POPULARITY
13 episodes with jackson c frank
5 episodes with jackson c frank
2 episodes with jackson c frank
2 episodes with jackson c frank
3 episodes with jackson c frank
3 episodes with jackson c frank
3 episodes with jackson c frank
2 episodes with jackson c frank
2 episodes with jackson c frank
This week's show, after a 1978 Jam jam: brand new The Tubs, Fontaines D.C., Fotoform, Close Lobsters, Mt. Misery, Carla Olson & Todd Wolfe, and Flying Vipers, plus The Impressions, Harry Nilsson, Ray Price, Jackson C. Frank, Les Brown & His Orchestra, ...
See if you can join the dots – Elvis Presley, Bob Dylan, Simon and Garfunkel, Nick Drake, Sandy Denny, The Beatles. Well, there's one man who sits at the centre of it all, and it's more than likely that you won't have heard of him: Jackson C Frank. A damaged, wounded singer-songwriter who wowed the British folk scene and presaged psychedelia and punk, Jackson only produced one album – but its influence can still be heard today in the work of artists like Laura Marling, Counting Crows, even Daft Punk.Oswin and Carla are delighted to be joined by the music journalist Pete Paphides to discuss Blues Run The Game, how hurt and pain can drive creativity and the transformative power of music.
On this week's show, Nadira Goffe sits in for Julia Turner. The hosts first begin by exploring an updated cult classic: Mean Girls, the movie musical version of the Broadway show based on the iconic 2004 film. The 2024 iteration stars Reneé Rapp as Regina George and Angourie Rice as Cady Heron. Then the three head to 17th century Edo-era Japan and review Blue Eye Samurai, an animated Netflix series about an ambiguously gendered, half-Japanese, half-white samurai (voiced by Maya Erskine) hell-bent on exacting revenge on the man responsible for their “monstrous” existence. Finally, consider the plight of January, a recent New York Times essay implores. The panel debates the merits of America's least-loved month and whether they agree with the assertion that the first 31 days of the year are the best. In the exclusive Slate Plus segment, the panel discloses what books to read for self-reinvention, including Letters to a Young Poet and Nadira's favorite Toni Morrison work. The conversation is based on Chelsea Leu's piece for The Atlantic, “What to Read If You Want to Reinvent Yourself.” Email us at culturefest@slate.com. Outro music: “Lonely Calling” by Arc De Soleil Endorsements: Nadira: Embracing her tradition of endorsing music favorites, Nadira's been loving Depression Cherry by Beach House, the indie duo's 2015 studio album that's dreamy, surreal, and comforting, and Cynthia Erivo's sensational cover of “Alfie,” performed live at the Kennedy Center Honors for 2023 honoree Dionne Warwick. Dana: At the onset of every year, Dana chooses a mammoth book assignment for herself, and in 2024, that book was Middlemarch by George Eliot. She especially enjoys listening to the audiobook while hiking, which is narrated by the English actress Juliet Stevenson. Steve: Steve learned to Travis pick on the guitar! Thanks to a wonderful YouTube tutorial by Mike's Music Method for the song “Blues Run the Game” by Jackson C. Frank. (And maybe if enough listeners request it, he might perform it for us…) Podcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's show, Nadira Goffe sits in for Julia Turner. The hosts first begin by exploring an updated cult classic: Mean Girls, the movie musical version of the Broadway show based on the iconic 2004 film. The 2024 iteration stars Reneé Rapp as Regina George and Angourie Rice as Cady Heron. Then the three head to 17th century Edo-era Japan and review Blue Eye Samurai, an animated Netflix series about an ambiguously gendered, half-Japanese, half-white samurai (voiced by Maya Erskine) hell-bent on exacting revenge on the man responsible for their “monstrous” existence. Finally, consider the plight of January, a recent New York Times essay implores. The panel debates the merits of America's least-loved month and whether they agree with the assertion that the first 31 days of the year are the best. In the exclusive Slate Plus segment, the panel discloses what books to read for self-reinvention, including Letters to a Young Poet and Nadira's favorite Toni Morrison work. The conversation is based on Chelsea Leu's piece for The Atlantic, “What to Read If You Want to Reinvent Yourself.” Email us at culturefest@slate.com. Outro music: “Lonely Calling” by Arc De Soleil Endorsements: Nadira: Embracing her tradition of endorsing music favorites, Nadira's been loving Depression Cherry by Beach House, the indie duo's 2015 studio album that's dreamy, surreal, and comforting, and Cynthia Erivo's sensational cover of “Alfie,” performed live at the Kennedy Center Honors for 2023 honoree Dionne Warwick. Dana: At the onset of every year, Dana chooses a mammoth book assignment for herself, and in 2024, that book was Middlemarch by George Eliot. She especially enjoys listening to the audiobook while hiking, which is narrated by the English actress Juliet Stevenson. Steve: Steve learned to Travis pick on the guitar! Thanks to a wonderful YouTube tutorial by Mike's Music Method for the song “Blues Run the Game” by Jackson C. Frank. (And maybe if enough listeners request it, he might perform it for us…) Podcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices
Here's another exclusive bonus as we wait to drop Jackson's episode later this week. Listen to Pete Paphides dissect three of Jackson's key tracks (you'll have to wait for the main episode for his thoughts on Blues Run The Game).Main episode out on 18th January.
We've got a taster for you today to whet your appetite for next week's episode on the lost and forgotten singer, Jackson C Frank. The music journalist Pete Paphides joins us to join the dots between Jackson, Paul Simon, Bob Dylan, Elvis and even The Beatles. It's a fascinating story so here's a few bonus moments as Pete paints the picture of Jackson, the man and the music.Full episode drops Thursday 18th January.
Playlist con música relacionada al episodio: Spotify: https://open.spotify.com/playlist/1BLmElPXUeZ8K1jTv3KVNI YouTube: https://www.youtube.com/playlist?list=PL9oBrXWdjjXSXaWHAsH8tdnhuoby03X3m En este capítulo platicamos sobre las tragedias musicales. Explorando las vidas tumultuosas de Nick Drake, Phil Ochs y Jackson C. Frank, músicos talentosos cuyas carreras se vieron marcadas por la tragedia. Desde la melancolía de Drake hasta la protesta de Ochs y las adversidades de Frank, desentrañaremos los hilos comunes que tejerán una historia conmovedora y reveladora de estos musicos inolvidables. Únete a nuestro grupo de Facebook: https://www.facebook.com/groups/1012646383467657 Síguenos: https://www.instagram.com/musicosdesillonpodcast/ https://twitter.com/musicosdesillon https://www.facebook.com/M%C3%BAsicos-de-Sill%C3%B3n-113977144532722
This week In the Flamingo Lounge we're talking about folk icon and Buffalo Music Hall of Fame inductee, Jackson C. Frank. Joining us to discuss Jackson is Jim Abbott. Jim was Jackson's guardian and cared for Jackson until his death in 1999. Jim also wrote and published a well-researched memoir about Jackson's life, titled Jackson C. Frank: The Clear, Hard Light of Genius.
Bruce Springsteen and Thurston Moore adore his work and rightly so...Wizz Jones is a lynchpin of the UK folk blues guitar scene and has been since the early 1960s. When London was an epicenter for artists from the USA such as Big Bill Broonzy, Sonny Terry and Brownie McGhee, Paul Simon, James Taylor, Jackson C. Frank, and Bob Dylan - Wizz was right there. Wizz was also there to hear some of the first notes Davey Graham played in DADGAD tuning, to witness the impact of a young Bert Jansch on the UK guitar scene, and to run sessions at the legendary Les Cousins club in Soho's Greek Street. It's not there anymore, of course. That end of Soho is now a preponderance of private members clubs and bijoux eateries but back in the day things were a lot less salubrious and, judging from how Wizz tells it, a hell of a lot more fun. Wizz talks about the early days of his life on the fretboard: When he was a young bohemian, the influence of Jack Kerouac on his generation, London's Soho in the sixties when you could bump into everyone from Cat Stevens to Quentin Crisp, his travels around Morocco and France, and offers the benefit of his experience and wisdom with one important caveat. Now in his 80s, Wizz can still be seen playing around London with his trademark 1963 Epiphone Texan. I caught up with him at RMS recording studios in London where Wizz has made several albums in the past. He was in characteristically fine form (the conversation is somewhat peppered with adult language). To my everlasting disgrace, I may have joined in, too. But that can happen when you're hanging out with the cool kids. You can support this podcast here: https://michaelwattsguitar.com/tip-jars/4745 Donate to Maui Strong here: https://www.hawaiicommunityfoundation.org/maui-strong Thank you to my sponsors for this episode: Microtech Gefell Microphones https://www.microtechgefell.de and, you, the listener!
Season 20 Episode 7: Special “Music from Soundtracks” Episode! Asteroid City 1. Last Train to San Fernando - Johnny Duncan 2. Freight Train - Chas McDevitt Skiffle Group Poker Face 3. Charlie's Theme - Pellea 4. Six Foot Down - Gene Ski 5. Blues Run the Game - Jackson C. Frank John Denver: Country Boy 6. Take Me Home, Country Roads - John Denver The Worst Person in the World 7. Waters of March - Art Garfunkel One More Time 8. Yours to Keep (acoustic version) - Myie Rogue Agent 9. Just Like Heaven - Hannah Peel Cold Feet 10. Just Like Honey - Hannah Peel Fleishman is in Trouble 11. Wise Up - Aimee Mann Little America 12. Come On Home - The Lijadu Sisters Lord of War 13. Mama Africa - Young Bakuba Band Masters of Sex 14. You Don't Know Me - Lizzy Caplan This episode features a clip from NPR's Fresh Air where film critic Justin Chang reviews Asteroid City, and also a brief clip where Taffy Nivert talks about the origin of Take Me Home, Country Roads from John Denver: Country Boy.
Nuovo Podcast di Awella Mixtape Mixed Edition. Tra i brani in scaletta i Godflesh da Purge, terzo capitolo dalla reunion del 2009, Sam Blasucci dei Mapache al debutto solista (con tanto di brani in italiano), Weyes Blood alle prese con un noto standard jazz, il folk vellutato dei Maya Ongaku, la sempiterna Shirley Collins, Joe Meek con i Blue men dalle sessioni inedite del classico I Hear A New World, il Greg Foat Group che coverizza Jackson C. Frank (dalla nuova compilation BBE assemblata da Paul Hillery), e tanto altro ancora!
This episode is part of Pledge Week 2022. Every day this week, I'll be posting old Patreon bonus episodes of the podcast which will have this short intro. These are short, ten- to twenty-minute bonus podcasts which get posted to Patreon for my paying backers every time I post a new main episode -- there are well over a hundred of these in the archive now. If you like the sound of these episodes, then go to patreon.com/andrewhickey and subscribe for as little as a dollar a month or ten dollars a year to get access to all those bonus episodes, plus new ones as they appear. Click below for the transcript Transcript Before I start, a warning. Even though this episode is short it deals with many, many, upsetting subjects. If you're likely to be upset by a story dealing with the death and disfigurement of small children, disability, mental illness, gun violence and eye injuries, you're probably best off skipping this episode altogether, as it deals with these subjects right from after the first excerpt of music until the end. It's not a happy story. In this week's main episode we talk briefly about a record that Paul Simon produced while he was in Britain, before "The Sound of Silence" became a big hit. The performer whose record he produced only released that one album in his lifetime, but it's a record that had an outsized influence on the British folk-music scene. So today, we're going to have a look at the tragic life of Jackson C Frank, and at "Blues Run the Game": [Excerpt: Jackson C Frank, "Blues Run the Game"] Jackson C Frank's life started to go badly, irrevocably, wrong, when he was just eleven years old. His family lived in Buffalo, New York, where the winters are long and cold, and Jackson was a Baby Boomer. Because of the tremendous number of new children going through the school system, the brick schoolhouse at the school he attended had been augmented with an annexe, made out of wood, and he was in that annexe, in a music lesson, when the boiler exploded and set fire to it. Jackson was one of the lucky ones. That fire took the life of fifteen of his classmates, and spurred a national movement towards banning timber buildings for schools and the institution of fire drills, which up to that point had not been a thing. Jackson got thrown out of a window by a teacher, and the snow put out the flames on his back, meaning he "only" suffered burns over sixty percent of his body, scarring him for life. He had to spend a year in hospital, have a tracheotomy, and have a metal plate put in his head. He developed thyroid problems, got calcium deposits that built up over the years and frequently left him in agony, and always walked with a limp and only had limited movement in his arms. Many celebrities did things to comfort the children, who became nationally known. Kirk Douglas came to the hospital to visit them, and later in his childhood Jackson was able to go and meet Elvis, who became a big inspiration for the young man. He spent his teenage years going around the local music scene, including spending a long time with a friend who later became known as John Kay of Steppenwolf, but then when he turned twenty-one he got a massive insurance payout that had been held in trust for him. I've seen different numbers for this -- it was either fifty or a hundred thousand dollars, and in modern terms that would be about ten times that much. Being a young man, he didn't want to invest it, he wanted to buy expensive cars. He wanted an Aston Martin and a Bentley, and Britain was where they made Aston Martins and Bentleys, so he caught a boat to England, and on the trip over started writing songs, including the one that would become his best known: [Excerpt: Jackson C Frank, "Blues Run the Game"] Once he was in the UK, Frank moved into Judith Piepe's flat, where he started a relationship with an eighteen-year-old nurse, who was also trying to be a singer. Frank encouraged her to follow her dreams and become a professional, and Sandy Denny would later record some of his songs, and wrote the song "Next Time Around" about him: [Excerpt: Sandy Denny, "Next Time Around"] While he was in London, he became well known on the folk circuit, regularly playing Les Cousins, and as Ralph McTell put it, "EVERYONE" sang 'Blues Run the Game'". Over the years, the song has been performed by everyone from Bert Jansch: [Excerpt: Bert Jansch, "Blues Run the Game"] to Counting Crows: [Excerpt: Counting Crows, "Blues Run the Game"] Frank's own version of the song was recorded on his one and only album, which was produced by Paul Simon, as we heard in the main episode. That album also included songs like "Carnival", which has now possibly become the song of Frank's that has been heard by most people, as it was featured both on the soundtrack and in the dialogue of the 2019 film Joker: [Excerpt: Jackson C Frank, "Carnival"] The album didn't sell, and Frank returned to the US, after marrying Elaine Sedgwick, the cousin of Edie Sedgwick. He was missed when he left, and Roy Harper, another folk musician who played the same circuit, wrote "My Friend" about his departure: [Excerpt: Roy Harper, "My Friend"] When he came back in 1968 to do a couple of shows, though, his depression, which had always been bad since the fire, had worsened. Al Stewart said "He proceeded to fall apart before our very eyes. His style that everyone loved was melancholy, very tuneful things. He started doing things that were completely impenetrable. They were basically about psychological angst, played at full volume with lots of thrashing. I don't remember a single word of them – it just did not work. There was one review that said he belonged on a psychologist's couch." He was withdrawn, and wouldn't speak to people, and he had writer's block. To make matters worse, his home life was also going awfully. His insurance money had all run out, but Paul Simon had given him a loan of three thousand dollars, with Simon taking Frank's publishing as surety, so he could start a business, but the business failed and Simon kept the publishing. In 1971, when Art Garfunkel was recording his first solo album, he asked Frank if he had a song that might be suitable. Frank had actually written a new song, "Juliette": [Excerpt: Jackson C Frank, "Juliette"] Unfortunately, when he turned up to see Garfunkel, he brought along a few hippy friends, who all made fun of Garfunkel for being a sell-out, and so Garfunkel didn't record the song, though he did give Frank a new guitar. By the early seventies, Frank was in a very bad way. He and his wife had had two children, but one had died of cystic fibrosis, and the marriage had ended. He spent periods of time in psychiatric hospitals, and was diagnosed with paranoid schizophrenia, though he always said himself that he wasn't schizophrenic, he was suffering from depression because of the loss of his son. He was living off handouts from friends, even as his songs were inspiring new artists like Nick Drake, who recorded four of his songs: [Excerpt: Nick Drake, "Here Comes the Blues"] In the early eighties he was living with his parents, but then in 1984 while his mother was in hospital he got an idea -- he could go to New York and find his old friend Paul, and ask him for his publishing back, or maybe just for some money. He didn't leave a note, and his parents had no idea where he'd gone. He did go to New York, but he couldn't find his friend, and he ended up homeless, living on the streets, and in and out of psychiatric institutions. In the early nineties, a fan tracked him down and helped sort out some accommodation for him in Woodstock, where he'd lived in his twenties. By this time he was in an awful physical and mental state, and the fan described him as looking like the Elephant man because of the bloating from his thyroid problems and his joint issues affecting his posture (though I have to say that from the couple of photos I've seen of him at this time, that's quite an exaggeration). But just to rub salt in the wound, after the accommodation had been arranged, but before he'd had a chance to move, he was sat on a park bench in Queens, and some kids, shooting randomly with a pellet gun, hit him in his left eye, permanently blinding him in that eye. His rediscovery got a bit of publicity, and led to his album being reissued on CD. He also started writing again, and recorded some demos on a cheap cassette recorder in 1997, many of which have since been released on various compilations: [Excerpt: Jackson C Frank, "(Tumble) in the Wind"] But 1997 was also the year that Frank moved into a care home, and he wouldn't record any more after that. In 1998, Paul Simon finally returned his publishing to him, presumably having given up on ever getting his three thousand dollars back. And on March the third, 1999, one day after his fifty-sixth birthday, Jackson C Frank died of pneumonia. His game had finally run to its end.
Es gibt viele tragische Geschichten im Musikbuisness und manche Künstler*innen werden leider etwas vom Pech verfolgt. Aber auch unter diesen ist er eine Ausnahmeerscheinung. Er ist eine Legende die fast vergessen wurde : Jackson C Frank. Mein Kollege Gero erzählt uns seine tragischte Lebensgeschichte.
Robert har varit på konsert och återfått pre-covid-känslan samt mött sin överman i Magma-fandom. Love har snart släppt en alldeles äkta singel (så fort vinylodlingarna i Ukraina är igång igen). Vi tar farväl av en ofattbart stor musikalisk gigant med en nära 80 år lång karriär bakom sig. Dessutom lyssnar vi på Igorrr, Prefab Sprout, Momus, Comus, Jackson C. Frank, Gunno Hoppe, ironisk bossa-hardcore, Dave Van Ronk med flera. Love har gjort en mashup, Robert live-diskjockar igen och de kusliga sammanträffandena radar upp sig ett efter ett. ERRATA: Anekdoten om Paddy McAloons konvalescens handlar eventuellt i själva verket om hur Brian Peter George St. John le Baptiste de la Salle Eno (tyvärr) uppfann ambient. Men något med att ligga sjuk och lyssna på radio var det. Gör oss sällskap på Discord: https://discord.gg/Cywtq7vaqZ Gilla, kommentera och recensera på The Facebook: https://facebook.com/musikensmaktpodcast/ Bidra till Loves fysiska överlevnad och få lite bonusmaterial: https://www.patreon.com/musikensmakt
Robert har varit på konsert och återfått pre-covid-känslan samt mött sin överman i Magma-fandom. Love har snart släppt en alldeles äkta singel (så fort vinylodlingarna i Ukraina är igång igen). Vi tar farväl av en ofattbart stor musikalisk gigant med en nära 80 år lång karriär bakom sig. Dessutom lyssnar vi på Igorrr, Prefab Sprout, Momus, Comus, Jackson C. Frank, Gunno Hoppe, ironisk bossa-hardcore, Dave Van Ronk med flera. Love har gjort en mashup, Robert live-diskjockar igen och de kusliga sammanträffandena radar upp sig ett efter ett. ERRATA: Anekdoten om Paddy McAloons konvalescens handlar eventuellt i själva verket om hur Brian Peter George St. John le Baptiste de la Salle Eno (tyvärr) uppfann ambient. Men något med att ligga sjuk och lyssna på radio var det.
1 Sing Me Back Home The Flying Burrito Brothers 2 Out on the Side Dillard & Clark 3 Pueblo Waltz Townes Van Zandt 4 Wallflower Doug Sahm 5 From the Late to the Early Ron Wood and Ronnie Lane 6 Take Me Home Jesus Link Wray 7 No Depression in Heaven The Carter Family 8 There's a Higher Power Wilma Lee & Stoney Cooper 9 Let The Light Shine On Me Martha Carson & Merle Travis 10 On the Wings of a Dove The Wilders 11 Shake Sugaree Elizabeth Cotton 12 Take My Hand, Lead Me On Sister Gertrude Morgan 13 99 ½ Won't Do Sister Rosetta Tharpe 14 I'm Georgia Bound Abner Jay 15 I was Born All Over OV Wright 16 Mo Jo Hannah Little Esther Phillips 17 Soul Sister Allen Toussaint 18 Don't Set Me Back Diamond Joe 19 Never Will I Eskew Reeder 20 I'm A Lonesome Fugitive Merle 21 Little Pink Elephants Bob Blum 22 Defrost Your Heart Charlie Feathers 23 Ive Ranged, Ive Roamed and Ive Travelled Jimmie Rodgers 24 Beggar to a King George Jones 25 I Take A Lot of Pride in What I Am Merle Hagg 26 Holding On To Nothing Dolly Parton & Porter Wagoner 27 Hello Darlinp Conway Twitty 28 Sing a Sad Song Merle H 29 You Aint Woman Enough Loretta Lynn 30 Finders Keepers Miller Sisters 31 Heaven Help The Working Girl Norma Jean 32 Bottle Let Me Down Emmylou Harris 33 I Never Will Marry Loretta Lynn 34 I'll Be Your Baby Tonight Goldie Hawn 35 I'll Be Your Baby Tonight [Live] Bob Dylan 36 Lonely Son Vernon Wray 37 You Never Wanted Me Jackson C. Frank 38 Coming Down All Alone Joe South 39 Sing Me Back Home Merle Haggard
Dias depois da edição de "Toy", de David Bowie, voltámos a ouvir e comentar discos póstumos que merecem atenção: agora de Carlos Paião, Janis Joplin, Bernardo Sassetti, J. Dilla e Jackson C. Frank. See omnystudio.com/listener for privacy information.
Jackson C. Frank - Blues Run the Game Fairport Convention - Who Knows Where the Time Goes?Nic Cester - Cry BabyKings of Convenience - RumorsWhite Light - I Want You To Know MeReal Ponchos - Big SurpriseWillie Griffin - I Love YouPrince - Do Me, Baby (Demo Version)Hand Habits - AquamarineVideo Age - Hold On (I Was Wrong)Kasper Bjørke - GlassyTonica & Dominante - Gennarino 'O Sioux (Vocal Dub Mix by Leo Mas & Fabrice)Park Hye Jin - Like ThisSession Victim - Guidance
Thurston Joseph Moore (born July 25, 1958) is an American musician best known as a member of Sonic Youth. He has also participated in many solo and group collaborations outside Sonic Youth, as well as running the Ecstatic Peace! record label. Thurston Moore's work with Sonic Youth rearranged the parameters of indie rock to an almost incalculable degree, merging experimental art rock tendencies with unconventional guitar tunings for a sound that would influence generations to come. Moore's abstract poetic lyrics and perpetually mysterious aura were core ingredients of Sonic Youth's 30-plus-year run, but also bled into countless side projects and less-frequent solo albums like 1994's sprawling and loose Psychic Hearts. After the group's breakup in 2011, Moore continued with his ambitions, ranging from projects like his band Chelsea Light Moving to noisy collaborations with Merzbow and John Zorn to solo albums like 2020's By the Fire that continued exploring the kind of moody, twisting art rock he'd become an icon of with Sonic Youth. Moore was ranked 34th in Rolling Stone's 2004 edition of the '100 Greatest Guitarists of All Time.' In May 2012, Spin published a staff-selected list of the top 100 rock guitarists, and ranked Moore and his Sonic Youth bandmate Lee Ranaldo together at number 1. Lineup: Tapper Zukie, Patti Smith, Teenage Jesus & The Jerks, MARS, Public Image Ltd., The Slits, The Raincoats, Captain Beefheart & His Magic Band, Alice Cooper, T. Rex, Archie Shepp, Billie Holiday, Teddy Wilson, Nirvana, Mudhoney, Dinosaur Jr., Jackson C. Frank, Bush Tetras, Germs, Boredoms, Lou Reed, The Beach Boys, David Bowie, Sparks, Siouxsie and the Banshees, The Damned, The Mentally Ill, Minor Threat, Black Flag, The Untouchables, Iron Cross, The Faith, Void, Negative Approach, Youth Brigade, S.O.A., Anne Briggs, The Fugs, Jimi Hendrix
Episode one hundred and thirty-five of A History of Rock Music in Five Hundred Songs looks at “The Sound of Silence" by Simon and Garfunkel, and the many records they made, together and apart, before their success. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on "Blues Run the Game" by Jackson C. Frank. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Errata I talk about a tour of Lancashire towns, but some of the towns I mention were in Cheshire at the time, and some are in Greater Manchester or Merseyside now. They're all very close together though. I say Mose Rager was Black. I was misremembering, confusing Mose Rager, a white player in the Muhlenberg style, with Arnold Schultz, a Black player who invented it. I got this right in the episode on "Bye Bye Love". Also, I couldn't track down a copy of the Paul Kane single version of “He Was My Brother” in decent quality, so I used the version on The Paul Simon Songbook instead, as they're basically identical performances. Resources As usual, I've created a Mixcloud playlist of the music excerpted here. This compilation collects all Simon and Garfunkel's studio albums, with bonus tracks, plus a DVD of their reunion concert. There are many collections of the pre-S&G recordings by the two, as these are now largely in the public domain. This one contains a good selection. I've referred to several books for this episode: Simon and Garfunkel: Together Alone by Spencer Leigh is a breezy, well-researched, biography of the duo. Paul Simon: The Life by Robert Hilburn is the closest thing there is to an authorised biography of Simon. And What is it All But Luminous? is Art Garfunkel's memoir. It's not particularly detailed, being more a collection of thoughts and poetry than a structured narrative, but gives a good idea of Garfunkel's attitude to people and events in his life. Roots, Radicals, and Rockers: How Skiffle Changed the World by Billy Bragg has some great information on the British folk scene of the fifties and sixties. And Singing From the Floor is an oral history of British folk clubs, including a chapter on Dylan's 1962 visit to London. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Today, we're going to take a look at a hit record that almost never happened -- a record by a duo who had already split up, twice, by the time it became a hit, and who didn't know it was going to come out. We're going to look at how a duo who started off as an Everly Brothers knockoff, before becoming unsuccessful Greenwich Village folkies, were turned into one of the biggest acts of the sixties by their producer. We're going to look at Simon and Garfunkel, and at "The Sound of Silence": [Excerpt: Simon and Garfunkel, "The Sound of Silence"] The story of Simon and Garfunkel starts with two children in a school play. Neither Paul Simon or Art Garfunkel had many friends when they met in a school performance of Alice in Wonderland, where Simon was playing the White Rabbit and Garfunkel the Cheshire Cat. Simon was well-enough liked, by all accounts, but he'd been put on an accelerated programme for gifted students which meant he was progressing through school faster than his peers. He had a small social group, mostly based around playing baseball, but wasn't one of the popular kids. Art Garfunkel, another gifted student, had no friends at all until he got to know Simon, who he described later as his "one and only friend" in this time period. One passage in Garfunkel's autobiography seems to me to sum up everything about Garfunkel's personality as a child -- and indeed a large part of his personality as it comes across in interviews to this day. He talks about the pleasure he got from listening to the chart rundown on the radio -- "It was the numbers that got me. I kept meticulous lists—when a new singer like Tony Bennett came onto the charts with “Rags to Riches,” I watched the record jump from, say, #23 to #14 in a week. The mathematics of the jumps went to my sense of fun." Garfunkel is, to this day, a meticulous person -- on his website he has a list of every book he's read since June 1968, which is currently up to one thousand three hundred and ten books, and he has always had a habit of starting elaborate projects and ticking off every aspect of them as he goes. Both Simon and Garfunkel were outsiders at this point, other than their interests in sport, but Garfunkel was by far the more introverted of the two, and as a result he seems to have needed their friendship more than Simon did. But the two boys developed an intense, close, friendship, initially based around their shared sense of humour. Both of them were avid readers of Mad magazine, which had just started publishing when the two of them had met up, and both could make each other laugh easily. But they soon developed a new interest, when Martin Block on the middle-of-the-road radio show Make Believe Ballroom announced that he was going to play the worst record he'd ever heard. That record was "Gee" by the Crows: [Excerpt: The Crows, "Gee"] Paul Simon later said that that record was the first thing he'd ever heard on that programme that he liked, and soon he and Garfunkel had become regular listeners to Alan Freed's show on WINS, loving the new rock and roll music they were discovering. Art had already been singing in public from an early age -- his first public performance had been singing Nat "King" Cole's hit "Too Young" in a school talent contest when he was nine -- but the two started singing together. The first performance by Simon and Garfunkel was at a high school dance and, depending on which source you read, was a performance either of "Sh'Boom" or of Big Joe Turner's "Flip, Flop, and Fly": [Excerpt: Big Joe Turner, "Flip, Flop, and Fly"] The duo also wrote at least one song together as early as 1955 -- or at least Garfunkel says they wrote it together. Paul Simon describes it as one he wrote. They tried to get a record deal with the song, but it was never recorded at the time -- but Simon has later performed it: [Excerpt: Paul Simon, "The Girl For Me"] Even at this point, though, while Art Garfunkel was putting all his emotional energy into the partnership with Simon, Simon was interested in performing with other people. Al Kooper was another friend of Simon's at the time, and apparently Simon and Kooper would also perform together. Once Elvis came on to Paul's radar, he also bought a guitar, but it was when the two of them first heard the Everly Brothers that they realised what it was that they could do together. Simon fell in love with the Everly Brothers as soon as he heard "Bye Bye Love": [Excerpt: The Everly Brothers, "Bye Bye Love"] Up to this point, Paul hadn't bought many records -- he spent his money on baseball cards and comic books, and records just weren't good value. A pack of baseball cards was five cents, a comic book was ten cents, but a record was a dollar. Why buy records when you could hear music on the radio for free? But he needed that record, he couldn't just wait around to hear it on the radio. He made an hour-long two-bus journey to a record shop in Queens, bought the record, took it home, played it... and almost immediately scratched it. So he got back on the bus, travelled for another hour, bought another copy, took it home, and made sure he didn't scratch that one. Simon and Garfunkel started copying the Everlys' harmonies, and would spend hours together, singing close together watching each other's mouths and copying the way they formed words, eventually managing to achieve a vocal blend through sheer effort which would normally only come from familial closeness. Paul became so obsessed with music that he sold his baseball card collection and bought a tape recorder for two hundred dollars. They would record themselves singing, and then sing back along with it, multitracking themselves, but also critiquing the tape, refining their performances. Paul's father was a bass player -- "the family bassman", as he would later sing -- and encouraged his son in his music, even as he couldn't see the appeal in this new rock and roll music. He would critique Paul's songs, saying things like "you went from four-four to a bar of nine-eight, you can't do that" -- to which his son would say "I just did" -- but this wasn't hostile criticism, rather it was giving his son a basic grounding in song construction which would prove invaluable. But the duo's first notable original song -- and first hit -- came about more or less by accident. In early 1956, the doo-wop group the Clovers had released the hit single "Devil or Angel". Its B-side had a version of "Hey Doll Baby", a song written by the blues singer Titus Turner, and which sounds to me very inspired by Hank Williams' "Hey, Good Lookin'": [Excerpt: The Clovers, "Hey, Doll Baby"] That song was picked up by the Everly Brothers, who recorded it for their first album: [Excerpt: The Everly Brothers, "Hey Doll Baby"] Here is where the timeline gets a little confused for me, because that album wasn't released until early 1958, although the recording session for that track was in August 1957. Yet that track definitely influenced Paul Simon and Art Garfunkel to record a song that they released in November 1957. All I can imagine is that they heard the brothers perform it live, or maybe a radio station had an acetate copy. Because the way everyone has consistently told the story is that at the end of summer 1957, Simon and Garfunkel had both heard the Everly Brothers perform "Hey Doll Baby", but couldn't remember how it went. The two of them tried to remember it, and to work a version of it out together, and their hazy memories combined to reconstruct something that was completely different, and which owed at least as much to "Wake Up Little Suzie" as to "Hey Doll Baby". Their new song, "Hey Schoolgirl", was catchy enough that they thought if they recorded a demo of it, maybe the Everly Brothers themselves would record the song. At the demo studio they happened to encounter Sid Prosen, who owned a small record label named Big Records. He heard the duo perform and realised he might have his own Everly Brothers here. He signed the duo to a contract, and they went into a professional studio to rerecord "Hey Schoolgirl", this time with Paul's father on bass, and a couple of other musicians to fill out the sound: [Excerpt: Tom and Jerry, "Hey Schoolgirl"] Of course, the record couldn't be released under their real names -- there was no way anyone was going to buy a record by Simon and Garfunkel. So instead they became Tom and Jerry. Paul Simon was Jerry Landis -- a surname he chose because he had a crush on a girl named Sue Landis. Art became Tom Graff, because he liked drawing graphs. "Hey Schoolgirl" became a local hit. The two were thrilled to hear it played on Alan Freed's show (after Sid Prosen gave Freed two hundred dollars), and were even more thrilled when they got to perform on American Bandstand, on the same show as Jerry Lee Lewis. When Dick Clark asked them where they were from, Simon decided to claim he was from Macon, Georgia, where Little Richard came from, because all his favourite rock and roll singers were from the South. "Hey Schoolgirl" only made number forty-nine nationally, because the label didn't have good national distribution, but it sold over a hundred thousand copies, mostly in the New York area. And Sid Prosen seems to have been one of a very small number of independent label owners who wasn't a crook -- the two boys got about two thousand dollars each from their hit record. But while Tom and Jerry seemed like they might have a successful career, Simon and Garfunkel were soon to split up, and the reason for their split was named True Taylor. Paul had been playing some of his songs for Sid Prosen, to see what the duo's next single should be, and Prosen had noticed that while some of them were Everly Brothers soundalikes, others were Elvis soundalikes. Would Paul be interested in recording some of those, too? Obviously Art couldn't sing on those, so they'd use a different name, True Taylor. The single was released around the same time as the second Tom and Jerry record, and featured an Elvis-style ballad by Paul on one side, and a rockabilly song written by his father on the other: [Excerpt: True Taylor, "True or False"] But Paul hadn't discussed that record with Art before doing it, and the two had vastly different ideas about their relationship. Paul was Art's only friend, and Art thought they had an indissoluble bond and that they would always work together. Paul, on the other hand, thought of Art as one of his friends and someone he made music with, but he could play at being Elvis if he wanted, as well as playing at being an Everly brother. Garfunkel, in his memoir published in 2017, says "the friendship was shattered for life" -- he decided then and there that Paul Simon was a "base" person, a betrayer. But on the other hand, he still refers to Simon, over and over again, in that book as still being his friend, even as Simon has largely been disdainful of him since their last performance together in 2010. Friendships are complicated. Tom and Jerry struggled on for a couple more singles, which weren't as successful as "Hey Schoolgirl" had been, with material like "Two Teenagers", written by Rose Marie McCoy: [Excerpt: Tom and Jerry, "Two Teenagers"] But as they'd stopped being friends, and they weren't selling records, they drifted apart and didn't really speak for five years, though they would occasionally run into one another. They both went off to university, and Garfunkel basically gave up on the idea of having a career in music, though he did record a couple of singles, under the name "Artie Garr": [Excerpt: Artie Garr, "Beat Love"] But for the most part, Garfunkel concentrated on his studies, planning to become either an architect or maybe an academic. Paul Simon, on the other hand, while he was technically studying at university too, was only paying minimal attention to his studies. Instead, he was learning the music business. Every afternoon, after university had finished, he'd go around the Brill Building and its neighbouring buildings, offering his services both as a songwriter and as a demo performer. As Simon was competent on guitar, bass, and drums, could sing harmonies, and could play a bit of piano if it was in the key of C, he could use primitive multitracking to play and sing all the parts on a demo, and do it well: [Excerpt: Paul Simon, "Boys Were Made For Girls"] That's an excerpt from a demo Simon recorded for Burt Bacharach, who has said that he tried to get Simon to record as many of his demos as possible, though only a couple of them have surfaced publicly. Simon would also sometimes record demos with his friend Carole Klein, sometimes under the name The Cosines: [Excerpt: The Cosines, "Just to Be With You"] As we heard back in the episode on "Will You Love Me Tomorrow?", Carole Klein went on to change her name to Carole King, and become one of the most successful songwriters of the era -- something which spurred Paul Simon on, as he wanted to emulate her success. Simon tried to get signed up by Don Kirshner, who was publishing Goffin and King, but Kirshner turned Simon down -- an expensive mistake for Kirshner, but one that would end up benefiting Simon, who eventually figured out that he should own his own publishing. Simon was also getting occasional work as a session player, and played lead guitar on "The Shape I'm In" by Johnny Restivo, which made the lower reaches of the Hot One Hundred: [Excerpt: Johnny Restivo, "The Shape I'm In"] Between 1959 and 1963 Simon recorded a whole string of unsuccessful pop singles. including as a member of the Mystics: [Excerpt: The Mystics, "All Through the Night"] He even had a couple of very minor chart hits -- he got to number 99 as Tico and the Triumphs: [Excerpt: Tico and the Triumphs, "Motorcycle"] and number ninety-seven as Jerry Landis: [Excerpt: Jerry Landis, "The Lone Teen Ranger"] But he was jumping around, hopping onto every fad as it passed, and not getting anywhere. And then he started to believe that he could do something more interesting in music. He first became aware that the boundaries of what could be done in music extended further than "ooh-bop-a-loochy-ba" when he took a class on modern music at university, which included a trip to Carnegie Hall to hear a performance of music by the avant-garde composer Edgard Varese: [Excerpt: Edgard Varese, "Ionisation"] Simon got to meet Varese after the performance, and while he would take his own music in a very different, and much more commercial, direction than Varese's, he was nonetheless influenced by what Varese's music showed about the possibilities that existed in music. The other big influence on Simon at this time was when he heard The Freewheelin' Bob Dylan: [Excerpt: Bob Dylan, "Girl From the North Country"] Simon immediately decided to reinvent himself as a folkie, despite at this point knowing very little about folk music other than the Everly Brothers' Songs Our Daddy Taught Us album. He tried playing around Greenwich Village, but found it an uncongenial atmosphere, and inspired by the liner notes to the Dylan album, which talked about Dylan's time in England, he made what would be the first of several trips to the UK, where he was given a rapturous reception simply on the grounds of being an American and owning a better acoustic guitar -- a Martin -- than most British people owned. He had the showmanship that he'd learned from watching his father on stage and sometimes playing with him, and from his time in Tom and Jerry and working round the studios, and so he was able to impress the British folk-club audiences, who were used to rather earnest, scholarly, people, not to someone like Simon who was clearly ambitious and very showbiz. His repertoire at this point consisted mostly of songs from the first two Dylan albums, a Joan Baez record, Little Willie John's "Fever", and one song he'd written himself, an attempt at a protest song called "He Was My Brother", which he would release on his return to the US under yet another stage name, Paul Kane: [Excerpt: Paul Kane, "He Was My Brother"] Simon has always stated that that song was written about a friend of his who was murdered when he went down to Mississippi with the Freedom Riders -- but while Simon's friend was indeed murdered, it wasn't until about a year after he wrote the song, and Simon has confused the timelines in his subsequent recollections. At the time he recorded that, when he had returned to New York at the end of the summer, Simon had a job as a song plugger for a publishing company, and he gave the publishing company the rights to that song and its B-side, which led to that B-side getting promoted by the publisher, and ending up covered on one of the biggest British albums of 1964, which went to number two in the UK charts: [Excerpt: Val Doonican, "Carlos Dominguez"] Oddly, that may not end up being the only time we feature a Val Doonican track on this podcast. Simon continued his attempts to be a folkie, even teaming up again with Art Garfunkel, with whom he'd re-established contact, to perform in Greenwich Village as Kane and Garr, but they went down no better as a duo than Simon had as a solo artist. Simon went back to the UK again over Christmas 1963, and while he was there he continued work on a song that would become such a touchstone for him that of the first six albums he would be involved in, four would feature the song while a fifth would include a snippet of it. "The Sound of Silence" was apparently started in November 1963, but not finished until February 1964, by which time he was once again back in the USA, and back working as a song plugger. It was while working as a song plugger that Simon first met Tom Wilson, Bob Dylan's producer at Columbia. Simon met up with Wilson trying to persuade him to use some of the songs that the publishing company were putting out. When Wilson wasn't interested, Simon played him a couple of his own songs. Wilson took one of them, "He Was My Brother", for the Pilgrims, a group he was producing who were supposed to be the Black answer to Peter, Paul, and Mary: [Excerpt: The Pilgrims, "He Was My Brother"] Wilson was also interested in "The Sound of Silence", but Simon was more interested in getting signed as a performer than in having other acts perform his songs. Wilson was cautious, though -- he was already producing one folkie singer-songwriter, and he didn't really need a second one. But he *could* probably do with a vocal group... Simon mentioned that he had actually made a couple of records before, as part of a duo. Would Wilson be at all interested in a vocal *duo*? Wilson would be interested. Simon and Garfunkel auditioned for him, and a few days later were in the Columbia Records studio on Seventh Avenue recording their first album as a duo, which was also the first time either of them would record under their own name. Wednesday Morning, 3AM, the duo's first album, was a simple acoustic album, and the only instrumentation was Simon and Barry Kornfeld, a Greenwich Village folkie, on guitars, and Bill Lee, the double bass player who'd played with Dylan and others, on bass. Tom Wilson guided the duo in their song selection, and the eventual album contained six cover versions and six originals written by Simon. The cover versions were a mixture of hootenanny staples like "Go Tell it on the Mountain", plus Dylan's "The Times They Are A-Changin'", included to cross-promote Dylan's new album and to try to link the duo with the more famous writer, and one unusual one, "The Sun is Burning", written by Ian Campbell, a Scottish folk singer who Simon had got to know on his trips to the UK: [Excerpt: Simon and Garfunkel, "The Sun is Burning"] But the song that everyone was keenest on was "The Sound of Silence", the first song that Simon had written that he thought would stand up in comparison with the sort of song that Dylan was writing: [Excerpt: Simon and Garfunkel, "The Sound of Silence (Wednesday Morning 3AM version)"] In between sessions for the album, Simon and Garfunkel also played a high-profile gig at Gerde's Folk City in the Village, and a couple of shows at the Gaslight Cafe. The audiences there, though, regarded them as a complete joke -- Dave Van Ronk would later relate that for weeks afterwards, all anyone had to do was sing "Hello darkness, my old friend", for everyone around to break into laughter. Bob Dylan was one of those who laughed at the performance -- though Robert Shelton later said that Dylan hadn't been laughing at them, specifically, he'd just had a fit of the giggles -- and this had led to a certain amount of anger from Simon towards Dylan. The album was recorded in March 1964, and was scheduled for release in October. In the meantime, they both made plans to continue with their studies and their travels. Garfunkel was starting to do postgraduate work towards his doctorate in mathematics, while Simon was now enrolled in Brooklyn Law School, but was still spending most of his time travelling, and would drop out after one semester. He would spend much of the next eighteen months in the UK. While he was occasionally in the US between June 1964 and November 1965, Simon now considered himself based in England, where he made several acquaintances that would affect his life deeply. Among them were a young woman called Kathy Chitty, with whom he would fall in love and who would inspire many of his songs, and an older woman called Judith Piepe (and I apologise if I'm mispronouncing her name, which I've only ever seen written down, never heard) who many people believed had an unrequited crush on Simon. Piepe ran her London flat as something of a commune for folk musicians, and Simon lived there for months at a time while in the UK. Among the other musicians who stayed there for a time were Sandy Denny, Cat Stevens, and Al Stewart, whose bedroom was next door to Simon's. Piepe became Simon's de facto unpaid manager and publicist, and started promoting him around the British folk scene. Simon also at this point became particularly interested in improving his guitar playing. He was spending a lot of time at Les Cousins, the London club that had become the centre of British acoustic guitar. There are, roughly, three styles of acoustic folk guitar -- to be clear, I'm talking about very broad-brush categorisations here, and there are people who would disagree and say there are more, but these are the main ones. Two of these are American styles -- there's the simple style known as Carter scratching, popularised by Mother Maybelle Carter of the Carter family, and for this all you do is alternate bass notes with your thumb while scratching the chord on the treble strings with one finger, like this: [Excerpt: Carter picking] That's the style played by a lot of country and folk players who were primarily singers accompanying themselves. In the late forties and fifties, though, another style had become popularised -- Travis picking. This is named after Merle Travis, the most well-known player in the style, but he always called it Muhlenberg picking, after Muhlenberg County, where he'd learned the style from Ike Everly -- the Everly Brothers' father -- and Mose Rager, a Black guitarist. In Travis picking, the thumb alternates between two bass notes, but rather than strumming a chord, the index and middle fingers play simple patterns on the treble strings, like this: [Excerpt: Travis picking] That's, again, a style primarily used for accompaniment, but it can also be used to play instrumentals by oneself. As well as Travis and Ike Everly, it's also the style played by Donovan, Chet Atkins, James Taylor, and more. But there's a third style, British baroque folk guitar, which was largely the invention of Davey Graham. Graham, you might remember, was a folk guitarist who had lived in the same squat as Lionel Bart when Bart started working with Tommy Steele, and who had formed a blues duo with Alexis Korner. Graham is now best known for one of his simpler pieces, “Anji”, which became the song that every British guitarist tried to learn: [Excerpt: Davey Graham, "Anji"] Dozens of people, including Paul Simon, would record versions of that. Graham invented an entirely new style of guitar playing, influenced by ragtime players like Blind Blake, but also by Bach, by Moroccan oud music, and by Celtic bagpipe music. While it was fairly common for players to retune their guitar to an open major chord, allowing them to play slide guitar, Graham retuned his to a suspended fourth chord -- D-A-D-G-A-D -- which allowed him to keep a drone going on some strings while playing complex modal counterpoints on others. While I demonstrated the previous two styles myself, I'm nowhere near a good enough guitarist to demonstrate British folk baroque, so here's an excerpt of Davey Graham playing his own arrangement of the traditional ballad "She Moved Through the Fair", recast as a raga and retitled "She Moved Thru' the Bizarre": [Excerpt: Davey Graham, "She Moved Thru' the Bizarre"] Graham's style was hugely influential on an entire generation of British guitarists, people who incorporated world music and jazz influences into folk and blues styles, and that generation of guitarists was coming up at the time and playing at Les Cousins. People who started playing in this style included Jimmy Page, Bert Jansch, Roy Harper, John Renbourn, Richard Thompson, Nick Drake, and John Martyn, and it also had a substantial influence on North American players like Joni Mitchell, Tim Buckley, and of course Paul Simon. Simon was especially influenced at this time by Martin Carthy, the young British guitarist whose style was very influenced by Graham -- but while Graham applied his style to music ranging from Dave Brubeck to Lutheran hymns to Big Bill Broonzy songs, Carthy mostly concentrated on traditional English folk songs. Carthy had a habit of taking American folk singers under his wing, and he taught Simon several songs, including Carthy's own arrangement of the traditional "Scarborough Fair": [Excerpt: Martin Carthy, "Scarborough Fair"] Simon would later record that arrangement, without crediting Carthy, and this would lead to several decades of bad blood between them, though Carthy forgave him in the 1990s, and the two performed the song together at least once after that. Indeed, Simon seems to have made a distinctly negative impression on quite a few of the musicians he knew in Britain at this time, who seem to, at least in retrospect, regard him as having rather used and discarded them as soon as his career became successful. Roy Harper has talked in liner notes to CD reissues of his work from this period about how Simon used to regularly be a guest in his home, and how he has memories of Simon playing with Harper's baby son Nick (now himself one of the greats of British guitar) but how as soon as he became successful he never spoke to Harper again. Similarly, in 1965 Simon started a writing partnership with Bruce Woodley of the Seekers, an Australian folk-pop band based in the UK, best known for "Georgy Girl". The two wrote "Red Rubber Ball", which became a hit for the Cyrkle: [Excerpt: The Cyrke, "Red Rubber Ball"] and also "Cloudy", which the Seekers recorded as an album track: [Excerpt: The Seekers, "Cloudy"] When that was recorded by Simon and Garfunkel, Woodley's name was removed from the writing credits, though Woodley still apparently received royalties for it. But at this point there *was* no Simon and Garfunkel. Paul Simon was a solo artist working the folk clubs in Britain, and Simon and Garfunkel's one album had sold a minuscule number of copies. They did, when Simon briefly returned to the US in March, record two tracks for a prospective single, this time with an electric backing band. One was a rewrite of the title track of their first album, now titled "Somewhere They Can't Find Me" and with a new chorus and some guitar parts nicked from Davey Graham's "Anji"; the other a Twist-beat song that could almost be Manfred Mann or Georgie Fame -- "We Got a Groovy Thing Goin'". That was also influenced by “Anji”, though by Bert Jansch's version rather than Graham's original. Jansch rearranged the song and stuck in this phrase: [Excerpt: Bert Jansch, “Anji”] Which became the chorus to “We Got a Groovy Thing Goin'”: [Excerpt: Simon and Garfunkel, "We Got a Groovy Thing Goin'"] But that single was never released, and as far as Columbia were concerned, Simon and Garfunkel were a defunct act, especially as Tom Wilson, who had signed them, was looking to move away from Columbia. Art Garfunkel did come to visit Simon in the UK a couple of times, and they'd even sing together occasionally, but it was on the basis of Paul Simon the successful club act occasionally inviting his friend on stage during the encore, rather than as a duo, and Garfunkel was still seeing music only as a sideline while Simon was now utterly committed to it. He was encouraged in this commitment by Judith Piepe, who considered him to be the greatest songwriter of his generation, and who started a letter-writing campaign to that effect, telling the BBC they needed to put him on the radio. Eventually, after a lot of pressure, they agreed -- though they weren't exactly sure what to do with him, as he didn't fit into any of the pop formats they had. He was given his own radio show -- a five-minute show in a religious programming slot. Simon would perform a song, and there would be an introduction tying the song into some religious theme or other. Two series of four episodes of this were broadcast, in a plum slot right after Housewives' Choice, which got twenty million listeners, and the BBC were amazed to find that a lot of people phoned in asking where they could get hold of the records by this Paul Simon fellow. Obviously he didn't have any out yet, and even the Simon and Garfunkel album, which had been released in the US, hadn't come out in Britain. After a little bit of negotiation, CBS, the British arm of Columbia Records, had Simon come in and record an album of his songs, titled The Paul Simon Songbook. The album, unlike the Simon and Garfunkel album, was made up entirely of Paul Simon originals. Two of them were songs that had previously been recorded for Wednesday Morning 3AM -- "He Was My Brother" and a new version of "The Sound of Silence": [Excerpt: Paul Simon, "The Sound of Silence"] The other ten songs were newly-written pieces like "April Come She Will", "Kathy's Song", a parody of Bob Dylan entitled "A Simple Desultory Philippic", and the song that was chosen as the single, "I am a Rock": [Excerpt: Paul Simon, "I am a Rock"] That song was also the one that was chosen for Simon's first TV appearance since Tom and Jerry had appeared on Bandstand eight years earlier. The appearance on Ready, Steady, Go, though, was not one that anyone was happy with. Simon had been booked to appear on a small folk music series, Heartsong, but that series was cancelled before he could appear. Rediffusion, the company that made the series, also made Ready, Steady, Go, and since they'd already paid Simon they decided they might as well stick him on that show and get something for their money. Unfortunately, the episode in question was already running long, and it wasn't really suited for introspective singer-songwriter performances -- the show was geared to guitar bands and American soul singers. Michael Lindsay-Hogg, the director, insisted that if Simon was going to do his song, he had to cut at least one verse, while Simon was insistent that he needed to perform the whole thing because "it's a story". Lindsay-Hogg got his way, but nobody was happy with the performance. Simon's album was surprisingly unsuccessful, given the number of people who'd called the BBC asking about it -- the joke went round that the calls had all been Judith Piepe doing different voices -- and Simon continued his round of folk clubs, pubs, and birthday parties, sometimes performing with Garfunkel, when he visited for the summer, but mostly performing on his own. One time he did perform with a full band, singing “Johnny B Goode” at a birthday party, backed by a band called Joker's Wild who a couple of weeks later went into the studio to record their only privately-pressed five-song record, of them performing recent hits: [Excerpt: Joker's Wild, "Walk Like a Man"] The guitarist from Joker's Wild would later join the other band who'd played at that party, but the story of David Gilmour joining Pink Floyd is for another episode. During this time, Simon also produced his first record for someone else, when he was responsible for producing the only album by his friend Jackson C Frank, though there wasn't much production involved as like Simon's own album it was just one man and his guitar. Al Stewart and Art Garfunkel were also in the control room for the recording, but the notoriously shy Frank insisted on hiding behind a screen so they couldn't see him while he recorded: [Excerpt: Jackson C Frank, "Blues Run the Game"] It seemed like Paul Simon was on his way to becoming a respected mid-level figure on the British folk scene, releasing occasional albums and maybe having one or two minor hits, but making a steady living. Someone who would be spoken of in the same breath as Ralph McTell perhaps. Meanwhile, Art Garfunkel would be going on to be a lecturer in mathematics whose students might be surprised to know he'd had a minor rock and roll hit as a kid. But then something happened that changed everything. Wednesday Morning 3AM hadn't sold at all, and Columbia hadn't promoted it in the slightest. It was too collegiate and polite for the Greenwich Village folkies, and too intellectual for the pop audience that had been buying Peter, Paul, and Mary, and it had come out just at the point that the folk boom had imploded. But one DJ in Boston, Dick Summer, had started playing one song from it, "The Sound of Silence", and it had caught on with the college students, who loved the song. And then came spring break 1965. All those students went on holiday, and suddenly DJs in places like Cocoa Beach, Florida, were getting phone calls requesting "The Sound of Silence" by Simon and Garfunkel. Some of them with contacts at Columbia got in touch with the label, and Tom Wilson had an idea. On the first day of what turned out to be his last session with Dylan, the session for "Like a Rolling Stone", Wilson asked the musicians to stay behind and work on something. He'd already experimented with overdubbing new instruments on an acoustic recording with his new version of Dylan's "House of the Rising Sun", now he was going to try it with "The Sound of Silence". He didn't bother asking the duo what they thought -- record labels messed with people's records all the time. So "The Sound of Silence" was released as an electric folk-rock single: [Excerpt: Simon and Garfunkel, "The Sound of Silence"] This is always presented as Wilson massively changing the sound of the duo without their permission or knowledge, but the fact is that they had *already* gone folk-rock, back in March, so they were already thinking that way. The track was released as a single with “We Got a Groovy Thing Going” on the B-side, and was promoted first in the Boston market, and it did very well. Roy Harper later talked about Simon's attitude at this time, saying "I can remember going into the gents in The Three Horseshoes in Hempstead during a gig, and we're having a pee together. He was very excited, and he turns round to me and and says, “Guess what, man? We're number sixteen in Boston with The Sound of Silence'”. A few days later I was doing another gig with him and he made a beeline for me. “Guess what?” I said “You're No. 15 in Boston”. He said, “No man, we're No. 1 in Boston”. I thought, “Wow. No. 1 in Boston, eh?” It was almost a joke, because I really had no idea what that sort of stuff meant at all." Simon was even more excited when the record started creeping up the national charts, though he was less enthused when his copy of the single arrived from America. He listened to it, and thought the arrangement was a Byrds rip-off, and cringed at the way the rhythm section had to slow down and speed up in order to stay in time with the acoustic recording: [Excerpt: Simon and Garfunkel, "The Sound of Silence"] I have to say that, while the tempo fluctuations are noticeable once you know to look for them, it's a remarkably tight performance given the circumstances. As the record went up the charts, Simon was called back to America, to record an album to go along with it. The Paul Simon Songbook hadn't been released in the US, and they needed an album *now*, and Simon was a slow songwriter, so the duo took six songs from that album and rerecorded them in folk-rock versions with their new producer Bob Johnston, who was also working with Dylan now, since Tom Wilson had moved on to Verve records. They filled out the album with "The Sound of Silence", the two electric tracks from March, one new song, "Blessed", and a version of "Anji", which came straight after "Somewhere They Can't Find Me", presumably to acknowledge Simon lifting bits of it. That version of “Anji” also followed Jansch's arrangement, and so included the bit that Simon had taken for “We Got a Groovy Thing Going” as well. They also recorded their next single, which was released on the British version of the album but not the American one, a song that Simon had written during a thoroughly depressing tour of Lancashire towns (he wrote it in Widnes, but a friend of Simon's who lived in Widnes later said that while it was written in Widnes it was written *about* Birkenhead. Simon has also sometimes said it was about Warrington or Wigan, both of which are so close to Widnes and so similar in both name and atmosphere that it would be the easiest thing in the world to mix them up.) [Excerpt: Simon and Garfunkel, "Homeward Bound"] These tracks were all recorded in December 1965, and they featured the Wrecking Crew -- Bob Johnston wanted the best, and didn't rate the New York players that Wilson had used, and so they were recorded in LA with Glen Campbell, Joe South, Hal Blaine, Larry Knechtel, and Joe Osborne. I've also seen in some sources that there were sessions in Nashville with A-team players Fred Carter and Charlie McCoy. By January, "The Sound of Silence" had reached number one, knocking "We Can Work it Out" by the Beatles off the top spot for two weeks, before the Beatles record went back to the top. They'd achieved what they'd been trying for for nearly a decade, and I'll give the last word here to Paul Simon, who said of the achievement: "I had come back to New York, and I was staying in my old room at my parents' house. Artie was living at his parents' house, too. I remember Artie and I were sitting there in my car one night, parked on a street in Queens, and the announcer said, "Number one, Simon & Garfunkel." And Artie said to me, "That Simon & Garfunkel, they must be having a great time.""
Record warehouse paradise, lullabies finished in hell, destroying synchronicity. The musician and filmmaker discusses three important albums.Domingæ's picks:Jackson C. Frank – Blues Run The GameOneohtrix Point Never – ReplicaRyuichi Sakamoto – asyncDomingæ's new album Æ is out now via Sacred Bones. Her Linktree is here and you follow her on Instagram here. Donate to her Transition and Survival Fund over at Gofundme.
Your Mates Music Crates - a podcast where we discover, share and discuss new and old music from all genres. Hosted by Nick Hayman & Chris Rotherham. Email us music and stories/ Paypal donations address: yourmatesmusiccrates@gmail.com In this episode: Intro / Outro Music: Thomas Vent - Essential Blues Colter Wall - Sleeping on the Blacktop Portico Quartet - Knee-Deep in the North Sea Link Wray - Falling Rain James Blake - Say What You Will Jackson C. Frank - Blues Run The Game Tankus The Henge - Dirt Brittany Howard - Stay High Fat Freddy's Drop - Shady Odesza ft. Leon Bridges - Across The Room Obylx - Climb
看理想新媒体（aka隔壁"没理想编辑部"）有一个小专栏叫「看理想·小纸条回收站」，会在微博@看理想vistopia 上面不定期抛出话题，收集大家的小纸条投稿，再加上一些公司内部的私货，整理成一期微信推送。 几个月前，她们在网上征集了一些从错误的选择或失败中走出来的故事。 故事中，有人觉得在不合适的岗位工作是错误的，所以决定遵从内心，辞职追梦；也有人追梦失败了，又反省自己，回到曾经的行业，追求稳定的生活。 大家的投稿非常打动我，想要在7月的最后几天，和你分享这些真实又鲜活的灵魂。 同时也就当划水一期，希望这个周末不要来公司加班了hhh。 如果你懒得听接下来的内容，想要直接看文字版，也可以查看微信公号"看理想"2021年3月21号的推送《"人生若无悔，那该多无趣呀"》。 本期歌单 Jackson C. Frank - Blues Run The Game 黒石ひとみ - 太陽の子守歌 Aage Kvalbein、Iver Kleive - Ave Maria Steven Sharp Nelson - Clair de Lune Juan Carlos Moya - More Than Words (Original Piano Cover) 本期参与 主播 | 颠颠 文字 | 看理想的朋友们,Purple,颠颠 制作 | 颠颠 联系我们 @看理想电台要放飞自我
Liv sits down with Emily Hurd, a singer-songwriter, musician and restauranteur from Rockford, Illinois. On this week's episode, Liv and Emily discuss what it means to be an authentic ally to the LGBTQIA+ community, the challenges of making music as a female identified person, and the many inspirations that food and music bring to the surface. Music featured on this week's episode's playlist includes songs by Emily Hurd, Phoebe Bridgers, Patty Griffin, Janis Joplin, Jackson C. Frank, The Magnetic Fields, and many more...
Playwright/performer Michael Aguirre gives an interview on the Railroad Dave Radio Hour w/ David Schwartz at WPKN 89.5. Learn more about Jackson C. Frank and our upcoming digital show: The Jackson C. Frank Listening Party w/ Special Guests streaming March 29 thru April 11, 2021 at 59E59 Theaters. Click here for more details. --- Support this podcast: https://anchor.fm/new-light-theater-project/support
Hoy nos empeñamos en desenterrar voces enterradas bajo capas de olvido, que según nuestro punto de vista, sus nombres deberían figurar en los libros de historia con letras brillantes. Hablamos de tres poetas; Jack Gilbert, T.E. Hulme y la española Sofía Casanova, que además de poeta fue corresponsal de guerra en la Primera y la Segunda Guerra Mundial. Hablamos, de dos músicos; por un lado, el cantautor Jackson C. Frank, cuyo único disco, que lleva su propio nombre y que salió en el año 1965, consideramos que es una auténtica obra de arte; y por otro lado, hablamos del bajista del grupo The Funk Brothers, James Jamerson, que grabó más éxitos para el sello Motown que The Beatles, Rolling Stones y Elvis Presley juntos, pero del que el público en general apenas sabe nada. Y también, recordaremos a un cineasta de importancia capital en la historia del cine, el aragonés, Segundo de Chomón, que debería figurar, por sus aportaciones al Séptimo Arte, como el "segundo" en importancia tras los hermanos Lumière, pero del que una vez más, nos hemos olvidado lo justo para que otros maravillosos cineastas como Méliès, se lleven todo el mérito a costa del genial cineasta español. Hoy nos empeñamos en sacar a los olvidados a la luz, y decir sus nombres muchas veces para que estas seis almas sepan que nos acordamos de ellos y que su arte pervive en nuestra psique y nuestro espíritu.
. EPISODE NINETEEN . I give to you... Theo :) . This is a wiiide ranger :) . Theo is a good friend who graciously allowed a microphone in front of his face to share some of his thoughts on the world :) . Get a view into: Theo's amazing mind, Ethiopia, Cultural History, Politic Talk, Film, American Travellin' Tales and SO much More :) . The music this week is Blues Run The Game - Jackson C. Frank and the finishing track is, as always, Keep Running by Nuala :) . You can check out the podcast Instagram for updates and Youtube channel for the visual chats :) . If you like the podcast please rate, recommend, review, share, like, any amount of support from any direction is noticed and hugely appreciated :) . Enjoy
Bulle - quelques pensées baladeuses autour de Jackson C. Frank "Blues Run the Game" Texte : Tu aurais pu le voir venir, les nuages s'amonceler, ne pas croire éphémères les nuées d'oiseaux noirs. Et maintenant il est là, accroché à toi comme le singe sur le dos de l'héroïnomane, à croire que tu as besoin de ta dose régulière. Le poison se répand, tu en connais les symptômes ; l'humeur qui s'assombrit, le jugement qui se ratatine, la sensibilité à fleur de peau, la sensation de flottement, l'hostilité du monde. A ton insu, montent en toi les questions éternelles de l'humaine condition ; qui suis-je ? où vais-je ? tout cela a-t-il un sens ? n'est-ce pas totalement vain ? Et pourtant tu sais que tu vas bientôt te présenter sous tes meilleurs atours et que la comédie durera suffisamment pour que tu recommences à y croire. Aujourd'hui « The Bues Run the Game ». You could have seen it coming, the clouds piling up, not believing the swarms of black birds to be ephemeral. And now he's there, clinging to you like the monkey on the heroin addict's back, believing that you need your regular dose. The poison is spreading, you know the symptoms; the mood darkens, judgement shrivels, sensitivity on the edge of your skin, the feeling of floating, the hostility of the world. Unbeknownst to you, the eternal questions of the human condition arise within you; who am I? where am I going? does it all make sense? isn't it all in vain? And yet you know that you will soon present yourself in your best finery and that the comedy will last long enough for you to start believing in it again. Today "the Bues Run the Game". Soutenez-nous !
It's cold outside, Jake has a stuffy nose, and he says he isn't talking for long but that never happens anyway.Music recommendations are “Jackson C Frank” by Jackson C Frank, and “Pink by Boris/Altar” by Boris & Sunn O))).Wake & Jake (Bonus Content)https://www.patreon.com/wakeandjakepodWake & Jakehttps://www.auxchicago.com/wake-jakehttps://www.instagram.com/wakeandjakepod/https://twitter.com/WakeandJakePodJake Fisherhttps://www.instagram.com/kennyg.g.allin/https://deathbotrecords.bandcamp.com/Music Composed by Jake FisherLogo by Baitul Javid
ft. Don Slepian, Takeshi Terauchi, Marlon Brando, Dave Grusin, The Dream Syndicate, Zingara, Monica Rypma, WISS, Jackson C. Frank, Kip Tyler, Lily Anne, Prince, Sax, Love Spirit, Chris & Cosey, Gianluca Mosole Group, Cincinnati Joe & Mad Lydia, Lonnie Johnson w/ Elmer Snowden, Tubeway Army, Telex, Gwen McCrae, Carl McKnight, Patrick Cowley & Jorge Socarras, October Country, Round Robin, Lee Ross, Johnny Anderson, The Flirts, Redbone, Master Wilburn Burchette, Ella Fitzgerald, Piano Magic
Thursday Americana Blues Country and Folk Show with Ian Boyle and John Jenkins on Vintage Radio
Jackson Carey Frank (March 2, 1943 – March 3, 1999) was an American folk musician. He released his first and only album in 1965, produced by Paul Simon. After the release of the record, Frank was plagued by a series of personal issues, and was diagnosed with schizophrenia and protracted depression that prevented him from maintaining his career. Frank spent his later life homeless and destitute, and died in 1999 of pneumonia. Though he only released one record, he has been cited as an influence by many singer-songwriters, including Paul Simon, Sandy Denny, Bert Jansch and Nick Drake. Rolling Stone journalist David Fricke called Frank "one of the best forgotten songwriters of the 1960s
Ella's Brother is the project of Edinburgh based musician Raff Eragona who's music is an intensely personal and often wonderfully idiosyncratic look at the world which incorporates elements of indie, folk, rock and more. We talk his COVID-19 experience, home studios, working at night, Bob Dylan, 1985, vinyl collections, his old bands, nature, reading, notebooks, poetry, The Sopranos, comedy, changes in the music industry, technology, social media, watching The Strokes side stage, Joe Rogan, Christopher Hitchens, The Brian Jonestown Massacre, OCD, a little bit of politics and the best Scottish music. We also discuss a playlist of his all time favourite tracks and he performs a selection of songs, setlist as below;0.00 - What I Had In Mind 31.51 - Will You Still Love Me Tomorrow (The Shirelles cover)01.03.51 - Blues Run The Game (Jackson C. Frank cover)01.59.31 - The Actor With The Loaded Starter GunSome All Time Favourite's No.85 Playlist (https://open.spotify.com/playlist/37ij1oas05EXW8HD3UNqhK?si=oE7pwCGAQcSW_6uQ47EflA) See acast.com/privacy for privacy and opt-out information.
Adeline van Lier laat je weer van alles wat horen: The Pointer Sisters, Harry Nilsson, Jackson C. Frank, Cartano Velosa, Captain & Tenille, Jimmy Scott, Rodriquez wildcookie en The Honey Drippers.
Een verrassende mix met vooral veel muziek vanuit het zuiden van de VS, je hoort onder andere Randy Newman, Larkin Poe, Jackson C. Frank en Dolly Parton. Het album van de week is Homeground van Neil Young.
Een verrassende mix met vooral veel muziek vanuit het zuiden van de VS, je hoort onder andere Randy Newman, Larkin Poe, Jackson C. Frank en Dolly Parton. Het album van de week is Homeground van Neil Young.
Vanavond om 00.00 uur op 40UP Radio Ton Lathouwers in Blue Sky. Ton draait muziek van o.a. Harry Chapin, Léon, Pink Floyd, Cat Stevens, Jackson C. Frank en Fleetwood Mac.
Bien sûr que le COVID-19 ne nous aura pas. Amplitudes se met à la réalisation artisanale pour respecter les règles de confinement mais continuer à faire vivre Radio Campus Paris, entre micros caverneux, absence de bonnette qui se fait ressentir et clics de souris intempestifs. Et l'actualité aidant, on s'en est inspiré pour proposer une tranche de deux heures sur les musiques de fin du monde (d'après nous), du pré- au post-apocalyptique, et même en per-apocalyptique, parce qu'on se demandait quels sons nous viendraient à l'esprit en toute circonstance. Faut être prêt pour tout et à tout moment en ces temps troublés où les produits de première nécessité semblent se résumer au PQ et au shampooing anti-pelliculaire. Voici donc notre tracklist en attendant qu'un tocsin ne sonne, et bonne écoute. Tracklist : Bohren et Der Club of Gore - Midnight Black Earth Cities Last Broadcast - Bascule Bridge Broken Note - War in the Making Jackson C. Frank - I Want to Be Alone (Dialogue) Philip Glass - Prophecies Anders Brørby - The Logic Destruction of Man Mark Morgan - Desert Wind Aiko Aiko - Im Dämonengarten Howard Stelzer - Accumulated Background Radiation Lawrence English - Hapless Gatherer Pessimist - Bloom Godspeed You! Black Emperor - Moya Photo : Jorge Silva sur Reuters
Bien sûr que la COVID-19 ne nous aura pas. Amplitudes se met à la réalisation artisanale pour respecter les règles de confinement mais continuer à faire vivre Radio Campus Paris, entre micros caverneux, absence de bonnette qui se fait ressentir et clics de souris intempestifs. Et l'actualité aidant, on s'en est inspiré pour proposer une tranche de deux heures sur les musiques de fin du monde (d'après nous), du pré- au post-apocalyptique, et même en per-apocalyptique, parce qu'on se demandait quels sons nous viendraient à l'esprit en toute circonstance. Faut être prêt pour tout et à tout moment en ces temps troublés où les produits de première nécessité semblent se résumer au PQ et au shampooing anti-pelliculaire. Voici donc notre tracklist en attendant qu'un tocsin ne sonne, et bonne écoute. Tracklist : Bohren et Der Club of Gore - Midnight Black Earth (Black Earth, 2002) Cities Last Broadcast - Bascule Bridge (The Cancelled Earth, 2007) Broken Note - War in the Making (Terminal Drift, 2009) Jackson C. Frank - I Want to Be Alone (Dialogue) (Jackson C. Frank, 1965) Philip Glass - Prophecies (Koyaanisqatsi, 1998) Anders Brørby - The Logic Destruction of Man (Nihil, 2016) Mark Morgan - Desert Wind (Fallout: the Soundtrack, 1997) Aiko Aiko - Im Dämonengarten (Lab Rats, Escape!, 2015) Howard Stelzer - Accumulated Background Radiation (The Case Against, 2016) Lawrence English - Hapless Gatherer (Wilderness of Mirrors, 2014) Pessimist - Bloom (Pessimist, 2018) Godspeed You! Black Emperor - Moya (Slow Riot for New Zero Kanada E.P., 1999) Photo : Jorge Silva sur Reuters
A Minor Place - Bonnie “Prince” Billy Houston - Lee Hazlewood Watchin’ The Show - Michael Hurley The Sing - Bill Callahan Autumn Leaves - Cannonball Adderley I Worship The Ground - Jimmy Hughes I’ll Let Nothing Separate Us - Otis Redding A Half Love - Syl Johnson Mean Old World - Sam Cooke In A Sentimental Mood - Duke Ellington & John Coltrane Clam, Crab, Cockle, Cowrie - Joanna Newsom Blues Run The Game - Jackson C. Frank Northstar Blues - Magnolia Electric Co When She Don’t Need Me - Townes Van Zandt That Old Time Feeling - Jerry Jeff Walker All Things Must Pass - Yim Yames
. بیست و چهارمین نمره از پادکست آمپاژ که در اون سعی می کنیم اتفاقات و صداهایی رو که به چشم و گوش نمیان نمایان کنیم. توی این ویژهبرنامه از پادکست با عنوان [...] صحبت نمیکنیم. . . لیست آهنگ هایی که در اپیزود [...] آمپاژ شنیدید: The Clancy Brothers - The Foggy Dew/ Ennio Morricone - Sacco and Vanzetti/ Great White - House of Broken Love/ Leonid Kharitonov & The Red Army Choir - Song of the Volga Boatmen/ Red Army Choir - Katusha/ Pink Floyd - Childhood's End/ Jackson C. Frank – Milk And Honey/ Hildur Guðnadóttir - Defeated Clown/ A Perfect Circle - So Long, And Thanks For All The Fish/ A Perfect Circle - Imagine/ Muse - Uprising/ Gil Scott-Heron - The Revolution Will Not Be Televised/ Leonard Cohen - First We Take Manhattan/ Red Army Choir - My Army/ Paul Mauriat - Love Is Blue/ Ramy Essam - یا مجلس یاابن الحرام/ Ahmet Kaya - Basim Belada/ Gary Glitter - Rock And Roll Part II/ Fereydon Foroughi - Shayad/ Eleni Karaindrou - An ode of Tears/ Hichkas - Ye Rooze KHoob Miad/ Pride – Bread and Roses/ Moe Kabha - Wen Ala Ramallah/ Thievery Corporation - El Pueblo Unido/ @Ampaj
. بیست و چهارمین نمره از پادکست آمپاژ که در اون سعی می کنیم اتفاقات و صداهایی رو که به چشم و گوش نمیان نمایان کنیم. توی این ویژهبرنامه از پادکست با عنوان [...] صحبت نمیکنیم. . . لیست آهنگ هایی که در اپیزود [...] آمپاژ شنیدید: The Clancy Brothers - The Foggy Dew/ Ennio Morricone - Sacco and Vanzetti/ Great White - House of Broken Love/ Leonid Kharitonov & The Red Army Choir - Song of the Volga Boatmen/ Red Army Choir - Katusha/ Pink Floyd - Childhood's End/ Jackson C. Frank – Milk And Honey/ Hildur Guðnadóttir - Defeated Clown/ A Perfect Circle - So Long, And Thanks For All The Fish/ A Perfect Circle - Imagine/ Muse - Uprising/ Gil Scott-Heron - The Revolution Will Not Be Televised/ Leonard Cohen - First We Take Manhattan/ Red Army Choir - My Army/ Paul Mauriat - Love Is Blue/ Ramy Essam - یا مجلس یاابن الحرام/ Ahmet Kaya - Basim Belada/ Gary Glitter - Rock And Roll Part II/ Fereydon Foroughi - Shayad/ Eleni Karaindrou - An ode of Tears/ Hichkas - Ye Rooze KHoob Miad/ Pride – Bread and Roses/ Moe Kabha - Wen Ala Ramallah/ Thievery Corporation - El Pueblo Unido/ @Ampaj
Child’s Christmas in Wales - John Cale Les Champs-Elysees - Joe Dassin She Used To Want To Be A Ballerina - Buffy Sainte-Marie Blues Run The Game - Jackson C. Frank Thirsty Boots - Eric Anderson Your Dreams - Kim Jung Mi O-o-h Child - Nina Simone You Hurt Me So - Link Wray You Were On My Mind - Crispian St. Peters I’ll Rock You To The Rhythm Of The Ocean - John Angaiak Do I Still Figure In Your Life - Ian Matthews Down Where The Valleys Are Low - Judee Sill Crazy Lady Blues - Sandy Denny Opening - Cowboy If We Make It Through December - Merle Haggard As Tears Go By - The Rolling Stones Everyday Will Be Like A Holiday - William Bell Christmas Eve Can Kill You - Dawn McCarthy & Bonnie “Prince” Billy Jesus Christ - Big Star My Adorable One - Joe Simon Why Not Tonight? - Jimmy Hughes Stoney - Jerry Jeff Walker
Lovers Sleep Abed Tonight - Chris Darrow Some of Shelly’s Blues - Michael Nesmith Breakdown - Everly Brothers The Virgin -Gene Clark Florida - Lonnie Mack There’s More Pretty Girls Than One - Ricky Skaggs and Tony Rice Angels Are Singing (In Heaven Tonight) - The Stanley Brothers I Had a Good Mother and Father - Washington Phillips Travelin’ Mood - Wee Willie Wayne Happy In Love - Wilbert Harrison When the Roses Come Again - The Carter Family I Am Weary (let me rest -The Cox Familly Annabelle - Gillian Welch Blues Run the Game - Jackson C. Frank The Death of Queen Jane - Oscar Isaac I Take a Lot of Pride in What I Am - Merle Haggard Walk Through This World With Me - George Jones I’m Fallin’ In Love With You -Webb Pierce My Heroes Have Always Been Cowboys - Willie Nelson Laura (What’s He Got That I Ain’t Got) - Leon Ashley Acuff-Rose - Uncle Tupelo New Partner - Palace Music Far from Any Road - The Handsome Family Dear John - Ryan Adams & The Cardinals I Gotta Get Drunk - Phosphorescent Anodyne - Uncle Tupelo Chicken Every Sunday - Dolly Parton My Elusive Dreams - Tammy Wynette California Cottenfields - Emmylou Harris A Satisfied Mind - Jean Shepard The End of the Worl - Skeeter Davis Oh, Sister - Bob Dylan You Ain’t Goin’ Nowhere- William C. Beeley Virginia’s Real- Guy Clark Life is Like a Mountain Railroad - John Fahey The Bottomless Lake - John Prine Be Here To Love Me - Townes Van Zandt What Am I Doing Hangin’ Round - The Monkees The Party’s Over - Willie Nelson
Record Roundtable Hosted by Caleb, Tyler, Dax, and Jared. We have made it...to the last regular episode of Record Roundtable for 2019. This episode is a special treat for Dax as we listened to and discuss Jackson C. Frank, his one and only album, and a couple of other albums we chose to listen to to fill out the week. We know this episode has been heavily requested and it is our pleasure to bring it to all you good people.Find us on Facebook for updates and additional content at facebook.com/recordroundtableFind out more at https://record-roundtable.pinecast.co
Losin’ Boy - Eddy Giles I Guess It’s Love - Lee Hazlewood Gimme Little Sign - Brenton Wood Love Comes And Goes - Arthur Conley Games People Play -Dolly Parton Um, Um, Um, Um, Um, Um - Major Lance Mercy, Mercy, Mercy - Larry Williams & Johnny Watson Under Construction - Jim Ford Out Of Mind, Out Of Sight - Kris Kristofferson I Stole The Right To Live - Michael Hurley Yellow Walls - Jackson C. Frank Rainmaker - Harry Nilsson California Saga/ Big Sur - The Beach Boys Predicament #2 - Swamp Dogg You Can’t Love Them All - Solomon Burke Stand By Me - Spyder Turner
Programa de 8 de Setembro de 2019 1.ª parte: 1 - Sungaze - Light in All of It - Washed Away 2 - Sungaze - Light in All of It - Wind (Intro) 3 - Coastal - Halfway to You - Until You Sleep 4 - Engineers - Engineers - Ruby Dead 5 - Vetiver - To Who Knows Where - To Who Knows Where 6 - Tiny Ruins - One Million Flowers (Solo) - One Million Flowers (Solo) 7 - Fionn Regan - Cala - Hunting Dog 8 - Chromatics - … - I Want To Be Alone 9 - Jackson C. Frank - Jackson C. Frank - I Want to Be Alone (Dialogue) 10 - Chelsea Wolfe - Birth of Violence - Be All Things 11 - Joyero - Release the Dogs - After You 12 - Angie McMahon - Salt - If You Call 13 - Momus - The Poison Boyfriend - Murderers, The Hope of Women 2.ª parte: 14 - Bill Ryder-Jones - Yawny Yawn - Mither 15 - Gigi Masin & Jonny Nash - Postcards From Nowhere - The Sea in Your Eyes 16 - Red House Painters - Red House Painters - Mistress (Piano Version) 17 - Julia Kent - Last Day in July - Ground 18 - Mark Kozelek - Mark Kozelek Sings Favorites - Another Day 19 - Daisy Chapman - And There Shall Be None - Our Mutual Friend 20 - Majical Cloudz - Impersonator - Bugs Don't Buzz 21 - A.A. Bondy - Enderness - Fentanyl Freddy 22 - Efterklang - Altid Sammen - Havet Løfter Sig 23 - Molly - All That Ever Could Have Been - Coming of Age, Pt. 2 24 - The 6ths - Hyacinths and Thistles - He Didn't 25 - Sumie - Mirou - Moon 26 - Bonnie 'Prince' Billy, Bryce Dessner And Eighth Blackbird - When We Are Inhuman - Beast For Thee 27 - Bing & Ruth - Tomorrow Was the Golden Age - Reflector 28 - Joan Shelley - Like The River Loves The Sea - When What It Is
Are My Thoughts With You - Linda Ronstadt Ruby Tuesday - Melanie She Thinks I Still Care - John Fogerty Hey Jude - Area Code 615 With God On Our Side - Ramblin’ Jack Elliott Goodtimes - Mike Cooper I’ll Find A Way - Ted Lucas Yellow Walls - Jackson C. Frank Tea Song - Michael Hurley Cat Black - Tyrannosaurus Rex Back Up The Train - Al Greene Didn’t I - Darondo A Half Love- Syl Johnson Predicament #2 - Swamp Dogg Shouldn’t I Love Him - Mable John What’cha Gonna Do About It - Doris Troy Losin’ Boy - Eddy Giles From the Late to the Early - Ron Wood & Ronnie Lane
It's a new day, are you living it? Sometimes we see ourselves in a different way and have new dreams, are you striving for those dreams? Live every day reaching for those goals. Art isn't just painting, it is about discovering the world and creating yourself. Go out and do just that, create something for yourself. Love and light, y'all! Intro: San Luis by Gregory Alan Isakov First Songs: Goodbye Rain by Hush Kids Lebanon by J.S. Ondara Babylon by David Gray A Bo Story: Mars by Nick Cave & Warren Ellis Next Song: Milk and Honey by Jackson C. Frank A Bo Story: Gilded by Sarah Davachi Next Songs: Let My Love Pull You In by Phillip LaRue Lost Without You by Freya Ridings Bolting Volts by Molly Parden Waves, Breaking by Mutual Benefit Pontchartrain by Anders Osborne A Bo Story: We Move Lightly by Dustin O’Halloran Last Songs: Roads by Portishead ocean eyes by Billie Eilish Erik Satie: 3 Gynopédies: No. 1 by Pascal Rogé
David Graham - Flowers Never Bend With The Rain Nick Drake – Tomorrow Is A Long Time Rolf Harris – Sun Arise Vashti Bunyan – Rose Hip November Jackson C. Frank – Maria Spanish Rose P. F. Sloan – From A Distance Norma Tanega – A Street That Rhymes Lai & Mike Waterson – Bright Phoebus Anita Carter - Fair and Tender Ladies Timi Yuro – Hurt Miki Obata – Goodnight Andy
Hoyt Axton – Balladeer Karen Dalton – A Little Bit Of Rain Blaze Foley – Rainbows and Ridges(studio version) Jackson C. Frank – Dialogue(I Want To Be Alone) Pete Seeger - Kisses Sweeter Than Wine Tia Blake – Msn Of Constant Sorrow Michael Hurley - Tea Hedy West – 500 Miles Vernon Wray – Lonely Son
Monique Leyrac - Dis Moi Honeybus – Lovely Ladies n’ Things Masato Minami - Kanashimi Wasureta Kanashisa Hoyt Axton – Chase Down The Sun Vernon Wray – Reaching Out To Touch Yves & Serge & Victor - Evening Song Jackson C. Frank - Tumble in the Wind Ernie Graham - The Girl That Turned The Lever
One Dee & Lady Faces – Rembulan Nino Ferrer - Si Tu M'aimes Encore West Coast Consortium – Listen To The Man Bill Wilson – Following My Lord Santo and Johnny - Crying in the Chapel Jackson C. Frank – Blues Run The Game Heron – Yellow Roses Ivor Cutler – Little Black Buzzer Silver Birch - The Flower & The Young Man
PeterGrudzien - Alone Amongst the Crowd Masatominami – Yoru wo Kugurinukeru Made Samamidon – Wild Bill Jones Jackson C. Frank – You Never Wanted Me Tucker Zimmerman – No Love Lost Jessica Pratt – Back, Baby Trader Horne – Jenny May Parvarim – Flowers Never Bend Father Yod – Different Dreams Dutch Rhythm, Steel & Show Band – Down by the River
Ricky Nelson – Lonesome Town Buddy Holly – Learnin’ the Game Marty Robbins – They’re Hanging Me Tonight Neil Young – Human Highway Blaze Foley - Rainbows and Ridges David Kauffman – Kiss Another Day Goodbye Jackson C. Frank- Washington Jail Peggy Seeger – Mary Ann Amy Anelle ft Michael Hurley – I’m So Lonesome Dave Van Ronk – Dink’s Song
Bob Azzam – The Last Time Bill Fay – Maxine’s Parlour Heron – Smiling Ladies Jackson C. Frank – Goodbye To My Loving You Dennis Linde – I Don’t Want Noone Ceptin You Del Shannon – Restless Allen Toussaint – Go Back Home Charlotte Dada – Don’t Let Me Down Lee Moses – Bad Girl Nirvana Sitar and String Band – Never My Love
It's with a slightly heavy heart that we welcome you to our latest episode, given that the film we're discussing is almost certainly the great Robert Redford's last. That film is The Old Man And The Gun, and the writer / director behind it is David Lowery. David first appeared on the show in August 2017, where we covered A Ghost Story, Pete's Dragon and Ain't Them Bodies Saints among many other things. So here the focus is very much on his latest project. Based on a true story, it stars Robert as gentleman bank robber Forest Tucker, Sissy Spacek as the woman he falls for, and Casey Affleck as the rookie cop pursuing him. To a person, the acting is electrifying. Tom Waits also has a role, which gives us an excuse to play one of our favourite tracks of his, What's He Building?. You'll also hear music by Jackson C. Frank, The Kinks, Scott Walker and Bonnie 'Prince' Billy. The score, meanwhile, is provided by Daniel Hart, who is David's regular collaborator. At Daniel's suggestion, the pair settled on jazz for the sonic backdrop - and we give you a taster of that too.
1) Nick Drake – Horn2) Jackson C. Frank - Blues Run the Game3) Harry Nilsson – Don’t Leave me4) Sade – The Big Unknown5) Feist – The limit to your love6) Tim Maia – Over Again7) Bill Withers – Just the two of us8) César Camargo Mariano - Gravura (Daniel.T. Edit)9) Jamiroquai – Blow your mind10)Joe Morris - Bahia11)Oeil Cube – Pistache12) Mateis e. aqir - Higher Ground13) Gianni Morandi - Bella Signora (DJLMP Reedit)14) DJ Fiskars – Filippa15) Connie Laverne - Cant Live Without You
1) Nick Drake – Horn2) Jackson C. Frank - Blues Run the Game3) Harry Nilsson – Don’t Leave me4) Sade – The Big Unknown5) Feist – The limit to your love6) Tim Maia – Over Again7) Bill Withers – Just the two of us8) César Camargo Mariano - Gravura (Daniel.T. Edit)9) Jamiroquai – Blow your mind10)Joe Morris - Bahia11)Oeil Cube – Pistache12) Mateis e. aqir - Higher Ground13) Gianni Morandi - Bella Signora (DJLMP Reedit)14) DJ Fiskars – Filippa15) Connie Laverne - Cant Live Without You
An array of songs for the Autumn Breeze, including some user-submitted emotional favorites Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Autumn In New York by Billie Holiday on Recital (Verve) 5′10″ Autumn Leaves by Cannonball Adderley on Somethin' Else (Blue Note) 16′05″ Leaves That Are Green by Simon & Garfunkel on Live From New York, 1967 (Sony) 19′29″ Keep The Streets Empty For Me by Fever Ray on Fever Ray (Mute) 24′25″ Dead Leaves and the Dirty Ground by The White Stripes on White Blood Cells (Warner Bros./Warner Brothers) 27′30″ Shine On Harvest Moon by Leon Redbone on Double Time (Warner) 30′44″ Now, Now by St. Vincent on Marry Me (Beggars Banquet) 34′32″ Harvest Moon by Lord Huron 40′24″ I Know It's Over by The Smiths on The Queen Is Dead (Sire/Rough Trade) 46′28″ Pale September by Fiona Apple on Tidal (Sony) 54′37″ Country Bumpkin by Cal Smith on . (.) 58′27″ Meet Jimmy (feat. Le Cassette) by Perturbator on Sexualizer EP 63′47″ November by Tom Waits on The Black Rider (Asylum) 66′27″ Don't Cry by Why Are We Building Such A Big Ship? on No Blood, No Blooms 73′41″ November by Shannon Lay on Audiotree 75′07″ Autumn Almanac by The Kinks on Something Else (Sanctuary) 79′00″ Fallingforyou by The 1975 on The 1975 (Dirty Hit) 83′13″ The Last Time I Saw Richard by Joni Mitchell on Blue (Warner Bros) 86′40″ Autumn Serenade by John Coltrane on Standards (Verve) 89′24″ Autumn Shade II by The Vines on Winning Days 92′06″ September by Earth, Wind & Fire on September (Columbia) 95′37″ Party's Fall by Siouxsie and The Banshees on Tinderbox (Polydorr) 100′19″ Parachute by Thee Lakesiders on Parachute (Big Crown Records) 103′10″ My Autumn's Done Come by Lee Hazlewood on The Complete MGM Recordings (MGM) 107′33″ Milk & Honey by Jackson C Frank on Blues Run The Game (Sanctuary) 111′31″ The Autumn Carnival by The Dandy Warhols on This Machine (Capitol) 115′08″ Simple Twist Of Fate (Take 1) by Bob Dylan on More Blood More Tracks (Columbia)
talk -pivotalfilmpodcast@gmail.com twitter.com/filmpivotal visit- pivotalfilm.com follow -instagram.com/pivotalfilm This week Mario and Tom start the pod by talking about David Gordon Green’s Halloween starring Jamie Lee Curtis and Judy Greer (4:57) and David Lowry’s The Old Man and the Gun starring Robert Redford and Sissy Spacek (23:55). They then try to avoid Comanches and bears while trying to launder their number 86’s (Tom 46:20 , Mario 1:08:30). On Tap! Relic Brewing’s Oktoberfest(http://www.relicbeer.com/) (2:10) Music Credits: "Her Eyes Play Tricks on the Camera" Robert Pollard, “Blues Run the Game” Jackson C. Frank "Pivotal Film" Guided By Voices, “The Revenant Theme 2.” Ryuichi Sakamoto and Alva Noto "Ovetones" Johnny Greenwood, "Ghost" Neutral Milk Hotel
Alison interviews her sisters Gabrielle Pipitone Hangen and Natalie Pipitone Howes about the effect music had on their tumultuous childhood. They discuss the rock and roll gene and why several Pipitone siblings were (and continue to be) inspired to pursue music. Alison and Natalie then discuss the tragic story of Buffalo-born songwriter and musician Jackson C. Frank.
Setlist: Jackson C. Frank – Kimbie Roscoe Holcomb – The Hills of Mexico Shoji Aketagawa – Daikanjyo Bark Psychosis – All Different Things Slowdive – Souvlaki Space Station Brian Eno […] O conteúdo Mocho #7 – Do Japão à Rua Sésamo aparece primeiro em Engenharia Rádio.
Running wild, running for cover, running for office. We're putting one foot in front of the other this week. Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Nowhere To Run by Martha and the Vandellas on Nowhere To Run (Soul) 3′59″ Run, Run, Run by Ann Peebles on I Can't Stand the Rain (Fat Possom) 6′31″ Just My Imagination (Running Away With Me) by The Temptations on Sky's the Limit (1971 Motown Records) 8′51″ Run Rudolph Run by Chuck Berry on Run Rudolph Run (Chess) 10′02″ Two Trains Running by Dave Van Ronk on Here Me Howl Live 1964 (n/a) 14′47″ Walk, Don't Run by The Ventures on Walk Don't Run (Capitol Records) 19′49″ Run Through The Jungle by Creedence Clearwater Revival on Cosmo's Factory (Fantasy Records) 24′57″ Runnin by Ohtis on Runnin (Full Time Hobby) 28′00″ Run Run Run by The Velvet Underground & Nico on The Velvet Underground and Nico (Verve) 32′41″ Don't Come Running To Me by The Greenhornes on Dual Mono (Telstar Records) 36′54″ Never Run Away by Kurt Vile on Wakin On a Pretty Daze (Matador) 39′32″ Ever Find Yourself Running by Emitt Rhodes on The Emitt Rhodes Recordings (Universal) 42′19″ She Comes Running by Lee Hazelwood on Love and Other Crimes (Reprise) 45′22″ Runaway by Yeah Yeah Yeahs on It's Blitz! (DGC Records) 49′18″ Blues Run the Game by Jackson C Frank on Blues Run The Game ( Sanctuary) 52′36″ Run Of The Mill - Demo by George Harrison on Early takes Volume 1 (Apple) 54′22″ Run That Body Down by Paul SImon on Paul Simon (Sony) 57′05″ Still Out There Running by Nathaniel Rateliff & The Night Sweats on Tearing at the Seams (Stax) 60′40″ I'll Come Running Back To You by Sam Cooke on Portrait of a Legend (ABKCO) 63′21″ (I'm A) Road Runner by Jr. Walker on The Definitive Collection (Motown Records) 66′43″ You Left the Water Running by Wilson Pickett on The Exciting Wilson Pickett (Atlantic) 69′54″ Keep On Running by Spencer Davis Group on Keep on Running (Cherry Red) 72′42″ (Till I) Run With You by The Lovin' Spoonful on Revelation (BMG) 76′16″ Runnin' Down A Dream by Tom Petty and The Heartbreakers on Damn the Torpedos (Geffen) 80′15″ Long Distance Runaround by Yes on Fragile (Elektra) 85′25″ Run Like Hell by Pink Floyd on Is There Anybody out There? (Sony) 91′33″ I'm Not Running Away by Feist on Pleasure (Quality Of Life Inc) 95′03″ Walk Away by Slothrust on The Pact (Dangerbird) 100′32″ Walk a Mile by Holly Golightly on Truly She Is None Other (Damaged Goods) 103′45″ Runaway by Shannon and the Clams on Dreams in the Rat House (Hardly Art) 107′45″ Come Running by Van Morrison on Moondance (Warner Brothers) 111′04″ Before The Make Me Run by The Rolling Stones on Some Girls (Virgin) 114′06″ Run Me Down by The Black Keys on The Big Come Up (Alive Records) 116′33″ Take The Money And Run by Steve Miller Band on Fly Like An Eagle (Capitol) 118′14″ Runnin' With The Devil by Van Halen on Van Halen (Warner Bros.) Check out the full archives on the website.
Rob and Callum present a podcast which they've scientifically proven cures the common hangover and goes some ways to relieve the pain of other relevant come downs.Joni Mitchell, Damien Jurado, Jack Adkins, Molly Burch, Derek & Clive, Harry Nilsson, Jackson C. Frank are all here to aid you.
Melankolsk, dramatisk, intens og kærlig lyrik der kalder på fordybelse. Anbefales til en rolig søndag, cykeltur eller lyt i ro og mag.Playliste:Al Stewart – Ivich (excerpt)Jackson C. Frank – Dialogue (I Want to Be Alone)Chris Lucey – Girl From Vermont MountainSteve Noonan – Buy For Me The RainArthur – Open Up the DoorTim Hardin – How Can We Hang On to a DreamDavid Ackles – Blue RibbonsTim Buckley – Chase the Blues AwayDuncan Browne – GabilanRandy Burns – Echoes of Mary’s SongSean Bonniwell – Something to BeVan Morrison – Beside YouJoe Beck – Spoon’s CaressJim O’Sullivan – HighwayClick – See That the Children Got Warm ClothesHilton Valentine – PeaceRex Holman – Here in the Land of VictoryTownes Van Zandt – Our Mother the MountainLeonard Cohen – AvalancheTim Hollier – The Beauty of the GardensGene Clark – With TomorrowBob Dylan – As I Went Out One MorningRoger Rodier – The KeyNick Drake – ParasiteJim Croce – Photographs and MemoriesDarius – DawnJohn Palmer – Free Me
Melankolsk, dramatisk, intens og kærlig lyrik der kalder på fordybelse. Anbefales til en rolig søndag, cykeltur eller lyt i ro og mag.Playliste:Al Stewart – Ivich (excerpt)Jackson C. Frank – Dialogue (I Want to Be Alone)Chris Lucey – Girl From Vermont MountainSteve Noonan – Buy For Me The RainArthur – Open Up the DoorTim Hardin – How Can We Hang On to a DreamDavid Ackles – Blue RibbonsTim Buckley – Chase the Blues AwayDuncan Browne – GabilanRandy Burns – Echoes of Mary’s SongSean Bonniwell – Something to BeVan Morrison – Beside YouJoe Beck – Spoon’s CaressJim O’Sullivan – HighwayClick – See That the Children Got Warm ClothesHilton Valentine – PeaceRex Holman – Here in the Land of VictoryTownes Van Zandt – Our Mother the MountainLeonard Cohen – AvalancheTim Hollier – The Beauty of the GardensGene Clark – With TomorrowBob Dylan – As I Went Out One MorningRoger Rodier – The KeyNick Drake – ParasiteJim Croce – Photographs and MemoriesDarius – DawnJohn Palmer – Free Me
Mixed Up Confusion is our vehicle to discuss the culture that surrounds our weekly conversation about Bob Dylan. This week, we dive into 1965! Before you begin, have a look at our 1965 playlist. This episode, we begin with Billboard's Top 10 of songs of 1965 followed by which songs were impacting the culture that was just beginning to boil over. We spend a good deal of time on The Impressions' "People Get Ready," James Brown's "Papa Got a Brand New Bag," The Byrds "Mr. Tambourine Man" and The Rolling Stones "I Can't Get No Satisfaction." From there, we talk Simon & Garfunkel, The Who, Phil Ochs, Jackson C. Frank, The Beatles, The Kinks, The Shangri-La's, Otis Redding, and finally, the great Nina Simone. As always, full show notes at our website. You can also follow along with our weekly real-time Spotify playlist – See That My Playlist is Kept Clean – and join the conversation on Twitter, message us on Facebook, and like on Instagram. And if you're loving us, consider our Patreon. For as little as one dollar you get early access to every episode we do as soon as they're edited (and a dedicated feed just for you) and exclusive content that'll only ever be on Patreon. Thanks!
JACKSON C. FRANK. MILK AND HONEY – 3:40Jackson C. Frank, Columbia, 1965 SIMON & GARFUNKEL. SCARBOROUGH FAIR (CANTICLE) – 3:10Parsley, Sage, Rosemary and Thyme, Columbia, 1966 THE STONE ROSES. ELIZABETH MY DEAR – 1:00The Stone Roses, Silvertone, 1989 THE STONE ROSES. I WANNA BE ADORED – 4:50The Stone Roses, Silvertone, 1989 MAGAZINE. SHOT BY BOTH […] Cet article Errance #102 : De Jackson C. Frank à Joy Division est apparu en premier sur Eldorado.
L'equipage Mort is back for the final episode of 2017 with the original recipe of Matt, Ter, and Michelle gathered to discuss spiritual and economic productivity and the virtue of laziness, followed by a deep dive into the history of folk music, in particular the life and music of the tragic troubador Jackson C. Frank. The episode is rounded out by a wonderful, improvised, brain-lightning New Years rant by Matt. This week's breaks are "Yellow Walls", "My Name Is Carnival", and "Milk and Honey" by the late, great Jackson C. Frank. Subscribe to Mortville!!!
This week the gang is joined once again by Mariah the Messiah to go DEEP into a bunch of serious shit like the opioid epidemic, dead friends, addiction, pharma demons, the education system and class, whether it's cooler to be a college grad like Troll Princess or an 8th grade dropout like Lil Tee, and a whole bunch of other stuff. Sorry if this one is too serious, we don't always have to be complete dumbasses, do we? Also I'm bummed I said Terry Gross when I was making fun of Diane Rehm. This week's breaks are Nick Drake's version of the Jackson C. Frank song "Milk and Honey" and "Anorexia" by The Iron Curtain. Subscribe to Mortville!!!
Chet Baker, Jackson C Frank, Everything is Recorded, House... Continue reading →
THE PENTANGLE. NO LOVE IS SOROW – 2:40Solomon's Seal, Reprise, 1972 THE HIGH LONESOMES. WILLY O'WINSBURRY – 5:25Froth, EDK, 2017 JOHAN ASHERTON. BLUES RUN THE GAME – 3:00The Moon Soon, MSI, 1995 JACKSON C. FRANK. BOX CANYON – 3:00The Complete Recordings, Ba Da Bing !, 2015 BERT JANSCH. CARNIVAL – 4:30Living In The Shadows, Earth, 2017 […] Cet article Errance #99 : De The Pentangle à The Beatles est apparu en premier sur Eldorado.
Tunes from Delgados, Fiery Furnaces, Arsonists, Jackson C. Frank, Dosh, and Philip Cohran & the Artistic Heritage Ensemble are played and discussed by Bob and Mike.
Under parolen “Cosmic Mind at Play” dykker programmet ned i kunstnere der var helt derude hvor man ikke kan bunde. Tunes der blev skrevet på psykiatriens lukkede afdeling, i fængslet eller ovenpå store mængder stoffer. Alt sammen i grænselandet mellem genialitet og galskab.Playliste:The Beach Boys – Pet Sounds (Brian Wilson)Pearls Before Swine – Drop Out (Tom Rapp)Dino Valente – TimeQuicksilver – Out of My Mind (Dino Valente)Moby Grape – Someday (Skip Spence)Moby Grape – Seeing (Skip Spence)Alexander Spence – Little HandsAlexander Spence – Cripple CreekChris Lucey – I’ll Remember ThemMaitreya Kali – Color Fantasy (Craig Smith)The Rolling Stones – 2000 Light Years Away From Home (Brian Jones)Faine Jade – Games People PlayPink Floyd – See Emily Play (Syd Barrett)Syd Barrett – No Man’s Land13th Floor Elevators – May the Circle Remain Unbroken (Roky Erickson)Markley: A Group – Booker T and his Electric Shock (Bob Markley)The West Coast Pop Art Experimental Band – Give Me Your Lovething (Bob Markley)Jackson C. Frank – My Name is CarnivalNick Drake – Three HoursRoger Rodier – My Spirit’s CallingVal Stöecklein – Say it’s OverGene Clark – Silver Raven
Under parolen “Cosmic Mind at Play” dykker programmet ned i kunstnere der var helt derude hvor man ikke kan bunde. Tunes der blev skrevet på psykiatriens lukkede afdeling, i fængslet eller ovenpå store mængder stoffer. Alt sammen i grænselandet mellem genialitet og galskab.Playliste:The Beach Boys – Pet Sounds (Brian Wilson)Pearls Before Swine – Drop Out (Tom Rapp)Dino Valente – TimeQuicksilver – Out of My Mind (Dino Valente)Moby Grape – Someday (Skip Spence)Moby Grape – Seeing (Skip Spence)Alexander Spence – Little HandsAlexander Spence – Cripple CreekChris Lucey – I’ll Remember ThemMaitreya Kali – Color Fantasy (Craig Smith)The Rolling Stones – 2000 Light Years Away From Home (Brian Jones)Faine Jade – Games People PlayPink Floyd – See Emily Play (Syd Barrett)Syd Barrett – No Man’s Land13th Floor Elevators – May the Circle Remain Unbroken (Roky Erickson)Markley: A Group – Booker T and his Electric Shock (Bob Markley)The West Coast Pop Art Experimental Band – Give Me Your Lovething (Bob Markley)Jackson C. Frank – My Name is CarnivalNick Drake – Three HoursRoger Rodier – My Spirit’s CallingVal Stöecklein – Say it’s OverGene Clark – Silver Raven
...................#.69................ By Elder Almeida Life Is What Life Is Through all the ups, all the downs, Some will be there, some can't be found. If they won't care as they should, so be it. This is life in the way that I wish to see it. You can give your all, or you can try not. When they decide to leave, what have you got? You build it up, then it breaks away. This is life in the way I see it today. Days come and go, true hearts stay close. Without happiness, love is an imitation at most. You haven't stayed close, it's hard to love you, This is life in a way that is sadly true. To leave behind such a feeble mind, forget it and pursue someone real. This is my goal, and in time... This will be life and the way that I feel. Edward Veilleux ********** 01 – Jarvis Cocker & Chily Gonzales – “Tearjerker” (00:20) 02 – Chilly Gonzales – “Armellodie from Piano Solo 1” (03:17) 03 – Jarvis Cocker & Chily Gonzales – “The Tearjerker Returns” (06:40) 04 – Matthew Bourne – “Isotach” (09:58) 05 – Suplington – “Piece For Piano Day” (13:16) 06 – Suplington – “Soft Light Through Glass” (16:04) 07 – James Blake – “A Case Of You (Joni Mitchell cover) ” (19:27) 08 – Jon Hopkins – “Small Memory” (22:21) 09 – Adélia Prado/Jorge Emil (Voice) – “Pontuação” (23:20) 10 – Julia Gjertsen – “Untuned” (23:50) 11 – Cat Power – “Who Knows Where The Time Goes” (32:58) 12 – Sandy Denny – “Who Knows Where The Time Goes” (38:07) 13 – Devendra Banhart – “Freely” (43:33) 15 – Jason Molina – “It´s Easier Now” (48:21) 16 – Jackson C. Frank – “Milk And Honey” (57:08) 17 – The Beatles – “A Day In The Life” (55:42) A photo by Cole Thompson Total Time: 01:00:54 >>>>>>>>>>>>>>>>>>>> Please visit my blog and podcast at: http://ondasdamusica.blogspot.com/ http://efmalmeida.podomatic.com/ My videos on YouTube: http://www.youtube.com/channel/UCyeuqR69vKfjn4W85cX3ohQ phase 108.1: http://www.phase108.net/Show.aspx?podcastId=15 http://www.phase108.net/Show.aspx?contributorId=14 >>>>>>>>>>>>>>>>>>>>
Serotinous Programa De 21 de Maio De 2017 1. parte: 1 - Perfume Genius - No Shape - Choir 2 - Emily Jane White - Blood / Lines - Keeley 3 - Shelley Short - A Cave, A Canoo - Interlude 4 - Shelley Short - A Cave, A Canoo - Tap The Old Bell 5 - A Dancing Beggar - Ghosts (EP) - Empty Boats (Threethings Remix) 6 - Laura Veirs - Tumble Bee - Prairie Dream 7 - Laura Veirs - Carbon Glacier - Rapture 8 - Tiny Ruins - Some Were Meant for Sea - Running Through the Night 9 - Aldous Harding - Party - Swell Does The Skull 10 - Tiny Vipers - Life On Earth - Slow Motion 11 - Heirlooms Of August - Down At The 5-Star - Cello Suite No. 3 12 - Simon Scott - Depart, Repeat - Never Alone 13 - Laura Gibson - Beasts Of Seasons - Shadows On Parade 14 - Perfume Genius - No Shape - Every Night 2. parte: 15 - Red House Painters - Vanilla Sky (OST) - Have You Forgotten (Vinyl Version) 16 - Hand Habits - Wildly Idle (Humble Before The Void) - Flower Glass 17 - Jasmim - Oitavo Mar - Loucura 18 - Matthew Ryan - Hustle Up Starlings - Maybe I'll Disappear 19 - Cat Power - Dark End Of The Street - Who Knows Where The Time Goes 20 - Susanna - Flower of Evil - Who Knows Where the Time Goes 21 - Strawbs - Strawberry Music Sampler No.1 - Who Knows Where The Time Goes 22 - Jackson C. Frank - Blues Run the Game - Blues Run the Game 23 - Laura Marling - Blue Series Of Thirdman Records - Blues Run The Game 24 - Robbie Basho - Visions Of The Country - Blue Crystal Fire 25 - Jason Molina - Let Me Go Let Me Go Let Me Go - It's Easier Now 26 - Benn Jordan - Louisiana Mourning - I 27 - Aldous Harding - Party - Party
Voici le quatre-vingt-seizième opus d'"En cadence", une émission mensuelle consacrée aux grands thèmes éternels de la musique populaire : l'amour, les voyages, les filles, la Californie ou la prosodie.En ce mois d'octobre, Halloween et la fête des morts approchant à pas feutrés, cette sélection de ballades porte donc sur les apparitions, fantômes, esprits, spectres, revenants et autres ectoplasmes qui hantent la musique folk. Achluophobes, thanatophobes, phasmophobes ou auditeurs carrément phobophobes, s'abstenir !Liste des morceaux :01. The Pentangle - Lyke-Wake Dirge02. Ela Stiles - The Murder of Maria Marten03. Shirley Collins - The Unquiet Grave04. Anne Briggs - Polly Vaughan05. Trees - Lady Margaret06. Norma Tanega - You're Dead07. Buffy Sainte-Marie - House Carpenter08. Tia Blake - Lost Jimmie Whalen09. Alasdair Roberts - The Cruel Mother10. Jackson C. Frank - The Spectre11. Dean Gitter - The Reaper's Ghost12. The Wainwright Sisters - Long Lankin13. Martin Green - Maklin's Bridal March/Griesly Bride14. The Owl Service - The Lover's Ghost15. Alfred Deller & Desmond Dupré - She Moved Through The FairÉcouter
Psych folk magic, new and old. 1. Wolf Like Howls From The Bathhouse (South East Land Otter Champs) - Sonny Smith2. Lady Rachel - Kevin Ayers3. Blues Run The Game - Jackson C. Frank4. Goodbye England (Covered In Snow) - Laura Marling5. When I Die - Edith Perrin6. Ritual of Death - FAR* (iz McArthur of Cosy Father*)7. Leda - Linda Cohen8. Chimacum Rain - Linda Perhacs9. Spring - Shaun Weadick*10. What the Sun Said - John Fahey11. Blackwaterside - Anne Briggs12. Rising of the Moon - Tia Blake13. Song of Perfect Propriety - Myriam Gendron*14. Never Wanted To Be - Sumie15. There Are Eyes Above - Josephine Foster16. In My Youth - Aidan Coughlan
This week’s edition includes a bit of dreamy, experimental pop from Pram, Zambian rock n’ roll, the tragic folk music of Jackson C. Frank, rich guitar sounds from Tom Carter, and more. Thanks for Listening. Artist/Song/Release/Year 01. Domenique Dumont / Le Château de Corail / Comme Ça / 2015 02. The Advisory Circle / Innocence Elsewhere … Continue reading →
Everything Comes From Chaos by Cian Ó Cíobháin 26/12/15 Galway, Ireland. http://www.shockworldservice.com 1. Young Marble Giants - Music For Evenings From ‘Colossal Youth', their debut album which was released in 1980. 2. Katie Dey - y o y o Melbourne-based Katie Dey released one of the year's quirkiest EPs in the shape of ‘asdf asdf'. 3. Kings Of Convenience V Röyksopp - I Don't Know What I Can Save You From One of the key songs in my life, all the way from Norway. This was released the same year as Röyksopp dropped their debut LP ‘Melody AM'. 4. Björk Mit Funkstörung - All Is Full Of Love (seconddotted) Back in the nineties Funkstörung made essential outsider electronica, where they merged complex drum patterns with melancholic melodies. 5. Team LG - On Fire It's been a decade since Team LG released their debut - & only - record. I haven't heard anything about them since and had, indeed, forgotten about them, until I re-discovered this CD, which had been missing from my collection for years. 6. Low - What Part Of Me Everyone's favourite Mormon indie pop band returned with this perfectly-formed pop song in late summer. 7. Marker Starling - Husbands Christopher Cummings is Marker Starling, previously of Mantler. 8. Kingdom - Bank Head This classic on the Night Slugs label is almost 3 years old now, but a month doesn't go by that I don't find myself returning to it. 9. Venetian Snares - Your Face When I Finally (Glass Version) Yes Aaron Funk is actually his real name and this hugely talented Canadian producer has been pretty prolific since releasing his first records in the late 90s. 10. Inga Copeland - I Am Your Ambient Wife Inga Copeland is your ambient wife. & I'm not going to argue with her. 11. Junior Boys - Teach Me How To Fight The debut LP from Junior Boys, entitled ‘Last Exit' masterfully combined 80's synth-pop melodies with yearning vocals & the jittery, irregular rhythms commonly associated with UK Garage. 12. Jam City - Crisis After falling heavily for Jam City's neon-kissed LP it wasn't a huge leap for me to endear myself to the same artist's U-turn towards neon-kissed r'n'b torch-songs that make up ‘Dream A Garden'. 13. David Axelrod - The School Boy Composer, arranger, producer, drummer & ex-boxer David Axelrod has had a huge influence on the music landscape with the likes of De La Soul, DJ Shadow & DJ Premier having sampled him. 14. Susumu Yokota - Morino Gakudan Susumu Yokota's sounds have haunted me since first discovering him back in '99. 15. Our Brother The Native - Tilia Petiolaris Back in 2006, two Michigan teenagers & their Californian buddy released their debut LP ‘Tooth & Claw', an album born out of acoustic strumming, field recordings, analogue feedback, weird samples & often particularly twee vocals. 16. Jackson C. Frank - Milk & Honey The composer of this song lived a life of heartbreak & woe, but was a huge influence on folk singers such as Nick Drake (who covered this song) & Paul Simon. 17. Saint Sister - Madrid One of the debuts of the year, courtesy of Gemma Doherty & Morgan MacIntyre, which was recorded in Co. Kerry by Alex Ryan of Hozier. 18. Kendal Johansson - Blue Moon A gorgeous cover of a Big Star song, released on Sincerely Yours. 19. Saint Etienne - Hobart Paving Saint Etienne pulled out all the stops at The National Concert Hall last September, performing their classic début ‘Foxbase Alpha' in its entirety. 20. Spiritualized - Ladies & Gentlmen We Are Floating In Space (Original Elvis Mix) Back in 1997, Spiritualized's third LP was barely on the shelves when the LP had to be recalled after an objection from Elvis Presley's Estate. 21. King Midas Sound & Fennesz - We Walk Together So many of my favourites on 1 record. feat. Kiki Hitomi, with extra FX-drenched, shoegaze shimmering from Austrian guitarist & producer Christian Fennesz. Total heart-stopper. www.rte.ie/rnag/an-taobh-tuathail/ http://cianociobhain.com/
Voici le quatre-vingt-troisième opus d'"En cadence", une émission mensuelle consacrée aux grands thèmes éternels de la musique populaire : l'amour, les voyages, les filles, les années 80 ou la fatigue chronique.Avouer, demander pardon, effacer, recommencer, oublier, pardonner,... bien des choses ne sont pas faciles dans nos relations. Pourquoi ne pas le dire avec des fleurs et débloquer peut-être des situations compliquées ? Ce mois-ci, "En cadence" vous offre tout un bouquet de ballades folk et fleuries.Liste des morceaux :01. Carol Batton - Beeing02. Shirley Collins - The Sweet Primeroses03. Mark Fry - Roses for Columbus04. Robbie Basho - Roses and Gold05. Heron - Yellow Roses06. Dick Annegarn - Sacré géranium07. Tír na nÓg - Daisy Lady08. Malicorne - Marions les roses (Chant de quête)09. Jackson C. Frank - Cover Me With Roses10. Buffy Sainte-Marie - Poppies (for Mr Allerton)11. Charlotte Walters - Fleurs de pavots bleus12. Duncan Browne - Cherry Blossom Fool13. Michael Yonkers - Sunflower14. Chris Thompson - Where Is My Wild Rose?15. Tim Hardin - Misty Roses16. David Ackles - Lotus Man17. Françoise Hardy - The Garden of Jane Delawney18. The Zombies - A Rose for Emily19. Doris - Flowers in the Morning20. Vashti Bunyan - Lily Pond21. Mandy More - For To Find The Daffodil22. Francis Cabrel - Automne (Colchiques dans les prés)Écouter
As Summer fades, enjoy the wonders of Autumn with the Crackler! Featuring: Summer Fades To Fall by Don Amero from the album "Refined" (2015) Hi The Cuckoo! by Paul Green Digital Release (2014) 'Tis Autumn by Geraldo & His Orchestra B-side to the 78rpm single release "Soft Shoe Shuffle" (1942) Look At September, Look At October / Tommy Randell's by Spoil The Dance from the album "Northern Common" (July 2015) with It's September - poem by Edgar Albert Guest The Orchard by Talis Kimberley from the album "Queen Of Spindles" (2012) Hopping Down In Kent by The Albion Dance Band from the album "Live In Concert" (1993) Harvest Will Come by Ashley Hutchings (guitar and vocals by Ken Nicol) from the album "Human Nature" (2003) The Old Bearded Man written and read by Dahm The Bard (recorded exclusively for FolkCast - August 2015) John Barleycorn by Oysterband with Steve Knightley and June Tabor from the album "The Big Session Volume 1" (2004) Gather My Fruit by Little Miss Higgins from the album "Across The Plains" (2010) Apple Picking Season by The Riverside from the album "Apple Picking Season" (2013) Now Westlin Winds by Dick Gaughan from the album "Handful Of Earth" (1981) Autumn Seed by Gill Sandell & Chris T-T from the album "Walk Away, Walk Away" (March 2015) Embers by March To May from the album "The Water's Edge" (April 2015) October Sun by Tudor Lodge from the album "Runaway" (2003) Weathercock by Phil Beer from the album "Plays Guitar And Fiddle. Sings A Bit" (2014) "As the nights draw in…" by David Drever, Convenor, General Teaching Council for Scotland with Fair Drawin' In by Clype (featuring Jenny Sturgeon) from the album "Clype" (July 2015) Halloween Is Black As Night by Jackson C. Frank from the album "Fixin' To Die" (2014) Jack O Lantern by Gilmore & Roberts from the album "Conflict Tourism" (released: September 18 2015) Rose Hip November by Beautiful Junkyards from the album Beautiful Junkyards (2013) Guy Fawkes Night by Luke Daniels & John Dipper from the album Sleeping Giants (2012) with Bonfire Night - read by Ron Hynes from the album "Hard Light - 32 Little Stories By Michael Crummey" (2003) Welcome In Another Year (Bonfires) by Blanche Rowan & Mike Gulston from the album "The Dance Goes On" (2013) Milk And Honey by Sandy Denny from the album "Sandy Denny (Complete Edition)" (2010) Three Bonny Ships by Na-Mara from the album "Navajos & Pirates" (May 2015) FolkCast is produced and presented by Folkie Phil Widdows For full details see the ShowNotes at www.folkcast.co.uk. Be kind to hedgehogs!
COURTNEY BARNETT. CLOSE WATCH – 4:15Kim's Caravan (single), Mom+Pop, 2015 JOHN CALE. AMSTERDAM – 3:15Vintage Violence, CBS, 1970 NICK DRAKE. NORTHERN SKY – 3:55Bryter Later, Island, 1970 JACKSON C. FRANK. BLUES RUN THE GAME – 3:25Jackson C. Frank, Columbia, 1965 BERT JANSCH. BLUES RUN THE GAME – 3:30Live At The Twelve Bar, Earth records, 2015 […] Cet article Errance #39 : De Courtney Barnett à Mazzy Star est apparu en premier sur Eldorado.
Host Joe Devine is joined by regular podcastee Alex Stewart. The pair discuss the PFA awards, including players of the year both young and old, and the ridiculously forward heavy team selection. The weekend's Premier League encounters are also dissected, with special attention for Manchester United, Everton and the bottom five teams. There's also some discussion of Jackson C Frank, Art Garfunkel and Paul Simon as well as a horrifying rendition of Peter Plankin's big match day, kindly written for us by Craig O'Brian of Slam Chasm. See acast.com/privacy for privacy and opt-out information.
PODCAST: 20 Apr 2014 01 - The Rout of the Blues - Robin and Barry Dransfield - The Rout of the Blues 02 - Dirty Old Town - Ewan MacColl and Peggy Seeger - Black and White 03 - Arthur McBride and the Sergeant - Martin Carthy - Prince Heathen 04 - I Live Not Where I Love - Tim Hart and Maddy Prior - Summer Solstice 05 - Blues Run the Game - Jackson C Frank - The Story of British Folk Vol 1 06 - The Verdant Braes of Screen - Swan Arcade - Full Circle 07 - The Molecatcher - Bernard Wrigley and Dave Brooks - Folksongs from the Octagon 08 - Early Morning Rain - Barbara Dickson - B4 74 The Folk Club Tapes 09 - The Blacksmith - Dave Burland - Benchmark 10 - Desperate Dan - The Pigsty Hill Light Orchestra - Piggery Jokery 11 - Streets of London - Ralph McTell - From Clare to Here 12 - Rambling Robin - Christy Moore - Prosperous 13 - Bolweevil Blues - Jo Ann Kelly - Women In (E)motion 14 - Sir Patrick Spens - Nic Jones - Ballads and Songs 15 - Homeward Bound - Paul Simon - Simon and Garfunkel’s Greatest Hits
In the first episode we focus on major label s-sw that despite releasing for big record companies are largely forgotten today (with the exception of perhaps Jackson C Frank). The term singer-songwriter came into use in the 1960s as a way to define the folk and protest singers, which had become popular, especially around Greenwich Village in New York. The genre is heavily influenced by the preceding folk singers of the 1940s and 50s but historically this way of performing music is much older. After Bob Dylan merged folk and rock, musicians started in the late 60s and early 70s to play electric instruments and perform their songs together with bands and that’s where we land in today’s episode. This genre is definitely overcrowded and we like to highlight some of the artists that we think deserves a second listening. Kathy Smith – Some Songs I’ve Saved 1970 (Stormy Forest)-TopangaBob Brown – The Wall I Built Myself 1970 (Stormy Forest)-Seek the SunMarc Jonson -Years (Vanguard) 1972-Rainy DuesKaren Beth – The Joys of Life (Decca) 1969-Nothing lastsAndy Zwerling – Spiders In the Night (Kama Sutra) 1970-Sifting Around in a Haze Jackson C Frank – s/t (Columbia) 1965-I Never Wanted YouDon Cooper – s/t (Roulette) 1970-Big Sur Mountain Air
We'll be fine. PROGRAMA de 17 de Março De 2014 1. parte: 1 - The Green Kingdom - Expanses - Untitled 2 - Julia Holter - Loud City Song - He's Running Through My Eyes 3 - Hydras Dream - The Little Match Girl - The Joys Of A New World 4 - Heinali - Air - Seagull 5 - Douglas Dare - Whelm - Nile 6 - Swod - Sekunden - Montauk 7 - Arrange - Their Bodies In A Fog - For Ma 8 - Arrange - Their Bodies In A Fog - Heart // What If There Is? 9 - Ricky Eat Acid - Three Love Songs - I Can Hear The Heart Breaking As One 10 - Balam Acab - Wander / Wonder - Fragile Hope 11 - Magical Cloudz - Impersonator - Silver Rings 12 - Under Byen - Kyst - Hjertebarn 13 - Building Instrument - Building Instrument - Kanskje 2. parte: 14 - Mark Kozelek - Live At Victorian Tatern And Stenhammassalen - You Missed My Heart 15 - Richmond Fontaine - The High Country - Leaving 16 - Richmond Fontaine - The High Country - Let Me Dream Of High Country 17 - Jason Molina - Let Me Go Let Me Go Let Me Go - Get Out Get Out Get Out 18 - Jackson C. Frank - Jackson C. Frank - I Want To Be Alone (Dialogue) 19 - Heaven & Hearth - Refuge - Refuge 20 - Arve Henriksen - Chron / Cosmic - Plume Of Ash 21 - Arve Henriksen - Chron / Cosmic - First Life 22 - Sibylle Baier - Colour Green - The End 23 - Alela Diane - The Pirate's Gospel - Foreign Tongue 24 - Heidi Harris - Cut The Line - Carved In 25 - Paul Jabanasam - Rites - Rites V 26 - Elektra Zagreb - Born-Folk - Violet Dodo High 27 - Dean Wareham - Emancipated Hearts - Living Too Close To The Ground 28 - Federico Albanese - The Houseboat And The Moon - The Sudden Sympathy 29 - Winter Family - Winter Family - You Wish §
Joe Meek & The Blue Men - Love Dance Of The Saroos The Beach Boys - Forever Sagittarius - Song To The Magic Frog (Will You Ever Know) Orange Bicycle - Competition Yes - Yesterday & Today Bee Gees- Run To me The Kinks - All Night Stand The Lovin' Spoonful - Younger Generation Labi Siffre - My Song Jackson C. Frank - Kimbie Yoko Ono - Let Me Count The Ways
Tragedy should be just a parenthesis. PROGRAMA De 16 de Julho De 2012 1. parte: 1 - Logh - Everytime A Bell Rings An Angel Gets His Wings - In Cold Blood 2 - Mogwai - Come On Die Young - Cody 3 - Simon Baiton - Sun Settings - Arrival 4 - David Sylvian - A Victim Of Stars: 1982-2012 - Where's Your Gravity 5 - Sylvain Chauveau - Abstractions - At The Close Of Everyday (Remix By Ik Weet) 6 - Emphemetry - A Lullaby Hum For Tired Streets - After Catalunya 7 - Emphemetry - A Lullaby Hum For Tired Streets - So Long Magic Helper 8 - Keaton Henson - Dream... - Party Song 9 - Caetano Veloso & Gal Costa - Domingo - Coração Vagabundo 10 - Tom Waits - Alice - Alice 11 - Red House Painters - Old Ramon - River 2.ª parte: 12 - Sun Kil Moon - Among The Leaves - Black Kite 13 - Jackson C. Frank - Jackson C. Frank - I Want To Be Alone (Dialogue) 14 - Nick Drake - Five Leaves Left - Time As Told Me 15 - Headless Heroes - The Silence Of Love - Hey, Who Really Cares 16 - Jacob Augustine - Goldhymns - Hallelujah Banks 17 - Little Kid - Logic Songs - The Lord Made Me Leave You 18 - Castlemusic - You Can't Take Anymore - Your Hand Is A Wing 19 - Julie Doiron - Woke Myself Up - Me And My Friend 20 - Aughra & Mosh Patrol - Is There Anyone Else Outside? - I'm Going To Sleep 21 - Damien Jurado - Maraqopa - Everyone A Star 22 - Ben Woods - Things Weren't Always This Way - Things Weren't Always This Way 23 - Boy & The Echo Choir - And Night Arrives In One Gigantic Step - Nina Jane 24 - Hauschka - Ferndorf - Eltern 25 - Mazzy Star - So Tonight That I Might See - Bells Ring §
Set list: 01. Daniel Johnston, "Speeding Motercycle" LP Yip/Jump Music (Stress, 1983) 02. Bert Jansch, "Needle Of Death" LP Bert Jansch (Transatlantic, 1965) 03. Jackson C. Frank, "Blues Run The Game" LP Jackson C. Frank (Columbia, 1965) 04. Jackson C. Frank, "Here Come The Blues" LP Jackson C. Frank (Columbia, 1965) 05. Jackson C. Frank, "Milk And Honey" LP Jackson C. Frank (Columbia, 1965) 06. 05. Jackson C. Frank, "My Name Is Carnival" LP Jackson C. Frank (Columbia, 1965) 07. Bert Jansch, "My Name Is Carnival" performed at Martyr's, Chicago, June 24, 2010 (Youtube) 08. Nick Drake, "Milk And Honey" CD Tanworth-in-Arden 1967/68 (Anthology, 2002) 09. Nick Drake, "Here Comes The Blues" CD Tanworth-in-Arden 1967/68 (Anthology, 2002) 10. Nick Drake, "Blues Run The Game" CD Tanworth-in-Arden 1967/68 (Anthology, 2002) 11. Yo La Tengo, "Needle Of Death" EP Today is The Day (Matador, 2003) 12. Yo La Tengo, "Speeding Motercycle" Fakebook (Bar/None Records, 1990). Foto: Jackson C. Frank Música introdução: Wilco, "True Love Will Find You in The End" BG: Links: Rss feed 2.0: http://octopusmonosound.podomatic.com/rss2.xml
My favorite ghosts help me breathe. PROGRAMA De 18 de Abril De 2011 1. parte: 1 - Birds Of Passage - Without The World - Pray For A Sunny Day 2 - O - Erik Satie Et Les Nouveaux Jeunes - Gnossienne N.º3 3 - Álfheimr - What Allows Us To Endure - A Song For A Beauty & Adornment 4 - Foxes In Fiction - Swung From The Branches - Coffee Cups That Won't Break Down 5 - Foxes In Fiction - Swung From The Branches - Snow Angels 6 - Perfume Genius - Learning - Gay Angels 7 - Little Scream - The Golden Record - Your Radio 8 - Taylor Deupree - Weather And Worn (7'') - Worn 9 - King Creosote & Jon Hopkins - Diamond Mine - Running On Fumes 10 - Small Sur - Bare Black (EP) - Weeds 11 - The Parade Schedule - Seeds To Be Planted, Trees To Be Cut - Be Safe 12 - (Smog) - Red Apple Falls - To Be Of Use 2.ª parte: 13 - Clem Snide - Suburban Field Recordings III - Nothing Is Over, Not Yet 14 - Clem Snide - Suburban Field Recordings III - No Need, No More 15 - Tiago Sousa - Insónia - Insónia 16 - Phaedra - The Sea - Death Will Come 17 - Thousands - The Sound Of Everything - The Sound Of Everything 18 - Richard McGraw - Burying The Dead - Grace 19 - Bedroom - El Fum Blanc - Cabana Negra 20 - Mirel Wagner - Mirel Wagner - Despair 21 - Headless Heroes - The Silence Of Love - Blues Run The Game 22 - Soccer Committee - SC - Here I Go Again 23 - Márcia - ... - Morning To Awake 24 - Sleeping Me - Cradlesongs - First Cell, First Love 25 - Nick Drake - Tanworth-In-Arden - Milk And Honey 26 - Jackson C. Frank - Jackson C. Frank - Milk And Honey §
To keep us waiting before their new release after their timeless piece of music “Landscapes” released last year on Marketing Music, the Idioma brothers just put together some music that inspired them during their long studio sessions. The mix includes an unreleased tracks by the brothers themselves : Five Days. TRACKLISTING 1 – Darkstar – Need You 2 – Siriusmo – Nights Off 3 – Clouddead – (Apt.1) 4 – Jackson C. Frank – Milk And Honey 5 – Ratatat – Gipsy Threat 6 – Radiohead – Where Bluebirds Fly 7 – Idioma – Five Days 8 – Boys Noize – Gax 9 – Mr. Oizo – Polocaust 10 – Jean Baptiste Barrière – Sonate Pour Violoncelle I, Allegro 11 – Para One – Liege 12 – Moderat – Rusty Nails 13 – Detect – Bande A Part 14 – Das Glow – Cathedrale 15 – Bobby Vinton – Blue velvet 16 – Chapelier Fou – Les Métamorphoses Du Vide iTunes / RSS / Newsletter Download (Right Click / Ctrl Click + Save Link As…)
Voici le huitième opus d'"En cadence", une émission mensuelle consacrée aux grands thèmes éternels de la musique populaire : l'amour, les voyages, les filles, Noël ou bien encore les crimes passionnels.Pour fêter le nouvel an, En cadence s'est senti obligé comme les postiers, les pompiers et les éboueurs, de vous offrir un calendrier 2009 flambant neuf. Toute l'année qui vient, survolée mois par mois, saison par saison, et tout cela en moins d'une heure d'émission. Vous préférez les petits chats ou un paysage bucolique pour la couverture ?Liste des morceaux :01 Max Roach - January V02 Mulatu Astatke - Yèkatit (February)03 Lucio Dalla - 4 Marzo 194304 Stephin Merritt - In the Spring, When I Was Young05 Neutral Milk Hotel - April 8th06 Simón Díaz - Flor De Mayo07 Duke Ellington - June08 Jonathan Richman - That Summer Feeling09 Low - July10 Herman Düne - In August11 Pascal Comelade - September Song (with Robert Wyatt)12 Frank Sinatra - Autumn Leaves13 Jackson C. Frank - October14 Tom Waits - November15 Sylvain Chauveau - Un autre décembre16 Charlie Lochner - Winter In My Life17 The Zombies - This Will Be Our YearÉcouter (illustration de Flora)
© 2020-2025 Ivy Podcast Discovery LLC
