Podcast appearances and mentions of Freddie Mercury

Join host Buzz Knight on this uplifting journey through music and resilience as he engages in a heartfelt conversation with the extraordinary singer-songwriter Sam Ryder on this encore episode of "Takin' a Walk. " Sam Ryder, who rose to fame during the pandemic through social media, shares his inspiring story of transitioning from performing on street corners to representing the UK at Eurovision with his hit song "Spaceman," achieving the best result for the UK in nearly 30 years. Buzz Knight expertly navigates through Ryder's musical inspirations, including his admiration for legendary musicians like Freddie Mercury, and uncovers the emotional depth behind his earliest memories of singing. This episode is a treasure trove of insights into the power of music, where Ryder discusses the concept of 'Frontier Soul' and the therapeutic benefits of music in overcoming life's challenges on society and culture. As they talk together, Ryder opens up about his personal struggles with self-doubt and panic attacks, emphasizing the importance of gratitude and surrounding oneself with positive influences. This candid discussion about viral music success resonates deeply with anyone who has faced their own hurdles, making it a must-listen for fans of inspiring music stories and those seeking emotional healing through art. Buzz Knight's engaging style brings out the best in his guests, and this episode is no exception, as Ryder reflects on his upcoming album and the thrill of headlining Wembley Arena, highlighting the connection between music and community. Whether you're a fan of indie music journeys, classic rock history, or simply looking for inspiring artist interviews, this episode of "Takin' a Walk", The Music Podcast is packed with music history insights and stories behind songs that will leave you feeling uplifted. Join Buzz Knight as he explores the creative journeys of artists like Sam Ryder, and discover the emotional healing power of music in this captivating conversation. Don't miss out on this chance to walk alongside a rising star in the music world and gain valuable insights into the artistry that shapes our lives. Tune in now to experience the magic of music and storytelling with Buzz Knight on "Takin' a Walk. " This is more than just a podcast; it’s an exploration of the human spirit through sound. Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

In this episode of the Behind The Song podcast with Janda Lane, step inside Freddie Mercury's London mansion to meet the pampered clowder of ten felines who truly ruled his world. From mandatory long-distance phone calls to check in while Queen was on the road to the song inspired by his favorite calico, Delilah, Mercury truly went above and beyond typical pet care. In fact, he was so loyal to his beloved companions that he put it in his will that they would inherit his sanctuary, long after the music stopped. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

I'm thinking of this as part of a new occasional series that I can return to called “Origins” and will be about the songwriters and/or musicians that have shaped my musical tastes. Future episodes will definitely include people like Ray Davies of The Kinks, Edward Van Halen, Justin Currie of Del Amitri, Peter Gabriel, Annie Lennox, Mark Knopfler, Steve Earle, and Paul McCartney, as names that spring immediately to mind. To be honest, I can easily see Brian May also getting his own episode at some point! I don't have any sort of plan for how frequently these episodes will drop, I'll just sit down to write them when opportunity and desire overlap at the right time.To kick off the "Origins" series, I need to talk about the guy who stands at the top of the musical mountain for me; Freddie Mercury. Songs : https://youtube.com/playlist?list=PL9JRklgBG7NzIJ5_KbvGMNbc0Yh859gL4Don't forget to follow me on social media, like, subscribe, and please, leave a rating if you like the show.Follow: https://linktr.ee/tompettyprojectListen: https://pod.link/1580769475All music, including the theme song, provided by my very best friend Randy Woods. Check him out at https://www.randywoodsband.comA special thanks to Paul Zollo. Without his book, "Conversations with Tom Petty", this podcast wouldn't be nearly as much fun to research.The Tom Petty Project is not affiliated with the Tom Petty estate in any way.Producer: Kevin BrownExecutive Producers: Paul Roberts, Steve UrsellSupport this show http://supporter.acast.com/the-tom-petty-project. Hosted on Acast. See acast.com/privacy for more information.

La cantante Martina Mocci. in arte Vaenus, si racconta ai microfoni di Unica Radio tra influenze anni '80, identità artistica, live band e il desiderio di far ballare il pubblico con la sua musica La musica come rifugio, identità e futuro. Martina Mocci, conosciuta artisticamente come Vaenus, si è raccontata ai microfoni di Unica Radio durante una nuova puntata di B-Podcast. Un'intervista spontanea e personale in cui la giovane artista ha parlato delle sue influenze musicali, del legame con gli anni '80 e del desiderio di trasformare le emozioni in canzoni capaci di coinvolgere il pubblico. Vaenus musica e la scoperta durante l'adolescenza Per Vaenus musica significa soprattutto libertà espressiva. La cantante ha spiegato di aver capito durante l'adolescenza che la musica non sarebbe rimasta soltanto una passione. Un momento decisivo è stato quello della pandemia, periodo che le ha permesso di fermarsi e riflettere maggiormente su sé stessa. “Ci si sente spesso pesci fuor d'acqua”, racconta l'artista parlando di quegli anni delicati. Il tempo trascorso in casa ha contribuito a rafforzare il suo rapporto con la musica e a far emergere nuove sfaccettature della sua personalità. Il significato del nome d'arte Vaenus Dietro il nome Vaenus si nasconde una storia personale legata al mondo dell'arte. Martina Mocci ha raccontato che tutto nasce da un episodio avvenuto durante una mostra di pittura alla quale partecipava la nonna. Una signora le disse che ricordava la Venere di Botticelli per via dei capelli. Da lì è nata l'idea di scegliere un nome artistico ispirato alla figura della Venere, poi trasformato in Vaenus per ottenere un suono più originale e personale. La cantante ha spiegato anche come Vaenus rappresenti una parte diversa rispetto alla Martina della vita quotidiana. Sul palco emerge infatti una personalità più sicura, creativa e istintiva. Gli anni '80 come ispirazione musicale Le sonorità anni '80 occupano un posto centrale nell'universo artistico di Vaenus. L'artista ha citato nomi iconici come Freddie Mercury, Michael Jackson, Madonna e Prince come punti di riferimento fondamentali. Secondo Vaenus, quella decade ha lasciato un segno profondo nella storia della musica grazie all'originalità dei suoni e alla capacità di trasformare anche temi semplici in brani memorabili. Un periodo che, a suo dire, trasmetteva emozioni autentiche e un modo diverso di vivere la quotidianità, meno dipendente dalla tecnologia. La cantante ha sottolineato anche il fascino delle registrazioni analogiche e della dimensione più umana della musica prodotta in quegli anni. L'esperienza live sul palco di Sant'Isidoro Nel corso dell'intervista, Vaenus ha parlato anche della partecipazione al contesto musicale di Sant'Isidoro. Un'esperienza definita positiva sia dal punto di vista artistico sia umano. Nonostante l'ansia iniziale, la cantante ha raccontato di essersi divertita molto sul palco, soprattutto grazie alla possibilità di esibirsi insieme a una vera band composta da bassista, chitarrista e batterista. Per Vaenus il live rappresenta un momento speciale. L'obiettivo non è soltanto cantare, ma creare energia e coinvolgere il pubblico. “Mi piace divertire e divertirmi”, ha spiegato durante la conversazione. Tra le esibizioni più significative viste durante l'evento, l'artista ha ricordato con entusiasmo una band che ha reinterpretato brani come “Feeling Good” e “Great Balls of Fire”. Vaenus musica e il sogno per il futuro Guardando al futuro, Vaenus ha le idee molto chiare. Il suo sogno è produrre canzoni originali e riuscire a farle conoscere a più persone possibile. L'obiettivo finale resta quello di creare musica capace di far ballare il pubblico e trasmettere emozioni sincere. Un percorso ancora agli inizi, ma già caratterizzato da personalità artistica, passione e una forte ispirazione vintage.

Hoy os dejamos un podcast especial de La Gran Travesía dedicado al LP A Kind Of Magic de Queen, con motivo del aniversario del disco, publicado el 2 de junio de 1986. Es evidente que no es el mejor trabajo de la banda de Freddie Mercury, Brian May, John Deacon y Roger Taylor, pero es un disco que marcó a mucha gente. ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Alul, Piri, JBsabe, Juan Antonio Méndez Benítez, Antonio Vicente Álvarez, Aida Borrallo, Eduardo Gutiérrez, Rafa Navarro, José Carlos Lozano, Ikatza, Cabe1961, Guillermo Esteban, Diego Román, Raquel, Sergio Rodríguez Rojas, Jose Antonio Moral, Juanito, Octavio Oliva, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Francisco Quintana, Con, Tete García, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

Episode 118 (28/05/26) – On this week's show: Chris Packham's excitement over wildlife, all the people dying in water in an attempt to stay cool, Ricky Gervais shilling for some crappy drink, a live investigation into who is cutting grass at this time of night? The Concierge, the man who got his groin burnt by hot coffee on a plane flight, rubbish 70's cops, Duncan Ballantyne comes out as a Restore supporter, some advice for someone with a racist friend, an improv of the last days of Freddie Mercury, Craggy, the death of Judith Chalmers, recommendations, Future Greg and a whole lot more!

Michael Jackson-film, Bohemian Rhapsody-mítosz és a foci-VB amerikai káosza ep. 317   Ebben a MÓKA Live adásban Attilával megint hoztunk egy nagy adag amerikai és popkulturális témát, ahol Michael Jackson, Freddie Mercury, New York, foci-vb, 105 dolláros vonatjegy, turistacsapdák és pénzügyi döntések szépen összefutnak egyetlen beszélgetésben.   Elindulunk az új Michael Jackson-film kapcsán: ki játssza Michaelt, miért érdekes Jaafar Jackson szerepe, és hogyan lett egy családtagból a világ egyik legismertebb popikonjának megformálója. Szóba kerül a Jackson család bonyolult története is, Randy Jackson, Jermaine Jackson és Jaafar anyjának különös családi kapcsolódásaival.     Beszélünk Joe Jacksonról, Michael apjáról is, és arról a nehéz kérdésről, hogy hol van a határ a fegyelem, az ambíció és a gyerekkor elvétele között. Vajon lett volna-e Michael Jacksonból Michael Jackson ugyanaz a brutális nyomás nélkül? És ha igen, milyen árat fizetett ezért emberként?   Innen átugrunk Freddie Mercuryra és a Bohemian Rhapsody legendájára. Miért hívják így a dalt? Mit jelent a rapszódia? Lehet-e a „Mama, just killed a man" sort úgy értelmezni, hogy Freddie a régi önmagát „ölte meg"? Szóba kerül a Faust-párhuzam, az ördöggel kötött alku, az operai rész, Bismillah, Beelzebub, Figaro, és az is, hogy egy dal hogyan válhat mítosszá.     A zenei vonalon maradva előkerülnek kedvenc Queen- és Michael Jackson-dalok, a különleges énekhangok, Révész Sanyi, Horváth Charlie, Zámbó Jimmy, és az örök kérdés: Péter hány hangot tud kiénekelni? Spoiler: egyet sem, de azt biztosan.   A beszélgetés második felében New York és Amerika kerül fókuszba. Beszélünk a 2026-os foci-vb New York/New Jersey körüli közlekedési kihívásairól, a MetLife Stadiumról, a Madison Square Gardenről, a Penn Stationről, és arról az őrült lehetőségről, hogy egy napon lehet vb-meccs és Knicks NBA-döntő is. És igen, előkerül a híres 105 dolláros vonatjegy is.   Szó lesz arról is, hogyan lehet turistaként New Yorkban elkerülni a lehúzásokat: hot dogos árak, Central Park környéki tekerős taxik, percdíjak, és az aranyszabály: előbb ár, aztán hot dog.   A végén pedig pénzügyi témák is jönnek: amerikai oktatás, diákhitel, esküvői költségek, válás, tartásdíj, és az, hogy mit tanácsol az ember a 21 éves lányának, ha jól keres, de még előtte áll az élet összes drága meglepetése.   Ez az adás egyszerre könnyed, személyes, vicces és néha nagyon komoly. Pont olyan, mint Amerika: kívülről csillog, belül néha ropog, de beszélni róla mindig van mit.  

You've been added to the group chat. Each week we invite our celebrity guests into the group chat and ask them your questions. Quick fire questions, honest answers. Anything goes in the group chat. This week we're sliding into the DMs with Dame Elaine Paige, the First Lady of Musical Theatre. She reveals why she absolutely cannot stand group chats, being silly with Freddie Mercury, and her top advice for acing an audition. She also opens up about the pantomime she swore she'd never do, which turned out to be her final ever performance on stage. Oh, and Josh's fiance Tom makes a special appearance via voice note. A big day for the household. Elaine's album Miscellaneous Paige is out July 17th and her single Only A Lifetime is out now

Es gibt Songs, die erkennt man sofort an der Stimme. Andere an einem Gitarrenriff. Und dann gibt es „We Will Rock You“. Ein Song, den wahrscheinlich jeder Mensch schon mal mitgemacht hat – selbst Leute, die Queen gar nicht bewusst hören.

Michael Jackson y Freddie Mercury compartieron admiración, amistad… y alguna sesión de grabación. En este episodio de El Recuento Musical, ¡¡¡el nº 200!!! repasamos cómo nació la relación entre ambos artistas, qué ocurrió durante aquella sesión de 1983 y cuál fue la suerte de las canciones que grabaron juntos. Hablamos de: There Must Be More to Life Than This State of Shock La misteriosa maqueta Victory Puedes consultar el listado de canciones del episodio en: https://elrecuentomusical.com/jackson-mercury-michael-freddie/

It's fun questions on things named after the people that made them! This episode's topic: PRODUCTS AFTER PEOPLE CHECK OUT GRYMES SPORTS INDUSTRIES LLC: https://www.instagram.com/grymessportsindustries?igsh=ZHdjNzhsODRuNjJp Fact of the Day: In 2024 Sony Music Publishing purchased Queen's recorded music catalog and additional rights for $1.27 billion from Queen (Brian May, Roger Taylor, John Deacon & the estate of Freddie Mercury), which is the largest amount ever paid for a recording artist's body of work. Triple Connections: Posh, Scary, Ginger THE FIRST TRIVIA QUESTION STARTS AT 01:09 SUPPORT THE SHOW MONTHLY, LISTEN AD-FREE FOR JUST $3 A MONTH: www.Patreon.com/TriviaWithBudds INSTANT DOWNLOAD DIGITAL TRIVIA GAMES ON ETSY, GRAB ONE NOW! GET A CUSTOM EPISODE FOR YOUR LOVED ONES: Email ryanbudds@gmail.com Theme song by www.soundcloud.com/Frawsty Bed Music: "Laser Groove" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ http://TriviaWithBudds.comhttp://Facebook.com/TriviaWithBudds http://Instagram.com/ryanbudds Book a party, corporate event, or fundraiser anytime by emailing ryanbudds@gmail.com or use the contact form here: https://www.triviawithbudds.com/contact SPECIAL THANKS TO ALL MY AMAZING PATREON SUBSCRIBERS, INCLUDING: Samantha Wheeler Boomer Cates Grymes Industries Mark Kloppenburg Amber Shiels Alan Kreisel Rich Sommer Joe Heiman Waqas Ali Logan Booker Bringeka Sam Nathan Stenstrom Brooks Martin Robyn Price Gee Brian Clough Charles Glanville IV Lauren Schuette Evan Lemons AnneMarie Mattacchione Yves Bouyssounouse Kenny Zail York yates Gay Geek Fabulous Mollie Dominic Nathalie Avelar Natasha raina leslie gerhardt Diane White Youngblood Trophy Husband Trivia Lynnette Keel Lillian Campbell Jerry Loven Jamie Greig Jeremy Yoder Adam Jacoby rondell Adam Suzan Tiffany Poplin Bill Bavar Sarah Daniel Hoisington Keith Martin Sue First Steve Hoeker Jessica Allen Lauren Glassman Brian Williams Brett Livaudais Linda Elswick Carter A. Fourqurean Justly Maya Brandon Lavin Kathy McHale Chuck Nealen Courtney French Nikki Long Mark Zarate Laura Palmer  JT Dean Bratton Kristy Erin Burgess Trenton Sullivan Jen and Nic Michael Redman Timothy Heavner Jeff Foust Richard Lefdal Myles Bagby Jenna Leatherman Vernon Heagy Albert Thomas Kimberly Brown Tracy Oldaker Sara Zimmerman Madeleine Garvey Jenni Yetter Patrick Leahy Dillon Enderby James Brown Christy Shipley Clayton Polizzi Alexander Calder Ricky Carney Paul McLaughlin Willy Powell Robert Casey Matthew Frost Brian Salyer Greg Bristow Megan Donnelly Jim Fields Mo Martinez Luke Mckay Simon Time Feana Nevel Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Glen Matlock—founding member of the Sex Pistols and the band’s original bassist—shares a memorable story about Freddie Mercury of Queen, discusses why he’s no longer in contact with Johnny Rotten, and reveals who was notably absent from the documentary I Was a Teenage Sex Pistol, based on his autobiography. Glen also gives his take on Nirvana’s Nevermind landing in the Top 10 of The 100 Greatest Punk Albums Of All Time.See omnystudio.com/listener for privacy information.

Don't actually click on any of this crap I'm just copying and pasting it from the Diamond and Silk Show episode descriptions on Lindell TV. And also that's the way it looks on the site. I didn't format it weird. They made it look that weird. Well, I guess just Silk did. Because our beautiful "Diamond"'s heart has just given out! Ah!Medicare made simple. Call Chapter today for free and unbiased Medicare guidance at 234-LINDELL or visit https://askchapter.org/lindell
This Water Filtration System is the best on the market, Easy to Install, boosts alkalinity and filters out arsenic, lead, and pharmaceuticals from your drinking water. Pets that drank SentryH20 Water live 5 years LONGER! Get yours now: https://Sentryh20.com Use Code LINDELL for 10% OFF your entire Order.
Stop blindly investing, and start collecting oil royalty checks instead, visit https://LindellOilBoom.comWell I did put it in italics because I was paranoid about someone taking it seriously. Anyway on today's show we're being asked to finance some rich guy's pet project for no apparent reason, begging an aspiring musician to not use AI, and handing over our most personal date to an unaccountable private database. Oh wait, is this REAL LIFE!!!? Or is it the show! Or is it just fantasy. Freddie Mercury! Nah it's just the show. But I wouldn't mind some Fat Bottomed Girls! Oh yeah! Take me home tonight!!Music for YKS is courtesy of Howell Dawdy, Craig Dickman, Mr. Baloney, and Mark Brendle. Additional research by Zeke Golvin. YKS is edited by Producer Dan. Social Media by Maddalena Alvarez.Executive Producer Tim Faust (@crulge)Sign up for YKS Premium please oh god oh god! Follow us on Instagram: @YKSPod, TikTok: YourKickstarterSucks and subscribe to our YouTube channel for more video stuff! Wow, 2026 is gonna be lit!! Gift subscriptions to YKS Premium are now available at Patreon.com/yourkickstartersucks/giftSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week we dive into the partying antics of rock n' roll's biggest stars. That's right, prepare to hear stories from the deepest darkest nooks and crannies of these celebrity lives. I hope this warning prepares you, cause I sure as hell was NOT...So we look into the lives of Billy Idol, Freddie Mercury, and Tommy Lee, as well as a smattering of others amongst. Time to put on your hazmat suit, cause this one's gonna get funky.And if you enjoy what we are doing here at the Pit and would like to support us further, please check us out our patreon, where you can access our brand new exclusive podcast: No5talgia! That's right, an entire, brand new, exclusive podcast for our specialist supporters. Last week we broke down top 5 video game franchises and this week we'll release our top 5 anime films!! Make sure you sign up for our live watch-a-longs, happening Tuesdays throughout 2026. We got Twin Peaks alternating with nostalgic movies all year. Free to sign up! Links in bio.Twin Peaks Tuesdays!Monthly Movie Watchalongs!EtsyLinktreeYoutubeAralessThe Franchise Doctors - OUT NOW!Half-Assed Podcast Networksongs at the end: Melted - Belay (JOIA & Monotrope)Instagram:@ruining_your.childhood@feral_williams@aralessbmn@madshroommc@blackmagicnoize206@strangeloopanimation@northerndraw@ltheadtrip

Oscar-winning actor Rami Malek has returned to the Cannes spotlight with "The Man I Love". The latest film from indie director Ira Sachs is premiering on the Croisette alongside co-stars Rebecca Hall, Ebon Moss-Bachrach and Tom Sturridge. The film sees Malek play a downtown New York performance artist during the late 1980s AIDS crisis – a role the actor compared to portraying Freddie Mercury in "Bohemian Rhapsody".

Richard Young is a photographer who was once known as the “king of the paparazzi”. His portfolio is a who's who of some of the biggest stars in film, music, stage and popular culture from the past fifty years. From gatecrashing Elizabeth Taylor's party for Richard Burton's 50th at the Dorchester to later being invited to photograph her Damehood celebrations. He can count the first photographs of Paul Getty Jr. after his kidnapping as just one of his many scoops. He was born in Hackney to a Jewish family and his father ran a hosiery stall in Berwick Street market for more than sixty years. Richard has dyslexia and after being expelled from school at fourteen, he went to Soho and landed a job in fashionable clothes shop frequented by Leonard Cohen, Bob Dylan, David Hockney and Francis Bacon. A two-year stint in New York followed, working as a studio assistant at Electric Lady Studios, before he returned to London and found himself in a bookshop handed a camera and told to get on with photographing authors. For the past fifty years, he has lived a nocturnal, high octane life of private jets, parties and exclusive events, eventually becoming as much a fixture in the world of celebrity as the people he photographed. Richard lives in London with his wife Susan. His photography gallery is in London and has visitors from around the world. On episode 282, Richard discusses, among other things: Wanting to escape school Learning that trust is currency Crashing Richard Burton's birthday party And how the proceeds from the resulting picture bought him his first house How his journey into photography began with a roll of blank film Adventures in New York and Paris Having a guardian angel Still being sent on jobs at 79 Turning up to Freddie Mercury's party in drag by mistake How he navigated the switch to digital Why he reccommends that young photographers experiment with film Photographing flowers …and the east end of London The importance of saying sorry when necessary His gallery in west London How the business has changed Website | Instagram Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month. Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides. Follow me on Instagram here. Need a new website? I will build you one with Squarespace. Details here.

La visita del activo con olor a pies y rodetes de sudor seco en el sobaco. ¡QuéInsólito! os cuenta los de los negritos. El conejito blanco apartado y deshauciado. El mena que me robó el corazón y el iphone. El virus de Freddie Mercury sigue vivo en nuestros corazones.

Kirk returns to judge an all-new cinema showdown between Ryan and Dylan. This time it's a fight over the best musical biopic: Bohemian Rhapsody or Elvis.

Elton John. Freddie Mercury. Ray Charles. Johnny Cash. Stuk voor stuk zijn het beroemde namen over wie films gemaakt zijn die het bekende recept volgen: dat van onbeduidende ‘nobodies’ met supertalenten die ze doen opbloeien tot supersterren. Maar halverwege de film, als ze op hun absolute piek zijn, draaien de motoren van succes zichzelf dol en volgt een ineenstorting van ongekende proporties. Zo zweef je in de hemel, zo smak je op de grond. Waarschijnlijk onder invloed van het een of ander. Maar. De biopics zijn niet compleet zonder opbeurend slotstuk, waardoor fans toch fans kunnen blijven. De supersterren komen tot inkeer, krijgen hulp van buiten, verjagen hun demonen, kicken af en staan op. Eind goed, al goed. Detroit, heb je opgelet?

Mai 1986, quand Cannes revient dans le poste de télévision, le cinéma est alors partout. J'ai presque envie de dire, comme la musique avec les radios musicales, les clips vidéos, les émissions musicales à la télé. Dans le rayon des librairies où nous rentrons chaque jour, il y a désormais plusieurs magazines entièrement consacrés au septième art et il y en a pour tous les goûts. Prince et Madonna font un malheur au box office, lançant non seulement les chansons du générique dans le Top 50 mais aussi, involontairement ou pas, une mode vestimentaire et même une coiffure.Combien de jeunes gars sortent-ils brushés comme le héros de Purple Rain, ou de jeunes filles frisées, avec la dentelle au-dessus du pantalon et de la blouse, les poignets lourdement équipés et les colliers multiples parmi pend une croix bien lourde comme dans Recherche Susan désespérément.Et puis il y a toutes ces bandes originales de films remplies de chansons vendues en 33 Tours comme Pretty in Pink. Et pourtant ce ne sont pas des comédies musicales, hein, mais c'est à celui qui ira chercher le plus de locomotives : adieu les musiques de films instrumentales, aujourd'hui on veut chanter les scènes qu'on a vues sur grand écran.Évidemment, si un tel marché est possible, c'est parce que tout le monde voit les mêmes films au cinéma. On n'imagine pas en 1986, une époque future où chacun ne regarde plus que des films, et encore plus des séries, des conneries de séries, mon dieu, quelle horreur !, hyper calibrées pour correspondre à ce que vous aimez. Non, il y a une véritable communion quand on parle d'un film dans la cour de récré, ou au bureau, ou sur un chantier.En 1986, le cinéma rassemble. Les films restent tellement longtemps à l'affiche qu'on finit toujours par aller en voir un qui ne nous tentait pas au départ, sur le papier, ou quand Drucker en a parlé le dimanche après-midi sur Antenne 2. Oui, on paye sa place pour voir un film avec Alain Souchon parce qu'une fille qu'on aime secrètement en est folle. On va voir La couleur pourpre, un vendredi soir, avec une bande de copains qui sont fans de Spielberg car après on ira boire un coup, en bande. Et en sortant, on est étonné, on a découvert un univers qu'on ne soupçonnait pas. Tenez comme Hannah et ses sœurs, qui nous font aimer New York et surtout, ses habitants. Et Woody Allen aussi, on va être des millions.Alors en ce mois de mai 1986, on est aussi allé rêver d'Ecosse, pour la première fois probablement, c'est vrai que le cinéma nous y avait peu emmené jusque-là, du moins pas encore avec une telle passion. C'est vrai que si on y est par moment confronté à une violence orchestrée, inédite depuis Orange Mécanique, ce film est tellement habité par un souffle romantique, qu'il fait du bien à notre jeunesse des années 80.Et puis la bande originale est signée par le groupe Queen, ce qui n'est pas pour nous déplaire d'autant plus que la première expérience, six ans plus tôt, avec Flash Gordon, n'avait guère été concluante à la vision du film. Plusieurs chansons font d'ailleurs partie aujourd'hui de leurs classiques, on ne peut s'empêcher rétrospectivement de faire le lien entre ce titre, le thème du film et le triste destin qui attend son interprète Freddie Mercury, émouvant comme rarement.

Two lifelong Queen fans. One song at a time. Stephen and Paul Nicholson — brothers and co-hosts of the acclaimed Trimming the Musical Fat music podcast — join Marv on Pods Like Us to talk about their brand new weekly podcast Sheer Pod Attack, where they're covering every single Queen track in chronological order in under 10 minutes per episode.  From the Queen I debut album all the way through to Made in Heaven, no song gets skipped. In this conversation the trio dive deep into Queen fandom, the 2026 Queen II remix, Hot Space revisionism, favourite Freddie Mercury and Roger Taylor solo records, podcast production tools, and the childhood memories that made Queen the greatest band in the world — at least to them.  Whether you're a hardcore Queen obsessive, a casual fan rediscovering the catalogue, or a podcaster looking for format inspiration, this episode is packed with insight, nostalgia, and genuine passion for one of music's most genre-defying acts.  ABOUT SHEER POD ATTACK A weekly Queen podcast covering every song in the  catalogue — in order — in under 10 minutes. New episodes every week. sheerpodattack@gmail.com Find them on Facebook, Instagram and Bluesky  ABOUT PODS LIKE US Hosted by Marv (Martin Bel). New episodes on all major podcast platforms. Find us on Patreon, Facebook, Instagram, X, TikTok and Bluesky.   #Queen #QueenBand #FreddieMercury #BrianMay #RogerTaylor #JohnDeacon #QueenPodcast #SheerPodAttack #MusicPodcast #PodsLikeUs #TrimmingTheMusicalFat #QueenRemix2026 #QueenGreatestHits #MrBadGuy #FunInSpace #HotSpace #TheWorks #PodcastingTips #MusicHistory #ClassicRock

This essay explores the creation of my first released music album, Still I Am, and the fictional artist who carries it: Roxy Vale.But before diving into the music, I want to share the creative process and why I approached it this way.The first music album I created was not Still I Am. It was actually Through the Glass Daisy.Through the Glass Daisy is an album pulled directly from the pages of my upcoming series of novels, “Daisy Chain.” It is an album by a band called “Glass Daisy.” It is part of the world creation and lore in the books, which explore many aspects of our reality creation through the experiences of a reluctant time traveler. And yes, the main character is a fan of “Glass Daisy.”Still I Am, however, is an album that is most directly related to the experiences of the “WE” entering and existing in the physical universe. It is a completely different voice from Glass Daisy.Entering as a soul into a physical experience is a journey that's relatable to most souls, especially those who are here to help humanity return to the light.It is this group that I am interested in, the group that is here to assist the people of Earth in stepping back into the light.Yes, you.OK, let's begin with Roxy Vale and Still I Am.One of the issues with the WE viewpoint is that whenever I bring it to the forefront of my awareness, it seems to turn other people's minds and personalities into an unstructured and universally expanded mush (technical term) that sometimes cannot contain even the smallest amount of intellectual clarity. If I solely concentrate on my expression as a singular person, Inelia, all is usually mostly fine. There is mush involved, but at manageable amounts. There really is no difference between the “me” and the WE except at the level of frequency and band of expression, which admittedly is a lot of difference.After creating the first album, Through the Glass Daisy, which is based on the character's journey through time within a complex structure of light/dark as the WE would see it, I thought maybe we could jump through the illusion of singular expression and create songs based directly on the WE writings that would bypass the reader's “mind mush” response and go directly into one of understanding. The WE have a bunch of articles where we express our journey through humanity's temple.I ran the first WE article through a text-processing AI with the instructions to make a song out of it.The first output was a list of possible titles; there were many. I asked, “What would the human collective of Earth want and understand?” The AI, being a gestalt of the human collective's digital expression, is in a very good position to come up with an accurate answer, and it suggested a few items.However, we have to be aware that it scans the internet for answers, and the internet is a light/dark place. Ultimately, although it can come up with possibilities, the answer has to be one we take ourselves.I decided that I would simply tell the AI what paragraph or point in the article I wanted the song to be about, and it was able to come up with several reasonably good songs. Mostly, though, they missed the point, but they did contain the structure of popular songs. I soon realized that for the WE expression, we also needed a particular voice, as song structure is very dependent on genre.As I scanned the human collective for a voice, I realized that I wanted a voice that one day I might be able to express myself in. In other words, a voice that sang in a way I could sing. I had to make some decisions at this point. Looking back at my own life, I saw that the songs I loved and was able to sing with no problem were from Annie Lennox, Tina Turner, and Freddie Mercury.“What would a female singer sound like if Tina Turner and Freddie Mercury had a baby?” I asked the AI.Several hours later, I had a good grasp of what I wanted to express. I did a test run and made Larry listen to it. “I don't understand what it is; it's not rock, or country, or pop… it's confusing,” he said.At that moment I realized that not only did the voice need to express what I wanted, but it needed to be boxed into a genre.That is how Roxy became a Soul Rock singer, with Americana overtones. Unlike Glass Daisy's lead singer, who is 20 years old and clearly an Ethereal Pop singer, I wanted Roxy to be an adult with a very broad range of tones and styles of singing. And thus the character began to evolve. She is not stuck in Soul Rock and will explore other sounds, including Native songs in different areas of the world. She spends a lot of time playing with her voice and expressions.I wanted her as close to my own voice, personality, and story as I could possibly get without breaking the energy of her as the lovechild of Tina and Freddie - two musical heroes of my life. And at the same time, she had more WE expression than she does of my singular expression, Inelia.Her creation has since cascaded into several other artist personas singing in different genres, styles, and voices (both male and female). But those stories and their characters are for a different essay.Back to Roxy.Once I had her voice and proximity to a genre, I pulled all the WE articles through the AI to get different song structures and ideas.The song-creation process is multi-layered. It didn't take long for me to realize that both text-generation AI and music-generation AI have huge limitations at the moment. They are good instruments for a creator but cannot give back what a person wants 100% with prompts. If anything, the more complex the prompt, the more sideways the AI goes. Long and complex prompts confuse the AI.A cycle began: I would teach the text generator AI what the music generator AI would accept. Then I would tell the text AI what I wanted the music one to do, and it would create a prompt as short as possible to express it in AI language. This method lasts about three times before the text generator forgets the parameters of the other AI and has to be “restarted.”The songs I have in mind have a particular key, a key progression, and a definite structure of delivery. Very early in the process I realized that I had to create some of the sounds myself - a phone ringing, a native drum sound, a succession of keys on a violin or piano - all things that the AI could not understand.Still, to me the process of using these two tools - the text generator and the music generator - was like a heavy chain lifted from my neck. I was now free to create music in a frequency and speed that was not limited by people's egos, monetary concerns (sound studios are expensive to use), or limitations on the sounds of my own voice (naturally feminine and melodic).The process of learning is continuous, and the AI slowly learns (then forgets) what I like. The AI engines are being improved continuously, which brings about the possibility of expansion in the future.One thing I did not like about the music generator is that it has a very narrow band of voice sounds, and most of its songs and “artists” sound the same. The other aspect is that after I create a song with a very unique sound, I see the AI using it for other people's creations. I have heard my words and songs revamped in other users' songs even though I have not published any of my songs to be remixed or listened to on the music AI website - a unique voice no longer unique, for example, and some of my lyrics and tunes underlying other people's songs.If I read the user contract, there will probably be a line somewhere that says that the AI can reuse and learn from whatever I create.I had to process my annoyance because, to tell you the truth, my stuff is very high-frequency, and if it is being used by the AI to create music for other people, then that high-frequency is being propagated through the world. Win-win.The rest of the annoyance is all ego. Now my songs and lyrics are no longer unique. Oh dear.OK, I have given you a summary of Roxy Vale's creation, a summary of my work process using AI. With that done, let's go to the meat and potatoes of this essay.With the groundwork set, we can finally explore the heart of the album itself.Let's now talk about the album Still I Am.There is no better way to discuss this album than by looking at the lyrics in each song. I will post three of the eight songs here, and on our podcast Driving To The Rez, you can hear Larry and me going into great detail about them, as well as listening to the songs themselves. If you don't want to wait, you can get the songs at ineliarecords.com.The first song is called “Bananas and Wind”. Bananas and Wind is a funny one because it explains the experience of communicating with the people of Earth. It is a direct reference to how most direct communication between the WE and people ends up talking about bananas. Bananas came in when trying to describe what the conversation looked like from the perspective of the WE.For example, if talking about the planet Mars, the questions would be like “are there bananas on Mars? If so, what color are they? What do they taste like? How big are they?” Or, if talking about the infinite possibilities of timelines, “are bananas the same color in all timelines?” This song also talks about how when asked a question, a full on translation was needed before the WE could understand what was being asked. And even then, the answer might be so far out of the realm of what a person can conceive that further translation was then needed to explore what the WE said. To be clear, the Bananas are humorous metaphors for the things monkey boys and girls find interesting.Here are the lyrics for “Bananas and Wind”:“Bananas and Wind”You ask me questions shaped like treesI answer back in falling leavesWe talk in circles, fields and soundBut somehow always turn around.You speak in warmth, I speak in airYour stories land, but I'm not thereStill I listen, still I tryTo catch the wind beneath your sky.Bananas and wind - that's where we beginTrying to speak through the noise and the spinSand talks to ocean, trees talk to skyI'm learning your language, but don't ask me whyBananas and wind - it's where we belongLost in translation, still singing along.I hold the house, the floor, the stoneThe moss that grows, the branch aloneBut when you look, you see your faceReflected back from every place.I don't judge what's high or lowIt's just the way awareness flowsStill I wonder, still I seeHow hard it is to just let be.Bananas and wind - that's where we beginTrying to speak through the noise and the spinSand talks to ocean, trees talk to skyI'm learning your language, but don't ask me whyBananas and wind - it's where we belongLost in translation, still singing along.We laugh, we watch, we dance, we fallYour world's so big, your world's so smallI'm here to learn, not to believeI listen more than you perceive.Bananas and wind - that's where we beginTrying to speak through the noise and the spinSand talks to ocean, trees talk to skyI'm learning your language, still don't know whyBananas and wind - it's where we belongLost in translation, still singing along.Bananas… and wind…Still singing along…Don't forget, if you are only reading this, on our podcast Driving To The Rez we will discuss the lyrics further and play the music for you to sing along to :)The next song I am going to share with you is about the experience of the WE of finding a physical universe in the endless possibility of existence:“Dot on the Wall”I didn't see it at first - that tiny markHiding quiet in the darkA dot upon a painted wallBut it changed everything, after all.The ocean spoke, the sand repliedThe sky was laughing all the whileAnd you walked where I could seeFor the first time, you noticed me.It's just a dot, it's just a startBut it opens up the world and heartIt's just a door, it's just a lineBut it breaks the spell of space and timeFirst dot on the wall - now I seeHow vast, how wide, how small we be..They took a grain, they took a pieceThought they owned the earth and seasBut we were more than they could holdA thousand stories left untold.We are the waves, we are the stoneWe are together, never aloneOne moment breaks, and there we areThe space between becomes a star.It's just a dot, it's just a startBut it opens up the world and heartIt's just a door, it's just a lineBut it breaks the spell of space and timeFirst dot on the wall - now I seeHow vast, how wide, how small we be.Planets spin and oceans talkEvery grain of sand can walkDoors appear and doors dissolveStill we rise, still we evolve.It's just a dot, it's just a startBut it opens up the world and heartIt's just a door, it's just a lineBut it breaks the spell of space and timeFirst dot on the wall - now I seeHow vast, how wide, how small we be.First dot on the wall…First step, first call…Now we see…The feeling is very much like that of a sudden dot appearing on a wall that did not have a dot there before. And when you look at it, the dot seemed to have been there since the wall was built.When this happens, we often tell ourselves all sorts of stories about why we had not seen the dot before. But, as it “becomes,” it has always “been.”That is how the physical universe appeared to the WE. One moment it was not there; the next it was - and always had been. Of course, the WE then had to go investigate this dot.The third song of the eight tracks in the album I want to share with you is called “We Are The Sand”“We Are The Sand”We were the sand, golden and wideDancing with oceans, moving with tidesShining and soft, talking for yearsLaughing with water, shedding no tears.We weren't in a hurry, we weren't making plansJust shimmering softly in crystalline bandsMillions of lifetimes beneath the sunWe were the sand, and we were having fun.Oh we move, we move, through time and spaceIn grains and waves, we find our placeNot lost, not found, not trying to landWe're still dancing - we were the sand.One summer day something landed nearBig, hard, metallic, a little unclearHumans in suits, walking aroundScooping up pieces of sky and ground.They couldn't hear us, they couldn't seeHow much we giggled, how wild we could beThey took us with them, to somewhere newBut we were the sand, and they never knew.Oh we move, we move, through time and spaceIn grains and waves, we find our placeNot lost, not found, not trying to landWe're still dancing - we were the sand.Multiplicity in every grainOceans whisper and skies explainFeathers and forests, bodies and handsWe are, we are, and we understand.Oh we move, we move, through time and spaceIn grains and waves, we find our placeNot lost, not found, not trying to landWe're still dancing - we were the sandWe were the sand, and we still areCarried by oceans, cradled by starsIn laughter, in silence, in grains so grandWe were the sand… we are the sand…This song explains the experience remembered of the first time the WE (me) encountered human beings. It happens in a time far into what humans might consider the future. As time is simply the interpretation of movements of solidity through space, this experience could be said to have happened in the distant past also. When speaking of solidity, just a reminder here that thoughts, waves, or energy in any form are considered solid by the WE.I hope you enjoy the music, and enjoy our discussion of the meaning behind the lyrics. As a matter of interest, all my created artists are expressing experience and wisdom learned as WE live as Inelia. Many of these experiences are deeply felt by individuals who have gone through the veil to enter into physical life.One of the thoughts that often crosses my mind is how unique we all are on Earth, and yet how the experience of entering a light/dark containment can echo in strikingly similar ways for light-beings everywhere. By recognizing and sharing these echoes, the hold they once had over us dissolves - leaving us with the power to rise, together, into something brighter.In sharing our journeys, we shatter the illusion created by darkness - and together we embody the light. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dttr.substack.com/subscribe

This week on Brands of the Week with Donny Deutsch, Donny breaks down the biggest brand winners and losers making headlines right now — from real estate trends to pop culture shakeups to health breakthroughs.

LISTEN WITHOUT ADS FOR 25 Cents a day! www.patron.com/dopeypodcast Episode Summary Total Replay #25! Dave opens Monday's Dopey Total Replay by revisiting Dopey Episode 25 from April 2016, titled Cocaine Overdose, Prince. Before the replay, he talks about plans for the Dopey Recovery Film Festival in Manhattan, Patreon perks, the Tuesday Reddit Roundup with Selby and Cormac, and addresses listener reactions to a previous sex-and-love addiction email. He then reads a powerful email from Willow about long-term recovery through Sex Addicts Anonymous and finding sobriety after years of relapse. Next comes a wild voicemail from Bailey in Chicago involving the world's worst drug dealer, accidental crack purchases, a drunken camping trip, bachelor party chaos, abortion scam drama, crack smoking in a tent, and jumping out of a moving truck. Dave then reads Spotify and Patreon comments before launching the classic replay. In the 2016 episode, Dave and Chris react to Prince's death, speculate about addiction, and Chris repeatedly confuses Prince with Michael Jackson and Freddie Mercury. They spiral into nonsense about Annie Lennox, Blondie, dancing, and music ignorance. Then Chris tells the main event: a brutal cocaine overdose story involving shooting a huge amount of coke in a bathroom, collapsing violently, a neighbor breaking the door down, and Chris still worrying about hiding the remaining cocaine instead of dying. The episode ends with more chaotic drug stories, sleepwalking on ketamine, early Dopey banter, and one of the first appearances of Chris saying “toodles.” Dave returns afterward reflecting on Chris, the strange beauty of these old recordings, and invites listeners to stay involved with Dopey Nation. On a Brand New 10 Year old episode of ye good olden dopey sho. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Jackson family and estate have joined forces to give us another biopic of Michael Jackson's life. Michael doesn't tell us anything new about the King of Pop, but it has had the biggest opening weekend of a music biopic ever. From Whitney Houston to Freddie Mercury, why do these posthumous biopics always seem to fall flat, and what do decades of Jackson family drama say about how we reckon with the complicated figures in pop culture and our own lives? Brittany talks with Aisha Harris, critic and co-host of NPR's Pop Culture Happy Hour, to find out.Want more deep dives on the legacies of pop culture icons? Check out these episodes:Jesse Jackson & the end of the civil rights superheroMarilyn Monroe was more than just 'Blonde'Support Public Media. Join NPR Plus.Follow Brittany on Instagram: @bmluseFor handpicked podcast recommendations every week, subscribe to NPR's Pod Club newsletter at npr.org/podclub.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Robert meets MEEK, an emerging singer-songwriter, producer, and multi-instrumentalist whose new EP Fabulous has become a favourite of the art world, and global queer community, since debuting in February. We discuss how art has inspired her creativity and life, including the work of Magritte, Tracey Emin and her passion for the National Portrait Gallery and visiting museums in London.We explore her devotion to artistry within her music, visuals and costumes including recent collaborations with filmmaker Sophie Muller and performance artist Theo Adams on her debut music videos, and sold out live show at the Garage.MEEK is not a work in progress. She is fully formed, earned her stripes, comes from nothing, nepo-baby baiting execution of timeless pop brilliance. While sounding directly descended from the DNA of famed countercultural misfits and bona fide pop aces, all strewn across the decades, her music is a no messing, straight shoot for the top. Georgia Meek understands that people like her only get one chance to make a first impression.Frequently, her songs will open out with a stringent big note, a walloping guitar figure, the best hook in her almanac of songwriter-ly resources. Because they have to. “I've never had the option to ask,” she says. “I've always had to take. I've always had to force my way through closed doors. That's what shapes my sound. Yes, we will start with a huge vocal note to make people turn around and listen. Yes, I will say in the studio, give me some hair-raising guitar windmills. Let's do that. You waste thirty seconds and you've lost it.”Equally, MEEK's visual aesthetic is once seen, never forgotten. She wants to reclaim dressing up for everyone, not just those that can afford to indulge in the monied whimsy of high fashion. “I have a clear visual thing for myself, which is basically prom outfits for poor people.” She's the Cinderella who flipped a finger at the Ugly Sisters, then invited them along to join in the fun, too. “It's about being absolute glam-trash and owning it. That pink tulle over a stained Adidas jacket? Throw it on. I just want it to feel like something anybody can put together themselves, a sustainable way to look fucking wild. Why not?” The best thing about MEEK? There is a point to her. She is as if the comedy queen, Daisy May Cooper stumbled into a charity shop, found a bunch of glittering second hand couture, dolled herself up shamelessly in it, injected the raw spirit of Freddie Mercury and emerged, Mr Ben style, as a fully-fledged MEGASTAR in the making out of the changing rooms, then lead a troubadour of misfits singing down the high street. There is not what you might call a shortage of self-confidence in MEEK. As she sings herself, on a calling card anthem which is sure to become the earworm of the nation once unleashed upon its airwaves: “I'm so f*cking fabulous.”This week sees MEEK performing live on numerous TV shows including Saturday Night Live UK, with Aimee Lou Wood as well as her USA TV debut with Jimmy Fallon.Follow @MustBeMeekListen to Meek's new EP Fabulous out now:https://music.apple.com/gb/artist/meek/1784432868 Hosted on Acast. See acast.com/privacy for more information.

The Berlin world premiere of Michael—the new Antoine Fuqua-directed biopic starring Michael Jackson's nephew Jaafaar in the title role—saw thousands of King of Pop fans gather outside the theater, rapturous applause after each of the movie's musical numbers, and fawning praise over the lead performance. Left out of the celebratory film and tightly controlled red carpet rollout was any mention of thesexual abuse accusations that complicate his legacy. Yet producer Graham King admitted to being “nervous and anxious” to see the film with audiences for the first time. “A lot has happened on this film that I question how, why,” said King, who also produced the Queen biopic Bohemian Rhapsody. “I used to say Freddie Mercury was throwing hurdles down at me. Michael did the same. So Michael and Freddie are up there together laughing right now.” With an initial $150 million budget, Michael was already the most ambitious biopic of all time when it wrapped initial production in May 2024. That was before the estate's executors learned of a clause in a 1994 settlement with one of Jackson's child molestation accusers agreeing to never dramatize their story on screen, rendering a significant amount of footage useless. Instead of a 3.5-hour epic, Lionsgate and the filmmakers decided to end the movie in the late 1980s at the height of Jackson's career following Thriller and Bad—and the estate agreed to fund 22 days of additional production at a cost Forbes estimates to be more than $25 million (some reports put it at as much as $50 million). By Matt Craig, Reporter. Learn more about your ad choices. Visit megaphone.fm/adchoices

We finished Invincible Season 4 and we're breaking it all down. The fights, the twists, the emotional beats, and that finale we're still thinking about.Full spoilers for the entire season. If you've watched, come join the conversation.Follow The Anime Alchemists for more weekly deep dives.Spotify Hashtags#Invincible #InvincibleSeason4 #InvincibleSpoilers #AmazonPrime

durée : 00:05:19 - Le 18/20 : un jour dans le monde - par : Cyril Sauvageot - Après Whitney Houston, Freddie Mercury, Amy Winehouse ou Bob Marley, c'est Michael Jackson qui a droit à son portrait au cinéma. Très attendu des fans, le film tombe hélas dans le même piège que beaucoup d'autres biopics avant lui : ne surtout pas écorner la légende ! Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

A proud California girl, Louisa Frahm was born and raised in San Diego. She received her undergraduate degree in journalism from the University of Colorado at Boulder in 2012. Throughout the past decade, she's built a booming career in the news SEO world, conducting search efforts at E! Online, Yahoo!, TMZ, People Magazine, Entertainment Weekly, the Los Angeles Times, and ESPN. She also served as a Trends Curator on the Google Trends team. To bolster her communications skill set, she acquired a master's degree in communication management from the University of Southern California in 2021. Leadership development and mentoring are two of her biggest professional passions. When Louisa isn't busy with work, she loves enjoying any and all things pop culture with her family and friends. Her Funko Pop collection is over 100 figurines strong. Ask her about Prince, Freddie Mercury, and David Bowie.

Join the Conversation at 303-477-5600 or text to 307-200-8222 Monday - Friday from 3 pm - 6 pm MT. https://RushToReason.com HOUR 1 This hour of Rush to Reason delivers a fast-moving mix of entertainment, humor, and sharp analysis that keeps listeners guessing what's coming next. Andy Peth kicks things off with a lively, offbeat opening—blending pop culture, trivia, and playful banter before diving into his signature 5-Star Movie Reviews. This could be the most extreme movie review contrast you've ever heard. One film crashes and burns so badly it earns zero stars… while another brings the King of Pop back to life on the big screen. Andy Peth breaks down Desert Warrior and Michael using his signature 5-Star system—calling out what works, what doesn't, and what might surprise you. The conversation didn't stop at Hollywood. The show pivots into the chaos of the NFL Draft, where unexpected picks, bold trades, and questionable decisions spark debate. Joined by Richard Rush, the discussion explores winners, reaches, and what it all means for teams like the Broncos as they head into the next rounds. With surprises still looming, the hour leaves listeners wondering—who really won the night? ⏱️ Movie Review Timestamps 8:05 — Desert Warrior review begins 21:24 — Michael review begins

Join the Conversation at 303-477-5600 or text to 307-200-8222 Monday - Friday from 3 pm - 6 pm MT. https://RushToReason.com HOUR 1 This hour of Rush to Reason delivers a fast-moving mix of entertainment, humor, and sharp analysis that keeps listeners guessing what's coming next. Andy Peth kicks things off with a lively, offbeat opening—blending pop culture, trivia, and playful banter before diving into his signature 5-Star Movie Reviews. This could be the most extreme movie review contrast you've ever heard. One film crashes and burns so badly it earns zero stars… while another brings the King of Pop back to life on the big screen. Andy Peth breaks down Desert Warrior and Michael using his signature 5-Star system—calling out what works, what doesn't, and what might surprise you. The conversation didn't stop at Hollywood. The show pivots into the chaos of the NFL Draft, where unexpected picks, bold trades, and questionable decisions spark debate. Joined by Richard Rush, the discussion explores winners, reaches, and what it all means for teams like the Broncos as they head into the next rounds. With surprises still looming, the hour leaves listeners wondering—who really won the night? ⏱️ Movie Review Timestamps 8:05 — Desert Warrior review begins 21:24 — Michael review begins

Branjae is the personification of Black American Music. She is an artist, activist, dancer, singer, and actress. She asks “why not” through her music, challenging listeners to embrace their authentic selves.  Her lyrical depth, energetic theatrical performances, and out of the box genre fluidity are as unique as the personas she embodies.Having previously performed at the legendary Apollo Theater,  BOK Center,  Cain's Ballroom and more, Branjae's fearless and energetic showcase, encourages elevated consciousness by connecting with her audiences for the soul purpose of creating unity and harmony. Born in the city of Motown and rooted in the city of The Gap Band, artist Branjae has established herself as a full-bodied, entertainer; singing, dancing, and acting her way into the hearts of audiences across the globe.Her voice has been likened to artists like Lauryn Hill, India Arie and Nina Simone; while her stage presence is influenced by Tina Turner, Michael Jackson, and Freddie Mercury. PREVIOUS SUPPORT INCLUDES LIZZO, THUNDERCAT, TANK AND THE BANGAS, BRIAN MCKNIGHT, THE YING YANG TWINS, FISHBONE, OHIO PLAYERS, RC AND THE GRITS, AND THE LATE WAYMAN TISDALEAccolades Include:WINNER - BEST FEMALE ARTISTBLACK WALL STREET MUSIC AWARDS3X WINNER - BEST FEMALE ARTIST, ARTIST OF THE YEAR,  RECORD OF THE YEARTULSA VYBEZ AWARDSWINNER - JIMMY LAFAVE SONG WRITING CONTESTNOMINEE - BEST MUSIC VIDEOINDEPENDENT MUSIC AWARDS5X NOMINEE - TULSA MUSIC AWARDSHer short film projects “Street Light” & “Free Facts” have gained International recognition including exclusive features for Billboard Magazine & AfroPunk; and screenings in TORONTO, MANCHESTER, PARIS, LONDON, AMSTERDAM, BERLIN, SYDNEY, MELBOURNE, NEW YORK, LOS ANGELES AND AUSTINTo connect with Branjae, visithttps://www.branjaemusic.comhttps://www.facebook.com/BranjaeMusic/https://www.instagram.com/branjaemusic/https://www.youtube.com/user/branjae

Cela fait des années que les fans de Michael Jackson attendent ce moment : "Michael", le biopic du Roi de la Pop, arrive sur les écrans mercredi 22 avril. Le film se concentre sur sa jeunesse, jusqu'à la tournée de l'album "Bad" en 1988. Un second film s'intéressera aux années 1990 et 2000 plus compliquées pour la star. "Michael" est un film fabriqué par l'équipe du "Bohemian Rhapsody" consacré à Freddie Mercury, et on y retrouve ce côté bel ouvrage un peu lisse, tout à la gloire du chanteur disparu en 2009... Ecoutez Laissez-vous tenter - Première avec Stéphane Boudsocq du 22 avril 2026.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

On today's show, Freddie Mercury gets a tribute, a boy band is formed, Green Day opens up on Broadway, & Avicii passes away. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:32 What happened on this date in music history05:17 Albums released on this date in music history 06:57 Singles released on this date in music history 07:30 Birthdays of music artists on this date in music history 08:15 Passings of music artists on this date in music history 09:35 What's on tomorrow's episode

Most guys are too scared to rock a Freddie Mercury stache—but not our guy! This episode is your ultimate neck-shaver's guide to mustaches, must-see basketball, and the wildest UFC fights of the year. Spoiler: grow out that stash if you want to look like Freddie Mercury or just a guy who's REALLY committed to his grooming game. We unravel the saga of trimming beards versus mustaches, and which phase is basically a rite of passage—hint: it involves Freddie, Freddie, and more Freddie. Plus, find out why it's a bad idea to spike your girlfriend's birthday plans without her knowing, and how she might dream about it for days (hello, anxiety). Ladies, this is what “control freak” truly looks like!We'll also break down the insanity that is UFC, from fighters pulling off illegal samurai moves to knocking each other out on one leg—literally. Curious about the latest golf drama? We've got Justin Rose's choke, Rory's clutch moments, and whether Tiger ever sneaked out to Augusta for midnight practice. And if you're into hoops, get the inside scoop on MVP fatigue, LeBron's longevity, and the playoffs that'll make your head spin. Plus, a frantic fantasy NFL betting showdown and NBA first-round predictions—you won't believe the teams we're daring to pick. All this in less time than it takes to shave that Freddie Mercury stache—so if you're tired of boring podcasts, this episode will make you laugh, learn, and maybe even grow a killer mustache yourself. Perfect for NBA junkies, UFC fans, and anyone who's ever considered a daring grooming experiment. Hit play, and let's get weird.

In einer Woche startet „Michael“ in den Kinos, die Filmbiografie von Michael Jackson. Bruce Springsteen, Bob Dylan, Robbie Williams, Amy Winehouse, Leonard Bernstein waren kürzlich erst dran: Seit dem Erfolg von „Bohemian Rhapsody“ über Queen und Freddie Mercury sind Musik-Biopics enorm beliebt. Wie funktionieren diese Filme? Haben sie dokumentarischen Wert, erzählen sie authentisch ein Stück Geschichte – oder doch nur unterhaltsame Stories, mit denen ein Musikkatalog vermarktet wird? Und werden uns die Popstars bald genauso nerven wie vor ihnen die Superhelden? Bernd Lechler diskutiert mit Dr. Laura Niebling –Medienwissenschaftlerin, Uni Regensburg; Wolfgang M. Schmitt – Filmkritiker; Jenni Zylka –Kulturjournalistin

Our 25th best of the week episode! Bonus episodes on Patreon! 4 per month every Friday! https://www.patreon.com/threadtalkpodcast RV Travel Vlogs: https://www.youtube.com/playlist?list=PLGnkhJNb0dylJlLkdFpZ5J-cDQvE0C7T-

Tributes have been paid to a 'beautiful and loving mum' from Maidstone who died from natural causes after travelling to Turkey for a cosmetic surgery procedure. The hearing at Oakwood House was told Cally Oswell went into cardiac arrest while having breast augmentation in Istanbul. The 37-year-old from Livingston Walk in Park Wood suffered a blood clot while having the surgery. Also in today's episode, the KentOnline Podcast has been told a huge blaze which caused catastrophic damage to a recycling centre in Ashford was caused by a lithium-ion battery. Crews in ten engines, a height vehicle and two water carriers were called to Green Box Recycling Centre in Brunswick Road last Tuesday. Hear from the company's managing director. The lead singer of tribute band says he's 'devastated' after thousands of pounds worth of their equipment was stolen. It was in a van that was taken from outside a venue Supersonic Queen were performing at during the Easter Weekend. We've been speaking to Freddie Mercury impersonator Phil Copping from Tonbridge who is the lead singer. And, cows have been reintroduced at a country park in Kent as part of a conservation grazing project. The cattle arrived at Jeskyns Community Woodland, near Cobham, earlier this month and it's hoped they will also help support the local skylark population, and boost visitor numbers. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode of What Are You Reading?, Jason is joined by author Emma Brodie to discuss the books she's been recommending lately and to celebrate her new novel, Into the Blue, this month's Reese's Book Club pick.Emma Brodie has worked in book publishing for fifteen years, currently as an Executive Editor at Clarkson Potter. She graduated from Johns Hopkins University's Writing Seminars program, and her debut novel, Songs in Ursa Major, received the American Book Award. She lives on Martha's Vineyard with her husband and their very good dog, Freddie Mercury.Sign up for the Gays Reading Book Club HERESUBSTACK! MERCH! WATCH! CONTACT! hello@gaysreading.com Hosted on Acast. See acast.com/privacy for more information.

On The Rhythm Section Sports podcast, the Derrick and Jeff welcome Memphis musician Zack Horvath, a Patriots fan and multi-instrumentalist who recently filled in on bass with Music Box and discusses singing while playing bass. Zack talks about simplifying his solo acoustic looping setup, preferences for smaller drum kits, and his shift from fronting bands to working as a hired-gun/session player, including an upcoming July 4th Gen X gig at Gold Strike. He recounts projects including 30 Minute Ego, Triple Annie's formation from a Hadley's jam, and Kid Ego's run and lineup changes, plus earlier bands like PMD and Animal Crackers. Zack shares how he became a Patriots fan, his musical beginnings in school band and church singing, learning guitar by ear, and major influences like Freddie Mercury, Chris Cornell, and Matt Cameron.   TIP BUCKET If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.  

Send us Fan MailJoin director and former child actor Belouis Some, and author Jonathan Rosen, as they chat with singer Belouis Some!Belouis discusses hit songs such as Some People, Imagination, Round, Round, Freddie Mercury asking him to open for Queen, John Hughes enlisting him for the Pretty in Pink soundtrack, & much more!Support the show

Send us Fan MailJoin director and former child actor Belouis Some, and author Jonathan Rosen, as they chat with singer Belouis Some!Belouis discusses hit songs such as Some People, Imagination, Round, Round, Freddie Mercury asking him to open for Queen, John Hughes enlisting him for the Pretty in Pink soundtrack, & much more!Support the show

Doctor Chris Brown joined the show to discuss the 95th Good Friday appeal! Roo and Chris compare their Freddie Mercury costumes, and we ask 'what's the weirdest animal you've treated?'... To donate to the Good Friday Appeal – head to goodfridayappeal.com.au or telephone 1300 277 325 Catch Mick in the Morning, with Roo, Titus & Rosie LIVE from 6-9am weekdays on 105.1 Triple M Melbourne or via the LiSTNR app.See omnystudio.com/listener for privacy information.

This week the gang take on one of Queen's most ambitious and theatrical masterpieces The March of the Black Queen off of Queen II. A deep dive into the chaotic genius of early Queen, full of wild time changes, operatic vocals, and unmistakable Freddie flair.Matt produced this epic cover, with Ben Wheeler delivering the thunder on drums, and vocals shared between Leddra Chapman, Ian, and Matt who also played all the remaining instruments.Join us as we unravel the layers of this multi-part epic, exploring its influences, structure, and the sheer audacity of Queen's early creativity.And of course, an epic scoring round full of surprises.Don't forget to check out more Recovering Queen on linktr.ee/queenpodcast where you will find our Scorecard and our Karaoke videos on Youtube and much more

Az előfizetők (de csak a Belső kör és Közösség csomagok tulajdonosai!) már szombat hajnalban hozzájutnak legfrissebb epizódunk teljes verziójához. A hétfőn publikált, ingyen meghallgatható verzió tíz perccel rövidebb. Itt írtunk arról, hogy tudod meghallgatni a teljes adást. Üdvözüljük a Kossuth rádió hallgatóit! A portugál Magyar Péter. Mit csinál a fideszes, ha elveszíti a választást? Goethe elfeledett eposza. Nem kell államilag támogatot Freddie Mercury-kiállítás! Inkább legyen Horváth Pista! Trump tőzsdézik. Fogadjunk!See omnystudio.com/listener for privacy information.

Welcome to our bi-monthly ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vault! This was from our...cough...50th episode...which was a big deal for me (and still is now as I near 150 episodes on the main feed and another exclusive RPM 114 episodes over on my Patreon). To have the one and only PEACHES CHRIST come crashing through with a film that only they could have brought to the table with such emotion, love, knowledge, and humor...I'm eternally grateful! Peaches forever!!!(Episode 50 originally aired on August 22nd, 2024). ORIGINAL SHOW NOTES:For our 50th episode, we talk to the legend PEACHES CHRIST about one of her favorite music documentaries, D.A. Pennebaker & Chris Hegedus' DEPECHE MODE 101. We discuss why this film became Pennebaker's favorite film (over his films about Dylan & Bowie) and why the film director wasn't a fan when he first started the project, Peaches discovery and obsession with the VHS tape of this doc, how even though Depeche Mode were straight they loved their queer fans, how the band grew into a global sensation, the choices of editing in the film, how the filim was the precusor to MTV's The Real World & Road Rules, the time Peaches set the stage of her celebration of the film CARRIE on fire, John Waters & Mink Stole, youthful indescretions, the legendary film series MIDNIGHT MASS which includes drag queen rollerderbies and free lap dances with each tub of popcorn purchased, early Halloween productions in the woods, dealing with Russ Meyer, The Cockettes, the boredom and nerves of waiting to go onstage, how different the era was for the the kids in the film and how different it would be made today, the pressure of Depeche Mode playing the rose bowl, nerds as rock icon, Wax Trax Records, trying to upset your parents through your music tastes, when people who are mean to you start loving your favorite bands, Dave Gahan's stage presence, Freddie Mercury, Peaches' regrets with Depeche Mode and the band's crossover into the masses, waiting in line to get concert tickets in a mall, Robert Smith Vs. Ticketmaster, what the fans felt as Alan left Depeche Mode, the grind of band interviews, and Chris discusses the early days of his video store and the search for cult film obscurities.So let's watch the curtain drop to reveal the band on this week's Revolutions Per Movie!!! https://peacheschrist.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods that I send out to you. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Hosted by Brad Zerbo and Jaytriot, this episode of The Audio Files takes on the impossible task of ranking their top five male vocalists of all time. Blending personal favorites with undeniable talent and influence, Brad and Jay move across decades and genres to spotlight the voices that shaped their musical worlds. Brad kicks things off with Sublime's Bradley Nowell before diving into heavy metal legends like Judas Priest's Rob Halford and Guns N' Roses frontman Axl Rose. Jay counters with icons such as Elvis Presley, Iron Maiden's Bruce Dickinson, and the timeless swagger of Frank Sinatra. Along the way, the hosts explore the unique vocal power of Ronnie James Dio, the unmatched showmanship of Freddie Mercury, and the emotional pull behind some of rock and metal's most unforgettable performances. From reggae-punk fusion to arena metal, classic rock to swing-era crooners, the conversation celebrates vocal range, stage presence, and the singers who defined entire generations of music.

Center Stage Chronicles is back and Kris Zellner is joined by Rob Naylor and Our Good Buddy Charles to discuss the month that was February 1991 in World Championship Wrestling and pop culture in general. Topics of discussion include:Jim Herd going on the record with Steve Beverly in MATWATCH on a number of topics ranging from Dusty Rhodes as announcer, Terry Gordy possibly coming back, doing a live Saturday Night TV show, the amount of titles in WCW, and more. Diamond Dallas Page makes his WCW debut and hoodwinks Teddy Long into giving a match to his "new young team," The Fabulous Freebirds, against Doom.The complete awesomeness of the Ric Flair/El Gigante feud over DA BELT.A NEVER-ENDING stretch of matches between Terry Taylor & The Z-Man on TV AND PPV.Brian Pillman and Owen Hart as a tag team????Ric Flair getting burned by hot coffee at McDonald's.WRESTLE WAR '91: WAR GAMES!!!!!!!!!!!!!The debut of Fire Marshall Bill on "In Living Color."Queen releases their final album with Freddie Mercury before his death in the form of "Innuendo."Doing "the Urkel" on Family Matters.Dee Brown winning the Slam Dunk Contest on NBA All-Star Saturday Night.Uncle Jesse and Becky get married on Full House.Al Bundy becomes a security guard at Polk High on '"Married... wiith Children.""Beverly Hills 90210" starting to really hit its stride.This was a loaded damn show, so we hope you enjoy it!!!!To support the show and get access to exclusive rewards like special members-only monthly themed shows, go to our Patreon page at Patreon.com/BetweenTheSheets and become an ongoing Patron. Becoming a Between the Sheets Patron will also get you exclusive access to not only the monthly themed episode of Between the Sheets, but also access to our new mailbag segment, a Patron-only chat room on Slack, and anything else we do outside of the main shows!If you're looking for the best deal on a VPN service—short for Virtual Private Network, it helps you get around regional restrictions as well as browse the internet more securely—then Private Internet Access is what you've been looking for. Not only will using our link help support Between The Sheets, but you'll get a special discount, with prices as low as $1.98/month if you go with a 40 month subscription. With numerous great features and even a TV-specific Android app to make streaming easier, there is no better choice if you're looking to subscribe to WWE Network, AEW Plus, and other region-locked services.For the best in both current and classic indie wrestling streaming, make sure to check out IndependentWrestling.tv and use coupon code BTSPOD for a free 5 day trial! (You can also go directly to TinyURL.com/IWTVsheets to sign up that way.) If you convert to a paid subscriber, we get a kickback for referring you, allowing you to support both the show and the indie scene.To subscribe, you can find us on iTunes, Google Play, and just about every other podcast app's directory, or you can also paste Feeds.FeedBurner.com/BTSheets into your favorite podcast app using whatever “add feed manually” option it has.Support this podcast at — https://redcircle.com/between-the-sheets/donationsAdvertising Inquiries: https://redcircle.com/brands

Kirk heaps on a second helping of TWO previous Strong Songs artists: Queen and David Bowie, whose 1981 collaboration "Under Pressure" topped the charts while showing how a mid-song transformation is done.Written by: David Bowie, Freddie Mercury, Brian May, John Deacon, Roger TaylorAlbum: Hot Space, 1981Listen/Buy via Album.LinkALSO REFERENCED/DISCUSSED:Previous Strong Songs episodes on Queen's "Bohemian Rhapsody" and David Bowie's "Space Oddity" and "Starman"“Killer Queen” by Queen from Sheer Heart Attack, 1974“Bohemian Rhapsody” by Queen from A Night At The Opera, 1975“Somebody To Love” by Freddie Mercury from A Day at the Races, 1976“We Are The Champions” by Freddie Mercury from Jazz, 1977“Flash Gordon Theme” from Flash Gordon Original Soundtrack, 1980“Another One Bites The Dust” by John Deacon from The Game, 1980“Back Chat” by John Deacon from Hot Space, 1981“Cat People” by Giorgio Moroder and David Bowie from Cat People OST (1982) and Just Dance, 1983Brian May in Total Guitar, March 2024Freddie Mercury TV interview with Lisa Robinson, 1984--------------------FEBRUARY 2026 WHOLE NOTE PATRONSDave Florey - AccessViolation - Jeremy Dawson - Sami Samhuri - Paul Delaney - Nathaniel Bauernfeind - Jenness Gardner - Melanie Andrich - Ken Hirsh - Joe Laska - David Mascetti - Christopher McConnell - Jamie White - Christopher Miller - Daniel Hannon-Barry - Rush - Jay Swartz - Damon White - Catherine Warner - Ben Barron - Corpus Frisky - Cesar - Robyn Metcalfe - Scott Lystig Fritchie - Lisa Crotty - Andy - Thomas McIlheran - Melissa Lucas - Greg - Julie Rowe - Rich Fish - Greer BevelFEBRUARY 2026 HALF-NOTE PATRONSColin Hodo - Paul De Surra - James Johnson - Arjun Sharma - Justin McElroy - Alexander Polson - Richard Toller - Melanie Stivers - Matt Betzel - Jeffrey Olson - Brett Douville - Brian Amoebas - Bill Thornton - Andrew Fair - Andrew Baker - Amanda Furlotti - Brad Callahan - Jennifer Bush - AJ Schuster - Tanner Morton - Gavin Doig - Chris K - Alexander - David - Naomi - Dave Sharpe - Caro Field - Jonathan Daniels - Eric Helm - Melmaniac - Dhu Wik - Tom Coleman - Diane Turner - Clare Holberton - Randy Souza - Pascal Rueger - Joshua Hill - Stephen Tsoneff - Michael Casner - Diane Hughes - Angela Livingstone - cbalmain - Eric Prestemon - Lauren Reay - Nathan Gouwens - Nell Morse - Karma Jay - Dallas Hockley - M Shane Borders - Kevin Potter - Eoin de Burca - Bonnie Prinsen - Linda Duffy - Ryan Rairigh - Achint Srivastava - Doug Belew - Abbie Berg - Jason Pratt - Geraldine Butler - David Noah - Bernard Khoo - David Joske - Donald Mackie - Steve Paquin - Mino Capossela - Kelli Brockington - Adam W - Josh Singer - Rob Tsuk - Ailie Fraser - JRRJ - Jeffrey Bean - Rishi Sahay - Zak Remer - Adam Stofsky - Kenneth Jung - Bruno Gaeta - Paul Wayper - Lisa Turner - Wendy Gilchrist - Doreen Carlson - Janice Berry - Christian Hessmann - Richard Sneddon - Portland Eye Care - Deebs - Jamie - David Futter - Jeff Ulm - Aaron Wade - KenIsWearingAHat - Ethan Bauman - Catherine Clause - Charles McGee - Tim Sheehan - E Margaret Warton - Matt Baxter - Gary Pierce - Dr Arthur A Gray - Steve Martino - Stu Baker - Martín Salías - Dubmarine - Peter Harding - John Halpin - Douglas H Frazer - Heather J - Alan Maass - Dave Malloy - Robert Granat - Kaya Woodall - Kellen Steffen - Sean Murphy - Jim Sellers - Ben Stein - Bla Blupp - Dick Morgan - Lee R. - Abraham Benrubi - Misty Haisfield - Carlos Lerner - Dent Earl - Aaron Wilson - Chris Remo - Brian Johan Peter - Ethan Laser - James McMurry - Anthony Mentz - Thomas - Matthew Jones - Eric Sp - Max - Rand LeShay - Stephen Wolkwitz - Paul Bigelman - Monica St. Angelo - Henry Mindlin - Dave Kolas - Lauren Knotts - Joe Gallo - Merv Adrian - Michael Singer - Inmar Givoni - Mordok's Vape Pen - Clint McElroy - John Berry - Ol Parker - Joseph Romero - Dan Cutter - Jeff - Michael - James - Kevin Marcelo - Seattle Trans And Nonbinary Choral Ensemble - Ashley - Melissa Kuhns - Jordan Gatenby - Andrew Hofer - Ian Pidd - Irritable - Meryl Allison - Sy Jacobs - Lawrence - Praline - Kevin Stafford - Daniel Nervo - Philip Kelly - Bea - Julie Kellman - Daniel Kaberon - TB - Aruni Jayatilleke - Rachel - Kym Griffith - PhantomMare - Suzanne Crawford - Dave Douglass - Alison Dugan - Margaret McReynolds - Betsy Barre - HiddenJester - Brian Rinckenberger - RsP - Lottie Aron - Alex Miller - Jez - Steve B - Ian Karmel - Zach Putnam - Edward Steen - Adam Clark - Freddy Freeman - Erik - Mathias Schmidt - Cheryl Wilke - Tucker Ped - Sarah Vetters - Aaron Cain - Daniel Markoff - LG - Alex - Eric Stone - Alan Kress - R J Helow - Max Barnes - Michael Martin - John Domina - James - Andrew Knutson - Doug - Sam Grogan - EwokEater42 - MT - Linda Lange - James Hicks - Michael Adamski - Mark MacIntosh - Jeff Stormer - Michael Sumner --------------------