Podcasts about All Summer Long

jesus christ next steps ec 8b hello summer all summer long

Play Episode Listen Later Aug 13, 2023 27:59

Thank you for joining us online for our summer series: 'Hello Summer'. Throughout this series, we have an amazing lineup of communicators bringing impactful messages ALL SUMMER LONG!If you are wanting to know a little bit more about EC, your own giftings, and how you can get involved here we invite you to take our Next Steps course. It's done entirely online and you can find all the information you need at https://experiencechurch.ca/next-stepsIf you would like to partner with EC in making a difference by giving financially you can go to https://experiencechurch.ca/give

Who is Jesus to You?

jesus christ next steps ec 8b hello summer all summer long

Play Episode Listen Later Aug 13, 2023 27:59

Thank you for joining us online for our summer series: 'Hello Summer'. Throughout this series, we have an amazing lineup of communicators bringing impactful messages ALL SUMMER LONG!If you are wanting to know a little bit more about EC, your own giftings, and how you can get involved here we invite you to take our Next Steps course. It's done entirely online and you can find all the information you need at https://experiencechurch.ca/next-stepsIf you would like to partner with EC in making a difference by giving financially you can go to https://experiencechurch.ca/give

We Stand on Guard for Thee

stand guard next steps ec hello summer all summer long

Play Episode Listen Later Aug 6, 2023 34:33

Thank you for joining us online for our summer series: 'Hello Summer'. Throughout this series, we will have an amazing lineup of communicators bringing impactful messages ALL SUMMER LONG!If you are wanting to know a little bit more about EC, your own giftings, and how you can get involved here we invite you to take our Next Steps course. It's done entirely online and you can find all the information you need at https://experiencechurch.ca/next-stepsIf you would like to partner with EC in making a difference by giving financially you can go to https://experiencechurch.ca/give

We Stand on Guard for Thee

stand guard next steps ec hello summer all summer long

Play Episode Listen Later Aug 6, 2023 34:33

Thank you for joining us online for our summer series: 'Hello Summer'. Throughout this series, we will have an amazing lineup of communicators bringing impactful messages ALL SUMMER LONG!If you are wanting to know a little bit more about EC, your own giftings, and how you can get involved here we invite you to take our Next Steps course. It's done entirely online and you can find all the information you need at https://experiencechurch.ca/next-stepsIf you would like to partner with EC in making a difference by giving financially you can go to https://experiencechurch.ca/give

The God I Serve

serve next steps ec hello summer all summer long

Play Episode Listen Later Jul 16, 2023 38:27

Thank you for joining us online for our summer series: 'Hello Summer'. Throughout this series, we will have an amazing lineup of communicators bringing impactful messages ALL SUMMER LONG!If you are wanting to know a little bit more about EC, your own giftings, and how you can get involved here we invite you to take our Next Steps course. It's done entirely online and you can find all the information you need at https://experiencechurch.ca/next-stepsIf you would like to partner with EC in making a difference by giving financially you can go to https://experiencechurch.ca/give

The God I Serve

serve next steps ec hello summer all summer long

Play Episode Listen Later Jul 16, 2023 38:27

Thank you for joining us online for our summer series: 'Hello Summer'. Throughout this series, we will have an amazing lineup of communicators bringing impactful messages ALL SUMMER LONG!If you are wanting to know a little bit more about EC, your own giftings, and how you can get involved here we invite you to take our Next Steps course. It's done entirely online and you can find all the information you need at https://experiencechurch.ca/next-stepsIf you would like to partner with EC in making a difference by giving financially you can go to https://experiencechurch.ca/give

The Good Life

good life next steps ec hello summer all summer long

Play Episode Listen Later Jul 9, 2023 39:53

Thank you for joining us online for our summer series: 'Hello Summer'. Throughout this series, we will have an amazing lineup of communicators bringing impactful messages ALL SUMMER LONG!If you are wanting to know a little bit more about EC, your own giftings, and how you can get involved here we invite you to take our Next Steps course. It's done entirely online and you can find all the information you need at https://experiencechurch.ca/next-stepsIf you would like to partner with EC in making a difference by giving financially you can go to https://experiencechurch.ca/give

The Good Life

good life next steps ec hello summer all summer long

Play Episode Listen Later Jul 9, 2023 39:53

Thank you for joining us online for our summer series: 'Hello Summer'. Throughout this series, we will have an amazing lineup of communicators bringing impactful messages ALL SUMMER LONG!If you are wanting to know a little bit more about EC, your own giftings, and how you can get involved here we invite you to take our Next Steps course. It's done entirely online and you can find all the information you need at https://experiencechurch.ca/next-stepsIf you would like to partner with EC in making a difference by giving financially you can go to https://experiencechurch.ca/give

Bumper Sticker Faith

next steps ec bumper stickers hello summer all summer long

Play Episode Listen Later Jul 2, 2023 37:47

Thank you for joining us online for our summer series: 'Hello Summer'. Throughout this series, we will have an amazing lineup of communicators bringing impactful messages ALL SUMMER LONG!If you are wanting to know a little bit more about EC, your own giftings, and how you can get involved here we invite you to take our Next Steps course. It's done entirely online and you can find all the information you need at https://experiencechurch.ca/next-stepsIf you would like to partner with EC in making a difference by giving financially you can go to https://experiencechurch.ca/give

Bumper Sticker Faith

next steps ec bumper stickers hello summer all summer long

Play Episode Listen Later Jul 2, 2023 37:47

Thank you for joining us online for our summer series: 'Hello Summer'. Throughout this series, we will have an amazing lineup of communicators bringing impactful messages ALL SUMMER LONG!If you are wanting to know a little bit more about EC, your own giftings, and how you can get involved here we invite you to take our Next Steps course. It's done entirely online and you can find all the information you need at https://experiencechurch.ca/next-stepsIf you would like to partner with EC in making a difference by giving financially you can go to https://experiencechurch.ca/give

He CLEARLY can't handle her being an actress in Austin

Booker, Alex and Sara - Daily Audio

Play Episode Listen Later Jun 21, 2023 5:45

Fernando is struggling with a kissing scene that his girlfriend has...ALL SUMMER LONG!!!

actress all summer long

Cookout Soundtrack: Best Songs for Summer Barbecues

Rock It Growth Agency Podcast

Play Episode Listen Later Jun 14, 2023 72:20

Get your grill fired up and your spatula ready because, on this week's episode of Song Swap Showdown, we're serving up a sizzling playlist for all your summertime cookouts and kitchen adventures! Join us as we review and rate our favorite jams that perfectly complement the joy of cooking and the vibes of a summer cookout. Amanda kicks off the culinary festivities by swapping some classic tracks to Chris. First up, she serves "All Summer Long" by Kid Rock, a feel-good anthem that blends rock and country into a perfect summer cocktail. Next, she dishes out Tom Petty's timeless hit "Free Fallin'" and Zac Brown Band's mouthwatering "Chicken Fried." These songs are guaranteed to spice up any cookout playlist. Chris, in turn, brings his own flavorful selection to Amanda. He whisks her away with the groovy rhythms of The Rolling Stones' "Sway," followed by the funky beats of Beastie Boys' "Shake Your Rump." To top it off, he adds a pinch of nostalgia with Chicago's delightful "Saturday in the Park." Get ready to sway, shake, and dance around the kitchen! Tune in as we share our thoughts, rate each song on a scale of 1 to 5 records, and debate which playlist reigns supreme for cooking or attending a summertime cookout. We'll discuss the ingredients that make these songs perfect companions to good food, good company, and the sunny vibes of summer. So, whether you're flipping burgers on the grill or savoring a delicious meal, let the melodies of our chosen jams transport you to a culinary paradise. Join us for this mouthwatering episode of Song Swap Showdown and discover your new favorite cooking and cookout anthems! Songs featured in this episode: Amanda's Picks for Chris: "All Summer Long" by Kid Rock "Free Fallin'" by Tom Petty "Chicken Fried" by Zac Brown Band Chris's Picks for Amanda: "Sway" by The Rolling Stones "Shake Your Rump" by Beastie Boys "Saturday in the Park" by Chicago LEAVE US A VOICEMAIL! https://podcasters.spotify.com/pod/show/songswapshowdown/message Watch the video version - ⁠https://www.youtube.com/live/5KSWUBh-R4w?feature=share⁠ *Pick up some new music - ⁠https://www.pinterest.com/chrisvaglio/song-swap-showdown-recommendations/⁠ ***SPONSOR: Campsite.bio*** A Blazing Fast Bio Link Made Your Way! Add Campsite.bio to any of your social sites now and CONVERT more followers into customers with a link in bio tool created just for you. SIGN UP FOR FREE or get $10 off a prop plan by using this code TBGVWRT5, at checkout ⁠https://campsite.bio/landing/songswapshowdown⁠ Join our Facebook Community - ⁠https://www.facebook.com/groups/1161768424439762⁠ Listen to our Song Swap Showdown 2023 Playlist ⁠https://open.spotify.com/playlist/4282nflhL3RxbeiHdOma29⁠... Connect with us at - ⁠http://campsite.bio/songswapshowdown⁠ Feel free to support this show for as little as ⁠$2 a month through Buy Me a Coffee⁠ Email us at info@songswapshowdown.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/songswapshowdown/message Support this podcast: https://podcasters.spotify.com/pod/show/songswapshowdown/support

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#37: KID ROCK PART IV: Kid Country

Polishing Turds

Play Episode Listen Later Mar 20, 2023 104:49

It's the New Millennium baby, and Kid Rock is up to some shenanigans. He's trying different things, he's smoking funny things. He's crooning with Sheryl Crow and Hank Williams, Jr. He's dating Pam Anderson and beating up Waffle House patrons. But most of all he's doing what he does best: acting like a big asshole while stealing other people's music!Welcome to the wild world of Kid Rock's "country" phase. We dive deep into this bizarre and musically eclectic period that sees Bob Ritchie desperately rework his style and image in order to appeal to Redneck America. But will it work?? Listen up and find out! DID YOU KNOW??--The movie "Borat" caused some major friction in Kid Rock and Pamela Anderson's (brief) marriage--The track that became "All Summer Long" was originally intended as a throwaway CD single for the Gathering of the Juggalos--Cal seems pretty confident he can beat up Kid Rock IRL Instagram: polishing.turds Facebook: facebook.com/PolishingTurdsPodcast Twitter: @polishing_turds email: polishingturdspodcast@gmail.com

Melody Carlson – Inspirational Christmas

The Best in Mystery, Romance and Historicals

Play Episode Listen Later Dec 13, 2022 29:45

Melody Carson is an award-winning author of inspirational romance with more than 200 books and 6.5 million copies sold. She certainly knows what she's doing. Included in that backlist is a goodly number of Christmas novellas. Hi there. I'm your host, Jenny Wheeler and to celebrate the season we featuring authors who've made Christmas books one of their specialties like Melody. Her latest book for Christmas is called A Quilt For Christmas, and it's out now. Melody talks about starting on Christmas stories twenty-three years ago. She's written one practically every year since, creating stories for people who may not expect a fabulous family time in the festive season, as well as about her project to develop more of her books into screenplays. This week's free Giveaway This week's giveaway is my little Christmas gift to you. Three holiday novellas, Tangled Destiny, Hope Redeemed, and Captive Heart. The link to the free download is here: https://dl.bookfunnel.com/1z2rd1zjlx Two of the three have Christmas themes to put you in a festive mood. That's a Book Bundle in the Of Gold & Blood historical mystery series Download link: https://dl.bookfunnel.com/1z2rd1zjlx Details for that link and for other things that we've discussed in this show can be found on the website show notes for this episode, at www.thejoysofbingereading.com reading. And remember if you like what you hear, then rate us or leave a review of the show so others hear about us too. Links for this episode: Links for info in this episode Rosamunde Pilcher: https://en.wikipedia.org/wiki/Rosamunde_Pilcher Maeve Binchy: https://maevebinchy.com/ Pure Flix.com (one company making Melody's TV teen series) Melody Carlson: Mulligan Sisters series: https://www.goodreads.com/series/193395-the-mulligan-sisters Westward To Home series: https://www.goodreads.com/series/161531-westward-to-home Hallmark movie from Melody book: All Summer Long: https://www.imdb.com/title/tt10720816/ Brian Bird: When Calls The Heart: https://www.hallmarkchannel.com/when-calls-the-heart Brain Bird and Michael Landon: https://www.imdb.com/name/nm0083349/?ref_=tt_ov_wr Marlena de Blasi: 1000 days in Venice and 1000 Days in Tuscany: Says Melody, "I'd love to meet this woman!" https://www.publishersweekly.com/pw/authorpage/marlena-de-blasi.html For Melody's binge watching: Classic Reel Channel: https://www.classicmoviereel.com/ Where to find Melody Carlson online Website: MelodyCarlson.com Facebook: @melodycarlsonauthor Email: Melodycarlsonbooks@gmail.com Introducing author Melody Carlson Melody Carlson - acclaimed inspirational fiction author with 6.5 million copies sold But now, here's Melody. Hello there, Melody and welcome to the show. It's great to have you with us. Melody Carlson: Thank you for having me. Jenny Wheeler: You are an award-winning author of inspirational romance and quite a number of other genres, which we'll get to. I'm really impressed you've got 200 books published 6.5 million in sales. That's mind boggling. How, does it feel to have got that far with it all? Melody Carlson: It kind of boggles my mind too, and I try not to think too hard about it. Jenny Wheeler: It's a remarkable achievement. Now, included in that as we've mentioned, is a good number of other genres, and particularly Christmas novellas, which you've made a specialty of, and we're planning to run this show in early December. So, we're focusing on the Christmas novels to start with, and then moving on to some of the other books. This year's Christmas story is titled A Quilt for Christmas. Tell us about the appeal of Christmas stories for readers. Melody Carlson: I think Christmas is a time when people have high expectations and there's hard things going on. You want to make it all ‘holly and jolly' and it's not always like that. A pioneer in Christmas novellas

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The Beach Boys: "De var meget bedre end dem, der så cool ud"

Rockhistorier

Play Episode Listen Later Dec 9, 2022 140:56

I dette afsnit af 'Rockhistorier' dedikerer Henrik Queitsch og Klaus Lynggaard intet mindre end to timer og tyve minutter til 'The Beach Boys'. Vi skal derfor igennem en playliste med hele 30 numre, der blandt andet indeholder ”Surfin' USA”, ”Kiss me baby” og julenummeret ”Little Saint Nick”.Playliste: 1. "Surfin'" (1961) 2. "Surfin' Safari" (1962)3. "Surfin' USA" (1963)4. "Lonely Sea" (1963)5. "Misirlou" (1963)6. "Surfer Girl" (1963)7. "Little Deuce Coupe" (1963)8. "In My Room" (1963)9. "A Young Man Is Gone" (1963)10. "Little Saint Nick" - Single Version (1963)11. "Fun, Fun, Fun" (1964)12. "Don't Worry Baby" (1964)13. "The Warmth of the Sun" (1964)14. "I Get Around" (1964)15. "Girls on the Beach" (1964)16. "All Summer Long" (1964)17. "When I Grow Up (To Be a Man)" (1964)18. "She Knows Me Too Well" (1965)19. "Please Let Me Wonder" (1965)20. "Kiss Me, Baby" (1965)21. "Help Me, Rhonda" (1965)22. "Let Him Run Wild" (1965)23. "California Girls" (1965)24. "Girl Don't Tell Me" (1965)25. The Little Girl I Once Knew" (1965)26. "Wouldn't It Be Nice" (1966)27. "I Just Wasn't Made for These Times" (1966)28. "God Only Knows" (1966)29. "I Know There's an Answer" (1966)30. "Caroline, No" (1966)

united states babies man fun girls sun kiss beach safari beach boys warmth bedre meget surfin kiss me god only knows california girls de var these times playliste in my room i get around it be nice misirlou all summer long worry baby i know there little saint nick little deuce coupe girl don klaus lynggaard

Video Jukebox Song Of The Day #60 - ”All Summer Long” By Kid Rock

Place to Be Nation POP

Play Episode Listen Later Aug 26, 2022 9:51

Welcome to PTBN Pop's Video Jukebox Song of The Day! Every weekday will be featuring a live watch of a great and memorable music video. On today's episode, Andy Atherton is watching “All Summer Long” by Kid Rock from 2008. The YouTube link for the video is below so you can watch along! https://www.youtube.com/watch?v=uwIGZLjugKA

kid rock jukebox song of the day all summer long

QUAND TU SERAS GRAND

Airs de rien - RTS

Play Episode Listen Later Aug 9, 2022 55:41

2008 A Lausanne, après vingt-quatre ans de bons et loyaux service, Radio Acidule cède la place à Lausanne FM, rapidement abrégée LFM. Acidule, radio associative dont les animatrices et les animateurs ainsi que toutes celles et ceux qui y collaborait à ses débuts étaient bénévoles. Mais le monde évolue, comme nous, les radios grandissent et le passage de l'enfance à l'âge adulte s'accompagne de contraintes qu'il faut apprivoiser... La même année, la chanson de Kid Rock "All Summer Long", qui raconte des souvenirs d'ado liés notamment à des chansons, cartonne encore dans les charts alors qu'elle est sortie l'année d'avant. Dans cette émission des chansons qui racontent le passage à l'âge adulte!

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The Importance of Giving Back MD Levrone Report S3 E1 Season Premiere

MD Global Muscle Radio

Play Episode Listen Later Aug 1, 2022 20:42

Kevin is back! In this episode, IFBB Pro Hall of Famer Kevin Levrone discusses with MD Online Editor Ron Harris the importance of giving back. Stay tuned to MD for bodybuilding news, updates, contest coverage, and interviews. No fluff and no gossip - just hardcore bodybuilding. Follow Kevin @kevinlevrone and @Levrone Report Follow Ron @Ron Harris and @ronharrismuscle Presented by Kevin Levrone Signature Series @kevinlevrone and https://levrosupplements.com The MD Levrone Report is on Audio Formats too! Catch the Audio version on Spotify, Amazon, Facebook, Apple Podcasts, Soundcloud & Pandora Spotify https://open.spotify.com/show/2fAqEmBltsub2HsoxmlE04 Facebook : Just click on Podcasts on our page @Muscular Development Magazine Apple: https://podcasts.apple.com/us/podcast/muscular-development-podcasts/id1447201138 Soundcloud: https://soundcloud.com/user-213460705/don-long-what-happened-to-him-md-levrone-report-e10 Amazon Podcasts: https://music.amazon.com/podcasts/417e0048-3cb5-43d1-8a8d-a616fcd06fd4/MUSCULAR-DEVELOPMENT-PODCASTS Pandora https://www.pandora.com/podcast/muscular-development-podcasts/PC:29216?part=ug-desktop&corr=1385957224 Tampa Pro is Next and MD's coverage is brought to you by Hi-Tech Pharmaceuticals find out more at http://www.hitechpharma.com. We will be on the scene in TAMPA & TEXAS!! ! So stay tuned to MD because we've got bodybuilding coverage nearly ALL SUMMER LONG! So stay tuned to MD for all the latest contest coverage from the scene and remotely! FACEBOOK: MuscularDevelopment Magazine TWITTER: @MuscularDevelop INSTAGRAM: @MuscularDevelopment YOUTUBE: http://bit.ly/2fvHgnZ TIKTOK https://www.tiktok.com/@musculardevelopme1?lang=en GET OUR NEWSLETTER & STAY UP TO DATE! http://www.musculardevelopment.com

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Tampa Bay's Morning Krewe - On Demand - 5/26/22

Tampa Bay's Morning Krewe On Demand

Play Episode Listen Later May 26, 2022 54:23

On today's Second Date Update Owen called us up and told us that he met Tara online and he wanted to surprise her with a date along the Riverwalk and a trip to the Tampa Museum of Art. She hasn't got back to Owen since the date, so we called to her get all the details about the date. Who won the summer themed Thursday 3 this morning. J.R.'s song is "Gone Country" by Alan Jackson. Launa's song is "All Summer Long" by Kid Rock. Kevin's song is "Long Hot Summer" by Keith Urban. J.R. told us that he is visiting a friend of his who lives near Albany, NY and is playing a prank on him by dressing up like he is a tourist from New York City. Albany is nowhere near NYC.

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Ep 283 Looking for Leroy with award winning author Melody Carlson

Created To Shine, Celebrating The Love of Christ in Everyday Life!

Play Episode Listen Later Mar 1, 2022 21:36

On today's episode of start small BELIEVE BIG we will hear from author Melody Carlson about her new book Looking for Leroy. Melody is the award-winning author of over two hundred books with sales of more than seven million, including many bestselling Christmas novellas, young adult titles, and contemporary romances. She received a Romantic Times Career Achievement Award in the inspirational market for her many books, including Finding Alice, and her novel All Summer Long was made into a Hallmark movie. Her new novel Looking for Leroy weaves an Enchanting Tale about Second Chances at Love. Road trips often provide a host of fun new adventures paired with a few mishaps. But love? Well, that's not usually part of the mix. Looking for Leroy takes you on a trip to rediscover the carefree days of youth where anything seems possible—even love. Melody and her husband live in central Oregon. Looking for Leroy Melody's website Billie's website

christmas love oregon second chances hallmark carlson award winning author all summer long

RadioWilderLive.com #199 Just One More

Radio Wilder

Play Episode Listen Later Jan 7, 2022 119:43

Just one more ... that's the title for RADIOWILDERLIVE.COM #199 because we have just one more show to hit the Big 200 next week. Wow, hard to believe! We've got a good one leading up to #200 and it'll #rockyourweekend.Our Sticky is Junior Walker and the All Stars sharing our Deuces are Wilder covers segment with The Supremes!Kid Rock (for Denise) takes us back to the summer of his youth with All Summer Long.The Grip Weeds pay tribute to The Beach Boys, Foreigner, Foo Fighters, Ry Cooder and the greatest male voice in Rock n' Roll, Roy O gives us All I can do is Dream You.From San Francisco for Baja Bob, Moby Grape does All My Life.New from Cheap Trick, Another World and mighty Hound Dog Taylor rips his guitar in Wild About you Bay. Kings of Leon, The Fleetwood's from Harry's Homesick collection and much more.Baby Ruth found some termites in her new studio but she fixed their butts and says the show will be on the air @3:15 Eastern as usual.Shout out to Storelocal for landing the largest single RV and Boat Storage in America, Storage Solutions and the excitement is building for the big Toy Storage Nation Executive Workshop and the AZ Self Storage Association Annual Conference both here in Phoenix in February. We will represent so be sure to come and hang out with us! Harry and the Wilder Crew!

EL GUATEQUE T07C032 Muchos han llorado el adiós de Charlie Watts (06/09/2021)

EL GUATEQUE

Play Episode Listen Later Sep 6, 2021 56:40

En El Guateque estamos de vuelta de las vacaciones, que viene a ser el fin del verano, las despedidas. Hoy despedimos a JUANA GINZO. Inimitable, personal y única, su voz era grave, con un timbre precioso, versátil, limpio, pero sobre la voz se imponía la propia Juana, con su actitud, su modo de ser. También se nos fueron Mikis Theodorakis - con su composición en 1964 de 'Zorba el griego', protagonizada por Anthony Quinn y dirigida por Michael Cacoyannis, Theodorakis consiguió llevar la música popular griega al mundo entero, y también fue el autor de una melodía utilizada en la película “Luna de miel” (en la que participó el bailarín Antonio). La discográfica de Gloria Lasso encargó al excelente poeta y actor Rafael de Penagos una letra en español que Gloria grabó con su espléndida y sensual voz.Otro recuerdo emocionado para los Everly Brothers, uno de los grupos más influyentes en el mundo de la música popular. Yo diría que el dúo más importante, sin desmerecer a otros. Este verano también nos dejó Don Everly, el mayor de los hermanos, el de la voz más grave y el que solía cantar los solos.Muchos han llorado el adiós de Charlie Watts. El punto es que nada de lo que han hecho los Rolling Stones hubiera sido posible, sin el impasible e imperturbable Charlie Watts.‘All Summer Long' podría parecer una tonta canción veraniega , pero la historia es algo más que un reflejo de una fantasía de quinceañeros en el verano, porque al final se recuerda que todos aquellos momentos felices serán sólo recuerdos de aquel largo verano. Muy poético, escrito por Mike Love . La melodía es del gran Brian Wilson, que se esmeró mucho en los arreglos vocales, con ese absolutamente maravilloso falsete.La película Grease dejaba la imagen del fin del verano, de despedida de un amor de verano, en esa escena de playa con la fuerza de las olas que protagonizaron Olivia Newton John y John Travolta . La canción apareció originalmente en un drama romántico dirigido por Henry King, La colina del adiós (Love is a Many-Splendored Thing) con William Holden y Jennifer Jones en los papeles principales. La película obtuvo tres Oscar: Mejor Canción Original, Mejor Banda Sonora Drama y Mejor Vestuario. La composición interpretada por The Four Aces se ha convertido en todo un clásico, y la grabaron, entre otros, Nat King Cole Brigitte Bardott canta A LA FIN D'ETÉ . Una canción compuesta por Gérard Bourgeois con el que colaboraba habitualmente Jean-Max Rivière , que se encargaba de los textos. Compuso casi toda la discografía de la Bardott y algunas canciones para Gloria Lasso..Gelu nos llena de esperanzas para esta temporada con una canción que interpretó Bobby Darin. Y este Guateque reúne también a Dusty Springfield. Fórmula V. Los Ángeles, Rocky Kan, Luis Aguilé, Bruno Lomas, Los Puntos, Caterina Valente

Episode 53: Kids

American Graffiti: One Song at a Time

Play Episode Listen Later Sep 1, 2021

“All Summer Long” by The Beach Boys plays as the credits roll. Doris saves the day by coming up with a good reason to use a song from 1964 here, Tierney has a lot of feelings about California, and Rachel wonders if “More American Graffiti” will just blow this film out of the water. (Probably not.) Grab your marimba mallets and play along! Sittin' in my car outside your house/(Sittin' in my car outside your house)…Come hang out at Mel's Listeners' Drive In on Facebook and @vcrprivileges on Twitter and InstagramArtwork by Alex RobinsonMusic by Chris Frain

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HOPE LARSON

Draw Drink'n

Play Episode Listen Later Aug 29, 2021 91:30

Hope Larson is the author of All Summer Long, which was a Kirkus Reviews Best Book of 2018 and an Eisner Award Nominee, as well as the recently published sequel, All Together Now. She also adapted and illustrated A Wrinkle in Time: The Graphic Novel, which spent forty-four weeks on the New York Times bestseller list and for which she won an Eisner Award. She is additionally the author and illustrator of Salamander Dream, Gray Horses, Chiggers, and Mercury, and the author of Compass South and Knife's Edge, both illustrated by Rebecca Mock. She lives in North Carolina.

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PipemanRadio Interviews Adam James

Pipeman in the Pit

Play Episode Listen Later Jul 26, 2021 13:11

On this episode of The Adventures Of Pipeman, Pipeman speaks to Adam James ahead of his new album The Willows which drops on August 27th. Pipeman and Adam bond over their connections to New York and California and share their experiences with the famous L.A. traffic. Adam goes on to talk about his new single Sleep At Night was inspired by how he was feeling at the time he decided to move from New York to California. Pipeman asks about artists being able to get things off their chest they wouldn't verbalise in a conversation through music as Adam explains to him music is therapy and that it's important to reflect on your situation. Finally, Pipeman asks about turning a story into a song as he had a try at writing before and was told he had written a book! You can check out the brand new album The Willows when it comes out on August 27th, as well as his new single All Summer Long on July 30th. You can also follow him on Instagram, Facebook and Twitter @xo_adamjames Pipeman in the Pit is a music and interview segment of The Adventures of Pipeman Radio Show (#pipemanradio) and from The King of All Festivals while on The Pipeman Radio Tour. The live show is broadcast live on W4CY Radio (www.w4cy.com), W4VET Radio, and K4HD Radio - Hollywood Talk Radio (www.k4hd.com) part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). This podcast is also available on Talk 4 Podcasting (www.talk4podcasting.com).Pipeman in the Pit features all kinds of music and interviews with bands & music artists especially in the genres of Heavy Metal, Rock, Hard Rock, Classic Rock, Punk Rock, Goth, Industrial, Alternative, Thrash Metal & Indie Music. Pipeman in the Pit also features press coverage of events, concerts, & music festivals. Pipeman Productions is an artist management company that sponsors the show introducing new local & national talent showcasing new artists & indie artists.Then there is The Pipeman Radio Tour where Pipeman travels the country and world doing press coverage for Major Business Events, Conferences, Conventions, Music Festivals, Concerts, Award Shows, and Red Carpets. One of the top publicists in music has named Pipeman the “King of All Festivals.” So join the Pipeman as he The Pipeman Radio Tour to Life right before your ears and eyes.

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PipemanRadio Interviews Adam James

Pipeman's Power of Music

Play Episode Listen Later Jul 26, 2021 13:11

On this episode of The Adventures Of Pipeman, Pipeman speaks to Adam James ahead of his new album The Willows which drops on August 27th. Pipeman and Adam bond over their connections to New York and California and share their experiences with the famous L.A. traffic. Adam goes on to talk about his new single Sleep At Night was inspired by how he was feeling at the time he decided to move from New York to California. Pipeman asks about artists being able to get things off their chest they wouldn't verbalise in a conversation through music as Adam explains to him music is therapy and that it's important to reflect on your situation. Finally, Pipeman asks about turning a story into a song as he had a try at writing before and was told he had written a book! You can check out the brand new album The Willows when it comes out on August 27th, as well as his new single All Summer Long on July 30th. You can also follow him on Instagram, Facebook and Twitter @xo_adamjames Pipeman's Power of Music is a music and interview segment of The Adventures of Pipeman Radio Show (#pipemanradio) and from The King of All Festivals while on The Pipeman Radio Tour. The live show is broadcast live on W4CY Radio (www.w4cy.com), W4VET Radio, and K4HD Radio - Hollywood Talk Radio (www.k4hd.com) part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). This podcast is also available on Talk 4 Podcasting (www.talk4podcasting.com).

music new york california power interview talk radio podcasting adventures selfhelp new music rock music willows media network adam james talk4media w4cyradio deankpiper pipemanradio all summer long pipeman k4hd radio positivelypipeman k4hd radio hollywood talk radio pipemaninthepit w4vet radio pipeman radio show

PipemanRadio Interviews Adam James

The Adventures of Pipeman

Play Episode Listen Later Jul 26, 2021 13:11

On this episode of The Adventures Of Pipeman, Pipeman speaks to Adam James ahead of his new album The Willows which drops on August 27th. Pipeman and Adam bond over their connections to New York and California and share their experiences with the famous L.A. traffic. Adam goes on to talk about his new single Sleep At Night was inspired by how he was feeling at the time he decided to move from New York to California. Pipeman asks about artists being able to get things off their chest they wouldn't verbalise in a conversation through music as Adam explains to him music is therapy and that it's important to reflect on your situation. Finally, Pipeman asks about turning a story into a song as he had a try at writing before and was told he had written a book! You can check out the brand new album The Willows when it comes out on August 27th, as well as his new single All Summer Long on July 30th. You can also follow him on Instagram, Facebook and Twitter @xo_adamjames Take some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes”. Listen to & Watch a show dedicated to motivation, business, empowerment, inspiration, music, comedy, celebrities, shock jock radio, various topics, and entertainment. The Adventures of Pipeman is hosted by Dean K. Piper, CST aka “The Pipeman” who has been said to be hybrid of Tony Robbins, Batman, and Howard Stern. The Adventures of Pipeman has received many awards, media features, and has been ranked for multiple categories as one of the Top 6 Live Radio Shows & Podcasts in the world. Pipeman Radio also consists of multiple podcasts showing the many sides of Pipeman. These include The Adventures of Pipeman, Pipeman in the Pit, and Positively Pipeman and more. You can find all of the Pipeman Podcasts anywhere you listen to podcasts. With thousands of episodes that focus on Intertainment which combines information and entertainment there is something for everyone including over 5000 interviews with celebrities, music artists/bands, authors, speakers, coaches, entrepreneurs, and all kinds of professionals.Then there is The Pipeman Radio Tour where Pipeman travels the country and world doing press coverage for Major Business Events, Conferences, Conventions, Music Festivals, Concerts, Award Shows, and Red Carpets. One of the top publicists in music has named Pipeman the “King of All Festivals.” So join the Pipeman as he The Pipeman Radio Tour to Life right before your ears and eyes.All Pipeman Radio Podcasts are heard on Talk 4 Podcasting, iHeartRadio, Pandora, Amazon Music, Audible, Spotify, Apple Podcast, Google Podcasts and over 100 other podcast outlets where you listen to Podcasts. The following are the different podcasts to check out and subscribe to:•The Adventures of Pipeman•Pipeman Radio•Pipeman in the Pit•Positively PipemanFollow @pipemanradio on all social media outletsVisit Pipeman Radio on the Web at theadventuresofpipeman.com, pipemanradio.com, w4cy.com, talk4tv.com, talk4podcasting.comPhone/Text Contact – 561-506-4031Email Contact – dean@talk4media.com The Adventures of Pipeman is broadcast live daily at 8AM ET.The Adventures of Pipeman TV Show is viewed on Talk 4 TV (www.talk4tv.com).The Adventures of Pipeman Radio Show is broadcast on W4CY Radio (www.w4cy.com) and K4HD Radio (www.k4hd.com) – Hollywood Talk Radio part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). The Adventures of Pipeman Podcast is also available on Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.

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Creating THE DOT PROJECT to aid Period Poverty & Dispelling Menstrual Myths

Weekly Woman

Play Episode Listen Later Jul 16, 2021 20:01

Today we have a great line up for you, we're chatting with the amazing Makaela Stallworth, who started The Dot Project, an organization Providing access to menstrual care through education and self-love advocacy one period at a time in Baltimore! AND... All Summer Long we're debunking period myths, all those falsehoods that people think are true! Tune in every week to hear more!

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Kid Rock

What lYric

Play Episode Listen Later Jun 15, 2021 48:34

Here is the season six finale featuring Kid Rock. Kid Rock has some funny and interesting lyrics and great beats. I go over All summer long, Picture, and others. As always there are podcast questions, feel free to reach out to me on Instagram @jd4unc to share your answers and get a shoutout in the next episode. If you have not yet, go check out the last episode featuring Bob Marley And The Wailers. Thanks for listening, leave a like, a review, and share with a friend. Big thanks to all my fans and listeners I appreciate the support! Now onto season 7 starting with a guest on the episode this Sunday. Disclaimer: This episode is explicit for lyrics and content in the songs. Music Credits For This Episode: Intro The Alan Parsons Project Sirius, Bawitdaba and Wasting Time by Kid Rock. Picture by Kid Rock featuring Sheryl Crow. All Summer Long by Kid Rock. The Y is Cowboy by Kid Rock. The outro Midsummer Madness Instrumental Prko. Sources: Lyricfind.com, Songfacts.com “Cowboy Kid Rock” by Songfacts Staff, recording-history.com “Kid Rock Songs” by Matthew, Genius, and YouTube.

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#42. That's a wrap on season 2!

The BookstaGays

Play Episode Listen Later May 5, 2021 46:50

Today we wrap up our second official season of this podcast! We give you some sneak peeks for season 3 and some ideas we have to celebrate pride month ALL SUMMER LONG. That's right everyone - June and July we're celebrating pride and we have an amazing lineup of episodes with queer authors and queer guests talking about all the best queer things! Sam and Alex also give some book recommendations based on books you all submitted to us, a little "if you loved this book, try this one" to end our episode and season 2. We can't wait for season 3 and you all to join us for our first pride as a podcast family. Thank you for all of your continued support! If you want to buy any of the books we talked about on this episode and see if you agree with our choices, consider buying it from our bookshop.org link @ https://bookshop.org/shop/thebookstagays - this is a way to support indie bookstores AND the show (we receive a very small kickback if you purchase through our affiliate link). As always, you can find us on Instagram and Twitter @thebookstagays, and on our own accounts @thebookadvocate and @staxsonstaxs If you want to try audio books and support your local independent bookstores and not the big bad company taking over the world - try our libro.fm code to get 2 audio books for the price of 1 - start a monthly membership for $14.99 and get the 2 audio book credits by clicking here libro.fm/redeem/BookstaGays Cheers queers! Be gay and read books! --- Support this podcast: https://anchor.fm/thebookstagays/support

wrap all summer long

Self Care Summer

Tarascope

Play Episode Listen Later Apr 28, 2021 16:05

The countdown to Summer 2021 has begun! I am so ready to enjoy this summer unlike last year. I plan on being out in the City for an Icy Girl Summer in these Hot Atlanta streets. (Btw... that was me trying to combine City Girl Summer, Icy Girl Summer and Hot Girl Summer lol). But, I know life is all about balance so I want to make sure I'm also taking care of myself. Here's an almost fool's proof Self-Care Summer Guide to help you put you first, All Summer Long.Be sure to follow Tarascope on Instagram and Twitter: @Tarascope_ to catch the latest clips, fun facts, and Tarascope Triva! See acast.com/privacy for privacy and opt-out information.

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Episode 117: “Don’t Worry Baby” by the Beach Boys

A History Of Rock Music in Five Hundred Songs

Play Episode Listen Later Mar 20, 2021

Episode one hundred and seventeen of A History of Rock Music in Five Hundred Songs looks at “Don’t Worry Baby” by the Beach Boys, and how the years 1963 and 1964 saw a radical evolution in the sound and subject matter of the Beach Boys’ work. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “You’re No Good” by the Swinging Blue Jeans. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ —-more—- ERRATA: I say that the Surfin’ USA album was released only four months after Surfin’ Safari. It was actually over five months. Also, for some reason I pronounce Nik Venet’s name as if he were French here. I believe that’s incorrect and his name is actually pronounced “Vennit”, though I’m not 100% sure. More importantly, I say that “Sweet Little Sixteen” wasn’t a big hit, when of course it made number two on the charts. Resources There is no Mixcloud this week, because there were too many Beach Boys songs in the episode. I used many resources for this episode, most of which will be used in future Beach Boys episodes too. It’s difficult to enumerate everything here, because I have been an active member of the Beach Boys fan community for twenty-four years, and have at times just used my accumulated knowledge for this. But the resources I list here are ones I’ve checked for specific things. Becoming the Beach Boys by James B. Murphy is an in-depth look at the group’s early years, up to the end of 1963. Stephen McParland has published many, many books on the California surf and hot-rod music scenes, including several on both the Beach Boys and Gary Usher. His books can be found at https://payhip.com/CMusicBooks Andrew Doe’s Bellagio 10452 site is an invaluable resource. Jon Stebbins’ The Beach Boys FAQ is a good balance between accuracy and readability. Stebbins also co-wrote The Lost Beach Boy, David Marks’ autobiography. And Philip Lambert’s Inside the Music of Brian Wilson is an excellent, though sadly out of print, musicological analysis of Wilson’s music from 1962 through 67. The Beach Boys’ Morgan recordings and all the outtakes from them can be found on this 2-CD set. As a good starting point for the Beach Boys’ music, I would recommend this budget-priced three-CD set, which has a surprisingly good selection of their material on it. Transcript Today, we’re going to take our second look at the Beach Boys, and we’re going to look at their evolution through 1963 and 1964, as they responded to the threat from the Beatles by turning to ever more sophisticated music, even as they went through a variety of personal crises. We’re going to look at a period in which they released four albums a year, had three lineup changes, and saw their first number one – and at a song which, despite being a B-side, regularly makes lists of the best singles of all time. We’re going to look at “Don’t Worry Baby”: [Excerpt: The Beach Boys, “Don’t Worry Baby”] When we left the Beach Boys, they had just secured a contract with Capitol Records, and released their first national hit, “Surfin’ Safari” backed with “409”. Since then we’ve also seen Brian Wilson working with several songwriting collaborators to write hits for Jan and Dean. But now we need to double back and look at what Brian was doing with his main band in that time. After “Surfin’ Safari” was a hit, in one of the many incomprehensible decisions made in the Beach Boys’ career, Capitol decided to follow it up with an album track that Brian and Gary Usher had written, “Ten Little Indians”. That track, a surf-rock version of the nursery rhyme with the group chanting “Kemo sabe” in the backing vocals, made only number forty-nine on the charts, and frankly didn’t deserve to do even that well. Some have suggested, in fact that the record was released at the instigation of Murry Wilson, who was both Brian, Carl, and Dennis Wilson’s father and the group’s manager, as a way of weakening Usher’s influence with the group, as Murry didn’t want outsiders interfering in what he saw as a family business. After realising the folly of deviating from the formula, the group’s next single followed the same pattern as their first hit. The B-side was “Shut Down”, a car song co-written by Brian and Roger Christian, who you may remember from the episode on “Surf City” as having been brought in to help Brian with car lyrics. “Shut Down” is most notable for being one of the very small number of Beach Boys records to feature an instrumental contribution from Mike Love, the group’s lead singer. His two-note saxophone solo comes in for some mockery from the group’s fans, but actually fits the record extremely well: [Excerpt: The Beach Boys, “Shut Down”] “Shut Down” was a top thirty hit, but it was the A-side that was the really big hit. Just as their first hit had had a surf song on the A-side and a car song on the B-side, so did this single. Brian Wilson had been inspired by Chuck Berry’s “Sweet Little Sixteen”, and in particular the opening verse, which had just listed a lot of places: [Excerpt: Chuck Berry, “Sweet Little Sixteen”] He might well also have been thinking of Chubby Checker’s minor hit, “Twistin’ USA”, which listed places in America where people might be twisting: [Excerpt: Chubby Checker, “Twistin’ USA”] Brian had taken Berry’s melody and the place-name recitation, and with the help of his girlfriend’s brother, and some input from Mike Love, had turned it into a song listing all the places that people could be surfing — at least, they could “if everybody had an ocean”: [Excerpt: The Beach Boys, “Surfin’ USA”] “Surfin’ USA” became a huge hit, reaching number two on the charts, and later being named by Billboard as the biggest hit of 1963, but unfortunately for Brian that didn’t result in a financial windfall for him as the songwriter. As the song was so close to “Sweet Little Sixteen”, Chuck Berry got the sole songwriting credit — one of the only times in rock music history where a white artist has ripped off a Black one and the Black artist has actually benefited from it. And Berry definitely did benefit — “Sweet Little Sixteen”, while a great record, had never been a particularly big hit, while “Surfin’ USA” is to this day regularly heard on oldies radio and used in commercials and films. But that success meant extra work, and a lot of it. “Surfin’ USA” was the title song of the group’s second album, released in March 1963 only four months after their first, and they would release two more albums before the end of the year — Surfer Girl in September and Little Deuce Coupe in October. Not only were they having to churn out a quite staggering amount of product — though Little Deuce Coupe featured four songs recycled from their earlier albums — but Brian Wilson, as well as writing or co-writing all their original material, started producing the records as well, as he was unhappy with Nik Venet’s production on the first album. Not only that, but as well as making the Beach Boys’ records, Wilson was also writing for Jan and Dean, and he had also started making records on the side with Gary Usher, doing things like making a “Loco-Motion” knock-off, “The Revolution”, released under the name Rachel and the Revolvers: [Excerpt: Rachel and the Revolvers, “The Revolution”] According to some sources, Usher and Wilson found the singer for that track by the simple expedient of driving to Watts and asking the first Black teenage girl they saw if she could sing. Other sources say they hired a professional session singer — some say it was Betty Everett, but given that that’s the name of a famous singer from the period who lived in the Mid-West, I think people are confusing her for Betty Willis, another singer who gets named as a possibility, who lived in LA and who certainly sounds like the same person: [Excerpt: Betty Willis, “Act Naturally”] Wilson was also in the process of breaking up with his girlfriend and starting a relationship with a young woman named Marilyn Rovell. Rovell, along with her sister Diane, and their cousin, Ginger Blake, had formed a girl group, and Brian was writing and producing records for them as well: [Excerpt: The Honeys, “The One You Can’t Have”] As well as making all these records, the Beach Boys were touring intensively, to the point that on one day in June the group were actually booked in for four shows in the same day. Unsurprisingly, Brian decided that this was too much for one person, and so in April 1963, just after the release of “Surfin’ USA”, he decided to quit touring with the group. Luckily, there was a replacement on hand. Alan Jardine had been a member of the Beach Boys on their very first single, but had decided to quit the group to go off to university. A year later, that seemed like a bad decision, and when Brian called him up and asked him to rejoin the band, he eagerly agreed. For now, Alan was not going to be a proper member of the group, but he would substitute for Brian on the group’s tour of the Midwest that Spring, and on many of the shows they performed over the summer — he could play the bass, which was the instrument that Brian played on stage, and he could sing Brian’s parts, and so while the Beach Boys still officially consisted of Brian, Carl, and Dennis Wilson, Mike Love, and David Marks, the group that was on tour was Carl, Dennis, Mike, David, and Alan, though Brian would sometimes appear for important shows. Jardine also started recording with the group, though he would not get credited on the covers of the first couple of albums on which he appeared. This made a huge change to the sound of the Beach Boys in the studio, as Jardine playing bass allowed Brian Wilson to play keyboards, while Jardine also added to the group’s vocal harmonies. And this was a major change. Up to this point, the Beach Boys’ records had had only rudimentary harmonies. While Brian was an excellent falsetto singer, and Mike a very good bass, the other three members of the group were less accomplished. Carl would grow to be one of the great vocalists of all time, but at this point was still in his early teens and had a thin voice. Dennis’ voice was also a little thin at this point, and he was behind the drum kit, which meant he didn’t get to sing live, and David Marks was apparently not allowed to sing on the records at all, other than taking a single joint lead with Carl on the first album. With the addition of Jardine, Brian now had another singer as strong as himself and Love, and the Surfer Girl album, the first one on which Jardine appears, sees Brian expanding from the rather rudimentary vocal arrangements of the first two albums to something that incorporates a lot more of the influence of the Four Freshmen. You can hear this most startlingly on “In My Room”. This is one of the first songs on which Jardine took part in the studio, though he’s actually not very audible in the vocal arrangement, which instead concentrates on the three brothers. “In My Room” is a major, major, step forward in the group’s sound, in the themes that would appear in their songwriting for the next few years, and in the juxtaposition of the lyrical theme and the musical arrangement. The song’s lyrics, written by Gary Usher but inspired by Wilson’s experiences, are about solitude, and the song starts out with Brian singing alone, but then Brian moves up to the third note of the scale and Carl comes in under him, singing the note Brian started on. Then they both move up again, Brian to the fifth and Carl to the third, with Dennis joining in on the note that Brian had started on, before Mike and Alan finally also join in. Brian is singing about being alone, but he has his family with him, supporting him: [Excerpt: The Beach Boys, “In My Room”] This new lineup of the group, with Alan augmenting the other five, might even have lasted, except for a chain of events that started on David Marks’ fifteenth birthday. Murry Wilson, who was still managing the group at this point, had never liked the idea of someone from outside the family being an equal member, and was particularly annoyed at David because Murry had tried to have an affair with David’s mother, which hadn’t worked out well for him. But then on Marks’ fifteenth birthday, he and Dennis Wilson both caught a sexually transmitted infection from the same sex worker, and when Murry Wilson found this out — as he had to, as he needed to pay their doctor’s bills — he became furious and started screaming at the whole group. At that point, David had had enough. His mother had been telling him that he was the real talent in the group and he didn’t need those Wilsons, and as a fifteen-year-old kid he didn’t have the understanding to realise that this might not be entirely true. He said “OK, I quit”. At first, the rest of the group thought that he was joking, and even he wasn’t at all sure that he wanted to leave the group altogether. He remained in the band for the next month, but Murry Wilson kept reminding his sons that Marks had quit and that they’d all heard him, and refused to speak directly to him — anything that Murry wanted to say to David, he said to Carl, who passed the message on. And even though the rest of the group definitely wanted David to stay — especially Brian, who liked having the freedom not to go out on tour, and Carl, who had been the one who’d lobbied to bring his friend into the group in the first place — David was still, as the youngest member, the only one who didn’t sing, and the only one not part of the family, regarded by the others as somewhat lesser than the rest of the band. David became increasingly frustrated, especially when they were recording the Little Deuce Coupe album. That album was made up entirely of songs about cars, and the group were so short of material that the album ended up being filled out with four songs from earlier albums, including two from the Surfer Girl album released only the previous month. Yet when David tried to persuade Brian to have the group record his song “Kustom Kar Show”, Brian told David that he wasn’t ready to be writing songs for the group. All this, plus pressure from David’s parents to make him more of a focal point of the group, led to his resignation eventually being accepted, and backdated to the original date he quit. He played his last show with the group on October the fifth 1963, and then formed his own band, the Marksmen, who signed to A&M: [Excerpt: Dave and the Marksmen, “Kustom Kar Show”] There have been rumours that Murry Wilson threatened DJs that the Beach Boys wouldn’t co-operate with them if they played Marksmen records, but in truth, listening to the records the Marksmen made during their two years of existence, it’s quite obvious why they weren’t played — they were fairly shoddy-sounding garage rock records, with little to commend them. Indeed, they actually sound somewhat better now than they would have done at the time — some of Marks’ flatter and more affectless vocals prefigure the sound of some punk singers, but not in a way that would have had any commercial potential in 1963. Meanwhile, the Beach Boys continued, with Alan Jardine buying a Stratocaster and switching to rhythm guitar, and Brian Wilson resigning himself to having to perform live, at least at the moment, and returning to his old role on the bass. Jardine was now, for publicity purposes, a full member of the group, though he would remain on a salary rather than an equal partner for many years — Murry Wilson didn’t want to make the same mistake with him that he had with Marks. And there was still the constant need for new material, which didn’t let up. Brian’s songwriting was progressing at a furious pace, and that can be seen nowhere better than on “The Warmth of the Sun”, a song he wrote, with Love writing the lyrics, around the time of the Kennedy assassination — the two men have differed over the years over whether it was written the night before or the night after the assassination. “The Warmth of the Sun” is quite staggeringly harmonically sophisticated. We’ve talked before in this podcast about the standard doo-wop progression — the one, minor sixth, minor second, fifth progression that you get in about a million songs: [demonstrates] “The Warmth of the Sun” starts out that way — its first two chords are C, Am, played in the standard arpeggiated way one expects from that kind of song: [demonstrates] You’d expect from that that the song would go C, Am, Dm, G or C, Am, F, G. But instead of moving to Dm or F, as one normally would, the song moves to E flat, and *starts the progression over*, a minor third up, so you have: [demonstrates] It then stops that progression after two bars, moves back to the Dm one would expect from the original progression, and stays there for twice as long as normal, before moving on to the normal G — and then throwing in a G augmented at the end, which is a normal G chord but with the D note raised to E flat, so it ties in to that original unexpected chord change. And it does all this *in the opening line of the song*: [Excerpt: The Beach Boys, “The Warmth of the Sun”] This is harmonic sophistication on a totally different order from anything else that was being done in teen pop music at the time — it was far closer to the modern jazz harmonies of the Four Freshmen that Brian loved than to doo-wop. The new five-piece lineup of the group recorded that on January the first, 1964, and on the same day they recorded a song that combined two of Brian’s other big influences. “Fun Fun Fun” had lyrics by Mike Love — some of his wittiest — and starts out with an intro taken straight from “Johnny B. Goode”: [Excerpt: The Beach Boys, “Fun Fun Fun”] But while the rest of the track keeps the same feel as the Chuck Berry song, the verse goes in a different harmonic direction, and actually owes a lot to “Da Doo Ron Ron”. Instead of using a blues progression, as Berry normally would, the verse uses the same I-IV-I-V progression that “Da Doo Ron Ron”‘s chorus does, but uses it to very different effect: [Excerpt: The Beach Boys, “Fun Fun Fun”] That became the group’s fourth top ten hit, and made number five on the charts — but the group suddenly had some real competition. At numbers one, two, and three were the Beatles. Brian Wilson realised that he needed to up his game if he was going to compete, and he did. In April 1964 he started working on a new single. By this time, while the Beach Boys themselves were still playing most of the instruments, Brian was bringing in additional musicians to augment them, and expanding his instrumental palette. The basic track was the core members of the band — Carl playing both lead and rhythm guitar, Alan playing bass, and Dennis playing drums, with Brian on keyboards — but there were two further bass players, Glen Campbell and Ray Pohlman, thickening the sound on six-string bass, plus two saxophones, and Hal Blaine adding percussion. And the main instrument providing chordal support wasn’t guitar or organ, as it usually had been, but a harpsichord, an instrument Brian would use a lot over the next few years: [Excerpt: The Beach Boys, “I Get Around (backing track)”] The recording session for that backing track was also another breaking point for the band. Murry Wilson, himself a frustrated songwriter and producer, was at the session and kept insisting that there was a problem with the bassline. Eventually, Brian had enough of his father’s interference, and fired him as the band’s manager. Murry would continue to keep trying to interfere in his children’s career, but this was the point at which the Beach Boys finally took control over their own futures. A few days later, they reconvened in the studio to record the vocals for what would become their first number one hit: [Excerpt: The Beach Boys, “I Get Around”] It’s fascinating to see that even this early in the group’s career, and on one of their biggest, summeriest hits, there’s already a tension in the lyrics, a sense of wanting to move on — “I’m getting bugged driving up and down the same old strip/I’ve got to find a new place where the kids are hip”. The lyrics are Love’s, but as is so often the case with Brian Wilson’s collaborations, Love seems to have been expressing something that Wilson was feeling at the time. The Beach Boys had risen to the challenge from the Beatles, in a way that few other American musicians could, and “I Get Around” was good enough that it made the top ten in the UK, and became a particular favourite in the Mod subculture in London. The group would only become more popular over the next few years in the UK, a new place where the kids were hip. “I Get Around” is a worthy classic, but the B-side, “Don’t Worry Baby”, is if anything even better. It had been recorded in January, and had already been released on their Shut Down vol 2 album in March. It had originally been intended for the Ronettes, and was inspired by “Be My Baby”, which had astonished Brian Wilson when it had been released a few months earlier. He would later recall having to pull over to the side of the road when he first heard the drum intro to that record: [Excerpt: The Ronettes, “Be My Baby”] Brian would play that record over and over, on repeat, for days at a time, and would try to absorb every nuance of the record and its production, and he tried to come up with something that could follow it. Wilson took the basic rhythm and chord sequence of the song, plus melodic fragments like the line “Be my little baby”, and reworked them into a song that clearly owes a lot to its inspiration, but which stands on its own: [Excerpt: The Beach Boys, “Don’t Worry Baby”] Phil Spector turned the song down, and so the Beach Boys recorded it themselves, and I have to say that this was only a good thing — Ronnie Spector recorded a solo version of it many decades later, and it’s a fine performance, but the lyric misses something when it’s sung by a woman rather than a man. That lyric was by Roger Christian, and in it we see the tension between the more emotional themes that Wilson wanted to explore and the surf and car lyrics that had made up the majority of their singles to this point. The lyric is ostensibly about a car race, and indeed it seems to be setting up precisely the kind of situation that was common in teen tragedy records of the period. The protagonist sings “I guess I should have kept my mouth shut when I started to brag about my car, but I can’t back down now because I pushed the other guys too far”, and the whole lyric is focused on his terror of an upcoming race. This seems intended to lead to the kind of situation that we see in “Dead Man’s Curve”, or “Tell Laura I Love Her”, or in another teen tragedy song we’ll be looking at in a couple of weeks, with the protagonist dead in a car crash. But instead, this is short-circuited. The protagonist’s fears are allayed by his girlfriend: [Excerpt: The Beach Boys, “Don’t Worry Baby”] What we have here is someone trying to deal with a particular kind of anxiety brought about by what we now refer to as toxic masculinity. The protagonist has been showing off about his driving skills in front of his peers, and has now found himself in a situation that he can’t cope with. He’s saved by a figure we’ll see a lot more of in Brian’s songs, whoever the lyricist, the supernaturally good woman who understands the protagonist and loves him despite, or because of, his faults, even though she’s too good for him. Obviously, one can point to all sorts of reasons why this figure might be considered problematic — the idea that the man is unable to deal with his own emotional problems without a woman fixing him — but there’s an emotional truth to it that one doesn’t get in much music of the era, and even if it’s a somewhat flawed view of gender relations, it speaks to a very particular kind of insecurity at the inability to live up to traditional masculine roles, and is all the more affecting when it’s paired with the braggadocio of the A-side. The combination means we see the bragging and posturing on the A-side as just a facade, covering over the real emotional fragility of the narrator. Each side reinforces the other, and the combination is one of the most perfect pairings ever released as a single. “Don’t Worry Baby”, released as “I Get Around”’s B-side, made the charts in its own right peaking at number twenty-four. The B-side to the next single further elaborated on the themes of “Don’t Worry Baby”: [Excerpt: The Beach Boys, “She Knows Me Too Well”] This repurposing of the emotional and musical style of girl-group songs to deal with the emotional vulnerability that comes from acknowledging and attempting to process toxic masculinity is something that few other songwriters were capable of at this point – only some of John Lennon’s work a couple of years later comes close to dealing with this very real area of the emotional landscape, and Lennon, like Wilson, often does so by using the figure of the perfect woman who will save the protagonist. In 1964, the group once again released four albums – Shut Down vol.2, All Summer Long, a live album, and a Christmas album – and they also did most of the work on yet another album, The Beach Boys Today!, which would be released in early 1965. As these recordings progressed, Brian Wilson was more and more ambitious, both in terms of the emotional effect of the music and his arrangements, increasingly using session musicians to augment the group, and trying for a variant on Phil Spector’s production style, but one which emphasised gentle fragility rather than sturm und drang. Possibly the greatest track he created in 1964 ended up not being used by the Beach Boys, though, but was given to Glen Campbell: [Excerpt: Glen Campbell, “Guess I’m Dumb”] Campbell got given that track because of an enormous favour he’d done the group. The mental strain of touring had finally got too much for Brian, and in December, on a plane to Texas, he’d had a breakdown, screaming on the plane and refusing to get off. Eventually, they coaxed him off the plane, and he’d managed to get through that night’s show, but had flown back to LA straight after. Campbell, who was a session guitarist who had played on a number of the Beach Boys’ recordings, and had a minor career as a singer at this point, had flown out at almost no notice and for the next five months he replaced Brian on stage for most of their shows, before the group got a permanent replacement in. Brian Wilson had retired from the road, and the hope was that by doing so, he would reduce the strain on himself enough that he could keep writing and producing for the group without making his mental health worse. And for a while, at least, that seemed to be how it worked out. We’ll take a look at the results in a few weeks’ time.

christmas united states america love music american california history texas black uk french spring dm revolution sun beatles midwest cd campbell capitol usher billboard djs shutdowns john lennon watts safari curve beach boys dead man no good mod tilt mixcloud chuck berry warmth rock music brian wilson goode phil spector capitol records glen campbell surfin jardine mike love locomotion wilsons murry james b chubby checker ronettes ronnie spector johnny b stratocaster dennis wilson fun fun fun stebbins revolvers be my baby surf city hal blaine kemo twistin david marks roger christian in my room i get around marksmen rovell act naturally all summer long worry baby betty everett four freshmen ten little indians little deuce coupe marilyn rovell tilt araiza

Episode 117: "Don't Worry Baby" by the Beach Boys

A History Of Rock Music in Five Hundred Songs

Play Episode Listen Later Mar 20, 2021 36:00

Episode one hundred and seventeen of A History of Rock Music in Five Hundred Songs looks at "Don't Worry Baby" by the Beach Boys, and how the years 1963 and 1964 saw a radical evolution in the sound and subject matter of the Beach Boys' work. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on "You're No Good" by the Swinging Blue Jeans. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ ----more---- ERRATA: I say that the Surfin' USA album was released only four months after Surfin' Safari. It was actually over five months. Also, for some reason I pronounce Nik Venet's name as if he were French here. I believe that's incorrect and his name is actually pronounced “Vennit”, though I'm not 100% sure. More importantly, I say that "Sweet Little Sixteen" wasn't a big hit, when of course it made number two on the charts. Resources There is no Mixcloud this week, because there were too many Beach Boys songs in the episode. I used many resources for this episode, most of which will be used in future Beach Boys episodes too. It's difficult to enumerate everything here, because I have been an active member of the Beach Boys fan community for twenty-four years, and have at times just used my accumulated knowledge for this. But the resources I list here are ones I've checked for specific things. Becoming the Beach Boys by James B. Murphy is an in-depth look at the group's early years, up to the end of 1963. Stephen McParland has published many, many books on the California surf and hot-rod music scenes, including several on both the Beach Boys and Gary Usher. His books can be found at https://payhip.com/CMusicBooks Andrew Doe's Bellagio 10452 site is an invaluable resource. Jon Stebbins' The Beach Boys FAQ is a good balance between accuracy and readability. Stebbins also co-wrote The Lost Beach Boy, David Marks' autobiography. And Philip Lambert's Inside the Music of Brian Wilson is an excellent, though sadly out of print, musicological analysis of Wilson's music from 1962 through 67. The Beach Boys' Morgan recordings and all the outtakes from them can be found on this 2-CD set. As a good starting point for the Beach Boys' music, I would recommend this budget-priced three-CD set, which has a surprisingly good selection of their material on it. Transcript Today, we're going to take our second look at the Beach Boys, and we're going to look at their evolution through 1963 and 1964, as they responded to the threat from the Beatles by turning to ever more sophisticated music, even as they went through a variety of personal crises. We're going to look at a period in which they released four albums a year, had three lineup changes, and saw their first number one – and at a song which, despite being a B-side, regularly makes lists of the best singles of all time. We're going to look at “Don't Worry Baby”: [Excerpt: The Beach Boys, "Don't Worry Baby"] When we left the Beach Boys, they had just secured a contract with Capitol Records, and released their first national hit, "Surfin' Safari" backed with "409". Since then we've also seen Brian Wilson working with several songwriting collaborators to write hits for Jan and Dean. But now we need to double back and look at what Brian was doing with his main band in that time. After "Surfin' Safari" was a hit, in one of the many incomprehensible decisions made in the Beach Boys' career, Capitol decided to follow it up with an album track that Brian and Gary Usher had written, "Ten Little Indians". That track, a surf-rock version of the nursery rhyme with the group chanting "Kemo sabe" in the backing vocals, made only number forty-nine on the charts, and frankly didn't deserve to do even that well. Some have suggested, in fact that the record was released at the instigation of Murry Wilson, who was both Brian, Carl, and Dennis Wilson's father and the group's manager, as a way of weakening Usher's influence with the group, as Murry didn't want outsiders interfering in what he saw as a family business. After realising the folly of deviating from the formula, the group's next single followed the same pattern as their first hit. The B-side was "Shut Down", a car song co-written by Brian and Roger Christian, who you may remember from the episode on "Surf City" as having been brought in to help Brian with car lyrics. "Shut Down" is most notable for being one of the very small number of Beach Boys records to feature an instrumental contribution from Mike Love, the group's lead singer. His two-note saxophone solo comes in for some mockery from the group's fans, but actually fits the record extremely well: [Excerpt: The Beach Boys, "Shut Down"] "Shut Down" was a top thirty hit, but it was the A-side that was the really big hit. Just as their first hit had had a surf song on the A-side and a car song on the B-side, so did this single. Brian Wilson had been inspired by Chuck Berry's "Sweet Little Sixteen", and in particular the opening verse, which had just listed a lot of places: [Excerpt: Chuck Berry, "Sweet Little Sixteen"] He might well also have been thinking of Chubby Checker's minor hit, "Twistin' USA", which listed places in America where people might be twisting: [Excerpt: Chubby Checker, "Twistin' USA"] Brian had taken Berry's melody and the place-name recitation, and with the help of his girlfriend's brother, and some input from Mike Love, had turned it into a song listing all the places that people could be surfing -- at least, they could "if everybody had an ocean": [Excerpt: The Beach Boys, "Surfin' USA"] "Surfin' USA" became a huge hit, reaching number two on the charts, and later being named by Billboard as the biggest hit of 1963, but unfortunately for Brian that didn't result in a financial windfall for him as the songwriter. As the song was so close to "Sweet Little Sixteen", Chuck Berry got the sole songwriting credit -- one of the only times in rock music history where a white artist has ripped off a Black one and the Black artist has actually benefited from it. And Berry definitely did benefit -- "Sweet Little Sixteen", while a great record, had never been a particularly big hit, while "Surfin' USA" is to this day regularly heard on oldies radio and used in commercials and films. But that success meant extra work, and a lot of it. "Surfin' USA" was the title song of the group's second album, released in March 1963 only four months after their first, and they would release two more albums before the end of the year -- Surfer Girl in September and Little Deuce Coupe in October. Not only were they having to churn out a quite staggering amount of product -- though Little Deuce Coupe featured four songs recycled from their earlier albums -- but Brian Wilson, as well as writing or co-writing all their original material, started producing the records as well, as he was unhappy with Nik Venet's production on the first album. Not only that, but as well as making the Beach Boys' records, Wilson was also writing for Jan and Dean, and he had also started making records on the side with Gary Usher, doing things like making a "Loco-Motion" knock-off, "The Revolution", released under the name Rachel and the Revolvers: [Excerpt: Rachel and the Revolvers, "The Revolution"] According to some sources, Usher and Wilson found the singer for that track by the simple expedient of driving to Watts and asking the first Black teenage girl they saw if she could sing. Other sources say they hired a professional session singer -- some say it was Betty Everett, but given that that's the name of a famous singer from the period who lived in the Mid-West, I think people are confusing her for Betty Willis, another singer who gets named as a possibility, who lived in LA and who certainly sounds like the same person: [Excerpt: Betty Willis, "Act Naturally"] Wilson was also in the process of breaking up with his girlfriend and starting a relationship with a young woman named Marilyn Rovell. Rovell, along with her sister Diane, and their cousin, Ginger Blake, had formed a girl group, and Brian was writing and producing records for them as well: [Excerpt: The Honeys, "The One You Can't Have"] As well as making all these records, the Beach Boys were touring intensively, to the point that on one day in June the group were actually booked in for four shows in the same day. Unsurprisingly, Brian decided that this was too much for one person, and so in April 1963, just after the release of "Surfin' USA", he decided to quit touring with the group. Luckily, there was a replacement on hand. Alan Jardine had been a member of the Beach Boys on their very first single, but had decided to quit the group to go off to university. A year later, that seemed like a bad decision, and when Brian called him up and asked him to rejoin the band, he eagerly agreed. For now, Alan was not going to be a proper member of the group, but he would substitute for Brian on the group's tour of the Midwest that Spring, and on many of the shows they performed over the summer -- he could play the bass, which was the instrument that Brian played on stage, and he could sing Brian's parts, and so while the Beach Boys still officially consisted of Brian, Carl, and Dennis Wilson, Mike Love, and David Marks, the group that was on tour was Carl, Dennis, Mike, David, and Alan, though Brian would sometimes appear for important shows. Jardine also started recording with the group, though he would not get credited on the covers of the first couple of albums on which he appeared. This made a huge change to the sound of the Beach Boys in the studio, as Jardine playing bass allowed Brian Wilson to play keyboards, while Jardine also added to the group's vocal harmonies. And this was a major change. Up to this point, the Beach Boys' records had had only rudimentary harmonies. While Brian was an excellent falsetto singer, and Mike a very good bass, the other three members of the group were less accomplished. Carl would grow to be one of the great vocalists of all time, but at this point was still in his early teens and had a thin voice. Dennis' voice was also a little thin at this point, and he was behind the drum kit, which meant he didn't get to sing live, and David Marks was apparently not allowed to sing on the records at all, other than taking a single joint lead with Carl on the first album. With the addition of Jardine, Brian now had another singer as strong as himself and Love, and the Surfer Girl album, the first one on which Jardine appears, sees Brian expanding from the rather rudimentary vocal arrangements of the first two albums to something that incorporates a lot more of the influence of the Four Freshmen. You can hear this most startlingly on "In My Room". This is one of the first songs on which Jardine took part in the studio, though he's actually not very audible in the vocal arrangement, which instead concentrates on the three brothers. "In My Room" is a major, major, step forward in the group's sound, in the themes that would appear in their songwriting for the next few years, and in the juxtaposition of the lyrical theme and the musical arrangement. The song's lyrics, written by Gary Usher but inspired by Wilson's experiences, are about solitude, and the song starts out with Brian singing alone, but then Brian moves up to the third note of the scale and Carl comes in under him, singing the note Brian started on. Then they both move up again, Brian to the fifth and Carl to the third, with Dennis joining in on the note that Brian had started on, before Mike and Alan finally also join in. Brian is singing about being alone, but he has his family with him, supporting him: [Excerpt: The Beach Boys, "In My Room"] This new lineup of the group, with Alan augmenting the other five, might even have lasted, except for a chain of events that started on David Marks' fifteenth birthday. Murry Wilson, who was still managing the group at this point, had never liked the idea of someone from outside the family being an equal member, and was particularly annoyed at David because Murry had tried to have an affair with David's mother, which hadn't worked out well for him. But then on Marks' fifteenth birthday, he and Dennis Wilson both caught a sexually transmitted infection from the same sex worker, and when Murry Wilson found this out -- as he had to, as he needed to pay their doctor's bills -- he became furious and started screaming at the whole group. At that point, David had had enough. His mother had been telling him that he was the real talent in the group and he didn't need those Wilsons, and as a fifteen-year-old kid he didn't have the understanding to realise that this might not be entirely true. He said "OK, I quit". At first, the rest of the group thought that he was joking, and even he wasn't at all sure that he wanted to leave the group altogether. He remained in the band for the next month, but Murry Wilson kept reminding his sons that Marks had quit and that they'd all heard him, and refused to speak directly to him -- anything that Murry wanted to say to David, he said to Carl, who passed the message on. And even though the rest of the group definitely wanted David to stay -- especially Brian, who liked having the freedom not to go out on tour, and Carl, who had been the one who'd lobbied to bring his friend into the group in the first place -- David was still, as the youngest member, the only one who didn't sing, and the only one not part of the family, regarded by the others as somewhat lesser than the rest of the band. David became increasingly frustrated, especially when they were recording the Little Deuce Coupe album. That album was made up entirely of songs about cars, and the group were so short of material that the album ended up being filled out with four songs from earlier albums, including two from the Surfer Girl album released only the previous month. Yet when David tried to persuade Brian to have the group record his song "Kustom Kar Show", Brian told David that he wasn't ready to be writing songs for the group. All this, plus pressure from David's parents to make him more of a focal point of the group, led to his resignation eventually being accepted, and backdated to the original date he quit. He played his last show with the group on October the fifth 1963, and then formed his own band, the Marksmen, who signed to A&M: [Excerpt: Dave and the Marksmen, "Kustom Kar Show"] There have been rumours that Murry Wilson threatened DJs that the Beach Boys wouldn't co-operate with them if they played Marksmen records, but in truth, listening to the records the Marksmen made during their two years of existence, it's quite obvious why they weren't played -- they were fairly shoddy-sounding garage rock records, with little to commend them. Indeed, they actually sound somewhat better now than they would have done at the time -- some of Marks' flatter and more affectless vocals prefigure the sound of some punk singers, but not in a way that would have had any commercial potential in 1963. Meanwhile, the Beach Boys continued, with Alan Jardine buying a Stratocaster and switching to rhythm guitar, and Brian Wilson resigning himself to having to perform live, at least at the moment, and returning to his old role on the bass. Jardine was now, for publicity purposes, a full member of the group, though he would remain on a salary rather than an equal partner for many years -- Murry Wilson didn't want to make the same mistake with him that he had with Marks. And there was still the constant need for new material, which didn't let up. Brian's songwriting was progressing at a furious pace, and that can be seen nowhere better than on "The Warmth of the Sun", a song he wrote, with Love writing the lyrics, around the time of the Kennedy assassination -- the two men have differed over the years over whether it was written the night before or the night after the assassination. "The Warmth of the Sun" is quite staggeringly harmonically sophisticated. We've talked before in this podcast about the standard doo-wop progression -- the one, minor sixth, minor second, fifth progression that you get in about a million songs: [demonstrates] "The Warmth of the Sun" starts out that way -- its first two chords are C, Am, played in the standard arpeggiated way one expects from that kind of song: [demonstrates] You'd expect from that that the song would go C, Am, Dm, G or C, Am, F, G. But instead of moving to Dm or F, as one normally would, the song moves to E flat, and *starts the progression over*, a minor third up, so you have: [demonstrates] It then stops that progression after two bars, moves back to the Dm one would expect from the original progression, and stays there for twice as long as normal, before moving on to the normal G -- and then throwing in a G augmented at the end, which is a normal G chord but with the D note raised to E flat, so it ties in to that original unexpected chord change. And it does all this *in the opening line of the song*: [Excerpt: The Beach Boys, "The Warmth of the Sun"] This is harmonic sophistication on a totally different order from anything else that was being done in teen pop music at the time -- it was far closer to the modern jazz harmonies of the Four Freshmen that Brian loved than to doo-wop. The new five-piece lineup of the group recorded that on January the first, 1964, and on the same day they recorded a song that combined two of Brian's other big influences. "Fun Fun Fun" had lyrics by Mike Love -- some of his wittiest -- and starts out with an intro taken straight from "Johnny B. Goode": [Excerpt: The Beach Boys, "Fun Fun Fun"] But while the rest of the track keeps the same feel as the Chuck Berry song, the verse goes in a different harmonic direction, and actually owes a lot to "Da Doo Ron Ron". Instead of using a blues progression, as Berry normally would, the verse uses the same I-IV-I-V progression that "Da Doo Ron Ron"'s chorus does, but uses it to very different effect: [Excerpt: The Beach Boys, "Fun Fun Fun"] That became the group's fourth top ten hit, and made number five on the charts -- but the group suddenly had some real competition. At numbers one, two, and three were the Beatles. Brian Wilson realised that he needed to up his game if he was going to compete, and he did. In April 1964 he started working on a new single. By this time, while the Beach Boys themselves were still playing most of the instruments, Brian was bringing in additional musicians to augment them, and expanding his instrumental palette. The basic track was the core members of the band -- Carl playing both lead and rhythm guitar, Alan playing bass, and Dennis playing drums, with Brian on keyboards -- but there were two further bass players, Glen Campbell and Ray Pohlman, thickening the sound on six-string bass, plus two saxophones, and Hal Blaine adding percussion. And the main instrument providing chordal support wasn't guitar or organ, as it usually had been, but a harpsichord, an instrument Brian would use a lot over the next few years: [Excerpt: The Beach Boys, "I Get Around (backing track)"] The recording session for that backing track was also another breaking point for the band. Murry Wilson, himself a frustrated songwriter and producer, was at the session and kept insisting that there was a problem with the bassline. Eventually, Brian had enough of his father's interference, and fired him as the band's manager. Murry would continue to keep trying to interfere in his children's career, but this was the point at which the Beach Boys finally took control over their own futures. A few days later, they reconvened in the studio to record the vocals for what would become their first number one hit: [Excerpt: The Beach Boys, "I Get Around"] It's fascinating to see that even this early in the group's career, and on one of their biggest, summeriest hits, there's already a tension in the lyrics, a sense of wanting to move on -- "I'm getting bugged driving up and down the same old strip/I've got to find a new place where the kids are hip". The lyrics are Love's, but as is so often the case with Brian Wilson's collaborations, Love seems to have been expressing something that Wilson was feeling at the time. The Beach Boys had risen to the challenge from the Beatles, in a way that few other American musicians could, and "I Get Around" was good enough that it made the top ten in the UK, and became a particular favourite in the Mod subculture in London. The group would only become more popular over the next few years in the UK, a new place where the kids were hip. "I Get Around" is a worthy classic, but the B-side, "Don't Worry Baby", is if anything even better. It had been recorded in January, and had already been released on their Shut Down vol 2 album in March. It had originally been intended for the Ronettes, and was inspired by "Be My Baby", which had astonished Brian Wilson when it had been released a few months earlier. He would later recall having to pull over to the side of the road when he first heard the drum intro to that record: [Excerpt: The Ronettes, "Be My Baby"] Brian would play that record over and over, on repeat, for days at a time, and would try to absorb every nuance of the record and its production, and he tried to come up with something that could follow it. Wilson took the basic rhythm and chord sequence of the song, plus melodic fragments like the line "Be my little baby", and reworked them into a song that clearly owes a lot to its inspiration, but which stands on its own: [Excerpt: The Beach Boys, "Don't Worry Baby"] Phil Spector turned the song down, and so the Beach Boys recorded it themselves, and I have to say that this was only a good thing -- Ronnie Spector recorded a solo version of it many decades later, and it's a fine performance, but the lyric misses something when it's sung by a woman rather than a man. That lyric was by Roger Christian, and in it we see the tension between the more emotional themes that Wilson wanted to explore and the surf and car lyrics that had made up the majority of their singles to this point. The lyric is ostensibly about a car race, and indeed it seems to be setting up precisely the kind of situation that was common in teen tragedy records of the period. The protagonist sings "I guess I should have kept my mouth shut when I started to brag about my car, but I can't back down now because I pushed the other guys too far", and the whole lyric is focused on his terror of an upcoming race. This seems intended to lead to the kind of situation that we see in "Dead Man's Curve", or “Tell Laura I Love Her”, or in another teen tragedy song we'll be looking at in a couple of weeks, with the protagonist dead in a car crash. But instead, this is short-circuited. The protagonist's fears are allayed by his girlfriend: [Excerpt: The Beach Boys, "Don't Worry Baby"] What we have here is someone trying to deal with a particular kind of anxiety brought about by what we now refer to as toxic masculinity. The protagonist has been showing off about his driving skills in front of his peers, and has now found himself in a situation that he can't cope with. He's saved by a figure we'll see a lot more of in Brian's songs, whoever the lyricist, the supernaturally good woman who understands the protagonist and loves him despite, or because of, his faults, even though she's too good for him. Obviously, one can point to all sorts of reasons why this figure might be considered problematic -- the idea that the man is unable to deal with his own emotional problems without a woman fixing him -- but there's an emotional truth to it that one doesn't get in much music of the era, and even if it's a somewhat flawed view of gender relations, it speaks to a very particular kind of insecurity at the inability to live up to traditional masculine roles, and is all the more affecting when it's paired with the braggadocio of the A-side. The combination means we see the bragging and posturing on the A-side as just a facade, covering over the real emotional fragility of the narrator. Each side reinforces the other, and the combination is one of the most perfect pairings ever released as a single. "Don't Worry Baby", released as "I Get Around”'s B-side, made the charts in its own right peaking at number twenty-four. The B-side to the next single further elaborated on the themes of "Don't Worry Baby": [Excerpt: The Beach Boys, "She Knows Me Too Well"] This repurposing of the emotional and musical style of girl-group songs to deal with the emotional vulnerability that comes from acknowledging and attempting to process toxic masculinity is something that few other songwriters were capable of at this point – only some of John Lennon's work a couple of years later comes close to dealing with this very real area of the emotional landscape, and Lennon, like Wilson, often does so by using the figure of the perfect woman who will save the protagonist. In 1964, the group once again released four albums – Shut Down vol.2, All Summer Long, a live album, and a Christmas album – and they also did most of the work on yet another album, The Beach Boys Today!, which would be released in early 1965. As these recordings progressed, Brian Wilson was more and more ambitious, both in terms of the emotional effect of the music and his arrangements, increasingly using session musicians to augment the group, and trying for a variant on Phil Spector's production style, but one which emphasised gentle fragility rather than sturm und drang. Possibly the greatest track he created in 1964 ended up not being used by the Beach Boys, though, but was given to Glen Campbell: [Excerpt: Glen Campbell, "Guess I'm Dumb"] Campbell got given that track because of an enormous favour he'd done the group. The mental strain of touring had finally got too much for Brian, and in December, on a plane to Texas, he'd had a breakdown, screaming on the plane and refusing to get off. Eventually, they coaxed him off the plane, and he'd managed to get through that night's show, but had flown back to LA straight after. Campbell, who was a session guitarist who had played on a number of the Beach Boys' recordings, and had a minor career as a singer at this point, had flown out at almost no notice and for the next five months he replaced Brian on stage for most of their shows, before the group got a permanent replacement in. Brian Wilson had retired from the road, and the hope was that by doing so, he would reduce the strain on himself enough that he could keep writing and producing for the group without making his mental health worse. And for a while, at least, that seemed to be how it worked out. We'll take a look at the results in a few weeks' time.

christmas united states america love music american california history texas black uk french spring dm revolution sun beatles midwest cd campbell capitol usher billboard djs shutdowns john lennon watts safari curve beach boys dead man no good mod tilt mixcloud chuck berry warmth rock music brian wilson phil spector capitol records glen campbell surfin jardine mike love locomotion wilsons murry james b chubby checker ronettes ronnie spector johnny b stratocaster dennis wilson fun fun fun stebbins revolvers be my baby surf city hal blaine kemo twistin david marks roger christian in my room i get around marksmen rovell all summer long worry baby betty everett four freshmen ten little indians little deuce coupe don't worry baby marilyn rovell tilt araiza

Episode 16: Ranting About Rock 'n' Roll

Comic Book Crush

Play Episode Listen Later Jan 8, 2021 28:20

Hello, and Happy New Year! Kicking off the new year right by getting real about Hope Larson's All Summer Long and All Together Now, gushing about Sam's Magg's Captain Marvel: AIM Small and her YA prose novel The Unstoppable Wasp: Built on Hope, and being weirdly charmed by Please Tell Me, Galko-Chan!Relevant Links:All Summer Long by Hope LarsonAll Together Now by Hope LarsonCaptain Marvel: AIM Small by Sam MaggsThe Unstoppable Wasp: Built on Hope by Sam MaggsPlease Tell Me, Galko-Chan! by Kenya Suzuki

rock happy new year marvel kicking rock and roll comic books wasp manga ranting all together now magg all summer long hope larson

Q&A: Good Synths, Bad Acoustics & Moana

Strong Songs

Play Episode Listen Later Sep 16, 2020 54:20

Mailbag episode! Kirk tackles your questions on subjects ranging from a Warren Zevon piano part, to the unfortunate prevalence of bad acoustics at live shows, to why Moana is such a good movie. It's been a rough week; thanks everyone who wrote in. DISCUSSED ON THIS EPISODE: “Flaming” by Pink Floyd from The Piper at the Gates of Dawn, 1967 “Golden Brown” by the Stranglers, 1981 “Woke Up Today” and “In My Room” by Jacob Collier from In My Room, 2016 “Reckless” by Nate Wood/Four from X.it, 2019 “Stranger Things” by Kyle Dizon and Michael Stein “Succession” by Nicholas Britell “Hillbilly Hare” by Carl Stalling Audio from Hot Fuzz, 2007 “The End of the Tour” by They Might Be Giants from John Henry, 1994 “Dancing Queen” by ABBA from Arrival, 1976 “All Summer Long” by Kid Rock from Rock N Roll Jesus, 2007 “Sweet Home Alabama” by Lynyrd Skynyrd from Second Helping, 1973 “Werewolves of London” by Warren Zevon from Excitable Boy, 1978 The excellent documentary Twenty Feet From Stardom “Gimme Shelter” by the Rolling Stones feat. Merry Clayton from Let It Bleed, 1969 “You Know How We Do It” by Ice Cube from Lethal Injection, 1993 “Nuthin’ but a G thang” by Dr. Dre feat. Snoop Dogg from The Chronic, 1992 “Windows 95 Login” by Brian Eno, 1995 “All Things Considered” by Don Voegeli, arr. Wycliffe Gordon “Good Night Until Tomorrow” by Nobuo Uematsu from Final Fantasy VII, 1997 “Fingertips” by They Might Be Giants from Apollo 18, 1992 "Honey Jar" by The Wood Brothers from Live at the Barn, 2017 “I Am Moana” and “How Far I’ll Go” by Lin Manuel Miranda feat. Auliʻi Cravalho from Moana, 2016 Correction 9/16: A listener pointed out that I failed to mention the explicit "Sweet Home Alabama" reference that comes a bit later in "All Summer Long." I added a mention of it to the episode. - KH OUTRO SOLOIST: Kirk Hamilton Kirk is the host of Strong Songs. He lives in Portland, Oregon, a charming, smoke-filled city where no one can go outside because the air is poison. He used to play shows around the Pacific Northwest, but since live music can no longer safely exist, he mostly sits at home sipping coffee by the air purifier, thinking "This is fine." KEEP IT SOCIAL You can follow Strong Songs on Twitter @StrongSongs: http://twitter.com/strongsongs And you can find Kirk on Twitter @Kirkhamilton and on Instagram at @Kirk_Hamilton: https://www.instagram.com/kirk_hamilton/ NEWSLETTER/MAILING LIST Sign up for Kirk's mailing list to start getting monthly-ish newsletters with music recommendations, links, news, and extra thoughts on new Strong Songs episodes: https://kirkhamilton.substack.com/subscribe STRONG PLAYLISTS Kirk has condensed his Strong Songs picks into a single new list, which you can find on Spotify, Apple Music, and thanks to listener L.B., it's now on Google Play. SUPPORT STRONG SONGS ON PATREON! Thank you to all of Strong Songs's Patreon backers - all 1,000 plus of you! You are incredible, and you're making it possible for this show to exist. For more information on how support Strong Songs, go here: https://Patreon.com/StrongSongs SEPTEMBER 2020 WHOLE-NOTE PATRONS Rick Klaras Laurie Acreman Ken Hirsh Jez Jenness Gardner Simon Cammell Guinevere Boostrom Jill Smith-Moore Rachel Rakov Narelle Horn Mickey Clark Nathaniel Bauernfeind Simon Cramp Bill Rosinger Anne Britt David Zahm Erin Aidan Coughlan Jeanneret Manning Family Four Matt Butler Doug Paton Robert Paul R Watson Viki Dun Christer Lindqvist Sami Samhuri Craig J Covell AccessViolation Ryan Torvik Merlin Mann Glenn CALEB ROTACH Andre Bremer Chad Barnard Mark Schechter Dave Florey Dan Apczynski SEPTEMBER 2020 HALF-NOTE PATRONS Jeffrey C. Yarnell David Friedman Phillip Dalton Christopher Cudnoski Mark Edwards Randall Browning Sarah Sulan Diane Hughes Matt Beams Niko Kenneth Tiong Jo Sutherland David Catlett Michael York Derek Bender Melanie Andrich Franco Famularo Don Hutchison Lowell Meyer Etele Illes Jeff Almond Stephen Tsoneff Lorenz Schwarz Becca Sample Wen Jack Sjogren Aparajit Raghavan Benedict Pennington Geoff Golden Robyn Fraser Alexander Geddes Pascal Rueger Randy Souza Joe C Latifah Makuyi Clare HOLBERTON Jake Tinsley Georgia Livesay David Zucker Diane Turner Tom Coleman SUELLEN MOORE Judy Chapple Stuart Terry Mark Perry Malory Dhu Wik Eric Helm Jake Roberts Briony Leo Bill Fuller Jonathan Daniels Sheilah Steven Maron MH Michael Flaherty Jarrod Schindler Zoe Little Gerry Nelson Albukitty Caro Field Wayne Marsh Judith Stansfield Jenifer Carr michael bochner Duncan brant brantphillip Leigh Sales Markus Koester Alexander Jeremy Dawson Gavin Doig Sam Fenn Tanner Morton AJ Schuster Jennifer Bush David Stroud Amanda Furlotti Andrew Baker Brooke Wilford Cyrus N. White Chris Brown Mark Haberlen Juan Carlos Montemayor Elosua Kate Albury Matt Gaskell Elliot Jay O'Neill Jules Bailey Eero Wahlstedt Darryl Stewart Bill Thornton Brian Amoebas Brett Douville Jeffrey Olson Matt Betzel Mueller Nate from Kalamazoo Melanie Stivers Richard Toller Alexander Polson John and Sharon Stenglein Tom Lauer Forrest Chang Earl Lozada Jon O’Keefe Justin McElroy Arjun Sharma Shane DeLeon James Johnson Andrew Lee Kevin Morrell Tom Clewer Kevin Pennyfeather Nicholas Schechter Justin Liew Emily Williams

Under The Covers 48 - Werewolves Of London

Autoradio Podcast

Play Episode Listen Later Aug 21, 2020 21:47

covers werewolves kid rock lynyrd skynyrd sweet home alabama warren zevon all summer long valesi

Full of Energy Episode 300 10-5-19

Full Of Energy

Play Episode Listen Later Oct 24, 2019 60:04

1. Showtek, Sultan & Shepard - "Way We Used 2" (Essentials Extended Remix) 2. Ellie Goulding & Juice WRLD - "Hate Me" (R3hab Remix) 3. VASSY - "Trouble"(Extended Mix) 4. DubVision - "Young Money" (Extended Remix) 5. Zed's Dead, Funkin' Matt f./ Fiora - "Feels So" (Extended Mix) 7. B.O.B. - "Airplanes 2K19" (Starjack Deep House Mixshow Edit) 8. Justin Timberlake - "Rock Your Body vs More Your Body" (Claudio D Edit) 9. Janet Jackson - "All For You" (Disco Fries Edit) 10. Eddie Money - "Take Me Home Tonight" (Collini Club House Starter) 11. Kid Rock vs Lucas & Steve - "All Summer Long" (Pat C's Why Can't You See Edit) 12. Usher, Elias & Kaxbell - "Dj Got Us Falling In Love 2K19" (Starjack Festival Mixshow Edit) 13. Avicii, Post Malone - "Take What You Want" (David S Levels Blend) 14. Crooklyn Clan & Fatman Scoop & Dj Kool - "It Takes Scoop" (Collini Big Room Mashup) 15. Major Lazer & Daddy Yankee vs Tujamo - "Bumaye vs Drop It" (Starjack Big Horn Mashup) 16. Oscar G - "Dark Beat" (Dj Nelson S 2K19 Big Room Reboot) 17. David Guetta f./ Ne-Yo & Akon - "Play Hard" (Collini Big Horn Mashup) 18. Tritonal, Rosie Darling - "Never Be The Same" (Extended Mix) 19. eSquire, Sarh Sings - "Teardrops" (Extended Mix) 20. Trilane f./ Tom Noah - "Never Forget" (Nicky Romero Extended Edit) 21. Debris, Tom Budin, Joegarrett - "Nothing Left To Say" Extended Mix) bookdjnikis@gmail.com

Dom's Summer Sizzle Mix Ep.14

Play Episode Listen Later Sep 20, 2019 33:56

A fresh weekly mix of top pop remixes, hip hop and party bangers curated and mixed live by DJ Dom Nagella. New episodes dropped every Friday at 5pm All Summer Long!!Let's Connect:www.instagram.com/domnagella/www.facebook.com/domnagella/www.twitter.com/domnagella/Booking: dominic@leforcedj.com

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Dom's Summer Sizzle Mix Ep.13

house hip hop trap billboard edm booking pop music music podcasts top40 dj mix live mix top hits top pop summer sizzle all summer long

Play Episode Listen Later Sep 13, 2019 30:12

A fresh weekly mix of top pop remixes, hip hop and party bangers curated and mixed live by DJ Dom Nagella. New episodes drop every Friday at 5pm All Summer Long!!Let's Connect:www.instagram.com/domnagella/www.facebook.com/domnagella/www.twitter.com/domnagella/Booking: dominic@leforcedj.com

Dom's Summer Sizzle Mix Ep.12

music house hip hop trap billboard edm booking live music pop music music podcasts electronic music dj mix live mix top pop summer sizzle all summer long

Play Episode Listen Later Sep 6, 2019 34:30

A fresh weekly mix of summer house vibes and party bangers curated and mixed live by DJ Dom Nagella. New episodes drop every Friday at 5pm All Summer Long!! Let's Connect: www.instagram.com/domnagella/ www.facebook.com/domnagella/ www.twitter.com/domnagella/ Booking: dominic@leforcedj.com

Dom's Summer Sizzle Mix Ep.11

all summer long brennan elliott

Play Episode Listen Later Aug 30, 2019 32:27

A fresh weekly mix of summer house vibes and party bangers curated and mixed live by DJ Dom Nagella. New episodes drop every Friday at 5pm All Summer Long!! Let's Connect: www.instagram.com/domnagella/ www.facebook.com/domnagella/ www.twitter.com/domnagella/ Booking: dominic@leforcedj.com

music house club dj hip hop trap billboard electronic booking music podcasts elm top40 dj mix pop hits top pop summer sizzle all summer long

Brennan Elliott (All Summer Long)

Deck The Hallmark

Play Episode Listen Later Aug 29, 2019 54:02

The boys sit back down with Brennan Elliott to chat about All Summer Long, Crossword Mysteries, and more! Learn more about your ad choices. Visit megaphone.fm/adchoices

All Summer Long

Deck The Hallmark

Play Episode Listen Later Aug 27, 2019 44:01

Say what you will about Hallmark summer movies, but we are here for them...ALL SUMMER LONG! That's right! This week, we're covering the newest Hallmark Summer movie -- All Summer Long. Learn more about your ad choices. Visit megaphone.fm/adchoices

hallmark all summer long

Back to Mono #17

Back to Mono: The Dedicated Mono Mixes Podcast

Play Episode Listen Later Aug 27, 2019 43:33

This episode of Back to Mono originally aired on COOLMOVESRADIO in 2019. As part of an effort to restore the entire Back to Mono catalogue to podcast services, I have uploaded it here for your enjoyment. However, please be aware that as a result of this the sonic quality of this episode is not up to scale with more recent episodes, but the music and discussion most certainly is. Here's my original description:Frederick's back, with a show chock full of upbeat 60s pop tunes to keep you entertained All Summer Long! With Hits and Deep Cuts from artists such as Simon & Garfunkel, The Turtles, Crosby Stills & Nash, this episode will brighten your day, and blind you with its sunny rays at night. With a special focus on The Beach Boys' summertime magnum opus "All Summer Long" LP from 1964, how much brighter could this episode get? You'll have to take a listen to find out... Happy Listening - Frederick backtomonoradio@gmail.com backtomono.podbean.com

turtles beach boys mono deep cuts simon garfunkel crosby stills nash all summer long

Dom's Summer Sizzle Mix Ep.10

Play Episode Listen Later Aug 23, 2019 31:58

A fresh weekly mix of summer house vibes and party bangers curated and mixed live by DJ Dom Nagella. New episodes drop every Friday at 5pm All Summer Long!! Let's Connect: www.instagram.com/domnagella/ www.facebook.com/domnagella/ www.twitter.com/domnagella/ Booking: dominic@leforcedj.com

Dom's Summer Sizzle Mix Ep.9

Play Episode Listen Later Aug 16, 2019 32:51

A fresh weekly mix of summer house vibes and party bangers curated and mixed live by DJ Dom Nagella. New episodes drop every Friday at 5pm All Summer Long!! Let's Connect: www.instagram.com/domnagella/ www.facebook.com/domnagella/ www.twitter.com/domnagella/ Booking: dominic@leforcedj.com

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Dom's Summer Sizzle Mix Ep.8

trap billboard edm booking new music house music dancehall pop music music podcasts top40 dj mix latin music top hits summer sizzle all summer long

Play Episode Listen Later Aug 9, 2019 34:52

A fresh weekly mix of summer house vibes and party bangers curated and mixed live by DJ Dom Nagella. New episodes drop every Friday at 5pm All Summer Long!! Let's Connect: www.instagram.com/domnagella/ www.facebook.com/domnagella/ www.twitter.com/domnagella/ Booking: dominic@leforcedj.com

Dom's Summer Sizzle Mix Ep.7

trap billboard edm booking new music live music house music pop music music podcasts electronic music top40 dj mix hip hop music top hits summer sizzle all summer long

Play Episode Listen Later Aug 2, 2019 32:55

A fresh weekly mix of summer house vibes and party bangers curated and mixed live by DJ Dom Nagella. New episodes drop every Friday at 5pm All Summer Long!! Let's Connect: www.instagram.com/domnagella/ www.facebook.com/domnagella/ www.twitter.com/domnagella/ Booking: dominic@leforcedj.com

Dom's Summer Sizzle Mix Ep.6

music hip hop booking live music pop music electronic music top40 dj mix party mix top pop summer sizzle all summer long

Play Episode Listen Later Jul 26, 2019 29:31

A fresh weekly mix of summer house vibes and party bangers curated and mixed live by DJ Dom Nagella. New episodes drop every Friday at 5pm All Summer Long!! Let's Connect: www.instagram.com/domnagella/ www.facebook.com/domnagella/ www.twitter.com/domnagella/ Booking: info@leforcedfw.com www.dominicnagella.com

Episode 137

No Cultural Authority

Play Episode Listen Later Jul 20, 2019 73:27

July 1959, 1964, 1969, 1974 and 1979 anniversaries

music history albums stevie wonder rock bottom neil young rejuvenation meters hard day's night b52s robert wyatt happy sad all summer long fulfillingness' first finale

Dom's Summer Sizzle Mix Ep.5

live dj trap vibes edm booking house music pop music elm dance music electronic music top40 summer party summer sizzle all summer long

Play Episode Listen Later Jul 19, 2019 31:49

A fresh weekly mix of summer house vibes and party bangers curated and mixed live by DJ Dom Nagella. New episodes drop every Friday at 5pm All Summer Long!! Let's Connect: www.instagram.com/domnagella/ www.facebook.com/domnagella/ www.twitter.com/domnagella/ Booking: info@leforcedfw.com www.dominicnagella.com

Dom's Summer Sizzle Mix Ep.4

Play Episode Listen Later Jul 12, 2019 36:34

A fresh weekly mix of summer house vibes and party bangers curated and mixed live by DJ Dom Nagella. New episodes drop every Friday at 5pm All Summer Long!! Let's Connect: www.instagram.com/domnagella/ www.facebook.com/domnagella/ www.twitter.com/domnagella/ Booking: info@leforcedfw.com www.dominicnagella.com

music live house club dj dance hip hop pop trap vibes electronic edm booking electro top40 throwbacks pop hits summer sizzle all summer long

Dom's Summer Sizzle Mix Ep.3 - (Red, White, BOOM - July 4th Edition)

Play Episode Listen Later Jul 4, 2019 37:03

Red, White, BOOM special July 4th edition with the most explosive tracks to celebrate your favorite summer holiday! A fresh weekly mix of summer vibes and party bangers curated and mixed live by DJ Dom Nagella. New episodes drop every Friday at 5pm All Summer Long!! Let's Connect: www.instagram.com/domnagella/ www.facebook.com/domnagella/ www.twitter.com/domnagella/ Booking: info@leforcedfw.com www.dominicnagella.com

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Dom's Summer Sizzle Mix Ep.2

streaming booking new music music podcasts summer vibes summer mix summer music summer party summer sizzle all summer long let's get social

Play Episode Listen Later Jun 28, 2019 33:59

A fresh weekly mix of summer vibes and party bangers curated and mixed live by DJ Dom Nagella. New episodes drop every Friday at 5pm All Summer Long!! Let's Get Social: www.instagram.com/domnagella/ www.facebook.com/domnagella/ www.twitter.com/domnagella/ Booking: info@leforcedfw.com www.dominicnagella.com

Dom's Summer Sizzle Mix Ep.1

streaming booking new music music podcasts summer vibes summer mix summer music summer party summer sizzle all summer long let's get social

Play Episode Listen Later Jun 21, 2019 33:45

A fresh weekly mix of summer vibes and party bangers curated and mixed live by DJ Dom Nagella. New episodes drop every Friday at 5pm All Summer Long!! Let's Get Social: www.instagram.com/domnagella/ www.facebook.com/domnagella/ www.twitter.com/domnagella/ Booking: info@leforcedfw.com www.dominicnagella.com

All Summer Long with Ms. Paige

DMPL Podcast

Play Episode Listen Later Jun 3, 2019 19:53

All Summer Long is now underway! Learn more about the Des Moines Public Library's summer reading program as Ms. Paige, the youth librarian at the North Side Library, joins host Aaron Gernes. Be sure to go to dmpl.org/summerreading for more information!

ms reading public library moines all summer long

"Old School On Da Rise”

Our Lifestyle Podcast (OLP)

Play Episode Listen Later May 30, 2019 175:16

Title sponsors: Sparkles Detail, Orange Beach Invasion, Scrapin’ The Coast, SikNic & Bayou Showdown ODB & The Mayor cover Scene Updates. ODB covers Industry, Culture, Entertainment Music, Tech, Sports & Gaming (yes gaming) Updates. First guest Andrew Beasley discusses his epic “old school” S-10 build he recently had painted and what’s next! Follow Andrew via Instagram @AndrewBeasleyyy. Second guest Jeremy French discusses the ’Tilt Bed Evolution’ movement he is leading. CCheck out’Tilt Bed Evolution’ Facebook group. Follow Jeremy via Instagram @comingupaces7. -Visit OLP’s Big Cartel site to purchase OLP merch -Visit HammerDWeekendWear to order “Scrapin the Most” or “Going Hard In The Paint." Hashtag with #HDWW -Visit ATLMagazine.com to order a 2019 subscription which will include 6 issues! Bi-monthly ya’ll --Follow Feltham Fabrication @Feltham_Fab on Instagram! He is producing some KILLER awards exclusively for OLP for various shows we attend in 2019! -Follow @SSBB_Media for kick ass show content from the West Coast! -Follow @LoneStarThrowdown and get ready for LST 2020 -Follow @the_west_coast_influenceand buy their DVD/Blu Ray/Merch! Support the scene ya’ll via MiniTruckFilm.com -Follow @GarageGearClothing & visit GarageGearClothing.com to order some killer threads! Follow & attend these individual shows that advertise on OLP! Scrapin the Coast @ScrapintheCoastShow June 21-23 @ The Mississippi Coast Coliseum and Convention Center Biloxi, MS East Tennessee Showdown @easttnshowdown June 29th @ East Tennessee Distillery in Piney Flats, TN Relaxin In The Park Northwest - The Awakening @RelaxinIntheNW July 25-28 @ Oregon State Fairgrounds in Salem, Oregon The Sparks Show @the_sparks_show Aug 9-11 @ Sevier County Fairgrounds in Sevierville, TN SikNic Show @siknicshow Aug 24-25 @ Lamar Dixon Expo Center Gonzales, LA Down 4 Dennis @down4dennis Sept 14th @ Ramey Chevrolet in Princeton, WV Bayou Showdown @bayoushowdownshow Nov 15-17 @ The Harbor Center Sidell, LA Bumper music in this episode includes: “Alwayz Into Somethin’” by NWA, "All Summer Long” by Kid Rock, “Da B Side" (Clean Version) by Da Brat featuring Notorious BIG & Jermaine Dupri & "Wild Thing” by Tone Loc. RIP Mark “Papa Smurf” Ballard! We miss you!

tech killers west coast salem old school bi nwa kid rock odb da brat tone loc bigcartel lst olp sports gaming all summer long entertainment music andrew beasley papa smurf ballard

#67 - (Some of the) Best MG Graphic Novels of 2018

Books Between Podcast

Play Episode Listen Later Jan 9, 2019 20:10

Intro Hi everyone and welcome to Books Between - a podcast for teachers, parents, librarians, and anyone who wants to connect kids between 8-12 to books they’ll love. I’m your host, Corrina Allen - a teacher in Central New York, a mom of two tween girls, and currently - all about the new Miles Morales Spiderman movie. It’s the lockscreen on my phone, my girls and I have the soundtrack set to shuffle in the car….and I already have plans to go see it a second time. Into the Spiderverse is the most innovative and fresh and exciting movie I’ve seen in years. It’s some next-level stuff. Just - go see it!! And see it on the BIG screen! This is episode #67 and today we are celebrating some of the best middle grade graphic novels published in 2018. On our last episode, I listed my top 25 middle grade novels of the year and I’ll include a link to that if you missed that episode. I think it’s important at the outset when making a list of this kind to explain what “best” means to you. What are your criteria? Is that popularity? The Goodreads best of lists tend to veer in that direction. Is it literary appeal? That is more along the lines of say, the Newbery Awards. For me, an outstanding book has to fit three criteria: I couldn’t put it down. Meaning - it was immersive, it has flow, it kept me turning the pages. I can’t forget it. Meaning - it had some extra special sparkle. An unforgettable character, an intriguing setting, a ground-breaking format, or a powerfully poignant message. I think kids would like it. There are books out there marketed to middle grade readers (sometimes those big award winners) that adults love but kids don’t seem to latch onto as much. So I also try to be mindful that kids books are for kids. Not for me. I am just the conduit to getting books into their hands and helping them discover what they like. Okay - let’s jump in! Main Topic - The Top 9 MG Graphic Novels of 2018 9. Making Friends by Kristen Gudsnuk This full-color graphic novel is about a 7th grade girl named Dany. She has just started middle school and is pretty lonely. Her friends are in different classes now and have new in-jokes and stories that she doesn’t get anymore. So she’s feeling socially vulnerable when her eccentric (and loaded) great-aunt passes away and she ends up with the woman’s sketchbook. A magical sketchbook that will turn your drawing into real-life. So when Dany draws the head of her favorite anime character (uh yeah… JUST the head) and a super popular girl to be her friend, there are (as you can imagine!) some unintended consequences. This book is FUNNY but you won’t catch half the stuff unless you read the background texts - like the store names: “Hot Topic” is “Cool Subject” and the indredients list on the food have some interesting things listed on them. This book is like a mix of Shannon Hale’s Real Friends with a touch of Suee and the Shadow with a little sprinkle of Amulet. If you have readers about ages 10 and up who like graphic novels about friendships and would be up for something with a supernatural twist, then this would be a great recommendation. And… I see Gudsnuk has a sequel in store as well! Mr. Wolf’s Class by Aron Nels Steinke This graphic novel started as a webcomic and is a great option if you are looking for something for younger middle grade readers who’d enjoy a sweet, gentle story. And it looks like lots of sequels are on their way! Mr. Wolf’s Class is about the first day of 4th grade - for brand new teacher Mr. Wolf and his students. By the way, Mr. Wolf is a wolf and the students are… rabbits and frogs and pigs and… well, just suspend your disbelief over the whole predator/prey thing! The book includes a cool preview of each student the night before school starts and then the day unfolds with short slice-of-life stories as we get to know each of the students and their teacher. A strength of this book is that the author clearly KNOWS what an actual classroom community is all about - the interactions of personalities. It feels really authentic in that way. And uh… I can definitely relate to being late to pick my kids because I was distracted by a donut in the break room! Sheets by Brenna Thummler You might be familiar with Thummler’s brilliant artwork from last year’s graphic novel adaptation of Anne of Green Gables. And if you haven’t yet gotten to that gem, bump it up on your TBR pile! This is her first solo graphic novel and I have a feeling we have a lot more in store from her! It’s the story of 13 year-old Marjorie who has been thrust into the responsibilities of running her family’s laundromat and taking care of her younger brother after her mother dies and her father has fallen into a deep depression. She is just barely hanging on and resisting the awful Mr. Saubertuck who wants to run them out of business and turn their building into a spa. But then… enter Wendell. He’s a young ghost - young meaning new and young meaning died when he was young who winds up being pulled out of the afterlife world and into Marjorie’s life. He’s looking for.. meaning. And after a rocky start with Marjorie, does end up finding it. For me, the strength and charm of this book is really about the outstanding illustrations - the gorgeous pastel palette and the nuances of the wordless panels. And based on how this book is flying through my classroom, it clearly also has that all-important kid-appeal. The Night Door (Edison Beaker Creature Seeker) by Frank Cammuso The author of The Knights of the Lunch Table series and the Misadventures of Salem Hyde has really taken things to the next level with this incredible and hilarious new world he’s created. This book is about a young boy named Edison who is afraid of the dark. When his mom has to go out of town, Edison and his little sister, Tesla, go to stay with their Uncle Earl. Uncle Earl is an exterminator and he reluctantly takes the kids (and their hamster!) on a late-night “emergency” job where the two kids (and the hamster!) wind up going through a portal into a shadowy other-worldly place where Edison has to confront his fears and lots of weird and cool creatures! This is one of those few books that has kids laughing out loud while they read it. It’s sort of like a mix between HiLo and Amulet. So if you have kids who love those two series, and want something similar, introduce them to Edison Beaker Creature Seeker. All Summer Long by Hope Larson I loved this graphic novel for a lot of reasons but one of them was that it features a friendship between a girl and boy that doesn’t ever fall into that trope of “well, maybe things are changing because you two really just have crush on each other!” Nope! It’s real, platonic - and has rocky parts - but it’s not a stepping stone to a love interest. And - thank you Hope Larson! What it IS about is that one defining summer is a young teen’s life when you start to realize that your childhood is something behind you that you’re looking back on and you are entering a new era with new interests. Where music - and finding people that like the same music as you do - takes on heightened importance in your life. At least, for me it was like that. Maybe for other kids it’s sports or art or theatre. But you start to find your people. And not just be freinds with the people who are in your class or happen to live next door. This graphic novel is about 13 year-old Bina whose best-friend and neighbor, Austin, is off to soccer camp this summer. So she ends up.. Binge-watching Netflix until her mom cuts her off. (Relateable!) Also - it’s a little thing but I like the pale orangey-peach tones of the book, which one reviewer described as orange creamsicle. Crush by Svetlana Chmakova I really, really loved her two earlier Berrybrook Middle School stories - Awkward and Brave, but this one just might be my favorite. This one takes a step away from the intrigues of the art club and the school newspaper and focused on Jorge Ruiz, a big kid, a pretty-popular jock who nobody really messes with, who seems to have it all together. Until he realizes that he’s got a massive crush on Jazmine and his world is suddenly tilted. This graphic novel really captures those quick relationship changes in middle school and that dynamic between texts and social media and how that influences and complicates face-to-face interactions. Sometimes novels totally leave out modern technology. I mean, half the time the problem in the book could be solved with a quick Google search or you know - maybe talking with the person that you’re having an issue with! But Chmakova knows that technology might solve some problems but ushers in a whole host of other ones. Crush is another one of those graphic novels that is getting passed from kid to kid to kid in my classroom with a big enough waiting list I ordered a second copy. And - a bonus - kids don’t have to read the three books in the series in order. They each definitely can stand alone. Be Prepared by Vera Brosgol This graphic novel is loosely based on the author’s real-life experiences and her Russian-American background and that makes for a unique twist on a familiar setting for some kids - summer camp! 9-year old Vera is a Russian immigrant and we learn at the beginning of the novel, she doesn’t doesn’t exactly fit in with the popular crowd. Or really any crowd at all. Her family is poor and their traditions and food are just enough “culturally off” to make her feel awkward among the girls she invites to a birthday sleepover that goes bad…. And oh man… how I felt for poor Vera that night! That’s some real-life cringe-worthy stuff though. Vera desperately wants to fit in and finally convinces her mother to send her and her brother to a Russian summer camp sponsored by their Orthodox church where they will learn the Russian language and religion along with the typical summer camp things - like learning why you shouldn’t feed the wildlife and finding a comfortable place to poop! Brosgol’s illustrations are outstanding with a foresty green color palette. And this book about the poor choices one can make in the quest for friendship along with that added layer of feeling like you don’t really belong enough in any culture makes this graphic novel feel like a blend of Shannon Hale’s Real Friends and Kelly Yang’s Front Desk. This would be a great recommendation for kids in about grades 4 or 5 and up. The Prince & the Dressmaker by Jen Wang Oh how this book made me smile!! It’s set in a 19th century-ish Paris where 16 year-old Prince Sebastian has a huge secret he is keeping from his parents - from everyone except for his trusted butler. He loves getting dressed up in fancy gowns and makeup and wigs. Eventually he discovers a lowly dressmaker, Frances, who has shown she is willing to break societal norms - and secretly hires her to help him transform into a different, more glamorous person. But things go awry when Sebastian’s parents try to arrange his marriage and his alter-ego (and her designer) become the talk of the town. It’s like Project Runway meets Versailles with a twist of Cinderella. And I really, really want Disney to make this into a movie! We need more books that go beyond the traditional gender norms so kids can both see themselves and also so that kids can see others not like them at the center of important and positive and fun stories. The Cardboard Kingdom by Chad Sell (and others) I was reading the last third of The Cardboard Kingdom after dinner one night. I may have mentioned before that we have a post-dinner reading routine of 20-30 minutes. All of us. And since the girls had taken over my prefered reading spot on the couch, I was off in the easy chair in the corner. Chuckling and smiling and just… reacting as I read it. And suddenly, Helena, my 9 year old, is reading over my shoulder, looming over me. Then she’s sitting on the arm on the chair, her head pressed against mine to see every angle of the illustrations. Then she’s in my lap with her hands on the book slowing down my turns of the pages so she could absorb each panel. Until finally, I relinquished it to her and just said, “Start from the beginning babe. It’s all yours.” I just happened to pick up this graphic novel right after I finished The Prince & the Dressmaker, and I loved the parallels between it’s main character, Sebastian, and the first character we meet here - The Sorceress! The first section is told completely through wordless panels as we witness two siblings playing with a kiddie pool, a chair, and a bunch of cardboard boxes and how their imagination has transformed that into magic and adventure. A girl peeking over the fence at them starts laughing and at first it breaks the spell and ends the game. But then she gets drawn into their world in her own unique way. And the story takes off from there - with each neighborhood kid bringing in their own personalities and quirks and their own imaginative spin on adventure. There are knights and robots and banshees and beasts. And entreupreneurs. There are conflicts and battles. And quieter moments of understanding. The stories stack and intertwine and build and build to create an amazing collection of backyard adventures! And just as the kid’s adventures are collaborative - so is this book! Chad Sell is the illustrator but each section was crafted along with a different writer - Jay Fuller, David Demeo, Katie Schenkel, Manuel Betancourt, Molly Muldoon, Vid Alliger, Cloud Jacobs, Michael Cole, and Barbara Perez Marquez. And somehow, those diverse authors and illustrators have captured that magical feeling of childhood where there’s boundless inspiration and freedom and when it’s good - acceptance and transformation of flaws into strengths and positive energy. It’s hard to describe the special magic of this book. But it gave me the same feeling as watching the new Spiderman movie I mentioned at the top of the show. A feeling of witnessing some of the best that collaboration has to offer - it’s some next-level stuff. Well - you’ve heard from me and now I want to hear from you! What graphic novels from the past year did you and the kids in your life love? Which ones are really making an impact among your students? And which ones are you all looking forward to in 2019? You can email me at booksbetween@gmail.com or jump into the conversation on Twitter/Instagram at the handle @Books_Between. We’ll be back to our every-other Monday schedule starting January 14th and make sure you check out the next episode which will be all about the most anticipated middle grade books of the upcoming year. Closing Thank you so much for joining me this week. You can find an outline of interviews and a full transcript of all the other parts of our show at MGBookVillage.org. And, if you have an extra minute this week, reviews on iTunes or Stitcher are much appreciated. Books Between is a proud member of the Lady Pod Squad and the Education Podcast Network. This network features podcasts for educators, created by educators. For more great content visit edupodcastnetwork.com Talk with you soon! Bye!

Réservoir rock - Episode 22: «God Only Knows», The Beach Boys (1966)

Réservoir Rock

Play Episode Listen Later Nov 24, 2018 5:34

Où l’on constate que les « Garçons de la plage » valent largement plus qu’une planche de surf. Références du morceau : «God Only Knows», The Beach Boys (composition Brian Wilson, Tony Asher), album Pet Sounds (1966) Quelques liens vers des morceaux incontournables des Beach Boys :- I Get Around, sur l’album All Summer Long (1964)- California Girls, sur l’album Summer Days (And Summer Nights !!) (1965)- Wouldn’t It Be Nice, sur l’album Pet Sounds (1966)- You Still Believe In Me, sur l’album Pet Sounds (1966)- Sloop John B sur l’album Pet Sounds (1966)- God Only Knows, sur l’album Pet Sounds (1966)- Good Vibrations, single (1966) puis album Smiley Smile (1967)- Kokomo, single (1988) puis album Still Cruising (1989)

rock quelques beach boys brian wilson good vibrations kokomo pet sounds god only knows california girls it be nice sloop john b all summer long smiley smile

Young Readers: Reviews of The Cardboard Kingdom, All Summer Long, and Be Prepared

The Comics Alternative

Play Episode Listen Later Sep 6, 2018 70:14

Time Codes: 00:00:27 - Introduction 00:03:03 - Fare-thee-well to Paul! 00:05:51 - The Cardboard Kingdom 00:28:41 - All Summer Long 00:44:11 -Be Prepared 01:06:46 - Wrap up 01:08:09 - Contact us On this episode of the Comics Alternative's Young Readers show, Gwen and Derek discuss summer 2018 new releases, all geared to middle-grade readers. The first text, edited and illustrated by Chad Sell, is The Cardboard Kingdom, released by Random House Graphic. Readers learn about the lives and dreams of a group of neighborhood kids in short stories written by Jay Fuller, David DeMeo, Katie Schenkel, Kris Moore, Molly Muldoon, Vid Alliger, Manuel Betancourt, Michael Cole, Cloud Jacobs, and Barbara Perez Marquez. The second text they discuss is Hope Larson's All Summer Long from Farrar Straus Giroux. And finally, Gwen and Derek review Vera Brosgol's long-awaited memoir, Be Prepared, released by First Second Books. They start by reviewing a comic that demonstrates the experimentation that is currently taking place in the young reader category: Chad Sell's edited collection of connected short stories, The Cardboard Kingdom. Set in a suburban neighborhood and featuring a truly diverse and engaging group of young kids, these stories show how imagination can function as a coping device. Young reader short story collections are not entirely new. Random House has also supported the Comics Squadseries, edited by Jennifer Holm and a rotating cast of co-editors, that have included themed volumes on "Recess," "Lunch," and "Detention." However, this short story collection boast only one artist, Chad Sell, and is presented as a cohesive narrative, with authors identified only at the end of the text. As such, the comic has a more cohesive feel, rather than a collection of fundamentally different stories that are linked only by theme. After that, Gwen and Derek check out Hope Larson's All Summer Long. This is the story of a 13-year-old, Bina, and her attempts to find meaning over the course of a summer. Growing up, she had been used to spending the summer with her best friend Austin, but during this particular summer, Austin goes off to soccer camp, leaving Bina to fend for herself. And part of this fending includes Austin's aggressive older sister, Charlie. This is a book all about growing up and finding your way over the course of significant life changes. Finally, Gwen and Derek discuss Vera Brosgol's BePrepared. This memoir focuses on the summer between 4th and 5th grades, when she attends Russian summer camp in the hope of finding friends with whom she will have something in common. The opening vignette in the novel focuses on young Vera's sense of cultural and economic isolation: as an immigrant from Russia and the daughter of a single mom living in a prosperous east coast suburb, she is often slow to pick up on the latest trends -- such as American Girl dolls -- and unable to approximate the lavish birthday parties that her classmates' parents are able to throw for their children. At the end of the school year, Vera listens to the plans that her friends are making, attending girl scout camp, taking vacations to faraway destinations…and she feels left out again. However, at the Russian Orthodox church that she attends, Vera learns from Ksenya, a Sunday school friend, about Orra, a Russian heritage camp, and she is certain that it will not only be fun, but will give her something to talk about with her school friends in autumn. While the experience is certainly life changing, it nonetheless becomes something quite different than what Vera had expected.

house young kingdom russia russian wrap cloud prepared lunch perez jacobs readers fare fuller larson vid detention marquez recess cardboard random house american girls farrar be prepared straus bina betancourt michael cole young readers russian orthodox orra all summer long hope larson first second books vera brosgol chad sell cardboard kingdom jennifer holm kris moore comics alternative katie schenkel

150 - Kneel Da Grass, Tyson! (with Charlie Demers)

Play Episode Listen Later Jun 27, 2018 118:57

This week on the show that knows you're just trying to make it look like a bad teammate, comedian and author CHARLIE DEMERS makes his triumphant return on the boys' third anniversary to celebrate three years of Real Good Show and discuss anniversary gifts, Steven Seagal, and the Phillie Phanatic's history of violence. PLUS: Charlie does a bunch more impressions! Survival tactics! And the boys get down and dirty to answer that classic question: who could hold their poop the longest? Follow Charlie on Instagram: @chuckofthesea Buy Charlie's new book, the excellent Property Values, a 2018 crime/humour novel about rising property values and the desperate measures one man goes to in order to lower his. Support the show at patreon.com/RealGoodShow, where $5 this month gets you access to all our bonus content, including the First Annual RGS Canucks Summer Summit, with JASON BOTCHFORD of The Provies / Province Sports -- 81 minutes of intelligent hockey talk with a man we admire very much. PLUS: after last month's Small Soldiers episode, we're continuing with a Summer Blockbuster series ALL SUMMER LONG, with special guests talking movies that mean a lot to them. And this month's monthly Mailbag features the return of beloved guest CHRIS JAMES! There's never been a better time to hop on the Patreon feed. Outro Music: "Talking Straight", by Rolling Blackouts Coastal Fever

survival grass mailbag steven seagal kneel summer blockbusters small soldiers chris james property values phillie phanatic rolling blackouts coastal fever all summer long jason botchford charlie demers real good show

149 - Technical Difficulties II: 2 Technical 2 Difficult

matrix factor incredibles technical difficulties jackass mailbag guess who summer blockbusters small soldiers bc lions action point all summer long jason botchford

Play Episode Listen Later Jun 21, 2018 80:41

This week on the show whose ass is in the jackpot, the boys go deep on movies: Incredibles 2! Action Point! Jackass! When was the hardest we laughed in theatres? PLUS: Coaches losing their minds at umpires! The BC Lions! Which movie role were we born to play? Stefan gets lost in The Matrix! And we answer the age-old question: what is a XXXTentacion? Support the show at patreon.com/RealGoodShow, where $5 this month gets you access to all our bonus content, including the First Annual RGS Canucks Summer Summit, with JASON BOTCHFORD of The Provies / Province Sports -- 81 minutes of intelligent hockey talk with a man we admire very much. PLUS: after last month's Small Soldiers episode, we're continuing with a Summer Blockbuster series ALL SUMMER LONG, with special guests talking movies that mean a lot to them. Factor in the monthly Mailbag and there's never been a better time to hop on the Patreon feed. Outro Music: "These Eyes", by The Guess Who

148 - Pillow Talk (with Jenny Toews)

Play Episode Listen Later Jun 13, 2018 104:09

This week on the show that was going to be blurred but we wanted to roll the dice, comedian JENNY TOEWS returns to the show to discuss expensive pillows, animal attacks, the Triple Crown, and granola bars. PLUS: Ovechkin goes on an all-time bender! Our plans to murder each other! Stefan does pull-ups! And we finally do a deep dive on the lyrics of the Will Smith classic, "Wild Wild West". Support the show at patreon.com/RealGoodShow, where $5 this month gets you access to all our bonus content, including the First Annual RGS Canucks Summer Summit, with JASON BOTCHFORD of The Provies / Province Sports -- 81 minutes of intelligent hockey talk with a man we admire very much. PLUS: after last month's Small Soldiers episode, we're continuing with a Summer Blockbuster series ALL SUMMER LONG, with special guests talking movies that mean a lot to them. Factor in the monthly Mailbag and there's never been a better time to hop on the Patreon feed. Outro Music: "Wild Wild West", by Will Smith

will smith factor mailbag triple crown wild wild west pillow talk summer blockbusters small soldiers all summer long jason botchford jenny toews

147 - Does Cyclops Have A Wife