen, Sax And Violins, Lead Me Not Into Penn Station and other tortuous album titles.Subscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content, plus a whole load more!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

We stuck a few coins in this week's Wurlitzer and these were the tunes that got played … … when records became all about sound not songs. … Fonzworth Bentley, Puff Daddy's butler, the man who held an umbrella over him on the beach at Cannes. … what Henry Kissinger, Martha Stewart and Leonardo DiCaprio kept very quiet about. … Manchester's Co-Op, a tale of unprecedented hopelessness. … what's the definition of a song? And can you steal a record? … the magical skill of Aston Barrett on I Shot The Sheriff and James Jamerson on You Can't Hurry Love. … ‘Duane Eddy Does Bob Dylan' and its ingenious sleeve. … does anybody still want pop posters? … “I'd watch Jeremy Clarkson boil an egg.” … Moneybagg Yo & DaBaby, Cigarettes After Sex and other acts playing the O2 and Wembley Arena we've ever heard of.   … the ultimate autograph. … and New Whirl Odor, Road To Rouen, Sax And Violins, Lead Me Not Into Penn Station and other tortuous album titles.Subscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content, plus a whole load more!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

We stuck a few coins in this week's Wurlitzer and these were the tunes that got played … … when records became all about sound not songs. … Fonzworth Bentley, Puff Daddy's butler, the man who held an umbrella over him on the beach at Cannes. … what Henry Kissinger, Martha Stewart and Leonardo DiCaprio kept very quiet about. … Manchester's Co-Op, a tale of unprecedented hopelessness. … what's the definition of a song? And can you steal a record? … the magical skill of Aston Barrett on I Shot The Sheriff and James Jamerson on You Can't Hurry Love. … ‘Duane Eddy Does Bob Dylan' and its ingenious sleeve. … does anybody still want pop posters? … “I'd watch Jeremy Clarkson boil an egg.” … Moneybagg Yo & DaBaby, Cigarettes After Sex and other acts playing the O2 and Wembley Arena we've ever heard of.   … the ultimate autograph. … and New Whirl Odor, Road To Rouen, Sax And Violins, Lead Me Not Into Penn Station and other tortuous album titles.Subscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content, plus a whole load more!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

“Love is in the air this Valentine's Week, so we revisit a classic episode of the Big Talker Talker where Burke spoke with former members of The Supremes, who sang some of the biggest love songs of all time!  “Where Did Our Love Go”, “Love Child”, “You Can't Hurry Love”, “Stop In The Name Of Love”.  If you LOVE Motown, you'll LOVE this week's show! The Big Time Talker is sponsored by Speakermatch.com.

Informativo de primera hora de la mañana, en el programa El Remate de La Diez Capital Radio. Este fin de semana hemos tenido 5.088 descargas de nuestros programas a la carta. Prepara el paraguas porque vuelven las lluvias a Canarias. Canarias empezará la tercera semana del año con diferentes advertencias meteorológicas. La Agencia Estatal de Meteorología (Aemet) ha activado avisos amarillos por viento para este lunes, 15 de enero, en Tenerife y La Palma a partir de las 18.00 horas. Aviso naranja. De cara al martes 16, el riesgo por viento pasará a nivel naranja en ambas islas, que se extenderá hasta las 20.59 horas. Las rachas máximas serán de 90 km/h pudiendo llegar a superar localmente los 100 km/h. La UD Las Palmas en 9º posición en la Primera división del fútbol español y el CD Tenerife en la doceava posición en la segunda división. Hoy se cumplen 689 días del cruel ataque e invasión de Rusia a Ucrania. Hoy es lunes 15 de enero de 2024. Buenos días Ucrania, Gaza e Israel. Día mundial de la nieve. “Año de nieves, año de bienes”. Los refranes populares nos recuerdan la importancia de la nieve. Afirman que si nieva en invierno, la cosecha y los animales son más productivos el resto del año. Los ecosistemas naturales de agua dulce son los más productivos del mundo y su influencia en la economía local es crucial. A pesar de que el 70% de la Tierra está cubierta por agua, sólo una mínima parte es dulce y la mayoría se encuentra congelada en los polos o forma parte de aguas subterráneas, aguas alimentadas, en última instancia, por el deshielo de las zonas más altas. El Día Mundial de la Nieve fue una iniciativa de la Federación Internacional de Esquí con el objetivo de promocionar las distintas actividades que se realizan en la nieve sobre todo entre los niños, facilitar a que la gente disfrute el deporte del esquí y otros tipos de deporte que se realizan en la nieve. 1759.- Inauguración del Museo Británico, en Londres. 1798.- Goya empieza a pintar los frescos de la iglesia madrileña de San Antonio de la Florida. 1913.- Primera transmisión telefónica sin hilos entre Nueva York y Berlín. 1934.- Fulgencio Batista se hace con el poder en Cuba. 1941.- Alfonso XIII abdica en Roma de sus derechos al trono español en su hijo el príncipe don Juan, conde de Barcelona. 1971.- Inauguración de la gran presa de Asuán, en el río Nilo. 1992.- La Comunidad Europea reconoce a Croacia y Eslovenia, lo que supone la desmembración de Yugoslavia como Estado unitario a efectos europeos. 2001.- Nace Wikipedia, enciclopedia libre y publicada en Internet creada por Jimmy Wales y Larry Sanger. 2006.- Alberto Núñez Feijóo sustituye a Manuel Fraga como presidente del PP de Galicia. 2009.- Se salvan los 155 viajeros del Airbus 320, caído al río Hudson, en Nueva York (EEUU), gracias a la pericia del piloto. Patrocinio del santo de cada día por gentileza de la Casa de las Imágenes, en la calle Obispo Perez Cáceres, 17 en Candelaria. Santos Pablo, Mauro, Macario y Miqueas. 100 días de guerra en Gaza | Netanyahu: "Nadie nos detendrá". La reina Margarita II de Dinamarca firma su histórica abdicación: Federico X, nuevo rey. Los hutíes prometen una "respuesta fuerte" por el segundo ataque de EE.UU. y elevan la tensión en el Mar Rojo. Elecciones Galicia Rueda pide "parar" desde la "Galicia con sentidiño" la España "excluyente". El papa Francisco abordará hoy lunes con Clavijo el drama migratorio. Se prevé que el presidente de Canarias reitere su invitación al pontífice para que visite las Islas en noviembre, con motivo de una escala rumbo a Argentina. Los Empresarios consideran “una muy mala noticia” la subida del salario mínimo. "En Canarias los salarios son más bajos debido a la estructura especial basada en los servicios". La Confederación de Empresarios de Tenerife (CEOE) considera que la subida del Salario Mínimo Interprofesional (SMI) hasta 15.876 euros brutos anuales es “una muy mala noticia”, que puede perjudicar la productividad empresarial e incluso su viabilidad. Canarias registró en diciembre la inflación más alta de España: del 3,8 %. Debido principalmente al comportamiento del precio de los alimentos y las bebidas no alcohólicas. Canarias invertirá 19 millones de euros en mejorar las infraestructuras y espacios públicos turísticos. Hacen hincapié en la necesidad de promover proyectos de forma conjunta para crear "infraestructuras de calidad". Helicópteros y maquinaria pesada refrescan el incendio en la planta de compostaje de Arona. Los trabajos de este domingo se han centrado en el sector 1 removiendo la extensión de las montañas de material y refrescando con medios aéreos y terrestres. El incendio comenzó el pasado jueves. Llegan a la isla de El Hierro cuatro pateras con 449 migrantes, entre ellos 30 menores. Salvamento Marítimo tuvo que rescatar una de las barcazas porque el motor no arrancaba. 15 enero de 1983. Llega al número 1 en UK el single You Can´t Hurry Love de Phil Collins.

Programa de actualidad con información, formación y entretenimiento conectando directamente con los oyentes en La Diez Capital radio. Dirigido y presentado por Miguel Ángel González Suárez. www.ladiez.es - Informativo de primera hora de la mañana, en el programa El Remate de La Diez Capital Radio. Este fin de semana hemos tenido 5.088 descargas de nuestros programas a la carta. Prepara el paraguas porque vuelven las lluvias a Canarias. Canarias empezará la tercera semana del año con diferentes advertencias meteorológicas. La Agencia Estatal de Meteorología (Aemet) ha activado avisos amarillos por viento para este lunes, 15 de enero, en Tenerife y La Palma a partir de las 18.00 horas. Aviso naranja. De cara al martes 16, el riesgo por viento pasará a nivel naranja en ambas islas, que se extenderá hasta las 20.59 horas. Las rachas máximas serán de 90 km/h pudiendo llegar a superar localmente los 100 km/h. La UD Las Palmas en 9º posición en la Primera división del fútbol español y el CD Tenerife en la doceava posición en la segunda división. Hoy se cumplen 689 días del cruel ataque e invasión de Rusia a Ucrania. Hoy es lunes 15 de enero de 2024. Buenos días Ucrania, Gaza e Israel. Día mundial de la nieve. “Año de nieves, año de bienes”. Los refranes populares nos recuerdan la importancia de la nieve. Afirman que si nieva en invierno, la cosecha y los animales son más productivos el resto del año. Los ecosistemas naturales de agua dulce son los más productivos del mundo y su influencia en la economía local es crucial. A pesar de que el 70% de la Tierra está cubierta por agua, sólo una mínima parte es dulce y la mayoría se encuentra congelada en los polos o forma parte de aguas subterráneas, aguas alimentadas, en última instancia, por el deshielo de las zonas más altas. El Día Mundial de la Nieve fue una iniciativa de la Federación Internacional de Esquí con el objetivo de promocionar las distintas actividades que se realizan en la nieve sobre todo entre los niños, facilitar a que la gente disfrute el deporte del esquí y otros tipos de deporte que se realizan en la nieve. 1759.- Inauguración del Museo Británico, en Londres. 1798.- Goya empieza a pintar los frescos de la iglesia madrileña de San Antonio de la Florida. 1913.- Primera transmisión telefónica sin hilos entre Nueva York y Berlín. 1934.- Fulgencio Batista se hace con el poder en Cuba. 1941.- Alfonso XIII abdica en Roma de sus derechos al trono español en su hijo el príncipe don Juan, conde de Barcelona. 1971.- Inauguración de la gran presa de Asuán, en el río Nilo. 1992.- La Comunidad Europea reconoce a Croacia y Eslovenia, lo que supone la desmembración de Yugoslavia como Estado unitario a efectos europeos. 2001.- Nace Wikipedia, enciclopedia libre y publicada en Internet creada por Jimmy Wales y Larry Sanger. 2006.- Alberto Núñez Feijóo sustituye a Manuel Fraga como presidente del PP de Galicia. 2009.- Se salvan los 155 viajeros del Airbus 320, caído al río Hudson, en Nueva York (EEUU), gracias a la pericia del piloto. Patrocinio del santo de cada día por gentileza de la Casa de las Imágenes, en la calle Obispo Perez Cáceres, 17 en Candelaria. Santos Pablo, Mauro, Macario y Miqueas. 100 días de guerra en Gaza | Netanyahu: "Nadie nos detendrá". La reina Margarita II de Dinamarca firma su histórica abdicación: Federico X, nuevo rey. Los hutíes prometen una "respuesta fuerte" por el segundo ataque de EE.UU. y elevan la tensión en el Mar Rojo. Elecciones Galicia Rueda pide "parar" desde la "Galicia con sentidiño" la España "excluyente". El papa Francisco abordará hoy lunes con Clavijo el drama migratorio. Se prevé que el presidente de Canarias reitere su invitación al pontífice para que visite las Islas en noviembre, con motivo de una escala rumbo a Argentina. Los Empresarios consideran “una muy mala noticia” la subida del salario mínimo. "En Canarias los salarios son más bajos debido a la estructura especial basada en los servicios". La Confederación de Empresarios de Tenerife (CEOE) considera que la subida del Salario Mínimo Interprofesional (SMI) hasta 15.876 euros brutos anuales es “una muy mala noticia”, que puede perjudicar la productividad empresarial e incluso su viabilidad. Canarias registró en diciembre la inflación más alta de España: del 3,8 %. Debido principalmente al comportamiento del precio de los alimentos y las bebidas no alcohólicas. Canarias invertirá 19 millones de euros en mejorar las infraestructuras y espacios públicos turísticos. Hacen hincapié en la necesidad de promover proyectos de forma conjunta para crear "infraestructuras de calidad". Helicópteros y maquinaria pesada refrescan el incendio en la planta de compostaje de Arona. Los trabajos de este domingo se han centrado en el sector 1 removiendo la extensión de las montañas de material y refrescando con medios aéreos y terrestres. El incendio comenzó el pasado jueves. Llegan a la isla de El Hierro cuatro pateras con 449 migrantes, entre ellos 30 menores. Salvamento Marítimo tuvo que rescatar una de las barcazas porque el motor no arrancaba. 15 enero de 1983. Llega al número 1 en UK el single You Can´t Hurry Love de Phil Collins. - Sección de actualidad con mucho sentido de Humor inteligente en el programa El Remate de La Diez Capital radio con el periodista socarrón y palmero, José Juan Pérez Capote, El Nº 1. - Sección en el programa El Remate de La Diez Capital radio con nuestros abogados particulares, Juan Inurria y Jaime Díaz Fraga. - Tertulia de actualidad informativa en el programa El Remate de La Diez Capital radio con los colaboradores: Rosi Rivero, Matias Hernández, Ciro Machado y Moisés Pires. El papa Francisco abordará hoy lunes con Clavijo el drama migratorio. Se prevé que el presidente de Canarias reitere su invitación al pontífice para que visite las Islas en noviembre, con motivo de una escala rumbo a Argentina. Los Empresarios consideran “una muy mala noticia” la subida del salario mínimo. "En Canarias los salarios son más bajos debido a la estructura especial basada en los servicios". La Confederación de Empresarios de Tenerife (CEOE) considera que la subida del Salario Mínimo Interprofesional (SMI) hasta 15.876 euros brutos anuales es “una muy mala noticia”, que puede perjudicar la productividad empresarial e incluso su viabilidad. Canarias registró en diciembre la inflación más alta de España: del 3,8 %. Debido principalmente al comportamiento del precio de los alimentos y las bebidas no alcohólicas. Canarias invertirá 19 millones de euros en mejorar las infraestructuras y espacios públicos turísticos. Hacen hincapié en la necesidad de promover proyectos de forma conjunta para crear "infraestructuras de calidad". Helicópteros y maquinaria pesada refrescan el incendio en la planta de compostaje de Arona. Los trabajos de este domingo se han centrado en el sector 1 removiendo la extensión de las montañas de material y refrescando con medios aéreos y terrestres. El incendio comenzó el pasado jueves. Llegan a la isla de El Hierro cuatro pateras con 449 migrantes, entre ellos 30 menores

On this episode, Tom Flynn joins host Stephanie Shonekan to talk about “You Can't Hurry Love,” an original song by The Supremes that Phil Collins covered in 1982. Though the songs were released a couple decades apart, the message is timeless – and, perhaps a bit frustrating: love takes time. Tom and Stephanie discuss their memories of youth, wanting love and how the song can stand as a light-hearted reminder to hold on.

You can't talk about Motown sound without giving respect to the girl groups of the 60s. Hits from Martha and the Vandellas, and The Supremes have resonance, even now. But we might not have hits like “Can't Hurry Love” without some of the earlier acts that ushered in the sound of the girl group — ensembles of very young women, like the Chantels and The Shirelles. "But Will You Love Me Tomorrow?: An Oral History of the '60s Girl Groups" chronicles stories of these early, iconic groups. GUESTS: Emily Sieu Liebowitz, co-author of "But Will You Love Me Tomorrow?: An Oral History of the '60s Girl Groups" Laura Flam, co-author of "But Will You Love Me Tomorrow?: An Oral History of the '60s Girl Groups" ___ Looking for more conversations from Stateside? Right this way. If you like what you hear on the pod, consider supporting our work. Music from Blue Dot Sessions and Audio Network.See omnystudio.com/listener for privacy information.

Plus: The Pels hope the return of a key piece will help steady the ship. And a surprising contender emerges in women's college hoops.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Everyday I sing a song it nourishes myself and it's very good practice it calms it sootges it heals kind of like Pepto-Bismol if you dig my music you can find more of it on YouTube and SoundCloud; #TRISTA&THEEDIBLES & #RADIOBANCIAO. HI THERE I'M TRISTA FOR JUSTICE ⚖️ This video has a bunch of my recent artwork, including drawings and paintings and sketches of my animals

Welcome back to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:1 point: get the year correct within 10 years (e.g., you guess 1975 and it is between 1965-1985)4 points: get the year correct within 5 years (e.g., you guess 2004 and it is between 1999-2009)7 points: get the year correct within 2 years (e.g., you guess 1993 and it is between 1991-1995)10 points: get the year dead on!Guesses can be emailed to drandrewmay@gmail.comI will read your scores out on the following episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: American Pie by Don McLean (1971)Song 1: Kiss It Goodbye by Beloved (2003)Song 2: Right Here, Right Now by Jesus Jones (1990)Song 3: Not My Will by Tribute Quartet (2020)Song 4: You Can't Hurry Love by The Supremes (1966)Song 5: Runaround Sue by Dion (1961)Song 6: Roots and Wings by The Wallflowers (2021)Song 7: You Are the Reason by Calum Scott (2018)Song 8: Hungry Like the Wolf by Duran Duran (1982)Song 9: Go Rest High On That Mountain by Vince Gill (1994)Song 10: Go It Alone by Beck (2005)

This week I'm reading an extract from Richard Martini's book 'The Greatest Story Never Told: As Told by Jesus and Those Who Knew Him'.This book is recorded conversations (on film, via skype, zoom) with people who spontaneously claim to be “seeing” “hearing” or otherwise getting information from someone they identify as Jesus. Some claim to have “seen him before” “never seen him before” or “they don't believe in him” but are somehow accessing him. But the consistency of content is what drew me to the reports.I'm a writer/director of theatrical motion pictures. I've written and/or directed eight feature films, including “Limit Up” and “You Can't Hurry Love.” I've written 10 “best-selling books” (kindle in their genre) about the research of what people say under hypnosis about the afterlife, and recently books with the help of a medium talking directly to folks I knew no longer on the planet, (“Backstage Pass to the Flipside” 1, 2 and 3 with Jennifer Shaffer). I've written miniseries for HBO (“The De Medicis” – unproduced) and other film companies. I've written scripts for major film studios (including David Kirkpatrick, our trusty foreword fellow) worked on the feature films of Robert Towne (“Personal Best”) and Phillip Noyce (“Salt.”) It's not like I'm seeking this line of investigation… it literally fell into my lap.While filming people under hypnosis or not under hypnosis, “seeing” or “hearing” from Jesus started to become more frequent in the footage. At first it was disconcerting. People not under hypnosis saying “I'm seeing Jesus. I don't know why I'm seeing him because I don't believe in him!” Eventually I took the leap; “Well, can we ask him a question?”To my chagrin the answers “he gave” weaved a different story of his life. A story that had echoes of “The Life of St. Issa” as well as other tales of his “survival” from the crucifixion. These consistent yet contrary stories challenged my conception of who he was, challenged my ideas of what consciousness might be, and basically challenge my existence in more ways than one. I published a number of those interviews in “Hacking the Afterlife” but recently while writing “Architecture of the Afterlife” I've had more people claim he was “showing up.” And the more he showed up, the more stories he told about his path and journey that mirrored the previous ones. And finally, the author, former studio exec David Kirkpatrick suggested “letting him speak.”Needless to say, there's no way to prove they are his words or it's him speaking. However, what he says is consistent, what he says is contrary to the mythology of him. Allow me to say that again; every time he shows up, he recounts the same contrary story about his life, which is an alternate version of the “Greatest Story Ever Told.” When asked why he was interested in "telling an alternate version of his life" he's reportedly said on more than one occasion: "It's not alternate if it's true." In this book you'll hear a linear story about the alpha and omega as told by him and those who reportedly knew him.I've been reluctant to share this story for years; I offer these pages to help people make a DIRECT connection with him. He's not gone; he's just not here. I encourage everyone to ask him on their own.BioWriter/Director/Author Richard is an award winning filmmaker, who has written and/or directed 9 theatrical features, and a number of documentaries. His first book, "Flipside: A Tourist's Guide on How to Navigate the Afterlife" went to #1 twice at Amazon in all its genres. The book is based on transcripts of a documentary he made which is available at Amazon (Flipside: A Journey Into the Afterlife) and Gaia TV. His books "It's a Wonderful Afterlife" volumes one and two expands the research into the afterlife from Michael Newton's work, to include interviews with a number of scientists in the field of consciousness, including Dr. Bruce Greyson, Dr. Mario Beauregard, and Gary Schwartz Phd. He also examines near death experiences and compares their accounts to similar ones during between life sessions (the technique used by Michael Newton that allows people to access the between lives realm, or LBLs) and other examples (OBEs) where people may have lost their ability to think normally, but are having the same experiences. In "Hacking the Afterlife" he interviews mediums and explores "interviewing people no longer on the planet." As Gary Schwartz put it after reading "Flipside" “Inspiring, well written and entertaining. The kind of book where once you have read it, you will no longer be able to see the world in the same way again.”Amazon link http://rb.gy/gy5d0https://podcasts.apple.com/us/podcast/hacking-the-afterlife-podcast/id1505639009https://www.youtube.com/channel/UCWhpYMjfbFfC0STNdWw_udwhttps://richmartini.blogspot.com/https://www.pastliveshypnosis.co.uk/https://www.patreon.com/pastlivespodcast

This week I'm talking to Richard Martini about his book 'The Greatest Story Never Told: As Told by Jesus and Those Who Knew Him'.This book is recorded conversations (on film, via skype, zoom) with people who spontaneously claim to be “seeing” “hearing” or otherwise getting information from someone they identify as Jesus. Some claim to have “seen him before” “never seen him before” or “they don't believe in him” but are somehow accessing him. People who report being disturbed by him “showing up” burst into tears, can't breathe, or in some cases are “dumbstruck” (literally can't speak) by seeing, hearing someone not there - while not under hypnosis or any imaginable consciousness altered reason.But the consistency of content is what drew me to the reports.People who've never considered his story, people who had a firm belief in what they thought was his story - reporting (consistently) an “alternate version of events.” People who “used to believe in religion” but no longer do, people who go to church weekly who claim to be startled at hearing something different than they've been told (“I always felt this to be the case, but I've never heard it before”). His story doesn't change, but the people who tell it do.That's why it's a story that has never been told.I'm a writer/director of theatrical motion pictures. I've written and/or directed eight feature films, including “Limit Up” and “You Can't Hurry Love.” I've written 10 “best-selling books” (kindle in their genre) about the research of what people say under hypnosis about the afterlife, and recently books with the help of a medium talking directly to folks I knew no longer on the planet, (“Backstage Pass to the Flipside” 1, 2 and 3 with Jennifer Shaffer). I've written miniseries for HBO (“The De Medicis” – unproduced) and other film companies. I've written scripts for major film studios (including David Kirkpatrick, our trusty foreword fellow) worked on the feature films of Robert Towne (“Personal Best”) and Phillip Noyce (“Salt.”) It's not like I'm seeking this line of investigation… it literally fell into my lap.While filming people under hypnosis or not under hypnosis, “seeing” or “hearing” from Jesus started to become more frequent in the footage. At first it was disconcerting. People not under hypnosis saying “I'm seeing Jesus. I don't know why I'm seeing him because I don't believe in him!” Eventually I took the leap; “Well, can we ask him a question?”To my chagrin the answers “he gave” weaved a different story of his life. A story that had echoes of “The Life of St. Issa” as well as other tales of his “survival” from the crucifixion. These consistent yet contrary stories challenged my conception of who he was, challenged my ideas of what consciousness might be, and basically challenge my existence in more ways than one. I published a number of those interviews in “Hacking the Afterlife” but recently while writing “Architecture of the Afterlife” I've had more people claim he was “showing up.” And the more he showed up, the more stories he told about his path and journey that mirrored the previous ones. And finally, the author, former studio exec David Kirkpatrick suggested “letting him speak.”Needless to say, there's no way to prove they are his words or it's him speaking. However, what he says is consistent, what he says is contrary to the mythology of him. Allow me to say that again; every time he shows up, he recounts the same contrary story about his life, which is an alternate version of the “Greatest Story Ever Told.” When asked why he was interested in "telling an alternate version of his life" he's reportedly said on more than one occasion: "It's not alternate if it's true." In this book you'll hear a linear story about the alpha and omega as told by him and those who reportedly knew him.I've been reluctant to share this story for years; I offer these pages to help people make a DIRECT connection with him. He's not gone; he's just not here. I encourage everyone to ask him on their own.BioWriter/Director/Author Richard is an award winning filmmaker, who has written and/or directed 9 theatrical features, and a number of documentaries. His first book, "Flipside: A Tourist's Guide on How to Navigate the Afterlife" went to #1 twice at Amazon in all its genres. The book is based on transcripts of a documentary he made which is available at Amazon (Flipside: A Journey Into the Afterlife) and Gaia TV. His books "It's a Wonderful Afterlife" volumes one and two expands the research into the afterlife from Michael Newton's work, to include interviews with a number of scientists in the field of consciousness, including Dr. Bruce Greyson, Dr. Mario Beauregard, and Gary Schwartz Phd. He also examines near death experiences and compares their accounts to similar ones during between life sessions (the technique used by Michael Newton that allows people to access the between lives realm, or LBLs) and other examples (OBEs) where people may have lost their ability to think normally, but are having the same experiences. In "Hacking the Afterlife" he interviews mediums and explores "interviewing people no longer on the planet." As Gary Schwartz put it after reading "Flipside" “Inspiring, well written and entertaining. The kind of book where once you have read it, you will no longer be able to see the world in the same way again.”Amazon link http://rb.gy/gy5d0https://podcasts.apple.com/us/podcast/hacking-the-afterlife-podcast/id1505639009https://www.youtube.com/channel/UCWhpYMjfbFfC0STNdWw_udwhttps://richmartini.blogspot.com/https://www.pastliveshypnosis.co.uk/https://www.patreon.com/pastlivespodcast

IT'S TIME TO WATCH THE MUPPETS! This week with special guest Diana Ross. Distracted rants include but are not limited to vacation dreaming, Muppets in Moscow catch-up, Ulitsa Sezam, Beaker is punk rock, The Supremes, "Nut", Lego Muppet minifigures, Can't Hurry Love, and much more!"Statler and Waldorf rate the show like Olympic judges. First, they give Kermit a 2. Then, they give the opening a 3, but the audience demands they bring it down to a zero. All of the Muppets get low scores (though Fozzie's "1" is a compliment by them), and Gonzo even gets a -6. The Muppets think it's just a tough audience, but Diana gets tens every time which gives her high scores."Follow us:Twitter.com/ittwtmInstagram.com/ittwtm

On this week's episode, we sit in Atlanta with folk rock band Highbeams. They treat us to their acoustic rendition of 'You Can't Hurry Love', and we discuss Jack Black, sleeping in church parking lots, and the truth about representing yourself as an independent artist. If you're needing a laugh and some heartwarming messages, y'all come on in and have a seat!Hang around after the interview to hear an acoustic exclusive of 'Keep You Around', a song off their latest album 'You Would Be There'Discover more music by Highbeams: https://open.spotify.com/artist/2q2o2GvSj70DPEJv3ob2S5?si=mFwNeI7QTzyIgU6eEfuqpQ

R.E.M. "I'm Gonna DJ"The Hold Steady "Most People Are Djs"The Low Anthem "Yellowed By the Sun"Jason Isbell and the 400 Unit "Kid Fears (feat. Brandi Carlile & Julien Baker)"The Crystals "And Then He Kissed Me"Louis Armstrong "I Ain't Gonna Give Nobody None of This Jelly Roll"Kitty Wells "Do Right Woman, Do Right Man"13th Floor Elevators "You're Gonna Miss Me"Kris Kristofferson "Maybe You Heard"The Undertones "Teenage Kicks"The Tammys "Egyptian Shumba"The White Stripes "Hello Operator"Muddy Waters "Baby I Done Got Wise"D'Angelo "Feel Like Makin' Love"Dolly Parton "Don't Drop Out"John R. Miller "Motor's Fried"Aimee Mann "In Mexico"Bob Dylan & The Band "Goin' to Acapulco"The Flies "I'm Not Your Stepping Stone"Clem Snide "Moment in the Sun"Neko Case "John Saw That Number"My Morning Jacket "The Way That He Sings"The Supremes "You Can't Hurry Love"Willie Nelson & Wynton Marsalis "Rainy Day Blues"Oscar Peterson Trio "The Girl From Ipanema"Leslie Gore "Maybe I Know"The Velvet Underground "Oh! Sweet Nuthin'"Cat Clyde "Sheets of Green"Lightnin' Hopkins "Ride in Your New Automobile"Matt Sweeney "I Am a Youth Inclined to Ramble"Townes Van Zandt "Still Looking For You"The Shirelles "Will You Love Me Tomorrow"Gram Parsons "The Angels Rejoiced Last Night"Doc Watson "Little Darling Pal of Mine"Tom Verlaine "There's a Reason"Television "See No Evil"Neutral Milk Hotel "In the Aeroplane Over the Sea"Phoebe Bridgers "I Know The End"Shaver "The Earth Rolls On"Solomon Burke "Diamond in Your Mind"Dave Rawlings Machine "Pilgrim (You Can't Go Home)"

Jason Wilde is a little bothered by how his interpretation of a conversation with Jordan Love gained traction over the weekend as a "report." What did Jason actually learn from his conversation with Love? And what does it mean about his future in Green Bay?

Maggie gets in trouble for dating a 25 year old, and things get even more complicated when Fran falls for is (also 25-year-old) friend. Watch Season 1, Episode 13 of Can't Hurry Love with Mr. Sheffield here. Find Oh Mr Sheffield on social media: Twitter - OhMrSheffPod Instagram - OhMrSheffPod Podcast Art by: jaymiescoutgallery --- Send in a voice message: https://anchor.fm/thenannypod/message Support this podcast: https://anchor.fm/thenannypod/support

Lamont Dozier was one third of the Motown songwriting team Holland Dozier Holland. He died Monday at the age of 81. Along with brothers Brian and Eddie Holland, he helped define the Motown sound, writing 10 Number One top hits for The Supremes, The Four Tops, Martha and the Vandellas, and Marvin Gaye — songs like "You Can't Hurry Love," "Baby Love," "Reach Out I'll Be There," "Can't Help Myself," "Heatwave," and "Sugar Pie, Honey Bunch." They spoke with Terry Gross in 2003.Justin Chang reviews The British romantic drama Ali & Ava.

Lamont Dozier, the middle of the celebrated Holland-Dozier-Holland team that wrote and produced “You Can't Hurry Love,” “Heat Wave,” and dozens of other hits and helped make Motown an essential record company of the 1960s and beyond, died Monday at age 81.Duke Fakir, a close friend and the last surviving member of the original Four Tops, said, “I like to call Holland-Dozier-Holland ‘tailors of music.' They could take any artist, call them into their office, talk to them, listen to them, and write them a Top Ten song.”From 1963-1967, Dozier and brothers Brian and Eddie Holland crafted more than 25 Top Ten songs and mastered the blend of pop and rhythm and blues that allowed the Detroit label, and founder Berry Gordy, to defy boundaries between Black and white music and rival the Beatles on the airwaves. For Off-Ramp, we're listening back to his appearance at the kickoff of the Songwriters Hall of Fame at the Grammy Museum at LA Live in 2010. Songwriter Paul Williams was the emcee for the event.  And I have lots more tape from that event, featuring Williams, Ashford and Simpson, Mac Davis, and Hal David. We'll listen to that in coming weeks.    Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and by the Corporation for Public Broadcasting, a private corporation funded by the American people. Off-Ramp theme music by Fesliyan Studios.

Lamont Dozier was one third of the Motown songwriting team Holland Dozier Holland. He died Monday at the age of 81. Along with brothers Brian and Eddie Holland, he helped define the Motown sound, writing 10 Number One top hits for The Supremes, The Four Tops, Martha and the Vandellas, and Marvin Gaye — songs like "You Can't Hurry Love," "Baby Love," "Reach Out I'll Be There," "Can't Help Myself," "Heatwave," and "Sugar Pie, Honey Bunch." They spoke with Terry Gross in 2003.Justin Chang reviews The British romantic drama Ali & Ava.

Another Motown legend has died. Lamont Dozier was 81 years old. He was part of the songwriting and producing team of Holland Dozier Holland — along with brothers Brian and Eddie Holland. The trio was responsible for hits such as the Four Tops' “Baby I Need Your Lovin'” and “Heat Wave” by Martha and the Vandellas. Holland Dozier Holland wrote 25 Top 10 hits for the Motown label between 1963 and 1967. Many of those hits were for the Supremes, including “Stop in the Name of Love," ”My World Is Empty Without You,” "I Hear A Symphony” and “You Can't Hurry Love.”

We're going all the way back to 1966 for this one, as we discuss the oldest song on the podcast thus far. And we also get a couple of shots at Phil Collins in. Come and check out the review! Hosted by @sliiiiip and @megamixdotcom, the Super Hits Podcast reviews a different retro single each episode! We're on all of the usual podcast platforms, so come find us. Come and give us a 5-star review! To correct us if we miss a fact or get something wrong, or to request a single, or to just say hello, hit us up at superhitspodcast@gmail.com Here's the song: https://open.spotify.com/track/3CVDronuSnhguSUguPoseM?si=d0e91bd5cb354960 Here's the music video: https://youtu.be/Itn438i30hk Here's our website: https://megamixdotcom.com/super-hits/ Here's our Twitter: @SuperHitsCast Here's our Instagram: @SuperHitsPodcast --- Send in a voice message: https://podcasters.spotify.com/pod/show/superhitspodcast/message

#85-81Intro/Outro: Fire by The Jimi Hendrix Experience85. You Can't Hurry Love by The Supremes84. Ain't Too Proud To Beg by The Temptations83. Sweet Caroline by Neil Diamond82. Ain't No Mountain High Enough by Marvin Gaye & Tammi Terrell *81. (Your Love Keeps Lifting Me) Higher and Higher by Jackie Wilson *Vote on your favorite song from today's episodeVote on your favorite song from Week 4 of the 50's* - Previously played on the podcast

Live from my bed with my dog besides me - this week we diving into the concepts of “hurry” ,  love languages and trust.Do you think your love language can change overtime? Talk to me in the episode. Music by Beatz by Grey -https://music.apple.com/us/artist/beatz-by-grey/1536018369Signed,Teish, Adopted Black Girl 

Heart - What About Love Elton John - A Word In Spanish John Lennon - Watching The Wheels Tom Petty - Free Fallin' Gino Vannelli - Wild Horses Stevie Wonder - Part-Time Lover Merry Claton - Yes Hall & Oates - Maneater David Bowie - Modern Love Pat Benator - Love Is A Battlefield Billy Joel - Tell Her About It Pointer Sisters - I'm So Excited Culture Club - Karma Chameleon Gloria Estefan - Bad Boy Phil Collins - You Can't Hurry Love

U.K. punk/mod titans The Jam burned fast and bright in their relatively short existence - they released 18 consecutive Top 40 singles in the United Kingdom, from their debut in 1977 to their break-up in December 1982, including four number one hits. This week we're joined by California Public Utilities Regulatory Analyst - and music fan - Rory Cox to discuss their fourth record, the thematically ambitious almost-a-concept-album 'Setting Sons'. Songs featured in this episode: Private Hell - The Jam; David Watts - The Kinks; You Can't Hurry Love - The Supremes; Burning Sky, Smithers Jones, Saturday's Kids, The Eton Rifles, Heatwave, Girl on the Phone, Strange Town, Thick as Thieves, Private Hell, Little Boy Soldiers, Wasteland - The Jam; Burning Sky - Bad Company; Shangri-La - The Kinks; Nice & Sleazy - The Stranglers; My Ever Changing Moods - The Style Council; David Watts - The Jam

Episode one hundred and thirty-two of A History of Rock Music in Five Hundred Songs looks at “I Can't Help Myself” by the Four Tops, and is part two of a three-episode look at Motown in 1965. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on "Colours" by Donovan. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources No Mixcloud this week, as too many of the songs were by the Four Tops. Amazingly, there are no books on the Four Tops, so I've had to rely on the information in the general Motown sources I use, plus the liner notes for the Four Tops 50th Anniversary singles collection, a collection of the A and B sides of all their Motown singles. That collection is the best collection of the Four Tops' work available, but is pricey -- for a cheaper option this single-disc set is much better value. For Motown-related information in this and other Motown episodes, I've used the following resources: Where Did Our Love Go? The Rise and Fall of the Motown Sound by Nelson George is an excellent popular history of the various companies that became Motown. To Be Loved by Berry Gordy is Gordy's own, understandably one-sided, but relatively well-written, autobiography. Women of Motown: An Oral History by Susan Whitall is a collection of interviews with women involved in Motown. I Hear a Symphony: Motown and Crossover R&B by J. Andrew Flory is an academic look at Motown. The Motown Encyclopaedia by Graham Betts is an exhaustive look at the people and records involved in Motown's thirty-year history. How Sweet It Is by Lamont Dozier and Scott B. Bomar is Dozier's autobiography, while Come and Get These Memories by Brian and Eddie Holland and Dave Thompson is the Holland brothers'. And Motown Junkies is an infrequently-updated blog looking at (so far) the first 694 tracks released on Motown singles. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript This is the second part of a two-part look at the work of Holland, Dozier, and Holland, and part of a three-part look at Motown Records in the mid-sixties. If you've not listened to the last episode, on the Supremes, you might want to listen to that one before this. There's a clip of an old radio comedy show that always makes me irrationally irritated when I hear it, even though I like the programme it's from: [Excerpt of The Mark Steel Lectures, “Aristotle” episode. Transcript: "Which led him back to the problem, what is it that makes something what it is? Is an apple still an apple when it's decomposing? I went to see the Four Tops once and none of the original members were in the band, they were just session musicians. So have i seen the Four Tops or not? I don't know" ] That's the kind of joke that would work with many vocal groups -- you could make the joke about the Drifters or the Ink Spots, of course, and it would even work for, for example, the Temptations, though they do have one original member still touring with them. Everyone knows that that kind of group has a constantly rotating membership, and that people come and go from groups like that all the time. Except that that wasn't true for the Four Tops at the time Mark Steel made that joke, in the late 1990s. The current version of the Four Tops does only have one original member -- but that's because the other three all died. At the time Steel made the joke, his only opportunity to see the Four Tops would have been seeing all four original members -- the same four people who had been performing under that name since the 1950s. Other groups have had longer careers than that without changing members -- mostly duos, like Simon & Garfunkel or the Everly Brothers -- but I can't think of another one that lasted as long while performing together continuously, without taking a break at any point. So today, we're going to look at the career of a group who performed together for forty-four years without a lineup change, a group who were recording together before Motown even started, but who became indelibly associated with Motown and with Holland-Dozier-Holland. We're going to look at the Four Tops, and at "I Can't Help Myself": [Excerpt: The Four Tops, "I Can't Help Myself"] The Four Tops have turned up in the background in several episodes already, even though we're only now getting to their big hits. By the time they became huge, they had already been performing together for more than a decade, and had had a big influence on the burgeoning Detroit music scene even before Berry Gordy had got involved with the scene. The group had started out after Abdul "Duke" Fakir, a teenager in Detroit, had gone to see Lucky Millinder and his band perform, and had been surprised to see his friend Levi Stubbs turn up, get on stage, and start singing with the band in a guest spot. Fakir had never realised before that his friend sang at all, let alone that he had an astonishing baritone voice. Stubbs was, in fact, a regular on the Detroit amateur singing circuit, and had connections with several other performers on that circuit -- most notably his cousin Jackie Wilson, but also Hank Ballard and Little Willie John. Those few singers would make deals with each other about who would get to win at a particular show, and carved things up between them. Stubbs and Fakir quickly started singing together, and by 1953 they had teamed up with two other kids, Obie Benson and Lawrence Payton. The four of them sang together at a party, and decided that they sounded good enough together that they should become a group. They named themselves the Four Aims, and started playing local shows. They got a one-off record deal with a small label called Grady Records, and released their only single under the name "The Four Aims" in 1956: [Excerpt: The Four Aims, "She Gave Me Love"] After that single, they tried teaming up with Jackie Wilson, who had just quit Billy Ward and the Dominoes, but they found that Wilson and Stubbs' voices clashed -- Wilson's then-wife said their voices were too similar, though they sound very different to me. Wilson would, of course, go on to his own massive success, and that success would be in part thanks to Roquel Davis, who was Lawrence Payton's cousin. As we saw in the episode on "Reet Petite", Davis would co-write most of Wilson's hits with Berry Gordy, and he was also writing songs for the Four Aims -- who he renamed the Four Tops, because he thought the Four Aims sounded too much like the Ames Brothers, a white vocal quartet who were popular at the time.  They explained to Davis that they were called the Four Aims because they were *aiming* for the top, and Davis said that in that case they should be the Four Tops, and that was the name under which they would perform for the rest of their career. In the early fifties, before Wilson's success, Davis was the person in the group's circle with the most music industry connections, and he got them a deal with Chess Records. I already talked about this back in the episode on Jackie Wilson, but the group's first record on Chess, with Davis as the credited songwriter: [Excerpt: The Four Tops, "Kiss Me Baby"] Sounds more than a little like a Ray Charles record from a couple of years earlier, which Davis definitely didn't write: [Excerpt: Ray Charles, "Kissa Me Baby"] But that wasn't a success, and it would be another four years before they released their next single -- a one-off single on Columbia Records. It turned out that Chess had mostly signed the Four Tops not for the group, but to get Davis as a songwriter, and songs he'd originally written for the Tops ended up being recorded by other acts on Chess, like the Moonglows and the Flamingoes. The group's single on Columbia would also be a flop, they'd wait another two years before another one-off single on Riverside, and then yet another two years before they were signed by Motown. Their signing to Motown was largely the work of Mickey Stevenson, Motown's head of A&R. Of course, Stevenson was responsible, directly or otherwise, for every signing to the label at this point in time, but he had a special interest in the Four Tops. Stevenson had been in the Air Force in the 1950s, when he'd wandered into one of the Detroit amateur shows at which the Four Aims had been performing. He'd been so impressed with them that he immediately decided to quit the air force and go into music himself. He'd joined the Hamptones, the vocal group who toured with Lionel Hampton's band, and he'd also become a member of a doo-wop group called The Classics, who'd had a minor hit with "If Only the Sky Was a Mirror": [Excerpt: The Classics, "If Only the Sky Was a Mirror"] Stevenson had moved into a backroom position with Motown, but it was arguably the most important position in the company other than Gordy's. He was responsible for putting together the Funk Brothers, for signing many of the label's biggest acts, and for co-writing a number of the label's biggest hits, including "Stubborn Kind of Fellow" and "Dancing in the Street". Stevenson had wanted to sign the group from the start -- given that they were the group who were directly responsible for everything that had happened in his career, they were important to him. And Berry Gordy was also a fan of the group, and had known them since his time working with Jackie Wilson, but it had taken several years for everything to fall into place so that the group were able to sign to Motown. When they did, they naturally became a priority. When they were signed to the label, it was initially with the intention of recording them as a jazz group rather than doing the soul pop that Motown was best known for. Their first recordings for Motown were for their subsidiary Workshop Jazz. They recorded an entire album of old standards for the label, titled "Breaking Through": [Excerpt: The Four Tops, "This Can't be Love"] Unfortunately for the group, that album wouldn't be released for thirty-five years -- Workshop Jazz had been founded because Berry Gordy was still a jazz fanatic, but none of the records on it had been very successful (or, frankly, very good -- the Four Tops album was pretty good, but most of the music put out on the label was third rate at best), and so the label closed down before they released the Four Tops album. So the group were at a loose end, and for a while they were put to work as session vocalists on other people's records, adding backing to records by the Supremes: [Excerpt: The Supremes, "Run Run Run"] And even after they started having hits of their own they would appear on records by other people, like "My Baby Loves Me" by Martha and the Vandellas: [Excerpt: Martha and the Vandellas, "My Baby Loves Me"] You'll notice that both of these records were ones where the Four Tops were added to a female group -- and that would also be the case on their own records, once Holland, Dozier, and Holland took over producing them. The sound on the Four Tops' records is a distinctive one, and is actually made up of seven voices. Levi Stubbs, of course, took the lead on the singles, but the combination of backing vocalists was as important as the lead. Unlike several other vocal groups, the Four Tops were never replaced on their records -- Stubbs was always resistant to the idea that he was more important than the rest of his group. Instead, they were augmented -- Motown's normal session singers, the Andantes, joining in with Fakir, Payton, and Benson. The idea was to give the group a distinctive sound, and in particular to set them apart from the Temptations, whose recordings all featured only male vocals. The group's first hit single, "Baby I Need Your Loving", was a song that Holland, Dozier, and Holland had written but weren't too impressed with. Indeed, they'd cut the backing track two years earlier, but been too uninspired by it to do anything with the completed track. But then, two years after cutting the backing, Dozier was hit with inspiration -- the lines "Baby, I need your loving/Got to have all your loving" fit the backing track perfectly. Eddie Holland was particularly excited to work with the Four Tops. Even though he'd somehow managed never to hear the group, despite both moving in the same musical circles in the same town for several years, he'd been hearing for all that time that Levi Stubbs was as good as his rivals Little Willie John and Jackie Wilson -- and anyone that good must be worth working with. When they took the song into the studio, though, Levi Stubbs didn't want to sing it, insisting that the key was wrong for his voice, and that it should be Payton who sang the song. The producers, though, insisted that Stubbs had the perfect voice for the song, and that they wanted the strained tone that came from Stubbs' baritone going into a higher register than he was comfortable with. Eddie Holland, who always coached the lead vocalists while his brother and Lamont Dozier worked with the musicians, would later say that the problem was that Stubbs was unprepared and embarrassed -- they eventually persuaded Stubbs to take the song home and rehearse it over the weekend, and to come in to have a second go at the track the next Monday. On the Monday, Stubbs came in and sang the song perfectly, and Stubbs' baritone leads became the most distinctive sound to come out of Motown in this period: [Excerpt: The Four Tops, "Baby I Need Your Loving"] According to at least one source, Stubbs was still unhappy with his vocal, and wanted to come in again the next day and record it again. Holland, Dozier, and Holland humoured him, but that wasn't going to happen. "Baby I Need Your Loving" became a hit, making number eleven, and so of course the next record was a soundalike. "Without the One You Love (Life's Not Worthwhile)" even started with the line "Baby, I need your good loving". Unfortunately, this time Holland, Dozier, and Holland copied their previous hit a little *too* closely, and people weren't interested. Dozier has later said that they were simply so busy with the Supremes at the time that they didn't give the single the attention it deserved, and thought that cranking out a soundalike would be good enough. Because of this, they weren't given the group's next single -- the way Motown worked at the time, if you came up with a hit for an act, you automatically got the chance to do the follow-up, but if you didn't have a hit, someone else got a chance. Instead, Mickey Stevenson and Ivy Joe Hunter came up with a ballad called "Ask the Lonely", which became a minor hit -- not as big as "Baby I Need Your Loving", but enough that the group could continue to have a career. It would be the next single that would make the Four Tops into the other great Holland-Dozier-Holland act, the one on which their reputation rests as much as it does on the Supremes: [Excerpt: The Four Tops, "I Can't Help Myself"] "I Can't Help Myself" was inspired by Dozier's grandfather, who would catcall women as they passed him on the street -- "Hey, sugar pie! Hi there honey bunch!" Dozier married those words to a chord progression that's almost identical to the one from "Where Did Our Love Go?".  Both songs go C-G-Dm-F-G, with the same number of beats between changes: [demonstrates] There's only one tiny change in the progression -- in the last beat of the last bar, there's a passing chord in "I Can't Help Myself", a move to A minor, that isn't there in "Where Did Our Love Go?" Even the melody lines, the syllabics of the words, and their general meanings are very similar. "Where Did Our Love Go?" starts with "Baby baby", "I Can't Help Myself" starts with "Sugar pie, honey bunch". "Baby don't leave me" is syllabically similar to "You know that I love you". The two songs diverge lyrically and melodically after that, but what's astonishing is how a different vocalist and arrangement can utterly transform two such similar basic songs. Compare the opening of "Where Did Our Love Go?": [Excerpt: The Supremes, "Where Did Our Love Go?"] With the opening of "I Can't Help Myself": [Excerpt: The Four Tops, "I Can't Help Myself"] It's a perfect example of how Holland, Dozier, and Holland would reuse musical ideas, but would put a different spin on them and make the records sound very different. Of course, some of the credit for this should go to the Funk Brothers, the session musicians who played on every Motown hit in this period, but there's some question as to exactly how much credit they deserved. Depending on who you believe, either the musicians all came up with their own instrumental lines, and the arrangement was a group effort by the session musicians with minimal interference from the nominal producers, or it was all written by Brian Holland and Lamont Dozier, and the musicians just did what they were told with no creative input at all. The arguments about who did what tend to get quite vicious, with each side pointing out, accurately, that the other needed them. It's true that Holland, Dozier, and Holland didn't do anything like as well as writers and producers after they left Motown. It's also true that the Funk Brothers didn't write or produce any hits themselves, but were reliant on the Motown staff writers and producers for material. I suspect, and it is only a suspicion, that the truth lies between the two, and that it was a collaborative process where Holland and Dozier would go into the studio with a good idea of what they wanted, but that there was scope for interpretation and the musicians were able to make suggestions, which the producers might take up if they were good ones. If Brian Holland sketched out or hummed a rough bassline to James Jamerson, saying something like "play bum-bum-bum-bum", and then Jamerson embellished and improvised around that rough bassline, it would be easy to see how both men could come out of the session thinking they had written the bassline, and having good reason to think so. It's also easy to see how the balance could differ in different sessions -- how sometimes Holland or Dozier could come in with a fully worked out part, and other times they might come in saying "you know the kind of thing I want",  and how that could easily become remembered as "I came up with all the parts and the musicians did nothing" or "Us musicians came up with all the parts and the producers just trusted us". Luckily, there's more than enough credit to go around, and we can say that the Four Tops, Holland, Dozier, and Holland, the Funk Brothers, and the Andantes all played an important part in making these classic singles: [Excerpt: The Four Tops, "I Can't Help Myself"] "I Can't Help Myself" knocked the Supremes' "Back in My Arms Again" off the number one spot, but was itself knocked off the top by "Mr. Tambourine Man" -- but then a week later, "I Can't Help Myself" was at number one again, before being knocked off again by "(I Can't Get No) Satisfaction". The success of "I Can't Help Myself" meant that the group's singles on their old labels suddenly had some value. Columbia Records reissued "Ain't That Love", a single the group had originally released four years earlier, in the hope of having some success because of the group's new-found fame. As we saw last time when the Supremes rushed out "Come See About Me" to prevent someone else having the hit with it, there was nothing that Berry Gordy hated more than the idea that someone else could have a hit based on the success of a Motown act. The Four Tops needed a new single *now* to kill the record on Columbia, and it didn't matter that there were no recordings or even songs available to put out. Holland, Dozier, and Holland went into the studio to record a new backing track with the Funk Brothers, essentially just a remake of the backing from "I Can't Help Myself", only very slightly changed. By three o'clock in the afternoon on the day they found out that the Columbia record was being released, they were in the studio, Dozier fine-tuning the melody while Brian Holland rehearsed the musicians and Eddie Holland scribbled lyrics in another corner. By five PM the track had been recorded and mixed. By six PM the master stamper was being driven the ninety miles to the pressing plant so they could start pressing up copies. The next day, DJs started getting copies of the record, and it was in the shops a couple of days later. Of course, the record being made in such a rush meant that it was essentially a remake of their previous hit -- something that was acknowledged in the tongue-in-cheek title: [Excerpt: The Four Tops, "It's the Same Old Song"] "It's the Same Old Song" wasn't as big a hit as "I Can't Help Myself", but it made number five on the charts, a more than respectable follow-up, and quite astonishing given the pressure under which the record was made. The next few singles that Holland, Dozier, and Holland wrote for the group weren't quite as successful -- this was early 1966, and Holland, Dozier, and Holland were in a mini slump -- they'd had a number one with "I Hear a Symphony", as we heard in the last episode, but then they produced two singles for the Supremes that made the top ten, but not number one -- "My World is Empty Without You" and "Love is Like an Itching in My Heart".  And as the Four Tops weren't quite as big as the Supremes, so their next two singles, "Something About You" and "Shake Me, Wake Me (When It's Over)", only just scraped into the bottom of the top twenty. Still hits, but not up to Holland, Dozier, and Holland's 1965 standards. And so as was the common practice at Motown, someone else was given a chance to come up with a song for the group. "Loving You is Sweeter Than Ever" was written by Ivy Jo Hunter, a songwriter and producer whose biggest contribution to this point had been co-writing "Dancing in the Street", and Stevie Wonder, a child star who'd had a hit a couple of years earlier but never really followed up on it, and who also played drums on the track: [Excerpt: The Four Tops, "Loving You is Sweeter Than Ever"] Within a few months, Wonder would begin a run of hit singles that would continue for more than a decade, and would become arguably the most important artist on Motown. But that golden period hadn't quite started yet, and "Loving You is Sweeter Than Ever" didn't make the top forty. At this point, it would have been easy for the Four Tops to have been relegated to the same pile as artists like the Contours -- people who'd had a couple of hits on Motown, but had then failed to follow up with a decent career. Motown was becoming ever more willing to drop artists as dead weight, as Gordy was increasingly concentrating on a few huge stars -- Marvin Gaye, Smokey Robinson and especially the Supremes – to the exclusion of everyone else. But then Holland, Dozier, and Holland got back up on top. They came up with two more number ones for the Supremes in quick succession. "You Can't Hurry Love" was recorded around the same time that "Loving You is Sweeter Than Ever" was failing to chart, and quickly became one of the Supremes' biggest ever hits. They followed that with a song inspired by the sound of the breaking news alert on the radio, replicating that sound with the staccato guitars on what was their most inventive production to date: [Excerpt: The Supremes, "You Keep Me Hanging On"] Not only was that a number one record, it was soon followed by a top ten cover version by the heavy rock band Vanilla Fudge: [Excerpt: Vanilla Fudge, "You Keep Me Hanging On"] Holland, Dozier, and Holland were back on top, and they brought the Four Tops back to the top with them. The next single they recorded with the group, "Reach Out, I'll Be There", started with an instrumental introduction that Brian Holland was noodling with on the piano: [Excerpt: The Four Tops, "Reach Out I'll Be There"] Holland was playing that part, over and over, and then suddenly Lamont Dozier was hit with inspiration -- so much so that he literally pushed Holland to one side without saying anything and started playing what would become the verse: [Excerpt: The Four Tops, "Reach Out I'll Be There"] The interesting thing about that track is that it shows how the different genres that were charting at the time would have more influence on each other than it might appear from this distance, where we put them all into neat little boxes named "folk-rock" or "Motown". Because Lamont Dozier was very specifically being influenced by Bob Dylan and "Like a Rolling Stone", when it came to how the song was phrased. Now, this is not something that I would ever in a million years have thought of, but once you know it, the influence is absolutely plain -- the way the melody stresses and elongates the last syllable of each line is pure Dylan. To show this, I am afraid I'm going to have to do something that I hoped I'd never, ever, have to do, which is do a bad Bob Dylan impression. Everyone thinks they can impersonate Dylan, everyone's imitations of Dylan are cringeworthy, and mine is worse than most. This will sound awful, but it *will* show you how Dozier was thinking when he came up with that bit of melody: [demonstrates] Let us never speak of that again. I think we'd better hear how Levi Stubbs sang it again, hadn't we, to take that unpleasant sound away: [Excerpt: The Four Tops, "Reach Out I'll Be There"] That became the group's second and last number one single, and also their only UK number one. Unfortunately, Holland, Dozier, and Holland were so hot at this point that they ended up competing with themselves. Norman Whitfield, one of the other Motown songwriter-producers, had wanted for a while to produce the Temptations, whose records were at this point mostly written and produced by Smokey Robinson. He called on Eddie Holland to help him write the hit that let him take over from Robinson as the Temptations' producer, "Ain't Too Proud to Beg": [Excerpt: The Temptations, "Ain't Too Proud to Beg"] Dozier and Brian Holland were fine with Eddie working with another writer -- they all did that kind of thing on occasion -- until the date of the BMI Awards. The previous two years, the trio had been jointly given BMI's award for most successful songwriter of the year. But that year, Eddie Holland got the award on his own, for having written more hits than anyone else (he'd written eight, Dozier and Brian Holland had written six. According to a contemporary issue of Billboard, John Sebastian was next with five, then Lennon/McCartney and Jagger/Richards with four each.) Holland felt bad that he'd inadvertently prevented his collaborators from winning the award for a third year in a row, and from this point on he'd be much more careful about outside collaborations. Holland, Dozier, and Holland wrote two more classic singles for the Four Tops, "Standing in the Shadows of Love", and "Bernadette". That latter had been inspired by a coincidence that all three of Holland, Dozier, and Holland had at one time or another dated or felt unrequited love for different girls called Bernadette, but it proved extremely difficult to record. When the trio wrote together, Eddie Holland would always sing the songs, and the melodies were constructed around his tenor vocal range. Stubbs was a baritone, and sometimes couldn't hit some of the higher notes in the melodies, and he was having that problem with "Bernadette". Eddie Holland eventually solved the problem by inviting in a few fans who had been hanging around outside hoping for autographs. Stubbs being a performer wasn't going to make himself look bad in front of an audience, and sang it perfectly: [Excerpt: The Four Tops, "Bernadette"] "Bernadette" made the top five, and it was followed by a couple more top twenty hits with lesser Holland/Dozier/Holland songs, but then the writer-producers quit Motown, for reasons we'll look at in a few months when we take our last look at the Supremes. This left the Four Tops stranded -- they were so associated with their producers that nobody else could get hits with them. For a while, Motown turned to an interesting strategy with them. It had been normal Motown practice to fill albums up with cover versions of hits of the day, and so the label put out some of this album filler as singles, and surprisingly had some chart success with cover versions of the Left Banke's baroque pop hit "Walk Away Renee": [Excerpt: The Four Tops, "Walk Away Renee"] and of Tim Hardin's folk ballad "If I Were a Carpenter": [Excerpt: The Four Tops, "If I Were a Carpenter"] And so for a while many of the singles the group released, both in the US and elsewhere, were covers of songs that were very far from the normal Motown style -- the Jimmy Webb ballad "Do What You Gotta Do" made the UK top twenty, their cover of another Jimmy Webb song, "MacArthur Park", made the lower reaches of the US top forty, their version of the old standard "It's All in the Game" made number twenty-four, and they released a version of "River Deep, Mountain High", teaming up with the Supremes, that became more successful in the US than the original, though still only just made the top forty. But they were flailing. Motown had no idea what to do with them other than release cover versions, and any time any of Motown's writing and production teams tried to come up with something new for the group it failed catastrophically. In 1972 they signed to ABC/Dunhill, and there they had a few hits, including a couple that made the top ten, but soon the same pattern emerged -- no-one could reliably get hits with the group, and they spent much of the seventies chasing trends and failing to catch them. They had one more big US hit in 1981, with "When She Was My Girl", which made number eleven, and which went to number one on the R&B charts: [Excerpt: The Four Tops, "When She Was My Girl"] But from that point on they were essentially a nostalgia act, though they carried on releasing records through the eighties. The group's career nearly came to a premature end in 1988. They were in the UK to promote their single "Loco in Acapulco", co-written by Lamont Dozier and Phil Collins, from the soundtrack of Collins' film Buster: [Excerpt: The Four Tops, "Loco in Acapulco"] That was a UK top ten hit, but it nearly led to the group's death -- they were scheduled to fly out of the UK on Pan Am flight 103 to Detroit on the twenty-first of December 1988. But the group were tired after recording an appearance on Top of the Pops the night before, slept in, and missed the flight. The flight fell victim to a terrorist bombing -- the Lockerbie bombing -- and everyone on it died. The group carried on performing together after that, but their last new single was released in 1989, and they only recorded one more album, a Christmas album in 1995. They performed together, still in their original lineup, until 1997 when Lawrence Payton died from cancer. At first the group continued as a trio, retiring the Four Tops name and just performing as The Tops, but eventually they got in a replacement. By the turn of the century, Levi Stubbs had become too ill to perform as well -- he retired in 2000, though he came back for a one-off performance for the group's fiftieth anniversary in 2004, and he died in 2008. Obie Benson continued performing with the group until three months before his death in 2005. A version of the Four Tops continues to perform, led by Abdul Fakir, and also featuring Lawrence Payton's son Roquel, named after Roquel Davis, who performs under the name Lawrence Payton Jr. The Four Tops were one of those groups that never quite lived up to their commercial potential, thanks in large part to Holland, Dozier, and Holland leaving Motown at precisely the wrong moment, and one has to wonder how many more hits they could have had under other circumstances. But the hits they did have included some of the greatest records of the sixties, and they managed to continue working together, without any public animosity, until their deaths. Given the way the careers of more successful groups have tended to end, perhaps it's better this way.

We reminisce over past V-days including our first and our worst. Make sure to check out our YouTube for the bake-off! Follow us on IG: @nmjcpodcast | @3muh | @julio_dragonetti nmjc cover art by Matt McBratnie nmjc jingle by Jay Faires