Podcast appearances and mentions of carsten nicolai

Alva Noto—aka Carsten Nicolai—has spent decades at the forefront of experimental electronic music and multimedia art. Growing up in East Germany, his work has been shaped by the country's stark aesthetics, Leipzig's bookmaking traditions, and the GDR's Bauhaus-influenced design. In this episode, we talk about minimalism, sound as texture, the NOTON label and how his collaborations with Ryuichi Sakamoto (including The Revenant soundtrack) have redefined electronic music.Carsten takes us back to the late '80s and '90s—a time when electronic music was shifting from analog to digital, opening up new creative possibilities. He shares how artists like Kraftwerk and Brian Eno paved the way for his work and how embracing imperfections in technology led to the birth of glitch.We also explore how music distribution evolved from CDs to MP3s, how that shaped the way we experience sound, and what it means for artists today. Plus, Carsten reflects on his friendship with Ryuichi Sakamoto and their artistic journey together.Listen in for a deep dive into sound, technology, and the art of pushing boundaries.If you're enjoying Lost and Sound, please do subscribe and leave a rating or review on Apple, Spotify, Amazon, or wherever you listen. It really helps to spread the word and support Lost and Sound.Alva Noto on InstagramAlva Noto WebsiteFollow me on Instagram at PaulhanfordLost and Sound is sponsored by Audio-TechnicaMy BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.My book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

Ben Eastham talks to artist Alice Wang. This episode is part of a series produced in conjunction with the 14th Shanghai Biennale at the Power Station of Art (November 2023–March 2024), curated by Anton Vidokle, Zairong Xiang, Hallie Ayres, Lukas Brasiskis, and Ben Eastham. Alice Wang's sculptural forms shine a light on the uncanny forces that shape the physical world. Using material such as fossils, meteorites, moss, and heat—ranging from leftover radiation from the Big Bang to the wax secreted by bees—her work aims to reconfigure our understanding of reality.     Intro sound: excerpt from Carsten Nicolai (aka Alva Noto), COSMOS (Soundtrack for 14th Shanghai Biennale), 2023. 14 tracks, overall 117:30 minutes.

Hallie Ayres talks to artist Heidi Lau. This episode is part of a series produced in conjunction with the 14th Shanghai Biennale at the Power Station of Art (November 2023–March 2024), curated by Anton Vidokle, Zairong Xiang, Hallie Ayres, Lukas Brasiskis, and Ben Eastham.  Heidi Lau's luminous ceramics evoke architectural ruins, funerary vessels, and mythological creatures. Channeling the artist's personal history, the syncretic cultures of her native Macau, and the diasporic experience, Lau transforms Taoist ritual tokens of mourning and remembrance into what Kang Kang describes as “oblique monuments for an impossible ancestry.”   Intro sound: excerpt from Carsten Nicolai (aka Alva Noto), COSMOS (Soundtrack for 14th Shanghai Biennale), 2023. 14 tracks, overall 117:30 minutes.

As a tribute to Ryuichi Sakamoto on the first anniversary of his passing, Caro C talks to Richard Barbieri, Natalie Beridze and Carsten Nicolai, aka Alva Noto, three musicians who were fortunate enough to collaborate with him. Here, they share some insights into his mindset and methodologies. Chapters00:00 - Introduction01:44 - Richard Barbieri09:04 - Natalie Beridze 19:45 - Carsten Nicolai / Alva Noto Ryuichi Sakamoto BiogRyuichi Sakamoto was a multi award-winning keyboardist, songwriter, composer and producer who along with Haruomi Hosono and Yukihiro Takahashi, became pioneers of the electronic music genre in Honsono's band Yellow Magic Orchestra.Prior to his success with the band, Sakamoto earned a B.A. in music composition and worked as a session musician and producer. Alongside his success with the band, he continued his solo work, releasing solo albums and collaborations, experimenting with various genres and fusing traditional with electronic. This work led to him scoring more than 30 films throughout his career, his most famous being Merry Christmas, Mr Lawrence and The Last Emperor. In his later career he composed a multimedia opera, sampled a glass building for use in one of his works and traveled to the Arctic to record the sound of melting snow.Richard Barbieri BiogHailing from London, Richard joined the British band Japan in 1975 and saw huge success around the world until they split in 1982. He continued to work with David Sylvian, as well as Sylvian's brother, Steve Jansen on separate projects. He reunited with Sylvian, Jansen and bass player Mick Karn for the Rain Tree Crow project and continued to play with Steve & Mick as part of ‘JBK'. In the early 1990s, the three of them teamed up with Tim Bowness and Steven Wilson as part of No-Man and it was here that Barbieri and Wilson would begin their long musical association. Porcupine Tree had initially been a Wilson solo project but he recruited Richard in 1993 and over the next 17 years, became one of the shining lights of the neo-prog / pop scene, embracing a more heavy style as the years went on. Reuniting in 2021, they released the first Porcupine Tree album in 12 years with 2022's ‘Closure/ Continuation', a critically acclaimed return to form. Richard has a large body of solo work which he started to release in 2005 and still does to this day.http://www.richardbarbieri.co.uk/Natalie Beridze BiogNatalie Beridze is a Georgian music composer and songwriter. Since 2003 Natalie has been performing live concerts worldwide, and has been known as the first female electronic music artist from Georgia. From 2002-2008 she lived in Cologne and produced music under the artist name TBA. She's released music in Europe on Max.E, Monika Enterprise, CMYK, Laboratory Instinct, CES Records DADO records, Apollo Records Chainmusic, CES Records and ROOM40.In addition to her solo projects, Beridze has collaborated with artists such as Thomas Brinkmann, AGF (Antye Greie), Gudrun Gut, Joerg Follert, Marcus Schmickler, Nika Machaidze aka Nikakoi, Ryuichi Sakamoto, Gacha Bakradze, Alex Kordzaia, Annika Henderson, Antye Greie-Fuchs, Barbara Morgenstern, Beate Bartel, Danielle De Picciotto, Gudrun Bredemann, Lucrecia Dalt, Merja Kokkonen, Mommo G, Natalie Beridze, Pilocka Krach, Sonae. Beridze's music is part of Adam Curtis's recent BBC Documentary series “Can't get you out of my head”. She also creates works for piano, orchestra and choir, which have been performed by a number of artists and the Tbilisi state opera orchestra. Her recent compositions for piano, keyboard, soprano and tape are part of the ongoing program of Zurich based KioskEnsemble.Beridze, alongside Nika Machaidze teaches songwriting and music production at CES (creative education studio).https://natalieberidzetba.bandcamp.com/Carsten Nicolai / Alva Noto BiogUnder the pseudonym Alva Noto, Carsten Nicolai is one of the best-known representatives of contemporary electronic music. Concerts have taken him to the Solomon R. Guggenheim Museum in New York, the San Francisco Museum of Modern Art, the Centre Pompidou in Paris, and the Tate Modern in London. His various musical projects include collaborations with Ryōji Ikeda, Mika Vainio, Iggy Pop, Blixa Bargeld and Ryūichi Sakamoto. With the latter, Nicolai composed the score for Alejandro González Iñárritu's Oscar-winning film The Revenant, which was nominated for a Golden Globe, a BAFTA, a Critics Choice Award and a Grammy.https://alvanoto.com/Caro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/

Premiere mit dem Solo "Gleich" im Münchner Lustspielhaus. Außerdem: Kinostart "The Zone of Interest" / Der russische Schriftsteller Viktor Jerofejew im Berliner Exil / Digitalkünstler Carsten Nicolai über den Schalttag

Episode 90 The Electronic Music of Ryuichi Sakamoto Playlist Ryuichi Sakamoto and Alva Noto, “Second Dream” from The Revenant (Original Motion Picture Soundtrack) (2015 new regency Music). Composed, performed, and produced by Alva Noto, Ryuichi Sakamoto. 1:13 Ryuichi Sakamoto and Taylor Deupree, “Jyaku” from Disappearance (2013 Commons). Piano, Electronics, Ryuichi Sakamoto; Synthesizer, Tapes, Loops, Acoustic Guitar, Mixer, Taylor Deupree. 9:59 Alva Noto and Ryuichi Sakamoto, “Avaol” from Insen (2005 Raster-Noton). German release featuring Noto and Ryuichi electronic treatments to musical phrases Sakamoto played on the piano. Music by Alva Noto, Ryuichi Sakamoto; Piano, Ryuichi Sakamoto; Additional Sound, Carsten Nicolai (Alva Noto). 2:50 Alva Noto and Ryuichi Sakamoto, “ax Mr. L.” from revep (2006 Raster-Noton). German release. Noto and Ryuichi electronic treatments to musical phrases Sakamoto played on the piano. Music by Alva Noto, Ryuichi Sakamoto; Piano, Ryuichi Sakamoto; Additional Sound, Carsten Nicolai (Alva Noto). 4:20 Alva Noto and Ryuichi Sakamoto, “mur” from revep (2006 Raster-Noton). German release. Noto and Ryuichi electronic treatments to musical phrases Sakamoto played on the piano. Music by Alva Noto, Ryuichi Sakamoto; Piano, Ryuichi Sakamoto; Additional Sound, Carsten Nicolai (Alva Noto). 8:14 Ryuichi Sakamoto, “Solari” from Async (2017 Commons). Japanese release. Music and production by Ryuichi Sakamoto. 3:52 Fennesz and Sakamoto “0322” from Flumina (2011 Touch). Guitar, Laptop, Christian Fennesz; Piano, Laptop, Ryuichi Sakamoto. Recorded at Amann Studios, Vienna and KA+B Studios, NY and Japan. 5:35 Ryuichi Sakamoto, “Sunset” from Comica (2002 WEA Japan). Composed, performed and mixed by Ryuichi Sakamoto. This album is listed as one of his special projects consisting of diary sketches in sound. Described as “an ambient oriented compilation of Sakamoto's music journal from 2001 after eye-witnessing 9/11 from his home NYC.” This one of his most moving essays in sound, consisting of his piano sketches treated with electronics. The progression of the album is presented in the order of the day and concludes with “Radical Fashion.” 8:47 Ryuichi Sakamoto, “Night” from Comica (2002 WEA Japan). Composed, performed and mixed by Ryuichi Sakamoto. 7:37 Ryuichi Sakamoto, “Radical Fashion” from Comica (2002 WEA Japan). Composed, performed and mixed by Ryuichi Sakamoto. 5:07 Ryuichi Sakamoto, “Zure” from Async (2017 Commons). Japanese release. Music and production by Ryuichi Sakamoto. 5:12 Ryuichi Sakamoto, “Out of Horse” from The Revenant (Original Motion Picture Soundtrack) (2015 new regency Music). Composed, performed, and produced by Ryuichi Sakamoto; Ondes Martenot, Motoko Oya. 3:57 Ryuichi Sakamoto, “Borom Gal” from Heartbeat (1991 Virgin). Concertmaster, strings, David Nadien; Lead vocal and words, Youssou N'Dour; Music by Ryuichi Sakamoto, Youssou N'Dour; Programmed, Performed, and mixed by Ryuichi Sakamoto. This is one of those star-studded albums that had pop appeal. Still, the electronics and digital editing of this track, especially in 1991, make this track stand out. 3:57 Ryuichi Sakamoto, “Fullmoon” from Async (2017 Commons). Japanese release. Music and production by Ryuichi Sakamoto. 5:13 Ryuichi Sakamoto, “Nuages” from Heartbeat (1991 Virgin). Lead Vocals, Houria Aichi; traditional song; Programmed, Performed, and mixed by Ryuichi Sakamoto. This little work from Heartbeat always reminded me of something you would have expected to hear in the movie Blade Runner. 2:15 Ryuichi Sakamoto, “Island of Woods” from Thousand Knives Of (1978 Better Days). On this album, not necessarily this track, Sakamoto plays Ryuichi Sakamoto plays: Moog III-C w. Roland MC-8 Micro Composer; Polymoog; Minimoog; Micro Moog; Oberheim Eight Voice Polyphonic w. Digital Programmer; ARP Odyssey; KORG PS-3100 Polyphonic; KORG VC-10 Vocoder; KORG SQ-10 Analog Sequencer; Syn-Drums; Acoustic Piano;Marimba. Recorded from 4/10 to 7/27, 1978 at Columbia Studio No.1, No.2, & No.4, Tokyo. 9:51 Ryuichi Sakamoto, “Stakra” from Async (2017 Commons). Japanese release. Music and production by Ryuichi Sakamoto. 3:41 Ryuichi Sakamoto, “Tokyo Story” from Sweet Revenge (1994 Elektra). Produced, composed, keyboards, computer programming, Ryuichi Sakamoto. Recorded at 11-K Studios, NYC, Clindton Studios, NYC, Paradise Studios, Tokyo, Unique Studios, NYC, Sedic Studios, Tokyo, Metropolis Studios, London, Westside Studios, London, Skyline Studios, NYC, Right Track Studios, NYC. 1:17 Ryuichi Sakamoto, “Plankton” (excerpt) from Plankton (Music For An Installation By Christian Sardet And Shiro Takatani) (2016 Milan). French recording of an installation piece by Sakamoto. The entire work is nearly an hour long; this is an excerpt from the beginning of that work. Mixed, produced, composed by Ryuichi Sakamoto; Producer, Lucille Reyboz, Yusuke Nakanishi; Sound programming, Satoshi Hama; Video programming, Ken Furudate, Ryo Shiraki. 7:47 Ryuichi Sakamoto, “Undercooled (Alva Noto Remodel)” from Bricolages (2006 Warner Music Japan). Rap, MC Sniper; Remix, Alva Noto. This is an interesting album of Sakamoto remixes with a rap track reimagined by the mixing of Carsten Nicolai. 4:44 Ryuichi Sakamoto, “A Wongga Dance Song” from Esperanto (1985 School). Composed, Arranged, and performed by, Ryuichi Sakamoto. This is one of Sakamoto's early explorations of the power of the digital sampler and editing. Music created for a dance performance by the company Molissa Fenley and Dancers. 10:06 Ryuichi Sakamoto, “20220214” from 12 (2023 Commons). Composed, produced, performed by Ryuichi Sakamoto. In answer to a question about how these recordings were done, Sakamoto replied: “They were all recorded in the small studio that was in my temporary abode in Tokyo. Depending on the piece, two or four mics were used to record the piano.” More answers to questions by Sakamoto are found here. 9:10 Ryuichi Sakamoto, “20220304” from 12 (2023 Commons). Composed, produced, performedby Ryuichi Sakamoto using sounding objects such as stones, chimes, and fragments of pottery. 1:09 Ryuichi Sakamoto, “Life, Life” from Async (2017 Commons). Japanese release. Music and production by Ryuichi Sakamoto. Sho, Ko Ishikawa; Vocals, Luca; Spoken Word, David Sylvian; Words by, Arseny Tarkovsky. 4:24   Opening background tracks: Ryuichi Sakamoto, “Before Long” from Neo Geo (1987 CBS). Piano, Ryuichi Sakamoto. 1:20 Ryuichi Sakamoto, “Ulu Watu” from Esperanto (1985 School). Composed, Arranged, and performed by, Ryuichi Sakamoto. Music created for a dance performance by the company Molissa Fenley and Dancers. 3:57 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation: For additional notes, please see my blog, Noise and Notations. SiteSakamoto can be found here. The recent story about Ryuichi Sakamoto on NPR can be found here.

Krone, Tobiaswww.deutschlandfunkkultur.de, FazitDirekter Link zur Audiodatei

Warum das Abtreibungsrecht in den USA gekippt werden könnte. Ein Gespräch mit der Soziologin und Gender-Forscherin Paula-Irene Villa Braslavsky./ Wundenlecken nach der Schlammschlacht: ist der Prozess Johnny Depp vs. Amber Heard das Ende von MeToo?/ Der Wahl-Aschaffenburger: Das Christian Schad Museum mit Werken des Meisters der Neuen Sachlichkeit wird endlich eröffnet./ Kosmisches Rauschen: Eine Installation von Carsten Nicolai im Haus der Kunst in München.

Alva Noto + Ryuichi Sakamoto & Alva Noto en Rebelión Sónica 44. Destacamos “HYbr:ID I”, el nuevo LP del músico germano y más. Esta semana, en una nueva sesión de Rebelión Sónica, revisamos parte del disco 2021 del compositor y músico de la electrónica alemana Carsten Nicolai, alias Alva Noto, “HYbr:ID I”. En la parte final del programa, viajamos al pasado en la carrera de Noto, para escucharlo con su dúo junto a la institución japonesa Ryuichi Sakamoto, específicamente con música de su segunda colaboración, “Insen” de 2005.

Muziek van Ryuichi Sakamoto bij de tilm The Revenant uit 2015. Ryuichi Sakamoto heeft deze maand een bijzonder plekje bij het Holland Festival, hij is namelijk Associate Artist. En dat betekent dat zijn werk bijzondere aandacht krijgt in de programmering van het Holland Festival. In Vrije Geluiden op Radio 4 deze maand elke zondagavond aandacht voor de muziek van Sakamoto. The Revenant is een epische wilderniswestern Alejandro González Iñárritu, met o.a. Leonardo DiCaprio. De muziek bij deze heftige film werd gemaakt door Bryce Dessner, Carsten Nicolai (ook bekend als Alva Noto), en Ryuichi Sakamoto. Gedragen, sombere en dreigende klanken waarin lange noten van de strijkers de overhand hebben. Perfect uitgevoerd in de details - muziek met een grote beeldende kracht, ook zonder de overweldigende beelden van de film. Vermoedelijk het allerbekendste stukje van Sakamoto is Merry Christmas Mr. Lawrence. Recent schreef Sakamoto muziek voor The Staggering Girl en voor Proxima. Een paar jaar geleden nam het Brussels Philharmonisch Orkest olv Dirk Brossé een CD op met louter filmmuziek van Ryuichi Sakamoto. Daaruit in deze podcast twee stukken: Bibo No Aozora uit de film Babel, en het hoofdthema uit de film Sheltering Sky.

Carsten Nicolai im Gespräch mit Rainer RömerCarsten Nicolai (Künstler und Musiker) Beeinflusst von wissenschaftlichen Bezugssystemen beschäftigt sich Nicolai häufig mit mathematischen Mustern wie Grids und Codes, aber auch mit Fehlern, Zufall und selbstorganisierenden Strukturen. Seine Arbeiten zeichnen sich durch eine elegante und konsequent minimalistische Ästhetik aus.Ringvorlesung der Hessischen Theaterakademie im WS 2020/21 in Kooperation mit dem Festival Frankfurter Positionen – eine Initiative der BHF BANK Stiftung – und dem Künstlerhaus Mousonturm, koordiniert von der Theaterwissenschaft am Institut für Theater-, Film- und Medienwissenschaft der Goethe-Universität.Die Demokratie westlicher Prägung ist in einer Krise: Migration, Erderwärmung und ökonomische Monopolisierung gehen mit der Entwertung der alten Akteure und Institutionen einher, etwa der Nation und ihres Parlaments. Vielerorts ist die Rückkehr zu autoritären Herrschaftsformen und Strukturen die Antwort. Vor diesem Hintergrund lädt die Ringvorlesung Künstler*innen des Festivals „Frankfurter Positionen 2021“ und Wissenschaftler*innen aus den mit Theater und Performance beschäftigten Disziplinen dazu ein, sich über das Verhältnis von Theater und Demokratie Gedanken zu machen. Wie reagieren neue Formen des Theaters, der Choreografie, der Gattungen und Spielarten überschreitenden Darstellungsformen auf diese Krise? Wie geht sie in ihre Formen, Organisationsweisen und Inhalte ein?

Vortrag Marc Siegel: Vinge/Müller und das ideologische LeitungswasserVom 12-Spartenhaus (2013) bis zum Nationaltheater Reinickendorf (2017) führten die norwegisch-deutschen Künstler*innen Vegard Vinge und Ida Müller eine gründliche Kritik an der Institution des deutschen Staatstheaters durch. Obwohl diese Institutionskritik in diesen beiden extravaganten Produktionen recht deutlich wurde, war sie auch in früheren Arbeiten wie John Gabriel Borkman(2011) und Die Wildente (2009-10) präsent, in denen Vinge/Müller bereits alles in Frage stellten, von der Werbung, der Kommunikation mit der Presse, den Kartenpreisen, der Probenzeit bis zur konventionellen Länge eines Theaterabends und vieles mehr. Kritische Rezensionen ihrer Arbeit konzentrierten sich verständlicherweise auf ihre radikale Überarbeitung von Ibsen und die spektakuläre Innovation ihrer Bühnenästhetik – die obsessiv handbemalten Papp- und Holz- Konstruktionen, die maskierten Darsteller*innen, die akustischen Collagen. Vinge/Müllers Überarbeitung der Institution Theater geht aber über das hinaus, was sich auf der Bühne abspielt. Es geht um das ideologische Leitungswasser selbst.Vor dem Hintergrund der gegenwärtigen Krise der Demokratie westlicher Prägung, auf die vielerorts die Rückkehr zu autoritären Herrschaftsformen und Strukturen antwortet, lädt die Ringvorlesung Künstler*innen und Wissenschaftler*innen aus dem Umkreis des Theaters und der Performance sowie der mit ihnen beschäftigten Wissenschaften dazu ein, sich über das Verhältnis von Theater und Demokratie Gedanken zu machen. Dabei sollen einerseits die gegenwärtigen Probleme und Krisen der klassischen Vorstellungen von Demokratie reflektiert werden: Die nur global zu lösenden Probleme Migration, Erderwärmung und ökonomische Monopolisierung, die mit der Globalisierung verbundene Entwertung der alten Akteure und Institutionen, etwa der Nation und ihres Parlaments, die Erkenntnis der Mitverantwortung des Westens und seiner Wirtschaftsordnung an einer großen Zahl der gegenwärtigen Probleme. Andererseits soll aber auch gefragt werden, welcher Mensch oder welches Subjekt auf die so beschriebenen Herausforderungen wird antworten können?12.11.2: Carsten Nicolai im Gespräch mit Rainer Römer19.11.20: Ulrike Haß „Vom Eigensinn der Pluralität“26.11.20: Gernot Grünewald im Gespräch mit Matthias Pees3.12.20: Fiston Mwanza Mujila im Gespräch mit Friederike Emmerling10.12.20: Rebecca Schneider: “Appearing to Others as Others Appear”17.12.20: Pat To Yan und Julia Weinreich (Schauspiel Frankfurt)14.1.20: Nature Theater of Oklahoma im Gespräch mit Nikolaus Müller-Schöll21.1.20: Christine Abbt: „Der antike Fremd- und Vieltuer und die Demokratie“26.1.20: Geumyhung Joeng – Entfällt4.2.20: Bettine Menke: „Die Rechts-Ausnahme des „Flüchtlings“ – die Demokratie der Hinzu-Kommenden“11.2.20: Marc Siegel: „Vinge/Müller und das ideologische Leitungswasser“18.2.20: Juliane Vogel: „Die Volatilität der Szene. Potentiale einer beweglichen Form“

Juliane Vogel: Die Unbeherrschbarkeit der Szene. Potentiale einer beweglichen Form.Die Szene ist eine volatile und bewegliche Form. Ihrer ursprünglichen Bedeutung „Zelt“ nach bezeichnet sie eine provisorische Struktur, die überall errichtet und wieder abgebaut werden kann. Der Vortrag verfolgt dieses Merkmal des Provisorischen in historischer Perspektive, im Kontext des Dramas und darüber hinaus. Er untersucht das Potential einer Form, die auch dann, wenn sie wie im Drama integriert und auf dem Theater sesshaft wird, weiterhin in Bewegung ist. Szenen versetzen das Gefüge in Unruhe, in das sie eingebunden sind. Der Vortrag will in einem historischen Teil den Versuchen nachgehen, die sich darauf ausrichteten, die Szene zu disziplinieren, zugleich aber das politische Potential einer Form aufzeigen, die überall dort, wo sie hinkommt, neue Erscheinungsräume eröffnet.Vor dem Hintergrund der gegenwärtigen Krise der Demokratie westlicher Prägung, auf die vielerorts die Rückkehr zu autoritären Herrschaftsformen und Strukturen antwortet, lädt die Ringvorlesung Künstler*innen und Wissenschaftler*innen aus dem Umkreis des Theaters und der Performance sowie der mit ihnen beschäftigten Wissenschaften dazu ein, sich über das Verhältnis von Theater und Demokratie Gedanken zu machen. Dabei sollen einerseits die gegenwärtigen Probleme und Krisen der klassischen Vorstellungen von Demokratie reflektiert werden: Die nur global zu lösenden Probleme Migration, Erderwärmung und ökonomische Monopolisierung, die mit der Globalisierung verbundene Entwertung der alten Akteure und Institutionen, etwa der Nation und ihres Parlaments, die Erkenntnis der Mitverantwortung des Westens und seiner Wirtschaftsordnung an einer großen Zahl der gegenwärtigen Probleme. Andererseits soll aber auch gefragt werden, welcher Mensch oder welches Subjekt auf die so beschriebenen Herausforderungen wird antworten können?12.11.2: Carsten Nicolai im Gespräch mit Rainer Römer19.11.20: Ulrike Haß „Vom Eigensinn der Pluralität“26.11.20: Gernot Grünewald im Gespräch mit Matthias Pees3.12.20: Fiston Mwanza Mujila im Gespräch mit Friederike Emmerling10.12.20: Rebecca Schneider: “Appearing to Others as Others Appear”17.12.20: Pat To Yan und Julia Weinreich (Schauspiel Frankfurt)14.1.20: Nature Theater of Oklahoma im Gespräch mit Nikolaus Müller-Schöll21.1.20: Christine Abbt: „Der antike Fremd- und Vieltuer und die Demokratie“26.1.20: Geumyhung Joeng – Entfällt4.2.20: Bettine Menke: „Die Rechts-Ausnahme des „Flüchtlings“ – die Demokratie der Hinzu-Kommenden“11.2.20: Marc Siegel: „Vinge/Müller und das ideologische Leitungswasser“18.2.20: Juliane Vogel: „Die Volatilität der Szene. Potentiale einer beweglichen Form“

Vortrag Christine AbbtBefürworter und Gegner der Demokratie waren sich in der griechischen Antike überraschend einig in Bezug darauf, was demokratische Praxis auszeichne. Beide verwendeten zur diesbezüglichen Differenzierung ein Begriffspaar, mit dem demokratisches Handeln idealtypisch verbunden wurde: Allotrio- und Polypragmosyne, übersetzt Fremd- und Vieltun. Wodurch wird das Selbstverständnis der Fremd- und Vieltuer in der Antike bestimmt? Inwiefern ist ihr Verhalten als ein ,demokratisches‘ auszuweisen? Was lässt sich aus den antiken Quellen für aktuelle Debatten gewinnen?Vor dem Hintergrund der gegenwärtigen Krise der Demokratie westlicher Prägung, auf die vielerorts die Rückkehr zu autoritären Herrschaftsformen und Strukturen antwortet, lädt die Ringvorlesung Künstler*innen und Wissenschaftler*innen aus dem Umkreis des Theaters und der Performance sowie der mit ihnen beschäftigten Wissenschaften dazu ein, sich über das Verhältnis von Theater und Demokratie Gedanken zu machen. Dabei sollen einerseits die gegenwärtigen Probleme und Krisen der klassischen Vorstellungen von Demokratie reflektiert werden: Die nur global zu lösenden Probleme Migration, Erderwärmung und ökonomische Monopolisierung, die mit der Globalisierung verbundene Entwertung der alten Akteure und Institutionen, etwa der Nation und ihres Parlaments, die Erkenntnis der Mitverantwortung des Westens und seiner Wirtschaftsordnung an einer großen Zahl der gegenwärtigen Probleme. Andererseits soll aber auch gefragt werden, welcher Mensch oder welches Subjekt auf die so beschriebenen Herausforderungen wird antworten können?12.11.2: Carsten Nicolai im Gespräch mit Rainer Römer19.11.20: Ulrike Haß „Vom Eigensinn der Pluralität“26.11.20: Gernot Grünewald im Gespräch mit Matthias Pees3.12.20: Fiston Mwanza Mujila im Gespräch mit Friederike Emmerling10.12.20: Rebecca Schneider: “Appearing to Others as Others Appear”17.12.20: Pat To Yan und Julia Weinreich (Schauspiel Frankfurt)14.1.20: Nature Theater of Oklahoma im Gespräch mit Nikolaus Müller-Schöll21.1.20: Christine Abbt: „Der antike Fremd- und Vieltuer und die Demokratie“26.1.20: Geumyhung Joeng – Entfällt4.2.20: Bettine Menke: „Die Rechts-Ausnahme des „Flüchtlings“ – die Demokratie der Hinzu-Kommenden“11.2.20: Marc Siegel: „Vinge/Müller und das ideologische Leitungswasser“18.2.20: Juliane Vogel: „Die Volatilität der Szene. Potentiale einer beweglichen Form“

Vortrag Bettine Menke: Die Rechts-Ausnahme des „Flüchtlings“ – die Demokratie der Hinzu-KommendenGiorgio Agambens Äußerung, „Flüchtling“ sei „die einzige Kategorie, die uns heute Einsicht in die Formen und Grenzen einer künftigen politischen Gemeinschaft gewährt“, taugt mir zum Ausgangspunkt. Denn „Flüchtling“ ist Figur der spezifischen, durch staatliche Regularien erzeugten, Nicht-Zugehörigkeit: Als Ausnahme von der vermeintlichen Normalität unter nationalstaatlicher Vorgabe, als Ausnahme vom Recht, die polizeilichen Maßnahmen überantwortet. Das ist, vereinfacht gesagt, der Vogelfreie; von diesen, die der National-Staat mit seiner Gründung ­schon (als Nicht-Zu­ge­hörige) schaffe, spricht Arendt, deren historisch gesättigte Darstellung der mas­senweisen Erzeugung von Flücht­lin­gen nach Nationalstaatsprinzip im 20 Jh. gegenwärtig diagnostisch zutrifft. Die spezifische Ausnahme, die Flüchtlinge vom Mo­ment ihres Grenz­über­tritts an als Illegale definiert und im „Nie­mands­land“ des Irregulären festhält, muß als dringliche Frage nach dem Verhältnis von Demokratie und Repräsentation, bzw. Repräsentier­barkeit aufgefasst werden. Sie erfordert, die Unterminierung der Gewiss­hei­ten von Zu­ge­hörigkeit (zu Gemeinschaft(en)) zu denken, wie damit der Anforderung zur Delimitierung der Demokratie zu folgen: „Kein numerus claususfür die Hinzukommenden“ (Derrida).Vor dem Hintergrund der gegenwärtigen Krise der Demokratie westlicher Prägung, auf die vielerorts die Rückkehr zu autoritären Herrschaftsformen und Strukturen antwortet, lädt die Ringvorlesung Künstler*innen und Wissenschaftler*innen aus dem Umkreis des Theaters und der Performance sowie der mit ihnen beschäftigten Wissenschaften dazu ein, sich über das Verhältnis von Theater und Demokratie Gedanken zu machen. Dabei sollen einerseits die gegenwärtigen Probleme und Krisen der klassischen Vorstellungen von Demokratie reflektiert werden: Die nur global zu lösenden Probleme Migration, Erderwärmung und ökonomische Monopolisierung, die mit der Globalisierung verbundene Entwertung der alten Akteure und Institutionen, etwa der Nation und ihres Parlaments, die Erkenntnis der Mitverantwortung des Westens und seiner Wirtschaftsordnung an einer großen Zahl der gegenwärtigen Probleme. Andererseits soll aber auch gefragt werden, welcher Mensch oder welches Subjekt auf die so beschriebenen Herausforderungen wird antworten können?12.11.2: Carsten Nicolai im Gespräch mit Rainer Römer19.11.20: Ulrike Haß „Vom Eigensinn der Pluralität“26.11.20: Gernot Grünewald im Gespräch mit Matthias Pees3.12.20: Fiston Mwanza Mujila im Gespräch mit Friederike Emmerling10.12.20: Rebecca Schneider: “Appearing to Others as Others Appear”17.12.20: Pat To Yan und Julia Weinreich (Schauspiel Frankfurt)14.1.20: Nature Theater of Oklahoma im Gespräch mit Nikolaus Müller-Schöll21.1.20: Christine Abbt: „Der antike Fremd- und Vieltuer und die Demokratie“26.1.20: Geumyhung Joeng – Entfällt4.2.20: Bettine Menke: „Die Rechts-Ausnahme des „Flüchtlings“ – die Demokratie der Hinzu-Kommenden“11.2.20: Marc Siegel: „Vinge/Müller und das ideologische Leitungswasser“18.2.20: Juliane Vogel: „Die Volatilität der Szene. Potentiale einer beweglichen Form“

Chapters00:32 - Introduction02:11 - Cyril Lance / The Claravox16:44 - Dorit Chrysler25:26 - Bruce Woolley32:08 - Katia Isakoff 45:40 - EndingMusic credits:Rachmaninov Vocalise - Clara Rockmore, theremin. Nadia Reisenberg, piano.From: “Clara Rockmore – The Art of the Theremin”. Delos Productions CD. Courtesy of The Nadia Reisenberg / Clara Rockmore FoundationSchneeleichen - by Dorit Chrysler - unreleased extract from M - eine stadt sucht einen moerder - with kind permission of Dorit ChryslerBeat Monjune - by Dorit Chrysler - unreleased extract from M - eine stadt sucht einen moerder - with kind permission of Dorit ChryslerTherexotica - by Peg Ming - with kind permission of Dorit Chrysler (a track on the Theremin 100 compilation produced by The NY Theremin Society)Peace Song to Other Worlds (2 extracts) - by Radio Science Orchestra - with kind permission of Bruce WoolleyTheremini solo - by Katia Isakoff - with kind permission of Katia IsakoffClara Rockmore BiogClara (Reisenberg) Rockmore holds a unique place in music history as the star performer of the theremin. Born in Russia, in 1911, at four, she was accepted as the youngest ever violin student at the St. Petersburg Imperial Conservatory. As conditions deteriorated after the Revolution, the Reisenberg family left Russia and travelled across Europe for several years until 1921 when they succeeded in gaining passage on a steamship bound for America. In New York, Clara resumed her studies with Leopold Auer, but shortly before she was to make her American debut (playing the Beethoven Concerto), she developed an arthritic problem with her bow arm, and had to give up the violin.Fortunately, she had met Leon Theremin (an Americanisation of Lev Termen, as he was known in Russia), the inventor of the world's first electronic instrument. “I was fascinated by the aesthetic part of it, the visual beauty, the idea of playing in the air,” Clara recalled, “and I loved the sound. I tried it, and apparently showed some kind of immediate ability to manipulate it. Soon Lev Sergeyevich gave me, for a present, the RCA model theremin.”She convinced Leon Theremin to build her a far more precise and responsive instrument than the RCA model, one with a five-octave range, instead of three. Over the years she performed extensively but it was not until 1977 that she saw the release of her first commercial LP, performances with Nadia Reisenberg (recorded by Robert Moog) titled ‘The Art Of The Theremin'.In 1989, Steve M. Martin, long fascinated by the instrument, embarked upon the documentary Theremin - An Electronic Odyssey, a film including some of Clara's last public performances (videotaped at a 1989 Nadia Reisenberg tribute concert in Merkin Hall), and the New York reunion of Clara and Leon Theremin (then aged 95). Premiered in New York at Alice Tully Hall, the film in large measure revitalised interest in both the theremin itself and Clara Rockmore's unique accomplishments. She died in 1998.Cyril Lance BiogCyril Lance is the Chief Technical Officer at Moog Music and lead designer of the Moog Claravox Centennial Theremin. Cyril first met Bob Moog in January 2005 during an informal visit to Moog factory.  When Bob was diagnosed with cancer in April of 2005, Cyril was asked to come up and take over the engineering effort.  Since then, Cyril has been at the helm of engineering and product development and, along with the dedicated and passionate team at Moog Music, has helped to continue Moog's legacy of designing and producing beautifully crafted electronic instruments aimed at inspiring artists world-wide to explore and expand their personal sonic vocabularies.  Cyril strives daily to continue Bob Moog's legacy and to have a lot of fun along the way.  “It's truly a blessing to have the opportunity to contribute in one small-way to the transformative powers of music to bring joy and connect people on the deepest levels through-out the world”.https://www.moogmusic.com/Dorit Chrysler BiogDorit Chrysler has been dubbed a superior wizard of the theremin. An Austrian-born, New York based composer and performer, Chrysler is the co-founder of the NY Theremin Society and started the first international school for Theremin, KidCoolThereminSchool and L'Ecole Theremine with branches in NY and Paris. She is also one of the most visible Thereminists spreading the gospel of this mysterious sounding instrument. Most recently she finished her analog soundtrack for a remake of “M” by Fritz Lang and was featured on the soundtrack of the HBO documentary “Going Clear”. Chrysler received her master's degree of musicology in Vienna and has notably collaborated with Anders Trentemøller, Cluster, Adult., CERN, Carsten Nicolai, Elliot Sharp and Laurie Spiegel. She has performed with the San Francisco Symphony Orchestra, had her work commissioned by MoMA and the Venice Biennale, and is the founder of “Dame Electric,” a festival dedicated to female | pioneers in Analog Music. As the director of the NY Theremin Society, Chrysler is promoting the application of theremin in different art disciplines and has produced the THEREMIN100 compilation release, commemorating the 100th birthday of the Theremin in 2020.http://www.doritchrysler.com/toc.htmlhttps://www.nythereminsociety.org/Bruce Woolley BiogIn 1969 Bruce Woolley bought a Futurama electric guitar, formed a school band, and dreamed of being a professional musician. After years of experimentation, and unsuccessful attempts at becoming a famous jazz-rock guitarist, he decided to concentrate on writing pop songs. In 1979 he co-wrote “Video Killed the Radio Star”.  After a stint fronting cult New Wave unit The Camera Club, Woolley moved back into songwriting and production, forming a creative partnership with Grace Jones. In 1994, Woolley discovered Exotica and formed The Radio Science Orchestra, a theremin-led group that defined retrofuturism before people were talking about retrofuturism. A sonic time machine travelling along the whole history of electronic music, the Orchestra has collaborated with the world's leading theremin virtuosi including Lydia Kavina, Carolina Eyck and Charlie Draper. Notable guest artists include Grace Jones, Polly Scattergood, Ken Hollings, Dr. Robert Moog, Steve Dub and Thomas Dolby.http://www.brucewoolleyhq.com/https://www.radioscienceorchestra.com/Katia Isakoff BiogKatia Isakoff is a composer and multi-instrumentalist music producer whose compositions, performances and productions first appeared in the Add N To (X) album Loud Like Nature (Mute Records).  She has since collaborated on numerous albums and projects including John Foxx and Steve D'Agostino's Evidence of Time Travel which was composed and produced at her London studio. Having contributed synths and co-mixed EOTT, she went on to join them for a live concert performance at Electri_City Conference Dusseldorf, adding Moog Theremini and synths to the sonic architecture of this ever evolving and expansive Karborn graphic novel, which premiered with a live performance at the British Film Institute UK and Sonic Acts Festival, Amsterdam.  She has since spent much of her time between London and Berlin working on her forthcoming album She's Not Here.In 2019, Katia launched !N_K o L // B a new and innovative composer producer series bringing together pioneering, established and emerging composer producers to collaborate in various iconic studios and pop-up locations. Each series sees a new guest pioneer and group joining her; together, they embark on the journey of making an album through improvisation and exploration of the studio as an instrument, building a global network through musical collaborations – one album and city at a time.The first IN_KoLAB series was hosted by British Grove Studios. The group spent two days recording and filming what would become an immersive four-movement quadrophonic piece called IN_KoLAB Making Waves with Suzanne Ciani.  The album and accompanying short will be released in 2021 and plans are in motion for the next series.https://www.katiaisakoff.com/ | https://inkolab.orgCaro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. She started making music thanks to being laid up whilst living in a double decker bus and listening to Warp Records in the late 1990's. This "sonic enchantress" (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/Delia Derbyshire Day Charity: https://deliaderbyshireday.com

Carsten Nicolai, besser bekannt auch als Alva Noto, ist ein international gefeierter Musiker, Produzent, Bildender Künstler, Labelbetreiber und nicht zuletzt Professor an der Hochschule in Dresden. Gerade erschienen ist sein neues Album „Xerrox Vol. 4“. Über diese spannende Veröffentlichungsreihe, Diamond Version, anbb (Projekt mit Blixa Bargeld), seinen „A Forest“ The Cure- Remix und nicht zuletzt seine Zusammenarbeit mit Ryuichi Sakamoto spricht Olaf Zimmermann in diesem „elektro beats“-Interviewspecial mit Carsten Nicolai.

En una nueva edición de Rebelión Sónica, hacemos eco de un nuevo capítulo de la amplia historia de colaboraciones que han mantenido por largos años el trascendental músico japonés Ryuichi Sakamoto con el explorador electrónico alemán, Carsten Nicolai, alias Alva Noto. Luego de colaborar en los álbumes “Insen” (2005), “Revep” (2006), “utp_” (2008), “Summvs” (2011) y “Glass” (2018), la dupla editó el 15 de noviembre pasado con el sello Noton, el disco en vivo “Two (Live at Sydney Opera House)”.

En una nueva edición de Rebelión Sónica, hacemos eco de un nuevo capítulo de la amplia historia de colaboraciones que han mantenido por largos años el trascendental músico japonés Ryuichi Sakamoto con el explorador electrónico alemán, Carsten Nicolai, alias Alva Noto. Luego de colaborar en los álbumes “Insen” (2005), “Revep” (2006), “utp_” (2008), “Summvs” (2011) y “Glass” (2018), la dupla editó el 15 de noviembre pasado con el sello Noton, el disco en vivo “Two (Live at Sydney Opera House)”.

In this episode we chat with Dorit Chrysler director of of the  NY Theramin society, who have a major event coming up at the Ambient Church.    Dorit Chrysler has been dubbed a superior wizard of the theremin. An Austrian-born, New York based composer and performer, Chrysler is the co-founder of the NY Theremin Society and has started the first international school for Theremin, KidCoolThereminSchool and L’Ecole Theremine with branches in NY and Paris. As much as the Theremin is a tool in Chrysler’s electronic instrument arsenal, she is also one of the most visible Thereminists spreading the gospel of this mysterious sounding instrument. Most recently she finished her analog soundtrack for a remake of “M” by Fritz Lang and was featured on the soundtrack of the HBO documentary "Going Clear". Chrysler received her master's degree of musicology in Vienna and has notably collaborated with Anders Trentemøller, Cluster, Adult., CERN, Carsten Nicolai, Elliot Sharp and Laurie Spiegel. She has performed with the San Francisco Symphony Orchestra, had her work commissioned by MoMA and the Venice Biennale, and is the founder of “Dame Electric,” a festival dedicated to female pioneers in Analog Music. As the director of the NY Theremin Society, Chrysler is promoting the application of theremin in different art disciplines and is produced the THEREMIN100 compilation release, commemorating the 100th birthday of the Theremin in 2020. For Ambient Church, Chrysler will perform original work along with the US premiere of "A Paraphrase." Composed by electronic music pioneer Laurie Spiegel, for Dorit Chrysler, "A Paraphrase" was inspired by a young Clara Rockmore and her professional relationship with Léon Theremin.  Lana Anikin Suran will accompany on piano.     

SONS.OF.GHOSTS............................... by tony justerini http://www.filefactory.com/file/4qiqf2wh6v95/PROJETO3.mp3 01. Max Richter – Infra 1, Infra, 2010 02. Iggy Pop, Carsten Nicolai &Tarwater- From Pent‐Up Aching Rivers, Leaves of Grass, 2016 03. Row Boat – Later That Day, In Between, 2014 04. The Stranglers – La Folie, La Folie, 1981 05. The Rolling Stones – Ruby Tuesday, Between The Buttons, 1967 06. Ryan Teague – Remote Outliers, Block Boundaries, 2014 07. King Creosote – Aurora Boring Alias, Love + Hate = Hate, 2008 08. Immanu El – Conquistador, In Passage, 2011 09. The Rolling Stones – You Can't Always Get What You Want, The Rolling Stones Rock and Roll Circus, 1996 10. A Dancing Beggar – Our Distant Memories, Our Idle Dreams, What We Left Behind, 2009 11. Belle Chase Hotel – Wrong Kind of Blues, Fossanova, 1998 12. EF – Sons Of Ghosts, Mourning Golden Morning, 2010 13. Efterklang – Mirador, Parades, 2007 14. Pink Floyd – In The Flesh, The Wall, 1979 15. Pink Floyd – Bring The Boys Back Home, The Wall, 1979 total time: 01:19:14 Photo By: Aris Messinis http://radioetiopia.phase108.net/ https://instagram.com/radioetiopia/ https://radiolisboa.pt/ www.radioetiopia.com

Heute: Neues Kulturforum für Herford?; Sigourney Weaver wird 70; Leseland Norwegen; Carsten Nicolai im K21 Düsseldorf; Service Literatur

Het is niet zo moeilijk om onder de indruk te zijn van Leonardo DiCaprio die letterlijk logeert ín een paard, maar weet de survivalwestern The Revenant - waarin hij de hoofdrol speelt - ook als film te imponeren? Naar aanleiding van Spotlight over de onthulling van een schandaal over pedopriesters in The Boston Globe, delen Gudo en John hun favoriete films over journalistiek. 00:00 Introductie 02:37 Recensie: The Revenant 19:03 Filmmuziek: The Revenant (componisten Carsten Nicolai & Ryuichi Sakamoto) 21:19 Jee of Nee 22:50 Recensie: Spotlight 40:54 Filmmuziek: The Insider (componist Gustavo Santaolalla) 44:56 Top 5: Films over journalistiek 74:54 Vooruitblik en Filmmuziek: Sweet Smell of Success (componist Elmer Bernstein)

Artist Carsten Nicolai explores the complexity of math, science, and perception in his compelling art installations. Gestalten.tv visited Nicolai in his hometown of Chemnitz, Germany to learn how the rules of time and space have shaped his creative process.To celebrate Nicolai's 50th birthday, the Kunstsammlung Chemnitz is currently exhibiting his avant-garde artwork UNITAPE until November 8. To see more of his work, check out our new book PARALLEL LINES CROSS AT INFINITY, which showcases his most fascinating projects from the past decade.

INTERVIEW > inverted-audio.com/mix/stefan-goldmann Following our in-depth feature in October 2014, in which Stefan Goldmann discusses his album "Industry" in-depth with Olivier Lamm of The Drone, we got back in touch with the Berlin based producer to discuss his bi-monthly column for Berghain's flyer-zine and forthcoming conversations with Carsten Nicolai, which will feature in Berghain's 10 year anniversary book. Stefan also shares details about new releases from KiNK and Elektro Guzzi on Macro, and discusses his "Remasters" series on sub-label Victoriaville. inverted-audio.com/artist/stefan-goldmann inverted-audio.com/label/macro

SHIGETO guest mix, plus new music from LONE, L-VIS 1990 + TAYLOR MCFERRIN are featured on this week's program. WIDMAN kicks off with lush piano-driven broken beat from LONE's new album “reality testing”, then dark deepness from detroit's cryptic HOW TO KILL label and the DIAMOND VERSION project from RASTER-NORTON's CARSTEN NICOLAI. the first hour... The post shigeto – radio show [as0858] appeared first on abstract science >> future music chicago.

[retro]perspectiva en 50 fases del vídeo musical. Exposición mostrada en LAboral entre el 03.07.2012 hasta el 22.10.2012. eCLIPSe recorre el creativo mundo del vídeo musical con una selección de las 50 piezas que a lo largo de la historia se pueden considerar esenciales para entender esta disciplina. La exposición comienza con un recorrido histórico para continuar con sendos monográficos dedicados a los que consideramos más importantes realizadores de vídeo-clips: el francés Michel Gondry y el británico Chris Cunningham. La exposición está comisariada por Carlos Navarro. ARTISTAS: Robert Abel; Jonas Akerlund; Kevin Altieri; Steve Barron; Toni Basil; David Bowie; David Byrne; Jim Blashfield; Herve de Crecy; Anton Corbijn; Lol Crème; Chris Cunningham; Digital Productions; Jonathan Dayton; Valerie Faris; Romain Gavras; Grant Gee; Jonathan Glazer; Kevin Godley; Michel Gondry; Bruce Gowers; Hammer & Tongs; Ludovic Houplain; Garth Jennings; Stephen R. Johnson-The brothers Quay-Nick Park; Spike Jonze; John Landis; José Luis Lozano; Kike Maíllo; David Mallet; Russell Mulcahy; Todd McFarlane; Carsten Nicolai; OK Go; TimPope; Bill Plympton; Sanji Senaka.

YAH Sonar 2009 Sonar 2009 is the latest show from You Are Hear Features live sets from: Colch-ón the solo project of Frank Rudow from the band Manta Ray. Lusine is the long-running ambient electronica of Seattle resident and Jeff McIlwaine (Ghostly International). Ryoichi Kurokawa - celebrated Japanese audio-visual composer. Michna with Raw Paw also from Ghostly International stable prolific electro-funk producer Adrian Michna performs with a live band. Alva Noto - sound artist Carsten Nicolai founder of Raster Noton. Michna / SV4 - Ghostly International (Adrian Michna and Sam Valenti IV (head honcho of cutting edge minimal label Spectral Sounds) SND - Matt Steel and Mark Fell from Sheffield (Raster Noton) Produced and presented by Magz Hall and Jim Backhouse check out our website www.youarehear.co.uk Sonar 2009 Recorded by Richard Guest Subscribe to the podcast you can get emails alerts sent to you direct everytime we update the feed. feedback www.myspace.com/youarehear YAH 2002-6 live radio sessions CD now available as download album via whippit.com YAH 2002-6 live radio sessions CD Hear us on www.totallyradio.com Podcast of the week in Time Out London!! " excellent alternative music show" "Critics Choice" The Independent Podcast of the week Time Out London!! " excellent alternative music show" "Critics Choice" The Independent

YAH Sonar 2009 Sonar 2009 is the latest show from You Are Hear Features live sets from: Colch-ón the solo project of Frank Rudow from the band Manta Ray. Lusine is the long-running ambient electronica of Seattle resident and Jeff McIlwaine (Ghostly International). Ryoichi Kurokawa - celebrated Japanese audio-visual composer. Michna with Raw Paw also from Ghostly International stable prolific electro-funk producer Adrian Michna performs with a live band. Alva Noto - sound artist Carsten Nicolai founder of Raster Noton. Michna / SV4 - Ghostly International (Adrian Michna and Sam Valenti IV (head honcho of cutting edge minimal label Spectral Sounds) SND - Matt Steel and Mark Fell from Sheffield (Raster Noton) Produced and presented by Magz Hall and Jim Backhouse check out our website www.youarehear.co.uk Sonar 2009 Recorded by Richard Guest Subscribe to the podcast you can get emails alerts sent to you direct everytime we update the feed. feedback www.myspace.com/youarehear YAH 2002-6 live radio sessions CD now available as download album via whippit.com YAH 2002-6 live radio sessions CD Hear us on www.totallyradio.com Podcast of the week in Time Out London!! " excellent alternative music show" "Critics Choice" The Independent Podcast of the week Time Out London!! " excellent alternative music show" "Critics Choice" The Independent

'Pasajes. Viajes por el híper-espacio' es una selección de obras pertenecientes a la colección Thyssen-Bornemisza Art Contemporary (T-B A21). Integrada fundamentalmente por instalaciones y obras escultóricas de gran escala, la exposición ha sido concebida para estimular un recorrido contemplativo, reintroduciendo al espectador en el centro mismo de la experiencia artística; un viaje inmersivo a otra dimensión perceptiva que activa lo físico, lo sensual y lo cerebral. (06.10.201-21.02.211) Artistas: Ai Weiwei, Doug Aitken, Haluk Akakçe, Janet Cardiff & George Bures Miller, Maurizio Cattelan, Olafur Eliasson, Michael Elmgreen & Ingar Dragset, Florian Hecker, Jeppe Hein, Carsten Höller, Los Carpinteros, Ernesto Neto, Carsten Nicolai, Olaf Nicolai, Paul Pfeiffer, Sergio Prego, Pipilotti Rist, Monika Sosnowska y Cerith Wyn Evans.

Episode 1 of SAM's new podcast series. Feat. Zeitkratzer & Carsten Nicolai, Daphne Oram, Chris Watson, label showcases for Editions Wandelweiser and Olde English Spelling Bee plus others. Listen New Departures Episode 1 Subscribe via iTunesread more

Episode 1 of SAM's new podcast series. Feat. Zeitkratzer & Carsten Nicolai, Daphne Oram, Chris Watson, label showcases for Editions Wandelweiser and Olde English Spelling Bee plus others. Listen New Departures Episode 1 Subscribe via iTunesread more

Overcoming the segregation of forms of sensory perception. A portrait of artist Carsten Nicolai.

With her porcelain figures, the artist Shary Boyle uses delicate ornamentation in the representation of contradiction and hybridity. A view into the manufactory of the fragile.

Geir Jenssen, Anthony Pateras & Robin Fox, SunnO))) & Boris, Herve Boghossian, Hecker, Lasse Marhaug, Ryoji Ikeda, Ryoji Ikeda and Carsten Nicolai, Kit Clayton and more....

Geir Jenssen, Anthony Pateras & Robin Fox, SunnO))) & Boris, Herve Boghossian, Hecker, Lasse Marhaug, Ryoji Ikeda, Ryoji Ikeda and Carsten Nicolai, Kit Clayton and more....

  A new podcast dedicated to recent favorites from a formidable line-up of RF workhorses like Michael Santos. Rare Frequency Podcast 11: Arc of a Driver 1 Pan Sonic, "Slovakian Rauta" Touch 25 (Touch) CD 2006 2 Lionel Marchetti with Yoko Higashi, "Red Dust 3:3 " Red Dust" (Crouton) 3x3"CD 2005 3 Norbert Moslang, "b1_6" Burst_Log (For4Ears) CD 2006 4 Alva.Noto, "Transit (for Suchan Kinoshita)" For (Line) CD 2006 5 Micheal Santos, "Light 8" Matters (