Podcast appearances and mentions of Clive Barker

How can the Fast Drafting method help you finally finish your novel? And how do you make progress when you only have 30 minutes a day to write? Jessica Brody shares her tips for finishing first drafts after 20 years as an author. In the intro, Clive Barker's Kickstarter, The Amazon Tax [Seth Godin]; Trad publisher announces “human-originated, AI-facilitated” book, The Everything Code [PanMacmillan; AI policy; CHAPTR]; Holy relics, churches, and memento mori in Bruges and Brussels. This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Jessica Brody is the best-selling author of over 20 novels across different genres and age groups, as well as writing for Disney Publishing. She's also the author of Save the Cat! Writes a Novel and other books and courses for writers at the Writing Mastery Academy. Her latest book is Page One to Done: Finish Your Novel in 30 Days with the Fast Drafting Method. You can pre-order with bonus extras at JessicaBrody.com/preorder You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why a small advance can set you up for long-term success Why 97% of first drafts are never finished How to finish a novel writing 30 minutes a day Why drafting and revising are two different jobs How a pre-writing ritual primes your brain for flow Writing a meta murder mystery after 20 years of teaching plot You can find Jessica at JessicaBrody.com and WritingMastery.com. Transcript of the interview with Jessica Brody Jo: Jessica Brody is the best-selling author of over 20 novels across different genres and age groups, as well as writing for Disney Publishing. She's also the author of Save the Cat! Writes a Novel and other books and courses for writers at the Writing Mastery Academy. Her latest book is Page One to Done: Finish Your Novel in 30 Days with the Fast Drafting Method. So welcome to the show, Jessica. Jessica: Hi, thank you so much for having me. I'm so honoured to be here. My writing community speaks so highly of this podcast, so I'm excited. Jo: Oh, well, thank you, and you were requested, so this is going to be a good one. First up— Tell us a bit more about you and how you got into writing and publishing. Jessica: Well, I started writing when I was seven. I like to put in air quotes, I wrote my first, quote, “novel” when I was seven. It was about three pages long. I got the bug very early. I didn't realise it was an actual career choice that you could take seriously until way later in life, after I'd already graduated college with a degree in economics and I was working as a financial analyst, and I was just writing on the side for fun. Then, as luck would have it, I got laid off from my job, and I ended up trying to take writing a little bit more seriously in that time. That's when I found the Save the Cat method, which absolutely changed everything for me. Before that, I had loads of rejection letters, and I eventually sold my first novel to St. Martin's Press, and I've been writing and publishing ever since. That was 20 years ago now. Jo: 20 years, wow. It's so interesting. So you were in economics, you were a financial analyst, and you got into writing. Did you have any pushback from either your own brain that was like, “I cannot make money this way,” or your family? Or how did you make that leap? Because we just hear that it's not a career, financially, really. Jessica: I know, and I think I went into it very blindly, using television as my resource of this is how much money I can make writing. Like Sex and the City, she was selling books for lots of money. So I was like, oh, I just have to sell one book, and then I'll be set. That was not the case. My first advance was so much lower than I expected, and what happened, though, was kind of interesting. I sold my first book, way lower advance than I was hoping for. I wasn't making any money anywhere else, so I was taking on all these odd jobs that I could do in my own time. I was doing transcription work, and I was working at a school half the time. I mean, I just had so many really weird jobs. I think what happened was, because I didn't have another financial net to help me, it just pushed me really hard. So once I sold one book, I was like, well, I need to sell another one and another one, and I ended up in this 20-year cycle, which I've slowed down thankfully, since, but of writing so obsessively, I should say. I just kept selling books and selling books. My advances got higher and higher, and eventually I was able to support myself with my writing, but it was not instant at all. Jo: Actually, that's a really good note there, because we often hear so much of these debuts that get paid a ton of money, and then they disappear, and they almost spiral down. Whereas what you've done is spiral up. Which is almost a better way to do it perhaps, with your reputation with traditional publishing. Jessica: It's funny, I tell this story a lot to writers who are looking to get published, that the big advance is not necessarily the end-all be-all. Because I have heard that story before, someone gets a very big advance, and then it doesn't earn out, and they can't sell another book because the publisher's lost money. I had the opposite experience. My advance was so low, and my publisher got worldwide rights. They bought worldwide rights. So they started selling foreign rights of my first book really early on, and I earned out before the book even came out, with just a few foreign sales. That ended up setting me up for success, because I was making money for the publisher from day one, and I was able to sell more books, and so I sort of worked my way up. I really do credit a lot of that to how long I've been able to stay in this game. Jo: No, it's a good way of thinking about it, because people forget the publisher isn't a charity. The publisher has to make money from your book. So it's nice that you make money, but they have to make money, or they're not going to bother, right? Jessica: Yes, exactly. Jo: So let's come back to Save the Cat, because you mentioned that the original method really changed how you write, and then of course you did Save the Cat! Writes a Novel. So I've got that. I imagine a lot of people listening have got that. Tell us a bit about why that methodology made such a difference to you, and why you think it's so useful. Jessica: Well, you'll sense a theme here. I went into this business, like I said, without knowing a lot, and I went into it the way I think a lot of writers do, which is, I had an idea, I sat down, and I tried to write it. I had no guidance, no map, no structure, and I just wrote. I actually finished something, which is surprising, but then I started to get all these rejection letters that basically said similar things, which was, “You're a good writer, you have a good voice, but there's no story here.” I just didn't understand that feedback, because I had finished something. I could print it out and stack it on my desk. Wasn't that a story? Apparently it was not. Then a screenwriter friend of mine that I was talking to about how I was getting all of these rejection letters with the same note said, “You should read this book that recently came out. It's called Save the Cat, and it's for screenwriters, but I think it could work for novels because it just seems to be all about structure and storytelling.” So I read the book cover to cover so quickly, because if anyone's read the original, it's just so readable, and everything started clicking in my mind. I realised, wow, I really don't know how to tell a story. I could plot out everything I had done wrong, and I went back to my book and I started rewriting it from page one with this new structure in mind. When I finished that, I ended up getting an agent for that book, and the agent sold that book. I've been using the method ever since. It just made so much sense to my brain. What I tell writers is, “Use the method that makes sense to your brain.” All storytelling structure methods are basically telling the same story, just with different words, sliced and diced a little bit differently, but structure is structure, and a story is a story. It has to have a beginning, middle, and end. It has to have conflict, it has to have a middle twist, and things like that. So this one worked for my brain, and I started to teach it to other novelists, because at the time there was still just the screenwriting guide. So I started to teach how I was using it to other novelists, and that turned into the book, Save the Cat! Writes a Novel. Then I wrote a young adult version of it as well. And I still use it to this day. It's just something that's always made sense to me. Jo: So were you hired by the estate? Blake Snyder died, right? So were you hired to write that, or is that something you arranged? Jessica: It was kind of something that was arranged. I think Blake Snyder Enterprises is the name of the company. Blake Snyder died in 2009, sadly. When I started using the method, I was blogging about it on my blog, and I would share some of my beat sheets of the novels I was writing. The people who had taken over his estate reached out to me and said, “Hey, can you blog for us? Because we don't have a lot of novel content on our blog. We just do screenplay stuff.” And I said, “Of course.” I had a fangirl moment. Oh my gosh, they've reached out to me and this is so exciting. So I started blogging for them, and then that turned into the workshops that I started doing with them. Then we partnered up on the book. I think it was one of those things that felt inevitable, like we were just working toward it. I was living in LA at the time. They're based in LA. And I remember having breakfast with them, and we all just looked at each other and said, “So we need to write a book, right? There has to be a book.” So we ended up sharing the copyright, and, as you see from the title, it says based on the books by Blake Snyder. It's very much his method. Then I brought some of my novel flair and some of my own little tips and tricks that I had picked up over the years and applied it to his method. Jo: I love that. We are going to come to your other book for writers in a minute, but just on that intellectual property sharing, writing in other markets, you also write for Disney Publishing. This is so fascinating to me. Now, there are lots of people who do write for other properties. So how did that come about writing for other properties, and how does that fit into your portfolio of the things that you do? Jessica: Yes, writing for other properties is really fun. It's probably not for everyone. You have to know what you're getting into before you pursue it, because it's very much not your IP. You're writing under someone else's brand, you're in their canon, and there are certain rules you have to follow. So you have guidelines. I found it to be really fun and kind of a break from some of my own stuff, because I didn't have to come up with everything. I didn't have to invent all the new worlds and all the new characters. A lot of them were just given to me, and I could play within the boundaries of that sandbox, and I really found that inspiring. So what happened actually is I was on a writing retreat with a bunch of other writers, and there was a writer at the retreat who already wrote for Disney Press and was supposed to write this new series for them, based on their Descendants series. She said to me, “I really can't do it, but I'd love to recommend someone else to them.” I think we had been talking about how big of a fan I was of Disney or something, and she said, “Do you want me to recommend you?” And I said, “Yes, absolutely.” Another big fangirl moment. So the editor of that series reached out to my agent. They talked to me. They got writing samples from me through my agent, and then before I knew it, I was hired to write, I think the first contract was maybe for two or three of the books, and then we renewed for a few more. It was just really fun. Then I formed a relationship with that editor. We ended up working on another series for younger kids, based on the Disney Princess LEGO series, which was much younger and new for me. It had illustrations. That was a whole new challenge, but I found it really fun. As I said, it was a nice break from writing my own things, because I could write them fairly quickly. They did have very fast turnarounds at the publisher too, but I could use my skills for structure and storytelling and apply it to a world that already existed, and it was a nice pairing. Jo: I love this. So much of what you've done seems to have come from relationships or just putting yourself out there in the world. Jessica: Yes, good observation. I hadn't thought of that. Jo: Whereas I think a lot of people think that it's all about cold pitching. It's not so much, from what you're saying. Jessica: Yes, and I did another IP project with Simon & Schuster called Boys of Summer, which was a young adult novel. That one specifically came from my agent. So a lot of times publishers will reach out to agents and say, “Here's what we're doing. Do you have authors who would fit?” And my agent will often reach out to me and say, “Here's the pitch I got from a publisher. Are you interested in submitting yourself for this?” That's what happened with Boys of Summer. They actually sent out an outline to a bunch of writers who were interested, and I had to write sample chapters to the outline, or I think it was the first couple of chapters or something. I was very gratefully selected to write it. That came about from having an agent, and a lot of times having an agent is a way into IP work. And then those connections can help too. Jo: Fascinating. Right. Well, let's get into your book Page One to Done, which as I said, one of my listeners actually requested to have you on the show to talk about this book, because she said it was absolutely fantastic and helped her finish her book. So why finishing? What is the problem? Why write a book on actually finishing? What are some of the common issues that people have? Jessica: Well, thank you to that listener. I really appreciate it, and here I am because of you. Connections once again. So Page One to Done came out of my own struggle with finishing, and not just finishing, but finishing efficiently and maintaining joy throughout the process of writing a novel. As I said, I was writing very fast and furiously, and my deadlines were piling up, and I started to feel like writing a novel stopped being fun. It started to become a very frustrating process, and I realised that was a lot about how I was approaching the first draft, which, as most writers know, the first draft is very hard. When I started to look further into it, I found this statistic online that's widely accepted in the writing community, which is that 97% of first drafts are not finished. Which is, wow, mind-blowing, but also not that hard to believe once you think about the challenges of writing a first draft. Taking an idea from a seed, developing it into a full plot with character development and arcs and subplots and side characters and themes and all the things that you think a story should have, getting that all onto the page and actually reaching the end. It's very, very difficult, and I never lie about how difficult it is. So I was struggling to finish things quickly, to enjoy the process, and I noticed that other writers were too. I felt like, well, I have this plotting guide that I love, this structure guide, Save the Cat! Shouldn't this be easier once I have an outline? And it wasn't. And that, I think, is because we forget that there's another part of the process. It's not just about developing a compelling character. It's not just about having a well-paced plot. You have to be able to get ideas out of your head and onto the page in a way that doesn't make you want to quit. I think one of the problems with the first draft is most of us write something down, it does not match what's in our head, and we start to get more and more frustrated. The process becomes overwhelming. We're holding too much of the story in our head. We're going back to page one to revise with every new idea we have, so it starts to slow down. The farther we get into the book, the longer that back to page one process takes, and things start to spiral out of control. I think that's essentially what happens to this 97% of first drafts. The writer quits because it's not good enough. It doesn't match what's in their mind, and there's too much to hold, and it starts to become overwhelming. So this is what was happening to me. Even though I was finishing things, the process was still very overwhelming, and I started to experiment with different things. Different mindset shifts that I could make, different ways I could change my writing routine to really enhance the process, to get into flow faster, to stay in flow for longer, things like that. It took me about five years, and I developed this collection of mindset shifts and strategies and routines that I could not only apply to myself, but I turned it into a system that was repeatable, and I started teaching it in my Writing Mastery Academy. I called it the Fast Drafting method, and it's all about letting go of this idea that our first draft has to be perfect or even that good, and just focusing on getting ideas down as quickly as possible, even if that creates a big mess. It's this freeing process of doing that in a way that we don't get in our own way. So I started teaching it to other writers. People were finishing things who had never finished things before. Writers who had taken two years to write a first draft were writing first drafts in weeks. The biggest comment I was getting was, “This is so freeing. This is so liberating. This is so fun.” And it gave people the motivation that they needed to actually sit down and revise the book. Before, either they never finished, so they never got to the revision process, or they were so overwhelmed and bogged down by the two years it took for them to write one draft, they didn't have the energy to revise and get it to the next level. So anyway, all of this is to say it was working for me, it was working for other writers. I turned it into a book called Page One to Done, and it's my three-phase process, mindset, preparation, and drafting, which I equate to running a marathon. You wouldn't run a marathon without proper training and proper nutrition and the right mindset, just like you wouldn't write a novel without the right mindset, the right preparation, and the right skills you need to get to the end. Jo: That's fantastic. You mentioned training there and some of the routine changes. So I hear new writers say, “Oh, I can't write unless I maybe have two hours or three hours to write down stuff, and I never have three hours at a time, so I never have time to write.” I hear that a lot. So what would you say to those people? What is a routine and a mindset shift that might help those people? Jessica: That's great, and I hear that all the time too. I interviewed a handful of authors for this book who had gone through the fast drafting method with me, and I would say the majority of them wrote for 30 minutes to one hour a day and were able to finish their books in a matter of weeks to maybe two months. That's because what I teach in the book is not about the amount of time you have. It's about how you use that time. When you really structure your day and your writing time with intentionality, you do whatever you can to block out distractions, get into flow, stay in flow. I'll give you one amazing tip that basically solves all of these things in a second. But when you really bring intentionality to those 30 minutes, you can write more in 30 minutes than you can in three hours without bringing these kinds of intentional choices. So that's one of the things I teach. You don't need more time. You actually just need to approach the time you have with the right mindsets and the right intentions. So one of the biggest shifts I tell people is just don't write and revise at the same time. For one, it pulls your brain in two different directions and creates the requirement of context switching, because essentially drafting and revising are two different jobs. Drafting is getting ideas out of your head and onto the page. Revising is polishing those ideas. They require very different headspaces and very different skills. So when we try to do both of them at once, we're pulled in two different directions. We're essentially trying to polish something we haven't even figured out yet, so we're polishing in the dark, if you will. It causes our brain to snap back and forth so many times. The term context switching is very big in the zeitgeist today, and that's because it's eating up our brain capacity. So if you spend 30 minutes just getting ideas down without judging them as they're coming out, without trying to revise them as they're coming out, you will get a lot of words down. A lot of that has to do with just what do you expect out of those 30 minutes? If you expect to write a chapter of absolutely brilliant polished prose, you're probably not going to do it, and you're going to feel like you wasted three hours. Then the next time you have three hours, you're like, “Well, no, I'm not going to do that. It's too frustrating, and I don't have three hours to begin with.” But if you sit down with the idea of, “I'm going to get all my ideas down. I'm going to just enjoy this process and live in my story for these 30 minutes,” you will be amazed at how much will come out onto the page. And you can absolutely finish a book that way. So intentionality is how you set up your workspace. Making sure that your phone is on do not disturb, making sure there are no pop-ups on your screen, making sure there are not even windows open behind your document. Every time your mind thinks about something else, you have to bring it back, and that eats brain power. So it's things like that. I have a whole chapter on how to set up a writing routine. One of the biggest tips I give people is to do what I call a pre-writing ritual. This is based in neuroscience, and there are all of these studies that back this up, that our brain does something where it associates an activity with another activity. So let's say right before we sit down to write, every time we do that, we do 10 jumping jacks, just as an example. But we only do 10 jumping jacks before we write. We don't do 10 jumping jacks before we sit down to do our taxes or answer emails. It's just before we write. Your brain starts to create this associative link with jumping jacks and writing. These are ways that we can prime our brain to get into the writing mode, and after doing that a handful of times, you do your jumping jacks, and your brain is literally already in your story before you sit down. It starts to soften that resistance that happens when we think, “Oh, I have to go write now,” or, “I've got to go write a certain amount of words,” or, “I have to work with my story.” It softens that, where it just becomes, “Oh, this is what I'm doing now.” Setting up these pre-writing rituals, which could include jumping jacks, could include something else, a lot of examples we can explore if you want, creates that associative link and allows us to get into the writing zone even faster. So by the time we sit down, we're already primed to go. We're not wasting a lot of that time going, “Oh, should I do it now? Should I do it later? I've got to open my document. Oh, my coffee's a little low.” All the things that we do to delay writing. They start to fall away. Jo: Yes, I mean, I always tell people, you and I turned up on time. We arranged this. We respect each other. We turn up, and we're doing this within a time slot. So I always say to people, “Look, make a calendar entry for your writing,” and do you respect your writing enough to turn up on time and do the work? We had a few minutes of saying hi or whatever, and then we got on with our work, which was this interview. So if you've arranged to start writing for that half an hour, then it is work still, right? You need to turn up and honour that. Jessica: Yes, and actually I have the same tip in the book. I say put it on your calendar, block it off. For the reasons you said, it creates in your brain the idea that this is a serious thing. It's not just a, “Oh, I'll get to it when I get to it,” like folding the laundry. It's like, no, this is what I've decided to do, I'm serious about it, I respect it. Just like any other appointment that you would respect, like lunch with a friend or an important business meeting, you show up for it. You don't go, “I think I'll show up to that business meeting in a few hours when I feel like it.” Also it keeps the routine consistent, because one of the tips I give is to always write at the same time every day if you can, because again, that associative link created in your brain, that habitual routine. So if you put it in your calendar for the days that you're going to write, you won't schedule over it by accident, which is just another logistical thing. I say something similar to what you just said, Joanna, in the book, which is basically, if you booked a massage for an hour, you would stay for the hour, right? Because you paid for this massage. Jo: Hell yes. Jessica: It's important to you. You're not going to get up in the middle and start texting your friends. You want your massage. If you treat your writing like any other thing that's important to you and show up for it consistently, it will show up for you, too. Jo: Yes, and I think the other misconception is that, okay, so that person has made it, and they're at the desk. I listen to rain and thunderstorms in my headphones. That's kind of, I guess, my routine. But that doesn't mean that I can just stream something wonderful. You talked about separating the writing and the editing, but sometimes it really is pretty basic, right? Morgan walked into the room. That will often be my thing, and then I'll be like, “Okay, well, why?” And what was the room like? Or was it even a room? So sometimes you just have to start writing something rather than wait for a perfect sentence. Jessica: Oh, yes, absolutely. Waiting for the perfect sentence, you'll be waiting for a long time. I say waiting for inspiration, you'll be waiting for a long time. My joke is, if I waited to write only when I felt inspired, I'd finish a book about every 20 years, if that. I think that's very important, and I teach a lot of tips and tricks in the book on how to get past that resistance, because of course, we don't want to just sit down and write something that we don't like. We don't want to just write down, “Oh, she stared at her computer for 10 minutes.” But sometimes we have to write that down to get to the next sentence or the next plot point or whatever barrier is in our mind. So one tip I'll tell people is put things you don't like in brackets, the square brackets. It's a really simple tip, and it's one of the tips I share in the book. Just put it in brackets and move on. What the brackets do, at least for people who use it, is it's like scaffolding. It's a reminder to your brain, this isn't permanent. This isn't going to stay. I'm going to come back to this later and fix it once I figure out what the story is and what she's actually doing in the room at this moment. For now, it's there. It's on the page. I can move past it. For me at least, the brackets are just this really nice reminder of the scaffolding. Nope, nope, nope, not perfect, not permanent, moving on. Then you can come back later and flesh it all out. I share a lot of anecdotes from my 20 years of writing novels, and one that I particularly like is I was working on a novel, and I had this scene that was just so awful, where all of my characters were sitting in a room. I had no idea what room it was or what it looked like, and they were talking about their feelings. It was just so awful and boring, but I had to get through this scene because I had to establish certain things that came later. I was complaining and complaining about this scene. I was on a writing retreat at the time, and my writer friends were like, “Let's just do a writing sprint, and we'll all write really fast, and we'll all get through our bad scenes, and we'll move on.” So I did that. I moved past the boring scene. It was still boring all the way to the end, but here's the thing, I couldn't figure out what happened in that scene until I'd figured out the whole story. So I wrote the bad version, and then in the next draft I came back and I was like, “Oh, this scene should take place on this bridge that I wrote in the finale that I didn't even know I needed, and it's this very symbolic bridge, and they can be standing on the bridge, and then they should be talking about this because that's going to pay off in the third act,” and I hadn't even thought of that yet. So all the things were coming together, but I could never have come up with that at the time. If I had just sat there and tried and tried, I probably would have gotten stuck at that scene and quit. So I had to just write the bad version, move past it, and come back later. Jo: Yes, and I think maybe because you're famous for structure, people think that maybe you wouldn't have to do that, because you already came up with that in the plotting. It sounds like you're also putting in those elements and foreshadowing and deepening things in the edit. So that's quite comforting for me as a discovery writer, because I end up doing so much more of that kind of thing in the edits. Jessica: Well, something I like to say is that we're all discovery writers, just different degrees. Because the writing process, no matter how much you plot in advance, is always going to be a discovery process. There are always going to be things you didn't think of. There's always going to be a way to tie things together that you never could have thought of before you started writing. So much of the story evolves and gets processed on the page and in your mind as it's coming out onto the page, and it's delusional to think you can think of all that before you start engaging with the characters. You can come close. I've known writers who have come very close, but almost all writers will discover something that they didn't know in the outline. I would argue that that's actually the fun part of writing. It's not the days when writing goes exactly to plan. They're nice, but they're not necessarily the fun parts. The fun parts are when you sit down to write the scene you thought was going to be the scene, and suddenly this new detail appears, and you go, “Oh my gosh, this totally unlocks everything, and I never even thought of it.” It could be in a text message. It could be on a billboard. It could be something the character just blurts out that you weren't expecting, and suddenly your whole story comes together in that moment, or maybe just the scene comes together. It's those moments, I think, that we write for. So even just expecting the book to come out exactly as you plotted is one of those mindset shifts. If you shift it and think, “This is really fun. I get to discover new things about my story that I wasn't expecting,” that, again, just makes the process a little more fun. So instead of, “Oh, this isn't what I thought it was going to be,” or, “This isn't what I outlined,” which is focusing on what's wrong with the book, it becomes, “Oh, wow, this is teaching me something I never expected about my story, and that's pretty cool.” Jo: Yes, I think that moment, Carl Jung called it, I guess, synchronicity, the moment when these things come together and it feels just incredible, that's the moment we all look for. It does seem to happen on every book. Everything clicks into place, and I look forward to that moment with every book. I did want to ask you about a novel that you have coming out soon as we record this, called How to Write a Murder. Now, this is a new genre for you, and it's quite meta because it's about writers as well. So talk about writing a brand new genre now at this point in your career. What are the challenges of trying to reach a new audience? Why do this book now? Jessica: Wow, great question. I love challenging myself to do something new. I wrote contemporary for many years and then thought, “I'm going to try a sci-fi.” Or, “I'm going to try middle grade now.” I think I go where the story wants, where I'm inspired to go when it comes to story ideas. However, with mystery, it's been one of those things that's always been on the back of my mind, like a wish list, a bucket list. I want to write a murder mystery. I just never had the right idea. Or I never had the time, or I never had the space. Then I finished my last novel contract, and I took a break, because I had been writing on deadlines for years. I took a very, very much needed break from deadlines. For the first time in I think 15 years, I did not have a book deadline. I just asked myself, “Jessica, what do you want to write?” As opposed to, what's the next book that's due? And the answer was very clear. I want to write that murder mystery. I toyed with a few ideas, and then I started to think about, okay, so I wrote this book on plot that a lot of people know and use. What if someone used that book to plot a literal murder? What would that look like? This meta explosion came to mind, which is that I wanted to write a murder mystery that's structured like a plotting guide for murder mysteries. The characters in the book are all writers who are familiar with this plotting guide, and the events of the story are unfolding like the plot of a murder mystery according to this book. You have no idea which one of them is actually using the book to plot the murder, because they all know the book. So one of the taglines is, “One dead body, seven mystery writers, and they all know how to get away with murder.” It was sort of my culmination of everything I'd done in my career. All the plotting workshops I'd taught, all the revision courses I'd taught, and of course this plotting structure method I'd been teaching for years, and I put it into this book. It's a fictional version of Save the Cat! It's called The Bestseller Formula. The premise of this book is that someone is using a murder mystery plotting guide to plot a literal murder. So the reader is learning how to write a murder as they're reading about the murder on the page. Jo: I love it. I know lots of people are going to want that. It does bring the business side of things into more difficulty, because of course you have readers, like you mentioned middle grade, you've got YA books, and obviously, I guess, the writers that you teach will be interested. How is this going to work for your book marketing and your business? Because it also sounds like this might be a standalone. Jessica: It is a standalone as of now. I have some sequel ideas, but we're not pursuing them yet. It is a different market for me, for sure, and that's become a challenge as I'm marketing, because I'm not in the thriller mystery space yet. I haven't written a novel for adults since the very, very beginning of my career. I've been mostly writing for teens and middle grade. The good news is most of my teen readers are now adults, because it's been so long since I wrote for teens. So there's that. I think the book will appeal to mystery readers just because it's a fun mystery, and there's a fun meta element to it. I think it's going to appeal to writers as well. So I'm very much leaning on that, at least for the launch. I hope my writer community will get behind this book, because it's very much an ode to storytelling. It's an ode to writers. I dedicated it to writers. As a writer, you will understand this book on a level that a reader never will. You will get so many of the little inside jokes that a reader might just skim past. So I did very much write it for writers, with the hope that readers will also enjoy it. I had the most fun writing it I've had, I think, of writing any book. Partly I think that was because I wasn't writing it under deadline. I was just writing it for me, but also just because it felt like the book I'd been destined to write for so long. Jo: Fantastic. So we're out of time. So where can people find you and your books and everything you do online? Jessica: How is that possible? I feel like we just started. JessicaBrody.com is the best place to find everything. If you're interested in my writing courses, you can check out WritingMastery.com as well. Jo: Well, thanks so much for your time, Jessica. That was brilliant. Jessica: Thank you, Joanna. I had so much fun.The post From Page One To Done: Fast Drafting Your Novel With Jessica Brody first appeared on The Creative Penn.

Folks, it's a full Nightbane episode. That's right, if you for some reason aren't aware or haven't listened to the bonuses, Merritt frequently has Niki and John playing legally-distinct-from-Clive-Barker's-Nightbreed tabletop role-playing game Nightbane in bonus episodes.This full episode is just a long version of that, complete with character creation and a short campaign. Do you like how Niki and John played? Do you like Lizard Caplan and Jenna?Welcome to If You're Driving, Close Your Eyes, a listener-supported comedy podcast where three noble explorers chip away at the crumbling foundations of reality, five or six simultaneous topics at a time. Hosted by Niki Grayson, merritt k and John Warren, and produced by Jordan Mallory, with music by Jordan and art by Max Schwartz.Follow us on Bluesky: https://bsky.app/profile/ifyouredriving.bsky.socialSupport us on Patreon: https://www.patreon.com/ifyouredriving Hosted on Acast. See acast.com/privacy for more information.

Vamos a fichar por las Razas de noche. Les vamos a dar un repaso tremendo a su concepción por parte de Clive Barker, la historia,, curiosidades, argumento y mucho más. ¡Ven a Midiam, no olvidarás el viaje! Con Alan Vendetta y Luis Martínez Vallés Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Cameron and Zak discuss ancient creatures of the land, in the film, Rawhead Rex. Also, they discuss the differences from the original Rawhead Rex tale, from Clive Barker's Books of Blood volume 3. Music by Jake Lionheart Contact: www.monsterdear.monster @senplus.bsky.social @drfaustisdead.bsky.social @zakjarvis.bsky.social @swarbie.bsky.social

Over on Matt's other podcast, Time Enough, he's been going over every Jordan Peele produced film after doing the entire Jordan Peele Twilight Zone series. Here Mark and friend of the pod Andrew Shearer (Gonzoriffic) join him to talk about Nia DaCosta's 2021 legacy sequel to a 90's Clive Barker adaptation, and what all of that means to the history of movies, horror, society, and everything. If you like this, then check out Time Enough Podcast for a lot more about Twilight Zone related stuff. We're taking a couple of weeks off for summer break and will be back to the list soon.Support us at our podcasting network, Podcastio Podcastius at https://www.patreon.com/podcastiopodcastius.  You'll get early episodes of this and out other podcasts, along with a live chat here and there.Speaking of our other podcasts - seriously, you could only listen to various other configurations of us:Luke Loves Pokemon: https://lukelovespkmn.transistor.fm/Time Enough Podcast (Twilight Zone): https://timeenoughpodcast.transistor.fm/Game Game Show (a game show gaming games): https://gamegameshow.transistor.fm/Occult Disney: https://occultdisney.transistor.fm/Podcast: 1999 (where Mark and Matt rap about 70's tv sci-fi): https://podcast1999.transistor.fm/And Matt makes music here:https://rovingsagemedia.bandcamp.com/Coming Soon: Santa Claus Conquers the MartiansThe Usual SuspectsEnes Batur: Imagination or Reality?

Passend zu unserem letzten Besuch beim Club Miskatonic, in dem wir mit Lars und Nisan über Clive Barkers Hellraiser gesprochen haben, steht in dieser Folge eine von Barkers weniger bekannten Kurzgeschichten an: Wir besprechen Pidgin und Theresa aus dem Jahr 1993. Dabei begleiten wir die namensgebenden Hauptfiguren auf einer kurzen Odyssee durch London, nachdem ein kleiner göttlicher Unfall ihrem vormaligen Haustier-Dasein ein Ende gesetzt hat und sie in ihrer frischen Menschenform dazu zwingt, in die weite Welt zu fliehen. Leider scheint Gott Fehler in seinem Plan nicht besonders zu mögen, weshalb Pidgin und Theresa bald in großer Gefahr schweben. Wir wünschen euch viel Spaß mit der Folge! --- Transparenzhinweis: Wir haben eine Ausgabe von Shining in the Dark als Rezensionsexemplar vom Buchheim-Verlag bekommen, werden aber auf keine andere Weise vom Verlag vergütet. Vielen Dank an den Buchheim-Verlag ❤️ --- In der nächsten Folge lesen wir Der entwendete Brief (The Purloined Letter) von Edgar Allan Poe. Hier findet ihr eine kostenlose, digitale Version auf Deutsch: https://projekt-gutenberg.org/authors/edgar-allan-poe/books/der-entwendete-brief/chapter/2/ Und hier geht's zum englischen Original: https://www.gutenberg.org/files/2148/2148-h/2148-h.htm#chap2.1 --- Unterstütz uns auf Steady für noch mehr Content abseits der Literatur

In Episode 535, Ryan and Jose are joined by David Blair for another Book Club of Blood episode. This time, we cover Volume 4's "The Inhuman Condition".   This is the Clive Barker Podcast, where long-time fans Ryan and Jose interview guests, bring you the news, and take deep dives into Barker-related stuff.  This episode will be available in Podcast Audio and Youtube Video.  Sponsor : Don Bertram's Celebrate Imagination | Pinterest | ETSY Store Check out his recent painting, "Flamingo" and "Snowflake",  Sponsor : Ed Martinez YouTube Channel Sponsor : The Now Playing Podcast Book Club of Blood Discussion:  Books. Of Blood Vol. 4 | The Inhuman Condition Show Notes Books of Blood V4 Audiobook Weird Al Yankovic – Velvet Elvis Coming Next  Clive's Contemporary Commentaries : 1987 (Angel Heart) Clive's Contemporaries 1988 – Please Vote More News and Interviews Book Club of Blood : Revelations Patreon Members Shout-Out (Become a Patron) David Anderson Erik Van T' Holt Daniel Elven Amanda Stewart Bradley Gartz Markus David Blair Matthew Batten Bennett Jesse Timothy Ramakers Terry Murdock John-John Ichtyandros (new) Sponsor: Don Bertram's Celebrate Imagination Sponsor : The Now Playing Podcast Sponsor: Ed Martinez YouTube Channel Renewed And this podcast, having no beginning will have no end.  web www.clivebarkercast.com Apple Podcasts,  Android,  Amazon Music, Spotify, Pandora, Libsyn, Tunein, iHeart Radio, Pocket Casts, Radio.com, and YouTube and Facebook: | BarkerCast Listeners Group | Occupy Midian  BlueSky | Reddit | Discord Community Support the show Buy Our Book: The BarkerCast Interviews Occupy Midian  Hardcover | Paperback | Kindle | Apple Become a Patreon Patron | Buy a T-Shirt Music is by Ray Norrish All Links and show notes in their Entirety can be found at https://www.clivebarkercast.com AI Recap AI Recap The Clive Barker Podcast episode 535 was a Book Club of Blood discussion focused on "The Inhuman Condition" from Books of Blood Volume 4. Ryan, Jose, and David analyzed the story's themes, characters, and connections to other Barker works, especially its similarities to Hellraiser. They discussed the narrative of a group of young thugs who steal a magical knotted cord from a transient, leading to the release of three creatures representing evolutionary stages. The trio explored the story's themes of evolution, hidden knowledge, and the transformative power of magic. They also touched on potential adaptations, the evolution of special effects, and the podcast's Patreon supporters. The episode concluded with a preview of upcoming content, including a commentary on Angel Heart and a future discussion on Pinhead sketches by Clive Barker. Book Discussion on Development Stages Jose and Ryan discussed a book they were reading, with Jose mentioning insights about human fetal development stages. Ryan revealed he had studied medieval philosophy rather than evolutionary topics in school, which explained his lack of knowledge about the developmental stages Jose referenced. The conversation ended abruptly as Jose mentioned something from a previous episode. Religious Philosophy and Media Discussion Jose and Ryan discussed the Manichaeans, a religious philosophy that viewed the devil as an equal and opposite force to God. They also talked about beer from a local brewery and the challenges of being on camera for non-native English speakers. The conversation then shifted to the topic of dubbing versus subtitles in foreign films, particularly in Japanese movies, and the role of Laserdiscs in providing region-free and undubbed content. Book Club of Blood Episode The group discussed various topics including vintage movie formats, gaming collectibles, and comic book adaptations before transitioning into a Book Club of Blood episode. Jose shared his recent viewing of "The Return" and "Jason and the Argonauts," while Ryan and wnbla discussed special effects in classic films. The conversation ended with Ryan confirming this was another Book Club of Blood episode focused on a specific volume. Clive Barker's "Inhuman Condition" Analysis The group discussed Clive Barker's "Inhuman Condition" from Volume 4 of the Books of Blood, comparing it to the more famous Hellraiser story. They analyzed the characters and plot, particularly focusing on how the knots found their owner Carney and the creatures released from them. The discussion covered themes of hidden power in seemingly ordinary people and parallel worlds accessible through objects like the knots. The conversation also touched on how Barker often writes about magicians who appear ordinary but possess hidden abilities. Evolution Theme Plot Review Jose discussed the evolution theme in the story, involving reptilian, simian, and human-like creatures. The group reviewed plot details about Carney finding a knot in Red's hand and Brendan's call to the wrecking yard. They described the final confrontation scene where Pope captures Brendan using a knot, and Carney must work to free him while hiding from Pope's attack. Pope Carney Story Adaptation Discussion The group discussed a story involving Pope, Carney, and a magical knot that contains a creature representing Pope's brother. They explored how the story could be adapted into a movie or TV show, noting it would need additional content beyond the original narrative. The discussion revealed key plot points including how Pope's brother was transformed through evolutionary stages captured in knots, and how Carney discovers Pope's spell book at the end. The conversation also touched on how Pope represents the Church's role in hiding knowledge about evolution. Anatomical Challenges and Story Development The group discussed the historical challenges anatomists faced working in secret due to religious opposition, with Jose explaining how anatomical knowledge was considered sinful. Ryan shared a personal experience of feeling uncomfortable during a college health class when learning about the circulatory system, which led to a broader discussion about the human body being "a bag of bones" and "a flesh machine." The conversation then shifted to discussing potential storylines for a character named Carney, including possibilities of him becoming a powerful magician or CEO, and ended with a suggestion about creating an animated series based on Clive Barker's Books of Blood anthology.

  Click to listen Join the Two Mikes as they break their own rules reading the worst of Steven King, Anne Rice, Dean Koontz and Clive Barker.  They will depose this Horror Royalty and create an Era of Horror Anarchy.  Mwa-ha-ha! It' Cocktail Time! SSDD2 shot of Scotch1/2 shot Sweet Vermouth1/2 shot Dry Vermouth1/4 shot DrambuieStir with ice. Double strain in a Nick and Nora glass. No garnish. We don't need no stink'n garnish.  

Eigentlich war es längst überfällig: Mit der Horror-Kurzgeschichte Das Handbuch des Hüters von John Ajvide Lindqvist beschäftigen wir uns in dieser Folge endlich mit Jaschas allerliebstem Lieblingsautor (my love, always). Wer Lindqvist noch nicht kennt, bekommt hier einen Einblick in dessen einzigartigen Stil: In seinem modernen Schweden treffen Banalitäten auf außerweltlichen Horror, der durch seine Alltäglichkeit zumindest noch einmal potenziert wird. Das Ergebnis kann unheimlich lustig, aber auch extrem grausam sein. Eine schwedische Wundertüte mit nerdigem Vibe, mit der wir uns umso lieber beschäftigen! --- In der nächsten Folge lesen wir Pidgeon und Theresa von Clive Barker aus dem Sammelband Shining in the Dark. Wer mitlesen will, kann das Buch direkt beim Buchheim-Verlag bestellen: https://www.buchheim-verlag.de/hans-ake-lilja-shining-in-the-dark-geschichten-von-clive-barker-stephen-king-john-ajvide-lindqvist-brian-keene-jack-ketchumg-ua.html Transparenzhinweis: Auch wir haben ein Buch als Rezensionsexemplar bekommen, werden aber auf keine andere Weise vom Verlag vergütet. Vielen Dank an den Buchheim-Verlag ❤️ --- Unterstütz uns auf Steady für noch mehr Content abseits der Literatur

Before giving their take on Christopher Nolan's buzzy new Odyssey adaptation next week, Josh and Andrew go on their own epic journey back twenty years to look at one of his early hits among the cluster of 2006 magician thrillers, The Prestige! Diving headfirst into a tale of doubles, obsession, unsubtle foreshadowing, magic tricks, sacrifice, and David Bowie's attempt at a Serbian accent, they come out with varying degrees of appreciation. Watch closely as our hosts assess their thoughts around a filmmaker that has been extremely loved or hated through the years. Then, they have One More Thing, revealing Clive Barker's occult magician horror film Lord of Illusions alongside Leon Neyfakh and Gracie Canaan's investigative sex-work podcast OnlyFantasy.Next Week, see if our hosts think if Nolan's The Odyssey is a worthy gift or desecration of the Gods. Until then, read on at the thetake-up.com and follow us @thetakeupstl on Instagram, Twitter, Letterboxd, and Facebook. Special thanks to Social Media Manager Kayla McCulloch and Contributor Ethan Tarantella's Twin Brother. Theme music by AMP.

Fellow New Mexico horror writer T.L. Bodine comes onto the podcast to discuss her life and work, including her 2023 novel "Neverest" and her 2025 collection "These Kids Are Not Alright." She and Scotty talk about Stephen King, Clive Barker, fantasy, fairy tales, body horror, grief, children, mental illness, and more. They also talk about the 2015 indie film "They Look Like People" -- one of the most compassionate horror movies to come along in years. WARNING: This conversation has some spoilers for "They Look Like People." You can find T.L. online (and subscribe to her 'zine) at https://www.patreon.com/tlbodine You can find T.L. on BlueSky at tlbodine.bsky.social You can get your copy of "Neverest" at https://bookshop.org/p/books/neverest-t-l-bodine/e642ad04dbcb9376?ean=9781739611644&bkshp-astro=t You can get your copy of "These Kids Are Not Alright" at https://bookshop.org/p/books/these-kids-are-not-alright-t-l-bodine/e4f0cc105cfd1041?ean=9781737465034&bkshp-astro=t For more information on the Cottonwood Mall pop-up event, go to https://www.facebook.com/mitiekreations/photos/our-upcoming-shows-july-is-live-for-sign-up-august-will-be-coming-out-by-mondayi/978197965119744/ -- Be sure to tune in to Daniel Braum's YouTube series "Night Time Logic." The series focuses on the strange, weird, and wonderful side of dark fiction through readings and discussions with diverse authors from around the world. The next episode will be LIVE on April 11 at 7 p.m. EST, and will feature author Rudi Dornemann. Follow the Facebook event at https://www.facebook.com/share/1BYsJgFGwu/ You can tune in on Daniel's You Tube Channel, which is his name DanielBraum or @danielbraum7838. https://www.facebook.com/groups/429777132474382 https://www.youtube.com/@danielbraum7838 -- Albuquerque listeners: Join Rachel Eve Moulton and Scotty to celebrate the paperback release of Rachel's novella "Tantrum." The event will be at Books on the Bosque (6261 Riverside Plaza Lane NW, Suite A-2) and will begin at 5:30 p.m. MST. Go to https://www.booksonthebosque.com/botb-events-calendar for more information.

This week, Eric, Pascale, and Josh unveil news of limited edition The Room 200th screening pins and t-shirts! They also discuss: Waking up, Jam Filled animation studio / Final Space, Clive Barker, tattoos, Big Eyes, Eegah, Nic Cage, Condorman, 101 Dalmatians white chocolate bars, Sam Neill, and more! Plus, the movies screening the week of Friday July 24 - Thursday July 30: Backrooms, Saturday Night Sinema, One Hundred and One Dalmations, What Ever Happened To Baby Jane?, and Trog! They neglect to mention Couture, and Le Rêve Américain, which were booked at the last minute, after the podcast recording. You can always check mayfairtheatre.ca for up to the moment program listings and Coming Soon movies.

In Episode 534, Jose and Ryan are joined by David Blair go over some Hellraiser related news, in particular we talk about the English translation of the old Hellraiser Manga.   This is the Clive Barker Podcast, where long-time fans Ryan and Jose interview guests, bring you the news, and take deep dives into Barker-related stuff.  This episode will be available in Podcast Audio and Youtube Video. Sponsor : Don Bertram's Celebrate Imagination | Pinterest | ETSY Store Check out his recent painting, "Snowflake",  "Pork Rinds", and "A little Something Fishy II" 2001: The Future's Not What it Used to Be Sponsor : The Now Playing Podcast Chat: New Barker-Related Aquisitions From The Reef Hellraiser Announcement Video - Halloween Horror Nights 2026. Doug Bradley recorded Pinhead lines for it! ASHLEY LAURENCE is coming to OKC HORROR CON July 17-19th Official Con website here! Simon Bamford posts casting call for The Black-Ey3d Children film, where he plays "John" Peter Atkins featured in the latest Hellraiser Discord YouTube channel videos Barbie Wilde interviewed in The London Horror Movie Club Paul T Taylor talked to Hellraiser Discord about auditioning for Hellraiser: Judgement Paul Kane will be present at a Hellbound Screening and Q&A in Wales BOOM! Studios releasing fac-simile edition of the Harrowers #1 Hellraiser Manga has been translated to English   Show Notes Night of the Zoopocalypse Blu-Ray on Amazon Buy our Book on Amazon Hardcover | Paperback | Kindle | Apple  Black Eyed Children on Tubi Coming Next Book Club of Blood : The Inhuman Condition Clive's Contemporaries 1987 – Angel Heart Clive's Contemporaries 1988 – Please Vote More News and Interviews Patreon Members Shout Out David Anderson Erik Van T' Holt Daniel Elven Amanda Stewart Bradley Gartz Markus David Blair Matthew Batten Bennett Jesse Timothy Ramakers Terry Murdock John-John Sponsor: Don Bertram's Celebrate Imagination Sponsor : The Now Playing Podcast And this podcast, having no beginning will have no end.   web www.clivebarkercast.com Apple Podcasts,  Android,  Amazon Music, Spotify, Pandora, Libsyn, Tunein, iHeart Radio, Pocket Casts, Radio.com, and YouTube and Facebook: | BarkerCast Listeners Group | Occupy Midian  BlueSky | Reddit | Discord Community   Support the show Buy Our Book: The BarkerCast Interviews Occupy Midian  Hardcover | Paperback | Kindle | Apple Become a Patreon Patron | Buy a T-Shirt   Music is by Ray Norrish   All Links and show notes in their Entirety can be found at https://www.clivebarkercast.com     AI Summary   This was episode 534 of the Clive Barker podcast, where Ryan, Jose, and David discussed extensive Hellraiser-related news and updates. The team covered several major developments including Orlando's Halloween Horror Nights 2026 featuring a Hellraiser-themed attraction with Doug Bradley as Pinhead, Ashley Lawrence's upcoming appearance at Oklahoma City HorrorCon, and Simon Bamford's casting call for the Black Eyed Children film series. They reviewed a new interview with Peter Atkins by the Hellraiser Discord community and discussed Barbie Wilde's interview with the London Horror Movie Club. Jose shared his discovery of an English translation of the rare Hellraiser manga adaptation by Naruho Amino, which is now available for free online. The group also discussed upcoming Hellraiser game releases, convention appearances by various actors, and plans for their next book club discussion of "The Inhuman Condition" and 1988 Clive Barker works.   Hellraiser Revival Attractions Discussion The group discussed the Hellraiser Revival game and upcoming Hellraiser-themed attractions. They learned about a new Hellraiser ride at Universal Orlando's Halloween Horror Nights, which will feature Doug Bradley as Pinhead. The discussion also covered an upcoming Oklahoma City HorrorCon where Ashley Lawrence and potentially other Cenobite actors are expected to appear. Additionally, they mentioned Simon Bamford's involvement in the third installment of The Black Eyed Children series, though details about where to watch the first two films were not fully confirmed.   Hellraiser Content and Updates The group discussed several Hellraiser-related topics including a new movie "The Black Eyed Children" available on Tubi, a Hellraiser Discord YouTube video featuring Peter Atkins addressing questions about the series, and an interview with Barbie Wilde by the London Horror Movie Club. They also covered Paul T. Taylor's interview about the Hellraiser Judgment audition process and mentioned an upcoming Hellraiser screening with Q&A in Wales featuring Paul T. Taylor. The discussion concluded with information about a Boom Studios re-release of the first issue of the Harrowers comic and the discovery of an English translation of a Japanese Hellraiser manga adaptation from 1988.   Hellraiser Manga Adaptation Discussion Jose and Ryan discussed a recently published manga adaptation of Hellraiser by the Caterpillar Group, noting that while it simplified the story, it captured key elements from both the movie and novella. They identified some character differences and translation issues, particularly regarding family relationships and honorifics in Japanese. The discussion concluded with Jose expressing interest in finding more manga adaptations by Naruho Amino, including "In the Hills of the Cities" and "Gathering of Cenobites," while Ryan mentioned their website had experienced technical issues with Bluehost.   Book Club Content Planning The group discussed upcoming book club content, including plans for "The Inhuman Condition" and commentary on "Angel Heart." They announced a vote for the 1988 commentary topic from a list including "Hellbound," "Hellraiser 2," "Child's Play," "Night of the Demons," and other films, with voting to remain open for a month. The discussion included conversations about various movies including "Monkey Shines," directed by George Romero and based on a Stephen King story, and the poorly received 1994 "Fantastic Four" film that was made to retain movie rights.   Movie Discussion and Updates The group discussed various movies, including the Fantastic Four film series and horror movies like Angel Heart and Hellraiser. They talked about voting for favorite movies in an upcoming podcast episode and mentioned updates to their website. David shared information about collecting Dracula comics, and the team discussed updating their "About Us" page to reflect current information and remove outdated details.  

Grab your popcorn and lock your doors, because this week Beans and Gaz are turning the lights down low. The boys are joined in the studio by horror aficionados Chris and Jake Montejunas—the masterminds behind the Supernatural Collaborations Media podcast and Iron Rose Customs LLC.As it turns out, all four grew up watching gore, ghosts, and ghouls from a criminally young age, and it's time to put that childhood trauma to good use. The crew dives headfirst into the ultimate horror debate: When it comes to the holy trinity of slashers, who reigns supreme? Is it the silent, calculated evil of Michael Myers, the relentless brute force of Jason Voorhees, or the quip-heavy nightmare fuel of Freddy Krueger?The conversation gets bloody as they dissect the evolution of the genre, pitting the golden age of practical special effects against the glossy, modern world of CGI. Plus, they tackle the age-old question: Do horror remakes ever actually match up to the original masterpieces?Wait, did we actually forget Clive Barker? The guys address the Cenobite in the room and debate whether they intentionally left out Hellraiser and Nightbreed, or if they just got distracted by things that go bump in the night.Intermingled with the cinematic debates is a treasure trove of odd trivia—including the terrifying true story that loosely inspired Wes Craven to create A Nightmare on Elm Street. Finally, the crew veers way off the beaten horror path to discuss the "regular" mainstream movies that somehow managed to scare the absolute bejesus out of them.It's a hilarious, nostalgic, and occasionally spine-chilling episode you don't want to miss!The Big Three: Breaking down Michael vs. Jason vs. Freddy.Practical vs. Pixels: Why 80s special effects still hold a special place in our hearts over modern CGI.The Remake Curse: Can a reboot ever capture the lightning in a bottle of the original?Horror Lore: The real-life medical mystery behind Freddy Krueger's origin.Unexpected Terror: Non-horror movies that left us scarred for life.Follow our guests:InstagramInstagramtallboyradio.com

Despite the fact that it technically premiered last fall, Obsession (2025) is the hottest horror movie of the year — and it's also the official quarterly pick of our Patrons. The theatrical film debut of writer-director-editor Curry Barker, who got his start making shorts online, this flick captivated moviegoers from the first second it hit their screens. It's also inspired about a thousand memes and plenty of discourse about how the One Wish Willow works, when a hero becomes a villain, and when exactly that villain turn started. On a new Spooky Tuesday, we're joining the conversation as we talk newcomers and nepotism while namedropping stars like Inde Navarette, Michael Johnston, and of course papa Clive Barker himself. References: Costume Designer Blair James's TikTokOlivia Rodrigo's Take on Obsession If Curry Barker made a skit about One Wish WillowsObsession if it was WLW

Jose and I love doing movie commentaries, but we have run out of films to cover!  The series "Commentary on Clive's Contemporaries"   allows us to look in the background and see what movies were happening when these Clive Barker movies and sequels were being made.  We choose a range of movies, and you, the listeners, vote for which one we cover. This series was sponsored by our listeners in the 2025 Kickstarter Campaign, Clive Barker Podcast Presents Fundraiser 11 : The Patron Configuration and covers a range of years from 1973 (Salome) to 2024 (Night of the Zoopocalypse) and beyond.   So Far: 1973 -- The Forbidden VS. Enter the Dragon 1978 -- Salome Vs. Invasion of the Body Snatchers 1985 -- Transmutations VS. Silver Bullet 1986 – Rawhead Rex VS. Big Trouble In Little China 1987 - Hellraiser VS. Prince of Darkness 1987 - Hellraiser VS. Angelheart Commentary: 1987 - Prince of Darkness | 1h42m Directed by John Carpenter Written by John Carpenter Show Notes DVD Commentary Alice Cooper: Prince of Darkness Filmmaker John Carpenter in The Magnificent Others with Billy Corgan John Carpenter Curating Horror Movie Marathon at TCM this July! Underworld in 4K Our Commentary on JoJo Baby Feedback Spotlight From YouTube Coming Next Clive's Contemporary Commentaries : 1987 - Angelheart News and Interviews BCOB – The Inhuman Condition And this podcast, having no beginning will have no end. web www.clivebarkercast.com Apple Podcasts,  Android,  Amazon Music, Spotify, Pandora, Libsyn, Tunein, iHeart Radio, Pocket Casts, Radio.com, and YouTube and Facebook: | BarkerCast Listeners Group | Occupy Midian  BlueSky | Reddit | Discord Community Support the show Buy Our Book: The BarkerCast Interviews Occupy Midian  Hardcover | Kindle | Apple Become a Patreon Patron | Buy a T-Shirt Music is by Ray Norrish All Links and show notes in their Entirety can be found at https://www.clivebarkercast.com

Nesse episódio, Bruno Carvalho, Edu Aurrai, Felipe Mesquita e Rodrigo Cunha falam sobre a pré-venda de GTA VI (Grand Theft Auto VI), com revelação da capa e do preço do jogo; o aumento de preço de todos os consoles XBOX; a divulgação da página da lista de espera para a Steam Machine, e o seu preço surpreendente; e muito mais. Duração: 120 min Comentados: RebobinaCast 43 – Mortal Kombat 1995 – RebobinaCast | Podcast on Spotify Vídeos: Clive Barker's Hellraiser: Revival – Release Date Trailer Arcade Archives 2 TEKKEN – Launch Trailer Música da Semana: Prey – Original Game Soundtrack – “Mind Game”

Send us a text or leave a voice message!email us! twroadpodcast@gmail.comhttps://buymeacoffee.com/twrpodIn Part 1 of this special two-part conversation, The Wandering Road Podcast and Southern Demonology Podcast sit down with horror legend Doug Bradley for a wide-ranging discussion that goes far beyond Hellraiser.Doug reflects on his lifelong fascination with ghosts, horror, mythology, and the paranormal, and explains why he describes himself as a “religious atheist.” From there, the conversation moves into religion, the problem of evil, the Hebrew Bible, demonology, and the strange tension between skepticism and wonder. Doug also shares how horror first entered his life through Hammer films, Poe, Lovecraft, and Tolkien, before looking back on his early creative relationship with Clive Barker and the path that eventually led to Pinhead.This first half also includes Doug's reflections on becoming part of horror history, the legacy of Pinhead, and what it means to leave an indelible mark on the genre decades after the role first appeared on screen. If you want Doug Bradley at his most thoughtful, reflective, and fascinating, this is the place to begin.Support the showSOCIAL MEDIATwitter: @TWRoadpodcastIG: twroadpodcastWant to be a guest or share your paranormal experiences?  Email us!twroadpodcast@gmail.com

This week on Thumb Cramps, it's time to say goodbye to 92ne and to celebrate such a beautiful month they're joined by Steph Panecasio to take a look at Devil May Cry 3 for the Nintendo Switch, Clive Barker's Undying for the PC and Zanzarah: The Hidden Portal for the PC. Remember when games used to be bad? 92ne does. Don't forget to follow Steph on socials and keep Thumb Cramps in your hearts and minds as they fight through hand foot and mouth disease.Use the coupon code death2mrads on sanspantsradio.com for 100% off all subscriptions this month only. This isn't a joke but the deal ends June 30.Get Thumb Cramps Long Sleeve Shirts HereThumb Cramps+ has launched! Ad-free podcasts and a bonus monthly episode of Speedrunning Television; a brand new podcast that innovates how to watch television as gamers. Subscribe now on Sanspants Plus OR Apple Podcasts! Email us at ThumbCrampsPod@gmail.com Find us on Instagram;Jackson | Duscher | Thumb Cramps | StephYou can physically send us stuff to PO BOX 7127, Reservoir East, Victoria, 3073.Join our facebook group here or join our Discord here.Theme music by Benny Davis! You can find all his stuff at his website or check out his YouTube channel.Parts of this episode were recorded and produced on Wurundjeri land, we respectfully acknowledge the Wurundjeri People of the Kulin Nation, pay our respect to their Elders past and present, and recognise that sovereignty was never ceded. Hosted on Acast. See acast.com/privacy for more information.

Send us a text or leave a voice message!Pinhead is one of the defining icons in all of horror. In this one-minute teaser,  ⁨The Wandering Road and Southern Demonology offer a first glimpse into a haunting two-part conversation with Doug Bradley, the man behind Pinhead. From Hellraiser and Clive Barker to the paranormal, fear, and the unknown; this is your invitation into the mind behind one of horror's most unforgettable faces.The first part of full interview is coming June 26!Support the showSOCIAL MEDIATwitter: @TWRoadpodcastIG: twroadpodcastWant to be a guest or share your paranormal experiences?  Email us!twroadpodcast@gmail.com

We get darkly magical in the Spoiler Room with a look at Clive Barker's Lord of Illusion. There is no slight of hand but there may be a slight of the movie. Did the Spoiler Room Crew enjoy this one. We will also discuss Scott Bakula post Quantum Leap, the dark story, and Clive Barker's style of direction.

ILP# 450 6/21/2026https://lordsofgaming.net/LORDS AFTER DARK on Insider Game App! ANDROID: https://play.google.com/store/apps/details?id=com.insidergaming.appIOS: https://apps.apple.com/us/app/insider-gaming/id67539846481) ADVANCEDGG Use Code "IRONLORD" for 10% off https://advanced.gg/pages/partner-ironlords?_pos=12) VALARI PILLOW Use Code "ILP15" valari.gg/?ref=ironlordspodcastroundtable3)  ILP MERCH: https://ironlordspodcast-shop.fourthwall.com/collections/allsofgaming.net/4) NZXT & IRON LORDS PC Use Affiliate LINK: https://nzxt.co/Lords5) HAWORTH Gaming Chairs & ILP Use Affiliate LINK: https://haworth.pxf.io/4PKj7M*********************************************************00:00 - ILP#450 Pre-Show13:04 - ILP Intros26:34 -  Clive Barker's Hellraiser: Revival Impressions39:45 - Hot Wheels Infinite Rush! Impressions44:50 - Samurai Kibiji Joins the Realm!45:12 - Ray (XBOX Ready) Joins the Realm!45:24 - The Adventures of Elliot: The Millennium Tales Impressions58:51 - GTA 6 Pre-order Aftermath, Price? & Early Access?1:54:36 - More Xbox Studio Closure Details & New Regime mindset3:52:38 - Bungie 50% Layoff Rumors4:23:53 - ILP Outros*********************************************************Welcome to The Iron Lords Podcast!Be sure to visit www.LordsOfGaming.net for all your gaming news!ILP Spotify: open.spotify.com/show/6XRMnu8Tf1fgIdGlTIpzsKILP Google Play:play.google.com/music/m/Iz2esvyqe…ron_Lords_PodcastILP SoundCloud: @user-780168349ILP Itunes: itunes.apple.com/us/podcast/iron-…uiR-IgF6cE9EQicIILP on Twitter: twitter.cm/IronLordPodcastILP on Instagram: www.instagram.com/ironlordspodcast/ILP DESTINY CLAN:www.bungie.net/en/Clan/Detail/178626The Iron Lords and the Lords of Gaming have an official group on Facebook! Join the Lords at:www.facebook.com/groups/194793427842267www.facebook.com/groups/lordsofgamingnetwork/Lord COGNITO--- twitter.com/LordCognitoLord KING--- twitter.com/kingdavidotwLord ADDICT--- twitter.com/LordAddictILPLord SOVEREIGN--- twitter.com/LordSovILPLord GAMING FORTE---twitter.com/Gaming_ForteILP YouTube Channel for ILP, Addict Show & all ILP related content: www.youtube.com/channel/UCYiUhEbYWiuwRuWXzKZMBxQXbox Frontline with King David: www.youtube.com/@xboxfrontlineFollow us on Twitter @IronLordPodcast to get plugged in so you don't miss any of our content.

In Episode 532, Ryan and Jose are joined by David Blair for another Book Club of Blood episode. This time, we cover Volume 4's "The Body Politic".  Ples we get into some Hellraiser news and shoutouts to our friends.   This is the Clive Barker Podcast, where long-time fans Ryan and Jose interview guests, bring you the news, and take deep dives into Barker-related stuff.  This episode will be available in Podcast Audio and Youtube Video.     Sponsor : Don Bertram's Celebrate Imagination | Pinterest | ETSY Store Check out his recent paintings, A Little Something Fishy II and Pork Rinds.   Sponsor : Ed Martinez YouTube Channel Sponsor : The Now Playing Podcast     From the Reef New Boom Studios Hellraiser Comics Hellraiser Revival Release Date and Gameplay!!! Trick or Treat Studios figurines available on Pre-Order (Bundle or Separate)     Book Club of Blood Discussion: Books. Of Blood Vol. 4 | The Body Politic   Show Notes Quicksilver Highway | On YouTube The Body Book Dr. Seuss "What Was I Scared of?"   Feedback / Questions Reddit Facebook Page Listeners Group   Coming Next Clive's Contemporary Commentaries : 1987 (Prince of Darkness / Angel Heart) News and Interviews BCOB – The Inhuman Condition   Shoutouts Roger's Album Review of Danny's Book Joseph Edwards from Lexington KY     Patreon Members Shout-Out (Become a Patron) David Anderson Erik Van T' Holt Daniel Elven Amanda Stewart Bradley Gartz Markus Matthew Batten Bennett Jesse Timothy Ramakers Terry Murdock John-John Sponsor: Don Bertram's Celebrate Imagination Sponsor, Ed Martinez YouTube Channel Sponsor : The Now Playing Podcast     And this podcast, having no beginning will have no end.   web www.clivebarkercast.com Apple Podcasts,  Android,  Amazon Music, Spotify, Pandora, Libsyn, Tunein, iHeart Radio, Pocket Casts, Radio.com, and YouTube and Facebook: | BarkerCast Listeners Group | Occupy Midian  BlueSky | Reddit | Discord Community   Support the show Buy Our Book: The BarkerCast Interviews Occupy Midian  Hardcover | Kindle | Apple Become a Patreon Patron | Buy a T-Shirt   Music is by Ray Norrish   All Links and show notes in their Entirety can be found at https://www.clivebarkercast.com   AI Recap   This was episode 532 of the Clive Barker Podcast, where the hosts returned after a month-long break to discuss news and analyze "The Body Politic" story from Volume 4. They covered recent Hellraiser developments including new one-shot comics from Boom Studios focusing on different Cenobites, the upcoming Hellraiser game releasing October 8th, and new Trick or Treat Studios action figures. The main discussion centered on "The Body Politic," a story about Charlie George whose hands rebel against his body, exploring themes of revolution, control, and the consequences of breaking away from societal structures. The hosts analyzed the story's metaphors, its film adaptation in "Quicksilver Highway," and received feedback from listeners about their experiences with the story. They also discussed upcoming commentary tracks for Prince of Darkness and Angel Heart.   Summary Hellraiser Comic Series Announcements The podcast hosts discussed recent Hellraiser news, including Boom Studios' announcement of five new Hellraiser one-shot comics titled "Hellraiser Resurrections" focusing on different Cenobites. They reviewed details about each comic's plot and characters, noting that these appear to be standalone stories that could potentially lead to a new series. The discussion also covered a successful Kickstarter campaign called "Leviathan's Vault" that raised nearly $900,000 to reissue Hellraiser comics, including volumes from 2011 and various limited series. The conversation concluded with a brief mention of the Hellraiser revival game, though details about this were not provided in the transcript segment. Hellraiser Game and Figures Release The group discussed the upcoming release of a Hellraiser game on October 8th, with José sharing details from gameplay demos including melee attacks, gunplay, puzzles, and a crafting system. They also discussed new Trick or Treat Studios Hellraiser figures that are available for pre-order, with an estimated shipping date of December 9, 2026, and a special bundle price of $159.96. The figures will be 8 inches tall with some articulation features, and were sculpted by Alexander Ray. Clive Barker's "The Body Politic The group discussed Clive Barker's story "The Body Politic," focusing on its extended metaphor about body parts rebelling against the control of the brain. They analyzed how the story explores themes of revolution, tyranny, and the consequences of following a wrong leader, particularly through the character of Charlie George whose hands conspire against him. The discussion included details about the film adaptation in "Quicksilver Highway" and compared it to the original story, noting differences in the ending where Charlie jumps from a roof followed by the hands, leading to their collective doom. Clive Barker's "The Collection" Analysis The group discussed Clive Barker's short story "The Collection" and its film adaptation, focusing on themes of revolution and the body's autonomy. They analyzed how the story explores the concept of body parts rebelling against their owners, with José noting the film's cameos including Clive Barker and John Landis. The discussion concluded with speculation about which body part would be most terrifying if it rebelled, with eyes and butts being particular points of concern. Clive Barker Story Discussion The group discussed Clive Barker's short story "The Body Politic," sharing personal reactions and experiences, including one listener's connection to the story through a personal injury. They reviewed comments from Reddit and their listeners' group, noting the story's themes of revolution and control. The team announced their next content will be audio commentaries for the 1987 films "Prince of Darkness" and "Angel Heart," chosen after a tie vote between those films and "Hellraiser." They also mentioned upcoming content including "The Inhuman Condition" in their Book Club of Blood series.  

A new children's horror classic enters the Still Scared canon with Clive Barker's The Thief of Always from 1994! For this episode co-hosts Ren Wednesday and Adam Whybray are joined by totally unsuspicious guest Cat Burroughs to chat about this little-known but heavy hitting modern fable by writer, director, artist and progenitor of goths Clive Barker. The textures are out in force in this one, so let's get scritchy. Content note: There's a description of what appears to be a hanged body that we read aloud, and mention of a couple of cat deaths.

Brad unfortunately had to duck out for this week's show, but Vinny and Alex keep the conversation going with more Summer Game Fest updates, ample discussion on Microsoft and the larger industry's current fortunes, and even a bit of speculation on what our level of survivability would be when pitted up against any X-Man, but mostly one X-Man in particular. The one with knives in his hands.CHAPTERS(00:00:00) NOTE: Some timecodes may be inaccurate for versions other than the ad-free Patreon version due to dynamic ad insertions. Please use caution if skipping around to avoid spoilers. Thanks for listening.(00:00:10) Intro(00:02:00) Rant 001: The U.S. Healthcare Grift(00:09:59) Rant 002: The U.S. Mint Grift(00:21:42) Retro Rewind: Video Store Simulator | [PC (Microsoft Windows)] | Mar 17, 2026(00:25:35) Clutch | [PC (Microsoft Windows), PlayStation 5, Xbox Series X|S] | Q1 2027(00:36:28) First Break(00:36:29) Stuntman: Hollywood | [PlayStation 5, PC (Microsoft Windows), Xbox Series X|S] | TBD(00:42:12) Clive Barker's Hellraiser: Revival | [PC (Microsoft Windows), PlayStation 5, Xbox Series X|S] | Oct 08, 2026(01:03:51) Tomb Raider: Legacy of Atlantis | [PC (Microsoft Windows), PlayStation 5, Xbox Series X|S, Nintendo Switch 2] | Feb 12, 2027(01:08:49) Generative AI was also on display at SGF(01:13:16) Replaced | [PC (Microsoft Windows), Xbox Series X|S] | Apr 14, 2026(01:16:19) 007 First Light | [PC (Microsoft Windows), PlayStation 5, Xbox Series X|S] | May 27, 2026(01:23:04) Crushed in Time | [PC (Microsoft Windows)] | Jun 10, 2026(01:26:32) Second Break(01:26:33) Finding out what Xbox's reset might look like...(01:47:21) Don't Nod might run out of money(01:49:56) Are we seeing a video game crash?(02:05:17) Official PS5 SSDs are comically expensive(02:13:09) Sony wants to sell you soft and rock hard buttons(02:17:29) Commodore is making a mobile phone?(02:23:18) Emails(02:38:37) Nextlander schedule updates(02:40:20) Washington Prime | [PC (Microsoft Windows)] | TBD(02:41:00) Wrapping up and thanks(02:41:34) Mysterious Benefactor Shoutouts(02:43:15) See ya!

Kasra Ghanbari might just be the most interesting man in comics. He's been: a Biotech CEO, a cancer and Alzheimer's researcher, written comics for IDW, an art agent to industry titans like: Scott Radke & Clive Barker, and now he's the organizer of several comic art shows like Original Art Expo (OAX) and Indie Comic Creator Con (IC3). Kasra is on the show to talk about his journey from Biotech to the Dark Arts, the upcoming IC3 and First Coast Comic Con collabo event, the vision behind the Jack Kirby Awards, how Comic Art Fans (CAF) changed his life,  and his expert advice for navigating the original art market todayWatch the uncut video version of this episode: HERELINKS: Get access to COVRPRICE for $1: HERETake your comic shopping experience to the limit, by shopping online at Gotham City Limit!Join our Patreon Community, and get access to bonus episodes, free comics, and other rewards! Try a FREE 7-day trial: HEREThe Schiller Kessler GroupClick here to text us Fan Mail! Presented by CovrPriceProudly sponsored by Gotham City LimitDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showREACH OUT AND FOLLOW FOR MORE

In this interview, we sit down with Danira Karović Lačević, Lead Producer at Mad Head Games (a Saber Interactive studio), to talk about Clive Barker's Hellraiser: Revival. We discuss the game's development, story, horror design, and what fans can expect from this new Hellraiser title.

Send us Fan MailLadies and gentleman, boys and girls please step right up, give us a moment of your time and be amazed!  We have for you a new theme so fantastic, so incredible that you won't believe your very ears.  Reaching beyond the bounds of your wildest imagination, of everything you thought possible we bring you "It's Magic!".  First on the stage to overwhelm your sense of reality we have the 1995 neo-noir 'Lord of Illusions' brought to us by none other than Clive Barker himself.  NY occult detective Harry D'Amour investigates the death of famed illusionist Philip Swann and gets drawn into a web involving Swann's wife Dorothea, a resurrected cult leader named Nix, and real magic vs. stage illusions. Take a look behind the curtain with us and your life may very well never be the same.

Jamie Clayton didn't just make major headlines when she landed the role of Pinhead in the new Hellraiser (2022) movie, she also made horror history. Clive Barker's original novella — and the 1987 film adaptation — were both deeply rooted in the queer kink scene, and the reboot brings that LGBTQIA+ representation directly onto the screen through its cast and characters. But by being able to be explicit about its inclusivity, did this flick sacrifice a little of its explicitness in other areas? For our latest episode of Trans Pride, we're summoning the Cenobites for a conversation about the yuck factor and yum factor involved in the newest installment of one of the genre's biggest franchises. This month, we're donating all of our proceeds to non-profit organizations dedicated to helping and protecting the trans community. You can help by participating in our Instagram fundraiser benefiting Transgender Law Center, joining our Patreon, or streaming both old and new episodes through the end of June. Happy Pride!References:https://www.inverse.com/entertainment/hellraiser-2022-pinhead-interviewhttps://screenrant.com/hellraiser-reboot-jamie-clayton-david-bruckner/https://collider.com/hellraiser-jamie-clayton-director-david-bruckner-interview-pinhead-cenobites/https://www.them.us/story/hellraiser-2022-review-jamie-clayton-pinheadhttps://www.autostraddle.com/hellraiser-2022-review/YouTube: ‘Hellraiser' Interviews With Jamie Clayton, Brandon Flynn, Goran Visnjic & More!YouTube: "What an absolute f*cking thrill!" Jamie Clayton On Playing Pinhead in HELLRAISER Remake | INTERVIEWYouTube: Hellraiser || Odessa A'zion - "Riley" Generic InterviewYouTube: Hellraiser's Adam Faison and Drew Starkey Talk Blood. Lots of Blood.YouTube: Hellraiser (2022) Interviews: Pinhead herself Jamie Clayton & More!

Hello and welcome back to another episode of B Bin Horror! On this week's episode we talk about the 2025 Horror film, Obsession! Obsession was written, directed and edited by Curry Barker. The film stars Inde Navarrette, Michael Johnston, Cooper Tomlinson, Megan Lawless and Andy Richter. On this week's episode we talk about the film and give our theories on what is controlling Nikki, we talk about Clive Barker and we ramble on about all other types of things not related to the movie. If you like what you hear please follow us on Instagram and Facebook @bbinhorror. You can also send us emails at bbinhorror@gmail.com and please don't forget to subscribe to B Bin Horror on whatever podcast platform you listen on!*B Bin Horror theme music - "Uprising" by Karl Casey @ White Bat Audio*

"So sweet of you to come back."The Horror Bulls open the puzzle box once again for Hellbound: Hellraiser II (1988), the sequel that expands Clive Barker's nightmare mythology into a sprawling labyrinth of pain, obsession, and flesh. We dive into Leviathan, the return of Julia and Frank, and why this may be the franchise's most ambitious entry.

WHAT IS SPLATTERPUNK?If you want to understand what makes splatterpunk so different from the horror that came both before and after, your best bet is to read the authors who pioneered the form. It wasn't just the visceral intensity of their literary assaults on convention. All the key writers – Clive Barker, Joe R. Lansdale, David J. Schow, and John Skipp and Craig Spector – were ferocious stylists, with original voices that completely stood out from the crowd.In THIS IS SPLATTERPUNK: THE JOHN SKIPP PRIMER, you'll find 15 of Skipp's most powerful, passionate, unbridled, and influential splatterpunkian short stories, from his early years in Twilight Zone magazine to the present day.Skipp also includes a definitive essay on the history and core elements of the movement – which he defines more as a “spontaneous eruption of the arts” – with additional notes on each story, for context.But mostly, it's about Skipp's unflinching empathy – his ability to put you inside the skins of his characters, make you feel what they feel every speck of the way – that makes THIS IS SPLATTERPUNK: THE JOHN SKIPP PRIMER an essential read for lovers of fearless fiction, and the perfect companion piece to his film.Support this show http://supporter.acast.com/houseofmysteryradio. Hosted on Acast. See acast.com/privacy for more information.

**PLEASE TURN UP THE VOLUME TO HEAR THIS INTERVIEW**Go underground with me and Hugh to Midian as we dove back into the history of Clive Barker's Nightbreed as the legendary actor had so much to say about his character, Narcisse. We spoke about his character's presence in the film and how it had a huge impact on the horror community. His iconic scene in the psychiatric hospital, where his character peels his face off has been deemed as a memorable moment in horror history. Hugh delivered this role flawlessly; Narcisse is still a beloved character, and we think it has some type of connection with those who are looking to be accepted. With a loyal and endearing nature, how could you not love Narcisse?

In Episode 531, Jose and Ryan go over some Hellraiser and Nightbreed convention and video game news, and all the places you can find tyour favorite Hellraiser people!  This is the Clive Barker Podcast, where long-time fans Ryan and Jose interview guests, bring you the news, and take deep dives into Barker-related stuff.  This episode will be available in Podcast Audio and Youtube Video.  Sponsor : Don Bertram's Celebrate Imagination | Pinterest | ETSY Store Check out his recent painting,  Romulus and Remus II, The Aquarium and The Squatter Sponsor : Ed Martinez YouTube Channel 2001: The Future's Not What it Used to Be Sponsor : The Now Playing Podcast News from the Reef Nightbreed Trailer 4K by Arrow Video on YouTube Hellraiser Revival New Preorders – Cenobite Collector's Edition Hellraiser: Revival New Dev Diary: Cenobites Temple of the Killer Tiger Monkeys Audio Deadly Prey gallery post of the Ghana Hellraiser poster Cenobite Actors will be at more conventions: Mad Monster Party Arizona July 2026 – Simon B., Nick V. and Doug Bradley Days of The Dead Chicago via Peter Atkins (November 2026) More about this event here! Hellraiser Days of the Dead Atlanta 2027! via Peter Atkins (Huge Reunion Jan 22-24) Coming Next More News and Interviews Book Club of Blood – The Body Politic Clive's Contemporaries: 1987 (Cast your vote) Patreon Members Shout-Out (Become a Patron) David Anderson Erik Van T' Holt Daniel Elven Amanda Stewart Bradley Gartz Markus Matthew Batten Bennett Jesse Timothy Ramakers Terry Murdock John-John Sponsor: Don Bertram's Celebrate Imagination Sponsor, Ed Martinez YouTube Channel Sponsor : The Now Playing Podcast And this podcast, having no beginning will have no end.  web www.clivebarkercast.com Apple Podcasts,  Android,  Amazon Music, Spotify, Pandora, Libsyn, Tunein, iHeart Radio, Pocket Casts, Radio.com, and YouTube and Facebook: | BarkerCast Listeners Group | Occupy Midian  BlueSky | Reddit | Discord Community Support the show Buy Our Book: The BarkerCast Interviews Occupy Midian  Hardcover | Kindle | Apple Become a Patreon Patron | Buy a T-Shirt Music is by Ray Norrish All Links and show notes in their Entirety can be found at https://www.clivebarkercast.com   AI Summary Ryan and José recorded episode 531 of their Clive Barker podcast, discussing recent news including Arrow Video's new 4K restoration of Nightbreed with both theatrical and director's cuts, featuring new extras and a companion book. They reviewed the Hellraiser Revival game's Cenobite Collector's Edition, comparing it to the previous Leviathan edition and noting the lack of a signed Clive Barker print as a key difference. The hosts watched a new developer diary for the game, showcasing more detailed Cenobite animations and gameplay footage with Doug Bradley's voice work. They also discussed upcoming Hellraiser conventions including Mad Monster Party in Arizona and Days of the Dead events in Chicago and Atlanta, featuring several Cenobite actors. The podcast concluded with plans for their next book club discussion of "The Body Politic" from Books of Blood Volume 4 and a vote on which 1987 film to compare to Hellraiser. Hellraiser Developer Diary Discussion Ryan and José discussed technical issues with audio and video settings before planning to watch a developer diary video about Cenobytes and Pinhead from the Hellraiser series. José shared a link to a YouTube video and they briefly discussed its content, though Ryan only watched a 30-second preview due to the initial link issue. The conversation ended with Ryan asking about "Team French" but the question remained unclear due to audio issues. Nightbreed 4K Restoration Discussion José and Ryan discussed a new 4K restoration of the film Nightbreed, including both theatrical and director's cuts, with enhanced features like Dolby Vision HDR, new artwork, and a companion book. They reflected on previous collector's editions and debated whether physical media releases, including 4K, would continue to be relevant given the rise of digital formats. Both agreed that while digital media is growing, physical media will likely persist in some form, particularly for collectors and professionals in the film industry. Physical Media's Enduring Relevance José and Ryan discussed the ongoing relevance of physical media in the age of streaming services. They noted that while streaming has become popular, limitations in internet speeds and the temporary nature of licensed content on platforms like Netflix mean physical media will likely continue to have a place. They highlighted how streaming platforms have shifted focus toward producing their own content rather than licensing existing material, leading viewers to seek out older content on alternative platforms like YouTube. The conversation concluded with appreciation for companies like Arrow, Shout Factory, and Turbine Media that continue to produce physical media releases. Nightbreed 4K Release Discussion Ryan and José discussed a new Arrow Video 4K release of Nightbreed, comparing the UK and potential US versions. They noted that the UK release includes exclusive extras like behind-the-scenes footage and UK-specific content, though they were uncertain if these features would be included in the US version. The UK release is priced at 30 pounds, which Ryan and José considered a good deal, though they agreed to wait for the US release to potentially save money and see if it includes similar extras. Hellraiser Game Edition Comparisons José and Ryan discussed the differences between various editions of the Hellraiser Revival game, including the new Cenobite Collector's Edition priced at $199. They compared features between the Leviathan Edition and Cenobite Edition, noting that the Leviathan includes a hand-signed art print while the Cenobite edition features a Cenobite statue and other exclusive items. The discussion highlighted concerns about the long pre-order period, which has been ongoing for about a year since the last pre-order update in June 2025, and they noted that the new dev diary "Cenobytes" provides additional footage of Cenobites in the game. Hellraiser Revival Collector's Edition Discussion José and Ryan discussed a Hellraiser Revival Collector's Edition, which includes a Cenobite statue, puzzle box, enamel pins, and a digital soundtrack. They watched a dev diary video showcasing the game's features, including platforming elements and various Cenobite characters. The video highlighted the game's focus on grotesque scenes and jump scares, with Doug Bradley's involvement adding credibility to the project. José and Ryan noted the game's potential for a gradual descent into horror, similar to Big Trouble in Little China, and expressed hope for an upcoming release date announcement. Temple of the Killer Tiger Monkeys Ryan and José discussed the audio drama "Temple of the Killer Tiger Monkeys," which features original Cenobite actors including Doug Bradley, Simon Bamford, and Nicholas Vince. They agreed to create a future podcast episode about the series, potentially including an interview with Simon Banford. The conversation also covered Ghanaian movie posters, specifically a Hellraiser poster by artist Heavy J, which is now available for purchase through Deadly Prey Gallery. Finally, they mentioned upcoming Hellraiser and Nightbreed conventions featuring the Cenobite actors. Horror Conventions and Content Planning José and Ryan discussed upcoming horror conventions, including Mad Monster Party Arizona in July 2026 and Days of the Dead events in Chicago and Atlanta. They expressed interest in meeting Peter Atkins at the Chicago event in November 2026, with both planning to discuss time off work to attend. José also mentioned upcoming content plans, including a book club discussion of "The Body Politic" from Books of Blood Volume 4 and a vote on a 1987 movie to compete against Hellraiser. Horror Movies Discussion Ryan and José discussed various horror movies, including The Lost Boys, Prince of Darkness, The Gate, Bad Taste, Angel Heart, Beaks, and Iron Warrior. They shared their opinions on these films, with José expressing a preference for Bad Taste due to its chaotic nature. Ryan mentioned his interest in watching Prince of Darkness, The Gate, or Angel Heart again. They also briefly discussed actor Stephen Dorff's role in The Gate and his appearance in Blade. The conversation concluded with José mentioning Nicholas Vince's recent campaign for the Green Party in the UK elections. UK Elections and Media Discussion José and Ryan discussed recent local elections in the UK, with Ryan encouraging José to vote for Nicholas Vince in future elections. They then talked about editing a podcast episode, noting that while some parts like screen sharing would be easy to edit out, removing fillers like "ums" would be more time-consuming. The conversation concluded with a discussion about a Hellraiser script booklet, comparing different versions and discussing whether certain autographs were real or printed.

On this episode of Salt Lake Dirt, I had the pleasure of talking with writer Jennifer Ostopovich. Based in Calgary, Canada, Jennifer shares her fascinating path from being an obsessive childhood reader to becoming a "pandemic writer". Despite being what she calls a "lousy student" who struggled with the sensory overload of traditional classrooms, she was reading adult novels by Stephen King and Clive Barker as early as second grade. Growing up in a rural trailer park without cable or a telephone, books became her primary window into the world, offering a connection to characters that television simply couldn't match. Our conversation touches on Jennifer's transition from writing a spy thriller during the lockdowns to finding her voice in the literary community online. She discusses her affinity for transgressive literature and her commitment to writing about uncomfortable topics like poverty and abuse—subjects often overlooked in more academic circles. We also talk about her short story "Guts," which explores the raw emotional landscape of childhood, and her unique piece "Albatross," which uses a parrot to sketch out the complexities of heartache and hope. Jennifer is also an editor for Hobart and runs an active book club on Twitter/X, where she continues to champion indie and transgressive authors. She is currently putting the finishing touches on a short story collection and has a novel ready for the right publisher. You can follow her work on Substack or connect with her on Twitter/X at @jrostopovich to join her upcoming book club discussions. Episode Links:Jennifer's websiteSubstackX: @jrostopovichFor more interviews visit Salt Lake Dirt.

ose and I love doing movie commentaries, but we have run out of films to cover!  The series "Commentary on Clive's Contemporaries"   allows us to look in the background and see what movies were happening when these Clive Barker movies and sequels were being made.  We choose a range of movies, and you, the listeners, vote for which one we cover. This series was sponsored by our listeners in the 2025 Kickstarter Campaign, Clive Barker Podcast Presents Fundraiser 11 : The Patron Configuration and covers a range of years from 1973 (Salome) to 2024 (Night of the Zoopocalypse) and beyond.    So Far 1973 — The Forbidden VS. Enter the Dragon 1978 — Salome Vs. Invasion of the Body Snatchers 1985 — Transmutations VS. Silver Bullet 1986 – Rawhead Rex VS. Big Trouble In Little China Commentary: 1986 – Big Trouble In Little China 1h 39m Directed by John Carpenter Written by Gary Goldman, David Z. Weinstein, W.D. Richter Show Notes Behind the Scenes Music Video The Temple of the Killer Tiger Monkeys Podcast Features Hellraiser cast and James Pax (Lightning)  And this podcast, having no beginning will have no end.  web www.clivebarkercast.com Apple Podcasts,  Android,  Amazon Music, Spotify, Pandora, Libsyn, Tunein, iHeart Radio, Pocket Casts, Radio.com, and YouTube and Facebook: | BarkerCast Listeners Group | Occupy Midian  BlueSky | Reddit | Discord Community Support the show Buy Our Book: The BarkerCast Interviews Occupy Midian  Hardcover | Kindle | Apple Become a Patreon Patron | Buy a T-Shirt Music is by Ray Norrish All Links and show notes in their Entirety can be found at https://www.clivebarkercast.com AI Overview Ryan and José conducted a detailed analysis and discussion of the 1986 film "Big Trouble in Little China" as part of their Clive Barker podcast series focused on comparing Clive Barker's films with contemporary works. They examined the film's production, including its $100,000 Guardian creature puppet, visual effects by Richard Edlund and Steve Johnson, and the Fox backlot sets used for filming. The hosts discussed the film's characters, particularly James Hong's performance as Lopan, and analyzed key scenes including the supernatural battles and optical effects. They compared the film favorably to previous episodes' selections like "Rawhead Rex" and "Transmutations," concluding that "Big Trouble in Little China" was more entertaining and well-executed. The podcast included technical difficulties with Ryan's Blu-ray player and audio issues, but they managed to complete their thorough analysis of the film's narrative structure, special effects, and cultural significance. Clive Barker Podcast Discussion Ryan and José discussed their podcast episode focusing on Clive Barker's Contemporary Commentaries for 1986, where they selected Big Trouble in Little China for comparison with Barker's film. They reflected on previous comparisons, with José favoring Enter the Dragon over The Forbidden and both preferring Salome over Invasion of the Body Snatchers. The conversation ended with them preparing to discuss Big Trouble in Little China after the opening 20th Century Fox logo. Big Trouble in Little China Analysis José and Ryan discussed the film Big Trouble in Little China, focusing on its reception as a flop at the time of release despite now being considered one of John Carpenter's best movies. They analyzed the character dynamics, particularly how Jack Burton's story takes a backseat to Wang's narrative, and discussed the film's unique blend of grounded and fantasy elements. The conversation also covered the film's production history, including casting considerations and a 2014 comic book continuation that picks up where the film ends. Big Trouble in Little China Analysis Ryan and José discussed the film "Big Trouble in Little China," focusing on its action sequences, characters, and supernatural elements. They analyzed specific scenes, including the extended ending with the red Camaro and the fight sequences involving different gangs. José noted the film's stylized aspects and questioned the realism of certain scenes, while both discussed the film's supernatural villains and their abilities. They also reflected on their childhood experiences watching the movie and its cultural impact. Big Trouble in Little China Discussion José and Ryan discussed the movie "Big Trouble in Little China," focusing on various aspects including character details, special effects, cinematography, and music. They explored specific plot points, such as the roles of characters like Jack Burton, Gracie Law, and Miao Yin, as well as the movie's use of animation and sets. José noted the film's great cinematography and mentioned being tired after landscaping, while both highlighted the movie's engaging elements and memorable scenes. Movie Analysis and Visual Effects José and Ryan discussed various aspects of a movie, focusing on its visual effects, plot elements, and comparisons to other John Carpenter films. They analyzed specific scenes, including the use of green fire, supernatural creatures, and the movie's mix of styles. The conversation also touched on the cinematography, the character EggShen, and the movie's tone compared to other films in the series. Movie Special Effects Discussion José and Ryan discussed the special effects and makeup in the movie, including the connection between it and Lord of Illusions through Steve Johnson. They compared it to Silver Bullet, concluding that Silver Bullet was better despite Gary Busey's presence in Transmutations. The conversation also covered production details like the sloping corridor set and optical effects used in the movie. Film Location and Production Planning José and Ryan discussed filming locations, noting that costs and logistics led to filming at the Fox Backlot in LA instead of San Francisco. They analyzed various movie scenes, including action sequences, character dynamics, and set details, while also discussing the technical aspects of water and bullet effects in filmmaking. The conversation included references to other films and characters, and they explored ideas for creating graphics comparing monsters from different movies. Big Trouble in Little China Analysis José and Ryan discussed various aspects of the film "Big Trouble in Little China," including specific scenes, character backgrounds, and production details. They analyzed the film's tropes, such as the door scene, and discussed deleted scenes and the roles of actors like Kim Cattrall and Dennis Dun. The conversation also touched on the film's set design, miniatures, and monsters, as well as the background of the music video for "Dolly Dagger" featuring James Hong. Movie Production Discussion Meeting José and Ryan discussed various aspects of a movie, including character backgrounds, plot details, and special effects. They talked about actors' roles, such as Susie Pai's transition from cheerleading to modeling and acting, and Carter Wong's casting due to his Thai boxing skills. They also analyzed specific scenes, props, and effects, including the Bog of Eternal Stench and the Guardian puppet, noting the significant effort and cost involved in creating certain elements. Movie Effects and Production Analysis José and Ryan discussed various aspects of a movie, focusing on specific scenes, special effects, and the making of certain elements. They analyzed the fight sequences, visual effects like the Guardian monster, and noted the use of animatronics and remote-controlled elements. They also commented on the cartoony nature of some scenes and the challenges of creating certain effects within budget constraints. Big Trouble in Little China Discussion José and Ryan discussed the movie Big Trouble in Little China, analyzing its special effects, characters, and story elements. They compared it to other horror films like Rawhead Rex and Hellraiser, expressing a preference for Big Trouble in Little China. The conversation then shifted to planning future content, including a Book Club of Blood discussion on The Body Politic and potential 1987 horror movie selections for voting. They also briefly discussed the use of AI in content creation and its impact on documentary-style videos.

We're diving into the 1987 horror classic written and directed by Clive Barker in his directorial debut, adapted from his novella The Hellbound Heart. A nightmarish blend of body horror and dark fantasy, the film explores desire, pain, and pleasure through the opening of a mysterious puzzle box that unleashes the Cenobites—most famously the chilling Pinhead. Still as unsettling and influential today as it was on release, Hellraiser remains a landmark in horror cinema that continues to haunt audiences decades later.

In Episode 529, Ryan and Jose are joined by David Blair for another Book Club of Blood episode. This time, we cover "Human Remains".  This is the Clive Barker Podcast, where long-time fans Ryan and Jose interview guests, bring you the news, and take deep dives into Barker-related stuff.  This episode will be available in Podcast Audio and Youtube Video.  Sponsor : Don Bertram's Celebrate Imagination | Pinterest | ETSY Store Check out his recent painting, Dreams I and Dreams II,  Untitled Abstracts, and The Messenger Sponsor : Ed Martinez YouTube Channel Sponsor : The Now Playing Podcast Book Club of Blood Discussion:  Books. Of Blood Vol. 3 | Human Remains Revisiting News from the Reef Bryan Fuller of Hannibal TV series says he is working on a TV Series with Clive Barker Discussing Hellraiser Revival Game Boom Studios Collected Hellraiser Comics Show Notes Adapted in Tapping the Vein Book 1 Feedback / Questions Reddit Coming Next  Clive's Contemporary Commentaries : 1986 (Big Trouble in Little China) Portrait Study Pinhead?  News and Interviews BCOB – The Body Politic Patreon Members Shout-Out (Become a Patron) David Anderson Erik Van T' Holt Daniel Elven Amanda Stewart Bradley Gartz Matthew Batten Bennett Jesse Clara Leslie Timothy Ramakers Terry Murdock John-John Sponsor: Don Bertram's Celebrate Imagination Sponsor, Ed Martinez YouTube Channel Sponsor : The Now Playing Podcast Chat about Childhood Toys And this podcast, having no beginning will have no end.  web www.clivebarkercast.com Apple Podcasts,  Android,  Amazon Music, Spotify, Pandora, Libsyn, Tunein, iHeart Radio, Pocket Casts, Radio.com, and YouTube and Facebook: | BarkerCast Listeners Group | Occupy Midian  BlueSky | Reddit | Discord Community Support the show Buy Our Book: The BarkerCast Interviews Occupy Midian  Hardcover | Kindle | Apple Become a Patreon Patron | Buy a T-Shirt Music is by Ray Norrish All Links and show notes in their Entirety can be found at https://www.clivebarkercast.com AI Summary Clive Barker's "Human Remains" Analysis The group discussed Clive Barker's story "Human Remains" from Books of Blood Volume 3. José provided a detailed summary of the plot, describing the main character Gavin as an amoral hustler who discovers a golem-like creature in Reynolds' apartment. The discussion explored themes of aging, retirement, and superficiality, with Ryan suggesting the story represents how younger people replace older professionals in various fields. The group analyzed key moments in the story, including Gavin's discovery of the statue in Reynolds' bathtub and the creature's apparent attraction to Gavin's appearance. The conversation concluded with reflections on Gavin's character as a young, attractive but lost soul. Gavin's Shadow Statue Confrontation The group discussed a story involving Gavin, who becomes entangled with a pimp named Pretorius after a misunderstanding about a crime committed against one of Pretorius's sex workers. Gavin tries to escape but is caught and attacked with a knife, leading to a confrontation with a shadowy statue that appears to be coming to his aid. The statue, which seems connected to Gavin on a psychic level, transforms from a wooden statue to a more human form and helps defend him, eventually revealing a connection to Gavin's own shadow self. The discussion touched on various themes including doppelgängers, golems, and depression, with the statue potentially representing Gavin's inner demons or depression manifesting physically. Doppelganger Story Plot Discussion The group discussed a story involving a doppelganger that takes over a person's life, with José explaining key plot points about how the doppelganger physically mirrors the original person's injuries and experiences. They explored the character's situation after murdering Pretorius and the gang, including his decision not to return home due to police involvement and his limited resources. The discussion also covered the character's visit to Reynolds, who provided limited explanations about the creature's origins and requirements for activation, though Reynolds himself had become isolated and deteriorated since encountering the entity. Gavin's Doppelganger Character Analysis The group discussed a character named Gavin who creates a doppelganger that leads an independent life after copying him. They analyzed how Gavin loses his will to live as his clone becomes more human and powerful, with José comparing this to depression and Ryan drawing parallels to retirement. The discussion concluded with details about Gavin waking up to find his clone had been shot, highlighting the tragic consequences of losing one's purpose and identity. Graphic Novel Character Analysis The group discussed a graphic novel, focusing on a character who takes on others' lives and experiences. They explored themes of identity, grief, and the burden of life, particularly through the story of Gavin and his doppelganger. José highlighted the significance of the doppelganger's wound and its healing process, while the group discussed the character's potential curse and origins. They also noted the contrast between Gavin's emotional state and the doppelganger's ability to emote and connect with life. Clive Barker's Doppelganger Story Discussion The group discussed Clive Barker's story about a doppelganger, exploring its themes of grief, identity, and what makes someone human. They considered the story's potential as an arthouse film, noting its low-budget production possibilities and discussing how to adapt the interior monologue elements for the screen. The conversation included insights about Barker's own experiences that may have influenced the story, and they examined the connection between the doppelganger and Gavin's character, speculating about how the story might end. Clive Barker Rights Discussion The group discussed Clive Barker's rights to his works, particularly regarding the Books of Blood series and Hellraiser. They noted that rights typically revert to authors unless new adaptations are created, and discussed how rights complications can arise when multiple adaptations attempt to use the same material. The conversation concluded with plans to move on to Volume 4 of the Books of Blood, specifically discussing the story "The Body Politic" and mentioning a Christopher Lloyd adaptation titled "The Inhuman Condition." Hellraiser Adaptations and Projects The group discussed various Hellraiser adaptations and related projects. They talked about a 2016 screenplay for "In the Flesh" by Mick Garris and Clive Barker, and expressed hope for an upcoming TV show by Brad Fuller. The conversation also covered a Hellraiser comic book collection by Boom Studios, which includes three volumes with a total of over 1,500 pages, though one participant had to cancel their pre-order due to the high cost of $200. The discussion concluded with a brief mention of Monstrous Press's "Kolchak Meets the Monsters" crossover collection and a potential deal for 90s Hellraiser Epic comics. Marvel Hellraiser Comics Discussion The group discussed Marvel Hellraiser comics, including their completeness and value, with José noting that buyers should be aware of what they're purchasing. They planned their next content, deciding to focus on Pinhead sketches and paintings rather than voting on a new movie, with José suggesting they could return to voting after this topic. The discussion concluded with gratitude to Patreon donors and a nostalgic conversation about vintage toys from the 1980s and 1990s, including Ewok movies, Universal Monsters playsets, and various action figures. Toys Discussion The group discussed childhood toys, including She-Ra dolls, Transformers, and Battlestar Galactica figures. José shared details about a new Masters of the Universe movie trailer featuring Jared Leto as Skeletor. 

Matt and Laci dive deep into Hellraiser (1987). Matt, a long-time fan of the movie, and Laci, a first-time viewer, discuss the film's production history and the life and philosophy of its creator, Clive Barker. They explore Barker's background, including his early work in theater, his time as a male escort, and his unique perspective on integrating explicit sexuality and body horror into his work.  Two prior adaptations of his work led Barker to want to take tight control of a third adaptation, which meant he would need to direct it himself. And what an incredible feat the film is for a first-time filmmaker. 1WR tells that story, including how Barker recruited his longtime friend Doug Bradley to play the iconic role of Pinhead.  Then, a long breakdown of the movie itself. How does it play for a first-time viewer? How well do its practical effects hold up? Do its themes make sense? Has any movie character ever hated their spouse as much as Julia hates Larry? And is Hellraiser as scary as we assumed it would be when we saw the VHS box in the video store as children? Is anything? Finally, Pinhead himself joins us to give some sex advice. Next week (April 24, 2026): SEX MONTH concludes with Paul Verhoeven's Showgirls (1995)!   Time stamps: 00:10:00 — History segment: The life and times of Clive Barker; production of Hellraiser; Doug Bradley; the Hellraiser franchise and its legacy 00:49:15 — Movie discussion 02:03:23 — Sex advice questions 02:11:13 — Final thoughts & star ratings   Hellraiser was written and directed by Clive Barker. Starring Andrew Robinson, Clare Higgins, Ashley Laurence, Oliver Smith, Sean Chapman, and Doug Bradley as the "Lead Cenobite" (Pinhead).    Sources: The Hellraiser Films and Their Legacy by Paul Kane (2015) - https://amzn.to/480DZdp "How we made Hellraiser" by Phil Hoad | The Guardian (2017) - https://bit.ly/3Q3g86L  "Queer Sexuality in Clive Barker's 'Hellraiser' (1987)" by Bash Ortega | Horror Press (2024) - https://bit.ly/3QEyIlE "Eroticising The World" | Cut, Vol 2, No 10 (1987) - (republished on Clive Barker's website) https://bit.ly/4vmDN1Y  "All The Gory Details" by M. Kent Black (1989) - (republished on Clive Barker's website) https://bit.ly/4vmDN1Y  "'Hellraiser' Author Clive Barker on Almost Dying, Hustling, and Killing Pinhead" by Sean T. Collins | Grantland (2015) - https://bit.ly/4eug2Po  Clive Barker on Loveline (1996) - (republished on Barker's website) https://bit.ly/4vmDN1Y    Artwork by Laci Roth.   Check out Laci's coloring videos on YouTube! https://www.youtube.com/channel/UC-kKLhWb2g0bKA-RrvvLh0Q/  Matt has a monthly spin-off podcast covering the James Bond films! Check out PodJob: A James Bond Podcast on Apple Podcast (https://bit.ly/4jRL2K1), Spotify (https://bit.ly/4a8jM6E), and YouTube (https://youtube.com/@podjob007).   Music by Rural Route Nine. Listen to their album The Joy of Averages on Spotify (https://bit.ly/48WBtUa), Apple Music (https://bit.ly/3Q6kOVC), or YouTube (https://bit.ly/3MbU6tC).   Songs by Rural Route Nine in this episode: "Winston-Salem" - https://youtu.be/-acMutUf8IM "Snake Drama" - https://youtu.be/xrzz8_2Mqkg "24 Hours Is Like Three Weeks!" - https://youtu.be/xhmAga_DGv0  "The Bible Towers of Bluebonnet" - https://youtu.be/k7wlxTGGEIQ    Follow the show!  Twitter: @1weekrental | @MattStokes9 | @LRothConcepts Facebook: @1weekrental Instagram: @1weekrental TikTok: @1weekrental | @mattstokes9 Letterboxd: @loadbearinglaci | @mattstokes9 Bluesky: @1weekrental.bsky.social   1-Week Rental used to be Load Bearing Beams.

The pod. You opened it. We cast. Welcome to a brand new season of Rogues Gallery! We're kicking things off by opening the puzzle box on the original Hellraiser. It's a film that didn't just push the boundaries of horror, but gleefully tore them apart. What began as a low-budget adaptation of Clive Barker's own novella The Hellbound Heart evolved into something far stranger and more enduring: a nightmarish blend of desire, pain, and the grotesque. It also introduced the world to one of horror's most iconic figures in Pinhead. We trace how Barker's uncompromising vision made it to the screen largely intact, and how its emphasis on obsession and forbidden pleasure set it apart from the slashers dominating the late '80s. Along the way, we dig into the film's tactile, skin-crawling practical effects, the eerie mythology of the Lament Configuration, and the ways the franchise's legacy has been both expanded and diluted by decades of sequels. Apple Podcasts | Spotify | Facebook | Instagram Chris's Instagram | Kristen's Instagram Chris & Kristen's Web Series: The Strange Case of Lucy Chandler Chris's new EP on Spotify and Bandcamp

What began in Hell, will end on Earth. This week we are joined by Dominic Scarano of the band Varkan for our new theme: Spring Into Sequels. Lance's fave! We kick off with 1992's HELLRAISER 3: HELL ON EARTH. After the Cenobite Pinhead becomes separated from his human conscience, his influence begins to spread through a decadent nightclub scene in the city. A determined journalist investigates a trail of bizarre deaths, unknowingly drawing closer to a supernatural horror unleashed by desire and excess. Also this week: Windstorm woes, Clive Barker impressions, and the new meaning of the term "Arriving". All this--and a whole lot more--on this week's episode of NEON BRAINIACS!! "There is no good.. There is no evil. There is only flesh." ----- Check out our Patreon for tons of bonus content, exclusive goodies, and access to our Discord server! ----- Hellrasier 3: Hell on Earth (1992) Directed by Anthony Hickox Written by Peter Atkins Starring Terry Farrell, Kevin Bernhardt, Paula Marshall, and, of course, Doug Bradley  ----- 00:00 - Intro & Opening Banter 35:10 - "The Shpiel" 01:11:20 - Film Breakdown 02:11:25 - Brain Bucket AND Stump The Brainiacs & Outro

Aaron and Derek welcome back horror comic author extraordinaire Cullen Bunn (Harrow County, The Empty Man, The Sixth Gun, etc.) to talk 1995's neo-noir supernatural horror film "Lord of Illusions" written and directed by Clive Barker. They discuss what makes Nix such a good horror villain, Bakula's performance as Harry D'Amour, and the amazing opening sequence with the cult. They also get into the world of stage magicians vs actual magicians, Barker's history with the D'Amour character, and trope inversion of a villain trying to achieve godhood. Aaron and Derek know flesh is a trap, and magic sets them free. Cullen wanted to be a god... then changed his mind. Cullen Bunn can be found on Bluesky bsky.app/profile/cullenbunn.bsky.social Facebook www.facebook.com/cullenbunn Twitter @cullenbunn The Cullenoscopy Podcast on Youtube youtube.com/@TheCullenoscopy Links for all of his work can be found here: https://linktr.ee/cullenbunn ONLY $5 A MONTH to join our Patreon: www.patreon.com/WatchIfYouDare We are on PodBean, Apple Podcasts, Podchaser, Goodpods, Amazon Music, Spotify, iHeartRadio and CastBox. Please rate, review, subscribe, and share our show. Also, check out our Spotify Music playlist, links on our Twitter and Podbean page. Our socials are on Bluesky and Facebook and Twitter @WatchIfYouDare

In Episode 528, Jose and Ryan are joined by Ed and Nina Martinez to talk about the new Physical release of Hellraiser 2022, and the parts they helped with.    This is the Clive Barker Podcast, where long-time fans Ryan and Jose interview guests, bring you the news, and take deep dives into Barker-related stuff.  This episode will be available in Podcast Audio and Youtube Video.     Sponsor : Don Bertram's Celebrate Imagination | Pinterest | ETSY Store Check out his recent painting, Dreams I and Dreams II,  Untitled Abstracts, and The Messenger   Sponsor : Ed Martinez YouTube Channel 2001: The Future's Not What it Used to Be Sponsor : The Now Playing Podcast     Discussion: Hellraiser 2022 in 4K (Turbine Media) The Media Book Disc 1 (Ultra HD Blu-Ray) Hellraiser 2022 in UHD Audio Commentaries: David Bruckner | Sierra Spencer & Josh Russell Disc 2 (HD Blu-Ray) Hellraiser 2022 in HD Audio Commentaries: David Bruckner | Sierra Spencer & Josh Russell Disc 3 (Blu-Ray Bonus Features) Trailers for Hellraiser 1,2,3,4,Judgement German and English Such Sights - Reimagining Hellraiser Creating Cenobites Leviathan Tech Trailer Bonus Material | Trailer-Show   Show Notes Turbine's Release of Hellraiser (2022) Keith Thompson's Cenobite concept art on his Blog : The Council of Leviathan Unused Cenobites and concept art by Peter Mohrbacher (Artstation) and more on his own website(vandalhigh) Martin Emborg's Designs and Schematics of the Lament Configuration and also more here, including different configurations and alternative early designs. Polygon Interview with the box designer Martin Emborg     Coming Next News and Interviews Book Club of Blood - Human Remains Clive's Contemporaries: 1986   And this podcast, having no beginning will have no end.   web www.clivebarkercast.com Apple Podcasts,  Android,  Amazon Music, Spotify, Pandora, Libsyn, Tunein, iHeart Radio, Pocket Casts, Radio.com, and YouTube and Facebook: | BarkerCast Listeners Group | Occupy Midian  BlueSky | Reddit | Discord Community   Support the show Buy Our Book: The BarkerCast Interviews Occupy Midian  Hardcover | Kindle | Apple Become a Patreon Patron | Buy a T-Shirt   Music is by Ray Norrish   All Links and show notes in their Entirety can be found at https://www.clivebarkercast.com     AI Summary   Quick recap This podcast episode focused on discussing the 4K Blu-ray release of Hellraiser 2022 from Turbine Media, with hosts Ryan and José joined by Ed and Nina Martinez. The discussion covered the two commentary tracks - one with director David Bruckner and another with effects team members Josh Russell and Sierra Spencer - exploring the film's production details, practical effects, and design elements including the puzzle box configurations created by Martin Emborg. The group examined the movie's technical aspects, including the loom mechanism, Cenobite designs, and location shooting in Serbia, while also discussing the film's connection to Clive Barker and its place within the Hellraiser franchise. They also reviewed the special features on the Blu-ray, including trailers for all Hellraiser movies and various featurettes about the production process.   Hellraiser 2022 Blu-ray Analysis The group discussed the Hellraiser 2022 4K Blu-ray release from Turbine Media, which was the first physical release in Ultra HD anywhere. They reviewed the German booklet included with some editions, which José had helped translate, and discussed the movie's production details including the puzzle box designs by Martin Emborg. The participants, including Ed and Nina Martinez, praised the David Bruckner commentary track and shared observations about the film's visual differences between streaming and Blu-ray versions. They also discussed Easter eggs in the film, including a Clive Barker print and a Johann Fusil painting, and explored the connection between the new Hellraiser film and David Goyer's previous work on "The Night House." Hellraiser Art Book Discussion The group discussed the creation of an art book for the Hellraiser film, with Ed expressing interest in helping produce it and noting that the Russells had previously shown interest in creating such a book. They discussed the film's commentary track, where David Bruckner revealed he hadn't watched the movie since completing it years ago. The conversation also covered potential extended scenes, particularly regarding the death of the lawyer character, though the group noted these scenes may not have been filmed. Film Commentary and Production Insights The group discussed commentary tracks for a film, particularly praising David Bruckner's commentary for being engaging without dead air. Ed shared details about creating a commentary track with Josh, Spencer, and Sierra Russell, noting that Nina helped coordinate it. They discussed the film's production, including abandoned subplots and design elements, such as the character Mask and a rejected bloodier design for Pinhead. Ed mentioned that photos of the alternative Pinhead design were available on their YouTube channel. Cenobites and Leviathan Tech Design The group discussed the design and creation of the Cenobites and Leviathan tech in a movie, focusing on specific details like the appearance of the Hellpriest, the materials used for the suits, and practical effects. They noted the challenges faced by actors wearing heavy silicone appliances and the adjustments made to makeup during filming. The conversation also touched on the aesthetic choices, such as the shininess of the Leviathan tech and the decision to move away from leather suits, though some participants expressed a preference for the traditional look. Hellraiser Production Effects Discussion The group discussed production details and creative decisions from a Hellraiser movie, focusing on practical effects and character transformations. They examined the choice to use a "hurdy-gurdy" instead of a loom, and discussed the practical mechanics of the device worn by Goran under his clothing. The conversation also covered the Faraday cage concept and its potential use as a protective barrier against Cenobites, noting how the film combined elements from Hellraiser 1 and 2 while incorporating significant practical effects including miniature sets for the labyrinth. Hellraiser Movie Bonus Features The group discussed the Hellraiser movie, focusing on the transformation scene and commentary tracks. They explored the bonus features on Disc 3, including trailers for various Hellraiser movies in both English and German. The conversation also touched on the creators' workshop space and their previous work on films like The Ritual and The Night House. The discussion concluded with a debate about the best way to watch movies, particularly atmospheric ones, with a preference for theater or high-quality home viewing over mobile devices. Unused Movie Concept Art Review The group discussed various aspects of a movie, including concerns about content and design choices. They examined unused concept art by Keith Thompson, including designs for Cenobites and other characters. The discussion covered details about specific character designs, transformations, and technical elements that were considered but not used in the final film. José shared images from Thompson's blog and explained some of the design decisions, while Ed and Ryan provided additional context and trivia about the film's production. Leviathan Concept Art Review José presented concept art designs for the film Leviathan, including detailed illustrations of Cenobites, the brother puppet, and the character Leviathan itself. He shared designs by both Keith Thompson and Peter Morbacher, noting that while Thompson's designs were ultimately used in the film, Morbacher's alternative concepts, such as a different version of Butterball and various Cenobite designs, were not implemented. The group discussed how some designs incorporated elements like skin capes and unique facial features, with Ed commenting on the use of CG in the film compared to previous projects with Doug Bradley. Hellraiser Design and Special Effects The group discussed the design and creation of the Hellraiser movie, focusing on the Cenobites and special effects. They explored how the writers approached the story, including early concepts and how they incorporated elements from Clive Barker's work while maintaining the film's unique tone. The discussion also covered the "Leviathan Tech" feature, which examined the mechanical torture devices worn by the Cenobites, and highlighted the challenges in bringing these designs to life, particularly for the Chatterer character.  

Read a more in-depth article about Candyman: https://weirddarkness.com/candyman-love-story/Say his name five times in a mirror, and Candyman, a vengeful spirit born from love, betrayal, and unspeakable violence, will appear to continue his blood-soaked legend across generations.*No AI Voices Are Used In The Narration Of This Podcast*IN THIS EPISODE: If you look in a mirror and say his name five times, he will appear behind you, complete with a hook for a hand – covered in blood because his hand has been cut off. Isn't that romantic? No? Well, Clive Barker's 1992 horror cult classic “Candyman” actually began as a real-life love story. So how did it turn so gruesome and terrifying? (The Nightmarish Love Story Behind Horror's Candyman) *** The Enfield Poltergeist has become infamous thanks to Ed and Lorraine Warren and “The Conjuring” films. That took place in a house in Brimsdown, Enfield, London England. But on the other side of the pond there is an Enfield, Illinois. Not as well known as the one in England of course, but they still have a horror in their past. One that took place four years before the Enfield incident in London… about a terrifying creature that locals who were alive at the time still get goosebumps talking about. (The Horror of the Enfield, Illinois Monster) *** Complex family dynamics and an infatuated businessman ended in a murder that was covered up and remained hidden for three decades, buried in the grounds of the house at 10324 Canyon Road. (A Dark Secret Leads To a Death On Canyon Road) *** One girl decided to go by the name of Lila, because her true name was Delilah but she didn't want to be associated with that harlot in the Bible. The stories behind how people get nicknames can often be fascinating. So how do you supposed Margaret Dickson got tagged with the nickname of “Half Hangit Maggie”? (Half Hangit Maggie) *** The search for intelligent life in the universe has been a goal for decades, with everyone from NASA to SETI to backyard Ufologists looking to the skies, listening to various radio waves, hoping to catch just a glimpse, at least a hint of what we hope to find. But could it be that we're looking in the wrong place? Perhaps the extraterrestrial intelligence, the more advanced life we seek to make contact with, is not out there somewhere… but it is here somewhere… already on Earth? (There Might Be Intelligent Life On Earth After All) *** Too often we are let down by those whom we look up to – and that goes doubly so for those in religious authority. How many well-known religious figures have toppled over after being exalted on high by the followers they so skillfully misled? Jim Bakker, Robert Tilton, Ted Haggard, Jimmy Swaggart… but none compare to Major Thomas Weir – a strict Presbyterian known for his powerful prayers, earning him a reputation for being one of the most saintly men of his time. But then he made a confession so outlandish, so ghastly and profane, they executed him. (Confession of a Warlock)CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:03:42.594 = The Nightmarish Love Story Behind Horror's “Candyman”00:19:53.864 = Horror of the Enfield Monster ***00:29:03.329 = Half Hang-It Maggie00:43:57.532 = Dark Secret Leads to a Death On Canyon Road ***00:51:32.380 = There Might Be Intelligent Life On Earth After All01:03:56.242 = Confession of a Warlock ***01:17:24.131 = Show Close*** = Begins immediately after inserted ad breakHELPFUL LINKS & RESOURCES…https://WeirdDarkness.com/ALBUMS = Songs and Videos by our Weird Darkness punk band, #DarkWeirdnesshttps://WeirdDarkness.com/STORE = Tees, Mugs, Socks, Hoodies, Totes, Hats, Kidswear & Morehttps://WeirdDarkness.com/HOPE = Hope For Depression or Thoughts of Self-Harmhttps://WeirdDarkness.com/NEWSLETTER = In-Depth Articles, Memes, Weird DarkNEWS, Videos & Morehttps://WeirdDarkness.com/AUDIOBOOKS = FREE Audiobooks Narrated By Darren Marlar EPISODE BLOG PAGE (includes sources): https://weirddarkness.com/candymanSOURCES and RESOURCES:“The Nightmarish Love Story Behind Horror's Candyman” by Linda Meyers for Graveyard Shift:https://weirddarkness.tiny.us/m2jehmrs; music from Candyman soundtrack by Philip Glass“The Horror of the Enfield, Illinois Monster” by April A. Taylor for Ranker: https://weirddarkness.tiny.us/3ec4bpfh“A Dark Secret Leads To a Death On Canyon Road” by Fiona Guy for Crime Traveller: https://weirddarkness.tiny.us/knmaee7e“Half Hang-it Maggie” by Suzie at Digging Up 1800: https://weirddarkness.tiny.us/m438c37r“There Might Be Intelligent Life On Earth After All” from Earth Chronicles: https://weirddarkness.tiny.us/3sehpz6w“Confession of a Warlock” from Esoterx.com: https://weirddarkness.tiny.us/3u4tdup6(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)"I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.Originally aired: September 08, 2021ABOUT WEIRD DARKNESS: #WeirdDarkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all things strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold cases, conspiracy theories, and more. Weird Darkness has been named one of the “20 Best Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a blend of “Coast to Coast AM”, “The Twilight Zone”, “Unsolved Mysteries”, and “In Search Of”.DISCLAIMER: Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.

Born from Clive Barker's 1984 horror fiction but rooted in genuine British pagan tradition, Rawhead Rex represents modern folklore at its most visceral. This isn't an ancient legend—it's a contemporary monster that tapped into real fears about buried gods, standing stones, and pre-Christian powers lurking beneath Britain's soil. When a farmer breaks the seal imprisoning this nine-foot creature of muscle and teeth, it brings with it an appetite that hasn't been satisfied in over a thousand years—and a reminder that new folklore emerges when fiction resonates deeply enough with our ancient terrors.   freakyfolklore.com   #RawheadRex #BritishFolklore #FreakyFolklore #PaganGods #RuralHorror #ForgottenDeities #AncientEvil #CliveBarker #EnglishLegends #FieldGods #PreChristianMyths #BritishHorror   EXPLORE MORE SPINE-CHILLING CONTENT: Freaky Folklore: https://www.eeriecast.com/podcasts/freaky-folklore Carman's Crypt (Original Horror): https://carmanscrypt.buzzsprout.com  Deadly Intent (True Crime): https://carmancarrion.buzzsprout.com Destination Terror: https://www.eeriecast.com/podcasts/destination-terror    SUPPORT THE SHOW: Patreon: https://www.patreon.com/c/CarmanCarrion  Buy Me a Coffee: https://buymeacoffee.com/carmancarrion   CONNECT WITH CARMAN: Website: https://www.carman-carrion.com/ YouTube: https://www.youtube.com/@CarmanCarrion Twitter/X: https://x.com/CarmanCarrion Instagram: https://www.instagram.com/carmancarrion/   SUBSCRIBE & REVIEW: Spotify: https://open.spotify.com/show/0uiX155WEJnN7QVRfo3aQY iTunes: https://podcasts.apple.com/us/podcast/freaky-folklore/id1550361184 Your support helps bring you more terrifying tales!   DISCOVER MORE HORROR: http://eeriecast.com/ https://www.carman-carrion.com/   Crypt Shop: https: //the-crypt-shop-2.myshopify.com/   MUSIC CREDITS: Music and sound effects provided by: CO.AG, Myuu, Jinglepunks, Epidemic Sound, Kevin MacLeod, Dark Music, and Soundstripe.   Learn more about your ad choices. Visit podcastchoices.com/adchoices

Manny Muskets joins me in studio to talk about of this classic slasher from the 90s. The original Candyman. Based on a short story by Clive Barker it stars Virginia Madsen and the late Tony Todd in a role that made him a horror icon. Manny had never seen it before so I thought it was perfect for Black History Month.https://youtu.be/-v5KwZftUaAhttps://rumble.com/v767gm6-candyman-is-a-classic-90s-slasher-hack-the-movies.html

The Halloweenies continue the Lament Configuration with 1988's Hellbound: Hellraiser II. Released only a year after the groundbreaking original, this sequel saw Clive Barker step down as writer and director, leaving the tasks to his pals Peter Atkins and Tony Randel, respectively. Join the gang as they try to bottle all the horror and lore that goes down in this installment. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Our No Faith in the Wicked Patreon Special! From the archives on a failed trilogy on sex toys in film (which would have undoubtedly been our biggest SEO series ever) we dig out a prior recording on Clive Barker's HELLRAISER to go prove once and for all that there is no faith to be had in humanity... and if you have doubts? Go back and redownload this prior month's trilogy of episodes to hear us talk out of both sides of our mouths! Patreon supporters get access to monthly bonus episodes including previous years of Movie Book Club! Bluesky/Instagram/Threads: @trilogyintheory Letterboxd: @projectingfilm & @webistrying Artwork by: @nasketchs Find out more at https://trilogyintheory.pinecast.co This podcast is powered by Pinecast.

The Halloweenies open the box on Season IX with Clive Barker's 1987 cult classic Hellraiser. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.