Podcast appearances and mentions of Liam Howlett

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Liam Howlett

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Best podcasts about Liam Howlett

Latest podcast episodes about Liam Howlett

Taking Care of Business
From Gamble to Goldmine: Dubai Off-Plan Can Make You Millions

Taking Care of Business

Play Episode Listen Later Mar 21, 2025 34:26


Dubai Off-Plan: Gamble or Investment? On this week's episode of Taking Care of Business, Allsopp & Allsopp's Liam Howlett and Katie Orr from the developer sales team break down the off-plan market with Managing Director, Marc Walters. Katie and Liam discuss the risks, and the rewards of investing in the off-plan market and whether it really is a high-risk gamble or savvy investment. Tune in for an expert analysis and insider tips.00:00 Introduction to the Guests00:50 Katie's Journey to Dubai02:25 Liam's Career Path04:01 The Decision to Move to Dubai08:02 Social Media and Real Estate09:25 Educational Content and Client Trust15:28 Challenges and Opportunities in Dubai16:22 Impact on the Off Plan Team16:56 The Power of Confidence and Positive Energy17:27 Team Dynamics and Supportive Environment18:09 Impact of New Team Members19:33 Understanding Client Needs and Market Trends20:06 Developer Launches and Market Demand22:41 Competitive Landscape and Developer Strategies24:34 Future Market Predictions and Economic Impact27:31 Investment Strategies and Client Advising32:09 Top Developments and Investment Opportunities34:25 Conclusion and Final Thoughts Hosted on Acast. See acast.com/privacy for more information.

Magesy® R-Evolution™
The Prodigy – Sample Pack Limited FREE Edition WAV

Magesy® R-Evolution™

Play Episode Listen Later Dec 30, 2024


The Prodigy Sample Pack FREE | 01 January 2014 | 124 MB The Prodigy are an English electronic music group formed by Liam Howlett in 1990. The current members include […]

The Rec Show Podcast

Episode 061 with Edmonton, Alberta Canada Beatmaker tkdwn. aka Style Lowry. Enjoy!We talk about his signature moniker, musical upbringings/inspirations, being exposed to different genres of music by his father in Guianese household, bollywood music, Pro Wrestling inspirations, (All Japan Wrestling and All Japan Women's). His anime/manga inspirations (Slam Dunk, Anything from the Gundam anime series, Megalo box, Evangelion, Berserk, Samurai Slampoo, being exposed to 1 of 4 Pillars of Hip-Hop (Emceeing) at an early age, his G.B.O.A.T. (Greatest Beat of All Time) Time: The Donut of the Heart by J. Dilla and "Practice” by MADLIB,  his Beatmaker/Music Producer Superheros (DJ Premier, Madlib, J Dilla, Nujabes,  Liam Howlett, TAKU, Jake One and Alchemist), favorite decade to sample (1970 for Soul & Jazz, 1980 for R&B and movie and tv soundtracks from any decade, his current music production equipment (Roland SP404 SX,  Akai MPC, , the Edmonton, ways artists can make income during the devaluation of music, Alberta Canada Beat Scene (@samplercafe) and more.tkdwn's  Recommendations:1.

Pod Sematary
244 - Double Feature - Firestarter (1984 & 2022)

Pod Sematary

Play Episode Listen Later Jul 12, 2022 111:16


Get more at podsematary.com! Read our afterthoughts for this episode at https://twitter.com/PodSematary/status/1546314325794508800 CW: Child Abuse, Harm to Animals It's Firestarter Week on Pod Sematary! Chris & Kelsey try a double helping of the Stephen King adaptation and start bleeding from all sorts of places. The Original: Firestarter (1984) "A couple who participated in a potent medical experiment gain telepathic ability and then have a child who is pyrokinetic” (IMDb.com). Some wonky bits aside, an absolutely stacked cast turns out one of (in our minds) the actually good Stephen King adaptations. The Remake: Firestarter (2022) "A young girl tries to understand how she mysteriously gained the power to set things on fire with her mind” (IMDb.com). Compared to the book and the original film, this remake just doesn't stand up. But if you watch it first, you may think it's alright. Audio Sources: "Firestarter" (1984) produced by Dino De Laurentiis Company & Universal Pictures "Firestarter" (2022) produced by Blumhouse Productions, et al. "Firestarter" written by Liam Howlett, et al., and performed by The Prodigy "Hot Cold Sodas and Cold Hot Popcorn" by Nuthacker "The Langoliers" (1995 TV Miniseries) produced by Laurel Entertainment Inc., et al. "Old School" produced by Dreamworks Pictures & The Montecito Picture Company "Science Fiction/Double Feature" written by Richard O'Brien & Richard Hartley and performed by Joan Jett and the Blackhearts "Star Wars: Episode III - Revenge of the Sith" produced by Lucasfilm, et al. "Stephen King's IT" (1990 TV Miniseries) produced by Green/Epstein Productions, et al.

Pod Sematary
243 - Uncle Sam (1996) & Independence Day: Resurgence (2016)

Pod Sematary

Play Episode Listen Later Jul 5, 2022 104:55


Get more at podsematary.com! Back us at http://patreon.com/PodSematary Read our afterthoughts for this episode at https://twitter.com/PodSematary/status/1543801002284838912 CW: Spousal Abuse, Rape It's American Independence Day on Pod Sematary! Chris & Kelsey celebrate the 4th respectfully and neither kick the tires nor light the fires. The Classic Film: Uncle Sam (1996) "Desert Storm vet who was killed in combat rises from the grave on July Fourth, to kill the unpatriotic citizens of his hometown, after some teens burn an American flag over his burial site” (IMDb.com). It's better than we ever could have expected, but that can't hide its most egregious sin: Uncle Sam is mostly a boring movie. The Modern Film: Independence Day: Resurgence (2016) "Two decades after the first Independence Day invasion, Earth is faced with a new extra-Solar threat. But will mankind's new space defenses be enough?” (IMDb.com). The original is by no means a masterpiece, but it made up for it in charisma. This sequel is just catastrophically bad and there's no amount of well-that-was-kinda-neat-I-guess that can make up for it. Audio Sources: "Firestarter" written by Liam Howlett, et al., and performed by The Prodigy "Independence Day" produced by Twentieth Century Fox & Centropolis Entertainment "Independence Day: Resurgence" produced by Twentieth Century Fox, et al. "Science Fiction/Double Feature" written by Richard O'Brien & Richard Hartley and performed by Joan Jett and the Blackhearts "South Park" produced by Braniff, et al. "Star Wars: Episode VI - Return of the Jedi" produced by Lucasfilm "Thank You for Being a Friend" written by Andrew Gold and Performed by Cynthia Fee "That's My Bush!" produced by Comedy Central, et al. "Theme from Shaft" composed and performed by Isaac Hayes "Uncle Sam" produced by A-Pix Entertainment, et al.

Arhiva de Sunet
Arhiva de Sunet s02e6: Timișoara ▸ Revoluție și reformă punk

Arhiva de Sunet

Play Episode Listen Later Dec 3, 2021 32:22


Un podcast produs de Centrul Dialectic. Realizatori: Ionuț Dulămiță, Mihai Lukàcs, Paul Breazu ==================================== Cine a cântat în balconul Operei din Timișoara când Ceaușescu încă mai era la putere? Ce dictatură crede Ilie Stepan că s-a instalat în România după cea comunistă? Ce a opus punk-ul timișorean comunismului și capitalismului? Ce a adus în Timișoara black metal-ul și nu avea punk-ul? De ce arăta ca Axl Rose unul dintre liderii Organizației Studenților din Universitatea din Timișoara la jumătatea anilor ‘90? Răspunsurile le aflați numai din Arhiva de Sunet: Timișoara, episodul 6. ==================================== Vorbesc, în ordinea apariției: Ionuț Dulămiță (Arhiva de Sunet), Ilie Stepan (muzician, Pro Musica), Ovidiu Mihăiță (muzician și actor, Haos, fondator al Teatrului Auăleu), Paul Breazu (Arhiva de Sunet), Vlad Guran (muzician, Guranii), Horațiu Hot (fost lider al OSUT), Adi Crăciun (muzician, Livia Sura, vvvlv) ==================================== Muzică: Pro Musica, „Timișoara” (muzică: Ilie Stepan, text: Victor Odagiu, FRW-Records, 1990) Pansament, „Punk Ain't Dead” (muzică: Pansament, text: Attila Blaga & Ernst Hübner, Tian An Men 89, 1993) Guranii, „Libertatea virtuală” (muzică și text: Guranii, self-released, 2003) Dordeduh, „Desferecat” (muzică: Dordeduh, text: Edmond Karban, Prophecy Productions, 2021) Arc Gotic, „Sens macabru” (muzică și text: Arc Gotic, Studio Recording, 1993) The Prodigy, „Voodoo People” (muzică: Liam Howlett, XL Recordings, 1994) Vals Hedone, „Impactul vremii asupra corzii emotive” (muzică și text: Vals Hedone, self-released, 2002) Media: Fragment audio dintr-un clip electoral al Convenției Democrate din România, 1996 ==================================== Editor audio: Cătălin Matei Comunicare: Textual Media ==================================== Parteneri media: Radio România Cultural, Radio România Timișoara, RFI, IQAds, Scena 9, Vice, Cultartes, Decât o Revistă, Un site de muzică, Cooperativa Urbană ==================================== Mulțumiri speciale: Universitatea de Vest din Timișoara, Librăria La Două Bufnițe, Londohome ==================================== Arhiva de Sunet: Timișoara este un proiect al Centrului Dialectic și este realizat cu sprijinul Primăriei Municipiului Timișoara și al Consiliului Local Timișoara. Proiectul cultural nu reprezintă în mod necesar poziția Primăriei Municipiului Timișoara și a Consiliului Local Timișoara. Conținutul proiectului cultural și modul în care rezultatele acestuia pot fi folosite reprezintă responsabilitatea exclusivă a autorilor și beneficiarului finanțării. Primăria Municipiului Timișoara și Consiliul Local Timișoara nu sunt responsabile pentru conținutul materialului și modul în care acesta ar putea fi folosit.

Floydsbreakbeat
Liam Howlett 50th B-Day Mix (rocking part)

Floydsbreakbeat

Play Episode Listen Later Nov 18, 2021 81:00


Second Part consists of tracks from the 90s till 2005 in memory of a good rocking times!

Baddies Mean Business
#09 Student Founders and Life Lessons with Liam Howlett and Brian Hanna

Baddies Mean Business

Play Episode Listen Later Nov 3, 2021 43:25


Ever wondered what it is like to run a business before you can even legally vote? Join us this week as our newest guests, LIAM HOWLETT AND BRIAN HANNA, give us the inside scoop of what it's like to run a business as a teenager and how it has shaped who they are today. We take a deep dive into the philosophies they choose to live their daily lives by and whether or not professional success can bring us true happiness.  Be sure to follow us on Instagram: @baddiesmeanbusinesspodcast Your hosts: Makenzie Hatfield - @makenzie_hatfield + Rylie Jennings - @ry_22_lie For business inquiries - baddiesmeanbusiness@gmail.com

On The Mix
OTM: Ep #14 - The Prodigy

On The Mix

Play Episode Listen Later Nov 3, 2021 85:23


This week, we're looking into The Prodigy. They are the kings of the UK big beat and electro music scene, masterfully blending elements of synth and rock to create a big atmospheric listening experience that transports you out to space. Their use of sampling and how they implement it into their music is also a factor that sets them apart from everyone else. The Prodigy started in a small bedroom and officially formed in Essex in 1990. Their breakout single "Charly" forever transformed rave and dance culture as we know it. The prodigy kid himself, Liam Howlett, produces and mixes all of the Prodigy songs with expertise. We also have dancer and singer Keith Flint, MC and singer Maxim, and dancer Leeroy Thornhill. Breathe with me as I take you through the formation of The Prodigy, how they made some of the best dance albums of all time, to where they are now. Follow me for more music content, and how you can support OTM :) OTM Blog: https://onthemixpodcast.wordpress.com/blog/ Instagram: https://www.instagram.com/onthemixpodcast/ Twitter: https://twitter.com/OnTheMixPodcast Discord: https://discord.com/invite/gYFNT2RjtA Patreon: https://www.patreon.com/onthemixpodcast Donation/Tip: https://www.paypal.com/paypalme/onthemixpodcast --- Support this podcast: https://anchor.fm/on-the-mix/support

The Basement Entrepreneur
S1 #4: Key ingredients to building a service or gig economy startup with Liam Howlett

The Basement Entrepreneur

Play Episode Listen Later Sep 26, 2021 74:12


On the fifth episode of The Basement Entrepreneur, Jerry (@criticaljumper) and Ismail (@ismailkhalilr_) speaks with Liam Howlett, the CEO of Safety 1st Aquatics and a serial entrepreneur, to discuss his journey out of the basement and the lessons he learned from building multiple service and gig businesses. We also dived in on EdTech and the problems with traditional education.  - - - - - - - - -  We would love to hear your feedback and if you would like to be featured on a future episode. please message us on IG at @thebasemententrepreneur.  - - - - - - - - -  Show notes:  (0:45) Guest Intro  (2:00) Liam's entrepreneurial journey  (6:45) Building and scaling Safety First Aquatics  (9:50) Why you should sacrifice revenue for cash flow at early stage  (10:30) Choosing your team  (10:58) What Liam learned from building a bond fire business  (11:20) Compete for a contractor's team when you build a gig business  (12:15) Evaluating and picking business ideas  (14:05) Fear of failure  (14:26) Running startups is way too fun (16:48) Failures that changed Liam (19:15) Build upfront processes that can scale 10x to avoid churn  (21:00) Tools that Liam recommends  (26:00) Business moats (28:00) Why traditional education does not work  (29:50) Three ways people learn  (33:33) Epiphany of needing a new way to learn  (33:15) How educators can change  (42:25) $$$ Multi-million prep book business  (43:20) Jocko Willink and Extreme Ownership (45:30) The Sales Acceleration Formula  (48:48) The problem of overchoice  (50:15) Making out of the basement  (53:03) Working and quitting Papa John's  (59:15) You can learn a ton from your day job/side hustle  (1:02:30) What Liam would have done differently  (1:10:10) B2B sales hack       

Floydsbreakbeat
Liam Howlett 50th B-Day Mix (raving part)

Floydsbreakbeat

Play Episode Listen Later Aug 25, 2021 111:27


Happy Birthday Liam Howlett! The mix consists of tracks from the 90s in memory of a good rave times!

Pod Sematary
197 - Friday The 13th: The Final Chapter (1984) & Fear Street: Part One — 1994 (2021)

Pod Sematary

Play Episode Listen Later Aug 10, 2021 128:45


Get more at podsematary.com! Read our afterthoughts for this episode at https://twitter.com/PodSematary/status/1424538982130487296 CW: Suicide, Overdose, Homophobia It's Friday the 13th on Pod Sematary! Chris & Kelsey shave their heads, apply a very stylish smoky eye, and just go ham with a machete on a corpse. And all with a kickass 90s soundtrack. The Classic Film: Friday the 13th: The Final Chapter (1984) "After being mortally wounded and taken to the morgue, murderer Jason Voorhees spontaneously revives and embarks on a killing spree as he makes his way back to his home at Camp Crystal Lake” (IMDb.com). Well, this is it. He finally bites it. While it absolutely isn't the last we'll see of Jason, The Final Chapter is the end of the Friday the 13th franchise as we know it. It's pretty much all downhill from here. The Modern Film: Fear Street: Part One - 1994 (2021) "A circle of teenage friends accidentally encounter the ancient evil responsible for a series of brutal murders that have plagued their town for over 300 years. Welcome to Shadyside” (IMDb.com). Part One of Netflix's and R.L. Stine's Fear Street Trilogy sets things off with a bang in a teen horror that was better than we thought it was going to be, despite its perhaps overly effusive celebration of the 90s—a decade that, we must stress, we love very much. Audio Sources: "Back in Black" written by Brian Johnson, et al., and performed by AC/DC "Closer" written by Trent Reznor and performed by Nine Inch Nails "Creep" written by Radiohead, et al., and performed by Radiohead "Crystal Lake Memories: The Complete History of Friday the 13th" produced by 1428 Films, et al. "Damn I Wish I Was Your Lover" written and performed by Sophie B. Hawkins "The Day I Tried To Live" written by Chris Cornell and performed by Soundgarden "Fear Street: Part One - 1994" produced by Chernin Entertainment "Firestarter" written by Liam Howlett, et al., and performed by the Prodigy "The Fox and the Hound" produced by Walt Disney Animation Studios & Walt Disney Productions "Friday the 13th: The Final Chapter" produced by Paramount Pictures, et al. "Gz and Hustlas" written by Calvin Broadus, Jr., et al., and performed by Snoop Dogg featuring Nancy Fletcher "Hey" written by Frank Black and performed by the Pixies "Insane in the Brain" written by Louis Freese, et al., and performed by Cypress Hill "Killing Me Softly with His Song" written by Charles Fox (composer) & Norman Gimbel (lyrics) and performed by Roberta Flack "Love is a Lie (Friday the 13th: The Final Chapter Version)" written by Cal Swan and performed by Lion "Machinehead" written by Gavin Rossdale and performed by Bush "More Human than Human" written by Rob Zombie, et al., and performed by White Zombie "Only Happy When It Rains" written and performed by Garbage "Pet Sematary" written by Dee Dee Ramone & Daniel Rey and performed by The Ramones "Sweet Jane" written by Lou Reed and performed by the Cowboy Junkies "Your Woman" written by Jyoti Mishra, et al., and performed by White Town

Jukebox Zeroes
070 - The Prodigy - Always Outnumbered, Never Outgunned (2004) (with mynameisblueskye)

Jukebox Zeroes

Play Episode Listen Later Jun 22, 2021 96:17


UK act The Prodigy made a name for themselves in the 1990s through their distinct style of electronic music, which introduced raucous punk rock energy to the subgenres of hardcore techno and rave music, and also introduce the world to the sound of big beat music. In spite of their success in the 90s however, the group stumbled entering the 00s, debuting an infamous single in 2002, "Baby's Got A Temper", which was roundly rejected by critics and fans.Sensing a need to switch directions, Prodigy brainchild Liam Howlett scrapped the forthcoming album that he'd originally planned to put "Baby's Got A Temper" on and started from scratch with an album produced alone and entirely in the Propellerheads Reason software program. This album was titled Always Outnumbered, Never Outgunned and stunned fans upon its release in 2004, standing out as the first ever Prodigy record to contain no contributions from longtime vocalists Keith Flint or Maxim Reality.Critics continued to be unimpressed, citing Outnumbered as being uninspired and making no effort to build upon the group's already existing sound. Years after its release the album was quickly disavowed by Howlett himself, and fans to this day consider it a lower tier release in The Prodigy's catalog.On this episode of Jukebox Zeroes we're going to do some critique of our own, as we are rejoined by previous guest mynameisblueskye to reconsider Always Outnumbered, Never Outgunned.Local Music Feature: Ava Vex - These Walls

The Mental Mastery Golf Podcast by Dare2Dream
MENTAL MASTERY GOLF TV with INCITEGOLF ACADEMY's Liam Howlett | TMMG TV EP 1

The Mental Mastery Golf Podcast by Dare2Dream

Play Episode Listen Later Mar 27, 2021 38:51


MENTAL MASTERY GOLF TV-EP1 Join us as we continue to share the Mental Mastery Golf Learning with you. Mental Mastery Golf TV will feature content from INSTA Live sessions conducted by Jamie featuring participants of the INCITEGOLF ACADEMY as well as some of the ELITE clients of Dare to Dream. Enjoy listening to young up and coming player Liam Howlett. A fun chat and a great reminder of the beauty and power of the learning journey.   Join us at INCITEGOLF Academy. LINK TO THE COURSE THE ART OF THE PRE SHOT ROUTINE COURSE INCITEGOLF Academy The quick way to get a taste for building an Unbreakable Mental Game is to jump into the FREE course - Mental Game Must Do's. A real snap shot of how you can begin your journey to better results without a single swing change. (Link Below) Mental Game Must Do's Stay In Touch Join the growing group over at The Mental Mastery Golf Podcast Facebook Community This is a great place to catch up, share your thoughts, gather new information and be first to hear from Jamie on current events, the podcast and the INCITEGOLF Academy action. If you have any questions about the Facebook Group please feel free to send us a message. Look forward to seeing you inside the community. Private Facebook Group Your Hosts Jamie Glazier has worked in the area of Mental Performance Coaching for over 15 years and has worked with golf professionals, elite amateurs and club golfers across Australia, Europe, and the USA. A single figure lefty golfer and former elite-level tennis player Jamie's experience and insights will inspire and enlighten. Ross Flannigan is a golf business owner, host of The My Love Of Golf Podcast and single figure golfer. Experienced in business coaching he has experienced golf around the globe and by his own admission is a golfer whose mental golf performance game needs work. Send in your questions and discussion requests and join the team on The Mental Mastery Golf Podcast. Enjoy the journey. Follow the guys along at: Jamie Glazier | CEO & Founder Dare2Dream, Mental Mastery Golf Podcast & INCITEGOLF Academy Insta: Jamie Insta Web: www.dare2dream.com.au Email: jamie@dare2dream.com.au Twitter: https://twitter.com/JamieGlazier Ross Flannigan | Host of The My Love Of Golf Podcast Insta: https://www.instagram.com/myloveofgolf Twitter: https://twitter.com/myloveofgolf Email: ross@myloveofgolf.com   MENTAL GAME MUST DO'S  

Dance Culture Vibe
Episode 13 - Nick Halkes

Dance Culture Vibe

Play Episode Listen Later Feb 13, 2021 66:33


Nick Halkes is the co-founder of XL Recordings, launched Positiva Records under the EMI banner, and has had an incredible and multifaceted career in music.From humble beginnings at his middle school disco and selling smiley face t-shirts in Ibiza in the late 80s, to signing The Prodigy and releasing his own rave hits. Nick’s career is the story of passion, business acumen, and the courage to take the right risks.Nick has played a huge role in shaping the electronic music landscape, and in this episode we discuss:Finding dance music at age 10Blagging his way into an internship at WBLS in New YorkCo-founding the legendary XL RecordingsThe evolving dynamics of the music industryHow Nick is now providing consultancy advice direct to developing artistsHow tech platforms change the way music is writtenThe Trailblazers Electronic Pioneers podcast, which Nick co-hosts with Eddy Temple-MorrisMemories of a very early Prodigy gig in Boca RatonHow Nick developed his Nick Reach Up remix and production output during lockdownAnd much, much more FIND NICKOnlineOn InstagramTrailblazers Electronic Pioneers podcastOn SpotifyOn Facebook------CONNECT WITH DANCE CULTURE VIBESubscribe to the show on Apple Podcasts, Spotify, Google Podcasts and wherever else you listen to podcasts.Stay connected with exclusive content on social:InstagramFacebookUnderground Newsletter: https://danceculturevibe.substack.com/Email: sam@danceculturevibe.com

Biblioteca Del Metal
Rage Against The Machine (Encontra Del Sistema-Recopilation) Montaje,Mezclado Y Remasterizado Por Txarly Metal

Biblioteca Del Metal

Play Episode Listen Later May 21, 2020 78:51


Rage Against the Machine (también conocido como Rage o RATM) es un grupo musical estadounidense de rap metal fundado en el año 1991 por Tom Morello y Zack de la Rocha. Junto con Tim Commerford y Brad Wilk, el grupo tocó durante toda la década de los años 1990 hasta su disolución en 2000. Luego se tomaron un descanso indefinido hasta que en abril de 2007 y coincidiendo con la disolución de Audioslave anunciaron su regreso en el festival de música de Coachella en California, siendo la primera vez que tocaban todos juntos en siete años. A raíz de esto, la banda continuó dando conciertos en varios festivales alrededor del mundo hasta 2011. Su estilo característico es una sólida fusión de hip hop, funk, y heavy metal. Los solos de guitarra de Tom Morello se recalcan por sus prominentes usos de pedales y efectos, y sobresalen sus emulaciones de los scratchs y otros efectos de los DJ de hip hop. El cantante, Zack de la Rocha, participó en grupos de punk y hardcore antes de volverse un apasionado de las rimas del rap: de ahí viene su estilo agresivo de rapear y los fuertes gritos que incluye en algunas canciones. Se aprecia también un pequeño toque de jazz por parte del bajista Tim Commerford, que perteneció a un grupo de ese estilo a mediados de los años 1980; finalmente, la batería de Brad Wilk está cargada de ritmos funk especialmente contundentes. Este estilo de fusión fue más tarde imitado por otras bandas, atribuyéndosele la etiqueta de rap metal. Son también conocidos por el contenido sociopolítico de sus canciones. Sus letras son rotundas, con un claro posicionamiento en contra del capitalismo, la globalización y la guerra, y las formas de pensamiento, mentalidad y relación social que generan. De tendencias políticas de izquierda,? RATM destacó, además, por sus múltiples iniciativas de protesta y solidaridad con distintos movimientos de reivindicación sociales y musicales. El cantante Zack de la Rocha participó en movimientos derivados del EZLN. En los días posteriores a los atentados del 11 de septiembre, las emisoras de radio estadounidenses habrían censurado al grupo por alentar el antipatriotismo,En febrero de 2020, anunciaron una gira por Norteamérica y Europa, con 41 eventos,Las entradas se pusieron a la venta el 13 de febrero de 2020. Zack de la Rocha concibió el nombre Rage Against The Machine, (en español: 'Ira En Contra De La Máquina (o del Sistema)') antes de la formación de la banda, mientras pertenecía a un grupo de hardcore punk de Orange County llamado Inside Out. Su temática giraba en torno a un concepto humanístico de la política inspirado por sus raíces chicanas, reflejado en títulos como "No spiritual surrender" (sin rendición espiritual). Una de sus canciones de esa etapa llevaba precisamente ese nombre, con el que también se planeaba bautizar el segundo disco. Sin embargo, el grupo se desintegró antes de que eso sucediera. Fue entonces cuando Zack conoció a Tom Morello y formaron el grupo; el nombre Rage Against The Machine les pareció el más indicado para el tipo de música y de ideas que pretendían difundir. La "Máquina" (o el Sistema), según Morello, representa la globalización, el neoliberalismo, la alienación, el racismo, la brutalidad, la élite y la ignorancia, entre otras ideas. Los orígenes de R.A.T.M. se remontan a la época en que Zack de la Rocha y Tim Commerford aún iban a la escuela. Se conocieron cuando Zack le enseñó a Tim a robar comida de la cafetería, y se hicieron amigos. Zack tenía un claro interés por la música y, a su vez, introdujo a su amigo en ella. Tim comenzó a tocar el bajo. Zack se relacionó con el ambiente roquero de Huntington Beach y empezó a tocar la guitarra con un grupo llamado Hardstance y luego en Inside Out. Mientras eso sucedía, Tom Morello practicaba con la guitarra, en Libertyville, Illinois, y tocaba en grupos de secundaria (o de garaje), como Electric Sheep, que formó junto con el guitarrista de Tool, Adam Jones. Tom se mudó de Illinois a Los Ángeles, con la impresión de que L.A. era el lugar ideal para formar una verdadera banda de rock. Conoció a Zack rapeando con unos amigos en un club; la acústica del lugar era tan mala que Tom no pudo oír las letras de las canciones. Cuando finalmente pudo escucharlas, comprendió claramente el mensaje que transmitían. Por entonces Tom ya conocía a Brad Wilk, quien había respondido a un anuncio de Tom buscando batería. Zack trajo a su viejo amigo Tim Commerford, y las cosas empezaron a salir adelante. La primera presentación del grupo fue en el garaje de uno de los amigos de Tim en Huntington Beach, California. El grupo tocó sólo cinco canciones que tenía escritas, pero tuvieron tanto éxito que las repitieron varias veces. Decidieron lanzarse a lo grande, por lo que ellos mismos grabaron una cinta con 12 canciones en un estudio local. Empezaron a tocar en clubes de los alrededores de Los Ángeles y consiguieron vender 5000 copias de la cinta. Se fueron dando a conocer en el ambiente musical y actuaron como teloneros de Porno for Pyros en su primer gran concierto. Estuvieron en el segundo escenario del Lollapalooza II, en Los Ángeles, California, donde los vio un cazatalentos. Luego firmaron un contrato con Epic Records (una división de Sony BMG) y siguieron de gira, mientras empezaban a grabar el disco Rage Against the Machine. Comenzaron su primera gira europea con Suicidal Tendencies hasta que, en octubre de 1992, fue lanzado el disco en Epic, que se mantuvo en el Billboard -Top 200- por 89 semanas. Hicieron sucesivos conciertos a beneficio de Mumia Abu-Jamal, ? Leonard Peltier, la Liga Antinazi y al "Rock for Choice". En 1993 estuvieron en Lollapalooza de nuevo. En Filadelfia, elevaron su notoriedad cuando hicieron una protesta en contra de la censura, en especial en contra de Parents Music Resource Center (PMRC), permaneciendo en el escenario completamente desnudos durante un total de 14 minutos. En diciembre de 1993, lanzaron el vídeo de Freedom, para apoyar a Leonard Peltier. El vídeo combinaba escenas del grupo en vivo y del documental de 1992 "Incident At Oglala" con texto del libro de Peter Matthiessen "In the Spirit of Crazy Horse". Se convirtió en el vídeo número #1 en Estados Unidos. Continuaron en gira durante 1993 y 1994, difundiendo su mensaje de izquierda, consiguiendo muchos adeptos y ganándose igual número de enemigos. En enero de 1994 Zack se interesó por un grupo guerrillero de indígenas en el sur de México, el Ejército Zapatista de Liberación Nacional (EZLN); De la Rocha se sentía identificado con un grupo que combatía en contra del neoliberalismo y el capitalismo implantados por los Estados Unidos en México y a su vez formó amistad con el cantante de punk Luis Guereña de Tijuana NO! quién dedicó gran parte de sus canciones a este grupo. En 1995, el grupo estaba en Atlanta grabando el nuevo disco, pero las cosas se complicaron más de lo que pensaban. Empezaron a ir de gira tan frecuentemente que no tuvieron tiempo suficiente para conocerse unos a otros. Aunque trataban de trabajar juntos, pronto se dieron cuenta de que ya no podían hacerlo. Entonces decidieron tomarse un descanso, durante el cual Zack se fue por varias semanas a Chiapas (México), mientras los demás hacían lo que querían en sus respectivos hogares. Finalmente, decidieron seguir. Alquilaron un cuarto en frente de sus apartamentos en Los Ángeles, y, robando la electricidad con cables de los pasillos, empezaron a grabar su segundo disco: Evil Empire (en español: “Imperio Maligno”). A principios de 1996, Rage tocó en el festival australiano "Big Day Out", y de ahí salió el vídeo de "Bulls On Parade". A mediados de 1996 el grupo apareció en el programa de televisión Saturday Night Live,? de la cadena NBC, provocando un incidente que le valió ser censurado de por vida de esta cadena de televisión. Al día siguiente, el vídeo de "Bulls On Parade" fue emitido por MTV y dos días después se lanzó Evil Empire. Rage actuó gratuitamente en la Universidad Estatal de California, mientras "Evil Empire" entraba al Billboard 200 como número #1, superando al disco de Alanis Morissette Jagged Little Pill. En el verano de 1997, Rage Against The Machine y el Wu-Tang Clan estuvieron de gira juntos, y fueron la atracción musical más popular de ese verano en Estados Unidos. Aparecieron en actos como el Warped Tour, H.O.R.D.E, y el Lilith Fair Tour. Rage lanzó el 25 de noviembre un DVD titulado Rage Against the Machine, que contenía varias presentaciones en vivo que habían grabado durante todo su historial, y también los cinco vídeos que habían hecho sin censura. "The Ghost of Tom Joad", una canción de Bruce Springsteen versionada por la banda en vivo, también formaba parte del DVD. En un segundo descanso del grupo, a finales de 1997, Zack de la Rocha denunció públicamente la sangrienta Masacre de Acteal, en la que 45 mujeres, niños y hombres inocentes fueron asesinados durante el recrudecimiento de la lucha del Gobierno mexicano contra la guerrilla zapatista. El 20 de enero de 1997 dieron un concierto llamado Radio Free L.A., junto a Flea de los Red Hot Chili Peppers, en el que tocaron versiones inéditas de algunas canciones del disco Evil Empire. En 1998, Morello colaboró con músicos como Liam Howlett de The Prodigy, Henry Rollins, Bone Thugs-N-Harmony, Cypress Hill y The Indigo Girls, mientras el resto del grupo trabajaba con artistas como Snoop Dogg, y Zack cantaba junto a KRS-One y Last Emperor y participaba en una selección de temas hip-hop titulada Lyricist's Lounge. El grupo aportó algunas canciones a la banda sonora de varias películas, como "Wake up" en The Matrix, "Calm Like a Bomb" en The Matrix Reloaded, "No Shelter" en Godzilla,"Darkness" (un demo viejo) en El Cuervo", ? además de "Year of the Boomerang" (canción que luego se incluiría en Evil Empire), en el filme Higher Learning. Durante el año 1999, la banda tocó en varios festivales importantes, tales como el de Woodstock, The Fuji Festival (Japón) y el Tibetan Freedom Concert. También organizó un concierto a beneficio de Mumia Abu-Jamal, junto con los Beastie Boys. Este concierto tuvo cierta notoriedad en varios medios de comunicación, Tras la grabación de The Battle of Los Angeles, Zack de la Rocha informó, a finales del 2000, que se separaba del grupo para iniciar una carrera como solista, Explicó que su decisión se debía a la falta de ideas creativas que sufría el grupo desde el álbum Evil Empire; según fuentes cercanas a los integrantes, las constantes discusiones, así como las desavenencias en tanto al futuro de la banda y su enfoque más comercial habrían hecho imposible la convivencia dentro de la banda. Tras el abandono de Zack, R.A.T.M. sacó ese mismo año un disco de covers titulado Renegades. Sería su penúltimo disco antes de la disolución definitiva. Para despedirse de su público, R.A.T.M. dio dos últimos conciertos en vivo en la ciudad de Los Ángeles, llamados Live at the Grand Olympic Auditorium, que también incluyeron la producción de un DVD. Posteriormente, el resto del grupo, junto al ex vocalista de Soundgarden, Chris Cornell, formaron Audioslave, grupo que logró cierto éxito, aunque sin seguir la fórmula política de Rage Against the Machine. El 14 de abril de 2007 Tom Morello y Zack de la Rocha tocaron juntos en Chicago canciones de RATM en versión acústica. El 29 de abril del mismo año la banda se reunió por primera vez tras seis años de separación en el Festival de Música y Artes de Coachella Valley en California. Zack comenzó presentando a su grupo como si fuera una banda nueva: "Buenas tardes, somos Rage Against The Machine, de Los Ángeles, California". También en este mismo concierto se desató la polémica cuando tocaron "Wake up" en el intermedio Zack dio uno de sus comunes discursos en la época de apogeo de RATM, citando a Noam Chomsky sobre los Juicios de Núremberg, diciendo que si los políticos actuales de EE.UU. fueran juzgados con las mismas leyes que los nazis después de la Segunda Guerra Mundial, que todos deberían ser ahorcados hasta la muerte, porque son criminales. Días después, la cadena de noticias Fox comunicó que RATM consideraba el asesinato de todo el gabinete de la administración de George W. Bush. El 28 y 29 de julio de 2007 tocaron en el festival «Rock The Bells» en Nueva York. En él, antes de la canción Wake Up (despiértate, en castellano), Zack defendió a la banda de lo que dijo la cadena Fox diciendo: Hace un par de meses, esos fascistas hijos de puta en la Fox News intentaron poner a esta banda en una esquina sugiriendo que dijimos que el presidente debería ser asesinado. No, lo que dijimos fue que debería ser llevado a un juicio como un criminal de guerra y después debería ser ahorcado. ¡Eso es lo que dijimos!. Y no nos echaremos atrás en nuestra posición porque los verdaderos asesinos son Bush y Cheney y toda la administración por las vidas que han destruido aquí y en Iraq. Ellos lo son. Y lo que ellos rechazaron emitir era mucho más provocativo para mí y para mis compañeros: Que este sistema se ha convertido en algo tan brutal y vicioso y cruel que necesita empezar guerras y sacar beneficio de destrucción alrededor del mundo para poder sobrevivir como potencia mundial. ¡Eso es lo que dijimos! Y rechazamos no permanecer de pie, rechazamos echarnos para atrás en esta postura no solo por los pobres niños que están siendo abandonados en el desierto para morir, sino también para los jóvenes de Iraq, el pueblo de Iraq, sus familias y sus amigos,novias y los jóvenes que permanecen de pie y resistiendo la ocupación de los Estados Unidos cada día. Y si verdaderamente queremos terminar esta puta miserable guerra, tenemos que permanecer de pie con la misma fuerza que permanecen de pie la juventud de Iraq cada día, y traer esos hijos de puta a sus rodillas. El 11 de agosto de 2007 tocaron de nuevo en su estado natal, concretamente en San Bernardino, ciudad cercana a Los Ángeles del estado de California. Nuevamente para el festival Rock The Bells. El 18 de agosto de 2007 volvieron a tocar en el festival Rock The Bells, de nuevo en California pero esta vez en la ciudad de San Francisco. El 24 de agosto de 2007 tocaron junto a Queens Of The Stone Age en East Troy perteneciente al estado de Wisconsin. Del 26-28 de octubre tocaron en Las Vegas, en el Vegoose Festival, el cual fue el último concierto de 2007. Tras su paso por California, Nueva York y Las Vegas, empezaron a tocar fuera de los Estados Unidos, tras 11 años volvieron a Australia a hacer una mini-gira, en principio solo tenían previsto dar dos conciertos el 22 y 30 de enero de 2008 en Sídney y Melbourne respectivamente, pero tras anunciarlo el 18 de septiembre las entradas se vendieron en un tiempo récord de 3 minutos, cientos de entradas fueron puestas a la reventa en eBay. A raíz de esto, la banda también actuó en el Big Day Out (festival al aire libre) los días 18 de enero en el Mt. Smart Stadium de Auckland, Nueva Zelanda, el 20 de enero en Gold Coast, el 25 de enero en el Olympic Park Showgrounds de Sídney, el 28 de enero en el Flemington Racecourse de Melbourne, el 1 de febrero en Adelaide y el 3 de febrero en Perth. Tras su gira por Australia viajaron a Tokio, Japón, donde tocaron el 7 de febrero de 2008 en Osaka en el Osaka Castle Hall y el 9 y 10 de febrero en Tokio en el Makuhari Messe. Finalmente volvieron de gira por Europa, de momento ya hay ocho fechas confirmadas y tocaron en siete países de la Unión Europea, iniciaron su gira europea yendo a España, el 30 de mayo, al festival Electric Weekend en el Auditorio John Lennon de la localidad madrileña de Getafe, la segunda fue en el festival Pinkpop celebrado en Holanda el día 1 de junio de 2008, el 2 de junio actuaron en Amberes, Bélgica, tras esto tocaron el 4 de junio en París, Francia, después tocaron en Núremberg y Nürburgring, Alemania en el festival Rock am Ring del 6 al 8 de junio de 2008, el 10 de junio dieron un concierto en Berlín, Alemania y el 12 de junio estuvieron en el Hultsfred Festival de Suecia. Finalmente, el 10 de julio en Lisboa, Portugal en el festival Optimus Alive!. Después la banda realizó una mini gira en Sudamérica durante octubre de 2010, teloneados por The Mars Volta, tocando en el SWU Festival en São Paulo (Brasil), el Pepsi Music Festival en Buenos Aires (Argentina), y formó parte de un sideshow del Maquinaria Festival en Santiago de Chile junto con The Mars Volta y Suicidal Tendencies en el Estadio Bicentenario Municipal de La Florida, siendo la primera vez que la banda toca en el sur del continente. Cabe destacar que la histórica presentación en el Bicentenario de La Florida en marco del Maquinaria Festival, llamada The Battle of Santiago ha sido nombrada por Tom Morello como "la mejor presentación de RATM en su historia". En una entrevista con Zack de la Rocha en octubre con el diario chileno La Tercera, el vocalista confirma la preparación de un nuevo álbum junto a la banda, terminando los rumores de si trabajarían en un nuevo material después de sus conciertos alrededor del mundo. -La banda se volvió a juntar en 2007, ¿cómo ha sido esta segunda vida? "Muy buena, estamos todos más grandes y maduros y ya no caemos en los problemas que nos enfrentaban hace 10 o 15 años. Esto es distinto y lo proyectamos mucho: estamos trabajando en un nuevo álbum que saldrá el próximo año, quizás para el verano del hemisferio norte." Entrevista de Claudio Vergara a Zack de la Rocha. El 1 de noviembre de 2019 la banda publicó por primera vez en su cuenta de Instagram una foto que fue sacada en Chile el 25 de octubre de 2019, en la llamada "La Marcha Más Grande de Chile" la cual reunió aproximadamente a 1.2 millones de personas en Santiago de Chile. La foto, utilizada por la banda, se convirtió en una de las imágenes más representativas de las manifestaciones chilenas en su estallido social, y en ella la banda confirma cinco shows en Estados Unidos para el año 2020, incluyendo dos presentaciones en el festival de Se trata de los primeros conciertos de la banda tras nueve años de silencio. En febrero de 2020, anunciaron una gira por Norteamérica y Europa, con 41 eventos, Una parte importante de su identidad como grupo la constituye su ideología política izquierdista, que les ha llevado a manifestarse en numerosas ocasiones contra la política, interior y exterior, de Estados Unidos. A lo largo de su existencia, RATM ha participado en varias protestas políticas coherentes con sus convicciones, incluyendo una gris presentación en La Convención Nacional Demócrata del 2000 y un concierto en las afueras de Wall Street el 26 de enero de ese mismo año. A causa de la multitud que se reunió para asistir a este último concierto —que fue filmado como parte del vídeo musical "Sleep Now in the Fire", dirigido por Michael Moore—, la Bolsa de Nueva York decidió cerrar sus puertas al mediodía, ? Entre los asistentes se encontraban muchos ejecutivos de Wall Street, que parecían muy satisfechos del espectáculo. Muchas de estas imágenes fueron utilizadas después con cierta ironía en el vídeo de Moore. Ante todo, Rage Against the Machine utilizaba su música como movimiento social, y como resultado se convirtió tal vez en la banda más famosa de protesta en los Estados Unidos. Tom Morello, en una entrevista concedida a la revista Guitar World, dijo: Estados Unidos se autodenomina la tierra de la libertad, pero la primera libertad que tenemos tú y yo es la de desempeñar un trabajo como explotado. Una vez hayas ejercido esta libertad entonces habrás perdido el control sobre lo que haces, lo que se produce y cómo se produce, y, al final, el producto ya no te pertenecerá a ti. La única forma de evitar a los jefes es no cuidar de ti mismo, lo cual nos lleva a la segunda libertad: la de morirse de hambre. Mientras tanto, los críticos de la banda y de su defensa de opiniones izquierdistas apuntaron que el compromiso del grupo era falso, ya que habían firmado sendos contratos con Epic Records, subsidiaria de Sony Records. En respuesta, Morello afirmó: Cuando vives en una sociedad capitalista, la difusión de la información se rige por la moneda que marcan los canales capitalistas. ¿Acaso Noam Chomsky se opone a que sus obras se vendan en Barnes & Noble?. No, por que allí es donde la gente común compra sus libros. No estamos interesados en predicar nuestra música solo para aquellos que ya están convertidos. Es genial tocar en un lugar abandonado y que está ocupado ilegalmente por anarquistas, pero también es genial ser capaz de alcanzar a las personas con un mensaje revolucionario, desde Granada Hills hasta Stuttgart. Rage Against the Machine se caracterizó, a lo largo de 10 años, por crear polémica en muchos de los lugares en los que se presentaba. Su ideología política radical hizo que se ganaran gran número de detractores, pero también muchos seguidores que se sentían especialmente identificados con el mensaje de su música. El 13 de diciembre de 1997, Tom Morello fue arrestado junto con otras 31 personas, ? por obstruir la entrada a negocios comerciales, en señal de protesta contra la empresa de jeans "Guess?". Durante la manifestación se había realizado también una marcha y se había bloqueado la entrada al "Santa Monica Place Mall". En esa época la compañía "Guess?" se encontraba bajo la investigación del Departamento de Trabajo de los Estados Unidos (DOL por sus siglas en inglés) por las recurrentes quejas de obreros explotados por los empresarios textiles al no recibir un sueldo justo, entre otros cargos. Durante el festival Lollapalooza de 1993 en Filadelfia, elevaron su notoriedad cuando protagonizaron una protesta contra la censura y contra la PMRC permaneciendo en el escenario completamente desnudos durante 14 minutos, con el sonido del bajo y la guitarra de fondo. Se pusieron cinta aislante en la boca y mostraron las letras "P"."M"."R"."C", escritas en el pecho de los miembros del grupo. Rage no tocó ese día en Filadelfia, pero ese mismo año volvió e hizo un concierto gratuito allí. PMRC era un comité creado con el fin de regular las letras musicales explícitas sobre el consumo de drogas, el sexo, y la glorificación la violencia (de esto último solía acusarse a RATM). El grupo lo consideraba censura, lo cual desencadenó la protesta.Con el gran incremento de propaganda anti-Mumia que hacía el Departamento de Policía de Filadelfia y Maureen Faulkner (viuda del oficial asesinado Daniel Faulkner), las diversas organizaciones a favor de la liberación de Mumia Abu-Jamal organizaron un concierto en beneficio del preso, con la participación de los Beastie Boys, Bad Religion y Gangstarr. Fue anunciada por todos los medios, y duramente criticada por la élite de ese país. El evento había empezado con la frase: Trabajar para asegurar los derechos legales que todos nosotros supuestamente disfrutamos, resulta controvertido, Durante la entrega de los premios de los MTV Video Music Awards del 2000, el premio por Mejor video de Rock ("Best Rock Video"), fue presentado y entre los nominados se encontraba Rage Against the Machine. Al final, el premio terminó en las manos de Limp Bizkit; cuando Fred Durst estaba dando sus agradecimientos al público, Tim Commerford se subió sobre el andamio del escenario y amenazó con lanzarse, ? Tim Commerford dijo que Limp Bizkit era "la banda más odiada en el mundo", y la retransmisión televisiva fue a cortes comerciales. Luego Tim aclaró que todo era una broma. Gracias a esto, quedó opacada la presentación en vivo de la banda durante la entrega de premios, y él y su guardaespaldas pasaron una noche en la cárcel,El 10 de abril de 1996, Rage iba a tocar dos canciones en el programa de comedia de la NBC Saturday Night Live. El invitado del programa esa noche era el excandidato presidencial del Partido Republicano y millonario Steve Forbes. Según el guitarrista de RATM Tom Morello, Rage buscaba el contraste con el multimillonario, que se dedicaría a contar chistes y a defender el impuesto de tasa única, realizando su propia declaración de principios, en la cual expresarían las profundas disparidades sociales y étnicas existentes en el país. Para representar esa declaración, la banda intentó primero colgar dos banderas de los Estados Unidos, al revés, en sus amplificadores (como solían hacer en cada uno de sus conciertos), durante un ensayo antes de la transmisión del jueves. Pero los productores de SNL y otros directivos de la cadena NBC ordenaron que las quitaran, alegando que los patrocinadores se molestarían, además del hecho de que querían realizar un show sin muchos altercados por la presencia de Forbes. SNL también informó al grupo que iba a silenciar algunas partes de la letra de "Bullet in The Head" (que era la supuesta segunda canción de la banda). SNL insistió incluso en que la canción también sería silenciada en el estudio, porque Steve Forbes tenía amigos y familia presente ahí. En la noche del show, después de la primera canción y también después de que fueran retiradas las banderas (los integrantes del grupo las colocaron a pesar de las advertencias), unos oficiales de SNL y NBC se acercaron entre bastidores al grupo y les ordenaron que abandonaran el edificio inmediatamente. Luego de oír eso, Tim (el bajista) irrumpió en el vestidor de Forbes y tiró unas lámparas al piso antes de ser sacado por la fuerza del lugar. La controversia en los conciertos de Rage es típica: desde las comunidades amish, que creen que Rage tiende a dirigir cultos malignos y que las ideas que difunden son amenazantes; a los policías, con los que tuvieron varios enfrentamientos por su conducta; y a la prensa, que se asombra por ciertas acciones que Rage ha hecho. Un ejemplo de esto fue cuando Tim prendió fuego a la bandera estadounidense invertida en Woodstock, durante la canción "Killing in the Name", acto que fue alabado por gran parte del público, pero abucheado por miles de estadounidenses que se informaron de esto. Rage tenía planeado tocar en la sala de conciertos The Gorge en honor a George Washington, el 13 de septiembre de 1997, pero el alguacil del condado, William Weister, puso una queja en la corte tratando de bloquear la presentación. Documentos de la corte se referían al grupo como "militar, radical y antidemocrático" y mencionaban que era "violento y promueve la antiley o la anarquía". El intento de clausurar el concierto falló, y el concierto se llevó a cabo con un gran contingente policial. Rage abrió esa noche con la versión Fuck The Police ("¡Que se joda la policía!"). Ésta no fue la única polémica en un concierto de Rage. Situaciones similares fueron muy comunes en muchas otras ciudades conservadoras. Zack aprovechaba normalmente el tiempo entre una y otra canción para expresar su opinión sobre temas políticos y sociales. RATM fueron uno de los primeros grupos en coronar las listas internacionales de éxitos con un estilo de franca fusión de hip hop y rock duro, engrosando la lista de bandas pioneras como Beastie Boys, Urban Dance Squad, Biohazard, Dog Eat Dog y Clawfinger. Esta fusión tomó cada vez más elementos del heavy metal y fue bautizada como rap metal, y terminó haciéndose muy popular y habitual en el mundo crossover.Michael Moore, quien dirigió para RATM los vídeos musicales Sleep Now in the Fire y Testify, es otro artista famoso por su crítica acérrima hacia el conservadurismo norteamericano, tal como la demuestra en su filme Fahrenheit 9/11 sobre los atentados del 11 de septiembre, por el cual ha sido, asimismo, acusado de atentar contra el patriotismo. Las contribuciones del profesor de lingüística Noam Chomsky —libros, ensayos y discursos en público— a la política inspiraron fuertemente al grupo. Chomsky siempre ha sido un crítico incisivo de las políticas del gobierno de los Estados Unidos.

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Jay Cunning Old Skool Hardcore Jungle Podcast
Cunning Interviews: LIAM HOWLETT (THE PRODIGY) [2008]

Jay Cunning Old Skool Hardcore Jungle Podcast

Play Episode Listen Later Feb 20, 2020 4:35


Ahead of The Prodigy releasing Invaders Must Die, I caught up with Liam Howlett on my (then) weekly Kiss FM show. Liam talks about his upcoming album as well as a few other bits n pieces! Recorded December 2008

prodigy cunning kiss fm liam howlett invaders must die
Thoughts That Rock
Ep. 11: KT Bloedorn | I Have Things I Want to Do for Myself First

Thoughts That Rock

Play Episode Listen Later Sep 16, 2019 39:49


In this episode we talk with our friend, KT BLOEDORN, a Global Opening Restaurant Trainer for Hard Rock International, a competitive Roller Derby Skater and the Community Manager for Thoughts That Rock.THOUGHT #1Everything will be okay in the end; if it’s not okay, it’s not the end.– John LennonTHOUGHT #2We are created for adventure, and if we cannot find one, we start blowing things out of proportion so it feels like we have one.– John EldredgeCONNECT:Website: www.thoughtsthatrock.com/Email: Hosts@ThoughtsThatRock.comRoller Derby Website: www.orlandorollerderby.comInstagram www.instagram.com/killathug/BRAND & RESOURCE MENTIONS:John Lennon - www.JohnLennon.com Paul McCartney - www.paulmccartney.comNatuzzi Leather - www.Natuzzi.com Nothing Bundt Cakes - www.NothingBundtCakes.com Kathleen Wood - www.kwoodpartners.comNeil Young - www.wikipedia.org/wiki/Neil_YoungJohn Eldredge - www.ransomedheart.comRobert Breault - www.robertbreault.comJeff Nolan - www.linkedin.com/in/jeff-nolan-8086413/The Beatles - www.wikipedia.org/wiki/The_BeatlesMotley Crue - www.motley.comOasis - www.oasisinet.com/#!/homeLiam Gallagher - www.liamgallagher.com/whymewhynot/Liam Howlett – www.wikipedia.org/wiki/Liam_HowlettThe Prodigy - www.theprodigy.com/Nicole Appleton - www.wikipedia.org/wiki/Nicole_AppletonNatalie Appleton – www.wikipedia.org/wiki/Natalie_AppletonJim Carrey - www.twitter.com/jimcarreyJim Carrey – www.youtu.be/TV-tA8njqq8Banding People Together - www.bandingpeopletogether.com/Jim Trick - www.jimtrick.com7–11 - www.7-eleven.comCalifornia Nails – www.californianails3186orlando.com/David Lee Roth - www.davidleeroth.com/Hard Rock International – www.HardRock.comRock ‘n Roll With It: Overcoming the Challenge of Change (Brant Menswar)– www.RocknRollWithIt.comCulture That Rocks: How to Revolutionize Your Company’s Culture (Jim Knight)– www.CultureThatRocks.comCannonball Kids’ cancer – www.CannonballKidscancer.orgKeppler Speakers - www.KepplerSpeakers.comCertified Rock Star - www.CertifiedRockStar.comThoughts That Rock – www.ThoughtsThatRock.comSpectacle Photography (Show/Website Photos) – www.spectaclephoto.comJeffrey Todd “JT” Keel (Show Music) - https://www.facebook.com/jtkeelChildhood Cancer Awareness Month - www.acco.org/childhood-cancer-awareness-month/KT BLOEDORN'S BIO:Katie Bloedorn has been a Corporate Trainer with Hard Rock International over the past 14 years. With her passion, knowledge and storytelling she assisted in pioneering a new position called the V.I.B.E Host (Visionary Individual Behind Energy), which is based on preserving company culture. Opening over 25 locations worldwide, she continues to travel the world spreading the spirit of rock 'n roll. Working several different positions such as V.I.B.E Host, Special Events Catering, Server, Bartender, Host, Venue Host, Retail Sales Associate, Roadie....and in an exciting role as a Hard Rock Live Tech, taking care of the artist’s hospitality when they play the venue. This has earned her several awards, milestones and recognition, such as 2015 Employee of the Year, Overall Top Performer, and voted as a finalist for Orlando’s Favorite Bartender.KT's travels also bring her throughout the U.S.A as a competitive Roller Derby Skater. Skating both flat and banked track, she has earned several tournament MVP’s as Blocker and Jammer. She skates with several leagues across the state of Florida, but you can currently find her skating with her home league, Orlando Roller Derby.KT's newest role is working as Community Manager for the Thoughts That Rock podcast, where she helps "Turn it Up to 11.”

Le Grohlcast
Episode 7 : Les envahisseurs doivent mourir

Le Grohlcast

Play Episode Listen Later Apr 5, 2019 104:53


Toi qui entre ici, abandonne toute morosité et bienvenue dans le GrohlCast, l’émission consacrée à Dave Grohl, multi-instrumentiste hyperactif qui a participé à des dizaines de projets. Plus de trente ans de carrière passés au crible par nos deux experts Grohlement bien renseignés : Benjamin François et Stéphane Bouley. Avec ce septième épisode le Grohlcast  … Continuer la lecture de « Episode 7 : Les envahisseurs doivent mourir »

prodigy omen dave grohl toi mourir continuer doivent big beat keith flint bouley liam howlett les envahisseurs invaders must die benjamin fran grohlcast
Rokkland
Keith Flint 1969-2019 og Vök

Rokkland

Play Episode Listen Later Mar 10, 2019 110:00


Keith Flint andlit og vörumerki The Prodigy er látinn. Hann tók sitt eigið líf. Það hefur verið sagt frá því í öllum helstu fjölmiðlum heims undanfarna daga að Keith Flint söngvari, dansari og andlit hljómsveitarinnar Prodigy er látinn. Hann fannst látinn á heimili sínu í Dunmow í Essex sem er lítið sveitaþorp ekki langt frá Stansdet flugvelli, mánudagsmorguninn síðasta og það er fullyrt að hann hafi framið sjálfsmorð. Hann var 49 ára gamall. Eftirlifandi félagar hans úr Prodigy sendu frá sér yfirlýsingu á Twitter sem sagði eitthvað á þessa leið: Fréttirnar eru sannar, við trúum því varla að við séum að segja þetta um bróður okkar Keith, en hann tók sitt eigið líf um helgina. Liam Howlett heilinn á bakvið Prodigy sagði líka: Ég er í losti, ég er reiður, ruglaður og með brostið hjarta. Hvíldu í friði - þinn bróðir Liam. Keith Flint fæddist í Redbridge í Austur London en flutti með foreldrum sínum til Braintree í Essex þegar hann var unglingur. Hann var greindur með mikla lesblindu þegar hann var strákur. Honum og pabba hans samdi illa, foreldrarnir skildu og kennurunum fannst þeir ráða svo illa við hann að hann var sendur til sálfræðings sem var ekki nærri eins algengt í þá daga og í dag. Hann lét öllum illum látum og oft lokaði hann sig inni í herberginu sínu, hlustaði á pönkrokk og barði hausnum í vegg. Sálfræðingarnir sem hann fór til sögðu skólanum og foreldrum hans að þeir gætu ekkert gert fyrir hann. Hann var rekinn úr skóla 15 ára og var að vinna með þakviðgerðamaður þegar hann byrjaði að dansa með Prodigy. Sjálfur sagði hann seinna í viðtali við The Times að hann hafi alla tíð þurft að díla við andleg vandamál, hann hafi t.d. alltaf verið með mikla sjálfseyðingarhvöt. Sagan segir að hann hafi loksins fundið hamingjuna með konunni sinni, japanska plötusnúðnum Mayumi Kai. Prodigy var á tónleikaferð og skyndilega stóð hún þarna þessi unga fallega japanska kona, og Keith missti málið- það var ást við fyrstu sýn. Þau kynntust á þeim tíma þegar hann var á leiðinni í meðferð og eftir að þau giftust árið 2006 sagði hann alfarið skilið við dóp, áfengi og tóbak, og þau hjónin komu sér fyrir í 15. aldar húsinu sem hann hafði keypt í ensku sveitinni - í Essex áratug fyrr. Þau voru barnlaus en áttu 8 hunda. Hann átti og rak litla sveitakrá, The Leather Bottle, nálægt heimili þeirra Þangað til fyrir tveimur árum. Hann keypti hana árið 2014 þegar hún var á leiðinni á hausinn og rak hana til 2017. Og þegar Keith var ekki að vinna eitthvað þá var hann að hreyfa sig, skokka, hjóla, eða ganga um í sveitinni. Hann sagð

Rokkland
Keith Flint 1969-2019 og Vök

Rokkland

Play Episode Listen Later Mar 10, 2019


Keith Flint andlit og vörumerki The Prodigy er látinn. Hann tók sitt eigið líf. Það hefur verið sagt frá því í öllum helstu fjölmiðlum heims undanfarna daga að Keith Flint söngvari, dansari og andlit hljómsveitarinnar Prodigy er látinn. Hann fannst látinn á heimili sínu í Dunmow í Essex sem er lítið sveitaþorp ekki langt frá Stansdet flugvelli, mánudagsmorguninn síðasta og það er fullyrt að hann hafi framið sjálfsmorð. Hann var 49 ára gamall. Eftirlifandi félagar hans úr Prodigy sendu frá sér yfirlýsingu á Twitter sem sagði eitthvað á þessa leið: Fréttirnar eru sannar, við trúum því varla að við séum að segja þetta um bróður okkar Keith, en hann tók sitt eigið líf um helgina. Liam Howlett heilinn á bakvið Prodigy sagði líka: Ég er í losti, ég er reiður, ruglaður og með brostið hjarta. Hvíldu í friði - þinn bróðir Liam. Keith Flint fæddist í Redbridge í Austur London en flutti með foreldrum sínum til Braintree í Essex þegar hann var unglingur. Hann var greindur með mikla lesblindu þegar hann var strákur. Honum og pabba hans samdi illa, foreldrarnir skildu og kennurunum fannst þeir ráða svo illa við hann að hann var sendur til sálfræðings sem var ekki nærri eins algengt í þá daga og í dag. Hann lét öllum illum látum og oft lokaði hann sig inni í herberginu sínu, hlustaði á pönkrokk og barði hausnum í vegg. Sálfræðingarnir sem hann fór til sögðu skólanum og foreldrum hans að þeir gætu ekkert gert fyrir hann. Hann var rekinn úr skóla 15 ára og var að vinna með þakviðgerðamaður þegar hann byrjaði að dansa með Prodigy. Sjálfur sagði hann seinna í viðtali við The Times að hann hafi alla tíð þurft að díla við andleg vandamál, hann hafi t.d. alltaf verið með mikla sjálfseyðingarhvöt. Sagan segir að hann hafi loksins fundið hamingjuna með konunni sinni, japanska plötusnúðnum Mayumi Kai. Prodigy var á tónleikaferð og skyndilega stóð hún þarna þessi unga fallega japanska kona, og Keith missti málið- það var ást við fyrstu sýn. Þau kynntust á þeim tíma þegar hann var á leiðinni í meðferð og eftir að þau giftust árið 2006 sagði hann alfarið skilið við dóp, áfengi og tóbak, og þau hjónin komu sér fyrir í 15. aldar húsinu sem hann hafði keypt í ensku sveitinni - í Essex áratug fyrr. Þau voru barnlaus en áttu 8 hunda. Hann átti og rak litla sveitakrá, The Leather Bottle, nálægt heimili þeirra Þangað til fyrir tveimur árum. Hann keypti hana árið 2014 þegar hún var á leiðinni á hausinn og rak hana til 2017. Og þegar Keith var ekki að vinna eitthvað þá var hann að hreyfa sig, skokka, hjóla, eða ganga um í sveitinni. Hann sagð

Rokkland
Keith Flint 1969-2019 og Vök

Rokkland

Play Episode Listen Later Mar 10, 2019


Keith Flint andlit og vörumerki The Prodigy er látinn. Hann tók sitt eigið líf. Það hefur verið sagt frá því í öllum helstu fjölmiðlum heims undanfarna daga að Keith Flint söngvari, dansari og andlit hljómsveitarinnar Prodigy er látinn. Hann fannst látinn á heimili sínu í Dunmow í Essex sem er lítið sveitaþorp ekki langt frá Stansdet flugvelli, mánudagsmorguninn síðasta og það er fullyrt að hann hafi framið sjálfsmorð. Hann var 49 ára gamall. Eftirlifandi félagar hans úr Prodigy sendu frá sér yfirlýsingu á Twitter sem sagði eitthvað á þessa leið: Fréttirnar eru sannar, við trúum því varla að við séum að segja þetta um bróður okkar Keith, en hann tók sitt eigið líf um helgina. Liam Howlett heilinn á bakvið Prodigy sagði líka: Ég er í losti, ég er reiður, ruglaður og með brostið hjarta. Hvíldu í friði - þinn bróðir Liam. Keith Flint fæddist í Redbridge í Austur London en flutti með foreldrum sínum til Braintree í Essex þegar hann var unglingur. Hann var greindur með mikla lesblindu þegar hann var strákur. Honum og pabba hans samdi illa, foreldrarnir skildu og kennurunum fannst þeir ráða svo illa við hann að hann var sendur til sálfræðings sem var ekki nærri eins algengt í þá daga og í dag. Hann lét öllum illum látum og oft lokaði hann sig inni í herberginu sínu, hlustaði á pönkrokk og barði hausnum í vegg. Sálfræðingarnir sem hann fór til sögðu skólanum og foreldrum hans að þeir gætu ekkert gert fyrir hann. Hann var rekinn úr skóla 15 ára og var að vinna með þakviðgerðamaður þegar hann byrjaði að dansa með Prodigy. Sjálfur sagði hann seinna í viðtali við The Times að hann hafi alla tíð þurft að díla við andleg vandamál, hann hafi t.d. alltaf verið með mikla sjálfseyðingarhvöt. Sagan segir að hann hafi loksins fundið hamingjuna með konunni sinni, japanska plötusnúðnum Mayumi Kai. Prodigy var á tónleikaferð og skyndilega stóð hún þarna þessi unga fallega japanska kona, og Keith missti málið- það var ást við fyrstu sýn. Þau kynntust á þeim tíma þegar hann var á leiðinni í meðferð og eftir að þau giftust árið 2006 sagði hann alfarið skilið við dóp, áfengi og tóbak, og þau hjónin komu sér fyrir í 15. aldar húsinu sem hann hafði keypt í ensku sveitinni - í Essex áratug fyrr. Þau voru barnlaus en áttu 8 hunda. Hann átti og rak litla sveitakrá, The Leather Bottle, nálægt heimili þeirra Þangað til fyrir tveimur árum. Hann keypti hana árið 2014 þegar hún var á leiðinni á hausinn og rak hana til 2017. Og þegar Keith var ekki að vinna eitthvað þá var hann að hreyfa sig, skokka, hjóla, eða ganga um í sveitinni. Hann sagð

Neil Corcoran (Tantric Dex)
The Prodigy 'G-Force' Mix, 2019 update & Strongroom Suite

Neil Corcoran (Tantric Dex)

Play Episode Listen Later Mar 10, 2019 130:19


In remembrance of Keith Flint who passed away on March 4th. I made this mix in 2009 for a collective I was in; 'Generic People'. Myself and Ant (of the crew) were playing the support spot to Leeroy Thornhill; a founding member of The Prodigy, at the after party for a gig they were playing, down at 'The Marquee' in Cork, in June of the same year. Leeroy is the one credited with teaching Keith how to perform. This combined with Maxim’s magnetic Mc’ng, Liam Howlett’s bonkers blend of ballistic boom bap breakbeats, razorsharp rave riffs, rootical reggae riddims and rowdy raucous rock. And tied together with their punk posse posturing proved they were an unstoppable force. The mix I made was described by the Webmaster on the official Prodigy Website as “The best Prodigy mix I’ve ever heard” so you know that’s a seal of approval, of sorts. So I thought it was worth sharing again, at this time. I’ve tacked on a new suite of some of their finest work, in light of Keef (as he was affectionately known) shuffling off this mortal coil To most people of my generation The Prodigy were a pretty big deal. Part of the appeal of the group, for me, is that they were a bunch of friends clearly having a good time and it mirrored my experience as a teenager. The Prodigy were part of the soundtrack to those days. I vividly remember practicing “The Prodigy Dance” with a bunch of lads from my neighbourhood, that I used to pal around with. We would watch the ‘Everybody in the Place’ video over and over trying to get Leeroy’s moves down. One of the lads eventually nailed it after a bit of perseverance (It’s pretty tricky and mesmerising to watch if the mood strikes you to look it up). I’ve been with them all the way on their journey from cartoon ravers to electronic punks. I grew up with The Prodigy and The Prodigy grew up too. The first time I got to see them perform live was in Cork’s City Hall in December of ‘93 and whilst they weren’t the fully fledged firebrand that they would go on to become, one thing for certain was that their live shows were full throttle and elevated them to another dimension. Sizzling with heat & energy. Turbocharged with the vitality Flint brought to the stage, the trouble starter, the punkin' instigator, one of the ultimate hype men. I saw them 5 more times after; In '94 (again at Cork City Hall), at the legendary 'Féile','95, supporting Oasis on 2 occasions in 1996- all in Páirc Uí Chaoimh and at Live at the Marquee in 2009, where I got the opportunity to support Thornhill at the after party. They always rolled out a rip roaring romp when they graced the stage and honed their skills over the years to become one of the best live acts on the scene. From cutting their teeth on the rave circuit and upping their game each time a new tour came round. Carrying on that British tradition of multicultural groups flying in the face of convention, clashing up cultures and smashing up the silos of sound along the way. They did more than any other act to unite people from disparate backgrounds. Evidenced in them being the first major dance act to break the U.S., reaching number one into the bargain. Propelled by Flint’s spitfire persona, the ringmaster of the Prodigy circus. Their first 3 albums were game changers for the dance music community and continue to be regarded as high-water marks for the culture. Fitting that a man by the name of Flint would light a fire under a whole generation of magic people, voodoo people. To the god of hell fire, the voice of a jilted generation. “The flame that burns twice as bright, burns half as long.” The fire has flickered out but his incendiary energy lives on. If everybody’s in the place, then we’ll start the dance. R.I.P. up the sound system! Rave In Peace Chief Keef. Rip up the soundsystem No Good( start the dance) Jericho Invaders Must Die Ruff in the jungle bizness Warriors dance Weather Experience (Top Buzz Mix) Your Love Worlds on fire Firestarter (Instrumental) Fire (Sunrise version) One Love Hyperspeed (G-Force part 2) Break & Enter Smack My bitch up Breathe Mindfields (headrock dub) Funky shit Girls Spitfire Out of space Scienide Voodoo People (paranormal attack mix) What evil lurks Omen Reprise Omen ***The Strongroom Suite***

Inspired
The Prodigy – Firestarter

Inspired

Play Episode Listen Later Feb 4, 2019 20:28


Guitars that don’t sound like guitars, drums from hell and a dancer stepping up to the mic for the first time. In this episode of Inspired, Liam Howlett and Keith Flint from iconic UK act The Prodigy dissect the song that made them famous around the world.

Inspired
The Prodigy – Firestarter

Inspired

Play Episode Listen Later Feb 4, 2019 20:28


Guitars that don’t sound like guitars, drums from hell and a dancer stepping up to the mic for the first time. In this episode of Inspired, Liam Howlett and Keith Flint from iconic UK act The Prodigy dissect the song that made them famous around the world.

Distraction Pieces Podcast with Scroobius Pip
Liam Howlett (side B) - Distraction Pieces Podcast with Scroobius Pip #237

Distraction Pieces Podcast with Scroobius Pip

Play Episode Listen Later Oct 31, 2018 53:19


Welcome, welcome, welcome to episode 237 of the Distraction Pieces Podcast with Scroobius Pip! Long awaited and hugely exciting longform chat awesomeness with the Prodigy legend LIAM HOWLETT!AS WE CONTINUE… So you’ve had a nice taste of side A - well you’ll be pleased to know side B is everything you would want it to be, as Liam concludes the story so far while hinting at the road ahead. Here we hit the ‘Dirtchamber’ mix poin and move along from there, from his two year departure from the studio to go on the road, to sampling and getting verbal permission for usage over the contract approach, the breakdown of the band, the time from then to the reformation and then getting back on the road, dismantling and rebuilding tracks for playing live, the shorthand they have as a band, their biggest live show, living in Essex and being streetwise, mixing business with friendship and as before, tons tons more… ENJOY!!!'NO TOURISTS' by THE PRODIGY drops November 2nd - GRAB THAT!!!––––– ––––– –––––THIS EPISODE'S LINKS:• THE PRODIGY on INSTAGRAM!• LIAM'S DIRTCHAMBER MIX• THE PRODIGY - 'LIGHT UP THE SKY'• FIRESTARTER!• THE PRODIGY ONLINE!• LIAM HOWLETT!THIS EPISODE'S SPIRIT ANIMALS:• Episode 156 • Goldie• Episode 31 • Eddie Temple MorrisSCROOBIUS PIP & SPEECH DEVELOPMENT LINKS:• SCROOBUS PIP on TWITTER!• SCROOBIUS PIP on INSTAGRAM!• SCROOBIUS PIP PATREON PAGE!• SPEECH DEVELOPMENT RECORDS • DISTRACTION PIECES NETWORK on FACEBOOK• DISTRACTION PIECES NETWORK on INSTAGRAM• NEW LISTENERS TAKE NOTE!!! You can find the full DISTRACTION PIECES episode list HERE!FOLLOW AND ENJOY! See acast.com/privacy for privacy and opt-out information.

essex prodigy side b scroobius pip distraction pieces liam howlett distraction pieces podcast
Distraction Pieces Podcast with Scroobius Pip
Liam Howlett (side A) - Distraction Pieces Podcast with Scroobius Pip #237

Distraction Pieces Podcast with Scroobius Pip

Play Episode Listen Later Oct 30, 2018 59:05


Welcome, welcome, welcome to episode 237 of the Distraction Pieces Podcast with Scroobius Pip! Long awaited and hugely exciting longform chat awesomeness with the Prodigy legend LIAM HOWLETT!“…I like tension in music… and I think the stage is where it manifests itself…”A rare one right here folks, as Liam spends a good chunk of time chatting with Pip on all things Prodigy and solo, spanning the entirety of his incredible career. Such an engaging and interesting talk, running through the lot - from how he generates ideas and keeps writing through the craziness of tour life, the influence of punk, two-tone, hip hop and electro, early days winning mixtape competitions, the days of early rave and being introduced to acid house by Westwood of all people (circuitously but kind of!), the meeting of Nick Halkes up at XL Records and hand to hand demo hustling, the immediacy of making beats over learning instruments, moving from sonic landscape to sonic landscape naturally, the difference of harder over faster, the importance of image, finding the perfect band setup over a decade after their start, the amazing origin story of their hit Firestarter, their natural progression as a band, the Beastie Boys situation and just SO much more… And this is only part 1… KEEP IT LOCKED, PEOPLE!!!'NO TOURISTS' by THE PRODIGY drops November 2nd - GRAB THAT!!!––––– ––––– –––––THIS EPISODE'S LINKS:• THE PRODIGY on INSTAGRAM!• THE PRODIGY - 'LIGHT UP THE SKY'• FIRESTARTER!• THE PRODIGY ONLINE!• LIAM HOWLETT!THIS EPISODE'S SPIRIT ANIMALS:• Episode 156 • Goldie• Episode 31 • Eddie Temple MorrisSCROOBIUS PIP & SPEECH DEVELOPMENT LINKS:• SCROOBUS PIP on TWITTER!• SCROOBIUS PIP on INSTAGRAM!• SCROOBIUS PIP PATREON PAGE!• SPEECH DEVELOPMENT RECORDS • DISTRACTION PIECES NETWORK on FACEBOOK• DISTRACTION PIECES NETWORK on INSTAGRAM• NEW LISTENERS TAKE NOTE!!! You can find the full DISTRACTION PIECES episode list HERE!FOLLOW AND ENJOY! See acast.com/privacy for privacy and opt-out information.

Tins and Tunes with Joe Donnelly
The Prodigy | Tins & Tunes - #3

Tins and Tunes with Joe Donnelly

Play Episode Listen Later Jul 20, 2018 11:55


Joe talks through the musical mastery of Liam Howlett, the social and political significance of the album, and uncovers a few interesting samples in the process.

tunes prodigy tins liam howlett
Ricky Richards Represents
Tom Oldham: How celebrity photographer, Tom Oldham, deals with working under challenging constraints.

Ricky Richards Represents

Play Episode Listen Later Jan 29, 2018 70:57


Tom Oldham is a London based portrait photographer who’s shot portraits of musicians, sports stars and everyone in between. His work has appeared in the National portrait gallery and to name-drop just a few of his subjects, he’s photographed the likes of The Foo Fighters, Richard Branson, Usain Bolt, Alicia Keys, Mario Balotelli, Bradley Wiggins, Tinie Tempah, Arctic Monkeys, Dizzie Rascal, Professor Green, Gilbert & George, Jose Mourinho, Ed Sheeran, Elizabeth Troy, Henric Larson, Liam Howlett, Ces Fabrigas, Thierry Henry, and King Krule amoung others, as well as occasionally doing self initiated projects which has taken him to the mountains of Africa and beyond.

Les Abyssales
Les Abyssales, EP #23 - Under The Sea

Les Abyssales

Play Episode Listen Later Jan 17, 2017 104:59


Dans l'urgence de la vie, s'écrit des événements qui nous font oublier qu'il y a ce podcast, Les Abyssales, et qu'il serait temps d'en faire une, d'émission. Pour coller au temps et vous plonger dans des abysses sonores toujours plus enveloppantes, voici une 23ème émission tout en douceur et subtilité. TRACKLIST Aqua Bassino - Moon Light Beat's N Bobs - Label : F Communications - 2001 Segue - Sea The Sky LP Over The Mountain - Silent Season - 2016 Boards of Canada - Left Side Drive EP Trans Canada Highway - Warp Records - 2006 Joachim Spieth - Evaporate EP Evaporate / Decelerate - Affin LTD - 2016 BVDUB - 01 LP Yours Are Stories Of Sadness - Self Released -2016 Sheila Chandra - Nana LP Weaving My Ancestors' Voices - Real World Records - 1992 Bruno Coulais - Feathers And Stripes LP BOF "Le Peuple Migrateur" - Peermusic France - 2012 Xerxes & Phoenix - Let It Go EP Let Silence Roam - Self Released - 2012 Lav&Purl - The Present Moment (Still Version) EP The Present Moment - Eternell - 2016 John Serrie - Gentle The Night LP And the Stars Go With You - Miramar - 1987 BONUS TRACK Terminons par la petite douceur de nos amis de Couple In The Attic. Couple In The Attic - The Last Place Before NowhereEP Photographs - Self Released - 2016 NOTES DE L'EMISSION Couple In The Attic, c'es le groupe d'Asmoth et de sa compagne Justine, que vous pouvez retrouver en écouter sur leur site Internet. Vous avez aussi la possibilité d'acheter leur excellente 1er EP. Jay vous l'a signalé dans l'émission, The Prodigy avait repris un sample de Sheila Chandar, mais pour des histoires de droits, celui-ci a été rejoué. Néanmoins, on peut trouver trace d'une telle intégration (ne pas faire attention à la pochette qui illustre le son): Jay vous a parlé de Liam Neeson, membre du groupe The Prodigy, sauf que... Liam Neeson est un acteur comme nous le signale sa fiche Wikipêdia.Le vrai nom de ce membre est... Liam Howlett ! Nos excuses quant à cette confusion. Puissant Comme Un Tigre.. On vous auras prévenu, vous allez l'avoir dans la tête toute la journée.Dans le cadre d'un concours organisé par Les Sondiers pour leur 57ème (ou 58ème ?) émission, Redscape a commis ceci... Le morceau d'origine est de François TJP, que nous avions invité pour la 1ère de l'Invité Des Abyssales. Et l'émission 57 des Sondiers:

internet nos dans liam neeson prodigy wikip tjp liam howlett redscape les sondiers sondiers
Fílalag
Smack My Bitch Up – Skilaboð fyrir heila kynslóð

Fílalag

Play Episode Listen Later Jan 22, 2016 64:42


Fáar hljómsveitir settu jafn skýran svip á unglingamenningu níunnar (90s) og Liam Howlett og félagar í The Prodigy. Bandið gaf út þrjár metsöluplötur á áratugnum: Experience (1992), Music for the Jilted Generation (1994) og svo að lokum The Fat of the Land (1997) þar sem óskammfeilnin var orðin slík að það krefst sérstakrar dægurfræðilegrar greiningar. […]

Wild City
Wild City #053 - Reso

Wild City

Play Episode Listen Later Mar 25, 2013 36:42


London based producer and DJ, Reso a.k.a Alex Melia is a man with a fascination for all things robotic and futuristic. His hybrid of hyper beats and tech-basslines sometimes feel more suited to a post-apocalyptic Tokyo than the contemporary concrete of most dubstep and we dig it. "A truly inspiring experience his music’s mech-mania induced synthesesia conjures images of neon-tinged neo-Japanese cityscapes, powerful hulking automatons and violent bassline machismo." Melia's much anticipated debut LP, ‘Tangram’ was released on Civil Music back in November 2012. As most had expected it shook some serious ground and garnered praise and support from the likes of Mixmag as album of the month, XLR8R, Guardian and MTV as well as from bass music personalities such as Liam Howlett, Skrillex, KOAN Sound, Rusko, Starkey and more. A landmark in the producer's so far pretty underground career, the 13-track LP showcased his flair for intricate programming and love for all things jazz (as a trained jazz drummer), electronica, bass and drums. In 2013, Reso sits at the peak of a new breed of electronic music producers and we're not the only ones to take notice. Within a relatively short space of time, Reso has remixed artists as diverse as Carl Cox, DJ Kentaro, Om Unit, KOAN Sound, Drop The Lime and Buraka Som Sistema. This weekend he'll be descending over Delhi for a exclusive show with Audio Aashram and Wild City at blueFROG and we're willing to put money on the fact that it's going to be an absolute banger. To give you a taste of what to expect he's made an exclusive mix for Wild City, which touches upon a variety of styles of bass music. From upfront and in-your-face tearout bangers right through to some drum and bass and more rolling, deeper vibes. A solid representation of his production style and musical influences. For a tracklist and further info, head over here: http://www.thewildcity.com/EN/music.xhtml/article/3787-wild-city-053-reso

SOFA DOGS Podcast
#153 - Couch Surfing Ep. 28a: Dragon*Confidential (Part 1 of 2)

SOFA DOGS Podcast

Play Episode Listen Later Sep 14, 2009 65:31


In this two-part special episode, Jenn from The Dollhouse Podcast stops by to share in the epic, annual experience known as Dragon*Con!00:05:35 - The origin story behind John getting a ticket to Dragon*Con, thanks to the giant heart with arms, also known as Lisa Tobias.00:07:56 - Lisa has to bow out of the Con. John is sadness incarnate.00:16:25 - The Con Gods are battling John at every turn. Even laundry becomes a casualty of war.00:22:33 - John is unable to buy autographs and photos at the Walk of Fame. Here's why.00:27:36 - How young is too young to expose your child to the Buffyverse and horror films in general?00:31:14 - Con Crud is approaching. Meanwhile, John talks about getting his Pre-Registration badge, bad cell phone reception and getting lost.00:37:41 - John has amazing family and friends, just F.Y.I.00:45:14 - Appreciation goes out to Kim, Crystal, Larissa, Suzanne, Paul and Nathaniel for their support and generosity.00:48:33 - Nathaniel and his Hybrid car to the rescue! John is able to get a bit of cash from the very patient and helpful bank.00:51:05 - The Comicon edition of Dollhouse suffers battle damage in Atlanta. 00:53:10 - If you snore loud enough to bring about a zombie apocalypse, please consult your doctor.00:58:24 - Thievery should be punishable by cactus whip. Just sayin'.01:01:50 - John wants to implant video recording technology into his eyeballs. This just in: The Dr. Horrible and Buffy Sing-Along events are amazing! Tell your friends!The following artists can be heard in this episode:Jon Ehrlich & David Boreanaz, Liam Howlett, Devics, The Cure, Blink 182, Missy Elliott & Ludacris, Luna, Aerosmith, The Fray, Aimee Mann, Queen, Coldplay, The Dandy Warhols, Spoon and The Original Cast of Once More With Feeling.