Podcasts about constantin brancusi

durée : 00:47:26 - Affaires sensibles - par : Fabrice Drouelle, Franck COGNARD - Aujourd'hui, dans Affaires Sensibles : Constantin Brancusi contre les États-Unis d'Amérique, ou le procès de l'art moderne - réalisé par : Guillaume Girault, Etienne BERTIN

沉睡的缪斯（La Muse endormie），长16厘米、宽27.3厘米、厚18.5厘米，为罗马尼亚雕刻家康斯坦丁·布朗库西（Constantin Brancusi）作于1910年的抛光青铜作品，现收藏于乔治·蓬皮杜国家艺术文化中心。

Il a révolutionné la sculpture et introduit l'abstraction dans cet art. Il s'agit bien sûr de Constantin Brancusi. La rétrospective que lui consacre le Centre Pompidou nous immerge dans l'univers de l'artiste et nous fait entrer au coeur de son travail avec plus de cent vingt sculptures mais aussi des photographies, dessins et films de l'artiste. Les œuvres de Brancusi sont d'emblée reconnaissables par la simplicité des lignes jusqu'à l'abstraction. Et c'est autour de son atelier que s'articule le début de l'exposition : un atelier qu'il avait légué au Centre Pompidou.Autour de cet espace, on se familiarise avec la vie de l'artiste. Du jeune roumain qui traverse l'Europe à pied pour s'établir à Paris jusqu'à ses différentes influences et sources de création : Rodin, mais aussi l'art africain. La musique qu'il écoute jaillit dans la salle d'exposition. Le répertoire est large : jazz, rock, classique, latino.Puis, on entre au cœur du travail de Brancusi. Les séries nous montrent la progression de sa sculpture, celle de l'enfant, le torse d'un jeune homme ce sont trois cylindres : un tronc et l'amorce des deux jambes et bien sûr, il y a la Muse endormie, une de ses œuvres phares, symbole du sommeil : une tête de femme en bronze poli doré à l'ovale parfait. Enfin, nous voilà dans l'une des plus belles salles du Centre Pompidou avec une vue sur tout Paris. C'est là que sont rassemblées les grandes sculptures consacrées aux oiseaux et à l'envol.Des œuvres incroyablement vivantes. Brancusi aimait dire d'ailleurs : « Il ne faut pas respecter mes sculptures. Il faut les aimer et jouer avec elles ».Et le Centre Pompidou nous les fait certainement aimer dans une exposition au parcours simple, épuré, à l'image du travail de Brancusi.

Il a révolutionné la sculpture et introduit l'abstraction dans cet art. Il s'agit bien sûr de Constantin Brancusi. La rétrospective que lui consacre le Centre Pompidou nous immerge dans l'univers de l'artiste et nous fait entrer au coeur de son travail avec plus de cent vingt sculptures mais aussi des photographies, dessins et films de l'artiste. Les œuvres de Brancusi sont d'emblée reconnaissables par la simplicité des lignes jusqu'à l'abstraction. Et c'est autour de son atelier que s'articule le début de l'exposition : un atelier qu'il avait légué au Centre Pompidou.Autour de cet espace, on se familiarise avec la vie de l'artiste. Du jeune roumain qui traverse l'Europe à pied pour s'établir à Paris jusqu'à ses différentes influences et sources de création : Rodin, mais aussi l'art africain. La musique qu'il écoute jaillit dans la salle d'exposition. Le répertoire est large : jazz, rock, classique, latino.Puis, on entre au cœur du travail de Brancusi. Les séries nous montrent la progression de sa sculpture, celle de l'enfant, le torse d'un jeune homme ce sont trois cylindres : un tronc et l'amorce des deux jambes et bien sûr, il y a la Muse endormie, une de ses œuvres phares, symbole du sommeil : une tête de femme en bronze poli doré à l'ovale parfait. Enfin, nous voilà dans l'une des plus belles salles du Centre Pompidou avec une vue sur tout Paris. C'est là que sont rassemblées les grandes sculptures consacrées aux oiseaux et à l'envol.Des œuvres incroyablement vivantes. Brancusi aimait dire d'ailleurs : « Il ne faut pas respecter mes sculptures. Il faut les aimer et jouer avec elles ».Et le Centre Pompidou nous les fait certainement aimer dans une exposition au parcours simple, épuré, à l'image du travail de Brancusi.

La montée de l'extrême-droite inquiète l'Allemagne L'ascension de Peter Magyar ébranle la vie politique hongroise Le « chacun pour soi » de la gauche française profite à Raphaël Glucksmann Santé : Gabriel Attal lance la « taxe lapin » pour responsabiliser les patients Le Centre Pompidou célèbre Constantin Brancusi en grande pompe

Le Salon du Livre de Paris met cette année le Québec à l'honneur. La poétesse québécoise Hélène Dorion publie son dernier ouvrage « Les forêts » aux éditions Bruno Doucey. Un recueil contemplatif sur la nature et notre rapport au monde. Le Québec est cette année à les honneurs du Festival du Livre de Paris qui se tient tout le week-end au Grand Palais éphémère au pied de la Tour Eiffel. C'est donc une écrivaine québécoise que nous recevons aujourd'hui. Elle est doublement dans l'actualité parce qu'elle est aussi la première autrice vivante à figurer au programme du bac de français, avec son livre « Mes Forêts », publié par les éditions Bruno Doucey en 2021.Dans cet ouvrage, la poétesse, qui habite à Orford en Estrie, sur la rive sud du Saint-Laurent, se promène dans la nature, regarde les arbres et la faune sylvestre, écoute les histoires qu'ils portent et partage avec les lecteurs son émerveillement, mais aussi son inquiétude.Hélène Dorion est l'invitée de VMDN.Au menu de ce Café Gourmand Marjorie Bertin a rencontré le chanteur CharlElie Couture à l'occasion de la sortie de son 26ème album : « Contre toi ». Il sera en concert au Théâtre de l'Atelier, les 16 et 17 avril. Clara Gabillet est allée visiter l'exposition « 100% Villette ». Une exposition qui ouvre jusqu'au 28 avril la Grande Halle de la Villette à de jeunes artistes sortis d'écoles d'art françaises. Muriel Maalouf est allée visiter la grande rétrospective consacrée au Centre Pompidou au sculpteur et designer roumain Constantin Brancusi.

Le Salon du Livre de Paris met cette année le Québec à l'honneur. La poétesse québécoise Hélène Dorion publie son dernier ouvrage « Les forêts » aux éditions Bruno Doucey. Un recueil contemplatif sur la nature et notre rapport au monde. Le Québec est cette année à les honneurs du Festival du Livre de Paris qui se tient tout le week-end au Grand Palais éphémère au pied de la Tour Eiffel. C'est donc une écrivaine québécoise que nous recevons aujourd'hui. Elle est doublement dans l'actualité parce qu'elle est aussi la première autrice vivante à figurer au programme du bac de français, avec son livre « Mes Forêts », publié par les éditions Bruno Doucey en 2021.Dans cet ouvrage, la poétesse, qui habite à Orford en Estrie, sur la rive sud du Saint-Laurent, se promène dans la nature, regarde les arbres et la faune sylvestre, écoute les histoires qu'ils portent et partage avec les lecteurs son émerveillement, mais aussi son inquiétude.Hélène Dorion est l'invitée de VMDN.Au menu de ce Café Gourmand Marjorie Bertin a rencontré le chanteur CharlElie Couture à l'occasion de la sortie de son 26ème album : « Contre toi ». Il sera en concert au Théâtre de l'Atelier, les 16 et 17 avril. Clara Gabillet est allée visiter l'exposition « 100% Villette ». Une exposition qui ouvre jusqu'au 28 avril la Grande Halle de la Villette à de jeunes artistes sortis d'écoles d'art françaises. Muriel Maalouf est allée visiter la grande rétrospective consacrée au Centre Pompidou au sculpteur et designer roumain Constantin Brancusi.

durée : 01:30:33 - Les Nuits de France Culture - par : Albane Penaranda - En 1977, Georges Charbonnier consacre un "Documentaire du vendredi" au sculpteur d'origine roumaine Constantin Brancusi qu'il compare à Michel-Ange. Un grand artiste reconnu sur le tard par son pays d'adoption, la France.

L'exposition rétrospective « Brancusi » explore toutes les facettes de la création de Constantin Brancusi, considéré comme le père de la sculpture moderne. Laissez-vous guider par Ariane Coulondre, commissaire de l'exposition, et par les paroles d'artistes et amis de Brancusi.Avec la participation d'Ariane Coulondre et André Avril, plasticienRéalisation : Clara Gouraud et Delphine CoffinEnregistrement : Ivan GarielCréation sonore et mixage : Fabrice NaudHabillage musical : Sixième son Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

The "Brancusi" retrospective exhibition explores all the facets of the creation of Constantin Brancusi, considered to be the father of modern sculpture. Take a tour of the exhibition with Ariane Coulondre, curator, and with artists and friends of Brancusi.With the participation of Ariane Coulondre and André Avril, visual artistProduction: Clara Gouraud and Delphine CoffinRecording: Ivan GarielSound creation and mixing: Fabrice NaudSound design: Sixième son Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

“Brancusi”au Centre Pompidou, Parisdu 27 mars au 1er juillet 2024Interview de Valérie Loth, attachée de conservation, Cabinet d'art graphique, Musée national d'art moderne, et commissaire associée de l'exposition,par Anne-Frédérique Fer, à Paris, le 25 mars 2024, durée 27'36,© FranceFineArt.https://francefineart.com/2024/03/25/3527_brancusi_centre-pompidou/Communiqué de presse Commissariat :Ariane Coulondre, conservatrice, service des collections modernes, Musée national d'art moderneCommissaires associées :Julie Jones, conservatrice, Cabinet de la photographie, Musée national d'art moderneValérie Loth, attachée de conservation, Cabinet d'art graphique, Musée national d'art moderneAvec plus de 120 sculptures, ainsi que des photographies, dessins et films de l'artiste, la grande rétrospective « Brancusi », organisée au Centre Pompidou, constitue un événement exceptionnel. Elle offre l'opportunité de découvrir toutes les dimensions de la création de cet immense artiste considéré comme l'inventeur de la sculpture moderne. La dernière exposition rétrospective Brancusi en France, et la seule, remonte à 1995 (sous le commissariat de Margit Rowell au Centre Pompidou). À la fois lieu de vie, de création et de contemplation, l'atelier de l'artiste, joyau de la collection du Musée national d'art moderne depuis son legs à la nation en 1957, forme la matrice de ce projet. En effet, le déménagement intégral de l'Atelier Brancusi dans le cadre des travaux de rénovation du Centre Pompidou est l'occasion unique de mettre en regard son contenu avec de nombreux autres chefs-d'oeuvre de l'artiste provenant des plus importantes collections internationales.Un ensemble exceptionnel de sculptures, jouant sur le dialogue entre les plâtres de l'Atelier Brancusi et les originaux en pierre ou bronze, prêtés par de nombreuses collections privées et muséales (Tate Modern, MoMA, Guggenheim, Philadelphia Museum of Art, The Art Institute of Chicago, Dallas Museum of Art, Musée national d'art de Roumanie, Musée d'art de Craiova…) sont ainsi réunies.Dès l'entrée, le parcours de visite privilégie une approche sensible, soulignant le choc de la découverte de son atelier parisien, situé impasse Ronsin dans le 15e arrondissement, fréquenté par de nombreux artistes et amateurs pendant plusieurs décennies.Le coeur de l'exposition évoque les sources de sa création (Auguste Rodin, Paul Gauguin, l'architecture vernaculaire roumaine, l'art africain, l'art cycladique, l'art asiatique…) et éclaire le processus créatif de Brancusi : le choix de la taille directe, l'esthétique du fragment, le processus sériel, le travail de sublimation de la forme… La reconstitution d'une partie de l'atelier souligne la dimension matérielle de sa création (matériaux, outils, gestes). L'exposition replace la vie de Constantin Brancusi dans un contexte artistique et historique plus large grâce à un riche corpus documentaire (lettres, articles de presse, agendas, disques…). Cet ensemble offre une chronique de ses amitiés avec nombre d'artistes d'avant-garde, tels Marcel Duchamp, Fernand Léger ou Amedeo Modigliani.Le parcours thématique, organisé autour des séries de référence de l'artiste, met en lumière les grands enjeux de la sculpture moderne : l'ambiguïté de la forme (Princesse X), le portrait (Danaïde, Mlle Pogany), le rapport à l'espace (Maiastra, L'Oiseau dans l'espace), le rôle du socle (Nouveau-né, Le Commencement du monde), les jeux de mouvement et de reflet (Léda), la représentation de l'animal (Le Coq, Le Poisson, Le Phoque) et le rapport au monumental (Le Baiser, La Colonne sans fin).#catalogue aux éditions du Centre Pompidou Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

1927, un procès historique se tient à New York opposant le sculpteur Constantin Brancusi à l'État américain. Pour l'artiste, il s'agit de prouver que sa sculpture Oiseau dans l'espace, lourdement taxée à l'importation par les douanes américaines (40% de sa valeur) en tant qu'objet industriel, est bel et bien une œuvre d'art, ce qui l'exonèrerait des droits de douane. En écho à Paris, l'artiste et ses contemporains doutent. Le travail de Brancusi est-il à la hauteur face au génie de l'artisanat et de l'industrie ? Le nouveau continent a-t-il les épaules pour jouer le rôle central dans l'art moderne que l'histoire lui impose désormais ? Tel est le point de départ de cette passionnante BD aux aplats polychromes et aux traits stylisés. Son auteur, Arnaud Nebbache, vient nous raconter cette controverse artistique qui fera jurisprudence sur la définition de l'art, et qu'éclaire pour nous Vincent Schneegans, avocat en propriété intellectuelle et grand amateur de BD ! Rencontre avec Arnaud Nebbache et Vincent Schneegans animée par Sonia Déchamps et enregistrée en public en mai 2023, au théâtre de La Criée, au conservatoire Pierre Barbizet, lors de la 7e édition du festival Oh les beaux jours !. __ À lire Arnaud Nebbache, Brancusi contre États-Unis, Dargaud, 2023. __ Montage : Arthur James Voix : Benoît Paqueteau Photo : Nicolas Serve Un podcast produit par Des livres comme des idées. __ La 8e édition du festival Oh les beaux jours ! aura lieu à Marseille du 22 au 26 mai 2024.

“Corps à corps” Histoire(s) de la photographie, au Centre Pompidou, Paris, du 6 septembre 2023 au 25 mars 2024Interview de Julie Jones, conservatrice, cabinet de la photographie, Musée national d'art moderne, et co-commissaire de l'expositionpar Anne-Frédérique Fer, à Paris, le 4 septembre 2023, durée 14'51,© FranceFineArt.https://francefineart.com/2023/09/07/3471_corps-a-corps_centre-pompidou/Communiqué de presse“Corps à corps”Histoire(s) de la photographie, Collections de photographies du Centre Pompidou – Musée national d'art moderne et de Marin Karmitzau Centre Pompidou, Parisdu 6 septembre 2023 au 25 mars 2024Commissariat :Julie Jones, conservatrice, Centre Pompidou – Musée national d'art moderneavec Marin KarmitzAvec la rencontre de deux collections photographiques exceptionnelles – celle, publique, du Centre Pompidou – Musée national d'art moderne et celle, privée, du collectionneur français Marin Karmitz – l'exposition « Corps à corps » offre un regard inédit sur les représentations photographiques de la figure humaine, aux 20e et 21e siècles.Rassemblant plus de 500 photographies et documents, réalisés par quelque 120 photographes historiques et contemporains, l'exposition dépasse les catégories d'étude classiques telles que le portrait, l'autoportrait, le nu ou encore la photographie dite humaniste. Elle dévoile des particularités, des manières de voir photographiques et rend visibles des correspondances entre artistes. On leur découvre des obsessions communes, dans leur façon d'appréhender le sujet, comme dans leur approche stylistique.Ces rapprochements peuvent éclairer une certaine pratique, à un moment précis de l'histoire, ou au contraire montrer la proximité de visions éloignées dans le temps. Les images exposées nourrissent aussi des questionnements sur la responsabilité du photographe : comment la photographie participe-t-elle à la naissance des identités et à leur visibilité ? Comment raconte-t-elle les individualités, le rapport à l'autre ?La collection du Centre Pompidou – Musée national d'art moderne et la collection Marin Karmitz, distinctes par leur origine, leur nature, et leur fin, apparaissent ici complémentaires. Regard public et regard privé dialoguent et construisent de nouveaux récits. Ensemble, ils proposent une réflexion sur l'idée même de collection. Comment une collection se construit-elle, et quelle est la part de la subjectivité dans sa constitution ? Comment la transmettre au public ?La collection de photographies du Centre Pompidou est devenue en près de cinquante ans l'une des plus importantes au monde. Riche de plus de 40 000 tirages et de 60 000 négatifs, elle est constituée de grands fonds historiques (Man Ray, Brassaï, Constantin Brancusi ou Dora Maar), et compte de nombreux ensembles de figures incontournables du 20e siècle, comme des corpus importants de la création contemporaine. Formé aux métiers du cinéma et de la photographie dans les années d'après-guerre et figure majeure du cinéma français, Marin Karmitz se fascine, depuis plusieurs décennies, pour la création, sous toutes ses formes. Sa collection photographique révèle un intérêt immuable pour la représentation du monde et de celles et ceux qui l'habitent. Qu'il s'agisse des grandes figures de l'avantgarde, telles Stanisław Ignacy Witkiewicz, dont Marin Karmitz a récemment fait don d'un ensemble d'oeuvres important au Centre Pompidou, jusqu'a des figures contemporaines, comme l'artiste SMITH.#Catalogue de l'exposition aux éditions du Centre Pompidou, sous la direction de Julie Jones. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

“Norman Foster”au Centre Pompidou, Parisdu 10 mai au 7 août 2023Interview de Frédéric Migayrou, directeur adjoint du Musée national d'art moderne, en charge de la création industrielle, et commissaire de l'exposition,par Anne-Frédérique Fer, à Paris, le 9 mai 2023, durée 16'08,© FranceFineArt.https://francefineart.com/2023/05/10/3438_norman-foster_centre-pompidou/Communiqué de presseCommissariat :Frédéric Migayrou, directeur adjoint du Musée national d'art moderne, en charge de la création industrielle.La rétrospective que le Centre Pompidou consacre à Norman Foster en Galerie 1, sur près de deux mille deux cents mètres carrés, retrace les différentes périodes du travail de l'architecte et met en lumière ses réalisations déterminantes, tels que le siège de la HSBC (Hong Kong, 1979-1986), le Carré d'Art (Nîmes, 1984-1993), l'Aéroport international de Hong Kong (1992-1998) ou l'Apple Park, (Cupertino, États-Unis, 2009-2017). La scénographie de l'exposition est conçue par Norman Foster et réalisée en collaboration avec Foster + Partners et la Norman Foster Foundation.Le parcours se déploie en sept thématiques : « Nature et urbanité », « Enveloppes et structures », « La ville verticale », « Histoire et tradition », « Sites et planifications », « Réseaux et mobilités » et « Perspectives futures ». Dessins, esquisses, maquettes originales et dioramas, ainsi que de nombreuses vidéos, permettent de découvrir 130 projets majeurs. Accueillant les publics à l'entrée du parcours d'exposition, un grand cabinet de dessins dévoile des carnets, esquisses et photographies prises par l'architecte, jamais montrées en France. Parce qu'elles constituent les sources d'inspiration de Norman Foster et résonnent avec l'architecture, sont également présentées dans l'exposition, des oeuvres de Fernand Léger, Constantin Brancusi, Umberto Boccioni et Ai Wei Wei ainsi que, des réalisations industrielles, un planeur et des automobiles.Se confronter à l'oeuvre de l'architecte Norman Foster, c'est immédiatement évoquer les projets qui semblent les plus marquants, ceux qui se confondent à l'image d'une ville, d'un territoire ou qui, plus simplement, ont changé la forme d'un site ou la configuration d'un lieu, d'une place. Grands aéroports, réseaux de transports, bâtiments de grande hauteur, sièges de grandes entreprises, bâtiments publics, grands ouvrages d'art, programmes d'aménagement urbains, musées… Norman Foster, avec plusieurs centaines de projets étudiés ou réalisés à une échelle mondiale, aura investi toute la complexité des organisations des grandes sociétés industrielles.Le Centre Pompidou consacre à l'architecte britannique une importante exposition rétrospective dans le bâtiment même qui fut un des premiers manifestes du courant architectural « High Tech »,dont Foster est considéré comme un leader. En 1963 à Londres, Foster fonde l'agence Team 4 avec Wendy Cheesman et Richard Rogers qui sera en 1977 avec Renzo Piano l'architecte du Centre Pompidou. En 1967, Foster fonde son agence Foster Associates, qui devient Foster and Partners en 1992.Norman Foster a imposé l'image d'une agence ayant su préserver son identité, celle d'une agence mondiale toujours ouverte à la recherche et à l'innovation, et qui intègre aux projets toutes les dimensions, techniques, économiques, sociales et environnementales. La compréhension élargie de la notion d'environnement à l'échelle de la nature et de l'ensemble de la biosphère est une préoccupation centrale de son oeuvre. [...] Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

“Doucet et Camondo”une passion pour le XVIIIe siècleau musée Nissim de Camondo – Musée des Arts Décoratifs, Parisdu 16 mars au 3 septembre 2023Interview de Juliette Trey, directrice adjointe du Département des études et de la recherche à l'INHA, et commissaire de l'exposition,par Anne-Frédérique Fer, à Paris, le 15 mars 2023, durée 17'39.© FranceFineArt.https://francefineart.com/2023/03/18/3407_doucet_musee-des-arts-decoratifs/Communiqué de presseCommissaire :Juliette TREY, directrice adjointe du Département des études et de la recherche à l'INHALes Arts Décoratifs et l'Institut national d'histoire de l'art (INHA) présentent, au musée Nissim de Camondo, du 16 mars au 3 septembre 2023, une exposition consacrée à la riche collection d'œuvres d'art du XVIIIe siècle constituée par Jacques Doucet.Célèbre couturier et grand mécène, Jacques Doucet (1853-1929) est aussi l'un des plus importants collectionneurs de son temps. Une sélection de dessins, photographies et documents d'archives conservés à l'INHA retrace l'histoire de ce prestigieux patrimoine. L'exposition dévoile les décors éphémères de l'hôtel particulier situé rue Spontini dans le XVIe arrondissement que Doucet fait spécialement édifier pour accueillir cet ensemble de tableaux, dessins, sculptures, meubles et objets d'art du XVIIIe siècle. Elle met en lumière les œuvres ayant appartenu à Jacques Doucet, conservées notamment au musée Nissim de Camondo, ancien hôtel particulier de Moïse de Camondo, tissant ainsi le lien entre ces deux grands collectionneurs.Homme aux multiples facettes, grand couturier, fondateur de la première bibliothèque d'art et d'archéologie publique en France et d'une bibliothèque littéraire, Jacques Doucet est aujourd'hui plus connu pour son activité de mécène et de collectionneur d'art moderne. Il compte, parmi ses plus belles acquisitions, des œuvres d'Henri Matisse, Francis Picabia, Amedeo Modigliani, Paul Klee, Marcel Duchamp ou encore Constantin Brancusi et surtout Les Demoiselles d'Avignon. C'est sur les conseils d'André Breton que Doucet achète en 1923 ce chef d'œuvre de Pablo Picasso, aujourd'hui au Museum of Modern Art à New York. Jacques Doucet est également un des grands mécènes de l'Art déco. Une partie de sa collection de mobilier, qui comprend plusieurs pièces de créateurs tels que Paul Iribe, Pierre Legrain ou André Groult, est aujourd'hui conservée au musée des Arts décoratifs.Pourtant, avant de se consacrer avec tant d'enthousiasme à la modernité, Doucet rassemble entre le milieu des années 1870 et 1912 une importante collection d'oeuvres d'art du XVIIIe siècle : objets d'art français et asiatiques, peintures italiennes, espagnoles et anglaises, dessins, pastels… C'est pour abriter sa collection qu'il décide de se faire construire en 1903 son hôtel particulier, situé rue Spontini à Paris que des photographies et archives de l'INHA viennent ici illustrer.[...] Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

The book, Old Masters and Young Geniuses shows there are two types of creators: experimental, and conceptual. Experimental and conceptual creators differ in their approaches to their work, and follow two distinct career paths. Experimental creators grow to become old masters. Conceptual creators shine as young geniuses. University of Chicago economist, and author of Old Masters and Young Geniuses, David Galenson – who I interviewed on episode 105 – wanted to know how the ages of artists affected the prices of their paintings. He isolated the ages of artists from other factors that affect price, such as canvas size, sale date, and support type (whether it's on canvas, paper, or other). He expected to find a neat effect, such as “paintings from younger/older artists sell for more.” But instead, he found two distinct patterns: Some artists' paintings from their younger years sold for more. Other artists' paintings from their older years sold for more. He then found this same pattern in the historical significance of artists' work: The rate at which paintings were included in art history books or retrospective exhibitions – both indicators of significance – peaked at the same ages as the values of paintings. When he looked closely at how painters who followed these two trajectories differed, he found that the ones who peaked early took a conceptual approach, while those who peaked late took an experimental approach. Cézanne vs. Picasso The perfect examples of contrasting experimental and conceptual painters are Paul Cézanne and Pablo Picasso. Paintings from Cézanne's final year of life, when he was sixty-seven, are his most valuable. Paintings from early in Picasso's career, when he was twenty-six, are his most valuable. A painting done when Picasso was twenty-six is worth four times as much as one done when he was sixty-seven (he lived to be ninety-one, and his biographer and friend called the dearth of his influential work later in life “a sad end”). A painting done when Cézanne was sixty-seven – the year he died – is worth fifteen times as much as one done when he was twenty-six. Cézanne, the experimenter Cézanne took an experimental approach to painting, which explains why it took so long for his career to peak. Picasso took a conceptual approach, which explains why he peaked early. Cézanne left the conceptual debates of Paris cafés to live in the south of France, in his thirties. He spent the next three decades struggling to paint what he truly saw in landscapes. He felt limited by the fact that, as he was looking at a canvas, he could only paint the memory of what he had just seen. He did few preparatory sketches early in his career, but grew to paint straight from nature. He treated his paintings as process work, and seemed to have no use for them when he was finished: He only signed about ten percent of his paintings, and sometimes threw them into bushes or left them in fields. Picasso, the conceptual genius Picasso, instead, executed one concept after another. He had early success with his Blue period and Rose period, then dove into Cubism. He often planned paintings carefully, in advance: He did more than four-hundred studies for his most valuable and influential painting, Les Demoiselles d'Avignon. One model described how he simply stared at her for an hour, apparently planning a series of paintings in his head, which he began painting the next day, without her assistance. Cézanne said, “I seek in painting.” Picasso said, “I don't seek; I find.” Cézanne struggled to paint what he saw, and Picasso said, “I paint objects as I think them, not as I see them.” Experimental vs. conceptual artists Here are some qualities that differ between experimental and conceptual artists: Experimental artists work inductively. Through the process of creation, they arrive at their solution. Conceptual artists work deductively. They begin with a solution in mind, then work towards it. Experimental artists have vague goals. They're not quite sure what they're seeking. Conceptual artists have specific goals. They already have an idea in their head they're trying to execute. Experimental artists are full of doubt. Since they don't already have the solution, and aren't sure what they're looking for, they rarely feel they've succeeded. Conceptual artists are confident. They know what they're after, so once they've achieved it, they're done, and can move on to the next thing. Experimental artists repeat themselves. They might paint the same subject over and over, tweaking their approach. Conceptual artists change quickly. They'll move from subject to subject, style to style, concept to concept. Experimental artists do it themselves. They're discovering throughout the process, so they rarely use assistants. Conceptual artists delegate. They just need their concept executed, so someone else can often do the work. Experimental artists discover. Over the years, they build up knowledge in a field, to invent new approaches. Conceptual artists steal. To a greater degree than experimental artists, they take what others have developed and make it their own. Other experimental & conceptual artists Some other experimental artists: Georgia O'Keeffe: She painted pictures of a door of her house in New Mexico more than twenty times. She liked to start off painting a subject realistically, then, through repetition, make it more abstract. Jackson Pollock: He said he needed to drip paint on a canvas from all four sides, what he called a “‘get acquainted' period,” before he knew what he was painting. Leonardo da Vinci: He was constantly jumping from project to project, rarely finishing. He incorporated his slowly-accrued knowledge of anatomy, optics, and geology into his paintings. Some conceptual artists: Georges Seurat: He had his pointillism method down to a science. He planned out his most-famous painting, Sunday Afternoon, through more than fifty studies, and could paint tiny dots on the giant canvas without stepping back to see how it looked. Andy Warhol: Used assistants heavily, saying, “I think somebody should be able to do all my paintings for me,” and “Why do people think artists are special? It's just another job.” Raphael: Who had a huge workshop of as many as fifty assistants, innovated by allowing a printmaker to make and sell copies of his work, and synthesized the hard-won methods of Leonardo and Michelangelo into his well-planned designs. Experimental & conceptual creators in other fields Galenson has found these two distinct experimental and conceptual trajectories in a variety of fields. This runs counter to the findings of Dean Simonton, who believes the complexity of a given field determines when a creator peaks. Galenson argues that the complexity of having an impact in a field changes, as innovations are made or integrated into the state of the art. Sculpture In sculpture, Méret Oppenheim had a conversation in a café with Picasso, and got the idea to line a teacup with fur. It became the quintessential surrealist sculpture, Luncheon in Fur, but it was totally conceptual. She continued to make art into her seventies, and never did another significant work. Constantin Brancusi spent a lifetime as an experimental sculptor. He said, “I don't work from sketches, I take the chisel and hammer and go right ahead.” He did his most famous work, Bird in Space, when he was fifty-two. Novels In novels, Mark Twain wrote The Adventures of Huckleberry Finn experimentally, in at least three separate phases, over the course of nine years. He finally published it when he was fifty. Hemingway's novels were conceptually driven, using his trademark dialog as one of his major devices. He picked up this technique and synthesized it from studying the work of Gertrude Stein, Sherwood Anderson, and Twain himself. When I talked to Galenson on episode 105, he explained the way to spot the difference between an experimental and a conceptual novel is to ask, “are the characters believable?” Conceptual novelists focus on plot, while experimental novelists focus on character. Poetry In poetry, Robert Frost, who spent his career trying to perfect how rhythms and stress patterns affected the meanings of words – so-called “sentence sounds” – wrote “Stopping by Woods on a Snowy Evening” when he was forty-eight. Ezra Pound developed his technique of “imagism” when he was twenty-eight, and had thought it through so well he published a set of formal rules. With this conceptual approach, he created the bulk of his influential poems before he was forty, despite living well into his eighties. Movies In film, Orson Welles created Citizen Kane when he was only twenty-six. The carefully-planned conceptual innovations in cinematography and musical score make it widely-regarded as the most influential film ever. Alfred Hitchcock didn't make his most-influential films until the final years of his life, as he was about sixty. He said, “style in directing develops slowly and naturally.” Are you an old master, or young genius? I really enjoyed Old Masters and Young Geniuses. I find this dichotomy of experimental versus conceptual approaches really helpful in understanding why, in general, some creative solutions come quickly, while others take months or years of searching. Do you have a choice in the matter? Galenson is careful to stress that you aren't either an experimental or conceptual creator – it's a spectrum, not a binary designation. But in case you're wondering if you can make yourself a conceptual creator, to become successful more quickly, Galenson says you can't. You might switch from a conceptual to an experimental approach, and find it works better for you, as did Cézanne, or you might try to go from experimental to conceptual and find it doesn't, as did Pissarro. But you can't change the way you think. He told me, “It's like trying to change your brain, and we don't know how to do that.” About Your Host, David Kadavy David Kadavy is author of Mind Management, Not Time Management, The Heart to Start and Design for Hackers. Through the Love Your Work podcast, his Love Mondays newsletter, and self-publishing coaching David helps you make it as a creative. Follow David on: Twitter Instagram Facebook YouTube Subscribe to Love Your Work Apple Podcasts Overcast Spotify Stitcher YouTube RSS Email Support the show on Patreon Put your money where your mind is. Patreon lets you support independent creators like me. Support now on Patreon »       Show notes: http://kadavy.net/blog/posts/old-masters-young-geniuses

First I read from the recently published article, "The Anatomy of Female Sexual Arousal: Princess Marie Bonaparte, the Halban-Narjani Procedure, and the Art of Constantin Brancusi." Then I talk about seven different types of vibrators. Then I finish with a tragic case of motorcycle spring meets penis. Enjoy! 1. The OG - Hitachi Magic Wand. external, powerful and marketed as personal massagers 2.

Welcome to the Instant Trivia podcast episode 432, where we ask the best trivia on the Internet. Round 1. Category: Art And Artists 1: This term for a painting of inanimate objects is from the Dutch "stilleven". Still life. 2: In 1956 Time magazine dubbed this abstract expressionist "Jack the Dripper". Pollock. 3: Masterpieces in this Manhattan museum include "Starry Night" and "Les Demoiselles d'Avignon". Museum of Modern Art. 4: Known for his religious art, Sebastien Bourdon served as court painter to this queen of Sweden in the 1650s. Christina. 5: This Romanian known for his "Endless Column" also sculpted the scandalous "Princess X". (Constantin) Brancusi. Round 2. Category: Washington State 1: This dam on the Columbia River has a generating capacity of nearly 6.5 million kilowatts. Grand Coulee Dam. 2: Whidbey Island is the largest of the many islands in this inlet. Puget Sound. 3: The portrait of Washington on the state seal is from a portrait by this artist. (Gilbert) Stuart. 4: In 1962 Seattle got one of the first elevated ones of these in a U.S. city; it carried people to the World's Fair. a monorail. 5: An 1846 treaty set Washington's northern boundary at the 49th parallel; but Britain got to keep this island. Vancouver. Round 3. Category: Double D Words 1: Colby is a mild variety of this cheese. cheddar. 2: It follows step-, corporate and Jacob's. ladder. 3: Siddhartha Gautama's title. Buddha. 4: It can mean the mean, or the waist. the middle. 5: This little bear of children's lit was named for the London locale in which he was found. Paddington. Round 4. Category: Celebrities' Favorite Books 1: (I'm Jack Ford.) I couldn't choose just one; my favorite books are "Trinity", Leon Uris' novel of Ireland, and this Margaret Mitchell novel with an Irish-American heroine. Gone with the Wind. 2: (Hi, I'm Harry Shearer.) John Kennedy Toole committed suicide, unable to find a publisher for this satiric novel that later won a Pulitzer Prize. A Confederacy of Dunces. 3: Lauren Bacall said his "All The Pretty Horses" was "the most beautiful writing I have read in years". Cormac McCarthy. 4: A fan of history books and bios, Lucille Ball said one of her favorites was James Boswell's "Life of" this man. (Samuel) Johnson. 5: (Former President Clinton presents the clue.) My favorite work of nonfiction is the "Meditations" of this Roman emperor who used his stoic philosophy to face the troubles of his reign in his own life. Marcus Aurelius. Round 5. Category: The Starting Infield 1: In 1977 Chambliss, Randolph, Dent and Nettles took the field for this team. the Yankees. 2: From 1974 through 1981 the Dodgers fielded Garvey, Lopes, Russell and this third baseman, "The Penguin". Ron Cey. 3: The 1908 Chicago Cubs featured Harry Steinfeldt and these 3 guys of yore. Tinker, Evers and Chance. 4: The 1955 Brooklyn Dodgers sent out Hodges, Gilliam, Reese and this groundbreaking infielder. Jackie Robinson. 5: The 1975 Reds fielded Rose, Concepcion, Perez and this Hall of Fame second sacker, now a broadcaster. Joe Morgan. Thanks for listening! Come back tomorrow for more exciting trivia!

Certo, è un gioco, forse il più paradigmatico dei giochi, il circuito, ma i giochi sono degli esercizi mentali, il circuito è una circonvoluzione del cervello, l'immagine del percorso che fa il pensiero. Dunque tu giri e lungo il percorso incontri sorprese e ostacoli, imprevisti e probabilità. Se non c'è un obiettivo da raggiungere o una competizione tra diversi partecipanti, il percorso risulta chiuso su sé stesso e tu sei sua preda, non puoi far altro che continuare a girare, in loop.

Certo, è un gioco, forse il più paradigmatico dei giochi, il circuito, ma i giochi sono degli esercizi mentali, il circuito è una circonvoluzione del cervello, l'immagine del percorso che fa il pensiero. Dunque tu giri e lungo il percorso incontri sorprese e ostacoli, imprevisti e probabilità. Se non c'è un obiettivo da raggiungere o una competizione tra diversi partecipanti, il percorso risulta chiuso su sé stesso e tu sei sua preda, non puoi far altro che continuare a girare, in loop.

“John Coplans“ La vie des formesà la Fondation Henri Cartier-Bresson, Parisdu 5 octobre 2021 au 16 janvier 2022Interview de Jean-François Chevrier et Élia Pijollet, commissaires de l'exposition,par Anne-Frédérique Fer, à Paris, le 4 octobre 2021, durée 24'22.© FranceFineArt.Communiqué de presse Commissariat :Jean-François Chevrier et Élia PijolletLa Fondation HCB présente une exposition exceptionnelle de l'oeuvre de John Coplansí(1920-2003), en collaboration avec Le Point du Jour, centre d'art éditeur à Cherbourgen-Cotentin. Les oeuvres exposées, issues de collections françaises, témoignent de l'audace de l'artiste britannique, célèbre pour la représentation, sans concession, de son propre corps.Émigrant aux États-Unis au début des années 1960, John Coplans a d'abord été peintre, critique d'art, directeur de musées et commissaire d'expositions, avant de se consacrer pleinement à la photographie au début des années 1980. C'est à l'âge de soixante ans, après s'être employé pendant vingt ans à promouvoir l'oeuvre d'autres artistes, qu'il se retire pour renouer avec l'expérience de la création. Il développe alors une pratique photographique où il représente son corps nu, en noir et blanc, souvent fragmenté, la tête toujours hors-champ. Il désigne toutes ces images réalisées entre 1984 et 2002 par l'intitulé générique Self Portrait ; titres et sous-titres descriptifs spécifient la partie du corps représentée ou la posture.Objet premier, singulier et impersonnel, le corps est le support d'une exploration jubilatoire, sans cesse renouvelée, de la vie des formes. Souvent réduite à la représentation du corps vieilli, l'oeuvre de Coplans répond à une visée plus ludique et universelle, inscrite dans une histoire longue des formes artistiques par le jeu de relations métaphoriques à la nature ou à la sculpture. Elle redéfinit le sens même de l'âge – non comme une progression vers la fin de vie, mais plutôt comme l'occasion d'une inscription dans la longue durée de l'espèce humaine et d'une entreprise de remémoration des formes primitives.L'absence du visage et le choix du fragment comme élément plastique ont libéré un flux d'inventions et d'analogies formelles qui semblait inépuisable et n'a cessé qu'avec la disparition de l'artiste. Les images de Coplans sont tour à tour contenues et explosives, drôles, provocantes, toujours soigneusement méditées. Elles répondent à une exigence de clarté qui transfigure le pathos expressionniste.L'exposition La vie des formes s'articule autour de trois ensembles. Aux petits tirages réalisés au début de la carrière photographique de Coplans (Torses, Dos, Mains, Pieds…) succèdent, en 1988, les grands formats et les montages combinant plusieurs fragments de corps pour constituer une image unique mais disjointe. Fin connaisseur de l'histoire des arts, Coplans a intégré à sa propre expérience les recherches d'artistes qu'il a étudiés, exposés ou côtoyés, tels que Carleton Watkins, Constantin Brancusi, Walker Evans, Lee Friedlander, Jan Groover, Philip Guston ou Weegee ; une sélection d'oeuvres est présentée dans l'exposition.Coproduction : L'exposition est coproduite avec Le Point du Jour à Cherbourg-en-Cotentin. Elle y sera présentée du 29 janvier au 15 mai 2022.Publication : L'exposition est accompagnée d'un livre publié par Le Point du Jour : John Coplans. Un corps, sous la direction de Jean-François Chevrier. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

“L'image et son double“au Centre Pompidou, galerie de photographies, Parisdu 15 septembre au 13 décembre 2021Interview de Julie Jones, conservatrice au cabinet de la photographie – Centre Pompidou et commissaire de l'exposition,par Anne-Frédérique Fer, à Paris, le 14 septembre 2021, durée 17'36.© FranceFineArt.Communiqué de presseCommissaire : Julie Jones, conservatrice au cabinet de la photographie, Centre PompidouL'exposition collective « L'image et son double » au Centre Pompidou rassemble des oeuvres nées d'une réflexion sur une des propriétés principales – sinon la première – de la photographie : la reproduction. Faisant dialoguer des oeuvres photographiques historiques et contemporaines, cette exposition offre un éclairage sur la nature même de la photographie, ses spécificités, et ses liens fondamentaux avec les autres disciplines artistiques.« L'image et son double » présente une soixantaine d'oeuvres issues de la collection du Centre Pompidou, et regroupe une vingtaine d'artistes internationaux, parmi eux : Pierre Boucher, Man Ray, Raoul Ubac, Constantin Brancusi, Berenice Abbott, Hirofumi Isoya, Miklos Erdely, Timm Ulrichs, Paolo Gioli, Sara Cwynar, Kanji Wakae, Wallace Berman, Bruno Munari, Pati Hill, Eric Rondepierre, Susan Meiselas, Claudia Angelmeier ou encore Philipp Goldbach. Plusieurs des oeuvres présentées ont été acquises récemment, notamment grâce au Groupe d'Acquisition pour la Photographie (GAP) du Centre Pompidou.Empreinte du réel, la photographie reproduit, mécaniquement et chimiquement, ce qu'elle a devant elle. Grâce au négatif et aux techniques numériques, elle peut être démultipliée à l'infini. Fascinés par le principe, les mécanismes, et les conséquences de la reproduction photographique, certains artistes ont placé cette notion au coeur même de leurs oeuvres. La reproduction devient alors le sujet de l'oeuvre. Au moyen de dispositifs divers, ces artistes contestent, chacun à leur manière, l'apparente simplicité de cette action de reproduction. Conscients des enjeux liés à la multiplication des représentations visuelles – renforcée depuis l'avènement du numérique – , ils dévoilent les utopies comme les dysfonctionnements des processus de répétition et de copie. Interroger la reproduction, c'est aussi, dès lors, repenser l'identité de l'auteur et son autorité.Cette fascination pour l'idée comme pour l'esthétique formelle de la reproduction révèle aussi, parfois, un rapport obsessionnel au réel, et à sa possession, fantasmée, par l'image. Accumulations, collections, mais aussi morcellements photographiques des objets et des corps permettent de satisfaire, un temps, cette frénésie. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Matt sits down with  Stephen Loh (Malt Couture, Get it Again) and they talk about being on another podcast together, Stephen gives some museum secrets from working at the Norton Simon Museum, and Stephen and Matt have an all out brawl over Constantin Brancusi's 'Bird in Space'

This episode is also available as a blog post: http://quiteaquote.in/2021/02/19/constantin-brancusi-inhabited-sculpture-2/ --- Send in a voice message: https://anchor.fm/quiteaquote/message

Twee grote, scherp gesneden vlakken, eentje blauw, de ander geel. Een soort rechtopstaand, gevouwen schilderij. Het is het beeld Yellow Blue van Ellsworth Kelly, deze zomer voor het eerst in Nederland te zien in de tuin van het Rijksmuseum. Wat maakt het zo fascinerend? Mag je een beeld als Yellow Blue zo maar overschilderen? En welke band had Amerikaan Kelly met Europa en Nederland in het bijzonder? Experts Carel Blotkamp en Ludo van Halem praten erover met Janine Abbring.Ellsworth Kelly (1923-2015) was een schilder, tekenaar en beeldhouwer uit de Verenigde Staten. In deze tuintentoonstelling staan zijn beelden centraal, die in nauw verband staan met zijn teken- en schilderwerk. Vaak gebruikte hij dezelfde vormen, op hetzelfde formaat, in zowel zijn schilderijen als zijn beelden.Kelly bestudeerde concrete voorwerpen en architectonische details in zijn directe omgeving. Hij ontleende omtrekken en vormen aan de werkelijkheid, die hij uitwerkte tot zuivere abstractie. Net als zijn schilderijen zijn de geschilderde oppervlakken van zijn beelden altijd neutraal, zonder een spoor van handmatige bewerking.Niet alleen Amerikaanse, ook Europese kunst beïnvloedde Kelly. Toen hij van 1948 tot 1954 in Frankrijk woonde, bezocht hij veel musea en ontmoette hij kunstenaars als Jean Arp en Constantin Brancusi. Door zijn liefdesrelatie met Geertjan Visser, broer van beeldhouwer Carel Visser, bezocht hij in die jaren ook Nederland waar hij kennismaakte met het werk van onder anderen Piet Mondriaan en Gerrit Rietveld.Ellsworth Kelly in de RijksmuseumtuinenDe tentoonstelling is samengesteld door gastconservator Alfred Pacquement in samenwerking met de Ellsworth Kelly Studio, Spencertown, New York. Gratis toegankelijk tot en met 24 oktober 2021.

Mjuk minimalisk design i silver, baserad på naturliga former - som ben och bönor, det var Elsa Perettis signum och gjorde henne till en av 1900-talets mest inflytelserika smyckesdesigners. Elsa Peretti växte upp i en av Italiens rikaste familjer, men bröt med släkten för att kunna gå sin egen väg. Hon började sin bana som modell och anlände 1968 till New York. Där lärde hon känna en av tidens stora modeskapare - Halston, som hon tätt kom att arbeta med. Men Elsa Perettis sinne för stil sträckte sig långt bortom förmågan att bära upp kläder. Hon var själv en skapande person, med en helt egen och unik begåvning för smyckesdesign. Efter att ha skapat en rad, nu klassiska, smycken blev hon anställd av den anrika  juveleraren Tiffanys & Co. Lyxvaruhuset som ända sedan 1830-talet lyckats marknadsföra sig själva som en av de mest pålitliga platserna för flärd, tradition och kvalitet. Vi ringer upp gemmologen och specialisten på antika smycken Alyce Ketcher, för att titta närmare på Tiffany's historia. Elsa Peretti avled tidigare i år, 80 år gammal. Men hennes design lever vidare, och även hon som person har fått en sorts revival genom att hon elegant porträtteras i den nya Netflix-serien Halston. En svensk skådespelare med stor erfarenhet av att gestalta just riktiga människor är Jonas Karlsson och vi frågar honom hur det går till när han tar sig an en verklig person. En av Elsa Perettis stora inspirationskällor var den franskrumänska konstnären, och fotografen, Constantin Brancusi, som än idag sägs vara den moderna skulpturens fader. Konstvetaren Ann-Sofi Noring, är en av många som drabbats av Brancusis värv och med henne närmar vi oss hans skulpturer. Veckans gäst är Cecilia Andrén, smyckesspecialist på Bukowskis.

Last week we hit you with a Saint Valentine's special that featured three works titled The Kiss, one of them by Romanian artist Constantin Brâncusi. Well, if that was your favorite one, then today is your lucky day, because this week's episode is a spotlight on Brâncusi! Considered one of the pioneers of modernism, Brâncusi jumped on board the primitive esotericism train together with the greatest artists of the turn of the 20th century (Picasso, Gauguin, etc.) to produce sculptures defined by an emphasis on geometric lines and materials used. The Kiss is just one of the many incredible artworks he produced during his lifetime. Wanna learn more? Then tune in!    For email enquiries: chart podcastgmail.com Make sure to follow us on our socials! INSTAGRAM: https://www.instagram.com/chartpodcast/ TWITTER: https://twitter.com/ChartPodcast Here you can see on which different platforms you can listen to our podcasts! https://pod.link/1517293067 That's it for now! Hope to see you again in our next episode!  chART out!    (Love you, bye)

Constantin Brancusi, è considerato uno dei  precursori della scultura moderna.  Un artista alla continua ricerca della verità della materia. L'essenza della realtà è ciò che ha cercato di rappresentare per tutta la sua vita eliminando ogni dettaglio superfluo e realizzando diverse versioni dello stesso soggetto fino alla creazione di forme uniche, primarie, quasi arcaiche ma allo stesso tempo moderne. Dalla "Maiastra", uccello della cultura popolare rumena alle famose versioni di "Uccello nello spazio", dal ritratto della baronessa René Frachon alle sue famosissime "Muse addormentate", opere che non rappresentano più volti, ma forme compatte, monolitiche, quasi astratte, la cui purezza è resa attraverso il lavoro magistrale di Brancusi nella lucidatura e levigatura dei materiali. La puntata si conclude con la "Colonna senza fine", un'opera senza centro, senza inizio o fine,  in cui elementi romboidali si ripetono verso l'alto quasi ad esprimere l'idea dell'infinito.link sostieni Art and Talk: https://it.tipeee.com/art-and-talklink "Il bacio": https://tinyurl.com/y24ho8velink "Ritratto della baronessa René Frachon": https://tinyurl.com/y58xhg3jlink muse addormentate: https://tinyurl.com/yxmj8w9alink "Maiastra": https://tinyurl.com/y34fkhrelink "Uccello nello spazio": https://tinyurl.com/yxqntx6glink sul caso Brancusi: https://tinyurl.com/y4yltcr6link "La colonna infinita": https://tinyurl.com/y5lnxurqmusic by Giorgio di CampoBossa Blue for you https://bit.ly/2DCsxH3Billys Blues session https://bit.ly/2ALFQCT

“Photographier les vodous. Togo-Bénin, 1988-2019”Photographies de Catherine De Clippel,Textes de François Cheval et de Jean-Paul Colleynaux éditions de la Maison des sciences de l'hommeExtrait du communiqué de presseSi certains musées ont consacré des expositions et des publications à l'oeuvre photographique d'ethnologues, apprentis ou confirmés, tels que Martin Gusinde, Jean Rouch ou Pierre Verger, il n'existe aujourd'hui que peu d'ouvrages consacrés à une photographie contemporaine, qui se situerait au croisement de l'anthropologie, de la photo documentaire et de la photo d'art. Faite d'allers retours entre différentes disciplines, cultures et époques, la pratique photographique de Catherine De Clippel s'est plus particulièrement intéressée aux cultes vodou d'Afrique de l'Ouest. C'est en collaborant, à la fin des années 1980, avec les anthropologues Marc Augé, Jean- Paul Colleyn et Jean-Pierre Dozon, pour la réalisation d'une série de films documentaires, que la photographe se forme progressivement à l'anthropologie et à ses pratiques.Le nouvel ouvrage que les éditions de la MSH consacrent au travail de Catherine De Clippel réunit 80 photographies, prises entre la fin des années 1980 et aujourd'hui, autour des cultes vodou au Togo et au Bénin, entre continuités et évolutions. S'il est avant tout un livre de photographies, cet ouvrage entend capter les différents aspects de l'oeuvre de Catherine De Clippel, dont le regard a été fortement influencé – si ce n'est ciselé – par son expérience du terrain ethnographique. Un entretien avec la photographe, ainsi que deux textes, l'un se penchant sur la dimension historique, artistique et esthétique de ses images (écrit par le conservateur de musée et commissaire d'exposition François Cheval), et l'autre sur leur contexte anthropologique (Jean-Paul Colleyn, anthropologue) accompagnent les photos.Cet ouvrage offre ainsi une bonne introduction aux vodous, ces objets de culte qui suscitent aujourd'hui un intérêt nouveau dans le contexte de la restitution des oeuvres d'art aux pays du continent africain. Quant au texte de François Cheval, qui convoque tour à tour Claude Lévi-Strauss, Frantz Fanon, Aimé Césaire, Aby Warburg ou Constantin Brancusi, il constitue un véritable essai en soi sur la photographie.Les auteurs Catherine De Clippel est une photographe, réalisatrice et productrice de films documentaires ayant principalement travaillé en Afrique de l'Ouest. Elle a exposé ses photographies en France et à l'étranger et publié de nombreux ouvrages en collaboration avec des musées.Formé à l'histoire et à l'ethnologie, François Cheval exerce la fonction de conservateur de musée depuis 1982. De 1996 à 2016, il a dirigé le musée Nicéphore Niépce, consacré à la photographie, à Chalon-sur-Saône. En parallèle, il poursuit ses activités de directeur artistique (fondateur de la résidence BMW, Prix HSBC pour la photographie) et de commissaire d'expositions (MuCEM, Kyotographie, Rencontres d'Arles, etc.). Il est aussi le cofondateur et codirecteur du nouveau Lianzhou Museum of Photography, premier musée public dédié à la photographie en Chine. Il est aujourd'hui directeur artistique du Centre de la photographie de Mougins (Alpes-Maritimes) et dirige The Red Eye, qui a pour objet de promouvoir, défendre et valoriser la photographie sous toutes ses formes.Jean-Paul Colleyn est anthropologue, chercheur à l'IMAF, l'Institut des mondes africains (CNRS-IRD-EHESS-Univ. Paris I-EPHE-AMU). Ses travaux portent principalement sur les pratiques religieuses au Mali, les cultes de possession en Afrique, l'anthropologie de l'art et l'anthropologie visuelle. Il est l'auteur d'une trentaine de documentaires ethnographiques. Jean-Paul Colleyn est également l'auteur de nombreux ouvrages, dont L'Anthropologie avec Marc Augé (PUF), Bamana. Visions d'Afrique (Éditions 5 continents), Le Regard documentaire (Éditions du Centre Pompidou). Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Beware of practicing your piety before others in order to be seen by them; for then you have no reward from your Father in heaven. ~ Matthew 6:1 Image: The Prayer, Constantin Brancusi, 1907 --- Send in a voice message: https://anchor.fm/bob-johnson9/message Support this podcast: https://anchor.fm/bob-johnson9/support

--------------------------------------------------------------- *A podcast with Artists created and produced by* Detlef Schlich --------------------------------------------------------------- ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Visual artist and Ritual Designer, living and loving in West Cork and best known for his Essay about the Cause and Effect of Shamanism, Art and Digital Culture. W *orking in the field of performance, photography, painting, sound, installations, and film he will dive and discover with us and a weekly creative guest into the unknown and exciting deep ocean of the creative mind.* ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- ** --------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- His second guest is the visual artist David Seeger. Former Dosen at Leeds Arts University ( https://www.facebook.com/LeedsArtsUni/ ) from 1962 - 1969 and Senior Lecturer 1969 - 1988 at Leeds Polytechnic, UK ( https://www.facebook.com/Leeds-Polytechnic-UK-210323162428820/ ) --------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- ** Stop by the social media platforms of Facebook and Instagram to stay tuned in and just follow the Instagram accounts of @detschlich ( https://www.instagram.com/detschlich/ ) , @arteetude ( https://www.instagram.com/arteetude/ ) and @ilovewestcorkartists ( https://www.facebook.com/groups/WestCorkArt/ ) where you will be informed about the show and related updates. ----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- ** *This is a listener supported show. If you like what you hear be sure to tune in Friday for the second part of this weekly audio triptych! I feel honoured if you subscribe this show. You can follow me non financial with a following click on one of my instagram accounts @detschlich, @sherkintara, @arteetude and @ilovewestcorkartists where you will be informed about the show and related updates or subscribe the visual version of this podcast on you tube via the link below. If you want to leave a donation for a coffee or a bus ticket just follow the donation link via the ArTEEtude podcast account. Eventually I would like to thank via this medium all my members and listeners of the* I LOVE WEST CORK ARTISTS ( https://www.facebook.com/groups/WestCorkArt/ ) Network from all over the world just to remember myself that without you this here couldn´t and wouldn´t happen. ******************* Book Research Links ******************* ** ------------------------------------------- Douglas Hofstaedter – I am a strange loop - ------------------------------------------- ----------- 1 Aug. 2007 ----------- He clarified in this book the spectrum of feeling. A very unique demonstration of empathy. Hofstaedters pages on the death of his wife are very intimate and brought treaders already to tears by reminded of the deepest bonds they have with friends. A must read if you are interested in history & survey of philosophy, metaphysical philosophy or popular maths. His repetition in his book was very helpful for me to make this heavy subject easier to understand. Click here to get to Douglas Hofstaedters Book ( https://www.amazon.co.uk/Am-Strange-Loop-Douglas-Hofstadter-ebook/dp/B06XCD1C29/ref=sr_1_2?dchild=1&keywords=hofstadter&qid=1597088967&sr=8-2 ) ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------ ** -------------------------------------------------------------------- Tom Wolfe - The Electric Kool-Aid Acid Test Paperback – 17 Feb. 1989 -------------------------------------------------------------------- The Electric Kool-Aid Acid Test is not simply the best book on the hippies, it is the essential book...the pushing, ballooning heart of the matter, New York Times ** How did The Beatles come up with the idea for their --------------------------------------------------- Magical Mystery Tour ? ---------------------- ** *The answer to these and many more questions about the acid culture of the 60s can be found in this Tom Wolfes quasi-diary. Highly recommended by readers for anyone who was around at the time and can't remember much about it - also recommended for those who can remember and want a great trip down memory lane.* ** Click here to get to Tom Wolfe - The Electric Kool-Aid Acid Test as Paperback ( https://www.amazon.co.uk/Electric-Kool-Aid-Acid-Test/dp/0552993662/ref=sr_1_1?crid=18RM0BYYBE092&dchild=1&keywords=acid+test+book&qid=1597089723&sprefix=acid+test+%2Caps%2C278&sr=8-1 ) ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------ ----------------------------------------------------------------------------------- Schleifen: Zur Geschichte und Ästhetik des Loops (German) Paperback – 26 April 2016 ----------------------------------------------------------------------------------- ----------------------------- by Tilman Baumgärtel (Author) ----------------------------- Images and sounds, man and machine: Tilman Baumgärtel is on the trail of the loop and reconstructs the cultural history of the loop. Click here to get to SCHLEIFEN ( https://www.amazon.co.uk/Schleifen-Zur-Geschichte-C3-84sthetik-Loops-dp-3865993265/dp/3865993265/ref=dp_ob_title_bk ) ** ------------------------------------------------------------ *David Lewis biography of Constantin Brancusi – 1 Nov. 1974* ------------------------------------------------------------ *Constantin Brâncuși was a Romanian sculptor, painter and photographer who made his career in France. Considered a pioneer of modernism, one of the most influential sculptors of the 20th-century,* Click here to get to Constantin Brancusi´s book ( https://www.amazon.co.uk/Constantin-Brancusi-David-Lewis/dp/0856701963/ref=sr_1_2?dchild=1&keywords=Brancusi%2C+by+David+Lewis&qid=1596819746&s=books&sr=1-2 ) ------------------------------------------------------------------------------- The Incomplete Circle: Eric Atkinson, Art and Education Hardcover – 1 Jan. 2021 ------------------------------------------------------------------------------- *A book about the 1950's Leeds Basic Course, and its follow up in London Ontario, Canada. in the 60's by Eric Atkinsion and David Lewis. This title will be released on January 1, 2021, it was first published in 2000: Eric (Ricky) Atkinson was born in Hartlepool but has lived in Ontario for much of his life. He is recognised as an important Canadian landscape painter, but equally significant is his work as an art educator, stemming from his years as a teacher on the Basic Course at Leeds College of Art in the 1950s and 1960s. The premise of this course was not the transfer of skill but the discovery of new aesthetic territories through freedoms of self-expression.* Click here to get to THE INCOMPLETE CIRCLE ( https://www.amazon.co.uk/Incomplete-Circle-Eric-Atkinson-Education/dp/1138723231/ref=sr_1_1?dchild=1&keywords=David+Lewis+The+incomplete+Circle&qid=1596819663&s=books&sr=1-1 ) ------------------------------------------------------------------------------------------------------ Creative License: From Leeds College of Art to Leeds Polytechnic, 1963-1973 - Paperback – 26 Feb. 2015 ------------------------------------------------------------------------------------------------------ *Another book about the Leeds Fine Art Department when it came under the umbrella of Leeds Polytechnic in the 70's, when happenings and performance were in the forefront of the creative agenda, by James Charnley. He reveals the personalities and events that ignited an explosion of radical creativity such that a contemporary observer, Patrick Heron, could describe Leeds College of Art as "an unprecedented inventive powerhouse on the national scene". Between 1963 and 1973, Leeds College of Art and Leeds Polytechnic were at the forefront of an experiment in art and education where "all that was forbidden was to be dull".* Click here to get to CREATIVE LICENSE ( https://www.amazon.co.uk/Creative-License-College-Polytechnic-1963-1973/dp/0718893476/ref=sr_1_1?dchild=1&keywords=Creative+License%2C+by+James+Charnley&qid=1596820185&s=books&sr=1-1 ) -------------------------------------------------------------------------------------- Max Bill: Endless Ribbon 1935-95 and the Single-sided Surfaces Paperback – 1 Jan. 1999 -------------------------------------------------------------------------------------- *The most accomplished maker of Mobius Strip sculptures in the 1960's was Max Bill, worth looking up. He made spare geometric paintings and spherical sculptures, some based on the Möbius strip, in stone, wood, metal and plaster.* Click here to get to Max Bill: Endless Ribbon ( https://www.amazon.co.uk/Max-Bill-Endless-Single-sided-Surfaces/dp/3716512346/ref=sr_1_1?dchild=1&keywords=Max+Bill+Sculpture&qid=1596820327&s=books&sr=1-1 ) *A link to the The inflatable Cube performance video at Leeds Poly in 1972 at the heyday of the Leeds Fine Art Course, lecturer Jeff Nuttall interviewed by BBC Leeds. (I´s* *David in the white Tshirt).* *.* https://www.facebook.com/BBCArchive/videos/425522785054115/UzpfSTEwMDAwNjkzNjEyMDQ5NzoyNTIyMDM3MzE0NzA0MTE1/ ( https://www.facebook.com/BBCArchive/videos/425522785054115/?hc_location=ufi ) ** *************** *WEBSITE LINKS* *************** *Instagram* ----------- *Detlef Schlich* ( https://www.instagram.com/detschlich/ ) *Sherkin Tara* ( https://www.instagram.com/sherkintara/ ) *ArTEEtude* ( https://www.instagram.com/arteetude/ ) *I love West Cork Artists* ( https://www.instagram.com/ilovewestcorkartists/ ) ** *Facebook* ---------- *Detlef Schlich* ( https://www.facebook.com/Transodin ) *David Seeger* ( https://www.facebook.com/david.seeger.963/ ) *Sherkin Tara* ( https://www.facebook.com/sherkin.tara ) *I love West Cork Artists Group* ( https://www.facebook.com/groups/WestCorkArt/ ) *Leeds Arts University* ( https://www.facebook.com/LeedsArtsUni/ ) ** *You Tube* ---------- visual Podcast *ArTEEtude* ( https://www.youtube.com/channel/UCBnOjvvGVETmyPqv-jMCw1g?guided_help_flow=3 ) *Cute Alien TV* ( https://www.youtube.com/channel/UCDN-60zrAMRlZn3rh2bxn7zA ) ** *official Website* ------------------ *ArTEEtude* ( http://www.arteetude.com/ ) *Detlef Schlich* ( http://www.detlefschlich.com/ ) *Det Design* ( http://www.detdesign.com/ ) *Tribal Loop* ( http://www.triballoop.com/ ) ** *David Seeger Babyforest* ( https://babyforest.co/davidseeger ) *Leeds Arts University* ( https://www.leeds-art.ac.uk/ ) ** --------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- *Download here for free the Essay about the* *Cause and Effect of Shamanism, Art and Digital Culture* ( https://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_Effect ) --------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/donations

--------------------------------------------------------------- *A podcast with Artists created and produced by* Detlef Schlich --------------------------------------------------------------- ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Visual artist and Ritual Designer, living and loving in West Cork and best known for his Essay about the Cause and Effect of Shamanism, Art and Digital Culture. W *orking in the field of performance, photography, painting, sound, installations, and film he will dive and discover with us and a weekly creative guest into the unknown and exciting deep ocean of the creative mind.* ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- ** --------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- His second guest is the visual artist David Seeger. Former Dosen at Leeds Arts University ( https://www.facebook.com/LeedsArtsUni/ ) from 1962 - 1969 and Senior Lecturer 1969 - 1988 at Leeds Polytechnic, UK ( https://www.facebook.com/Leeds-Polytechnic-UK-210323162428820/ ) --------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- ** Stop by the social media platforms of Facebook and Instagram to stay tuned in and just follow the Instagram accounts of @detschlich ( https://www.instagram.com/detschlich/ ) , @arteetude ( https://www.instagram.com/arteetude/ ) and @ilovewestcorkartists ( https://www.facebook.com/groups/WestCorkArt/ ) where you will be informed about the show and related updates. ----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- ** *This is a listener supported show. If you like what you hear be sure to tune in Friday for the second part of this weekly audio triptych! I feel honoured if you subscribe this show. You can follow me non financial with a following click on one of my instagram accounts @detschlich, @sherkintara, @arteetude and @ilovewestcorkartists where you will be informed about the show and related updates or subscribe the visual version of this podcast on you tube via the link below. If you want to leave a donation for a coffee or a bus ticket just follow the donation link via the ArTEEtude podcast account. Eventually I would like to thank via this medium all my members and listeners of the* I LOVE WEST CORK ARTISTS ( https://www.facebook.com/groups/WestCorkArt/ ) Network from all over the world just to remember myself that without you this here couldn´t and wouldn´t happen. ******************* Book Research Links ******************* ** ------------------------------------------- Douglas Hofstaedter – I am a strange loop - ------------------------------------------- ----------- 1 Aug. 2007 ----------- He clarified in this book the spectrum of feeling. A very unique demonstration of empathy. Hofstaedters pages on the death of his wife are very intimate and brought treaders already to tears by reminded of the deepest bonds they have with friends. A must read if you are interested in history & survey of philosophy, metaphysical philosophy or popular maths. His repetition in his book was very helpful for me to make this heavy subject easier to understand. Click here to get to Douglas Hofstaedters Book ( https://www.amazon.co.uk/Am-Strange-Loop-Douglas-Hofstadter-ebook/dp/B06XCD1C29/ref=sr_1_2?dchild=1&keywords=hofstadter&qid=1597088967&sr=8-2 ) ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------ ** -------------------------------------------------------------------- Tom Wolfe - The Electric Kool-Aid Acid Test Paperback – 17 Feb. 1989 -------------------------------------------------------------------- The Electric Kool-Aid Acid Test is not simply the best book on the hippies, it is the essential book...the pushing, ballooning heart of the matter, New York Times ** How did The Beatles come up with the idea for their --------------------------------------------------- Magical Mystery Tour ? ---------------------- ** *The answer to these and many more questions about the acid culture of the 60s can be found in this Tom Wolfes quasi-diary. Highly recommended by readers for anyone who was around at the time and can't remember much about it - also recommended for those who can remember and want a great trip down memory lane.* ** Click here to get to Tom Wolfe - The Electric Kool-Aid Acid Test as Paperback ( https://www.amazon.co.uk/Electric-Kool-Aid-Acid-Test/dp/0552993662/ref=sr_1_1?crid=18RM0BYYBE092&dchild=1&keywords=acid+test+book&qid=1597089723&sprefix=acid+test+%2Caps%2C278&sr=8-1 ) ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------ ----------------------------------------------------------------------------------- Schleifen: Zur Geschichte und Ästhetik des Loops (German) Paperback – 26 April 2016 ----------------------------------------------------------------------------------- ----------------------------- by Tilman Baumgärtel (Author) ----------------------------- Images and sounds, man and machine: Tilman Baumgärtel is on the trail of the loop and reconstructs the cultural history of the loop. Click here to get to SCHLEIFEN ( https://www.amazon.co.uk/Schleifen-Zur-Geschichte-C3-84sthetik-Loops-dp-3865993265/dp/3865993265/ref=dp_ob_title_bk ) ** ------------------------------------------------------------ *David Lewis biography of Constantin Brancusi – 1 Nov. 1974* ------------------------------------------------------------ *Constantin Brâncuși was a Romanian sculptor, painter and photographer who made his career in France. Considered a pioneer of modernism, one of the most influential sculptors of the 20th-century,* Click here to get to Constantin Brancusi´s book ( https://www.amazon.co.uk/Constantin-Brancusi-David-Lewis/dp/0856701963/ref=sr_1_2?dchild=1&keywords=Brancusi%2C+by+David+Lewis&qid=1596819746&s=books&sr=1-2 ) ------------------------------------------------------------------------------- The Incomplete Circle: Eric Atkinson, Art and Education Hardcover – 1 Jan. 2021 ------------------------------------------------------------------------------- *A book about the 1950's Leeds Basic Course, and its follow up in London Ontario, Canada. in the 60's by Eric Atkinsion and David Lewis. This title will be released on January 1, 2021, it was first published in 2000: Eric (Ricky) Atkinson was born in Hartlepool but has lived in Ontario for much of his life. He is recognised as an important Canadian landscape painter, but equally significant is his work as an art educator, stemming from his years as a teacher on the Basic Course at Leeds College of Art in the 1950s and 1960s. The premise of this course was not the transfer of skill but the discovery of new aesthetic territories through freedoms of self-expression.* Click here to get to THE INCOMPLETE CIRCLE ( https://www.amazon.co.uk/Incomplete-Circle-Eric-Atkinson-Education/dp/1138723231/ref=sr_1_1?dchild=1&keywords=David+Lewis+The+incomplete+Circle&qid=1596819663&s=books&sr=1-1 ) ------------------------------------------------------------------------------------------------------ Creative License: From Leeds College of Art to Leeds Polytechnic, 1963-1973 - Paperback – 26 Feb. 2015 ------------------------------------------------------------------------------------------------------ *Another book about the Leeds Fine Art Department when it came under the umbrella of Leeds Polytechnic in the 70's, when happenings and performance were in the forefront of the creative agenda, by James Charnley. He reveals the personalities and events that ignited an explosion of radical creativity such that a contemporary observer, Patrick Heron, could describe Leeds College of Art as "an unprecedented inventive powerhouse on the national scene". Between 1963 and 1973, Leeds College of Art and Leeds Polytechnic were at the forefront of an experiment in art and education where "all that was forbidden was to be dull".* Click here to get to CREATIVE LICENSE ( https://www.amazon.co.uk/Creative-License-College-Polytechnic-1963-1973/dp/0718893476/ref=sr_1_1?dchild=1&keywords=Creative+License%2C+by+James+Charnley&qid=1596820185&s=books&sr=1-1 ) -------------------------------------------------------------------------------------- Max Bill: Endless Ribbon 1935-95 and the Single-sided Surfaces Paperback – 1 Jan. 1999 -------------------------------------------------------------------------------------- *The most accomplished maker of Mobius Strip sculptures in the 1960's was Max Bill, worth looking up. He made spare geometric paintings and spherical sculptures, some based on the Möbius strip, in stone, wood, metal and plaster.* Click here to get to Max Bill: Endless Ribbon ( https://www.amazon.co.uk/Max-Bill-Endless-Single-sided-Surfaces/dp/3716512346/ref=sr_1_1?dchild=1&keywords=Max+Bill+Sculpture&qid=1596820327&s=books&sr=1-1 ) *A link to the The inflatable Cube performance video at Leeds Poly in 1972 at the heyday of the Leeds Fine Art Course, lecturer Jeff Nuttall interviewed by BBC Leeds. (I´s* *David in the white Tshirt).* *.* https://www.facebook.com/BBCArchive/videos/425522785054115/UzpfSTEwMDAwNjkzNjEyMDQ5NzoyNTIyMDM3MzE0NzA0MTE1/ ( https://www.facebook.com/BBCArchive/videos/425522785054115/?hc_location=ufi ) ** *************** *WEBSITE LINKS* *************** *Instagram* ----------- *Detlef Schlich* ( https://www.instagram.com/detschlich/ ) *Sherkin Tara* ( https://www.instagram.com/sherkintara/ ) *ArTEEtude* ( https://www.instagram.com/arteetude/ ) *I love West Cork Artists* ( https://www.instagram.com/ilovewestcorkartists/ ) ** *Facebook* ---------- *Detlef Schlich* ( https://www.facebook.com/Transodin ) *David Seeger* ( https://www.facebook.com/david.seeger.963/ ) *Sherkin Tara* ( https://www.facebook.com/sherkin.tara ) *I love West Cork Artists Group* ( https://www.facebook.com/groups/WestCorkArt/ ) *Leeds Arts University* ( https://www.facebook.com/LeedsArtsUni/ ) ** *You Tube* ---------- visual Podcast *ArTEEtude* ( https://www.youtube.com/channel/UCBnOjvvGVETmyPqv-jMCw1g?guided_help_flow=3 ) *Cute Alien TV* ( https://www.youtube.com/channel/UCDN-60zrAMRlZn3rh2bxn7zA ) ** *official Website* ------------------ *ArTEEtude* ( http://www.arteetude.com/ ) *Detlef Schlich* ( http://www.detlefschlich.com/ ) *Det Design* ( http://www.detdesign.com/ ) *Tribal Loop* ( http://www.triballoop.com/ ) ** *David Seeger Babyforest* ( https://babyforest.co/davidseeger ) *Leeds Arts University* ( https://www.leeds-art.ac.uk/ ) ** --------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- *Download here for free the Essay about the* *Cause and Effect of Shamanism, Art and Digital Culture* ( https://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_Effect ) --------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/donations

---------------------------------------------------------------- *A podcast with Artists created and produced by* Detlef Schlich. ---------------------------------------------------------------- ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Visual artist and Ritual Designer, living and loving in West Cork and best known for his Essay about the Cause and Effect of Shamanism, Art and Digital Culture. W *orking in the field of performance, photography, painting, sound, installations, and film he will dive and discover with us and a weekly creative guest into the unknown and exciting deep ocean of the creative mind.* ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- ** --------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- His second guest is the visual artist David Seeger. Former Dosen at Leeds Arts University ( https://www.facebook.com/LeedsArtsUni/ ) from 1962 - 1969 and Senior Lecturer 1969 - 1988 at Leeds Polytechnic, UK ( https://www.facebook.com/Leeds-Polytechnic-UK-210323162428820/ ) --------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- ** Stop by the social media platforms of Facebook and Instagram to stay tuned in and just follow the Instagram accounts of @detschlich ( https://www.instagram.com/detschlich/ ) , @arteetude ( https://www.instagram.com/arteetude/ ) and @ilovewestcorkartists ( https://www.facebook.com/groups/WestCorkArt/ ) where you will be informed about the show and related updates. ----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- ** *This is a listener supported show. If you like what you hear be sure to tune in Friday for the second part of this weekly audio triptych! I feel honoured if you subscribe this show. You can follow me non financial with a following click on one of my instagram accounts @detschlich, @sherkintara, @arteetude and @ilovewestcorkartists where you will be informed about the show and related updates or subscribe the visual version of this podcast on you tube via the link below. If you want to leave a donation for a coffee or a bus ticket just follow the donation link via the ArTEEtude podcast account. Eventually I would like to thank via this medium all my members and listeners of the* I LOVE WEST CORK ARTISTS ( https://www.facebook.com/groups/WestCorkArt/ ) Network from all over the world just to remember myself that without you this here couldn´t and wouldn´t happen. ******************* Book Research Links ******************* ** ------------------------------------------- Douglas Hofstaedter – I am a strange loop - ------------------------------------------- ----------- 1 Aug. 2007 ----------- He clarified in this book the spectrum of feeling. A very unique demonstration of empathy. Hofstaedters pages on the death of his wife are very intimate and brought treaders already to tears by reminded of the deepest bonds they have with friends. A must read if you are interested in history & survey of philosophy, metaphysical philosophy or popular maths. His repetition in his book was very helpful for me to make this heavy subject easier to understand. Click here to get to Douglas Hofstaedters Book ( https://www.amazon.co.uk/Am-Strange-Loop-Douglas-Hofstadter-ebook/dp/B06XCD1C29/ref=sr_1_2?dchild=1&keywords=hofstadter&qid=1597088967&sr=8-2 ) ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------ ** -------------------------------------------------------------------- Tom Wolfe - The Electric Kool-Aid Acid Test Paperback – 17 Feb. 1989 -------------------------------------------------------------------- The Electric Kool-Aid Acid Test is not simply the best book on the hippies, it is the essential book...the pushing, ballooning heart of the matter, New York Times ** How did The Beatles come up with the idea for their --------------------------------------------------- Magical Mystery Tour ? ---------------------- ** *The answer to these and many more questions about the acid culture of the 60s can be found in this Tom Wolfes quasi-diary. Highly recommended by readers for anyone who was around at the time and can't remember much about it - also recommended for those who can remember and want a great trip down memory lane.* ** Click here to get to Tom Wolfe - The Electric Kool-Aid Acid Test as Paperback ( https://www.amazon.co.uk/Electric-Kool-Aid-Acid-Test/dp/0552993662/ref=sr_1_1?crid=18RM0BYYBE092&dchild=1&keywords=acid+test+book&qid=1597089723&sprefix=acid+test+%2Caps%2C278&sr=8-1 ) ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------ ----------------------------------------------------------------------------------- Schleifen: Zur Geschichte und Ästhetik des Loops (German) Paperback – 26 April 2016 ----------------------------------------------------------------------------------- ----------------------------- by Tilman Baumgärtel (Author) ----------------------------- Images and sounds, man and machine: Tilman Baumgärtel is on the trail of the loop and reconstructs the cultural history of the loop. Click here to get to SCHLEIFEN ( https://www.amazon.co.uk/Schleifen-Zur-Geschichte-C3-84sthetik-Loops-dp-3865993265/dp/3865993265/ref=dp_ob_title_bk ) ** ------------------------------------------------------------ *David Lewis biography of Constantin Brancusi – 1 Nov. 1974* ------------------------------------------------------------ *Constantin Brâncuși was a Romanian sculptor, painter and photographer who made his career in France. Considered a pioneer of modernism, one of the most influential sculptors of the 20th-century,* Click here to get to Constantin Brancusi´s book ( https://www.amazon.co.uk/Constantin-Brancusi-David-Lewis/dp/0856701963/ref=sr_1_2?dchild=1&keywords=Brancusi%2C+by+David+Lewis&qid=1596819746&s=books&sr=1-2 ) ------------------------------------------------------------------------------- The Incomplete Circle: Eric Atkinson, Art and Education Hardcover – 1 Jan. 2021 ------------------------------------------------------------------------------- *A book about the 1950's Leeds Basic Course, and its follow up in London Ontario, Canada. in the 60's by Eric Atkinsion and David Lewis. This title will be released on January 1, 2021, it was first published in 2000: Eric (Ricky) Atkinson was born in Hartlepool but has lived in Ontario for much of his life. He is recognised as an important Canadian landscape painter, but equally significant is his work as an art educator, stemming from his years as a teacher on the Basic Course at Leeds College of Art in the 1950s and 1960s. The premise of this course was not the transfer of skill but the discovery of new aesthetic territories through freedoms of self-expression.* Click here to get to THE INCOMPLETE CIRCLE ( https://www.amazon.co.uk/Incomplete-Circle-Eric-Atkinson-Education/dp/1138723231/ref=sr_1_1?dchild=1&keywords=David+Lewis+The+incomplete+Circle&qid=1596819663&s=books&sr=1-1 ) ------------------------------------------------------------------------------------------------------ Creative License: From Leeds College of Art to Leeds Polytechnic, 1963-1973 - Paperback – 26 Feb. 2015 ------------------------------------------------------------------------------------------------------ *Another book about the Leeds Fine Art Department when it came under the umbrella of Leeds Polytechnic in the 70's, when happenings and performance were in the forefront of the creative agenda, by James Charnley. He reveals the personalities and events that ignited an explosion of radical creativity such that a contemporary observer, Patrick Heron, could describe Leeds College of Art as "an unprecedented inventive powerhouse on the national scene". Between 1963 and 1973, Leeds College of Art and Leeds Polytechnic were at the forefront of an experiment in art and education where "all that was forbidden was to be dull".* Click here to get to CREATIVE LICENSE ( https://www.amazon.co.uk/Creative-License-College-Polytechnic-1963-1973/dp/0718893476/ref=sr_1_1?dchild=1&keywords=Creative+License%2C+by+James+Charnley&qid=1596820185&s=books&sr=1-1 ) -------------------------------------------------------------------------------------- Max Bill: Endless Ribbon 1935-95 and the Single-sided Surfaces Paperback – 1 Jan. 1999 -------------------------------------------------------------------------------------- *The most accomplished maker of Mobius Strip sculptures in the 1960's was Max Bill, worth looking up. He made spare geometric paintings and spherical sculptures, some based on the Möbius strip, in stone, wood, metal and plaster.* Click here to get to Max Bill: Endless Ribbon ( https://www.amazon.co.uk/Max-Bill-Endless-Single-sided-Surfaces/dp/3716512346/ref=sr_1_1?dchild=1&keywords=Max+Bill+Sculpture&qid=1596820327&s=books&sr=1-1 ) *A link to the The inflatable Cube performance video at Leeds Poly in 1972 at the heyday of the Leeds Fine Art Course, lecturer Jeff Nuttall interviewed by BBC Leeds. (I´s* *David in the white Tshirt).* *.* https://www.facebook.com/BBCArchive/videos/425522785054115/UzpfSTEwMDAwNjkzNjEyMDQ5NzoyNTIyMDM3MzE0NzA0MTE1/ ( https://www.facebook.com/BBCArchive/videos/425522785054115/?hc_location=ufi ) ** *************** *WEBSITE LINKS* *************** *Instagram* ----------- *Detlef Schlich* ( https://www.instagram.com/detschlich/ ) *Sherkin Tara* ( https://www.instagram.com/sherkintara/ ) *ArTEEtude* ( https://www.instagram.com/arteetude/ ) *I love West Cork Artists* ( https://www.instagram.com/ilovewestcorkartists/ ) ** *Facebook* ---------- *Detlef Schlich* ( https://www.facebook.com/Transodin ) *David Seeger* ( https://www.facebook.com/david.seeger.963/ ) *Sherkin Tara* ( https://www.facebook.com/sherkin.tara ) *I love West Cork Artists Group* ( https://www.facebook.com/groups/WestCorkArt/ ) *Leeds Arts University* ( https://www.facebook.com/LeedsArtsUni/ ) ** *You Tube* ---------- visual Podcast *ArTEEtude* ( https://www.youtube.com/channel/UCBnOjvvGVETmyPqv-jMCw1g?guided_help_flow=3 ) *Cute Alien TV* ( https://www.youtube.com/channel/UCDN-60zrAMRlZn3rh2bxn7zA ) ** *official Website* ------------------ *ArTEEtude* ( http://www.arteetude.com/ ) *Detlef Schlich* ( http://www.detlefschlich.com/ ) *Det Design* ( http://www.detdesign.com/ ) *Tribal Loop* ( http://www.triballoop.com/ ) ** *David Seeger Babyforest* ( https://babyforest.co/davidseeger ) *Leeds Arts University* ( https://www.leeds-art.ac.uk/ ) ** *Download here for free the Essay about the* *Cause and Effect of Shamanism, Art and Digital Culture* ( https://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_Effect ) Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/donations

I used to be a time management enthusiast. I say “used to be,” because time management eventually stopped working for me. How I became an accidental author It all started with an email. It was the kind of email that would trip up most spam filters. I wasn’t being offered millions of dollars from an offshore bank account, true love, nor improved performance in bed. I was being offered a book deal. I had never thought of myself as a writer. In fact, I downright hated writing as a kid. I remember reading about how Stephen King said that when he was a kid, he was “on fire” to write. I remember saying to myself, That makes no sense! Who on Earth would enjoy writing? I had never thought of myself as a writer, but I had fantasized about being an author. I guess that means I didn’t think so much about writing, but I liked the idea of having written. As I considered taking this book deal, I talked to everyone I knew who had written a book. They all warned me that writing a book is extremely hard work, with little chance of success. One author simply said, You’ll want to die! But, I figured, how hard can it be? So, I signed my first literary contract. How I tried to write a book, when I didn’t know how to write a book I didn’t have any idea how to write a book, so I did it the only way I could think of: through brute force time management. I simply needed to find enough time to write this book. So, I used every time management technique I could think of. I put writing sessions on my calendar. I developed a morning routine that would get me writing first thing in the morning. I “time boxed” to try to limit the time I would spend on parts of the project. I fired my clients, I outsourced my meal preparation, I cancelled dates and turned down party invitations. I did everything I could to focus all of my time on writing my book. But it still wasn’t enough. I spent most of my day hunched over a keyboard. I felt actual physical pain in my stomach. It felt as if rigor mortis had taken over my fingers, as I struggled to write even a single sentence. Sure, I had the time to write my book, but I wasn’t getting anything done. My case of writers’ block was so bad that, a few weeks after signing my book deal, I accepted a last-minute invitation to go on a retreat to Costa Rica. With a signed contract in my file drawer and a deadline breathing down my neck, it wasn’t the most logical thing to do with my time. But I desperately hoped that a change of scenery would work some kind of magic on my writer’s block. But a few days into the trip, I still had nothing. Zero! Zilch! My contract said that if I didn’t have my manuscript twenty-five percent done within a few weeks, the deal was off. So, unless a miracle happened, I would write a check to the publisher to return my advance, and I would humiliatingly face my friends, family, and readers to tell them I had failed. Does that sound like a lot of pressure? It was. The chance encounter that changed the way I thought about writing productivity I wanted to feel sorry for myself, by myself, so I went for a walk. I was dragging my feet down the gravel road in Costa Rica, with my head hung down. How could I be so foolish?, I asked myself. Not only had I signed a contract to write a 50,000-word book, with little writing experience under my belt, I had wasted time and money going on this retreat. Just then, I heard someone call out. I looked up, and saw a man on the next road over waving big in my direction, with his entire arm, ¡¿Como estááááás?! I had noticed this man earlier in my walk. He was gripping onto the simple wires of a fence, leaning back in ecstasy, singing to himself. I had felt vaguely embarrassed for him, assuming he didn’t know someone else was around. I looked behind me, trying to figure out who he was waving at. But there was no one. He was waving at me. I hesitated. What could he possibly want? I had just passed a fork in the road, and the man was on the other side of the fork. I didn’t want to backtrack. I wanted to get back to the house and make one more attempt at writing. But, I was beginning to feel rude for ignoring the man’s friendly invitation. So, I reluctantly walked over to the man, trying my best to fake enthusiasm. What followed was the first conversation I ever had entirely in Spanish. Though, I’m using the word “conversation” loosely. The man, Diego was his name, taught me the words for the beach, the rain, the sea, and the sun. Mostly, we pointed at things, and he would say the word in Spanish. My conversation with Diego was refreshing. I was used to everyone ignoring one another on the streets of Chicago, yet here was a guy who wanted to talk to someone on another road entirely, about nothing in particular. My first breakthrough in writing my book I was in such a relaxed state that, after bidding Diego farewell, a few minutes passed before I realized I was going the wrong way. I had continued down Diego’s side of the fork in the road. At first, I panicked at the prospect of getting lost in a foreign land. But then I shrugged it off and continued down the road. It turned out I got back to the house just fine anyway. Between my conversation with Diego, and the pep talk Noah Kagan gave me the day before -- as described in my book, The Heart to Start -- I felt as if I had turned over a new leaf. I set up my laptop on a desk on the interior balcony of the house. There, overlooking the sapphire blue Pacific Ocean, I had my first breakthrough writing session. By the end of an hour, I had most of a chapter drafted. It seemed as if I might make my deadline after all. Throughout writing that first book, I still got stuck all of the time. But, I had discovered a different way of getting things done. Writing a book is not about time management It was clear that creative work wasn’t so much a matter of time. After all, I was still spending most of my day banging my head against a wall. But, every once in awhile, writing would come easily. The pain in my stomach would subside, the rigor mortis in my fingers would dissolve, and, suddenly, I’d be writing. Sometimes I did an entire day’s writing in only fifteen minutes. Why can’t I do that fifteen minutes of writing, then get on with my day?, I asked myself. That random conversation on that Costa Rican road became the seed of an idea that would eventually drive me to sell everything I owned, and move to South America. Throughout writing my first book, patterns started to emerge. At first, when writing came easily, it seemed to be a random occurrence. Over time, I realized it wasn’t random at all. There were certain conditions that had to be met for writing to come easily. Most of all, I realized that, in order to write easily, I had to be in the right mental state. As the great sculptor Constantin Brancusi said, “Things are not difficult to make; what is difficult is putting ourselves in the state of mind to make them.” Writing a book is about mind management Creative productivity isn’t about having enough time to do the work. It’s not about typing faster, so you can type more words in less time. It’s not about shoehorning as much work as possible into every sliver of time available. Like planting a seed in nutrient-rich soil, and feeding it the water and sunlight it needs in order to grow, creative productivity is about creating the conditions within your mind to have valuable thoughts. Creative productivity isn’t about time management, it’s about mind management. Image: [Guitar and Fruit Dish, Juan Gris] New Book: Mind Management, Not Time Management (Preview Edition) Read my upcoming book months before anyone else. Grab it, for a limited time, here. About Your Host, David Kadavy David Kadavy is the author of The Heart to Start and Design for Hackers. Through the Love Your Work podcast, his Love Mondays newsletter, and self-publishing coaching David helps you make it as a creative. Follow David on: Twitter Instagram Facebook YouTube Subscribe to Love Your Work Apple Podcasts Overcast Spotify Stitcher RSS Email Support the show on Patreon Put your money where your mind is. Patreon lets you support independent creators like me. Support now on Patreon »     Show notes: http://kadavy.net/blog/posts/time-management-book-writing/

Escrito y narrado por: Susana Benko

Somncast e un podcast previsător cu Raul Gheba @domnulraulgheba și Costel Bojog @costelica12. Share it dacă ai adormit. Episodul 10 aduce niște teme grele. Ne întrebăm cum au fost primiți de-al de Pablo Picasso, Nichita Stănescu și Constantin Brâncuși la vremea lor, iar Costel îl duce pe Raul la un birdwatching, care e orb în mod inexplicabil. Intră pe Grupul Oficial Somncast unde poți să faci meme audio cu noi. Somncast e produs în studiourile Zi Bună Media, de către Alex Mocanu @alexmocanu01 și Vlad Flueraru @fluerarooArtwork & Logo: Bucur Ciprian @cipi_nasAșteptăm mailuri cu sugestii și visele voastre pe care urmează să le interpretăm pe raulgheba @ gmail.com Somncast #10 va fi disponibil și pe youtube începând cu ziua de joi, unde vă așteptăm să ne lăsați comentarii.

Art critic Alastair Sooke, in the company of some of the leading creatives of our age, continues his deep dive into the stunning works in the Museum of Modern Art's collection, whilst exploring what it really means “to see” art. Today's edition features American fashion designer, Zac Posen. His outfits have been worn by British royalty and Hollywood stars like Glenn Close and Reese Witherspoon, but what has caught his eye in the collection at MoMA? Producer: Tom Alban Main Image: Constantin Brancusi, Bird in Space, 1928. Bronze, 54 x 8 1/2 x 6 1/2" (137.2 x 21.6 x 16.5 cm). Given anonymously. Museum of Modern Art, NY, 153.1934. © Succession Brancusi - All rights reserved (ARS) 2018

Is Constantin Brâncuși's "Bird in Space" a masterpiece, or just a hunk of polished bronze? Incredibly, this turned out to be a question for the courts! A transcript of this episode is available at https://order-of-the-jackalope.com/the-brouhaha/

Creative Happy Hour Ep. 30 Are vampires real? Maybe the bloodsucking kind are not real, but energy vampires are. Creatives, who are more sensitive and vibrate on a higher frequency than most people, are very sensitive to the influence of energy vampires. In fact, the artist Pablo Picasso was considered by many of his contemporaries and even by his biographer to be an energy vampire, and some artists including the sculptor Constantin Brancusi, did not want to spend much time with him. In this episode of Creative Happy Hour, cohosts Micah Black and Karena Akhavein explore the concept of the energy vampire. What is an energy vampire, how do you identify one, how do you defend yourself against an energy vampire, and what do you do if you suspect that YOU many be the energy vampire? We discuss all this while sipping a cocktail we invented, The Energy Vampire. It's made with one part Campari to three parts Revive Hibiscus Kombucha, and it's delicious. So go ahead, join us and get drunk on the creative possibilities.

Cette semaine, La Grande Librairie vous emmène à la recherche de la beauté !François Busnel reçoit :Lydie Salvayre, Prix Goncourt 2014, qui nous offre Marcher jusqu'au soir (Stock) le récit d'une nuit passée au Musée Picasso, seule, à observer une œuvre qui la fascine : L'homme qui marche de Giacometti ;Dan Franck avec Le Vol de la Joconde (Grasset), une traversée de Paris drôle et loufoque, qui fait revivre le foisonnement artistique et bohème de la capitale, au début du XXème siècle ;Sophie Brocas avec Le Baiser (Julliard) : Une histoire dont le héros est le sculpteur roumain Constantin Brancusi, plus précisément une de ses œuvres majeures, Le Baiser, qui se situe mystérieusement au cœur du cimetière du Montparnasse ;Jean-Paul Kauffmann avec Venise à double tour (Équateurs), Une déambulation menée comme une enquête avec le vif désir de réveiller des lieux endormis et de faire découvrir une Venise différente, mystérieuse et secrète.Arthur H avec Fugues (Mercure de France) un livre lumineux qui mêle autoportrait, humour et fantaisie.

Elle s'appellait Tatiania Rachewskaïa, était russe, exilée à Paris et s'est suicidée au début du siècle dernier, par amour pour un jeune médecin roumain. Roumain comme Constantin Brancusi, sculpteur alors inconnu et auteur du Baiser, une oeuvre qui finit sur la tombe de la jeune femme, au cimetière du Montparnasse. 109 ans après, l'affaire rebondit, relancée par les héritiers de la dame, qui aimerait mettre la main sur la sculpture, que leur dispute jusqu'à présent l'Etat français. Il faut dire que Brancusi a pris de la valeur: deux de ses oeuvres ont été vendues récemment à 40 et 70 millions de dollars. Les tribunaux ont pour l'instant donné raison à la France, mais les héritiers n'ont pas renoncé, exhibant des documents que Jérôme Dupuis a pu consulter, pour L'Express, et qui pourraient tout changer. C'est ce qu'il raconte. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Does a discussion about dinnerware just include the work of either skilled potters or gifted designers? When beauty and function intersect with a certain type of (possibly twisted) visionary genius, anomalies and curiosities of dinnerware are created. Illustrative of the short list of 20th and 21st century artists who took standard plates, cups and saucers, place settings, and teapots, and elevated each to the level of an anomaly and curiosity and perhaps a masterpiece never to be forgotten, includes (but is not limited to), surrealist Meret Openheim, Pop artist Roy Lichtenstein, modernist Constantin Brancusi, feminist artist Judy Chicago, conceptual artist Howard Kottler, photographer Cindy Sherman, noted artist and epicure Kitaoji Rosanjin, and contemporary artists such as Katie Parker, Guy Michael Davis, and Dirk Staschke. This wild and creative genius can also be seen when examining the works of well-known companies that produced basic dishes and then went one step further to produce memorable, even unforgettable tureens, teapots and sauce boats, such as Meissen, Minton, and Wedgwood. Through the imagery and stories shared in this presentation, the audience will witness inspirational makers, mentors and milestones. Margaret Carney is a ceramic historian with Ph.D. and Master’s degrees in Asian art history, and a B.A. in anthropology/archaeology. Dr. Carney is a Fellow of the American Ceramic Society and an elected member of the International Academy of Ceramics in Switzerland. Grants received include Senior Fellow at the Smithsonian Institution’s National Museum of American Art and the Renwick Gallery, as well as from the Tile Heritage Foundation and the Cumming Ceramic Research Foundation. She served as the founding director of the Museum of Ceramic Art at Alfred, in Alfred, New York. She has curated 50 exhibitions, presented over 100 public lectures, and authored 80 books, catalogues, and journal articles. She has taught ceramic world history, as well as other courses, at the New York State College of Ceramics at Alfred University, the Ohio State University, and elsewhere. She was director and curator of the Blair Museum of Lithophanes in Toledo, Ohio, for nine years, writing the first book on the topic in 180 years. She currently serves as founding director and curator of the International Museum of Dinnerware Design (IMoDD), Ann Arbor, Michicago, which was established in 2012. Recorded at Kendall College on November 1, 2017 http://culinaryhistorians.org/anomalies-curiosities-dinnerware/

David Norman applies his 30+ years experience in the Impressionist and Modern category to the results from this May's sales in New York where $1.5bn in Modern and Impressionist art was sold. As a result, this season the Impressionist and Modern category returns to a pride of place as the biggest market, a stature it has not held for a decade. The season was packed with stories from the Rockefeller Estate which featured an extraordinary concentration of Impressionist pictures from artists like Monet, Picasso, Gauguin, Henri Matisse, Juan Gris, Ferdnand Léger, and Georges Seurat. The biggest, and some of the most impressive, sales came from the Impressionist and Modern Evening sales where works by Modigliani, Kazimir Malevich and Constantin Brancusi set new benchmarks. Even with those successes and the stratospheric sales totals, the sales results do show that nearly a decade of uninterrupted growth in art prices may be beginning to have an effect on the market. Buyers and sellers are increasingly having a standoff over estimates and expectations. The Impressionist and Modern market is strong but picky. David Norman explains why.

CONSTANTIN BRANCUSI raccontato da Costantino D'Orazio

Curator Leah Lehmbeck examines how the great sculptors of the 20th century were influenced by Constantin Brancusi and how sculpture moved from being a self-contained, three-dimensional object to one that engages with its surrounding space as presented in the exhibition Beyond Brancusi: The Space of Sculpture, on view April 26, 2013–January 6, 2014.

In 1904 Constantin Brancusi walked all the way from Romania to Paris, where he first worked for Auguste Rodin for a time, but he didn’t endure the overpowering master for long.

Zu Fuss war Constantin Brancusi 1904 aus Rumänien nach Paris gewandert.

“Always stay ready so you never have to get ready.” So said the great modern artist Constantin Brancusi, whose statement seems to be about both being ready with our equipment and materials and also about being ready emotionally for the creative act. Constantin Brancusi in the Guggenheim’s collection Ed McCullough, sculptor and my great teacher … Continue reading Camera Position 105 : Stay Ready →