Podcasts about art dept

Welcome to Trilith Institute Talks!     In this episode of Trilith Institute Talks, host Hunter Barcroft speaks with Production Designer Kato Lawton, along with film students Austin and Andy, about their experiences on the ECR 2024 feature film 'A Mess of Memories.' The discussion delves into the parallels between method acting and production design, the creative process behind crafting detailed and immersive sets on an indie budget, and the personal backgrounds that led each guest to their current roles in the film industry. Key topics include the challenges of working on a hoarder's house set, the importance of understanding character for effective production design, and valuable lessons from past experiences that contributed to their current skills.       Episode Timestamps     00:00 Introduction to Method Acting in Production Design 00:35 Welcome to Trilith Institute Talks 01:06 Meet the Guests: Kato, Andy, and Austin 01:57 Kato's Journey to Production Design 05:04 Austin's Path to Filmmaking 09:40 Andy's Background in Theater and Film 11:52 The Role of a Production Designer 14:18 Challenges and Creativity in Indie Filmmaking 15:50 Building the Hoarder House Set 21:19 Leadership and Team Management in Production Design 27:30 Valuable Feedback from Non-Filmmakers 28:40 Happy Accidents in Filmmaking 29:56 Production Design Tricks and Techniques 31:35 Challenges of Filming in a Hoarder's House 34:57 Influences and Inspirations in Production Design 38:34 The Art Department Experience 47:48 Advice for Aspiring Production Designers 50:43 Conclusion and Final Thoughts     About Trilith Institute Support The Next Generation of Storytellers Take A Professional Education Course Get Involved With Trilith Institute Contact Us Follow Us On Social Media! Trilith Institute Talks Instagram Trilith Institute Instagram Trilith Institute Facebook Trilith Institute LinkedIn

Raphaelle Gamanho is a Production Designer whose journey began as a Graphic Designer with an art degree, opening the door to the art department at large. Here, like many individuals, Raphaelle is cross-trained in sets and props. Over the years, she has developed a focus in special effects including miniatures, fabrication, and practical in-camera effects. These days, she works on stop-motion and puppetry content as well as regular human-scale indie short films and features. Connect with Raphaelle:➡️ Instagram: @raphaellegamanho➡️ TikTok: @raphaellegamanhohttps://raphaellegamanho.com/About The Lot1 Podcast ✨The Lot1 Podcast is designed for anyone who is interested in or working in filmmaking. Whether you're just starting out or a seasoned veteran, we hope you gain the knowledge you need to improve your craft, achieve your filmmaking goals, or simply get an understanding and appreciation for the roles and duties of your peers and colleagues.Follow Us! ⤵️Instagram & TikTok: @thelot1podcasthttps://www.instagram.com/thelot1podcast/?hl=enhttps://www.tiktok.com/@thelot1podcast–Hosted byDeji Bankole (@deji_bankole)Christopher Henley (@henley_son)Produced byMina VazirianEdited byChristopher Henleyhttps://linktr.ee/thelot1podcast Hosted on Acast. See acast.com/privacy for more information.

The Milwaukee Vortex, DIY culture, “Yes, and...” Thinking In this special episode of Creative MKE, we're sharing conversations from a special event Imagine MKE hosted at Washington Park Media Center earlier this year. The event was a gathering of arts, culture and creative industry leaders brought together to discuss the strengths and opportunities of Milwaukee's creative culture. In the discussion, guests touch on: the waterways, walkability and park system in Milwaukee, the ease of DIY creation and collaborations and the simultaneous challenge of scarcity mindsets, and the magnetic power (or sports franchise potential?) of the “the Milwaukee Vortex.” This conversation features Linda Edelstein, Chief Executive Officer of Milwaukee Youth Symphony Orchestra; Kim Miller, artist and the chair of MIAD's fine Art Dept.; Darius Smith, Program Director, Gener8tor Art, also an artist, mental health advocate; Kantara Souffrant, Curator of Community Dialogue, Milwaukee Art Museum; Maureen Ragalie, Managing Director of Gener8tor Art; Jason Yi, professor at Milwaukee Institute of Art and Design, artist and gallerist at Hawthorn Contemporary; Xela Garcia, Executive Director of Walkers Point Center for the Arts, also an artist and writer; and Joe Poeschl, Director of Engagement at Milwaukee Tech Hub Coalition. Milwaukee Youth Symphony Orchestra Gener8tor Art Milwaukee Institute of Art and Design Milwaukee Art Museum Hawthorn Contemporary Walkers Point Center for the Arts MKE Tech Hub Coalition Greater Milwaukee Committee: The Commons Kristina Rolander Washington Park Media Center Stryv365Additional episode music: Tiger Technique "Oakvale of Albion"; Headspace Torus "Main Version 01"

It's a Matt & Oren episode! This week they dive into table reads, receiving notes, and movie prep!Matt's Endorsement: Black Magic Camera App & The Vice Guide To FilmOren's Endorsement: Using A.I. in the Art DeptContribute to the Just Shoot It Patreon and help the show.Send feedback or questions to @justshootitpod or justshootitpod@gmail.com.Follow Matt on twitter and instagram.Follow Oren on twitter and instagram.Wanna be on the show? Call us with a question at (262) 6-SHOOT-1, and we'll air your voicemail on the show.Show your support: rate and review us on iTunes. apple.co/2fl9ojySee who our guests are a week early on our instagram @JustshootItPodMusic was provided by the free music archive and by Jahzzar.Each week on Just Shoot It we interview your directors, screenwriters, editors, cinematographers, and actors, and learn how they became successful, working content creators. We'll share tips and stories of how people in the entertainment industry forced their ways into sustainable careers. We're all about getting off your butt and making your own videos. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Audio-only version of the YouTube video. One vital member of Jurassic Park's creative team was Caroline Quinn, the art department coordinator. While her career would later evolve as a set designer on projects like 'Buffy The Vampire Slayer', 'Curb Your Enthusiasm', 'Halloween Kills', and Zack Snyder's 'Rebel Moon'; 'Jurassic Park' was where everything began. Join us now as we discuss her role as an art department coordinator, and the adventure she went on to help bring 'Jurassic Park' to life! The perfect way to celebrate the 30th anniversary of 'Jurassic Park'! --- Support this podcast: https://podcasters.spotify.com/pod/show/jurassictime/support

Cinematography for Actors We teach actors the technical side of performance through education and community-building events. www.cinematographyforactors.com Bre's instagram: @breanna_wing Join the CFA Community, sign up to our newsletter: https://mailchi.mp/e27e1a2bc895/newsletter Cinematography for Actors was founded by an actor, Haeleigh Royall, and a cinematographer, Indeana Underhill, in Los Angeles. It's main platform is a unique online course program dedicated to helping newer actors and emerging filmmakers learn the technical of performance and gain knowledge for future on-set experiences.  They have created classes such as, “An Actor's 101 Guide to Lenses,” “Camera Movement: Working with an Operator”, and “The Emotional Impact of Eyeline”.  In addition they host community-building events that foster authentic industry connections. --- Support this podcast: https://podcasters.spotify.com/pod/show/cinematographyforactors/support

In this episode of The Directors' Take podcast, your hosts Oz Arshad and Marcus Anthony Thomas are joined by Director Sarmad Masud, whose credits include Hollyoaks, Channel 4's Ackley Bridge, BBC's You Don't Know Me and Sky's Bulletproof. He also wrote and directed the indie feature My Pure Land which he shot in Pakistan.    Sam takes us through:   -His early start back in 1999 at Hull School of Art and Design. -The journey to find his voice and make shorts whenever he could. -Missteps, mistakes and finding a way. -His successful short film, TWO DOSAS (Himesh Patel) funded by Film London and was voted best film in their London Calling Plus category by David Yates. -Struggles to get a job which lead to him working as an Art Dept runner.  -The long arduous journey of making his debut indie feature MY PURELAND. -Having lunch with his man crush, Danny Boyle. -Beginnings of his TV career and shooting Hollyoaks and Ackley Bridge.   Sam most recently directed all four episodes of You Don't know Me, a brand new drama series for Snowed-in Productions, written by Tom Edge. It is based on the bestselling novel by Imran Mahmood and aired on Sunday 5th December at 9pm on BBC One.Sam previously directed the Bulletproof  Special for Vertigo and Sky set in Cape Town, having also directed the Season 2 finale. He also recently directed on Ackley Bridge  for The Forge and Channel 4. His first feature My Pure Land,  is set and filmed in Pakistan and based on the extraordinary true story of one woman and her family who defended their home and land from 200 bandits. It premiered at the Edinburgh International Film Festival and was the UK submission to the Oscars in the Foreign Language category.     Credits Music by Oliver Wegmüller   Socials Instagram: @TheDirectorsTakePodcast Twitter: @DirectorsTake Sam's twitter: @Sammasud37 If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com.

Barely Breathing was published as part of the short story collection After the Flood, which was released by CCLaP in 2014. The collection represents Part Three of the linked short story collection UPSTATE re-released in 2020 by Tortoise Books (and originally released under the title The New York Stories by CCLaP in 2015). Barely Breathing is read by Tim Walikis (BIO below). INTRO/OUTRO music is Drinking of Me and was generously provided by Monkey Wrench. READER BIO Tim Walikis aka [OMIT], Timo, Slick Wilson, etc…is an artist, sculptor, musician, and Art Dept. Scenic artist for films. Member of local 829. He has exhibited his art in New York and California. Tim has played guitar bass and sang in multiple bands in New York and California. He has been in the Buffalo band Monkey Wrench since 1989. Tim is from Upstate NY, but has lived in San Diego, Los Angeles, Lake Tahoe and Buffalo. https://www.tanzerben.com/blog/upstate-the-podcast

Its episode 148! And it is the first constant episode in a while and we go off!    Joining us today on the show is some regulars once again! We have Props Papi Fredy on the show and motivated, also joining us once again is G money Grant!   A big subject we go through this episode is talking about what position we would take up in the film industry if we weren't in the PROPS dept. Also adding a rule is stating that Art Dept. as a whole is completely off limits. The answers may surprise you.     As always we get into the topic of recent releases and rumored movies and tv shows. We tell a few new fail stories.   A big subject for TV and Movie news is our anticipation for the 2023 Academy awards and what shows to look out for and watch as we approach!   For the first time in a long time we do Movie in a jar and it probably is the best movie pitch we have ever come up with. Its action packed and scary and sexy.   Be sure to check out our new sponsor, if you want to buy or sell music, beats or sounds Beat Stars is your place. it is pretty much the only place to do it. It is pretty much the etsy for music.   Go to beatstars.com/sell-beats and open your own shop. Use promo code "Hollywood" during check out and your first month free!   We are proud members of the Inner Circle Podcast Network. If you like our podcast you will love any podcast in our inner circle family. To check out us or any of the other shows visit innercirclepn.com and subscribe on social media @innercirclepn Check out all of our Inner Families best shows   The Plunge Shit Happens When You Party Naked Simmons and Moore Podcast The Untrained Eye The Hood Diner Podcast The Angry Dad Podcast Creatures of the Night     Follow us on Instagram: @failinghollywood     Facebook: @failinghollywoodpodcast     Twitter: @failinghollywoo     Email us: failinghollywoodpodcast@gmail.com   Also make sure you check out the All Bros Podcast anywhere podcasts are found!   We have a new Message hotline Number! call us with and fail stories or questions or thoughts :‪(626) 657-8582‬      If you are listening to us please rate us and review us, any feed back really helps.

Born to a single, loving, hippie mother and possessing a Bachelor of Fine Arts degree from Rutgers, Brandi Merolla didn't recognize the brightly lit storefront at 4th & Broadway. She was on her way home in the fall of 1983 when she came upon this neon temple. As she walked up to open the door, she saw a sign that said “HELP WANTED”. Brandi asked for an application and when the clerk at the Info Desk saw her resume and her art background she told Brandi “Why don't you apply for the Art Department?” Brandi had no idea that this new, huge record store employed artists and soon her life would change in a way she couldn't imagine. On this week's episode, Brandi Merolla takes us through her time at Tower during the infancy of Store 125 in The Village and all the opportunities and events she was a part of during this fascinating time in Tower's history. Brandi created backdrop displays for the in stores of Iggy Pop, Fela, Kate Bush, The Cure, Souxsie & the Banshees, Lou Reed, Paul Young, Violent Femmes, Timbuk 3, Samantha Fox, and Max Roach.4th & Broadway's front window was prime NYC real estate and Brandi tells us about a time she got a thumbs up from an artist whose  work she recreated in the window and then later collaborating with The Beastie Boys for their window display before their debut “Licensed To Ill” came out. Hint: They didn't get everything they wanted. Hers is a story of opportunity, loss and ultimately redemption. When Brandi left Tower, it wasn't on her terms. But despondent over losing this $4.25 an hour job she would have gladly continued to work, someone whispered in her ear that this was the best thing that could have ever happened to her. Soon Brandi was taking all of the skills she learned at Tower and making foam core displays for 90% of the record labels based in NYC. She also parlayed this into a position with FAO Schwartz and a 20 year affiliation with The Howard Stern show where she has probably been exposed to more foam core displays of Gary Dellabate's teeth than anyone in the tri-state area. Join us for this fascinating story on “2500 DelMonte Street: The Oral History of Tower Records”.   Also, we open this week's episode with a tribute to Patti Drosins, wife of Russ Solomon who passed away at the end of November 2022. 

The Art Dept - Kerry Mackay is co-founder of an enterprise to keep art education alive and growing in Dunedin. Broadcast on Otago Access Radio www.oar.org.nz

On todays pod I talked to Mikey from Boss Dog art dept. One of my favorite artist/clothing brands. We talked about Growing up in Portland, Living in the desert, the work it took to make Boss Dog a full time job, the constant struggle to keep creating and staying happy with your passion. We talk about mental health and the decision to make the Boss Dog brand a positive source and not following the trends. It was awesome to talk to the Boss Himself. Follow all things Boss Dog @ https://bossdogart.com/ https://www.instagram.com/bosssdog/ This podcast is sponsored by Salzer's records https://www.salzers.com/ Email us at: getheavypodcast@gmail.com Listen to audio on all major Podcast formats. Please rate and review. Watch us @ https://www.youtube.com/channel/UCo8wwIF25p2miEG2neoUv2w/ Follow All things Heavy @https://linktr.ee/Getheavypod Enjoy Craig --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/getheavypodcast/support

This is the last episode of “Season 1” of Murder All Media. The end of an era, the “Schlocky” era to be more specific. Zach “Schlocky” Mills decided to leave the show shortly before recording the Euphoria episode. We have the last installment of his famous Radio Theatre that will hopefully shed some light on what went down…or what the future holds. Oh…and we talked about Euphoria with two close friends of Travis and huge fans of the show (Molly Cohen and Aaron Pagniano). As well as an interview with Rikki Longanecker who was the Art Dept. Coordinator on the special episode that aired back in January. And Dan J Winn…is Dan J Winn. Enjoy!

Melati Suryodarmo, (b. 1969, Solo, Indonesia) graduated from the Hochschule für Bildende Künste Braunscheweig, Germany under the tutelage of Marina Abramović and Anzu Furukawa with a Meisterschüler qualification in Performance Art. Her practice is informed by Butoh, dance and history, among others. Her work is the result of ongoing research in the movements of the body and its relationship to the self and the world. These are enshrined in photography, translated into choreographed dances, enacted in video or executed in live performances. Suryodarmo is interested in the psychological and physical agitations that may be from the self or the world but somehow result in lasting change the individual. This belief in change or growth through bodily action belies her early induction in meditation, which she continues to practice. The body is the home for memories and the self, rather than the individual itself, and the body's system. The way the body translates internal and external ideas enriches the attitude and thoughts of the self. Meeting Furukawa, an accomplished Butoh practitioner, had opened her eyes on the expressive qualities of the body, a form of communication that transcends verbal language. This experience has motivated her lifelong studies into Butoh and other artistic forms concerned with the human body. As a trained performance artist, presence is integral to the accomplishment of Suryodarmo's work in all mediums. The senses picks up non-verbal inputs and receive them as communication of intent, emotion, energy or identity. These non-verbal inputs open the door to sensitive and individual perception and the creation of presence. However, everyone processes these inputs differently and interpret them differently based on their unique consciousness. By compiling, extracting, conceptualising and translating some of these factors of presence that she recognises into her work, she intends to tease open the fluid border between the body and its environment. These movements are understood through the metaphor of poets, who similarly assembles words and spaces to create their poetry. Suryodarmo draws inspiration from her real experiences in the world. The path of history informs her perception of the everyday and the now. Her works often reflect the process that lead to current events, be it political, global or highly personal. In her abstracted gestures and poetical acts, the presence of each work is brought to a concentrated level of intensity. In abstracting these acts from their common context, they are made to correspond with new associations and sometimes identify radically with different meanings. The works' abstract narrative throws the spotlight on the audience's bodily response. This often results in a level of factual absurdity in the work, which is acknowledged and welcome. Suryodarmo has presented her work in various international festivals and exhibitions, including Reanacting History: Collective Actions and Everyday Gestures (2017), National Museum of Contemporary Art Korea, Gwacheon, South Korea; SUNSHOWER: Contemporary Art from Southeast Asia 1980s to Now (2017), National Art Centre Tokyo & Mori Art Museum, travelled to Fukuoka Art Museum, Japan; AFTERWORK (2016), Para Site, Hong Kong, travelled to (2017) Ilham Gallery, Kuala Lumpur, Malaysia; East Asia Feminism: FANTasia (2015), Seoul Museum of Art, Seoul, South Korea; 8th Asia Pacific Triennale (2015), Queensland Art Gallery & Gallery of Modern Art, Queensland, Australia; 5th Guangzhou Triennale (2015), Guangzhou, China; The Roving Eye: Contemporary Art from Southeast Asia (2014), Arter, Istanbul, Turkey; Medium at Large (2014), Singapore Art Museum, Singapore; Luminato Festival (2012), Toronto, Canada; Beyond the Self: Contemporary Portraiture from Asia (2011), National Portrait Gallery, Canberra, Australia; Marina Abramović Presents… (2009), Manchester International Festival, Manchester, U.K.; Incheon Women Artists' Biennale (2009), Incheon, South Korea; Manifesta 7 (2008), Bolzano, Italy; Wind from the East: Perspectives on Asian Contemporary Art (2007), Kiasma, Helsinki, Finland. Since 2007, Suryodarmo has been organizing an annual Performance Art Laboratory and Undisclosed Territory, a performance art festival, in Solo, Indonesia. In 2012, she founded “Studio Plesungan”, an art space for performance artists to use as a laboratory. In 2017, she served as Artistic Director for Jiwa, the 17th Jakarta Biennale. She currently lives and works between Gross Gleidingen, Germany and Solo, Indonesia.Artist StatementThe world that inspires me to move my thoughts is the world inside me. The body becomeslike a home which functions as container of memories, living organism. The systeminside the psychological body that changes all the time has enriched my idea to developnew structures of attitude and thoughts. I try to perceive my surroundings as the fact ofthe real presence of now, but considering the path of its history. I try to understand thelanguage that are not spoken, and opens the door of perceptions. I respect the freedom inour minds to perceive things coming through our individual sensory register system.Crossing the boundaries of cultural and political encounters has been a challenge thatstimulates me discovering new identification. An effort to find identity is yet a dangerousact of losing the ground of origin. For me, the process of making artwork is a life long researchthat never stops me to put myself inside the metamorphic constellation. I intend totouch the fluid border between the body and its environment through my art works. I aimto create a concentrated level of intensity without the use of narrative structures. Talkingabout politics, society or psychology makes no sense to me if the nerves are not able todigest the information. I love it when a performance reaches a level of factual absurdity.Melati Suryodarmo's performances have been dealing with the relationship between ahuman body, a culture in which it belongs to and a constellation where it lives. Through thepresence, she compiles, extracts, conceptualized and translates some phenomenon orsubjects into movement, actions, and gestures that are specified to her performance. MelatiSuryodarmo´s performances concern with cultural, social and political aspects, inwhich she articulates through her psychological and physical body. Her performances featureelements of physical presence and visual art to talk about identity, energy, politics andrelationships between the body and its environments.Melati Suryodarmo studied at the Hochschule für Bildende Künste Braunschweig, Germanyunder Marina Abramovic.Suryodarmo has presented her works in various internationalfestivals and exhibitions since 1996, including the 50th Venice Biennale 2003, Marking theterritory, IMMA Dublin. e.t.c. In 2005, Melati Suryodarmo has performed at the Van GoghMuseum Amsterdam, during the Exhibition of the Life of Egon Schiele in 2005; VideobrasilSao Paolo (2005), Haus der Kulturen der Welt Berlin, 52nd Venice Biennale dance Festival(2007), KIASMA Helsinki (2007), Manifesta7, in Bolzano, Italy (2008),and In Transit festival,HKW Berlin (2009), Luminato festival of the arts, Toronto, (2012), Asia Pacific Triennale,Qagoma Brisbane (2015), Guangzhou Triennale, Guangdong, China (2015); SingaporeBiennale, Singapore, (2016). Since the last six years, Suryodarmo has been presenting herworks in Indonesia and other South East Asian countries. For the Padepokan Lemah PutihSolo Indonesia, she has been organizing an annual Performance Art Laboratory Projectand “undisclosed territory” performance art event in Solo Indonesia since 2007. In 2012,she founded “Studio Plesungan” an art space for performance art laboratory. She wasworking as the Artistic Director of the Jakarta Biennale 2017, one of the core visual artsbiennale in South east Asia.Melati Suryodarmo CV info@melatisuryodarmo.comMelati Suryodarmoinfo@melatisuryodarmo.comwww.melatisuryodarmo.comSTUDIO PLESUNGANDesa Plesungan RT03 RW02Plesungan, GondangrejoKaranganyar 57773Jawa TengahIndonesia--------------------------------------------------------------------------------------------------Born 12. July 1969 in Surakarta IndonesiaLives and works in Surakarta, IndonesiaEducation2016 - PhD Candidate in Artistic Research / Art as Practice Phd. at the Institute of theArts Surakarta Indonesia2001 - 2002Postgraduate Program (Meisterschule) in Performance Art at the Hochschulefuer Bildende Kuenste, Braunschweig, Germany, under prof. Marina Abramovic1994- 2001Study of performance art and sculpture under Prof.Anzu Furukawa, and Prof.Marina Abramovic. Degree in Fine Art at the Hochschule fuer Bildende Kuenste,Braunschweig, Germany1993Degree in International Relations Studies, Faculty of Politic and Socio Sciences,UniversitasPadjadjaran Bandung, IndonesiaExhibitions and Festivals |selections|2020- Marina Abramović + MAI Akış / Flux, Akbank Sanat Exhibition Program, Istambulk,Turkey- “Why Let the Chicken Run?”, Solo Exhibition at Museum of Modern Art and ContemporaryArt Nusantara (MACAN), Jakarta2019- “Memento Mori”, Solo Exhibition at Singapore Tyler Print International (STPI)Singapore- “Gandari”an opera by Tony Prabowo, as director and choreographer, Graha BaktiBudaya, Taman Ismail Marzuk, Jakarta- “Contemporary World”, Naional Gallery of Australia, Canberra, Australi- “Orfeus”, dance choreography, Komunitas Salihara, Jakarta- “Kontraksi: Pasca Traditionalisme”, pameran besar Nusantara, National Gallery ofIndonesia, Jakarta- “Arus Balik”, Centre of Contemporary Arts, Gilmann Barracks, Singapore- “All About Eve”, 2nd Women show at the Indonesia Luxury, Jakarta- “+63 / +62”, Silverlens Gallery, Manila, the Philippines2018- “Luminous Emptiness”, dance choreography in collaboration with Katsura Kan(Japan), Bo- robudur Writers and Cultural festival, Borobudur, Indonesia- “Sakhsat”, dance choreography, Solo International Performing Arts (SIPA) Festival,Solo, Indonesia- “Sweet Dreams Sweet”, performance, Hamburger Bahnhof - Museum for ContemporaryArts, Berlin, Germany- “I Love You”, Solo exhibition, Shanghart Gallery, Beijing, China- “Dance in Asia”, Osaka Creative Center, Osaka, Japan- “Timoribus” , Solo Exhibition, Shanghart Gallery , Singapore2017- “Amnesia” , Performance Klub, Europalia 2017, at S.M.A.K, Gent, BelgiumMelati Suryodarmo CV info@melatisuryodarmo.com- “Tomorrow As Purposed”, Dance Performance, Flammish Royal Theatre, KVS, Brussels,Belgium- “Self Portrait”, group exhibition, Mind Set Art Centre, MSAC, Taipei, Taiwan- “Re-enacting History: Collective Actions and Everyday estures”, National Museum ofModern and Contemporary Art (MMCA), Gwacheon Seoul, South Korea.- “First Sight” at Museum Museum, Jakarta- “Political Acts”, AsiaTopa, Melbourne Art Center, Melbourne, Australia- “Sunshower” - Contemporary Art in South East Asia - National Art Centre Tokyo, Japan- “Vertical Recall” dance performance, as choreographer at the Helatari, Salihara, Jakarta- “After Works”, Ilham Museum, Kuala Lumpur2016- “Behind the Light”, Singapore Biennale, SAM Singapore- “Transaction of Hollows”, Lilith Performance Studio Residency , Malmo, Sweden- “Your Otherness, I've never been so East”, dance piece, Hexentanz Festival, Sophiensale,Berlin- “Tomorrow as Purposed”, as choreorapher and director of dance production and researchinvolving dancers, musicians, at Indonesian Dance Festival, Jakarta- “Melati Suryodarmo” Solo Exhibition at Il Ponte Contemporanea, Rome, Italy- “undisclosed territory#10” as Facilitator at Studio Plesungan- “ In Silence”, a group exhibition at Pearl Lam Gallery in Singapore- “Amnesia” - Solo performance and exhibition, Galerie Ark, Jogyakarta, Indonesia- Paper Trail - South East Asia Works on Paper. Galery Sangkring, Jigyakarta, Indonesia- After Works, Para-Site, Hongkong- Costume National : Contemporary Art from Indonesia, Gallerie SAW Ottawa, Canada2015- Asia Pacific Trienial 8, Qagoma, Brisbane, Australia- I See You See Me, Treshold Gallery, New Delhi, Indiea- Sisyphus, a dance piece choerographed and directed by Melati Suryodarmo at DeSIngel, Antwerp, Belgium. Sisyphus, a dance piece choerographed and directed by Melati Suryodarmo at FrankfurtLab, Frankfurt, Germany- 5th Guangzhou Trienial and 1st Asia Bienial, Guanzhou, Guangdong, China- Oz Asia Festival , Adelaide, Australia- Melati Suryodarmo's Video Works, solo exhibition, Contemporary Art Centre of SouthAustralia (CACSA), Adelaide- FantAsia, Seoul Museum of Art, Seoul, South Korea- ArtJog 2015, In FLux, Yogjakarta, Indonesia- Tokyo International Performing Arts Meeting, Yokohama, Japan2014- “APBF Signature Award 2014 Exhibition” , Singapore Art Museum, Singapore- “Indonesian Dance Festival 2014”, Teater Kecil Taman ismail Marzuki, Jakarta- “Marina Abramovic Performance Exhibition”, Fondation Beyeler, Basel, Switzerland- “Rowing Eye- Contemporaray art from South East Asia”, Arter, Istanbul, Turkey- “Domestication”, Kayu, Lucie Fontane Foundation, Bali, Indonesia- “Sensorium 360°”, Singapore Art Museum, Singapore- - ArtJog 2014, Taman Budaya Yogyakarta- “Video Art at Loop”, Loop, Casa Asia, Barcelona- “ArtJog”, Taman Budaya Yogyakarta, Yogjakarta, Indonesia- “Fokus+Indonesia”, Muzeum Narodowe w Szczecinie, Szcezin, Poland- “K.R.O.P.P”, Uppsala Konsert & Kongress, Uppsala, Sweden- “China Festival”, Haus am Ufer HAU 2, Berlin- “Medium at Large”, Singapore Art Museum, Singapore- “Today and Tomorrow: Indonesia Contemporary Art”, Yallay Galery, HongkongMelati Suryodarmo CV info@melatisuryodarmo.com2013- Gambar idoep- video art exhibition, galeri Semarang, Semarang Indonesia- „development“ group exhibition, at TNS Foundation, Gdansk, Poland- ArtJog 2013, Taman Budaya Yogyakarta- „undisclosed territory #7“ padepokan Lemah Putih, Solo, Indonesia- „ Slapstick“, Performance Program, Kunst Museum Wolfsburg, Germany- re-act feminism #2, Fundació Antoni Tàpies, Barcelona, Spanien; Akademie der Künste,Berlin, Deutschland- „Die auf dem Boden Liegenden, liegen gelassen - The lying on the floor, abandoned tolie“, Künstlervereinigung MAERZ, Linz, Austria.- „Pressing“ Fondazzione @videoinsight, Turin, Italy- „Market Forces“, Osage Gallery, Hong Kong2012„I am a ghost in my own house“, Solo exhibition at Lawangwangi Art foundation, Bandung,Indonesia„Transart 2012 Festival“, performing John cage‘s Songs Books,in colaboration with NataliaPschenitschnikova, MAS Museum Ötztal, Bolzano, Italy„Homoludens“, group exhibition at Galeri Emmitan; Surabaya„Tai Ping Quo“, Parasite and Spring Workshop, Hongkong.„Performance Platform Lubiln 2012“, Galeria Labirynt, Lublin Poland„Insight“, Group exhibition at Kuntraum, Vaduz, Lichtenstein„Beethoven Marathon-in collaboration with Stewart Goddyear“, Luminato Festival, KoernerHall RCM, Toronto„Flow“, group exhibition, Gallery Michael Janssen, Berlin„domestic stuffs“, group exhibition at Galeri Salihara, Jakarta; Cemeti Art House Yogyakarta.„ZEITGEIST“- Galeri Seni Bataviasche Kunstkring, Jakarta„Reclaim.doc“, group exhibition at Jakarta National Gallery, Jakarta„re.act.feminism #2“ - a performing archive at the Galerija Miroslav Kraljević in Zagreb,Croatia, Museet for Samtidskunst Roskilde, Denmark; Galerija Miroslav Kraljević Zagreb,Croatia; Instytut Sztuki Wyspa Gdańsk, Poland; Tallinna Kunstihoone Tallinn, Estonia„Beyond the Self“,McClelland Gallery and Sculpture Garden, Langwarrin, Victoria; theAnne and Gordon Samstag Museum of Art, Adelaide, Australia„Acts of Indecency“, solo exhibition at Art Dept, VWFA Jakarta, Indonesia2011„Bienalle Jogja XI“, Jogjakarta, Indonesia„Beyond Pressure IV“ performance art festival; Yangoon and Mandalay, Myanmar„Beyond the East: Indonesian Contemporary Art“ Museo d‘arte Contemporanea Roma,Rome, Italy„Performance Hautnah“, Kunstlerforum, Bonn„Performance I Bibliotek“, Kunstbanken Hedmark Kunstsenter, Hamar, Norway„Kunst Hier und Jetzt“, Algemeine Konsumverein, Braunschweig„re.act Feminism vol. II“, 2011 -2013, Centro Cultural Montehermoso, Vitoria-Gasteiz,Spain„Between Sky and Sea III“ Hergla Island, Norway„hijacking TV“ video exhibition at Gallery Salihara, Jakarta„Beyond the Self“, National Portrait Gallery, Canberra; Australia“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Villa Tobler, Zürich, Switzerland.„Absence“, Manila Contemporary, Manila, the Philippines„Almost There“, a dance choreography piece, World Dance Day Festival, at Teater BesarInstitut Seni Indonesia Surakarta, Indonesia„A Feather Fell down from the Silence“, at R.I.T.E.S, Substation, Singapore„Negotiating Home, History and Nation“ Two Decades of Contemporary Art from SouthEast Asia 1991 - 2010, Singapore Art Museum, Singapore„undisclosed territory#5“, Padepokan Lemah Putih, Solo IndonesiaMelati Suryodarmo CV info@melatisuryodarmo.com„Performance Art Laboratory (PALA) Project“, Padepokan Lemah Putih, Solo Indonesia2010“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, de Internationale Keueze, International Theater Festival, Rotterdam, theNetherlands“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Bern Biennale, Haus der Universität, Bern, Switzerland„Ugo“ for One Night Stand, curated by Myriam Laplante, Fundazione Volume, Rome, Italy“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Tanz Im August, Berlin“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Alcantara Festival, Lisabon, Portugal"Lilith Performance event", Lilith Performance Studio, Malmoe, Sweden“Grenzart”, Kirschau, Germany“Exergie- butter dance – extended” , Asian Body festival, Moderna Dans Teatern, Stockholm“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Maisson des Arts de Schaerbek, Brussels“trouble-festival”, Les Halles, Brussels„Indonesian Contemporary art Showcase“ Art Paris - Grand Palais, Paris“undisclosed territory #4”, Padepokan Lemah Putih, Solo, Indonesia“PALA Project 2010”, Padepokan Lemah Putih, Solo, Indonesia“Ugo” solo performance at „mobilized Performance Series“, Mobius, Boston, MA, USA2009“On the Way”, Artrend, Taipeh, Taitung (Dulan), Kaoshiung, Tainan; Taiwan“Asiatopia 11th”, Bangkok Center for Art and Culture, Bangkok, Thailand“Kunstbanken”, Kunsthalle, Hamar, Norway"International Incheon Women Artists Biennale", Incheon, South Korea“European Performance Art Festival”, Centre for Contemporary Art, Warsaw“Farewell Angel”, Lilith Performance Studio, Malmoe, Sweden“International Performance Art Festival”, Turbinen Halle, Giswill, Switzerland“East West Project via Belfast”, Platform Art, Bbeyond, Belfast, Northern Ireland“East West Project”, Kaskaden Kondensator,Basel, Switzerland"CUT - South East Asian Contemporary Photography", Kuala Lumpur, Singapore, Manila“Art of the Encountering”, Gebläser Halle, Ilsede and Hildesheim, Germany“Marina Abramovic Presents…”, Whitworth Gallery, Manchester International Art Festival,Manchester, UK“InTransit 09”, Haus der Kulturen der Welt, Berlin, Germany“Momentum”, Le Bain Connective, Brussel“Performance Art Laboratory Project” 2009, Bali, Indonesia“undisclosed territory#3- performance art event” Solo, Indonesia“Pathological Aesthetic” symposium at HAN, Nijmegen, Holland2008„Ex-teresa Arte Actual“, International Performance Art Festival, Mexico City, Mexico“Intimate Strangers”, with the Damaged Goods Company, Brussels.“Asiatopia 10 – international performance art festival” Bangkok“Future Of Imagination 5” Sculpture Square, Singapore“ZOOM” performance Art Festival, IPAH, St. Jacobi Kirsche, Hildesheim“Memorabilia”, performance project, TBS, Solo, Indonesia“Between Sky and Sea-II” Herdla Island, Norway“Tanz im August/sommer.bar,” Podewil, Berlin, Germany“Sincere Subject”, SIGIARTS Gallery, Jakarta, Indonesia“Emerging discourse- performance mimicry II”, Bodhiart, New York City“Manifesta7”, European Biennial, Ex-Alumix, Bolzano, Italy“Friktioner”, at City Gallery, Uppsala Art Museum, Uppsala, Sweden“MADE Festival”, Nordlandsoperan, Umea, Sweden“Solitaire”, Solo exhibition, Valentine Willie Fine Arts at Annexe, Kuala Lumpur, MalaysiaMelati Suryodarmo CV info@melatisuryodarmo.com“undisclosed territory#2”, Padepokan Lemah Putih Solo, Indonesia2007“Perception of Patterns in Timeless Influence”, Lilith Performance Studio, Malmö, Sweden.“eBent 07 Festival”, off*ample, Passage de la Paz, Barcelona“Insomnia”, Nuit Blanche, Le Gènerateur, ParisTravelogue “Flying Circuss Project”, Theatreworks, Singapore and Ho Chi Minh City, Vietnam“Performance Intermedia”, Sczecin, Poland and Berlin“The Curtain Opens: Indonesian Women Artists”, National Gallery, Jakarta, Indonesia“Anti Aging”, Gaya Fusion Gallery, Bali, Indonesia“Erotic Body”, Venice Biennale Dance Festival, Venice, Italy“15th Performance art Conference”, Bali, Indonesia“undisclosed territory”, performance art event, Solo, Indonesia(N)ever Mind, Video Exhibition, Viavia, Jogjakarta, Indonesia“Wind from the East - Perspectives on Asian Contemporary Art”, National Gallery/Museumof Contemporary art, KIASMA, Finland2006“Disposal on Arrival- Indonesian Contemporary Arts”, Grace exhibition Space, New York,USA“Exergie-butter dance”, Performance Space, Sydney, Australia“Deformed Ethic of a Relationship 3.0 for DormArt” with Oliver Blomeier, Depot, Dortmund“Accione 06”, Madrid, Spain“Deformed Ethic of a Relationship 1.0”, with Oliver Blomeier, Galerieturm, HelmstedtGipfeltreff, Kaskaden Kondensator, Basel, Switzerland“Loneliness in the Boundaries”, Solo Exhibition, Cemeti Art House Jogjakarta, Indonesia.“Exegie – Butter Dance”, Goethe Institut, Jakarta, Indonesia2005“Räume und Schatten”, Haus der Kulturen der Welt, Berlin“Kunst Forum Berlin”, Art.es, Berlin“15th International Electronic Art Festival – Video Brasil”, Sao Paolo, Brasil“ 19th Festival Grad Teatar Budva”, Budva, Serbia and Montenegro“Navigate – live art”, BALTIC & Stubnitz, Gateshead Newcastle, UK“La Galleria dell'Amore”, Galleria Civica Trento, Italy“Gifted Generation”, HAU1 Hebbel Theater Berlin, Germany“International Performance Festival Salzau”, Schloss Salzau, Germany“Retrospective of the work of Egon Schiele – the SHELF” – in collaboration with MarinaAbramovic, Van Gogh Museum Amsterdam, Holland.“Der Sekundentraum – opening of Kunstmuseum Stuttgart”, Wüttembergischem KunstvereinStuttgart, Germany2004“Nude with skeleton”, MARTa Herford, Germany“Retrospective” Galerie der HBK Braunschweig, Germany“7a*11d”, International Performance Art Festival, Toronto, Canada“Leidenschaft Junge Kunst”, Allgemeine Konsum Verein, Braunschweig“FAXE KONDI- unzipped time”, Gallery Futura, Prague, Czech Republik“Cleaning The House -performance Loop”, NMAC Foundation, Jerez Dela Frontera, Spain“RISK”, Landesmuseum Braunschweig, Braunschweig2003„4th International Performance Festival Odense”, Odense“Live Art brrr”, Teatro Carlos Alberto/Teatro Nacional de São joão, Porto Portugal“Student Body”, Centro Galego de Arte Contemporanea, Galicia, Spain“Performance in der Kunsthalle”, Fridericianum , Kassel,“Performance art NRW 2003”, Healing Theater, Köln“Recycling the future”, group event, Venice Biennale 2003, ItalyMelati Suryodarmo CV info@melatisuryodarmo.com“As soon as possible” Performance and Exhibition, PAC Milano, Italy“Performance Art Nord Rhein Westfalen”, Maschinenhaus, Essen2002“Body Power Power Play“, Wüttenbergischer Kunstverein, Stuttgart“The Promise“, Solo Exhibition, Gallerie Gedok, Stuttgart“Braunschweiger Kulturnacht“, LOT Theater, Braunschweig“Pret â Perform“, Gallery Via Farini, Milano, Italy“Body Basic“, Trans art 02, Franzenfestung, Brixen, Italy“Common Ground“, Landesvertretungshaus Niedersachsen –Schleswig Holstein, Berlin2001“Festa dell´arte“, Aquario diroma, Rome, Italy“Marking the territory“, Irish Museum of Modern Art, Dublin, Ireland“Get That Balance”, National Sculpture Factory, Opera House, Cork, Ireland“A little bit of History Repeated“, Kunst Werke, Berlin“Indonesian Live Art“, Gallerie Mein Blau, Berlin“Polysonneries, 2nd International Performance Festival“, Lyon, France “von weiß-rosa zurot“, Luther Turm, Cologne“Lullaby for the ancestors“, Solo Performance, LOT Theater, Braunschweig“Fingerspitzengefühle“, Group exhibition, Galerie der Stadt Sindelfingen2000“Performance Passing Through“, Gedok, Stuttgart“Anableps“, Group exhibition, Galery Miscetti, Rome, Italy“ins“, Maximillian Forum, Munich“Visible Differences - an event“, Hebbel Theater, Berlin“Spot + Places“, Performance Congress, Healing Theater, Cologne1999“Fresh Air“, Group-exhibition, E-Werk, Weimar“Performance Festival Odense“, Odense, Danmark“Cardiff Art in Time“, UWIC, Cardiff, Wales, GB“Unfinished Business“, Group exhibition, Gallery am Lützow Platz, Berlin“Der Sekundentraum“, Solo Performance, Healing Theater, Cologne“Braunschweiger Kulturnacht“, LOT Theater, Braunschweig1998“Finally“, Group exhibition, Kunstverein Hannover, Hannover1997“Braunschweiger Kulturnacht“, FBZ, Braunschweig1996Dance Performance “Kashya-kashya Muttiku“ with Yuko Negoro (Japan), FBZ, Braunschweig1988 -1995 various dance and theatre performances in Indonesia and GermanyUp COMING Project/Exhibition2019- If We Were XYZ, Creative Common Ground Project, Asia Society, New York City- Working as Director and choreographer for Opera Gandari by Tony Prabowo, GrahaBakti Budaya, Jakarta- Solo Exhiibition, Singapore Tyler Print International, Singapore- As Panelist at the Ubud Writer Festival, Ubud, BaliMelati Suryodarmo CV info@melatisuryodarmo.comHonors/ Grants2017 Art Stage Jakarta Award, Best Artist, Jakarta, Indonesia2015 Signature Art Prize Asia Pacific Brewery Foundation, Jurors ChoiceAwardVisual Artist of the Year 2015, Tempo Magazine's choice.Research Grant for the project “Sisyphus” from the Ministery of Cultureof South Korea2011 Icon of the Year 2011,in Arts and Culture; Gatra Media Indonesia2008 Grant for Innovative Art Project “Memorabilia” from Kelola Arts Foundation,Jakarta, Indonesia2008 Jahresstipendium der Niedersächsische Ministerium für Kultur und Wissenschaft,(Grant from the Ministry of Culture and Science NiedersachsenGermany)2006 Arbeitsstipendium Stiftung Kunsfonds, Bonn, Germany2002 - 2003 Graduierten Stipendium, Hochschule für Bildende Künste Braunschweig2003 Arbeitsstipendium der Niedersächsische Ministerium für Kultur und Wissenschaft,Braunschweig (Grant from the Ministry of Culture and ScienceNiedersachsen Germany)Other Projects2019- As Jury for the Bandung Contemporary Art Competition, Lawangwangi Foundnation,Bandung-2018- Critical Responder for the Asia Dramaturgy Network (ADN), Jogjakarta, Indonesia- Facilitator for D-LAP II, Studio Plesungan, Karanganyar- Lecture at the Städelschule, Frankfurt.- Keynote Speaker at “Conversation” Art Basel Hongkong, Hongkong- Facilitator for Artists Platform, Goethe Insitute , Bangkok, Thailand- Facilitator for Platform for Women Artists, Kelola Foundation, Yogyakarta, Indonesia2017- Keynote speaker at Museum Summit, Asia Society, Manila, Philippines- Artistic Director of the Jakarta Biennale 2017, Jakarta, Indoensia- Guest Lecturer at the NAFA (Nanyang Academy of Fine Arts) Singapore2016Melati Suryodarmo CV info@melatisuryodarmo.com- Art Summit Indonesia , as performance workshop tutor, Padang, Indonesia- As Curator and facilitator of the “undisclosed territory #10” performance art event at theStudio Plesungan, Solo, Indonesia- Keynote Speaker at the International Seminar at the post Graduate Program IndonesianInstitute of the Arts, Padang Panjang- Keynote Speaker at Seminar on “Artistic reserach” at the Indonesian Institute of the ArtsSurakarta- Guest Lecturer at the Post Graduate Program, Indonesian Insitute of the Arts, Jogjakarta2015- Guest Lecturer at the Post Graduate Program, Indonesian Insitute of the Arts, Jogjakarta- As panel speaker at the Workshop for young curators in the performing arts at theSingapore International Festival of the Arts- As mentor for Double Dance, Dare! Workshop for dance and performance art, SaskiKirana Dance Camp, Bandung, Indonesia- Public Lecture at the PKKH, Universitas Gajah Mada, Yogyakarta- Public Lecture at the National Gallery of South Australia, Adelaide, Australia- Public Lecture at the Parliement House of Australia, Canberra- As Curator and facilitator of the “undisclosed territory #9” performance art event at theStudio Plesungan, Solo, Indonesia- As Instructure for Lab “Translate,Intertwine, Transgress” Symposium at Moderna Museet,Stockholm, Sweden- As Instructure for Workshop at Fort Rotterdam Makassar, South Sulawesi, indonesisa- As Instrcture for Workshop at the Oksigen Jawa, ITB Bandung, Indonesia- Project House Club, HAU3, Hebbel Am Ufer , Berlin2014- Project House Club, China Festival, HAU2, Hebbel Am Ufer , Berlin- As curator for „undisclosed territory #8“ performance art event atStudio Plesungan, Solo, Indonesia.2013- As curator for „undisclosed territory #7“ performance art event at Studio Plesungan,Solo, Indonesia.- „Pseudopartisipatif Project“, with Cemeti Art House, Jogjakarta, Indonesia- Performance Art Workshop „beetwen the space“ at the Bangkok Arts andCulture Centre, Bangkok, Thailand.- „D-Lap“ dance laboratory, as facilitator, collaboration between PadepokanLemah Putih and CCAP Stockholm.„between the space“, performance art class for graduate and post graduateprogram at Umea Konsthogskolan, Umea, Sweden2012- Curator for „undisclosed territory #6“ performance art event at Padepokan Lemah Putih,Solo, Indonesia.- Facilitator for P_LAP,a performance Laboratory Project, collaborative project betweenPadepokan Lemah Putih Solo Indonesia with Galeria Labirynt Lublin Poland; as curator- Performance art wokshop II at the Padepokan Lemah Putih, Solo, Indonesia2011- Residency at Manila Contemporary, Manila, the Philipines- Mentor for EUFRAD (the European Forum for Research Degrees in Art and Design,Stockholm, Sweden. Workshop for european Phd candidates in artistic research.- Lecture for the Master Program at University of Dance and Circus,Stockholm- Workshop in Mandalay School of Arts during the Beyond Pressure festival,Mandalay, MyanmarMelati Suryodarmo CV info@melatisuryodarmo.com- Performance art wokshop I at the Padepokan Lemah Putih, Solo, Indonesia2010- Lecture and Workshop at the School of the Museum of Fine Arts, boston MA, USA- Workshop at the Academy of Fine Arts - University of Umeå, Sweden- Artist in Residence at IASPIS Residency in Umea and Saxnas, Sweden2009- Workshop at the Academy of Fine Arts - University of Umeå, Sweden- Panelist for Panel Discussion on Women artists in the era of Post_feminism; IncheonWomen Artists‘ Biennale 2009; at Chinese Center Incheon, South Korea- Lecture at the Chiangmai University, Faculty of Fine arts, Chiangmai, Thailand- Lecture at the WIlliam Waren Library, Jim Thompson Foundation, Bangkok, Thailand.- Lecture at the Dongmen Museum, Tainan, Taipei2008- “Is everything performance, is performance everything?”, panel member for Dans Biennal,Umea, Sweden- Workshop at the ZOOM Inetrnational performance art Festival Hildesheim, Germany- Lecture about Organizing Performance Art Labiratory Project, Asiatopia 10th, BangkokArt and Culture Centre, Bangkok, Thailandsince 2007- PALA (Performance Art Laboratory) Project, and “undisclosed territory #1 - #5, performanceart event”as Project manager, Padepokan Lemah Putih, in Tejakula, Bali, and Solo,Java,Indonesia.2007- Lecture at the Malmö School of Arts.- Artist in Studio, December 2007 at Lilith Performance Studio Malmö, Swedia- “Flying Circus Project” – Travelogue – Superintense- Singapore- Ho Chi Minh City, curatedby Ong Ken Seng, Theatreworks, Singapore- “15 International Performance Art Conference”, as project manager, in Bali, Indonesia2006- Faciilitator for the “Time_Place_Space 5”, at the Queensland University of technology(QUT) Brisbane, curated and organized by the Performance Space Sydney Australia- Residency at Grace exhibition Space, New York2005- “Focusing the day”, Project with youths in Berlin, HKW Berlin.Bibliographie |selected|- “Elements and Principles of 4D Art and Design”, Ellen Mueller, Oxford UniversityPress, New York, 2017; pg. 20-21- “Political Acts - Pioneers of Performance Art in South East Asia”, exh. Catalogue;Victorian Arts Centre Trust; Melbourne; 2017; pg. 26 -27- “Reenacting History” , exh. Catalogue, National Museum of Modern andContemporary Art, Seoul, South Korea, 2017; pg 78 - 81Melati Suryodarmo CV info@melatisuryodarmo.com- “Sunshower - Contemporary Art from South East Asia 1980s to Now “,exh. Catalogue; National Art Centre Tokyo, Mori Museum, Japan Foundation;Tokyo Japan; 2017; pg. 110 - 111- “Atlas of Mirrors”, Singapore Biennale 2016, exh. Catalogue, Singapore ArtMuseum; SIngapore; 2016; pg. 54 - 55- “Asia Pacific Triennale” Exh. Catalogue, CAGOMA, Brisbane, 2015- “GuangZhou Trienale”, Exh. Catalogue, Guang Dong Museum of Art, China2015- Rebecca Russo; „Pressing“ exh. Catalogue; Fondazzione @videoinsight,Turin, Italy; 2013- Dominique Lora, „Beyond the East“, Glocal Porject and MACRO, 2011- Serenella Ciclitira, „Indonesian Eye Contemporary Indonesian Art “ Saatchi,Thames and Hudson, London 2011- Prof. Achile Bonito Oliva, „Art Beyond the Year of Two Thousand“, BiasaArtSpace Little Library, Bali; 2010- Elin Lundgren + Petter Pettersson,“Lilith Performance Studio“, lilithperformancestudio,Malmö, 2010, pg: 82 - 85- Agung Hujanitkajennong + Enin Supriyanto,“The Grass Looks greenerwhere you water it“ Indonesian Contemporary art Showcase at Art Paris2010, exhibition Catalogue; Indonesian Platform/Dedy Kusuma, Jakarta2010; pg: 96, 97, 98, 144, 145, 146- Krisna Murti,“Essays on Video Art and New Media: Indonesia andbeyond“, Indonesian Visual Arts Archive (IVAA) Jogjakarta, 2009, pg. 185 -189- Paula Orrell (editor),“Marina Abramovic + The Future of performanceArt“,Prestel Munich-Berlin-London-New York, pg 125; pg 159- Dr. Yang Eunhee (editor),“2009 Incheon Women Artists‘ Biennale- mainexhibition“ , Exhibition Catalogue, Incheon Women Artis‘ Biennale OrganizingCommittee South Korea, 2009; pg: 184 - 185- Manifesta7, “The Rest Of Now”, Exhibition Catalogue, 2008- Carla Bianpoen, “Indonesian Women Artists: The Curtain Opens”, TheIndonesian Arts Foundation, 2007- “Loneliness in the Boundaries”, Works catalogue, Cemeti Art House forMelati Suryodarmo, Jogjakarta 2006- Räume und Schatten, exh. Catalogue, Haus der Kulturen der Welt Berlin,2005, pg 180, 192, 213.- 15th Festival internacional de arte electronica Video Brasil, Associacao,cultural videobrasil, Sao Paolo, 2005, pg.148-153, 170-175.- Emanuela Nobile Mino, “Faxe kondi”, exh. Catalogue, Futura o.s, Prague,2005.- Jane Kallir, “ Egon Schiele Love and Death”, Van Gogh Museum Amsterdam,Exh. Catalogue, Hatje Cantz Publishers Germany, 2005, pg 169 &171- Marina Abramovic, “Student Body”, Edizione Charta, Milan, Italy 2003,pg. 390 – 401- Else Jespersen, “4th Performance Festival Odense 2003“, exh. catalogue,International Performance Festival Odense, 2003, pg. 24- Francesco Bonami, “Dreams and Conflicts – the dictatorship of the viewer,50th International art exhibition, La Biennale di Venezia”, Exhibition catalo-Melati Suryodarmo CV info@melatisuryodarmo.comgue, Grafiche Peruzzo, Vegianno for Marsilio Editori s.p.a in Venice, pg.497- Jens Hoffmann, “ A little bit of history repeated”, exh. Catalogue, KunstWerke Berlin e.V, Berlin, 2001, pg.36,37- Boris Nieslony , “E.P.I Zentrum NRW”, ASA-European, Cologne- Michael Glasmeier und die Meisterschüler 2002,”Meisterschüler 2002 –Zeichnungen” exh. Catalogue, © Michael Glasmeier und die MeisterschülerHBK 2002, pg. 91-96- Mario Candia and Stefania Miscetti, “ANAPBLEPS“, exh. catalogue, GalleryMiscetti, Rome, 2000, pg. 38, 116- Else Jespersen, “Performance Festival Odense 1999“, exh. catalogue,Performance Festival Odense, 1999, pg. 44- Hannes Malte Mahler für Agora, “Fresh Air“, exh. catalogue ,Salon Verlag,Cologne, 1999, pg. 96-98Melati Suryodarmo CV info@melatisuryodarmo.comHier die von Melati im Podcast erwaehnten Künstlerinnen: Cindy Sherman:https://de.m.wikipedia.org/wiki/Cindy_Sherman Hito Steyerl: https://de.m.wikipedia.org/wiki/Hito_Steyerl

In this episode, we took a dive in the Art Department of films & shows like Mirzapur, Leila, Hitchki, Pari, Sui Dhaaga along with our guest Kavish Handa. He has not only worked as a graphic designer but is an assistant production designer himself now. Through this episode we speak about how irreplaceable and unnoticed the work of the Production Design Team's work is while touching upon: - How does one enter the Art Dept and what it takes. - Graphic Designing for Film. - The collaboration of Vfx and Props on set. - The jugaad on the has to be prepared for. - And of course, some Mirzapur & Leila behind the scenes. --------------------------------------------------------------------------------------- Kavish's IMDB: https://www.imdb.com/name/nm10975348/?ref_=ttfc_fc_cr47 Join us on Instagram: https://www.instagram.com/wildtapespodcast/ Join us on Twitter: https://twitter.com/wildtapespod Website: https://www.buzzsprout.com/1231913 --------------------------------------------------------------------------------------- Produced by Nikita & Saadgi Editor & Executive Producer: Aniruddh Ramjiwal Logo and Graphics: Vikas Singh Music: Devraj Bhaumik You can find our teammates on Instagram. Feel free to reach out these talented people for any sort of work. Support us by sharing this Podcast with someone who is interested or is thinking of joining us in Bombay! If you are a Apple user please don't forget to subscribe and rate us!

In this special Bonus Episode, I speak to the lovely Art Department Hun, about her insta page, what inspired her to start it, the amazing success it's had and lots more! Check out her insta page @artdepthun and her podcast at the, Art Dept Hun Podcast on Spotify and Soundcloud! ArtDeptHun Recommendations: -Peanut Butter Falcon -Umbrella Academy -Unsolved Mysteries

Part 2 of our inspiring Arthur & Merlin: Knights of Camelot podcast Special Making Of Master Class with cast and crew from the film with Production Designer Jamie Foote, Editor Oliver Parker, Producer and Post Supervisor Jeet Thakrar and actors Jennifer Matter (Vortigone), Joel Phillimore (Modred) and Stella Stocker (Guinevere) We go deep into making a single film on this weeks bumper edition as some of the main cast and crew from the recently released Arthur & Merlin : Knights of Camelot come and chat about how they made the film with it’s director Giles Alderson, Producer Lucinda Rhodes Thakrar and cinematographer Andrew Rodger still on hosting duties. On the second part of the special Ep the team talk about filming in castle, choosing camera, shots and colour palettes. Giles, Lucinda and Andrew then chat to actors Joel. Jen and Stella about their experiences of being on set, how to play their roles and give some great tips for actors. After discussing the final bits of filming the team then chat to production designer Jamie Foote about setting the scene, where to get props from and how to be creative on set before chatting about editing the film with Oliver Parker about the best ways to prep the edit before shooting, how he likes to cut the film and how to work with directors in the edit suite. Plus some great tips for upcoming editors. Then the team bring on Producer and Post supervisor Jeet Thakrar as they wrap this epic podcast up by discussing how to deliver a film on time and on budget and the best ways to work with you post team form VFX to sound mix to score and grade. BUY and WATCH Arthur & Merlin: Knights of Camelot: DIGITAL https://apple.co/3gxiPX3 DVD https://amzn.to/30dCdUa WATCH Arthur & Merlin: Knights of Camelot trailer https://vimeo.com/426306134   LINKS SPONSORS FREEBIES EVENTS & PROMOS  Our NEW The Filmmakers Podcast MERCHANDISE is now available. T-Shirts, Hoodies, Mugs, Masks and Water Bottles all now available in some very cool designs. Have a look: https://thefilmmakerspodcast.com/merch-2/ WATCH The Dare FULL MOVIE Canada and USA - Or check out the Trailer https://www.youtube.com/watch?v=c5aZVm2drjY WATCH A Serial Killers Guide to Life (OUT NOW)  www.aserialkillersguidetolife.com Raindance events www.raindance.org The Filmmakers Podcast recommends Performance Insurance here https://www.astonlark.com/performance/ Giles Alderson's website  Andrew Rodger's website Lucinda Rhodes Thakrar website Help us out and Subscribe, listen and review us on iTunes, Spotify, Podbean or wherever you get your podcasts but more importantly, tell you pals about this podcast Follow us on Twitter @filmmakerspod @makeyourfilm20 @gilesalderson @robbiemckane @DirDomLenoir @Food4ThoughtDoc @35mmdop@Cjamesdirect @dan710ths  @FangedUpFilm @thedaremovie @philmblog @IanSharp1 Music from musicbed.com Part of the www.podfixnetwork.squarespace.com Head to The Filmmakers Podcast for more episodes on film-making Get in touch? Email us thefilmmakerspodcast@gmail.com

This is a Arthur & Merlin: Knights of Camelot podcast Special Making Of with cast and crew from the film with actors including Richard Brake (Merlin) & Richard Short (King Arthur) and his Knights, crew members from Art Dept, Make Up, Costume, 1st AD, Production Manager, Editor and Post Supervisor. We go deep into making a single film on this weeks bumper edition as some of the main cast and crew from the recently released Arthur & Merlin : Knights of Camelot come and chat about how they made the film with it’s director Giles Alderson, Producer Lucinda Rhodes Thakrar and cinematographer Andrew Rodger hosting the marathon. First up the team talk about how the film came about and how Lucinda as producer finds the scriptwriters and approaches a historical action film like A&M and how she asked Giles to come on board. They go into detail about the beginnings of the project and how Giles pitched for the directing job before bringing their first guest Richard Brake (Game of Thrones, Batman Begins) on to chat about playing Merlin. Giles, Lucinda and Andrew then chat to 1st AD Stu Laurie and Production Manager (and 2nd AD) Jess Gardner about their roles on the film, how to prepare a film like this, Do’s and Don’ts, how to steady the shop and how to make a film set run smoothly. After discussing casting and how it can shape a film the team bring on King Arthur himself and his trusty (or not) partner Lancelot in the shape of actors Richard Short (Mary Kills People) and Tim Fellingham (Vikings) to talk about playing lead roles, what to expect on an indie film, working with directors and crew and how important it is to be fit, have stamina, great focus, support and work ethic as an actor on a film. Then the team bring on the noise! The wonderful cacophony of the Knights as the actors who play them talk about their experiences on set. The Knights are Kris Johnson, Ronan Summers, James G Nunn, Ian Sharp, Daniel Schutzmann, Aaron May and Stephen Uppal. Then to end Part One of this special episode we bring on the wonderful Make Up and hair designer Brodie Mayhew and the fabulous costume designer Robyn Manton who talk about the importance of prep, continuity, blood effects, the colour palate and working with the director and team to make sure everyone is on the same page. Join us for Part 2 on Friday as we have: Actors Joel Phillimore, Stella Stocker and Jen Matter as well as Art Director Jamie Foote, editor Ollie Parker and Producer and post Supervisor Jeet Thakrar. BUY and WATCH Arthur & Merlin: Knights of Camelot: DIGITAL https://apple.co/3gxiPX3 DVD https://amzn.to/30dCdUa WATCH Arthur & Merlin: Knights of Camelot trailer https://vimeo.com/426306134   LINKS SPONSORS FREEBIES EVENTS & PROMOS  Our NEW The Filmmakers Podcast MERCHANDISE is now available. T-Shirts, Hoodies, Mugs, Masks and Water Bottles all now available in some very cool designs. Have a look: https://thefilmmakerspodcast.com/merch-2/ WATCH The Dare FULL MOVIE Canada and USA - Or check out the Trailer https://www.youtube.com/watch?v=c5aZVm2drjY WATCH A Serial Killers Guide to Life (OUT NOW)  www.aserialkillersguidetolife.com Raindance events www.raindance.org The Filmmakers Podcast recommends Performance Insurance here https://www.astonlark.com/performance/ Giles Alderson's website  Andrew Rodger's website Lucinda Rhodes Thakrar website Help us out and Subscribe, listen and review us on iTunes, Spotify, Podbean or wherever you get your podcasts but more importantly, tell you pals about this podcast Follow us on Twitter @filmmakerspod @makeyourfilm20 @gilesalderson @robbiemckane @DirDomLenoir @Food4ThoughtDoc @35mmdop@Cjamesdirect @dan710ths  @FangedUpFilm @thedaremovie @philmblog @IanSharp1 Music from musicbed.com Part of the www.podfixnetwork.squarespace.com Head to The Filmmakers Podcast for more episodes on film-making Get in touch? Email us thefilmmakerspodcast@gmail.com

Danny's Instagram: https://www.instagram.com/artofdanny/Baby Yoda post: https://www.instagram.com/p/B81qfAUAecI/Danny's site: https://www.artofdanny.comDanny's Podcast: https://open.spotify.com/show/3VukCx4vhlILNV3JCnf8by

Anne Walsh (Dept. of Art Practice, UC Berkeley) engaged in an ongoing artistic response to surrealist painter Leonora Carrington’s 1974 feminist novella, The Hearing Trumpet, and spent time with Carrington before her death at age 94. In Hello Leonora, Soy Anne Walsh (No Place Press, 2019), Walsh casts herself as an “apprentice crone” who stalks old people and takes selfies with them, becomes a mother, passes through menopause, and attends “elder theater” classes. Walsh is joined by Julia Bryan-Wilson (History of Art Dept.), whose work is included in the book.

Dennis' Store: https://tanoshiboyart.bigcartel.comRoger Rabbit piece: https://tanoshiboyart.bigcartel.com/product/who-framed-roger-rabbitTanoshiboy Instagram: https://www.instagram.com/tanoshiboy/Mandolorian / Child Lil' BFFs: https://tanoshiboyart.bigcartel.com/product/lil-bffs-mandalorian-baby-yoda

Dave's Blog: http://montygog.blogspot.comDave's Online Store: https://montygogsartorama.bigcartel.comDave's Instagram: https://www.instagram.com/montygog/Food Fight: https://www.instagram.com/p/B4kchQ7jpgB/Toy Story 4 Glass (Mondo + Alamo Drafthouse): https://www.instagram.com/p/ByGsJuMDQsj/

In this latest episode of the Two Guys On Set Podcast, hosts Gary and Jaime talk about their experiences working in the Art Department on set. Also, they dive into the Top 100 Best Horror Films ever made list!  Stay Connected Twitter: @twoguysonset Instagram: @twoguysonset Facebook: Two Guys On Set Podcast --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/twoguysonset/support

Barret's Instagram: https://www.instagram.com/mrbchaps/ Barret's web store: https://www.artofbchaps.com/prints Barret's blog: http://mrbchaps.blogspot.com Barret's posters: https://www.artofbchaps.com HCG Store: https://hcgart.com/search?type=product&q=barret*+chapman* Mof1 Network & Sketch: https://mof1.network/sketch

Josh's Website: http://emrich.co Josh's Instagram: http://instagram.com/emrichoffice Caper Game (Limited Signed Edition): http://emrich.co/shop/caper-game-signed-edition-pack Revenge of the Mortals (Newsletter Signup): http://keymastergames.com/revenge-of-the-mortals D&D: https://dnd.wizards.com Stranger Things: https://www.imdb.com/title/tt4574334/ Bottle Logic: http://bottlelogic.com Week of Logic (instagram post): https://www.instagram.com/p/BvZo52gB9H5/

Hope's Instagram: http://instagram.com/misterhope Hope's portfolio site: https://misterhope.wordpress.com Hope's Shop: https://misterhope.bigcartel.com Original Theme Song by Eddy Nava

Andrew's Instagram: http://instagram.com/kolbisneat Andrew's portfolio site: http://www.kolbisneat.com Andrew's Shop: https://store.kolbisneat.com Spider-man Book post: https://www.instagram.com/p/ButX9PwAN-s/ Pre-order the book: https://www.amazon.com/Spider-Man-Home-Swings-Through-Europe/dp/136805028X Graphic Artist Guild book: https://www.amazon.com/Graphic-Artists-Guild-Handbook-Guidelines/dp/1507206682/ref=sr_1_1?crid=2HX5Y65KJIFPZ&keywords=pricing+and+ethical+guidelines+graphic+artists+guild&qid=1552060497&s=gateway&sprefix=pricing+and+ethical+guide%2Caps%2C518&sr=8-1 Original Theme Song by Eddy Nava

Collin's Instagram: http://instagram.com/artbycollin Collin's portfolio site: http://www.artbycollin.com Collin's Dribbble: http://www.dribbble.com/artbycollin 'Pencil Sword': http://www.artbycollin.com/4q6qz2ebzlr0sfc1294kt026tjwf9j 'Excelsior' (Stan Lee Tribute piece): http://www.artbycollin.com/biuzgguszxj3b5fqt8mbsfv7nv62xt 'Orange 021' (Aaron Draplin Commission):http://www.artbycollin.com/b4t47qpsd753nooakrtyuqlkej2l5u 'Warrior of Redemption': http://www.artbycollin.com/4ptykpbhe0cvtz7ve8l5ivbse73l5h Original Theme Song by Eddy Nava

Legendary pinball artist / Art Director Greg Freres and Production Art Manager Steven Martin take us behind the scenes of the heavy hitting art department at Stern Pinball.

If you have been listening to Convo By Design for a while, you have heard amazing stories about set decorators from your favorite TV shows and movies. I thought there should be a special place, just for those who create TV and movie magic. So, I have launched a new podcast called The Art Dept. featuring stories about design and creativity from behind the camera. You are still going to hear from them here on Convo By Design, but in addition to the set decorators, The Art Dept. is going to introduce you to production designers, fabricators, wardrobe, make-up and all of the other amazing creatives that you simply would never hear about. This is an episode of The Art Dept, dedicated to the art behind movie and TV magic. This is an exploration and a showcase of the creatives that never write a line, say a single word nor appear on screen yet their work creates the scene, the feel and the backstory for the characters you love and love to hate. This episode features an interview with set decorator, Beth Wooke. Beth’s body of work is vast with some amazing shows, not the least of which is the TV smash hit, This Is Us. Beth defined the characters for us, showed us how the live, where and how they spend their time. We learn by how these characters live how they are like and unlike us. And these are people we have grown to care for, deeply. Beth defined these people in the first season and that really seems to be Beth’s super-power. I wanted to know more about how Beth does this, where she gets her inspiration from and they answer may or may not surprise you. What you will hear, is how this creative uses her personal experiences to shape the environment of the characters and makes them come to life in between the lines. Before we get to Beth, I want you to hear from another set decorator, Don Diers. Don has a truly diverse body of work. He has decorated sets for The Muppets, Jane the Virgin, Judy Moody and the Not Bummer Summer. Don is also a cross-over in the art department with work as a production designer, art director, set dresser and prop master. Thank you for listening to this episode of The Art Dept. Every episode will feature the Hollywood elite, the A-Listers who make TV and movie magic every day. Please follow us @ConvoByDesign on twitter and @ConvoXDesign on Instagram, you can also track the show using #TheArtDepartmentPodcast (all spelled out). iTunes: https://itunes.apple.com/us/podcast/convo-by-design/id937267494?mt=2 TuneIn: https://tunein.com/podcasts/Arts--Culture/Convo-By-Design-p724759/ Player.FM https://player.fm/en/podcasts/convo-by-design #Design #Architecture #ConvoByDesign #InteriorDesign #Hollywood #Art #LuxuryDesign #HomeDecor #SnyderDiamond #SubZeroWolf #VONDOM

Starting as a background artist on Disney cartoons, Jason now heads the art department at Industrial Light and Magic. He talks to host Kevin Dawson about how he designed Two-Face‘s look for Dark Knight, watched Spielberg in action on the set of War Horse and worked on Harry Potter, Jurassic World: Fallen Kingdom and the new Star Wars movies. Also, how he became Daniel Radcliffe‘s almost naked CG double.

Episode 37 of FNI WrapChat is Writer/Director Kate Dolan Kate graduated with an Honours Degree in Film & Television Production from the National Film School, IADT in 2012. There, she majored in Directing and minored in Editing. She has worked in many facets of filmmaking including Art Dept, Production and also worked as a Broadcast Producer in TBWA Dublin for almost 2 years after graduating. In 2014, she attended Berlinale Talents to develop her short Little Doll at the Short Film Script Station. The film depicts the first same-sex crush of a young girl. The short premiered as part of Generation Kplus at Berlinale 2016. In 2016 Kate was chosen to take part in the Guiding Lights, the UK's leading mentoring scheme for filmmakers. Kate's follow up Genre Short Film "Catcalls" was produced with the support of Screen Ireland in 2017. Kate is currently developing her first feature film. If you'd like to support FNI head on over to www.buymeacoffee.com/fni #WeAreFNI #MakeANameForYourself You can listen to Fni WrapChat on @thisheadstuff podcast Network, Itunes, Google podcasts and wherever you get your Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 37 of FNI WrapChat is Writer/Director Kate Dolan Kate graduated with an Honours Degree in Film & Television Production from the National Film School, IADT in 2012. There, she majored in Directing and minored in Editing. She has worked in many facets of filmmaking including Art Dept, Production and also worked as a Broadcast Producer in TBWA Dublin for almost 2 years after graduating. In 2014, she attended Berlinale Talents to develop her short Little Doll at the Short Film Script Station. The film depicts the first same-sex crush of a young girl. The short premiered as part of Generation Kplus at Berlinale 2016. In 2016 Kate was chosen to take part in the Guiding Lights, the UK's leading mentoring scheme for filmmakers. Kate's follow up Genre Short Film "Catcalls" was produced with the support of Screen Ireland in 2017. Kate is currently developing her first feature film. If you'd like to support FNI head on over to www.buymeacoffee.com/fni #WeAreFNI #MakeANameForYourself You can listen to Fni WrapChat on @thisheadstuff podcast Network, Itunes, Google podcasts and wherever you get your Podcasts.

Performance artist, art critic and newly minted UNLV art department chair Marcus Civin talks about: Why he decided to take the job, moving from a satisfying academic career in Baltimore at Maryland Institute College of Art (MICA); how his involvement in the Providence, R.I.-based art collective New Urban Arts launched his career trajectory as an undergrad, providing connections and mindset; the harsh realities of being an adjunct teacher (whom he hires as dept. chair), and how as a prospective adjunct you need to know what you’re in for, and it’s not for everyone; the harsh realities against becoming a salaried faculty member, he (slim) odds for adjuncts getting those slots, and his own theories about the pros and cons of certain types of faculty candidates he’s considering hiring; his performance art, including his ideal venue and his ideal size audience and the roots of his work in the court jester and the absurd; how the students he’s encountering at UNLV are warriors leading a revolution, and are ready for change, and compared being in college in 2018 to being in college in 1968 in terms of the potency of the moment; and his misstep in sharing a seminal Chris Burden performance with a performance class at MICA, and what a wake-up call it was for him.

This week's guest is Ellie Kushner, who works as an Art Department Coordinator for film and television, while also co-owning event design company Damn Good Shindig! We talk about how and why she got into the art department, just what it is they do, anyway, and also how she's putting what she's learned over her career thus far into her own company! You can find Damn Good Shindig on the web at: http://damngoodshindig.com/ As well as @damngoodshindig on your preferred social media platforms.   SHOW THEME SONG: "Brightside" by Jason Arimoto TWITTER: @thetowelpod WE ARE AUDIOROPE

The Go Crickets Podcast welcomes WI STATE ELEMENTARY ART TEACHER OF THE YEAR Tasha Newton to the show!!!!!! Congrats Tasha and thank you for all of the work you do to make our Art Dept better. #gocrickets

Eileen MacAvery Kane is a full-time instructor in the Art Dept. at Rockland Community College in Suffern, NY as well as the author of "Ethics: A Graphic Designer's Field Guide" and blog ethicsingraphicdesign.org Herman Botes serves as Head of the Department of Visual Communication at Tshwane University of Technology (TUT) in Pretoria, South Africa. He has a forthcoming co-authored book “Educating Citizen Designers in South Africa,” due out in 2018.

MQTA S2 E93....  Stressed out from the holidays, grab a glass of milk!!!   Sex Robots could reveal your deepest secrets to others.  Computer nerds vs. Art Dept..... Adrian wants to start a band called "Dangerous Cheese".....   Two women fought off a robber and beat him with whatever they could get their hands on and boy were they pretty feisty!!!

Find your entrepreneurial spirit and get inspired by a panel of four female business owners who will share their successes and challenges of starting something new. The panel includes Emily Carris, photographer; founder, The Art Dept (gallery and art supply boutique); Marcy Coffey, graphic designer; partner, WFGD Studio (certified women-owned design firm); and Karyn Gerred, painter & professional scenic artist; founder, The Resource Exchange (nonprofit reuse center and workshop space). Also joining us was Kate Cassidy from Blackstone Launchpad to briefly present their resources. (October 11, 2016)

A careers event organised by Lucy Hawkins (Careers Service) and Rachel Woodruff, (History of Art Dept) with speakers from the Arts and Heritage sectors, including recent alumni of the Department, providing insights into their careers. Collections Management in a Historic House: Emily Roy, Assistant Registrar and Joint Collections Manager, Waddesdon Manor, National Trust

A careers event organised by Lucy Hawkins (Careers Service) and Rachel Woodruff, (History of Art Dept) with speakers from the Arts and Heritage sectors, including recent alumni of the Department, providing insights into their careers. Finding Yourself in Advertising: How to decide before you get here, there or nowhere: Elle Graham-Dixon, Senior Planner, Karmarana

A careers event organised by Lucy Hawkins (Careers Service) and Rachel Woodruff, (History of Art Dept) with speakers from the Arts and Heritage sectors, including recent alumni of the Department, providing insights into their careers. Collections Management in a Historic House: Emily Roy, Assistant Registrar and Joint Collections Manager, Waddesdon Manor, National Trust

A careers event organised by Lucy Hawkins (Careers Service) and Rachel Woodruff, (History of Art Dept) with speakers from the Arts and Heritage sectors, including recent alumni of the Department, providing insights into their careers. Finding Yourself in Advertising: How to decide before you get here, there or nowhere: Elle Graham-Dixon, Senior Planner, Karmarana

A careers event organised by Lucy Hawkins (Careers Service) and Rachel Woodruff, (History of Art Dept) with speakers from the Arts and Heritage sectors, including recent alumni of the Department, providing insights into their careers. Welcome and overview: What do History of Art students do?: Lucy Hawkins, Careers Adviser University of Oxford Careers Service

A careers event organised by Lucy Hawkins (Careers Service) and Rachel Woodruff, (History of Art Dept) with speakers from the Arts and Heritage sectors, including recent alumni of the Department, providing insights into their careers. Welcome and overview: What do History of Art students do?: Lucy Hawkins, Careers Adviser University of Oxford Careers Service

A careers event organised by Lucy Hawkins (Careers Service) and Rachel Woodruff, (History of Art Dept) with speakers from the Arts and Heritage sectors, including recent alumni of the Department, providing insights into their careers. Welcome and overview: what do History of Art graduates do? Lucy Hawkins, Careers Adviser University of Oxford Careers Service Education in museums and galleries Ruth Millington, Education Officer Estorick Collection of Modern Italian Art Production and development of exhibition content and publications at the Victoria and Albert Museum Holly Harris, Freelance Art and Design Research and Writer V and A Becoming a Specialist at Christie's Katharine Arnold, Associate Specialist, Post-War and Contemporary Art Christie's and Toby Monk, Recruitment Manager Regional Visual Arts Development Lucy Phillips, Arts Coordinator OVADA Questions for all speakers