Podcast appearances and mentions of Richard Smallwood

Molly Durand has worked with the LadySmith Black Mumbazzo choir and famed gospel composer and conductor Richard Smallwood. On multiple occasions, she has been a featured soloist for the Illinois Senate Inauguration and the Glen Ellen Children's Choir at Carnegie Hall in New York City. She has performed on the New York lot at CBS Studios and in shows throughout Los Angeles at venues such as the House of Blues, Hotel Café, The Green Door, Mbar, El Cid, The Regent Beverly Wilshire, The Beverly Hilton, Tangier, and the Piano Bar, where she held residency as a featured artist.    Molly Durand was chosen to read and sing for the part of Anne Wilson of HEART in their musical review: Kick It Out, written by Nancy and Anne Wilson.  This was showcased at Playtone beside Tom Hanks and Rita Wilson.   Molly Durand also toured with Chicago's Second City as a company member performing sketch comedy and improv.  She has produced and directed in her own short films and sketches and produced a horror indie film as well.  Molly produced live plays in LA and was a stage manager in NY,NY.  Most recently she hosted a Variety Show in LA showcasing diverse talent.  Molly was lucky enough to be able to work with Holland Taylor on her one woman show ANN about the incredible Ann Richards.  Molly also performed in Leslie Jordan's working musical in Los Angeles.  Aside from Second City, Molly is featured on Scream Queens and other features and shorts, mainly playing comedic character roles.  

Molly Durand has worked with the LadySmith Black Mumbazzo choir and famed gospel composer and conductor Richard Smallwood. On multiple occasions, she has been a featured soloist for the Illinois Senate Inauguration and the Glen Ellen Children's Choir at Carnegie Hall in New York City. She has performed on the New York lot at CBS Studios and in shows throughout Los Angeles at venues such as the House of Blues, Hotel Café, The Green Door, Mbar, El Cid, The Regent Beverly Wilshire, The Beverly Hilton, Tangier, and the Piano Bar, where she held residency as a featured artist.    Molly Durand was chosen to read and sing for the part of Anne Wilson of HEART in their musical review: Kick It Out, written by Nancy and Anne Wilson.  This was showcased at Playtone beside Tom Hanks and Rita Wilson.   Molly Durand also toured with Chicago's Second City as a company member performing sketch comedy and improv.  She has produced and directed in her own short films and sketches and produced a horror indie film as well.  Molly produced live plays in LA and was a stage manager in NY,NY.  Most recently she hosted a Variety Show in LA showcasing diverse talent.  Molly was lucky enough to be able to work with Holland Taylor on her one woman show ANN about the incredible Ann Richards.  Molly also performed in Leslie Jordan's working musical in Los Angeles.  Aside from Second City, Molly is featured on Scream Queens and other features and shorts, mainly playing comedic character roles.  

•Curtis (C. Barry) Martin remembers...when Gospel music...was the stepchild in modern music of all the genres!  It was his team's task to put our line of artists in every chain, Distributor/ One Stop/record store/bookstore in America and worldwide! •C. Barry called the major chain stores; Tower Records, Turtles, Strawberrys, Musicland, and others! As BeBe & CeCe began to break, The Winans, Richard Smallwood, The Clark Sisters, Tramaine Hawkins, Darly Coley, The Hawkins Family, Kurt Carr, Trin-nit-tee 5:7, A-1 Swift, PID, Ron Kenoly, West Angeles...Saints In Praise Series, 1, 2 and 3. Gospel Gangtaz, Mom & Pop Winans, Vickie Winans, Norman Hutchins to name a few; the Game Changed.  •Vicky Mack Lataillade came to Nashville talked with C. Barry about two artists she was considering, she was just beginning their labels, Claude & Vicki's, Gospo-Centric Records / B-Rite Records. She could only choose 1 artist...Kirk Franklin.  Elroy Smith on V103 in Chicago an Urban station played “Why We Sing” once, the phones lit up.....and the rest is History - 18 Gold Albums and 3 Platinum Albums/CD'S! •Now...The Orchard Promotional Firm...C. Barry's company of 28 years.  Our biggest Hit..."Falling In Love With Jesus" "Run And Tell That" "Don't Let The Devil Ride." Making history with The Bowmans, Tim Sr. & Jr., The Williams Brothers, Rev. Robert Lowe & The MoriahCity Singers, Tiffany Bynoe and I will stop right there because there is so much more! •Please send Let's Talk: Gospel Music Gold an email sharing your thoughts about this show segment also if you have any suggestions of future guests you would like to hear on the show. Send the email to ⁠⁠letstalk2gmg@gmail.com⁠⁠ •You may Subscribe to be alerted when the newest episode is published. Subscribe on Spotify and we will know you are a regular listener. All previous Seasons of guests are still live; check out some other Podcast Episodes •LET'S TALK: GOSPEL MUSIC GOLD RADIO SHOW AIRS SATURDAY MORNING 9:00 AM CST / 10:00 AM EST ON INTERNET RADIO STATION WMRM-DB AND WJRG RADIO INTERNET RADIO STATION 12:00 PM EST / 11:00 AM CST •Both the Podcast and Radio shows are heard anywhere in the World on the Internet! •BOOK ENTITLED •"Legacy of James C. Chambers And his Contributions to Gospel Music History " Available on Amazon.com!

•Phillip Lynah  For over 50 years, he has been singing and performing God's praises. He is a multi-talented musician, traversing various genres, including gospel quartet, classical, acappella, contemporary, and secular music. He has shared the stage with renowned artists such as Luther Barnes, The Canton Spirituals, The Williams Brothers, Byron Cage, and Richard Smallwood. •Throughout his career, Phil has earned multiple awards and nominations for his performances with notable gospel groups such as The Gospel Angels of Washington DC, The Legendary Jackson Singers of Washington DC, Prophecy – Cops for Christ, and J-Le Samp Singers of Washington DC. He also co-starred in the acclaimed gospel music stage play *An American Song*. Now, Phil is ready to embark on his long-awaited solo journey! He brings together the best of both worlds—past and present—into a powerful musical experience that is bound to uplift, inspire, and encourage audiences to have a closer walk with Jesus. •Phil Lynah is stepping into a new chapter as a Gospel solo recording artist with the release of his new EP entitled *On The Way*. • The EP features five songs: “All I Need is You (Radio Mix),” ”;Pray a Little More”  “Trust Me” “On The Way” “My Praise” and  “All I Need is You (Yeah, Yeah).” •Please send Let's Talk: Gospel Music Gold an email sharing your thoughts about this show segment also if you have any suggestions of future guests you would like to hear on the show. Send the email to ⁠⁠letstalk2gmg@gmail.com⁠⁠ •You may Subscribe to be alerted when the newest episode is published. Subscribe on Spotify and we will know you are a regular listener. All 4 Seasons of guests are still live; check out some other Podcast Episodes •LET'S TALK: GOSPEL MUSIC GOLD RADIO SHOW AIRS SATURDAY MORNING 9:00 AM CST / 10:00 AM EST ON INTERNET RADIO STATION WMRM-DB AND ON WJRG RADIO INTERNET RADIO STATION 12:00 PM EST / 11:00 AM CST •Both the Podcast and Radio shows are heard anywhere in the World on the Internet! •BOOK AVAILABLE ON AMAZON! •Legacy of James C. Chambers And his Contributions to Gospel Music History

God loves you and He's with you, staying by your side, and fighting this battle for you and with you! So, when life hits hard and the enemy's attacks are relentless, go to God because He promises to be there for you. Remember, Jesus Christ has already defeated the devil and with Him, we will ultimately win! SUBSCRIBE to our sister podcasts:Your Daily Prayer: https://www.lifeaudio.com/your-daily-prayer/Your Daily Bible Verse: https://www.lifeaudio.com/your-daily-bible-verse/ Full Transcript Below: Holding On When You Want to Give Up By: Alexis A. Goring  “Fight the good fight of the faith. Take hold of the eternal life to which you were called when you made your good confession in the presence of many witnesses.” — 1 Timothy 6:12 NIV Life can be tough for everyone. Nobody has it completely easy. And if you're a follower of Jesus Christ then you know that you're also in a battle, because the devil doesn't want you to have the eternal life that Jesus offers.  Often, the devil's attacks are relentless. I know that we can become so worn down by the evil forces in this world that we feel like giving up. We might even allow ourselves to be attacked without fighting back. The Bible gives us weapons to use for this spiritual warfare and God hasn't left us without help. But lately, I've realized that I haven't been fighting as hard as I should. How often have I allowed the devil to beat me down while I stayed defenseless? It's very easy to listen to negativity and throw yourself a pity party. But in recent years, God helped me realize that I am not defenseless; I can actively and effectively fight back!  We have the power that raised Christ from the dead inside of us (Romans 8:11).  Let's exercise our authority as a Child of God and fight back with the Word of God! Ephesians 6:10-18 teaches us how to be prepared for this daily battle and to win with God on our side. It's called putting on and activating the Armor of God: “Finally, be strong in the Lord and in his mighty power. Put on the full armor of God, so that you can take your stand against the devil's schemes. For our struggle is not against flesh and blood, but against the rulers, against the authorities, against the powers of this dark world and against the spiritual forces of evil in the heavenly realms. Therefore put on the full armor of God, so that when the day of evil comes, you may be able to stand your ground, and after you have done everything, to stand. Stand firm then, with the belt of truth buckled around your waist, with the breastplate of righteousness in place, and with your feet fitted with the readiness that comes from the gospel of peace. In addition to all this, take up the shield of faith, with which you can extinguish all the flaming arrows of the evil one. Take the helmet of salvation and the sword of the Spirit, which is the word of God. And pray in the Spirit on all occasions with all kinds of prayers and requests. With this in mind, be alert and always keep on praying for all the Lord's people.” Isn't that a powerful promise to cling to? God has given us everything we need to defeat the enemy and to be victorious in Jesus Christ. I've learned to pray the Armor of God verses in the Bible at the start of every day. I've also learned some additional and practical steps to take to overcome attacks from the enemy.  Step One: Go to God. He is our Heavenly Father and stronger than Satan (our ultimate enemy). Read John 16:33.  Step Two: Ask Jesus Christ, our Savior, to pray for you. Read John 17:6-26. Step Three: Listen to Gospel music and worship God in song. Read 2 Chronicles 20:22. Step Four: Read the Bible and apply Scripture to overcome your struggle. Read 1 John 4:4. Step Five: Call a Bible-believing pastor, God-fearing friend, or Christ-following family member and ask them to pray for you. Read Ephesians 6:18. Step Six: Invest in Christian faith-based counseling services. Step Seven: Change your environment by going outdoors for a walk in nature.  One of my favorite Gospel music artists, Dr. Juanita Bynum, says sometimes you need to “praise your way through” dark times and spiritual attacks. Listen to her song “I Don't Mind Waiting” for the encouragement your heart needs. Here's the link: https://youtu.be/_hEiGEfm2uE?si=q0oZLbIXGHxNqph6 Another song that illustrates my devotional points today is “Hold On, Don't Let Go” by Richard Smallwood & Vision. I encourage you to listen to it too. Here's the link: (https://youtu.be/jmPhHNQGjK4?si=G6JBwslbssixvGu2) Remember: God loves you and He's with you, staying by your side, and fighting this battle for you and with you! So, when life hits hard and the enemy's attacks are relentless, go to God because He promises to be there for you. Remember, Jesus Christ has already defeated the devil and with Him, we will ultimately win! Intersecting Faith and Life: How does it feel to know that the Creator of the Universe fights for you and with you against attacks from the enemy?  Further Reading:  Proverbs 21:3 Psalm 119:160 1 Thessalonians 5:8 2 Corinthians 10:4 1 John 5:4 Also read:  “The Armor of God—What it Is and How to Use It” by Debbie McDaniel https://www.crosswalk.com/faith/prayer/praying-on-the-armor-of-god.html   Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.

On this episode of the podcast, as a part of our Black Music Month celebration, we celebrate the music of Richard Smallwood with a 16 song tournament. Plus we discuss Kendrick Lamar's Juneteenth concert and much more!!! Check us out!!! --- Support this podcast: https://podcasters.spotify.com/pod/show/vgeorgesmith/support

In this episode of the Fan Fave podcast, host Katrina shares her thoughts about the newest Pixar movie, Inside Out 2! Plus, a Pop Recap all about Aaron Tveit and Jojo's return to the Moulin Rouge, Universal Orlando's Epic Universe - Dark Universe updates, the Kennedy Center's Gospel Symphony Celebration for Richard Smallwood and the Pop 2000 Tour featuring Chris Kirkpatrick, BBMAK, O-Town, Ryan Cabrera and LFO.

Cuando uno tiene demasiada familiaridad con alguien, se dice a veces que la confianza da asco. Viene cuando uno está tan acostumbrado a tratar con alguien, que ya no le da importancia. Eso es lo que le pasa a las personas religiosas de las que habla Jesús en el capítulo 14 de la Buena Noticia según Lucas. No valoran su invitación y se quedan fuera de la fiesta. Isto es el nombre con el que se presenta un músico de Siracusa (Nueva York) llamado Christopher White, que hace una versión acústica de nuestra sintonía, Ruta 66, acompañado sólo con su guitarra. "Aqualung" es uno de esos álbumes conceptuales de los 70, que hizo famoso a un curioso grupo británico conocido como Jethro Tull. La inconfundible flauta y extraordinaria voz de Ian Anderson busca mostrar "la distinción entre la religión y Dios", dijo. Stuart Townend es un autor de música de alabanza que se ha hecho famoso por las composiciones que hizo con un matrimonio irlandés, que vive entre Nashville y Belfast, los Getty, que se conocieron por el tío de ella, John Lennox. Hacen canciones de mucho contenido doctrinal como "Sólo en Jesús". Escuchamos un tema de Townend, solo, "Vagabundos" (2011), inspirado en este pasaje. Lo oímos en su propia voz, que suena algo menos edulcorada que la de los Getty y con un aire "folk" más celta y agreste. El Ejército de Salvación es un movimiento evangélico nacido en 1865 con un pastor metodista llamado William Booth. Estableció con su mujer una misión de organización militar para predicar el Evangelio y ayudar al necesitado en el peor barrio de Londres, Whitechapel, conocido por los crímenes del Destripador. Sus oficiales, tanto hombres como mujeres, marchan con uniformes por las calles, para anunciar la Buena Noticia a la puerta de tabernas y burdeles, acompañando los himnos evangélicos con musica de banda. El cantautor judío neoyorquino Paul Simon pasó una larga temporada en una misión cristiana de Londres, antes de ser conocido por su duo con Art Garfunkel. Allí compusó algunas de sus más famosas canciones para un programa religioso de la BBC, se familiarizó con el Evangelio y el sonido del Ejército de Salvación, al que hace referencia en su canción "Hazy Shade of Winter" (La sombra nebulosa del invierno). La escuchamos en la popular versión de las Bangles en 1987, que apareció en la película "Less Than Zero" y la serie "Stranger Things". La "Mayor Barbara" es una obra que hizo George Bernard Shaw a principios del siglo pasado sobre la heredera de una rica familia inglesa que entra en el Ejército de Salvación para llevar a los pobres la esperanza cristiana. La historia ha inspirado vagamente musicales como "Ellos y ellas" (1955) con Sinatra, Brando compitiendo por seducir a Jean Simmons, pero preferimos la versión más fiel de 1941 con un joven Rex Harrison y la ya olvidada Wendy Hiller con David Lean como ayudante de dirección y montaje de Gabriel Pascal. Escuchamos algunas escenas de la versión doblada, comentadas por José de Segovia con el fondo de bandas salvacionistas de Pendleton y Enfield. Nuestra canción preferida sobre el Ejercito de Salvación no tiene el aire de marcha militar de sus himnos, sino la entrañable voz de Cliff Richard. Lleva el nombre femenino con el que familiarmente son conocidos en Inglaterra, "Sally Army". Está en su disco de 1977, "Small Corners" (Pequeñas esquinas). Nuestra última canción es también uno de nuestros "gospel" favoritos, muy apropiado además para lo que Jesús nos enseña en esta parábola. Su título es "At The Table" (En la mesa) y está interpretado por uno de los grandes músicos afroamericanos desde finales de los 70, Richard Smallwood. La versión que más nos gusta es una de las que hizo en vivo en Detroit en 1999. Su festivo sonido es de una alegría contagiosa. El rítmo del coro se te pega como una lapa, que no se te va de la cabeza. Es una celebración de un Dios tam prodigo en su generosidad, que nos asombra con Su maravillosa Gracia.

In this episode, I chat with Jerome Bell (Eastman School of Music) about his musical upbringing in the church, his experiences in performance and composition, and how he ended up in a music theory PhD program. We also chat about his recent paper that he presented at the Society for Music Theory annual meeting in November 2023, titled "Modal Fluidity in Millennial Gospel," about shifting harmony in the music of Tye Tribbett and Richard Smallwood. Jerome's website Jerome's paper Get in touch with me at: hermusicacademia@gmail.com

For our final episode of 2023, Alexa is joined by sought-after choral director and vocal coach, Mark De-Lisser. He has worked with the likes of Ariana Grande, Jessie J, and Beverly Knight. He has also been involved in TV shows such as "Our Dementia Choir" with Vicky McClure and "The Masked Singer." Mark made the arrangement of "Stand By Me," which was performed by the Kingdom Choir at the royal wedding of Prince Harry and Meghan Markle in 2018. This performance has been streamed over 4 million times. Mark is here to discuss how to sing and teach the gospel vocal style. KEY TAKEAWAYS Gospel music is a Christian genre rooted in the black experience. Known for emotive vocals, call-and-response, and Christian themes, it often features choirs and instruments. Gospel expresses spirituality, joy, or sorrow, with improvisation common. Evolving into sub-genres like traditional and contemporary gospel, it has influenced various music styles, playing a significant role in religious worship and shaping American musical development. When it comes to the question of the cultural appropriation of gospel music, Mark believes that you have to give acknowledgment to where that music came from. You have to think about the composer and the spiritual background of where the music came from and reference it when you come to teach it.  The most important thing you need to remember when singing gospel music is that you need to believe in the words that are coming out of your mouth. Even if you're not a religious person, you should think of a thing or idea that lifts you up and gives you strength.  When singing gospel, allow yourself to be more vulnerable and get wrapped up in the emotion of the piece. Having a licence to be more vulnerable will make it more likely you affect the audience and make them leave with your story.  BEST MOMENTS  ‘Gospel is songs of good news'  ‘It blew my mind because I'd only heard traditional gospel music' ‘They were creating these songs out of a need for freedom'  ‘If you connect you will affect'  ‘We were born singers and society does its best to beat it out of us'  EPISODE RESOURCES  Guest Website: https://markdelisser.com/ Social Media: Instagram: @markdelisser & @mdlsingers Relevant Links & Mentions:  Artists Mentioned: Thomas Dorsey; Kirk Franklin; Maverick City; Mahalia Jackson; Andre Crouch; Walter Hawkins; Richard Smallwood; Donald Lawrence; Johnathan McReynolds; Daryl Coley; Take Six; The Winans; Mischa Paris; Tai Trabet; Anita Wilson; Mary Mary; Tom Odell; CeCe Winans; The Darkness  (Book) So you Want to Sing Gospel: A Guide for Performers by Dr Trineice Robinson-Martin Dr Trineice Robinson-Martin Dane Chalfin Felton and Norton Community Gospel Choir  BAST Book A Call: basttraining.com/bookacall/ ABOUT THE GUEST  Mark De-Lisser is one of the most sought after choral directors and vocal coaches in the UK. He has worked with some of today's top vocal talent, including Ariana Grande, Jessie J and Beverley Knight, and on some of the UK's most watched TV shows, including BBC's BAFTA nominated Our Dementia Choir with Vicky McClure, Songs of Praise and ITV's award winning The Masked Singer. Driven to inspire and motivate everybody to succeed, Mark helps to increase confidence and self-awareness, whilst improving technique and delivery. Anybody who is fortunate to work with Mark is left feeling uplifted and invigorated. Mark is perhaps best known for his arrangement of Stand by Me, performed by the Kingdom Choir at the Royal Wedding of Prince Harry and Meghan Markle in 2018, which has now been streamed more than 4 million times on Spotify and has over 10 million views on YouTube. ABOUT THE PODCAST BAST Training is here to help singers gain the knowledge, skills and understanding required to be a great singing teacher. We can help you whether you are getting started or just have some knowledge gaps to fill through our courses and educational events. basttraining.com Updates from BAST Training Presenters Bios

Verious Gospel medleys --- Send in a voice message: https://podcasters.spotify.com/pod/show/andre-murphy8/message

Niya Cotton's life narrative is interwoven with a legacy of music. Born to a father who graced the ranks of original Richard Smallwood singers and a mother who commanded rhythm as a seasoned drummer, Niya's destiny as a musical communicator was evident from the start. Her journey commenced at the tender age of 2 in her church's youth choir, a stepping stone to her emergence as an artist of exceptional caliber. Graduating as salutatorian from Washington, D.C.'s Duke Ellington School of the Arts in 2000 and later earning a B.A. in Vocal Performance from Hampton University in 2004, Niya's artistic foundation was solidified. Her path led her to Los Angeles, where she contributed her talents to Warner Brothers' TV Music department, leaving her mark on prominent television shows. Her harmonious tones reverberated beyond screens, gracing tracks for renowned artists like Michael Bublé and Chance the Rapper. Notably, she etched her presence in Kirk Franklin's album "Losing My Religion," a turning point that paved the way for her enduring collaboration with the Fo Yo Soul family. Beyond music, Niya's influence extended through "The Whole Tone LLC," a venture nurturing wholeness through art, education, and entertainment. As a worship leader, creative director, and mentor, she continues to orchestrate a life that marries artistry with profound purpose, all while embracing her role as a dedicated parent alongside her husband Roy in the Dallas/Ft. Worth area. Adding the link to the song here as well: https://music.apple.com/us/album/i-decided-radio-version-single/1704283610 --- Send in a voice message: https://podcasters.spotify.com/pod/show/lifeherpodcast/message

Various Gospel classics --- Send in a voice message: https://podcasters.spotify.com/pod/show/andre-murphy8/message

In this episode, I made an #AaronaRemake of the Richard Smallwood song, "Jesus, You're The Center of My Joy". I had so much fun putting this together, even with all the technical difficulties I encountered. Check out my NEW #AaronaRemake "Jesus Is My Joy".Watch "Aarona Remakes Playlist" on my YouTube Channel: @aaronacreates

Growing up in Baltimore, Maryland offers a rich musical tapestry with various genres and influences. The city has a vibrant music scene that has contributed to the development of numerous genres and artists. Here are some notable aspects of Baltimore's music culture:Baltimore Club Music: One of the most distinct and influential genres to emerge from Baltimore is Baltimore Club Music. Known for its high-energy beats, fast tempos, and sampled vocal loops, Baltimore Club Music is deeply rooted in the city's dance culture. It has had a significant impact on electronic music and has been embraced by DJs and producers worldwide.Hip-Hop and Rap: Baltimore has a thriving hip-hop and rap scene, with artists who have gained recognition both locally and nationally. Artists like Labtekwon, Los, Tate Kobang, and Lor Scoota have helped shape the city's hip-hop identity and have contributed to the growth of the genre.Go-go: Although go-go music is more associated with Washington, D.C., its influence has spread to Baltimore as well. Go-go blends funk, R&B, and soul, and features live instrumentation, emphasizing percussive elements like congas and cowbells. The genre has found its audience in Baltimore, with local bands incorporating go-go influences into their music.Gospel Music: Baltimore has a rich gospel music tradition, with numerous talented gospel choirs, vocalists, and groups. The city has been a breeding ground for gospel talent, producing renowned artists like Richard Smallwood, Donnie McClurkin, and Tye Tribbett. Gospel music has a significant presence in the local church community and plays an important role in the cultural fabric of the city.Indie and Alternative Rock: Baltimore has a vibrant indie and alternative rock scene that has gained attention in recent years. Bands like Animal Collective, Beach House, and Future Islands have emerged from Baltimore, bringing their unique sounds and gaining national and international recognition. The city's DIY ethos and supportive community have fostered the growth of independent and alternative music.Jazz and Blues: Baltimore has a history of embracing jazz and blues, with a thriving live music scene. The city has been home to legendary jazz and blues musicians, including Billie Holiday and Eubie Blake. Jazz clubs and venues continue to showcase local talent and host performances by renowned artists, ensuring that the jazz and blues tradition remains alive and well.These are just a few examples of the diverse musical influences and genres that you might have been exposed to while growing up in Baltimore, Maryland. The city's music scene continues to evolve, offering a dynamic and vibrant musical landscape for both artists and listeners.Support this podcast at — https://redcircle.com/we-create-the-vibes-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Anthem: “Total Praise” Richard Smallwood arr. Carol Cymbals The South Church Chancel Choir with the Hot Cat Jazz band.

For the next several episodes, we're partnering with Chorus America to bring you a sneak preview of what's coming up at the Chorus America Annual Conference, being held this year in our home town, San Francisco! We hope you'll enjoy this opportunity to get to know a bit more about the conference's speakers and their areas of expertise, and especially to get to know these folks on a personal level. Building on a shared understanding that songs are stories and choruses and singers are storytellers, today's episode with Dr. Antonio C. Cuyler will give us a sneak peek at his Chorus America conference session where we explore the question: How can we envision and manifest antiracism in every aspect of our field, from repertoire to the way choral organizations are structured? We hope to see you in San Francisco for the Chorus America Conference, May 31 - June 2, 2023. More information is available at chorusamerica.org. Music excerpts “Chains,” written by Gary Hines, performed by Sounds of Blackness“Optimistic,” written by Gary Hines, performed by Sounds of Blackness“Total Praise,” written by Richard Smallwood, performed by Richard Smallwood and VisionEpisode referencesChorus America conferenceDr. Antonio C. CuylerAccess, Diversity, Equity and Inclusion in Cultural OrganizationsArts Management, Cultural Policy, & the African DiasporaAlysia Lee, Baltimore Children & Youth Fund“Hold Fast to Dreams,” by Joel Thompson, performed by the Atlanta Master Chorale, Dr. Eric Nelson, conductor; Joel Thompson, accompanist (YouTube)Theme Song: Mr. Puffy by Avi Bortnik, arr. by Paul Kim. Performed by Dynamic

Manny Jennings (along with mom and dad) joined the show to discuss his book, It's Ok To Be Me, that inspires everyone to embrace what makes you who you are!“Manny,” Claude Jennings III, is a 10 year old native of Silver Spring,Maryland. Manny is a YouTuber and has a YouTube channel called “Manny Time.”He's a big sports fan. His favorite athlete is Steph Curry! Manny plays in the PGAJunior League in PG George's County where he was his team's MVP in 2021 and a part of the championship team in 2022. He loves to help and inspire people, which is why he decided to write the book "It's OK to Be Me" and start the Confident K.I.D.S. movement.Manny's father Claude Jennings, Jr. is a Washington, DC area native and a veteran broadcast media expert. He has worked for Christian music station WGTS 91.9 for the past 21 years a producer and on air personality on the WGTS 91.9 morning show with the morning show. Claude also produces the Saturday morning program “Breakaway”. He runs his own media production and consulting company – Hope Line Media. Claude is a big football and and golf fan. If he is not in a studio behind a mic or editing, you will probably find him on a local golf course. Claude has done so much for our community including leading the Impact Fellowship which is a church ministry that mobilizes Christians to engage and impact the DMV in the name of Jesus Christ. Manny's mother, Cierra Jennings is also a native Washingtonian. She is a humanresource benefits specialist by profession and a singer by passion. Cierra has sung inthe DMV on various occasions as a worship leader, solo artist and have graced thestages of the Kennedy Center, the Strathmore and other venues. Cierra has performed with Gospel icon Richard Smallwood, the Washington Performing Arts Society, Men and Women of the Gospel to name a few.

David Pulley had a gift for songwriting long before the world knew. Growing up in a family of 11 siblings, music became an outlet for him. David was exposed to the Gospel greats, including the works of Andrae Crouch, Walter Hawkins, Richard Smallwood, and Percy Bady. Beginning at an early age, David wrote poetry that he used as a base to construct his song. Sensing a need to encourage his passions, his mother sent him and his sister to music lessons. David initially took to playing drums while his sister started playing piano, and he soon started copying what he heard his sister playing during her piano lessons. The instructor noticed this and informed his mother of his substantial progress. David graduated from his original drum lessons and started instruction on the Hammond organ. He excelled at the organ and quickly elevated to teacher's assistant, working with new students. He began playing for his home church at the age of 12.

Angeles watching over me. Anthem of Praise, Center of my joy, Lift him up. Let everything that have breath praise the Lord. --- Send in a voice message: https://podcasters.spotify.com/pod/show/andre-murphy8/message

The Worship revealed in Scripture seems foreign to us when we gaze at the culture and how it presents worship. Have we gotten too superficial with worship? Is our understanding of biblical worship anemic and self-centered? Do Christians practice worship in isolation with God today or is it reserved for the big stage?  We take a peek behind the veil of Christian culture and into the heart of the 'worship experience'. PS. This is episode #100 and we thank God for all of the support and encouragement along the way! Here's to another 100 episodes!Support the showPlease Rate & Comment!Hosts: Brandon and Daren SmithWebsite: www.blackandblurred.comPatreon: www.patreon.com/blackandblurredYouTube: Black and Blurred PodcastIG: @BlackandBlurredPodcastTwitter: @Blurred_Podcast

Episode 86 Merry Moog 2022 Vintage Holiday Music Performed on the Moog and other Synthesizers Playlist Frank Luther with Zora Layman, “Christmas Bells” from Christmas In Song (1939 Decca). This is the original 78 RPM release featuring a vocal quartet, bells, and music played on the Hammond Novachord. 0:38 Frank Luther with Zora Layman, “Christmas Day in the Morning” from Christmas In Song (1958 Vocalion). This is a reissue of the 1939 release featuring a vocal quartet, Zora Layman, bells, and music played on the Hammond Novachord. The stereo is simulated. There are some nice moments for the Novachord on this record. 3:12 Paul Tanner, “Holiday on Saturn” from Music for Heavenly Bodies (1958 Omega). This rare disc features Tanner playing the Electro-theremin, an imitation of the Theremin that was a box with an audio oscillator inside and a rotary dial to control the pitch. Tanner, a renown studio musician and trombone player, later provided the sound of the Electro-theremin on the Beach Boys hit Good Vibrations (1966). 4:16 Greg Lake, Emerson, Lake & Palmer, “I Believe In Father Christmas” from I Believe in Father Christmas (1995 Rhino). Produced by Keith Olsen; written by Greg Lake, Peter Sinfield; vocals, Bass, Acoustic Guitar, Electric Guitar, Greg Lake; Drums, Percussion, Carl Palmer; Hammond organ, Piano, Moog Synthesizer, Keith Emerson. This is the original version released in 1975 with a choir and Moog Modular. It differs significantly from the stripped-down mix, also included on this CD, originally appearing on Works Vol. 2 in 1977 and then later in 1994. Rhino Records was kind enough to package all of ELP's X-Mas related tunes onto a CD EP in 1995, from which this version comes. 3:34 Keith Emerson, “Troika (From Prokofiev's Lieutenant Kije Suite)” from The Christmas Album (1995 Rhino). This is the Prokofiev composition that Greg Lake adapted into “I Believe in Father Christmas.” Later on, Emerson released this interpretation of the Prokofiev piece on The Christmas Album” that appeared in the US in 1995. It doesn't appear on the original UK version in 1988. And again, this is taken from the nifty holiday CD EP also released in 1995 by Rhino. This album was made with instruments from Korg, Ensoniq, Alesis, and Opcode. 4:19 Jean Jacques Perrey and Sy Mann, “Jingle Bells” from Switched on Santa (1970 Pickwick). Moog Modular Synthesizer, Sy Mann; Moog Modular Synthesizer Programmed by, Jean-Jacques Perrey. 1:44 Douglas Leedy, “The Coventry Carol” from A Very Merry Electric Christmas to You (1970 Capitol). Moog Modular Synthesizer and Buchla Synthesizer. 4:46 Jean Jacques Perrey and Sy Mann, “Christmas Bells” from Switched on Santa (1970 Pickwick). Moog Modular Synthesizer, Sy Mann; Moog Modular Synthesizer Programmed by, Jean-Jacques Perrey. 1:52 Don Voegeli, “Chanukah” from Holiday & Seasonal Music (1977 EMI). Produced at the Electrosonic Studio of the University of Wisconsin-Extension. Don wrote the original synthesized version of the NPR “All Things Considered” theme. It was created in his Electronic Studio of the University of Wisconsin. He used a Moog Modular Synthesizer plus a Fender Rhodes, Polymoog, and ARP string synthesizer and 16-track recorder. 1:02 Joseph Byrd, “Christmas in the Morning” from A Christmas Yet to Come (1975 Takoma). ARP 2600 Synthesizer with an Oberheim Expander Module. 1:34 Douglas Leedy, “Good King Wenceslas” from A Very Merry Electric Christmas to You (1970 Capitol). Moog Modular Synthesizer and Buchla Synthesizer. Leedy was an American composer, performer and music scholar. He founded the electronic music studio at UCLA where he had access to both Moog Modular and Buchla synthesizers, and it was during this period from about 1969-71 that he was commissioned to create several albums of electronic music. His training as a minimalist and experimental composer always flavored his music with unexpected sounds and patterns. 3:05 Moog Machine, “O Holy Night” from Christmas Becomes Electric (1970 Columbia). Moog Modular Synthesizer. 2:43 Armen Ra (Armen Hovanesian), “O Come All Ye Faithful” from Theremin Christmas (2018 Sungod). Moog Etherwave Pro Theremin. Armen Ra is an American artist and performer of Iranian-Armenian descent. He plays Theremin. His music fuses Armenian folk music with modern instrumentation, along with melodic lounge standards and classical arias. 4:43 Don Voegeli, “Carol of the Drum” from Holiday & Seasonal Music (1977 EMI). Produced at the Electrosonic Studio of the University of Wisconsin-Extension. 1:01 Philippe Renaux, “Noël Blanc” (“White Christmas”) from We Wish You A Cosmic Christmas (1977 Sinus). Belgium. Minimoog, Arp Axe, Arp Soloist, EMS Synthesizer, Stringman Crumar, Fender Rhodes, Electronic Drums. 3:21 Jean Jacques Perrey and Sy Mann, “Tijuana Christmas” from Switched on Santa (1970 Pickwick). Moog Modular Synthesizer, Sy Mann; Moog Modular Synthesizer Programmed by, Jean-Jacques Perrey. 1:58 Joseph Byrd, “Carol of the Bells” from A Christmas Yet to Come (1975 Takoma). ARP 2600 Synthesizer with an Oberheim Expander Module. 1:12 Андрій Кок (Andriy Kok), “Небо І Земля” (“Heaven and Earth”) from Різдво На Галичині. Колядки (Christmas in Galicia. Christmas carols) (2006 Ліда). Folk singer, accordion and synth player Andriy Kok has recorded many albums of Ukrainian folk music in addition to a number of holiday songs and carols. 5:00 Douglas Leedy, “In Dulci Jubilo” from A Very Merry Electric Christmas to You (1970 Capitol). Moog Modular Synthesizer and Buchla Synthesizer. 1:14 Bernie Krause, Philip Aaberg, “Deck the Halls” from A Wild Christmas (1994 Etherean Music ). This delightful cassette is from Bernie Krause, known for his Moog explorations with Paul Beaver back in the day. He later turned his attention to audio ecology and the recording of nature sounds, particularly of animals. This very special Holiday recording is composed entirely of animal sounds. Some you'll recognize as the natural animal voices themselves. Others may sound like instruments, but they are actually digitally transformed animal sounds. Wild Sanctuary Productions invites you to enjoy a truly unique celebration of both the wild kingdom and Holiday Spirit. All animal and ambient sounds recorded on location worldwide by Bernie Krause with the exception of the fish (courtesy of U.S. Navy). Animal samples, Bernie Krause and Phil Aaberg. Arrangements, new materials, all keyboards (K 2000/Emulator III) Phil Aaberg. 8:12 The Royal Philharmonic Orchestra, Paul Freeman, and The Chicago Synthesizer-Rhythm Ensemble, John Tatgenhorst, “The Little Drummer Boy” from Turned On Christmas (1985 Columbia). Conductor, Paul Freeman; synthesizers, The Chicago Synthesizer-Rhythm Ensemble; Orchestra, The Royal Philharmonic Orchestra. Keyboards & Synthesizer Concepts: Ed Tossing; Electric Bass, Steve Rodby or Bob Lizik; Drums, Tom Tadke; Guitars, Ross Traut and Bill Ruppert; Percussion, Russ Knutson. 4:08 Montana Sextet, “Little Drummer Boy Jam” from Christmas Time Is Here (1987 Philly Sound Works). Arranged By, Conductor, Producer, Fender Rhodes, Piano, Cowbell, Shaker, Yamaha DX7 Synthesizer, Musser Vibraharp, Vincent Montana Jr.; Congas, Greg Peache Jarman; Guitar, Ronnie James; Snare Drum, Tenor And Bass Drum, Gene Leone. 8:46 Montana Sextet, “Have Yourself a Merry Little Christmas” from Christmas Time Is Here (1987 Philly Sound Works). Arranged By, Conductor, Producer, Fender Rhodes, Piano, Cowbell, Shaker, Yamaha DX7 Synthesizer, Musser Vibraharp, Vincent Montana Jr.; Congas, Greg Peache Jarman; Guitar, Ronnie James; Snare Drum, Tenor and Bass Drum, Gene Leone. 4:56 Mannheim Steamroller, “Good King Wenceslas” from Christmas (1984 American Gramaphone). Arranged, conducted, produced by, Chip Davis; Drums, Percussion, Soloist Recorder, Black Oak Hammered Dulcimer, Soprano Dulcian, Crumhorn, Bells, Vocals, Dry Ice, Chip Davis; Lute, Bass, Eric Hansen; Baldwin SD-10 Synthesizer, Harpsichord, Clavichord, Toy Piano, Prophet 5 Synthesizer, Fender Rhodes, Vocals, Bells, Jackson Berkey; Classical Guitar, Twelve-String Guitar, Ron Cooley; Flute, Willis Ann Ross; French Horn, David (High D) Kappy; Harp, Mary Walter; Oboe, Bobby Jenkins; Strings, Bill Ritchie, Grace Granata, Michael Strauss, Michelle Brill, Richard Altenbach, Richard Lohmann, Roxanne Adams, Wayne Anderson. 3:39 Don Voegeli, “Jingle Bells” long, short, and tag from Holiday & Seasonal Music (1977 EMI). Produced at the Electrosonic Studio of the University of Wisconsin-Extension. 1:56 Don Voegeli, “Lully, Lullay - The Coventry Carol” from Holiday & Seasonal Music (1977 EMI). Produced at the Electrosonic Studio of the University of Wisconsin-Extension. 1:01 Fossergrim, “Ave Maria” (2020 Bandcamp). Fossegrim is billed as “Dungeon Synth music from the Adirondack Mountains.” In Scandinavian folklore, Fossergrim is is described as an exceptionally talented fiddler. No fiddles here. I think Fossergrim is one Ian Nichols of Albany, New York. Check out his Bandcamp presence. 3:54 Phillip Fraser, “Rub A Dub Christmas” from Rub-A-Dub Christmas (1985 Tuff Gong). Jamaican reggae recording for the holidays. Piano, Organ, Synthesizer, Bass, King Asher, Steely Johnson. 2:53 Phillip Fraser, “The Lord Will Provide” from Rub-A-Dub Christmas (1985 Tuff Gong). Jamaican reggae recording for the holidays. Piano, Organ, Synthesizer, Bass, King Asher, Steely Johnson. There is some crazy synth material on this track. Despite it being recorded in 1985, it sounds quite analog for a synth. 3:17 Unconditional Loathing, “Carol, with the bells” from Holiday Mood (2018 Bandcamp). Every artist dreams of releasing an album of hit holiday songs that will surprise the world and bring great wealth. This is not that album. But it is remarkably noisy and dark. Check out Unconditional Loathing, from Fargo North Dakota, on Bandcamp. Self-described as “A footnote in the history of Midwestern noise that refuses to completely go away.” 1:51 The Smurfs, “Deck the Halls” from Merry Christmas With The Smurfs (1983 Dureco Benelux). This album is in English from the Netherlands. 2:17 Vatto Lofi, “Holiday Lofi” from A Merry Lofi Christmas EP (2021 Bandcamp). Providing a low-fidelity tune for the holidays, but I don't know if “lofi” refers to the low-fidelity sound that is currently a thing (and it does sound like that) or is the actual name of this Icelandic musician. 2:21 Rotary Connection, “Silent Night” from Peace (1968 Cadet Concept). I think this holiday album from the famed psychedelic soul ensemble was perhaps only their second album. Produced by Charles Stepney and Marshall Chess, I've included this track not only because it features some crazy electric guitar but also because Minnie Riperton's five-1/2-octave vocal range could effectively imitate a Theremin, which begins in this track around 1:30 into it. In an interview I once heard her say that one of her childhood fascinations was imitating that “science fiction stuff” with her voice. Interestingly, Charles Stepney also included a Moog synthesizer, used sparingly, on some Rotary Connection tracks, but I've heard none on this album. Co-producer Marshall Chess often added Theremin to Rotary songs but this is not one of them. It's pure Ripperton. The Rotary Connection vocalists: Bobby Simms, Jim Donlinger, Jim Nyeholt, Minnie Riperton, Mitch Aliota, Sidney Barnes, Tom Donlinger; The studio band, Leader, David Chausow; Bill Bradley, electronic effects; guitar, Bobby Christian; bass, Louis Satterfield; bass, Phil Upchurch; bass vocals, Chuck Barksdale. 3:52 Klaus Wunderlich, “Sleigh Ride” from Multi Orchestral Organ Sound (1982 Teldec). Wunderlich was a prolific musician who mastered the Hammond Organ. Occasionally, he performed with a synthesizer and this track comes from an album not of holiday music but of various favorites, performed in the style of the original artists. This is a Leroy Anderson song arranged in the Anderson style. The MOOS (Multi Orchestral Organ Sound) was produced by the Wersi organ company in Germany. This organ/synth/drum machine hybrid was also known as the Wersi Galad and play both synth and traditional organ sounds. There is a current musician advocate for this instrument in Florian Hutter (listen to the next track), of Germany. 3:11 Florian Hutter, “Frosty the Snowman” privately released (2022 No Label). Florian is a living master of the vintage Wersi Delta and Atlantis synthesizer/organ hybrids with a built-in rhythm box. In recent years he has begun to release his music on Spotify. This is taken from the first or second day of his Christmas Special 2022 during which he releases a new tune every day. I don't normally feature tracks recorded from YouTube, but this was too good to pass by and it fits with the vintage music played in the previous track by Wunderlich. Check him out. 2:34 Edwin Hawkins, “The Christmas Song” from The Edwin Hawkins Christmas Album (1985 Birthright). Produced when the Yamaha DX-7 became the top selling synthesizer on the planet, this is a great example of its tidy, digital sound. Richard Smallwood, keyboards, synthesizer; Edwin Hawkins, keyboards, synthesizer; Joel Smith, Drums and Fender bass; Kenneth Nash, percussion. Sounds like one or two Yamaha DX-7s. 3:57 Ryuichi Sakamoto (坂本龍), “Father Christmas” from Merry Christmas Mr. Lawrence (戦場のメ)(1983 Virgin). Music By, Composed By, Performer, Ryuichi Sakamoto. Our best wishes to Mr. Sakamoto who is suffering from Stage 4 cancer. In June he said, “Since I have made it this far in life, I hope to be able to make music until my last moment, like Bach and Debussy whom I adore.” 2:06 Bob Wehrman, John Bezjian and Dusty Wakeman, “Ring Christmas Bells” from Christmas Becomes Electric (1984 Tropical Records). Not be confused with an album by the same name by The Moog Machine in 1969. Unnamed synthesizer programmed and performed by Bob Wehrman and John Bezjian. From Marina Del Rey in California. 1:46 Hans Wurman, “Overture Miniature” from Electric Nutcracker (1976 Ovation). This Austrian composer made several remarkable, classically influenced Moog Modular albums from 1969 to 1976. This was one of his last big Moog projects and is difficult to find. 2:54 Hans Wurman, “Danse De La Fee-Dragee ( Sugar Plum Fairy)” from Electric Nutcracker (1976 Ovation). Moog Modular synthesizer, Hans Wurman. 1:33 Hans Wurman, “Danse Des Mirlitons (Flutes)” from Electric Nutcracker (1976 Ovation). Moog Modular synthesizer, Hans Wurman. 2:14 Keith Emerson, Emerson Lake & Palmer, “Nutrocker” (live) from Pictures at an Exhibition (1972 Cotillion). A fitting reworking of Tchaikovsky arranged by Kim Fowley and performed live, Newcastle City Hall, 26 March 1971. Hammond C3 and L100 organs, Moog modular synthesizer, Minimoog, Clavinet, Keith Emerson; bass guitar, acoustic guitar, vocals, Greg Lake; drums, percussion, Carl Palmer. "Nut Rocker", a rock adaptation of The Nutcracker originally arranged by Kim Fowley and recorded by B. Bumble and the Stingers in 1962. 3:48 Richie Havens, “End of the Season” from Alarm Clock (1970 Stormy Forest). A melancholic reflection on life from Mr. Havens, totally synthesized on the Moog Modular by Bob Margoleff. 3:32 Bernie Krause, Philip Aaberg, “Feliz Navidad” from A Wild Christmas (1994 Etherean Music ). This delightful cassette is from Bernie Krause, known for his Moog explorations with Paul Beaver back in the day. All animal and ambient sounds recorded on location worldwide by Bernie Krause with the exception of the fish (courtesy of U.S. Navy). Animal samples, Bernie Krause and Phil Aaberg. Arrangements, new materials, all keyboards (Kurzweil 2000/Emulator III) Phil Aaberg. Percussion on Feliz Navidad performed by Ben Leinbach. 5:37 Opening background music: Jean Jacques Perrey and Sy Mann, “Rudolf the Red-Nosed Reindeer” from Switched on Santa (1970 Pickwick). Moog Modular Synthesizer, Sy Mann; Moog Modular Synthesizer Programmed by Jean-Jacques Perrey. 2:16 Moog Machine, “Twelve Days Of Christmas” from Christmas Becomes Electric (1970 Columbia). Arranged by Alan Foust; Synthesizer Tuner, Norman Dolph; Moog Modular Synthesizer, Kenny Ascher. 3:55 Jean Jacques Perrey and Sy Mann, “Silent Night” from Switched on Santa (1970 Pickwick). Moog Modular Synthesizer, Sy Mann; Moog Modular Synthesizer Programmed by Jean-Jacques Perrey. 1:52 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation For additional notes, please see my blog, Noise and Notations.

Listen on your favorite podcast service: https://pods.to/wesoundcrazy Watch this episode on YouTube: https://wesoundcrazy.ffm.to/br2o23o This week on We Sound Crazy our co-host speak with rising Country music sensation BRELAND. Man does BRELAND know his music and we had a fun time discussing it with him. We learn about his rich background, the inspirations that make his unique blend of Country, and all of the music he's soaked up coming from New Jersey. BRELAND discusses his Atlantic Records debut album 'Cross Country', his challenges, and accomplishments breaking into Country music, and gives his flowers on the amazing artists before him such as Shania Twain, Lady A, Stevie Wonder, Jazmine Sullivan, Richard Smallwood, and others. This is a great episode that you surely don't want to miss! So refreshing! Special thanks to our We Sound Crazy team! Videography: Jack Skowronneck, Joey Woodruff Video Editing: Travis Flynn Producer: Michael "Roux" Johnson Assistants: Tiffany Anderson, Brittany Guydon Intern: Montez Freeman NMAAM Team: Shelly Surdoval, Eric Tyler Thank you to all of our listeners, as well as our sponsors, The National Museum of African American Music and Visit Music City. Subscribe to We Sound Crazy on Spotify, Apple Podcasts, and anywhere you get your favorite podcast.  Follow us on Twitter, Instagram, Facebook, YouTube, and TikTok! Follow We Sound Crazy on Social Media: ~ Facebook: https://wesoundcrazy.ffm.to/wscfacebook ~ Instagram: https://wesoundcrazy.ffm.to/wscinstagram ~ Twitter: https://wesoundcrazy.ffm.to/wsctwitter ~ TikTok: https://wesoundcrazy.ffm.to/wsctiktok Subscribe to We Sound Crazy on YouTube: https://wesoundcrazy.ffm.to/wscyoutube-subscribe Visit the official We Sound Crazy website: https://wesoundcrazy.ffm.to/officialwebsite Learn more about your ad choices. Visit megaphone.fm/adchoices

In this epiisode I'm joined by Blu Lucas and Nadja Scott from the Inspirational Music Experience event that occured during the 2022 Stellar Awards Week. We talk about the event and the music they performed at the event. We also get into Blu's transition from being a musician to being a musician/artist, Nadja's choir and how they got their unique name, her female choir director influences, and how her Total Praise remix got validation from the legend Richard Smallwood. Also featuring music from Korey Dewight and Josh Copeland and more! Get bonus content on PatreonSupport this show http://supporter.acast.com/anykenyradioshow. Hosted on Acast. See acast.com/privacy for more information.

Bassist Mark A. Walker is a highly sought-after performance and session musician within the Gospel, Soul/R&B, and Smooth Jazz Genres, noted on various projects & stage performances with iconic Creatives such as Gerald Albright, Lalah Hathaway, Will Downing, Maysa, Richard Smallwood, Yolanda Adams...and the list of Artists continue to build to date.Hand picked as lead musician on "DUKE'S STROLL" by MiParis Music Label Executive Michael Upshaw, Walker successfully ignites rhythmic passion in the "tribute" to the late-great Legendary George Duke, a highly-respected multi-instrumentalist & artist known across multiple music genres around the globle. Michael Upshaw shares: "Mark A. Walker is one of the well, best-kept secrets in music. His deep tones on the bass guitar have been heard worldwide on songs in Gospel, R&B and Smooth Jazz. Mark A. Walker is a Music Aficionado."Listen and subscribe to the BAAS Entertainment Podcast on Spotify, Amazon Music, Apple Podcasts, Google Podcasts, Deezer, iHeartRadio, Pandora, Podchaser, Pocket Casts and TuneIn. “Hey, Alexa. Play the BAAS Entertainment Podcast.”

 Ray Angry of 'The Roots' band shares exciting details about his music career; he is a pianist, producer, composer who is one of the most in-demand artists today. Classically trained with roots in gospel, one foot firmly planted in jazz and the other stirring the pot of pan-global pop, Ray Angry is the musician that the sharpest and shrewdest up-and-coming musicians aspire to be. As a tireless and ceaselessly inspired pianist, keyboardist, composer, producer, arranger and all-around coveted sideman—in the studio and on the road—Ray is the busiest, most eclectic musical talent crisscrossing the globe and genres for collaborations with today's most exciting new and veteran artists. Ray's resume since the ‘90s bursts with names such as Jeff Beck, Wynton Marsalis, Mark Ronson, Q-Tip, Yolanda Adams, Daniel Winans, Joss Stone, Sting, Me'Shell Ndegéocello, Esperanza Spalding, Terri Lyne Carrington, Cindy Blackman, a duo of Mick Jagger & Dave Stewart, Estelle, Richard Smallwood, Dionne Warwick, Dianne Reeves, Queen Latifah, D'Angelo, Lauryn Hill, Kelis, Christina Aguilera and ongoing associates The Roots.  Je vous invite à écouter cette épisode sans plus tarder!!! N'hésitez pas à communiquer avec nous : courriel : lambiancepodcast@gmail.com

Candace A. Gray (aka Candy Fox) was born and raised in Memphis and has always lived a double life. She's a Gemini and she's always operated well in both left and right brain spaces. Candace's mother (RIP) always told her to never rely on ONE thing to sustain you...and that concept has remained with her since high school! Candace is marketing and communications professional by day...and a singer/songwriter by night (hence the stage name Candy Fox). She sings mostly Soul Music, which is native to Memphis. And as the Founder and CEO of CG Comms Group, Candace serves several local clients who make Memphis what it is from cultural, economic and artistic perspectives. Throughout her communications career, Candace has worked in the private (archer malmo, inc.) and public (FedEx) sector, for-profit and non-profit (Freedom Prep Charter Schools). In true Memphis spirit, she started my own full-service, boutique communications agency, DURING THE PANDEMIC! And she's seen much success, as a result of a great work ethic and referrals! Throughout her music career, Candy Fox has sung with some of the best in the business, from R&B and Soul to Blues to Gospel, to Hip Hop, including 8Ball & MJG, Al Kapone, Charrelle & Alexander O'Neal, Howard Hewett and Shalamar, Jennifer Holliday, Richard Smallwood, Kurt Carr, Chico DeBarge, The Legendary Barkays, and the list goes on. Candy Fox also released her own project, Soul Stir, independently after leaving the Hip Hop collective Free Sol, who won the Mid-South Grammy Showcase in 2004 and released the album 11:11 on Memphis Records. Soul Stir, a true work of art, is available on all electronic platforms. Somewhere in betwixt all of that, Candace found time to get married to her wonderful partner and bring life into this world, in the form of a son, at the age of 41! She's also a dog mom, and her little family currently resides in Memphis. Candace is the epitome of Memphis. She makes things happen, as opposed to waiting for them to happen. And she's just getting started! --- Send in a voice message: https://podcasters.spotify.com/pod/show/farah-bernier/message Support this podcast: https://podcasters.spotify.com/pod/show/farah-bernier/support

On this final episode of season 3 of Let's Talk, Jackie Hill Perry, Jasmine Holmes, and Melissa Kruger answer listener questions that range all over the place, including:What's a tip for improving communication in marriage?DIY, yes or no?What women's events have impacted you?Why don't we talk about women and porn use in the church?Do you like sports?What's the remedy for compassion fatigue?Do you all feel pressure to comment on social media about what's happening in the world?What are practical ways to get time away from your kids?How do you talk about sex in marriage?How do you cope with seasons of loneliness?What song do you want sung at your funeral?How do you start a conversation when you're seated next to someone at a dinner party?We hope you've enjoyed this season of Let's Talk!Mentioned in this episode:Does the God of the Bible Hate Women?In the Throne Room: The God of Holiness and Hope‘The Church in Her House': The Dynamic Ministry of Women in Early Christianity"Total Praise" by Richard Smallwood

Ashley Scott is a talented vocalist from Philadelphia, PA. He began singing and discovering music at the tender age of 3 from listening and watching is aunt Helen Scott of The Three Degrees and The Delfonics. Known for internationally known singles like the lush ballad “Words,” the infectious “Dance The Night Away” and his international anthem “Don't Throw Our Love Away,” Ashley continues to release music across the Soul, Jazz, and Dance genres globally. The biggest part of Ashley's life and musical path came when he attended Howard University where he received his Bachelor's Degree in Music. At Howard University Ashley studied jazz voice under legendary jazz drummer and vocalist Grady Tate, Kehembe Eichelberger, and the late Webster Lewis. Ashley also joined the Howard University Gospel Choir, which has produced R&B artist Angela Winbush, Tawatha Agee of Mtume, Pure Soul, and Gospel great Richard Smallwood. During his tenure with the Howard Gospel Choir, Ashley has performed behind Edwin and Walter Hawkins and Dorinda Clark of The Clark Sisters. The choir was also privileged to perform for President Bill Clinton at The Department of Agriculture for the unveiling portrait of former Secretary of Agriculture Mike Espy. Professionally he has sung background for Lady Alma and Jean Carn as well as shared the stage with Bilal, Marcus Johnson and Grammy Award Winners Take 6. In the studio he has recorded vocals for Chavous, Sarah's Girl, Geneva Renee, Tye Tribbett, Jim Stephens, and Will Downing. In other musical attributes Ashley has served as a Board Member and Vice President of The Recording Academy Philadelphia Chapter. Ashley is the Founder of The Soulful Sounds Series that is an R&B Educational Program. He co-founded a non-profit The Artists United with his partner Lox Knox that educates youth on the entertainment industry through its I.C.A.R.E Academy program. In his personal life he is a man who gives back to the community. For more information Visit: www.AshleyScottMusic.com www.Facebook.com/IAmAshleyScott www.twitter.com/AshleyScott3 www.instagram.com/AshleyScott3 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/humovemakers/message Support this podcast: https://anchor.fm/humovemakers/support

Praise and Worship Songs "O The Blood of Jesus", "At The Cross". Special Music By Kerry Holland "Total Praise" by Richard Smallwood.

Praise and Worship Songs "O The Blood of Jesus", "At The Cross". Special Music By Kerry Holland "Total Praise" by Richard Smallwood.

Join us for our Celebration Worship Service. Pastor Rick has preached a amazing sermon called "A Tale Of Two Sons." Praise and Worship lead by the Celebration praise team. Special Music by Kerry Holland "Total Praise" by Richard Smallwood. Donations can be made at nlac.tv, or on Give Plus App--New Life At Calvary, . or Cash App $2NLAC. 2020 E. 79th Street, Cleveland, OH 44103.

Join us for our Celebration Worship Service. Pastor Rick has preached a amazing sermon called "A Tale Of Two Sons." Praise and Worship lead by the Celebration praise team. Special Music by Kerry Holland "Total Praise" by Richard Smallwood. Donations can be made at nlac.tv, or on Give Plus App--New Life At Calvary, . or Cash App $2NLAC. 2020 E. 79th Street, Cleveland, OH 44103.

Dr. Byrd has a candid conversation with gospel legend Richard Smallwood about mental health.

On this Juneteenth holiday, the day before Father's Day, Chaplain Rev Dejuana continues to give spiritual reflection on a continued series that celebrates faithfulness to be a man,a family man and a father of faithfulness to God-Jesus-Holy SPIRIT. **NOTE: WE DO NOT OWN THE RIGHTS TO THE SONGS ON THIS EPISODE.** 1. Jesus is LOVE by The Commodores. 2. Center of my JOY by Richard Smallwood

Chalain Rev. Dejuana gives us daily psycho-spiritual reflections "for us." These daily devotions meets us on our crossroads of life when humanity meets DIVINITY. Jesus was already there and knocking on the door waiting on us to open the door and let Him in and sit down with us and let's talk about "STUFF." **** We do not own the rights to these songs. 1. "Total Praise" by Richard Smallwood 2. "Nothing without you" by Karen ClarkClark-Sheard

Ashley Scott is a talented vocalist from Philadelphia, PA. He began singing and discovering music at the tender age of 3 from listening and watching is aunt Helen Scott of The Three Degrees. A foundation of meaningful music was instilled from his parent's record collection of artists like Earth, Wind, & Fire, Stevie Wonder, Chicago, The Delfonics, and naturally The Three Degrees. As a teenager, Ashley organized and performed in high school talent shows.The biggest part of Ashley's life and musical path came when he attended Howard University where he received his Bachelor's Degree in Music. At Howard University Ashley studied jazz voice under legendary jazz drummer and vocalist Grady Tate and the late Webster Lewis. Ashley also joined the Howard University Gospel Choir, which has produced R&B artist Angela Winbush, Tawatha Agee of Mtume, Pure Soul, and Gospel great Richard Smallwood. During his tenure with the Howard Gospel Choir, Ashley has performed behind Edwin and Walter Hawkins and Dorinda Clark of The Clark Sisters. The choir was also privileged to perform for President Bill Clinton at The Department of Agriculture for the unveiling portrait of former Secretary of Agriculture Mike Espy.Professionally he has sung background for Lady Alma and Jean Carn as well as shared the stage with Vivian Green, Bilal, Marcus Johnson and Grammy Award Winners Take 6. In the studio he has recorded vocals for Chavous, Sarah's Girl, Geneva Renee, Tye Tribbett, Jim Stephens, and Will Downing.In 2016, Ashley has released his debut single “Words.”  Ashley went back to his roots with the recording process of this song. “The song was written and composed by Alysha Ashley and I. She is from Kentucky and while composing this song I wanted to enhance the song with more lush arrangement and vocals, which is what you don't here in the music of today. With an ensemble of the best musicians and vocalists from the Philly area, we recorded the song in the Lab studios with engineer Craig White (formerly of Philadelphia International Records). We also had some additional production assistance from Will Downing which was an honor” Though the song is about being in love it is more about the interaction of a couple in the heat of a discussion. It encourages the listener to watch your “Words” and if you don't have an answer in that moment then it is ok to table it for another time.Ashley's latest single “Don't Throw Our Love Away” reached the #3 spot on the UK Soul Chart!!! To continue on the success of this song a remix, for all you that love house music, is scheduled for release in June. I can't wait!!I have known Ashley for some time now; and he is one of the coolest, honest, and genuine artists I know. Tune in to hear is journey! What an incredible conversation!!In other musical attributes Ashley is currently Vice President of The Recording Academy Philadelphia Chapter. Ashley is the Founder of The Soulful Sounds Series that is an R&B Educational Program. He co-founded a non-profit The Artists United with his partner Lox Knox that educates youth on the entertainment industry through its I.C.A.R.E Academy program. In his personal life he is a husband and father who gives back to the community.For more information Visit:www.AshleyScottMusic.comwww.Facebook.com/IAmAshleyScottwww.twitter.com/AshleyScott3www.instagram.com/AshleyScott3Listen and subscribe to the BAAS Entertainment Podcast on Spotify, Amazon Music, Apple Podcasts, Google Podcasts, Deezer, iHeartRadio, Pandora, Podchaser, Pocket Casts and TuneIn. “Hey, Alexa. Play the BAAS Entertainment Podcast.”

Brandon's choral compositions and arrangements have been published and performed by choral ensembles around the world, including the Morehouse College and University of Michigan Glee Clubs, Oakwood Aeolians, Westminster Choir, Brigham Young University Singers and the Slovenian Philharmonic Choir. In 2019, he was awarded as the inaugural recipient of the ACDA Diverse Voices Collaborative Grant. In addition, he has worked as a transcriber of Black gospel music for numerous choral octavos, hymnals and hymnal supplements published by GIA, including his recent work as a contributing editor for the One Lord, One Faith, One Baptism hymnal. Brandon recently released Just In Case You've Forgotten, the first selected compendium of works by the late Thomas Whitfield, the subject of his dissertation.  Brandon has worked with a diverse array of musicians including Dalton Baldwin, Martin Katz, Angela Brown, George Shirley, Donnie Ray Albert, Vinson Cole, Fred Hammond, Kathy Taylor, Anita Wilson and Chrystal Rucker. Recently serving as Music Director for Grammy-nominated recording artist Ledisi, he has collaborated with the celebrated singer on multiple occasions, including her Nina & Me concert series and LEDISI: THE LEGEND OF LITTLE GIRL BLUE show-run at the Wallis Annenberg Center for the Performing Arts. Dr. Waddles holds professional memberships with the American Choral Directors Association and the National Association of Negro Musicians, Inc. brandonwaddles.com 0:00:00 Dr. Brandon Waddles Intro 0:01:00 Becoming a Doctor of Music 0:01:30 Shout out to Dr. Molly Miller 0:02:00 The Great Zig Zag Path 0:03:00 Grew up in New Bethel Church, Detroit – Where Aretha Franklin came up 0:03:30 Going to Morehouse and Westminster Choir College 0:04:30 Working for Ledisi with Roland Jack 0:07:00 Brandon's Jazz and Church beginnings 0:08:30 Growing up listening to Bill Evans, Miles Davis, and Herbie Hancock 0:09:30 The problem with most music schools 0:11:00 Teaching at Wayne State College – Wayne Redefined 0:12:00 Working on a Ledisi and Greggory Porter collab 0:14:00 Find and connect the human to the art 0:14:30 Ledisi's Nina and Me Special – A tribute to Nina Simone 0:17:00 Directing Brian Collier, Ronnie Gutierrez, Keisha Renee, Shannon Pearson 0:18:00 Communication is key 0:18:30 Be careful what you post on social media! 0:21:00 Brandon's many "aha" moments 0:25:00 Working on Shrek, and Hairspray 0:25:30 Mid-roll 0:26:00 Nomad on working with Babyface and conducting 0:27:00 Rehearsal is 75-80 percent of a gig's success 0:28:30 Robert Shaw's unorthodox conducting 0:30:20 Playing with Babyface at Kennedy Center 0:31:30 Brandon's first gig with Ledisi and St. Louis Symphony Orchestra 0:34:00 Brandon's choral works being performed around the world 0:35:30 Find your human connection to the text of the music 0:36:00 Bach was a jazzer! 0:37:00 Working with Andrae Crouch, Richard Smallwood, and Yolanda Adams 0:38:00 So much beauty in the rest in music 0:39:00 Lalah Hathaway's no-phone policy 0:39:30 Brandon's words of wisdom 0:40:00 Listen to everything, love everything, and be you 0:41:30 Success is what you make for yourself 0:43:00 Rapid Fire! 0:43:30 Learn more about Brandon at www.brandonwaddles.com

We are reminded of how God shows us the way when we are lost, and end our sermon with a song from our virtual choir Music Attribution: “Lead Me, Guide Me” #92251 Tune: Harm. by Richard Smallwood; © 1953, Doris M. Akers. All rights administered by Unichappell Music, Inc. Text: © 1953, Chappell & Co. - represented by Hal Leonard Corporation Reprinted with permission under ONE LICENSE #A-729350. All rights reserved. CCLI Streaming License #20581555

Ray Angry on the JUMP Music Podcast SE2-EP7 @rayangry Ray Angry is a pianist, producer, composer who is one of the most in-demand artists today. Classically trained with roots in gospel, one foot firmly planted in jazz and the other stirring the pot of pan-global pop, Ray Angry is the musician that the sharpest and shrewdest up-and-coming musicians aspire to be. As a tireless and ceaselessly inspired pianist, keyboardist, composer, producer, arranger and all-around coveted sideman—in the studio and on the road—Ray is the busiest, most eclectic musical talent crisscrossing the globe and genres for collaborations with today's most exciting new and veteran artists. Ray's resume since the ‘90s bursts with names such as Jeff Beck, Wynton Marsalis, Mark Ronson, Q-Tip, Yolanda Adams, Daniel Winans, Joss Stone, Sting, Me'Shell Ndegéocello, Esperanza Spalding, Terri Lyne Carrington, Cindy Blackman, a duo of Mick Jagger & Dave Stewart, Estelle, Richard Smallwood, Dionne Warwick, Dianne Reeves, Queen Latifah, D'Angelo, Lauryn Hill, Kelis, Christina Aguilera and ongoing associates The Roots. #jumpmusic #musiceducation #musicpodcast #musicindustry #musicindustrytips #musicindustrynews #musicindustryprofessional #musicinterview #musicianlife #musicianstoday #brilliantmusicians #musicaddict #musicartist #musicbusiness #musicmaker

Music: "Lead Me, Guide Me" Tune: Harm. by Richard Smallwood; © 1953, Doris M. Akers. All rights administered by Unichappell Music, Inc. Text: © 1953, Chappell & Co. - represented by Hal Leonard Corporation "Alleluia in C" Contributors: Br. Howard Hughes Tune: Alleluia in C; © 1973, 1982, GIA Publications, Inc. "We Cannot Measure How You Heal" Text: © 1989, WGRG, c/o Iona Community, GIA Publications, Inc., agent All music reproduced and streamed with permission from ONE LICENSE, license #A-723939. Musician: Thomas Conroy Celebrant: Fr. Daniel Straughn & Deacon Frank Szemanski Today's readings (via USCCB): https://bible.usccb.org/bible/readings/021421.cfm For more information regarding the announcement of our merged parishes, visit our parish website at MaryQueenofPeacePGH.org.

On this episode Che'lyn has a conversation her childhood friend Janel Jones Merritt.  Janel unpacks her 32 year personal/professional journey and evolution as a multi-faceted women in leadership. She reflects on the power of authentic sisterhood through the complexities and transitions of life; including careers, motherhood, relationships and grief/loss.   Janel is a proud HBCU alumnus and graduate of Howard University. There she studied and earned  a  BA degree in Business Administration/Marketing.  She is also  a multi-talented creative,  whom has had an extensive musical career as a vocalist and music conductor.. Janel has collaborated and worked with notable musical artists such as Patti Labelle, The Winans, Maze featuring Frankie Beverly, Sean “Diddy” Combs, Denise Graves, Donnie McClurkin, Wintley Phipps and  her beloved friend Richard Smallwood. She has also served as a musical conductor and minister with ensembles/choirs for her illustrious sorority, Delta Sigma Theta, Inc. After graduating, Janel maintained a 17-year career at Canon.  She is currently the Chief Operating Officer of Digidoc, Inc. Public Sector Solutions Group (PS2G), which is a world class technical consulting firm. She is an advocate for young women in STEM and is active in a multitude of civic organizations/endeavors that focus on mentorship and leadership.  Contact me at InteriorMotivespodcast@gmail.com  Remember to rate, review and subscribe. Thank you listeners for your continued support!!!

Airing originally on January 28, 2021 on WYXR 91.7 FM in Memphis, TN, this episode of Faithfully Memphis features the Rev. Dr. Jesse Abell, Priest-In-Charge of All Saints Episcopal Church in Memphis, TN, in conversation with Dr. Deborah Harmon Hines. Dr. Hines is the retired professor and Vice Provost of the University of Massachusetts Medical Center. She was the first female lay president of the Union of Black Episcopalians. Dr. Hines currently lives in Memphis with her husband, the Reverend John Edgar Freeman. http://www.allsaintsmemphis.org/ https://www.ube.org/ Featured Music: "Higher Ground" by Stevie Wonder "Center of My Joy" by Richard Smallwood

Today on the show a new voice on the gospel music scene joins Monty and Tiff to talk a classic song and his rising career. Broderick Gordon has an outstanding voice and a truly amazing gift to minister, he talks about his passion for music and what inspires him.

Welcome to episode 17 of the Words 4 Life podcast.  In this episode Gary Saunders shares his story of how having the mindset of a servant was the key to his success.  Gary Saunders is a video producer / engineer for IBM and is also the president of PraizeVision which has been nominated for a Stella Award for Miracle Worker - JJ Harrison featuring Rich Tolbert Jr., has helped countless churches stream services online, produced concerts, music videos and has been blessed to work with Richard Smallwood, Tye Tribbett, Jason Nelson, Karen Clark-Sheard, Ricky Dillard,  and so many others.  In this episode we touch onHow humility and servitude paved the way for his companies success.How he made sure something else took care of his bills so he didn't have to have his business focus on sustaining him.How God used his attitude of being a servant to now have his clients tell him, he's not charging enough and bless him with more.And the new dating show he's a part of.Visit PraizeVision at http://www.praizevision.com/If you would like to be a contestant on the dating show RainChek, feel free to reach out at rainchekshow@gmail.com. The Words 4 Life track at the end is 'Success featuring Pastor Paul Graham'.  It's from the project Words 4 Life volume 3 -https://li.sten.to/words4life3 Become a part of the Words 4 Life family at www.words4life.today...and remember you can do better by yourself but you can only be your best with God.

My guest this week is a violinist, flutist, coach, counselor, and educator Michelle May.Michelle is the manager and bandleader of Musique Noire, a women-led strings and percussion ensemble performing world jazz music. She is the Executive Producer of the ensemble’s three CD releases and music films. She has performed with numerous high-profile, Grammy-award winning musicians, such as Stevie Wonder, Aretha Franklin, Donnie McClurkin, Richard Smallwood, and KEM to name but a few. Michelle has made numerous appearances at festivals and concert halls including the Detroit International Jazz Festival, Orchestra Hall in Detroit, Detroit’s Concert of Colors, Arts Beats and Eats (MI). Michelle is a 2018 Kresge Arts Fellow, a program of Kresge Arts in Detroit, sponsored by the Kresge Foundation. Michelle founded, produces, and directs "Concerts in Boston-Edison", which has presented house concerts in the historic Detroit neighborhood since 2011. Michelle and her sister, psychologist Dr. Angela May, co-founded A. M. May & Associates Inc. a counseling and consulting firm in Detroit.https://www.facebook.com/mamay1This podcast is sponsored byMichigan ArtShareJazz Alliance of Mid-Michigan J.A.M.M.Shambones MusicTo be a sponsor for this podcast, go to the Patreon link below.https://www.patreon.com/TiaTime1Produced by Green Bow Music

Anton Nesbitt is a highly sought after bassist and producer in Nashville, TN.  He is known for his high level musicality, easy going spirit, and kind nature.  He has played live or in the studio for BeBe & CeCe Winans, India.Arie, LeAnn Rimes, Jonny Lang, Keb Mo, Boyz To Men, Nashville TV Show, Greenleaf TV Show, Richard Smallwood, Heather Headley, Daniel Weatherspoon, Tommy Sims, Patti Austin, Bobby Jones Gospel Show, Stacy Orico, Mike Farris, The McCrary Sisters, Yolanda Adams, Fred Hammond and many more. Jacob and Anton talk about his early days with the bass guitar, how he has always chased inspiration, how listening is more than a musical thing, and his love for the tv show Hee-Haw.  Check out all of Anton's credits on AllMusic.com Follow him on Instagram @antonnesbitt Follow us @thesidemanchronicles Follow Jacob @jacoblowerymusic Don't forget to rate, review and subscribe

I know that is a pretty provocative title.  I'll explain what that is in the book of Revelation this week.  Church of Smyrna.   Before I do, you'll hear me talk about the educated skeptic.  Do you know one?  I am also requested to hear from you this week. I ask a handful of questions.  I want to dialogue with you if possible.  pastor@speaklifechurch.net or kenn.blanchard@gmail.com   music by permission from Richard Smallwood, Thank You.  Giving Links  https://giv.li/p2nj61 https://paypal.com/us/fundraiser/charity/3587637 https://www.patreon.com/speaklifechurchpodcast You can support the ministry by check or money order by sending it to Speak Life Church, PO BOX 2, upper Marlboro, MD 20772    

Pop-Up Konversation w/ Richard Smallwood- Episode 4 by Kristen D. Baker

This episode features a discussion with Dr. Richard Smallwood about "Same God" by Richard Smallwood with Vision from their album entitled "Anthology: Live".

We welcome, Eboni Funderburk, a 22-year Gospel industry veteran, who got her start in Gospel radio promotions in 1999 at Verity Records. Eboni has worked hits for top Gospel artists such as Pastor Donnie McClurkin ("We Fall Down"), Bishop Hezekiah Walker & Love Fellowship Choir ("I Need You To Survive"), Fred Hammond, John P Kee, Richard Smallwood, Tonex and many more! She has also worked with the likes of Pastor Marvin L. Sapp and the hugely successful break-out record of 2007 and 2008 "Never Would Have Made It", which made history as the longest-running #1 single across ALL genres. In August of 2008, launched her own independent promotions company, EFG Promotions & Consulting specializing in supplemental Gospel radio promotions for major labels and indies. Her clientele has included Smokie Norful, Tye Tribbett, CeCe Winans, VaShawn Mitchell, Brian Courtney Wilson, Jekalyn Carr and more. Questions: info@thecareersalon.com | Social Media: @thecareersalon | Web: www.thecareersalon.com --- Support this podcast: https://anchor.fm/thecareersalon/support

4/1/20. Five Minutes in the Word devotional scriptures for today's meditation: Psalm 36:5-10. Song for meditation: TOTAL PRAISE by Richard Smallwood. --- Support this podcast: https://anchor.fm/esbc-webmaster/support

“Before you were formed in your mother’s womb, I knew you and approved you and appointed you prophet to the nations.”  Jeremiah 1: 5 About Our Guest: Shawndra C. Johnson is an educator at heart.  After teaching English for more than 20 years, she started her own company, SCJ Consulting, LLC, where she helps parents navigate the college admissions process with the least amount of financial stress through workshops and consulting programs for parents and students grades 8th – 12th.   Episode Summary: Over the coming weeks, I will be interviewing each speaker who will be joining me for Breakthrough in Business Next Level Everything.  In this episode, I chat with Shawndra C. Johnson about the prophet in every one of us.  Now, you may or may not believe in or have experienced the prophetic, but God’s word is clear, you are a prophet and understanding this core part of your identity could be the missing link to your Next Level Everything. Listen in to discover: How to flex your prophet muscles The biggest mistake we make that distances us from hearing God The number one shift to living at your next level everything    Shawndra’s Incredible Factor Wisdom Questions: Last book Shawndra read:  "Total Praise " by  Richard Smallwood, She's currently reading my book, Market Like a ROCK Star Favorite Quote:  "Those who can should." Tool Shawndra can’t live without to grow her business:    Email and social media   How to Connect with Shawndra C Johnson: Website: www.scjconsultingllc.com Instagram: http://www.instagram.com/shawndra.c.johnson   References:  Join us for Breakthrough in Business 2020: Next Level Everything     Want more of Darnyelle? Register for the Next Money Milestone Master Class Apply for a Discovery Session with Darnyelle’s team Join the Six Figure Cash Flow Club    Social Media Links: http://www.instagram.com/darnyellejerveyharmon http://www.facebook.com/darnyellejerveyharmon http://www.twitter.com/darnyellejervey http://www.linkedin.com/in/businessgrowthstrategy   Subscribe to the Incredible Factor Business Podcast: Listen on iTunes Listen on Google Play Listen on Stitcher      Leave us a review Are you subscribed to my podcast? If you’re not, I want to encourage you to do that today. I don’t want you to miss an episode. I’m adding a bunch of bonus episodes to the mix and if you’re not subscribed there’s a good chance you’ll miss out on those. Now if you’re feeling extra loving, I would be really grateful if you left me a review over on iTunes, too. Those reviews help other people find my podcast and they’re also fun for me to go in an read. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what your favorite part of the podcast is. Thank you!

Join my conversation with singer Ashley Scott.   Ashley Scott is a talented singer from Philadelphia, PA. He began singing and discovering music at the tender age of 3 from listening and watching is aunt Helen Scott of The Three Degrees. A foundation of meaningful music was instilled from his parent’s record collection of artists like Earth, Wind, & Fire, Stevie Wonder, Chicago, The Delfonics, and naturally The Three Degrees. As a teenager, Ashley organized and performed in high school talent shows.The biggest part of Ashley’s life and musical path came when he attended Howard University where he received his Bachelor’s Degree in Music. At Howard University Ashley studied jazz voice under legendary jazz drummer and vocalist Grady Tate and the late Webster Lewis. Ashley also joined the Howard University Gospel Choir, which has produced R&B artist Angela Winbush, Tawatha Agee of Mtume, Pure Soul, and Gospel great Richard Smallwood. During his tenure with the Howard Gospel Choir, Ashley has performed behind Edwin and Walter Hawkins and Dorinda Clark of The Clark Sisters. The choir was also privileged to perform for President Bill Clinton at The Department of Agriculture for the unveiling portrait of former Secretary of Agriculture Mike Espy.Professionally he has sung background for Lady Alma and Jean Carn as well as shared the stage with Vivian Green, Bilal, Marcus Johnson and Grammy Award Winners Take 6. In the studio he has recorded vocals for Chavous, Sarah’s Girl, Geneva Renee, Tye Tribbett, Jim Stephens, and Will Downing.Learn more at BringBackSoulMusic.com

Mr. William Edward Cordts preaches a sermon entitled "The Transfiguration". The Inner Strength Gospel Choir sings "Prayer" by I. A. (Butch) Hayward and "Glorify the Lord" by Richard Smallwood. The Marsh Chapel Choir sings other service music and hymns.

Mr. William Edward Cordts preaches a sermon entitled "The Transfiguration". The Inner Strength Gospel Choir sings "Prayer" by I. A. (Butch) Hayward and "Glorify the Lord" by Richard Smallwood. The Marsh Chapel Choir sings other service music and hymns.

Host Cyrus Webb welcomes acclaimed singer/songwriter Richard Smallwood to #ConversationsLIVE to discuss his amazing career and his new book TOTAL PRAISE---and what it's like to now share his story with the world.  Get his book TOTAL PRAISE on Amazon here. 

Jesus asked Peter three times,“Do you love me?” as recorded in John 21:15–17. This occurred when Jesus was having breakfast with His disciples soon after His resurrection. Jesus used this opportunity to encourage and exhort Peter about his upcoming responsibilities and even to prophesy the manner in which Peter will die. By asking Peter, “Do you love me?” three times, Jesus was emphasizing the importance of Peter’s love and unswerving obedience to his Lord as necessary for his future ministry.    Episode 90 If you love Me, you will keep My commandments. John 14:15    We don't talk about trust much.  everybody pontificates,  exaggerates, embellishes, ---lies.  We have we come to expect it.  We don't trust leaders, preachers, pastors, teachers, fathers, or mothers.  Something broke down.  And those are the people we see.     How do you trust an invisible God?  How do you trust someone whom you have never seen?    Music from Richard Smallwood, used by permission.  "I'll Trust You" Bible reading from New Testament please support this podcast http://patreon.com/speaklifechurchpodcast   

Ted Winn is a gospel recording artist and songwriter who first gained recognition as half of the Award-winning gospel duo Ted & Sheri best known for their hits "Come Ye Disconsolate", "Celebrate", and fan-favorite "Thank Him." Since 2009, Winn has been a popular solo artist with hit songs such as "The Lifter",  and "God Believes In You" and now his most recent top 20 chart-topping hit "More." Ted has traveled the globe singing with Richard Smallwood and Vision, and has written for Bishop T.D. Jakes, Marvin Sapp, Tamela Mann, & Beverly Crawford and others.  While being no stranger to the industry, Ted is also a social justice advocate who uses his platform to speak out against racial injustice, racism, white supremacy, issues related to the black community as well as homophobia.  His podcast  "Perspective with Ted Winn" can be heard on all streaming platforms.  Tune in as I   catch up with my former high school classmate as we talk about politics, the black church and what we can do as a people to be more informed.  --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/blackwhiteincolor/support

By the '60s, gospel music had firmly established a foothold in mainstream American culture. This opened the door for soul stars such as Aretha Franklin and Marvin Gaye to complete the bridge between gospel and pop. They both grew up immersed in the harmonies and rhythms of the church and brought those sensibilities into their pop music. This episode looks at the gospel background and lasting musical legacy of Aretha and Marvin.

This episode tells the story behind The Edwin Hawkins Singers' ceiling-shattering song, ""Oh Happy Day". It was the first gospel song to top the secular charts. Hawkins' use of contemporary sounds - a Latin groove, synthesizers and a soul-influenced lead vocal performance - created a new model for gospel music. But some in the church didn’t want sanctified music to leave the sanctuary.

  “It’s God that orders our steps. If you want to enjoy success, don’t chase after the market, chase after God.” - Greg Nelson   This week on The Song Revolution Podcast, John Chisum had the honor of sitting with award-winning Christian Music Producer, Greg Nelson. Greg has produced recordings for artists such as Sandi Patty, Steve Green, Larnelle Harris, Twila Paris, Michael Crawford, and Richard Smallwood. He has received 20 Dove Awards and over 30 nominations, 7 Grammy Awards, 13 Grammy nominations, along with a host of other awards and recognitions. He has written hundreds of songs and also co-written successful neo-classical works that have toured internationally. Although he has achieved such incredible success in his music career, Greg is one of the most humble and authentic men you could ever meet. His interview reveals the depths of his heart, and his genuine desire to pursue the calling that God has placed on his life no matter the circumstance.   “I’m not the best. I’m not the worst. I don’t keep score, I just write, and God uses it.” - Greg Nelson   This article is full of priceless advice for the songwriter to take to heart. Greg discusses the importance of pursuing your life’s message. When you are clear on the mission the God has given for your life, and you pursue it with all of your heart, it is God who brings the increase. Success is found when we focus on chasing after the passion God has given us, instead of trying to fit what we’re doing inside the framework of what is currently trending on the charts.   Greg shares his journey to songwriting success, and what it was like to make a shift in his focus when inspirational music became less popular. Instead of hanging onto a genre that was fading or pursuing a popular genre that was outside of his giftings, Greg dove into the neo-classical works. He continued pursuing the genres that made his heart sing, and God used that passion to create long-lasting success.   Listen in to hear more about Greg’s story, timeless wisdom for aspiring songwriters, the best way to achieve success in songwriting, and how Greg has maintained a sense of humility in the face of incredible success.   “Writing for the market goes by the wayside. Instead, write what the Lord has placed on your heart.” - Greg Nelson   If you would like to know more about Greg and his story, check out his book, Runaway Horse.   Some topics we talk about in this episode:   Introduction // Greg Nelson- 1:24 The Secret to Success - 10:32 Greg’s Songwriting Story - 23:45 Greg’s Oratorios - 31:12 The Importance of Writing from Scripture - 37:39 Greg’s TedX Talk - 47:57 The Wide World of Song Possibility - 53:42 Wrap Up - 1:01:12 How to get involved Join the Successful Christian Songwriters Group on Facebook and continue the discussion! https://www.facebook.com/groups/SuccessfulChristianSongwriters/ Check out all of the resources for you to become the songwriter you were meant to be at www.nashvillechristiansongwriters.com   If you liked this episode, be sure to subscribe and leave a quick review on iTunes. It would mean the world to hear your feedback and we’d love for you to help us spread the word!

The Rev. Dr. Robert Allan Hill preaches a sermon entitled "Hold Fast To What Is Good". The Marsh Chapel Choir sings “Total Praise” by Richard Smallwood and “Glorify the Lord” arranged by Smallwood along with service music and hymns.

The Rev. Dr. Robert Allan Hill preaches a sermon entitled "Hold Fast To What Is Good". The Marsh Chapel Choir sings “Total Praise” by Richard Smallwood and “Glorify the Lord” arranged by Smallwood along with service music and hymns.

Gospel Music Legend Richard Smallwood Calls into the podcast.

I’ve asked this question on our Facebook page, Sunday, and got some strong responses.  Nobody likes it.  The Lord hates it. Talking about lying and what I’ve been doing lately. Bible reading about David and Saul.  Music from Richard Smallwood, I’ll Trust You. This ministry has a ASCAP license.     According to the Bible, the ninth of God’s Ten Commandments instructs that no person shall bear false witness against their neighbor. In other words, you shouldn’t lie.      There are many logical reasons to avoid telling lies Remembering your lies Losing people’s trust A bad reputation It’s addictive Legal ramifications Shattered relationships Self-esteem Losing your identity      Proverbs 6:16-19   There are six things that the Lord hates, seven that are an abomination to him: haughty eyes, a lying tongue, and hands that shed innocent blood, a heart that devises wicked plans, feet that make haste to run to evil, a false witness who breathes out lies, and one who sows discord among brothers.       Proverbs 12:22   Lying lips are an abomination to the Lord, but those who act faithfully are his delight.      Proverbs 19:9   A false witness will not go unpunished, and he who breathes out lies will perish.      Psalm 101:7   No one who practices deceit shall dwell in my house; no one who utters lies shall continue before my eyes.      Colossians 3:9-10   Do not lie to one another, seeing that you have put off the old self with its practices and have put on the new self, which is being renewed in knowledge after the image of its creator.      Proverbs 12:19   Truthful lips endure forever, but a lying tongue is but for a moment.  

Eric Reed is a piano player well know in jazz circles. He has played with some of the great musicians of our time. In today's episode Eric shares the keys to success on how to navigate the business of music for the next generation. We also dive deep into creating your signature sound as a musician. Being a musician is balancing the art with the industry of music. Eric's passion for music is rooted deeply in family and faith. He shares how these two elements build his success in music and how it impact his humanity.In today's episode we also dive deep into the plans of God, faith as an action, creating music with message, getting to the other side of pain, wrestling with depression, where to find your validation, lessons from our dads, learning from those living, the politics of music, being patient in your career, diversification, hustling, goal setting, working smarter not harder , and much more.“I don’t view art as contemporary, modern, traditional, old or new,” says pianist-composer Eric Reed. “Nor do I endorse cliques or camps. I promulgate integrity in all things.”Through more than a quarter-century as a first-caller on the jazz scene, Reed has articulated this inclusive conception as a leader of numerous ensembles, solo performer, composer, producer, educator, and sideman with numerous artists, including extended stints with Buster Williams, Joe Henderson, Freddie Hubbard and Wynton Marsalis. Whatever the context, whatever the style, he consistently animates the flow with fresh ideas, virtuosic chops, intellectual clarity and an unwavering will to groove.On a remarkable series of recent recordings, Reed illuminates his aesthetic scope, navigating diverse terrain with intense focus and sagely concision. Consider, for example, one of Reed’s most recent releases, The Adventurous Monk, a 2014 date on which he offers idiomatic yet personalized, loose yet cohesive interpretations of ten works by the genius pianist-composer Thelonious Monk. It’s Reed’s third Monk project since 2009, when he made The Dancing Monk, followed in 2011 by The Baddest Monk, on which he addresses the iconic songs with just the right admixture of maverick recklessness and natural command. “I imbibed heavily on Monk’s music as I became more immersed in composition and my journey as an artist,” Reed remarks. “The rhythmic, harmonic and melodic variety in his pieces inspire, allow and compel me to embrace the challenge of trying to convey messages in a non-verbal manner.”A similar spirit of grounded exploration infuses Reed’s most recent release and first live recording, Groovewise, on which he navigates mainly original music on the bandstand. The spontaneity of live performance comes through on Stand!, a jubilant-to-introspective 2009 studio date on which Reed presents 11 pieces inspired by biblical themes. On two other in-studio trios—Something Beautiful from 2011 and Here, a 2006 session —Reed coalesces his own pieces with repertoire from popular songs, less-traveled jazz classics and gospel, deploying a wide range of moods and dynamics in the manner of a live set. Different in ambiance but equally impromptu is Reed’s Reflections Of A Grateful Heart, a contemplative, subdued solo recital of hymns, spirituals and gospel songs from his pen and, among others, Edwin and Walter Hawkins, Richard Smallwood and Billy Taylor.“The older I get, the more I start to see my musical, spiritual and personal influences as all one stream of consciousness,” Reed says. “When I was younger, I was exposed to music in my house, my neighborhood or in school; I didn’t care about what it was labeled. When I became a professional musician in my teens, the lines between the different styles were drawn in big red marker. Now, I’m not concerned about highlighting and the imposed differences. The musical experiences are all tied together.”Reed developed the core principles of his musical sensibility almost from the time he began to speak. “Before I could even reach the pedals,” he recalls, he was playing for and enhancing worship services for the congregants in the small Baptist storefront church in West Philadelphia where his father, a quartet singer, sang and preached. “My earliest experiences in the Holiness church were colored with charisma; people were moved largely by emotion,” he says of that functional setting. “Music played a major role in manipulating these emotions, even inciting people to dance. I developed my ear in an extraordinary way; if someone started to sing, I could quickly find their key and begin to accompany them.”Noting their son’s exceptional talent, Reed’s parents signed him up for private piano lessons at age 5, which continued at South Philly’s prestigious Settlement Music School. In the meantime, his aunt and uncle scoured flea markets for records. “They found these records by Horace Silver, Art Blakey and Dave Brubeck. Additionally, in our home, all kinds of music could be heard on the stereo and the radio because my parents and older siblings were into gospel and popular forms of music.” Reed recalls. “I listened to everything.”When Reed was 11, his family migrated to Huntington Park, California, a suburb near Los Angeles with a well-stocked neighborhood library where he continued to self-educate, reading various biographies, theory books and absorbing records. Soon, he enrolled in The Community School of Performing Arts (now The Colburn School), where his mentor Jeff Lavner, introduced him to even more recordings. In 1986, Wynton Marsalis conducted a master class there and took immediate notice of Reed. Marsalis connected the school to tenor saxophonist-educator-arranger Harold Battiste Jr., who was asked to develop an improvisational workshop. Eric reminisces, “Mr. Battiste was a soulful and lovely human being. He was patient and loving with me, taking me to clubs all around L.A. to check out music.”Wynton recalls, “Eric had great ears and already had formed his musical personality. He had a phenomenal level of talent for his age; I’ve only met four or five musicians with that extreme ability. He’s intelligent and curious; you don’t have to spend a lot of time explaining stuff to him. And there’s his pedigree: he grew up in the church, so he had direct exposure to the vernacular.” By his late teens, Reed, who had won several local music competitions judged by the likes of Horace Silver, Billy Higgins and Ernie Andrews, began to work professionally with tenor saxophone legends Teddy Edwards and Buddy Collette, Gerald Wilson, The Clayton Brothers and Clora Bryant. After matriculating at California State University, Northridge, Reed officially assumed the piano chair with Marsalis in June 1990 — and moved to New York City.Except for an 18-month return to Los Angeles in 1994-95, when he apprenticed with Benny Carter, Freddie Hubbard and Joe Henderson, New York remained Reed’s base of operations for the next decade-plus. From the jump, Reed became deeply entrenched in New York’s hardcore jazz scene, entering the rotation at Bradley’s, the legendary New York piano saloon, where masters bonded with students, providing a platform for Reed and his peers to cut their teeth. He documented seminal and now classic works on a series of trio and combo albums, It’s All Right To Swing, The Swing and I, Musicale, Pure Imagination and Manhattan Melodies.“In the heyday of the ‘90s, we were all devoutly and intensely devoted to the idea of what we thought Jazz was supposed to be,” Reed remarks. “Integrity has always been part of my essence, presenting a wide variety of music in a relevant fashion. Wherever the music goes, I want to go there and be present in that moment, not just a stylist.”After initial forays at applying this dictum on recordings, Reed curated concerts and produced studio dates for other artists, notably in a series called Jazz Composer Portraits for Manhattan’s Miller Theater from 2001-03, eliciting creative, unified performances of music by pianists Elmo Hope and Donald Brown, drummer James Black, alto saxophonist Eric Dolphy, bassist Ben Wolfe and the legendary Billy Strayhorn.“I like taking on the challenge of trying to make something my own, while attempting to honor the composer’s intentions,” Reed says. “I’ve embraced the songbooks of many composers and being able to draw from these different sources has helped me to find my own compositional voice. Some people find their voice early; some find it later. Earlier on, composing was more something that I did by default because I had a studio date coming up. On It’s All Right To Swing and Musicale, it was about the arrangement and presentation of the piece. Now, I incorporate more of my improvisational ideas into the way I write. I trust the musicians to interpret it and whatever happens, happens.”Throughout the ‘00s, Reed provided artistic direction for singers Paula West and Mary Stallings, for whom he produced 2013’s But Beautiful. “The art of accompanying singers has been ingrained in me since I was a child playing in church,” he remarks. Reed also began to teach privately under the auspices of Juilliard School of Music, the New School and Manhattan School of Music, helping to direct young luminaries like Aaron Diehl and Kris Bowers towards paths that “might help enhance what they were already doing and get them to become more developed musicians. This is why I don’t call myself a teacher, but a mentor.”“The bandstand is where the real education is,” Reed says. “The only way musicians truly learn what’s valuable is by being in the trenches. I thank God that so many of the old guard embraced me. I was truly and wonderfully blessed.”In 2008, Eric moved back to his beloved Los Angeles, jumping feet first into the local scene as musical director for Regina Taylor’s critically acclaimed musical Crowns, which ran for the entire summer at the Nate Holden Performing Arts Center and the Pasadena Playhouse. From 2010-2012, Reed was back in familiar territory – the church. Fondly, he state

There was very light traffic as I passed McCormick Place onto South Lake Shore Drive. On the right side of the road, I noticed a newly-erected, simple square stone sculpture with the words "You Are Beautiful" engraved large enough for all passersby to read, even at 45-50 miles per hour.As the lake gleamed in the sunlight to my left, I passed the Museum of Science and Industry, the Jackson Park marina, and the 63rd Street beach house. I continued on, down the stately brick three-story townhouses along Jeffrey Boulevard.As I arrived at 79th Street, the streets were quiet, the shops were closed, many stores were boarded up, and many buildings looked like it had been a while since a store operated there.A short walk from the lakefront, the polygon-shaped brick structure which was my destination emerged on my left. A handful of people were scattered around this deceptively spacious auditorium when I walked in. On stage, six singers were running through their final rehearsals and sound checks.Midway through the event, the singers began a rendition of a song called “Total Praise” by Richard Smallwood. It is a song I have known for over 20 years, and it has been therapeutic for me at pivotal moments throughout my adult life.So it was fitting that on this Sunday morning, one day after I attended a memorial service for a close friend, concluding a week of grieving and reflection, that I found myself tearing up as the singers sang the song's chorus:As the choir ran through the series of melodic Amens in the song's bridge, I did not have it in me to lift my hands. I allowed tears to flow, and as the sun moved directly into the window over my head, I allowed myself to feel, and to heal. A few minutes later, an upbeat jazz saxophone solo completed my move from sadness to joy, in remembrance of my friend.The journey continues in the Chatham neighborhood on the south side, at the corner of 79th Street and Coles.Intro Theme Music: Victory Lap by QSTN ft. Mecca:83Background Music: www.bensound.com/Register to receive an advance copy of the companion book at https://godinchicago.com/Join the conversation! Follow us on Twitter: https://bit.ly/2Y94abI and on Instagram: https://bit.ly/2z6q5W4

We are featuring Douglas Mapp on today’s episode. Douglas is the current president of the International Society of Bassists and is also on faculty at Rowan University, where he is professor of jazz studies and teaches double bass. He is also extremely active as a performer, serving as principal bassist of the Reading Symphony and Assistant Principal of the Delaware Symphony and he performs regularly with some of the regions premiere ensembles including the Pennsylvania Ballet, the Philly Pops, Harrisburg Symphony, and several other groups in the area. Douglas and I had a great chat about a wide variety of topics, including the realities of making a living as a freelancer, what makes the International Society of Bassists conventions so special, and his company douglasmappmusic, which has for 20 years been providing piano parts written in keys that fit with standard orchestral tuning. Enjoy! About Douglas: Bassist Douglas Mapp is at home in many styles of music ranging from classical to jazz and Broadway to contemporary classical. The list of artists that he has performed, recorded and toured with includes Philip Glass, Michael Nyman, Donnie McClurkin, Richard Smallwood, Natalie Cole, Randy Brecker, Sean Jones, Ernie Watts, Lana Del Rey, Earth Wind and Fire, R Kelly, and Jeff Majors. He is the principal bassist of the Reading Symphony and Assistant Principal of the Delaware Symphony. He performs regularly with some of the regions premiere ensembles including the Pennsylvania Ballet, the Philly Pops, Harrisburg Symphony, and has a twenty-year tenure with the Philadelphia based new music ensemble Relâche. He has performed as substitute bassist with the Philadelphia Orchestra both at home and on tour. He has performed as a soloist with many of the groups with which he performs, including his spring 2015 performance of the Bottesin Grand Duo Concertante with the Reading Symphony. His publishing company, Douglas Mapp Music has been helping bassists to solve the age-old dilemma of solo versus orchestra tuning for over twenty years with piano parts written in keys that fit with standard orchestral tuning. He is president-elect of the International Society of Bassists and will chair the 2015 ISB convention at Colorado State University. Mr. Mapp is a graduate of the University of the Arts and Temple University where his primary teachers were Neil Courtney and John Hood.

Fantasia performed at a church on New Years Eve and indicated that she wants to worship God more this year. She song total praise from Richard Smallwood and Alpha and Omega from Israel and new breed. Troy takes a look at Isaiah chapter 1. To answer the question, does God accept Fantasia's worship?

CONTENT:  NEW YEAR, NEW YOU? With the New Year, you have a clean slate to begin again.  What will you do in 2016 to uncover & have more of what you want & need in your life?  Join our discussion on how to make 2016 more fulfilling…& share a laugh with special guest  Christian Comedian, Keitha V!   HOST BIO: Coach Linda Stephens-Jones, ACC, provides Christian-based coaching to individuals & small groups live or via teleconference & Skype across the U.S. & globally. She specializes in helping women to effectively manage major challenges such as relationship issues, grief, divorce, careers, self-doubt, or lack of purpose.  Her clients discover their strengths, gain clarity & begin living with more fulfilment.  CO-HOST BIO: Richard ‘Spike’ Jones, a man of great faith & love of family, is a retired Program Director with the Army Audit Agency.  He is currently a Mortgage Signing Agent (Notary), and is pursuing accreditation in Financial Services (tax preparation, health & life insurance sales.)   GUEST BIO: Keitha V. Johnson is a Christian Comedian & inspirational speaker, blessed with the gift of humor to celebrate our Lord and Savior. She has performed throughout the U.S, having the distinction of opening for CeCe Winans and for Richard Smallwood.  When she’s not writing Christian comedy or performing her soul stirring & knee slapping routines for crowds, she is serving full time as the Director of Ministry Services at Antioch Baptist Church in Fairfax Station, VA.  Keitha V is also a veteran of the US Army serving honorably for 20 years in the Adjutant General’s Corps in the US, Europe & Asia. 

Host Emma Boa-Durgammah is excited to welcome phenomenal Christ Follower and Kingdom Worker for Christ Alyce Metallo to continue to address how Kingdom Work for Christ happens through praise and worship music today. In this episode, Alyce will let us know how she journeyed with the most Famous of All, King Jesus Who strategically positioned her to be His Light to others through incredible experiences and specifically using her one of her God-Given Tools, music. Alyce’s experiences include being: a former high-school teacher from Washington, DC, a skilled and gifted pianist who started at the age of two, an incredible vocalist whose journey has been riddled with remarkable collaboration with Luther Vandross, Diana Ross and Kenny Rogers at Bill Clinton's inauguration, a return engagement to the White House as a choir director for VH1's Save the Music with John Mellencamp, among others. Additional experiences include multiple appearances with Stevie Wonder at School Night and in D.C., numerous Kennedy Center concerts alongside Vanessa Williams, Yolanda Adams, Jeff Majors, Regina Belle and Richard Smallwood, a twelve-day performance tour throughout Europe and receiving a prestigious “International Song of Peace” award. Alyce is currently a worship leader at McLean Bible Church in Tysons Corner, VA where Lon Solomon is the Senior Pastor. She is a member of the award-winning, DC-based improv troup NowThis! and is a doting mother of three beautiful girls. She in her family reside in Northern, VA. For more on Alyce Metallo, please visit www.alycemetallo.com. Emma would love to hear from you through email after the show contact@kingdomworkforchrist.com. 

This Week on "TheMusicBox" with National Recording Artist Tanya Dallas-Lewis! Meet Recording Artist Andrea Dumas! Whether singing in a church choir, ministering as a featured soloist,performing background vocals or sharing the stage with some of gospel music's top recording artists, Andrea Dumas is a fresh voice in gospel music. Her music ministry has afforded her the opportunity to work with some of gospel music's most notable figures such as Yolanda Adams, Richard Smallwood, Donnie McClurkin and Maurette Brown Clark. She has traveled to over 15 countries, appeared on several television shows including TBN, TCT, CornerStone and Atlanta Live, and sung at the US Capitol and the White House. AND GUESS WHAT? She joins us THIS THURSDAY with her new single "Jesus" ready for us to enjoy!! How cool is that? Plus, [as always--like, FOR REAL-FOR REAL!] the BEST in gospel music by artists that you ACTUALLY know [wowsa!], news, interviews, updates, how-to's and so much more!  I'll bring the COTTON CANDY FLAVORED gourmet popcorn, if you'll bring the raspberry lemonade and chocolates!  -Tanya, Stellar/Dove Nominated Recording Artist EPISODE SPONSORS: POPW INC., BAPMINISTRIESRADIO.COM, AGAPE MULTIMEDIA INC., PO'MAN MEALS, HGS RADIO

Some people don't consider gospel rap to be a respectable way to present Christ to the world. However, there are those who applaud it for it's direct and brazen way of sharing God's love to a generation who may have never heard of Shirley Ceasar, Richard Smallwood, or Fred Hammond.This episode's special guest is gospel hip-hop artist Gem' N.I and I am looking forward to hearing her thoughts about being an out-the-box artist.  Raised in South Central Los Angeles, Gem' N.I. born DiEsha Carter began rapping at the age of ten after first hearing N.W.A. Her unique style of delivery and Christ centered flow has earned her a diverse following and inspired many.Gem' N.I. has shared her heart at poetry slams, open mic's, and anywhere else her message of hope, love, and faith will be appreciated. In the summer of 2014 she released her first Mixtape "Mrs. Martyr Music" and is currently in the studio working on her new project. http://www.gemni.net/home.html

Vocalist Kenny Barnes joins Journalist Victoria Gaither on Coffee Chat in this podcast. A native Washingtonian, Kenny began singing gospel music in his home church at a very young age. He honed his skills at D.C.’s famed “Duke Ellington School of the Arts”. During this time he sang with several local bands, singing groups (R&B and Gospel), and several stage productions. It wasn’t long before people took notice of his smooth baritone voice. A voice that would eventually lead to him performing and working with some of the biggest names the industry has to offer such as Michael Jackson, George Michael, Bruce Hornsby, the O’Jays, Richard Smallwood, Dottie Peoples & Stephen Hurd to name a few...read more at http://westmob.com/artists/kenny-barnes.htmlTowards the bottom of the hour, New Zealand Broadcaster, Stu Frith, joins Victoria and they finish the show. Listen weekly on ICR at 9 am.

Easter at the Cathedral ft. Richard Smallwood by West Angeles Church

Karen Clark-Sheard, BET Honors, Aretha Franklin, Ice Cube, Berry Gordy, VaShawn Mitchell, William McDowell, Judith McAllister, Earnest Pugh, Richard Smallwood, Kurt Carr, Hezekiah Walker, Worship Leader, Worship Leaders, Praise, #GospelUpdates, Gospel Updates, Gospel News

Motivate. Excite. Influence. |  www.Sharvette.com The Sharvette Mitchell Radio Show First Segment : Artist Spotlight with Andrea Dumas Whether singing in a church choir, ministering as a featured soloist, performing background vocals or sharing the stage with some of gospel music's top recording artists, Andrea Dumas is a fresh voice in gospel music.  Her music ministry has afforded her the opportunity to work with some of gospel music's most notable figures such as Yolanda Adams, Richard Smallwood and Donnie McClurkin. Tune in to hear about her music ministry and upcoming LIVE recording! http://www.andreadumas.com/ Second Segment: Stephan Labossiere Stephan Labossiere is a Certified Life & Relationship Coach, Speaker, and Author of the #1 Best Seller "God Where Is My Boaz" as well as the Award Winning book "How To Get A Woman To Have Sex With You...If You're Her Husband". Ladies & Gentlemen , get ready!! Third Segment: Dawn Sheppard Dawn is a native of Richmond, Virginia. She has been singing all ranges of gospel music since the age of five. Dawn has opened for noted gospel recording artist such as Kim Burrell; and the late great James Moore . She has also toured as a background vocalist  for a variety of R&B Acts.  Tune in to hear about her new single, "Vessel". http://www.dawnsheppardmusic.com Download my FREE mobile app! Search for "Sharvette" in the App Store, Google Play Store or Blackberry World!   

With the release of her third project, Juneteenth Revolution, Collette arrives, through intricate yet intimate songs of life, love, and liberation she solidifies her industry position as the talent to watch. Her first full-length pop, funk and soul album since her 2008 debut, Experience Collette, represents a high-watermark for a multi-instrumentalist singer who has worked tirelessly to achieve the evident growth in her craft, a polish to her live performances, and the rewards of hard-earned critical acclaim. It’s only fitting that the Juneteenth holiday, also known as Emancipation Day, is also Collette’s birthday. The title of Collette’s latest, greatest inspiration is born from the idea of people seizing the freedoms they already have, much like the American slaves of the antebellum South. Collette was born into a long bloodline of unconventional women trailblazing unique paths in music. After years of honing her own three-octave alto in the choir rafters and studying piano, baritone and alto saxophone, Collette was determined to give voice to the melodies and chords playing in her head. By the time the Howard U. grad took off for NYC, she knew exactly who she was and what she wanted: to claim her own Juneteenth freedoms from the city of dreams that never sleep. Writing and arranging her debut album following a romantic break-up, in 2008 Collette released her calling card, Experience Collette. She closed out her pre-Juneteenth run with CoCo By Request in 2010, an EP of covers including celebrated takes on Erykah Badu’s “Orange Moon” and Richard Smallwood’s “Angels,” that served as a love letter to fans who picked the songs Collette recorded and supported her Kickstarter campaign for the project Juneteenth Revolution.          

David Griffiths, Minister of Music at Washington, D. C. 's historic Nineteenth Street Baptist Church drops in to discuss a special concert, launching the release of his new praise and worship songbook. "The Praise and Worship Experience showcases the full reach of his musical gifts:  his classical training at Peabody, the influences of gospel and the infusion of the Holy Spirit thoughout.  The concert will take place at the church on Saturday, January 28 at 5:30 p.m.  A full choir, orchestra, band, organ and guest soloists will present his compositions as a part of the church's "Building and Blessings" campaign to replace the church's roof and other needs to serve the community.  Dr. Derrick Harkins is Pastor.

Richard Smallwood is back with a new cd titled Promises, After Michael Pugh's performance many are asking will a man win Sunday Best, Gospel Choirs and Choruses will gather in Atlanta, GA for the 78th Annual NCGCC Convention.

Internationally acclaimed gospel music icon, Richard Smallwood drops in on Patrick D. McCoy, The African-American Voice in Classical Music to discuss his unique style of infusing classical themes into his celebrated gospel artistry.  Smallwood will also discuss his new recording, Promises, which will be available in June 21, 2011. About Richard Smallwood: Richard Smallwood is a legend in his own time. After four decades as one of the most popular inspirational artists in the music business, with classic tunes such as “Total Praise;” “Center of My Joy;” and “I Love the Lord” to his credit, the Grammy-nominated singer, songwriter and pianist continues to enjoy widespread popularity and influence. His songs have been recorded by Whitney Houston, Destiny’s Child, Kelly Price, Gerald Levert, American Idol’s Ruben Studdard, and a who’s who of the gospel world. Even the Queen of Soul, Aretha Franklin, has recently recorded a Richard Smallwood tune, “Faithful,” on her latest CD. Recently, while standing before a recording studio full of hand-picked friends and music industry colleagues, gathered for an intimate live recording session of Smallwood’s new CD, PROMISES (Verity Gospel Music Group), he made a startling confession. “I had not written a song since my mom died in 2005,” he told the stunned audience. “I thought the gift I had dried up. I would try to write and nothing would come. I’d sit at the piano, I’d pray and there was nothing.”

Come join Ms.Blue as she talk with MARQUE WALKER CEO of KEYBEETSss Mr.Walker has worked with Angie Stone, Isaac Hayes, Kim Burrell, Richard Smallwood, Donald Hayes, Doramus, Eric Cire, Elvis Williams, Kool & the Gang "THE HITS RELOADED" which had artist like BLUE & LI'KIM, ATOMIC KITTEN, JAMIROQUIA, LIBERTY X, ANGIE STONE, REDMAN BLUE CANTRELL, SEAN PAUL, NATURAL, & EVEN BLACKSTREET.

Ashley Scott is a talented vocalist from Philadelphia, PA. He began singing and discovering music at the tender age of 3 from listening and watching is aunt Helen Scott of The Three Degrees and The Delfonics. Known for internationally known singles like the lush ballad “Words,” the infectious “Dance The Night Away” and his international anthem “Don't Throw Our Love Away,” Ashley continues to release music across the Soul, Jazz, and Dance genres globally.The biggest part of Ashley's life and musical path came when he attended Howard University where he received his Bachelor's Degree in Music. At Howard University Ashley studied jazz voice under legendary jazz drummer and vocalist Grady Tate, Kehembe Eichelberger, and the late Webster Lewis. Ashley also joined the Howard University Gospel Choir, which has produced R&B artist Angela Winbush, Tawatha Agee of Mtume, Pure Soul, and Gospel great Richard Smallwood. The choir was also privileged to perform for President Bill Clinton at The Department of Agriculture for the unveiling portrait of former Secretary of Agriculture Mike Espy. He has shared the stage with  Bilal, Marcus Johnson, and Grammy Award Winners Take 6. Ashley is the Founder of The Soulful Sounds Series that is an R&B Educational Program. He co-founded a non-profit The Artists United with his partner Lox Knox that educates youth on the entertainment industry through its I.C.A.R.E Academy program. Support this podcast at — https://redcircle.com/ladydiva-live-radio/exclusive-content