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Guest Scott Miller, author "The Most Dangerous Man in Washington", joins to discuss the battle with the DOD deep state and bringing back service men and women that were fired for the covid vax. Discussion of the social experiment and lack of focus in the Defense Department. Guest Josh McConkey, author "Be the Weight Behind the Spear", joins to discuss the latest announcement from RFK Jr. on banning dyes in foods. Discussion of the health pandemic in the nation, and more. Discussion of the long term mental health crisis post COVID for the young generation.
Mary Trump is an American psychologist and author. Her first book, Too Much and Never Enough: How My Family Created the World's Most Dangerous Man (2020), sold nearly one million copies on its first day of publication. She is the author of two other New York Times bestsellers, The Reckoning, and a memoir, Who Could Ever Love You. Mary holds a PhD in clinical psychology and, as an adjunct professor at Adelphi University, taught graduate courses in developmental psychology, psychopathology, and trauma. She also has a Master's degree in English and Comparative Literature from Columbia University. She writes The Good in Us, a best-selling newsletter on Substack, is the founder of Mary Trump Media whose YouTube channel has over 370,000 subscribers, and is well-known as the niece and outspoken critic of former president Donald Trump. Don't miss this incredibly insightful conversation about the current political landscape and the challenging road ahead for American democracy. Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy, Matty Rosenberg, and Jennifer Hammoud @ Radio Free Rhiniecliff Design by Cricket Lengyel
In Teil 2 unserer Geschichte über Otto Skorzeny hat Janny erneut überhaupt keinen Bock auf Shownotes schreiben, aber wir begleiten unseren "most dangerous Man in Europe" durch die Zeit nach dem zweiten Weltkrieg. Er entkommt einem Alliierten Internierungslager, ist bestens in alten Seilschaften organisiert und wird in den 1960ern sogar zum Killer im Auftrag des Mossad. Nebenher geht es noch um Jesse "The Body" Ventura, den belgischen Charakterdarsteller Jean Claude van Damme, eine richtig gute Unternehmensberatung und dann ohne Not noch mal 10 Minuten um Predator.Quellenauswahl:Thomas Riegler: "The Most Dangerous Man in Europe" - Eine kritische Bestandsaufnahme zu Otto Skorzeny, 2017Dan Raviv, Yossi Melman: The Nazi Who Became a Mossad Hitmanhttps://forward.com/news/336943/ht/Mehr musikalischen Kontext zu unseren Folgen findet Ihr hier auf Spotify:https://open.spotify.com/playlist/3V4...Den aktuellen Popkultur-Kontext und viele andere Videos gibt es in dieser Playlist:https://www.youtube.com/watch?v=QpIAKV0OMYQ&list=PLZgnFFgLv7g-AoQi_9mRgbVrLrpVqXUKPSupport the show
The Democrat Party is imploding and we love to see it! PLUS, Scott Miller, former pediatric physician's assistant and author of the new book The Most Dangerous Man in Washington, tells Shaun his story of sticking up for the truth during the Covid pandemic and (despite not losing any patients to Covid-19) how using his voice to help teens and children cope with losing years of their lives led to him losing his job. And The Heritage Foundation's EJ Antoni tells Shaun how Biden was cooking the books and President Trump's victory in manufacturing.See omnystudio.com/listener for privacy information.
Scott Miller, former pediatric physician's assistant and author of the new book The Most Dangerous Man in Washington, tells Shaun his story of sticking up for the truth during the Covid pandemic and (despite not losing any patients to Covid-19) how using his voice to help teens and children cope with losing years of their lives led to him losing his job.See omnystudio.com/listener for privacy information.
Es hat mal wieder was länger gedauert, aber dafür haben wir am Boden der untersten Schublade des Geschichtspodcasting einen ganz schlüpfrigen Typen gefunden. Wir betrachten SS-Karrieretypen Otto Skorzeny von seiner schlagenden Burschenschaft bis hin zu diversen Kommandounternehmen. Wir befreien Mussolini, schlagen uns hinter feindliche Reihen und verteidigen die Alpenfestung mit Skamusik. Quellenauswahl:Thomas Riegler: "The Most Dangerous Man in Europe" - Eine kritische Bestandsaufnahme zu Otto Skorzeny, 2017Mehr musikalischen Kontext zu unseren Folgen findet Ihr hier auf Spotify:https://open.spotify.com/playlist/3V4...Den aktuellen Popkultur-Kontext und viele andere Videos gibt es in dieser Playlist:https://www.youtube.com/watch?v=QpIAKV0OMYQ&list=PLZgnFFgLv7g-AoQi_9mRgbVrLrpVqXUKPSupport the show
Bullet Proofing America - Meet the man who probably has done more to protect our first responders than anyone else in the U.S. In this episode Dr. Wendy Patrick and attorney Larry Dershem interview Michael A. Letts, the Founder, President & CEO of InVest USA ( https://investusa.org/ ), a non-profit that's responsible for supplying more bullet proof vests to law enforcement than any other organization in the United States. Hear about his formula for saving our great nation, as we discuss his new book Truth, Lies and Control: Finding Hope in an Upside-Down World. Learn how you too can help, even if it's doing something as simple as saying "Thank you for your service" to a first responder police officer, firefighter, or EMS worker. Also ... The Most Dangerous Man in Washington – Running a small rural pediatric practice in Washington state, Scott Miller's life and career were turned upside down as he began speaking out against the medical establishment's response to the COVID-19 pandemic, and started advocating for "medical freedom." Hear the bone chilling firsthand account of a medical practitioner who risked everything, including his medical practice and license, to save the lives of his young patients, as we discuss Scott Miller's new book The Most Dangerous Man in Washington. https://www.amazon.com/MOST-DANGEROUS-MAN-WASHINGTON/dp/B0DQ4VJWCDSee omnystudio.com/listener for privacy information.
On this episode of Grilling JR, the voice of wrestling, Jim Ross and host Conrad Thompson dive deep into the hall of fame worthy career of "The World's Most Dangerous Man," Ken Shamrock. JR shares stories working with Ken through his introduction into the world of professional wrestling. How Ken interacted with the talent and Vince McMahon. And, Ken's run as a WWE Intercontinental and tag team champion. Plus, JR shares his thoughts on all the happenings in the world of professional wrestling on this edition of Grilling JR. ROCKET MONEY - Cancel your unwanted subscriptions – and manage your money the easy way – by going to https://www.rocketmoney.com/JR MAGIC SPOON - Get $5 off your next order at https://magicspoon.com/JR Magic Spoon—hold on to the dream! THE PERFECT JEAN - F*%k your khakis and get The Perfect Jean 15% off with the code JR15 at www.theperfectjean.nyc/JR15 #theperfectjeanpod BLUECHEW - Try your first month of BlueChew FREE at https://bluechew.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices
On this episode of Grilling JR, the voice of wrestling, Jim Ross and host Conrad Thompson dive deep into the hall of fame worthy career of "The World's Most Dangerous Man," Ken Shamrock. JR shares stories working with Ken through his introduction into the world of professional wrestling. How Ken interacted with the talent and Vince McMahon. And, Ken's run as a WWE Intercontinental and tag team champion. Plus, JR shares his thoughts on all the happenings in the world of professional wrestling on this edition of Grilling JR. ROCKET MONEY - Cancel your unwanted subscriptions – and manage your money the easy way – by going to https://www.rocketmoney.com/JR MAGIC SPOON - Get $5 off your next order at https://magicspoon.com/JR Magic Spoon—hold on to the dream! THE PERFECT JEAN - F*%k your khakis and get The Perfect Jean 15% off with the code JR15 at www.theperfectjean.nyc/JR15 #theperfectjeanpod BLUECHEW - Try your first month of BlueChew FREE at https://bluechew.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices
This is special joint episode of The Chauncey DeVega Show and The Truth Report. Dr. Mary Trump is a clinical psychologist and businesswoman. She is also Donald Trump's niece. Mary Trump is the author of the books Too Much and Never Enough: How My Family Created the World's Most Dangerous Man and The Reckoning: Our Nation's Trauma and Finding a Way to Heal. Mary Trump's new book is Who Could Ever Love You: A Family Memoir. Mary Trump is a friend of the podcast and is always so generous with her teaching and sharing. She reflects on the state of our individual and collective mental and emotional health over these last 8 or so weeks, and the importance of balancing joy and hope about Kamala Harris with the reality that there is so much hard work to be done until (and after) Election Day. Mary Trump also discusses the personal cost of being a real member of the Resistance and the pro-democracy movement to our relationships and lives. In this expansive conversation, Mary shares her thoughts about why we must imagine a world beyond the Age of Trump and then do everything we can to make it a reality. Chauncey DeVega provides “proof of life” and shares how he was under attack by the super DNC cooties bug and how that left him discombobulated and delayed the podcast. Chauncey also shares some quick thoughts about the first debate between Kamala Harris and Donald Trump and how the mainstream news media continues the “sanewashing” of the obviously very dangerous aspiring Dictator Trump. And Chauncey DeVega honors the titan James Earl Jones who passed away on Monday and is now one with the Force. WHERE CAN YOU FIND ME? On Twitter: https://twitter.com/chaunceydevega On Facebook: https://www.facebook.com/chauncey.devega My email: chaunceydevega@gmail.com HOW CAN YOU SUPPORT THE CHAUNCEY DEVEGA SHOW? Via Paypal at ChaunceyDeVega.com Patreon: https://www.patreon.com/thechaunceydevegashow https://www.patreon.com/TheTruthReportPodcast
This is special joint episode of The Chauncey DeVega Show and The Truth Report. Dr. Mary Trump is a clinical psychologist and businesswoman. She is also Donald Trump's niece. Mary Trump is the author of the books Too Much and Never Enough: How My Family Created the World's Most Dangerous Man and The Reckoning: Our Nation's Trauma and Finding a Way to Heal. Mary Trump's new book is Who Could Ever Love You: A Family Memoir. Mary Trump is a friend of the podcast and is always so generous with her teaching and sharing. She reflects on the state of our individual and collective mental and emotional health over these last 8 or so weeks, and the importance of balancing joy and hope about Kamala Harris with the reality that there is so much hard work to be done until (and after) Election Day. Mary Trump also discusses the personal cost of being a real member of the Resistance and the pro-democracy movement to our relationships and lives. In this expansive conversation, Mary shares her thoughts about why we must imagine a world beyond the Age of Trump and then do everything we can to make it a reality. Chauncey DeVega provides “proof of life” and shares how he was under attack by the super DNC cooties bug and how that left him discombobulated and delayed the podcast. Chauncey also shares some quick thoughts about the first debate between Kamala Harris and Donald Trump and how the mainstream news media continues the “sanewashing” of the obviously very dangerous aspiring Dictator Trump. And Chauncey DeVega honors the titan James Earl Jones who passed away on Monday and is now one with the Force. WHERE CAN YOU FIND ME? On Twitter: https://twitter.com/chaunceydevega On Facebook: https://www.facebook.com/chauncey.devega My email: chaunceydevega@gmail.com HOW CAN YOU SUPPORT THE CHAUNCEY DEVEGA SHOW? Via Paypal at ChaunceyDeVega.com Patreon: https://www.patreon.com/thechaunceydevegashow
Scottish writer, Academic, and Spiritual Activist Alastair McIntosh sits down with Sara Jolena Wolcott to talk about his work on land reform, waterways and housing; the importance of Community Gardens, and the current state of America amidst the coming US election. This includes reflections from the island from which Donald Trump's maternal family comes. 1:33 - Introduction to Alastair Macintosh5:38 - About Dark Mountain12:00 - Land of trust and land ownership20:40 - History24:20 - On Trump and the American definition of "success"33:00 - On Community Gardens36:40 - Archetypes - Trump41:20 - Divisions in America48:00 - Paying attention to waters: Rivers and Oceans58:00 - Possible American FuturesReferenced material:Other Books mentioned in the episode:Too Much and Never Enough: How My Family Created the World's Most Dangerous Man by Mary L. TrumpHillbilly Elegy: A Memoir of a Family and Culture in CrisisAlastair's books:Soil and SoulRiders on the Storm: the Climate Crisis and the Survival of BeingPoacher's Pilgrimage: an Island JourneySpiritual Activism: Leadership as ServiceParables of Northern Seed: Anthology from BBC's Thought for the DayIsland Spirituality: Spiritual Values of Lewis and Harris Alastair's website Featured Music: Music: The Bonnie Banks O' Loch Lomondby Marie NarellePublication date 1906Source: Archive.orgSupport the Show.Learn more about Sara Jolena Wolcott and Sequoia SamanvayaMusic Title: Both of Us Music by: madiRFAN Don't forget to "like" and share this episode!
This week we discuss the goals and results of college protests. Consumption: St. Jimmy - Life After Beth, A Most Dangerous Man, The Catcher in the Rye D'Viddy - Ready Player One, Batman Begins, The Dark Knight, The Chosen season 1, 1923 season 1 Master Z - Ready Player One, Mad Max Beyond Thunderdome, Mad Max: Fury Road, Evil season 1 Music Provided By: Greg Gibbs / Most Guitars Are Made of Trees Cleaners From Venus / Night Starvation Mark Castle / Dance!
Journalism in America was a highly profitable business for more than a century until the internet – and other factors – disrupted the traditional business model resulting in decades of declining advertising and subscription revenue. Last week, the Los Angeles Times cut about 20 percent of its staff, adding to a growing list of news organizations making cuts in the past few months: The Washington Post, Business Insider, Sports Illustrated and NBC News. Meanwhile, hedge funds and private equity firms buying up newspapers has also changed the industry – a trend Bay Area filmmaker Rick Goldsmith examines in his new documentary, “Stripped for Parts: American Journalism on the Brink.” We'll talk about the demise of local newspapers, efforts to revive the news business, and what it means for democracy. Guests: Rick Goldsmith, documentary filmmaker; director, "Stripped for Parts: American Journalism on the Brink" (2023), "Tell the Truth and Run: George Seldes and the American Press" (1996) and "The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers" (2009) Julie Reynolds, freelance journalist; producer, Gray Area - a podcast about justice and redemption; part-time associate editor, The Imprint S. Mitra Kalita, CEO, URL Media - a network of Black and Brown community news outlets that share content and revenue; publisher, Epicenter-NYC; veteran journalist; media executive; prolific commentator and author Ramona Giwargis, co-founder and CEO, San Jose Spotlight
Katt Williams Is the Most Dangerous Man in America Today
Friday's "Connecticut Today" with host Paul Pacelli looked at a proposal from Governor Ned Lamont to possibly boost state teacher pay using federal covid funds (00:29). Former Bridgeport Democratic State Rep. Chris Caruso joined us with his weekly update (10:56), while we also heard from Daniel Jupp, author of, "Gates of Hell: Why Bill Gates Is the Most Dangerous Man in the World" (26:11) Image Credit: iStock / Getty Images Plus
Fighting Leviathan- Super researcher, author, natural health proponent and activist James Roguski joins the program to warn all who will listen about the global attack on national sovereignty by the World Health Organization, via the proposed "pandemic treaty" and amendments to the International Health Regulations. These proposals, if approved, will empower the Director-General of W.H.O. to issue mandatory worldwide health directives that will supersede U.S. national sovereignty and our Constitution. The Gates of Hell - Dr. Wendy Patrick and attorney Larry Dershem interview Daniel Jupp, a British author and political commentator based in Essex, England, about his new book Gates of Hell: Why Bill Gates Is the Most Dangerous Man in the World. Whether you agree with Mr. Jupp's conclusions or not, he presents evidence in the interview that will challenge your core views about one of the richest men on the planet. See omnystudio.com/listener for privacy information.
Ron Gordon breaks down the latest financial news for this morning. Then we turn our attention to Bill Gates. U.K. Author Daniel Rupp goes deep with his latest - Gates of Hell: Why Bill Gates is the World's Most Dangerous Man
Secret Police, CIA operatives, The Pentagon Papers, and The Most Dangerous Man in America. There was a time in the not-so-distant past, when the nightly news changed the game in how Americans felt about the war in Vietnam, the first “television war.” What was more of a shock to some though, was the realization that the American public had been lied to for decades by the U.S. government, spanning four presidential administrations. How did this influence the Watergate scandal? And how did the lavish “gathering of the Century” in Iran, attended by Vice President Agnew, tie into future allegations of broad political corruption?Writer, Host, and Executive Producer: Sharon McMahonAudio Producer: Jenny SnyderWriters and Researchers: Amy Watkin, Mandy Reid, and Kari AntonProduction Coordinator: Andrea Champoux Hosted on Acast. See acast.com/privacy for more information.
The ‘High Priest of LSD', Timothy Leary, made a daring escape from the California Men's Colony on September 13th, 1970. A prominent counterculture figure and advocate for psychedelic substances, Leary had been incarcerated for possession of marijuana - and was labeled ‘The Most Dangerous Man in America' by Richard Nixon. His escape was orchestrated by the Brotherhood of Eternal Love, a drug trafficking organization, and the Weather Underground, a far-left Marxist militant group. They provided Leary with a cable to scale the prison wall, a getaway car, new clothing, and false ID papers; then bungled him off to Algeria in the care of the Black Panthers. In this episode, Arion, Olly and Rebecca consider Leary's famous slogan, ‘Turn On, Tune In, Drop Out'; explain how his controversial LSD experiments at Harvard were legitimately concerning to the academic system that initially supported him; and reveal what Susan Sarandon did with his remains at Burning Man… Further Reading: • ‘Will Timothy Leary's papers turn us on to LSD?' (The Guardian, 2011): https://www.theguardian.com/commentisfree/2011/jun/18/timothy-leary-papers-sale-lsd • ‘Nixon's Manhunt For The High Priest Of LSD In 'The Most Dangerous Man In America'' (NPR, 2018): https://www.npr.org/2018/01/05/575392333/nixons-manhunt-for-the-high-priest-of-lsd-in-the-most-dangerous-man-in-america • ‘Dr Timothy Leary's Ranch' (ABC News, 1967): https://www.youtube.com/watch?v=JSLRA1Ub9mA #60s #Crime #Protest #Celebrity Love the show? Join
Filmmaker and actor Alex Winter ("Zappa", "the "Bill & Ted" franchise discusses his documentary "The YouTube Effect" which is currently available on streaming platforms; and Rick Goldsmith is trying to get his 2009 film "The Most Dangerous Man in American: Daniel Ellsberg and the Pentagon Papers" in the Library of Congress National Film Registry.
This is the second of two episodes featuring Aaron's interview with two luminaries of US anti-imperialism—Daniel Ellsberg and Peter Dale Scott. Daniel Ellsberg was an analyst for the Pentagon and RAND before he made the fateful decision to leak the Pentagon Papers—a top secret study on the US involvement in Vietnam from Truman to LBJ. Ellsberg is the author of two memoirs—Secrets: A Memoir of Vietnam and the Pentagon Papers, and The Doomsday Machine: Confessions of a Nuclear War Planner. He is also the subject of The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers, an Oscar-nominated documentary that Edward Snowden credited for inspiring his own act of whistleblowing. Peter Dale Scott is a former Canadian diplomat and retired UC Berkeley Professor of English. He is the author of numerous books of poetry and prose, including The War Conspiracy, Coming to Jakarta, Deep Politics and the Death of JFK, Cocaine Politics (with Jonathan Marshall), Drugs, Oil, and War, The Road to 9/11, American War Machine, and The American Deep State. This interview was originally recorded in October of 2018 at Marin College during Project Censored's Media Freedom Summit. Big thanks to everybody at Project Censored who helped with this, especially Mickey Huff, Anthony Fest, Dennis Murphy and John Bertucci! Special thanks to Dana Chavarria for producing the episode! Music: "This Nation" by Mock Orange
This is the first of two episodes featuring Aaron's interview with two luminaries of US anti-imperialism—Daniel Ellsberg and Peter Dale Scott. Daniel Ellsberg was an analyst for the Pentagon and RAND before he made the fateful decision to leak the Pentagon Papers—a top secret study on the US involvement in Vietnam from Truman to LBJ. Ellsberg is the author of two memoirs—Secrets: A Memoir of Vietnam and the Pentagon Papers, and The Doomsday Machine: Confessions of a Nuclear War Planner. He is also the subject of The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers, an Oscar-nominated documentary that Edward Snowden credited for inspiring his own act of whistleblowing. Peter Dale Scott is a former Canadian diplomat and retired UC Berkeley Professor of English. He is the author of numerous books of poetry and prose, including The War Conspiracy, Coming to Jakarta, Deep Politics and the Death of JFK, Cocaine Politics (with Jonathan Marshall), Drugs, Oil, and War, The Road to 9/11, American War Machine, and The American Deep State. This interview was originally recorded in October of 2018 at Marin College during Project Censored's Media Freedom Summit. Big thanks to everybody at Project Censored who helped with this, especially Mickey Huff, Anthony Fest, Dennis Murphy and John Bertucci! Special thanks to Dana Chavarria for producing the episode! Music: “The End of the World” by Mock Orange
On this week's Truth to Power, we bring you a tribute to the life of Daniel Ellsberg, with Forward Radio programmers, Jim Johnson (Solutions to Violence); Brian Barnes (Critical Thinking For Everyone); Justin Mog (Sustainability Now!), and K.A. Owens (On The Edge) reflecting on Ellsberg's legacy. Ellsberg spoke Truth To Power throughout his long life, but first came into the public consciousness in 1971 as the whistleblower from within the RAND Corporation who leaked the Pentagon Papers containing the secret history of the U.S. war on Vietnam to the press. Daniel Ellsberg died of pancreatic cancer on June 16, 2023. Those of us at WFMP feel we owe a great debt to Ellsberg, an economist and political activist. In 1971, he was working as a military analyst in the Pentagon. The Vietnam War was raging. College students and clergy were leading antiwar protests across the country. Both Lyndon Johnson and Richard Nixon boldly claimed that the U.S. was winning the war. After Ellsberg read documents by military elites, he understood that the U.S. military and its South Vietnamese allies were in fact losing the war and had been for some time. Johnson and Nixon had been lying to the American public. Ellsberg initially handed partial copies of the Pentagon Papers to Senator William Fulbright, Chairman of the Foreign Relations Committee, as well as others in Congress. All refused to act. As a result, in 1971, Daniel Ellsberg leaked the Pentagon Papers to the New York Times and later the Washington Post, knowing that such an action could lead to a long prison sentence; a demonstration of integrity and courage. The documentary “The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers” tells the story of the Supreme Court trial and the landmark decision which found government efforts to halt publication of the Pentagon Papers represented a violation of the First Amendment to the constitution and freedom of the press. The case, the U.S. vs. the New York Times, delivered an affirmation for freedom of speech, and freedom of the press. The Pentagon Papers exposed the fact that the U.S. was losing the Vietnam war and that exposure resulted in Nixon's decisions to pull U.S. troops out of Vietnam. As we know now the U.S. and its South Vietnamese allies lost the Vietnam war. The publication of the Pentagon Papers is an example of journalism exposing government corruption and forcing government to reverse course. We believe that a free press is essential to the preservation of a democracy and a free society. We here at WFMP are grateful for Ellsberg's courageous actions. We believe that the Supreme Court decision that found in favor of the press' right to publish the Pentagon Papers, is one of the reasons WFMP and other independent and commercial media are free to criticize the government, expose government corruption, discuss controversial political issues and shed light on issues we feel are in the public interest. All of us at Forward Radio are volunteers. We are here for one reason; we want to deliver a message that supports truth, fairness, justice, a sustainable environment and peace. Daniel Ellsberg's courageous decision to leak the Pentagon Papers and the Supreme Court's decision protects our rights as journalists. So, on behalf of Forward Radio, we want to deliver a sincere shout out to the late, great, Daniel Ellsberg and the 1971 Supreme Court for delivering an affirmation of free speech and a free press. On Truth to Power each week, we gather people from around the community to discuss the state of the world, the nation, the state, and the city! It's a community conversation like you won't hear anywhere else! Truth to Power airs every Friday at 9pm, Saturday at 11am, and Sunday at 4pm on Louisville's grassroots, community radio station, Forward Radio 106.5fm WFMP and live streams at http://forwardradio.org
RIP Daniel Ellsberg: “Most Dangerous Man in America” on Leaking Pentagon Papers, Exposing Gov’t Lies; Months Before Death, Daniel Ellsberg Warned Crisis over Ukraine & Taiwan Could Lead to Nuclear War; “The Doomsday Machine”: Confessions of Daniel Ellsberg, Former Nuclear War Planner; Daniel Ellsberg’s Dying Wish: Free Julian Assange, Encourage Whistleblowers & Reveal the Truth
RIP Daniel Ellsberg: “Most Dangerous Man in America” on Leaking Pentagon Papers, Exposing Gov’t Lies; Months Before Death, Daniel Ellsberg Warned Crisis over Ukraine & Taiwan Could Lead to Nuclear War; “The Doomsday Machine”: Confessions of Daniel Ellsberg, Former Nuclear War Planner; Daniel Ellsberg’s Dying Wish: Free Julian Assange, Encourage Whistleblowers & Reveal the Truth
Headlines for June 20, 2023; RIP Daniel Ellsberg: “Most Dangerous Man in America” on Leaking Pentagon Papers, Exposing Gov’t Lies; Months Before Death, Daniel Ellsberg Warned Crisis over Ukraine & Taiwan Could Lead to Nuclear War; “The Doomsday Machine”: Confessions of Daniel Ellsberg, Former Nuclear War Planner; Daniel Ellsberg’s Dying Wish: Free Julian Assange, Encourage Whistleblowers & Reveal the Truth
Headlines for June 20, 2023; RIP Daniel Ellsberg: “Most Dangerous Man in America” on Leaking Pentagon Papers, Exposing Gov’t Lies; Months Before Death, Daniel Ellsberg Warned Crisis over Ukraine & Taiwan Could Lead to Nuclear War; “The Doomsday Machine”: Confessions of Daniel Ellsberg, Former Nuclear War Planner; Daniel Ellsberg’s Dying Wish: Free Julian Assange, Encourage Whistleblowers & Reveal the Truth
The Pentagon Papers shattered our illusion that the Government was infallible and always doing what was in the best interests of the country and its people. The guy that nabbed those papers, the Henry Kissinger labeled “The Most Dangerous Man in America” died. More Cosby trouble, Beyonce is causing inflation and Elvis is dead. 4 Day work weeks and more on KFIAM-640!
You may think that Mary Trump needs no introduction, because you believe you know who she is in relation to a certain distasteful someone who shares her surname. Or you have read her first bestselling book: Too much and Never Enough: How My Family Created the World's Most Dangerous Man. Or her equally stellar second, The Reckoning: Our Nation's Trauma and Finding a Way to Heal. But what an author produces or shares with the public, as well as the degrees they collect (in Mary's case a BA and MA in English literature as well as a doctorate PhD in clinical psychology) is only a part of who they are. And, it should go without saying that our family of origin is a piece, but not all of us. In today's episode, Mary and Jen get lost in a conversation about books. They start with Mary's childhood favorite, Sylvester and the Magic Pebble, a children's picture book written and illustrated by William Steig that won a Caldecott Medal in 1970. And the conversation continued into weightier tomes like the more than 1,534 page epistolary novel Clarissa, by Samuel Richardson. The 1748 work's rather lengthly alternative title reveals a bit about the story, but hardly as much as Mary does: The History of a Young Lady: Comprehending the Most Important Concerns of Private Life. And Particularly Shewing, the Distresses that May Attend the Misconduct Both of Parents and Children, In Relation to Marriage Contact Booked Up: You can email Jen & the Booked Up team at: BOOKEDUP@POLITICON.COM or by writing to: BOOKED UP P.O. BOX 147 NORTHAMPTON, MA 01061 Get More from Mary Trump Twitter | The Good in Us Substack | Author of TOO MUCH AND NEVER ENOUGH and THE RECKONING Get More from Jen Taub: Twitter | Follow the Money Substack | Author of BIG DIRTY MONEY
The World's Most Dangerous Man" Ken Shamrock MMA & Pro Wrestling Legend Is My Guest On SWP. We Discuss:
UFC Hall of Famer & former two-division UFC champion & actor, Georges ‘Rush' St-Pierre, catches up with Bloody Elbow's own Eddie Mercado, Fight Analyst, Author, & MMA Competitor. This exclusive Bloody Elbow Presents Interview includes discussions with GSP on Karate Combat – A Full Contact Karate League; where he offered his perspective as a 3rd dan black belt in Kyokushin karate, not to mention his black belt in BJJ, expertise in Muay Thai, Boxing, & Wrestling. He goes on to discuss various topics, including his fear of heights and rollercoasters, his love for paleontology, & finally being free from his UFC contract. GSP holds combat awards including: Member of the Modern Wing of the UFC Hall of Fame, Rogers Sportsnet's ‘Canadian Athlete of the Year' 2008, 2009, 2010, ESPN's 2010-2011 ‘No.2 Pound-for-Pound Fighter in the World', as well as being declared ‘The Fighter of the Year' in 2009, by Sports Illustrated, the World MMA Awards, MMAPayout, Inside MMA, & MMAJunkie. He was also a Finalist in the ‘Best Fighter' Category for the ESPY Awards in 2008, 2010, 2011, 2018. Spike Guys Choice Awards labeled him ‘The ‘Most Dangerous Man of the Year' in 2010, & Black Belt Magazine awarded him the title of ‘MMA Fighter of the Year' in 2008. Since retiring from competition in 2019, with a respectable record of 26-2 (8KOs, 6 Subs, 12 Decisions), he has completely recovered from his bout with ulcerative colitis, and gone on to found a charity: The GSP Foundation, which aims to reduce bullying and encourage youth participation in sports. Check out the video version of this interview at: https://youtu.be/kY8_vYD5z_0 and be sure to read Eddie's full article on the interview at BloodyElbow.com here: https://www.bloodyelbow.com/2022/12/18/23514136/georges-st-pierre-gsp-reveals-why-hes-a-coward-with-rollercoasters-prefers-dinosaur-rides-ufc You can follow Eddie on twitter — @TheEddieMercado and you can find us @BloodyElbow. Check out GSP's official twitter while you're there — @GeorgesStPierre; & for more on the former champ visit — @GSPOfficial.com. While you are at it go over to gspfoundation.com and explore the amazing opportunities they are offering and learn about the tremendous work they are doing. If you enjoy our variety of shows, please “heart" us here on SC, or "like" & share over or on your BE Presents Podcast platform of choice: * YouTube: https://www.youtube.com/c/BloodyElbowPresents * Apple Podcasts: https://podcasts.apple.com/us/podcast/bloody-elbow-presents/id984162015 * iHeartRadio: www.iheart.com/podcast/269-Blood…Presents-30639274 * Spotify: https://open.spotify.com/show/55S2dpKYVqndaPTUojkELm?si=oGGPZ4kESkWZigLNnEg1ug * Stitcher: www.stitcher.com/podcast/bloody-e…esents?refid=stp * TuneIn: https://tunein.com/podcasts/Sports--Recreation-Podcasts/Bloody-Elbow-Presents-p1190843/ * OverCast: overcast.fm/itunes984162015/bloody-elbow-presents * Player FM: player.fm/series/bloody-elbow-presents * & Amazon Music: https://music.amazon.com/podcasts/b53e5086-2334-497c-82c0-24ddb5e0cfbb/Bloody-Elbow-Presents For previous episodes, check out our playlists on any of our BE Presents channels.
The Most Dangerous Man on Rumble is back with another great set of Interviews. I present to you Mr. Nathan Descheemaeker, a presenter at the Red Pill Expo in Salt Lake City. To see his full presentation and the whole streamed event, including talks by Dr Monzo, G Edward Griffin, Dr David Martin, Mikki Willis, and Del Bigtree use this Link:https://redpilluniversity.org/expo-homepage/BBRedPill/ref/179/ AND use code: buster for 10% Off. You get to replay it as many times as you'd like until February 16th!In the 2nd part I briefly talk with Dr Monzo. We're trying to work out a recurring guest arrangement with him which will be great for those of you like me interested in natural remedies, finding root causes of illness, Naturopathic medicine, and Tesla technology.Help Us Get Much Need Support and Upgrades:https://GiveSendGo.com/BaalBustersAsk Questions Here: https://tipeeestream.com/baal-busters/donationRemember https://riseupintohealth.com/?via=baalbustersfor 34 years worth of life-improving wisdom from Dr Peter GliddenFor Copperine Mist by Dr Tau Braun go here: https://Biochemscience.com and use Code: BB2022 for FREE ShippingBe a Bro, Support the Show... Or a Bro-ette :-)
In this brief recap, I'm again speaking with John Paul Sr.'s son, Michael Paul, who shares thoughts on the passing of his brother, John Paul Jr. R&T: An Oral History of John Paul Sr.: Racing's Most Dangerous Man, Smuggler and Fugitive
In this brief recap, I'm again speaking with John Paul Sr.'s son, Michael Paul, who shares thoughts on the passing of his brother, John Paul Jr. R&T: An Oral History of John Paul Sr.: Racing's Most Dangerous Man, Smuggler and Fugitive
Steven L. Davis is the PEN USA-award winning author of four books focusing on iconoclasts, including Dallas 1963 with Bill Minutaglio and J. Frank Dobie: A Liberated Mind. Steve wrote a book called "The Most Dangerous Man in America: Timothy Leary, Richard Nixon and the Hunt for the Fugitive King of LSD" about the history of the LSD proselytizer Timothy Leary's efforts to outrun Richard Nixon and the American law. --- Support this podcast: https://anchor.fm/out-of-the-blank-podcast/support
FOR ETERNIA Official Podcast - Masters of the Universe Podcast
Our Seventh Episode of the Official Podcast for ForEternia.com titled “Family is what you make of it” has hit the airwaves! In this new episode, join AJ and guest co-host Bobby as they discuss Filmation, Masters of the Universe: Revelation Episode 3 "The Most Dangerous Man in Eternia", Kids Cereal and more! So please join us for this very fun discussion! And be sure to visit us at ForEternia.com!
In this week's Bunker Gold, listen back to Jude Rogers in conversation with Donald Trump's niece, Mary Trump, from January 2021. On the last day of Trump's warped presidency, his niece Mary – psychologist and author of Too Much And Never Enough: How My Family Created The World's Most Dangerous Man – reflected on the making of a man who impressed his psychopathologies on a nation. How does a person get like this? What is it like when a family member places the entire world in peril? And could a defeated Trump represent an even worse danger to American democracy? “For the first time in his life he can't spin a loss into a win. And it's driving him crazy.” “At a very deep level, Donald knows he's never been truly successful and has no skills.” “When Donald was elected I knew he would do to my country what he and his father had done to my family.” “What shocks me is that there are people on this planet who are weaker than Donald. I didn't think that was possible” “In the election, if he was going down, he would try to take the rest of us with him. And that's exactly what he did.” “Failure to live up Fred Trump's demands got you destroyed. And that's what happened to my dad.” “If the cameras disappear, Donald ceases to exist.” https://www.patreon.com/bunkercast Complete our listener survey for a chance to win a Bunker t-shirt: https://bit.ly/3zFSySB Presented by Jude Rogers. Produced by Andrew Harrison. Assistant producers Jacob Archbold and Jelena Sofronijevic. Music by Kenny Dickinson. Audio production by Alex Rees. THE BUNKER is a Podmasters Production Learn more about your ad choices. Visit megaphone.fm/adchoices
Aaron speaks with Daniel Ellsberg and Peter Dale Scott about key issues on the 50th anniversary of the Watergate arrests. Specifically, they discuss Nixon's Vietnam strategy, the way these plans were threatened by the leak of the Pentagon Papers, and the mysteries around Watergate which collectively suggest that Nixon's resignation was effected by forces to the right of Nixon himself. Daniel Ellsberg was an analyst for the Pentagon and RAND before he made the fateful decision to leak the Pentagon Papers—a top secret study on the US involvement in Vietnam from Truman to LBJ. Ellsberg is the author of two memoirs—Secrets: A Memoir of Vietnam and the Pentagon Papers, and The Doomsday Machine: Confessions of a Nuclear War Planner. He is also the subject of The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers, an Oscar-nominated documentary that Edward Snowden credited for inspiring his own act of whistleblowing. Peter Dale Scott is a former Canadian diplomat and retired UC Berkeley Professor of English. He is the author of numerous books of poetry and prose, including The War Conspiracy, Coming to Jakarta, Deep Politics and the Death of JFK, Cocaine Politics (with Jonathan Marshall), Drugs, Oil, and War, The Road to 9/11, American War Machine, and The American Deep State. Special thanks to Casey Moore for the episode art and Dana Chavarria for the sound engineering! Seamus McGuinness is producing a video version of this episode which should be coming soon! Music: "This Nation" by Mock Orange Aaron speaks with Daniel Ellsberg and Peter Dale Scott about key issues on the 50th anniversary of the Watergate arrests. Specifically, they discuss Nixon's Vietnam strategy, the way these plans were threatened by the leak of the Pentagon Papers, and the mysteries around Watergate which collectively suggest that Nixon's resignation was effected by forces to the right of Nixon himself. Daniel Ellsberg was an analyst for the Pentagon and RAND before he made the fateful decision to leak the Pentagon Papers—a top secret study on the US involvement in Vietnam from Truman to LBJ. Ellsberg is the author of two memoirs—Secrets: A Memoir of Vietnam and the Pentagon Papers, and The Doomsday Machine: Confessions of a Nuclear War Planner. He is also the subject of The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers, an Oscar-nominated documentary that Edward Snowden credited for inspiring his own act of whistleblowing. Peter Dale Scott is a former Canadian diplomat and retired UC Berkeley Professor of English. He is the author of numerous books of poetry and prose, including The War Conspiracy, Coming to Jakarta, Deep Politics and the Death of JFK, Cocaine Politics (with Jonathan Marshall), Drugs, Oil, and War, The Road to 9/11, American War Machine, and The American Deep State. Special thanks to Casey Moore for the episode art and Dana Chavarria for the sound engineering! Seamus McGuinness is producing a video version of this episode which should be coming soon! Music: "This Nation" by Mock Orange
Article: How the organized Left got Covid wrong, learned to love lockdowns and lost its mind: an autopsy https://thegrayzone.com/2022/03/31/left-covid-lockdowns-mind-autopsy/ EU Renews Digital COVID Pass Despite 99% Negative Public Feedback https://www.zerohedge.com/geopolitical/eu-renews-digital-covid-pass-despite-99-negative-public-feedback Videos: 1. Psywars Documentary. – The Obama Clip (0:23) 2. Clare Daly her best speech so far . Ukraine (1:22) 3. Vitamin Authentication. Electronic pill that stays in your body & will become a 18bit Battery operated chip (1:00) 4. Is Klaus Schwab the Most Dangerous Man in the World? (15:07) 5. Kim Iversen: Inside The SECRET Bilderberg Meetings Between Spies, War Hawks And World Leaders (9:28) 6. The great recycling LIE (what really happens to plastic) (10:44) 7. New Rule: How the Left Was Lost | Real Time (HBO) (8:30) HEALTH NEWS Grape consumption may offer benefits for symptomatic knee osteoarthritis Bad habits that lead to cancer, chronic disease corrected by simple lifestyle intervention The blueberry component pterostilbene has potent anti-myeloma activity Exercise makes the blood of obese people healthier People who go to bed late have less control over OCD symptoms Green tea-capsaicin-ginger combo linked to weight and metabolic improvements Grape consumption may offer benefits for symptomatic knee osteoarthritis Texas Woman's University, June 20, 2022 New research suggests that regular grape consumption may help alleviate pain associated with symptomatic osteoarthritis of the knee, and improve joint flexibility and overall mobility. Researchers attribute these potential benefits to the polyphenols found in grapes. The sixteen week clinical study, undertaken by Texas Woman's University, was designed to investigate the benefits of grape consumption on inflammation and osteoarthritis outcomes. 72 men and women with knee osteoarthritis (OA) were assigned to either consume grapes in the form of a whole grape freeze-dried powder, or a placebo powder. The study results showed that both men and women consuming a grape-enriched diet had a significant decrease in self-reported pain related to activity and an overall decrease in total knee symptoms. This beneficial effect was more pronounced in females. Additionally, age-related differences were observed: there was a 70% increase in very hard activity for those under 64 years of age consuming the grape powder, while those receiving the placebo reported a significant decrease in very hard activity. Participants over 65 years, whether consuming grapes or the placebo, reported a decline in moderate to hard activities. Evidence of increased cartilage metabolism was observed in men consuming the grape-enriched diet; they had higher levels of an important cartilage growth factor (IGF-1) than those on placebo. This protective effect was not observed in the females. T Bad habits that lead to cancer, chronic disease corrected by simple lifestyle intervention Northwestern University, June 19, 20122 Does this sound like someone you know? He or she spends too much time in front of screens, gets little exercise and eats a diet high in fat and low in fruits and vegetables. It likely sounds familiar because it describes a significant portion of the U.S. population. A new Northwestern Medicine study found that a lifestyle intervention could fully normalize these four unhealthy behaviors, which put people at risk of developing heart disease and common cancers, including breast, colon and prostate. “Our findings suggest that prevention of chronic disease through behavior change is feasible. They contradict the pessimistic assumption that it's not possible to motivate relatively healthy people to make large, long-lasting healthy lifestyle changes,” said lead author Bonnie Spring at Northwestern University Feinberg School of Medicine. With the help of a smartphone app, a wearable activity tracker, some social support from a coach and a small financial incentive, study participants made large improvements in their eating and activity habits. From a starting point of less than two servings of fruits and vegetables per day, they increased their intake by 6.5 servings per day. They decreased saturated fat intake by 3.6 percent to consume less than 8 percent of their calories from saturated fat. From a baseline of 4.5 hours per day of leisure screen time, they decreased screen time by almost three hours and increased their moderate to vigorous exercise by 25 minutes per day over a nine-month trial. Previous research has found that healthy behavior change usually reverts once financial incentives cease. But this study stopped offering the financial incentive after only 12 weeks, and participants still achieved positive results throughout the nine-month trial. The blueberry component pterostilbene has potent anti-myeloma activity Tongji University (China), June 23, 2022 Investigators at Tongji University School of Medicine Zero stated, “Multiple myeloma (MM) is an incurable hematologic malignancy because of its drug resistance. Pterostilbene (Pter) is found mainly in blueberries and grapes.” The effects of Pter and its exact pharmacologic mechanisms on chemoresistant myeloma are not known. Herein, we investigated the anti-myeloma activity of Pter in bortezomib-resistant cell line H929R and explored the related mechanism of action for the first time. We found that Pter inhibited proliferation of H929R cells and promoted apoptosis of the cells through a caspase-dependent pathway, loss of mitochondrial membrane potential, and activation of Akt and p38 mitogen-activated protein kinase (MAPK) signaling pathways. DNA damage and S-phase arrest might be involved in Pter-related toxicity in H929R cells. The research concluded: “These data supported that Pter might be a promising natural compound for relapsed/refractory myeloma therapy, especially against myeloma resistant to bortezomib chemotherapy.” Exercise makes the blood of obese people healthier Exercise can reduce inflammation in obese people by changing the characteristics of their blood, according to new research published in The Journal of Physiology. University of Illinois, June 20, 2022 Many of the health problems linked to obesity are a result of chronic inflammation. Inflammation is a natural process in the body in response to harm, but in obese people it can become long term and this can lead to damage of healthy tissue. Certain blood cells are more likely to cause inflammation, and if these cells are made in the body in greater numbers than normal they can spread to organs in the body and cause them to malfunction. The blood cells responsible for causing inflammation are formed from stem cells within the body. This new research is the first to show that exercise alters the characteristics of these blood forming stem cells and therefore reduces the number of blood cells likely to cause inflammation. These findings provide a new explanation of how exercise may improve health in adults with obesity. Young, lean adults and young, obese adults (who were otherwise healthy) were recruited for this study. The exercise program consisted of three bicycling or treadmill running sessions per week with each session lasting approximately one hour. Blood was collected before and after the exercise training intervention to quantify blood-forming stem cells. The results of the study demonstrated that exercise reduced the number of blood-forming stem cells associated with the production of the type of blood cells responsible for inflammation. People who go to bed late have less control over OCD symptoms Binghamton University, June 24, 2022 A late bedtime is associated with lower perceived control of obsessive thoughts, according to new research from Binghamton University, State University of New York. Binghamton University Professor Meredith E. Coles monitored twenty individuals diagnosed with OCD and ten individuals endorsing subthreshold OCD symptoms during one week of sleep. Participants completed sleep diaries and daily ratings of perceived degree of control over obsessive thoughts and ritualized behaviors. The researchers found that previous night's bedtime significantly predicted participants' perceived ability to control their obsessive thoughts and compulsive behavior on the subsequent day. “We're really interested in how this kind of unusual timing of sleep might affect cognitive functioning,” said Schubert. “It might be that something about shifting the timing of your sleep might reduce your ability to control your thoughts and your behaviors, so it might make it more likely that you're going to have a hard time dismissing intrusive thoughts characteristic of obsessions, and it might make it more difficult for you to refrain from compulsive behaviors that are designed to reduce the anxiety caused by obsessive thoughts.” On average participants in the study went to bed around 12:30 at night. Patients who met criteria for delayed sleep phase disorder, about 40% of the sample, went to bed around 3 a.m. Green tea-capsaicin-ginger combo linked to weight and metabolic improvements Kashan University of Medical Sciences (Iran), June 24, 2022 Dietary supplements containing green tea, capsaicin and ginger extracts may lead to weight loss and improvements in BMI, says a new study. Data from the randomized double-blind placebo-controlled clinical trial involving 50 overweight women also produced beneficial changes in insulin levels, and measure of insulin resistance. “Our study indicated that taking green tea, capsaicin and ginger co-supplements for 8 weeks among overweight women had beneficial effects on weight, BMI, markers of insulin metabolism and plasma [glutathione] levels,” wrote the scientists. Women were assigned to consume daily supplements containing 500 mg green tea, 100 mg capsaicin, and 200 mg ginger extracts, while another 25 women were assigned to consume placebo. After eight weeks, the results showed that, in addition to the improvements in body weight and BMI, women receiving the extracts showed significant decreases in serum insulin concentrations (-2.6 µIU/mL) compared to the placebo (-0.6 µIU/mL). Insulin resistance, as measured by HOMA-IR, also improved compared to placebo, while levels of the antioxidant enzyme glutathione also improved in the women consuming the green tea, capsaicin and ginger supplements (+73.8 µmol/L), while levels decreased in the women receiving placebo (-28.3 µmol/L).
Randy Benson is a documentarian and a filmmaker Documentary: The Searchers by Randolph Benson (vimeo on demand) The website of the documentary: www.thesearchersfilm.com Randy's website: www.rbensonfilm.com John Judge's research and activism Starting in 1999, John Judge and Bill Kelly started holding a remembrance for JFK's 1963 Peace Speech June 10 1963, JFK's American University commencement address titled 'A Strategy of Peace': Audio, Video, Text Join Randy at the American University Peace Speech Memorial on June 10th (Friday) at 12 noon Address: 4400 Massachusetts Ave NW, Washington, DC 20016; Google Maps location President Eisenhower's farewell address on Jan 17, 1961: Video, Text National Security Action Memorandum 263 Randy is currently working on part 2 of the documentary The Searchers Dreyfus affair Video: Oswald stunned to learn that he's charged with killing JFK (press conference) Max Good's new documentary The Assassination and Mrs. Paine Trailer: The Assassination and Mrs. Paine Part B: Max Good; beginning at 18:36 Max Good is a filmmaker Max Good's new documentary The Assassination and Mrs. Paine Trailer: The Assassination and Mrs. Paine Website of the documentary: www.jfkpaine.com Twitter handle and facebook page of the documentary Max's website: www.maxgoodfilm.com Max worked as assistant producer on the documentary The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers Stream/buy The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers here FREE Borrowable Ebook: JFK and the Unspeakable: Why He Died and Why it Matters by James Douglass "In this week's episode, WC supporters are gonna feel the pain. That's right. Ruth and Michael Paine" Watch episode 19 of 50 Reasons for 50 Years here "In this episode, we investigate the gift that keeps on giving; namely the Paines' garage" Watch episode 31 of 50 Reasons for 50 Years here Episode 31 titled Evidence On Demand Watch all 50 episodes of 50 Reasons for 50 Years Marina Oswald lived with Ruth Paine for the two months leading up to the assassination A lot of the key evidence against Oswald was found at Ruth's house The minox spy camera and Oswald's Kostin letter Ruth Paine's sister worked for the CIA Ruth's father was recruited by the CIA in Vietnam Her brother-in-law applied to work for the CIA Vincent Salandria features in the documentary Michael Paine had a job at Bell Helicopters and had a security clearance Why would a supposed communist like Oswald be allowed to stay at the Paines' house? The story of Priscilla Johnson McMillan McMillian was referred to as a witting collaborator in the declassified documents She applied to work for the CIA in 1952 but was turned down FREE Borrowable Ebook: Marina and Lee by Priscilla Johnson McMillan Stream/buy JFK Revisited: Through the Looking Glass: Showtime, Prime, iTunes, Vudu, Microsoft Stream/buy the documentary series JFK: Destiny Betrayed: Amazon Prime, iTunes, Vudu "We both know who's behind this" - Paines talking to each other The HSCA never interviewed Ruth Paine Ruth was the main witness of the WC; she answered more than 5000 questions
Pressies panic over Musk's Twitter acquisition and “harassment” of obscenely wealthy and powerful tech execs, Murdoch's Facebook grudge lives on – and isn't newsworthy, and should we care whether Kamala is taking a COVID pill? Show Notes: WSJ on Sheryl Sandberg putting pressure on Daily Mail WaPo on Musk twitter attack Michael Lewis's Podcast George Will's column Jeff Maurer in Persuasion Time Stamps: 2:58 - Kamala has Covid 10:09 - Most Dangerous Man in The World: Rupert Murdoch 15:07 - Facebook v. Murdoch 23:48 - Obsessions 24:05 - Elon boosts online attacks 33:09 - Michael Lewis on Tornados 37:40 - Fan Mail 46:55 - Favorite Items - Email us stories or just say hi: wretches@nebulouspodcasts.com
Amarjit begins this episode with some words about how what is happening in our society is dividing us. He goes on to talk about the importance of uniting through love. Amarjit then gets into today's main topic, continuing with the idea of love. He talks about seeing inner-beauty, and how this relates to seeing your life purpose. He then reads something that he wrote about his experience finding his life purpose. Podcast website https://www.thestoryofmepodcast.com/ Support the show with a donation. Go to the podcast website for the donate button: https://www.thestoryofmepodcast.com/contact/ Sign up for Amarjit's Newsletter http://eepurl.com/b8aohb Submit your questions: https://www.thestoryofmepodcast.com/contact/ Full show notes: https://www.thestoryofmepodcast.com/finding-something-beautiful-in-you/ Mentioned on the episode: Amarjit's Merch Shop Europe: https://thestoryofmepodcast.myspreadshop.net/ North America: https://thestoryofmepodcast.myspreadshop.com/ Video: Is Klaus Schwab the Most Dangerous Man in the World? https://youtu.be/6G3nWyoQ5CQ Amarjit's Social Media: Instagram: https://www.instagram.com/amarjitsingh8/ YouTube: https://www.youtube.com/amarjitsingh8 Facebook: https://www.facebook.com/amarjitsingh810 Visit our sponsors: https://www.singhflutes.com/ Music courtesy of http://www.aykanna.com/
This week's episode looks at “Tomorrow Never Knows”, the making of Revolver by the Beatles, and the influence of Timothy Leary on the burgeoning psychedelic movement. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a fifteen-minute bonus episode available, on "Keep on Running" by the Spencer Davis Group. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Errata A few things -- I say "Fairfield" at one point when I mean "Fairchild". While Timothy Leary was imprisoned in 1970 he wasn't actually placed in the cell next to Charles Manson until 1973. Sources differ on when Geoff Emerick started at EMI, and he *may* not have worked on "Sun Arise", though I've seen enough reliable sources saying he did that I think it's likely. And I've been told that Maureen Cleave denied having an affair with Lennon -- though note that I said it was "strongly rumoured" rather than something definite. Resources As usual, a mix of all the songs excerpted in this episode is available at Mixcloud.com. I have read literally dozens of books on the Beatles, and used bits of information from many of them. All my Beatles episodes refer to: The Complete Beatles Chronicle by Mark Lewisohn, All The Songs: The Stories Behind Every Beatles Release by Jean-Michel Guesdon, And The Band Begins To Play: The Definitive Guide To The Songs of The Beatles by Steve Lambley, The Beatles By Ear by Kevin Moore, Revolution in the Head by Ian MacDonald, and The Beatles Anthology. For this episode, I also referred to Last Interview by David Sheff, a longform interview with John Lennon and Yoko Ono from shortly before Lennon's death; Many Years From Now by Barry Miles, an authorised biography of Paul McCartney; and Here, There, and Everywhere: My Life Recording the Music of the Beatles by Geoff Emerick and Howard Massey. For information on Timothy Leary I used a variety of sources including The Most Dangerous Man in America by Bill Minutaglio and Steven L. Davis; Timothy Leary: Outside Looking In by Robert Forte; The Starseed Signals by Robert Anton Wilson; and especially The Harvard Psychedelic Club by Don Lattin. I also referred to both The Tibetan Book of the Dead and to The Psychedelic Experience. Leary's much-abridged audiobook version of The Psychedelic Experience can be purchased from Folkways Records. Sadly the first mono mix of "Tomorrow Never Knows" has been out of print since it was first issued. The only way to get the second mono mix is on this ludicrously-expensive out-of-print box set, but the stereo mix is easily available on Revolver. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before I start this episode, I'd like to note that it deals with a number of subjects some listeners might find upsetting, most notably psychedelic drug use, mental illness, and suicide. I think I've dealt with those subjects fairly respectfully, but you still may want to check the transcript if you have worries about these subjects. Also, we're now entering a period of music history with the start of the psychedelic era where many of the songs we're looking at are influenced by non-mainstream religious traditions, mysticism, and also increasingly by political ideas which may seem strange with nearly sixty years' hindsight. I'd just like to emphasise that when I talk about these ideas, I'm trying as best I can to present the thinking of the people I'm talking about, in an accurate and unbiased way, rather than talking about my own beliefs. We're going to head into some strange places in some of these episodes, and my intention is neither to mock the people I'm talking about nor to endorse their ideas, but to present those ideas to you the listener so you can understand the music, the history, and the mindset of the people involved, Is that clear? Then lets' turn on, tune in, and drop out back to 1955... [Opening excerpt from The Psychedelic Experience] There is a phenomenon in many mystical traditions, which goes by many names, including the dark night of the soul and the abyss. It's an experience that happens to mystics of many types, in which they go through unimaginable pain near the beginning of their journey towards greater spiritual knowledge. That pain usually involves a mixture of internal and external events -- some terrible tragedy happens to them, giving them a new awareness of the world's pain, at the same time they're going through an intellectual crisis about their understanding of the world, and it can last several years. It's very similar to the more common experience of the mid-life crisis, except that rather than buying a sports car and leaving their spouse, mystics going through this are more likely to found a new religion. At least, those who survive the crushing despair intact. Those who come out of the experience the other end often find themselves on a totally new path, almost like they're a different person. In 1955, when Dr. Timothy Leary's dark night of the soul started, he was a respected academic psychologist, a serious scientist who had already made several substantial contributions to his field, and was considered a rising star. By 1970, he would be a confirmed mystic, sentenced to twenty years in prison, in a cell next to Charles Manson, and claiming to different people that he was the reincarnation of Gurdjieff, Aleister Crowley, and Jesus Christ. In the fifties, Leary and his wife had an open relationship, in which they were both allowed to sleep with other people, but weren't allowed to form emotional attachments to them. Unfortunately, Leary *had* formed an emotional attachment to another woman, and had started spending so much time with her that his wife was convinced he was going to leave her. On top of that, Leary was an alcoholic, and was prone to get into drunken rows with his wife. He woke up on the morning of his thirty-fifth birthday, hung over after one of those rows, to find that she had died by suicide while he slept, leaving a note saying that she knew he was going to leave her and that her life would be meaningless without him. This was only months after Leary had realised that the field he was working in, to which he had devoted his academic career, was seriously broken. Along with a colleague, Frank Barron, he published a paper on the results of clinical psychotherapy, "Changes in psychoneurotic patients with and without psychotherapy" which analysed the mental health of a group of people who had been through psychotherapy, and found that a third of them improved, a third stayed the same, and a third got worse. The problem was that there was a control group, of people with the same conditions who were put on a waiting list and told to wait the length of time that the therapy patients were being treated. A third of them improved, a third stayed the same, and a third got worse. In other words, psychotherapy as it was currently practised had no measurable effect at all on patients' health. This devastated Leary, as you might imagine. But more through inertia than anything else, he continued working in the field, and in 1957 he published what was regarded as a masterwork -- his book Interpersonal Diagnosis of Personality: A Functional Theory and Methodology for Personality Evaluation. Leary's book was a challenge to the then-dominant idea in psychology, behaviourism, which claimed that it made no sense to talk about anyone's internal thoughts or feelings -- all that mattered was what could be measured, stimuli and responses, and that in a very real sense the unmeasurable thoughts people had didn't exist at all. Behaviourism looked at every human being as a mechanical black box, like a series of levers. Leary, by contrast, analysed human interactions as games, in which people took on usual roles, but were able, if they realised this, to change the role or even the game itself. It was very similar to the work that Eric Berne was doing at the same time, and which would later be popularised in Berne's book Games People Play. Berne's work was so popular that it led to the late-sixties hit record "Games People Play" by Joe South: [Excerpt: Joe South: "Games People Play"] But in 1957, between Leary and Berne, Leary was considered the more important thinker among his peers -- though some thought of him as more of a showman, enthralled by his own ideas about how he was going to change psychology, than a scientist, and some thought that he was unfairly taking credit for the work of lesser-known but better researchers. But by 1958, the effects of the traumas Leary had gone through a couple of years earlier were at their worst. He was starting to become seriously ill -- from the descriptions, probably from something stress-related and psychosomatic -- and he took his kids off to Europe, where he was going to write the great American novel. But he rapidly ran through his money, and hadn't got very far with the novel. He was broke, and ill, and depressed, and desperate, but then in 1959 his old colleague Frank Barron, who was on holiday in the area, showed up, and the two had a conversation that changed Leary's life forever in multiple ways. The first of the conversational topics would have the more profound effect, though that wouldn't be apparent at first. Barron talked to Leary about his previous holiday, when he'd visited Mexico and taken psilocybin mushrooms. These had been used by Mexicans for centuries, but the first publication about them in English had only been in 1955 -- the same year when Leary had had other things on his mind -- and they were hardly known at all outside Mexico. Barron talked about the experience as being the most profound, revelatory, experience of his life. Leary thought his friend sounded like a madman, but he humoured him for the moment. But Barron also mentioned that another colleague was on holiday in the same area. David McClelland, head of the Harvard Center for Personality Research, had mentioned to Barron that he had just read Diagnosis of Personality and thought it a work of genius. McClelland hired Leary to work for him at Harvard, and that was where Leary met Ram Dass. [Excerpt from "The Psychedelic Experience"] Ram Dass was not the name that Dass was going by at the time -- he was going by his birth name, and only changed his name a few years later, after the events we're talking about -- but as always, on this podcast we don't use people's deadnames, though his is particularly easy to find as it's still the name on the cover of his most famous book, which we'll be talking about shortly. Dass was another psychologist at the Centre for Personality Research, and he would be Leary's closest collaborator for the next several years. The two men would become so close that at several points Leary would go travelling and leave his children in Dass' care for extended periods of time. The two were determined to revolutionise academic psychology. The start of that revolution didn't come until summer 1960. While Leary was on holiday in Cuernavaca in Mexico, a linguist and anthropologist he knew, Lothar Knauth, mentioned that one of the old women in the area collected those magic mushrooms that Barron had been talking about. Leary decided that that might be a fun thing to do on his holiday, and took a few psilocybin mushrooms. The effect was extraordinary. Leary called this, which had been intended only as a bit of fun, "the deepest religious experience of my life". [Excerpt from "The Psychedelic Experience"] He returned to Harvard after his summer holiday and started what became the Harvard Psilocybin Project. Leary and various other experimenters took controlled doses of psilocybin and wrote down their experiences, and Leary believed this would end up revolutionising psychology, giving them insights unattainable by other methods. The experimenters included lecturers, grad students, and people like authors Allen Ginsberg and William Burroughs, jazz trumpeter Maynard Ferguson, and Alan Watts, who popularised Zen Buddhism in the West. Dass didn't join the project until early 1961 -- he'd actually been on the holiday with Leary, but had arrived a few days after the mushroom experiment, and nobody had been able to get hold of the old woman who knew where to find the mushrooms, so he'd just had to deal with Leary telling him about how great it was rather than try it himself. He then spent a semester as a visiting scholar at Berkeley, so he didn't get to try his first trip until February 1961. Dass, on his first trip, first had a revelation about the nature of his own true soul, then decided at three in the morning that he needed to go and see his parents, who lived nearby, and tell them the good news. But there was several feet of snow, and so he decided he must save his parents from the snow, and shovel the path to their house. At three in the morning. Then he saw them looking out the window at him, he waved, and then started dancing around the shovel. He later said “Until that moment I was always trying to be the good boy, looking at myself through other people's eyes. What did the mothers, fathers, teachers, colleagues want me to be? That night, for the first time, I felt good inside. It was OK to be me.” The Harvard Psilocybin Project soon became the Harvard Psychedelic Project. The term "psychedelic", meaning "soul revealing", was coined by the British psychiatrist Humphrey Osmond, who had been experimenting with hallucinogens for years, and had guided Aldous Huxley on the mescaline trip described in The Doors of Perception. Osmond and Huxley had agreed that the term "psychotomimetic", in use at the time, which meant "mimicking psychosis", wasn't right -- it was too negative. They started writing letters to each other, suggesting alternative terms. Huxley came up with "phanerothyme", the Greek for "soul revealing", and wrote a little couplet to Osmond: To make this trivial world sublime Take half a gramme of phanerothyme. Osmond countered with the Latin equivalent: To fathom hell or soar angelic Just take a pinch of psychedelic Osmond also inspired Leary's most important experimental work of the early sixties. Osmond had got to know Bill W., the founder of Alcoholics Anonymous, and had introduced W. to LSD. W. had become sober after experiencing a profound spiritual awakening and a vision of white light while being treated for his alcoholism using the so-called "belladonna cure" -- a mixture of various hallucinogenic and toxic substances that was meant to cure alcoholism. When W. tried LSD, he found it replicated his previous spiritual experience and became very evangelistic about its use by alcoholics, thinking it could give them the same kind of awakening he'd had. Leary became convinced that if LSD could work on alcoholics, it could also be used to help reshape the personalities of habitual criminals and lead them away from reoffending. His idea for how to treat people was based, in part, on the ideas of transactional analysis. There is always a hierarchical relationship between a therapist and their patient, and that hierarchical relationship itself, in Leary's opinion, forced people into particular game roles and made it impossible for them to relate as equals, and thus impossible for the therapist to truly help the patient. So his idea was that there needed to be a shared bonding experience between patient and doctor. So in his prison experiments, he and the other people involved, including Ralph Metzner, one of his grad students, would take psilocybin *with* the patients. In short-term follow-ups the patients who went through this treatment process were less depressed, felt better, and were only half as likely to reoffend as normal prisoners. But critics pointed out that the prisoners had been getting a lot of individual attention and support, and there was no control group getting that support without the psychedelics. [Excerpt: The Psychedelic Experience] As the experiments progressed, though, things were becoming tense within Harvard. There was concern that some of the students who were being given psilocybin were psychologically vulnerable and were being put at real risk. There was also worry about the way that Leary and Dass were emphasising experience over analysis, which was felt to be against the whole of academia. Increasingly it looked like there was a clique forming as well, with those who had taken part in their experiments on the inside and looking down on those outside, and it looked to many people like this was turning into an actual cult. This was simply not what the Harvard psychology department was meant to be doing. And one Harvard student was out to shut them down for good, and his name was Andrew Weil. Weil is now best known as one of the leading lights in alternative health, and has made appearances on Oprah and Larry King Live, but for many years his research interest was in mind-altering chemicals -- his undergraduate thesis was on the use of nutmeg to induce different states of consciousness. At this point Weil was an undergraduate, and he and his friend Ronnie Winston had both tried to get involved in the Harvard Psilocybin Project, but had been turned down -- while they were enthusiastic about it, they were also undergraduates, and Leary and Dass had agreed with the university that they wouldn't be using undergraduates in their project, and that only graduate students, faculty, and outsiders would be involved. So Weil and Winston had started their own series of experiments, using mescaline after they'd been unable to get any psilocybin -- they'd contacted Aldous Huxley, the author of The Doors of Perception and an influence on Leary and Dass' experiments, and asked him where they could get mescaline, and he'd pointed them in the right direction. But then Winston and Dass had become friends, and Dass had given Winston some psilocybin -- not as part of his experiments, so Dass didn't think he was crossing a line, but just socially. Weil saw this as a betrayal by Winston, who stopped hanging round with him once he became close to Dass, and also as a rejection of him by Dass and Leary. If they'd give Winston psilocybin, why wouldn't they give it to him? Weil was a writer for the Harvard Crimson, Harvard's newspaper, and he wrote a series of exposes on Leary and Dass for the Crimson. He went to his former friend Winston's father and told him "Your son is getting drugs from a faculty member. If your son will admit to that charge, we'll cut out your son's name. We won't use it in the article." Winston did admit to the charge, under pressure from his father, and was brought to tell the Dean, saying to the Dean “Yes, sir, I did, and it was the most educational experience I've had at Harvard.” Weil wrote about this for the Crimson, and the story was picked up by the national media. Weil eventually wrote about Leary and Dass for Look magazine, where he wrote “There were stories of students and others using hallucinogens for seductions, both heterosexual and homosexual.” And this seems actually to have been a big part of Weil's motivation. While Dass and Winston always said that their relationship was purely platonic, Dass was bisexual, and Weil seems to have assumed his friend had been led astray by an evil seducer. This was at a time when homophobia and biphobia were even more prevalent in society than they are now, and part of the reason Leary and Dass fell out in the late sixties is that Leary started to see Dass' sexuality as evil and perverted and something they should be trying to use LSD to cure. The experiments became a national scandal, and one of the reasons that LSD was criminalised a few years later. Dass was sacked for giving drugs to undergraduates; Leary had gone off to Mexico to get away from the stress, leaving his kids with Dass. He would be sacked for going off without permission and leaving his classes untaught. As Leary and Dass were out of Harvard, they had to look for other sources of funding. Luckily, Dass turned William Mellon Hitchcock, the heir to the Mellon oil fortune, on to acid, and he and his brother Tommy and sister Peggy gave them the run of a sixty-four room mansion, named Millbrook. When they started there, they were still trying to be academics, but over the five years they were at Millbrook it became steadily less about research and more of a hippie commune, with regular visitors and long-term residents including Alan Ginsberg, William Burroughs, and the jazz musician Maynard Ferguson, who would later get a small amount of fame with jazz-rock records like his version of "MacArthur Park": [Excerpt: Maynard Ferguson, "MacArthur Park"] It was at Millbrook that Leary, Dass, and Metzner would write the book that became The Psychedelic Experience. This book was inspired by the Bardo Thödol, a book allegedly written by Padmasambhava, the man who introduced Buddhism to Tibet in the eighth century, though no copies of it are known to have existed before the fourteenth century, when it was supposedly discovered by Karma Lingpa. Its title translates as Liberation Through Hearing During the Intermediate State, but it was translated into English under the name The Tibetan Book of the Dead, as Walter Evans-Wentz, who compiled and edited the first English translation was, like many Westerners who studied Buddhism in the early part of the twentieth century, doing so because he was an occultist and a member of the Theosophical Society, which believes the secret occult masters of the world live in Tibet, but which also considered the Egyptian Book of the Dead -- a book which bears little relationship to the Bardo Thödol, and which was written thousands of years earlier on a different continent -- to be a major religious document. So it was through that lens that Evans-Wentz was viewing the Bardo Thödol, and he renamed the book to emphasise what he perceived as its similarities. Part of the Bardo Thödol is a description of what happens to someone between death and rebirth -- the process by which the dead person becomes aware of true reality, and then either transcends it or is dragged back into it by their lesser impulses -- and a series of meditations that can be used to help with that transcendence. In the version published as The Tibetan Book of the Dead, this is accompanied by commentary from Evans-Wentz, who while he was interested in Buddhism didn't actually know that much about Tibetan Buddhism, and was looking at the text through a Theosophical lens, and mostly interpreting it using Hindu concepts. Later editions of Evans-Wentz's version added further commentary by Carl Jung, which looked at Evans-Wentz's version of the book through Jung's own lens, seeing it as a book about psychological states, not about anything more supernatural (although Jung's version of psychology was always a supernaturalist one, of course). His Westernised, psychologised, version of the book's message became part of the third edition. Metzner later said "At the suggestion of Aldous Huxley and Gerald Heard we began using the Bardo Thödol ( Tibetan Book of the Dead) as a guide to psychedelic sessions. The Tibetan Buddhists talked about the three phases of experience on the “intermediate planes” ( bardos) between death and rebirth. We translated this to refer to the death and the rebirth of the ego, or ordinary personality. Stripped of the elaborate Tibetan symbolism and transposed into Western concepts, the text provided a remarkable parallel to our findings." Leary, Dass, and Metzner rewrote the book into a form that could be used to guide a reader through a psychedelic trip, through the death of their ego and its rebirth. Later, Leary would record an abridged audiobook version, and it's this that we've been hearing excerpts of during this podcast so far: [Excerpt: The Psychedelic Experience "Turn off your mind, relax, float downstream" about 04:15] When we left the Beatles, they were at the absolute height of their fame, though in retrospect the cracks had already begun to show. Their second film had been released, and the soundtrack had contained some of their best work, but the title track, "Help!", had been a worrying insight into John Lennon's current mental state. Immediately after making the film and album, of course, they went back out touring, first a European tour, then an American one, which probably counts as the first true stadium tour. There had been other stadium shows before the Beatles 1965 tour -- we talked way back in the first episodes of the series about how Sister Rosetta Tharpe had a *wedding* that was a stadium gig. But of course there are stadiums and stadiums, and the Beatles' 1965 tour had them playing the kind of venues that no other musician, and certainly no other rock band, had ever played. Most famously, of course, there was the opening concert of the tour at Shea Stadium, where they played to an audience of fifty-five thousand people -- the largest audience a rock band had ever played for, and one which would remain a record for many years. Most of those people, of course, couldn't actually hear much of anything -- the band weren't playing through a public address system designed for music, just playing through the loudspeakers that were designed for commentating on baseball games. But even if they had been playing through the kind of modern sound systems used today, it's unlikely that the audience would have heard much due to the overwhelming noise coming from the crowd. Similarly, there were no live video feeds of the show or any of the other things that nowadays make it at least possible for the audience to have some idea what is going on on stage. The difference between this and anything that anyone had experienced before was so great that the group became overwhelmed. There's video footage of the show -- a heavily-edited version, with quite a few overdubs and rerecordings of some tracks was broadcast on TV, and it's also been shown in cinemas more recently as part of promotion for an underwhelming documentary about the Beatles' tours -- and you can see Lennon in particular becoming actually hysterical during the performance of "I'm Down", where he's playing the organ with his elbows. Sadly the audio nature of this podcast doesn't allow me to show Lennon's facial expression, but you can hear something of the exuberance in the performance. This is from what is labelled as a copy of the raw audio of the show -- the version broadcast on TV had a fair bit of additional sweetening work done on it: [Excerpt: The Beatles, "I'm Down (Live at Shea Stadium)"] After their American tour they had almost six weeks off work to write new material before going back into the studio to record their second album of the year, and one which would be a major turning point for the group. The first day of the recording sessions for this new album, Rubber Soul, started with two songs of Lennon's. The first of these was "Run For Your Life", a song Lennon never later had much good to say about, and which is widely regarded as the worst song on the album. That song was written off a line from Elvis Presley's version of "Baby Let's Play House", and while Lennon never stated this, it's likely that it was brought to mind by the Beatles having met with Elvis during their US tour. But the second song was more interesting. Starting with "Help!", Lennon had been trying to write more interesting lyrics. This had been inspired by two conversations with British journalists -- Kenneth Allsop had told Lennon that while he liked Lennon's poetry, the lyrics to his songs were banal in comparison and he found them unlistenable as a result, while Maureen Cleave, a journalist who was a close friend with Lennon, had told him that she hadn't noticed a single word in any of his lyrics with more than two syllables, so he made more of an effort with "Help!", putting in words like "independence" and "insecure". As he said in one of his last interviews, "I was insecure then, and things like that happened more than once. I never considered it before. So after that I put a few words with three syllables in, but she didn't think much of them when I played it for her, anyway.” Cleave may have been an inspiration for "Norwegian Wood (This Bird Has Flown)". There are very strong rumours that Lennon had an affair with Cleave in the mid-sixties, and if that's true it would definitely fit into a pattern. Lennon had many, many, affairs during his first marriage, both brief one-night stands and deeper emotional attachments, and those emotional attachments were generally with women who were slightly older, intellectual, somewhat exotic looking by the standards of 1960s Britain, and in the arts. Lennon later claimed to have had an affair with Eleanor Bron, the Beatles' co-star in Help!, though she always denied this, and it's fairly widely established that he did have an affair with Alma Cogan, a singer who he'd mocked during her peak of popularity in the fifties, but who would later become one of his closest friends: [Excerpt: Alma Cogan, "Why Do Fools Fall in Love?"] And "Norwegian Wood", the second song recorded for Rubber Soul, started out as a confession to one of these affairs, a way of Lennon admitting it to his wife without really admitting it. The figure in the song is a slightly aloof, distant woman, and the title refers to the taste among Bohemian British people at the time for minimalist decor made of Scandinavian pine -- something that would have been a very obvious class signifier at the time. [Excerpt: The Beatles, "Norwegian Wood (This Bird Has Flown)"] Lennon and McCartney had different stories about who wrote what in the song, and Lennon's own story seems to have changed at various times. What seems to have happened is that Lennon wrote the first couple of verses while on holiday with George Martin, and finished it off later with McCartney's help. McCartney seems to have come up with the middle eight melody -- which is in Dorian mode rather than the Mixolydian mode of the verses -- and to have come up with the twist ending, where the woman refuses to sleep with the protagonist and laughs at him, he goes to sleep in the bath rather than her bed, wakes up alone, and sets fire to the house in revenge. This in some ways makes "Norwegian Wood" the thematic centrepiece of the album that was to result, combining several of the themes its two songwriters came back to throughout the album and the single recorded alongside it. Like Lennon's "Run For Your Life" it has a misogynistic edge to it, and deals with taking revenge against a woman, but like his song "Girl", it deals with a distant, unattainable, woman, who the singer sees as above him but who has a slightly cruel edge -- the kind of girl who puts you down when friends are there, you feel a fool, is very similar to the woman who tells you to sit down but has no chairs in her minimalist flat. A big teaser who takes you half the way there is likely to laugh at you as you crawl off to sleep in the bath while she goes off to bed alone. Meanwhile, McCartney's two most popular contributions to the album, "Michelle" and "Drive My Car", also feature unattainable women, but are essentially comedy songs -- "Michelle" is a pastiche French song which McCartney used to play as a teenager while pretending to be foreign to impress girls, dug up and finished for the album, while "Drive My Car" is a comedy song with a twist in the punchline, just like "Norwegian Wood", though "Norwegian Wood"s twist is darker. But "Norwegian Wood" is even more famous for its music than for its lyric. The basis of the song is Lennon imitating Dylan's style -- something that Dylan saw, and countered with "Fourth Time Around", a song which people have interpreted multiple ways, but one of those interpretations has always been that it's a fairly vicious parody of "Norwegian Wood": [Excerpt: Bob Dylan, "Fourth Time Around"] Certainly Lennon thought that at first, saying a few years later "I was very paranoid about that. I remember he played it to me when he was in London. He said, what do you think? I said, I don't like it. I didn't like it. I was very paranoid. I just didn't like what I felt I was feeling – I thought it was an out and out skit, you know, but it wasn't. It was great. I mean he wasn't playing any tricks on me. I was just going through the bit." But the aspect of "Norwegian Wood" that has had more comment over the years has been the sitar part, played by George Harrison: [Excerpt: The Beatles, "Norwegian Wood"] This has often been called the first sitar to be used on a rock record, and that may be the case, but it's difficult to say for sure. Indian music was very much in the air among British groups in September 1965, when the Beatles recorded the track. That spring, two records had almost simultaneously introduced Indian-influenced music into the pop charts. The first had been the Yardbirds' "Heart Full of Soul", released in June and recorded in April. In fact, the Yardbirds had actually used a sitar on their first attempt at recording the song, which if it had been released would have been an earlier example than the Beatles: [Excerpt: The Yardbirds, "Heart Full of Soul (first version)"] But in the finished recording they had replaced that with Jeff Beck playing a guitar in a way that made it sound vaguely like a sitar, rather than using a real one: [Excerpt: The Yardbirds, "Heart Full of Soul (single)"] Meanwhile, after the Yardbirds had recorded that but before they'd released it, and apparently without any discussion between the two groups, the Kinks had done something similar on their "See My Friends", which came out a few weeks after the Yardbirds record: [Excerpt: The Kinks, "See My Friends"] (Incidentally, that track is sometimes titled "See My Friend" rather than "See My Friends", but that's apparently down to a misprint on initial pressings rather than that being the intended title). As part of this general flowering of interest in Indian music, George Harrison had become fascinated with the sound of the sitar while recording scenes in Help! which featured some Indian musicians. He'd then, as we discussed in the episode on "Eight Miles High" been introduced by David Crosby on the Beatles' summer US tour to the music of Ravi Shankar. "Norwegian Wood" likely reminded Harrison of Shankar's work for a couple of reasons. The first is that the melody is very modal -- as I said before, the verses are in Mixolydian mode, while the middle eights are in Dorian -- and as we saw in the "Eight Miles High" episode Indian music is very modal. The second is that for the most part, the verse is all on one chord -- a D chord as Lennon originally played it, though in the final take it's capoed on the second fret so it sounds in E. The only time the chord changes at all is on the words "once had" in the phrase “she once had me” where for one beat each Lennon plays a C9 and a G (sounding as a D9 and A). Both these chords, in the fingering Lennon is using, feel to a guitarist more like "playing a D chord and lifting some fingers up or putting some down" rather than playing new chords, and this is a fairly common way of thinking about stuff particularly when talking about folk and folk-rock music -- you'll tend to get people talking about the "Needles and Pins" riff as being "an A chord where you twiddle your finger about on the D string" rather than changing between A, Asus2, and Asus4. So while there are chord changes, they're minimal and of a kind that can be thought of as "not really" chord changes, and so that may well have reminded Harrison of the drone that's so fundamental to Indian classical music. Either way, he brought in his sitar, and they used it on the track, both the version they cut on the first day of recording and the remake a week later which became the album track: [Excerpt: The Beatles, "Norwegian Wood (This Bird Has Flown)"] At the same time as the group were recording Rubber Soul, they were also working on two tracks that would become their next single -- released as a double A-side because the group couldn't agree which of the two to promote. Both of these songs were actual Lennon/McCartney collaborations, something that was increasingly rare at this point. One, "We Can Work it Out" was initiated by McCartney, and like many of his songs of this period was inspired by tensions in his relationship with his girlfriend Jane Asher -- two of his other songs for Rubber Soul were "I'm Looking Through You" and "You Won't See Me". The other, "Day Tripper", was initiated by Lennon, and had other inspirations: [Excerpt: The Beatles, "Day Tripper"] John Lennon and George Harrison's first acid trip had been in spring of 1965, around the time they were recording Help! The fullest version of how they came to try it I've read was in an interview George Harrison gave to Creem magazine in 1987, which I'll quote a bit of: "I had a dentist who invited me and John and our ex-wives to dinner, and he had this acid he'd got off the guy who ran Playboy in London. And the Playboy guy had gotten it off, you know, the people who had it in America. What's his name, Tim Leary. And this guy had never had it himself, didn't know anything about it, but he thought it was an aphrodisiac and he had this girlfriend with huge breasts. He invited us down there with our blonde wives and I think he thought he was gonna have a scene. And he put it in our coffee without telling us—he didn't take any himself. We didn't know we had it, and we'd made an arrangement earlier—after we had dinner we were gonna go to this nightclub to see some friends of ours who were playing in a band. And I was saying, "OK, let's go, we've got to go," and this guy kept saying, "No, don't go, finish your coffee. Then, 20 minutes later or something, I'm saying, "C'mon John, we'd better go now. We're gonna miss the show." And he says we shouldn't go 'cause we've had LSD." They did leave anyway, and they had an experience they later remembered as being both profound and terrifying -- nobody involved had any idea what the effects of LSD actually were, and they didn't realise it was any different from cannabis or amphetamines. Harrison later described feelings of universal love, but also utter terror -- believing himself to be in hell, and that world war III was starting. As he said later "We'd heard of it, but we never knew what it was about and it was put in our coffee maliciously. So it really wasn't us turning each other or the world or anything—we were the victims of silly people." But both men decided it was an experience they needed to have again, and one they wanted to share with their friends. Their next acid trip was the one that we talked about in the episode on "Eight Miles High", with Roger McGuinn, David Crosby, and Peter Fonda. That time Neil Aspinall and Ringo took part as well, but at this point Paul was still unsure about taking it -- he would later say that he was being told by everyone that it changed your worldview so radically you'd never be the same again, and he was understandably cautious about this. Certainly it had a profound effect on Lennon and Harrison -- Starr has never really talked in detail about his own experiences. Harrison would later talk about how prior to taking acid he had been an atheist, but his experiences on the drug gave him an unshakeable conviction in the existence of God -- something he would spend the rest of his life exploring. Lennon didn't change his opinions that drastically, but he did become very evangelistic about the effects of LSD. And "Day Tripper" started out as a dig at what he later described as weekend hippies, who took acid but didn't change the rest of their lives -- which shows a certain level of ego in a man who had at that point only taken acid twice himself -- though in collaboration with McCartney it turned into another of the rather angry songs about unavailable women they were writing at this point. The line "she's a big teaser, she took me half the way there" apparently started as "she's a prick teaser": [Excerpt: The Beatles, "Day Tripper"] In the middle of the recording of Rubber Soul, the group took a break to receive their MBEs from the Queen. Officially the group were awarded these because they had contributed so much to British exports. In actual fact, they received them because the Prime Minister, Harold Wilson, had a government with a majority of only four MPs and was thinking about calling an election to boost his majority. He represented a Liverpool constituency, and wanted to associate his Government and the Labour Party with the most popular entertainers in the UK. "Day Tripper" and "We Can Work it Out" got their TV premiere on a show recorded for Granada TV, The Music of Lennon and McCartney, and fans of British TV trivia will be pleased to note that the harmonium Lennon plays while the group mimed "We Can Work it Out" in that show is the same one that was played in Coronation Street by Ena Sharples -- the character we heard last episode being Davy Jones' grandmother. As well as the Beatles themselves, that show included other Brian Epstein artists like Cilla Black and Billy J Kramer singing songs that Lennon and McCartney had given to them, plus Peter Sellers, the Beatles' comedy idol, performing "A Hard Day's Night" in the style of Laurence Olivier as Richard III: [Excerpt: Peter Sellers, "A Hard Day's Night"] Another performance on the show was by Peter and Gordon, performing a hit that Paul had given to them, one of his earliest songs: [Excerpt: Peter and Gordon, "A World Without Love"] Peter Asher, of Peter and Gordon, was the brother of Paul McCartney's girlfriend, the actor Jane Asher. And while the other three Beatles were living married lives in mansions in suburbia, McCartney at this point was living with the Asher family in London, and being introduced by them to a far more Bohemian, artistic, hip crowd of people than he had ever before experienced. They were introducing him to types of art and culture of which he had previously been ignorant, and while McCartney was the only Beatle so far who hadn't taken LSD, this kind of mind expansion was far more appealing to him. He was being introduced to art film, to electronic composers like Stockhausen, and to ideas about philosophy and art that he had never considered. Peter Asher was a friend of John Dunbar, who at the time was Marianne Faithfull's husband, though Faithfull had left him and taken up with Mick Jagger, and of Barry Miles, a writer, and in September 1965 the three men had formed a company, Miles, Asher and Dunbar Limited, or MAD for short, which had opened up a bookshop and art gallery, the Indica Gallery, which was one of the first places in London to sell alternative or hippie books and paraphernalia, and which also hosted art events by people like members of the Fluxus art movement. McCartney was a frequent customer, as you might imagine, and he also encouraged the other Beatles to go along, and the Indica Gallery would play an immense role in the group's history, which we'll look at in a future episode. But the first impact it had on the group was when John and Paul went to the shop in late 1965, just after the recording and release of Rubber Soul and the "Day Tripper"/"We Can Work It Out" single, and John bought a copy of The Psychedelic Experience by Leary, Dass, and Metzner. He read the book on a plane journey while going on holiday -- reportedly while taking his third acid trip -- and was inspired. When he returned, he wrote a song which became the first track to be recorded for the group's next album, Revolver: [Excerpt: The Beatles, "Tomorrow Never Knows"] The lyrics were inspired by the parts of The Psychedelic Experience which were in turn inspired by the Tibetan Book of the Dead. Now, it's important to put it this way because most people who talk about this record have apparently never read the book which inspired it. I've read many, many, books on the Beatles which claim that The Psychedelic Experience simply *is* the Tibetan Book of the Dead, slightly paraphrased. In fact, while the authors use the Tibetan Book of the Dead as a structure on which to base their book, much of the book is detailed descriptions of Leary, Dass, and Metzner's hypotheses about what is actually happening during a psychedelic trip, and their notes on the book -- in particular they provide commentaries to the commentaries, giving their view of what Carl Jung meant when he talked about it, and of Evans-Wentz's opinions, and especially of a commentary by Anagarika Govinda, a Westerner who had taken up Tibetan Buddhism seriously and become a monk and one of its most well-known exponents in the West. By the time it's been filtered through so many different viewpoints and perspectives, each rewriting and reinterpreting it to suit their own preconceived ideas, they could have started with a book on the habitat of the Canada goose and ended with much the same result. Much of this is the kind of mixture between religious syncretism and pseudoscience that will be very familiar to anyone who has encountered New Age culture in any way, statements like "The Vedic sages knew the secret; the Eleusinian Initiates knew it; the Tantrics knew it. In all their esoteric writings they whisper the message: It is possible to cut beyond ego-consciousness, to tune in on neurological processes which flash by at the speed of light, and to become aware of the enormous treasury of ancient racial knowledge welded into the nucleus of every cell in your body". This kind of viewpoint is one that has been around in one form or another since the nineteenth century religious revivals in America that led to Mormonism, Christian Science, and the New Thought. It's found today in books and documentaries like The Secret and the writings of people like Deepak Chopra, and the idea is always the same one -- people thousands of years ago had a lost wisdom that has only now been rediscovered through the miracle of modern science. This always involves a complete misrepresentation of both the lost wisdom and of the modern science. In particular, Leary, Dass, and Metzner's book freely mixes between phrases that sound vaguely scientific, like "There are no longer things and persons but only the direct flow of particles", things that are elements of Tibetan Buddhism, and references to ego games and "game-existence" which come from Leary's particular ideas of psychology as game interactions. All of this is intermingled, and so the claims that some have made that Lennon based the lyrics on the Tibetan Book of the Dead itself are very wrong. Rather the song, which he initially called "The Void", is very much based on Timothy Leary. The song itself was very influenced by Indian music. The melody line consists of only four notes -- E, G, C, and B flat, over a space of an octave: [Demonstrates] This sparse use of notes is very similar to the pentatonic scales in a lot of folk music, but that B-flat makes it the Mixolydian mode, rather than the E minor pentatonic scale our ears at first make it feel like. The B-flat also implies a harmony change -- Lennon originally sang the whole song over one chord, a C, which has the notes C, E, and G in it, but a B-flat note implies instead a chord of C7 -- this is another one of those occasions where you just put one finger down to change the chord while playing, and I suspect that's what Lennon did: [Demonstrates] Lennon's song was inspired by Indian music, but what he wanted was to replicate the psychedelic experience, and this is where McCartney came in. McCartney was, as I said earlier, listening to a lot of electronic composers as part of his general drive to broaden his mind, and in particular he had been listening to quite a bit of Karlheinz Stockhausen. Stockhausen was a composer who had studied with Olivier Messiaen in the 1940s, and had then become attached to the Groupe de Recherche de Musique Concrète along with Messiaen, Pierre Boulez, Edgard Varese and others, notably Pierre Schaeffer and Pierre Henry. These composers were interested in a specific style of music called musique concrète, a style that had been pioneered by Schaeffer. Musique concrète is music that is created from, or at least using, prerecorded sounds that have been electronically altered, rather than with live instruments. Often this would involve found sound -- music made not by instruments at all, but by combining recorded sounds of objects, like with the first major work of musique concrète, Pierre Schaeffer's Cinq études de bruits: [Excerpt: Pierre Schaeffer, "Etude aux Chemins de faire" (from Cinq études de bruits)] Early on, musique concrète composers worked in much the same way that people use turntables to create dance music today -- they would have multiple record players, playing shellac discs, and a mixing desk, and they would drop the needle on the record players to various points, play the records backwards, and so forth. One technique that Schaeffer had come up with was to create records with a closed groove, so that when the record finished, the groove would go back to the start -- the record would just keep playing the same thing over and over and over. Later, when magnetic tape had come into use, Schaeffer had discovered you could get the same effect much more easily by making an actual loop of tape, and had started making loops of tape whose beginnings were stuck to their ending -- again creating something that could keep going over and over. Stockhausen had taken up the practice of using tape loops, most notably in a piece that McCartney was a big admirer of, Gesang der Jeunglinge: [Excerpt: Karlheinz Stockhausen, "Gesang der Jeunglinge"] McCartney suggested using tape loops on Lennon's new song, and everyone was in agreement. And this is the point where George Martin really starts coming into his own as a producer for the group. Martin had always been a good producer, but his being a good producer had up to this point mostly consisted of doing little bits of tidying up and being rather hands-off. He'd scored the strings on "Yesterday", played piano parts, and made suggestions like speeding up "Please Please Me" or putting the hook of "Can't Buy Me Love" at the beginning. Important contributions, contributions that turned good songs into great records, but nothing that Tony Hatch or Norrie Paramor or whoever couldn't have done. Indeed, his biggest contribution had largely been *not* being a Hatch or Paramor, and not imposing his own songs on the group, letting their own artistic voices flourish. But at this point Martin's unique skillset came into play. Martin had specialised in comedy records before his work with the Beatles, and he had worked with Peter Sellers and Spike Milligan of the Goons, making records that required a far odder range of sounds than the normal pop record: [Excerpt: The Goons, "Unchained Melody"] The Goons' radio show had used a lot of sound effects created by the BBC Radiophonic Workshop, a department of the BBC that specialised in creating musique concrète, and Martin had also had some interactions with the Radiophonic Workshop. In particular, he had worked with Maddalena Fagandini of the Workshop on an experimental single combining looped sounds and live instruments, under the pseudonym "Ray Cathode": [Excerpt: Ray Cathode, "Time Beat"] He had also worked on a record that is if anything even more relevant to "Tomorrow Never Knows". Unfortunately, that record is by someone who has been convicted of very serious sex offences. In this case, Rolf Harris, the man in question, was so well-known in Britain before his arrest, so beloved, and so much a part of many people's childhoods, that it may actually be traumatic for people to hear his voice knowing about his crimes. So while I know that showing the slightest consideration for my listeners' feelings will lead to a barrage of comments from angry old men calling me a "woke snowflake" for daring to not want to retraumatise vulnerable listeners, I'll give a little warning before I play the first of two segments of his recordings in a minute. When I do, if you skip forward approximately ninety seconds, you'll miss that section out. Harris was an Australian all-round entertainer, known in Britain for his novelty records, like the unfortunately racist "Tie Me Kangaroo Down Sport" -- which the Beatles later recorded with him in a non-racist version for a BBC session. But he had also, in 1960, recorded and released in Australia a song he'd written based on his understanding of Aboriginal Australian religious beliefs, and backed by Aboriginal musicians on didgeridoo. And we're going to hear that clip now: [Excerpt. Rolf Harris, "Sun Arise" original] EMI, his British label, had not wanted to release that as it was, so he'd got together with George Martin and they'd put together a new version, for British release. That had included a new middle-eight, giving the song a tiny bit of harmonic movement, and Martin had replaced the didgeridoos with eight cellos, playing a drone: [Excerpt: Rolf Harris, "Sun Arise", 1962 version ] OK, we'll just wait a few seconds for anyone who skipped that to catch up... Now, there are some interesting things about that track. That is a track based on a non-Western religious belief, based around a single drone -- the version that Martin produced had a chord change for the middle eight, but the verses were still on the drone -- using the recording studio to make the singer's voice sound different, with a deep, pulsating, drum sound, and using a melody with only a handful of notes, which doesn't start on the tonic but descends to it. Sound familiar? Oh, and a young assistant engineer had worked with George Martin on that session in 1962, in what several sources say was their first session together, and all sources say was one of their first. That young assistant engineer was Geoff Emerick, who had now been promoted to the main engineer role, and was working his first Beatles session in that role on “Tomorrow Never Knows”. Emerick was young and eager to experiment, and he would become a major part of the Beatles' team for the next few years, acting as engineer on all their recordings in 1966 and 67, and returning in 1969 for their last album. To start with, the group recorded a loop of guitar and drums, heavily treated: [Excerpt: "Tomorrow Never Knows", loop] That loop was slowed down to half its speed, and played throughout: [Excerpt: "Tomorrow Never Knows", loop] Onto that the group overdubbed a second set of live drums and Lennon's vocal. Lennon wanted his voice to sound like the Dalai Lama singing from a mountaintop, or like thousands of Tibetan monks. Obviously the group weren't going to fly to Tibet and persuade monks to sing for them, so they wanted some unusual vocal effect. This was quite normal for Lennon, actually. One of the odd things about Lennon is that while he's often regarded as one of the greatest rock vocalists of all time, he always hated his own voice and wanted to change it in the studio. After the Beatles' first album there's barely a dry Lennon solo vocal anywhere on any record he ever made. Either he would be harmonising with someone else, or he'd double-track his vocal, or he'd have it drenched in reverb, or some other effect -- anything to stop it sounding quite so much like him. And Geoff Emerick had the perfect idea. There's a type of speaker called a Leslie speaker, which was originally used to give Hammond organs their swirling sound, but which can be used with other instruments as well. It has two rotating speakers inside it, a bass one and a treble one, and it's the rotation that gives the swirling sound. Ken Townsend, the electrical engineer working on the record, hooked up the speaker from Abbey Road's Hammond organ to Lennon's mic, and Lennon was ecstatic with the sound: [Excerpt: The Beatles, "Tomorrow Never Knows", take one] At least, he was ecstatic with the sound of his vocal, though he did wonder if it might be more interesting to get the same swirling effect by tying himself to a rope and being swung round the microphone The rest of the track wasn't quite working, though, and they decided to have a second attempt. But Lennon had been impressed enough by Emerick that he decided to have a chat with him about music -- his way of showing that Emerick had been accepted. He asked if Emerick had heard the new Tiny Tim record -- which shows how much attention Lennon was actually paying to music at this point. This was two years before Tim's breakthrough with "Tiptoe Through the Tulips", and his first single (unless you count a release from 1963 that was only released as a 78, in the sixties equivalent of a hipster cassette-only release), a version of "April Showers" backed with "Little Girl" -- the old folk song also known as "In the Pines" or "Where Did You Sleep Last Night?": [Excerpt: Tiny Tim, "Little Girl"] Unfortunately for Emerick, he hadn't heard the record, and rather than just say so he tried bluffing, saying "Yes, they're great". Lennon laughed at his attempt to sound like he knew what he was talking about, before explaining that Tiny Tim was a solo artist, though he did say "Nobody's really sure if it's actually a guy or some drag queen". For the second attempt, they decided to cut the whole backing track live rather than play to a loop. Lennon had had trouble staying in sync with the loop, but they had liked the thunderous sound that had been got from slowing the tape down. As Paul talked with Ringo about his drum part, suggesting a new pattern for him to play, Emerick went down into the studio from the control room and made some adjustments. He first deadened the sound of the bass drum by sticking a sweater in it -- it was actually a promotional sweater with eight arms, made when the film Help! had been provisionally titled Eight Arms to Hold You, which Mal Evans had been using as packing material. He then moved the mics much, much closer to the drums that EMI studio rules allowed -- mics can be damaged by loud noises, and EMI had very strict rules about distance, not allowing them within two feet of the drum kit. Emerick decided to risk his job by moving the mics mere inches from the drums, reasoning that he would probably have Lennon's support if he did this. He then put the drum signal through an overloaded Fairfield limiter, giving it a punchier sound than anything that had been recorded in a British studio up to that point: [Excerpt: The Beatles, "Tomorrow Never Knows", isolated drums] That wasn't the only thing they did to make the record sound different though. As well as Emerick's idea for the Leslie speaker, Ken Townsend had his own idea of how to make Lennon's voice sound different. Lennon had often complained about the difficulty of double-tracking his voice, and so Townsend had had an idea -- if you took a normal recording, fed it to another tape machine a few milliseconds out of sync with the first, and then fed it back into the first, you could create a double-tracked effect without having to actually double-track the vocal. Townsend suggested this, and it was used for the first time on the first half of "Tomorrow Never Knows", before the Leslie speaker takes over. The technique is now known as "artificial double-tracking" or ADT, but the session actually gave rise to another term, commonly used for a similar but slightly different tape-manipulation effect that had already been used by Les Paul among others. Lennon asked how they'd got the effect and George Martin started to explain, but then realised Lennon wasn't really interested in the technical details, and said "we take the original image and we split it through a double-bifurcated sploshing flange". From that point on, Lennon referred to ADT as "flanging", and the term spread, though being applied to the other technique. (Just as a quick aside, some people have claimed other origins for the term "flanging", and they may be right, but I think this is the correct story). Over the backing track they added tambourine and organ overdubs -- with the organ changing to a B flat chord when the vocal hits the B-flat note, even though the rest of the band stays on C -- and then a series of tape loops, mostly recorded by McCartney. There's a recording that circulates which has each of these loops isolated, played first forwards and then backwards at the speed they were recorded, and then going through at the speed they were used on the record, so let's go through these. There's what people call the "seagull" sound, which is apparently McCartney laughing, very distorted: [Excerpt: Tomorrow Never Knows loop] Then there's an orchestral chord: [Excerpt: Tomorrow Never Knows loop] A mellotron on its flute setting: [Excerpt: Tomorrow Never Knows loop] And on its string setting: [Excerpt: Tomorrow Never Knows loop] And a much longer loop of sitar music supplied by George: [Excerpt: Tomorrow Never Knows loop] Each of these loops were played on a different tape machine in a different part of Abbey Road -- they commandeered the entire studio complex, and got engineers to sit with the tapes looped round pencils and wine-glasses, while the Beatles supervised Emerick and Martin in mixing the loops into a single track. They then added a loop of a tamboura drone played by George, and the result was one of the strangest records ever released by a major pop group: [Excerpt: The Beatles, "Tomorrow Never Knows"] While Paul did add some backwards guitar -- some sources say that this is a cut-up version of his solo from George's song "Taxman", but it's actually a different recording, though very much in the same style -- they decided that they were going to have a tape-loop solo rather than a guitar solo: [Excerpt: The Beatles, "Tomorrow Never Knows"] And finally, at the end, there's some tack piano playing from McCartney, inspired by the kind of joke piano parts that used to turn up on the Goon Show. This was just McCartney messing about in the studio, but it was caught on tape, and they asked for it to be included at the end of the track. It's only faintly audible on the standard mixes of the track, but there was actually an alternative mono mix which was only released on British pressings of the album pressed on the first day of its release, before George Martin changed his mind about which mix should have been used, and that has a much longer excerpt of the piano on it. I have to say that I personally like that mix more, and the extra piano at the end does a wonderful job of undercutting what could otherwise be an overly-serious track, in much the same way as the laughter at the end of "Within You, Without You", which they recorded the next year. The same goes for the title -- the track was originally called "The Void", and the tape boxes were labelled "Mark One", but Lennon decided to name the track after one of Starr's malapropisms, the same way they had with "A Hard Day's Night", to avoid the track being too pompous. [Excerpt: Beatles interview] A track like that, of course, had to end the album. Now all they needed to do was to record another thirteen tracks to go before it. But that -- and what they did afterwards, is a story for another time. [Excerpt, "Tomorrow Never Knows (alternate mono mix)" piano tag into theme music]
In this episode, Anne Champion walks us through legal protections for the press and publishers, including Anti-SLAPP statutes, and the “actual malice” standard adopted by the Supreme Court in the famous First Amendment case of New York Times v. Sullivan. Along the way, we hear about Anne's representation of Mary Trump in two lawsuits, including one brought by former President Donald Trump, relating to Mary Trump's book Too Much and Never Enough: How My Family Created the World's Most Dangerous Man. We also discuss the recent libel case brought by Sarah Palin against the New York Times. Then, we get garrulous with Anne about something more personal. Twenty-five years ago, a high school friend of hers, Laura Van Wyhe, was found almost lifeless by the side of a road, apparently the victim of foul play. Laura died at a hospital soon thereafter, and the case has remained unsolved all these years. More recently, Anne has made it a personal mission to uncover new leads and solve the case. The intertwined stories of Laura's death, and Anne's pursuit of the truth, has recently been the subject of a gripping podcast called Bonaparte. We'll talk to Anne about the making of that podcast, and her continued hunt for clues to the untimely death of her friend. MORE FROM OUR GUEST Anne Champion's bio: https://www.gibsondunn.com/lawyer/champion-anne/ The Laura Van Wyhe case: https://championforlaura.com/ Bonaparte: https://podcasts.apple.com/gr/podcast/bonaparte/id1587714904 CONNECT WITH THE SHOW Visit our website: http://thegarrulousgavel.com The Garrulous Gavel on Twitter: https://twitter.com/garrulousgavel The Garrulous Gavel on Facebook: https://www.facebook.com/garrulousgavel Contact us: garrulousgavel@gmail.com More about Jon Tycko: https://www.fraudfighters.net/people/jonathan-tycko/
On this episode of Something To Wrestle, Bruce and Conrad profile the career of "The World's Most Dangerous Man," Ken Shamrock, who turns 58 on Friday! Topics include training with Nelson Royal and Gene Anderson, his run in the UFC, his arrival in the WWF, being the special referee at WrestleMania 13, feuding with the Hart Foundation, the Lion's Den match against Owen, King of the Ring 1998, and much more! SHEETZ - Energy drink or Milkshake? Imagine getting your favorite energy-bursting G fuel flavors whipped, iced, and milkshak-ified! Go to www.SHEETZ.com and grab a Focus Freak Milkshake for 3.99 or less! Use offer code ENERGIZE to save $1 when you order on the SHEETZ app! TRUEBILL - Truebill is the smartest way to manage your finances. The average person saves $720 per year with Truebill. Get started today at Truebill.com/WRESTLE. SHOPIFY - Shopify gives small business owners the ability to level up their business by making sales fast and easy! Go too Shopify.com/wrestle for a free 14 day trial today! AURA - Aura provides digital security protection to keep your online finances, personal information, and tech safe from online threats. It's all-in-one protection from identity theft, financial fraud, malware, scam sites, and so much more. For a limited time, Aura is offering our listeners up to 40% off plans when you visit AURA.com/WRESTLE. INDEED - Get started RIGHT NOW with a FREE $75 SPONSORED JOB CREDIT to upgrade your job post at INDEED.com/WRESTLE. Offer valid through JUNE 30TH. Terms and conditons apply SAVE WITH CONRAD - If you have credit card debt or in a 30 year loan? Well, we can help you get out of that pinch and save money at the same time! Head over to SaveWithConrad.com for a quick quote. BETTER HELP - I want you to start living a happier life today. As a listener, you'll get 10% off your first month by visiting our sponsor at BetterHelp.com/WRESTLE Join over 1 million people who have taken charge of their mental health. LUCY - LUCY Nicotine is a company founded by former smokers looking for a better and cleaner nicotine alternative. Finally, tobacco alternatives that don't suck. Try LUCY today and get 20% your order! Go to WWW.LUCY.CO and use promo code: WRESTLE STANCE - Stance believes that the perfect fit matters more than fitting in. That those who feel good, do good. Go see for yourself. Register for an account at Stance.com and get 15% off your first purchase. Use promo code WRESTLE at checkout to apply. Enjoy the color and comfort of a life less ordinary… with Stance. GOLIATH LIFE - GoliathLife.com streamlines the life insurance purchase process by allowing you to get quotes from more than twenty carriers all at the same time and at the same place: GoliathLife.com. BLUECHEW - Bluechew gives you confidence in bed every time. Visit BlueChew.com and get your first order free when use promo code WRESTLE Just pay $5 shipping! Learn more about your ad choices. Visit megaphone.fm/adchoices
This special episode features Pentagon Papers whistleblower Daniel Ellsberg. About a year ago, on Groundhog Day 2021, Ellsberg came my peace studies class. He was prepared to answer questions from students, which he did, but only after being surprised by a number of luminaries who had previously agreed to join us. The surprise guests included James Galbraith, Peter Kuznick, Katharine Gun, and Peter Dale Scott. The class—Peace Studies of the American Century—is one that I developed in collaboration with American University history professor Peter Kuznick and filmmaker Oliver Stone. Daniel Ellsberg is the author of Secrets: A Memoir of Vietnam and the Pentagon Papers, and The Doomsday Machine: Confessions of a Nuclear War Planner. His life story is the subject of The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers, the Oscar-nominated documentary that Edward Snowden credited for inspiring his own act of whistleblowing. Lastly, we are joined by former CIA officer John Kiriakou, the heroic individual who went to jail for blowing the whistle on CIA torture. He was kind enough to offer his own very memorable tribute to Daniel Ellsberg. Special thanks to Mickey Huff and Anthony Fest of Project Censored, Casey Moore for the episode art, and Dana Chavarria for the sound engineering! Music: "End of the World" by Mock Orange
On this week's episode we discuss our reactions to, and our thoughts about, MOU:R episodes 3 & 4, "The Most Dangerous Man in Eternia," and "Land of the Dead" respectively. We also tackle the toxic fan culture around the show. Have a listen and do join the conversation.
Pres. Trump released a video message hours after defending rioters saying “I am outraged by the violence, lawlessness and mayhem.” This comes a day after telling the same people “We have to have peace. So go home. We love you. You're very special." Democratic leadership is weighing a quick impeachment vote if Vice President Pence doesn’t use the 25th Amendment to remove Trump from office. Independent Senator Bernie Sanders joins AC360 to react to the President’s latest message and says the best step is getting him out of office as soon as possible. Plus, a federal prosecutor is examining the President’s role in sparking the violence at the Capitol. Mary Trump, President Trump’s niece and author of “Too Much and Never Enough: How My Family Created the World's Most Dangerous Man” tells Anderson Cooper as inauguration gets closer, the country needs to be prepared for what Trump could do and thinks it’s “extraordinary unlikely” he resigns. Airdate: January 7, 2021 Guests: Sen. Bernie Sanders Mary Trump To learn more about how CNN protects listener privacy, visit cnn.com/privacy
President-elect Joe Biden warned that “more people may die” if Pres. Trump doesn’t start to cooperate with the transition process and it could potentially delay the rapid distribution of the Covid-19 vaccine when his administration takes over in January. More than 73,000 people are currently hospitalized with coronavirus in the United States, the highest number the country has seen. More than 247,000 Americans have died because of the virus. Dr. Thomas Frieden is a former CDC Director. He tells Anderson Cooper “it’s essential that there’s collaboration, communication and coordination to pass the baton.” Plus, Trump is showing little indication he plans to back off the false claim he won the election even as his legal challenges fizzle. Lawsuits that attempted to disrupt Biden’s wins in four states have been withdrawn. Mary Trump is Pres. Trump’s niece and the author of “Too Much and Never Enough: How My Family Created the World's Most Dangerous Man.” She joins AC360 to react to her uncle refusing to accept reality and says his behavior continues to undermine people’s faith on the legitimacy of this election and the legitimacy of the incoming administration. Airdate: November 16, 2020 Guests: Dr. Tom Frieden Mary TrumpTo learn more about how CNN protects listener privacy, visit cnn.com/privacy