Podcasts about afro caribbean

In this NBN episode, Hollay Ghadery speaks with Robert de la Chevrotiere about his novel, Tall is Her Body (Kensington, 2025).  Readers of Black Cake and Family Lore will be captivated by this sweeping, multicultural family story of keen observation and the supernatural in which one man's journey to wholeness—both emotionally and physically—is shaped by the lands of his childhood and those of his ancestors, still reeling from the effects of colonialism and immigration.Before the oracular gadèt-zafè came to warn his mother she would die, 6-year-old Fidel knew only the everyday mystery of the Guadeloupe around him. The lush greenery, the dusty roads, the sugar cane growing and the neighbors arguing, the push and pull of love and resentment between people who rely on each other—his world is small but full. Until a few moments of violence change his life forever.Orphaned, Fidel returns to his mother's native Dominica and whirls from one relative and reality to another, learning pieces of his own story. His heritage is one of layered secrets and sharp divisions—between the grandmothers who love him and the aunt who wants him dead, the Catholic orthodoxy of his school and the Obeah knowledge of his grandfather, and the indigenous and the colonial. The violence he's witnessed inhabits not only strangers but himself. The spirits of the dead visit him with advice, threats, and explanations. And when he sees a path toward happiness in Canada, he must reconcile his intense, bittersweet love of his home with the possibility of leaving it. Robert de la Chevotiere is an Afro-Caribbean immigrant to Canada, who teaches French and English language arts. He is a member of the Writers' Federation of Nova Scotia and has recently had a poem published in Arc Poetry Magazine's 2021 fall issue. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this NBN episode, Hollay Ghadery speaks with Robert de la Chevrotiere about his novel, Tall is Her Body (Kensington, 2025).  Readers of Black Cake and Family Lore will be captivated by this sweeping, multicultural family story of keen observation and the supernatural in which one man's journey to wholeness—both emotionally and physically—is shaped by the lands of his childhood and those of his ancestors, still reeling from the effects of colonialism and immigration.Before the oracular gadèt-zafè came to warn his mother she would die, 6-year-old Fidel knew only the everyday mystery of the Guadeloupe around him. The lush greenery, the dusty roads, the sugar cane growing and the neighbors arguing, the push and pull of love and resentment between people who rely on each other—his world is small but full. Until a few moments of violence change his life forever.Orphaned, Fidel returns to his mother's native Dominica and whirls from one relative and reality to another, learning pieces of his own story. His heritage is one of layered secrets and sharp divisions—between the grandmothers who love him and the aunt who wants him dead, the Catholic orthodoxy of his school and the Obeah knowledge of his grandfather, and the indigenous and the colonial. The violence he's witnessed inhabits not only strangers but himself. The spirits of the dead visit him with advice, threats, and explanations. And when he sees a path toward happiness in Canada, he must reconcile his intense, bittersweet love of his home with the possibility of leaving it. Robert de la Chevotiere is an Afro-Caribbean immigrant to Canada, who teaches French and English language arts. He is a member of the Writers' Federation of Nova Scotia and has recently had a poem published in Arc Poetry Magazine's 2021 fall issue. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Spanish artist and musical chameleon Rosalía released her latest album, Lux, today. The single, "Berghain," seems like a return to form. Operatic vocals, grand instrumentals, beautiful visuals -- the album is primed for critical praise. But for those who are hyperaware of Rosalia's transformations -- from flamenco songstress to Afro-Caribbean queen -- they have other questions about this evolution. Brittany is joined by writer-critics Bilal Qureshi and Michelle Santiago Cortés to unpack Rosalía's “church girl era,” and the complicated nuances of Latinidad in music.Follow Brittany Luse on Instagram: @bmluseFor handpicked podcast recommendations every week, subscribe to NPR's Pod Club newsletter at npr.org/podclub.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Content Warning: This episode addresses sensitive and potentially triggering topics within the psychedelic space, including ethical misconduct, facilitator abuse, and sexual abuse. We encourage you to prioritize your well-being and skip this episode if you are feeling sensitive to these topics at this time.This episode explores how unbalanced power dynamics create an environment where abuse patterns, like overriding client autonomy and gaslighting, flourish in caretaker positions like psychedelic facilitation. To counter this, the community must embrace open communication and foster facilitator accountability, recognizing that conflict is generative and vital for ethical healing.Our guest is Mikaela de la Myco, a mother, herbalist, educator, researcher, and facilitator whose work centers on ancestral healing, sacred earth medicine, and trauma-informed care.As the founder of MushWomb, she creates education and containers for birthing people, queer folks, and BIPOC. Based in the occupied Kumeya and Luiseno territory in San Diego, California, Mikaela draws from her indigenous Mexican, Afro-Caribbean, and Southern Italian roots to promote well-being. Professionally, she spearheads organizations like Eco Sensual, the Herbal and Trauma-Informed Advocacy Training, Ma'at, the Matriarchal Alliance for Accountability and Transparency that represents the collective voices of survivors in the psychedelic space, and Mothers of the Mushroom Research and Resources for Psychedelic Families. Known as a maternal caretaker in her community, Mikaela collaborates with individuals, families, and organizations alike in the struggle to rematriate entheogens.More from our Guest:Free Addressing Psychedelic Harm in Community lecture (a part of the full Eco Sensual course, a trauma-informed training for facilitators and community members within altered states of consciousness)  Support the showPsychedelic Passage is your partner in safe, supported, and effective psychedelic journeys. As the first concierge service in the U.S., we connect you with vetted facilitators who value integrity and expertise. We're glad you're here, and we look forward to supporting you on your journey. No mushroom source? No problem.- Download our Free Psilocybin Sourcing Guide. Want guidance tailored to your needs? - Book a free Pathfinding Call for personal support. Curious or seeking connection? - Join our online care community to learn, share, and grow with others.- Join our next Q&A or Facilitator Chat for free. Want to support the show?- Subscribe here.

What happens when a kid with a dream steps onto a Broadway stage for the first time? It's pure magic. Wesley Wray is a an actor, musical artist, and BFA student at the University of Michigan, who is making his broadway debut this season in the Tony award winning show Buena Vista Social Club, and he joined the studio this month!His career path has already spanned ballet, Afro-Caribbean movement, modern dance, music, theatre, film, and beyond. He shared his experiences in Buena Vista Social Club, backstage stories, and the audition process! And in a beautiful full circle moment, he talked about the Broadway dance workshop he recently taught at Ailey Extension, which invited dancers of all ages and levels to learn choreography from the show and experience the power of dance as community.Wesley has roots with Alvin Ailey, studying at The Ailey School's professional division summer intensives and AileyCamp Miami. He shared what his time studying at Alvin Ailey taught him about establishing safe dance spaces to explore multi-disciplinary training, and how that can shape you as an artist.We also talked about his experience working with Tony winning choreographers Patricia Delgado and Justin Peck on Buena Vista Social Club and how ballet technique supports hybrid movement styles in the show. And he gives his best advice for adult dancers, emerging artists, and anyone who has the courage to try something new. Check it out!Follow Wesley on Instagram: @wesleywwrayLearn more about Buena Vista Social Club: buenavistamusical.comLearn about Alvin Ailey: ailey.orgSubscribe to The Adult Ballet Studio on YouTube: @adultballetstudioMusic in this episode:Waltz of the Flowers - TchaikovskyBarroom Ballet - Silent Film Light - Kevin MacLeodBarroom Ballet - Silent Film Light by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100310Artist: http://incompetech.com/@eblosfield | theadultballetstudio@gmail.comSupport this podcast on Patreon! https://patreon.com/TheAdultBalletStudio?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link Hosted on Acast. See acast.com/privacy for more information.

SEASON 2 PREMIEREWe're finally back after a long haitus! In this kickoff to Season 2, we welcome folklorist and musician Bob Walser to the show to discuss his journey into the world of shanties and, particularly, his work uncovering new shanties in the recordings and documents of 1930s collector James Madison Carpenter. We also discuss the historical significance of dreg songs, the influence of Afro-Caribbean music on shanties, and the legacy of Carpenter and other collectors in documenting folk music. The conversation also touches on the accessibility of historical music collections and personal anecdotes that highlight the joy of sharing and singing traditional songs.

If trauma can be inherited, so can healing. In this transformative BACKtalk episode, ancestral health educator Gilbert Martina reveals how Black parents can break cycles of generational trauma using rituals of belonging, storytelling, and cultural connection. Drawing on Afro-Caribbean traditions and modern science, Gilbert shares daily practices that help families reduce stress, strengthen identity, and raise emotionally resilient children who know where they come from—and where they're going.Gilbert Martina is an ancestral health educator and former healthcare executive from Curaçao who helps families heal generational trauma and strengthen cultural identity. His forthcoming book, Healthy Minds – Healthy Nation (supported by the Dutch Foundation for Literature), amazingly shows how reconnecting with ancestral practices can reduce stress and build resilience in kids and parents. Gilbert is the founder of The Blenchi Sanctuary and speaks internationally on parenting, belonging, and community healing.Connect with Gilbert on social media.IG: https://www.instagram.com/gilbert.martina LinkedIn: https://www.linkedin.com/in/gilbertbmartina/ FB: https://www.facebook.com/gilbert.martina.35/

In a special conversation event, we chart hip hop's first five decades, from its birth in the block parties of the Bronx and origins in Jamaica, to commercial gangsta-rap and right up to today's artists. We discuss how this American revolution in music, dance, and art spread across the global cultural landscape. Hear four speakers passionately bring to life the culture and music – but also political theory, American history, and sociology. With our own sub-genres here in the UK, we'll look at the key moments that led to this country's enthusiastic embrace and interpretation of hip-hop, particularly by Afro-Caribbean communities. Part of Futures – a free festival of discovery that celebrates innovative and world-class research taking place at universities across the South West. It's funded by the UKRI. SPEAKERS MYKAELL RILEY Senior Lecturer College of Design, Creative & Digital Industries University of Westminster. Mykaell is Director of The Black Music Research Unit (BMRU), and senior researcher and curator at the University of Westminster. Central to Mykaell's research is his work on mapping Black British music. Bass Culture is a response to the disengagement and lack of education surrounding the heritage of Jamaican and Jamaican-influenced music in Britain over the last six decades. Mykaell's career started as a founder member of the British roots Reggae band Steel Pulse who would go onto receive a Grammy. Over the years he has performed, produced, managed and consulted on many successful artists and their projects. As a professional writer/producer, Mykaell's work has encompassed TV, Film and Theatre, resulting in over eleven UK top twenty positions, and three UK number ones. LIZZIE BOWES Research Associate Black Music Research Unit Universities of Westminster and Bristol Lizzie Bowes is Research Associate at the Black Music Research Unit. She supports Dr. Mykaell Riley, Director of the BMRU, as the Unit continues to operate as the foremost research centre for the study of Black-British music and culture. Outside of her work for the BMRU, Lizzie is an AHRC funded PhD student at the University of Bristol, working on an interdisciplinary project on Black-British rap and autofiction. ROB TURNER Senior Lecturer in 20th and 21st-Century Literature English University of Exeter Rob Turner's research is focused on American literature, with a particular interest in experiments in sound. He writes regularly about experimental music for the Wire magazine. Current projects include a book on sonic ecology and poetry, and an edited collection on hip-hop, literature, and American culture. Recent publications include two book chapters on the politics of epic (considering works by Ezra Pound and Will Alexander), and an analysis of Samuel Delany's Afrofuturist metafictions. SIMON TOPPING Associate Professor School of Law, Humanities and Social Sciences University of Plymouth Simon Topping is Associate Professor of United States History at Plymouth University. He is the author of Lincoln's Lost Legacy: The Republican Party and the African American Vote, 1928-1952 (University Press of Florida, 2008) which was short-listed for the 2009 Neustadt prize. He has published a number of articles on the importation of American racism into Northern Ireland during the Second World War.

https://www.ikp.meYoutubeSpotifyInstagramBio K.P. (The Infamous King of Positivity) is a first-generation Honduran American of Garifuna descent and a non-binary rapper and producer whose every move is intentional. From their stage name to their sonic palette, I.K.P. creates with layered purpose.Their latest single “FTW” is a high-voltage anthem built to energize your morning, fuel your workout, or soundtrack your world domination. The track's rattling drums and bass, combined with an eerie and dominant melody, drive a sense of urgency that perfectly matches I.K.P.'s electrifying performance.“I want them to feel unstoppable. Whatever you're doing, you're doing it for the win, and you'reundeniable,” they share.I.K.P.'s writing process is as fluid as it is instinctive. Sometimes they write with pen and pad, other times they record voice notes or use their phone's notes app.“Inspiration strikes in fragments or floods. As they say, you don't gotta get ready if you stay ready.”In a landscape where many artists cling to one sound, I.K.P. thrives in versatility. Whether it's boom bap, drill, reggae, or Latin rhythms, they co-produce and collaborate across styles, honoring Hip-Hop's hybrid roots and their own Afro-Caribbean heritage.“I gravitate towards a lot of things and I don't like to be in a box. I do a lot of co-producing with a multifaceted team. I love Hip-Hop so much because you can make all these hybrid styles make sense.”Their sonic range mirrors a life of movement and resilience. Raised in Norfolk, Virginia after their family emigrated from Honduras, I.K.P. also served over five years in the Marines. Growing up near Portsmouth, they drew early inspiration from Missy Elliott's boundary-breaking creativity.The name I.K.P. represents more than music. It embodies advocacy and empowerment. Their stage name was inspired by their mission to combat the stigma surrounding HIV-positive diagnoses and to use art as a tool for visibility and strength among marginalized communities.“I decided I wasn't going to let things that happened to me define how I saw the world. I wanted to show people who looked like me and lived like me that they could gain a sense of power. And if they didn't know how to do it for themselves, I could show them that it could be done.”I.K.P. also explores the intersection of rap, pop culture, and the evolving LGBTQIA+ experience, acknowledging both the progress and the challenges that remain. They reference artists like Kevin Abstract, Tyler The Creator, Lil Nas X, Young M.A, Steve Lacy, and Syd, trailblazers who continue to push the conversation forward.“It's about self-actualization. Whether you're Black, gay, and/or queer, you're often kept out of certain rooms and conversations. I want to show people that you can always take control and be free.”For I.K.P., rap is a ritual, a reflection of joy, pain, and transformation.“I want to continue to speak for those who feel like they don't have a voice or that their voice is being suppressed. Hip-Hop has always been a tool of progression and evolution, and I just want to continue that tradition,” they said.Their fanbase, affectionately known as #PozFriendlies, can expect a wave of new releases following the success of their fourth full-length project 11:11 | eleven eleven released in 2021. I.K.P. is also expanding their BLOCK SPINNINseries on TikTok and Instagram, a Stereogum-inspired chronicle exploring the history of Billboard Hot 100 hits.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

In this special episode, Kufikiri Hiari Imara returns to the podcast, to guest host an amazing conversation with the brilliant individuals behind Entheogen Melanin Collective - Imani Turnbull-Brown and Julian Fontaine Fox.Imani and Julian share the stories of how they each came to their advocacy and community work. They speak about the many intersectionalities of Blackness and Melanated Empowerment through storytelling. Entheogen Melanin Collective is fostering connection within the psychedelic space and offering healing in BIPOC spaces throughout and beyond the Boston area. Check them out and support their work at @‌EMCmass on IGBio: Imani Turnbull-Brown is a U.S. Navy veteran and holistic health & wellness consultant with a deep commitment to ancestral healing and community empowerment. She is the cofounder of the Entheogen Melanin Collective, an organization that uses entheogens as one of many tools to support education, integration, and accessibility to melanated joy, healing, and community. Rooted in her Afro-Caribbean heritage, Imani blends traditional wisdom with modern wellness practices to help others reclaim their wholeness.Bio: Julian Fontaine Fox is a passionate and longtime psychedelic entheogen advocate, poet, and storyteller. He began his advocacy while in Santa Fe New Mexico where he founded a chapter of SSDP and worked with Synergetic Press as a volunteer consultant and advisor. He is the co-creator of Entheogen Melanin Collective and a resident of Boston in Roslindale. In his role with EMC he facilitates community building and outreach. He plans and holds events in the Boston area for community members to attend holding workshops centered on intergration, healing and education. He also reaches out through tabling at bus stops and train stations offering a place for locals to ask and get answers about these substances are.Links: linktr.ee/entheogenmelanincollective

JUSTZ VIBEZ Mix (The Afro Dancehall Dozen) | DJ ASB Turn up the tropical heat! Dive into a vibrant fusion of Dancehall, Afrobeat, and exclusive remixes packed with rhythm, bass, and pure energy. Feel the groove, catch the bassline, and let the beat take control. This mix delivers the ultimate Afro-Caribbean vibe straight to your speakers! Grab your earphones, headphones, or sound system it's time to let the music move you. Turn it up, feel the beat, and keep on vibing! #JustzVibez #DJASB #AfroDancehallDozen #Dancehall #Afrobeat #RemixVibes #AfroFusion #IslandEnergy #GoodVibesOnly #TurnUp #PartyMix #GlobalSound

Bad Bunny, also known as Benito Antonio Martínez Ocasio, is moving into the spotlight with major music news this week. The global superstar has just dropped a surprise holiday single, “Pitorro de Coco,” inspired by a classic Puerto Rican rum drink, marking a festive close to 2025 before the launch of his highly anticipated sixth studio album, Debí Tirar Más Fotos, which translates to “I Should Have Taken More Photos.” According to NME and Lagos Review, the album is slated for release on January 5, 2025, and features 17 tracks, with a sound that blends his signature reggaeton with emotional storytelling and deeper themes centered on nostalgia, family, and living in the present.The mood of this upcoming album is more introspective than previous releases. Bad Bunny teased the project with a poignant video featuring Puerto Rican filmmaker Jacobo Morales, who reflects on the fleeting nature of life and cherishing memories through photos. The teaser's emotional core seems to set the scene for a very personal chapter in Bad Bunny's artistic journey, one that resonates deeply with his massive international audience.His single “Pitorro de Coco” tells of heartbreak during the holiday season, adding to Bad Bunny's reputation for transforming personal pain into relatable anthems. The recently released track “El Clúb” is a fusion of EDM and plena, an Afro-Caribbean style that's deeply Puerto Rican, while “NeuvaYoL” is a fan favorite paying tribute to the cultural link between Puerto Rico and New York City. According to Sweety High, the latter track's energetic beat and cross-cultural references have made it stand out in the U.S., especially among Latin music fans.Less than a year ago, Bad Bunny's “Most Wanted Tour” ranked as the seventh-highest grossing tour of 2024, notching over $210 million in revenue, further cementing his status as a leading force in global music. This week, anticipation is rising as fans speculate about his setlist for the imminent 2025 Super Bowl Halftime Show, with many expecting him to perform new hits from Debí Tirar Más Fotos, alongside classics like “BAILE INoLVIDABLE,” a salsa-infused track about unforgettable love, and the sentimental “Amorfada,” according to the Asbury Park Press and Sweety High.Critics are already calling the new record one of Bad Bunny's best. Numero describes Debí Tirar Más Fotos as “universally praised,” highlighting its mix of traditional Puerto Rican genres and modern pop sounds. The album explores themes of love, reflection, and cultural pride, notably in tracks such as “La Mudanza,” which retells the story of Bad Bunny's family and roots, and “DtMF,” which encourages embracing the moment and cherishing loved ones. As Baylor Lariat notes, the album's emotional range has even managed to win over listeners who wouldn't normally listen to Bad Bunny.Beyond music, Bad Bunny recently appeared in the trailer for the new “Happy Gilmore 2” with Adam Sandler, showing his expanding influence into film and pop culture. Whether it's music, livestreams, or movies, Bad Bunny continues to break boundaries and capture attention across the globe this week as fans anxiously wait for his next big move.Thanks for tuning in. Come back next week for another update on Bad Bunny and what's trending in the world of music. This has been a Quiet Please production, and for more, check out Quiet Please Dot A I.Some great Deals https://amzn.to/49SJ3QsFor more check out http://www.quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

This special report zooms in on the smaller fashion houses that sparkled during Paris Fashion Week. Vincent Pressiat, like Victor Weinsanto, looked to the past, when the king's favourites ruled the roost. Alain Paul recalled his first auditions as a young dancer. Ukrainian Lilia Litkovska is still designing, despite the war. Last but not least, Afro-Caribbean designers were celebrated at the Paris edition of Togo's International Fashion Festival.

How many stories died with our grandparents because we didn't ask in time? In this Bro History segment, we get personal: a 1950s interfaith marriage (Methodist → Catholic conversion), Irish/Polish/Ukrainian roots, Puerto Rican and Palestinian family lines, language barriers, Alzheimer's, and the regrets that come with unanswered questions. We talk about identity across faiths and borders, what we'd ask our grandparents today—from the Naqba to Cold War escapes—and why you should call yours now. TIMESTAMPS 00:00 – 1950s taboo? Henry's Catholic–Methodist grandparents & a conversion 01:05 – NYC then vs now: Irish UWS, German Upper East Side 02:00 – How they met: Army base in Lawton, OK → marriage → NYC 03:00 – “Did her parents care?” Interfaith in practice, not theory 03:50 – The regret: we waited too long to ask real questions 05:00 – Danny's side: tracing lineage envy, Ellis Island vs no records 06:00 – Puerto Rican roots, indigenous/Afro-Caribbean threads, losing language 08:00 – Palestinian father's side, displacement, Jordan, U.S. arrival 10:00 – Only-in-America pairing: Catholic Puerto Rican x Muslim Palestinian 11:00 – Naming, faith, and why the relationship didn't survive 13:30 – Interfaith realities: Christian–Jewish common, Christian–Muslim rare 15:00 – Stakes of belief vs secular mixes; community & raising kids 17:00 – Growing up Catholic as a community center vs diverse church worlds 19:00 – What we'd ask: prejudice, context, and uncomfortable truths 22:00 – Henry's European grandfather: expelled from Kyiv, smuggled out by servants 26:00 – Bike-racing champion, Poland to America pre-WWII 29:00 – Don Manolo: the Cuban refugee who slapped Castro's brother (wild story) 31:30 – Call your grandparents. Seriously. Before memory fades. 33:00 – Boomers aren't just “ok boomer”: moon landings, Vietnam, and real grind

Jenna and Willie weigh in on some listeners' tricky social situations. Also, Emilia Jones stops by to talk about her thrilling new HBO series ‘Task.' Plus, a closer look at the Lulada Club — the all-women's salsa orchestra fueling the resurgence of the salsa scene across the U.S. And, chef Kwame Onwuachi shares a delicious recipe for BBQ greens inspired by his Afro-Caribbean roots. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Mixtape curated for Portland Community College in Oregon for their African Day. Mix contains Afrobeats, Amapiano, Soca, and Dancehall.

Oral history preserves the past by recording people’s real voices. It’s not just about recording the stories people tell. It’s also about the way they tell them. Oral history is about memory and humanity. It’s a form of history that anyone can be a part of. This hour, we’re returning to our conversations with two Connecticut residents about the stories they have preserved through oral history. Author and educator Mary Romney-Schaab talks about her father's experience as a Black person imprisoned in a Nazi concentration camp. And Amanda Rivera, a PhD candidate in American Studies at Yale University, discusses the history of Connecticut's Puerto Rican communities. GUESTS: Mary Romney-Schaab: retired teacher and author of An Afro-Caribbean in the Nazi Era: From Papiamentu to German. The book details her father’s experience in a Nazi concentration camp during World War II Amanda Rivera: PhD candidate in the Department of American Studies at Yale University. Her work explores activism and education reform in Puerto Rican communities in southern Connecticut. This episode originally aired on April 25, 2025. See omnystudio.com/listener for privacy information.

This week, I'm joined by Elhoim Leafar, the author of Dream Witchery. We had such a good time talking about South American Witchcraft! Come join us. Books mentioned in the episode: *Some links below are affiliated links and help me continue producing content.* Dream Witchery:https://amzn.to/4mrEnWHMore on Elhoim: Elhoim Leafar (Amazonas, Venezuela) is an astrologer, dowser, tarotist, and a multi-traditional brujo/witch who also serves as an author, and teacher to the metaphisical community, actually living in New York, USA. He became a practitioner of the Afro-Caribbean religion Yoruba at age sixteen, teaches courses and workshops, and has participated in various cultural projects in Venezuela. With over twenty years of practice, he is a practitioner initiated in different paths of sorcery, including "Espiritismo Venezolano", "Candomble", "Lucumi/Santeria", and the also is part of the 'Minoan Brotherhood Tradition of Witchcraft'.IG: @elhoimleafarFB: @elhoimleafarauthorThank you to my subscribers!Step into the circle. Support the magick, fuel the flame, and get exclusive spells, stories, and sacred chaos on Ko-fi. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ko-fi.com/witchycornerproductions⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Witchcraft, words, cosplay, and the path of a Priestess, step through the veil and explore my world, from the Temple of the Unseen Flame to the latest spellbinding reads. Start here:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.witchycornerproductions.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the Discord. Walk the Path of the Unseen Flame: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/9jRs5SgvQa⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow me on social media: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/witchycornerproductions⁠

What do you wish I asked this guest? What was your "quotable moment" from this episode? Robin and CB, the new owners of The Ninth House shop in Tucson, are building community through their extension called The Eleventh House, a space for gatherings, classes, and healing modalities designed to be inclusive and educational.• The Eleventh House provides a safe gathering space for metaphysical practitioners of all traditions• Sound healing forms a cornerstone of their practice with tools like hand pans, chimes, and tuning forks• The shop curates products from various lineages including Northern European pagan, West African, and Afro-Caribbean traditions• Monthly "Power Hours" teach accessible skills like pendulum usage in just one hour• Ecstatic dance events offer powerful somatic release of accumulated energies• New Halo Therapy (Himalayan salt therapy) services help with lung conditions and inflammation• Their Patreon grimoire offers weekly spells designed to be affordable using common household items• Combat metaphysical misinformation with trusted, ethical practices and education• The space can be rented by teachers for classes, or for private gatherings like coven meetings• Plans to expand virtual offerings to reach communities beyond TucsonVisit us at theninthhouseshop.com, on Instagram @theninthhouseshop, on TikTok @therealninthhouseshop, and visit The Eleventh House at theeleventhhouse.space to learn more about our classes and community events.Support the showSupport the show and get tons of bonus content, videos, monthly spell boxes, and more at CrepuscularConjuration.com!Or become a paying subscriber on Buzzsprout: https://www.buzzsprout.com/1777532/supportWant to see if you're a good fit for the show? (Hint: if you're a witch, you probably are!) email me at youraveragewitchpodcast at gmail.comFollow YAW at:instagram.com/youraveragewitchpodcastfacebook.com/youraveragewitchpodcastReview the show on Apple podcastspodcasts.apple.com/us/podcast/your-average-witch-podcast/id1567845483

As summer wanes and the nights grow long, we turn to tales of witches, curses, and the old ways that never truly died. For centuries, harvest time has carried its own magic: charms for fields, blessings for homes, and darker stories of those who bent nature to their will.At Lake Catemaco, indigenous shamanism, Afro-Caribbean rites, and folk-Catholic curanderismo fuse into a living tradition of healers and sorcerers. From humble limpias to infamous First-Friday “black masses,” we trace Catemaco's origins, its Brujo Mayor era, and the annual Noche de Brujas that still draws thousands—where white magic, black magic, faith, tourism, and fear all share the same altar.OBSCURATA - Apple Spotify AmazonJoin Sarah's new FACEBOOK GROUPSubscribe to our PATREONEMAIL us your storiesJoin us on INSTAGRAMJoin us on TWITTERJoin us on FACEBOOKVisit our WEBSITEResearch Links:https://en.wikipedia.org/wiki/Catemacohttps://en.wikipedia.org/wiki/Los_Tuxtlashttps://english.elpais.com/society/2018-03-06/night-of-the-witches-in-veracruz-mexico.htmlhttps://www.vice.com/en/article/ev8k8e/i-went-to-mexicos-biggest-witchcraft-festivalhttps://forbes.com.mx/forbes-life/mexico-la-noche-de-brujos-de-catemaco/https://revistes.ub.edu/index.php/LLULL/article/view/llull2006203https://blog.vibeadventures.com/catemaco-witchcraft-veracruz-rituals-magichttps://afrarodriguez.blogspot.com/2013/08/gonzalo-aguirre-pech-el-brujo-mayor.htmlhttps://en.wikipedia.org/wiki/Curanderohttps://en.wikipedia.org/wiki/Santer%C3%ADaSarah and Tobie xx"Spacial Winds," Kevin MacLeod (incompetech.com)Licenced under Creative Commons: By Attribution 4.0 Licencehttp://creativecommons.org/licenses/by/4.0/SURVEY Hosted on Acast. See acast.com/privacy for more information.

My guest  is Roger Glenn, who would have been the perfect spokesperson for a series of commercials titled the “Most Interesting Man in the World” -  in the world of music. Roger is a multi-instrumentalist who plays flute, vibes, marimba, saxophone, clarinet, percussion and more. He's been described as being overshadowed but in plain sight for decades. In fact, the bio on his website says it best: “He is ingredient X. The secret sauce. The cat behind the cat. Now, after decades of elevating the music of bona fide legends in jazz, Latin jazz, blues, and funk, this versatile, singular multi-instrumental master is stepping out of the shadows and into the spotlight with his first new album in four decades.”  Roger is the son of the legendary jazz trombonist and vibes man Tyree Glenn. Roger is also a pilot, and sailing aficionado, who studied math and physics. And this interesting man, who has  just turned 80-years old, can still do it all. To celebrate his 80th birthday, Roger has released his second album as a leader in 49 years, on the Patois Records label, titled,  “My Latin Heart.” It's a panoramic journey through his lifelong passion for Afro-Caribbean rhythms.  Because his amazing story is so all-encompassing, we feel compelled to tell it in two episodes. Here is Episode One. It's where we take a deep dive into the backstory of his life and times, and how it led him to his breakout moment on the occasion of his 80th birthday. 

Geoff and Marie's Good Life: Part 9Lucy's TurnGeoff finally gets more quality time with Lucy.Based on posts by Only In My Mind, in 15 parts. Listen to the Podcast at Explicit Novels.I was bringing in the bedsheets from the washing line when my lovelies got home. Colin was inside doing his art homework alone as I'm afraid that art isn't my forté. From the way Angie bounced up the path like a tall, supple Tigger, I assumed that their mission had been successful. Marie followed behind at a more stately pace, but I could tell by her expression that she was pleased."Geoff! It's perfect," Angie enthused. "Show him, Marie!"Marie finally caught up with our friend. "She's not wrong, Geoffrey," she admitted. "The moment we saw it, we knew that was the one." She felt into her handbag and took out a small square box."Just like you and me then," I reminded her, kissing the top of her head."You'll get anywhere saying things like that, you smooth devil," my wife smiled as she showed me our purchase."So what happens now?" I asked. It appeared that they were in the dark too. Did we give her it now, like an engagement ring? Or wait until the ceremony, like a wedding ring?I decided. I took Angie's left hand and dropped to one knee. "Angela, you have added a new thread to the tapestry of our lives. Will you agree to be my betrothed?"Marie was quick to respond. She took her friend's hand from me and turned Angie towards her. "Angela, you have been my closest friend for decades, will you now be my betrothed?""Oh! God! Yes! Thank you. I love you both so much," wailed Angie, hopping up and down in floods of happy tears.Marie held out the ring they had chosen and bought together and together my wife and I slipped it onto the fourth finger of Angie's left hand. As I'd suggested, they had chosen something called a Russian Ring, made of three interwoven strands of different shades of gold. It was perfect. I resolved to get my little Mediterranean goddess a matching necklace.There was the sound of applause from behind us and we turned, rather startled, truth to be told, to find Colin beaming at us, the drawing in his hand forgotten."I think you're supposed to kiss her now, Grandma, Grandad," he observed. We couldn't fault his grasp of etiquette so we did; very chastely and properly with no tongues."Mum's gonna go proper monkey poo this time," he predicted, quite astutely. "Glad I'm not the one that has to tell her." He smiled, congratulated us all and then asked for our opinions of his drawing. We were all impressed, both by his artwork and his attitude and told him so. He disappeared happily back inside to put his drawing safely in his bag."He's not wrong about Linda," I pointed out. "I was thinking about this while I was running and I think I should take her out for tea tomorrow and tell her about our, er; does 'new situation' sound about right?""Thank God!" Marie breathed a sigh of relief. "I don't think she'd accept this updated version of 'the talk' from me. Anyway, I did the one about boys, boobs and periods, now it's your turn."I went and switched the oven on and chose a bottle of wine as I waited for it to reach 180°C. I'd picked up a bottle of Ribeiro in our local supermarket and a Spanish white seemed to fit nicely with the ingredients so I parked it in the fridge to chill.I got the tray with the onions, tomatoes, garlic cloves and potatoes and glugged over a little olive oil before putting it all in the oven for twenty minutes and then went off to see my girls. Angie had calmed down and they were trying to decide her outfit for our ceremony."What about Padme's rainbow dress?" I suggested. I'd had nothing urgent after lunch and had done some research. Angie gave me a long appraising look and typed 'padme rainbow' into the search engine on her phone. She selected 'images' and then studied the screen intently for longer than I expected. Still silent, she showed Marie the dress. "He's a clever old sod, really, isn't he?" My beloved observed. "That's beautiful, and it's perfect for your body shape."Angie agreed. "That's it. I was considering Rey's outfit but this is better. This is the one I want.""You can actually buy these on-line," I offered."Not a chance!" Retorted Angie. Marie looked as puzzled as me at how emphatic Angie's response was. "I'm sure that some are okay," Angie conceded. "But I've seen too many instances on Facebook where the seller shows an image of the original but what actually arrives looks like it was sewn in the dark from old curtains by an arthritic chimp. I want it to look just like that picture.""But at least you'll know how much it is going to cost, dear," Marie said. "Who knows how much your student friends will have to pay to find a fabric like that?""Don't care," Said a defiant Angie. "I can afford whatever I want and it's my money after all."Marie leaned in for a kiss. "We'll contribute too. We always intended to.""No. Thank you, but no." Angie was adamant. "You bought me that beautiful ring. I realize that it would be rude to offer to pay for that, but everything else; everything," she stressed that last word, "is on me."My wife and I shared another look of surprise at our friend's determined outburst. "But Ange," Marie began."Everything, Marie. You've been so kind to me for so long. And these last few weeks;” She teared up again. "You really don't know, do you?"I shrugged. We were into Donald Rumsfeld territory here with 'unknown unknowns' and I didn't think that this was the moment to dive down that particular rabbit hole."You know that apartment I live in?" Angie asked. We did. It was in a massive, tastefully converted, Victorian building near the university. "Don't you think it's rather large and expensive for just one person?" We both just did some head wobbles, shoulder shakes and comme ci, comme ça, hand gestures to indicate that we had wondered but."It's not that expensive," she continued, eyes sparkling with mischief. "Not for me, anyway. You see." She paused for effect. "I own the entire building. A lettings management company deals with renting the other apartments; I just live off the income. I only do the consultancy work for you know who," she tapped the side of her nose. "to stop me getting bored and my brain shutting down." She was winding me up because she knew I suspected that she was some kind of spook."Don't worry about the cost," she said cheerfully. "I can afford it. Last time I checked I had over two million pounds just in my savings accounts."She looked gleefully at the expressions on our faces. "And, once we're officially joined, I'm changing my will to leave it all to you and your kids. Colin certainly won't need a student loan when he goes to Uni.""Angie, darling. There's no need," Marie protested."Who else then?" Angie challenged her. "You two are the closest I've had to a family since I ditched that last useless waste of DNA. I've had more fun, romance, sex and affection from you two lunatics in the last six weeks than from both my husbands combined over two decades."Marie looked helplessly at me. I knew exactly what to do. I leaned forward. "Angie?" I said softly, taking her hand in mine."Yes, Geoff?" She replied, returning my loving gaze."Please can I have an Aston Martin DB12?"We collapsed in each other's arms in fits of giggles. Marie swiped me fondly across the head. "You nutcase. Get back in the kitchen and get our tea ready."I checked, and the potatoes were starting to cook, so I laid the chicken and chorizo slices on top, added the herbs and spices and put the tray back in the oven. "Alexa, set a timer for twenty minutes." Then I went off in search of Colin.I told him that I needed a private chat with his mum. "You think?" Was his smart-ass response. Sometimes he makes me so proud.Anyway, he texted one of his friends and persuaded her to wangle an invite to go over straight from school the following evening to do their homework together. Linda would collect him around seven."So Colin. Mia. Is she nice?""Yes Grandad. She's nice. No Grandad, she's not my girlfriend. We're only thirteen but we get on just fine as friends." Hell. The kid's more mature than half of the lads I used to play rugby with.We chatted some more until Alexa's alarm went off and I hit the kitchen again. Dropped the sliced peppers into the tray, a good mix up and back in for the last twenty minutes.I was starting to set the table when Marie and Angie came in to take over and chased me away to watch the news on TV. Angie had already taken her ring off and had decided to keep it in its box until they were with their friends. Then Marie intended to propose again in front of them all. It sounded lovely and I would have liked to see it, but I'd agreed that this was their moment.Linda arrived on time and about ten minutes later we sat down to eat. She'd called to collect a baguette on the way home as I'd asked and we used it to mop up the juices from our plates. The wine paired well; even Colin agreed, though he only got a sip of his mum's. Perhaps, when he's sixteen, Linda will let him have a glass with his meals.After we'd finished, the ladies declared that they would clear the table as I'd done all of the cooking. It had hardly been a chore but I wasn't about to argue. Instead, I went and asked Colin if he was okay with Aunty Angie being, well, betrothed to Grandma and Grandad.He thought carefully for a while. "Is anyone going to get hurt?"It was a reasonable question. "I hope not. But it's always possible. Even two people who love each other can eventually drift apart.""But you're all happy now?" He persisted. "You all want this?""Yes. All of us." I confirmed."What will I call her then?" He asked.That hadn't occurred to me. "Whatever you and Angie decide. That seems the fairest to me."His face lit up. "When you've told mum, I'm going to ask Aunty Angie if I can call her; Grangie." He announced triumphantly. There were still tears of laughter streaming down my face when the women joined us five minutes later. They all looked suspiciously at the pair of us."You had to be there," I told them, then we cracked up again.Before Linda and Colin left I told her that, as Colin had a homework date the following day, earning a glare from him, I'd treat her to a meal after work as we'd both be on our own. I suggested a Thai in town and we agreed to meet there at five fifteen. She looked warily at me, but I'd been practicing my innocent expression and gave nothing away. Certainly, nothing had been said that evening to suggest there was a problem.Angie saw them off with us and then said her own goodbyes. I copped a feel of her bum as we kissed, well, we're engaged now, or something. Marie must have shared my sentiment only she went for a tit. I slapped her hand gently. "Enough of that. She'll never get away if you start on her nipples." They both reluctantly agreed and then there was just the two of us again."Are we being silly, Geoff? Starting a new way of living? At our age? Is this just desperation?" It wasn't like Marie to second guess herself.I hugged her to me. "I don't think so. We have time, money and our health. The kids are okay so this is our opportunity to be us. Not teacher, boss, researcher, mum or dad; just us. If this is what makes both of us happy, why fight it? You promised, if we reach a place where you're uncomfortable, then you'll tell me. I promise you the same. So let's go and see what's out there.""Tell you what," she replied pulling me closer. "Get the rest of that wine and I'll sit on your lap and we'll finish it while we cuddle then, maybe, an early night?"I was up early next morning. We did make love the night before and it was slow, sensual and fulfilling. We'd both slept like babies.When I'd finished in the bathroom, Marie was looking at her phone. "That was a text from Peter. He and Jen are coming back from Canada on Monday and thought they might stop in to see us on the way back home." She looked worried. "Do we tell them? Or just Pete? But then how do we tell Pete without Jen hearing? Do we insist he keeps it a secret from her? ""We need to make a choice," I told her. "We're telling Linda because she deserves to know the unconventional relationship that Colin will see when Angie is here. Pete isn't in that position but, I think that if Linda knows then her brother should too. And I also think that, if Pete knows, it would be unfair to expect him to keep it from Jen. I'm not sure about discussing the rest of the girls with him; I'm tempted to tell Linda because she'll get suspicious if we're never free to look after Colin on Wednesdays if she wants to go out with Mike or if she has to work late."That's fair. I'll tell Pete that they are welcome to stay and we're looking forward to seeing them. But, Geoff?""Yes?""For pity's sake, will you move the toy box out of the playroom and make sure there's no lube or condoms left in the drawers?""I'll do it now."The rest of the day was quite mundane. Breakfast, grocery shopping, coffee at home and then a walk to the park. "I think I'm happy, Geoff," my wife announced as we strolled. "Not just content; actually happy. My friends have you in their lives, I'm even closer to them than ever and Angie," Marie's voice choked. "I've never seen her so alive. Thank you."I wasn't even tempted to be flippant. "Thank you too. It's strange, but making love to your friends seems to have brought me closer to you. I'm just so relieved you aren't jealous. You aren't are you?"She considered. "No. Truthfully; not at all. What about you?""No. Me neither. In fact, I know you have a bit of a thing for Sue, and it's, I dunno, sweet."She punched me playfully. "I still like Sam though," she admitted."So, now you have both, and me and Angie too."She gave a big happy sigh and we turned and made our way home.The weather was still fine so Marie set off at ten to four to walk to the Black Swan to meet her friends. I red for half an hour and then caught the bus into town. Linda could drop me back off at home on the way to collect Colin from Mia's house.I'd reserved a table and waited at the bar for Linda. She rushed in, all flustered, only two minutes late. "It's okay," I told her. "We're not running to a timetable here."Sorry, Dad," she apologized. "Isn't there always some clown who decides that half past four on a Friday afternoon is the perfect time to start making urgent phone calls?""Is it settled?" I asked her. "Or do you need ten minutes to make some more calls of your own?""God, no!" She laughed. "I'll start working for free after finishing time when my boss stops checking her watch when folk arrive in the morning with just minutes to spare."The waiter saw that my guest had arrived and invited us to follow him to our table. The place was quiet that early so he gave us a place with a nice view over the river."Is your job getting you down?" I asked. She worked in the distribution office for a large retailer."No, the work is fine, the people are great, it's just that our boss is so insecure in her abilities that she sticks rigidly to corporate policy, and it sometimes gets in the way of actual work.""Go on," I invited her. We didn't get to chat like this as much as I'd like."Okay. So: There are six people in our office; two men, four women. We lost both of the guys for a full day on Tuesday to go on a gender harassment awareness course. One's gay and the other is a fifty year old sweetheart. They could have done effectively the same course on-line in an hour but no, she had to make sure that her boss saw our guys in person to make her look good." She gave an exaggerated sigh. "Those lads get more grief from us girls than they'd ever; Oh! It's so frustrating.""I know," I sympathized. "I regarded part of my role as lab manager as insulating the people who actually generated income from stupid policies like that. I'd do what the law required but, if an adult technician doesn't know that it's not okay to touch a colleagues bum, no matter how cute or pert it is, a course isn't enough; a dismissal is much more effective. It solves the immediate issue and also serves 'pour encourager les autres' as your Great Gran would have said. An object lesson to the others," I said in reply to her unspoken question.We chatted in the same vein as we looked through the menu and had just finished our deliberations when our waiter appeared.We ordered spring rolls and prawn toast, I ordered a pork massaman, Linda chose a chicken panang and we decided to share a green papaya salad.

Dr. James Lance Taylor is author of the book Black Nationalism in the United States: From Malcolm X to Barack Obama, which earned 2012 "Outstanding Academic Title" - Choice: Current Reviews for Academic Libraries. He is a former President of the National Conference of Black Political Scientists (NCOBPS), an important organization of African American, African, and Afro Caribbean political scientists in the United States. https://www.usfca.edu/faculty/james-lance-taylor https://www.dominiquediprima.com/

Dr. James Lance Taylor is author of the book Black Nationalism in the United States: From Malcolm X to Barack Obama, which earned 2012 "Outstanding Academic Title" - Choice: Current Reviews for Academic Libraries. He is a former President of the National Conference of Black Political Scientists (NCOBPS), an important organization of African American, African, and Afro Caribbean political scientists in the United States.https://www.usfca.edu/faculty/james-lance-taylor https://www.dominiquediprima.com/

Listen to an interview with Oltanie, a Haitian-American vocalist based in Indianapolis. Her music featured a dynamic fusion of Caribbean and Afro-pop sounds. Also hear a conversation with the Indianapolis keyboardist and bandleader Rodney Stepp, best known for his work with The Spinners. During the late 1970s, Stepp left The Spinners to form Rapture, a legendary Indianapolis funk band. A new compilation of Rapture's music was released earlier this year by Now Again Records.

Misha Wurman is a professional bartender and cocktail creator. If you want to get one of Misha's original cocktails, here's 2 options of where you can visit him bartending— Paradise Lost (Tuesdays) 100 2nd Ave., New York, NY, 10003 Public Records upstairs cocktail lounge (Friday/Saturday) 233 Butler St, Brooklyn, NY 11217 Misha Wurman is 27-year-old bartender who Dr. Lisa has basically watched grow up since he was born. He's got this really interesting mixed background - Afro-Caribbean on his mom's side and Russian/Swedish/Jewish on his dad's side. Growing up was pretty complicated because he'd spend weekdays with his mom and grandma in Spanish Harlem, then weekends with his dad in this fancy SoHo loft. When his mom got sick, he ended up living with his dad's parents in Rhode Island for over six years. How He Got Into Bartending Misha went to Hampshire College to study film, but while he was there, he discovered craft cocktails at this bar called The Dancer on the Lower East Side. Now he works at two spots - Paradise Lost and Public Records - making these fancy $18-28 cocktails. He's got this whole creative approach where he calls it "making potions" and comes up with wild combinations like a white mezcal Negroni with cold brew. Every drink he makes has its own story behind it. What Makes Him Good At It The thing is, all that bouncing between different family situations as a kid actually made him really good at reading people and handling different personalities. He sees bartending as more than just mixing drinks - it's about meeting people where they're at emotionally, whether they're out having fun or dealing with something heavy. He loves how collaborative the whole cocktail scene is, and you can tell he's found a way to blend his artistic side with his natural people skills.

Nick Terrones (he/him) and Mike Browne (he/him) are joined once again by special guest Toi Sing-Woo (she/her) for a conversation about what it means to plant seeds of liberation in the earliest years of learning. We talk about the daily work of unlearning white comfort in the classroom, the survival strategies BIPOC educators carry, and how we can reclaim the play we were meant to have—in our classrooms, community spaces, and kitchens. Rooted in Chumash, Afro-Caribbean, and Hong Kong lineages, we imagine early learning grounded in land, cultural memory, and collective freedom.Why?Because the future of early learning depends on how bravely we remember, and how boldly we reimagine.Interested in bringing Nick and Mike to your community? Got an idea for an episode? Have some comments? Email us at napcast206.com and let's talk! Don't forget to follow us on Instagram at @napcast206 or https://www.instagram.com/napcast206/

Chef Tristen Epps, who just won Season 22 of Bravo's Top Chef, grew up the son of a single mom who was a JAG, a lawyer with the military. That meant he moved about 16 times before the end of high school—from Guam to the Philippines—and was exposed to a wide range of cuisines from a young age. His travel background, along with family roots in Trinidad, led to a deep appreciation for food and cooking, and also a desire to both celebrate and elevate Afro-Caribbean cuisine. Now, on the tail of his high profile Top Chef win, he's on a path to opening a fine dining restaurant in Houston called Buboy – a tribute to his grandfather's nickname. And his goals for Buboy are ambitious, as he looks to bring Afro-Caribbean cooking in the United States to the Michelin-star level. We'll talk about all that, plus the years he spent working at the Greenbriar in West Virginia, how his step-father's unfortunate passing mid-season affected his time on Top Chef, and how he's embracing his identity as a Southerner and a Houstonian. For more info visit: southernliving.com/biscuitsandjam Biscuits & Jam is produced by: Sid Evans - Editor-in-Chief, Southern Living Krissy Tiglias - GM, Southern Living Lottie Leymarie - Executive Producer Michael Onufrak - Audio Engineer & Editor/Producer Jeremiah Lee McVay - Producer Learn more about your ad choices. Visit podcastchoices.com/adchoices

We remember Eddie Palmieri, the pianist, bandleader and composer whose contributions to Afro-Caribbean music shaped the genre for decades. He died Wednesday at the age of 88. Also, Parliament's now classic funk album Mothership Connection turned 50 this year. We listen back to Terry Gross's 1989 interview with funkmaster George Clinton. David Bianculli reviews the new season of Wednesday and film critic Justin Chang reviews two comedy remakes: The Naked Gun and Freakier Friday.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

We remember Eddie Palmieri, the pianist, bandleader and composer whose contributions to Afro-Caribbean music shaped the genre for decades. He died Wednesday at the age of 88. Also, Parliament's now classic funk album Mothership Connection turned 50 this year. We listen back to Terry Gross's 1989 interview with funkmaster George Clinton. David Bianculli reviews the new season of Wednesday and film critic Justin Chang reviews two comedy remakes: The Naked Gun and Freakier Friday.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Send us a textThis week on The UpLevel Podcast, join us for a soul-nourishing episode featuring transformational guide and bridge keeper Karina Turtzo, a woman walking the path of collective liberation through ancestral healing, indigenous wisdom, and regenerative leadership.Karina shares how “right relationship” is a lived practice that begins with intention, respect, and deep listening. From decolonized leadership to sacred ceremony, this conversation is rich with teachings on how to reconnect with land, lineage, and one another in ways that are generative, not extractive.In this episode, we'll explore:Why honoring the land and its original stewards is foundational for real healingThe epidemic of loneliness & disconnection: how losing touch with ancestry and place feeds today's “polycrisis”What “right relationship” really means and why it calls us into rigorous practice, not perfectionHow ancestral wisdom is alive in your DNA…waiting to be rememberedDecolonizing plant medicine & wellness spaces; moving beyond commodification toward authentic community careLeadership reimagined: From extraction to reciprocity and from hierarchy to circles of trustAbout Karina:Karina Turtzo is dedicated to the journey of collective liberation through the practice and remembrance of ancestral healing arts that center ceremonial practices and earth medicines. She designs and facilitates decolonized curriculums that intentionally entangle us with the Earth and help us awaken and activate to our genetic memory and wisdom. As a bridgekeeper and student of indigenous wisdom teachers, she serves her community as a certified holistic health, transformation, and integration guide and facilitator focusing on nurturing regenerative relationships and fostering culture shifts and systems change for a more harmonious world.With a rich tapestry of cultural heritage that includes Taino, Afro-Caribbean, Spanish, French, and Ecuadorian lineages, Karina embodies a beautiful fusion of traditions and histories, celebrating the strength and resilience of her ancestors. She is the founder of the wellness platform Sovereign by Nature, non-profit The ARC and healing container for women The Sacred Session.​ Karina creates applied spaces from a place of non-judgement, respect and compassion and care. She creates containers where the collective can shed, remember, integrate, and grow. She believes that through generative relating, devotion, and conscious action we can come into right relationship with ourselves, the collective and our great mother Earth. Reach Karina: karina@sovereignxnature.comInstagram Handles:https://www.instagram.com/karinaturtzo/https://www.instagram.com/sovereignxnature/https://www.instagram.com/thesacredsession/ Websites:https://www.sovereignxnature.com/ https://www.thesacredsession.com/ 

We're releasing it from the vault! It's the Weiser Books' Stewarding Traditions Panel, which we recorded on 3/29/25 at Cottage Magick as part of our Welcome to Romanistan Festival tour in New Orleans for our book, Secrets of Romani Fortune Telling. Lilith Dorsey joined us for the discussion and Bimbo Yaga moderated. What a wonderful evening!Since 1991, Lilith Dorsey has been doing successful magick for patrons of her business. She is editor/publisher of Oshun-African Magickal Quarterly, and filmmaker of the experimental documentary Bodies of Water:Voodoo Identity and Tranceformation. Lilith Dorsey is also author of Voodoo and Afro-Caribbean Paganism, The African-American Ritual Cookbook, Love Magic, and was choreographer for jazz legend Dr. John's “Night Tripper” Voodoo Show. In July 2013, she led her first ever Voodoo Zombie Silent Rave, complete with very confused Thriller flash mob. Please contact her at voodoouniverse@yahoo.com for information about psychic readings and services. Bimbo Yaga has graced our podcast many times, and you can follow her at @bimboyaga on Instagram.Thank you for listening to Romanistan podcast.You can find us on Instagram, TikTok, BlueSky, and Facebook @romanistanpodcast, and on Twitter @romanistanpod. To support us, Join our Patreon for extra content or donate to Ko-fi.com/romanistan, and please rate, review, and subscribe. It helps us so much. Follow Jez on Instagram @jezmina.vonthiele & Paulina @romaniholistic. You can get our book Secrets of Romani Fortune Telling, online or wherever books are sold. Visit romanistanpodcast.com for events, educational resources, merch, and more. Email us at romanistanpodcast@gmail.com for inquiries. Romanistan is hosted by Jezmina Von Thiele and Paulina StevensConceived of by Paulina StevensEdited by Viktor PachasWith Music by Viktor PachasAnd Artwork by Elijah Vardo

Against! is the first book-length study of Afro-Caribbean and African immigrant and second-generation writing in the United States. In it, Asha Jeffers evaluates the relationship between Blackness and immigranthood in the US as depicted through the recurring theme of rebellious Black immigrant daughters. Considering the work of Paule Marshall, Edwidge Danticat, Chimamanda Ngozi Adichie, and Taiye Selasi, Jeffers untangles how rebellion is informed by race, gender, ethnicity, and migration status. Immigrant and second-generation writers mobilize often complicated familial relationships to comment on a variety of political, social, and psychic contexts. Jeffers argues that rather than categorizing Black migrants as either immediately fully integrated into an African American experience or seeing them as another category altogether that is unbound by race, Marshall, Danticat, Adichie, and Selasi identify the unstable position of Black migrants within the American racial landscape. By highlighting the diverse ways Black migrants and their children negotiate this position amid the dual demands of the respectability politics imposed on African Americans and the model-minority myth imposed on immigrants, Jeffers reveals the unsteady nature of US racial categories. Asha Jeffers is Associate Professor in the Department of English, Gender and Women's Studies at Dalhousie University in Halifax, Nova Scotia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Sherese Francis (she/they), who describes themselves as an AlkyMist of the I-Magination, talks to Vegas K Jarrow aka Vijay R. Nathan about the beauty of the Afro-Caribbean mind.

Yemaya, also known as Yemoja, is one of the most revered and powerful divine spirits in various Afro-Caribbean religions, associated with fertility and motherhood. Yemaya is the goddess of the ocean and the mother of all living things, and is revered for her nurturing and protective nature. She is the source of and controller of all waters and is seen as the quintessential mother figure. For Further Reading: Yemonja: Yoruban Goddess of Rivers & Seas The History of Yemaya, Santeria's Queenly Ocean Goddess Mermaid Learning to Surrender: The Sacred Lessons of Yemayá Santeria: Definition, Meaning, History, & Facts This month, we’re talking about Maritime Madams. Whether through scientific study, aquatic exploration, or legendary prowess, they harnessed the power of the bodies of waters that cover our earth. History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn’t help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should. Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we’ll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more. Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Carmen Borca-Carrillo, Taylor Williamson, Sara Schleede, Paloma Moreno Jimenez, Luci Jones, Abbey Delk, Adrien Behn, Alyia Yates, Vanessa Handy, Melia Agudelo, and Joia Putnoi. Special thanks to Shira Atkins. Original theme music by Brittany Martinez. Follow Wonder Media Network: Website Instagram Twitter See omnystudio.com/listener for privacy information.

This summer, Finger Lakes Opera and Garth Fagan Dance are bringing a rarely heard 18th century opera to the stage in Rochester."The Anonymous Lover" was composed by Joseph Bologne, a Black composer, violinist, and fencer known as the Chevalier de Saint-Georges.Guest host Mona Seghatolaslami and her guests explore the opera's surprising history, how this production blends Afro-Caribbean and French court styles, and what it says about FLO's evolution.Our guests for the hour: Stephanie Havey, artistic director of Finger Lakes Opera Elizabeth Long, executive director of Finger Lakes Opera Norwood “PJ” Pennewell, artistic director for Garth Fagan Dance  Jonathan Pierce Rhodes, tenor

Welcome to Hot Topics! In this episode, we welcome back Renée Peña Lopez, an early childhood inclusion specialist, to share her journey of living with dyslexia and her surprising recent diagnosis of ADHD (Attention Deficit Hyperactivity Disorder). While our initial focus was on dyslexia, Renée's revelation about her comorbid ADHD adds a fascinating layer to her story.Renée reflects on her childhood experiences marked by perfectionism, where her struggles with comprehension, spelling, and writing were often overshadowed by her grandfather's insistence on academic excellence. She candidly discusses her late dyslexia diagnosis in college and the emotional challenges that accompanied it, including the impact of her learning difficulties on her self-esteem.Throughout the episode, Renée shares her coping strategies, such as utilizing dictation tools and seeking support from mentors, emphasizing the importance of understanding one's learning differences. She explores how her recent ADHD diagnosis intertwines with her dyslexia, offering insights into the unique experiences of women and girls of color navigating these conditions.Renée also dives into the cultural context surrounding learning disabilities, particularly within Black and Afro-Caribbean families, highlighting the need for better awareness and resources to support families dealing with learning differences. She critiques current educational practices regarding spelling and writing instruction and advocates for diverse learning strategies tailored to individual needs.As a parent herself and an educator, Renée reflects on her growth and the importance of empowering children to embrace their learning differences. She concludes the episode by encouraging listeners to seek help and explore their unique learning styles, fostering a culture of curiosity and understanding.Join us for a compelling conversation that champions resilience, empowerment, and advocacy for those navigating the complexities of dyslexia and ADHD.Who is Renée Peña Lopez?Renée Peña Lopez is an Early Childhood Inclusion Specialist, and proud Native New Yorker. She is a licensed special education early childhood teacher who has a passion for quirky learners such as herself. Renée attended Bard College for her B.A. in Dance and Integrated Arts (Video and Arts Education). While on her journey, she fell in love with Early Childhood working at an enrichment school, where the director took a chance on her and suggested she go into the field. She decided to attend Mercy College for (Birth-6th with Student with Disabilities). Now, Renée pulls from her creative background in dance and her vast experience in an array of classrooms from museums to progressive spaces to play-based models. She is also a Mama of a quirky and lovely kiddo who works with Families and Teachers of Littles to help them make sense of their Littles play by finding the magic that makes them shine. Together, we rethink inventions!You can find Renée:On the web: https://www.themagicoflittles.com/On Facebook: https://www.facebook.com/TheMagicOfLittles/On Instagram: https://www.instagram.com/themagicoflittlesOn Threads: https://www.threads.net/@themagicoflittlesOn Pinterest: https://www.pinterest.com/themagicoflittles/On LinkedIn: https://www.linkedin.com/in/renee-pena-lopez-9a93957Download "The Mighty Advocate Guide" for free: https://www.themagicoflittles.com/page/619933Purchase digital "Stay on Top of IEPs" Planner with 50% discount for our audience: https://www.themagicoflittles.com/purchase/212062-Stay-on-Top-of-IEPs-Planner/coupon/ASTEPAHEADRenee has a podcast called "The Magic of Littles with Renee Pena Lopez." Listen and subscribe here: https://podcasts.apple.com/us/podcast/the-magic-of-littles-with-renee-pena-lopez/id1460070377Watch this episode on YouTube: https://youtube.com/live/e_fziDUjflcRate this episode on IMDB: https://m.imdb.com/title/tt37610844/?ref_=ext_shr_lnk********************************************Follow Gabrielle Crichlow:On Facebook: https://www.facebook.com/gabrielle.crichlow On Instagram: https://www.instagram.com/gabrielle.crichlowOn LinkedIn: https://www.linkedin.com/in/gabrielle-crichlow-92587a360Follow A Step Ahead Tutoring Services:On Facebook: https://www.facebook.com/astepaheadtutoringservicesOn Instagram: https://www.instagram.com/astepaheadtutoringservicesOn X: https://www.x.com/ASATS2013On LinkedIn: https://www.linkedin.com/company/a-step-ahead-tutoring-services/On YouTube: https://www.youtube.com/@astepaheadtutoringservicesOn TikTok: https://www.tiktok.com/@asats2013On Eventbrite: https://astepaheadtutoringservices.eventbrite.comVisit us on the web: https://www.astepaheadtutoringservices.comSign up for our email list: https://squareup.com/outreach/a41DaE/subscribeSign up for our text list: https://eztxt.s3.amazonaws.com/534571/widgets/61fc686d8d6665.90336120.htmlCheck out our entire "Hot Topics!" podcast: https://www.astepaheadtutoringservices.com/hottopicspodcastSupport us:Cash App: https://cash.app/$ASATS2013PayPal: https://paypal.me/ASATS2013Venmo: https://venmo.com/u/ASATS2013Become a supporter of this podcast: https://www.spreaker.com/podcast/hot-topics--5600971/support Original date of episode: May 10, 2025

Gia Fu is a DJ, record collector, and music producer from Hong Kong. In this episode, she joins Albina Cabrera to explore the invisible bridges between Afro-Caribbean rhythms and the migrant histories of the Chinese diaspora. From her early encounters with Spanish and salsa as a university student to the creation of Canton Mambo, Gia shares a curated songbook that documents tracks referencing China and Asia within Latin music. Drawing from Cantonese heritage, Chinese folk traditions, and the New York salsa scene, Gia reimagines the archive through an affective and decolonial lens. She also reflects on “Lotus,” a composition that blends a traditional Chinese melody with arrangements by Ricky González and Nicky Marrero. Listen to this episode in English on the El Sonido: Cancioneros podcast feed and follow along with subtitles in Spanish on KEXP’s YouTube channel. An original KEXP production. Songbook curated by Gia Fu:“Hong Kong Mambo” – Tito Puente“Mambo de la Luz” – Orquesta de la Luz“Rush Hour in Hong Kong” – Louie Ramírez“Canton Mambo” – Gia Fu“Lotus” – Gia Fu Credits:Host & Producer: Albina CabreraProduction Assistant: Dev Vasquez GonzalezEditing & Mixing: Jackson Long & Albina CabreraEditorial Review: Dusty HenryEditorial Director: Larry Mizell Jr.Original Podcast Music: Roberto Carlos Lange (Helado Negro) An original KEXP production. Where the music matters.Support El Sonido: kexp.org/el-sonido Gia Fu es DJ, coleccionista de discos y productora musical nacida en Hong Kong. En este episodio, explora junto a Albina Cabrera los caminos invisibles que unen a la música afrocaribeña con la historia migrante de la diáspora china. Desde sus primeros acercamientos al español y a la salsa durante su juventud universitaria, hasta la creación de Cantón Mambo, Gia comparte un cancionero que documenta canciones sobre China y Asia dentro de los ritmos latinos. Con influencias que cruzan la cultura cantonesa, el folklore chino y la escena salsera neoyorquina, Gia Fu reimagina el archivo desde una mirada afectiva y decolonial. En este episodio también habla de “Lotus”, una composición que fusiona una melodía tradicional china con arreglos de Ricky González y Nicky Marrero. Escucha este episodio en inglés en el feed de El Sonido: Cancioneros y con subtítulos en español en nuestro canal de YouTube de KEXP. Una producción original de KEXP. Cancionero curado por Gia Fu:“Hong Kong Mambo” – Tito Puente“Mambo de la Luz” – Orquesta de la Luz“Rush Hour in Hong Kong” – Louie Ramírez“Cantón Mambo” – Gia Fu“Lotus” – Gia Fu Créditos:Producción y conducción: Albina CabreraAsistencia de producción: Dev Vasquez GonzalezEdición y mezcla: Jackson Long & Albina CabreraEdición editorial: Dusty HenryDirección editorial: Larry Mizell Jr.Música original del podcast: Roberto Carlos Lange (Helado Negro) Una producción original de KEXP. Donde la música importa. Apoya El Sonido: kexp.org/el-sonidoSupport the show: http://kexp.org/elsonidoSee omnystudio.com/listener for privacy information.

Belize is Central America's delightful oddball – an English-speaking Caribbean nation that happens to be on the mainland. This compact jewel wedged between Mexico and Guatemala offers pristine coral reefs, ancient Maya ruins, and jungle adventures, all wrapped up in a laid-back Afro-Caribbean vibe. With a population smaller than most cities, Belize feels like a well-kept secret where everyone knows everyone, and the biggest traffic jam involves golf carts.Love the pod? Get the guide! Out with each new podcast, we publish a guide to the country. Buy the TrodPod guide to Belize for just $3: https://www.patreon.com/TrodPod/shop/trodpod-51-guide-to-belize-1892275. Better yet, become a TrodPod member for just $5 a month and access TrodPod guides to every country in the world, released weekly with each new podcast episode! Sign up now: https://www.patreon.com/trodpod/membershipThanks for all your support!TrodPod is Murray Garrard and Elle Keymer. Sound editing by Leo Audio Productions. Design and marketing by GPS: Garrard Powell Solutions. Hosted on Acast. See acast.com/privacy for more information.

This Saturday on Select, Paris-based Apple Music host and DJ Naomi takes charge. Her sets are known for being irresistibly danceable, where Afro-Caribbean rhythms and bass music pulse through rap and R&B tunes. Naomi has been a resident of Rinse France since 2021, curating two monthly shows: Club Gems and R&B Gems. Her select set is an energetic summer-leaning mix of percussive, synocopated rhythms with deep bass cuts, and subtle nods to her hip-hop and R&B roots–a playful hour to warm you up through the festival season. The set features hard-hitting tunes like ‘LESSGO' by ABBEL and ‘Freak Like Me' by Ziggy Twiss.

A recent story from NYC documents two slaughtered chickens that were found on an Upper West Side median, following a recent similar case close by on Broadway and West 92nd Street. The NY Post reports that this “has activists worried they were killed in an animal sacrifice ritual.” Headless goats, chickens, and pigeons have also been found in Texas and Florida, respectively Galveston beach, a Tampa cemetery, Cape Coral, the Courtney Campbell Causeway - and other locations too.Most of these cases are tied directly or indirectly to Santería, an Afro-Caribbean religious practice that developed in Cuba during the 19th century. As a mixture of Yoruba religion from West Africa, Spiritism, and even Catholicism - like Voodoo -  it involves animal sacrifices. Contrary to popular belief or personally bias belief, the US SCOTUS ruled in Church of the Lukumi Babalu Aye v. City of Hialeah (1993) that certain animal sacrifices were legal. One opinion on the case reads: “Our review confirms that the laws in question were enacted by officials who did not understand, failed to perceive, or chose to ignore the fact that their official actions violated the Nation's essential commitment to religious freedom.”It's also ironic that Catholicism, a universal religion of people who drink symbolic blood and eat symbolic flesh, is the partial basis of Santería - and Voodoo; both condemned by the largely Christian west. The Corpus Christi and Transubstantiation are based on the concept of sympathetic magic, that life itself is in the blood, and that this force belongs to God as per Deuteronomy and Leviticus. Drinking the blood bestows life, i.e., it is a medicinal remedy, though of a more spiritual variety. That is despite the Bible itself being filled with and overflowing with animal blood, from Genesis to Revelation, and the fact Christians, far more than any other group, are considered the largest consumers of pork alone, not to mention other meats. And unlike HALAL or KOSHER dietary rules, Christians have none for the slaughter of their meals. Around 100,000 cattle are slaughtered daily in the US for the luxury of meat, along with 25 million chickens and 350,000 pigs. The worst part, estimates are that approximately 1/4 of all US meat is wasted annually. What's worse, religious animal sacrifice or gluttonous animal sacrifices that go to waste? Although Christians maintain the blood and flesh rituals, many distance themselves from the idea, while the Jewish custom of Kapparot involves the slaughter of a chicken and public sins. Animal sacrifice for strictly religious purposes and in honest faith - not to mention the symbolic nature of such sacrifices as they relate to the carnal self - are one thing, but the ritualized nature of abortion and body/organ harvesting is another.In South Africa it is common for some children, especially albino ones, to be sold or kidnapped for body parts and organs. Albinos are believed to contain good fortune within their body and blood. As Daily Mail reports: “those who believe in black magic and traditional medicine claim their fair skin and eyes can bring good fortune and cure afflictions.” Be it for religious rituals, health, or profit, Planned parenthood was also doing something similar as per undercover videos and singer like Azealia Banks performed live chicken sacrifices in her closest. In the last 15 years there have been multiple stories about Chinese-made infant flesh pills being smuggled into Korea. All throughout Europe during the 16h-17th centuries, without doubt, “many Europeans, including royalty, priests and scientists, routinely ingested remedies containing human bones, blood and fat as medicine for everything from headaches to epilepsy.” And as with Countess Elizabeth Báthory, who believed the blood of young women would protect her skin, Stanford scientists have found that “old mice given infusions of blood plasma from young mice outperformed old mice who got plasma from old mice.” In the 1960s the rubella shot was manufactured with a virus grown from human fetal cells, taken from an abortion case. *The is the FREE archive, which includes advertisements. If you want an ad-free experience, you can subscribe below underneath the show description.-FREE ARCHIVE (w. ads)SUBSCRIPTION ARCHIVEX / TWITTER FACEBOOKYOUTUBEMAIN WEBSITECashApp: $rdgable EMAIL: rdgable@yahoo.com / TSTRadio@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-secret-teachings--5328407/support.

In this vibrant and rhythmic episode of Dem Vinyl Boyz, we celebrate Cinco de Mayo with one of the most iconic voices in Latin music—Celia Cruz—as we spin her 2001 Grammy-winning album La Negra Tiene Tumbao. Known as the “Queen of Salsa,” Celia Cruz brought unmatched energy, charisma, and Afro-Caribbean flair to every recording, and this album is no exception. La Negra Tiene Tumbao blends salsa, Latin pop, reggaeton, and hip-hop in a way that was ahead of its time. The title track, with its hypnotic beat and empowering message, became one of Celia’s biggest late-career hits, earning her critical acclaim and a whole new generation of fans. Other standout tracks like "Hay Que Empezar Otra Vez" and "Pa' Arriba No Va" showcase her legendary voice, vibrant spirit, and unmatched ability to bring joy through music. In this episode, we honor Celia’s cultural legacy, discuss the production style that kept her sound fresh even in the 2000s, and reflect on how La Negra Tiene Tumbao remains a celebration of confidence, rhythm, and Latin pride. This record is more than music—it’s movement, tradition, and sabor. Join Dem Vinyl Boyz as we mark Cinco de Mayo by honoring the incomparable Celia Cruz and her timeless album La Negra Tiene Tumbao. ¡Azúcar!

Leah Manaema Avene is a Tuvaluan-Irish mother, researcher, musician, therapist, broadcaster and artist.Theresa ‘Tea' Angela is a Filipino-Australian artist, storyteller and wellbeing facilitator and the communications manager at MAV.Lauren Mullings is an Afro-Caribbean artist, writer and the CEO of MAV.We interviewed Leah, Tea and Lauren, as part of Multicultural Arts Victoria's Block Partee.We chat about:Everything being relationshipsCultural safetyHow productivity can destroy the creative processThe arts ecologyStretching and settling timeRetracing the history of MAVLand-based practiceUnpacking the violence of assimilationClosing your voiceThe larger than life characters that make up our livesArt threading all of life togetherHaving the space to speak our truthsHosted by: Maria Birch-Morunga and Kate RobinsonGuests: Leah Manaema Avene, Theresa Angela and Lauren MullingsMusic by: The Green TwinsEdited by: Kate RobinsonSpecial thanks: Multicultural Arts Victoria, City of Darebin, Creative Victoria, Creative Australia, Melbourne Polytechnic, Victoria Government and VicHealth's Future Reset Program.This podcast was recorded on the lands of the Wurundjeri Woi Wurrung peoples of the eastern Kulin Nations.You can find us on Instagram @beingbiracialpodcast or send us an email at beingbiracialpodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Oral history preserves the past by recording people’s real voices. It’s not just about recording the stories people tell. It’s also about the way they tell them. Oral history is about memory and humanity. It’s a form of history that anyone can be a part of. This hour, we’re talking to two Connecticut residents about the stories they have preserved through oral history. Author and educator Mary Romney-Schaab talks about her father's experience as a Black person imprisoned in a Nazi concentration camp. And Amanda Rivera, a PhD candidate in American Studies at Yale University, discusses the history of Connecticut's Puerto Rican communities. GUESTS: Mary Romney-Schaab: retired teacher and author of An Afro-Caribbean in the Nazi Era: From Papiamentu to German. The book details her father’s experience in a Nazi concentration camp during World War II Amanda Rivera: PhD candidate in the Department of American Studies at Yale University. Her work explores activism and education reform in Puerto Rican communities in southern Connecticut. See omnystudio.com/listener for privacy information.

This week, we're deep in the heart of historic Los Angeles as we investigate a possible haunting at a private residence off West Adams Street. Join us as we team up with paranormal investigator Matt Lytle and spiritual practitioners Thanya & Eugina Mercado for a night of energy shifts, spirit communication, and a traditional misa, a spiritual gathering rooted in Afro-Caribbean traditions.Is this house truly haunted, or is something else at play? Tune in as we peel back the veil and uncover what lies beneath the surface. Save 10% off of your tickets to Windy City Parafest this June by using the discount code : HOLLYWEIRD Click HERE for more details

Chef Wu keeps it spicy in and out of the kitchen. After running a successful Afro-Caribbean food catering business in London, she moved to Lagos to start Oùnję Co. — her hospitality consultancy firm. Braised ox cheek pepper soup, and plantain brûlée are some of the dishes she serves at private dinners, and on the side, she's on a mission to make Nigerian hospitality better ‘One Bite at a Time'. She chats with Ada & Lamisko about moving to Lagos and standing on (food) business.

Murph and Jaime Forza dive deep into the DEA's war on drug cartels, the military's role in law enforcement, and the high-stakes world of undercover operations. Jaime shares insider details on Operation Panama Express, a major international effort to dismantle drug trafficking networks. They discuss the importance of internal affairs in keeping law enforcement accountable, and the integration of military tactics into DEA missions. Jaime also reflects on his journey from the Navy to the DEA, sharing career-defining moments, leadership lessons, and the significance of attitude in achieving success. He reveals stories from his book, The Rules of Kongo, which explores the connection between crime and Afro-Caribbean religions, drawing from undercover cases and his personal experiences. This must-watch episode uncovers the hidden battles in the war on drugs, the challenges faced by undercover agents, and the power of leadership in law enforcement.

Mikaela de la Myco's groundbreaking research on psilocybin and motherhood reveals its potential benefits for mothers, challenging societal stigma around psychedelics in motherhood. By focusing on the rematriation of psychedelics, her work seeks to empower women and restore indigenous wisdom in the conversation about mental health and maternal care.Today, we take a compelling journey with co-founder Jimmy Nguyen as he engages in a powerful conversation with Mikaela de la Myco to learn about her groundbreaking research initiative, "Mothers of the Mushroom," which investigates the experiences of mothers who have engaged with psilocybin mushrooms during pregnancy, breastfeeding, or postpartum.Mikaela de la Myco is a mother, herbalist, educator, researcher, and facilitator whose work centers on ancestral healing, sacred earth medicine, and trauma-informed care.As the founder of MushWomb, she creates education and containers for birthing people, queer folks, and BIPOC. Based in the occupied Kumeya and Luiseno territory in San Diego, California, Mikaela draws from her indigenous Mexican, Afro-Caribbean, and Southern Italian roots to promote well-being. Professionally, she spearheads organizations like EcoSensual, the Herbal and Trauma-Informed Advocacy Training, Ma'at, the Matriarchal Alliance for Accountability and Transparency, and Mothers of the Mushroom Research and Resources for Psychedelic Families. Known as a maternal caretaker in her community, Mikaela collaborates with individuals, families, and organizations alike in the struggle to rematriate entheogens.No mushroom source? No problem. Download our Free Psilocybin Sourcing Guide.More Psychedelic Passage:Official WebsiteBook a ConsultationBlog PageYoutubeInstagram: @psychedelicpassage  Reddit: u/psychedelicpassageHave a burning topic in mind? Share your thoughts: Feedback & Topic Suggestions BoxAbout Us:Psychedelic Passage is the first psychedelic concierge service in the U.S., connecting clients with a vetted network of local, independent facilitators. As an independent body, we ensure no conflict of interest, advocating solely for you. Our rigorous vetting guarantees faci Join a supportive weekly microdosing community led by two expert psychedelic facilitators. Every Tuesday, you'll optimize your microdosing practice while connecting with like-minded club members. Your first month is only $19. That's four 1.5-hour meetings for only $19. Sign up now.

The Amazon River basin has long been a mystery to Brazil. Located far from the centers of business and power in the nation's southeast, the jungle provinces of the Brazilian north have long been ignored by the nation at large. But recently, Brazilians have discovered that the cities and waterways of the Amazon are home to some of the nation's hottest music. In this Hip Deep episode—a musical history of Pará state, where Afro-Caribbean influences have created a unique local flavor that connects the dots between Brazilian music and the rest of Latin America, we check out the guitar heroes of old-school Amazonian dance bands, investigate the origins of the early '90s lambada dance craze, and explore the bubblegum bass culture of tecno brega. Featured interviews with singer Gaby Amarantos, lambada revivalist Felipe Cordeiro and ethnomusicologist Darien Lamen, among others. APWW #691 Lead Producer: Marlon Bishop Assistant Production: Saxon Baird, Joe Dobkin