Podcast appearances and mentions of David Carson

For the final panel of the 2024 Brettcon event, Gus and Luke sit down with director David Carson to discuss The Blue Carbuncle and are joined by fellow cast and crew members from the episode including Ros Simmons (Catharine Cusack), Amelda Brown (Jennie Horner), Esther Dean (Wardrobe), David Eve (Sound), Stuart Doughty (Assoc Prod). FULL VIDEO:  https://youtu.be/UZ0Ng27DQZc To see more of the work by artist Benjamin Dewey referenced in the audio intro, look for @benjamindewey on both Bluesky and Instagram. (Recorded on May 25, 2024 in Guildford, England.) If you missed Brettcon but wish you had a bit of the merch, then you are in luck! Click the link to visit our Etsy store. *Brettcon attendees will remember the issues we had with the microphones at the event, especially this first panel.  The sound does improve. Please bear with us. Please remember to like and subscribe!  Submit feedback to contact@sherlockpodcast.com Patreon: https://www.patreon.com/sherlockpodcast Twitter: https://twitter.com/sherlockpod FB: https://www.facebook.com/SherlockPod Web: http://sherlockpodcast.com/ Sherlockian Relics: https://sherlockian-relics-collection.myshopify.com/ Merch: http://www.etsy.com/shop/LukeHolwerda

David Carson from Dumbify delves into the intriguing concept that embracing "dumb" thinking can often lead to innovative solutions. We explore how society has cultivated a reluctance to ask seemingly foolish questions, thereby stifling creativity and potential breakthroughs. Our conversation is enriched by anecdotes illustrating how historical figures, like Isaac Newton, harnessed the power of curiosity and unorthodox thinking to arrive at revolutionary ideas. We also reflect on personal experiences and methodologies that advocate for a shift in mindset—encouraging individuals to welcome and cultivate their "dumb" thoughts as a pathway to discovery and success. Takeaways: Throughout history, the concept of 'dumb' has surprisingly provided solutions to complex problems. As individuals gain more knowledge, they often realize how much they still do not know. Encouraging the asking of seemingly 'dumb' questions can lead to significant creative breakthroughs. Creative thoughts often stem from individuals attempting to replicate others but failing, thereby generating originality. Rewarding curiosity in educational settings can foster a more open and innovative learning environment. The practice of intentionally thinking 'dumb' can lead to the development of new and effective solutions. Websitedavid-carson.com dumbify.beehiiv.comShow Sponsor – National Association for Primary Education (NAPE)https://nape.org.uk/

From the 2024 Brettcon event, friend of the show and panel guest host, Keith Frankel (author of Granada's Greatest Detective) speaks to directors David Carson, Patrick Lau, John Gorrie, John Bruce, writer Gary Hopkins and associate producer Stuart Doughty who discuss their time on the Granada series and their memories of Jeremy Brett.  (Recorded on May 25, 2024 in Guildford, England.)  Also, Gus, Luke and David are joined by Keith Frankel to introduce the panel and reminisce about BrettCon. Watch the full video at https://youtu.be/Zp2Hla92xIk *Brettcon attendees will remember the issues we had with the microphones at the event, especially this first panel.  The sound does improve. Please bear with us. Please remember to like and subscribe!  Submit feedback to contact@sherlockpodcast.com Patreon: https://www.patreon.com/sherlockpodcast Twitter: https://twitter.com/sherlockpod FB: https://www.facebook.com/SherlockPod Web: http://sherlockpodcast.com/ Sherlockian Relics: https://sherlockian-relics-collection.myshopify.com/ Merch: http://www.etsy.com/shop/LukeHolwerda

The Star Trek series continues! Mark and Niall discuss the 1994 sci-fi sequel Star Trek Generations. Directed by David Carson, and starring Patrick Stewart, William Shatner, Malcolm McDowell, and an extra-dimensional realm, the movie focuses on what happens when two captains battle a maniac. In this episode, they also talk about boat scenes, rock fights, and odd-numbered Star Trek films. Enjoy!

THIS VOYAGE, the Treksperts, MARK A. ALTMAN (author, The Fifty Year Mission, writer/producer, Pandora, Agent X, The Librarians, writer/producer Free Enterprise), DAREN DOCHTERMAN (associate producer, Star Trek: The Motion Picture) and ASHLEY E. MILLER (showrunner; DOTA: Dragon's Blood, writer, X-Men: First Class, Thor) are joined by SCOTT MANTZ as he moderates a fantastic panel celebrating STAR TREK: GENERATIONS with director DAVID CARSON, and writers RONALD D. MOORE & BRANNON BRAGA along with series producer DAVID LIVINGSTON at last year's TREK TO VEGAS convention on the Treksperts Stage. **TREKSPERTS+ SUBSCRIBERS NOW GET COMMERCIAL FREE EPISODES ONE WEEK EARLY! SUBSCRIBE TODAY AT TREKSPERTSPLUS.COM****Join us on our new INGLORIOUS TREKSPERTS DISCORD Channel at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/7kgmJSExeh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rate and follow us on social media at:BluSky: @inglorioustrekspertsTwitter: @inglorioustrekFacebook: facebook.com/inglorioustrekspertsInstagram: @inglorioustrekspertsLearn all that is learnable about Star Trek in Mark A. Altman & Edward Gross' THE FIFTY-YEAR MISSION, available in hardcover, paperback, digital and audio from St. Maritn's Press. Follow Inglorious Treksperts at @inglorioustrek on Twitter, Facebook and at @inglorioustreksperts on Instagram and BluSky. And now follow the Treksperts Briefing Room at @trekspertsBR, an entirely separate Twitter & Instagram feed."Mark A. Altman is the world's foremost Trekspert" - Los Angeles Times

Using Unconventional Thinking to Tackle Creative Blocks with guest David Carson Up to 48% off your first subscription or 20% off one time purchases with code VALERIE20 at checkout You can claim it at: https://magicmind.com/VALERIE20 #magicmind #mentalwealth #mentalperformance PATREON: Thank you to our existing patrons for believing in our work offline and here in the podcast.  Become a patron of the arts at Patreon.com/valerieihsan for books, writing instruction, coaching, and planning. Also, the Planner Plays and Monthly Reflections are always free for all members on my Patreon page. But I don't list them as Public", so click correct tier for updated links, dates, and cancellations. I just put up a new schedule last week for the upcoming months.   Go to Patreon.com/strangeairstories for short stories in the paranormal mystery genre.   Segment 1 (Announcements/Author Updates): (Valerie): catching up from being in Florida. Book club. Cleaned my son's kitchen, dog training started, email past retreat participants to personally invite them to the new coaching program.  • Aligned Author: A bespoke book coaching journey for soul-led experts, creatives, and writers ready to channel their life's work into a living, breathing legacy.)  I created Aligned Author to provide a sacred space for authors to truly understand what has been holding them back, to learn how to merge the soul with the ego, to live and create in that duality, and to discover their own super powers.  • Creating a new freebie for my mailing list and patrons (patrons always get everything 1st, even before the mailing list subscribers). It's a three-part micro masterclass on story structure, character arc, and universal truth stmt/theme (Erick): Shadow Signals for sale now; publishing anthology soon; updating back Fake My Run for Strava; Much Music (from Canada); Fuse (MTV competitor) What are you reading? Valerie:   How to Read a Book (Monica Wood) (Not ready to give up on them, but struggling to finish them:) Four Thousand Weeks: Time Management for Mortals by Oliver Burkeman; The Year of the Puppy (Alexandra Horowitz) ;  The Teller of Small Fortunes Julie Leong  Erick:   A Wounded Deer Leaps Highest (Charlie J. Stephens)  David: 831 Stories (Comedic Timing) The Case Against Reality (Donald Hoffman) The Weirdest People in the World; N+1 (The Pirates of Ayahuasca: That Shaman Stole My Personality) • Segment 2 (Resources/Tips/Tidbits): Tidbit #1: • Tidbit #2:    Segment 3 (Main Topic):  Using Unconventional Thinking to Tackle Creative Blocks   David Carson is an entrepreneur and marketing innovator whose groundbreaking companies and products have impacted millions worldwide. Renowned for his expertise in creative thinking, Carson has collaborated with global giants like American Express, Nike, Coca-Cola, and IKEA, as well as cutting-edge advertising agencies including Mother and Ogilvy. His unconventional approach has not only shaped iconic brands but also challenged traditional notions of problem-solving in business and beyond.   Dumb-Thinking makes you smarter. "Smart" prevents the creative thinking. Strive to have "dumb ideas."    Exercises to teach brain to think of dumb ideas: ways to think Example: George Castanza Model (Do the Opposite of Everything you typically do) How develop that curiosity? Creation: What if? To follow the curiosity. It may seem absurd, but go deeper. Make it worse. Improv (Yes, And for collaborating)  Use Chat GPT as a collaborator. It wants to be "smart," to make them "illogical": what is a commonality between extreme ideas, or create a new idea from two opposite things.  Colab Culture. If it's weird enough, it gets me curious. Lean in.   Example: Make it Worse (to create new things, learned how to NOT do it, shake up brain) When start projects, start with mental models first, what you've written isn't that precious, too afraid to change it.   Test the dumb idea with feedback. What's the fastest way to test? Tik-tok, open mic, writing group, social media ads, reddit,  Dumbify: summer Podcast: Dumbify (dumb ideas that have changed culture)   The Weird and the Eerie    Mask under a mask as a plot device. Sign up for David's Newsletter: Dumbify (David-carson.com) Look for the podcast next month or two, and the book this summer.   And don't forget: Go to valerieihsan.com to schedule a free consultation to see if Aligned Author is right for you.   Get 48% off the Magic Mind : https://magicmind.com/VALERIE20 and use Valerie20 at checkout. #magicmind #mentalwealth #mentalperformance   Next episode:  Find Us:   Valerie's Linktree: https://linktr.ee/valerieihsan (Find Passion Planner discount codes here.) Erick's Linktree link: https://linktr.ee/erickmertzauthor Patreons:  https://patreon.com/valerieihsan    https://patreon.com/strangeairmysteries Tools: ProWriting Aid: https://prowritingaid.com/?afid=9378 (affiliate link)

The smartest people aren't trying to convince you of that.  Instead, they're willing to be dumb...asking questions or trying things that others would dismiss. David Carson a creative CEO and visionary shares his insights on what it really takes to drive innovation and the story behind his Dumbify project and book. You have more fun when you can let go of the need to know everything and take time to let other tell you things. Being open to exploring the dumb idea leads to innovative thinking "Merchandise" your ideas to a friend to get feedback and build on the concept Recognize that you get smarter by being dumber: expertise can be ossifying. Some strategies to try are making an idea worse, removing restrictions and embracing failure. Lean into the pain points to build your creative muscle. CONTACT DAVID: LinkedIn: https://www.linkedin.com/in/davidcarson2/ Website: https://www.david-carson.com/   Check out my new Perfectionist Trap guide to learn more: https://architectingpodcast.com/index.php/perfectionismtrap/ Give Architecting a Google review- be sure to name the episode! https://g.page/r/CVYGVmEtsUjdEAI/review Stay Inspired, Angela Join the architecting community: YouTube, Instagram,  LinkedIn, Clubhouse, Facebook Interested in sponsoring a show or having me as a guest on your podcast or community? Stop here to get information. Into/outro music Alive by Richard Wasson Copyright 2019

As a Pulitzer Prize-winning photojournalist for the last 25 years at the St. Louis Post-Dispatch, David Carson knows what makes an excellent photograph. But so does AI. Carson is on leave from the paper as a 2025 John S. Knight Journalism Fellow at Stanford University, and he's spent much of the past year studying the collision of AI and photojournalism. Carson shares his insights on the challenges, complications and possible solutions for a world where, increasingly, what you see is different from what you get – and why he sees purported AI "learning" as just another word for theft.

What if the key to innovation lies in embracing the absurd? In this episode, we sit down with David Carson, creator of Dumbify, to explore how “thinking dumber” can unlock powerful creative breakthroughs. Challenging conventional notions of identity and intelligence, we examine how embracing the fear of looking foolish fosters curiosity, adaptability, and deeper problem-solving skills.Together, we navigate the societal constraints that suppress unconventional thinking, uncovering how a beginner's mind and unresolved psychological patterns influence creativity. From Montessori classrooms to cutting-edge tech spaces, we discuss the environments that nurture curiosity, allowing us to accept uncertainty and reframe “I don't know” as a launchpad for discovery.Expanding beyond creativity, we explore the role of identity, vulnerability, and discomfort in reshaping how we approach challenges. Like an athlete refining their craft, we discover how stepping into the discomfort of new ideas can transform not just our metacognitive processes, but our sense of self. We also examine the balance between humor and harsh judgment, cooperation and competition—revealing how innovation thrives in the middle ground.Through David's insights, we uncover a metacognitive approach to creativity—one that celebrates inquiry, welcomes the unexpected, and redefines intelligence as the courage to process differently.Tune in and discover how exploring “dumb” ideas might just be the smartest move you can make.Highlights(04:03) Embracing Dumb Thinking for Success (114 Seconds)(07:52) Embracing Dumb Ideas for Mindfulness (123 Seconds)(12:06) Overcoming Fear of Looking Stupid (96 Seconds)(21:18) Montessori Education Impact on Learning (71 Seconds)(27:56) Fostering Creativity and Trust in Workplace (100 Seconds)(35:05) The Essence of Mediocrity (49 Seconds)(39:08) Creative Collaborations in Fashion Industry (56 Seconds)(53:25) Innovating Through Frustration and Context (75 Seconds)(57:36) Originality Through Diverse Perspectives (75 Seconds)(01:07:35) Approaching Problems With Fresh Eyes (55 Seconds)Chapters(00:00) - Thinking Dumber(07:29) - Embracing Mindfulness for Creative Thinking(13:19) - Reimagining Identity and Productive Thinking(17:37) - Fostering a Curious Mind(21:18) - Creating a Curious and Collaborative Environment(27:22) - Navigating Judgment for Creative Innovation(35:55) - Exploring Middle Ground and Creativity(46:11) - Navigating Self-Identity in Problem Solving(01:00:16) - Embracing Dumb Ideas for InnovationKeywordsDumbify, Thinking Dumber, Innovation, Creativity, Mindfulness, Beginner's Mind, Curiosity, Identity, Self-Improvement, Judgment, Middle Ground, Humor, Collaboration, Improv, Coopetition, Internal Family Systems, Decision-Making, Iteration, Mistakes, Business CultureJOIN US ON INSTAGRAM: @thelightinsidepodcastSUBSCRIBE: pod.link/thelightinsideCredits:Featured Guest: David CarsonExecutive Producer: Jeffrey BeseckerExecutive Program Director: Anna GetzMixing, Engineering, Production and Mastering: Aloft Media Studio

Idea: Taxidermied animals as emotional support animals for situations where you can't have a living emotional support animal, such as if you can't get a doctor's note, you're allergic, or you just can't handle the upkeep of a living pet. Also: it's like the evil "blood diamond" version of a stuffed animal; the horror of seeing someone on a plane having a panic attack while intensely squeezing a dead animal; a Tamagotchi taxidermied animal that you have to care for, or a robotic one which is controlled remotely by a real pet so you can "mute" or disable it on a plane if it's causing trouble; other clever and/or practical uses of taxidermied animals, such as a cup, a fire extinguisher, or a literal drug mule Lucky Lee (instagram.com/luckyleecomedy chelsealuckyleewoudstra.weebly.com) David Carson (Email Newsletter: david-carson.com Blog: dumbify.beehiiv.com) Carl Sobel (linktr.ee/Carl_Sobel_Comedy facebook.com/ComedyNightAtRiverCitySaloon) Krinker (facebook.com/ryan.krinker) Tom Walma (https://creativitywasted.com x.com/thomaswalma twitch.tv/gameymcfitness) This podcast is part of Planet Ant Podcasts (https://planetant.com) This podcast is powered by Pinecast.

David Carson is a counter-intuitive thinker and creative problem-solver with a knack for uncovering genius where others see nonsense. Known for transforming unconventional ideas into groundbreaking solutions, he has helped global brands like American Express, Nike, Coca-Cola, and IKEA build human connections, captivate audiences, and redefine what's possible. As the author of Dumbify and creator of its popular newsletter, Carson inspires individuals and organizations to embrace “dumb” ideas—those that seem foolish at first but often hold the smartest answers. In this interview, we talk about the concept of "dumb thinking," the power of humor to connect with people and make ideas more memorable, Carson's creative process, and how he uses "dumb thinking" to come up with new ideas for his writing and other projects. Want more? Steal my first book, INK BY THE BARREL - SECRETS FROM PROLIFIC WRITERS right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

Join me for a fascinating conversation with Dumbify founder David Carson, where we dive into the power of so-called “dumb” ideas—and why they might just be the secret to creative brilliance.We'll explore how absurdity, humour, and playfulness can fuel innovation in storytelling, the mental models that help spot good dumb ideas, and how embracing the unconventional can lead to surprising breakthroughs. Plus, we'll touch on bold marketing strategies, the future of creative writing, and why curiosity is the ultimate creative superpower.Get ready to rethink what makes an idea truly smart!Visit David at his website! https://www.david-carson.com/

Star Trek: Generations – Retrospective. Join hosts Trevor and Jason as they discuss the 1994 Box-Office hit with Patrick Stewart, Jonathan Frakes, Brent Spiner and William Shatner Debate/Conversation Topic: An in-depth discussion of Star Trek: Generations, including detailed plot breakdown, historical relevance, critical reaction, and merchandising. Directed by David Carson. Plus much more, tune in now!  

Giving thanks to all of you this week.  We've had some very fun new listeners...so welcome to the community. The card I pulled today was from the book Medicine Cards by Jamie Sams and David Carson.  You can learn more at Medicine Cards – The Discovery of Power Through the Ways of Animals.The team I connect with is called my "Spirit Ohana."  They have specifically requested that I call them my family in Hawaiian.  There is a short podcast covering this discovery if you have interest.I hope you take a few bits of information today and truly know how much I appreciate your love and gratitude for this podcast.Enjoy your holiday (in the US)!We love to hear from you. Send emails to ForOurSpecialKids@gmail.com if you have questions, topics, or an amazing person we should highlight. And, please tell a friend or caregiver about us! Follow Us on Instagram & FaceBook, @ForOurSpecialKids or go to https://www.ForOurSpecialKids.comhttps://uppbeat.io/t/lane-king/journeyLicense code: E3DYP1B4L21HSX8E

THIS VOYAGE, the Treksperts,  MARK A. ALTMAN (author, The Fifty Year Mission, writer/producer, Pandora, Agent X, The Librarians, writer/producer Free Enterprise), DAREN DOCHTERMAN (associate producer, Star Trek: The Motion Picture) and ASHLEY E. MILLER (showrunner; DOTA: Dragon's Blood, writer, X-Men: First Class, Thor) are joined by a slugger's row of STAR TREK's greatest directors in this live and lively panel from STLV featuring ROB BOWMAN (TNG), PAUL LYNCH (TNG), DAVID CARSON (TNG, DS9, Generations), DAVID LIVINGSTON (TNG, DS9, VOY, ENT) and JORDAN CANNING (SNW). Join us for an all-new Inglorious Treksperts live on tape from #STLV. Now on You Tube! **TREKSPERTS+ SUBSCRIBERS NOW GET COMMERCIAL FREE EPISODES ONE WEEK EARLY! SUBSCRIBE TODAY AT TREKSPERTSPLUS.COM** **Join us on our new INGLORIOUS TREKSPERTS DISCORD Channel at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/7kgmJSExeh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Don't miss us as the TREKSPERTS INGLORIOUS TOUR 2024 LIVE TOUR continues as we beam down to Galaxycon Columbus, OH!  For more information, go to galaxycon.com. Learn all that is learnable about Star Trek in Mark A. Altman & Edward Gross' THE FIFTY-YEAR MISSION, available in hardcover, paperback, digital and audio from St. Maritn's Press.  Follow Inglorious Treksperts at @inglorioustrek on Twitter, Facebook and at @inglorioustreksperts on Instagram. And now follow the Treksperts Briefing Room at @trekspertsBR, an entirely separate Twitter & Instagram feed. "Mark A. Altman is the world's foremost Trekspert" - Los Angeles Times

Friend of the show, David Carson returns to talk about World War Z, "inspired" by the novel by Max Brooks.

Host Graham Sturt sits down with graphic design icon, David Carson. Known for his revolutionary work with Ray Gun magazine and his unconventional, expressive style, David has continually pushed the boundaries of visual communication. Join us as we explore David's unique approach, creative journey, and the philosophies that have shaped his illustrious career. You can find blog posts for this and all our past episodes at monotype.com/podcast.

Episode 190 with James Victore, drops the career advice you need to hear right now. James Victore is a renowned graphic designer, artist, and motivational speaker known for his unapologetically bold and unconventional design work. Author of books such as "Feck Perfuction", James has been featured in museums worldwide including MoMA, and has received numerous accolades throughout his career. Now residing in Texas, James focuses on educating and inspiring creatives through workshops, coaching, and his online presence. He is the force behind the website "Your Work is a Gift" where he offers guidance to those seeking to deepen their creative practice. Get coached by none other than James Victore: https://www.yourworkisagift.com Watch James' channel on YouTube: https://www.youtube.com/@UCNeCzet_WoNEaysTCgZSdkQ Episode Summary: Join us in this enlightening episode as we delve into the mind of James Victore, a trailblazing designer and artist whose influence and work have shaped the world of creative design. With your host, Evelio Mattos, James reflects on the evolution of design education, the importance of creativity, and the journey from being a creator to becoming an impactful mentor. In a candid and engaging conversation, James discusses the challenges facing today's young designers, the role of social media, and the concept of sustaining creativity amidst life's demands. He emphasizes the importance of maintaining authenticity and curiosity in one's work and sheds light on the significant transitions within the industry, mentioning renowned figures like David Carson and others. Other key topics include the transformation in learning models, the impacts of AI, and James' personal journey from winning prestigious awards to focusing on his true calling as an educator and motivator. Key Takeaways: On Creativity and Play: Maintaining a sense of play and curiosity is crucial for sustainably creative and meaningful design work. Industry Changes: James explores the evolution of the design industry, discussing how specialization and the rise of AI are redefining traditional models, including the potential decline of large design agencies. Authenticity and Confidence: True confidence stems from authenticity; embracing one's unique identity can lead to a more fulfilling and impactful career. Designer to Mentor: Transitioning from being a practicing designer to becoming an educator and coach has allowed James to empower others, highlighting the importance of asking for what you want. Educational Evolution: The traditional university model is increasingly outdated with new, more dynamic and tailored approaches to learning emerging in its place. Notable Quotes: "I love setting students on fire, I want to get them before they get all these preconceived notions." – James Victore "The things that made you weird as a kid make you great today." – James Victore "Tell them who you are. Don't let people guess." – James Victore "I'm not in the art industry or design industry; I'm in the James Victore industry." – James Victore "I'm the party. It comes with me." – James Victore Resources: James Victore Instagram Your Work is a Gift "Feck Perfuction" by James Victore For more profound insights and detailed discussion, be sure to listen to the full episode. Stay tuned for more enlightening conversations with industry leaders.

Send us a Text Message.On this episode of Fabulous Film and Friends we are looking back at two middling, lackluster sci-fi adventures from 1994 that have mysteriously stood the test of time: Stargate, directed by Roland Emmerich and starring Kurt Russell, James Spader, John Diehl, Jaye Davidson, Viveca Lindfors, Erick Avari, Alexis Cruz, Mili Avital, Leon Rippey, French Stewart, and Djimon Hounsou, which was released in October of ‘94 then Star Trek: Generations which was released a month later, was directed by David Carson and starred Patrick Stewart, Jonathan Frakes, Brent Spiner, Levar Burton, Michael Dorn, Marina Sirtis, Gates McFaddon, Malcolm McDowell, Walter Koenig, James Doohan and William Shatner.  I'm Gino Caputi your host, and back for more, especially if Star Trek is to be discussed I have series regular and IT tech Burton Brown, and representing the fresh eyes of the younger, non-cynical generation, author hypnotherapist Joe Field.  The synopses: In Stargate, a crack squad of US Special Forces led by Colonel Jack O'Neill with an assist from archeologist Dr. Daniel Jackson travel through a mysterious circular dimensional portal that was discovered in Giza Egypt in 1928 and kept a secret by the military until the mysteries of the portal could be unlocked. Once on the other side, Jackson and O'Neil discover they are on the planet Abydos with a culture very similar to ancient Egypt. There they befriend the locals and do battle with the god Ra, revealed to be an alien who has enslaved humans on this planet and is intent on destroying the human race on Earth through the Stargate.  In Star Trek Generations a single-minded, pleasure-seeking and murderous Dr. Tholian Soran attempts to destroy an entire solar system in order to get back into a heaven-like, temporal portal in the universe called The Nexus. It is up to the crew of the Starship Enterprise D, led by Captain Jean Luc Picard to stop Soran. Unfortunately, Picard proves to be too weak for the task and finds his ship and crew destroyed, the mission failed and he himself is trapped in the Nexus. Except…Captain James T. Kirk is also in the Nexus having landed in it 78 years earlier the Enterprise B encountered The Nexus on a rescue mission. Picard and Kirk join forces, leave the Nexus and stop Soran through the power of team work.  San Francisco Chronicle Film Critic Mick LaSalle, when summarizing the 1994 Year in Film wrote, “In 20 years will anyone still be watching Stargate? Or Star Trek Generations?”  I agreed with him wholeheartedly that these films were nothing but forgettable, but here we 30 years later and are still watching these works. Add to that, Stargate has had five spinoff  TV series on the subject and they're still planning cinematic reboots. Star Trek Generations was listed implausibly as a one of the great epics in the 2004 book Epic movies and will forever be remembered as the film that killed off Captain Kirk.  So, the burning question is WHY have these films endured?  Find out! The Youtube Version:https://youtu.be/K-irgi8Vp88 Follow the FFF Facebook page!https://www.facebook.com/groups/fabulousfilmandfriends 

ESPECIALLY IN THE LATE 1800s, the Oregon frontier was no stranger to acts of judicial lynching – where the local legal system was corrupted to provide cover for murder. What's more unusual, though, was an 1852 event that amounted to judicial cattle rustling. The cattle that the Benton County courts rustled belonged to a woman named Letitia Carson, and she was the widow of a recently naturalized Irishman named David Carson — or, rather, she would have been David's widow, if the two of them had been allowed to marry. But they weren't, because Letitia Carson was black, and a former slave — born in Kentucky in the late 1810s. The other factor that makes this episode of judicial rustling unusual is that Letitia took the thieves to court — and won. Twice. (Corvallis, Benton County; 1850s, 1860s) (For text and pictures, see https://offbeatoregon.com/1912b.letitia-carson-fought-racist-neighbor-in-court.html)

Guest host Christine McDonald welcomes guests David Carson, Dorothy Jackson, and Daniel LaCroix on this month's Minneapolis A.I.R. episode! Hear about how the City of Minneapolis’ Native employees have organized the newest employee resource group, and learn about how the City of Minneapolis Human Resources is heading into the community for a unique career fair…

Directed by David Carson, Star Trek Generations is the science fiction film serving as the seventh entry in the Star Trek film series. Luke and Jae celebrate the 30th anniversary of the movie that featured cast members from the 1960s TV series Star Trek and the 1987 sequel series The Next Generation, including William Shatner and Patrick Stewart. In the 23rd century, the Starship Enterprise is dispatched to the scene of a giant energy field about to engulf two ships. Capt. Kirk (William Shatner) averts calamity, but is exposed to the field and presumed dead. Years later, the Enterprise's new commander, Capt. Picard (Patrick Stewart), learns that one of the disaster's survivors, Dr. Soran (Malcolm McDowell), plans to enter the field by destroying a neighboring star. Picard now must collaborate with an unlikely ally in order to stop him.

Hosted by Andrew Quinn and Darren Mooney, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT. This week, David Carson's Star Trek: Generations. Disaster strikes during the maiden cruise of the USS Enterprise-B: James T. Kirk is killed in a freak accident, an encounter with a cosmic force beyond all reckoning. Nearly a century later, Jean-Luc Picard commands another Enterprise. Grappling with horrific news from home, Picard finds himself drawn into the sinister machinations of the mysterious Tolias Soran. A survivor of that fateful tragedy that killed Kirk, Soran is pursuing something beyond even Picard's deepest imaginings. At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.

Hilarious show enjoy it :-)Just here to entertain myself man

Just here to entertain myself man

Things don't look so good for old diaper Donald and I'm here for it :-) #TUCSONTRISTA SIGN ME UP TO RUN FOR SHERIFF IN ARIZONA! GO.AZSOS.GOV/xww9 Funny show, man! TODAY ON MY PODCAST POLITICS AF THANKS FOR 3:20 K IF IT'S JUST LAW ENFORCEMENT: O'BRIEN THE CATHY O'BRIEN STORY! Do you remember when this story broke in the early 90s, Cathy O'Brien a mind control victim of the government program called #mkultra wrote a book called"transformation of America, about being sex-trafficked to political leaders at the time! I was working at President Clinton's interagency Council on women at the US state department in Washington DC, when my boss gave me a copy of this explosive tell-all book, it was so scandalous outrageous crazy and horrific that nobody did anything about it at the time! But it is a foreshadowing of things to come! Don't it remind you of #JeffreyEpstein and Israel's #Honeytrap operation to compromise our celebrities & elected so-called leaders by taking them to Epstein's Private Island dubbed by media #LolitaExpress; for massage! That actually involved sex trafficking minors and therefore means to blackmail them into supporting Israel #genocide against #Palestinians. Note: #JoeBiden is not mentioned but remember he spoke at Sen. Byrd's funeral? Sen. bird was O'Brien's "handler". He was also KKK Grand wizard! Just sayin but anyway this is why y'all need to get me on the ballot

Do you remember when this story broke in the early 90s, Cathy O'Brien a mind control victim of the government program called #mkultra wrote a book called"transformation of America, about being sex-trafficked to political leaders at the time! I was working at President Clinton's interagency Council on women at the US state department in Washington DC, when my boss gave me a copy of this explosive tell-all book, it was so scandalous outrageous crazy and horrific that nobody did anything about it at the time! But it is a foreshadowing of things to come! Don't it remind you of #JeffreyEpstein and Israel's #Honeytrap operation to compromise our celebrities & elected so-called leaders by taking them to Epstein's Private Island dubbed by media #LolitaExpress; for massage! That actually involved sex trafficking minors and therefore means to blackmail them into supporting Israel #genocide against #Palestinians. Note: #JoeBiden is not mentioned but remember he spoke at Sen. Byrd's funeral? Sen. bird was O'Brien's "handler". He was also KKK Grand wizard! Just sayin but anyway this is why y'all need to get me on the ballot

I read the first two chapters of medicine cards by Jamie sams and David Carson illustrations by Angela Wernike St Martin's press New York 1988, in search of advice on how to get back my service dog, Dr Baker. If you would like to go find me/10543a02 & PLEASE SIGN MY PETITION TO RUN FOR SHERIFF IN HASHTAG #TUCSON #ARIZONA: GO.AZSOS.GOV/xww9 so I can alleviate suffering in my community; please see my sub stack for my complete platform to run for Sheriff and president of the United States; I filed form 2 Young people get me on the ballot! & THANKS TO MY REZFAM! #PascuaYaqui tribe; & #TohonoOodham; and thanks to my church community & fellow & sister @christiandems, for getting me on the ballot!

“Once you have broken down the rules, literally anything is possible.'”In the business of magazine design, few names resonate as profoundly as Neville Brody. And, to this day, he lives by those words. Renowned for his groundbreaking work and commitment to pushing design boundaries at magazines like The Face, Arena, Per Lui, and others, Brody is a true auteur in the world of design. We talked to him at the launch of his spectacular new monograph, The Graphic Language of Neville Brody 3.Nurtured on 1970s British punk music, which rejected anything that appeared self-indulgent or overwrought, Brody found the perfect launch pad at The Face, the London-based music, fashion, and culture monthly, created by editor Nick Logan in 1980.The Face inspired an array of fellow magazine rule-breakers, including the late Tibor Kalman, David Carson, and Fabien Baron, who calls Brody's work “powerful, aggressive, and simple.”Since then, Brody's journey in graphic design has been marked by a relentless, almost unforgiving pursuit of innovation. His magazine design challenged conventional norms and redefined visual storytelling. Brody's design approach is characterized by a rejection of conventional grid systems and editorial hierarchies, and a willingness to break free from established design rules.And he thinks magazines today are missing a giant opportunity:“That's the beauty of print, that you can't achieve in the same way digitally. Digital is so commoditized. We're not expressing content anymore. We're just delivering it.Neville Brody's legacy in magazine design lies in his fearless approach to challenging the status quo and his ability to capture the zeitgeist of his time. By pushing the boundaries of traditional graphic design, he not only influenced the look and feel of magazines but also inspired a generation of designers to embrace innovation, experimentation, and a spirit of creative rebellion. Brody's work continues to be celebrated for its enduring impact on the evolution of graphic design and its role in shaping the visual language of contemporary media. Print Is Dead (Long Live Print!) is a production of MO.D ©2021–2024

David Carson is Today's guest. David contributed to The Sound of Wonder: Interviews from the Science Fiction Radio Show, Vol. 1 & Vol. 2 --- Send in a voice message: https://podcasters.spotify.com/pod/show/mmftg/message

Do you want ideas for your next cyber security training/awareness project? In this episode Kim, Hannah and Victoria speak about: - Ideas for cyber security training/awareness in organisations. - What to do when you are seeing no results on your goals. - How to create your ultimate life. Here are the resources mentioned: - Creator hub: https://creatorhub.belvistastudios.com/ - JORJ Creative: https://www.jorjcreative.com.au/ - David Carson: https://www.davidcarsondesign.com/ Our intent with Belvista Studios' Insights is to support others in the industry to take their instructional design and eLearning skills to the next level by sharing raw insights into what we are learning as a team at Belvista Studios.

This podcast is a commentary and does not contain any copyrighted material of the reference source. We strongly recommend accessing/buying the reference source at the same time. ■Reference Source https://www.ted.com/talks/david_carson_design_and_discovery ■Post on this topic (You can get FREE learning materials!) https://englist.me/206-academic-words-reference-from-david-carson-design-and-discovery-ted-talk/ ■Youtube Video https://youtu.be/XJADiF8b3C8 (All Words) https://youtu.be/dHsqkQ49erw (Advanced Words) https://youtu.be/ZyINBgkF47c (Quick Look) ■Top Page for Further Materials https://englist.me/ ■SNS (Please follow!)

Apple called him "a pioneer with profound impact". Newsweek said he "changed the public face of graphic design". In 1991 David Carson redesigned Surfer Magazine and established a now iconic graphic design style seated in raw human emotion which led to numerous awards and an expansive client list including Audi, Nike, Obama, and album art for Nine Inch Nails. A lifelong surfer and 2018 inductee into the East Coast Surfing Hall of Fame, Carson discusses the value of failing publicly, the importance of humanity in design, and why it is impossible to not communicate. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

Today on THE ESSENTIAL SOUNDTRACKS, Erik Woods, Robert Daniels, and Randy Andrews continue their journey through the STAR TREK films and their soundtracks as they discuss the seventh movie in the series, STAR TREK: GENERATIONS. You'll hear them discuss the film in great detail including such topics as the new uniforms, deleted scenes, Kirk's death, the destruction of The Enterprise D and more. Also covered in great length is Dennis McCarthy's underappreciated score. WARNING: We do talk about Star Trek: Picard Season 3 in this episode so if you haven't seen the new series yet, you've been warned;  there are SPOILERS in this episode. STAR TREK: GENERATIONS was released on November 18, 1994. Malcolm McDowell joined cast members from the 1960s television show STAR TREK and the 1987 sequel series STAR TREK: THE NEXT GENERATION. In the film, Captain Jean-Luc Picard (Patrick Stewart) of the USS Enterprise-D joins forces with Captain James T. Kirk (William Shatner) to stop the villain Tolian Soran (Malcolm McDowell) from destroying a planetary system in his attempt to return to an extra-dimensional realm known as the Nexus. The film was directed by TV veteran David Carson. The original soundtrack album was released at the time of the film's release on GNP Crescendo Records. It had a generous amount of music on the album, close to 45 minutes worth with 16 minutes of Star Trek sound effects from the film. In November of 2012, GNP Crescendo released an expanded version of the score featuring two full CDs of music expanding the run time to OVER two hours. The score was recorded by Robert Fernandez at Paramount Pictures Scoring Stage M, McCarthy conducted the Hollywood Studio Orchestra. Mark McKenzie, William Ross, and Brad Warnaar provided orchestrations. The Executive Album Reissue Producer was Dennis McCarthy. The Executive Album Producers for GNP/Crescendo Records were Neil Norman and Melanie Clarkson. The Album Reissue Producers were Ford A. Thaxton, James Nelson and Mark Banning. The Project Consultant was Lukas Kendall, with liner notes by liner notes by Jeff Bond and Lukas Kendall. The GNP Crescendo album is currently out of print! The Essential Soundtracks Theme by Alexander Schiebel —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya, Eric Marvin, Stacy Livitsanis, Rick Laird, Carl Wonders, Michael Poteet, Nathan Blumenfeld, Daniel Herrin —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

I really enjoy talking to people who are full of energy because some of that energy rubs off. Bob Kimmel CEO of K2 Insurance Services' return to the podcast with K2 CAT's Head Underwriter David Carson is a case in point. Here we find Bob buzzing with the possibilities that significant new investment from Warburg Pincus can afford the firm as it looks to accelerate growth and double in size to a $3bn GWP platform over the next 4 to 5 years. David's also full of energy after the decisive rupture in the reinsurance market at 1.1 has produced what he describes as the best market in property cat since 1993. This is an incredibly candid and fluid discussion. Bob is very open about the potential squeeze that may be coming for MGA and other intermediaries' margins as reinsurers and carriers push back hard on commissions and trim underperforming agencies from their portfolios. But he's also really happy about having fresh dry powder to make the most of cooling valuations and special situations as interest rates rise and debt-heavy buyers are priced out of out of a hitherto frothy M&A market. Bob also explains why being a hybrid carrier with a balance sheet was great when K2 was smaller and needed to incubate underwriting talent, but became a distraction to the core business as the group scaled to the $1.5bn of gross premiums it now underwrites on behalf of the market. This is fascinating under-the-hood stuff and no aspect of the market and K2's plans is left uncovered. It's also delivered at an almost breathless pace and with great rapport between the Bob, David and this interviewer. If you want to get well ahead of emerging trends in the fast-developing MGA world, this is absolutely essential listening. NOTES: Bob speaks first. The abbreviation LOC snuck in. It means a Letter of Credit. LINKS We thank our naming sponsor AdvantageGo: https://www.advantagego.com/

Today we continue the conversation that we began with Dean Owen in the episode:  Dean Owen – Now is too late – the Rapidly Changing World of Corporate Communications – Part 1    Show Notes 1:00 Reputational Crisis 4:00 What should nonprofit Board Members do in when an nonprofit organizations has a crisis 6:30 The Five C's - Conflict, Criticism, Controversy, Celebrities and Catastrophes. 10:30 The first 100 days for a new Chief Communications Officer 14:40 Dean's response to the quote by Sidney Harris – “Information is giving out. Communication is getting through” 17:50 Dean's response to David Carson's quote “Never mistake legibility for communication” 19:00 Dean's reflections on writing the book November 22, 1963: Reflections on the Life, Assassination, and Legacy of John F. Kennedy   Links and Resources JobfitMatters Website Next Gen Nonprofit Leadership with Tommy Thomas Now is Too Late - Survival in an Era of Instant News by Gerald R. Baron November 22, 1963: Reflections on the Life, Assassination, and Legacy of John F. Kennedy by Dean Owen   Connect Tommy Thomas - tthomas@jobfitmatters.com Tommy's LinkedIn Profile Tommy's Twitter Profile Dean Owen's LinkedIn Profile

What's up! Happy Hump Day! Joining me this week is Nike's Master Trainer, Dave Carson. Dave and I discuss mental health, why and how he got into the fitness space with Nike and what it means to him to be More Than Athlete and much more. DeJuan Marrero Social Media YouTube Channel: www.youtube.com/channel/UC5uNsn8rQXbVM2wOAoVC1hw?view_as=subscriber Spotify Podcast: https://open.spotify.com/episode/2lcn... Apple Podcast: https://podcasts.apple.com/us/podcast... Instagram: https://www.instagram.com/dejuanmarrero/ Instagram: https://www.instagram.com/thedmpodcast_/ Twitter: https://twitter.com/dejuanmarrero?lan... Facebook: https://www.facebook.com/dejuan.marrero

Everyone in France knows Kung Fu. Also, my guest, David Carson, has published some books of Sci-fi interviews. Find them here and here. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/mmftg/message Support this podcast: https://anchor.fm/mmftg/support

In this episode, Tiny and I continue our series on Carrie with a review of David Carson and Bryan Fuller's 2002 TV movie adaptation starring Angela Bettis. We also discuss a couple of recent Stephen King related news items and check-ins.   Become a patron for exclusive audio content and early access to episodes at Patreon.com/ObsessiveViewer.   Timestamps   Show Start – 00:40 News and Check-ins - 02:49   Carrie (2002) – 22:15   Non-Spoiler - 24:43 Spoiler - 56:16   Outro – 1:13:54   Related Links   Stephen King Reveals What Book He Wants Adapted - ScreenRant Paul Greengrass To Adapt & Direct Stephen King's New Bestseller ‘Fairy Tale' - Deadline Castle Rock Kitchen: Wicked Good Recipes from the World of Stephen King by Theresa Carle-Sanders (with a foreword by Stephen King) - Amazon Associate Link   Stephen King Content on Our Patreon Our Patreon Homepage   Support Obsessive Viewer Podcasts Here Tower Junkies: The Masterlist Tower Junkies: Episode Archive As Good As It Gets - Official Homepage   Matt's Stephen King Short Story Collection Twitter Threads   Just After Sunset Everything's Eventual Hearts in Atlantis Nightmares & Dreamscapes Four Past Midnight   Obsessive Viewer - Our weekly movie and TV discussion and review podcast. Obsessive Viewer Presents: Anthology – Matt's solo podcast exploring science fiction anthology storytelling in television's first golden age starting with The Twilight Zone.   Mic Info Matt: ElectroVoice RE20 into RØDEcaster Pro II - Processing: High Pass Filter, DeEsser, Compressor, and Master Compellor enabled (Recorded in the Living Room) Tiny - Samson Q2U via USB on Google Meet   Tower Junkies   Subscribe   Apple Podcasts Stitcher Google Podcasts Spotify TuneIn Radio RSS Feed   Social Media   Facebook Twitter Instagram     Episodes by Category     News – Covering news items related to Stephen King and The Dark Tower Palaver – General discussions about Stephen King and/or The Dark Tower series Khef – Reviews and discussions of books and comics in The Dark Tower series Novel Reviews – Reviews of Stephen King (and related) novels Novella Reviews – Reviews of Stephen King (and related) novellas Short Story Reviews – Reviews of Stephen King (and related) short stories and short story collections Comic Reviews – Reviews of Stephen King (and related) comic books and comic adaptations Movie Reviews – Reviews of Stephen King (and related) movie adaptations TV Reviews – Reviews of Stephen King (and related) TV adaptations Commentary Tracks – Special commentary track recordings that can be listened to while watching the title or simply as a podcast episode Interviews – Interviews with people with special ties to the work of Stephen King Special Eps – Episodes that don't fit into the other categories; usually announcement episodes pertaining to the podcast itself     Matt's Top 19 King Novels     11/22/63 It Wizard and Glass (The Dark Tower IV) Pet Sematary Misery The Shining The Drawing of the Three (The Dark Tower II) The Dark Tower (The Dark Tower VII) The Stand The Waste Lands (The Dark Tower III) Under the Dome Billy Summers Christine Doctor Sleep Wolves of the Calla (The Dark Tower V) The Dead Zone The Gunslinger (The Dark Tower I) Revival End of Watch     Matt's Top 19 King Adaptations     The Shawshank Redemption (1994) The Shining (1980) It (2017) 11.22.63 (2016) - Miniseries The Mist (2007) Doctor Sleep (2019) Misery (1990) Castle Rock (2018) - Series Creepshow (1982) Stand by Me (1986) Gerald's Game (2017) Christine (1983) Pet Sematary (1989) The Dead Zone (1983) Cujo (1983) Carrie (1976) The Shining (1997) - Miniseries In the Tall Grass (2019) Sometimes They Come Back (1991)     Tiny's Top 19 King Novels     The Dark Tower (The Dark Tower VII) Misery The Stand The Shining The Drawing of the Three (The Dark Tower II) The Gunslinger (The Dark Tower I) Christine Wizard and Glass (The Dark Tower IV) It Cujo The Dead Zone Mr. Mercedes Gerald's Game Pet Sematary Wolves of the Calla (The Dark Tower V) Salem's Lot Under the Dome 11/22/63 The Waste Lands (The Dark Tower III)     Tiny's Top 19 King Adaptations     Doctor Sleep (2019) The Shawshank Redemption (1994) It (2017) Christine (1983) The Shining (1980) Stand By Me (1986) The Mist (2007) Misery (1990) Creepshow (1982) The Green Mile (1999) Apt Pupil (1998) Geralds Game (2017) The Outsider (2019) - Miniseries The Stand (1994) The Shining (1997) - Miniseries Lisey's Story (2021) - Miniseries 1922 (2017) 11/22/63 (2016) - Miniseries It (1990) - Miniseries

“Angela Bettis! Angela Bettis! Angela Bettis!” said David Carson into the camera, and poof! She was there to provide one of the few redeeming qualities in this made-for-TV wad. Directed by the guy that directed Captain Kirk's death and co-starring Dualla from Battlestar Galactica, this movie features Windows 98 screensaver-grade CGI a flat, lifeless retelling of the story from the same era at the mini-series version of The Shining. Join us for part 2 out our 3-part series of Carrie: Who Wore It Best on this most October 2022est episode of Loathsome Things: A Podcast in which two jerks talk about the horror movies they watched and assumed you would like to listen to that! If you would like to recommend a movie, tell us howe we can get Angela Bettis to be on our show, or ask us horror movie-related questions, you can do so by reaching out to us on Twitter: @LoathsomePod Instagram: @LoathsomePod Facebook: @LoathsomePodcast Email: LoathsomeThings@gmail.com The Loathsome Things Official Top 10 Greatest Horror Movies of All Time List (of those we've reviewed for an episode of Loathsome Things: A Horror Movie Podcast) (1) Brian De Palma's Carrie (1976) (2) Rose Glass' Saint Maud (2019) (3) Bob Clark's Black Christmas (1974) (4) George A Romero's Night of the Living Dead (1968) (5) Alex Garland's Men (2022) (6) Miike Takashi's Audition (1999) (7) Bob Clark's Deathdream (1974) (8) David Prior's The Empty Man (2020) (9) Frank Henenlotter's Basket Case (1982) (10) José Mojica Marins' At Midnight I'll Take Your Soul (1964)   Honorable Mentions: Beyond the Door III (1989) – Not a great horror movie, but so much fun to watch! The Pit (1981) – Watch this coming-of-age story about seeing boobs and feeding beasts!

Mark & Anna Casadei are a retired military family of the U.S. Air Force and a filmmaking team from Nashville, Tennessee. Together, they have written numerous award-winning screenplays. Mark has directed/produced both corporate commercials and short films and Anna has authored over 30+ feature screenplays and produced several short films.   They are currently contracted on two romantic comedies with MPCA and their current thriller/horror film, The Benefactor, is starring Malcolm McDowell with David Carson directing and Mark & Anna producing. Their buddy comedy script is in development with a UK production team and is set to start filming late 2022. Anna has her masters in screenwriting certificate from UCLA and has been in the forefront of creating local film opportunities with Mark to hire more women both in front of and behind the camera. Mark is also an accomplished Broadway musician and stage director and hires military veteran talents to act or take on vital behind-the-camera roles. Connect with your host Kaia Alexander: https://entertainmentbusinessleague.com/ https://twitter.com/thisiskaia Produced by Stuart W. Volkow P.G.A.

This week on “The Learning Curve,” co-hosts Gerard Robinson and Cara Candal talk with Arif Panju, a managing attorney with the Institute for Justice and co-counsel in the U.S. Supreme Court school choice case, Carson v. Makin; and David Carson, the lead plaintiff. Panju shares the key legal contours of Carson v. Makin and the potential impact of […]

This week on “The Learning Curve,” co-hosts Gerard Robinson and Cara Candal talk with Arif Panju, a managing attorney with the Institute for Justice and co-counsel in the U.S. Supreme Court school choice case, Carson v. Makin; and David Carson, the lead plaintiff. Panju shares the key legal contours of Carson v. Makin and the potential impact of the Court's decision in favor of the plaintiffs. Source

This week on “The Learning Curve,” co-hosts Gerard Robinson and Cara Candal talk with Arif Panju, a managing attorney with the Institute for Justice and co-counsel in the U.S. Supreme Court school choice case, Carson v. Makin; and David Carson, the lead plaintiff. Panju shares the key legal contours of Carson v. Makin and the potential impact of the Court’s decision in favor of the plaintiffs. Source

As a former professional basketball player who is now a NIKE Global Master Trainer C.S.C.S with over 15 years of experience David has a wealth of experience in this industry. David's shift from his own athletic career shifted forever June 5, 2010 when he was in a career ending car accident. The journey out of depression came from helping my mom lose 150 lbs in a year. From then on he knew his calling was to help others. As someone who has seen every extreme in his own health journey he understands how important it is to have a knowledgable, understanding and caring team in your corner. That is why he created 24Life. With clients from every major professional sport, over 100 Division 1 clients to the everyday athlete 24Life is committed to improving performance. 24Life is more than personal training it is about a lifestyle change, one that you will be able to sustain you for the rest of your life.24Life os here to help you reach that next level. Lets get it!!! Coach Dave's Website: http://www.davidcarson24life.com Instagram: @24lifedc Nike Training Club App: https://www.nike.com/ntc-app Mother's Day Tribute to Coach Dave's Mom: "We are not what happens to us, we are how we respond to it." -Marjorie Carson

ESPECIALLY IN THE LATE 1800s, the Oregon frontier was no stranger to acts of judicial lynching – where the local legal system was corrupted to provide cover for murder. What's more unusual, though, was an 1852 event that amounted to judicial cattle rustling. The cattle that the Benton County courts rustled belonged to a woman named Letitia Carson, and she was the widow of a recently naturalized Irishman named David Carson — or, rather, she would have been David's widow, if the two of them had been allowed to marry. But they weren't, because Letitia Carson was black, and a former slave — born in Kentucky in the late 1810s. The other factor that makes this episode of judicial rustling unusual is that Letitia took the thieves to court — and won. Twice. (Corvallis, Benton County; 1850s, 1860s) (For text and pictures, see http://offbeatoregon.com/1912b.letitia-carson-fought-racist-neighbor-in-court.html)

Lewis Blackwell Co-Owner of Luerzers Archive pops in. He chats to us about his career and shares some incredible insights into what it's like running the publication. He also relives stories on David Carson and Jony Ive.

David Carson founded Sammy's Mission with his wife, Mandi. David was in active addiction for many years. He was introduced to the Miracle Hill Overcomers Program in 2017. While David was in the treatment program, He met Jesus and developed a real love relationship with Him, and his life has been changed forever. David continually wants to give back what was freely given to him; hope. He wants to serve and help those that are in need like he once was. Sammy's Mission exists so that men struggling with hopelessness and addiction experience hope, hear the Good News of God's love, live in sobriety, and serve others. For more information about Sammy's Mission, Visit www.sammysmission.org --- Support this podcast: https://anchor.fm/freedomhouseofgreenville/support

We love showing support and love for all of the initiatives here in this beautiful Recovery Town of Greenville, SC. Join Us as we talk about the resources we have available to us today and also to discuss the next LIVE Episode tomorrow night with David Carson. The #RecoveryFirst Podcast is a Podcast that helps highlight Local Initiatives in Greenville, South Carolina, and as well within National Stage in the Recovery Communities. Here you will hear a wide arrange of Topics surrounding Addiction, Recovery from Amazing Advocates helping to make a difference within the Recovery Space. If you or a loved one is struggling with substance use disorder, please contact us today by calling (864) 787-3798 or by visiting www.recoveryfirstpodcast.com --- Support this podcast: https://anchor.fm/freedomhouseofgreenville/support

BGBS BONUS 057: Jay Ferracane | Storytellers are Bullsh*tBaby Got Backstory host Marc Gutman partners up with good friend and past guest Jay Ferracane on a special bonus episode about the complexity of defining yourself as a storyteller based on the video, You Are Not a Storyteller by Stefan Sagmeister. Want to see it on video?Quotes[10:26] There is a fallacy that people think, “I have a conversation with you and I come back a week later, and you give me this thing that will be on a gas station, billboard, or on a wall.” And to me, it's iterative. It's a narrative. And that was the only thing I can start to think of why we've gotten into this thing called storytelling, because we're trying to let people know that it's not completely defined. And it's going to be a journey. [13:28] What is the function of design? A lot of times it's to communicate. It's not to be seen, it's not to be noticed, but it's to communicate. It has a very important job, but is that storytelling? Is wayfinding, storytelling? [14:58] I don't think even all stories have reasons, because sometimes they can be whimsical, right? Maybe that is the reason. [18:26] I think even we get conflated a bit when as branders and marketers we say, “Okay, well, it's the sum of all these parts, it's your visual, it's your tagline, it's your copy on your website. It's all this and then now that's your story.” But is it? [19:13] The cool thing about building a brand for me and developing the branding is that all those signals, all that stuff gets set up so that those stories can happen in there. But that's all the people interacting with it. So if anyone is a storyteller in a brand, it's usually the people that support the brand. It would almost be the customer, right? It's pretty meta, actually. [19:49] It's the external world. You can tell all the stories you want about yourself, but it doesn't really matter what you think. It's what everyone thinks about yourself. ResourcesFeatured Video:You are not a storyteller – Stefan Sagmeister Jay Ferracane:Instagram: @angrybovine Facebook: Jay Ferracane LinkedIn: Jay Ferracane BGBS Episode 41: Jay Ferracane | Angry Bovine | Design Is Not About the Designer Podcast TranscriptJay Ferracane 0:02 And that was the only thing I can start to think of is, “Is that why we've gotten into this thing called storytelling? Because we're trying to let people know that it's not completely defined and it's going to be a journey. And so let's call it a story and follow us on this journey or this story. I don't know that—I've been dwelling on that actually quite a bit in the last week or so because, well, you and I both know the reality of making anything is never airdrop it into your clients lap, at least it's not in my world. It's a lot of back and forth and and the story gets written together, if anything, but to me I've always wondered is, has storytelling become this thing because people are trying to explain like, you're gonna have to get involved in a narrative? I don't know. Maybe that's where it comes from. Marc Gutman 0:48 Podcasting from Boulder, Colorado. This is the Baby Got Backstory Podcast, where we dive into the story behind the story of today's most inspiring storytellers, creators and entrepreneurs. I like big backstories and I cannot lie. I am your host, Marc Gutman. Hey, I'm Marc Gutman, and today is a little bit of a bonus episode of Baby Got Backstory. My good friend, Jay Ferracane and I talk a lot about different branding topics, marketing topics all offline when we're just hanging out. And one of the things that we got written a lot about was storytelling, and kind of this craze about what's happening with storytelling, and everyone's calling themselves a storyteller. And then Jay turned me on to this amazing video about two minutes. And we're gonna link to the audio in this episode from a famous designer named Stefan Sagmeister. And after that little video, and Stefan sets the stage, Jay and I talk about what it means to be a storyteller. And I hope you liked this episode. It's a little bit of a bonus talking about a topic that's near and dear to my heart. I am here with Jay Ferracane celebrated designer, creative and all around awesome dude. And recently, Jay and I were doing some work together and Jay turned me on to this idea or this this video of Stefan Sagmeister that's titled You Are Not a Storyteller. Before we get into that, because I just I love this video, we're gonna watch it and then talk about it cuz I think it's really relevant, two minutes of extreme relevance, Jay, who is Stefan Sagmeister? Because I don't even know like I, I watched this video and I'm like, Who is this guy? Jay Ferracane 2:41 Well, Stefan Sagmeister is is a designer, I think Austrian born worked out in New York for years. But I think his real claim to fame was that he kind of made designers realize every once in a while that you should take some time for yourself. So he used to do these, these sabbaticals. And then for like a year, he would just do work that tried to make him happy and resulted in like a body of work about being happy. But his work was really widely regarded. I think he's won like a Grammy for some, you know, album design stuff. And I was always appreciative of his design even. And I've known about him for a really long time. You know, he I think he's in the the world of like, the pentagrams, and stuff like that of the world. But Stefan Sagmeister, and his partner, Jessica Walsh, who now runs her own outfit, she still continues, but I think Stefan does more of this kind of like, personal work kind of stuff. But pre that that was this video that I was sharing with you. Because, I mean, we've all heard it in conversations that, you know, everyone wants to be a storyteller. And, you know, what's that really mean? And should you say it, and I look at myself as such a, I don't know, like a tradesperson in design that. I've never considered myself a storyteller but it did me a stroke, it struck a chord with me and why people say that, and a lot of times, I think as a designer, my job is to unpack what people are really trying to say, or what's the reason behind that. And I have some thoughts on why people get into the storytelling, if they use storytelling as a way to describe their process or what they're attempting to do. So. Marc Gutman 4:11 Yeah, it's such an interesting topic to me. I mean, remember, several years ago, you'd say you're a storyteller, and people thought that was all cool. And they'd be like, tell me about that. And, and, and it meant different things. And it still does to different people. But now it's like, literally, I think every single website I hit says, We are storytellers, everybody's Instagram says I'm a storyteller, and everyone wants to be a storyteller. And I think there's a lot of confusion around storytelling. And it's just an interesting topic to me. I don't know if I've landed I firmly believe that as—the way we communicate as humans is through stories, does that make everyone a storyteller? Especially when it comes to business, right? Like, is everyone a storyteller? And so what I want to do is I want to go ahead and share this video. It's two minutes, and we'll go ahead and watch it together. And then we can talk about it. Jay Ferracane 5:02 Sure. Stefan Sagmeister 5:09 Hi, my name is Stefan sagmeister, a Austrian graphic designer who lives in New York City. I'm actually quite critical of the storytelling thing. I think that the older storytellers are not storytelling. Recently, I read an interview with somebody who designs rollercoasters, and he referred to himself as a storyteller. No fuckhead you are not a storyteller. You're a rollercoaster designer. And that's fantastic and more power to you, but why would you want to be a storyteller if you design rollercoasters? Or if you have storytelling that the story that you tell is bullshit. It's like this little Itsy Bitsy little thing. Yes, you go through the space and guess you see other spaceships and yes, that's the story? That's a fucking bullshit story. That's boring. People who actually tell stories, meaning people who write novels and make feature films don't see themselves as storytellers it's all the people who are not storytellers, who kind of for strange reasons, because it's in the air, suddenly, now want to be storytellers. There is this fallacy out there. I don't think that I fell in fell for it. But somehow, maybe unconsciously I did, you know that you sort of feel “I've seen a lot of films, so I must be able to do one.” And of course, this is the most stupid thought ever, you know, it's like, “Oh, I've watched the Philharmonic. That's why I am a virtuoso violin player.” You know, I'm not, even though I've watched a lot of philharmonic concerts, I think by now in our space, meaning in the space of design, it sort of took on the mantle of bullshit. You know, now everybody's a storyteller. Marc Gutman 7:04 Just letting it play out there a little bit, so we can give proper credit to those that published it. But Wow, carries on the mantle of bullshit. Jay Ferracane 7:16 So much to unpack right? Marc Gutman 7:18 So much to unpack. So the mantle of bullshit. I mean, I was giggling and laughing during that, and I certainly saw that you were I mean, like, What are your first thoughts is like, is— Jay Ferracane 7:27 Well, I remember the first time I saw it, number one, you know, I can't pull off the sport coat. And, and, and and impression like he was and I was so genuinely entertained by the fact that he was being so honest, and calling out people on their stuff. And I guess where I came back to, when I when I first sat with it, I thought I probably the first time I saw it just really just thought it was funny. And like, man, did he wake up and have some shitty coffee or something that morning? And, and then, you know, the more I thought about it, and I saw, I think I saw that thing years ago. And and but I've thought about a lot since then. And I've tried to figure out, you know, why? Why has the industry taken on this mantle of, of bullshit? Number one, there's so many, I think there's so many options for clients out there today, that everyone's got to wrap themselves up in something, right, we all kind of do that take on a persona or two. But I think that this storytellers thing was a phenomenon that came out of not unlike, like, I purposely went against the grain when people were there. For some reason, there was this weird fear of like calling yourself a designer, I'm a graphic designer, that's what I was formally trained to do. And I think that makes me a pretty capable communicator. But it does give me a position of where I enter communication from. And I think storytelling maybe puts this this number one, it puts a bigger umbrella on it and allows people to be more capable, or at least position themselves that they are more capable, because they don't have to really describe what their entry point is and where they're coming from. But to the point of, you know, when he was saying, this, this fact about like, I can, you know, if I watch an opera, am I a virtuoso? there is so much information out there in education today that you can watch a video and go out and tell people, you know, something. So I think that what he was probably sensing was some frustration and i would i wonder, actually, how, how close this was to him thinking about, you know, leaving professional practice, because he maybe he was just like fed up at that point. Because that dude, and his outfit did really just great, creative, very original, graphic design. And, you know, maybe he was just, like, frustrated at a point like, I'm not going to be, you know, shielded about this anymore. The more I thought about it, though, and it was funny because you and I have talked a little bit about this and the phenomena of and there are some outfits that work this way, but the phenomenon that work, like a project is something that might have been called the story to be told. You know, in the Stefan Sagmeister, I hate you world. I think there's this notion to that a lot of people think that the project is this, it's dropped on the table, and this is one thing I've been thinking a lot about knowing you and I were going to get together and talk about this, but does this when you start to say, Hey I'm a storyteller, Is that a way to prepare people for the reality of a design process? And I call it a design process, going through a logo, there is a fallacy that people think I have a conversation with you and I come back a week later, and you give me this thing that will be on a gas station, billboard or on a wall. And to me, it's iterative. It's a narrative. And that was the only thing I can start to think of. Is that why we've gotten into this thing called storytelling, because we're trying to let people know that it's not completely defined. And it's going to be a journey. And so let's call it a story and follow us on this journey or this story. I don't know that I've been dwelling on that actually quite a bit in the last week or so. Because, well, you and I both know, the reality of making anything is never airdrop it into your clients lap. At least it's not in my world. It's a lot of back and forth. And, and the story gets written together, if anything, but to me, I've always wondered is has storytelling become this thing? Because people are trying to explain, like, you're gonna have to get involved in a narrative. I don't know. Maybe that's where it comes from. But, yeah. Marc Gutman 11:20 Yeah, it's, it's so I mean, so much to unpack on top of your unpacking. Right? Like, there's, you know, what resonates for me out of that so much as when he talks about his Hey I go to the Philharmonic, and does that mean I can be, you know, a great violin player? Because very, you know, early in my career, I was a story editor in the movie business and a core part of that is just taking in scripts. And I could never understand why everybody thought they had a story worth telling. Everyone thought that their life story was worthy of a movie. I think it's primarily because of what Stefan Sagmeister says is that now went to the movies, they get it, they're like, Hey, I can make this into a movie. And I was like, very clearly, no. No one, like, not a single one that came in was worth reading. They weren't interesting to me. And much like a classic pianist or something like that I was trained in classic cinematic storytelling, which means that there's a three act structure beginning middle and an end, a likeable, or at least, intriguing hero that has obstacles in their way and has to move from something they want towards something they need, all these things. It has a very strict definition. And I remember when I got into branding and marketing, and I had the same reaction as Sagmeister, I was like, This is crazy. Everyone's calling themselves a storyteller. These are not stories, and I was really myopic on my definition of story. Now I've since come off that and I learned, I've learned that storytelling has this different sort of definition. And I think, when I heard you speaking, that's really what I started kind of going through, like, what are these definitions of story versus storytelling versus narrative? I mean, is the roller coaster designer really trying to tell a story? Are they trying to communicate, communicate anything other than thrill and excitement? And, you know, things like that? So? Yeah, I mean, and you and I have had this conversation offline, so much about just what is the purpose? What is the job? What is the function of design, and a lot of times it's to communicate, and it's not to be seen, it's not to be noticed, but it's to communicate as a very important job. It is that storytelling? like is Wayfinding storytelling? Jay Ferracane 13:44 Right. Marc Gutman 13:45 You know, like, all the great Helvetica stuff we love from, you know, the New York subway and I mean, and then recent MTA rebrand, I mean, that stuff is like that telling a story? Is that storytelling? Jay Ferracane 13:58 And and that's, that's totally where I think it gets it screwed up. And not to belabor the point about titles, but like, you know, storytellers, if that's going to be the thing that somebody wants to put a label on him, I do think it comes back to this thing that, you know, design is about—it's, it's a what, yeah, I've told you this quote that if you can design a city, you can design a spoon, or if you can design a spoon, you can design a city, meaning like, hey, once you understand that, that your job is is to do this thing. It doesn't matter what medium it gets put into it. And still to this day, it kind of trips me up to hear a designer say I'm a UI designer. So okay, so if your friend said, Hey, I need a T shirt, you wouldn't make a T shirt? You know? Like, I'm not a T shirt designer, but I designed lots of T shirts. And I'm a graphic designer I've done to design a ton of UI and I poked my own eye out through my glasses if I had to only design UI and to me, I guess it comes back to this notion that design's job is to just put reason into things. And I don't think even all stories have really because sometimes they can be whimsical, right? Maybe that is the reason. But I remember seeing this talk if we're going to kind of Sagmeister was an early design hero of mine and so was David Carson. And I saw David Carson do a talk once about it was, oh, he showed this layout he did for a conference he got asked to attend, it was called the bravery of design or something like that. And it was the image was his father, who was a test pilot getting into an aircraft. And he goes, and he basically put that up, because he goes, what we do isn't dangerous. He goes, unless I'm designing like, pharmaceutical packaging, or something where if somebody reads it wrong, there's a problem, right? And he was saying that that's fucking dangerous. And he pointed at his, you know, his dad in the 60s, or whenever it was getting into a, into an aircraft. And, and I do, I just think that there's something that I think people feel like they need to inflate around what it is they're really doing. And that's why I really do look at what I do, it's much more like a trade than it is art, for sure. And even the way I approach it, it's like, I'm going to show you some things, but you're going to react to them, and then I'm going to catalyze those back into it so it becomes the things you need it to be. It's not about me. And so a lot of times storytelling is is like, your take on something to it has a very emotional bent. And, you know, that's a major difference between art and design is that you know, art is really about you trying to express some personal feeling or emotion where design should really really—it's it can have expression in it, but it's really about communicating ideas or information. And so storytelling does, it gets cloudy, but maybe it is a safety mechanism for people to just shield up like, Hey, I don't–I was a marketing manager a long time ago, but all of a sudden, here I am, you know, trying to help you rebuild your brand. And if I tell you that where I came from, that's it. That's a hard entry point, right? Marc Gutman 16:55 This episode brought to you by Wildstory. Wait, isn't that your company? It is. And without the generous support of wild story, this show would not be possible. A brand isn't a logo or a tagline. or even your product or a brand is a person's gut feeling about a product service or company. It's what people say about you, when you're not in the room. Wildstory helps progressive founders and savvy marketers build purpose driven brands that connect their business goals with the customers they want to serve. So that both the business and the customer needs are met. This results in crazy, happy, loyal customers that purchase again and again. And this is great for business. That sounds like something you and your team might want to learn more about, reach out @ www.wildstory.com. And we'd be happy to tell you more. Now back to our show. And you and I have collaborated recently on a bunch of identities. I mean, those are really stories. You know, when I think about them, they're like, you know, there's we want certain emotions, we want you to think of certain categories. We want you to see this and say, Okay, this is a tool brand, for example. We're not really telling stories within that work, and I wouldn't, and I think that's okay, like, we don't have to like that's not the intention or the purpose. And I think even we get conflated a bit when as branders and marketers we say, Okay, well, it's the sum of all these parts, it's your visual, it's your tagline. It's, you know, your, you know, your copy on your website, it's, it's all these and then now your that's your story, you know, but like, is it? Jay Ferracane 18:45 I think it's and it's funny, too, because one thing that I try and get really clear with my clients that when I first start working with them is is that there's a difference between branding and brand. So brand and branding are two totally separate things. Brand is the promise you want to you know, bring to the world. Branding is the signals that get them there. And you know, in this in this case of like, you know, when we work on identity and stuff like that, I think we're we're way more in the signal building camp. Because the I that the cool thing about building a brand for me and developing the branding that will do that is that all those signals, all that stuff gets set up so that the stories can happen in there. But that's all the people interacting with it. So if anyone this is interesting that we've talked this out a little bit, but if anyone is a storyteller and a brand, it's usually the people that support the brand, it would almost be the customer, right? It's pretty meta, actually. Marc Gutman 19:40 So there's the old adage, a brand isn't what you say it is. It's what they say it is. And I think that so Jay Ferracane 19:45 Then who's the storyteller in that? Marc Gutman 19:47 Yeah, the customer, right? It's the external world. I mean, you know, you can, it's kind of like, you know, you can tell all the stories you want about yourself, but it doesn't really matter. Jay Ferracane 19:57 Right. Marc Gutman 19:58 That's what everyone thinks, you know, about yourself. Jay Ferracane 20:01 Yeah, no. And that's it's totally Yeah. Because I, yeah, you know, for along the line of storytellers is a word that I never got, and it's my brushes with the advertising world is, is a lot of times, people who make stuff just generally get thrown into this category as creatives. And I think that's kind of a weird label too, because I think that an art director is a, it's a role and a skill set that is different than a designer sometimes or graphic designer, right. And it could be different than a set designer, and it could be different than, and so but in certain worlds, all of that gets stuffed in too. And so I think whenever these labels come out, it's just a way, it's just a way for people to soften, or create a softer landing place for you to understand where you come from. And well, you know, my, my, my love of music and the background and the things that I grew up around was like early punk rock, especially DC kind of stuff. And in those days, you didn't go to the, you didn't even go to tower, you would have friends that gave you like cassettes that were made off of cassettes that were made off of two other cassettes. And I remember every once while people would like hold the microphone to like the TV and record stuff into it, I still, to this day, don't know where this soundbite came, but it's this very posture-y kind of voice it was in between one of the songs that was on this mixtape given to me. And the guy says, I have news for the world. And he says new wave is dead. And it says new wave is just a way of saying that you like any names, all these like sub genres of music that was extremely not popular at that point. And then he ended it with like, these categorizations of all these music types, that people wedged them under a new wave. And he said, it's because you don't want to get kicked out with a party because people won't give you drugs anymore. And so like, but it was kind of funny, because if I if I think about that, that's probably this defense mechanism that all humans are do a lot. They they put some falsehood around themselves, or at least a softening device. So that either you can't really assign what it is and or you may be reassign it, and it's it's a funny, it's a funny thing. And and I think that's that's, you know, not me ever asking, you know, Stefan about this, but like, I would bet his intent is is call it what it would call it what it is, and just be authentic about it. Because to me, that's the best form of graphic design and is when you can, like, make the brand with the things that it really is. And that's not necessarily storytelling. To me. That's this very, we were just talking about this before this call started ingredients and parts. Marc Gutman 22:40 Yeah, totally. And like, it's just, it seems like this catch all, you know, being a storyteller, this thing that is just like, you don't know how to describe yourself, you don't know what it is you think, you know, and I just recently posted on Instagram a carousel that was called stop copying your competitors. And and it's because we all don't know, you know what to say about ourselves. And we don't know how to differentiate, we don't know what category we want to be special. Right? And, and I'm no different. I want to be special, but we're not, you know, we need to understand— Jay Ferracane 23:13 You're special! Marc Gutman 23:14 Oh, Go on Go on. But you have this idea that like everyone's a storyteller is just crazy to me. And, and I do think I think the roller coaster example that he uses is of the extreme, but I think it comes into all sorts of things like you know, even you know, there's a lot of there's a lot of functions in marketing today where you know, people are claiming to be storytellers like in paid media. You're not a storyteller. You're an advertiser, you know? Jay Ferracane 23:40 Yeah, and that's fine, though. That is great Marc Gutman 23:42 And you should—Yeah, and you know and sometimes you use storytelling as a mechanism or a tool to to get your advertising across, but that doesn't make you a storyteller per se and I just think it's interesting that we all and it's in it's become this thing that like, like people just want to be that like it's like we use that as our brand and it's almost become that I think you might even be in the person that sent me the bland book which was a mock site of like what branding and and and all these agencies have become and storyteller would be front and center right there you know, right on the—we are visionary storytellers looking to change the world you know one brand at a time. Jay Ferracane 24:24 Well and i think that's that's why, let's just call it that well “the creatives” to use a big loose term the creative industry every you know, so often has to kind of go find its new catch all phrase to that everyone can kind of like over the next five years reassigns themselves to and then we feel that we shed that again and you become something else. But it is it just an interesting phenomenon that people get into these traps where they're like I'm worried about telling you what I am and in the in the roller coaster guys sense. It I found myself drifting off thinking about that. That, you know, like maybe what he does is so complex that if he told somebody what he really did, you know, maybe it's more of a mathematician than anything because you got to figure out a lot of gravity shit, I bet. And they're right. You know, it's like gravity and like, what if there's a fat guy in a little guy in the in the car together? What's that gonna do to the story? Like, Marc Gutman 25:19 How hard is it to say I'm a kick ass roller coasters? Like, like, like, like, everyone understands that. Jay Ferracane 25:25 But it are people comfortable doing that, too? Like, I think that's that's what it comes down to. So I don't know, it has to be something about the the palatability of the world you're trying to market to. Oh, man, this is resonating. People want to hear story. So I'm going to be set tell people I'm that, right. So yeah, it's, I don't know, I guess it was a delight, especially when I saw that because I think I personally would just really rather designers be designers and communicators. That's that's probably the better term. I would rather people say I'm a communicator than a storyteller because that is kind of what we do. I think it's, it can be super boring shit sometimes and not that there's not boring stories, but at least it has less of a mantle around it too less of a mantle of bullshit. And he has that. That [inaudible] and like, [inaudible]. Like there was a [inaudible] in there for a second. Marc Gutman 26:21 Angry. Yeah, you know? Jay Ferracane 26:23 Yeah. Marc Gutman 26:23 I love it. Well, Jay, this was awesome. I just enjoyed talking about this topic with you. It's it fascinates me. And like I said, Thank you for turning me on to that video. Like kind of blew my mind and was just really cool to chat about it. Jay Ferracane 26:37 No, I am, I'm the king of derailing your day with Oh, yeah, on that topic here. Watch these six videos, you know me. So you're welcome. And I'm glad to continue to distract you on a daily basis. Marc Gutman 26:48 Thank you. I'm looking forward to my next distraction. And that is Jay Ferracane. And that was us talking about storytelling, all based on the Stefan Sagmeister video. I love that he kind of goes on that rant about someone who designs roller coasters as a storyteller, but I think you'll agree it's become really, really confusing. I hope you like this little bonus episode. And if you want more of this type of content, drop us a line at wildstorm.com and let us know that you like these type of episodes just as much as of our traditional interview. Well, that's the show for today. Let me know if you have any questions. I'm Marc Gutman, make sure to visit our website www.wildstory.com where you can subscribe to the show in iTunes, Stitcher or via RSS. See you'll never miss an episode. I like big stories and I cannot lie, you other storytellers can't deny.