Podcasts about marksmen

David Marks never stayed in one place for long after leaving The Beach Boys. In this special episode, David Marks biographer and Beach Boys author Jon Stebbins steps aboard the Discograffiti train to address the ridiculous controversy behind the volatile David Marks season opener interview, before transitioning into a blow-by-blow account of a consistently fascinating career that has as its trademark the appearance of having very little connective thread of which to speak. Here's just a few of the many things that Jon discusses with Discograffiti in this podcast:A postscript commentary on Discograffiti's controversial David Marks interview with his biographer, a man who knows him better than most;Some of the wild behavior that got David sacked from The Beach Boys;How David's income was cut off months before David was actually removed from the band;Murry Wilson's bizarre, vengeful campaign to squash any chances that David Marks & The Marksmen may have had at being successful…while simultaneously offering them assistance, too;And the ways in which LSD began to color his musical stylings during the late 1960s.Listen: linktr.ee/discograffitiI support a wife and a six-year-old son with Discograffiti as my sole source of income. If you're a Beach Boys superfan like me, you'll want The Director's Cut of this episode. It's ad-free and features 11 additional minutes of essential material. Purchase it as a one-off, get the entire Season 1 Series as a bundle (listed under Collections), or better yet…Subscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening: Patreon.com/DiscograffitiCONNECTJoin our Soldiers of Sound Facebook Group: https://www.facebook.com/groups/1839109176272153Patreon: www.Patreon.com/DiscograffitiPodfollow: ⁠⁠https://podfollow.com/1592182331⁠⁠YouTube Channel: https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhwInstagram: https://www.instagram.com/discograffitipod/Facebook: https://www.facebook.com/Discograffiti/Twitter: https://twitter.com/DiscograffitiOrder the Digital version of the METAL MACHINE MUZAK 2xLP (feat. Lou Barlow, Cory Hanson, Mark Robinson, & W. Cullen Hart): www.patreon.com/discograffiti/shop/197404Order the $11 Digital version of the MMM 2xLP on Bandcamp: https://discograffiti.bandcamp.com/album/metal-machine-muzakOrder the METAL MACHINE MUZAK Double Vinyl + Digital package: www.patreon.com/discograffiti/shop/169954Merch Shop: https://discograffitipod.myspreadshop.com/allVenmo Dave A Tip: @David-GebroeWeb site: http://discograffiti.com/CONTACT DAVEEmail: dave@discograffiti.comFacebook: https://www.facebook.com/hooligandaveInstagram:  https://www.instagram.com/davidgebroe/Twitter: https://twitter.com/DaveGebroeThere is no other Patreon in existence where you get more for your money. 4 shows a week is what it takes these days to successfully blot out our unacceptable reality…so do yourself a favor and give it a shot for at least one month to see what I'm talking about.  If you're already a member, please comment below about your experience.  www.Patreon.com/discograffiti#jonstebbins #davidmarks #thebeachboys #brianwilson #beachboys #denniswilson #mikelove #carlwilson #music #vinyl #aljardine #thebeatles #brucejohnston #rock #petsounds #pattismith #goodvibrations #davidmarksandthemarksmen #surf #rocknroll #themoon #nuggets #surfing #california #beach #surfrock #discograffiti #metalmachinemuzak #soldiersofsound #andyourdreamscometrue

On this episode I chatted with Tommy about his Oklahoma roots and why he wants to serve the state he loves and lives in for the rest of his life. Tommy served in the military as a marksman. Once he left the military he chased is life long dream of becoming an attorney. Today Tommy works in the AG's office with the goal of bettering Oklahoma every day. https://www.linkedin.com/in/thomas-grossnicklaus/ Huge thank you to our sponsors. The Oklahoma Hall of Fame at the Gaylord-Pickens Museum telling Oklahoma's story through its people since 1927. For more information go to www.oklahomahof.com and for daily updates go to www.instagram.com/oklahomahof  The Chickasaw Nation is economically strong, culturally vibrant and full of energetic people dedicated to the preservation of family, community and heritage. www.chickasaw.net Diffee Ford Lincoln. Third generation Oklahoma business, the Diffee family continues to do business the right way, the family way. Go to www.diffeeford.net for all your new and used car needs and follow them on instagram www.instagram.com/diffee_ford   Dog House OKC - When it comes to furry four-legged care, our 24/7 supervised cage free play and overnight boarding services make The Dog House OKC in Oklahoma City the best place to be, at least, when they're not in their own backyard. With over 6,000 square feet of combined indoor/outdoor play areas our dog daycare enriches spirit, increases social skills, builds confidence, and offers hours of exercise and stimulation for your dog http://www.thedoghouseokc.com/ #thisisoklahoma ​  

#PACKALERT #PACKNOTICE #PACKSIGNALthe gang does the obligatory post-Trump-almost-assassination coverage. for all our enemies, remember that this is also a comedy podcast in addition to a political podcast so nothing we say counts and that's on period This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.marxismandmedicine.com

WE APPRECIATE EACH AND EVERY ONE OF YOU! If you wouldn't mind please go leave us a review on Apple Podcasts! Thanks!! Welcome back to Episode 328 of On the Spot Sports and in today's episode we have a very special guest, current professional hockey goaltender, Brandon Perrone! Brandon and I talk about this season with the Long Island University NCAA DI team and the Fayetteville Marksmen in the SPHL. We also talk about transferring from Alaska Anchorage to attend LIU and play in his hometown, going from the NA3HL to the NAHL, first pro win, what he learned in his first stint in the SPHL, the importance of mindset and intention behind training and so much more! We hope you guys enjoy this episode!! Thank you Brandon for coming on the show! I had a blast!! Follow us on Instagram @on_the_spot_sports and take a listen on YouTube, Spotify and Apple/Google Podcasts @ On The Spot Sports Get $25 off our guy Jamie Phillips Nutrition book for Hockey Players with the discount code "ONTHESPOT" on victoremnutrition.com Living Sisu link: ⁠⁠https://livingsisu.com/app/devenirmem.... BECOME A MEMBER TODAY

You can guess why the Royal Airforce is telling its soldiers not to use the word “marksman.” It's not gender neutral. The US Air Force isn't any better. It features a trans spokesman to promote “diversity.” What is the purpose of the military, again?Thanks for listening to the Daily Dennis Prager Podcast. To hear the entire three hours of my radio show as a podcast, commercial-free every single day, become a member of Pragertopia. You'll also get access to 15 years' worth of archives, as well as daily show prep. Subscribe today at Pragertopia dot com.See omnystudio.com/listener for privacy information.

Dispelling internet lore and rumors regarding distance of engagements and equipment used from a marksman perspective. Affiliate links and more content available at: https://www.riskychrisky.com

Marksmen Energy (TSXV: MAH | OTCQB: MKSEF) continues to be a pioneer in Ohio's oil industry as the only public company that does conventional drilling. President, CEO, and Chairman Archie Nesbitt sits down with Global One Media to talk about the company's highly experienced technical team of engineers and geologists and how Marksmen is harnessing its cutting-edge 3D seismic exploration technology to find more oil fields.For more information about Marksmen Energy: https://marksmenenergy.comWatch the full YouTube interview here: https://www.youtube.com/watch?v=vOyRmeVTiaoAnd follow us to stay updated: https://www.youtube.com/@GlobalOneMedia?sub_confirmation=1

For a while, I've been kicking around an idea for a new type of competition. I enjoy all the various disciplines I've played in, but also think that each of them in isolation is missing something. Today, I'd like to tell you about my vision for a "complete" type of match that I think covers all of the foundations of Everyday Marksmen, and it does so in a way that lets all of us have an objective to train for. Let's talk about the Rifleman Pentathlon.

Marksmen Energy's (TSXV: MAH | OTCQB: MKSEF) exploration work is progressing steadily in Ohio. Chairman and CEO Archie Nesbitt shares that the firm has made a significant discovery in a well where it has a 100% working interest. He also talks about the size and potential of the oil reservoir that Marksmen is targeting in Ohio.Meanwhile, Director Peter Weichler reveals the timeline for Marksmen's drilling operations for the rest of 2023 in this interview.For more information about Marksmen Energy: https://marksmenenergy.comWatch the full YouTube interview here: https://www.youtube.com/watch?v=yRvX5mduOhUAnd follow us to stay updated: https://www.youtube.com/@GlobalOneMedia?sub_confirmation=1

Marksmen Energy Inc. President, CEO, and Chairman Archie Nesbitt (TSXV: MAH | OTCQB: MKSEF) shares that the firm has plotted new well locations at Rose Run and made a spectacular light oil discovery in Pickaway Country, Ohio. He also discusses Marksmen's unique position as the sole public conventional driller in Ohio and the company's partnership with EMF Geoscience, Inc. in developing light oil drilling opportunities.Watch until the end of the Global One Media interview to know more updates from Marksmen Energy.For more information, please visit:https://marksmenenergy.com/

We're HUGE fans of the John Wick franchise and now that Chapter 4 is here, we're BACK with another Certified banger of a movie breakdown & review!ENJOY!!!

Marksmen Energy Inc. (TSXV: MAH, OTCQB: MKSEF) President, CEO and Chairman of the Board Archie Nesbitt joins Global One Media and talks about their Q4 drilling at their oil wells in Ohio last year, discovering a new formation that hosts the largest oil field in Ohio, and drilling new targets in 2023.Archie shares the Company's key strengths that will allow them to outperform the market this year, amongst these are the high demand for Pennsylvania-grade crude, the positive outlook for oil, their tightly held structure, and they are the only public company exploring light oil assets in Ohio.

General Manager of the South Australian Arid Lands Landscape Board Jodie Gregg-Smith updates listeners on the phenomenal accuracy and results of feral animal control of pigs and cats in the north-east of South Australia and the importance of the control activities

Ivan Law Law is best known for his book The Hollyhood Cover Up, which explores his ideas on the murders and controversies circling popular artists such as Eazy E, Tupac, and Bigge. Ivan dug up Suge Knight on Jimmy Kimmel talking about Eazy E, we compare the bullet holes in Tupacs car and Biggies truck. Extremely accurate in both, especially Tupac for someone leaving the Mike Tyson fight at midnight... We compare. Ivan is a pastor and a musician based in the United States. He currently works at one of the oldest churches in Los Angeles – Travelers Rest Missionary Baptist Church. Stay In Touch With Ivan Law: Youtube: https://www.youtube.com/@monsterbeats Blog Including Suge Knight On Jimmy Kimmel Talking About Eazy E: https://robocopsong.blogspot.com/2016/01/dr-dre-luckiest-man-in-world-or-killer.html Website: https://monstersbeatsofficial.com/ https://sway.office.com/mdLqvWHpj98Ohhoo?ref=Link https://sway.office.com/qRiu0EOQpAv8WGql?ref=Link https://sway.office.com/Yz48ZJFg0pZSh3UL?ref=Link (Hip Hop Homicides) of Holly Hood : Who Killed Tupac Amaru Shakur and Christopher Biggie Smalls Wallace - Kindle edition by Law, Ivan , Law, Ivan. Professional & Technical Kindle eBooks @ Amazon.com. https://www.reddit.com/r/monsterbeatspress/ Pre-order https://www.barnesandnoble.com/w/holly-hood-who-killed-tupac-amaru-shakur-and-christopher-biggie-smalls-wallace-ivan-law/1141304364?ean=2940161120651 ➔Please check out our Sponsors ➔Aura: See if any of your passwords have been compromised. Try 14 days for free: https://aura.com/MSCS Thank you to Aura ➔Horome levels falling? Use MSCSMEDIA to get 25% off home test: https://trylgc.com/MSCSMEDIA ➔Fiji: https://Fijiwater.com/mscs $5 off free shipping Unleash ➔Monster Energy: https://www.monsterenergy.com/us/mscs

We bring in a special guest as our family member Jose Mijanos aka "Jose Teka" aka "Kito" and now "tata" who talks about his share and experiences withing life, movies, music, and podcasting. This guest has an acting part in the movie "The Marksmen" for a drug cartel. He also creates music lyrically and videography for his own music. He also was a host on their podcast The Tekaover podcast. Get to knwo some insides and enjoy the laughs that come with it. Enjoy the show! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

http://www.mofpodcast.com/https://prepperbroadcasting.com/https://www.facebook.com/matteroffactspodcast/https://www.facebook.com/groups/mofpodcastgroup/www.youtube.com/user/philrabhttps://www.instagram.com/mofpodcastSupport the showShop at Amazon: http://amzn.to/2ora9riPatreon: https://www.patreon.com/mofpodcastPurchase American Insurgent by Phil Rabalais: https://amzn.to/2FvSLMLShop at MantisX: http://www.mantisx.com/ref?id=173*The views and opinions of guests do not reflect the opinions of Phil Rabalais, Andrew Bobo, or the Matter of Facts Podcast*Friend of the show, Patron, and fellow Troublemaker Eddie had a cool experience with History Channel on their show Mountain Men: Ultimate Marksmen. Now, he comes back to MoF Podcast to talk about his experience.Promo: https://youtu.be/3gMcLwDHIjAMarksmen vs. 12 Foot Wall of Flame: https://youtu.be/4-UBHC3sIU8https://www.instagram.com/currituck_kid/Matter of Facts is now live-streaming our podcast on YouTube channel, Facebook page, and our website. See the links above, join in the live chat, and see the faces behind the voices.Intro and Outro Music by Phil RabalaisAll rights reserved, no commercial or non-commercial use without permission of creator

Marksmen Energy Inc. (TSXV: MAH | OTCQB: MKSEF) President, CEO, and Chairman of the Board Archie Nesbitt discusses with Global One Media the findings of the company's recent drilling program in Pickaway County, Ohio. Archie shares that they drilled three new wells that have excellent oil flow. They are anticipating these wells being brought into production in the next couple of weeks. He attributes the success of drilling the three wells in such a short period of time to their experienced drilling engineer, who is the head of operations.

Marksmen Energy (TSXV: MAH, OTCQB: MKSEF) President, CEO, and Chairman of the Board Archie Nesbitt talks about the beginnings of their company, utilizing technology to maximize the potential of oil and gas explorations in Ohio, their ESG standards, and exciting things to come from Marksmen Energy. 

Meet @Pepp An entertaining content creator that has been streaming on Twitch for many years. The early years streaming DayZ, then moving to Tarkov where he established himself on the platform. Over the years he has transformed to a Variety streamer and is well admired and liked in the community. He is also a member of the Marksmen. A group of well know content creators that have been producing content for many years. @MarkstromTV @DeadlySlob @Kotton @MonsterDface and Katie, Swing by his stream and you will be entertained! https://twitter.com/Peebrah https://www.twitch.tv/Pepp https://www.youtube.com/Peebro https://www.tiktok.com/@peppstreamsontwitch http://tarduckspodcast.com/ https://www.twitch.tv/tarducks https://twitter.com/tarducks https://anchor.fm/tarducks-podcast https://podcasts.apple.com/us/podcast/tarducks-podcast/id1608204676 https://www.youtube.com/c/TarducksPodcast

Jared, Light Chris and Dark Chris compare the differences between your everyday shooter and an AR set up for longer ranges. They also get a surprise call from Dark Chris's mom.

Desde nuestras valijas más oscuras cocinamos esta sesión piscinera de frat, surf, rocknroll y rhythm n’ blues para bailar en la toalla. Playlist; (sintonía) THE TORQUAYS “Tide pool Q” PRESTON EPPS “Watusi bongos” BILL LEWIS “High dive” ROLLERCOASTER “Wild twist” BRUCE JOHNSTON “Soupy shuffle stomp” BOB KEENE ORCHESTRA “La bamba” DON MARKHAM and THE MARKSMEN “The goose” THE TRIBUTES “Here comes Ringo” THE ENCHANTERS “Come on, let’s go” MOONGOONERS “Willie and the hand jive” JACK HERBST “Jimmy’s party” LITTLE JOE WASHINGTON “Hard way four” BILL LEWIS “Swing beat” THE DENIMS “The Adler shock” THE OTHER TWO “Go man go” RITCHIE AND THE SQUIRES “Beat party pt.1” KEN LEVY and THE PHANTOMS “Missed out” THE NASHVILLE TEENS “What you gonna do” WAYNE COCHRAN and THE C.C. RIDERS “Get down with it” THE TIKIS “Part III” RAY BARRETO “Babalu” THE GOODES “Double shot” ROSS D. WYLIE “Do the uptight” Escuchar audio

The long-awaited follow-up episode in Shane's Rangers From Sea to Shining Sea series is finally here, as he takes a look at a three-time opponent during the Struth tours, the Fall River Marksmen. Did we actually play them in Fall River? Did we play them to help raise money after the city caught on fire (again)? Did the Marksmen survive a trip to Central Europe after we left them on our last visit? All that and more in this special CROpod episode. HELP SUPPORT THE CROpod! Just visit https://www.buymeacoffee.com/ofvoid And find more about this podcast with Shane's episode notes: https://www.buymeacoffee.com/ofvoid/episode-notes-rangers-from-sea-shining-sea-fall-river-marksmen ***** Rangers From Sea to Shining Sea Episode 1: Chicago 1930 Find more from the present-day Fall River Marksmen FC RIGHT HERE. Video from the 1928 fire is available here. And video of Archie Stark's famous 5-goal (maybe?) performance for the USA is available here thanks to the work of @soccermavn. ***** Support our friends at Anam Cara Fasgadh, a charity for bereaved parents and families: https://www.anamcarafasgadh.org/ Support Joey's Journey at https://specialnamedfunds.cclg.org.uk/joeys-journey/ or text CCLG 5 JOEY to 70300 to donate £5 Visit our friends for the best Rangers gear: coplandstreetwear.co.uk and thefamousheadwear.co.uk ***** Find Shane on Twitter: @ofvoid --- Send in a voice message: https://anchor.fm/cropod/message

We are joined today by Steve from Steve Marc and the Marksmen (14:51), Joined in the studio as well by Sam and Dalia and we discuss the Ghost Town of Sandon! Buckle up compadres, it's time for a feast of horse backs!

Today we're defining the Everyday Marksman minimum rifle standards. This is a two-part test of both speed and marksmanship fundamentals. I want to outline the test itself, why I defined this requirements, but also what I left out.

Sean and Dane are back! The guys review bags by SEVA (Serpent and Marksmen) and Cutthroat Cornhole (butcher), preview a new Shot of the Week and complete another installment of Facebook Dramatic readings. Then they are joined by owner of the TCL, Chad Jacobson and host of the Cornhole Dojo show, CJ Marquez Jr.BIG ASP Cornhole Patreon page: 3 Tiers to choose from!! Come join our growing community and get insider info, become an active participant in show content, be eligible for bag giveaways and more!!!https://www.patreon.com/bigaspcornholehttps://www.localbagcompany.com/-Throw like a pro….Throw Localhttps://www.cornholesolutions.com/-For all your cornhole board problems-Code: BigAsp saves you 10%https://blackjackcornhole.com/Code: BigAsp saves you 10%https://airwolfathletics.com/Code: BigAsp saves you 10%https://www.harddragpush.com/Your one stop shop for all your cornhole content needs!!Missing You by Purrple Cat | https://purrplecat.com/Music promoted by https://www.chosic.com/free-music/all/Creative Commons CC BY-SA 3.0https://creativecommons.org/licenses/by-sa/3.0/

This episode I am joined by Nicky "BraveEdits" Barnes, CEO of MOVMNT Studios. He shares with us how he came from High School teacher, to editor for some big names in the streaming game. Such as MonsterDFace, Bonzai Brothers, the Marksmen, SanchoWest. He discusses what MOVMNT is and its not just targeted to the upper tier streamers. https://www.movmnt.digital/ https://twitter.com/nickymovmnt https://www.instagram.com/nickymovmnt/ https://www.twitch.tv/NickyMOVMNT Music by Veritas https://www.youtube.com/channel/UCgjBTtN1lXno-wID1jjCnXg https://www.twitch.tv/tarducks https://twitter.com/tarducks https://anchor.fm/tarducks-podtcast https://podcasts.apple.com/us/podcast/tarducks-podcast/id1608204676

How should a man deal with heartbreak in a marriage relationship that ended in divorce?  The ex is now with someone new but still is hopeful to get back. Thanks. - Roberto B.   Common pitfalls to avoid in leading a men's ministry. - The Marksmen 1.   Doing it without physical and verbal support from your pastor 2.   Not doing it because Church leadership is not behind it 3.   Making it event-driven instead of discipleship driven

Beyond Grit is officially one year old! In honor of this milestone event, we are throwing back to Robert's very first guest, Chuck Norris. Chuck's episode is one of our fan favorites so if you haven't heard it yet, you are in for a treat. If you have heard it, enjoy it again or leave a review. Chuck grew up in the Detroit area of Michigan. He joined the Army out of high school, which led him to North Carolina. After the military, Chuck knew that sitting behind a desk was not his path. Since that time, he has owned multiple car audio stores, a Furniture store, and had a successful building/contractor career.  He is now the CEO of Fayetteville Marksmen Hockey Team and is living a life beyond grit. He's a true entrepreneur. Thank you for your continued support. We have big plans for the coming year, so stick around and make sure to keep sharing your favorite episodes.   Thanks for listening.   Like, Rate, Review, Share

Season 2 Episode 6 of #PexPals Joel and Calvin DEBATE: The PK vs The Mastiff, we tell the Pro's and the CRYERs to F*** off, talk putting Hop Up's in the crafter, discuss putting the Bow in the care package, Weapons of the week, how superior Marksman weapons are right now, some useful "battle prep" mid game tips, Why no one is opening carepackages, Apex Legends Mobile Launch, Warrior collection event, Kings Canyon ranked next split, CRYPTO finally gets his heirloom, how its lame that we get guns nerfed AND hop ups removed and MORE! Hosted by @CowVan & @JoelCupcake - www.PexPals.comJoin in on the conversation by using the hashtag #PexPals​​​​ or email us with conversation topics, tips, or to inquire about being a guest on the show via pexpalspodcast@gmail.comBe sure to follow us on all the social media platforms Instagram / Facebook / Twitter / TikTok @pexpalspodcastFind CowVan online -https://twitter.com/CowVanManhttps://twitch.tv/CowVan​​​https://youtube.com/cowvanTikTok @CowVan Find JoelCupcake online-https://Twitch.tv/JoelCupcake​​​LiveTwitter, Instagram and TikTok @JoelCupcake Thanks for checking the show out! #ApexLegends​​​ #Apex​​​ #RespawnEntertainment​​​ #BattleRoyle​​​ #Legends

Go to http://blueland.com/casket to get 20% off your first order. Go to http://joinhoney.com/casket to get Honey for free!  Welcome to the Corporate Casket, a weekly series where bad businesses go to die.  Connect With Me: https://linktr.ee/iilluminaughtii This episode was edited and mixed by: G. Thomas Craig   Album cover art created by: Betsy Primes Intro Song Credits: Trauma- Will Van De Crommert Outro Song Credits: Electronica Punch- Oleksandr Koltsov Ad Music Credits: Tango de Manzana by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4460-tango-de-manzana License: https://filmmusic.io/standard-license Backbay Lounge by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3408-backbay-lounge License: https://filmmusic.io/standard-license

At the beginning of World War II, military planners set out to form the most ruthless, skilled, and effective force the world had ever seen. The U.S. Marines were already the world's greatest fighters, but leadership wanted a select group to conduct special operations at the highest level in the Pacific theater. And so the Marine Raiders were born.These young men, the cream of the crop, received matchless training in the arts of war. Marksmen, brawlers, and tacticians, the Marine Raiders could accomplish their objective before the enemy even knew they were there.Yet even though one of their commanders was President Roosevelt's son, they have largely been forgotten. To explore their legacy, we are joined by Carole Engle Avriett, author of “Marine Raiders: The True Story of the Legendary WWII Battalions.”We discuss:- The personal narratives of four men who served as Marine Raiders- Frontline accounts of the Raiders' most important engagements- The explanation for their obscurity, despite their earlier fame

In this episode of the Main Event, An unfortunate event took place recently and New RTW Top 5 Challenge Champion Luigi Primo cannot defend his title this week. Instead we have a Triple Threat #1 Contender match to see who will face Primo should he be able to defend next week! Former Champion El Barba Maximo, who is a fugitive once again faces the returning Jacques Marksmen and a mystery member of the Marksmen family! Rad Rob and Dr Ocho have the Good, Bad and Ugly, and the Positive One has the Intellect of the Week!Check out our Pro Wrestling Tees Store!www.prowrestlingtees.com/radturtleswrestlingSend your questions for our mailbag to :RadTurtlesWrestling@gmail.comFollow Dr. Ocho on Twitter :@TheDrOchoFollow RTW on Twitter:@RTWBrandFollow Rob on Twitter:@RadRobGamingFollow the Rad Rob Radio Network for all breaking news on Twitter!@RRRadioNetworkWe thoink you for all for your support!

In this episode of the Main Event, RTW Top 5 Challenge Champion El Barba Maximo no shows! Thankfully, Eli was able to scramble and get a #1 Contenders Match involving 2 new contestants from the famed (and quite large) Marksmen family! Rad Rob and Dr Ocho have the Good, Bad and Ugly, and the Positive One has the Intellect of the Week!Check out our Pro Wrestling Tees Store!www.prowrestlingtees.com/radturtleswrestlingSend your questions for our mailbag to :RadTurtlesWrestling@gmail.comFollow Dr. Ocho on Twitter :@TheDrOchoFollow RTW on Twitter:@RTWBrandFollow Rob on Twitter:@RadRobGamingFollow the Rad Rob Radio Network for all breaking news on Twitter!@RRRadioNetworkWe appreciate all of YOU for YOUR support!

In this episode of the Main Event, El Barba Maximo defends his RTW Top 5 Challenge Title against a new challenger from the Marksmen family, Uncle Victor Marksmen! Rad Rob and Dr Ocho have the Good, Bad and Ugly, and the Positive One has the Intellect of the Week!Check out our Pro Wrestling Tees Store!www.prowrestlingtees.com/radturtleswrestlingSend your questions for our mailbag to :RadTurtlesWrestling@gmail.comFollow Dr. Ocho on Twitter :@TheDrOchoFollow RTW on Twitter:@RTWBrandFollow Rob on Twitter:@RadRobGamingFollow the Rad Rob Radio Network for all breaking news on Twitter!@RRRadioNetworkWe appreciate all of YOU for YOUR support!

In this episode of the Main Event, El Barba Maximo defends his RTW Top 5 Challenge Title against a new challenger from the Marksmen family, Roberto Marksmen! Rad Rob and Dr Ocho have the Good, Bad and Ugly, and the Positive One has the Intellect of the Week!Check out our Pro Wrestling Tees Store!www.prowrestlingtees.com/radturtleswrestlingSend your questions for our mailbag to :RadTurtlesWrestling@gmail.comFollow Dr. Ocho on Twitter :@TheDrOchoFollow RTW on Twitter:@RTWBrandFollow Rob on Twitter:@RadRobGamingFollow the Rad Rob Radio Network for all breaking news on Twitter!@RRRadioNetworkWe appreciate all of YOU for YOUR support!

My Favorite Murder Podcastbiography.comfemale first.co.ukmurderpedia.orgmenhealth.comyahoo.comwikipedia.orgThe Killer Book of Serial Killers by Tom Philbin and Michael Philbinsmithsonianchannel.comSons of Sam: Decent into Madness

Onto 1963 and the first quarter, with the biggest hit going to The Delltones, now with lead singer Col Loughnan; Come a Little Bit Closer. The Denvermen kick things off with the soothing surf sound of Surfside, a summer before the main surf era in Australia, the summer of 1963/4. A solo debut for Colin Cook hits in January; It's Up To You. And plenty of instrumental action from The Thunderbirds, The Marksmen and a version of Mary Had a Little Lamb (yes-no typo!) for Melbourne band, The Premiers! Enjoy!

Even 从小就在吧馆，经常听到抢油在哪？她奶奶是国家射击第一批人，现在她也练了好几年。奥运后也很多人关注了这种比赛。

Mack discusses what's next for Dylan Windler, the Cavs decision to not extend big man Isaiah Hartenstein a qualifying offer, Doug Mcdermott or Alec Burks, and other FA targets!

Jared Ellis is joined by the SPHL's Fayetteville Marksmen's owner and ceo Charles "Chuck" Norris. Mr. Norris discusses how he got into owning the team, keeping his team afloat during the pandemic, and much much more. Plus he gives some advice for those looking to make it in the sports industry.Support Us By Supporting Our Sponsors!BetOnline AGThere is only 1 place that has you covered and 1 place we trust. Betonline.ag! Sign up today for a free account at betonline.ag and use that promocode: LOCKEDON for your 50% welcome bonus.Built BarBuilt Bar is a protein bar that tastes like a candy bar. Go to builtbar.com and use promo code “LOCKED15,” and you'll get 15% off your next order.Rock AutoAmazing selection. Reliably low prices. All the parts your car will ever need. Visit RockAuto.com and tell them Locked On sent you. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jared Ellis is joined by the SPHL's Fayetteville Marksmen's owner and ceo Charles "Chuck" Norris. Mr. Norris discusses how he got into owning the team, keeping his team afloat during the pandemic, and much much more. Plus he gives some advice for those looking to make it in the sports industry. Support Us By Supporting Our Sponsors!BetOnline AG There is only 1 place that has you covered and 1 place we trust. Betonline.ag! Sign up today for a free account at betonline.ag and use that promocode: LOCKEDON for your 50% welcome bonus. Built Bar Built Bar is a protein bar that tastes like a candy bar. Go to builtbar.com and use promo code “LOCKED15,” and you'll get 15% off your next order. Rock Auto Amazing selection. Reliably low prices. All the parts your car will ever need. Visit RockAuto.com and tell them Locked On sent you. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Chuck grew up in the Detroit area of Michigan. He joined the Army out of high school, which led him to North Carolina. After the military, Chuck knew that sitting behind a desk was not his path. Since that time, he has owned multiple car audio stores, a Furniture store, a successful building/contractor career, and now the Fayetteville Marksmen Hockey Team owner. He's a true entrepreneur.

The result of 100T’s playoff series against TSM was not surprising, but the manner in which it transpired arguably was (unless you are Prophet Cole and you see all). The dads address the deflated 100 Thieves fanbase to talk about why the midlane discussion doesn’t really matter, our coach being between a rock and a hard place when it comes to draft, how narratives affect the scene, and Cole gives a very long rant on the Cult of Damonte. Bonus content includes a breakdown of the just-revealed 100T apparel drop coming up this Saturday.Time to 100Talk!Listen here.TIMESTAMPS: 0:00:00 - Intro0:06:45 - Ssumday as NA Jayce0:18:22 - Marksmen power picks for… ry0ma?0:32:29 - Ashe: the low threat version of FBI0:39:43 - Closer sprints back into action0:42:43 - The power of narratives0:49:38 - The cult of Damonte1:04:14 - New apparel! Enter Infinity collection1:18:10 - Outro▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ FOLLOW THE 100TALK DADS: Twitter ► https://twitter.com/100talkpodTwitch ► https://www.twitch.tv/100talkpodDiscord ► https://discord.gg/tUqupX9▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ SUBSCRIBE TO 100TALK: Spotify ► https://open.spotify.com/show/5DwGKIOuNZouvF7N4TyPor?si=A4pSbfvmR3qpIBtAzJLKxgiTunes ► https://itunes.apple.com/us/podcast/100talk-100-thieves-podcast/id1403240691?mt=2▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ OUR EQUIPMENT: Mic ► https://amzn.to/32x5lpCPreamp ► https://amzn.to/3eY0MK8Interface ► https://amzn.to/2Ul2JH4Mic boom stand ► https://amzn.to/2IwgjExCamera ► https://amzn.to/3nfkaoHLens ► https://amzn.to/3nfkfsvCapture Card ► https://amzn.to/3koC5YnLights ► https://amzn.to/3ngR2h2 ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ 

With the crew's relationships mostly(?) repaired, exploration into different types of playstyles and decks can finally begin! The first guest is MataisG, a proponent of the marksmen class, and he shares with us his experiences and thoughts about how to use marksmen effectively in the game, as well as how they benefit from the season 2 changes. The episode finishes with the first new power card of the Breach expansion, !@## ^# *&#$#. Tune in to find out what the card is and how it works, if the team can stay on task long enough to discuss it... You can find the cast and our guest on the Skytear discord RG as RGCommander gmt-5#7829, Zaraghul as Zaraghul#0088, Ryan as Kirito7#0959 and MataisG as MataisG#6082. Skytear Discord Server: https://discord.gg/9YZzBna

Episode one hundred and seventeen of A History of Rock Music in Five Hundred Songs looks at “Don’t Worry Baby” by the Beach Boys, and how the years 1963 and 1964 saw a radical evolution in the sound and subject matter of the Beach Boys’ work. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “You’re No Good” by the Swinging Blue Jeans. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ —-more—- ERRATA: I say that the Surfin’ USA album was released only four months after Surfin’ Safari. It was actually over five months. Also, for some reason I pronounce Nik Venet’s name as if he were French here. I believe that’s incorrect and his name is actually pronounced “Vennit”, though I’m not 100% sure. More importantly, I say that “Sweet Little Sixteen” wasn’t a big hit, when of course it made number two on the charts.    Resources There is no Mixcloud this week, because there were too many Beach Boys songs in the episode. I used many resources for this episode, most of which will be used in future Beach Boys episodes too. It’s difficult to enumerate everything here, because I have been an active member of the Beach Boys fan community for twenty-four years, and have at times just used my accumulated knowledge for this. But the resources I list here are ones I’ve checked for specific things. Becoming the Beach Boys by James B. Murphy is an in-depth look at the group’s early years, up to the end of 1963. Stephen McParland has published many, many books on the California surf and hot-rod music scenes, including several on both the Beach Boys and Gary Usher.  His books can be found at https://payhip.com/CMusicBooks Andrew Doe’s Bellagio 10452 site is an invaluable resource. Jon Stebbins’ The Beach Boys FAQ is a good balance between accuracy and readability. Stebbins also co-wrote The Lost Beach Boy, David Marks’ autobiography. And Philip Lambert’s Inside the Music of Brian Wilson is an excellent, though sadly out of print, musicological analysis of Wilson’s music from 1962 through 67. The Beach Boys’ Morgan recordings and all the outtakes from them can be found on this 2-CD set. As a good starting point for the Beach Boys’ music, I would recommend this budget-priced three-CD set, which has a surprisingly good selection of their material on it. Transcript Today, we’re going to take our second look at the Beach Boys, and we’re going to look at their evolution through 1963 and 1964, as they responded to the threat from the Beatles by turning to ever more sophisticated music, even as they went through a variety of personal crises. We’re going to look at a period in which they released four albums a year, had three lineup changes, and saw their first number one – and at a song which, despite being a B-side, regularly makes lists of the best singles of all time. We’re going to look at “Don’t Worry Baby”: [Excerpt: The Beach Boys, “Don’t Worry Baby”] When we left the Beach Boys, they had just secured a contract with Capitol Records, and released their first national hit, “Surfin’ Safari” backed with “409”. Since then we’ve also seen Brian Wilson working with several songwriting collaborators to write hits for Jan and Dean. But now we need to double back and look at what Brian was doing with his main band in that time.  After “Surfin’ Safari” was a hit, in one of the many incomprehensible decisions made in the Beach Boys’ career, Capitol decided to follow it up with an album track that Brian and Gary Usher had written, “Ten Little Indians”. That track, a surf-rock version of the nursery rhyme with the group chanting “Kemo sabe” in the backing vocals, made only number forty-nine on the charts, and frankly didn’t deserve to do even that well. Some have suggested, in fact that the record was released at the instigation of Murry Wilson, who was both Brian, Carl, and Dennis Wilson’s father and the group’s manager, as a way of weakening Usher’s influence with the group, as Murry didn’t want outsiders interfering in what he saw as a family business.  After realising the folly of deviating from the formula, the group’s next single followed the same pattern as their first hit. The B-side was “Shut Down”, a car song co-written by Brian and Roger Christian, who you may remember from the episode on “Surf City” as having been brought in to help Brian with car lyrics. “Shut Down” is most notable for being one of the very small number of Beach Boys records to feature an instrumental contribution from Mike Love, the group’s lead singer. His two-note saxophone solo comes in for some mockery from the group’s fans, but actually fits the record extremely well: [Excerpt: The Beach Boys, “Shut Down”]  “Shut Down” was a top thirty hit, but it was the A-side that was the really big hit. Just as their first hit had had a surf song on the A-side and a car song on the B-side, so did this single. Brian Wilson had been inspired by Chuck Berry’s “Sweet Little Sixteen”, and in particular the opening verse, which had just listed a lot of places: [Excerpt: Chuck Berry, “Sweet Little Sixteen”] He might well also have been thinking of Chubby Checker’s minor hit, “Twistin’ USA”, which listed places in America where people might be twisting: [Excerpt: Chubby Checker, “Twistin’ USA”] Brian had taken Berry’s melody and the place-name recitation, and with the help of his girlfriend’s brother, and some input from Mike Love, had turned it into a song listing all the places that people could be surfing — at least, they could “if everybody had an ocean”: [Excerpt: The Beach Boys, “Surfin’ USA”] “Surfin’ USA” became a huge hit, reaching number two on the charts, and later being named by Billboard as the biggest hit of 1963, but unfortunately for Brian that didn’t result in a financial windfall for him as the songwriter. As the song was so close to “Sweet Little Sixteen”, Chuck Berry got the sole songwriting credit — one of the only times in rock music history where a white artist has ripped off a Black one and the Black artist has actually benefited from it. And Berry definitely did benefit — “Sweet Little Sixteen”, while a great record, had never been a particularly big hit, while “Surfin’ USA” is to this day regularly heard on oldies radio and used in commercials and films. But that success meant extra work, and a lot of it. “Surfin’ USA” was the title song of the group’s second album, released in March 1963 only four months after their first, and they would release two more albums before the end of the year — Surfer Girl in September and Little Deuce Coupe in October. Not only were they having to churn out a quite staggering amount of product — though Little Deuce Coupe featured four songs recycled from their earlier albums — but Brian Wilson, as well as writing or co-writing all their original material, started producing the records as well, as he was unhappy with Nik Venet’s production on the first album. Not only that, but as well as making the Beach Boys’ records, Wilson was also writing for Jan and Dean, and he had also started making records on the side with Gary Usher, doing things like making a “Loco-Motion” knock-off, “The Revolution”, released under the name Rachel and the Revolvers: [Excerpt: Rachel and the Revolvers, “The Revolution”] According to some sources, Usher and Wilson found the singer for that track by the simple expedient of driving to Watts and asking the first Black teenage girl they saw if she could sing. Other sources say they hired a professional session singer — some say it was Betty Everett, but given that that’s the name of a famous singer from the period who lived in the Mid-West, I think people are confusing her for Betty Willis, another singer who gets named as a possibility, who lived in LA and who certainly sounds like the same person: [Excerpt: Betty Willis, “Act Naturally”] Wilson was also in the process of breaking up with his girlfriend and starting a relationship with a young woman named Marilyn Rovell. Rovell, along with her sister Diane, and their cousin, Ginger Blake, had formed a girl group, and Brian was writing and producing records for them as well: [Excerpt: The Honeys, “The One You Can’t Have”] As well as making all these records, the Beach Boys were touring intensively, to the point that on one day in June the group were actually booked in for four shows in the same day.  Unsurprisingly, Brian decided that this was too much for one person, and so in April 1963, just after the release of “Surfin’ USA”, he decided to quit touring with the group. Luckily, there was a replacement on hand. Alan Jardine had been a member of the Beach Boys on their very first single, but had decided to quit the group to go off to university. A year later, that seemed like a bad decision, and when Brian called him up and asked him to rejoin the band, he eagerly agreed. For now, Alan was not going to be a proper member of the group, but he would substitute for Brian on the group’s tour of the Midwest that Spring, and on many of the shows they performed over the summer — he could play the bass, which was the instrument that Brian played on stage, and he could sing Brian’s parts, and so while the Beach Boys still officially consisted of Brian, Carl, and Dennis Wilson, Mike Love, and David Marks, the group that was on tour was Carl, Dennis, Mike, David, and Alan, though Brian would sometimes appear for important shows. Jardine also started recording with the group, though he would not get credited on the covers of the first couple of albums on which he appeared. This made a huge change to the sound of the Beach Boys in the studio, as Jardine playing bass allowed Brian Wilson to play keyboards, while Jardine also added to the group’s vocal harmonies. And this was a major change. Up to this point, the Beach Boys’ records had had only rudimentary harmonies. While Brian was an excellent falsetto singer, and Mike a very good bass, the other three members of the group were less accomplished. Carl would grow to be one of the great vocalists of all time, but at this point was still in his early teens and had a thin voice. Dennis’ voice was also a little thin at this point, and he was behind the drum kit, which meant he didn’t get to sing live, and David Marks was apparently not allowed to sing on the records at all, other than taking a single joint lead with Carl on the first album. With the addition of Jardine, Brian now had another singer as strong as himself and Love, and the Surfer Girl album, the first one on which Jardine appears, sees Brian expanding from the rather rudimentary vocal arrangements of the first two albums to something that incorporates a lot more of the influence of the Four Freshmen. You can hear this most startlingly on “In My Room”. This is one of the first songs on which Jardine took part in the studio, though he’s actually not very audible in the vocal arrangement, which instead concentrates on the three brothers. “In My Room” is a major, major, step forward in the group’s sound, in the themes that would appear in their songwriting for the next few years, and in the juxtaposition of the lyrical theme and the musical arrangement.  The song’s lyrics, written by Gary Usher but inspired by Wilson’s experiences, are about solitude, and the song starts out with Brian singing alone, but then Brian moves up to the third note of the scale and Carl comes in under him, singing the note Brian started on. Then they both move up again, Brian to the fifth and Carl to the third, with Dennis joining in on the note that Brian had started on, before Mike and Alan finally also join in. Brian is singing about being alone, but he has his family with him, supporting him:  [Excerpt: The Beach Boys, “In My Room”] This new lineup of the group, with Alan augmenting the other five, might even have lasted, except for a chain of events that started on David Marks’ fifteenth birthday. Murry Wilson, who was still managing the group at this point, had never liked the idea of someone from outside the family being an equal member, and was particularly annoyed at David because Murry had tried to have an affair with David’s mother, which hadn’t worked out well for him.  But then on Marks’ fifteenth birthday, he and Dennis Wilson both caught a sexually transmitted infection from the same sex worker, and when Murry Wilson found this out — as he had to, as he needed to pay their doctor’s bills — he became furious and started screaming at the whole group.  At that point, David had had enough. His mother had been telling him that he was the real talent in the group and he didn’t need those Wilsons, and as a fifteen-year-old kid he didn’t have the understanding to realise that this might not be entirely true. He said “OK, I quit”. At first, the rest of the group thought that he was joking, and even he wasn’t at all sure that he wanted to leave the group altogether. He remained in the band for the next month, but Murry Wilson kept reminding his sons that Marks had quit and that they’d all heard him, and refused to speak directly to him — anything that Murry wanted to say to David, he said to Carl, who passed the message on.  And even though the rest of the group definitely wanted David to stay — especially Brian, who liked having the freedom not to go out on tour, and Carl, who had been the one who’d lobbied to bring his friend into the group in the first place — David was still, as the youngest member, the only one who didn’t sing, and the only one not part of the family, regarded by the others as somewhat lesser than the rest of the band.  David became increasingly frustrated, especially when they were recording the Little Deuce Coupe album. That album was made up entirely of songs about cars, and the group were so short of material that the album ended up being filled out with four songs from earlier albums, including two from the Surfer Girl album released only the previous month. Yet when David tried to persuade Brian to have the group record his song “Kustom Kar Show”, Brian told David that he wasn’t ready to be writing songs for the group.  All this, plus pressure from David’s parents to make him more of a focal point of the group, led to his resignation eventually being accepted, and backdated to the original date he quit. He played his last show with the group on October the fifth 1963, and then formed his own band, the Marksmen, who signed to A&M:  [Excerpt: Dave and the Marksmen, “Kustom Kar Show”] There have been rumours that Murry Wilson threatened DJs that the Beach Boys wouldn’t co-operate with them if they played Marksmen records, but in truth, listening to the records the Marksmen made during their two years of existence, it’s quite obvious why they weren’t played — they were fairly shoddy-sounding garage rock records, with little to commend them. Indeed, they actually sound somewhat better now than they would have done at the time — some of Marks’ flatter and more affectless vocals prefigure the sound of some punk singers, but not in a way that would have had any commercial potential in 1963. Meanwhile, the Beach Boys continued, with Alan Jardine buying a Stratocaster and switching to rhythm guitar, and Brian Wilson resigning himself to having to perform live, at least at the moment, and returning to his old role on the bass. Jardine was now, for publicity purposes, a full member of the group, though he would remain on a salary rather than an equal partner for many years — Murry Wilson didn’t want to make the same mistake with him that he had with Marks. And there was still the constant need for new material, which didn’t let up. Brian’s songwriting was progressing at a furious pace, and that can be seen nowhere better than on “The Warmth of the Sun”, a song he wrote, with Love writing the lyrics, around the time of the Kennedy assassination — the two men have differed over the years over whether it was written the night before or the night after the assassination. “The Warmth of the Sun” is quite staggeringly harmonically sophisticated. We’ve talked before in this podcast about the standard doo-wop progression — the one, minor sixth, minor second, fifth progression that you get in about a million songs: [demonstrates] “The Warmth of the Sun” starts out that way — its first two chords are C, Am, played in the standard arpeggiated way one expects from that kind of song: [demonstrates] You’d expect from that  that the song would go C, Am, Dm, G or C, Am, F, G. But instead of moving to Dm or F, as one normally would, the song moves to E flat, and *starts the progression over*, a minor third up, so you have: [demonstrates] It then stops that progression after two bars, moves back to the Dm one would expect from the original progression, and stays there for twice as long as normal, before moving on to the normal G — and then throwing in a G augmented at the end, which is a normal G chord but with the D note raised to E flat, so it ties in to that original unexpected chord change. And it does all this *in the opening line of the song*: [Excerpt: The Beach Boys, “The Warmth of the Sun”] This is harmonic sophistication on a totally different order from anything else that was being done in teen pop music at the time — it was far closer to the modern jazz harmonies of the Four Freshmen that Brian loved than to doo-wop. The new five-piece lineup of the group recorded that on January the first, 1964, and on the same day they recorded a song that combined two of Brian’s other big influences. “Fun Fun Fun” had lyrics by Mike Love — some of his wittiest — and starts out with an intro taken straight from “Johnny B. Goode”: [Excerpt: The Beach Boys, “Fun Fun Fun”] But while the rest of the track keeps the same feel as the Chuck Berry song, the verse goes in a different harmonic direction, and actually owes a lot to “Da Doo Ron Ron”. Instead of using a blues progression, as Berry normally would, the verse uses the same I-IV-I-V progression that “Da Doo Ron Ron”‘s chorus does, but uses it to very different effect: [Excerpt: The Beach Boys, “Fun Fun Fun”] That became the group’s fourth top ten hit, and made number five on the charts — but the group suddenly had some real competition. At numbers one, two, and three were the Beatles. Brian Wilson realised that he needed to up his game if he was going to compete, and he did. In April 1964 he started working on a new single. By this time, while the Beach Boys themselves were still playing most of the instruments, Brian was bringing in additional musicians to augment them, and expanding his instrumental palette. The basic track was the core members of the band — Carl playing both lead and rhythm guitar, Alan playing bass, and Dennis playing drums, with Brian on keyboards — but there were two further bass players, Glen Campbell and Ray Pohlman, thickening the sound on six-string bass, plus two saxophones, and Hal Blaine adding percussion.  And the main instrument providing chordal support wasn’t guitar or organ, as it usually had been, but a harpsichord, an instrument Brian would use a lot over the next few years: [Excerpt: The Beach Boys, “I Get Around (backing track)”] The recording session for that backing track was also another breaking point for the band. Murry Wilson, himself a frustrated songwriter and producer, was at the session and kept insisting that there was a problem with the bassline. Eventually, Brian had enough of his father’s interference, and fired him as the band’s manager. Murry would continue to keep trying to interfere in his children’s career, but this was the point at which the Beach Boys finally took control over their own futures. A few days later, they reconvened in the studio to record the vocals for what would become their first number one hit: [Excerpt: The Beach Boys, “I Get Around”] It’s fascinating to see that even this early in the group’s career, and on one of their biggest, summeriest hits, there’s already a tension in the lyrics, a sense of wanting to move on — “I’m getting bugged driving up and down the same old strip/I’ve got to find a new place where the kids are hip”. The lyrics are Love’s, but as is so often the case with Brian Wilson’s collaborations, Love seems to have been expressing something that Wilson was feeling at the time. The Beach Boys had risen to the challenge from the Beatles, in a way that few other American musicians could, and “I Get Around” was good enough that it made the top ten in the UK, and became a particular favourite in the Mod subculture in London. The group would only become more popular over the next few years in the UK, a new place where the kids were hip. “I Get Around” is a worthy classic, but the B-side, “Don’t Worry Baby”, is if anything even better. It had been recorded in January, and had already been released on their Shut Down vol 2 album in March. It had originally been intended for the Ronettes, and was inspired by “Be My Baby”, which had astonished Brian Wilson when it had been released a few months earlier. He would later recall having to pull over to the side of the road when he first heard the drum intro to that record: [Excerpt: The Ronettes, “Be My Baby”] Brian would play that record over and over, on repeat, for days at a time, and would try to absorb every nuance of the record and its production, and he tried to come up with something that could follow it. Wilson took the basic rhythm and chord sequence of the song, plus melodic fragments like the line “Be my little baby”, and reworked them into a song that clearly owes a lot to its inspiration, but which stands on its own: [Excerpt: The Beach Boys, “Don’t Worry Baby”] Phil Spector turned the song down, and so the Beach Boys recorded it themselves, and I have to say that this was only a good thing — Ronnie Spector recorded a solo version of it many decades later, and it’s a fine performance, but the lyric misses something when it’s sung by a woman rather than a man. That lyric was by Roger Christian, and in it we see the tension between the more emotional themes that Wilson wanted to explore and the surf and car lyrics that had made up the majority of their singles to this point. The lyric is ostensibly about a car race, and indeed it seems to be setting up precisely the kind of situation that was common in teen tragedy records of the period. The protagonist sings “I guess I should have kept my mouth shut when I started to brag about my car,  but I can’t back down now because I pushed the other guys too far”, and the whole lyric is focused on his terror of an upcoming race.  This seems intended to lead to the kind of situation that we see in “Dead Man’s Curve”, or “Tell Laura I Love Her”, or in another teen tragedy song we’ll be looking at in a couple of weeks, with the protagonist dead in a car crash. But instead, this is short-circuited. The protagonist’s fears are allayed by his girlfriend: [Excerpt: The Beach Boys, “Don’t Worry Baby”] What we have here is someone trying to deal with a particular kind of anxiety brought about by what we now refer to as toxic masculinity. The protagonist has been showing off about his driving skills in front of his peers, and has now found himself in a situation that he can’t cope with. He’s saved by a figure we’ll see a lot more of in Brian’s songs, whoever the lyricist, the supernaturally good woman who understands the protagonist and loves him despite, or because of, his faults, even though she’s too good for him. Obviously, one can point to all sorts of reasons why this figure might be considered problematic — the idea that the man is unable to deal with his own emotional problems without a woman fixing him — but there’s an emotional truth to it that one doesn’t get in much music of the era, and even if it’s a somewhat flawed view of gender relations, it speaks to a very particular kind of insecurity at the inability to live up to traditional masculine roles, and is all the more affecting when it’s paired with the braggadocio of the A-side. The combination means we see the bragging and posturing on the A-side as just a facade, covering over the real emotional fragility of the narrator. Each side reinforces the other, and the combination is one of the most perfect pairings ever released as a single. “Don’t Worry Baby”, released as “I Get Around”’s B-side, made the charts in its own right peaking at number twenty-four. The B-side to the next single further elaborated on the themes of “Don’t Worry Baby”: [Excerpt: The Beach Boys, “She Knows Me Too Well”] This repurposing of the emotional and musical style of girl-group songs to deal with the emotional vulnerability that comes from acknowledging and attempting to process toxic masculinity is something that few other songwriters were capable of at this point – only some of John Lennon’s work a couple of years later comes close to dealing with this very real area of the emotional landscape, and Lennon, like Wilson, often does so by using the figure of the perfect woman who will save the protagonist. In 1964, the group once again released four albums – Shut Down vol.2, All Summer Long, a live album, and a Christmas album – and they also did most of the work on yet another album, The Beach Boys Today!, which would be released in early 1965. As these recordings progressed, Brian Wilson was more and more ambitious, both in terms of the emotional effect of the music and his arrangements, increasingly using session musicians to augment the group, and trying for a variant on Phil Spector’s production style, but one which emphasised gentle fragility rather than sturm und drang. Possibly the greatest track he created in 1964 ended up not being used by the Beach Boys, though, but was given to Glen Campbell: [Excerpt: Glen Campbell, “Guess I’m Dumb”] Campbell got given that track because of an enormous favour he’d done the group. The mental strain of touring had finally got too much for Brian, and in December, on a plane to Texas, he’d had a breakdown, screaming on the plane and refusing to get off. Eventually, they coaxed him off the plane, and he’d managed to get through that night’s show, but had flown back to LA straight after. Campbell, who was a session guitarist who had played on a number of the Beach Boys’ recordings, and had a minor career as a singer at this point, had flown out at almost no notice and for the next five months he replaced Brian on stage for most of their shows, before the group got a permanent replacement in. Brian Wilson had retired from the road, and the hope was that by doing so, he would reduce the strain on himself enough that he could keep writing and producing for the group without making his mental health worse. And for a while, at least, that seemed to be how it worked out. We’ll take a look at the results in a few weeks’ time.

Episode one hundred and seventeen of A History of Rock Music in Five Hundred Songs looks at "Don't Worry Baby" by the Beach Boys, and how the years 1963 and 1964 saw a radical evolution in the sound and subject matter of the Beach Boys' work. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on "You're No Good" by the Swinging Blue Jeans. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ ----more---- ERRATA: I say that the Surfin' USA album was released only four months after Surfin' Safari. It was actually over five months. Also, for some reason I pronounce Nik Venet's name as if he were French here. I believe that's incorrect and his name is actually pronounced “Vennit”, though I'm not 100% sure. More importantly, I say that "Sweet Little Sixteen" wasn't a big hit, when of course it made number two on the charts.    Resources There is no Mixcloud this week, because there were too many Beach Boys songs in the episode. I used many resources for this episode, most of which will be used in future Beach Boys episodes too. It's difficult to enumerate everything here, because I have been an active member of the Beach Boys fan community for twenty-four years, and have at times just used my accumulated knowledge for this. But the resources I list here are ones I've checked for specific things. Becoming the Beach Boys by James B. Murphy is an in-depth look at the group's early years, up to the end of 1963. Stephen McParland has published many, many books on the California surf and hot-rod music scenes, including several on both the Beach Boys and Gary Usher.  His books can be found at https://payhip.com/CMusicBooks Andrew Doe's Bellagio 10452 site is an invaluable resource. Jon Stebbins' The Beach Boys FAQ is a good balance between accuracy and readability. Stebbins also co-wrote The Lost Beach Boy, David Marks' autobiography. And Philip Lambert's Inside the Music of Brian Wilson is an excellent, though sadly out of print, musicological analysis of Wilson's music from 1962 through 67. The Beach Boys' Morgan recordings and all the outtakes from them can be found on this 2-CD set. As a good starting point for the Beach Boys' music, I would recommend this budget-priced three-CD set, which has a surprisingly good selection of their material on it. Transcript Today, we're going to take our second look at the Beach Boys, and we're going to look at their evolution through 1963 and 1964, as they responded to the threat from the Beatles by turning to ever more sophisticated music, even as they went through a variety of personal crises. We're going to look at a period in which they released four albums a year, had three lineup changes, and saw their first number one – and at a song which, despite being a B-side, regularly makes lists of the best singles of all time. We're going to look at “Don't Worry Baby”: [Excerpt: The Beach Boys, "Don't Worry Baby"] When we left the Beach Boys, they had just secured a contract with Capitol Records, and released their first national hit, "Surfin' Safari" backed with "409". Since then we've also seen Brian Wilson working with several songwriting collaborators to write hits for Jan and Dean. But now we need to double back and look at what Brian was doing with his main band in that time.  After "Surfin' Safari" was a hit, in one of the many incomprehensible decisions made in the Beach Boys' career, Capitol decided to follow it up with an album track that Brian and Gary Usher had written, "Ten Little Indians". That track, a surf-rock version of the nursery rhyme with the group chanting "Kemo sabe" in the backing vocals, made only number forty-nine on the charts, and frankly didn't deserve to do even that well. Some have suggested, in fact that the record was released at the instigation of Murry Wilson, who was both Brian, Carl, and Dennis Wilson's father and the group's manager, as a way of weakening Usher's influence with the group, as Murry didn't want outsiders interfering in what he saw as a family business.  After realising the folly of deviating from the formula, the group's next single followed the same pattern as their first hit. The B-side was "Shut Down", a car song co-written by Brian and Roger Christian, who you may remember from the episode on "Surf City" as having been brought in to help Brian with car lyrics. "Shut Down" is most notable for being one of the very small number of Beach Boys records to feature an instrumental contribution from Mike Love, the group's lead singer. His two-note saxophone solo comes in for some mockery from the group's fans, but actually fits the record extremely well: [Excerpt: The Beach Boys, "Shut Down"]  "Shut Down" was a top thirty hit, but it was the A-side that was the really big hit. Just as their first hit had had a surf song on the A-side and a car song on the B-side, so did this single. Brian Wilson had been inspired by Chuck Berry's "Sweet Little Sixteen", and in particular the opening verse, which had just listed a lot of places: [Excerpt: Chuck Berry, "Sweet Little Sixteen"] He might well also have been thinking of Chubby Checker's minor hit, "Twistin' USA", which listed places in America where people might be twisting: [Excerpt: Chubby Checker, "Twistin' USA"] Brian had taken Berry's melody and the place-name recitation, and with the help of his girlfriend's brother, and some input from Mike Love, had turned it into a song listing all the places that people could be surfing -- at least, they could "if everybody had an ocean": [Excerpt: The Beach Boys, "Surfin' USA"] "Surfin' USA" became a huge hit, reaching number two on the charts, and later being named by Billboard as the biggest hit of 1963, but unfortunately for Brian that didn't result in a financial windfall for him as the songwriter. As the song was so close to "Sweet Little Sixteen", Chuck Berry got the sole songwriting credit -- one of the only times in rock music history where a white artist has ripped off a Black one and the Black artist has actually benefited from it. And Berry definitely did benefit -- "Sweet Little Sixteen", while a great record, had never been a particularly big hit, while "Surfin' USA" is to this day regularly heard on oldies radio and used in commercials and films. But that success meant extra work, and a lot of it. "Surfin' USA" was the title song of the group's second album, released in March 1963 only four months after their first, and they would release two more albums before the end of the year -- Surfer Girl in September and Little Deuce Coupe in October. Not only were they having to churn out a quite staggering amount of product -- though Little Deuce Coupe featured four songs recycled from their earlier albums -- but Brian Wilson, as well as writing or co-writing all their original material, started producing the records as well, as he was unhappy with Nik Venet's production on the first album. Not only that, but as well as making the Beach Boys' records, Wilson was also writing for Jan and Dean, and he had also started making records on the side with Gary Usher, doing things like making a "Loco-Motion" knock-off, "The Revolution", released under the name Rachel and the Revolvers: [Excerpt: Rachel and the Revolvers, "The Revolution"] According to some sources, Usher and Wilson found the singer for that track by the simple expedient of driving to Watts and asking the first Black teenage girl they saw if she could sing. Other sources say they hired a professional session singer -- some say it was Betty Everett, but given that that's the name of a famous singer from the period who lived in the Mid-West, I think people are confusing her for Betty Willis, another singer who gets named as a possibility, who lived in LA and who certainly sounds like the same person: [Excerpt: Betty Willis, "Act Naturally"] Wilson was also in the process of breaking up with his girlfriend and starting a relationship with a young woman named Marilyn Rovell. Rovell, along with her sister Diane, and their cousin, Ginger Blake, had formed a girl group, and Brian was writing and producing records for them as well: [Excerpt: The Honeys, "The One You Can't Have"] As well as making all these records, the Beach Boys were touring intensively, to the point that on one day in June the group were actually booked in for four shows in the same day.  Unsurprisingly, Brian decided that this was too much for one person, and so in April 1963, just after the release of "Surfin' USA", he decided to quit touring with the group. Luckily, there was a replacement on hand. Alan Jardine had been a member of the Beach Boys on their very first single, but had decided to quit the group to go off to university. A year later, that seemed like a bad decision, and when Brian called him up and asked him to rejoin the band, he eagerly agreed. For now, Alan was not going to be a proper member of the group, but he would substitute for Brian on the group's tour of the Midwest that Spring, and on many of the shows they performed over the summer -- he could play the bass, which was the instrument that Brian played on stage, and he could sing Brian's parts, and so while the Beach Boys still officially consisted of Brian, Carl, and Dennis Wilson, Mike Love, and David Marks, the group that was on tour was Carl, Dennis, Mike, David, and Alan, though Brian would sometimes appear for important shows. Jardine also started recording with the group, though he would not get credited on the covers of the first couple of albums on which he appeared. This made a huge change to the sound of the Beach Boys in the studio, as Jardine playing bass allowed Brian Wilson to play keyboards, while Jardine also added to the group's vocal harmonies. And this was a major change. Up to this point, the Beach Boys' records had had only rudimentary harmonies. While Brian was an excellent falsetto singer, and Mike a very good bass, the other three members of the group were less accomplished. Carl would grow to be one of the great vocalists of all time, but at this point was still in his early teens and had a thin voice. Dennis' voice was also a little thin at this point, and he was behind the drum kit, which meant he didn't get to sing live, and David Marks was apparently not allowed to sing on the records at all, other than taking a single joint lead with Carl on the first album. With the addition of Jardine, Brian now had another singer as strong as himself and Love, and the Surfer Girl album, the first one on which Jardine appears, sees Brian expanding from the rather rudimentary vocal arrangements of the first two albums to something that incorporates a lot more of the influence of the Four Freshmen. You can hear this most startlingly on "In My Room". This is one of the first songs on which Jardine took part in the studio, though he's actually not very audible in the vocal arrangement, which instead concentrates on the three brothers. "In My Room" is a major, major, step forward in the group's sound, in the themes that would appear in their songwriting for the next few years, and in the juxtaposition of the lyrical theme and the musical arrangement.  The song's lyrics, written by Gary Usher but inspired by Wilson's experiences, are about solitude, and the song starts out with Brian singing alone, but then Brian moves up to the third note of the scale and Carl comes in under him, singing the note Brian started on. Then they both move up again, Brian to the fifth and Carl to the third, with Dennis joining in on the note that Brian had started on, before Mike and Alan finally also join in. Brian is singing about being alone, but he has his family with him, supporting him:  [Excerpt: The Beach Boys, "In My Room"] This new lineup of the group, with Alan augmenting the other five, might even have lasted, except for a chain of events that started on David Marks' fifteenth birthday. Murry Wilson, who was still managing the group at this point, had never liked the idea of someone from outside the family being an equal member, and was particularly annoyed at David because Murry had tried to have an affair with David's mother, which hadn't worked out well for him.  But then on Marks' fifteenth birthday, he and Dennis Wilson both caught a sexually transmitted infection from the same sex worker, and when Murry Wilson found this out -- as he had to, as he needed to pay their doctor's bills -- he became furious and started screaming at the whole group.  At that point, David had had enough. His mother had been telling him that he was the real talent in the group and he didn't need those Wilsons, and as a fifteen-year-old kid he didn't have the understanding to realise that this might not be entirely true. He said "OK, I quit". At first, the rest of the group thought that he was joking, and even he wasn't at all sure that he wanted to leave the group altogether. He remained in the band for the next month, but Murry Wilson kept reminding his sons that Marks had quit and that they'd all heard him, and refused to speak directly to him -- anything that Murry wanted to say to David, he said to Carl, who passed the message on.  And even though the rest of the group definitely wanted David to stay -- especially Brian, who liked having the freedom not to go out on tour, and Carl, who had been the one who'd lobbied to bring his friend into the group in the first place -- David was still, as the youngest member, the only one who didn't sing, and the only one not part of the family, regarded by the others as somewhat lesser than the rest of the band.  David became increasingly frustrated, especially when they were recording the Little Deuce Coupe album. That album was made up entirely of songs about cars, and the group were so short of material that the album ended up being filled out with four songs from earlier albums, including two from the Surfer Girl album released only the previous month. Yet when David tried to persuade Brian to have the group record his song "Kustom Kar Show", Brian told David that he wasn't ready to be writing songs for the group.  All this, plus pressure from David's parents to make him more of a focal point of the group, led to his resignation eventually being accepted, and backdated to the original date he quit. He played his last show with the group on October the fifth 1963, and then formed his own band, the Marksmen, who signed to A&M:  [Excerpt: Dave and the Marksmen, "Kustom Kar Show"] There have been rumours that Murry Wilson threatened DJs that the Beach Boys wouldn't co-operate with them if they played Marksmen records, but in truth, listening to the records the Marksmen made during their two years of existence, it's quite obvious why they weren't played -- they were fairly shoddy-sounding garage rock records, with little to commend them. Indeed, they actually sound somewhat better now than they would have done at the time -- some of Marks' flatter and more affectless vocals prefigure the sound of some punk singers, but not in a way that would have had any commercial potential in 1963. Meanwhile, the Beach Boys continued, with Alan Jardine buying a Stratocaster and switching to rhythm guitar, and Brian Wilson resigning himself to having to perform live, at least at the moment, and returning to his old role on the bass. Jardine was now, for publicity purposes, a full member of the group, though he would remain on a salary rather than an equal partner for many years -- Murry Wilson didn't want to make the same mistake with him that he had with Marks. And there was still the constant need for new material, which didn't let up. Brian's songwriting was progressing at a furious pace, and that can be seen nowhere better than on "The Warmth of the Sun", a song he wrote, with Love writing the lyrics, around the time of the Kennedy assassination -- the two men have differed over the years over whether it was written the night before or the night after the assassination. "The Warmth of the Sun" is quite staggeringly harmonically sophisticated. We've talked before in this podcast about the standard doo-wop progression -- the one, minor sixth, minor second, fifth progression that you get in about a million songs: [demonstrates] "The Warmth of the Sun" starts out that way -- its first two chords are C, Am, played in the standard arpeggiated way one expects from that kind of song: [demonstrates] You'd expect from that  that the song would go C, Am, Dm, G or C, Am, F, G. But instead of moving to Dm or F, as one normally would, the song moves to E flat, and *starts the progression over*, a minor third up, so you have: [demonstrates] It then stops that progression after two bars, moves back to the Dm one would expect from the original progression, and stays there for twice as long as normal, before moving on to the normal G -- and then throwing in a G augmented at the end, which is a normal G chord but with the D note raised to E flat, so it ties in to that original unexpected chord change. And it does all this *in the opening line of the song*: [Excerpt: The Beach Boys, "The Warmth of the Sun"] This is harmonic sophistication on a totally different order from anything else that was being done in teen pop music at the time -- it was far closer to the modern jazz harmonies of the Four Freshmen that Brian loved than to doo-wop. The new five-piece lineup of the group recorded that on January the first, 1964, and on the same day they recorded a song that combined two of Brian's other big influences. "Fun Fun Fun" had lyrics by Mike Love -- some of his wittiest -- and starts out with an intro taken straight from "Johnny B. Goode": [Excerpt: The Beach Boys, "Fun Fun Fun"] But while the rest of the track keeps the same feel as the Chuck Berry song, the verse goes in a different harmonic direction, and actually owes a lot to "Da Doo Ron Ron". Instead of using a blues progression, as Berry normally would, the verse uses the same I-IV-I-V progression that "Da Doo Ron Ron"'s chorus does, but uses it to very different effect: [Excerpt: The Beach Boys, "Fun Fun Fun"] That became the group's fourth top ten hit, and made number five on the charts -- but the group suddenly had some real competition. At numbers one, two, and three were the Beatles. Brian Wilson realised that he needed to up his game if he was going to compete, and he did. In April 1964 he started working on a new single. By this time, while the Beach Boys themselves were still playing most of the instruments, Brian was bringing in additional musicians to augment them, and expanding his instrumental palette. The basic track was the core members of the band -- Carl playing both lead and rhythm guitar, Alan playing bass, and Dennis playing drums, with Brian on keyboards -- but there were two further bass players, Glen Campbell and Ray Pohlman, thickening the sound on six-string bass, plus two saxophones, and Hal Blaine adding percussion.  And the main instrument providing chordal support wasn't guitar or organ, as it usually had been, but a harpsichord, an instrument Brian would use a lot over the next few years: [Excerpt: The Beach Boys, "I Get Around (backing track)"] The recording session for that backing track was also another breaking point for the band. Murry Wilson, himself a frustrated songwriter and producer, was at the session and kept insisting that there was a problem with the bassline. Eventually, Brian had enough of his father's interference, and fired him as the band's manager. Murry would continue to keep trying to interfere in his children's career, but this was the point at which the Beach Boys finally took control over their own futures. A few days later, they reconvened in the studio to record the vocals for what would become their first number one hit: [Excerpt: The Beach Boys, "I Get Around"] It's fascinating to see that even this early in the group's career, and on one of their biggest, summeriest hits, there's already a tension in the lyrics, a sense of wanting to move on -- "I'm getting bugged driving up and down the same old strip/I've got to find a new place where the kids are hip". The lyrics are Love's, but as is so often the case with Brian Wilson's collaborations, Love seems to have been expressing something that Wilson was feeling at the time. The Beach Boys had risen to the challenge from the Beatles, in a way that few other American musicians could, and "I Get Around" was good enough that it made the top ten in the UK, and became a particular favourite in the Mod subculture in London. The group would only become more popular over the next few years in the UK, a new place where the kids were hip. "I Get Around" is a worthy classic, but the B-side, "Don't Worry Baby", is if anything even better. It had been recorded in January, and had already been released on their Shut Down vol 2 album in March. It had originally been intended for the Ronettes, and was inspired by "Be My Baby", which had astonished Brian Wilson when it had been released a few months earlier. He would later recall having to pull over to the side of the road when he first heard the drum intro to that record: [Excerpt: The Ronettes, "Be My Baby"] Brian would play that record over and over, on repeat, for days at a time, and would try to absorb every nuance of the record and its production, and he tried to come up with something that could follow it. Wilson took the basic rhythm and chord sequence of the song, plus melodic fragments like the line "Be my little baby", and reworked them into a song that clearly owes a lot to its inspiration, but which stands on its own: [Excerpt: The Beach Boys, "Don't Worry Baby"] Phil Spector turned the song down, and so the Beach Boys recorded it themselves, and I have to say that this was only a good thing -- Ronnie Spector recorded a solo version of it many decades later, and it's a fine performance, but the lyric misses something when it's sung by a woman rather than a man. That lyric was by Roger Christian, and in it we see the tension between the more emotional themes that Wilson wanted to explore and the surf and car lyrics that had made up the majority of their singles to this point. The lyric is ostensibly about a car race, and indeed it seems to be setting up precisely the kind of situation that was common in teen tragedy records of the period. The protagonist sings "I guess I should have kept my mouth shut when I started to brag about my car,  but I can't back down now because I pushed the other guys too far", and the whole lyric is focused on his terror of an upcoming race.  This seems intended to lead to the kind of situation that we see in "Dead Man's Curve", or “Tell Laura I Love Her”, or in another teen tragedy song we'll be looking at in a couple of weeks, with the protagonist dead in a car crash. But instead, this is short-circuited. The protagonist's fears are allayed by his girlfriend: [Excerpt: The Beach Boys, "Don't Worry Baby"] What we have here is someone trying to deal with a particular kind of anxiety brought about by what we now refer to as toxic masculinity. The protagonist has been showing off about his driving skills in front of his peers, and has now found himself in a situation that he can't cope with. He's saved by a figure we'll see a lot more of in Brian's songs, whoever the lyricist, the supernaturally good woman who understands the protagonist and loves him despite, or because of, his faults, even though she's too good for him. Obviously, one can point to all sorts of reasons why this figure might be considered problematic -- the idea that the man is unable to deal with his own emotional problems without a woman fixing him -- but there's an emotional truth to it that one doesn't get in much music of the era, and even if it's a somewhat flawed view of gender relations, it speaks to a very particular kind of insecurity at the inability to live up to traditional masculine roles, and is all the more affecting when it's paired with the braggadocio of the A-side. The combination means we see the bragging and posturing on the A-side as just a facade, covering over the real emotional fragility of the narrator. Each side reinforces the other, and the combination is one of the most perfect pairings ever released as a single. "Don't Worry Baby", released as "I Get Around”'s B-side, made the charts in its own right peaking at number twenty-four. The B-side to the next single further elaborated on the themes of "Don't Worry Baby": [Excerpt: The Beach Boys, "She Knows Me Too Well"] This repurposing of the emotional and musical style of girl-group songs to deal with the emotional vulnerability that comes from acknowledging and attempting to process toxic masculinity is something that few other songwriters were capable of at this point – only some of John Lennon's work a couple of years later comes close to dealing with this very real area of the emotional landscape, and Lennon, like Wilson, often does so by using the figure of the perfect woman who will save the protagonist. In 1964, the group once again released four albums – Shut Down vol.2, All Summer Long, a live album, and a Christmas album – and they also did most of the work on yet another album, The Beach Boys Today!, which would be released in early 1965. As these recordings progressed, Brian Wilson was more and more ambitious, both in terms of the emotional effect of the music and his arrangements, increasingly using session musicians to augment the group, and trying for a variant on Phil Spector's production style, but one which emphasised gentle fragility rather than sturm und drang. Possibly the greatest track he created in 1964 ended up not being used by the Beach Boys, though, but was given to Glen Campbell: [Excerpt: Glen Campbell, "Guess I'm Dumb"] Campbell got given that track because of an enormous favour he'd done the group. The mental strain of touring had finally got too much for Brian, and in December, on a plane to Texas, he'd had a breakdown, screaming on the plane and refusing to get off. Eventually, they coaxed him off the plane, and he'd managed to get through that night's show, but had flown back to LA straight after. Campbell, who was a session guitarist who had played on a number of the Beach Boys' recordings, and had a minor career as a singer at this point, had flown out at almost no notice and for the next five months he replaced Brian on stage for most of their shows, before the group got a permanent replacement in. Brian Wilson had retired from the road, and the hope was that by doing so, he would reduce the strain on himself enough that he could keep writing and producing for the group without making his mental health worse. And for a while, at least, that seemed to be how it worked out. We'll take a look at the results in a few weeks' time.

Original Beach Boy David Marks talks about the formation and early years of the band, his groups Dave and The Marksmen and The Moon, return to the Beach Boys, plus collaborations with Brian Wilson and Al Jardine. David will be playing live shows this summer with the Surf City Allstars including: Community Arts Center, Williamsport, PA […] The post David Marks – The Beach Boys appeared first on The Strange Brew.

At long last, the man behind all of the columns — Opinions Editor Alam Alidina — joins the podcast to explain both his connection to an under-the-radar Leonard Cohen song and why there are so many music columns in this month's paper (1:45) before Assignments Editor Sai Thirunagari demonstrates his encyclopedic knowledge of One Direction, Eagles, Nirvana and more (14:40). To wrap up the music columns, Editor-In-Chief Robert Pou talks about artists and Marksmen alike dealing with the spotlight (33:20). As part of the cover story about mental health on campus, Perspectives Editor Luke Piazza draws upon his own experiences with procrastination and the Counseling Office (45:50), and in the home stretch, Senior Editor and podcast staple Cristian Pereira discusses his newfound passion of rock climbing and trying new things (57:45). Hosted by Managing Editor Siddhartha Sinha

The Rev and the Rep interview World Sharpshooting Champion and Mental Management Systems Coach Troy Bassham. Troy tells us how simple steps can completely change your performance in on the field, in the boardroom and at home. Check out Troy: https://mentalmanagement.com/ Buy the Books: https://mentalmanagement.com/collections/books Rev and Rep Linktr.ee (all the show links can be found below) https://linktr.ee/revreppodcast

Listen in as we interview Scott Kreamer (Executive Producer, Jurassic World: Camp Cretaceous), Landon Gordon (Actor, Secrets of Sulphur Springs) and review The Marksmen, The Blizzard, WandaVision and Hunger Ward. Host Ethan P. is joined by KIDS FIRST! Film Critics Benjamin, Eshaan, Heather, Erin, Carlee and Conrad. Before you spend your hard earned dollars at the movies, be sure to listen to what our youth reporters have to say.

Listen in as we interview Scott Kreamer (Executive Producer, Jurassic World: Camp Cretaceous), Landon Gordon (Actor, Secrets of Sulphur Springs) and review The Marksmen, The Blizzard, WandaVision and Hunger Ward. Host Ethan P. is joined by KIDS FIRST! Film Critics Benjamin, Eshaan, Heather, Erin, Carlee and Conrad. Before you spend your hard earned dollars at the movies, be sure to listen to what our youth reporters have to say.

Marksmen, Jurassic Park & archery.

Today I speak to human trash manager Becca, an 11-2 team that will play for the VFB Championship mug next week. Marksmen and Newmanators play for the B-Team mug.

Mark and Joey join a longer than normal podcast, and we get into the weeds with the brothers‘ opinions on everything. Joe's fiancé Tracey listens in nearby and expresses surprise and annoyance when she discovers she‘s one of two fiancé's. Joe announces he's joining the Air Force, and his VFB5 participation is „up in the air“ at this point in time.

This inaugural episode features an interview with the one and only Jessica... the tenacious leader of U Mad Bro?.

Club President Andre Ruette stops by to chat Fall River

Exuberant is a word to describe someone that has energy exploding from their seams, and that is the perfect description of Malcom Hayes. Malcom was able to take that forward motioned energy and plow a path for himself straight from Cushing Academy to University of Maine. After some difficulties in his last season at U Maine Malcom readjusted his route to success. Hayes took a stepping stone year at University Alaska Anchorage to help develop his skills and land him a spot in the Southern Professional Hockey League. He started the 2019-2020 season in the SPHL for the Marksmen and he ended his season playing in the East Coast Hockey League for the Mavericks. For this upcoming season you can keep an eye out for him on the Atlanta Gladiators. Tune into episode 29 of Tour de Force to listen to Malcom Hayes talk about all the ups, downs, ins, and outs of his hockey life.

Join us as we discuss one of the oldest hats ever found, how a technological icon helped catch a serial killer, English Longbows, and the shortest short story ever written.For more information:Scientific Reports paper describing the mitochondria DNA recovery from the leather Ötzi was wearing: https://www.nature.com/articles/srep31279The BTK serial killer: https://www.britannica.com/biography/Dennis-Raderhttps://www.biography.com/crime-figure/dennis-raderThe Mary Rose and the English Warbows: http://www.theinfinitecurve.com/archery/longbows-of-the-mary-rose/The Shortest Short-story ever, and connections to Ernest Hemmingway: https://www.mentalfloss.com/article/595402/ernest-hemingway-did-not-write-six-word-baby-shoes-story

On this episode of the Pogcast we get the chance to sit down and talk video games with Markstrom! Markstrom is a member of the Marksmen stream team, an accomplished streamer, and an Escape From Tarkov veteran. We talk about Markstrom's story and how streaming became and surprise career for him. We also talk about his journey towards Tarkov and what he thinks about the game currently. Markstrom has one of the most tight-knit communities on Twitch and we talk about how to build a community that will last and sticks with you. Check it out!

Dan Sammons, winner of the Flying Monkey Major stops by to describe his tourney winning Salamanders list.  Nick Nanavati and John DeMaris ask lots dive deep into the interesting choices made for this list.   ++ Battalion Detachment 0CP (Imperium - Adeptus Astartes - Salamanders) [95 PL, 10CP, 2,000pts] ++ + Configuration + *Chapter Selection*: Long-range Marksmen, Master Artisans, Salamanders Successor Battle Size [12CP]: 3. Strike Force (101-200 Total PL / 1001-2000 Points) Detachment CP + Stratagems + Master Artisans [-1CP] Trust of Prometheus [-1CP] + HQ + Captain on Bike [6 PL, 150pts]: Forge Master, Storm shield, The Salamander's Mantle, Thunder hammer, Warlord Primaris Lieutenant (Indomitus) [4 PL, 90pts]: Obsidian Aquila + Troops + Scout Squad [4 PL, 80pts] . Scout Sergeant: Chainsword, Combi-melta . 4x Scout w/Boltgun: 4x Bolt pistol, 4x Boltgun, 4x Frag & Krak grenades Scout Squad [4 PL, 80pts] . Scout Sergeant: Chainsword, Combi-melta . 4x Scout w/Boltgun: 4x Bolt pistol, 4x Boltgun, 4x Frag & Krak grenades Scout Squad [4 PL, 82pts] . Scout Sergeant: Chainsword, Combi-melta . 3x Scout w/Boltgun: 3x Bolt pistol, 3x Boltgun, 3x Frag & Krak grenades . Scout w/Sniper Rifle: Sniper rifle + Elites + Aggressor Squad [12 PL, 240pts]: 5x Aggressor, Aggressor Sergeant, Flamestorm Gauntlets Aggressor Squad [6 PL, 120pts]: Flamestorm Gauntlets . 2x Aggressor . Aggressor Sergeant: Master-Crafted Weapon Aggressor Squad [6 PL, 135pts]: 2x Aggressor, Aggressor Sergeant . Auto Boltstorm Gauntlets/Fragstorm Grenade Launcher Bladeguard Veteran Squad [5 PL, 105pts]: Bladeguard Veteran Sgt . 2x Bladeguard Veteran: 2x Frag & Krak grenades, 2x Heavy Bolt Pistol, 2x Master-crafted Power Sword, 2x Storm Shield Bladeguard Veteran Squad [5 PL, 105pts]: Bladeguard Veteran Sgt . 2x Bladeguard Veteran: 2x Frag & Krak grenades, 2x Heavy Bolt Pistol, 2x Master-crafted Power Sword, 2x Storm Shield Bladeguard Veteran Squad [5 PL, 105pts]: Bladeguard Veteran Sgt . 2x Bladeguard Veteran: 2x Frag & Krak grenades, 2x Heavy Bolt Pistol, 2x Master-crafted Power Sword, 2x Storm Shield + Fast Attack + Outrider Squad [6 PL, 135pts]: Outrider Sgt . 2x Outrider: 2x Astartes Chainsword, 2x Frag & Krak grenades, 2x Heavy Bolt Pistol, 2x Twin Bolt rifle Outrider Squad [6 PL, 135pts]: Outrider Sgt . 2x Outrider: 2x Astartes Chainsword, 2x Frag & Krak grenades, 2x Heavy Bolt Pistol, 2x Twin Bolt rifle + Heavy Support + Devastator Squad [8 PL, 130pts]: Armorium Cherub . Space Marine Sergeant: Combi-grav . Space Marine w/Heavy Weapon: Grav-cannon and grav-amp . Space Marine w/Heavy Weapon: Grav-cannon and grav-amp . Space Marine w/Heavy Weapon: Grav-cannon and grav-amp . Space Marine w/Heavy Weapon: Grav-cannon and grav-amp Eradicator Squad [5 PL, 120pts]: Eradicator Sgt . 2x Eradicator: 2x Bolt pistol, 2x Melta rifle Eradicator Squad [5 PL, 120pts]: Eradicator Sgt . 2x Eradicator: 2x Bolt pistol, 2x Melta rifle + Dedicated Transport + Drop Pod [4 PL, 68pts]: Storm bolter ++ Total: [95 PL, 10CP, 2,000pts] ++ Created with BattleScribe (https://battlescribe.net)  Learn more about your ad choices. Visit megaphone.fm/adchoices

Oh so close to the restart of hockey, The Carolina Hurricanes are heading to Toronto for the playoff qualifiers with a few questions needing to be answered. Is the team ready? Who will step up? Why have they not resigned John Forslund? All that and more in this episode of Redvolution Rampage!

Pubs are open, but the Bar never closes! This week in addition to the usual rundown of the Premier League games, we go through the pod members ranked all-time list of Premier League strikers. It's just our opinion! Let us know what you think ;)

We have reached a pivotal time for every hockey team in NC. The Canes and Checkers are at their All Star breaks. Also, the Marksmen and Thunderbirds keep going strong. Plus, we have a new member!!!!!!

WE HAVE A SPECIAL GUEST!!! H. Wade Minter drops by to talk about how he balances announcing, playing, and watching hockey. The Canes, Marksmen, T-Birds, and Checkers keep trucking through the end of 2019, and a friend of the pod is now on the Hurricanes payroll.

We return to give you a lot of updates on hockey in the state of North Carolina. Canes keep rolling, Charlotte rebuilding, Marksmen are Bunch of Jerksing, some #CawlidgeHawkey thrown in, and so much more for a full thanksgiving feast.

Jared and Walker review the upcoming Carolina @ Chicago game, review the Marksmen Bunch of Jerks Night and their inflatable tank, and talk about a certain players decision to share his bodily fluids. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jared and Walker review the upcoming Carolina @ Chicago game, review the Marksmen Bunch of Jerks Night and their inflatable tank, and talk about a certain players decision to share his bodily fluids. Learn more about your ad choices. Visit megaphone.fm/adchoices

David Lee Marks is best known for his work as a member of The Beach Boys. Growing up across the street from the Wilson family, Marks spent his formative years singing and playing with Brian, Dennis, and Carl Wilson.   At age 10, David received his first guitar for Christmas; he and Carl began studying with John Maus (later John Walker of the Walker Brothers) and developing their own electric guitar style, which caught the attention of Carl's oldest brother, budding composer Brian. David and Carl's rock ‘n' roll guitar sound blended with Brian's complex harmonies to help create the signature sound of the Beach Boys. ​ Thirteen-year-old Marks officially joined The Beach Boys in February 1962 and became one of the five signatories on the band's recording contract with Capitol Records. He remained a member through October 1963, performing in over 100 concerts across the United States, appearing on national television, and playing rhythm guitar and singing on the band's first four albums, and on hits like “Surfin' Safari,” “409,” “Surfin' U.S.A.,” “Shut Down,” “Surfer Girl,” “In My Room,” and “Be True to Your School.” While David's time in the band may be considered short, there's no denying the impact of the early years of the Beach Boys on their enduring and iconic legacy.  ​ Leaving the Beach Boys gave David the freedom to focus on his own songwriting with a new band, David Marks & The Marksmen. One of the first bands to sign to Herb Alpert's A&M Records, The Marksmen packed concert venues up and down the state of California but ultimately disbanded in 1965 after a release on the Warner Brother's label.  ​ Marks went on to record session-work for Murry Wilson's Sunrays. He also played with Casey Kasem's Band Without a Name, cult-classic psychedelic-pop bands The Moon and Colours, Delaney & Bonnie, and Warren Zevon. By age 21, he had been signed to five major record labels and had grown disillusioned with the Los Angeles music scene. In 1969, he relocated to Boston, where he studied jazz and classical guitar as a private student at the Berklee College of Music and the New England Conservatory. David went on to earn a reputation as a solid session guitarist without ever capitalizing on his previous association with the Beach Boys. Through it all, however, he remained friends and stayed in contact with members of the Beach Boys, even appearing as a special guest from time to time. David rejoined the band in as a full-time member in 1997, when Carl Wilson, fighting cancer, was unable to continue touring with the group. Marks left the band for a second time in 1999 after being diagnosed with hepatitis C. Since his diagnosis, he has become a leader in the hepatitis C community, often appearing in the media to raise awareness of the disease. ​ In 2007, David co-wrote his autobiography, The Lost Beach Boy, with Beach Boys historian Jon Stebbins. The book is a frank account of his career with and without the Beach Boys, his health problems, his musical development, and his recovery and acceptance within the Beach Boys community. ​ The Beach Boys celebrated their 50th Anniversary in 2012 when David Marks joined Brian Wilson, Mike Love, Al Jardine, and Bruce Johnston on a 73-date World Tour. The highly anticipated reunion kicked-off at the 54th Annual Grammy Awards where they performed two classic hits: Surfer Girl (with Foster the People) and Good Vibrations (with Maroon 5). Their studio efforts led to the release of That's Why God Made The Radio on Capitol Record, marking the first Beach Boys album of new material since 1992; for their efforts, the album broke in at Number #2 on the Billboard charts. The band's subsequent world tour took America's Band on 73 shows on four continents and included appearances on The Tonight Show with Jay Leno, The Late Show with Jimmy Fallon, Charlie Rose, Good Morning America, the Jools Holland Show, SMAP, and the Today Show Australia. The also sang the National Anthem on opening day of Dodger's Stadium, which was also marking its 50th season.     Post reunion, David and Al Jardine joined Brian Wilson for a short US Summer Tour, followed that fall with a subsequent North American tour which included Jeff Beck. The collaboration was voted the #3 tour of 2013 and landed Wilson, Jardine, Marks & Beck another slot on the Jimmy Fallon Show.  David Marks also joined an illustrious group of artist who guested on Brian Wilson's 2015 solo release, No Pier Pressure – his guitar can be heard on the album's single, The Right Time, which charted #28 on the Billboard charts and #1 on BBC Radio Two, and  ​ David Marks toured as a part time member of Mike Love's Beach Boys from 2014 - 2016 and continues to perform with the Surf City All Stars and Dean Torrence of Jan & Dean.  David's also returned to his roots as a session guitarist, playing on several albums by artists such as the Smithereens, the Surf City All Stars, Mod Hippie, Jez Graham, and Miami Dan. ​ On his own, Marks has also released two studio albums in the last five years: David Marks & Friends: Live on the Sunset Strip (with guests artists Marilyn Wilson-Rutherford of the Honeys and John Walker of the Walker Brothers) and Back in the Garage featuring Los A-Phonics, from Valencia, Spain, with whom he toured Spain in 2016.  courtesy of davidleemarks.com

On this week's episode: -LeBron, the NBA, and the Hong Kong/China situation. -Simone Biles might be the GOAT of sports. -The World Series kicks off. -NFL and NCAAF recaps and picks. -The Marksmen have a strong start to their season. Be sure to follow us on all social media, @hometowncrowd on Facebook, Twitter, and Instagram. You can also email us at Hometowncrowdpod@gmail.com

It was a Rhône derby to remember, and Matt, Armel, Dave and Robbie take an in-depth look at Claude Puel's super Saint-Étienne

On this week's episode: - The Woodpeckers are heading to the playoffs! - College Football is back, and we couldn't be happier - Jadaveon Clowney trade rumors - Boogie Cousins finds himself in legal trouble - The Marksmen release their promotional schedule Follow us on your favorite social media! We are on Facebook, Twitter, and Instagram @HometownCrowd. You can email us with questions or discussion hometowncrowdpod@gmail.com! Hometown Crowd is part of the 910Comedy Podcast Network, for more information, head to facebook.com/910Comedy

We discuss the merits of Magic: The Gathering, how to keep your players from saying "okay, we do that," and how to describe things in a way that's better for your players. We also whip out the nerf bat and argue about the future of Marksmen in our game.Show Notes:https://nerdyshow.com/2019/07/rpg-from-scratch-design-episode-28-archer-reeee See acast.com/privacy for privacy and opt-out information.

  -Kentucky Derby shenanigans -Man throws Iguana at Perkins Manager -300 cats in Toronto apartment -Period cocktails (yum) -Fake Meat Burger -Gravy Diddler behind bars  -Elephant Man grave FOUND 

A ton of NC hockey action has occurred in the 15 days since the last episode. Canes in the 2nd round, Checkers advance, and so much more. Plus, NWHL player Colleen Murphy stops by to talk local youth hockey and the future of professional womens hockey.

In this episode we look at legends of musicians and marksmen said to have made Faustian deals with the Devil. We begin with The Phantom of the Opera, a story which does not exactly share our theme, but was set against the backdrop of a staging of the opera Faust by Charles Gounod.  The story, written … Read More Read More The post #22 The Devil’s Due: Musicians and Marksmen appeared first on Bone and Sickle.

Once upon a storm, Omar, Zac, and Amanda were discussing the NWHL when they were suddenly joined by Zak Selwaeh talking about hockey around North Carolina, the all-star break, and what's up with NC State hockey #CawlidgeHawkey #RedvolutionRampage

CEO Archie Nesbitt of Marksmen Energy, Inc. (OTCQB: MKSEF)(TSXv: MAH), rejoins Stock Day to give a detailed update on horizontal well technology, the opportunity to produce oil in Ohio, and plans to enter production soon. # OTCQB: MKSEF # Junior Oil company in Ohio # ready to drill sites # future production # horizontal drilling # surface oil flow # 3D seismic surveys # Clinton Sandstone # developing light oil assets # drilling technology # Energy Stocks # horizontal well # low risk sites # multi stage fracturing # Ohio # oil production

The Marks get together with a very special guest to talk Raw, Smackdown and All In. In this special mini episode! Follow us on Twitter - twitter.com/MidCardMarks Like us on Facebook - www.facebook.com/MidCardMarks Follow us on Instagram - www.instagram.com/midcardmarks/

This week on The Dive the gang are joined by Phreak as Kobe takes a break. They’ll be talking about SKT’s current roster with Faker on the bench, Patch 8.15, and as always wrapping up with the NA LCS. The Official Homepage of The Dive Podcast: riot.com/thedivepodcast Watch this episode on Youtube here: https://www.youtube.com/watch?v=GsrqD0I5alw --- Send in a voice message: https://anchor.fm/the-dive-esports-podcast/message

00:01:53 Inero’s Intro 00:03:44 How to Call In 00:05:16 Coaching this Split 00:08:43 Mounizle: Inero's path to coaching & FOX vs previously coached team 00:18:23 SableFlag: bo1 suck in this meta 00:25:42 Csiers17: Echo Fox Pregame Rituals 00:31:31 ThOnK: Why aren't teams subbing their Marksmen? 00:44:08 Should Teams send Academy Teams go to Rift Rival 00:50:56 Lagunist: C9 benching YouTube Video 01:07:21 killingy0uguy: Keeping Personalities in check 01:13:23 TicTacToeNinja: Expectations for Rift Rivals 01:18:53 EU viewership up and NA down 01:21:15 TheBadWolf: meta’s effect on scouting new players 01:33:59 Teams play to not lose than to win 01:42:32 formentum: Riot's banning system is too harsh 02:00:04 Should we be fans of players or team? How to become a coach? 02:05:56 Invert (Coach of FLYA) Shorter International tournaments to create more stuff 02:16:32 Chat logs 02:22:06 Outro Hey, you need to win this free OMEN gear Win OMEN Gear - https://bit.ly/2yxPxGK

Jeff Longo is not only an associate professor of sports, events and entertainment at Johnson & Wales in Charlotte, but also an owner of a Southern Professional Hockey League team, the Fayetteville Marksmen. Longo shares his decision to go into pro hockey team ownership, some of the pitfalls concerning budgeting and revenue generation that he has had to overcome, and how the Fayetteville team's rebrand from the FireAntz to the Marksmen transform the community awareness of the team in general. Longo talks also about ways that sports management programs can learn to enhance their relevance to students looking to get into front offices through networking and interviewing development. Twitter: @JefLongo

2017 has seen a tremendous influx of new firearms and ammunition debuts, and without a doctorate in ballistic coefficients, gunsmithing and backwoods BS, it's almost impossible to weed out the good from the great. So, we've called upon the firearm industry's most knowledgeable leading experts, Jim and John Scoutten of Shooting USA and Silencer Shop's own Jeremy Mallette, for guidance in navigating the turbulent waters of concealed carry pistols, holsters, suppressors, self-defense loads, targets and more, as we discuss Next Generation Marksmen. This week's broadcast of The Revolution with Jim and Trav is presented by Outdoor Channel, Sportsman Channel, World Fishing Network and MyOutdoorTV.

2017 has seen a tremendous influx of new firearms and ammunition debuts, and without a doctorate in ballistic coefficients, gunsmithing and backwoods BS, it's almost impossible to weed out the good from the great. So, we've called upon the firearm industry's most knowledgeable leading experts, Jim and John Scoutten of Shooting USA and Silencer Shop's own Jeremy Mallette, for guidance in navigating the turbulent waters of concealed carry pistols, holsters, suppressors, self-defense loads, targets and more, as we discuss Next Generation Marksmen. This week's broadcast of The Revolution with Jim and Trav presented by Outdoor Channel, Sportsman Channel, World Fishing Network and MyOutdoorTV.

Here is the List: +++ Basic 2k (1995pts) +++ ++ Legiones Astartes: Age of Darkness Army List (Age of Darkness) ++ + HQ + Legion Centurion [Artificer Armour, Melta Bombs, Power Weapon] Consul [Centurion] Legiones Astartes [Legion Specific Rules] Legion Praetor [Artificer Armour, Digital Lasers, Melta Bombs, Paragon Blade, Power Fist] Legiones Astartes [Legion Specific Rules] Master of the Legion [Pride of the Legion] + Troops + Legion Terminator Squad [Cataphractii Terminator Armour with Combi-bolter and Power Weapon, 3x Chainfist, 5x Legion Terminators, 2x Power Fist] Legion Spartan Assault Tank [Armoured Ceramite, Dozer Blade, Flare Shield] Legion Terminator Sergeant [Power Fist] Legiones Astartes [Legion Specific Rules] Legion Veteran Tactical Squad [9x Legion Veteran Space Marines, Marksmen, Melta Bombs] Legion Rhino Armoured Carrier [Dozer Blade, Multi-melta] Legion Veteran Sergeant [Power Fist] Legiones Astartes [Legion Specific Rules] Legion Veteran Tactical Squad [9x Legion Veteran Space Marines, Marksmen, Melta Bombs] Legion Rhino Armoured Carrier [Dozer Blade, Multi-melta] Legion Veteran Sergeant [Power Fist] Legiones Astartes [Legion Specific Rules] Legion Veteran Tactical Squad [2x Combi-weapon, 9x Legion Veteran Space Marines, Machine Killers, Melta Bombs, 2x Melta Gun] Legion Rhino Armoured Carrier [Dozer Blade, Multi-melta] Legiones Astartes [Legion Specific Rules] + Elites + Contemptor-Mortis Dreadnought [Extra Armour, Two Kheres Pattern Assault Cannons] Legion Quad Launcher Support Battery [Shatter Shell] Legion Rapier Quad Launcher Legiones Astartes [Legion Specific Rules] Legion Rapier Quad Launcher Legiones Astartes [Legion Specific Rules]

On today's Air Force Report Staff Sergeant Traci Keller tells us about a special target for the Air Force's best marksmen.

On this episode we will be talking with Chris Seidler the Founder and President of the Midnight Rider Marksmen.

Host Scott Whatley and Co-Host Red Merrell talk to Patty Paddock with the Outdoorsman’s Attic about their awesome consignment store located in Englewood, Colorado. Listen for the Sportsman of Colorado discount! Clear Shot Archery owner Karl Johnson talks about CSA products. Paul Morgan with Marksmen for Heroes tells us about their great organization. Listen: Click... READ MORE

Heron asks after Tom's health. Heron's idea of listeners has changed in the past couple of weeks and he doesn't want to be a guru. What does a language machine for the deaf look like? It might have something to do with Chomsky but who could tell. Bob Mottram wants to know why AI has failed so badly. Liquid Democracy is finally discussed. Tom's hands have finally become a YouTube star. Users should consider writing Stone Ape reviews for Reality Sandwich's Conscious Podcast Network. Marie is our super listener. What is this whole Stone Ape thing about? Tom answers that prickly question. Heron can't imagine listeners who listen in pairs. Heron will need to have a travel ritual at some stage and he has a new project from Apple if only he can find the words. Tom has broken a Noble Ape metric through the week. Folks want to program and Heron wants to talk Bitcoin. Tom and Heron explore slavery. Why so cynical about Syria? Tom wonders if any of the stories we are sold about Middle Eastern conflicts are based on actual things. Tom explores the going on tour experiences from his dream space to his actual space. Heron's recommendation is that Tom should stop sleeping. Tom throws from the trainnies to paying artists. Heron returns to talking about his keyboard. Heron make a strong point that the left needs to spend more time at the range. Tom and Heron explore the lunacy of ghost gun control in the United States. Tom re-raises education as an ongoing topic. Heron demands more time for the education discussion.

Heron asks after Tom's health. Heron's idea of listeners has changed in the past couple of weeks and he doesn't want to be a guru. What does a language machine for the deaf look like? It might have something to do with Chomsky but who could tell. Bob Mottram wants to know why AI has failed so badly. Liquid Democracy is finally discussed. Tom's hands have finally become a YouTube star. Users should consider writing Stone Ape reviews for Reality Sandwich's Conscious Podcast Network. Marie is our super listener. What is this whole Stone Ape thing about? Tom answers that prickly question. Heron can't imagine listeners who listen in pairs. Heron will need to have a travel ritual at some stage and he has a new project from Apple if only he can find the words. Tom has broken a Noble Ape metric through the week. Folks want to program and Heron wants to talk Bitcoin. Tom and Heron explore slavery. Why so cynical about Syria? Tom wonders if any of the stories we are sold about Middle Eastern conflicts are based on actual things. Tom explores the going on tour experiences from his dream space to his actual space. Heron's recommendation is that Tom should stop sleeping. Tom throws from the trainnies to paying artists. Heron returns to talking about his keyboard. Heron make a strong point that the left needs to spend more time at the range. Tom and Heron explore the lunacy of ghost gun control in the United States. Tom re-raises education as an ongoing topic. Heron demands more time for the education discussion.

Two trainers battle it out in a life or death match. Things take an unexpected turn.

Barry Scott, Marksmen, Doyle Lawson, Paul Williams, and many others!

CEO Archie Nesbitt of Marksmen Energy, Inc. (OTCQB: MKSEF)(TSXv: MAH), returns to the show to talk about light oil opportunities in Ohio via new technologies. OTCQB: MKSEF # Junior Oil company in Ohio # ready to drill sites # future production # horizontal drilling # surface oil flow # 3D seismic surveys # Clinton Sandstone # developing light oil assets # drilling technology # Energy Stocks # horizontal well # low risk sites # Marksmen Energy Inc. # MKSEF # multi stage fracturing # Ohio # oil production

CEO Archie Nesbitt of Marksmen Energy, Inc. (OTCQB: MKSEF), rejoins Stock Day to give an update on their current oil drilling operations in Ohio and future growth. OTCQB: MKSEF # Junior Oil company in Ohio # ready to drill sites # future production # horizontal well # multi stage fracturing # low risk sites # developing light oil assets # drilling technology

Archie Nesbitt, CEO of Marksmen Energy, Inc. (MKSEF), Returns to the show with Everett Jolly and they update our listeners on their current oil drilling operations in Ohio. We are pleased to share the following UPTICK Network Stock Day Radio Show and Podcast content. The CEOs interviewed on Stock Day did not incur any charges for their time with Uptick CEO Everett Jolly. Uptick staff is always looking for exciting companies to bring to our interested readers and listeners. Contact us at (602) 441-3474 if you would like further information on the UPTICK Network or Uptick Services.

Archie Nesbitt, CEO of Marksmen Energy, Inc. (MKSEF), Returns to the show with Everett Jolly and they discuss the recent oil deposits they've discovered and their production rates. We are pleased to share the following UPTICK Network Stock Day Radio Show and Podcast content. The CEOs interviewed on Stock Day did not incur any charges for their time with Uptick CEO Everett Jolly. Uptick staff is always looking for exciting companies to bring to our interested readers and listeners. Contact us at (602) 441-3474 if you would like further information on the UPTICK Network or Uptick services.

Archie Nesbitt, CEO of Marksmen Energy, Inc. (MKSEF), Returns to the show with Everett Jolly and they discuss the oil they found after doing a 3D seismic survey and are now producing revenues. We are pleased to share the following UPTICK Network Stock Day Radio Show and Podcast content. The CEOs interviewed on Stock Day did not incur any charges for their time with Uptick CEO Everett Jolly. Uptick staff is always looking for exciting companies to bring to our interested readers and listeners. Contact us at (602) 441-3474 if you would like further information on the UPTICK Network or Uptick services.

Everett Jolly interviews Archie Nesbitt, CEO of Marksmen Energy, Inc. (MKSEF), and they discuss why they are setup in Ohio for drilling oil. We are pleased to share the following UPTICK Network Stock Day Radio Show and Podcast content. The CEOs interviewed on Stock Day did not incur any charges for their time with Uptick CEO Everett Jolly. Uptick staff is always looking for exciting companies to bring to our interested readers and listeners. Contact us at (602) 441-3474 if you would like further information on the UPTICK Network or Uptick services.