Podcasts about When I Was Young

Singles Going Around- Romance On The Borderline TonightSide AJimmy Smith- "Root Down"Simon & Garfunkel- "Somewhere They Can't Find Me"The Sir Douglas Band- "San Francisco FM Blues"James Burton- "Polk Salad Annie"The Beach Boys- "Good Time"Aretha Franklin- "I Never Loved A Man"Sam & Dave- "I Thank You"The Turtles- "Buzzsaw"The Ramones- "Chainsaw"Side BBeastie Boys- "Groove Holmes"Little Richard- "Ooh! My Soul"The Animals- "When I Was Young"The Rolling Stones- "Memo From Turner"The Status Quo- "Pictures Of Matchstick Men"Otis Redding- "Old Man Trouble"The Velvet Underground- "After Hours"Count Five- "Out In The Streets"The Uniques- "And I Love Her"The Beatles- "The Inner Light"Billy Joel- "Vienna"*All selections taken from Lp's and 45 rpm records.

Aujourd'hui, nous rendons hommage à l'un des plus grands artistes français du XXe siècle : Charles Aznavour. Cet épisode retrace le parcours exceptionnel de ce chanteur, auteur-compositeur et acteur, qui a su s'imposer sur la scène internationale malgré de nombreux défis.Né en 1924 à Paris dans une famille d'origine arménienne, Charles Aznavour a dû travailler dur pour atteindre les sommets de la gloire. Avec une ténacité hors-norme et un talent indéniable, il a su s'imposer progressivement, passant de l'ombre à la lumière.

This week on Back Issue Bloodbath, Andrew talks with editor Michelle Abounader about the crowdfunding campaign for When I Was Young, an LGBTQIA+ charity comic anthology! The post Back Issue Bloodbath Episode 438: When I Was Young…. (crowdfunding campaign interview with editor Michelle Abounader) appeared first on Geek Hard.

This week on Back Issue Bloodbath, Andrew talks with editor Michelle Abounader about the crowdfunding campaign for When I Was Young, an LGBTQIA+ charity comic anthology! The post Back Issue Bloodbath Episode 438: When I Was Young…. (crowdfunding campaign interview with editor Michelle Abounader) appeared first on Geek Hard.

Welcome to another spine-tingling, joystick-wiggling episode of Play Comics, where the pixels meet the page and the game controllers are always at risk of being thrown in excitement or frustration. This week we're diving into the dark cobwebbed corners of the gaming world to unearth the 1992 classic The Addams Family, a game that dared to ask “What if we took a beloved, macabre family and turned their life into a platforming adventure?” Based on the 1991 film of the same name, this game sprawled across the NES, SNES, Genesis, Master System, Game Gear, and Game Boy, proving that no console was safe from its kooky, spooky charm. In this episode we're thrilled to welcome back the illustrious Adam Williamson, a man whose knowledge of games is only rivaled by his ability to survive encounters with the supernatural—or at least supernatural-themed video games. Adam, who last graced us with his presence in a bodyslammin' discussion on WWF No Mercy, returns from the depths of the gaming archives to help us navigate the twisted halls of the Addams' mansion. Prepare for a journey where every jump is a leap of faith (into a pit of who-knows-what), every enemy is as bizarre as an Addams family member, and the only thing scarier than the game's difficulty is the thought of turning it off before finishing. Will Gomez find his beloved family members, or will he be doomed to wander the pixelated corridors forever? Join us as we explore the mystery, the humor, and the sheer Addams-ness of The Addams Family game. So tighten your seatbelts, adjust your monocles, and make sure your hand (Thing, is that you?) is firmly attached to your wrist. It's going to be a wild ride through the Addams Family estate, where the only guarantee is laughter, nostalgia, and maybe, just maybe, a newfound appreciation for games that make you want to pull your hair out—in the most delightful way possible. Learn such things as: How can you base a game off of single panel comics? How is this macabre family so wholesome? What does Jonathan Blow have to do with any of this? And so much more! You can find Adam absolutely nowhere except for on Play Comics where he writes comic reviews and appears on other episodes. Of particular interest to listeners of this episode are The Gimmick #1 and The Job #1. Twitter Thread and Bluesky Thread to enter the giveaway for copies of The Color of Always and Sharp Wit & The Company of Women. Or just comment on the When I Was Young episode post with what stories you're looking forward to reading. If you want to be a guest on the show please check out the Be a A Guest on the Show page and let me know what you're interested in. If you want to help support the show check out the Play Comics Patreon page or head over to the Support page if you want to go another route. You can also check out the Play Comics Merch Store. Play Comics is part of the Gonna Geek Network, which is a wonderful collection of geeky podcasts. Be sure to check out the other shows on Gonna Geek if you need more of a nerd fix. You can find Play Comics @playcomics.bsky.social on Bluesky, @playcomicscast on Twitter and in the Play Comics Podcast Fan Group on Facebook. A big thanks to Crossplay Conversations and Tales from the Backlog for the promos today. Intro/Outro Music by Best Day, who still goes Trick-Or-Treating. In fact he's going next weekend.

Anne talks with comics writer and editor Michele Abounader and comics writer David Booher about their new kickstarter comic for charity "When I Was Young...", an LGBTQ+ anthology comic about reflections and growing up as a queer child. As of posting this episode, there is now one week to back this comic and help get it to its goal! You can find more details and support the project by following the link below! https://www.backerkit.com/c/projects/michele-abounader/when-i-was-young-an-lgbtqia-charity-comic-anthology --- Support this podcast: https://podcasters.spotify.com/pod/show/thecomicscollective/support

Today I've got two amazing comics creators on to chat with me. Comics writer David Booher is a regular to the show at this point and we have a new guest joining him, Michele Abounader. Michele has cooked up a new crowdfunding project on Backerkit called When I Was Young, a 100+ page queer comics anthology featuring short stories of inspiration, advice, and triumph where all profits will be donated to The Trevor Project to benefit LGBTQIA+ youth. David and Michele both are contributing pieces to the project along with some of comics big heavy hitters like Heather Antos, Christopher Cantwell, Stephanie Williams, and Jadzia Axelrod. Michele is playing the jill of all trades role as the editor as well. Each of these stories is deeply personal. When I saw the original solicitation for it, I jumped at the opportunity to support it as a backer and knew I wanted to have Michele on to chat about it. David was a delightful late add who was kind enough to come on to talk about his story Blue illustrated by yeti friend Jack Foster that will be a part of the anthology. Click the link here to back the project. Learn more about your ad choices. Visit megaphone.fm/adchoices

Greetings, time travelers and comic connoisseurs! Buckle up your seatbelts and grab your favorite snacks because you're in for a treat with this very special bonus episode of Play Comics that's more colorful than a double rainbow! In this heartwarming and possibly tear-jerking installment, we're diving into the pages of When I Was Young, the BackerKit campaign that's not just a comic anthology but a time capsule of love, advice, and triumph. It's an LGBTQIA+ extravaganza where the creative teams pour their hearts out in stories they wish they could whisper to their younger selves. And guess what? All profits are being donated to The Trevor Project, because who doesn't love comics with a cause? But wait, there's more! We're not just flipping through the pages alone. Oh no, we've managed to snag the anthology's editor, the one and only Michele Abounader, to join us for this episode. Michele will share the behind-the-scenes magic, the tears, the laughter, and maybe even the secret recipe to creating an anthology that's as inspiring as it is fabulous. So whether you're a die-hard fan of all things LGBTQIA+, a comic anthology aficionado, or just someone who loves a good story with a dash of nostalgia, this episode is for you. Tune in, get cozy, and let's send some love letters to our past selves together. It's going to be a rainbow-riding, comic-reading, feel-good kind of day here at Play Comics! Learn such things as: How do you get so many great creators to help with this kind of project? What can happen when you just shoot your shot and ask someone to be involved? Do you make the anthology, or does the anthology make you? And so much more! You can find Michele on Twitter @cerealpancake, on Bluesky @cerealpancake.bsky.social, on Instagram @ilikepancakes, and her website Cereal Pancake. And of course check out the campaign yourself at wheniwasyoungcomic.com which takes you directly to the BackerKit page to make this a reality. Twitter Thread and Bluesky Thread to enter the giveaway for copies of The Color of Always and Sharp Wit & The Company of Women. Or just comment here with what stories you're looking forward to reading. If you want to be a guest on the show please check out the Be a A Guest on the Show page and let me know what you're interested in. If you want to help support the show then just stop and support this campaign instead. Please? I will love you forever for that. Play Comics is part of the Gonna Geek Network, which is a wonderful collection of geeky podcasts. Be sure to check out the other shows on Gonna Geek if you need more of a nerd fix. You can find Play Comics @playcomics.bsky.social on Bluesky, @playcomicscast on Twitter and in the Play Comics Podcast Fan Group on Facebook. Intro/Outro Music by Best Day, who has nothing funny to say here because this is a totally serious matter.Read transcript

This week I have returning guests HEATHER ANTOS (Editor-IDW, MARVEL) and MICHELE ABOUNADER (Sharp Wit and the Company of Women, The Color Of Always) jump on to discuss the LGBTQIA+ Charity Comic Anthology, WHEN I WAS YOUNG (all profits going to the Trevor Project), as well as the landscape of crowdfunding, trying to bully Michele into making a newsletter, and a whole bunch more! Back WHEN I WAS YOUNG here: https://www.backerkit.com/c/projects/michele-abounader/when-i-was-young-an-lgbtqia-charity-comic-anthology Follow Heather / Michele Here: Michele: Twitter Bluesky Heather: Twitter ⁠ BlueSky COMICS-COFFEE-METAL is hosted by DON CARDENAS Twitter: @doncardenasart BlueSky: ⁠⁠⁠⁠⁠@doncardenasart.bluesky.social⁠⁠⁠⁠⁠ Instagram: @doncardenasart Website: doncardenasart.com EMAIL: comicscoffeemetal@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/comicscoffeemetal/support

Episode #192: When I Was Young  (Song starts at 4:52  ) When I Was Young is song #554, composed in 2010. I remember it was a fun piece to write. Lyrically, as the title suggests, it's an older me, looking back at my youth. It's a reflective lyric. It's about hanging on to the childhood optimism, the magic that can be found in life. I strive to hang on to those sorts of feelings. I think because I'm so involved in the arts, it's kept me awake, alive, optimistic and passionate about life. The music came together quickly. The words (which came first) dictated the rhythmical aspect of each vocal phrase, to a degree. I float a vocal melody above the improvised chords and each section leads naturally into the next. It's like opening a series of presents. It's an incredibly enjoyable thing to do, composing. Actually, that doesn't cut it. It's a total joy. I chose to compose quite ‘up' music to go with these lyrics. I've got a tendency to do that reasonably often. I think it comes from my history of being a live performer. The quieter songs have their place, for sure. But there's nothing quite like having some more up songs up your sleeve when you're under the pump on the gig. Speaking of gigs, on this episode, I take you back in time when I was cutting my teeth on my first gigs, playing piano in restaurants. I was learning so much by creating arrangements in the moment. I was playing songs by great song writers. I had books of sheet music: Great Songs of the 70s and the Beatles complete. They got me through, to begin with. Back when I was growing up on a small Pacific island like New Zealand, the music coming from the USA and England was ‘the business'. That's what everyone listened to. It took courage and a lot of self belief to have a go at songwriting. Great NZ songwriters like Neil and Tim Finn and Dave Dobbyn showed us we could -  thanks so much to those wonderful artists. I'm so pleased I did have a go at song writing, and I'm pleased I haven't stopped. I have 5 albums nearing completion at the moment and I have another 20 new songs waiting to be written into my song books. If you're thinking about getting into songwriting, I say: go for it! And when you start, don't stop. This podcast is about rediscovering older songs and finding out where they came from, how they came to be - the composition process. I'm not going to presume to be able to tell you how to write a song, but I'm endeavouring to describe and demonstrate the way I do it. it's fun sitting at my piano each week. The moment the mic is ready and I hit record, I go into performance mode. The podcasting is something I'm really enjoying. The initial songwriting often happens in a burst of activity for me. They seem to come through very quickly for me. So when I feel the urge, I put everything aside for a moment and see what comes through. Once the songs are written, I open my songbooks, and perform a few, maybe on a rainy day, when the mood strikes me. Often I randomly pick songs that seems to fit together. I get lost in the performance and 2 hours later I've come up with a song list for a couple of new albums. And this: I'd constantly edit and arrange the songs. Just like those days of arranging in the moment as I performed on those restaurants all those years ago. It really was a great training ground in so many ways.. Join me now as I take you though some of my processes again this week - And I talk about whatever else comes to mind along the way. It all a bit of fun. It's a creative way to share a creative process. Picture me on an intimate stage. You're my audience - thank you!  Here we go… The lyrics for this song (plus paintings and more music) are on my blog www.petepascoe.Wordpress.com. (perhaps open another window and read them as I sing the song).

Note: Team AP is on the road this week, so no news. Instead, please enjoy this bonus episode on gaming!Danny speaks with Clayton Kozan, a graduate student at Texas Tech University who analyzes how the Vietnam War is portrayed in video games. From 1980s-era games that have you playing as a lone wolf; to Call of Duty: Black Ops, which makes the Vietnam War about Nazis (??) and Soviets; to the more recent When I Was Young, which focuses not only on combat but the social experience of being a soldier, Danny and Clayton discuss how and why video games' portrayal of Vietnam changed over time. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.americanprestigepod.com/subscribe

Episode 152 The Lunar Saloon Every Friday from 11P - 1A PST 99.1 FM Long Beach Streaming at KLBP.org Airdate: January 20, 2023 -=-=-=-=-=-=-=-=-=- Guest DJ Takeover with Clowntempo https://soundcloud.com/clowntempo https://www.mixcloud.com/_clowntempo_/ Elijah Minnelli, Slats, Slats Bud Melvin, Funky Conveyor Belt, Lumptronic 6: Technotopia vs. Technopocalypse CV Vision, Ein Wasserfall (in der Natur), Tropical Tipsy, Nude On The Moon, Trip Tease - The Seductive Sounds Of Tipsy Todd Rundgren, The Night The Carousel Burnt Down, Something/Anything? The Mauskovic Dance Band, Drinks by the Sea, The Mauskovic Dance Band Upsetters, Kentucky Skank, Double Seven Mistral, Jamie, Jamie Whalt Thisney, Todono, Bedroom Cassette Masters 1980-89 Volume 11 Krikor Kouchian, Ninos Matadores, Cold Wave Loco Mia, Ti Amo America, All The Tracks The Phoenician, Thunder & Lightning, Thunder & Lightning Beatmaster, Lipservice, Tommy Boy Greatest Beats Bilgeri, Video Life (DJ Prince Funk Mix), Video Life / Gone Gone Gone Miki, Jön A Break, Jól Nézünk Miki Saint Etienne, On The Shore, Tiger Bay Beastie Boys, Electric Worm, The Mix-Up DJ Grand Wizard Theodore, Subway Theme, Wild Style - Original Motion Picture Soundtrack Amon Tobin, Verbal (Kid 606 Dancehall Devastation Mix), Verbal Remixes & Collaborations Wagon Christ, Crazy Disco Party, Tally Ho! Secret Circuit, Gothic Rainbow, Higher Planes Drifter Tony Gallardo, Líder Juvenil, Selected Works Black Bones, B.E.E.F, DB12 011 Fauve Records, Blow My Data (My Boy Roy Edit), Extinct Melodies From The Mud International Noise Orchestra, Marching In Time feat. Glynnis, The Dark And Bright Side Of The Globe Mladen Franko, Wind In Your Hair, Amazing Space Vol. 1 Starforce 1, Space Agent, Starforce 1 Supersempfft, Bubbles + Smoke, Metaluna Shawn Lee & Clutchy Hopkins, When I Was Young, Clutch Of The Tiger Twink The Toy Piano Band, Enter Sandman, Supercute! Plastics (プラスチックス), I Love You Oh No!, Welcome Plastics (ウエルカム・プラスチックス) Ron Geesin, Jolly Pranks, Electronic Toys Jean-Jacques Perrey, 18th Century Puppet, Moog Indigo Lee Selmoco, Ruscigan, Spag E Spig, Mosaico (Le Tastiere Di Lee Selmoco) Second Hand, Revelations Ch. 16 Vs. 9-12, Death May Be Your Santa Claus

Colabora Con Biblioteca Del Metal: En Twitter - https://twitter.com/Anarkometal72 Y Donanos Unas Propinas En BAT. Para Seguir Con El Proyecto De la Biblioteca Mas Grande Del Metal. Muchisimas Gracias. La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 Riot (actualmente Riot V) es una banda de heavy metal estadounidense, fundada en 1975 en Nueva York, por el guitarrista y principal compositor Mark Reale, completando la primera alineación con Guy Speranza, Louie Kouvaris, Jimmy Iommi, y Peter Bitelli. Riot fue uno de los nombres más icónicos y subestimados del heavy metal a nivel mundial; a consecuencia del poco éxito comercial de los primeros álbumes, lanzados a fines de los 70, y principios de los 80, los integrantes de la banda daban por perdido su posicionamiento en la historia del metal, esto ocasionó la desintegración temporal de Riot en 1984, tras 5 LP de estudio. Mark Reale, líder del grupo, estableció su residencia en San Antonio, Texas, y decidió continuar bajo otro nombre: Narita, tomando el nombre del segundo disco de Riot. No obstante, y tras ciertas idas y venidas, Reale es persuadido de dar a Riot otra oportunidad, lo cual se cristaliza en 1988, a través del disco titulado Thundersteel, punto crucial en la historia del grupo, y el cual es considerado uno de los mejores discos de la banda, junto a Fire Down Under, y su último trabajo discográfico llamado Immortal Soul, de 2011. A partir e allí, la carrera de Riot se desarrolla de manera más o menos regular, eso sí: con cambios en una alineación donde Reale era el único miembro estable. Finalmente, Immortal Soul, lanzado en octubre de 2011, fue grabado -en parte- por Reale, a causa de sus malestares, seriamente aquejado por la enfermedad de Crohn, asumiendo el guitarrista Mike Flyntz las riendas hasta completar la grabación. Mark sufrió una hemorragia de la cual no se recuperó, falleciendo el 25 de enero de 2012, y poniendo fin de hecho a Riot como banda activa. Los neoyorquinos Riot, banda nacida hacia 1975, sentaron las bases de su sonido con un primitivo pero a la vez evocador long play, editado en 1977: Rock City, inicio de una trayectoria que musicalmente sería gloriosa, pero que nunca impactaría en el mercado a nivel comercial. Tras un tema directo que abría el disco, Desperation, llega a las primeras de cambio uno de los mayores clásicos de toda la carrera de la banda: Warrior. Ese estribillo que proclamaba “Shine, shine on through the darkness and the pain” ha sido siempre uno de los lemas del grupo. Con guitarras sobresalientes y con la buena combinación de la voz de Guy Speranza, el álbum sigue con temazos certeros como Rock City, Overdrive o Angel. Tokyo Rose es uno de los cortes más intensos mientras que Heart Of Fire pasó demasiado desapercibido a pesar de su gran calidad. El elepé se cierra con la pegadiza Gypsy Queen y con la sentida This Is What I Get. hard rock y rock and roll se combinaban a la perfección en esta primera etapa del combo neoyorquino. La inocencia, las ganas de triunfar y la calidad conforman un cuajo espeso que sobresale en este corto pero interesante debut. Es la obra que abría la trilogía con Guy Speranza al frente. Narita y, en especial, Fire Down Under serían la cima de estos primerizos Riot. Segunda entrega y clara consolidación de la banda, que asomaba entre las calles de Brooklyn con serias aspiraciones de traspasar los rascacielos de Manhattan. Narita brinda hard rock de peso, con buenos fundamentos para rivalizar con la emergente generación NWOBHM del Reino Unido. La pérdida del guitarrista L.A. Kouvaris había sido suplida con la entrada de Rick Ventura, una de las figuras claves de los primeros Riot. Waiting For The Taking era una entrada inusual pero capaz de transmitir el potencial de una banda que seguía fundando su magia en las guitarras de Reale, unidas a la voz de Guy Speranza. 49er era otro claro ejemplo. Kick Down The Wall es uno de esos himnos que ejemplifican el sonido hard roquero de aquellos primeros Riot, esencia pura de una banda que apuntaba maneras únicas. El Born To Be Wild de Steppenwolf, personalizado por la voz de Speranza, era otra declaración de intenciones mientras la instrumental Narita viraba claramente hacia el heavy rock, con el que tantos lazos les uniría a Europa. Las guitarras marcaban su territorio en Here We Come Again mientras que el hard & heavy emergía en Do It Up. Riot nunca fue una banda de baladas, sin embargo había temas como Hot For Love que sí buscaban un tono más melódico y pegadizo. White Rock fue el paso previo al gran clásico del disco: Road Racin’, que al igual que Warrior en el debut, se convertiría en una de las piezas esenciales de la banda en directo. No solo es la obra cumbre de la primera etapa de Riot, sino que incluso para buena parte de los fanes veteranos del grupo siempre ha sido su disco preferido. Todo lo que habían ofrecido en los dos elepés anteriores brilló aún con más intensidad en Fire Down Under, una obra que se iniciaba con uno de los grandes clásicos del grupo: Swords And Tequila. Más rápidos y más heavies, como demostraban en el tema título, Fire Down Under, en esta obra presentaban una renovada sección rítmica: Sandy Slavin (batería) y Kip Leming (bajo). El guitarrista Rick Ventura se había convertido en una pieza clave en el engranaje del grupo, como demostró aportando una enigmática y sobresaliente composición; Feel The Same. Entre las cimas de aquella pareja irrepetible, Reale y Speranza, siempre quedará Outlaw con aquellas míticas frases en español de Antonio Ramos. El hard rock volvía a refulgir con fuerza en Don’t Bring Me Down y en Don’t Hold Back para desembocar en otra de las mayores joyas: Altar Of The King. El aporte de clásicos de este disco lo convierte sin duda en una de las piezas esenciales en la discografía de Riot. No Lies fue una nueva composición de Ventura mientras que Run For Your Life era uno de los temas más heavies y rápidos del disco. Esta obra esencial se cierra con la instrumental Flashbacks, en la que incluyeron sonidos de ambiente de conciertos, como el de Monsters Of Rock en Donington o la presentación del DJ Neal Kay del Hammersmith Odeon, de Londres. Sin duda Fire Down Under es uno de los mejores discos de Riot, y una obra fundamental en la historia del hard & heavy. La marcha del vocalista Guy Speranza parecía haber cortado la incesante progresión del conjunto americano. Sin embargo, Mark Reale no quiso perder la buena estela que habían trazado, contratando en poco tiempo a Rhett Forrester. Con pinta de estrella del rock, el vocalista aportó mucha personalidad y actitud, sin intentar imitar al recordado Speranza. Los de Nueva York endurecieron su sonido para el nuevo disco, Restless Breed, como se puede escuchar en los dos trallazos de entrada: Hard Lovin’ Man y C.I.A. El contrapunto de intensidad y emotividad lo pone Forrester en el in crescendo que da título al disco, Restless Breed, un tema que explora nuevos recovecos del sonido de Riot. Recuperaron la costumbre de incluir una versión con el When I Was Young de Eric Burdon & The Animals. El heavy metal comenzaba a tener cada vez más presencia en el sonido de los de Brooklyn, como se puede comprobar en Loanshark, mientras que el rock and roll seguía presente en Loved By You. Rick Ventura volvía a tener mucho peso en la composición como demostró en Over To You. Sin lugar a dudas una de las piezas claves del disco es la joya melódica de Mark Reale Showdown. En esa línea seguía Dream Away, nuevamente otra buena entrega de Rick Ventura. Y para cerrar el álbum; más heavy metal con Violent Crimes. Era prácticamente imposible igualar Fire Down Under, pero Riot se habían levantado muy rápido tras la ruptura con Guy Speranza, gracias al carisma y a la voz de Rhett Forrester. Restless Breed era un más que digno sucesor. Con la misma formación que en Restless Breed, Riot grabaron el que sería segundo y último disco con el vocalista Rhett Forrester: Born in America. Aunque no se trata de uno de los mejores trabajos del grupo, contiene algunas canciones magistrales que han pasado, desgraciadamente, demasiado desapercibidas como You Burn In Me o Running From The Law. El filo más heavy de Forrester acuñó esta segunda época de la banda en la que las guitarras forjadas por Reale y Ventura sobresalían en cada tema. La pegadiza Born In America contrastaba con la más heavy Wings Of Fire. Nuevamente incorporaron una versión, en esta ocasión el Devil Woman que popularizó Cliff Richard. Vigilante Killer y Heavy Metal Machine eran claro ejemplo de la fuerza de los Riot encarnados con el vocalista Rhett Forrester, que en ocasiones su voz se asemejaba a la de Blackie Lawless, que entonces daba sus primeros pasos con W.A.S.P. Riot habían entrado de lleno en una etapa más heavy desde que Rhett había asumido el micrófono. La melodía de Where Soldiers Rule desembocaba el riff de Gunfighter, otro gran tema. El disco y esta etapa se cerraban con una composición de Rick Ventura, Promised Land. A partir de ahí este ciclo se rompería con un prematura final, pero Riot volverían a renacer de sus cenizas, aunque con una formación totalmente renovada. Quizás para los puristas y los seguidores más veteranos de Riot solo existieron aquellos discos con Guy Speranza al frente y con el Fire Down Under como bandera. Sin embargo, es fehaciente que Thundersteel es la obra más influyente de unos renacidos Riot que cogieron la semilla de la banda "Narita" en San Antonio (Texas), y la plantaron en las calles de Nueva York. En unos meses germinó el que es sin duda uno de los mejores discos de power speed metal jamás facturados del uno al otro confín del planeta. Mark Reale se llevó al bajista Don Van Stavern, con quien había compartido filas en Narita, y descubrió al soberbio vocalista Tony Moore y al no menos magistral batería Bobby Jarzombek. La velocidad y genialidad del tema título Thundersteel podría ruborizar a los más thrashers de la época. Habían dado un cambio de tuerca al sonido de la banda acelerando la velocidad hasta límites insospechados. Doble bombo, estribillos contundentes y guitarras atronadoras confluían en Fight Or Fall. Aunque Sign Of The Crimson Storm era supuestamente el tema melódico del disco, su potencia es abrumadora. Excepcional tanto el sonido de guitarras como las voces imposibles de Tony Moore. Sus agudos le granjearon una posición de cantante puntero del metal de finales de los ochenta. Aunque el tema Thundersteel fue el que mejor define esta obra, Flight Of The Warrior podría considerarse la otra gran joya de un disco impecable. Y pisándole los talones en cuanto a calidad se refiere llega On Wings Of Eagles. La segunda parte de esta obra maestra se abre con otro clásico, Johnny’s Back. La melodía de Bloodstreets engarza con la fuerza del heavy metal en Run For Your Life. El disco se cierra con el extenso up tempo Buried Alive (Tell Tale Heart). Thundersteel es uno de esos lanzamientos únicos, capaz de marcar la carrera de toda una banda y de muchas generaciones que lo han ido descubriendo con los años. Lo hubieran tenido muy fácil simplemente con calcar la fórmula del exitoso Thundersteel, pero los neoyorquinos nunca han sido predecibles, como demostraron en The Privilege Of Power. Tildado injustamente de experimento calamitoso, este disco con rasgos conceptuales y cuyas canciones están conectadas por sonidos de televisión, rompió todos los esquemas no solo en la carrera de Riot sino en el metal en general. Escuchar la inicial On Your Knees; un potente tema metálico a toda velocidad aderezado por secciones de viento, resulta simplemente espectacular. Un riff monumental da inicio a Metal Soldiers, otro gran cañonazo heavy con un Tony Moore demostrando nuevamente sus agudos imposibles. La melodía se apodera de Runaway con las acústicas que siempre han estado muy presentes en la herencia de Reale. La sección de viento vuelve con fuerza en Killer, un tema en el que colabora ni más ni menos que Joe Lynn Turner (Rainbow, Deep Purple) haciendo un dueto con Tony Moore. Speed metal a destajo en la entrada de Dance Of Death demostrando que los temas rápidos de este disco lo son incluso más que en Thundersteel. Los cuernos de guerra anuncian otra batalla de power speed en Storming The Gates Of Hell. Las guitarras de Reale vuelven a ser, como en todos los discos, el gran sello identificador de Riot. La melodía regresa en Maryanne mientras que en Little Miss Death sobresalen los coros del estribillo. Una de las canciones más rápidas, heavies y potentes de la historia de la banda llega a continuación: Black Leather And Glittering Steel. El cierre es una adaptación del clásico de Al Di Meola, Racing With The Devil On A Spanish Highway, metalizada por un Reale sensacional. Digan lo que digan The Privilege Of Power es un disco impresionante que desgraciadamente no tuvo continuidad con esta formación hasta 21 años después. Nueva etapa de unos remozados Riot en la que solo resistieron el irreductible Mark Reale, Bobby Jarzombek y Mike flyntz, que había entrado en la banda apoyando en directo a la formación de Thundersteel. El primer y notorio cambio se puede adivinar en la inicial Soldier con la voz de Mike DiMeo, con un color similar al de grandes vocalistas como David Coverdale y diametralmente opuesto al del precedente Tony Moore. El sonido de la banda vira claramente al hard rock pasional sin dejar de lado la esencia heavy metal que tan bien habían trabajado en la década anterior. La vena más melódica emergía en Destiny, una composición de DiMeo y Flyntz en la que se observa claramente el cambio de la nueva andadura de Riot. Siguiendo con la costumbre de incluir versiones, en esta ocasión atinaron más si cabe rindiendo tributo a Deep Purple con el mítico Burn. Otra novedad fue la inclusión de un género como las baladas, un estilo que no había abundado en la banda de Nueva York. In Your Eyes fue la prueba de esa tendencia más suave con un sensacional DiMeo al frente. Pero no se habían olvidado de su vena más heavy como prueban en el tema homónimo del disco, Nightbreaker. Medicine Man es el prototipo de hard rock potente a veces bluesy y pasional en el que se habían embarcado Riot. Silent Scream es de esas canciones que solo ellos son capaces de escribir, esas piezas que tan dentro llevaba Mark Reale. Magic Maker era heavy rock puro en efervescencia mientras I’m On The Run se incluyó en la edición europea sustituyendo al A Whiter Shade Of Pale de Procol Harum. El hard rock de Babylon encamina hacia un curioso final: una recreación de sus mayores clásicos de la época Speranza: Outlaw. Como curiosidad, Nightbreaker salió con tres portadas diferentes, una en Japón, la otra en Europa y la de la reedición americana de 1999. Con la formación más asentada, el brillo de los nuevos Riot se apreciaba con más intensidad en The Brethren Of The Long House. Dedicado a la cultura de los indios americanos, el disco comienza con la intro The Last Of The Mohicans del compositor de bandas sonoras Trevor Jones y desemboca en la potentísima Glory Calling, que representa a la perfección la identidad de los Riot de los años noventa. Esa tensión heavy se mantiene en Rolling Thunder y culmina en la melodía de la balada Rain. Una de las mejores canciones del álbum es Wounded Heart, otro gran clásico de los Riot de esa década, puro heavy rock potente y con alma. El up tempo The Brethren Of The Long House se enlaza con una nueva versión. En esta ocasión el clásico de Gary Moore Out In The Fields que, como es su costumbre, vuelven a bordar. La impresionante acústica Santa Maria da paso al medio tiempo Blood Of The English. Otro de los grandes momentos de esta obra es Ghost Dance, un tema pleno de melodía y potencia. La pieza tradicional Shenandoah se engarza con otro temazo de hard rock, Holy Land. El álbum se cierra con la adaptación de The Last Of The Mohicans que ya avanzaban en la intro. The Brethren Of The Long House reafirmó las buenas sensaciones de Nightbreaker consolidando el nuevo hard & heavy de Riot en los noventa. La voz de Dimeo y la magia de Reale habían vuelto a renacer una banda que siempre supo reinventarse. Si Fire Down Under es la obra cumbre de los primeros Riot y Thundersteel el disco por el que siempre han sido venerados en todos los mentideros del metal, Inishmore podría cerrar el triunvirato perfecto, para conocer las distintas etapas de la banda de Mark Reale. Décima entrega de estudio y tercera con el vocalista Mike DiMeo al frente, tiene un nexo lírico en las leyendas celtas e irlandesas. La buenísima intro Black Water da paso a Angel Eyes, un himno impresionante que en directo funcionó a la perfección. La épica de Riot había alcanzado una nueva fase. Hard rock y heavy metal se daban la mano en un lanzamiento repleto de canciones inmortales como Liberty o Kings Are Falling. Ritmos demoledores, guitarras brillantes y una voz repleta de alma convergían en los grandísimos Riot de fin de siglo. Contaron en los coros con reputados cantantes como Tony Harnell (TNT) o Danny Vaughn (Tyketto). A ritmo de power metal estalla The Man mientras que en el hard rock descansa Watching The Signs. Sin un segundo de tregua Should I Run, otro clásico, demuestra la buena química compositiva que había nacido entre Reale y DiMeo. Cry For The Dying es otra prueba más de que Inishmore es una absoluta obra maestra y Turning The Hands Of Time la clara confirmación. El álbum culmina con otra joya, Gypsy, y con los aires celtas de la melódica Inishmore (Forsaken Heart) y la pieza instrumental Inishmore en la que Mark Reale ofrece una lección magistral. Un álbum imprescindible que no debería acabar nunca en el que no hay ni un segundo de relleno y en el que ni siquiera incluyeron una versión, como tanto acostumbraban. Inishmore demuestra una vez más que todas las etapas de Riot son al tiempo diferentes y esenciales. Con la misma formación y equipo de grabación que en la obra maestra Inishmore, Riot aprovecharon el momento para entrar de nuevo al estudio y volver con otro gran disco. On The Wings Of Life, tras la intro de sitar Snake Charmer, incidía en la misma fórmula exitosa que en el álbum precedente. El tema título, Sons Of Society, estaba diseñado para corear en directo mientras que Twist Of Fate no solo es la mejor canción del disco sino una de las grandes imprescindibles en la carrera de Riot. El potente hard rock de Bad Machine estalla en una intensa y emotiva; Cover Me, una clara demostración de que también podían hacer excelentes baladas, aunque no abundaran en su discografía. Y para contrastar; uno de los temas más rápidos del disco: Dragonfire. Hard & heavy con fuerza y gancho se aúnan en The Law y en la intensa Time To Bleed en la que destaca la sección rítmica de Pete Pérez y del extraordinario batería Bobby Jarzombek. Somewhere y Promises cerraban otro buen capítulo de una década triunfal para la banda de Nueva York. Lástima que a partir de Sons Of Society la dinámica del grupo comenzara a sufrir altibajos que iban a repercutir en la primera década del siglo. Sin embargo, la sociedad de Riot con DiMeo todavía daría más frutos. Riot inauguraban el nuevo milenio con Through The Storm, un disco mucho más asentado en el hard rock clásico, dejando un tanto al margen el heavy power metal que sí había estado presente en los cuatro discos anteriores. La entrada del batería Bobby Rondinelli (ex Rainbow) en sustitución de Bobby Jarzombek quizás influyó en esta orientación. La meritoria canción inicial Turn The Tables da pistas de los nuevos cauces por los que fluyen las aguas de los americanos. En el hard melódico también se puede encuadrar la accesible Lost Inside This World y la rítmica Chains (Revolving). Las guitarras de Reale y Flyntz arropaban muy bien a un DiMeo mucho más melódico, como demuestra en el tema homónimo, Through The Storm, o en la intensa balada Let It Show. Recuperan la potencia en dos de los mejores cortes del álbum, Burn The Sun y To My Head. Essential Enemies da paso a la versión del mítico Only You Can Rock Me de Ufo, recuperando la inclusión de covers, una tendencia que habían interrumpido en los dos elepés anteriores. Y para terminar el disco dos temas instrumentales, el primero de Mark Reale (Isle Of Shadows) y el segundo de George Harrison (Here Comes The Sun) rindiendo tributo a una de las debilidades de Mark; The Beatles. Con mucho retraso e incertidumbre sobre el devenir de la banda, Army Of One salió al mercado con Mike DiMeo a la voz, aunque por aquella época Mike Tirelli ya había asumido esa función en la banda. El tema título, Army Of One, devolvía el heavy metal al primer plano después del más suave Through The Storm. Sin embargo, el hard rock melódico retomaba el camino en Knocking At My Door y en Blinded, una de las últimas grandes perlas que dejó la añorada sociedad Reale/DiMeo. La aportación del batería Frank Gilchriest también fue evidente con grandes dosis de energía, como siempre ha hecho su colega Bobby Jarzombek. One More Alibi es el prototipo de canción potente y melódica que tan bien explotaron en la etapa DiMeo mientras It All Falls Down es otro temazo con mayúsculas. La vena más sensible resuena en Helpin’ Hand, todo lo contrario que en The Mystic, donde los ritmos power recuerdan a los discos de Riot de los noventa. El hard rock preciosista regresa con Still Alive, paso a previo a Alive In The City y Shine, donde rebajan el pistón de la intensidad. En el instrumental Stained Mirror Mark Reale adapta el tema de Romeo y Julieta del compositor italiano Nino Rota. Darker Side Of Light cierra Army Of One, sexto y último capítulo de estudio de Riot con Mike DiMeo a la voz, una etapa tan imprescindible como las de Guy Speranza, Rhett Forrester o Tony Moore, le pese a quien le pese. La esperada reunión de la formación que cimentó Thundersteel llegó a finales de la primera década del siglo XXI. Tras unos años de retraso por fin desembarcó en las tiendas a finales de 2011 el esperado disco de estudio: Immortal Soul. Las segundas partes nunca suelen ser buenas, aunque este tópico se hace añicos según suena Riot, un brutal trallazo en la línea Thundersteel que se convierte en la mejor carta de presentación del disco. Still Your Man es otra impresionante demostración de cómo la melodía encaja a la perfección en los ritmos power que tan bien empaca esta formación. El enigmático medio tiempo Crawling rebaja la tensión con un aire oriental y un solo que es puro Blackmore. Wings Are For Angels tiene nuevamente esa esencia Thundersteel con ritmos devastadores, riffs poderosos, un Tony Moore desgañitándose y una orgía de melodía y potencia. Giro radical para pasar a un sobresaliente medio tiempo, Fall Before Me, dedicado al padre de Tony Moore. Casando hard & heavy Sins Of The Father demuestra que este line up también va más allá del speed power metal. La intro instrumental Majestica da paso a Immortal Soul, una extraordinaria pieza de hard rock melódico. Lo mismo se podría aplicar para Insanity, redondeando un excelente álbum con muchos matices dispares. La recta final llega con Whiskey Man, un tema con ecos de los primerísimos Riot, de la época Speranza y con Believe, otro corte potente con un gran estribillo. Echoes es desgraciadamente la última canción del que trágicamente será el último disco de Riot. Apenas un par de meses después del lanzamiento de Immortal Soul, la llama de Mark Reale se apagaría para siempre, y con ella la leyenda que él cimentó. Mark ya estaba bastante enfermo en las grabaciones de este disco, por eso buena parte del peso de las guitarras, y la dirección general recayó en Mike Flyntz. Immortal Soul parecía ser un disco premonitorio, no solo por el título sino porque compendiaba en un solo trabajo buena parte de los estilos que habían seguido Riot a lo largo de 35 años: hard rock, heavy metal, power speed, hard melódico… En definitiva la esencia de una banda inmortal, absolutamente irrepetible. Después del trágico fallecimiento de su líder, Mark Reale, los integrantes restantes de la banda deciden continuar con su legado, con la aprobación del padre de Mark, Tony Reale, y conscientes de que les sería imposible seguir con su nombre clásico sin su líder y fundador, la banda decide cambiar su nombre a Riot V. Desde entonces la banda ha continuado tocando en vivo, honrando el nombre de Mark y su legado en la escena del heavy metal mundial, preparando también un disco llamado Unleash the Fire, previsto para ser lanzado el próximo 27 de agosto.

Wintersmith is the 35th book in the Discworld series, and the third in the Tiffany Aching arc. It is a story about growing up, taking responsibility for situations that are not (or not entirely) your fault, and witches. It is about what you do when no one is looking, and when everyone is looking. Most of all, it is a story about Tiffany Aching.We are joined once again by Dr. Kat Day!Kat Day is a PhD chemist who was once a teacher and is now a writer and editor. By day she mostly works as an editor and proofreader of scientific materials, with bits of article and book-writing thrown in. By night she… mostly does all the stuff she hasn't managed to do during the day. She is an assistant editor at PseudoPod and her fiction can be found at Daily Science Fiction, Cast of Wonders and PseudoPod, among others. You can follow her on Twitter at @chronicleflask, or check out her blogs, The Fiction Phial and The Chronicle Flask. She lives with her husband, two children and cat in Oxfordshire, England.Check out the recent flash fiction episode of Pseudopod featuring Kat's story, When I Was Young, I Did Not Need Magic!***Check us out on twitter at @atuin_podHelp us keep the lights on via our Patreon!Follow individual hosts at @urizenxvii, @The_Miannai, and @JustenwritesWe can also be found at www.compleatdiscography.pageOur art is by the indomitable Jess who can be found at @angryartist113Intro Music is "The Dark Morris Song" by Steeleye Span in collaboration with Sir Terry Pratchett, and is used in the hope that they don't sue us because their music rocks--and everyone should go listen to their full Wintersmith album a few times and maybe buy a copy or two. End Music is by Incompetech and used under a Creative Commons 4.0 Attribution license.Fuzzball Parade by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/5044-fuzzball-paradeLicense: http://creativecommons.org/licenses/by/4.0/

Dear Abby, I think I must have been Born under a Bad Sign. When I Was Young, after consuming Wild Mountain Honey with a Southern Man, I had Visions of Angels, in particular, an Angel from Montgomery named Jesus. The missing years, he told me, that's When the Levee Breaks, and, he said, Your Flag Decal Won't Get You into Heaven Anymore. For that you're gonna need a little Karn Evil 9, 1st impression, part 2.

THUD is one of those books that sticks with you. There's a lot we love, and a few bits that we don't love so much. Most importantly, don't ever be late for story time.We're joined this month by Dr. Kat Day!Kat Day is a PhD chemist who was once a teacher and is now a writer and editor. By day she mostly works as an editor and proofreader of scientific materials, with bits of article and book-writing thrown in. By night she… mostly does all the stuff she hasn't managed to do during the day. She is an assistant editor at PseudoPod and her fiction can be found at Daily Science Fiction, Cast of Wonders and PseudoPod, among others. You can follow her on Twitter at @chronicleflask, or check out her blogs, The Fiction Phial and The Chronicle Flask. She lives with her husband, two children and cat in Oxfordshire, England.Check out the recent flash fiction episode of Pseudopod featuring Kat's story, When I Was Young, I Did Not Need Magic!***Check us out on twitter at @atuin_podHelp us keep the lights on via our Patreon!Follow individual hosts at @urizenxvii, @The_Miannai, and @JustenwritesWe can also be found at www.compleatdiscography.pageOur art is by the indomitable Jess who can be found at @angryartist113Music is by Incompetech and used under a Creative Commons 4.0 Attribution license.Take a Chance by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4457-take-a-chanceFuzzball Parade by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/5044-fuzzball-paradeLicense: http://creativecommons.org/licenses/by/4.0/

Authors : Kat Day, H.B. Diaz and Taylor Rae Narrators : Kat Day, Gemma Amor and Siobhan Gallichan Host : Alasdair Stuart Audio Producer : Chelsea Davis Proverbs 16:31 – Gray hair is a crown of glory; it is gained in a righteous life. When I Was Young, I Did Not Need Magic by Kat […]

1 - When I Was Young and Handsome - Texas Jim Robertson and The Panhandle Punchers – 19482 - Ensuenos de Juventud (Dreams of Youth) - Orquesta Venezuela - 19303 - The Vanished Youth - Russian Imperial Singers – 19384 - When I Was Twenty-One - Harry Lauder - 19195 - Conga Salad - Alfred Jacy and his Chicos – 19416 - At the Fountain of Youth - Dan W. Quinn - 19157 - The Fountain of Youth - Billy Keith – 19528 - Flaming Youth - Duke Ellington and his Orchestra - 19349 - Young and Healthy - Dick Robertson with Ed Loyd and his Orchestra – 193310 - Når Man Kun er Ung - Ingeborg Brams - 194311 - Youth and Vigour - The Band of the Coldstream Guards – 192612 - Blame It on My Youth - Terry Shand with the Dorsey Brothers Orchestra – 193413 - Young Woman's Blues - Bessie Smith – 192714 - Don't Let Old Age Creep Up on You - The Ink Spots – 193715 - I Feel That Old Age Coming On - Wynonie Harris – 194816 - Kamaaina (The Old Timer) - Sol K. Bright and his Hollywaiians – 193417 - Fountain of Death - The Shadow – 1938 (Radio Drama)18 - Accent on Youth - The Screen Guild Theater – 1939 (Radio Romance)19 – Accent on Youth - Duke Ellington and his Orchestra – 193520 - Old Age Pension Blues - Shelton Brothers (Bob and Joe) - 1939

Two Cow Garage "The Heart and the Crown"Richard Swift "Broken Finger Blues"JD McPherson "Just Around The Corner"Kitty Wells "Guilty Street"Adia Victoria "Devil Is A Lie"Blue Mountain "Bloody 98"Fats Domino "When I Was Young"Memphis Slim "We're Gonna Rock"Wilco "Falling Apart (Right Now)"Elvis Costello & the Roots "Sugar Won't Work"Eilen Jewell "Back to Dallas"Rick Danko "What A Town"Eddie Hinton "Brand New Man"Hot Water Music "Trusty Chords"Joan Shelley "Over and Even"Superchunk "Endless Summer"Joseph "Come On Up To The House"LaVern Baker "Bumble Bee"Little Brother Montgomery "Michigan Water Blues"Bob Dylan "Precious Angel"Labi Siffre "I Got The..."Kendrick Lamar "Auntie Diaries"Hank Crawford "Sister Sadie"Arthur Gunter "Baby Let´s Play House"The 40 Acre Mule "16 Days"Old 97's "Rollerskate Skinny"Nina Simone "Do I Move You?"Koko Taylor "I'd Rather Go Blind"Jack White "If I Die Tomorrow"Drive-By Truckers "Forged In Hell And Heaven Sent"R.E.M. "Swan Swan H"Cory Branan "Imogene"Sister O.M. Terrell "Life Is a Problem"Jkutchma & the Five Fifths "Sundown, Usa"Carl Perkins "Poor Boy Blues"Blue Lu Barker "I'll Give You Some Tomorrow"John Prine "Sweet Revenge"Buddy Guy "Outskirst of Town"Junior Walker & The All Stars "Way Back Home"Wynonie Harris "Mr Blues Is Coming To Town"Billie Holiday Orchestra "Summertime"Lucero "That Much Further West"

In this episode I speak with Lori Leyden, PhD, MBA, a deeply thoughtful, internationally known trauma healing professional, transformational leader and spiritual mentor. She has done collective trauma work around the world, working with genocide survivors in Rwanda, Aboriginal and refugee communities in Australian, and post school shooting communities in Sandy Hook, Connecticut and Parkland, Florida. Lori says that if we want to change the world, we need to address trauma, both individually and collectively. We talk about her near-death experience that gave rise to the Grace Process - a formula she teaches for transcending our egos and living in our hearts, which she uses in trauma healing. She also shares about Project LIGHT: Rwanda – the world's first international youth healing, heart-centered leadership and entrepreneurship program and her award-winning documentary, When I Was Young, I Said I Would Be Happy, which chronicles the transformation of 12 Rwandan orphan genocide survivors and how they paid it forward to hundreds of other young people. Lori's work can be found here: Personal Web: www.LoriLeyden.com NonProfit Web: www.CreateGlobalHealing.org FB: https://www.facebook.com/lori.leyden/ Free Gift - the 5-Step Grace Process: https://tinyurl.com/graceprocess

I hope you thoroughly enjoyed the video! There is was more to come! Tune in this Friday for the first Short Film titled "When I Was Young," the first episode of volume one! "Springtime" - Biloxi/Gulfport, MS - Shot January 17th, 2021 Thank you for watching! If you feel like supporting me, a like on this video would seriously help! Feel free to subscribe if you like the content! --- Support this podcast: https://anchor.fm/tylersmith12/support

Danny speaks with Clayton Kozan, a graduate student at Texas Tech University who analyzes how the Vietnam War is portrayed in video games. From 80s games that have you play the lone wolf; to Call of Duty: Black Ops, where the War is about Nazis (??) and Soviets; to When I Was Young, which focuses not only on combat but the social experience of being a soldier, Danny and Clayton discuss how and why games' portrayal of Vietnam changed over time. Become a patron today! www.patreon.com/americanprestige

This week's topics include the announcement that TopGolf is coming to North Charleston and the mysterious Murdaugh family murders that took place on June 7th.    This week's interview is with Katie Dahlheim, the founder of the Lowcountry Blessing Box Project, which is a network of over 400 anonymous food pantries in South Carolina. Blessing Boxes are stocked with non-perishable food items, basic toiletries, baby supplies, and anything else that might be considered a blessing to someone who finds themselves in need. Items are anonymously donated and anonymously received and available at any time day or night. For more information, visit www.chsblessingbox.org   The show's artwork was created by Grace Lancaster-Goguen (glancastergoguen@gmail.com). This episode's music is "Short Skirt, Bare Knees," "Front Page Show," and "When I Was Young" by Tyler Boone (tylerboonemusic.com). The episode was produced by LMC Soundsystem.

After discussing State Senator Mia McLeod's historic announcement that she is running for Governor, Christian talks about local politicians behaving badly (allegedly). He tackles CIty Councilman Harry Griffin's DUI arrest and Rep. Nancy Mace's claims of "antifa" vandalism at her home.   Then Christian talks with this week's guest Justina Lasley, a Charleston resident, author, and th Founder and Executive Director of the Institute for Dream Studies, an internationally recognized program that promotes the understanding and value of dreams. She is the author of several books on dreams, including Wake Up to Your Dreams: Transform Your Relationships, Career and Health While You Sleep. You can learn more about Lasley and her work at dreamsynergy.com.   The show's artwork was created by Grace Lancaster-Goguen (glancastergoguen@gmail.com). This episode's music is "Short Skirt, Bare Knees," "Front Page Show," and "When I Was Young" by Tyler Boone (tylerboonemusic.com). The episode was produced by LMC Soundsystem.

Christian discusses the recent settlement between Charleston County and Jamal Sutherland's family. He then talks about Charleston City Council's decision to not pass an ordinance that would have created a curfew along King Street for anyone who is 16 years old or younger, but are still considering forcing food carts to close by 1 am.   This week's guest is Charleston City Councilman Jason Sakran, who represents District 3. He was elected in November 2019. He is also the Director of Expanded Learning for the Charleston County School District and the co-owner and founder of the Bon Banh Mi Southeast Asian Kitchen. Christian asks the Councilman about the recent violence around King Street; his work as co-chair of the Commission on Equity, Inclusion, and Racial Conciliation; flooding; development; gentrification; affordable housing; and more.   The show's artwork was created by Grace Lancaster-Goguen (glancastergoguen@gmail.com). This episode's music is "Short Skirt, Bare Knees," "Front Page Show," and "When I Was Young" by Tyler Boone (tylerboonemusic.com). The episode was produced by LMC Soundsystem.

This week, Christian talks about the hypocrisy of the people demanding action to counter the violence on King Street that have remained silent about the violence in other areas of the city. He then provides updates on the death of Jamal Sutherland, a man who died in custody at the Al Cannon Detention Center. Christian then calls out "influencer culture," especially in Charleston and implores those with a large platform to use it for good.   The episode concludes with Christian's interview with Derek Snook, the founder of CoLife, a startup that creates affordable housing units by making it safe and easy for homeowners to rent a room in their home. He has also written two books, The Definition of Success, which tells the story of the year he voluntarily lived homeless and how he believes we can redefine success, and Driving with Strangers, a book of meditations about his drive from Mongolia to London. You can learn more about CoLife at www.colife.fit.   The show's artwork was created by Grace Lancaster-Goguen (glancastergoguen@gmail.com). This episode's music is "Short Skirt, Bare Knees," "Front Page Show," and "When I Was Young" by Tyler Boone (tylerboonemusic.com). The episode was produced by LMC Soundsystem.

Two of my favorite people - Emily Curtis and Meggie Hulsey stop by to chat about a new project they are involved with - Sisters In Song. It's a diverse community to equip, empower, and inspire women in the music industry. For more information, go to www.instagram.com/s.i.s_chs   The show's artwork was created by Grace Lancaster-Goguen (glancastergoguen@gmail.com). This episode's music is "Short Skirt, Bare Knees," "Front Page Show," and "When I Was Young" by Tyler Boone (tylerboonemusic.com). The episode was produced by LMC Soundsystem.

It was a horrible week in Charleston and unfortunately, there was much to discuss. The horrifying video of Jamal Sutherland's January death at the Al Cannon Detention Center was finally released to the public and it rightfully led to outrage around the country. Christian also talks about the recent rash of violence downtown, including what some estimated was a "100 person melee" off King Street. Plus, the much-needed Hate Crimes Legislation has been tabled until next year.    The podcast ends on a high note as Christian interviews this week's guest, Danielle LaVia, the founder and Executive Artistic Director of Charleston Playhouse, which will be Charleston's first Professional Equity Musical Theatre Company when it opens in 2022. You can learn more at www.charlestonplayhouse.com.   The show's artwork was created by Grace Lancaster-Goguen (glancastergoguen@gmail.com). This episode's music is "Short Skirt, Bare Knees," "Front Page Show," and "When I Was Young" by Tyler Boone (tylerboonemusic.com). The episode was produced by LMC Soundsystem.

Former Congressional Representative (SC-1) Joe Cunningham is officially running for governor. Christian recaps Cunningham's kick-off event and highlights some of the issues the former congressman said would be his priorities if elected.   Then Christian talks to this week's guest, Charleston Mayor John Tecklenburg. The two talk about flooding, development, affordable housing, the city's COVID response, City Council's new code of conduct, social justice, and racial equity.   The show's artwork was created by Grace Lancaster-Goguen (glancastergoguen@gmail.com). This episode's music is "Short Skirt, Bare Knees," "Front Page Show," and "When I Was Young" by Tyler Boone (tylerboonemusic.com). The episode was produced by LMC Soundsystem. Special thanks this week to Joanna Harrison and Steffani Schwerdt

Christian talks about the current rash of negative feedback left by tourists on local restaurants' Yelp pages. We're still in a pandemic, but guests don't seem to have any patience with the city's shortage of food and bev workers. Meanwhile, Fat Hen is closing after 14 years on Johns Island. Christian talks about the closure and the upcoming transition to Minero. Plus, it looks like former Congressional Representative (SC-1) Joe Cunningham is exploring a run for governor. Could he unseat Henry McMaster?   This week's guest is musician Tyler Boone, a former Charleston resident who now calls Los Angeles home. You know Boone, even if you don't know you know him - all of the music you hear on Holy City Sinner Radio is his! Besides being a musician, singer, and songwriter, Boone is also the founder of Artist Formula, a music distribution and artist services company, and owns the awarding-winning Boone's Bourbon. His latest album, Live from Hollywood, will premiere via Rolling Stone on Thursday, April 29th. You can learn more at tylerboonemusic.com.   The show's artwork was created by Grace Lancaster-Goguen (glancastergoguen@gmail.com). This episode's music is "Short Skirt, Bare Knees," "Front Page Show," and "When I Was Young" by Tyler Boone (tylerboonemusic.com). The episode was produced by LMC Soundsystem

After a short break for a much-needed vacation, Christian is back for another episode of Holy City Sinner Radio. Unfortunately, the show opens with another discussion about the multiple mass shootings and police shootings of Black men (and children) that have dominated the national news. Bringing the news a little closer to home, Christian then discusses the incident near Columbia where a White Fort Jackson sergeant was caught on video berating and shoving a Black man.   Christian then talks with Sharon Hollis, Principal Planner for BCDCOG and the Lowcountry Rapid Transit (LCRT) Project Lead, and Morgan Grimes, BCDCOG Communications and Outreach Specialist for LCRT. The pair provided extensive details and plenty of information about the LCRT project. You can learn more at https://lowcountryrapidtransit.com.   The show's artwork was created by Grace Lancaster-Goguen (glancastergoguen@gmail.com). This episode's music is "Short Skirt, Bare Knees," "Front Page Show," and "When I Was Young" by Tyler Boone (tylerboonemusic.com). The episode was produced by LMC Soundsystem

Roy Clark was an American singer and musician. He is best known for having hosted Hee Haw, a nationally televised country variety show, from 1969 to 1997. Clark was an important and influential figure in country music, both as a performer and in helping to popularize the genre.  This recording is from his 2004 performance at Big Top Chautauqua.   During the 1970s, Clark frequently guest-hosted for Johnny Carson on The Tonight Show and enjoyed a 30-million viewership for Hee Haw. Clark was highly regarded and renowned as a guitarist, banjo player, and fiddler. He was skilled in the traditions of many genres, including classical guitar, country music, Latin music, bluegrass, and pop. He had hit songs as a pop vocalist (e.g., "Yesterday, When I Was Young" and "Thank God and Greyhound"), and his instrumental skill had an enormous effect on generations of bluegrass and country musicians. He became a member of the Grand Ole Opry in 1987, and, in 2009, was inducted into the Country Music Hall of Fame. He published his autobiography, My Life in Spite of Myself, in 1994. First broadcast in 1994, Tent Show Radio is a one-hour public radio program created from the best live recordings from acclaimed musical acts who grace the Big Top Chautauqua stage each summer in beautiful Bayfield, WI.  During intermission, host Michael Perry spins a story “from the backstage dressing room, with the one lonely little light bulb burning."  Topics range from Mike’s battles with trees, to the behavior of rogue chickens, to the search for hope while stoking a wood stove in the darkness. ​ Running 52 weeks a year, Tent Show Radio is broadcast on 31 listener supported radio stations across 6 states and on most podcast streaming platforms. "Tent Show Radio" is also available for streaming at www.tentshowradio.org. ​ Lake Superior Big Top Chautauqua was founded in 1986. The first show under canvas was the Nelson-Ferris Concert Company Production Riding the Wind, the story of Bayfield and Madeline Island. Since then Big Top has welcomed over 700,000 patrons to the grounds for 2,000+ concerts and shows and countless lectures, workshops and other unique events. In addition to the action on the tent grounds, Big Top has also broadcast its performances over the public radio airwaves since 1994 through Tent Show Radio, bringing Big Top concerts into living rooms across the country and around the world via internet streaming and podcasts. Our resident band, the Blue Canvas Orchestra, also tours to theaters and schools throughout the Upper Midwest. Over the course of 30 years we’ve touched millions of lives and created millions of memories with our eclectic blend of excellent musical offerings.

Target is coming to King Street and people have FEELINGS about it. After discussing that news, Christian issues a call-to-action regarding several bills that the Women's Rights and Empowerment Network recently highlighted.   Christian then talks with Mark Bryan, one of the founding members and lead guitarist of Hootie & The Blowfish (and a Charleston resident), who released his fourth solo album, Midlife Priceless, on April 2nd. Hootie & the Blowfish is of course the multi-platinum selling, two-time Grammy-winning band that formed at the University of South Carolina in 1986. Bryan also founded Carolina Studios in 2001. This local nonprofit offers an after school music recording and technology program that helps children (ages 8–18) thrive in music and the arts. You can learn more at www.markbryanmusic.com.   The show's artwork was created by Grace Lancaster-Goguen (glancastergoguen@gmail.com). This episode's music is "Short Skirt, Bare Knees," "Front Page Show," and "When I Was Young" by Tyler Boone (tylerboonemusic.com). The episode was produced by LMC Soundsystem

This week Christian tackles the new South Carolina flag design, before diving into the latest arrest of a well-known Charleston restaurateur and how the community should react to these types of incidents. When a restaurant owner is arrested for serious crimes, should we still support their businesses?    Christian then talks with Charleston based, Americana-Rock group Rene Russell and The Bottom End. The band on Friday released the first single from their upcoming debut album, Dream The World Anew, which is due out on May 21st. The single is called "Unheard Of" and is available on multiple streaming platforms. The band consists of Russell, Jamie Lupini, and Chris Blackwell. You can learn more about the group at renerussellandthebottomend.com.   The show's artwork was created by Grace Lancaster-Goguen (glancastergoguen@gmail.com). This episode's music is "Short Skirt, Bare Knees," "Front Page Show," and "When I Was Young" by Tyler Boone (tylerboonemusic.com). The episode was produced by LMC Soundsystem

Messes Are A Part of Life If you've spent time with toddlers, you know that messes are a part of creativity and life. During the pandemic, many parents are juggling working from home while also watching after children -- which can sometimes lead to messes. Producer Roxy Todd sat down with author David Perri to discuss his book “Messy Larry,” a book about a larger-than-life bear named Larry who learns that it's okay to make messes and mistakes. Growing Up In The Mountains Author Cynthia Rylant has written more than 100 books since she began a professional career as an author -- from picture books, easy readers, chapter books, and even novels. She is the recipient of the Caldecott Honors for her book “When I Was Young in the Mountains.” Rylant was raised in West Virginia and spent time with her grandparents in Raleigh County, which inspired her beloved book. This week, we talked with Rylant and learned more about her childhood and heard her read an excerpt from “When I Was Young in the Mountains.” “The Princess And The Pea” With An Appalachian Twist Those familiar with Bil Lepp's storytelling style know he writes in a way best heard aloud. Lepp is a storyteller who has won the West Virginia Liars' Contest five times. This week on Inside Appalachia, we hear Lepp read his newest book “The Princess and the Pickup Truck.” The book is based on “The Princess and the Pea,” with Lepp's own personal twist on the classic tale.  Storytelling As A Connection To History Lyn Ford is a professional storyteller who grew up in Appalachian Pennsylvania and spent many summers in East Liverpool, Ohio. Many of Ford's stories are adapted from folktales she heard as a child. Ford identifies as Affrilachian, a term that combines African American and Appalachian identities. She said because history books don't often include African American history, she didn't begin learning about it until she found some of her aunt's books. In this week's show, we hear Ford telling one of her stories “The Old Woman and Death,” at the Timpanogos Storytelling Institute in Utah in 2016.

Christian talks with Stephen Bowden, a West Ashley resident that announced his candidacy for the District 10 seat on the Charleston City Council last week. The seat is currently occupied by Councilman Harry Griffin.   Stephen discusses why he's running, what his priorities for his district and the city are, and why he should unseat Griffin. You can learn more about Stephen and his campaign at www.bowdenforcharleston.com.   The show's artwork was created by Grace Lancaster-Goguen (glancastergoguen@gmail.com). This episode's music is "Short Skirt, Bare Knees," "Front Page Show," and "When I Was Young" by Tyler Boone (tylerboonemusic.com). The episode was produced by LMC Soundsystem

After discussing the recent violent attacks in Atlanta, Christian provides positive updates on several stories he's covered in the past - South Carolina's proposed Hate Crime Bill and the so-called Save Women's Sports Act and Fetal Heartbeat Bill. Then he regales you with the story about the man that was arrested at the Charleston International Airport Police after allegedly biting another man's ear off!   Christian then talks with Gabe Pilato, a board member of the Friends of Joseph Floyd Manor, an informal group of concerned neighbors and community members. Their mission to advocate with Manor residents for safe and healthy housing, while helping to protect their needs, desires, and interests. You can learn more and donate at facebook.com/friendsofjosephfloydmanor. You can also purchase items off their wishlist at https://tinyurl.com/fx22cav4   The show's artwork was created by Grace Lancaster-Goguen (glancastergoguen@gmail.com). This episode's music is "Short Skirt, Bare Knees," "Front Page Show," and "When I Was Young" by Tyler Boone (tylerboonemusic.com). The episode was produced by LMC Soundsystem.

Ooooh I wish I were an Oscar Mayer Weiner.... Christian talks with Mayochup Molly and Mustard Mags, two "hotdoggers" who have been driving around the country in the iconic Oscar Mayer Wienermobile. The pair were recently bouncing around the Charleston area. Molly and Mags talk about how they scored such a unique job and what life on the road is like. You won't want to miss this one! The show's artwork was created by Grace Lancaster-Goguen (glancastergoguen@gmail.com). This episode's music is "Short Skirt, Bare Knees," "Front Page Show," and "When I Was Young" by Tyler Boone (tylerboonemusic.com). The episode was produced by LMC Soundsystem.

This week I talked about blink-182's Dogs Eating Dogs ep with my buddies Zach & Kyle and got in to the ins and outs of of the songs and what we think the next album would've sounded like with TomCheck out the Power Chord Hour radio show every Friday night at 10 est on 107.9 WRFA in Jamestown, NY, stream the station online at wrfalp.com/streaming/ or listen on the WRFA mobile appRate & review the podcast - send us a screenshot for a free PCH shirt!email me for FREE Power Chord Hour stickers - powerchordhour@gmail.comFacebook - www.facebook.com/powerchordhourInstagram - www.instagram.com/powerchordhour/Twitter - www.twitter.com/powerchordhour/Youtube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_Mg

Christian talks about Mental Health, an update on the city's efforts to increase Workforce Housing Fees, and the disgusting (yet unsurprising) move by a SC House Subcommittee to strip “sexual orientation” and “gender” from H.3620 (Hate Crime Bill), effectively removing all protections for the LGBTQ community.   Christian then talks with Ashley Mizzell, a yoga teacher, and the founder and executive director of a brand new nonprofit called Breath to Blossom, a yoga teacher who is also the founder and executive director of a brand new nonprofit called Breath to Blossom. The organization connects survivors of various forms of trauma with sliding scale, trauma-informed, holistic healing initiatives and programs. You can learn more and donate at https://breath2blossom.org.   The show's artwork was created by Grace Lancaster-Goguen (glancastergoguen@gmail.com). This episode's music is "Short Skirt, Bare Knees," "Front Page Show," and "When I Was Young" by Tyler Boone (tylerboonemusic.com). The episode was produced by LMC Soundsystem.

Christian talks with Charleston City Councilman Mike Seekings, the chairman of CARTA (www.ridecarta.com). Councilman Seekings talked about CARTA's newest initiatives including the transition to electric buses, providing free COVID testing to the community, CARTA OnDemand, expanded service to Folly Road, and more.   The show's artwork was created by Grace Lancaster-Goguen (glancastergoguen@gmail.com). This episode's music is "Short Skirt, Bare Knees," "Front Page Show," and "When I Was Young" by Tyler Boone (tylerboonemusic.com). The episode was produced by LMC Soundsystem.    

Christian talks about Charleston's "Workforce Housing" and how most developers rather pay a fee than opt to help the community by providing affordable housing within their properties. Then he calls out state politicians that want more money in politics.   Christian then chats with ReZsaun Lewis of Lowcountry Youth Services, a nonprofit which aims to create quality programs for youth in the Charleston area. You can learn more at www.lowcountryyouth.org. He is also a podcast host (www.realtalkwithrezsaun.com).   The show's artwork was created by Grace Lancaster-Goguen (glancastergoguen@gmail.com). This episode's music is "Short Skirt, Bare Knees," "Front Page Show," and "When I Was Young" by Tyler Boone (tylerboonemusic.com). The episode was produced by LMC Soundsystem.

Surprise! It's a bonus episode! Christian talks with Chef Jamie Lynch about operating restaurants during a global pandemic, life on a farm, opening Tempest in 2020, his upcoming project in Nashville, his experience on "Top Chef," and his legacy.   The show's artwork was created by Grace Lancaster-Goguen (glancastergoguen@gmail.com). This episode's music is "Short Skirt, Bare Knees," "Front Page Show," and "When I Was Young" by Tyler Boone (tylerboonemusic.com). The episode was produced by LMC Soundsystem.

Christian talks about what was found in the John C. Calhoun Monument's time capsule and then discusses the South Carolina legislature's latest bizarre and disappointing (and discriminatory) priority - the so-called "Save Women's Sports Act," which targets transgender girls for exclusion from school athletics. Learn more and advocate at www.southcarolinaunited.org.   Christian then chats with Joshua Parks of the Lowcountry Action Committee, a Black led grassroots organization dedicated to Black liberation through service, political education, and collective action in the Lowcountry. Among their initiatives is a fundraiser for the Charleston Eastside Community. You can learn more at www.lctakesaction.com.   The show's artwork was created by Grace Lancaster-Goguen (glancastergoguen@gmail.com). This episode's music is "Short Skirt, Bare Knees," "Front Page Show," and "When I Was Young" by Tyler Boone (tylerboonemusic.com). The episode was produced by LMC Soundsystem.

We're turning up the heat for Episode 2! Christian tries to make sense of 'Nelly Week' and the South Carolina Legislature's current priorities - which are apparently regulating pornography, banning abortion, and allowing some residents to openly carry gun.   Christian then chats with Shep Rose of "Southern Charm," whose debut book, "Average Expectations: Lessons in Lowering the Bar," will be released by Simon & Schuster on March 16th. The guys talk about what they love about Charleston, the city's growing tech and entertainment industries, Shep's work on a scripted series, an update on The Palace Hotel, Shep's short-lived podcast, and, of course, his book.   The show's artwork was created by Grace Lancaster-Goguen. This episode's music is "Short Skirt, Bare Knees," "Front Page Show," and "When I Was Young" by Tyler Boone (tylerboonemusic.com). The episode was produced by LMC Soundsystem.

Empezamos con December People y tres de sus villancicos "al estilo de". Hoy "El pequeño tamborilero" al estilo de Emerson Lake & Palmer y dos más como Genesis y Yes. De "Rock es vida" de Judith Mateo escuchamos sus versiones del tema homónimo de Bachman-Turner y otras de Boston y Green Day. Ramones también tienen su villancico "Merry Christmas - I don't Want Fight Tonight". Siguen dos versiones de su elepé "Acid Eaters" de 1993: "When I Was Young" de The Animals y "I can't Control Myself" de TheTroggs. Tras muchos años de silencio Suzy Quatro ha regresado en el año pandémico con un villancico "My Heart and Soul I Need You Home For Christmas". Para el final tres villancicos en directo a ritmo de blues a cargo de Joe Bonamassa "Merry Christmas Blues", "Bring Back my Cadillac" y "Santa is Back in Town". Mañana "Noche de Paz". Escuchar audio

Rural Voices Radio: Hawai'i - When I Was Young by Connected Learning Alliance

On this version of WOTS we catch up with Heather Thomas.  This is the third time Heather has been on the podcast so we did not need to do any backstory ideas.  We spent the whole hour of talking directly related to how Heather has been dealing with, reacting to, and processing the fact that we are in the midst of a global pandemic. She tells us some of what happened to her when she first heard about Covid-19 and we spend most of the time talking about what her plans are moving forward.  We talk about how she plans to continue recording, giving lessons, creating new content and music and more. I hope you enjoy catching up with Heather as much as I did.Featured music:“I Am the Desert” by Heather Thomas off Open Up“When I Was Young” by Heather Thomas off Open UpLearn more here: https://www.heatherthomasmusic.com/You can find, subscribe, rate, and review the podcast on Apple Podcasts, Google Podcasts and Spotify.

PLAYLIST MÚSICAS IMAGINADAS 3 DE FEBRERO DE 2020 SELECCIÓN DE “A BETTER LIFE. An Introduction to the Mindful Music Association” - ROBERT LINTON. Gliding the Current - JOSEPH YOUNG. Sapphire Moon - LISA PRESSMAN. Sea of Tranquility - SEAY. Heaven’s Gate - MICHELE MCLAUGHLIN. Pure Joy - ROBIN SPIELBERG. Take the Time (Learning to Knit) - KEN VERHEECKE. Between Earth and Sky - TOM EATON. In the Gloaming - NEIL TATAR. When I Was Young - 2002. Finding You - MEG BOWLES. Berceuse for a Starchild - AL JEWER & ANDY MITRAN. Levels of Peace - KAREN BIEHL. Meditation on a Moonlit Lake

This episode is a bit different we talk about Bands that have split or morphed into other bands. We talk about how Chvrches came about via Blue Sky Archives and Julia Thirteen. We also talk about Make Sparks, Scarlett Shift, Endor, The Imagineers and a couple of Ayrshire bands When I Was Young and Common Ground

About This Episode Roy Clark was an American singer and musician. He is best known for having hosted Hee Haw, a nationally televised country variety show, from 1969 to 1997. Clark was an important and influential figure in country music, both as a performer and in helping to popularize the genre. During the 1970s, Clark frequently guest-hosted for Johnny Carson on The Tonight Show and enjoyed a 30-million viewership for Hee Haw. Clark was highly regarded and renowned as a guitarist, banjo player, and fiddler. He was skilled in the traditions of many genres, including classical guitar, country music, Latin music, bluegrass, and pop. He had hit songs as a pop vocalist (e.g., "Yesterday, When I Was Young" and "Thank God and Greyhound"), and his instrumental skill had an enormous effect on generations of bluegrass and country musicians. He became a member of the Grand Ole Opry in 1987, and, in 2009, was inducted into the Country Music Hall of Fame. He published his autobiography, My Life in Spite of Myself, in 1994. In memorial of Roy Clark's passing on November 15, 2018, we rebroadcast his 2014 appearance on the Big Top Chautauqua stage. About Michael Perry Michael Perry is a New York Times bestselling author, humorist and radio show host from New Auburn, Wisconsin. Perry’s bestselling memoirs include Population 485, Truck: A Love Story, Coop, and Visiting Tom, and his latest, Montaigne in Barn Boots: An Amateur Ambles Through Philosophy. His first book for young readers, The Scavengers, was published in 2014 and first novel for adult readers, The Jesus Cow, was published in May of 2015. Raised on a small Midwestern dairy farm, Perry put himself through nursing school while working on a ranch in Wyoming, then wandered into writing. He lives with his wife and two daughters in rural Wisconsin, where he serves on the local volunteer fire and rescue service and is an intermittent pig farmer. He hosts the nationally-syndicated “Tent Show Radio,” performs widely as a humorist, and tours with his band the Long Beds (currently recording their third album for Amble Down Records). He has recorded three live humor albums including Never Stand Behind A Sneezing Cow and The Clodhopper Monologues. Learn more about Michael and where to get his publications at www.sneezingcow.com. Follow Michael Perry www.sneezingcow.com Twitter Facebook Instagram Other Ways to Stream Public Radio Exchange: www.prx.org/tentshowradio Podcast: www.libsyn.com/tentshowradio iTunes: www.itunes/tentshowradio Stitcher: www.stitcher.com/tentshowradio Player.FM: www.player.FM/tentshowradio iHeart Radio: www.iheart.com  

About This Episode Roy Clark was an American singer and musician. He is best known for having hosted Hee Haw, a nationally televised country variety show, from 1969 to 1997. Clark was an important and influential figure in country music, both as a performer and in helping to popularize the genre. During the 1970s, Clark frequently guest-hosted for Johnny Carson on The Tonight Show and enjoyed a 30-million viewership for Hee Haw. Clark was highly regarded and renowned as a guitarist, banjo player, and fiddler. He was skilled in the traditions of many genres, including classical guitar, country music, Latin music, bluegrass, and pop. He had hit songs as a pop vocalist (e.g., "Yesterday, When I Was Young" and "Thank God and Greyhound"), and his instrumental skill had an enormous effect on generations of bluegrass and country musicians. He became a member of the Grand Ole Opry in 1987, and, in 2009, was inducted into the Country Music Hall of Fame. He published his autobiography, My Life in Spite of Myself, in 1994. In memorial of Roy Clark's passing on November 15, 2018, we rebroadcast his 2014 appearance on the Big Top Chautauqua stage. About Michael Perry Michael Perry is a New York Times bestselling author, humorist and radio show host from New Auburn, Wisconsin. Perry’s bestselling memoirs include Population 485, Truck: A Love Story, Coop, and Visiting Tom, and his latest, Montaigne in Barn Boots: An Amateur Ambles Through Philosophy. His first book for young readers, The Scavengers, was published in 2014 and first novel for adult readers, The Jesus Cow, was published in May of 2015. Raised on a small Midwestern dairy farm, Perry put himself through nursing school while working on a ranch in Wyoming, then wandered into writing. He lives with his wife and two daughters in rural Wisconsin, where he serves on the local volunteer fire and rescue service and is an intermittent pig farmer. He hosts the nationally-syndicated “Tent Show Radio,” performs widely as a humorist, and tours with his band the Long Beds (currently recording their third album for Amble Down Records). He has recorded three live humor albums including Never Stand Behind A Sneezing Cow and The Clodhopper Monologues. Learn more about Michael and where to get his publications at www.sneezingcow.com. Follow Michael Perry www.sneezingcow.com Twitter Facebook Instagram Other Was to Stream Public Radio Exchange: www.prx.org/tentshowradio Podcast: www.libsyn.com/tentshowradio iTunes: www.itunes/tentshowradio Stitcher: www.stitcher.com/tentshowradio Player.FM: www.player.FM/tentshowradio iHeart Radio: www.iheart.com

The son of two amateur musicians, Roy Clark began playing banjo, guitar, and mandolin at an early age. By the time he was 14, he was playing guitar behind his father at local dances. Within a few years, he won two National Banjo Championships–with his second win earning him an appearance at the Grand Ole Opry.In the 1970s, Roy symbolized country music in the U.S. and abroad. Between guest hosting for Johnny Carson on the Tonight Show and performing to packed houses throughout the United States, he sold out 18 concerts in the Soviet Union. Roy used his talent to bring country music into homes around the world. As one of the hosts of TV’s Hee Haw for more than 20 years, he picked, sang, and offered “country corn” to 30 million people weekly.Among his many vocal hits are “Yesterday, When I Was Young, “Thank God and Greyhound” and “Wichita Lineman.” Instrumentally, he won awards for both guitar and banjo. He became an Oklahoman in 1974 and four years later an elementary school in the Union School District was named in his honor. He was inducted into the Country Music Hall of Fame in 2009.

The one about "When I Was Young." Featuring Jaik Puppyteeth. Jaik shows up around 1:35:16. Follow Puppyteeth on Instagram: https://www.instagram.com/puppyteeth Follow Puppyteeth on Twitter: https://www.twitter.com/puppyteeth Follow the pod on Twitter: https://twitter.com/blink155pod Follow the pod on Instagram: https://www.instagram.com/blink155pod/ Punish yourself with the Sclusie Stream: https://www.patreon.com/blink155 Buy the Blink-155 shirt: http://blink155podcast.bigcartel.com/product/t-shirt

Because of Mr. Clark's recent passing, we decided it would be fitting to have an Encore Presentation of his story. We hope you enjoy it.

Roy is not an Oklahoman by birth but by residence and deed. Roy and his family took up permanent residence here in Oklahoma over 30 years ago. When asked why he choose to live in the Tulsa area. He said "Really we kind of choose each other".

Join us for a late night pod featuring special guests, US! That's right the EGGS crew came together for a wild-west discussion about the Super Bowl and gambling on it, The Borja Factor is about to take his first trip to sunny Las Vegas so we talk travel tips and how to DO Vegas, and finally we spend a lot of time listening to Ryan gush about his favorite singer, MØ, who is playing Salt Lake City TONIGHT! He reviews her new EP "When I Was Young," talks about driving 15 hours to see her… twice! Then we get into some fun LA stories and more. Lots of fun when the crew gets loose, tune in and get turnt up. Oh and check out the latest EP from Mø and support her on tour. Tell her we sent ya. ;) Finally, happy belated birthday shoutout to our man Almighty Red! Hope it was a good one brother! Rate, share and subscribe on #iTunes, #SoundCloud, #Stitcher and #GooglePlay ---- Our Guest: Us! eggscast.com @eggsshow on IG and Twitter ---- Sponsored by: Goodsideskateboards.com Save 20% on all purchases by using the promo code EGGSSHOW at checkout. ---- The Links: N/A ---- The Plugs: The Show eggscast.com @eggshow on twitter and instagram On iTunes: itun.es/i6dX3pC On Stitcher: bit.ly/eggs_on_stitcher On Player FM: bit.ly/eggs_on_playerfm Also available on Google Play Music! The Eggs Podcast Spotify playlist bit.ly/eggstunes Mike "DJ Ontic" shows and info djontic.com @djontic on twitter Ryan R2 SLC/BCN r2mg.com @r2mg on twitter @r2mediagroup on instagram

We're are back and as always are sharing our ten track of the last two weeks, this week we've been to the new music "festival" outside Dublin, Samhain, where we saw Annie Mac and we talk Jessie Ware and her new album "Glasshouse" which is out now. Get in contact an email us at helloselected@gmail.com or check out the latest playlist (before it changes again) here -> open.spotify.com/user/selectedpod…PKCaggWdce2gO7tm This week's ten songs: MGMT - "Little Dark Age" Last Night In PAris - "Sloo" MØ - "When I Was Young" Jazz Cartier - "Tempted" Jessie Ware - "Domino" Jessie Ware - "Stay Awake, Wait For Me" Future Islands - "Cave" Mickey Munday - "Sauce" (feat. Y2) Ty Dolla $ign - "So Am I" (feat. Damien Marley & Skrillex) Ravyn Lanae - "Free Room" (feat. Appleby)

After finding out RJ had never seen Citizen Kane before, Jarrett simply couldn't let this transgression stand any longer. So here we are, our twenty-fifth episode, talking Orson Welles' CITIZEN KANE from 1941, spine #1 in the Criterion Collection... Laserdisc Collection! And with luck, it is also our 2016 Christmas episode, so we start off talking about all the Christmas movies we've watched this past week or so. Then, we get into a history of the Criterion Collection, the laserdisc, Orson Welles, Citizen Kane, and come to the conclusion that Citizen Kane is the Citizen Kane of Citizen Kanes. Introduction is 'Criterion Creeps Theme' by petite petite, and musical interludes are The Byrds' "CItizen Kane and Orson Welles' "When I Was Young". Like us on Facebook! www.facebook.com/criterioncreeps/ Follow us on that Twitter! twitter.com/criterioncreeps Follow us on Instagram! instagram.com/criterioncreeps You can also subscribe to us on Soundcloud, iTunes, and Stitcher!

Dernier Opus de La Série "When I Was Young" !! More ? www.djbens.com

Voici le huitième opus d'"En cadence", une émission mensuelle consacrée aux grands thèmes éternels de la musique populaire : l'amour, les voyages, les filles, Noël ou bien encore les crimes passionnels.Pour fêter le nouvel an, En cadence s'est senti obligé comme les postiers, les pompiers et les éboueurs, de vous offrir un calendrier 2009 flambant neuf. Toute l'année qui vient, survolée mois par mois, saison par saison, et tout cela en moins d'une heure d'émission. Vous préférez les petits chats ou un paysage bucolique pour la couverture ?Liste des morceaux :01 Max Roach - January V02 Mulatu Astatke - Yèkatit (February)03 Lucio Dalla - 4 Marzo 194304 Stephin Merritt - In the Spring, When I Was Young05 Neutral Milk Hotel - April 8th06 Simón Díaz - Flor De Mayo07 Duke Ellington - June08 Jonathan Richman - That Summer Feeling09 Low - July10 Herman Düne - In August11 Pascal Comelade - September Song (with Robert Wyatt)12 Frank Sinatra - Autumn Leaves13 Jackson C. Frank - October14 Tom Waits - November15 Sylvain Chauveau - Un autre décembre16 Charlie Lochner - Winter In My Life17 The Zombies - This Will Be Our YearÉcouter (illustration de Flora)

This week Sue Lawley's castaway is the journalist and songwriter Herbert Kretzmer. Born in South Africa in 1925, he came to Europe after World War II. For a while he lived in Paris, playing piano in a bar. He rubbed shoulders with Jean Paul Sartre and became friends with one of France's greatest singer-songwriters Charles Aznavour. The two formed a musical partnership and Kretzmer re-worked many of his songs into English - including the hits Yesterday, When I Was Young and She, which was more recently recorded by Elvis Costello for the film Notting Hill. His day job was as a journalist and Kretzmer wrote celebrity profiles for the Daily Express. He says his most memorable interviewees were "writers and fighters", including George Foreman, Muhammad Ali, Truman Capote and Arthur Miller. But it wasn't until he was nearly sixty that he had his greatest success. The director Cameron Mackintosh was working on Les Miserables but did not have a 'book' - that is, a set of songs that he could produce. He remembered a chance meeting he'd had with Kretzmer, recalled the songs he'd written and his connection with France - and invited him to write the lyrics. The show has been running in London for the past 19 years and has played all over the world. Now aged 78, he continues to work. He is currently collaborating with the former ABBA musicians, Benny Andersson and Bjorn Ulvaeus on another musical.[Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: Gymnopedies by Yikin Seow Book: The Great War and Modern Memory by Prof Paul Fussell Luxury: Zippo Lighter

This week Sue Lawley's castaway is the journalist and songwriter Herbert Kretzmer. Born in South Africa in 1925, he came to Europe after World War II. For a while he lived in Paris, playing piano in a bar. He rubbed shoulders with Jean Paul Sartre and became friends with one of France's greatest singer-songwriters Charles Aznavour. The two formed a musical partnership and Kretzmer re-worked many of his songs into English - including the hits Yesterday, When I Was Young and She, which was more recently recorded by Elvis Costello for the film Notting Hill. His day job was as a journalist and Kretzmer wrote celebrity profiles for the Daily Express. He says his most memorable interviewees were "writers and fighters", including George Foreman, Muhammad Ali, Truman Capote and Arthur Miller. But it wasn't until he was nearly sixty that he had his greatest success. The director Cameron Mackintosh was working on Les Miserables but did not have a 'book' - that is, a set of songs that he could produce. He remembered a chance meeting he'd had with Kretzmer, recalled the songs he'd written and his connection with France - and invited him to write the lyrics. The show has been running in London for the past 19 years and has played all over the world. Now aged 78, he continues to work. He is currently collaborating with the former ABBA musicians, Benny Andersson and Bjorn Ulvaeus on another musical. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Gymnopedies by Yikin Seow Book: The Great War and Modern Memory by Prof Paul Fussell Luxury: Zippo Lighter