Podcasts about reformat

https://youtu.be/1g0RzOGxe40Step-by-Step Privacy Hardening:Apple is better than Microsoft and Google when it comes to privacy—but they still collect way too much of your data. If you want the strongest digital privacy, Linux is the gold standard. But if you're not ready to make the switch just yet, you can still dramatically improve your Mac's privacy.In this video, we walk you through privacy expert Michael Bazzell's recommended macOS setup—from purchasing a device (without linking it to your identity), to reformatting, disabling invasive features, and installing the right tools.00:00 Apple promises only THEY will abuse your data02:20 Purchasing Your Mac03:14 Choose a Model03:41 Used Devices: Update, Reformat, Install OS08:28 Initial Setup11:32 WiFi and Bluetooth11:50 OS Firewall13:14 Notifications14:16 Airdrop, Siri, and Sharing15:33 Gatekeeper18:26 Analytics and Ads19:01 Time20:15 Filevault22:02 Dock, Wallpaper and Finder25:35 Application Firewall / 3rd Party Apps28:09 ConclusionApple does build decent privacy tools—but they definitely don't make it easy to opt out of their own surveillance. With the right tools and configurations, though, you can take back control of your digital environment. Whether you're doing sensitive work or simply believe in the right to privacy, these steps put you in charge.Special Thanks to Michael Bazzell for leading the way in tech privacy and research! You can purchase his book here:https://inteltechniques.com/book7.htmlBrought to you by NBTV team members: Lee Rennie, Cube Boy, Derek Porter, Will Sandoval, and Naomi BrockwellNBTV is a project of the Ludlow Institute, a 501c3 non profit whose mission is to advance freedom through technology.To support NBTV, visit:https://LudlowInstitute.org/donate(As a 501(c)(3) non profit, all donations are tax-deductible in the USA as permitted by law.)Visit our shop!https://Shop.NBTV.mediaOur eBook "Beginner's Introduction To Privacy:https://amzn.to/3WDSfkuBeware of scammers, I will never give you a phone number or reach out to you with investment advice. I do not give investment advice.Support the show

Nesta edição do podcast cinematório café, nós analisamos os três filmes que faltavam na nossa cobertura do Oscar 2025:  "O Reformatório Nickel", de RaMell Ross, "O Brutalista", de Brady Corbet, e "Um Completo Desconhecido", de James Mangold. - Visite a página do podcast no site e confira material extra sobre o tema do episódio - Junte-se ao Cineclube Cinematório e tenha acesso a conteúdo exclusivo de cinema "O Reformatório Nickel" (Nickel Boys) é baseado no livro de Colson Whitehead, vencedor do Pulitzer, e narra a poderosa história de amizade entre dois jovens negros que passam juntos pelas angustiantes provações de um reformatório juvenil na Flórida, nos anos 1960. Indicado ao Oscar de Melhor Filme e de Melhor Roteiro Adaptado, o longa-metragem chama a atenção por sua história impactante e pela direção habilidosa, com planos feitos em ponto de vista de primeira pessoa. "O Brutalista" se tornou o segundo filme com mais prêmios no Oscar 2025, perdendo apenas para "Anora". Venceu as estatuetas de Melhor Ator, para Adrien Brody, Melhor Fotografia (assinada por Lol Crawley) e Melhor Trilha Sonora Original (para o compositor Daniel Blumberg). Filmado em 70mm, com VistaVision, o longa acompanha a jornada do arquiteto húngaro László Toth, que sai da Europa no pós-guerra para reconstruir sua vida nos Estados Unidos, onde encontra uma série de dificuldades pessoais e profissionais. O elenco também conta com Guy Pearce e Felicity Jones, ambos indicados ao Oscar como coadjuvantes. Encerramos com "Um Completo Desconhecido", cinebiografia do músico Bob Dylan, com recorte nos primeiros anos de sua carreira. Timothée Chalamet interpreta Dylan na influente cena musical de Nova York do início dos anos 1960, quando iniciou o relacionamento com Sylvie Russo (Elle Fanning) e conviveu com artistas como Pete Seeger (Edward Norton), Joan Baez (Monica Barbaro), Woody Guthrie (Scoot McNairy) e Johnny Cash (Boyd Holbrook). O filme concorreu a oito estatuetas no Oscar 2025: Melhor Filme, Direção, Roteiro Adaptado, Ator (Chalamet), Ator Coadjuvante (Norton), Atriz Coadjuvante (Barbaro), Som e Figurino. Sentam-se à mesa conosco neste podcast para discutir "Emilia Pérez" e "Wicked": - Ana Lúcia Andrade, professora de Cinema da Escola de Belas Artes da UFMG, autora dos livros "O Filme Dentro do Filme: a Metalinguagem no Cinema" e "Entretenimento Inteligente: O Cinema de Billy Wilder"; - Larissa Vasconcelos, jornalista, crítica e redatora do cinematório. O cinematório café é produzido e apresentado por Renato Silveira e Kel Gomes. A cada episódio, nós propomos um debate em torno de filmes recém-lançados e temas relacionados ao cinema, sempre em um clima de descontração e buscando refletir sobre imagens presentes no nosso dia a dia. Quer mandar um e-mail? Escreva seu recado e envie para contato@cinematorio.com.br.

Social media like Instagram, TikTok, Facebook, and LinkedIn can feel like a lot to handle. Emma Tessler, Founder & CEO of Ninety Five Media, has some great advice to help you stand out online. She says it's important to have a clear brand message so your customers always know what to expect. Instead of trying to be everywhere, Emma suggests being consistent on just one or two platforms. To streamline your work, you can take one big piece of content, like a long video, and turn it into different things like short videos, blog posts, and podcasts. Then use platform's data to see what people enjoy the most. Resources:         138: 5 Tips for Your Wine Brand's Social Media | Marketing Tip Monday 140: Does social media impact wine sales? | Marketing Tip Monday 144: Are you using the right message on social media? | Marketing Tip Monday 198: 3 Ways to Talk About Sustainability on Social Media Becoming an Industry Expert on Social Media Emma Tessler | LinkedIn Ninety Five Media Ninety Five Media | Instagram Stop Scrolling, Start Scaling Podcast Turn Your Expertise into More Sales by Becoming a Thought Leader on Social Media, with the Ninety Five Media Team (podcast) Vineyard Team Programs: Juan Nevarez Memorial Scholarship - Donate SIP Certified – Show your care for the people and planet   Sustainable Ag Expo – The premiere winegrowing event of the year Vineyard Team – Become a Member Get More Subscribe wherever you listen so you never miss an episode on the latest science and research with the Sustainable Winegrowing Podcast. Since 1994, Vineyard Team has been your resource for workshops and field demonstrations, research, and events dedicated to the stewardship of our natural resources. Learn more at www.vineyardteam.org.   Transcript [00:00:00] Beth Vukmanic: Social media like Instagram, TikTok, Facebook, and LinkedIn can feel like a lot to handle. Welcome to Sustainable Winegrowing with Vineyard Team, where we bring you the latest in science and research for the wine industry. I'm Bets Vukmanic executive director.  In today's podcast, Craig McMillan, critical resource manager at Niner Wine Estates with Longtime SIP Certified Vineyard and the first ever SIP certified winery. Speaks with Emma Tessler, founder and CEO of 95 Media. Emma has some great advice to help you stand out online. She says it's important to have a clear brand message so your customers always know what to expect instead of trying to be everywhere. She suggests being consistent on just one or two platforms. To streamline your work, you can take one big piece of content, like a long video and turn it into different things like short videos, blog posts, and podcasts. Then use the platform's data to see what people enjoy the most.  We know your customers are looking for sustainable wines. In a recent review of 30 studies, customers reported a higher preference for eco and social responsibility labels compared to nutrition labels. Achieving SIP certified gives you third party verification that your vineyard, winery, or wine has adopted and implemented stringent sustainable Standards apply for certification today by going to SIP certified.org and click on Get certified Now. Let's listen in.  [00:01:39] Craig Macmillan: Our guest today is Emma Tesler. She is the founder of 95 media. And today we're going to talk about social media. Not surprisingly welcome to the podcast, Emma. [00:01:48] Emma Tesser: Thank you. I'm so excited to be here today. [00:01:50] Craig Macmillan: First of all, let's talk a little bit, get some kind of grounding. How would you describe your company? 95 media? [00:01:55] Emma Tesser: We're a digital marketing agency and we really specialize in creating high converting content. We work with a lot of brands who are posting all the time and just simply not seeing results from that content. So that is usually where we come in and we build out customized strategy. High converting content, build that connection with their community and ultimately finally have their marketing convert into sales for them. At a high level, 95 media is a marketing agency specializing in social media, email and podcast production. [00:02:27] Craig Macmillan: I'm kind of a dinosaur. So what exactly comes under the umbrella of social media? Because that seems to be a pretty big area. [00:02:37] Emma Tesser: It is, it definitely is a big umbrella. So when we talk about social media marketing, we're referring to any marketing content. Content that is marketing a brand on any of the social platforms we manage, profiles for brands on Instagram, Facebook, LinkedIn, Pinterest, TikTok a few other more specific ones to different industries. And really social media marketing encompasses your content, your engagement with your audience, the data that comes in from the content. There are a lot of different. avenues when it comes to your marketing and social media in general, but it is broad. And I think that sometimes that's the overwhelming part about it for some individuals and founders, people who are looking to market a brand, but it really doesn't have to be that complicated. You can really. own one platform really well and see better results by doing that than doing five not so well. [00:03:31] Craig Macmillan: Excellent. And different platforms with these companies, websites, et cetera, that you just discussed. And then content. I wanted to have you kind of elaborate on that a little bit because some things are videos, some things are just audio, some things are just text , what is content and what do we put in content? [00:03:53] Emma Tesser: Well, content looks different as you said, , between different platforms. So there's always opportunity to repurpose content, but oftentimes that looks like reformatting content as well. I'm a really big believer in. Having consistent brand messaging across all of your content, all of your platforms. And sometimes that looks like having the same messaging because when we have consistent messaging across every piece of content, it creates a consistent brand experience for our audience to know who we are and ultimately be able to identify our content without like our brand name on it, which is a whole other level of success. When we look at the individual platforms, You know, Tik Tok is a video only platform. And over on LinkedIn, some people don't think that that's really a video platform, but in fact it is. And LinkedIn is really favoring video content to the point where they actually have a video only feed on the app. Now that looks very similar to Tik Tok because they see the success that's happening over there, like every other platform. So what I would just encourage, if you're looking at content and you're thinking, Well, how do I do this on all the platforms and do it well? And it not be my entire life. I would look at creating one piece of content and then splitting it up into different formats. For example, you could take one 30 second video on a topic of something that, you know, really well, and you could. Reformat that video to be long form. It could be short form. You can write a blog post about it. You can make it a carousel for Instagram. You can pick one photo and transcribe that video into your caption. You can make it into your Instagram stories. You LinkedIn article on it. There's so many ways to go about really looking at how can you repurpose your content and have so many different formats of just one idea. [00:05:42] Craig Macmillan: Why is this important for business? Why can't I just go along like I've always gone along? Maybe I've got a website, put some stuff on there, print advertising, et cetera. Why is social media so important? [00:05:57] Emma Tesser: Well, the reason it's so important is because the way that consumers are finding and discovering brands has shifted. Prior to, you know, call it five years really has been the biggest shift that we've seen on social, but really just this shift towards social media marketing, which has been in the works since about 2015 or so. We used to discover brands through going to Google or through word of mouth. You know, we work with a lot of brands who come, we were like, We used to be just referral. Like we used to get all our business through referral, you know, local, this local, that, and it's just dried up and it's not working the same way it used to. And that is because we're moving towards this culture of social search. There's data that shows that in the last 90 days, 91 percent of consumers used social media and only 84 percent of people went to a search engine like Google. So what. We used to discover on Google, there's actually more people discovering brands on Instagram , than they are in Google today. So in order to stay competitive, in order to be found and to be showing up in the searches that people are typing in and using keywords that maybe you were once showing up on, on Google, you now need to have your content be showing up on Instagram, on Tik TOK, on LinkedIn. So in order to continue growing, it's really a non negotiable going into 2025 to have a social media presence and to have it. optimize to meet your consumer where they're at. [00:07:21] Craig Macmillan: You may have actually kind of already touched on this or answered this. I was thinking that, you know, if you just have an Instagram account, does that count as a social media presence? Do I need to be on all these different platforms? And it sounds like what you're saying is it's better to kind of focus on one or two or three and do those really, really well, rather than try to be everywhere all the time for everybody. [00:07:41] Emma Tesser: Yeah. And I say that because consistency is everything. So if you have the bandwidth for three separate posts per week, it is so much better to have those three pieces of content live on Instagram, then spread it out. So you have one on Instagram, one on LinkedIn, one on Tik TOK, because one post a week is not going to do. Literally anything for you. You need to have consistent quantity of content going out there. So I would really look at one platform and optimize. And strategically approach that platform so that you're finally getting results there before you add on additional ones. Because you'll be able to take the data from that successful content to know what your audience is looking for and begin to just redo that type of content in different ways for another platform down the road. [00:08:30] Craig Macmillan: A friend of mine does a lot of Instagram and she says I've got to have at least one thing per week, one thing per week. Is that a good time frame? Do I need to be posting more often, more frequently, shorter bits? What's the, what's the best strategy? [00:08:43] Emma Tesser: So I don't recommend less than three posts to your feed every week. Less than three posts per week. Again, that's to your feed. That doesn't count like Instagram stories outside of that. But when we look at your feed, the reason why you want to have more content than once per week is because what happens when you post is that the algorithm puts your content out there and it's like, dangling it in front of your audience. It's waiting for people to bite and engage with that piece of content. If they do, then that piece of content starts being shown to more people. If they don't, it then gets suppressed and the algorithm says, Oh, well, people aren't really liking this. We're not going to show it. But when you post more, you have more opportunities for people to bite and to get more people seeing your content. AKA brand awareness. Really, every piece of content you're looking to increase your brand awareness because that's your top of funnel. You have to get more reach. You have to get more impressions in order to bring people down the sales funnel to the ultimate conversion point. So more content ultimately just results in more brand awareness, more engagement with your content, more eyes on your brand, which is truly the goal in order to get more people to buy as a secondary result of that piece of content. [00:09:57] Craig Macmillan: this sounds like getting to folks who are outside just your followers. And, and trying to find new folks to come into your herd, into your house. [00:10:09] Emma Tesser: How do we do that? Is that the question? [00:10:11] Craig Macmillan: Well, no, I was just trying to clarify. So what it sounds like, cause like, I've always been like, Oh, how many followers do they have? And then I'm like, well, how do you get new followers? It sounds to me like maybe it's not just about followers. It's about just exposure in general. [00:10:22] Emma Tesser: It's definitely not about followers. To be honest, that's the metric that I care the least about. We don't work with brands who just want to grow their followers because it's, it truly does not have an impact on your bottom line. What has an impact on your bottom line are the conversations that you're having, the engagement with your content, you know, engagement also looks like your DMS too. Like if you're not looking at your DMS as an opportunity to sell, you're missing a huge opportunity. Your content can only do so much for you. A couple of years ago, your content could do the heavy lifting, but now a huge part of marketing your brand is really your community engagement. And that's the missing piece for a lot of businesses that like, we kind of come in and we change the game for them because A lot of what we do is actually getting into the account us as humans, getting into the account nurturing the people who already know about them to bring them closer to the sale. But really a huge part of our work is outbound engagement and bringing in new eyes to the business. And we do that through starting new conversations, leaving comments on people's content, getting in the groups that your ideal client is in and engaging with that content so that they see that comment. And then go back to your profile. So there's a lot of different angles you can take, but at the end of the day you're trying to increase awareness of your brand, which oftentimes look like your, your reach of your content and your profile. Because ultimately that number has to be bigger for the amount of people who go to your profile to increase and then follow you and then engage with your content and ultimately buy from you. So we're looking at like this funnel down where you have to start with a big pool of people because. We know that only a very small percentage of those people are ultimately going to buy. And that's okay, but we're only going to make as much of that percentage as we increase the, the top line the top line number. [00:12:08] Craig Macmillan: In terms of attracting folks there's a concept that you've mentioned in your on your website and your podcast and your blog, which I think is really interesting, and that's the idea of authority and how important it is to be viewed as an authority in the digital space. How do you define that? Like, what does authority look like? What does it do for you and how do I build it? [00:12:29] Emma Tesser: Authority really means that you're standing out in your industry. . There's not very many original ideas anymore. There's not very many original things that we can all be doing. , if you look at 95 Media, for example, there's a million and one people in social media marketing these days. But what makes us different is the way that we approach our content, the way that we approach our clients businesses, the way that we execute our work, and ultimately what that results in is building authority. Building authority can happen in so many different ways, a great way of looking at it is just leaning into the, how you do things and what makes that different. There's a lot of noise on social and it's easy to feel like You're in a space that's too saturated and it's not worth creating the content because you're just going to get lost in the noise. The thing is, if you have authority and if you have that unique factor to who you are and who your brand is, you do stand out. And that is ultimately going to be the reason why someone chooses to buy from you rather than the person down the street who does the exact same thing. So rather than hide and Hush down the things that set you apart. I would really lean into them because that is really what's going to A make you stand out, B, give you authority and C it drive more sales for you. [00:13:47] Craig Macmillan: How do I identify the things that are going to make me stand out? when talking about like the wine business, or the vineyard side, everybody makes wine. Everybody farms. What's the process that I can go through? Like with one of your clients, how do you help them identify what makes them stand out or what makes them interesting? [00:14:04] Emma Tesser: . So we actually work with a client in the wine space right now. She is a female founder in California where there's not a lot of female winemakers. It's a really unique space and that's a huge part of their mission as well. . Obviously, if you're a mission driven brand leaning hard into that, because the people who care about that mission are going to be your target demographic for buying your product. And that's a really big part of her marketing is, , we're here for female founders. We're here for being inclusive. We're here for, you know, really raising awareness around an audience that. isn't always spoken to on social in that space. If you aren't a mission driven brand, nothing wrong with it, but I would look at your company, your team. If you have like a tasting room associated with your, company, or if you do anything different or slightly unique in any part of your process, sometimes we get caught up. In the details as founders, as business owners, and we start to think that like everything we do is really boring, you know, like, nothing about my day is unique, nothing about the way that we do things is unique, but truly take that step back, maybe ask your team or ask like a really loyal And buyer for you. Ask someone in your life or like a business coach or someone like, what do you think makes us stand out? What do you think makes us different? Because I would bet to say that someone else is going to be able to easily identify those things for you. Given 10 minutes, because they're on the outside looking in, it's really hard to see it when you're in it, but that is also one of the great benefits of Working with an outside marketing team because that's their job. You know, we come in and we identify those factors for our clients in that exact way because it's easy to see it on the outside. And also knowing what matters to your target demographic can help you get closer to that understanding too. [00:15:49] Craig Macmillan: How do I know who my target demographic is? Hahahahaha [00:15:57] Emma Tesser: job. Like that's, that's the whole business, right? I mean, it's, it's easy to say like, well, you know, most people drink wine, but I have limited knowledge of the wine industry and I don't know that the majority of wine drinkers are women, right? So even if you just started there. Now you're focusing on 50 percent of the population rather than 100%. And then could you get a little bit more detailed? Could you look at a more specific age range? Could your branding tell you something about the age range that you're targeting? And then you really just kind of go from there. Not to mention, if you have an existing social media presence, you can go into your analytics and it will tell you who's following you. [00:16:29] Craig Macmillan: And you can use that data to further inform your ideal client avatar. How do I identify what platforms are gonna be best for me? There's, we've talked about this a little bit, but how do I know whether I should focus on video or podcast or blog posts primarily? How how can I decide whether it should be photo? [00:16:47] Craig Macmillan: How do I kind of guess at like which type of content, not content itself, but what form it's in, is probably gonna be most effective for me. [00:16:56] Emma Tesser: the truth is that video is necessary. And that's not the answer anyone wants to hear, but it's not really an option going into 2025, unfortunately, if you want to look at it like that. The thing about video and why I say that is because every platform is favoring video content. So if you back up, like, could you get away with not doing video content? Sure. But will you be competitive against everyone else in your space? No, you won't. Your content is going to get lost because the video content that your competitors are posting are going to get so much more reach, so much more engagement, connect so much more deeply with the target demographic that you're also after, that your photo content is just going to get lost in the shuffle. Then that's going to leave you feeling like it's not worth it. And then you're going to stop posting and then it's never going to work for you. So I would say. Commit to the video content no matter what angle you're taking with your content on social media. And then if you look at a podcast, you know, video is an aspect of podcasting as well. Podcasts give you so many opportunities to reformat and repurpose the content. But I would. Really put your investment, whether that's time or money or content investments into social, your email list things that you have more control over and that are more popular right now versus something like a blog, which is going to be a really long game. It's going to take time to compound versus you're going to get quicker dopamine hits and successes from social or your podcast. So it's, it's an easier thing to kind of start and stay committed to longterm versus a blog, which just feels like you're talking into a void and not going to see the results from for a long time. [00:18:34] Craig Macmillan: Right, right. What about length? That's a conversation I've had with a number of people in terms of like, short and tasty is nice, but then also there are folks that are looking for a little bit more in depth. They're looking for a little more complexity in the story that you're trying to tell. What are your feelings about that? [00:18:50] Emma Tesser: it really goes back to your target demographic. There's not really an overarching answer, I would say, because different. Age ranges, different demographics, different, like, groups are looking for different types of content. What I would recommend doing is testing a variety. So take, like, 90 days to test some short form, meaning like, 10 second videos or shorter, and then test some 30 second videos, test some 90 second videos. On TikTok, you can post up to 10 minute videos, like try everything and see what's hitting with your audience because your audience is going to tell you what's successful versus someone else's audience might like something different. I would probably lean into say that your shorter form content is going to perform better simply because it's going to keep the attention of your audience longer. And what's really important. is actually your watch rate. So how much of the video did your audience watch? You're simply going to get a higher watch rate on a 10 second video than you are in a 90 second video. And so therefore that success metric is going to look like your shorter form content is more successful. But if you get, you know, more comments on a 90 second video, then that's something to consider as well. But I would just really try it all because your audience is going to give you that data on what they really like and what they want more of. [00:20:07] Craig Macmillan: This just made me think of something because it's a constant battle for me personally. Quality. Quality of production , you see things on Instagram, for instance, I'm on Instagram. I'm not on TikTok. So I see Instagram and some things are just really slick. I mean, they look like Hollywood production and other things are just stuff people shot on their phone and you know, maybe it's not quite level and the light's not perfect and et cetera. Maybe the music's not so great. How important do you think the production value is to that success rate? I love having people finally move down the funnel. [00:20:42] Emma Tesser: I would say I think it has a small impact, but it does not have the biggest impact. And I say that because on Instagram, really on any social platform, we're all craving this authenticity from the creator on the other side of the screen. We actually offer a service called quarterly content shoots where we go to our clients and we shoot three months of video content in three hours with them. So it is done, it's batched, it's ready to go. And we shoot all of that content on our iPhone because we don't want it to feel like there's a team between the brand and the person on the other side of the screen. Is there a time and place for professionally shot video? I do. I believe so. You know, we work with a lot of like interior designers and architects where you want to have that professional video shot of like your finished product, home, space, whatever that is. But does that need to be the only type of video you post to social? Absolutely not. Because that is not going to be the content that creates resonance with your audience. That doesn't create connection with your audience. There's just a lot of opportunity to be a little bit more. Real and at the same time care about how the video looks right. Like if you were to see this video right now, I have lights on me, but we're shooting it on my computer. This is not like a high def camera by any means. And I shoot all of my content with good lighting, but all of my content is shot on my iPhone. So there's different ways to improve the quality without spending thousands and thousands of dollars on like a high def camera or, you know, hiring a videographer. None of that's needed.  [00:22:09] Craig Macmillan: That's good news. How much time investment are we talking about? So you're saying like three posts a week. But we're talking about short form, very short form. There may be a little bit in camera editing or in phone editing possibly, but not a lot. You don't have a lot of a lot of tools there. If I'm trying to do this myself, there's going to be a steep learning curve on how to do it. And then to create that content is going to take some time. And obviously this is where your company comes in, but like what kind of time investment could somebody expect if they're like, Oh, okay, cool. I'm going to take him as advice and I'm going to do this [00:22:40] Emma Tesser: Well, if you're looking at just the content, you have to consider all of the aspects, right? So you have to consider , strategizing your content, planning it recording it or creating the graphic, writing the caption, doing your hashtags, scheduling it out getting it posted. There's a lot of different aspects when it comes to just creating content, quote unquote. So I would say roughly you're probably looking anywhere between five to seven hours just on the content side of things. There's a lot of variables in there. You know, are you writing a short caption or you're writing a long caption? How long is the video? How many graphics are you making? But I would say for a beginner, probably five to seven hours on the content side of things. Um, Yeah, per week. And then there's the whole other aspect of, well, now you need to engage with your community after you post it. So, I always recommend an hour of engagement on every posting day. So you'd be looking at an extra three hours a week. So, you're really looking at eight to ten hours a week on your content on the very minimal side of things. And You know, listen, a lot of founders don't have that time, and that's why social media marketing does fall to the wayside, and it becomes the last thing on the to do list, which is, as you said, where we come in, and that is why companies like ours exist, because it, it is such an essential part of business today. And it's very time consuming. So it's kind of one of those things that you can't live without, but also it's very hard to find time for it to begin with. [00:24:05] Craig Macmillan: Yeah, yeah, exactly. Which actually brings us around to your story. Your, biography page about us is kind of interesting. How did you get into this? [00:24:15] Emma Tesser: I found social media marketing when I was actually in college for interior design, I was going for my degree in design and I was like fully, fully thought that that was my career path. Had no doubts about it. And then social media marketing kind of fell into my lap when I was working for somebody else. And that was back in 2015 when, you know, marketing on social was. laughable. No one thought it was serious. No one saw the potential, but I really saw opportunity when I discovered it. I was like, hold up, why are we not all doing this? Like, why do brands not see what is about to happen here? And it just really like lit a fire in me. Cause I was like, this is about to explode and I want to be a part of that ride. I really like side hustled, like so many entrepreneurs, I side hustled for five years while I was in the design industry. And then when COVID hit. Brands finally started to wake up and be like, Oh my gosh, like social is the thing that we need. It's the only way we're going to reach our consumer. 95 media really kind of scaled during 2020 and it's just been on an upward journey since then, but it's really because of the impact that social is able to make on our, on our clients, brands, and that is just. What keeps me coming back in the craziness of everything social and how it changes every single day as we all feel. It's really the impact of social media that is so exciting and really rewarding to be a part of. [00:25:35] Craig Macmillan: You were simply asked to take on this task and then you learned it from scratch. [00:25:40] Emma Tesser: I did. [00:25:43] Craig Macmillan: Well, that's inspirational. That's inspirational that [00:25:45] Emma Tesser: Well, to be fair, back in, in 2015, there were a lot less features and there was a lot less like messiness on social. And there, but at the same time, there was. So little educational content on social media marketing. So I actually like podcasting was a huge part of my own education, learning social media marketing. I was listening to like the OG marketers, like Jenna Kutcher and Amy Porterfield back in 2015 in their starting days. And they're still creating content today, but it was really hard to learn. And today there's so much education online about social media marketing, which is beautiful. It's just a little overwhelming because there is so much opportunity out there at the exact same time.  We all have to learn marketing to some degree. It's just depends on how far you want to go down that journey before you're like, okay, it's time to hire somebody else to do this for me. [00:26:30] Craig Macmillan: I want to come back to something because I just thought about it. You mentioned data. I'm a, I'm a data person. I love data. Yeah. All kinds. First of all, how do I get it, and then what do I do with it? [00:26:41] Emma Tesser: Yeah, that's a, it's a great question. If we just look at Instagram in particular, cause obviously it's the one that we all know the best Instagram gives you an insane amount of data on everything that you do down to like every single post, every single story that you put out there, it will give you. tons of information on your audience's reaction to that content, including how was it found? What type of people were engaging with it? What were the actions that they took with it? You know, so much. The part of your question that's so good is what do I do with that information? , what do I do from here? I see it. Like, I know it's there, but like, what do we do? What I would recommend doing is actually looking at that data on a weekly basis and then monthly doing a little bit of a zoom out as well, because week to week, your content's really going to fluctuate. You're going to see a lot of like big ups and really low lows and you're going to panic and you're like, well, nothing's working. But really when you zoom out on a monthly basis, you get to see, okay, here are trends. The trend is showing me that video content is far surpassing any photo that I put out there. I got to do more of that or you know, I, I created some graphics this month, but graphics are actually really not doing well. So I'm just going to lean more into just single photos or video content and omit the care, the graphic content for the next month and see how that does. So Cool. Really utilizing that data to say, let's do more of this. Let's stop doing that and then test all over again. It's a lot of A B testing with your data. [00:28:08] Craig Macmillan: That's fascinating. That's interesting., what's one takeaway that you would have, you'd tell growers, or winemakers, or winery owners, founders, on this topic? [00:28:17] Emma Tesser: Well, what I would say specifically to this audience is that your demographic, whether or not you're super clear on it or not, but your demographic is looking for your product on social, like without a doubt, your target demographic is on social. They're buying products on social. And your job is simply to meet them where they're at. That's it. So if you can just get consistent content up there, I can nearly guarantee, this is not legal advice, but I can nearly guarantee that you will see more conversions from your content. The problem and the thing that really holds a lot of brands You know, in this space back is just a lack of consistency and an understanding of who you're talking to. But in fact, your audience, like the female audience, you know, from 21 to like 60 who's drinking wine, like it's a big demographic. They're on social and they're the primary buyers for their household. And not only that, but they're the ones consuming the product. So that is like a win win win across the board for this industry. It really just means if you can get your messaging down and you can create content that really resonates with that audience, you have a massive opportunity to tap into sales that you've never been looking at before. [00:29:27] Craig Macmillan: And I can get a sense of that resonance by looking at my data and seeing who's watching what and when. [00:29:32] Emma Tesser: Yeah. Exactly. [00:29:35] Craig Macmillan: Fantastic. Emma, where can people find out more about you? [00:29:38] Emma Tesser: Yeah. So our website is 95media. co. We're on every social platform, but Instagram's my favorite. It's 90. 5. media all spelled out N I N E T Y. F I V E. media. And we post nearly every single day, so you can find us whenever you're at on, on the platforms. And we also have a podcast, it's called Stop Scrolling, Start Scaling, where we share all things marketing. So if you want to dive a little bit deeper, that's a great show to tune into as well. [00:30:03] Craig Macmillan: Fantastic. Well, I guess today's been Emma Tesler. She's founder and CEO of 95 Media. Fascinating conversation. Thanks for being on the podcast. It's been really fun. [00:30:12] Emma Tesser: Thanks so much for having me.  [00:30:17] Beth Vukmanic: Thank you for listening. Today's podcast was brought to you by Vineyard Industry Products. Serving the needs of growers since 1979. Vineyard industry products believes that integrity is vital to building long-term customer, employee, and vendor relationships. And they work hard to provide quality products at the best prices they can find. Vineyard industry products, gives back investing in both the community and industry. Make sure you check out the show notes for links to Emma at 95 Media and their popular podcast. Stop scrolling. Start Scaling Plus sustainable Wine Growing podcast episodes, 138 five tips for your wine brand. Social media 140 the social media impact wine sales. 144 are you using the right message on social media and 198 three ways to talk about sustainability on social media. If you like the show, do us a big favor by sharing it with a friend, subscribing and leaving us a review. You can find all of the podcast@vineyardteam.org/podcast and you can reach us at podcast@vineyardteam.org. Until next time, this is Sustainable Wine Growing with the Vineyard team.     Nearly perfect transcription by Descript

"Nickel Boys" é, antes de tudo, um livro escrito pelo norte-americano Colson Whitehead, vencedor de 2 prêmios Pulitzer e que escreveu uma série de livros que tem como pano de fundo uma sociedade estruturada em cima de injustiuças sociais e do racismo estrutural.::Temos aqui a história da amizade de Elwood e Turner, dois adolescentes afro-americanos que são enviados para um reformatório juvenil na Flórida no ápice da implementação das leis segregacionistas de Jim Crow. Tudo isso tendo como pano de fundo o iminente Movimento pelos Direitos Civis encabeçado por Martin Luther King e Malcolm X, num retrato sensível de um Estados Unidos cruelmente racista.::No elenco, temos a dupla de protagonistas vivida por Ethan Herisse, de "Olhos que Condenam" e Brandon Wilson, de "The Way Back". Temos ainda as presenças da Aunjane Ellis Taylor lá de "King Richard" como avó do Elwood e Fred Hechinger, um dos “funcionários” do reformatório e que esse ano também esteve em "Gladiador 2".::Coloque seu fone, aumente o volume e Senta que lá vem Spoiler!

Baseado em livro homônimo, de Colson Whitehead, lançado em 2019, O Reformatório Nickel é um dos destaques da temporada de premiações. Após ser celebrado em troféus como Critics Choice Awards 2025, BAFTA 2025 e Globo de Ouro 2025, chegou ao Oscar 2025, concorrendo como Melhor Filme e Roteiro Adaptado.A trama, dirigida por RaMell Ross, narra a poderosa amizade entre Turner e Elwood, dois jovens afro-americanos que passam juntos pelas angustiantes provações de um reformatório na Flórida, nos EUA. Nesse local, a essência dos garotos parece ser sugada dia após dia, até que não se conheçam mais.Nesse episódio, Robledo Milani, Yasmine Evaristo e Enoe Lopes Pontes conversam sobre O Reformatório Nickel. Dê o play e divirta-se!

What's the right way to pack a suitcase and what should you say to airport security when asked about your packed bags? From the root ארז we get the Hebrew words for packaging, gift boxes and more. Guy explains. Hear the All-Hebrew Episode on Patreon   New Words and Expressions: Hu araz – He packed – הוא ארז Arazta/arazt levad – Have you packed it yourself? – ארזת לבד “Ve-laanot shuv va-shuv et otan tshuvot” – And answer the same questions again and again – ולענות שוב ושוב את אותן התשובות “Orezet et kol ha-shkarim she-kvar siparta li” – Packing all the lies that you had told me – אורזת את כל השקרים שכבר סיפרת לי Taaroz li vaksha – Please pack it for me – תארוז לי בבקשה Ariza – Packing, packaging – אריזה “Hamal ariza” – “Packing operations room” – חמ”ל אריזה “Ba-ariza u-ve-mehir she-mat'imim le-khol ha-mishpacha” – In a packaging and a price that fits the entire family – באריזה ובמחיר שמתאים לכל המשפחה Arizat matana – Gift wrapping – אריזת מתנה “Hapsu et ha-siman al gabei ha-arizot” – Look for the label on the packaging – חפשו את הסימן על גבי האריזות Reformat simoon ha-mazon – The food product labeling reform – רפורמת סימון המזון Hok ha-arizot – The packaging law – חוק האריזות Eich matchilim laaroz bayit? – How do you start to pack a house? – איך מתחילים לארוז בית Matchilim ba-heder hachi baayati – You start in the most problematic room – מתחילים בחדר הכי בעייתי Le'eroz (la'aroz) – To pack – לארוז La'aroz et ha-bayit/mizvada/tik – To pack a house/suitacse/bag – לארוז את הבית/מזוודה/תיק Arooz – Packed – ארוז Zehu, hakol arooz? – That's it, all is packed? – זהו, הכל ארוז Ata arooz? At arooza?- Are you all packed? – אתה ארוז Ma'araz matana – Packed gift box – מארז מתנה Yoledet – A woman who just gave birth – יולדת Ma'arzei shai – Packed gift boxes – מארְזי שי Ma'arazim la-chag – Holiday gift boxes – מארזים לחג   Playlist and Clips: KAN TV – Arazta levad Daniel Salomon & Dana Adini – Rabot Ha-drachim (lyrics) KAN TV – How to pack when you move to a new house? Ariza – Packaging Arizot Maaraz matana Maarzei shai   Ep. no. 148, about sales, deals and discounts HEB Ep. no. 283 about Falfael 101 HEB

Escola de Vida com as Entidades da Amorosidade

Naujasis Ukrainos ginklas prieš Rusiją - tolimojo nuotolio raketa - dronas „Palianica“. Koks tai ginklas ir kokie jo pranašumai?Vilniaus savivaldybės taryba dar kartą kartą pritarė Nacionalinio stadiono projekto pokyčiams. Viliamasi, kad tai jau paskutinis pakeitimas ir statybos pagaliau pajudės iš mirties taško.Respublikonų kandidatas į prezidentus Donaldas Trumpas paskelbė į savo pereinamojo laikotarpio komandą priimantis du buvusius demokratus. Prie Donaldo Trampo kampanijos jungiasi pats rinkimuose kaip nepriklausomas kandidatas dalyvavęs Robertas Kenedis jaunesnysis bei Tulsi Gabbard. Pastaroji žinoma dėl raginimų laikytis uždaros užsienio politikos bei paramos Sirijos diktatoriui Bašarui al Assadui. Ji taip pat žinoma dėl prorusiškų pasisakymų, o Kyjivas yra įtraukęs ją į rusišką propagandą skleidžiančių amerikos piliečių sąrašą.Vilniaus taryba panaikino sostinėje esančios sovietmečio rašytojo Petro Cvirkos aikštės pavadinimą. Naujasis pavadinimas bus siūlomas parengus vietos atnaujinimo koncepciją, kaip aikštė jungsis su Tauro kalnu ir Reformatų skveru. taryba šiandien taip pat balsuos dėl dviejų Fabijoniškėse esančių gatvių pakeitimo. Salomėjos Nėries gatvę norima pervadinti į Vėtrungių, o Liudo Giros į Liongino Baliukevičiaus-Dzūko. Desovietizacijos komisija yra pripažinusi, kad dabartiniai gatvių pavadinimai pažeidžia draudimą propaguoti autoritarinius ir totalitarinius režimus.Svarstoma Nerimi keleivius plukdančius laivus įtraukti į Vilniaus viešojo transporto infrastruktūrą. O štai Klaipėdos mieste vandens autobusai kursuoja jau antrą sezoną, tačiau maršrutas – nuostolingas. Žadama svarstyti, ar ateityje tokia transporto priemonė liks miesto viešojo transporto sistemos dalimi.Ar įmanoma gyvenant bute turėti nuosavą saulės elektrinę? Vokiečių ekspertai Vilniuje pristatė jų šalyje remiamą ir populiarėjančią balkoninių elektrinių technologiją.Socialiniame tinkle populiarėja vaizdo įrašas ir nuotraukos, kuriose užfiksuotos Kauno marios ir jų ryškiai žalias vanduo. Komentatoriai spėlioja, ar tai įprastas vandens žydėjimo procesas, ar padidėjusi vandens tarša. Kauno savivaldybė teigia, kad vandens tyrimai atliekami kas dvi savaites, o naujas mėginys tyrimui bus imamas ir siunčiamas į laboratoriją šiandien.Paryžiuje prasideda Paralimpinės žaidynės. Jose Lietuvai atstovaus 9 sportininkai.Ved. Andrius Kavaliauskas

Cele mai importante știri ale zilei, alese de Recorder și grupate într-un newsletter audio.

O susțin pe Elena Lasconi la șefia USR. Avem o lecție de învățat! USR trebuie să redevină un partid care să permită diversitatea de opinii, spune la RFI primarul în funcție al Sectorului 2, Radu Mihaiu. Meloni se coalizează cu Simion, nu și cu OrbanGrupul european conservator, din care face parte șefa guvernului de la Roma, Giorgia Meloni, a devenit a treia forță politică din Parlamentul European. Aceasta, după ce a anunțat 11 noi membri. Printre noii veniți se numără și aleșii formațiunii AUR. Mișcarea vine după ce Meloni a fost marginalizată în procesul de desemnare a majorității și împărțire a funcțiilor cheie. Dar ce înseamnă aceasta pentru echilibrul de putere în Uniunea Europeană?Casa Alba: SUA amână cu 16 luni onorarea contractelor de armament, pentru a reface stocurile Ucrainei SUA amână cu aproape un an si jumatate onorarea contractelor de armament, pentru a reface stocurile Ucrainei şi urmează să furnizeze Kievului rachetele care ies de pe linia de producţie, anunţă Casa Albă. Premierul Marcel Ciolacu a comentat decizia CSAT de a dona Ucrainei un sistem de rachete, si spune  că „securitatea României nu stă în Patriot”.

The steps I took, the software I installed, and a few things I discovered as I reinstalled Windows 11 on my main machine.

24-26 IV 2024. Translationum COMPLURES a Luis Pesquera SUNT. ‘NUNTII IN LINGUA LATINA’ ‘IN LINGUA LATINA ET ANGLICA’ ‘AUDIS’! DE BELLO ISRAËLIANO-HAMASIANO ANNI DOMINI BIS MILESIMO VICESIMO TERTIO ET QUARTO. Usquequo manebit? TRANSLATIONES duae proximae a Netzahualcóyotl Lara SUNT. /// Dux militaris intelligentiae renuntiat in die septimo Octobris. Aharon Haliva primus in summum imperium est quid sumit 'conclusiones personales' ex defectio. /// Hezbollah altissimum impetum in Israelem movet ab initio belli Gazae. Protestatio tumultuantium Collegiorum US increbrescit cum evinciis, novis castris et clausuris /// ‘HAMAS’ ‘pelliculam’ ‘ex obside’ [‘quod suam libertatem PETIT’] ‘DIFFUNDITT’. /// ‘ISRAEL’ ‘novum assultum’ ‘contra Hizbullah’ ‘in Libano’ ‘IACTAT’. /// ‘Fere ducenti Gazae HABITANTES’ ‘FUGIUNT’ ‘a Rafah’ [quoniam ‘Copiarum ad Israelem Defendendum (abreviatione ‘I-De-eF’)’ ‘INVASURI SUNT’]. IN CANADA. ‘Canadae STATISTICA’ ‘casum ex septem centesimis in producto domestico grosso per capita’ ‘ADNUNTIAT’. IN CIVITATIBUS FOEDERATAE AMERICAE. ‘Civitatum Foederatarum CONGRESSUS’ ‘legem ad pecuniam dandum’ ‘pro Ucraina, Israele et Taivania’ ‘APPROBAT’. /// ‘In Universitas Columbiae’, ‘RECLAMATORES’ ‘in tentoriis campii’ ‘HABITANT’ [ut ‘contra Israelem’ ‘et pro Palestina’ ‘RECLAMENT’]. /// ‘Americae INDEX fertilitatis’ ‘ad cifram minimam’ ‘DIMINUIT’. /// ‘Americae AËR’ ‘peior’ ‘in viginti quinque annis’ ‘EST’. /// ‘INCREMENTUM oeconomicum’ ‘DIMINUIT’, et ‘INFLATIO monetalis’ ‘AFFIRMATUR’. IN BRITANNIÁRUM REGNO. TRANSLATIO proxima ab Israel García Avilés EST. /// Britanniarum regnum multum ad munitamenta consummit. Sunak Productum domesticum generalem usque ad duos centesimae partes augebit dum animum ad bellum intendet. /// ‘DISCIPULA novem annos nata’ ‘magistram’ ‘in collo’ ‘PERFIXIT’. /// ‘EQUII in fuga’ ‘chaos in viis’ ‘CAUSANT’. /// ‘Humza YOUSAF, Scotiae primus minister’, ‘suffragium fiduciae’ ‘OPPETET’ [quia is ‘potestatis participationis pactum’ ‘FINIVIT’]. IN INDIA. TRANSLATIO de ‘India’ nuntiis ab Israel García Avilés EST. /// Iudicium summum distributionem pecuniarum ponderat, num proprietas privata est aliquod commune? IN COREA MERIDIANA. ‘PERITUS in rochetis’ ‘ex Nationalis Aëronauticae Spatioque Administratione (abbreviatione ‘NASA’)’ ‘Coreae Meridianae Spatialem Administrationem’ ‘DUCET’. IN SINIS. ‘SHENZHOU duodevicesimus’ ‘feliciter IACITUR’. IN IAPONIA. ‘IENUM, Iaponiae moneta’, ‘valorem’ ‘PERDIT’ et ‘AUCTORITATES argentariae’ ‘ad suam monetam salvandum’ ‘INTERCEDENDUS SUNT’. ‘NUNTII IN LINGUA LATINA’ ‘IN LINGUA LATINA ET ITALICA’ ‘AUDIS’! IN ITALIA. ‘MELONI’ ‘ad Unionis Europae pactum ’ ‘DICIT’: ‘non’. /// ‘Platonis sepulcrum’ ‘INVENITUR’. /// ‘Sergius MATTARELLA, Rei Publicae Italicae praeses’, ‘vicesimi quinti Aprilis mensis dies festum’ ‘CELEBRAT’. ‘NUNTII IN LINGUA LATINA’ ‘IN LINGUA LATINA ET GALLICA’ ‘AUDIS’! IN ISRAELE. ‘In Israele’, ‘obsidum FAMILIAE’ ‘iam OBLITI FUERUNT’. IN UCRAINA. ‘VASINTOGNIA’ ‘Ucrainae’ ‘arma necessaria’ ‘TRADIT’. IN FRANCIA. TRANSLATIO proxima ab Alissa Sousa EST. /// Magnus extortio ante Ludorum Olympicorum. Erant in sēditio die Iovis et in Ascensione, controllores aereos claudunt transportum aereum. Ferroviarii desistebant post acceptum foedus opportunum de pensione praematura. /// ‘MACRON’ ‘ad suum gregem’ ‘in Europae comitiis’ ‘AUXILIAT’. IN PHILIPPINIS INSULIS. TRANSLATIO proxima ab Alissa Sousa EST. /// Exercitatio Balikatan in Philippinis: demonstratio virium Americanas contra Sinam. Intendit mittere nuntium deterrentiae ad Pekinum. ‘NUNTII IN LINGUA LATINA’ ‘IN LINGUA LATINA ET GERMANICA’ ‘AUDIS’! IN GERMANIA. TRANSLATIONES duae proximae ab Alba Daniela Rodríguez SUNT. /// Exploratio conturbat AfD. Consiliorum in re publica socius candidati principis Krah captus est. /// Europae parlamentum suspendit consiliorum in re publica socium a politica societate AfD. Suspicio explorationis in officina candidati primarii Krah / Captura facta est Dresdae. /// ‘PARLAMENTUM Europaeum’ ‘normas’ ‘de debito’ ‘REFORMAT’. /// ‘Unionis democratica Christiana Germaniae (abreviatione ‘Ce-De-U’) REPRAESENTANTE’ ‘de climae reformatione’ ‘Tribunali Constitutiolani’ ‘APPUGNAT’. /// ‘Robertus HABECK, Administer Foederalis Oeconomiae,’ ‘incrementum oeconomicum’ ‘SPERAT’. IN AUSTRIA. ‘ONUS tributarium’ ‘pro Ausriae incolis’ ‘AUGMENTAT’. ‘NUNTII IN LINGUA LATINA’ ‘IN LINGUA LATINA ET HISPANICA’ ‘AUDIS’! IN HISPANIA. ‘Hispaniae REX’ ‘praemium Cervantes’ ‘ad Ludovicum Mateo Díez’ ‘TRADIDIT’. /// ‘SÁNCHEZ’ ‘conando’ ‘propter investigationem contra uxorem suam’ ‘MINATUR’. IN LUSITANIA. ‘Sergius MATTARELLA, Rei Publicae Italicae praeses’, ‘vicesimi quinti Aprilis mensis dies festum’ CELEBRAT. /// ‘POPULUS’ ‘ad vicesimi quinti Aprilis mensis dies festum celebrandum’ ‘ad vias’ ‘EXIIT’. IN MEXICO. TRANSLATIONES duae de Mexici nuntiis a Casandra Freire SUNT. /// Quindecim civitates in periculo sunt ne criminum factio in comitiis interveniant. /// Lex Amnestia est contra "pacta silentii". Praesidens captivis omni vitio carere poterit qui certiorem facere gravium casuum possunt. /// ‘Andreas Emmanuel LÓPEZ OBRADOR, Mexici praeses’, ‘sexennium suum’ ‘sine pecuniae reliquia’ ‘CLAUDET’. /// ‘INFLATIO monetalis’ ‘expectationem’ ‘SUPERAT’ et ‘ad quattuor punctum sexaginta tres centesimas’ ‘ADVENIT’. /// ‘MEXICUM’ ‘Nationibus Unitis’ [‘quod ‘Palestina’ ‘membrum’ ‘secundum ius’ SIS’] ‘PETIT’. /// Ros NAHLE alia diaeta in Novo Eboraco HABET? IN IAPONIA. TRANSLATIONES et nuntiorum selectio a his nuntiis ex Juan Carlos Luna SUNT. /// Factio democratica Liberalis consilium de numero sodalium familiae imperatoriae ad prasidendum submittit. Omnes partes consentiunt consilium pro feminis familiae imperatoriae, ut principissa Aiko, ad manendum in familia imperiali etiam post matrimonium. Adoptio generis masculini in masculino etiam possibilis est. /// Superstitium caterva ex Hokkaido bomba atomica senectute dimittetur. /// Disciplinaris actio contra quinque membra seniorum Virium Ipsorum Defensiorum secretae specificae diffusione complebitur. Si Nuntii in Lingua Latina traductor esse VULT, quaeso littteram electronicam ad lpesquera@up.edu.mx MITTIT’. If you would like to collaborate as a translator in Nuntii in Lingua Latina, please send an email to lpesquera@up.edu.mx

To reformat and reinstall is considered the "nuclear option" when it comes to dealing with Windows problems (or just cleaning up).

O papo é com o escritor Fernando Rinaldi, que vem ao Rabiscos falar sobre o seu livro Dueto dos Ausentes (Ed. Reformatório), em uma conversa reflexiva sobre relação de pai e filho, luto e ausência, sons e silêncios.    Instagram do autor.    Livro do autor.   Para envio de livros e postagens: Tadeu Rodrigues Caixa Postal nº 129  CEP: 37701-010 - Poços de Caldas - MG   Acompanhe, curta, compartilhe!   Siga-nos | Instagram: @podcastrabiscos | @tadeufrodrigues | email: podcastrabiscos@gmail.com | tadeufrodrigues@gmail.com  

Happy holidays! ATARI BYTES returns from hiatus with episode 331, the annual holiday special. We take a break from games and story writing to catch up on some movies. And we've made it all the way to 1985! So that movie-catching is coming along great! Earlier this year, we played the Sesame Street inspired game "Cookie Monster Munch", so it seemed like we should do a Sesame Street inspired movie. So, from 1985, we've got FOLLOW THAT BIRD. Big Bird has moved away! Oh no! What is the gang going to do?!?! Take a break from the relatives and give a listen!  Thanks to Kevin McLeod at Incompetech.com for creative commons use of his songs "Hidden Agenda", "Reformat" and "Pinball Spring". Thanks to Sean Courtney for the "Storytime" theme. Support the show at patreon.com carnivalofgleecreations.com

This episode contains: This is a throwback episode to the old times, before the Dark Times when Ben came. Steven and Devon host the show. We talk about the difficulty of scheduling a time for four people to get together consistently, Devon talks about having his neighbors over for dinner and how over-achieving they are, and the cost of success. Although, what is success? Steven is still dealing with sick kids and his own recurring illness. We also read and respond to comments from our Patrons.   Brain Matters: Rats have an imagination, new research suggests. Researchers have developed a novel system to probe a rat's thoughts, finding that animals can control their brain activity to imagine remote locations.  https://www.sciencedaily.com/releases/2023/11/231102162557.htm Devon also talks about reading Blindsight by Peter Watts and his recent foray into reading about consciousness. Blindsight by Peter Watts: https://en.wikipedia.org/wiki/Blindsight_(Watts_novel) Other Minds: The Octopus, The Sea and The Deep Origins of Consciousness by Peter-Godfrey-Smith: https://en.wikipedia.org/wiki/Other_Minds:_The_Octopus,_the_Sea,_and_the_Deep_Origins_of_Consciousness   Fire Sale at the Lefttorium: Left-handers aren't better spatially, gaming research shows. By asking participants to download and play a video game that captured user information and tracked navigational challenges, researchers were able to measure demographic data -- including hand preference -- and activity from more than 420,000 international participants, across 41 different countries. They found that left-handers were neither better nor worse than right-handers at the tasks, clarifying a long-running debate about the links between handedness and spatial skills.  https://www.sciencedaily.com/releases/2023/11/231109121511.htm   Science Fiction: We discuss the season premiere of For All Mankind, which Steven realizes he did not finish. We talk about the alternate history between the last season and this season, the events of the new episode and where the show might be going. We also talk about the first three episodes of this season of Rick and Morty. Devon enjoys the show more on rewatch. Steven then tells us about Lethal Company.

In this electrifying episode of The Adams Archive, we plunge into the profound depths of 'Silent Weapons for Quiet Wars,' a document whose enigmatic existence challenges our perceptions of reality. This isn't just any document – it's a manifesto, a blueprint, that reveals a grand design of societal manipulation on an unprecedented scale. This piece of evidence has spent too long in the shadows, obscured by skepticism and disinformation. We're bringing it to light and giving it the critical analysis it deserves. It speaks of control via economics, technology, education - seemingly ordinary facets of society that, according to this document, are in fact weapons in a silent war waged on humanity. As we traverse the labyrinth of cryptic language and unnerve ourselves with the chilling implications, we question: what if this is real? What does it mean for our world as we know it? We explore theories, inspect connections to clandestine organizations, and investigate the practical implications of the strategies outlined in this document. Join us as we unmask the unthinkable truths hidden within 'Silent Weapons for Quiet Wars. ----more---- All Links- Https://linktr.ee/theaustinjadams Substack: https://austinadams.substack.com Merch: https://antielite.club    ----more---- Full Transcription:     Adams Archive. Hello, you beautiful people and welcome to the Adams Archive. My name is Austin Adams, and thank you so much for listening today. On today's episode, we are going to be discussing what I would say is the single most terrifying document I've ever laid eyes on. And maybe not just that. I mean, and this, this says a lot because I've done a lot of deep dives into different, uh, documents that have come out that were top secret, that were c I A documents, whether it was about MK Ultra or Operation Northwoods. And in MK Ultra, they were literally taking people and electrocuting their brains to try to manipulate them or get rid of their memory. They were drugging people with L S D while they were. With prostitutes and watching the reactions there, there, there's so many things that they were doing that were horrifying. But the document I'm about to show you is the most terrifying, least discussed, top secret document that has ever gotten into the hands of a civilian. And the reason I say that is not on the individual basis, right? The, the documents like the MK Ultra documents are terrifying because it could have been you, it could have been me. But the document I'm about to show you was you. It was me. It was everybody on this planet was affected by this document. By this plan that was implemented to perfection. And as I start to walk through this with you, you'll realize more and more how this has been seeded deeply into the fabric of our reality. Regardless of what country you're in, regardless of where you went to school, how much money you think you have in the bank. Every single one of us has been affected by this document. And that is what it makes it so terrifying. Okay. The document that I'm about to show you and I'm about to walk you through in this deep dive is called Silent Weapons for Quiet Wars. Now, this document was produced. Found in 1986, July 7th by somebody from the IB who who purchased a copier. Okay? This document came from somebody who purchased a copier from the surplus sale by I B M. They reached inside of it and took this out in 1986. Now, this document was originally used at the very first known Bilderberg meeting in 1954. And adopted by the policy committee. Now, the reason that we have eyes on this today and the way that we do, the way that this document is broken down is based on the idea that the people that looked at this document were a part of a c i, a small group who were chosen for reasons that we'll find out in just a moment, but it was to catch them up to speed on the worldwide conspiracy that was happening and unfolding. Right in front of our eyes and has continued to and will continue to for a very long time. So let's go ahead and read through the preface. And again, this document is called Silent Weapons for Quiet Wars. I. Before we do that, go ahead and subscribe. Leave a five star review. Head over to the ck Austin Adams sub stack.com. I'm actually going to be reviewing a document that I went through and highlighted every single piece of it that I found to be the most interesting. This is a 40 po, 45 page document, so it's not a light read, but I went through and highlighted everything that I found to be of value in this document for you, and I will include this document in this. Weeks' sub that will be sent out. Okay? So you'll actually be able to look at the highlights that I found, value the annotations to them. The exact document that I'm reading from this will be in that sub stack, so Austin Adams sub stack.com. Go ahead and subscribe. Leave a five star review. And if I could ask you within this podcast episode, if you find this to be of interest, if you find the things that I'm talking about here to be held true in your life and it shocks you just as shocked as I was, please share this episode, share it with two people, and have those people share it with two people. Okay? I would appreciate it from the bottom of my heart. Just share it, send it to two people, and you go, this is wild. That's all you have to say. This is wild. Go ahead and hit that share button and send it to two people that you wanna discuss this with 'cause they should hear about it too. And if everybody does that, this will reach the masses and we will start to get the word out. Because like I said, this is one of the most terrifying, least discussed, top secret documents that has ever gotten in the hands of a civilian. Alright. All right. On that note, let's. Jump into it. The Adams archive.  Oh, all right. Let's jump into it. We're gonna start with the preface here, and this is again, is silent weapons for quiet wars, and we'll find out the meaning of that in just a moment. But I will tell you at certain points, this is somewhat technical in the way that it reads. So I will do my best to read the document to you. Reformat it for you in a simple way so you can understand the sentiment. 'cause I'm sure even just listening to it is even more tough than reading it. But I will take the analysis that I've done up until this point and give you it once I read through it. So if it sounds a little bit technical, stay with me. 'cause I will give you my simplistic version of what it actually means right after. Okay. So, Here is the preface of this document. Conspiracy theories are nothing new to history plots, to kill Caesar and overthrown Rome abounded, for instance. However, it is seldom that concrete clues to such plots come to light and are generally known. Silent weapons for quiet wars, an introduction programming manual. Was uncovered quite by accident on July 7th, 1986 when an employee of Boeing Aircraft co purchased a surplus I B M copier for scrap parts at a sale, and discovered inside details of a plan hatched in the embryonic days of the Cold War, which called for control of the masses through manipulation of industry, people's pastimes, education, and political leanings. It called for a quiet revolution, putting brother against Brother. Diverting the public's attention from what is really going on. The document you're about to read is real. It is reprinted in its virgin form with diagrams as a touch of reality. Now, where I found this document, you guys was a dark corner of a dark corner of a dark corner. Of the internet to say the least. Okay. Now there has been many, many conversations in other dark corners of the internet about this document, but it has not gone into the mainstream psyche. This has not been a topic of conversation to the extent that it should be because this document lays out all of it, and we talked about it in the last episode, how Yuval Harri a World Economic Forum advisor. Also the author of Sapiens, the book, the Worldwide Phenomenon nonfiction book. Historical uh, book Sapiens came out and said, how ridiculous is it that there's a globe? People think there's a small group of people who control everybody. Hmm. Well, we're about to find out just how ridiculous that is. It's very systematic. Okay. So where I found this document was very, uh, I would say, So, so where I found this document had a list of other documents that were around it, so I kind of had to sift through it. But there's the, the way that this is so meticulously because some people, you know, will try to give illegitimacy to this document, but it's, it's, it's been, uh, it's been said to be true by people who have seen so many top secret government documents. This outlines who it was approved or, or thought to be true by, and everything that we talk about here. Even if this document wasn't written up by the c i a, which again, if you read it, it very clearly, I believe that to be the case. Um, well, not, not even the ccia A, but the, the heads of these Bilderberg groups and then reformatted into the ccia A so that they could catch them up to speed on this conspiracy. It outlines everything perfectly. It's, it's all about social engineering of the masses. So it says, And it, it is patently impossible to discuss social engineering or the automation of society, the engineering of social automation systems. I e silent weapons on a national or worldwide scale without implying extensive objectives of social control and destruct destruction of human life, i e slavery and genocide. This manual is in itself an analog declaration of intent. Such a writing must be secured from public scrutiny. Otherwise it might be recognized as a technically formal declaration of domestic war. Furthermore, wherever any person or group or person's in a position of great power and without full knowledge and consent of the public uses such knowledge and methodologies for economic conquest, it must be understood that a state of domestic warfare exists between said person or group of persons in the public. The solution of today's problems require an approach which is ruthlessly Ruth ruthlessly candid with no agonizing over religious, moral, or cultural values. Now, here's the part where it talks about how they qualify for this project. You have qualified for this project because of your ability to look at human society with cold. Objectivity and yet analyze and discuss your observations and conclusions with others of similar intellectual capacity without the loss of discretion or humility. Now I'm actually gonna go ahead and share my screen with you guys. So you can see what I am looking at while I'm walking you through this. Uh, so here you go. Um, it is actually up there. So if you're not following on the video, if you're just listening on the podcast, you can have head over to YouTube, you can have head over to Rumble. If you should go to the sub stack, it'll be embedded on there for you as well. So you'll be able to actually look through the document when I'm looking at it and talking you through it. So it is up on the screen now. This goes on to say, uh, Uh, of similar intellect, intellectual capacity. Without the loss of discretion or humility, such virtues are exercised in your own best interest. Do not deviate from them. In other words, this document should scare the shit out of you, but you are a psychopath, so it doesn't. Continue being a psychopath, and that is why we have chosen you for this position. Uh, historical introduction. This says, silent weapon technology was evolved from operations research, a strategic and tactical methodology developed under the military management in England during World War ii. The original purpose of operations research was to study the strategic and tactical problems of heir and land defense with the objective of effective use of limited military resources against foreign enemies. It was soon recognized by those in positions of power that the same methods might be useful for totally controlling a society, but better tools were necessary. So when they found this out in the, let's say 19 43, 19 42, uh, they did not have the technology to. Implement the theories that were laid out during this findings of operations research. Right? So operations research was, how can we infiltrate and degrade a country without having to go in there with tanks? How? Where can we get these silent weapons? And we see this play across our society today, whether it's through social engineering of social media, which is obviously one of the most complex things of this. The algorithms, Google searches, all of those things are now a part of this social engineering censorship. All of those things, but back then they didn't even have the computer yet, so they couldn't, even if they had the data sets that they needed to analyze, which we'll find out what they were analyzing it for in just a minute, they wouldn't have had a way to calculate it in in enough time. So they needed further technology is what it was talking about. But better tools were necessary. It said social engineering. The analysis and automation of a society requires the correlation of great amounts of constantly changing economic information or data. So a high speed computerized data processing system was necessary, which could race ahead of the society and predict when society would arrive at Ululation Relay. Computers were slow, but the electronic computer invented in 1946 by J Presper Eckert, and John w Mackley filled the bill. The next breakthrough was the development of the Simplex method of linear programming in 1947 by the mathematician George b Danzig. Then in 1948, the transistor invented by Jay Bardeen, W H Britain and W Shockley promised great expansion of the computer field by reducing space and power requirements. Now with these three inventions under their direction, those in positions of power strongly suspected that it was possible for them to control the whole world with the push of a button, is what this document says. Now, immediately, once this was found out, so they started to formulate this economic theory of data and how they could predict both how people would act for economic gain and for power gains. They couldn't have the technology yet to allow them to analyze the data, even if they had it as soon as they had the technology. In 1948 with the transistor, the Rockefeller Foundation got in at the ground floor. They did this by making four year, a four year grant to Harvard College funding the Harvard Economic Research Project. For the study of the structure of the American economy, one year later in 1949, the United States Air Force actually joined in on this. In 1952, the grand period terminated and a high level meeting of the elite was held to determine the next phase of social operations research. The Harvard project had begun very fruitful or have been very fruitful, as is born out of the publication of some of its results in 1953, suggesting the feasibility of economic. Social engineering. So this is where it leaves that paper trail, right? We know that this happened. We know the grants were funded by the Rothchild family. We know the timeframe. We know that the, the reasoning that they were doing this engineered in the last half of the decade in the forties, the new quiet war machine stood, so to speak, in sparkling gold plated hardware on the showroom floor by 1954 with the creation of the Maser. In 1954, the promise of unlocking unlimited resources of fusion atomic energy from the heavy hydrogen in seawater and the consequent availability of unlimited social power was a possibility only decades later, the combination was irresistible. So what they're talking about here is that energy was the new gold. So by unlocking these scientific endeavors, we're gonna learn about what science truly is for in just a second when they lay it out for us. But by learning and unlocking these codes to the universe, they could also unlock massive amounts of power, massive amounts of capital. So, although the silent weapon system was nearly exposed 13 years later, the evolution of the new weapon system has never suffered any major setbacks. Political introduction in 1954. It was well recognized by those in positions of authority that it was only a matter of time, only a few decades before the general public would be able to grasp and upset the cradle of power for the very elements of the new silent weapon technology were as accessible for a public utopia. As they were for providing a private utopia, meaning that if the general public had gotten a hold of this technology and used it for good, and used it for the betterment of society, it would have allowed us to thrive as, as a species, it would've allowed us to have a public utopia where everybody gained from it. But instead, a small group, a small boardroom meeting with the Bilderberg group, i e what you know, We know today as something like the World Economic Forum, and they still have these Bilderberg group meetings allowed for a private utopia. For a small group of individuals, energy is recognized as the key to all activity on earth. Natural science is the study of sources and controls of natural energy and social science, theoretically expressed as economics is the study of the sources and control of social energy. So this is where they're kind of taking this formula, this idea of energy and, and reformatting it, repositioning this theory of energy into what they. A lot what they learn to manipulate, right? They learn to manipulate energy first. Then they reformat That, reformulate that into understanding how to manipulate people because people are just energy, they're saying. Right. Uh, energy is recognized as the key to all activity, activity on earth. Social science theoretically expresses economics, right? Saying that the way that people's energy, the movement of people, the thoughts of people exposes itself through economics by the, where they spend their money, where they spend their time, and how they react to things, right? So that is the study of the sources in control of social energy. Both are bookkeeping systems. Mathematics. Therefore, mathematics is the primary energy science, and the bookkeeper can be king if the public can be kept ignorant of the methodology of the bookkeeping. All science is a means to an end. The means is knowledge. The end is control beyond. This remains only one issue. Who is the beneficiary, and that's why. The Rothchilds realized this and they quickly sprung into action as soon as they saw the technology t itself, so that they could be the ones who were the beneficiary of the knowledge, the knowledge leading to control. And that is why we are where we are today. In 1954, this was the issue of the primary concern. Although the so-called moral issue was raised in the view of the law of natural selection, it was agreed that it is that a nation or world of people who will not use their intelligence are no better than animals who do not have intelligence at all. Such people are beasts of burden and stakes on the table by choice and consent. Did you hear that? Do you hear the way that they talk about you and I? People who will not use their intelligence are no better than animals who do not have intelligence. Such people are beasts of burden and stakes on the table by choice and consent. They said consequently is the inter interest of future world order peace and tranquility. It was decided. To privately wage, a quiet war against the American public with the ultimate objective of permanently shifting the natural and social energy, wealth of the undisciplined and irresponsible many into the hands of the self-disciplined, responsible, and worthy few, so they rigged the system. In order to implement this objective, it was necessary to create secure. To create, secure and apply new weapons, which as it turned out were a class of weapons so subtle and so sophisticated in their principle of operation and public appearance as to earn for themselves the name, silent weapons. In conclusion, the objective of economic research is conducted by the magnets of capital or banking in the industries of commodities or goods and services is the establishment of an economy which is totally predictable and manipulatable. So what they start to lay out here for you is that in order, Well, let's just read this says, in order to achieve a totally predictable economy, the low class elements of society must be brought under total control, right? In order for them to be able to profit both economically and power based off of this predictable economy, they need to make it predictable and to make it predictable, you have to fall in line to the programming. You must be housebroken. It says trained. And assigned a yoke and long-term social duties from a very early age before they even have an opportunity to question the propriety of the matter. Right. You wanna talk about four and five-year-olds going to have a full-time job in kindergarten, going to school to wait for a bell to tell them when to go do the next thing. Being put in the position of submission to somebody in a position of dominance. Being told everything that they have to do when they have to do it, how to draw their, how to draw something, how to dot their i's how to, you know, all of it. So you have to. Entice conformity from the very beginning, and the Rockefellers also funded the general education board in the 1920s. The general education board, which we're gonna get into in one of our next deep dives, was taking the Prussian model, which leveraged education as a system of creating obedience instead of intelligence in the 1920s. To make it so that this system of education, education through enslavement of thought was implemented nationwide. Thus started the programming of the general public, which allowed you and I to behave predictably just like they wanted. So we can be housebroken trained in assigned a yoke and long-term social duties from an early age, making everything predictable, making the general mass public move as a flock in order to achieve conformity. It says, The lower class family unit must be disintegrated by a process of increasing preoccupation of the parents and the establishment of government operated daycare centers for the occupationally orphaned children. That's a terrifying way of putting it, that is dead accurate. In order to achieve such conformity, the lower class family unit must be disintegrated. By a process of increasing preoccupation of the parents and the establishment of government operated daycare centers for the occupationally orphaned children, the quality of education given to the lower class must be of the poorest sort so that the moat of ignorance isolating the inferior class from the superior class is and remains incomprehensible. To the inferior class with such an initial handicap, even the bright lower class individuals have little, if any, hope of extricating themselves from their assigned lot in life. This form of slavery is essential to maintain some measure of social order, peace and tranquility for the ruling upper class. Are you terrified yet? Does this sound, does this ring true to you? This is exactly the playbook that has set up in the society for obedience, for social credit scores, for digital currency, for censorship. Exactly. And the, the United States of America was the proving grounds of this. Description or descriptive introduction of the silent weapon. It says, so now it explains how they're going to do it. Everything that is expected from an ordinary weapon is expected from a silent weapon by its creators, but only in its manner a functioning. It shoots situations instead of bullets propelled by data processing instead of chemical reactions. Originating from bits of data instead of greens of gunpowder from a computer instead of a gun operated by a computer programmer instead of a marksman under the orders of a banking magnet instead of a military general. It makes no obvious explosive noises, causes no obvious physical or mental injuries, and does not obviously interfere with anyone's daily social life. Yet it makes an unmistakable noise. Causes unmistakable, physical and mental damage, and unmistakably interferes with the daily social life i e unmistakable to a trained observer, one who knows what to look for. The public cannot comprehend this weapon and therefore cannot believe that they're being attacked and subdued by a weapon. The public might instinctively feel that something is wrong, but that is because of the technical nature of the silent weapon. They cannot express their feeling in the rational way or handle the problem with intelligence. Therefore, they do not know how to cry for help and do not know how to associate with others to defend themselves against it. When asylum weapon is applied, gradually the public adjusts and adapts to its presence and learns to tolerate its encroachment on their lives until the pressure. Becomes too great and they crack up. Therefore, the silent weapon is a type of biological warfare. It attacks the vitality options and mobility of the individuals of a society by knowing, understanding, manipulating, and attacking their sources of natural and social energy and their physical, mental, and emotional strengths and weaknesses. Wow. So the silent weapon is a biological warfare. It attacks the vitality options and mobility of the individuals of society by knowing, understanding, manipulating, and attacking their sources of natural and social energy and their physical, mental, and emotional strengths. And weaknesses, right? You wanna talk about big pharma, right? You wanna talk about the introduction of allopathic medicine by the rothchilds. Right. Basically eliminating osteopathic and homeopathic medicine again, right around the same time. Right in the, the early 19 hundreds. That's why the, the World War II was the precipice of change. The industrialization of our nation was really the enslavement of our nation. That's when you had the education system, uh, turn into what it is today with bells ringing, telling your children where to go and how to act. That's when you had allopathic medicine telling you that your body has nothing to do with its own state of health. That's when you had the introduction of industrialized food, which poisoned you instead of nourished you. That's when you had the introduction of the military industrial complex, which served to empower the banking elites with profitability at the detriment of your son's lives. All of this was pre-planned and written out in this document called Silent Weapons for Quiet Wars,  Ensuring predictability through our actions by enslaving our minds first, by poisoning us through our food, poisoning us through our entertainment, poisoning us through the indoctrination of the education system. All of this, all of this wove the fabric for what we know as modern society today, and we're reading the playbook. Here's an interesting quote by one of the Rothchilds themselves, Meyer Anhe Rothchilds, 1943 to 1812 and said, give me control over a nation's currency and I care not who makes its laws. Meyer Am shell Rothchilds. When you control the money, you already control the politicians. And when you control the politicians, you control the law and you in turn control the people. Today's silent weapons technology is an outgrowth of a simple idea discovered, succinctly expressed, and effectively applied by the quoted Mr. Meyer Amschel Rothschilds. Mr. Rothschild discovered the missing passive component of economic theory known as economic inductance. He of course did not think of this discovery in these 20th century terms. And to be sure, mathematical analysis had to wait for the second industrial revolution, the rise of the theory of mechanics and electronics, and finally the invention of the electronic computer before. Before it could be effectively applied in the control of the world economy. So this part is where it gets a little technical. Okay. Everything up in here was like theory of societal engineering. Right now we're getting into the idea of how energy and, and the, the energy of the world actually works side by side with the energy of people and by learning to manipulate one gives you the theory of how to manipulate the other. Okay, so this starts to break it down. It breaks it down technically for you. And again, I will give you my reframe of this, uh, so as to allow you to actually understand what I'm talking about without scouring this document back and forth and back and forth. Uh, so this is what a, how is lays it out. It says General Energy concepts and the study of energy systems. There always appears to be three elementary concepts. These are potential energy, kinetic energy, and energy dissipation. In corresponding to these concepts, there are three idealized, essentially pure physical counterparts called passive components. In the science of physical mechanics, the phenomenon of potential energy is associated with a physical property called elasticity or stiffness, and can be represented by a stretching spring. An electronic science potential energy is stored in a capacitor instead of a spring. This property is called accidents. Instead of elasticity or stiffness, right? Think of a rubber band,  Now it goes on to say that in the science of physical mechanics, which is the second part of this, the phenomenon of kinetic energy is associated with a physical property called inertia or mass, and can be represented by a mass or a flywheel in motion and electronic science, kinetic energy is stored in an inductor in the magnetic field instead of a mass. This property called inductance instead of inertia. Alright, so bear with me here because then in just a second, it takes all three of these concepts and formulates it for societal engineering. It says In the science of physical mechanics, the phenomenon of energy dissipation is associated with a physical property called friction or resistance, and can be represented at by a dash pot or a device which can converts energy into heat. An electronic science dissipation of energy is performed by an element called either a resistor or a conductor. The term resistor being the one generally used to describe a more ideal device. Like a wire employed to convey electronic energy efficiently from one location to another. The property of a resistance or a conductor is measured as either resistance or conduct conductance. Reciprocals. Alright, now it says in economics, this is where it takes that idea of energy dissipation of conductance and cap capacitance. Right, the capacity and reformulates it into currency, right? Into how people react to things. Okay, so it talks about capital is capacitance, right? That's money, stock inventory, investments in buildings and durables, right? So the, the capacity, the capacitance is capital, the conductance. The flow of the energy is goods. That's where the exchange happens. And then the inductance, the influence of the population of industry on output is services. So the capacitance is capital, that's the money, the conductance, what where it flows from is goods, right? And then, The dissipation or the inductance is services. All of the math mathematical theory developed in the study of one energy system, right? Mechanics or electronics, can immediately be applied in the study of any other energy systems, including economics. So what Mr. Rothschilds had discovered was that the basic principle of power, influence, and control over people as applied to economics. That, that principle is when you assume the appearance of power, people soon give it to you. So lemme reread that for you. What Mr. Mr. Rothschilds had discovered was the basic principle of power, influence, and control over people as applied to economics. That principle is when you assume the appearance of power, people soon give it to you. Now when we start to get into this, this is where fractional banking came from, was this idea. Right. The, and, and now what we know is, you know, zero Reserve banking, but is supposed to be what fractional reserve banking was, I think, until 2021 or 22 when they changed it to zero reserve banking, which is far worse. Right? So this is where the, the creation of the Federal Reserve comes from, is this idea. So, Mr. Mr. Rothschild had discovered that currency or deposit loan accounts had the required appearance of power that. It could be used to induce people, right? The inductance with people corresponding to a magnetic field, it says into surrendering their real wealth in exchange for a promise of greater wealth, right? An instance of compensate. Of real instead of real compensation, right? So instead of giving you gold for your services, I'm gonna give you an i O U, this piece of paper that we printed out of a machine that says, you know, we got you. All you have to do is agree with somebody else that we got you and we got them, and you guys exchanged that. Gotcha. And you know, now you're, now you're, you know, exchanging currency. So they would put real collateral in exchange for a loan of promissory notes. I. Mr. Rothschild found that he could issue more notes than he had backing for fractional banking. So long as he had someone's stock of, had someone's stock of gold as a persuader to show his customers. So picture him with a big bank behind him. Or a, a big, uh, you know, um, box of gold, a a big, you know, vault of gold. And in that vault of gold, he had a million, a million dollars worth of, you know, dollars. He had a a million dollars worth of gold. And in exchange of that million dollars, he handed out $10 million to other people saying, you know, I got this million right behind me. You don't have to worry about it. If you come back to me for your 500,000, I'll give you the 500,000. Of course, I got it. Look behind me. Right, but little did they know that he doesn't have 10 million, which is what he loaned out. So he now owes more than he has in possession. So if any one time everybody comes to get it at the same time, none of it really exists. Right. Fractional banking, I. Mr. Rothschilds loaned his promissory notes to individuals and to governments. These would create overconfidence. Then he would make money scarce, tighten control on the system, and collect the collateral through the obligation of contracts. So let's say that you own, uh, a $500,000 house that I loaned you the money for, that you're paying me monthly on. Now the economy that I squeeze goes to shit, and you can't afford the mortgage. Now, I made you pay me $200,000 of the 500,000, but you couldn't pay the whole thing because I screwed the economy over, and now I own all of those assets again. Rinse and repeat the cycle. Was then repeated. These pressures could be used to ignite a war. Then he would control the availability of currency to determine who would win the war. Right? This man with all the perceived power, with all the gold in the vault behind him, told both sides of the war that I got you. I got you. But then depending on who he gave the most loans to printed the most money for. Would win the war. Of course, war is just a war of attrition. Everything's a war of attrition, right? It's just who has the most money? Who has the most, uh, shiny metal machines that are gonna blow stuff up? The government, which agreed to give him control of its economy and economic system, got his support and in turn won the war. And maybe that's what we're seeing play out right now between NATO and Russia and China and all of these things going on, is we're seeing who's going to give. The banking cartels, the control of the economic system. And whoever does that is gonna get the most money. They're gonna get the most funding, right? They're gonna get the most bombs, they're gonna get the most tanks, and in turn, they're gonna win. The war goes on to say the collection of debts was guaranteed by economic aid to the enemy of the debtor. Collection of debts was guaranteed by economic aid. To the enemy of the debtor. The profit derived from this economic methodology made by Mr. Rothschilds all the more able to expand his wealth. He found that the public greed would allow currency to be printed by government order beyond the limits of backing and precious metals, or the production of goods and services, and that's how we get to inflation, right? Public greed would allow currency to be printed by government. Order beyond the limits of backing and precious metal or the production of goods and services, right? We got off of the gold standard and immediately what happens? Inflation. Inflation, go back and ask your grandparents about it, right? How much did the car cost in this structure? Right? And so a parent ca, capital as paper inductor, right? The inductor in the structure credit presented by is a pure element called currency as the appearance of capital, but in the effect negative capital. Hence it was the appearance of service, but is in fact indebtedness or debt. It is therefore an economic inductance instead of a economic capacitance, and if balanced in no other way will be balanced by the negation of population, right? War and genocide. I. The total goods and services represent real capital called the Gross National Product, and currency may be printed up to this level and still represent economic capacitance, but currency printed beyond this level is subtractive and represents the introduction of economic inductance in constitutes notes of indebted. Alright, let's go ahead and let's do this 'cause this will be interesting if we can take this. Actually get it to, let's see here how I can do this. I wanna see if I can carry this over and have a chat. G p t write a simplistic, let's say like a, a first grade level and explain that for us. So let me go ahead and take a picture of this, copy over the text and ask it to explain it that way, because I think that's a value. This is a little bit more, uh, complex than. Then how we, uh, you know, having me over here try to explain it to you. So let me go ahead and, and put it in here. So I took it, let's go take it to chat, g b t. Please explain this at a fifth grade level. All right, so it's saying, imagine we have a system where people use something called currency as a form of credit. This currency looks like money or resources, but it's actually like negative capital because it creates debt. So it seems like a helpful service, but it actually puts people in debt, right? The currency, the money. Is all just credit, right? There's not, there's not actually backed by anything, which all it means is that, you know, you see the national debt ticker just keeps going up and up and up. So it seems like a helpful service, but it actually puts people in debt instead of being like a container that holds in stores value like a piggy bank. This currency acts more like a force that causes changes in the economy, like pushing or pulling things around. When this force gets out of balance and there's too much currency, it can lead to problems. To balance this system, something extreme like war or genocide might happen. This is because the excess currency needs to be brought back to balance. And unfortunately, throughout its history, war has been one way that this has been achieved. Uh, right. Remember, this is just an explanation of some ideas in the text. As you grow older, you'll learn more about economics and different viewpoints on these topics. Hmm. Let's see if it can try again. Alright, cool. So, where war is therefore balancing the system by killing the true creditors, the public, which we have taught to exchange true value for inflated currency, it says, and now my screen goes away. So I think that's an interesting analogy, right? Like it's not a piggy bank. The, the money that we have is not a piggy bank. It's a, it's a an i o U. And, and once there's enough IOUs out there that people hold onto, eventually you, the best way to get some of those IOUs back is by eliminating the people, apparently. Uh, so it says that Mr. Rothschild had discovered that the currency gave him the power to rearrange the economic structure to his own advantage, to shift economic inductance to those economic positions, which would encourage the greatest economic instability and oscillation. The final key to economic control had to wait until there was sufficient data and high speed computing equipment to keep close watch on the economic oscillations by creating price shocking and excess paper energy credits, paper inducted and inflation. I. Alright. Now the next part of this is talk, talking about how they test the system, right? How, how do they formulate results? Like how, how did they get the data right? And we're gonna see some of these things ring true when we think back to the time of the, uh, thinking back to. The covid situation where we had no toilet paper for a weird amount of time or maybe a few months ago when, when eggs cost $20 for fricking 12 of them, right? This is a, a form of shockwave testing, which is what we're gonna learn about right now, and it starts by learning the principle of shockwave testing again in energy and reformulating it for how we deal with people and society and societal engineering. So it says, the aviation field provided the greatest evolution in economic engineering, by the way, of its mathematical theory, which is shockwave testing. In this process, what they would do is they would take something on an airplane and they would test how much force could be applied to that, uh, that piece of technology. Right? So a projectile is fired from an airframe on the ground and the impulse. Of the recoil is monitored by vibrational transducers connected to the airframe and wired to chart recorders right? So I was trying to say, how much energy can we put on this airframe of this aircraft until it explodes? Shockwave testing, right? How, how durable is the material and how is it going to react when we impose some type of force on it? By studying the echoes and reflections of the recoil impulse in the airframe is possible to discover critical vibrations in the structure of the airframe, which either vibrations of the engine or. Olian vibrations of the wings or a combination of the two might reinforce resulting in the resonant self-destruction of the airframe in flight as an aircraft, right? So what they wanted to figure out was how much gunpowder can we put on the side of this airplane until it rips apart, right? How big are the booms that we can make until the whole thing falls apart from the standpoint of engineering, this means that the strengths and weaknesses of the structure of the airframe in terms of vibrational energy can be discovered and manipulated. Now again, here comes the application in economics to use this method of airframe shock testing. In economic engineerings, the price of commodities are shocked and the public consumer reaction is monitored Data. The resulting echoes of the economic shocker interpreted theoretically by computers and the socioeconomic structure of the economy is thus discovered. How do people react when we do this thing? We get large enough data sets. Right. Why do you think data's so important when it comes to your social media? Why do you think data's so important when it comes to all of your transactions on, on your finances? Right. Why is the digital currency important? Because the more data that they can get, the more they can realize how to manipulate you. And the more they can profit, the more power that they can have by knowing exactly how you'll react to X and y, because they want. To be more rich and more powerful. They can predict how you're gonna react. They can then invest in the commodities that they know are going to be having shortages early. Or when you, let's say get rid of toilet paper, for example. Maybe people run and buy bidets, or maybe when you have a nationwide panic, people run and buy ammunition, maybe something like that, right? So when you can predict those reactions with a large enough data set, you can then, React ahead of time and profit from those reactions because now you know, now you've shockwave tested the mass public and now you know how they're gonna react when you get rid of toilet paper. Now you know how they're gonna react when you threaten locking them down and shutting down all their businesses. Right? And if you can boil the water up into the point to where the frog's gonna jump out or revolt against you, like we saw with Covid eventually, So they, they dialed up the heat just until the point where they saw us buying ammunition just to the point where they saw people running and getting guns just until the point where people were rioting, not rioting to the extent where they were gonna overthrow the government, but when they were rioting to the point where they were, you know, breaking down in targets and stealing everything out of it. Right. They don't want a complete collapse. 'cause then they lose all of their control, but they do want to dial it up because then now they know the next time that they go to do this, exactly how the public will react. Shockwave testing. Okay, now it says that, um, if this process, uh, it is by this process that partial differential and in indifferent matrices are discovered that define the family household and make possible its evaluation as an economic industry. Which is dissipative consumer structure. Then the response of the household to future shocks can be predicted and manipulated. It says, in society becomes a reg, a well-regulated animal with its reigns under control of a sophisticated computer, regulated social energy bookkeeping system. Eventually, every individual element of the structure comes under computer control through a knowledge of personal preferences. Such knowledge guaranteed by computer Association of consumer preferences, right? U P C codes, zebra striped pricing codes on packages, right? They're talking about literal barcodes. Right. All that is tracking, all that is data set sets, right? Um, it says with identified cus to consumers right. Identify via association with the use of credit cards and later a permanent tattooed body number invisible under normal ambient illumination. Right? That's the, uh, that's the microchip in you that, that they're gonna talk about, right? That's the, that's the digital credit score, right? That's the digital, uh, digital currency. Right. So maybe it's a little bit different than what they expected in 1986, but very, very close. Right? Credit cards were literally designed just so they could get the data of your buying decisions, right? That's every c v s phone number that you put in. That's, uh, the, the barcodes on the back of it. All of it is data, not data for, I mean, yeah, target uses it for their data, but data for the, the company that owns Target. Why do you think BlackRock owns all of these companies? It wants the data, it wants to predict, it wants to throttle economies, it wants to prop one up while it goes to war with Ukraine. It wants to, uh, manipulate financial markets here so that you could have, uh, the downfall of a country over here. Right? So it says summary economics is. Only a social extension of a natural energy system. It also has its three passive components because of the distribution of wealth and the lack of communication and lack of data. This field has been the last energy field for which a knowledge of these three passive components has been developed. Since energy is the key to all activity on the face of the earth, it follows that in order to attain a monopoly of energy. Raw goods, materials and services. And to establish a world system of slave labor, it is necessary to have a first strike capability in the field of economics. In order to maintain our position, it is necessary that we have absolute first knowledge of the science of control over all economic factors in the first experience at engineering the world economy. In order to achieve such sovereignty, we must at least achieve this one end. That the public will not make either the logical or mathematical connection between economics and the other energy sciences, or to learn to apply such knowledge. Hmm. Right. Public first private utopia. They wanted to hone this technology and to keep it to themselves so they can meet at Berg, so they can meet in the Swiss Alps of the World Economic Forum meetings and talk about how they're gonna manipulate you. It is only a matter of time before the new breed of private programmer and economists will catch onto this far reaching implications of the work begun at Harvard in 1948. The speed of which they can communicate their warning to the public will largely depend upon how effective we have been at controlling the media, subverting education, and keeping the public distracted with matters of no real importance. All right, now here's the economic model. It says, the Harvard Economic Research Project in 1948 was an extension of the World War II operations research, right? We learned about that. It was felt that with sufficient mathematical foundation and data, it would be nearly as easy to predict and control the trend of an economy as to predict and control the trajectory of a projectile. Such has proven to be the case. Moreover, the economy has been transformed into a guided missile on target. To make sure history of it all. It was discovered that an economy obeyed the same laws of his electricity and that all of the mathematical theory and practical and computer know-how developed for the eco electronic field could be directly applied to the study of economics. I. The discovery was not openly declared, and its more subtle implications were in our kept closely guarded secrets. For example, that in an economic model, human life is measured in dollars and that the electric spark generated when opening a switch connected to an active inductor is mathematically analogous to the initiation of war, right? Turn on and off the amount. Of dollars, right? The human life, right? That's where you get into the depopulation agenda, right? If you can expand the, the, the expand the, the people that are on this earth and then immediately contract them down to a smaller amount, the amounts of goods still remains the same. It's already been produced, so now it goes into a smaller and smaller group of hands. So that's where the depopulation agenda comes into control. That's where war comes into control. It's, it's, it's a mechanism of, of inflating and deflating the amount of money owed that getting rid of debts that are owed to the government that the government owes to you. Right. The greatest hurdle it says, which theoretical economists faced was the accurate description of the household as an industry. This is a challenge because consumer purchases are a matter of choice, which in turns is influenced by income, price, and other economic factors. This hurdle was cleared in an indirect and stati a statistically approximate way by an application of shock testing to determine the current character characteristics called current technical coefficients of a household industry. Finally, because problems in theoretical electronics can be translated very easily into problems of theoretical electronics, and the solution translated back again. It follows that only a book of language translation and concept definition needed to be written for economics. The remainder could be gotten from standard works on mathematics and electronics. This makes the publication of books on advanced economics unnecessary and greatly simplifies project security. All right, so now it goes into a bunch of diagrams. Okay? Now again, this will be on the sub stack, so you can go read through those and look through them yourself. I don't find much value if you've comprehended a little bit more of what I've talked about here, but it basically talks about how the flow of economics and utilizing one industry for supply to demand, um, then results in what they want, right? So, so more control, more money, more power. Alright. It uses these, you know, kind of electronic models and, uh, to give you a, a better discussion surrounding what we talked about already. So it, it just lays it all out for you. But that's a pretty consistent, uh, or a pretty, uh, technical way of going about this. So let's go ahead and we'll scroll past that for now. All right. There is one part that I wanna point out though. It says the social welfare system. Okay, this is just a small piece of it. Uh, it says the problem with sub stabilizing the economic system is that there is too much demand on account of one, too much greed and two too much population, right? 'cause it goes into how other large are te alternatives to war, right? As economic inductors and economic flywheels are an open-ended social welfare program, or, An enormous but fruitful open-ended space program, right? Nasa, could you imagine that right? An enormous open-ended space program with no end in sight. Right there. There's nothing, there's no real end, there's no real goal. Uh, so you can have that as one balancing mechanism. You can have war, right? Too much demand on the count of too much greed. And too much population can be balanced with open-ended space programs, social, large, social, open-ended welfare programs and war. Okay? It says the problem with stabilizing economic systems is that there is too much demand on an account of too much greed and too much population. This creates excessive economic inductance, which can only be balanced with economic capacitance, right? So true resources or value in goods and services. The social welfare. The social welfare program is nothing more than an open-ended credit balance system, which creates a false capital industry to give non-productive people a roof over their heads and food in their stomachs. This can be useful, however, because the recipients become state property in return for the gift. A standing army for the elite for who he pays. The Piper picks the tune for who he pays. The piper picks the tune. Hmm. So this is why we see the Democrats, the liberal, the left, right, which this knows no left and right, but this does this, this is important, right? This is why when you have these soc, social and ec, this is why they say, right, I'll, I'll, uh, find me a young man who's a Republican. I'll show you somebody without a heart. Uh, find me an old man who's a liberal, and I'll show you somebody without a brain. Right? It's like when you can enslave somebody by giving them a stipend. Right. That's literally how they did this. This can be useful putting a roof over their heads and food in their stomach for people who are completely unproductive because the recipients become state property in return for the gift. A standing army for the elite, for he who pays the piper picks the tune, right? If they give you the money, you fall in line. You do what they say. You are now docile. So I found that to be interesting. All right, so the next part of this, right now that we've gone through the more technical aspect of the energy portions and how that's, that social energy relates to, right, the, the findings of scientific energy. Uh, let's go ahead and pull up this next part. If my computer will play nice with me and it doesn't want to, alright. But I found that to be interesting, right? Even the shockwave testing, when you start to think of things in this way, when you start to think of data, right? Everybody's been talking about data, data, data. What does Facebook, well, Facebook makes their money from data, right? Why is data so important? Well, when you have enough data, you can predict actions. Right. Where are people gonna spend their money? How are people gonna react physically? All right, so I. It goes on to say that those who get hooked on the economic drug must go to the elite for the fix. And this, the method of introducing large amounts of stabilizing capacitance is by borrowing on the future credit of the world. I. Okay, so those who get hooked, hooked on the economic drug must go to the elite for the fix. They own the banks, they own the printing machine to give out the credit. Like what gives you the right you, there's no, there's nothing there. It's all a facade. It says in this, the method of introducing large amounts of stabilizing money, right by printing stuff. Is borrowing on the future credit of the world inflation, right? What we print today affects our children tomorrow, right? Things cost more. This is the fourth law of motion onset, and consists of performing an action and leaving the system before the reflected reaction returns to the point of action. A delayed reaction, right? They don't have to deal with it. Your children, our great-grandchildren, deal with it. The means of surviving. The reaction is by changing the system before the reaction can return. By. This means politicians become more popular in their own time and the public pays later. In fact, the measure of me measure of such a politician is the delay time, right? How long does it take for everything to crumble after Joe Biden leaves? After so much money is poured into the system after it's printed to send to Ukraine. The same thing is achieved by a government, by printing money beyond the limit of the gross national product and the economic process called inflation. This puts a large quantity of money into the hands of the public and maintains a balance against their greed, creates a false self-confidence in them, and for a while stays the wolf from the door. They must eventually resort to war to balance out the account because war ultimately is merely the act of destroying the creditor, right? The people killing off people, and the politicians are the publicly hired hitmen that justify the act to keep the responsibility and blood off the public conscience. So just by printing money eventually, it's literally taking life. If the people really cared about their fellow man, it says they would control their appetites, their greed, their procreation, so that they would not have to operate on a credit or welfare social system, which steals from the worker to satisfy the bum. Since most of the general public will not exercise restraint, there are only two alternatives to reduce the economic inductance of the system. One, let the populace bludgeon each other. To death and war, which will only result in the total destruction of the living earth. Number two, take control of the world by the use of economic silent weapons in the form of quiet warfare, and reduce the economic inductance of the world to a safe level by a process of benevolent slavery and genocide. Print, fight, print, fight, print, fight, the balancing act. Eventually somebody has to pay for that. Getting rid of the creditor, getting rid of the people that erode the money, eliminating the population. The latter option has been taken as the obviously better option. It says at this point it should be crystal clear to the reader why absolute secrecy about the silent weapons is necessary. The general public re refuses to improve its own mentality and its faith in the fellow man. It has become a herd of proliferating barbarians and so to speak, a blight upon the face of the earth. They do not care enough about economic science to learn why they have not been able to avoid war. Despite religious morality and their religious or self-gratifying refusal to deal with earthly problems renders the solution of the worldly problem unreachable to them. It is left to those few who are truly willing to think and survive as the fittest. To survive to solve the problem for themselves is the few who really care. Otherwise, exposure of the silent weapon would destroy our only hope of preserving the seed of the future True humanity. Hmm. So that's where you get the idea and this sociopathic idea that there should be a ruling class, that there should be slaves, that there should be peasants, that there should be bums because you don't know any better and you're too stupid and too lazy and not enough. You don't have enough self-awareness and you don't have enough intellect to, to actually grasp what's going on in these financial systems. And, and instead, we're just gonna send you off to war to die. So we can pay off the bets so that we, the debts that we owe, so that, You know, we can drive our Ferraris to Davos and meet once a year to talk about how we're going to further our enslavement of you through our children. All right? It goes on to show some more of those examples, uh, showing the diagrams of how these stages of s schematics simplification, right? Where is war play into this? So it it, it has mathematical equations, which are beyond my scope of understanding, uh, but. It talks about the final bill of goods, says the final bill of goods is called the final bill of goods or the bill of final demand, and is zero when the system can be closed by the evaluation of the technical coefficients of the non-productive industries, governments and households. Households may be regarded as a productive industry with labor as its output product. Interesting. So that's how they look at you, huh? Says the household industry, the household, the industries of finance, manufacturing, and government. Real counterparts of the pure industries of capital goods and services are easily defined because they're generally logically structured. Because of this, their processes can be described mathematically and their technical coefficients can be easily deduced. This however, is not the case with the service industry known as the household industry. Household models when their industry flow diagram is represented by a two block system of households on the right and all other industries. On the left, the following results, so there's another diagram. It says The arrows to the left. Yeah. You'll have to kind of read through this so you actually get an idea of what it's talking about. Let's see. This is applied to economics. This means that all of the households in one region or in the whole nation are studied as a group or class rather than individually. And the mass behavior, rather than the individual behavior, is used to discover useful estimates of the technical coefficients governing the economic structure of the hypothetical single household industry. Right? So taking a a general average allows them to say, you know, even if 30% of the country isn't gonna get vaccinated, we're betting on the 70%. Right. We know 70% compliance is enough to get us to where we need to go. The next time around that we do this, it says, one method of evaluating the technical coefficients of the household industry depends upon shocking the prices of a commodity and noting the changes in the sales of all, of all of the commodities, right? So when we get rid of toilet paper, how does that affect the general economy? Where do people start to put their money? Where do, where does that panic lead us? It's so easy to make us panic. Which is exactly all that was, was a shockwave test, getting rid of toilet paper to see how people would react. So the next time, how easily is it to predict your reactions and profit from it? Right? In the shock testing of an aircraft frame, the recoil impulse of a firing gun is mounted to the airframe causing shockwaves, right? We talked about this. It is as they tell the A aviation engineers, the conditions under which some parts of the airplane or the whole airplane or its wings will start to vibrate or flutter like a guitar string, a flute read, or a tuning fork and disintegrate or fall apart in flight. Economic engineers achieve the same result by studying the behavior of the economy and the consumer public by carefully selecting a staple commodity such as beef, coffee, gasoline, eggs, toilet paper, maybe, or sugar. And then causing a sudden change or shock in its price or availability, thus kicking everybody's budget and buying habits out of shape. They then observe the shockwaves, which result by monitoring the changes in the advertising prices, and sales of that and other commodities. The objective of such studies is to acquire the know-how to set the public economy into a predictable state of motion or change even a controlled self-destructive state. Of motion, which will convince the public that a certain expert of people should take care of the money system and reestablish security rather than liberty and justice for all. When the subject citizens are rendered unable to control their financial affairs, they of course become totally enslaved a source of cheap labor. Not only the prices of commodities, but also the availability of labor can be used as the means of shock testing. Labor strikes, deliver excellent test shock results to an economy, especially in the critical service areas as trucking or transportation. And you wanna talk about the transportation industry during c O D communication. Public utilities is energy, water, garbage collection, et cetera. We have seen this playbook play out, and it was written in the fifties. These, exactly the playbook that was used during covid By shock testing, it has found that there is a direct relationship between the availability of m

We're getting down to the last few days of tax time in America as this episode goes out. Why not relieve some of that mathematical stress with a podcast! In 330, we're playing the 1982 game TAX AVOIDERS, the intense adventure of tax sheltered investments.  Then once you've listened to this episode...go back and listen to some of the other 329 - for the first time! Or again! - because ATARI BYTES is taking a little hiatus. But keep is in your feed and hearts. We'll be back! Thanks to Kevin McLeod at Incompetech.com for creative commons use of his songs Reformat, Pinball Spring, Take a Chance of Hidden Agenda.  Support the show at patreon.com Thanks to Sean Courtney for the "Storytime" theme. www.carnivalofgleecreations.com for info about the podcast, about IT'S A PODCAST, CHARLIE BROWN, and books by me that can belong to you. D20 or Die!

Peanut butter and jelly. Laverne and Shirley. And now Atari and Muppets. All great things that belong together. In episode 329, we're playing COOKIE MONSTER MUNCH for the 2600. This 1983 joint effort by Atari and The Children's Computer Workshop is a showcase for Cookie Monster. (I was more of a Grover man, myself. But Cookie is pretty cool.) But is it a tasty confection or a stale day old paper weight? Bad Poetry Corner: Don't Let the Cookie Crumble Thanks to Kevin McLeod at Incompetech.com for creative commons use of his songs "Take a Chance", "Reformat", "Pinball Spring" and "Hidden Agenda".  Thanks to Sean Courtney for the "Storytime" theme. Support the show at patreon.com here. Go to carnivalofgleecreations.com for all your podcast and book reading needs. The Jim Beard and Becky Books Facebook page

In 328, we build on the massive tower of gaming experiences we've had on this show with MASTER BUILDER from Spectravision, 1983. Does it stand tall and proud or all come tumbling down? Listen and find out! ORIGINAL SHORT STORY: Building Up Expectations Thanks to Kevin McLeod at Incompetech.com for creative commons use of his songs "Reformat", "Hidden Agenda", "Take a Chance" and "Pinball Spring".  Thanks to Sean Courtney for the "Storytime" theme. carnivalofgleecreations.com  Support the show at patreon.com here. Jim Beard and Becky Books

327 features the 1983 prototype KICKMAN from CBS Electronics, based on the arcade game, which also wasn't that popular. Why didn't it work out? One guess.... No, not that. It's balloons! This game is full of 'em.  And even in 1983, they knew to stay away from balloons. Why didn't we listen? Thanks to Kevin McLeod at Incompetech.com for creative commons use of his songs "Take a Chance", "Reformat", "Pinball Spring" and "Hidden Agenda". Thanks to Sean Courtney for the Storytime theme Support the show at patreon.com here.  carnivalofgleecreations has all the info you need about this show, my other show IT'S A PODCAST, CHARLIE BROWN and books written by me that can be owned by you.

In 1982, Canadian-based department store chain Zellers  thought it would be fun to take a break from selling washers and socks and whatever and instead program Atari games. Why? Dunno. But I played one. It's called Donkey Kong. No, wait. Sorry! It's called INCA GOLD. You'll understand why I was confused after episode 325. Original Short Story: GOLD STANDARD Thanks to Kevin McLeod at Incompetech.com for creative commons use of his songs "Take a Chance", "Reformat", "Pinball Spring", and "Hidden Agenda".  Thanks to Sean Courtney for the Storytime theme. Support the show at patreon.com here. carnivalofgleecreations.com has everything you need to know about this show, about IT'S A PODCAST, CHARLIE BROWN and about my books.   

Is Answer Software's 1983 title GAUNTLET the answer to all our gaming needs? Hold your water and listen to episode 324. Raise a glass to not spilling a glass. No, really. Look, just listen to the episode. Thanks! Original Short Story: UNDAUNTED GAUNTLET Thanks to Kevin McLeod at Incompetech.com for creative commons use of his songs "Take a Chance", "Reformat" and "Pinball Springs".  Thanks to Sean Courtney for the "Storytime" theme. Support the show at patreon.com here.  carnivalofgleecreations.com has all you need about ATARI BYTES, IT'S A PODCAST, CHARLIE BROWN, and about books written by me that can be owned by you.   

Episode 323 is a bargain. I mean, not like cheap socks or 2-for-1 toasters like you could get at Zellers in Canada in the 1980s. (I'm just guessing about that.) But in this episode, we're playing TIME WARP, one of two games Zellers developed in 1983 all on its own for the 2600, maybe in aisle 3 between the winter coats and MC Hammer parachute pants. And the episode is ABSOLUTELY FREE! No coupon required. You're welcome. Original Short Story: The Terminal. The Eternal. And the Guy Who Counts Time. Thanks to Kevin McLeod at Incompetech.com for creative commons use of his songs "Take a Chance", "Pinball Spring" and "Reformat".  Thanks to Sean Courtney for the "Storytime" theme. All you need to know about this show, ATARI BYTES, my other show IT'S A PODCAST, CHARLIE BROWN, and books written by me that can be owned by you can be found at https://www.carnivalofgleecreations.com/ Support the show at patreon.com here.  

No Christmas content really this episode, but it's dropping on Christmas Day, so...MERRY CHRISTMAS! Hope you and yours have a lovely day and joyous holiday season! Here at the podcast, we're relaxing with a movie as is our tradition for the last episode of the year. This time, it's the 1963 classic JASON AND THE ARGONAUTS. Ancient Greek Gods! Skeletons with swords! Goat-based slapstick! As usual, we have a friend dropping by for movie time. It would be great if it was Santa Claus, but we got someone even better! Jeff Fulton from "Into the Verticial Blank" joins me on the quest to find the tree at the end of the world. Or, you know, a quest to talk about a movie which is way easier. I hope you and yours have a great end of the year. Talk to you again in 2023! Thanks to Kevin McLeod at Incompetech.com for creative commons use of his songs "Take a Chance", "Reformat", "Pinbal Spring" and "Jingle Bells".  Thanks to Sean Courtney for the Storytime theme. Support the show at patreon.com www.carnivalofgleecreations.com has all the info you need about this podcast, my other show IT'S A PODCAST, CHARLIE BROWN, and about books and other things I've written.     

Ok, look. It's the holiday season. And while we all try to be good, if you're like me, you stumble a bit. We probably all deserve a bit of coal in our holiday stockings. Just think of episode 321 as your penance before the Big Guy brings your presents. This episode, we're talking about the 1982 Hanna-Barbera animated special "Christmas Comes to Pacland". Yep, that's a thing HB made. Must have lost a bet. And now it's a thing for us to talk about. So, let's get it over with.  Thanks to Kevin McLeod at Incompetech.com for creative commons use of his songs "Take a Chance", "Pinball Spring" and "Reformat". Thanks to Sean Courtney for the Storytime Theme. Check out www.carnivalofgleecreations.com for all you podcast needs to ATARI BYTES, IT'S A PODCAST, CHARLIE BROWN and info about books written by ME and can be owned by YOU, like IN THE ST. NICK OF TIME. Support the show at patreon.com here.   

RAPTORS: Boucher has been incredibly consistent as the Raptors 6th man this year. Are there other role players out there reformatting their game like Boucher? Pascal is back and so are the vibes. Thad and Juancho started over Scottie and Gary and we saw some funky lineups. As the team gets healthier, what is your ideal rotation?NBA: The league is all-in on betting. What are some other revenue streams the league should consider? The quarter mark of the season has been reached. Which team has improved the most?With Imman Adan and Pat Ronan!Creative Commons licensing credits for each episode can be found here Learn more about your ad choices. Visit megaphone.fm/adchoices Hosted on Acast. See acast.com/privacy for more information.

RAPTORS: Boucher has been incredibly consistent as the Raptors 6th man this year. Are there other role players out there reformatting their game like Boucher? Pascal is back and so are the vibes. Thad and Juancho started over Scottie and Gary and we saw some funky lineups. As the team gets healthier, what is your ideal rotation? NBA: The league is all-in on betting. What are some other revenue streams the league should consider? The quarter mark of the season has been reached. Which team has improved the most? With Imman Adan and Pat Ronan! Creative Commons licensing credits for each episode can be found here Learn more about your ad choices. Visit podcastchoices.com/adchoices

While you gulp down the last of the pumpkin pie, give episode 320 a listen. We're clowning around with one of Audacity Games' 2021 debuts CIRCUS CONVOY. Does the game barrel down the highway of fun? Or does it stall out in a ditch somewhere? BAD POETRY CORNER: OVER THE BIG TOP Thanks to Kevin McLeod at Incompetech.com for creative commons use of his songs "Take a Chance", "Reformat" and "Pinball Springs".  Thanks to Sean Courtney for the "Storytime" theme. Support the show at patreon.com  www.carnivalofgleecreations.com has all the info you need about ATARI BYTES, IT'S A PODCAST, CHARLIE BROWN, and books written by ME that can by owned by YOU.  Audacity Games  

As a kid in the arcade, I found Sega's 1983 title CONGO BONGO...interesting. So, of course, when I got hold of a copy of the game for the 5200, I had to try it. And now in episode 319, I have. That's a thing I've done. What did I think? Well, you'll have to listen and find out.  SHORT STORY: THE BONGO BASTARDS https://incompetech.com/Thanks to Kevin McLeod at Incompetech.com for creative commons use of his songs "Take a Chance", "Reformat" and "Pinball Spring".  Thanks to Sean Courtney for the Storytime Theme. Support the show at patreon.com here www.carnivalofgleecreations.com has all your info about ATARI BYTES, my other show IT'S A PODCAST, CHARLIE BROWN and even books written by ME that can be owned by YOU. 

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On this Halloween Eve...eve, we've got an awesome treat. No, not candy. No, not money. No, not world peace in our time. Look, it's another podcast episode, ok? Episode 318 is MIDNIGHT MUTANTS for the 7800. Is it a tasty confection or a bitter pill? And why is Grampa Munster here?!?! Bad Poetry Corner: MIDNIGHT MUTANTS - A POEM Into the Vertical Blank: Atari in the Wild piece about Airlock Thanks to Kevin McLeod at Incompetech.com for creative commons use of his songs "Reformat", "Take a Chance" and "Pinball Spring".  Thanks to Sean Courtney for the "Storytime Theme". Support the Show at patreon.com here. www.carnivalofgleecreations.com is where you need to go for all things related to ATARI BYTES, my other show IT'S A PODCAST, CHARLIE BROWN and about books I've written that you can possess.  

In this "Giant Mess", New York Mets fan Neal Lynch looks at the 2022 Mets' win-loss splits from the regular season and tries to make sense of the how we got to a Phillies vs Padres NLCS, then gives his thoughts on al the talk about reformatting the MLB Playoffs yet again, plus this past season gave some old school fans 1985 vibes? ABOUT "GIANT MESS": "Giant Mess" is a sloppy sports and entertainment talk show that covers the New York Giants, New York Mets, movies, TV, comedy and more, hosted by a giant mess, Neal Lynch. ABOUT NEAL LYNCH: I'm an Irish-Italian-American who graduated from a Catholic high school (but isn't Catholic), and earned a couple overpriced degrees from a college known for producing doctors and lacrosse players, then became neither. Instead, I tell stories. Leave a voicemail at (862) 248-1986. Subscribe to Giant Mess on YouTube: https://bit.ly/GiantMessYT Follow me on: My Official Blog - http://bit.ly/neallynchBLOG Giant Mess Facebook Page - http://bit.ly/GiantMessFB Twitter - http://bit.ly/NealLynchTW Instagram - http://bit.ly/NealLynchIG Subscribe to Giant Mess on Apple Podcasts - http://bit.ly/GiantMessApple Subscribe to Giant Mess on Spotify - http://bit.ly/GiantMessSpotify --- Send in a voice message: https://anchor.fm/neal-lynch/message

In 1982, did Data Age got a LOCK on the submarine adventure genre? Or does this game suck the AIR out of gaming fun? We're playing AIRLOCK. Well, mostly we're cursing AIRLOCK. There's a nice story though... SHORT STORY: AIRLOCKED AND LOADED - A STEVE STETSON, 1980's SUPERSPY ADVENTURE Thanks to Kevin McLeod at Incompetech.com for creative commons use of his songs "Take a Chance", "Reformat" and "Pinball Spring".  Thanks to Sean Courtney for the "Storytime" theme.  Find out more about this show, my other show IT'S A PODCAST, CHARLIE BROWN and about books I've written, which you can own! Go to www.carnivalofgleecreations.com to do all that.  Support the show at patreon.com 

With the game NO ESCAPE!, episode 316 is escapist fun you can't escape from! Well, you could just not listen, I suppose. But you wouldn't do that, would you? Would you?!?!? We're playing this 1983 title from iMagic. Goddesses! Guys named Jason! Getting stoned! It's all here! Original Short Story from Me: Yourself and Nowhere to Go From There - A Play So. Many. Exclamation. Points. Thanks to Kevin McLeod at Incompetech.com for creative commons use of his songs "Take a Chance", "Reformat" and "Pinball Spring".  Thanks to Sean Courtey for the "Storytime" theme.  www.carnivalofgleecreations.com has everything you need for this show, ATARI BYTES, and my other show, IT'S A PODCAST, CHARLIE BROWN. You'll also find info about my short story collections and novel IN THE ST. NICK OF TIME, and links to some places you can buy them.  Support the podcast at patreon.com here!  

Beep! Beep! Move it...to episode 315 of ATARI BYTES! We're playing CommaVid's unreleased 1983 title RUSH HOUR. Honk if you love games! Bad Poetry Corner: GET OUT OF MY WAY! Thanks to Kevin McLeod at Incompetech.com for creative commons use of his songs "Reformat", "Take a Chance" and "Pinball Spring".  Thanks to Sean Courtney for the "Storytime" theme. Go to the ATARI BYTES page on patreon.com to support this show here.  The website www.carnivalofgleecreations.com has every thing you need for this show, my othe show, IT'S A PODCAST, CHARLIE BROWN, and about books that I've written including Hell's Cereal, Misery Banana, and 2nd Duck on the Right.

This episode croaks on arrival. In 314, we're "playing" (Sort of) CommaVid's unreleased demo for something maybe called FROG that the programmer dug out of an old box after twenty years and chucked out to the masses without a care...much like this podcast is produced. Thanks to Kevin McLeod at Incompetech.com for creative commons use of his songs "Take a Chance", "Reformat" and "Pinball Spring".  Thanks to Sean Courtney for the "Storytime" theme. Support the show at the ATARI BYTES page on patreon.com here. Supporters get stuff! www.carnivalofgleecreations.com is your one stop for info about ATARI BYTES, my other show IT'S A PODCAST, CHARLIE BROWN and info about books by ME that you can own for your very...own.   

Does episode of 313 get a strong hold on your heart as we play Commavid's 1983 space game STRONGHOLD? Listen and decide for yourself! Original Short Story: THE INEVITABILITY OF HISTORY Thanks to Kevin McLeod at Incompetech.com for creative commons use of his songs "Take a Chance", "Reformat" and "Pinball Spring". Thanks to Sean Courtney for the "Storytime" theme. Support the show at patreon.com here.  Go the webite wwww.carnivalofgleecreations here for all your podcast needs for ATARI BYTES and my other show IT'S A PODCAST,CHARLIE BROWN. The site also has info about my books, including 2nd Duck on the Right & Other Very Short Stories. 

In episode 312, we've got tunnel vision, focused only on bringing you a doozy of an episode! This time, it's the 1983 CBS Electronics game TUNNEL RUNNER, a ground-breaking, immersive 4D experience. Okay, actually, they call it it 3D. We added the fourth D for "DAMN!" Original Short Story: TUNNEL VISION Thanks to Kevin McLeod at Incompetech.com for creative commons use of his songs "Take a Chance", "Pinball Spring" and "Reformat".  Thanks to Sean Courtney for the "Storytime" theme. Support the show at the ATARI BYTES page on patreon.com here, and you could get perks! Go to www.carnivalofgleecreations.com for all your ATARI BYTES and IT'S A PODCAST, CHARLIE BROWN needs. You can also check out books I've written and, you know...maybe even buy one!

Call the Orkin man! (Gratuitous Orkin Man shout out. Send me a check.) In episode 311, I'm sorry to tell you, you've got termites. And not just any termites. Giant, space-faring, killer nest-building termites. It's COSMIC SWARM, the 1982 title from CommaVid. Termites all over the darn place. And you, friend, must destroy them. Fight that creepy crawling feeling you're experiencing right now thinking about giant bugs and get to work. Bad Poetry Corner: BATTERED BY THE COSMIC SWARM Thanks to Kevin McLeod at Incompetech.com for creative commons use of his songs "Take a Chance", "Reformat" and "Pinball Spring".  Thanks to Sean Courtney for the "Storytime" theme. Support the show at patreon.com here.  The website www.carnivalofgleecreations.com has all you need about this show, ATARI BYTES, my other show IT'S A PODCAST, CHARLIE BROWN and about books I've written that you can own for your very...own.  

Episode 310 is going to the dogs...er, rabbits. We're playing Apollo's 1982 title WABBIT for the 2600. The bunnies are on a fluffy rampage! So grab your carrots...er, joysticks and join us! This episode's original short story: THE CABAL Thanks to Kevin McLeod at Incompetech.com for creative commons use of his songs "Take a Chance", "Reformat" and "Mining by Moonlight".  Thanks to Sean Courtney for the "Storytime" theme. Support the show at the ATARI BYTES page on patreon.com and get...stuff! www.carnivalofgleecreations.com is your one stop shop for all things about ATARI BYTES, my other show IT'S A PODCAST, CHARLIE BROWN, and about books written by me that YOU CAN OWN. 

In ATARI BYTES 309, I hear voices.  This is nothing new, but this time, I know the voices are coming from outside my own head. Probably.  We're closing out Intellivision Month on the podcast by playing the 1982 Mattel title "Space Spartans" with - holy crap! - the "Intellivoice" voice synthesizer module. Is the game fun? Who cares! There's a robotic voice emanating from my blocky, outdated gaming console! Short Story: WHAT'S THE POINT?  Thanks to Kevin McLeod at Incompetech.com for creative commons use of his songs "Take a Change", "Reformat" and "Pinball Spring".  Thanks to Sean Courtney for the Storytime theme. Head over to carnivalofgleecreations.com for all the info you need about ATARI BYTES, IT'S A PODCAST, CHARLIE BROWN, books written by ME that can be owned by YOU, and so much more! Support the show on the ATARI BYTES page at patreon.com.  

Episode 308 of ATARI BYTES is a blast! A GAS blast, specifically! It's true! In SPACE HAWK, your gas is the only thing that can save the universe. Tell you significant other to stop complaining. The 1982 Mattel title SPACE HAWK is for the Intellivision console. Why an Intellivision game on an Atari-based podcast? Well, it's our annual INTELLIVISION MONTH! If you have thoughts about this title or Intellivision, send them to me. If you're blasting gas, keep it to yourself.  Thanks to Kevin McLeod at Incompetech.com for creative commons use of his songs "Take a Chance", "Reformat" and "Pinball Spring".  Thanks to Sean Courtney for the Storytime theme. Go to www.carnivalofgleecreations.com for info about this show, ATARI BYTES, and about my other show IT'S A PODCAST, CHARLIE BROWN.  Support the show on patreon.com here.

Does the 1983 nuclear terrorism game COUNTERMEASURE for the 5200 measure up to the quality you've come to expect from this podcast? Counter point: Don't sweat it. The podcast is free. Short Story: MEASURE TWICE, CUT ONCE...TO THE BONE Thanks to Kevin McLeod at Incompetech.com for creative commons use of his songs "Take a Chance", "Reformat" and "Pinball Spring".  Thanks to Sean Courtney for the "Storytime" theme. Go to www.carnivalofgleecreations.com to find more about this show ATARI BYTES, and my other show IT'S A PODCAST, CHARLIE BROWN. While you're there, check out books by ME that you can own for your ownselves. You can support the show at patreon.com here. 

Let ye who is without Sin-istar, cast the first pod. Well, fortunately for us, we DO have this episode's game SINISTAR, the 1984 Atari 2600 port prototype of the arcade game. Is the game a heavenly delight or sinfully awful? Count your luck stars and join us. Bad Poetry Corner: THE SINN SISTERS HOST A BRUNCH Thanks to Kevin McLeod at Incompetech.com for creative commons use of "Pinball Spring", "Take a Chance", and "Reformat".  Thanks to Sean Courtney for the "Storytime" theme. Go to www.carnivalofgleecreations.com to find out more about ATARI BYTES, my other podcast IT'S  A PODCAST, CHARLIE BROWN and about books I've written, including "2nd Duck on the RIght & Other Very Short Stories".  Support the show at patreon.com 

EPISODE 13: WHY HAVE A HARD DRIVE? 1.     NEVER RUN OUT OF SPACE ON YOUR COMPUTER AGAIN-I cannot tell you how many times I have had photographers come to me and tell me that they are so tired of running out of space on their computer. There is a better way to do things friends! Buying an external hard drive will keep you from having to make more space constantly. Gone are the days of being unorganized today is the day that you are going to go out and buy an external hard drive! 2.     HARD DRIVES FAIL – Yes you heard me! If you learn anything from this podcast it should be that computers and hard drives fail! Be prepared. So many photographers have lost work and had to make that shameful call to their clients explaining what happened. Don't let that be you. Make sure that you are backing up to at least one other place. I recommend buying two – three hard drives at the beginning of each year. That way you can mirror copy to each. If one hard drive fails, you will have an identical copy to pick up right where you left off. Just think; if you have a hard drive that has three years of images on it and It fails you will lose far more than a hard drive that only has one year's worth of images.   3.     CATALOGS BEGIN TO GLITCH WHEN THERE IS NOT ENOUGH SPACE – Did you know that when you run out of space on your computer that you hard drives will begin to fail. This is the most common reason why Lightroom catalogs begin to glitch and fail. Make sure to check your hard drive to see if it is too full on a regular basis to avoid the frustration of having to re edit any work because your hard drive failed. If you are wondering how to do this, I teach this in the Ultimate Guide to Lightroom & Hard Drive Organization. This eBook will teach you how to;  -       Choose the right hard drive for you -       Reformat your new hard drive-       Create a Lightroom Catalog-       Create a Lightroom Import preset-       How to store your preset with your catalog-       How to back up and be safe with your hard drive-       The dos and don'ts of your hard drive-       And most importantly; HOW TO NEVER LOSE ANYTHING AGAIN! 4.     ORGANIZATION – Did you know that one of Lightroom's key features is organization? Yes, Lightroom is mostly known for its editing capabilities but my favorite part is the ability to create collections and collection sets. By creating collections, you can organize your images within your Lightroom catalog. Like I said before…Gone are the days of thousands of folders everywhere or multiple catalogs. By using my system from The Ultimate Guide to Lightroom & Hard Drive Organization you will only have one folder on your hard drive and one catalog.  If you are ready to be more organized and never lose anything again head to the link below to check out The Ultimate Guide To Lightroom & Hard Drive Organization - https://www.laurenmaevephotography.com/store/the-ultimate-guide-to-digital-asset-management Don't forget! I will be going live every Wednesday to talk about hard drive organization  And…. The 50% off sale will be happening this month on May 31st - June 1st!  See you all next week same time same place!

The 5200 love-fest continues in 305 with QIX. This 1982 puzzling, strategizing, flashy lights game is a keeper...of addictive frustrations. SHORT STORY: QIX-SAND Thanks to Kevin McLeod at Incompetech.com for creative commons use of his songs "Take a Chance", "Reformat" and "Pinball Spring". Thanks to Sean Courtney for the Storytime theme. Head to www.carnivalofgleecreations.com for info about ATARI BYTES, IT'S A PODCAST, CHARLIE BROWN and about books by ME, like 2nd Duck on the Right & Other Very Short Stories". Support the show at patreon.com!

Supreet Raju and her husband & co-founder, Gaurav Gupta are huge food and travel enthusiasts, exploring the blockchain industry together since 2017. While working and researching projects in the market, they noticed a consistent failure in making blockchain products truly accessible to general audiences. Even simple products were made to sound complex, which attracted no one except developers and tech-geeks. With increasing global interest in crypto & blockchain, they felt the need to create something simple, educational & user-friendly to onboard the next wave of adoption - which culminated into OneRare.The future of technology and consumer adoption is leaning more and more into the evolution of blockchain and how NFT's, the Metaverse, and more will play a bigger role in the future of restaurants, food supply chain as well as consumer adoption, and pop culture. We dive deep into this podcast in a way that will explode your mind with our special interview.

GotTechED the Podcast  Episode #104: 17 Best Kept Secrets in Google Workspace for Education Welcome back to GotTechED the podcast this is Episode #104 called “17 Best Kept Secrets in Google Workspace for Education” In this episode, Guise and I will discuss 17 hacks, tips, tricks, and extensions that teachers should be using when using Chrome and Google for Education Apps. We'll also discuss some of our latest published content and share a big announcement that we have been alluding to for the past few episodes. This is another episode you don't want to miss. Check it out. Segment 1: Recent Blog Postshttps://gotteched.com/blendedlearning/ (5 Edtech Tools for the Blended Learning Classroom) https://gotteched.com/choiceboard2022/ (Student Content Creation Choice Board) https://gotteched.com/whyimote/ (Why I Mote… 5 Templates and a Resource for your ReMOTE Classroom!) https://gotteched.com/12daysofedtech/ (12 Days of Edtech (12 Videos that promote engagement in the classroom)!) Announcement: We are now apart of the https://www.teachbetter.com/podcasts/ (TeachBetter Podcast Network)!!!!Segment 2: 17 Best Kept Secrets of EdTechChrome Hacks Tab Re-open on Chrome (Control+Shift+T) Scroll through your Chrome Tabs (Control+the number of the tab) Google Slides 20:50 Reformat the slide dimensions (File, Page Set-up, Custom, Set the Length and Width) Use a picture as the background of your slide (right click on a blank slide, choose image) Google Docs Word Count shortcuts (control+shift+c OR tools, display word count while typing) Add your signature to a document (insert, drawing, new, hover over the line icon, choose scribble, sign) Linda Hummer - adding a video to docs by going to Insert Google Drawings (within docs) and adding the video to the drawing https://twitter.com/lindahummer (@LindaHummer) https://www.youtube.com/watch?v=jF2r5TpnTLg&t=1s (Video on how to add a video to docs ) Google Sheets Add a line break… meaning go to the next line but stay in the same cell (Control+enter) Insert checkboxes (Insert, text boxes) Jamboard 3 templates (https://jamboard.google.com/d/12-AwVtkDKtYthBfVy7fQjTv2bDMAUtd7VI_LtqN3C8w/copy (https://jamboard.google.com/d/12-AwVtkDKtYthBfVy7fQjTv2bDMAUtd7VI_LtqN3C8w/copy)) Attendance (drag an arrow) Group Check in (drag a green, yellow, or red arrow) Group Station Rotation Progress Tracker (Put the number of the station rotation activity that you have completed in your group's box Google Keep Grade with Google Keep Make a rubric Drag it into the students google doc Make comments underneath mote Drag in digital stickers Make your own or find some on the web Make gifs gifit Universal Google Apps for Education Activity Dashboard (Tools, Activity Dashboard) Explore (Tools, Explore or Control+Alt+Shift+I) Allows you to add photos and text from the omnibox without leaving your doc, slide, or sheet Chrome Extensions https://chrome.google.com/webstore/detail/mote-voice-notes-feedback/ajphlblkfpppdpkgokiejbjfohfohhmk?hl=en-US (Mote) https://chrome.google.com/webstore/detail/wordtune-ai-powered-writi/nllcnknpjnininklegdoijpljgdjkijc?hl=en (Wordtune) Grammarly alternative with sentence structure  https://chrome.google.com/webstore/detail/print-friendly-pdf/ohlencieiipommannpdfcmfdpjjmeolj?hl=en (PrintFriendlyPDF) https://chrome.google.com/webstore/detail/lastpass-free-password-ma/hdokiejnpimakedhajhdlcegeplioahd?hl=en-US (Lastpass) https://chrome.google.com/webstore/detail/onetab/chphlpgkkbolifaimnlloiipkdnihall?hl=en (OneTab) Segment 3: Where to Find GotTechEDDo us 3 favors Subscribe to GotTechED the Podcast https://itunes.apple.com/us/podcast/gotteched/id1358366637?mt=2 (Apple Podcasts) https://open.spotify.com/show/7zyzfCkSDNHkKdqxmh9XLB?si=YhSdMa6BQVmcLHbSrYxE9Q (Spotify) https://play.google.com/music/listen?u=0#/ps/Indeizidhz4h37mawfylwdgco4y (Google Podcasts)  ...

What is the NAVB? Who takes part? How can you become a member? We took away wins and losses, we took away a year end tournament...what did we replace it with? Axe...and you shall receive.