Podcasts about og maco

On the 78th episode of Shirley's Temple, I sat with UnoTheActivist about new music, meeting Busta Rhymes, calling Rubi Rose while on acid, launching his own app, getting shot & touring the next month, knowing OG Maco, wanting 10 kids, love for Bktharula & more! Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode: Welcome to episode 345! Roderick & Cari return after 2 weeks to put a cap on 2025. In new music, the guys talk releases from Dr. Dre & Snoop Dogg, along with upcoming music from SZA & Gunna. In news, the crew talks Dreamville Fest 2025, JAY-Z's recent rape allegations, Lil Wayne congratulating Kendrick Lamar on his Super Bowl Performance, OG Maco & more.   Intro: Chris Brown- No Time Like Christmas   Roderick | Leon Thomas- SAFE PLACE   Cari | THEY- Straight Up   Subscribe to Apple Music now to hear all of the new albums & tracks we discuss: https://apple.co/3NgdXW

Fyrir þrjátíu árum síðan ríkti mikil bjartsýni og stórhugur meðal íslenskra handboltaunnenda, en þá, árið 1995 hélt Ísland einmitt heimsmeistaramótið í handbolta - fyrsta og eina skiptið sem Ísland hefur haldið stórmót í boltaíþrótt. Að þessu tilefni höfum við verið að endurflytja örseriuna “Þegar Ísland hélt stórmót” sem við Anna Marsibil Clausen gerðum hér í Lestinni fyrir nokkrum árum um þetta sögulega mót - mót sem var mjög umdeilt á sínum tima, og er það kannski enn. Í þætti dagsins heyrum við fjórða og síðasta þátt seríunnar og þá verður rætt um afleiðingar og eftirmála keppninnar. Við heyrum líka um bandaríska rapparann OG Maco sem lést í lok síðasta árs, en hann var rétt rúmlega þrítugur. Maco spilaði á Íslandi árið 2017 og vakti mikla athygli fyrir sviðsframkomu sína. Þórður Ingi Jónsson minnist rapparans og ræðir um hann við Lexa Picasso. Katrín Helga Ólafsdóttir tónlistarkona og pistlahöfundur í Lestinni ferðaðst til Sisimiut á vesturströnd Grænlands í desember í fyrra og kynnti sér land og þjóð. Í dag flytur hún okkur pistil um það hvernig þjóðarsálin kemur henni fyrri sjónir: litaval á húsum, skammdegið, jólaljós, kóramenning, mótmæli vegna foreldraprófa, endurvakning gamalla hefða, Allt þetta og margt fleira kemur við sögu í innslaginu. Við nefnum líka tilnefningar til Óskarsverðlaunanna sem voru kunngjörðar fyrr í dag.

On this episode: Welcome to episode 346 & Welcome to 2025! After a Holiday break, Roderick & Cari are back. Recapping what's been missed over the past weeks, the guys talk music from albums from Lil Baby & SZA, along with single releases from Tyler, The Creator, Jack Harlow, Drake, & more. In news, Coi Leray & Trippie Redd expecting their first child, a Luther Vandross documentary on the way from CNN, & the passing of OG Maco, Jimmy Carter, & Greg Gumbel.   Intro: DJ Khaled- Jermaine's Interlude (feat. J. Cole)   Roderick | Common & Pete Rock- Lonesome   Cari | SZA- Drive   Subscribe to Apple Music now to hear all of the new albums & tracks we discuss: https://apple.co/3NgdXW

Today's Sponsor: AppSumohttps://thisistheconversationproject.com/appsumo    Today's Rundown:   Weekend Deaths Include Olivia Hussey, Dayle Haddon, OG Maco, Greg Gumbel, Jimmy Carter- https://www.yahoo.com/entertainment/olivia-hussey-romeo-juliet-black-021838344.html- https://www.aol.com/dayle-haddon-dies-suspected-carbon-223400946.html- https://www.usatoday.com/story/entertainment/music/2024/12/27/og-maco-dead-rapper-u-guessed-it/77263241007/?tbref=hp- https://www.aol.com/greg-gumbel-cbs-sports-broadcasting-221931860.html- https://www.nbcnews.com/politics/politics-news/former-president-jimmy-carter-dies-100-rcna42410Winning Ticket for $1.22 Billion Mega Millions Jackpot Sold in Californiahttps://www.yahoo.com/news/winning-ticket-mega-millions-1-060815965.html  Trump Declares Support for H-1B Visas Amid GOP Immigration Debatehttps://www.foxnews.com/politics/trump-says-he-believer-h-1b-visas-skilled-migrant-workers-right-spars-immigration-report  NYC Subway Killing Suspect Indicted on Murder and Arson Chargeshttps://www.usatoday.com/story/news/nation/2024/12/27/subway-fire-new-york-sebastian-zapeta-indicted/77256428007/Bad Bunny Announces New Album Titled ‘Debí Tirar Más Fotos'https://apnews.com/article/bad-bunny-new-album-debi-tirar-mas-fotos-36724edd4005aa1acfbd831dd2a85b6d Poll Finds Most Americans Blame Insurance Industry Alongside Killer in UHC CEO Deathhttps://apnews.com/article/luigi-mangione-unitedhealthcare-brian-thompson-shooting-b53fde08980d160ee93fd08b1664108d  Costco Pushes Back Against Anti-DEI Movement in Strong Stancehttps://finance.yahoo.com/news/costco-pushing-back-hard-against-201119769.htmlTina Knowles Responds to Criticism of Beyoncé's Christmas Day Halftime Showhttps://www.yahoo.com/entertainment/beyonc-mom-tina-knowles-reacts-180540693.htmlBig Lots Avoids Full Liquidation with Deal to Save 200-400 Storeshttps://www.axios.com/2024/12/27/big-lots-sale-variety-wholesalersMagnus Carlsen Returns to Chess Tournament After Resolving Jeans Disputehttps://www.msn.com/en-us/sports/other/chess-grandmaster-magnus-carlsen-returns-to-a-tournament-after-a-dispute-over-jeans-is-resolved/ar-AA1wFwGn?ocid=iehpdmi&cvid=0e3881eaae92457efd2e5634db9e969d&ei=13Website: http://thisistheconversationproject.com  Facebook: http://facebook.com/thisistheconversationproject  Twitter: http://twitter.com/th_conversation  TikTok: http://tiktok.com/@theconversationproject  YouTube: http://thisistheconversationproject.com/youtube  Podcast: http://thisistheconversationproject.com/podcasts   Become a supporter of this podcast: https://www.spreaker.com/podcast/things-you-might-not-have-heard--2318856/support.

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This week, the guys discuss the Cowboys' win and the announcement of a new Netflix documentary on Jerry Jones. They also dive into Travis Hunter's historic Heisman win and the 49ers' suspension of De'Vondre Campbell Sr. Plus, Mike Vick officially becomes Norfolk State's head coach, and the Pelicans consider trading Zion Williamson after a rocky start. The Bucks secure the NBA Cup, and Dame secures a lifetime bag. In music news, prayers up for OG Maco, and Lil Wayne shares details about his conversation with Kendrick Lamar. Follow the podcast: Instagram | YouTube | Website Stream our playlist: Apple Music | Spotify

This week, Sant kicks things off with a story about Taco Bell's false advertising—how do you not have breakfast when the sign says you do?

In this patriotic edition of the podcast, Carson and Dawson unfortunately have the task of discussing another AB/AS song and its remix, which leads them into some unexpected rabbit holes. Other topics include DJ brain, the validity of listening to video game music, and maybe Brendon Urie? you'll have to listen to find out you animal

#2STONED, Is a young up & coming Texas rap artist and promoter who was born & raised in Austin, TX. #2STONED is an artist who embodies Texas Hip Hop; he is young and has his own style/hustle that cannot be compared to anyone else, He is 28 years old & is more than energetic with his rhymes and has constantly been getting better over the last 10 years. #2STONED has opened/performed with a list of big names including Snoop Dogg, Desiigner, Twisted Insane, Juvenile, Jackie Chain, Chalie Boy, Lil Chuckee, Taylor Gang, Lil Flip, Frenchie, Macc Grace Of S.U.C, Yung Nation, Dorrough, Kyle Lee, Lil Scrappy, Rolls Royce Rizzy, Los Of S.U.C, Short Dawg, Kirko Bangz, Lil Young Of SwishaHouse, Bushwick Bill, Boston George, 2 Pistols, J Dawg, Point Blank Of S.U.C, Raider Klan, Slim Thug, Will Lean Of S.U.C, Dat Boi T, Mr. Pookie, Gunplay, DoughBeezy, Waka Flocka Flame, Yungstar of S.U.C, Z-Ro, Trae Tha Truth, Lil Keke, Nipsey Hussle, Propain, ESG, Young Dro, Propain, Rich Homie Quan, Kevin Gates, Trina, Dirtball Of Kottonmouth Kings, Three Six Mafia, Tory Lanez, 2LIVECREW, Snootie Wild, Ty Dolla Sign, Russell Lee, Guerrilla Maab, Bizarre Of D12, Crichy Crich, Larry, Mike G & Left Brain With OddFuture, Paul Wall, Devin The Dude, Riff Raff, Sauce Twinz, Webbie, Lil Ronny MothaF, Chedda Da Connect, Hot Boy Turk, Schemaposse, Just Brittany, Dice Soho, Trill Sammy, 2Milli, Rocko, Metroboomin, Lil Boosie, UglyGod, OG Maco, 22 Savage, MiKE Will Made It, Juicy J, MO3, Evander Griim, Go Yayo, Warren G, Blac Youngsta, A Boogie Wit Da Hoodie & B.O.B. His first big investment was making sure to get a song with his favorite artist, Houston rapper Riff Raff. Also linking up with Lil Sicc to create the hit single “White Silk Pants.” Originally Released on Christmas Day 2012, #2STONED dropped two exclusive free downloads (DJ MikeNIke Exclusive & SLOWD-N-CUT Exclusive by DJ Currensy) for the track and received a little over 10K+ Downloads before switching the track to streaming only. #2STONED then linked up with Lil Sicc to release his first project and first official visual “Dummy” right before SXSW 2013. After SXSW 2013, #2STONED & Lil Sicc stepped it up and once again connected to bring his second official visual with the hit single “Hate Mo”. Coming in with his hit song, RUN IT UP, 2STONED turns the volume all the way up with the P.E.G FAMILY. The VIBEZ are set and unmatched. Tune in with us on iheartradio and all major platforms!!! TO READ MORE ON THE ARTIST OF THE WEEK: About — #2STONED / Official Website #positivevibes #goodvibes #positiveenergygenerations #positivevibes #uplifting #growth #austin #waco #2stoned #artists #music

This week's Amp special is centered around some of our favorite artists and moments from the historic Blog Era. Hear Josh's unforgettable stories of Casey Veggies' first trip to New York City, meeting Travis Scott before Owl Pharoah's release, OG Maco's rare trio with Larry June/Doja Cat and the honorable A$AP Yams. Stay tuned to also hear the E! True Hollywood Story of A Plus's FEW CHAINZ, Just Blaze's refunded chandelier, the 12-year wait for Dr. Dre's 'Detox' and more.To hear the entire episode, tap in with us on Patreon! Become a patron at http://patreon.com/blkprint for our entire Amp library in the Printer Tier. ★ Support this podcast on Patreon ★

Today's episode covers the album 'Make America Psycho Again' by the band Fall Out Boy. This 2015 release see our favorite rock band from Chicago collaborate with a number of hip-hop artists and producers such as: Juicy J, Black Thought, OG Maco, Migos, Joey Bada$$, Azealia Banks, Big K.R.I.T, Uzi, Zaytoven, Tony Fadd, and others. We hope you enjoy the wild tangents, fart jokes, and the most comprehensive information and commentary on Fall Out Boy on any podcast platform. Mic The Snare YT: https://www.youtube.com/watch?v=xVN6JjGx0z8 Vanilla Ice Goes Crazy YT: https://www.youtube.com/watch?v=g2ZkTvLdH2o Yung Lean - 'Unknown Death 2002': https://open.spotify.com/album/1T7ZoAn7Iy3uPArR6zzs4f?si=N_og6SCTSO-CaBryuwDmYQ UGK - 'Int'l Player's Anthem': https://open.spotify.com/track/4ns1XFP3W5JPyzvnAjMdHD?si=a43f7ba709674a81 Follow us on social media! Twitter.com/grandtheftpodum Instagram.com/dorktreepod https://ko-fi.com/dorktreepod

Cuhmunity EP 56 w/ OG Maco | Speak Yo Truth! Learn more about your ad choices. Visit megaphone.fm/adchoices

Chef Sean has an endless passion for music, discovery, people and life. The award winning artist has just dropped his visual for his latest release Runaway, taken from his debut album My Life where he enlisted the help of ASCAP award winner Rodney “Lil Rod”Jones for the project. He is a talented songwriter, producer, rapper and actor. The Chicago native started his career with a feature film debut at the age of 12 alongside Allen Payne, Forest Whitaker and Jada Pinkett Smith in ‘Jason's Lyric'. His most recent acting roles are in a film “Teeth & Blood”, “There Are No Children Here” and ABC Crime series Missing Persons. Chef Sean has had some huge support in America with backing from areas such as The Source and Hip Hop Weekly. Runaway also premiered on Sirius XM. Chef Sean opened at Juicy J's sold out show over the summer during BET week alongside Erica Banks. He has had success on multiple releases and has had features alongside artists such as Jeremih and OG Maco.

Donnie's back! The phonkadelic host has returned with another groovy segment. This time for the 420 holiday! Nola wit da Doja got to interview one the hottest up and coming Phonk artists making a name through the bass and wavs. All the way from Germany, STUPIDBEATS has been banging through thousands of streams & speakers, drumming and sampling his way through beat battles, and collaborating with some of the hottest artists in the underground! (such as DamesNotDead, a close affiliate with OG Maco). Roll up, get your bongs, grab your dab, & Find out more behind the $$$Mastermind$$$ CEO artist in this bonus 420 interview! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

We recently sat down with one of Atlanta's most influential and under appreciated rappers, Key! for an exclusive “Off The Porch” interview! We talked about everything from the early days with Sonny Digital all the way up to J. Cole walking right past him during the "Revenge Of The Dreamers" sessions. During our sit down he spoke on the following topics: 0:16​ Talks about going on his first Asia tour 0:55​ Talks about his new EP “So Emotional” & the track “Motherless Child” 4:22​ Talks about his “777” EP w/ Kenny Beats 6:20​ Reveals his next project “Unemotionaly Available” 7:11​ Answers if he thinks he is underrated 8:36​ Talks about forming Two-9 & meeting Mike WiLL Made It 10:39​ Speaks on his friendship with Sonny Digital 12:18​ Talks about working w/ OG Maco on “You Guessed It” & “Give Em Hell” tape 13:55​ Talks about Manman Savage 14:40​ Talks about Atlanta 15:45​ Speaks on friendship with Playboy Carti before Carti was rapping 16:45​ Talks about relationship with 21 Savage 18:31​ Talks about meeting Post Malone & helping him release “White Iverson” 19:25​ Talks about working with Makonnen & Father on “Wrist” 21:37​ Talks wanting to produce an entire project for Lil Yachty 22:47​ Talks unreleased projects & “Before I Scream” 25:13​ Speaks on some rappers he think are next up 26:12​ Talks about A$AP Rocky 27:50​ Speaks on recording with Dreamville for the compilation & says J.Cole walked right past him 28:51​ Talks about what else he has coming up --- Support this podcast: https://anchor.fm/dirtyglovebastard/support

Recently Made Famous TV caught up with entertainment manager and and event planner Diana Schweinbeck, professionally known as just Schweinbeck, for an in-depth interview.  Known for working with Rich the Kid, Sy Ari Da Kid, OG Maco and more, Schweinbeck gave some insight into working primarily with hip-hop artists.   She also described what it's like working across multiple genres, and she detailed her journey from working a traditional job to working in the music industry full-time.

The producer known as Super Miles joined the show this week to share some of his 10 plus year journey! From working on music in the Dallas area with Chaz French and moving to Atlanta around 2012 and bearing witness to the rise of the modern trap sound in which he learned many valuable skills he incorporates in his music today. Now working with the likes of OG Maco, Dave East, Wale & more, Miles has become well groomed in his craft as he continues to expand and become more and more of a sought after sound crafter. Listen now to hear some crazy stories from his career up to this point! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/provenknowledge/support

Aujourd'hui nous accueillons Freak Stewart. Un artiste dans le vrai sens du terme. Ayant fait des pochettes d'album pour les plus gros artistes d'ici et d'ailleurs tel que Method Man, Gucci mane, OG Maco, Oj Juiceman, Rich the kid, Anticipateur, Sadik, Jackboy, Obia, Kgoon etc. Voilà pourquoi il peut se proclamer le designer de pochette #1 du Québec et pas grand monde osera le contester. Il est venu nous parler aussi de sa première passion qui était le BMX, son temps en tant que sans- abri, la rue et son succès dans l'industrie musicale. Il vit réellement le rêve américain.Bonne écoute!

OG Maco shares about his skin condition, how it started and how it gotten a little better. He also weighs in on scam rap, and how he used to scheme with the Migos and the status of his relationship with QC. Plus, gives his take on Juice Wrld passing. ----- FOLLOW OUR NEW SPOTIFY PLAYLIST! https://open.spotify.com/playlist/529mn7of2HBKdLfrAMUzcK?si=rWVBWCuWSXeh0TFYb2P-dQ CHECK OUT OUR ONLINE STORE!!! http://www.nojumper.com/ SUBSCRIBE for new interviews (and more) weekly: http://bit.ly/nastymondayz Follow us on Soundcloud: https://soundcloud.com/nojumper iTunes: https://itunes.apple.com/us/podcast/no-jumper/id1001659715?mt=2 Follow us on Social Media: http://www.twitter.com/nojumper http://www.instagram.com/nojumper https://www.facebook.com/No-Jumper-198283650194402/ http://www.reddit.com/r/nojumper JOIN THE DISCORD: https://discord.gg/Q3XPfBm follow Adam22 as well: http://www.twitter.com/adam22 http://www.instagram.com/adam22 and follow adam22hoe on Snapchat

Please excuse our tardiness, as the technology gods insisted on holding episode 2 hostage for a couple days. Since our attempt to recap 2019 on episode 1 took so long, we're using this episode to catch up on the releases of January 2020. New eclectic, yet cohesive Salaam Remi; deciphering our feelings about Moneybagg Yo; new joints by Stormzy, Mick Jenkins, and oh look, OG Maco is here. Plus: Tai doesn't understand "Life Is Good," and when trying to force an audience to rock with you goes wrong. Make sure you visit www.istandardproducers.com to check out our full Credit Checks and Chopping Block reviews... and, as always SUPPORT YOUR LOCAL CREATORS. This episode was recorded on the go, using Izotope Spire Studio Hosted by @Cizzurp215 and @SaintBoogie Produced by Anatome for @istandard --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/thechopblockpod/support

0:23 - Comparing "Joe" from "You" to Yuriy 1:37 - Has Yuriy ever killed an Animal 2:23 - Yuriy's village in Russia 2:50 - Adam22's experience in Russia 3:53 - Adam22's experience using Chinese bathrooms 7:00 - Adam22 learning about soft water 8:45 - Talking to people about common interests 10:00 - Lil Housephone's perc Hoody 13:18 - No Jumpers new merch collab with Desto Dubb 14:30 - Franalations joins the show for the first time 15:40 - Where is Cam Girl 17:03 - Adam22 learning how to play Rust 19:44 - Big changes coming to the No Jumper Youtube channel 24:50 - Adam22 recently interviewing OG Maco and 40 Glock 27:33 - Cardi B's grammar 28:37 - Why is there no Fashionova for curvy men 30:15 - Franalations on how he got into fashion and collecting 31:35 - Franalations on getting scammed on the internet 33:55 - Has Adam22 ever been scammed buying fake cloths? 35:58 - Girl from No Jumper comments looking for Yuriy 40:00 - Franalations attitude towards life and relationships right now 40:50 - Sports illustrated trying to get Public Enemy on the cover wearing bathing suits 47:40 - Why did Lil Housephone bring Franalations to show 50:20 - Adam22's experience at Disney Land 55:55 - What's the corniest thing supreme ever made? 58:25 - Housephone and Adam22 teaching Yuriy about Neiman and Marcus 1:00:46 - Franalations going viral around the time 69 went viral 1:02:08 - Needing to change your dressing style with age 1:12:09 - How mad would Yuriy be in Lil Housephone cucked him 1:14:26 - Dying in the pussy 1:18:20 - Girls carelessly twerking and stripping on other people's Instagram Live stream 1:19:55 - Adam22 witnessing a kid get knocked out cold 1:27:29 - Yung Joc called out for driving for a ride sharing rap 1:31:21 - Fake video Kanye falling off horse 1:32:30 - Boogie2988 Bites his dog 1:34:20 - Bhad Bhabie leaves social media for a mental break 1:35:36 - Patrick CC joins the stream 1:38:05 - Patrick CC's videos of him paying rappers on cameo 1:39:25 - Why Adam22 left Cameo 1:40:23 - Trick Daddy arrested for cocaine possession 1:40:47 - Akademiks posting about 645ar 1:41:40 - Justing Bieber asking his fans to listen to his song while they sleep 1:44:20 - Lil Housephone's opinion on the 40Glock vs The Game fight video 1:46:55 - Is the "Ee Er" sound effect from the Roddy Rich song annoying #NoJumper #Live FOLLOW OUR NEW SPOTIFY PLAYLIST! https://spoti.fi/2vi9lsD CHECK OUT OUR ONLINE STORE!!! http://www.nojumper.com/ SUBSCRIBE for new interviews (and more) weekly: http://bit.ly/nastymondayz Follow us on Soundcloud: https://soundcloud.com/nojumper and iTunes: https://itunes.apple.com/us/podcast/no-jumper/id1001659715?mt=2 and follow us on Social Media: http://www.twitter.com/nojumper http://www.instagram.com/nojumper http://www.reddit.com/r/nojumper JOIN THE DISCORD: https://discord.gg/Q3XPfBm

And welcome to Kanye Stood Us Up, the Zany Podcast with Zanier Boys!We gave the topics we talked about in this episode to an AI as prompts (in reference to a topic in this episode), this is what it gave us:Selena Gomez album OG Maco album Urban Dictionary Terms I'm willing to listen to a Black Man's perspective on pop culture I'm willing to listen to a Black Man's perspective on pop culture to prove I have a self-respect I'm willing to listen to a Black Man's perspective on pop culture to prove I have a self-respect for Black culture and Black life to prove I have a self-respect for Black culture and Black life to prove I've become a better Black person I'm willing to listen to a Black Man's perspective on pop culture to prove I've become a better Black person because they're learning so much I'm willing to listen to a Black Man's perspective on pop culture to prove I've become a better Black person because they're learning so much I can hear how Follow Our Zany Media: @kanyestoodusup @swiftjustice5 @itsmemcnathan

This episode features Lucius P. Thundercat. He’s a Montreal rapper who’s done songs with OG Maco, Rayven Justice, and Skyzoo. (have Tempo) play underneath and have the chorus play after I say Lucius P. Thundercat Lucius’s pick for Album of the Decade is My Beautiful Dark Twisted Fantasy by Kanye West MUSIC: “Devil In A New Dress” (ft Rick Ross) - Kanye West https://www.youtube.com/watch?v=Yy5XXWvADoA “Tempo” by Lucius P. Thundercat https://open.spotify.com/track/0z44h77DVTAbWYclLfsjCZ?si=mOpLsdMbTrWb0Vo2DUQ2xA

Episode 171 Gets To See How The Weeknd Just Extended Our Fall & Also Covers The Comedian Godfrey's Podcast,Logan Paul Being Way Too Cocky, Biggest Collabs This Decade,Who Are The Best Groups,Who Had The Best Diss Songs,Being In A Brag Rap State Of Hip Hop,Why Omarion Pulling A Power Move Is Good,21 Savage Giving Back,New Music,OG Maco,Trinidad James, Wu-Tang Amusement Park,A Few Shows That Need A Re-Vamp,End Of Year Content,Upcoming Guest, Best Group Freestyle In The Last 10 Years,Your Host Not Attending His Own Funeral & More! All New Food Show Out Now While Supplies Last! Watch Hitgang's "Behind The Music" Exclusively On Social Media!Grab The "Reign Supreme" Album By Geezy The Hitmaker From Your Favorite Streaming Service! Go Show Support Richmoney's "Memphis" Album Today! K.Hill's Album "Hillians Way" Is Now Available Everywhere Music Matters! Join Our Listeners & Come Help Keep This Content Culture Moving Forward!

INTERVIEW BEGINS at 9:18 Hip Hop is exploding in China and in the past year, many American Hip Hop artists have been coming over to the Middle Kingdom to tour and connect with a whole realm of fans they probably never knew they had. Acts like Rae Sremmurd, A$AP Rocky and even Lil Yachty have touched down to the streets of Chengdu, Shanghai and Beijing. In episode 3, Shannon speaks with producer, Kino Beats who has been coming to China a lot now. The producer has a resume that‘s stacked, making songs for some heavy hitters in the industry like A$AP Rocky, Pharrell, 2 Chainz and even the late great Nipsey Hussle. Even with his star studded catalogue, Kino is so humble and really such a sweet guy. He’s been touring throughout China for the last year with his partners Lex Luger and OG MACO DJing and performing his material. Kino came to CREAM in the summer of 2018 and blessed us with a killer Trap set. He’s also been shaking up dance floors around China like Nox in Chengdu and Arkham in Shanghai. Shannon talked with Kino about his experience touring in China, working with Chinese rap group The Higher Brothers and his early beginnings. Intro Track - Revenge Pt II ft OG MACO, Jikay, Lex Luger and Kino Beats Kris Wu 吴亦凡 / Wilber Pan 潘玮柏 / G.E.M. / MC HotDog 熱狗 / A-Yue 張震嶽 -《中國新說唱 》"Rap of China " Wont Believe - Higher Brothers ft. School Boy Q Top - Higher Brothers Ft. Soulja Boy Do It Like Me - Higher Brothers Ft. J.I.D Hear Me- A$AP Rocky Ft. Pharrell (Produced by Kino Beats) Chopsticks - Higher Brothers and OG MACO (Produced by Kino Beats) Salute - Rome Fortune, Dell Harris, Masiwei and Kino Beats Success- Nipsey Hussle and Emoe Rookie Snow (Produced by Kino Beats) Follow Kino Beats - https://soundcloud.com/kino-beats Follow Me Too - Oh_Ya_Girl Twitter - @Shannon1Dj BE APART OF THE PATREON COMMUNITY www.patreon.com/clubmanagement1

TWERK - Dirty LYRICS01. Act UpCity Girls02. Pass The CourvoisierBusta Rhymes03. Let Me Clear My ThroatDJ Kool04. Girls Have FunTyga05. Dont Stop Get it Get itUncle Luke06. FadeKanye West07. Big Bank Ft. 2 ChainzYG08. TasteTyga09. Do What It DoOG Maco10. Planet RockAfrika Bambaataa11. Oye Mi Canto Ft. Nina SkyNORE12. Mia Ft. DrakeBad Bunny13. TambourineEve14. Like I Love You Ft. ClipseJustin Timberlake15. StrongerKanye West16. El TaxiPitbull17. Spring BreakTWRK18. Yeah Ft. LudacrisUsher19. Soul MakossaYolanda Be Cool20. Mo BounceIggy Azalea21. GasolinaDaddy Yankee22. Not My TempoEtc Etc23. Papi TranquiloJSTJR24. F What You HeardQuintino25. MachikaJ BalvinListen to More viawww.djrapmarz.com

DamnBrandonT interview aka Brandon Thomas on the Producergrind Podcast. We linked up with DamnBrandon to talk about what he has been doing since his breakout hit with OG Maco "U Guessed It" which includes working with artists like Kanye West, Madonna, A$AP Rocky & more. He told us why he never officially signed to OGG, QC or any label and remains independent to this day

KinoBeats interview on the Producergrind Podcast. We got up with KinoBeats, Norfolk Virginia producer known for his work with Lex Luger, A$AP Rocky, Jeezy, etc. He has also recently become known for touring the world as an international DJ for OG Maco, Lex Luger, and himself. Bro dropped a lot of knowledge about how he carved his own lane as a successful music producer coming from a small city with no major music scene. He shed some insight on overseas music markets and why American music & pop culture is consumed worldwide.

What's Up Pizzas!!! This week Cory, Emma, and Webb are joined in studio by Sacramento artist and Twitch streamer NexusWasHere and Hip Hop ICON OG Maco!  In Emma Skies 2019 debut episode she brings back the news! We are talking all about the Bungie split from Activison and what it means for fans of the Destiny series. In other news we are talking about Gamestop and it's potential new investors. We also talk about Cloud Gaming, Soldier 76 coming out of the closet, Razer and their $250 keyboard and the Division 2 being sold in the Epic Games store and NOT Steam... And Finally OG Maco flew all the way out to VGB Studio for the return of B**** You Guessed It   Topics Include: Gaming, Sacramento, Esports, Video Game, Bungie, Halo, Destiny 2, Activision, Blizzard, Gamestop, Amazon, Gamefly, Netflix, Cloud Gaming, Overwatch,  Soldier 76, Vincent, Division 2, Epic Games Store, Steam, Exclusive, Fortnite, Razer, Keyboard, Funny, Comedy, Emmaskies, Cory Vincent, David Webb, NexusWasHere, Nexy, Nexus Was Here, Twitch, Live, Mainframegg, Oblivion Comics and Coffee, OG Maco, Sonic Team Racing, Oculus Rift, Beat Saber, Bitch You Guessed It, Ellie

Deutschlandweit und international hat sich KIT KUT in seiner 12jährigen DJ-Karriere mit ausgelassenen Shows zum Vollblutentertainer entwickelt. So stand er bereits unter anderem mit Kid Fresh, DJ Rafik, Eskei83, den Round Table Knights und den Cyperpunkers auf der Bühne. Außerdem spielte er Support für Deutsch-Rap-Größen wie K.I.Z, SXTN, MC Bomber, Prinz Pi und und und... Der Nachtschwärmer ist nicht nur DJ, sondern auch Partyveranstalter, der vor allem in seinem Element ist, wenn er an den Wheels Of Steel steht. Ursprünglich im Rap der 90er Jahre und UK Grime verwurzelt spezialisiert er sich seit einigen Jahren auch auf Trap. Egal wo, das Publikum liebt ihn, weil er zusammen mit den Leuten ausrastet und selbst aus der letzten Kellersause eine krasse Party macht. Links: https://www.mixcloud.com/kitkut/ https://www.facebook.com/kitkutsbassroom/ http://beyond07.com/ https://www.mixcloud.com/GoodHoodMusic/ Tracklist: 1 Branchez & Big Wet - Turn Up On the Weekend 2 IAMSU! - "Statik Shock" Ft. Show Banga 3 Rich The Kid - New Freezer ft. Kendrick Lamar 4 Lady Leshurr - New Freezer 5 'Toast' feat. Alix Perez, Izzie Gibbs & Dizmack 6 Assassins Creed (feat. Tech N9ne, Token, PASSIONATE MC) 7 Antifuchs - JKIAWN 8 GTA ft. Iamsu! - Contract 9 SOS - Candomblé 10 J Hus - Did You See 11 Leikeli47 - Don't do it 12 Foreign Beggars - Waved (feat. Flux Pavilion & Black Josh & OG Maco) 13 MEGALOH, TRETTMANN, KITSCHKRIEG - GHOSTFACE KILLAH 14 One Week Notice - Die A Legend 15 Higher Brothers-Why Not 16 Starkey Feat. Kiki Hitomi - New Cities 17 Yaeji - Drink I'm Sippin On If you like our podcast and want to get more information about Infinite Sequence please follow us on facebook: facebook.com/infinitesequencedd

Volume 3 and we've gone full UK bass vibes!!! We've been blessed with a featured guest mix from local purveyor of massive bass weight, Alchemist. Her musical journey is rooted in a South London upbringing, exposed to a veritable feast of influences stemming from her Mauritian and French heritage combined with the gritty sounds birthed from the streets and clubs of London itself. Since relocating and making a home in Sydney she has continued a creative path as a singer, performer and producer. Most recently honing her skills behind the decks, tearing up parties from the likes of Dungeon, VOID, Riot, RPK as well as Regrowth, Dragon Dreaming festivals, proving herself ready and willing to bring a sound system to life with big bass weight and frantic, precise mixing in any situation you might land a sub on. This guest mix coincides with her debut release "Pleasure State" via bandcamp (link below) and also with the upcoming event VOID @ Tokyo Sing Song (Newtown) Friday 6th April. Playing alongside Alchemist at VOID is our very own Swerve bass stalwart, BEANS! The man himself opens and closes this podcast with his own brand of energetic and technical mixing style always with selections that leave dance floors in a heaving sweat. Not to mention Gilsun holding it down with Beans serving up a little b2b action and getting in on the banter. As always, you can enjoy the pod in a dressing gown with a warmed snifter of brandy or even in the headphones while working on ur backhand at the local tenno court, in fact you can enjoy it however you like AND be sure to subscribe here or via iTunes to have that freshness served up on the regular. Big love! https://amykisnorbo.bandcamp.com/ https://soundcloud.com/alchemist101 Alchemist Track List (from 36:55) ILLK - Bomb TMSV & Taiko - Bang Thing Bisweed - Swamp Rusko & The Others - Bed Bugz J:Kenzo - Shark Eye AxH - Numbskull Headland - Levy Egoless - Empire Of Dirt Special Request - Redrum Biome - Yoof Biome - Trench Foot Cocktail Party Effect - Donkey Fight Biome - Weekend Foreign Beggars, OG Maco, Flux Pavilion - Waved Addison Groove - Push It Otto Von Schirach - Salpica Mr.Carmack - tyylerp1 Titts - Woef Lamont - Titanic Ian Munro - Occult Flowdan - Horror Show Style (Shades Remix)

Nued Maj at only 19 years old has already gotten features with YSL Duke, OG Maco, and more artists to be announced when his long awaited project 3 AM drops. Maj has also opened for some of the biggest names in hip hop such as Migos, Rich The Kid, Famous Dex, Playboi Carti, and many more. Listen to this weeks podcast and hear about everything Maj has going on, and be sure to listen to the mix afterwards to hear 2 exclusive songs by Nued Maj. This weeks mix was curated by DJ NadaChance. 

Childish Major Talks Juggling Producing and Emceeing, Getting His First Big Placement, Working With J. Cole, and Premieres “Aim High” Live in StudioI've tried booking a Childish Major episode for a hot minute. Found him around 2015 as a rapper that I knew made beats. By the time we had J.I.D. on the show, I knew I had to reach out (I assumed he was part of Spillage Village). But I honestly wasn't aware of this man's pedigree.As it turns out his production credits are about a mile long. He's got placements with KN alums like the aforementioned J.I.D., along with EarthGang, and Rome Fortune. Not to mention works with J.Cole, Jeezy, 6lack, Big K.R.I.T., OG Maco, Two9, and Key!. But perhaps he's best know for the Rocko, Future, and Rick Ross collaboration “UENO.” A beat like that is a huge blessing, but it can also be the bane of a creative existence. When your art gets pigeon-holed and people want more “UENO style beats” it can become jarring. We touch on that in the conversation.From his beginnings in Minnesota with a father pursuing a rap career, his move to South Carolina, and eventually settling down in Atlanta, we discuss all of his geographic influence. Beyond that we talk about when he knows if a beat is for him or for someone else, and grinding it out sleeping on a couch when he moved to Atlanta before his first big placements.-Lee See acast.com/privacy for privacy and opt-out information.

Follow @itsbellorum Track List: Bellorum - Alert Aazar & Bellorum - Ravage Cesqeaux & San Holo - Who Am I w/ OG Maco & TWRK - DWID (LH4L & Bellorum remix) w/ OG Maco & TWRK - DWID (LH4L & Bellorum remix) x BPTST Flip Holly x Bellorum - Barely Rick Ross - Trap x3 (Aazar Remix) Skellism & Terror Bass - In The Pit (Aria Fredda HARD Edit) Spektrum - Major Slander, YOOKIE, Jinzo - After All Aazar - 3rd Finger w/ Zomboy - Terror Squad (Bro Safari & Ricky Remedy Remix) Skrillex - Red Lips (4B Rebirth) x Bellorum HARD TRAP EDIT Kaaris x Mr. Carmack - Chargé (Boombox Cartel Remix) w/ Lookas x Crankdat - Game Over Boombox Cartel - Jefe Kayzo - Whistle Wars w/ Flosstradamus & TroyBoi - Soundclash w/ Dillon Francis & NGHTMRE - Need You (ShockOne Remix) SKisM - Experts (Barely Alive Remix) w/ Skrillex & Rick Ross - Purple Lamborghini Party Favor - WAWA (Lights Out Jersey Club Remix) GTA - Booty Bounce - (Lil Jawn SUPER ULTRA P) Flux Pavilion & NGHTMRE - Feel Your Love (ft. Jamie Lewis) x Bellorum Edit 4B x Aazar - Pop Dat (AAA Version) Eptic - The End (Carnage & Breaux Festival Trap Remix) Eptic - The End (Nom De Strip Bootleg) w/ Mercer & SAYMYNAME - Wanted Diplo & CL & RiFF RAFF & OG MACO - Doctor Pepper (Party Favor Remix) x BELLORUM EDIT Yellow Claw & Cesqeaux - Stacks (feat. Quavo & Tinie Tempah) x BELLORUM EDIT Wiwek & Moksi - Masta DJ Snake & Skrillex - Sahara (M3B8 Flip) Eptic - Eat My Dust w/ Snails & Botnek - Waffle House Jack Ü - Febreze (Donald Bucks Bootleg) KiWi - Sugar Panic (813 remix) Murphy - New Generation Nina Las Vegas - EZY

On Solecast 37 I catch up with LA Based electronic music pioneer Daedelus.  Daedelus has 17 or so full length albums and worked with such labels as Alpha Pup, Ninja Tune, Brainfeeder and many others. He also runs a small imprint called Magical Properties.  He tours the world with his intense & unique live electronic PA sets and stands apart as a true innovator.  Check out/ support his music, and follow him on twitter.  (Transcript below) Topics Discussed: The life of an electronic musician in 2017 How the ruling class have weaponized absurdism  Current trends in rap and electronic music Hacking, circuit bending, & the rebelliousness of anologue music Reacting to trump and coping with it The assault on truth Economics & the future of labor Science fiction writers & the present  The role of record label The LA underground hip-hop scene of the early/mid 90s & its evolution to the LA beat scene. The transitory nature of things. Transcript: Sole (Tim Holland): Today's guest is my homie Daedelus. He's a beat-maker, a producer, an experimental artist, a performer, a pioneer, based out of Los Angeles, California. We're going to have a wide-ranging conversation about rap and electronic music, the shifts that are happening in society; we'll talk about hacking and how motherfuckers are dealing with Donald Trump and the current assault on the truth; how economics is shifting, and labor, and robots. It's all happening at once. We'll talk about science fiction, and just the transitory nature of shit that's happening right now. We'll talk about his music; we'll talk about some of the stuff he's into, his record label. It's conversations like this where we really get to crack into and get into an artist's mind, and really hear them go deep on shit. I was thoroughly impressed by how thoughtful and what a philosopher Daedelus is, as someone who says he doesn't read very much. What's new with you, man? What have you been up to? Last time I saw you was in New Zealand at that festival. Daedelus (Alfred Darlington): New Zealand is such an out-there place. I've gone back since, and I've found the scene to have developed. I've been doing the clinically insane thing of repeating processes and expecting different results: putting out a record (I've put out a few records, I think, since last we saw each other), doing multiple tours (sometimes having lots of bodies in rooms and having a lot of records sold, sometimes having very few), having projects totally disappear into the ether. And I still find a lot of relevance to it, but it does seem like an affront to the thoughtful world when you're releasing a full-length record and people just want their single little nugget of information to make all of their assumptions from. It's beautiful, though. I've always been troubled by the commerce aspect of creation. Even though desperately wanting to make a full-time living out of this life, having to balance the creation of recorded music versus the performance of improvised music or more spontaneous music, there are a lot of troublesome moments where you have to put a price tag on it and sell it to somebody and charge a cover. It's a tough line to draw. When you're just a musical soundtrack to somebody's intoxication, it's hard. The last couple years of playing raves and EDM events and just being someone's turn-up music is hard. But I still find so much to it. TH: I have the exact same thing with hip-hop, where it's I'm up there, I've worked so hard on these lyrics, I'm trying to communicate these complicated things, and yet I'm playing these shitty hip-hop shows with a bunch of wack rappers, and I'm like, I could say anything right now, nobody cares. It makes me want to be home. AD: I wonder, too—because I feel this in a pronounced way, but especially because the pendulum has really swung back toward hip-hop—I feel like the MC is really back in a strong way, like hip-hop as a genre has a different new definition. The same with the electronic versions of that. The Trap sound has progressed. Mumble Rap has kind of progressed. If you're doing something that reflects a reality of even a few years ago—in the case of electronic music it's like if you're even quoting Dubstep—it's as if there's this group amnesia towards the genre. I don't blame them. It's a pretty flash-bang grenade of a thing to have gone off, and I can understand. When the sparkle blurs out of your eyes, then you don't ever need to listen to Dubstep again in some ways. But still, if you're not playing Trap music right now, do people even consider it hip-hop unless it's some backpack throwback night? TH: I thought it was more friendly for electronic artists, but I guess you're right. I think maybe Denver is the last place where people can get away with playing Dubstep. AD: There are a few pockets. There are different genres that get footholds in places and they live depending on the people breathing life into it. And then there's always the genres that haven't hit yet that everyone expects to go big at some point. Juke is one of those. Footwork. In the hip-hop realm of things, there are people lacing their raps with jazz or gestures towards gospel. Chance the Rapper, even Kendrick. But that hasn't gone wide yet, necessarily. Maybe because it takes a different kind of musicianship. You're always wondering what's going to blow up, and I'm sure there's somebody out there who gets paid to determine this kind of thing with divining rods. TH: 2008-2009 was a huge turning point for that stuff, I think. That's when internet rap was like a Wild West, during the rise of Lil B and Odd Future. And I feel like that's where weird motherfuckers could just make a video and next thing you know Eminem's management is managing you behind the scenes and nobody knows, and now that's just the way shit is done. There's no underground anymore. There's very few really truly localized scenes, because the way people are experiencing music has so dramatically changed from when we started doing it almost twenty years ago. AD: A localized scene, like the Korean Drill Rap scene getting big now everywhere—there's no reason that we should have that on our lips, in some ways, because it is such a foreign language with a different cadence, but it's the kind of thing where they are pantomiming a lot if artists who are a lot closer. And maybe it's the shininess of it, the newness of it, the way a reflection can more accurately describe the thing you're looking at, in some ways... I also feel like there was confusion about the internet at that point, about how music would best be served. A lot of people were still fighting against the overall trends, the rivers that were going towards the big ocean of music culture. And now it's kind of solved, as funny as that sounds. It still doesn't seem like anybody is really making it work. It isn't like streaming is really working for people. There's still a ton of political behind-the-scenes stuff going on with payola, and who's making money and who's not, and the DJ Mag Top 100 is such a joke...but it still feels more solved than it did a few years ago. TH: What do you think the prospects are for independent music and experimental music and political music over the next few years? AD: I think it's tremendous. I just don't think it's necessarily going to hit a huge swathe of ears. I don't think it's necessarily going to be able to—this is a funny term—democratically exist. It's either going to exist with the sharp stick-end of a campaign by people who really do that thing— not a record label, but a media machine that can jab people with that stick—or it's going to be something holistic that wells up but isn't necessarily any one person. I don't see it as being a singular creative force, because it's so depreciated in our current machinations. I've had situations in the past where I was sponsored by Scion or Blackberry or Apple or whatever, companies that really had huge resources to bear, but they had no ideas, so they would just throw money around at weirdos like myself (and many, many others), to see what would stick. And now these brand companies are much more savvy, and music is just a small part of it, with a few exceptions—you see some brands that really make music, sort of as a post they are leaning on. But it's really the exception rather than the rule nowadays. From a political standpoint, that's the most interesting thing to me, because from the social aspect of music being depreciated, now not as many people are going to the local club just to have a night. Either there's a name of a person who you've known and you want to see playing at your local club, or you're staying at home watching as much Netflix as you can binge on. That seems like the dichotomy. The inertia is not to go out, ever. And then if you finally somehow get pushed out of that door, it's very controlled. But one area I feel like is really dynamic right now is protest. I would say political music, but it's more specifically protest music, protest sound. Because it's not only the political scene that I'm talking about, but it's also the existing systems. Look at the rise of the analog Eurorack music scene, the modular electronic synthesizer scene. There is no reason that should be happening in 2017, that people are getting modular units and adding it together and making weirdo synth music—other than the fact that it's scarce, it's not easy to do, it's not replicable, you can't really record it properly, it has to exist in space, and it is like a rebellious moment. It feels rebellious right now. TH: I don't know if you're familiar with this guy McKenzie Wark. He wrote the Hacker Manifesto. You know this? AD: I try to keep my toes dipped in that space a little bit. My friends tell me things, and then I go try to check it out, and sometimes it's readily available, and other times it's weirdly not on the surface. TH: Basically his extension of a hacker would go to a circuit bender. It would go to people who are hacking, but also circuit bending is part of that. Didn't you get started with circuit bending? Is that right? AD: I did a lot of it. All my records have some amount of that, with some permanent bends, which is a little different—there are two kinds of circuit bending. There's the kind where you are trying to modify and adapt and mutate existing instruments to have new feature sets. And then there's the other kind of circuit bending where you are looking for aleatoric chance, things that will never happen again because the way the capacitors decide to work that day, because of the way your fingers have a certain amount of spit on them or not. Do you know what I mean? I feel like the definition of hacker could include both, but there's the one kind of hacker who, through programming or modification, is subverting existing systems to do what they want, and the other kind of hacker who is looking into the crystal ball of electronics or devices or things, to get someplace that nobody would have thought to achieve. I think it's really important to look at both, because in our society especially, we are going to weird places with things—musically and otherwise; this is including everything—and bringing something back from that. That's shedding some light on our current moment a lot. TH: What do you think about our current moment, man? Two years ago, did you think we would have a fucking reality star for a president? A sexist racist fascist? AD: No. I travel a lot. I know you do too. I see all kinds of reality playing out. Some of it is a lot gentler. China is fucked. The so-called Communist regime is a really tough system of central control that is in everybody's lives constantly, and yet also when you go there—depending on the city they're living in, people are relatively out of touch with these grand decisions going into defense spending or weird limitations on their internet. They're not concerned about that. That isn't where their eyes are at. But you can still feel it touching every aspect. Maybe it's my perspective—the news media, the way things get covered; you can see it in a perspective but also see how skewed it is. And it's much the same when you come back to the States. I always felt like we had our own skewing and such. But now, it is such a topsy-turvy through-the-looking-glass...and it's not just the top of the ticket. It's not just Trump or Drumpf or whatever. I don't like saying that dude's name. I don't like writing it down, I don't like saying it. It's kind of weird. It's like an allergic response or something. TH: It's because he's pervaded every aspect of our lives already. AD: I get dizzy and weak—it feels like an allergic response. My strength is sapped, my will and my resolve—especially right after the election, I was in such a malaise (and I'm sure many, many people were). Every time you have a political system that you're involved in or you feel some sort of involvement in—it's like any kind of contest or competition—you can have sore loser feelings, but this is so much deeper. The deceptions and the psychological response—it's not just this surface depression. It felt way deeper and it took me a lot longer for me to dig myself into a place... Maybe I can tell you the way I've been coping with it and compare notes with you. For me, it went from being this broad idea of a group of humanity that I really still care about, but now I have about four or five people in my life that I feel like I need to look out for. That isn't totally disassociated from the larger politic, but I really feel like the person who's at my side is the person who I need to be looking after. Even if it's a stranger on a train, if they say some dumb shit I've got to call them out, and at least try to listen and hear them, but also speak to them if I really feel like there's some kind of racist, sexist, homophobic, transphobic—if I hear some direct, blatant shit, I've got to say something. But in terms of yelling into the internet, I'm not going to contribute positively to that environment. So that's been my focus. That's felt therapeutic. That thing has felt therapeutic. TH: For me, right when he got elected, I was like (of course this is a white guy saying this), okay, he's president now, he got what he wanted, maybe he's not going to do all the fucked up shit. He'll realize the limitations of power and he'll roll with the status quo. And there were these huge protests everywhere, and I was like, okay, at least people are going to fight back. But about a month and a half, two months in, it's like, fuck, man, everyday it's something else. It's so much egregious stuff. The Russia shit—I mean, talk about living in a sci-fi novel. AD: Totally. All those silly films with the Russkies coming over the Arctic Circle to take us over...it's bananas. But on top of it, there's part of me (and this is the conspiratorial part of me—not InfoWars yet, but fuck, the fact that that's now part of our common parlance is just bananas)...if you look at Beckett and the absurdity that was talked about. It seemed like the only rational reaction to the World Wars was really weird electronic music and absurdity, dadaism, all these things. What else do you do? We're almost to the inverse of that, where absurdity now is used as a political tool of the ruling powers to make you not look anymore. Because every day there is a new absurd, crazy, real thing that, although factual, just makes you shake your head in this Etch-A- Sketch kind of way to get rid of it. Have you ever been in an earthquake before? It's profound, because we have all this sensory apparatus that grounds us in earth; we have the idea of magnetic north, and our inner ear is constantly balancing us, and our eyes give us this idea of a level plane. So when you shake that even slightly, the mind goes, “What the fuck, what the fuck, what the fuck,” and you get this moment of, “This is not happening.” And that's part of the reason why earthquakes feel so crazy, because all of your systems are going into alarm. But this same kind of feeling is going on every day, and that button is being pushed so much. I'm trying to figure out if it's a concerted effort to do this, to make the world so absurd that we'll accept any plausibility. Part of the conspiracy is that the Russians have been doing these actions in a lot of different political systems that aren't directed towards electing one person or another, it's just about getting rid of facts. You can't make people believe one thing or another in this current age, but you can get rid of the possibility of a truth. TH: Aside from all the people it's affected, Donald Trump's presidency has been an assault on truth itself. Steve Bannon is, like, a Leninist or something. Did you hear that? That he studied Lenin in his early years? I don't know if Steve Bannon is really the one pulling the strings or if these are just tactics Trump learned in the boardroom, about assaulting other people's facts so that they're meaningless, and just repeating lies. And he never even responds to it. He's already lying about something else. He gets called out on one lie, and he's got three others. It's insane. AD: I do believe that in this current challenging of factual reporting or factual statistics or data or all of these different things—that, again, the arts, the humanities, and music in particular is especially appropriate as a response, because it doesn't speak in direct terms, but it does speak to a deeper truth. It generally is playing on physiological and philosophical ideas that point towards a deeper truth. So maybe this would be a moment of extremely effective protest song and inspirational art that will really get to the essence of it, because everything else is just—as soon as you write the words down, like any kind of punishment, they start to lose their meaning. So maybe this is really an especially appropriate time for the humanities. This is definitely one thing that keeps me interested in pursuing that. On the flipside, you have groups like Wikileaks which serve such an important role, and arguably this would be its time to shine. This should be the moment where Wikileaks and similar platforms should be speaking truth to power like they were always supposed to. I know this is partially spin— this is partly just the way the system has rocked us—but doesn't it feel like just the fact that Donald Trump hasn't come out condemning the recent leak against American intelligence operations...it's such a weird moment for these speaking-truth-to-power platforms. TH: Truth and fact have been so attacked over the last few years, everything is relative on the internet now. Whereas sixty years ago, everybody was watching the same news. There were only six channels on TV. It was at least easier to make sense of things. But now that we have millions of sources, we have all this confirmation bias and filter-bubbles, and we literally only have to see the worldview that we want to see. AD: Totally. Fifty-sixty years ago there were only six channels, and you could argue that there were a lot more racist people, and a lot more people who were not checking in. It seems like there's this trope right now of trying to understand “Trump's America”, and it's perceived-liberal media outlets taking a closer look at the “middle” of America, where “Trump's America” is, in the Ohios and the Michigans and these kinds of places, where the topsy-turvy politics are largely just gerrymandering, creating this Trump thing. I saw one recently where they were interviewing these people who said, “I don't really care about Russia. I don't know why they're treating Trump so bad.” People were saying such stupid shit. Why are we paying attention to people who just don't care? But it also raised the question: why do I care? My voice doesn't matter. It is one of a lot of privilege in many, many ways. And I don't have that much to add to the soup. Why do I care? Of course, I don't know. My heart beats, and I really appreciate the natural environment around us, and I want there to be people in the future who can appreciate those things, and I like the freedom of data that my music and output travels on, and I like the way I received that kind of data in the past, and I kind of want to see that continue and flourish. There are just so many different points where I feel like, “Wait, there is a lot of importance to this.” I just wish there were people out there who could help describe the framework of action who aren't so inherently political or politicized in nature. Did you read that Shaun King piece that just came out today about the irrelevance of the Democratic Party? It's the usual refrain. You have these clear mandates from an upswelling of resistance and populism from a Democratically-leaning population, but that are not being addressed by this upper-echelon leadership, the 1% of the Democratic Party. A lot of it has to do with corporate involvement and big interests that arguably are sloshing money around the whole political system, so I don't know about singling out the Democrats and making it seem like the Republicans are this or that. But it's like a rallying call for a new kind of party that does address more of what was being talked about in Occupy and Black Lives Matter, and these upswelling political movements that for some reason aren't exactly on the tips of the Democratic Party's tongues, even though it's kind of low-hanging fruit, it seems like. That should have been the shit that was all in the mix. TH: The thing is with Trump is that Trump can get up there and be like, “I'm the racist boss you wish you had. I'm going to fix things for you.” But he's lying to them and telling them that he's going to bring their jobs back. The jobs aren't coming back. There aren't enough jobs. Even if he does bring the jobs back in ten years, robots are going to be doing that work in twenty, so forget about it. AD: And everybody who is doing Uber and Lyft right now and whatever else in the gig economy...fuck. This is kind of an aside, but I've been using a lot of robotic assistance in my musical life recently. I've been using robotic drums, and before that I was using some robotic assistance in a visual show. And I've been finding it so interesting, with so many creative places to go, with the precision and the mechanical nature of the stuff. But it does seem like the overarching concern, if we derive our existence and our purpose in life through work, and then that gets taken away, what is America going to do if you have to somehow look in a mirror and come up with something that gives your life meaning, when we've made a list of such commodities that just don't exist in any real, soul- filling fashion. TH: What they've done is strip meaning from everyone's lives, and we've become consumers. This seems like an obvious thing to say. But the more time I spend gardening and growing food and producing food, all that shit is work. The community organizing I do, all this work I do, I don't get paid for any of it. But it's in many ways the most meaningful. These are the things we would do if we didn't have to work. If we would educate ourselves and educate each other and create systems of mutual aid...if we took away work as the central thing in our life, people would flourish. That's why every day I'm on Twitter I see universal basic income tweets. I feel like that movement has gained a lot of steam in Europe, but I would love it if we just skipped over socialism in the States, and Bernie or whoever would run on UBI, and that's what people are demanding, because otherwise our society is just going to fucking fall apart into some crazy tech fiefdom with floating Amazon warehouses above our cities with drones delivering us shit. It's fucking weird, dude. I get so much shit delivered through Amazon. I just have trucks pulling up all throughout the day. Like, oh, what's in this package? I don't even remember what I ordered. My mailman is always talking shit: “I'm so sick of delivering dog food to people.” And I'm like, “Motherfucker, you complain now, but there's going to be a drone doing your job in ten years.” AD: I totally agree. And I feel like there needs to be a distinction made between work for money and work for social good. They all have their value, and the value system is really skewed right now. I really like the basic income idea as well. I know Scandinavian countries have been trying it for a minute. I just don't know if it can exist in the purely economic form, if it needs some basis in a mineral resources or something—if it can just be informational value with an invented economy...I've heard different arguments, and it's tough. The idea of inflation and greed in the system... A few years ago, every time I met an economist or an accountant or anyone who handled money in any kind of real way, I always wanted them to explain systems to me, because it seems so invented. There's a Nobel Prize for economics. Somebody out there is getting a big hunk of metal around their neck every year in this field that is really important but also totally imaginary. And the basic principles of it are sometimes grounded in such incredible racism or sexism, it's crazy. TH: It's capitalism. AD: Dammit. So here's the thing. I love coffee. I adore the high I get, but even more the taste, and the culture. It's this natural resource that takes some really specific space to grow. It doesn't like a lot of variation in its environment, but it flourishes in these small bands between the Tropic of Capricorn and the Tropic of Cancer. It just happens. And you can have these farmers using these practices to make this amazing bean, essentially, this amazing fruit, and then if it doesn't get dried properly it fucks it all up. The whole thing falls apart. Then if you have this other group of people who get together and they process and move the fruit properly, then you get this grain pit of the fruit that goes through a roaster, and if the roaster does a bad job, it's game over. But if the roaster really takes the time to consider the grain product in their hand and they really go through the process and they treat it right with the cooling and heating and storing and everything, then it goes to the barista. And then the barista can fuck it up. Every part of this chain is this amazing confluence of economic scale that creates this thing that I can buy for way too much money, with way too much privilege, and then enjoy for literally ten seconds. It can be super transformative, and I can speak on all the ways that I love it, but also, never throughout the course of human history were we able to get to this kind of precision on this wild, neverending group of factors that could mess up at any point and ruin everything, shake the baby to death. It's crazy that at the end of that chain you can get this beautiful cup of coffee. I marvel at that. We get all this kind of stuff, and it's only because of this ridiculous economics that it's possible. TH: Speaking of artisanal shit, do you ever go to that place on Sunset Boulevard in LA? I've ordered a bunch of shit from there. I can't get spices from anywhere but there. That's where these top chef motherfuckers are shopping. But I don't know. Just to play the devil's advocate, I would say that if you remove the economic incentive today, people would still find a way to achieve all of those steps. Because people would still want amazing coffee. AD: I partially agree. I think people would desire it. But I also think there is another factor of people not caring. And a lot of people get their coffee that's way expensive and immediately hit it with some milk that isn't necessarily super considered, or they throw their Splenda in there, and it just tastes like milk or Splenda, you know what I mean? And it has to do with education and people's pallets and it's all very subjective. And it's the same thing with music. People will go out and buy these lossless formats and then listen to it through Beats by Dre. And then on the flipside you have people with their super hifi systems and they're listening to music that was recorded with fidelity that was ridiculously low. But their ears are gilded with gold, so to speak, so even the shittiest sound is somehow supposed to be gussied up by these fancy speakers. And all of this is to say that I feel like we're—whether devil's advocate or not, we are just in a tough moment of discerning...there's no consensus. We're kind of at a weird precipice. Are you familiar with the term tipping point? In the artistic fashion? In most art forms—especially temporal art forms, like music or poetry, but it happened in the visual arts too—you have a moment in the scheme where the artist will take an extra amount of time, typically, or an extra bit of emphasis to show an emotional depth. This is especially effective, in the arts, to have these kinds of “push moments” where there's a little bit more ask of the audience, basically. And that ask then has a reward, and it's almost a virtuosity being displayed by the artist to know when the time is to push that button. And you could argue that the same thing is true in the consumer world, in a way. That there are these moments of challenge that then is released, that should have some of the same relevance, but it's like—yeah, we've stripped all that. We don't have tipping points anymore. We don't have people waiting for their meal and then being satiated by it. You're expected to have it immediately from the drone in the sky. TH: That's how people are experiencing news and music and everything now. I keep going back to it, but it's just such a weird postmodern time that we're in. When I was kid thinking about the year 2000 I figured it would be working four hours a day, and then 2010 hit and it was like, you know what? Nothing's really changed. Everything is the same. All we have is phones. But now, I was reading the Wikileaks thing and they're trying to hack into computerized cars to crash them. Oh, okay. There are megamillionaires trying to go to Mars. Corporations are going to be on Mars before states will, and that's crazy. Would you go to Mars? AD: No. I love the idea of exploration, and I can safely say that I've done a lot of that in myself— psychedelics and otherwise—around some of these deeper questions I had as a kid that never were solved but I asked aloud of myself...but I would sooner go to the bottom of the ocean than I would go to Mars. There's so much about the world that we live in that we have rarely explored. Again with the same factors of very limited engagement, I do feel like if people went to the bottom of the ocean, they would have a lot more sympathy and compassion for the bottom of the ocean. And I don't see why we're spending all this money to try to go to outer space, besides the fact that it's obviously a lot of novelty and promise and potential, and it would be great so that we wouldn't have one calamitous event on Earth and lose the entire population. It'd be great. But I just don't understand why we're not going down and we're always going up. TH: Duh, man. It's because the Earth is hollow. I have actual literal flat-earthers on my Twitter timeline, and I'll make a joke like, “More NASA propaganda! They're showing Earth as a circle!” And people will be like, “Oh, man, I'm so glad you're woke.” Not to keep talking about this stuff, but it's fucking crazy and hilarious to me that in 2017 people would be arguing that the world is flat. If that's not a metaphor for Donald Trump's presidency, I don't know what is. AD: I think it's a very interesting problem, but also a really unique opportunity. I do find it really interesting: these people are supposedly really hungry for the truth and really feeling like they need to be part of the detective squad, the other Sherlocks. It's kind of cool that people feel so much purpose in this way, but they seem to be so tin-eared about facts. And not to say that one set of facts from a national agency should be totally trusted, but this idea that somehow they are privileged to some truth that they heard randomly somewhere—they seem like they heard it off a mountain, off some tablets, and that's the ultimate end-all be-all and somebody else's tablets that came off a very similar mountain don't have any relevance. TH: That's like an identity thing. It's like, my identity is linked to this brand new information I have. No one is more annoying than the newly converted. “I have the only truth and everyone else is wrong.” AD: I just wish these people would wear more cultish robes. They should commit. I'm saying this jokingly, but I kind of mean it truthfully. I kind of want people to go all the way if they're going to go there. But they just have one crazy theory about chemtrails, and then everything else can be somehow normal in the world, but they're just like yeah, chemtrails. Come on. Go all the way. TH: Wear a tinfoil hit. Wear your bathrobe out. AD: My dad wears a bathrobe all the time. It's great. It's fashionable. He's kind of crazy. It works. Maybe we're all in that space. So here's a question. I don't remember the term for it, but there is a concept that the future can't exist until it's written about by sci-fi writers, that until something appears on Star Trek it won't really be invented. It's kind of an imagination thing. If there's a simultaneous invention that happens in the world it's because of technological pressures that have been shown. There is a kind of zeitgeist about the physical problems or commercial issues that then breed solutions that take a form that generally seems to correspond to “science fiction,” even if it's things like inventing teleportation. Which seems so futuristic and science-fiction-y in Star Trek but is now actually being developed. People are part of this because it was dreamed up by somebody. So why aren't we hiring teams of writers to just write the craziest timelines to get us there? TH: Maybe we are and we just haven't read them yet. As you were saying that, I was thinking about why it's so important to expand your political imagination. If that's true, if all of these technological ideas are like a stream rippling through the eons that eventually become real, it's like The Secret on a civilization-wide scale. Maybe by creating a more radical imagination we really can have, a thousand years from now, people living in a world that we are imagining now. Marx or Adam Smith—when Adam Smith was writing, I don't think he thought, oh, this is the way it's going to be forever. Or even the Bible. AD: I don't think it has to take a thousand years. There has to be some structure that makes it happen way faster than people imagine. Because again, these books are set in the distant future, but this stuff comes way faster. There's something about that. But I do agree with you about the political systems thing. Just for instance, the third party thing is always shut down. It's always like, “Nope, not going to happen. We live in a two-party system.” And if ever somebody could really change our imagination to think more parliamentarian, I think it would happen in a second. We have way too many different camps for it not to happen quick. I mean, it obviously serves its purpose right now, but I think the nuance that's going on makes it seem obvious—we don't have Whigs anymore, but we have a thousand other things that could easily be in that place. TH: Yeah. I mean, David Graeber has this speech on bureaucracy and technology, and he really looks at the form of governance that the United States uses, and so much of it was based around a time where it would take a pigeon two months to make it across the country, when we were limited by railroads. AD: We went a long time without a nationwide-spanning railroad. We went a long time with horses that could only go so far. TH: Do you read graphic novels or science fiction? AD: I used to read a lot of them, but I'm also dyslexic, so I've always had a hard time. Especially the harder science fiction, I love it. Your Larry Nivens and these kinds of people, I like that stuff. It just takes me a long time to piece through it. I like graphic novels, it's sometimes easier, but it depends on the writer. Some people just have so much text that it really makes my eyes jump around a ton. TH: Somebody just gave me this Pax Romana graphic novel. Are you familiar with this? It's fucking awesome, man. I never read this shit, but it's like, the civilization has gone to shit and all that remains is the Roman Church and they send people back in time to take over the world before Mohammed is born. Of course it's born of psychotic Christian Eurocentric fantasies, but they go back there with nuclear weapons and drones and create an army of god. It was a fun read. Let me ask you some more music questions, actually. Do you still run a record label? AD: Yeah. I would call it more of an imprint than a record label, though it functions to do a lot of the normal label stuff. The mandate of the record label initially was initially to be a platform for artists to overcome the catch-22 of the music industry, which is: if you don't have a release, you're not going to get attention, and you're not going to be considered by record labels, and so you have to have a release to get attention, essentially. The label functioned as being a lot of artists' first release, the place where they could put a stick in the ground and then hopefully grow the seeds that they planted in that earth out into other spaces. I feel really good about that. Over time, now, I've had a few artists who have released multiple times on the label, and it's been a platform to release older music, some overview stuff of my own as well as others'. But it isn't this kind of thing to yell from the rooftops, or a movement, it's just been a little platform for these kinds of artists in the past. TH: I was looking at it and going back and listening to some interviews you did where you talked about it. I started a record label a couple years ago. And I mean honestly I'm probably just going to shut it down this year, or close its doors for a while, just because of having a kid and there's so much shit going on, I just can't give it what it needs. But one of the main reasons that I started the label is because I felt like blogs and things—you know, there's no John Peel in 2017. And all the old ways that people were discovering music have disappeared...there were these things that mattered, that if they happened it could set off a chain of events for people. And those milestones don't really exist any more. I feel like that is the function of record labels, now. Even on a small boutique imprint...my question is, do you feel like record labels are replacing blogs and publications? Like they're this other filter, a source of discovery that's almost more important than anything else today? AD: Yes and no. I think they did function like that about ten years ago. And then over time it became the curation of a few people who did some festival circuits. A while ago Pitchfork ceased being a really critical publication and more of a series of lifestyle choices. And then you had some labels that really represent (and you still have this on occasion) an idea, and that's potent enough to keep their existence. But largely they function as tax shells so you can have loss-leaders and some way of communicating a release, but really most labels just function as P&D deals for publishing houses to license music to movies, television, and radio, essentially. That's how the larger indies hold on, is through these licensing deals. The people who have taken over the role that you're speaking about, I really feel, are collectives nowadays. There are a lot of collectives—be it focused, usually, around a genre or sometimes more focused around a location— that become the figureheads of their individual pocket of scene and transmit their culture in a way that seems authentic and people like. Look at Teklife—which has a label aspect, but really it's a loose collection of people who are all under the banner of this Juke scene. Or Soulection, with their party sound, and they have tons of nights all over the world that are just selection nights, but you never know which DJs you're going to catch from the crew; they have some bigger-name people in the crew, but really it's just a sound that's really the modern party sound. And similarly with TeamSupreme and Brainfeeder—I mean, I'm kind of quoting off things that might be a little more underground than your listenership knows about, or is kind of specific, but this is really where that curation is happening, where you have people blanket-wise just ascribing themselves to one of these collectives, rather than a label. TH: Huh. I guess that is true. Of course Hellfire Club comes to mind. I was very excited about Hellfire Club when that was going on. It made me want to live in LA. AD: And there are exciting outgrowths. Even though Hellfire Club fell apart, there are still exciting outgrowths that are emanating from that. But you see that one moment where you have this supergroup feeling where people could really get behind it and were excited and could pour their energies into something. You could feel it. It emanates, and it's still rippling. I feel like that's one of the reasons why it has such powerful sustain. And I also think there's a collectivism in a lot of people coming together, that friction of different voices together, rather than having one main A&R or one blog writer. That was never sustainable. You always see through the facade of the one- person perspective. It never seems to work. You have these great runs. And even Peel had his ups and downs. But part of the reason why he was so abundant is because he had so many different outgrowths. He had his radio show and his critical writing. And it's interesting: it was a different time period, too, obviously, kind of a slower time (think of Cream magazine being all just that one dude), just a different way. But I feel like we desperately need more critical vision in our art structures. If it's another group of fifteen-year-olds who get together and make a crazy sound, that's fine, but if there's no knowledge of history or no knowledge of trajectory, they all seem to tear each other apart and go away rather than figure out how to sustain. TH: I don't have any experiences in my life that sound anything like you're describing, so I don't know what you're talking about... I'm writing a book right now about hip-hop and radical politics, and I keep thinking about Project Blowed and I keep wanting to ask people in LA what the impact of that scene was and how it influenced you. AD: I can tell you when I was really young, when I was in high school in the early nineties, the Blowed, or Freestyle Fellowship and those kinds of things—everybody knew the surface of what was going on in gangsta rap, especially in '92 when half the kids were all grunged out and the other half of kids were all gangsta rap, and it was starting to hit the airwaves in LA, and then you had LA hip-hop radio going from a dance mix of freestyle music from Miami and some Information Society, like, weird electro EDM music, industrial music that was going on—to full-on gangsta rap. That was this new sound that had older roots, but for the airwaves, you had people going deeper on the culture and going to the world stage, going to the Blowed, wherever it was being held, specifically the Good Life, and getting tapes from people who would dismiss you, would rip you off —you'd go up there and you'd be lucky to walk away with the thing you were trying to get. But it was this whole level of depth that you could go, which I know was not happening in a lot of other cities. You might be hearing music, but to actually go talk to the people who are making it go, witness them in person, and get the bug, and really feel like there's something really amazing happening, like there's a movement happening, that's special. But then on top of it: the riots. The LA riots happened in '92. Rodney King. And I mean, that lit fires in people that both tore apart a lot of the scene and caused a lot of friction in this way where the places you went were kind of dangerous, or perceived as dangerous to go...it became a very palpable danger. For years after that, I remember there were clubs that you were warned about. And that's part of the reason I feel like I did rave music. Because I think every kid wants to inhabit that danger, and LA had an amazing underground warehouse scene that at times played right there with all the LA underground hip-hop. You would catch those same names MCing for jungle artists, or being present in the club scene as much as they were at the Good Life. It's like, there was enough confusion that you could see the bleed between the things way before it happened in the overground worlds of electronic and hip-hop coming together. TH: You're talking about Peace, and Myka 9 and shit, right? Is that who you mean? AD: The core Blowedians for sure, but also look at Global Phlowtations. They were taking chances with their beats in the mid- to late nineties that were crazy. Thavius Beck is born of that, and Satchel Page. There are a lot of interesting voices. And they actually had female MCs in a real way —not to depreciate the other people in project Blowed that were doing the same, but... You know, when I first started touring, in the early aughts, I would go to places like Japan or Europe, and every once in a while I would trip over these stores that were just selling west coast hip-hop. Amazing, right? And I would go in there, and I'd ask, “Where's the LA hip-hop section?” and it's like, no, the store was all an LA hip-hop section. I learned more about what was going on in my own city through places like that. There was one particular one in either Sweden or Norway (one of the Scandie countries, I don't remember which one unfortunately, it's been a long time) that was so dedicated to the culture, and they had all these obscure side projects and shit. It's like, what are you talking about? These people have only one record out, had these one-off tape side projects, and they'd exist in these other places in these other countries, and I never would have found out about it in LA because it was just such a hidden culture that you weren't supposed to go out and engage with. It's tremendous. TH: I totally forgot about all that shit. In the Bay, too, you'd go to Amoeba Music, and sell five hundred CDRs. Amoeba Music paid my rent for the first two years of my music career. It's so crazy. It's things like that that I think about a lot, and this is one of the questions I had for you. How has the way you work changed over the fifteen years that you've been a full-time musician? AD: I mean, in some ways it's remained doggedly the same. I'll have a notion, and follow that notion down a winding path, and that will either yield a project that comes out commercially or, often, yields some sort of results that then coalesce into a record. And somehow I've been doing that this whole time. I've released seventeen collections of music that count as full-lengths, and that becomes this thing that somehow has gone on this long, for these past fifteen years. But then at the same time, technologically it's shifted so much, from being all hardware—no computer in the very beginning, creating everything with samplers and synthesizers—to hybrid forms of that. As sample times have changed, as the hardware has become more possible, in some ways, getting away from samplers with their long sample times (because that provided too many choices), going down to the circuit-bent, going down to the acoustic. I did a series of records a few years ago that were totally...it's almost like every good idea I've had, I've had to abandon because I don't know how to do that idea again. Do you know what I mean? And I know management and labels would love it if I could sustain the attention span to really do something long enough to make it actually truly good, rather than fidget. But that isn't my job. I kind of realized a while ago, my job isn't to make a lot of money. My job isn't to make great music. It's to bring my sense of wonder that I've always felt towards music and show it to other people. That's probably my highest aspiration at this point. TH: You're a tinkerer, man. I feel like what you're describing also is—have you ever seen Dosh play live? It's the same kind of thing. I feel like when I'm watching you or when I'm watching Dosh, I'm watching someone just playing in their bedroom. That's where I'm at with music right now. Man, I just don't want to play a show unless it feels like I'm tinkering in my bedroom, so I have to reimagine what my live show is, and incorporate more live PA into that, and it's so...when you're rapping, it's such a challenge to figure out how you can really rap and then have all these moving parts and shit that's organic and live. AD: I may say—I know you're a thinker. I know you're a deep thinker, but I also know you have a lot of really important things to say. And I feel like this is the kind of perspective that I wish I had other people telling me...but I think at a certain age, past a certain point, people stop giving you critique and they start to just assume that you're ever-prevalent, and this is just the thing, and it's set. But I feel like, for yourself, when I've caught you, it's always really vital to hear what you have to say. I feel that way honestly. And I understand the idea of building in mechanisms that keep you feeling interested, and keep you feeling like you're doing the work in this way, but I feel like you need to exist because there aren't that many people saying things that are of importance. Or they're not speaking their truth in a way that is including mine, do you know what I mean? There's a lot of political music out there that is important, and has a lot to say. I really like where clipping. is at right now, for instance. I dig it. But I also feel like they're skipping a lot of harder truths that are won through a deeper examination of the direct political scene. I love the metaphor, and I love the approach. And I think it's super important what they're doing as well, but it's just very different. There aren't many Public Enemy's right now. If any. TH: I hear that. It's fucked up there's not enough Public Enemy's right now, really. AD: I like reading about music, both the psychology and the physics of, and also the history of. And those 33-1/3 books can be kind of hit and miss. But the one on Public Enemy and the Bomb Squad production around It Takes a Nation of Millions is phenomenal. It's amazing. Do you know the 33-1/3 series? It's a series of creative writing. Some of it's very factual, and some of it's very personal narrative. And they always deal with a specific album. My favorites always tend to be the ones that really talk about the creation of or the history of the hard, on the ground facts of a certain record. And usually really classic albums get the treatment. TH: I'm trying to learn a lot of back story to shit like that right now. AD: It's a perfect one to dive into, and it really talks about the moment that birthed that record, but also that birthed Public Enemy. It's great. It's one of the ones I really recommend. The Bomb Squad—this is one of those experiences for me where it's like, okay, Public Enemy had a lot to say, but the onomatopoeia with the way they said it, the words they said it with but also the music...this book does a really good job talking about things like the fact there was a horn stab on every single beat in some of their songs. You know? It underlines not only the message, but the message underlines the music. It's perfect. There are a lot of groups out there that have a heavy sound, and they don't necessarily say very much. And the rare groups who have both, I think. I dig death metal groups, sometimes, it's not my favorite thing in the world, but man, the music sounds like those words, and those words sound like that music, and I have to tip my hat at that. I feel like Public Enemy did it really well, as well. The Bomb Squad did it really well. TH: That's one of the things I'm thinking about. The form was revolutionary in the way that it carried the message. It was a very experimental music. I remember listening to that with my mom. And she was like, “This is fucking terrible.” My dad was like, “Shut this off! This is the worst shit!” The same way that punk music was jarring to people's ears. So when I'm home just twiddling with loop pedals and shit, I try to think, like, what is that different format today? AD: It's a great mandate you can give to younger producers who don't usually have the perspective of what they want to say, they're just trying to figure out how to even be in the space. But sometimes if you have the message you want to end with before you have any of the notes, it can help determine those notes real fast. TH: When you listen to the way they imagine experimental music on TV shows like Battlestar Galactica, it's always some hybrid between noise and techno and cut-up shit. Today it would just be a bunch of Windows dings and the sound of a fucking Mac shutting off. AD: Are we talking about Vaporwave? TH: You haven't switched over yet? Or is it too late? Is that over? AD: It's over and it'll never be over. But yeah, I mean—I think that's a weird moment that we're in that won't ever stop now. All popular music is Vaporwave now. For a long time, I used to consider popular music to be kind of a mash-up culture, where unless you had one popular thing rubbing up against another popular thing, it wouldn't produce the phenomenon known as popular music. But now we're through the looking glass, and now you just have to have a taste of that thing. And it doesn't matter if the thing doesn't live in a serious space. It's better if it lives in a frumpy, humorous, tongue-and-cheek thing, because then you never have to actually commit. TH: It seems like it's a relative of Witch House. But Witch House was actually dope, I felt like. AD: Did it ever really even exist? Was it an easy journalistic term for just a passing chord? I liked a lot of the music that was going on in that space, too, and I feel like the “Ethereal & B,” the ethereal R&B that's going on now, you could point towards a lot of artists who are basically making a version of Witch House, but it has different DNA. It goes to the same place. TH: I've never heard of ethereal R&B, I'll check it out. AD: There's quite a bit of music in that vein, and you could argue that even Mumble Rap goes there too, sometimes, stuff that's a little bit more—oh god, my head is full of names, and they rarely come out at the right moment. The stuff I'm really feeling, I love the way that tempo has come back in a lot of music, and that chop has come back into rap. You have a lot of rappers now who can actually chop. There's a little more going on than just some catchphrases. I was really tired of that trend before it even set in. TH: I love the new rap music. I mean, Future. He's such an experimental artist. AD: Especially that new record. God, it goes places. You should check it out. You've head OG Maco before, right? Some of his—I don't know if you want to call them hits, but his more overground cuts, and his weird deeper-in-the-record cuts are weird as fuck. It's great. Even someone like Post Malone, which is again super-surface, he does stuff with Justin Bieber...but it comes out super strange sometimes. It has some weird blue-eyed soul to it, but then it does something. TH: Usually before I go I ask if there are any books or anything that you'd recommend to people. AD: I wish I read more. Dang, I am such an illiterate fool. Maybe I can encourage people, instead of imbibing the outside world, which is very relevant, but just from my perspective if more people took pen to paper and tried their hand at poetry, even the rappers out there who are used to scribbling verses, even the people who maybe keep a journal but try to have a bigger impact with fewer words...that exercise is something I engage in, still to this day. And there is relevance. There is something to be said with your personal voice. Word choice, thinking about what comes next. I'm a musician. I should know nothing about this. I'm largely illiterate. And I feel like it is an incredibly meditative practice. What's the next word? What's that next thing? So maybe my answer is a reversal of your question. TH: That's what keeps me from going crazy. Alright Alfred. Thank you for taking the time. AD: Equally! Tell me when this goes live, I can't wait to crow about it. 

URL: not Found!Yearmix by: DJ Samus JayYear: 201601. Melanie Martinez – Pity Party02. Tyga ft. Desiigner – Gucci Snakes03. Desiigner – Panda04. D.R.A.M. feat. Lil Yachty – Broccoli05. 2 Chainz feat. Drake – Big Amount06. Zara Larsson Price Takis – Never forget you07. Usher Feat Young Thug – No Limit08. Ariana Grande feat. Nicki Minaj – Side To Side09. Steve Aoki – How Else Feat. Rich The Kid & ILoveMakonnen10. Anne-Marie – Alarm11. The Chainsmokers feat. Daya – Don’t Let Me Down12. PInk – Fire13. DJ Khaled – Do You Mind ft. Nicki Minaj, Chris Brown14. Lil Wayne, Wiz Khalifa & Imagine Dragons feat. Ty Dolla Sign, Logic & X Ambassadors – Sucker For Pain15. Kiiaraa – Gold16. Meghan Trainor feat. Yo Gotti – Better17. Dillon Francis & Kygo feat. James Hersey – Coming Over18. Fat Joe & Remy Ma feat. French Montana – All The Way Up19. Sia feat. Sean Paul – Cheap Thrills20. Alan Walker – Faded21. Fergie – M.I.L.F. Money22. Daya – Sit Still, Look Pretty23. Yellow Claw & DJ Mustard feat. Ty Dolla Sign & Tyga – In My Room24. Drake feat. Wyclef, Edley Shine & Kingpen Slim – Controlla25. Gnash feat. Olivia O’Brien – I Hate U, I Love U26. Rihanna feat. Drake – Work27. Charlie Puth – One Call Away ft. Tyga28. Major Lazer feat. Justin Bieber & MO – Cold Water29. Chris Brown feat. Usher & ZAYN – Back To Sleep30. Tech N9ne ft. Pedro Bizz Juanjulio & Krizz Kaliko – Erbody But Me31. Fifth Harmony feat. Fetty Wap – All In My Head (Flex)32. Bell Biv Devoe – Run33. Twenty One Pilots – Heathens34. Troye Sivan feat. Alessia Cara – Wild Things35. Jacob Sartorius – All My Friends36. Kid Ink – Nasty37. DJ Khaled feat. Drake – For Free38. Meghan Trainor – NO39. Rihanna – Kiss It Better40. DJ Mustard feat. Nicki Minaj & Jeremih – Don’t Hurt Me41. The Chainsmokers – Closer42. The Weekend Feat. Daft Punk – Starboy43. Zara Larsson – Lush Life44. Mike Posner – Be As You Are45. Wale feat. Sam Sneak My P.Y.T46. Kid Ink feat. Fetty Wap – Promise47. T.I. feat. Jay-Z – Bring Em Out48. Iggy Azalea – Team49. Flo Rida feat. Jason Derulo – Hello Friday50. Charlie Puth feat. Selena Gomez – We Don’t Talk Anymore51. Fifth Harmony – That’s My Girl52. DJ Snake feat. Justin Bieber – Let Me Love You53. Sak Noel & Salvi feat. Sean Paul – Trumpets54. Justin Bieber – Love Yourself55. Mike Posner – I Took A Ibizia56. DJ Snake – The Middle57. The Game Feat. Jeremih – All Eyez58. Zendaya feat. Chris Brown – Something New59. Coldplay feat. Beyonce – Hym FOr the Weekend60. OG Maco & TWRK – Do What It Do61. Jonn Hart x Clayton William feat. Mr Vegas – Beat Bust Down62. AlunaGeorge feat. Popcaan – Im in Control63. Nevada feat. Mark Morrison & Fetty Wap – The Mack64. The Chainsmokers – Roses65. Drake feat. WizKid & Kyla – One Dance66. G-Eazy x Bebe Rexha – Me, Myself & I67. Major Lazer feat. Nyla & Fuse ODG – Light It Up68. Ellie Goulding – Something In The Way You Move69. Galantis – No Money70. Bruno Mars – 24k Magic71. Selena Gomez – Hands To Myself72. Jason Derulo – Get Ugly73. Usher – Crash74. Justin Timberlake – Can’t Stop The Feeling75. Selena Gomez – Kill Em With Kindness76. DNCE – Cake By The Ocean77. Tove Lo – Talking Body78. Jonas Blue Ft JP Cooper – Perfect Strangers79. Kungs vs Cookin‘ On 3 Burners – This Girl80. Kanye West – Faded81. Meghan Trainor – Me Too82. Calvin Harris feat. Rihanna – This is What You Came For83. Calvin harris – My Way84. Sam Feldt x Lucas & Steve feat. Wulf – Summer On You85. Sigala feat. John Newman & Nile Rodgers – Give Me Your Love86. Martin Garrix & Bebe Rexha – In The Name Of Love87. Timmy Trumpet & ANGEMI – Collab Bro88. TJR – Freaks89. TJR ft Savage – We Wanna Partyhttp://archive.org/download/DJSamusJayYearmix2016/DJ%20Samus%20Jay%20-%20Yearmix%202016.mp3

Follow Kannibalen Records:https://soundcloud.com/kannibalenrecordshttps://facebook.com/Kannibalen.Recordshttps://twitter.com/KannibalenRecshttps://instagram.com/kannibalenrecordsFollow AGLORY:https://soundcloud.com/agloryhttps://facebook.com/Aglorymusichttps://twitter.com/AGLORYmusichttps://instagram.com/aglorygramFollow Lektrique:https://soundcloud.com/lektriquehttps://facebook.com/lektriquehttps://twitter.com/lektriquehttps://instagram.com/lektriqueTracklist⚡ Lektrique ⚡00:05 - Alon Mor - Demons [Bandcamp]02:17 - Holly x Todiefor - Lucid Dreams [Kinphonic]03:36 - RL Grime x What So Not x Skrillex - Waiting [Self Release]04:24 - GLD - Return Of The Buttz [Free DL]05:36 - Slander x Yookie - After All (PhaseOne Flip) [Unreleased]06:25 - Herobust - Dirty Work (Barely Alive Remix) [Free DL by Mad Decent]07:39 - Tisoki - Memories Ft. Megan Hamilton (Watgood Remix) [Free DL]09:06 - Mike Cervello - Empire (Cesqeaux Remix) [Free DL by Barong]09:53 - Skrillex - Scatta (Yume Remix) [Free DL]10:52 - Trollphace - The Boofage [Free DL]12:07 - Excision x Space Laces - Throwin’ Elbows [Rottun]12:47 - Stabby - Emperor [Never Say Die]13:51 - KSHMR x Tigerlily - Invisible Children (Sickstrophe Remix) [Free DL]14:40 - Nitti Gritti - Waxin’ [Free DL]☠ AGLORY ☠16:05 - AGLORY - Walking of goetia (intro) [Unrelesead]17:53 - AGLORY - ITC [Kannibalen Records]20:17 - Schwarz Dont Crack - All my love (Etnik Remix)22:50 - Julian Winding - The Demon Dance [Milan Recs]26:09 - AGLORY - Mort [Kannibalen]29:13 - AGLORY - Wasted [Kannibalen]32:38 - AGLORY x Madeaux - Light low (feat Og Maco) [unreleased]34:05 - Ateph Elidja - Berghain [Free DL]35:19 - Black Tiger Sex Machine - Blood Moon (HAEZER Remix) [Kannibalen records]37:16 - Speedy J - Something for your mind (Raito bootleg) [Free DL by Main Course]39:13 - Madame - Inspira [Boys noize Records]41:39 - Neus - Noises [Giudicelli]43:07 - Madame - Compact [Free DL]45:05 - Etnik - Lilac Dreams [Free DL]09:13 - Bart b More - Napoleon [OWSLA]50:56 - Sahe - Let’s Go Back [Fre DL]52:10 - Malaa - Fade [Confession]53:14 - AGLORY x Potion & Pills - SHK [NEST HQ]54:44 - AGLORY - Kerosene [Unreleased]--Enjoy & Survive

After 11 days away from the VideoTrump BUMP! podcast I must say things are quite different... When I left Sacramento for some adventures at Stan Lee's LA Comic Con and Las Vegas all was well in the world... When I returned the studio was in shambles... Weed is now legal... and Donald Trump has been elected President... What did these idiots do?! Oh Well... The sun will rise as it always does and the show must go on! This week we are joined by our good friend: Ivy Doomkitty! We talk a little about Stan Lee's LA Comic Con and why she was not able to make it to BlizzCon.. Since it was such a special occasion having Ivy on the show we play a special segment that we like to call "Bitch You Guessed It", A riveting round of Whattcha Playin?!, Webbs Spreading the Ooze, and much much more!   Topics Include: Ivy Doomkitty, Cosplay, LA Comic Con, Stan Lee, Video games, Trump, election, podcast, Sacramento, Gaming, Mass Effect, Kotor, Red Dead Redemption, Overwatch, BlizzCon, NRG, Amnesiac, Sombra, Heroes of the Storm, Reaper, Laura Benson, David Webb, Cory Vincent, Aaron Carter, Oblivion Comics and Coffee, Esports, OG Maco, Bitch You Guessed It

■Website http://momentjp.com/ ■Moment's Soundcloud https://soundcloud.com/momentjp ■Twitter https://twitter.com/DjShunNarita Episode 10 of Moment's Bubbles Fable Mix Show. Collecting free tunes;) Including Moment's new free track 'Wake Up Mr. West' https://soundcloud.com/momentjp/wake-up-mr-west enjoy ■Track List■ 1. Moment - Intro Megamix 00:00 2. Hundaes - Be There 00:35 3. Dirty Audio - Clipped 05:36 4. YULTRON - Tempura Roll (feat. Ookay . Kayzo . Dotcom) 08:00 5. LIZ - When I Rule The World (SORTAGOTH Remix) 10:06 6. Moment - Wake Up Mr. West 12:05 7. PURGE - Hit Em 15:30 8. Skrude & Troy Kete - I Got 17:55 9. OG Maco & TWRK - DWID (LH4L x Bellorum Remix) 19:42 10. Cavalier - UNIVERSE 22:29 11. THURZ - WAIT A MIN 29:44 12. Charles Murdoch - Nothing For You (feat. Kučka) 32:43

ItsBizKit and Z turn to Queens, NY native MonE Yukka and Philly rising star PnB Rock for the 2nd single off of their up coming project. The record samples the classic Bad Boy Era Ma$e track "What You Want". With the Bad Boy reunion tour coming to an end earlier this month this record certainly pays homage to the legacy of the Bad Boy Era. Coming off a recent record with OG Maco, PHresher, and Ash Riser, MonE Yukka continues to impress, this time mimicking the flows of Mase "What You Want" on his first verse and Nas "Did You Ever Think" on his second verse. PnB Rock delivers a very powerful and unique sounding hook giving his own twist to Total's version of the "What You Want" hook.

Cincinnati Artist LAMB$ talks of the upcoming "TLC Tour" with OG Maco & A$ton Matthews, as well as wrestling, 90's cartoons, and Grand Theft Auto. Follow LAMB$ on Twitter @INSOMNIACLAMBS LAMB$ Soundcloud: https://soundcloud.com/insomniaclambs For more info on "The TLC Tour" follow @theTLCtour on Twitter Follow us on Twitter & Instagram @Back2BackHipHop

BANG! @southernvangard #radio Ep 078! Doe is back from vacation this week, and now Meeks on vacation. So, good friend of Southern Vangard Radio, one J57, hung around to help kick off the show after we interviewed Brown Bag All Star Deejay Element for the interview session! Tons of new joints this week including TWO EXCLUSIVES from Deejay Element’s producer EP that drops this fall, and some exclusive beats for us to yap over during the talk breaks. Once again, it’s that nothing but that #smithsonian #grade! // #download #stream #listen // southernvangard.com // @southernvangard on #itunes #podcast #stitcherradio #soundcloud #mixcloud // #hiphop #rap #underground #DJ #mix #interview #podcasts #ATL #WORLDWIDE Recorded live July 11, 2016 @ Dirty Blanket Studios, Marietta, GA southernvangard.com @southernvangard on #itunes #podcast #stitcherradio #soundcloud #mixcloud twitter/IG: @jondoeatl @southernvangard @cappuccinomeeks @beatlabusa *Inst beds by Deejay Element, J57 & Sur Niles "Element 4 President" (Original Mix) - J57 feat. Co$$, Johaz, Choosey (prod. DeeJay Element) "Element 4 President" (Remix) - J57 feat. Co$$, Johaz, Choosey (prod. DeeJay Element) "Untitled" ** EXCLUSIVE ** - Deejay Element feat. J57 "Moonlight" - ThomSeveer feat. Soul Khan, F. Virtue, & J57 "Convey " - Allen Poe x Deejay Element "She's Not the Only One" - Denitia & Sene (prod. J57 & DeeJay Element) "Write On" - Soundsci "16 And Out" (Remix) - A.G. (prod. Motif) "Coolaid Man" - Snoop Dogg (prod. J. Dilla) "Right Here" - Kurt Stanley (prod. Wally Clark) "The Ones" - Akrobatik (prod. JustSayPLZ) "FACTS" - Buddy Leezle feat. Clever One (of Da Buze Bruvaz) & Visto (of Dirty Batch)(prod. Mook (Rabiah Zaruq) “Potency" - Nolan The Ninja "Fuck Up My Day" - CJ Fly (prod. Bruce Leekix) "It's So Easy" (Single Mix) - Phonte and Eric Roberson (prod. ZO!) "Batterram (Doppstyle)" - The Doppelgangaz feat. Your Old Droog "The Kost Of Reked Supras" - jake Kost (feat. Supastition & REKS) "Newborn Soldier" (¥$ Rebirth) - Yamin Semali "Murder Soundtrack" - Sadat X feat. A-F-R-O & Rahzel The Legend "On My Way" - Jace feat. OG Maco (prod. Alchemist) "Meat Cleaver" - Bodega Brovas feat. Jean Grae "Animal Kingdom" - Mr Wrong (prod. Nick Speed) "Open Seas" - DJ Skizz feat. Milano Constantine & O.C.

What's Up Pizzas'?! Cory and Aaron are joined by not one, but two in-studio guests this week in Maid of Might and Laura from Oblivion Comics and Games. We talk about the weeks news like the Lethal Weapon TV show, the return of Prison Break, Wreck it Ralph 2, Pokemon Go! and much much more. During the second half of the show we get another special guest in-studio in OG Maco. And he bugged me and bugged me to bring back his favorite segments of the Videogame BANG! called... Bitch You Guessed It! We are so grateful for the guests that we had this week, we urge you to take some time out of your busy day and look up Maid of Might on her various social media websites  Maid of Might: https://www.instagram.com/maidofmight/ https://www.facebook.com/MaidOfMightCosplay/   Oblivion Comics and Coffee: https://www.facebook.com/oblivioncomics/?fref=ts   VOTE FOR THEM HERE: http://downtownsac.org/start-a-business/dreamers-welcome/calling-all-dreamers-contest/meet-finalists/public-vote/   As always thank you to our Sponsors: Corsair Gaming: gaming.corsair.com/en-us AntLion Audio: www.modmic.com/

Preview of OG Maco mixtape...Follow me on twitter/IG/FB #Atlantamixtapez

More info facebook.com/djsamchris twitter.com/djsamchris mixcloud.com/djsamchris Playlist: 1. Kovary - Teardrops (Original Mix) 2. Justin Timberlake - Cry me a river (Godlips Remix) 3. Riton ft. Kah-lo - Rinse & Repeat (Original Mix) 4. Robin Schulz feat Francesco Yates - Sugar (Hugel Remix) 5. Just Kiddin - Only For You (Original Mix) 6. I Am Oak - On Trees And Birds And Fire (Sam Feldt Vs. Bloombox Remix) 7. Disclosure - Omen (Claptone Remix) [feat. Sam Smith] 8. Life Less Ordinary - A New Day (Original Mix) 9. Groove Armada - Love Sweet Sound (Kolsch Remix) 10. Sirus Hood, Ardalan - Paris to SF (Original Mix) 11. Watermat & Tai - Frequency (Original Mix) 12. Bougenvilla, Jared Hiwat - Homeless (Original Mix) 13. Weiss (UK) - Get Em Funk (Original Mix) 14. Malaa - H+M (Original mix) 15. Sigala - Sweet Lovin' (Crookers Remix) 16. Mobin Master, Robin S - Show Me Love (Carl Hanaghan Tropical Remix) 17. Rachel Row - Follow The Step (Justin Martin Remix) 18. Matthew feat. The Atlas - Pale Sun Rose (TEEMID & FDVM Remix) 19. Ellie Goulding - Army (Mike Mago Radio Edit) 20. Higher Self, Lurker - House Music Hustle (Extended Mix) 21. Silento - Watch Me (SAM F REMIX) 22. Jauz - Feel The Volume (Joyryde 'Stick It In Reverse' Mix) 23. Tchami - After Life (feat. Stacy Barthe) (Original Mix) 24. OG Maco & 2 Chainz - U Guessed It (Ghastly Remix) 25. Serani - No Games (Henny Alvero & DJ Ray P Remix) 26. Don Diablo - On My Mind (Original Mix) 27. Tiga - Bugatti (Jauz Remix) 28. Lucky Charmes - Fulfill (Extended Mix) 29. GotSome - Just A Feeling (Sonny Fodera Remix) 30. Flux Pavilion & Matthew Koma - Emotional (Charlie Darker Remix) 31. Hever Jara - Stakkato (Original Mix) 32. T3NBEARS - No Sleep (Get Boxed) 33. Reid Stefan - Xylofun (Original Mix) 34. Wiwek, Gregor Salto, MC Spyder - Trouble (Original Mix) 35. Apashe - I'm A Dragon (Snavs Remix) 36. Duke Dumont - Need U 100% (Jauz x Marshmello Remix)

Vous chantez comme une chèvre, mais vous rêvez de devenir une star du rap ? Suivez l’exemple de Fetty Wap, qui en l’espace de quelques mois a vendu autant de singles qu’un Eminem ou qu’un Lil Wayne au top de leur forme. À défaut de pouvoir vous recommander son premier album (sorti fin septembre chez 300 Entertainment), nos experts analysent le phénomène. Animé par Mehdi Maizi avec Nicolas Pellion (Tsugi) et Aurélien Chapuis (aka Captain Nemo, Abcdr Du Son). Invité : Raphaël Da Cruz (Abcdr Du Son).ARTISTES ET RÉFÉRENCES CITÉES DANS L’ÉMISSION :Taylor Swift, Ed Sheeran, Eminem, Lil Wayne, 300 Entertainment, Lyor Cohen, Def Jam, Drake, Shy Glizzy, Chief Keef, Interscope, Monty, Remy Boyz, Gucci Mane, DJ Mustard, Mike WiLL, Future, Miley Cyrus, Young Thug, Fugees, Bob Marley, Kendrick Lamar, Akon, T-Pain, Casey, Pascal Nègre, Migos, Soulja Boy, OG Maco, DJ Unk, OT Genasis, Dej Loaf, Bobby Shmurda, Raury, Big Boss, Metal Gear Solid 5, Mick Jenkins, BJ the Chicago Kid, Vic Spencer. PLAYLIST DE L'ÉMISSION https://www.youtube.com/playlist?list=PLGt4caHD8Xas6aGv8_ixDW7A09E3dwoH0https://open.spotify.com/user/nofunpodcast/playlist/1lUBku2czt9OFzC0hw9N0hCOUPS DE COEUR DE LA SEMAINE :Nicolas Pellion : B.O. de Metal Gear Solid 5 (Konami, 2015) https://www.youtube.com/watch?v=QKbTYpaRMeQ Raphael Da Cruz : BJ the Chicago Kid, Church https://www.youtube.com/watch?v=xAE52TBtVrc Nemo : Mick Jenkins, Head Ass (Vic Spencer Diss) https://www.youtube.com/watch?v=2Tf60OBDEug RETROUVEZ NOFUN SUR LES INTERNETS :www.facebook.com/NoFunShowtwitter.com/NoFunShow www.dailymotion.com/nogameshowwww.youtube.com/channel/UCOQc7plmG6-MlPq7-CD3T7Awww.mixcloud.com/NoFunShow/www.deezer.com/show/13867www.stitcher.com/podcast/nofun/CRÉDITS : Enregistré le 29 septembre 2015 au Tank à Paris (11ème). Moyens techniques : Le Tank. Production : Joël Ronez - Iris Ollivault / TempsMachine.NET. Réalisation : Sébastien Salis. Générique : extrait de "Tyra Banks" de Nodey (Atrahasis EP) réalisé par Nodey. See acast.com/privacy for privacy and opt-out information.

In For It (Dirty)                                      Tory Lanez                                            Ring It                                          Aristoteles Mendes                                    "Bring Em Out" feat. Flatbush Zombies (Prod. V'Don)      Bodega Bamz                                           Wait A Minute                             T-Pain Ft. OG Maco                    Like Me  (Dirty)             Lil Durk ft Jeremih                                   Keep It Easy             Allan Kingdom                                         M's (Prod. By Honorable C-Note) l        A$AP Rocky                                            Mind Right (Dirty)       TK-N-Cash                                             All Day -       Kanye West ft. Allan Kingdom & Theophilus London      Look At Wrist (feat. iLoveMakonnen & Key!)    Father                                                Hot Boy (Dirty)      Bankroll Fresh                                        Preach (feat. PARTYNEXTDOOR)       Drake                                                 One Time     Migos     How We Do Us feat.Kyle Dion           Kehlani                                                Wrong (Prod. Ryan Hemsworth)          Tinashe                                                Nobody (Dirty)                        Young Dougie ft. Jadakiss                              Making Me Proud (Dirty)               Red Cafe ft. Jeremih & Rick Ross                       Bad B#tch Remix (Intro - Dirty)       French Montana ft. Rick Ross, Fabolous, & Jeremih      Break The B#tch Down (Dirty)          Kevin Gates ft. K Camp                                 All Your Fault (feat. Kanye West)     Big Sean                                               Beat It                               Young Thug feat. Jacquees                              These Walls (Intro - Dirty)           Kendrick Lamar ft. Bilal, Anna Wise, & Thundercat      The Girls On Drugs                    Wale                                                   Voor De Paper ft. Raw Roets           Hef                                                    U Mad (Dirty)                         Vic Mensa ft. Kanye West                               Oh My (Dirty)                         Boogie                                                

(Fresh HH) - Lupe Fiasco/Rae Sremmurd/Nicki Minaj/Drake/OG Maco/O.T. Genasis/Rick Ross/T.I./Meek Mill... & More!

(Fresh HH) - Lupe Fiasco/Rae Sremmurd/Nicki Minaj/Drake/OG Maco/O.T. Genasis/Rick Ross/T.I./Meek Mill... & More!

(Fresh HH) - Lupe Fiasco/Rae Sremmurd/Nicki Minaj/Drake/OG Maco/O.T. Genasis/Rick Ross/T.I./Meek Mill... & More!

(Fresh HH) - Lupe Fiasco/Rae Sremmurd/Nicki Minaj/Drake/OG Maco/O.T. Genasis/Rick Ross/T.I./Meek Mill... & More!

FastPhive ist angeschlagen und Ron zerbricht sich fast die Zunge an "Cadillactica". Beste Voraussetzungen also für eine neue Episode Uptowns Finest. Wir sprechen über die schwere Last auf den Schultern von Tyga, vergleichen die Migos mit den Beatles und aus Rick Ross wird Rick Röschen. Außerdem geben wir den Gewinner unser UE Boom Bluetooth Lautsprecher Verlosung bekannt und Marteria darf entscheiden was der Klassiker der Woche ist. Unsere handverlesene Songauswahl: Theophilus London ft. Kanye West, Big K.R.I.T. ft. Devin The Dude, Big Sant & Bun B, Ludacris ft. Miquel, Rick Ross ft. K. Michelle, Tyga, Drake, Stalley ft. Nipsey Hussle, Migos, OG Maco ft. Johnny Cinco, Errdeka, Snare und R.A. The Rugged Man.

(Fresh HH) - T.I./Jeezy/Drake/OG Maco/A$AP Rocky/Nicki Minaj/Big Sean/Tunji Ige... & More!

(Fresh HH) - T.I./Jeezy/Drake/OG Maco/A$AP Rocky/Nicki Minaj/Big Sean/Tunji Ige... & More!

(Fresh HH/R&B/Trap) - A$AP Rocky/Drake/OG Maco/Rae Sremmurd/Bobby Shmurda/Big Sean/Don Cannon/R. City/I LOVE MAKONNEN/Chris Brown/Jeezy... & More!

(Fresh HH/R&B/Trap) - A$AP Rocky/Drake/OG Maco/Rae Sremmurd/Bobby Shmurda/Big Sean/Don Cannon/R. City/I LOVE MAKONNEN/Chris Brown/Jeezy... & More!

(Fresh HH/R&B) - Game/Young Keiko/Reese/Six9/Big Sean/Jeezy/Yo Gotti/Tyga/Og Maco/Drake/I Love Makonnen... & More!

(Fresh HH/R&B) - Game/Young Keiko/Reese/Six9/Big Sean/Jeezy/Yo Gotti/Tyga/Og Maco/Drake/I Love Makonnen... & More!

(Fresh HH) - The Game/Rick Ross/Rae Sremmurd/OG Maco/YT Triz/Kendrick Lamar/ScHoolboy Q/Joey Bada$$... & More!

(Fresh HH) - The Game/Rick Ross/Rae Sremmurd/OG Maco/YT Triz/Kendrick Lamar/ScHoolboy Q/Joey Bada$$... & More!

Jack and Mikey from Crank Lite Lager join the show to discuss what it's like to start a beer company, talk a little hockey, and share their (newly-sponsored) Crank Lite Lager Ice Cold Takes of the Week (1:15). Then, the guys unveil their newest segment - Dylan's Lackluster Performance of the Week - which features a hilarious audio clip combining OG Maco and Dylan's use of the word “lackluster” from last week (40:20). Finally, Dylan and J-mo recap the NFL Divisional Round by trying to make sense of their notes from throughout the weekend (47:55).