Podcast appearances and mentions of Ricky Reed

Lizzo is a Grammy- and Emmy-winning singer, rapper, songwriter, and actress. She's been putting out music since 2013, and her last two albums both went platinum. Her fifth album, Love In Real Life, comes out this summer. For this episode, I talked to Lizzo, as well as her longtime collaborator, Grammy-winning producer Ricky Reed, about the making of one of her new songs, “Still Bad.” It wasn't a straightforward process at all, and coming up, you'll hear a few of the many, many demos they made on their way to the final song. For more, visit songexploder.net/Lizzo.

Linktree: https://linktr.ee/AnalyticNotorious Mass Effect: Deep Dive into Tinashe's "Nasty"This segment delves into Tinashe's electrifying comeback single, "Nasty," the lead track from her upcoming album "Quantum Baby."Tinashe's Reemergence with "Nasty"American singer-songwriter Tinashe reclaims her spotlight with "Nasty," the potent lead single from her highly anticipated seventh studio album, "Quantum Baby." Released in April 2024 via her independent label, the song marks a triumphant return for Tinashe, showcasing her artistic evolution and raw talent.A Collaborative Effort"Nasty" is a product of creative synergy. Tinashe joins forces with songwriter Ricky Reed, while production duties are shared by Zack Sekoff and Reed himself. The result is a captivating blend of powerful vocals and infectious rhythms, solidifying Tinashe's position as a force to be reckoned with.Visually Striking: The Music VideoThe accompanying music video, directed by Jonah Haber with choreography by Jojo Gomez, is a feast for the eyes. Tinashe showcases her captivating dance skills as she navigates a futuristic desert landscape, pursued by drones.Chart Success and Lasting Impact"Nasty" debuted at number 90 on the Billboard Hot 100 in June 2024, signifying Tinashe's first solo entry on the chart in nearly eight years. This achievement underscores the song's undeniable impact and her enduring influence in the music industry.Join us as we dissect "Nasty" and explore its sonic tapestry, lyrical prowess, and the artistic vision it embodies.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

fWotD Episode 2564: Thank You (Meghan Trainor album) Welcome to featured Wiki of the Day where we read the summary of the featured Wikipedia article every day.The featured article for Sunday, 12 May 2024 is Thank You (Meghan Trainor album).Thank You is the second major-label studio album by American singer-songwriter Meghan Trainor. Epic Records released it on May 13, 2016, after a week of exclusive streaming on Apple Music. Trainor wrote most of its material with songwriter Jacob Kasher Hindlin and the album's producer Ricky Reed. Influenced by various genres including dance, hip hop, funk, and Caribbean music, Trainor conceived the album to showcase her versatility. It features guest appearances by Yo Gotti, LunchMoney Lewis, Trainor's mother, and R. City.Thank You is a pop, dance-pop, and R&B record which explores themes such as self-acceptance, empowerment, and Trainor's experiences with fame. She promoted the album with public appearances and televised performances. After its release, Trainor embarked on the Untouchable Tour (2016). Thank You included three singles: "No" and "Me Too", which respectively peaked at numbers three and thirteen on the US Billboard Hot 100, and "Better".Reviewers were divided about Thank You; a few thought its production was an improvement from Trainor's debut major-label studio album, Title (2015), while others believed it lacked artistic identity and criticized the lyrical themes. In the US, the album debuted at number three on the Billboard 200 with first week sales of 107,000 album-equivalent units. It peaked within the top five in Australia, Canada, New Zealand, Scotland, and the United Kingdom and received Platinum certifications in the US and Canada.This recording reflects the Wikipedia text as of 04:53 UTC on Friday, 17 May 2024.For the full current version of the article, see Thank You (Meghan Trainor album) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Kevin Neural.

How did Kate Bush's “Running Up That Hill” become one of the most-consumed songs of 2022, 37 years after its original release? “Stranger Things” happened, Sony Music Publishing's VP of Creative Amy Coles explains of the long road to clearing the song's use on the Netflix hit. Also: In the studio with Grammy-winning producer and entrepreneur Ricky Reed, who breaks down his work on Lizzo's hit “About Damn Time.”See omnystudio.com/listener for privacy information.

TOPICS: YouTube is close to overtaking Spotify as the largest revenue producer in the music industry, but that is bad news for creators; ElisaRockDoc talks to us about TwitchCon and gives us a career update; new Super Mario movie trailer; we interview multi-platinum superproducer Ricky Reed about his amazing career and starting his Nice Life Recording company. You can find out more about our guest's work by visiting nice.life Rate/review/subscribe to the Break the Business Podcast on iTunes, SoundCloud, Stitcher, and Google Play. Follow Ryan @ryankair and the Break the Business Podcast @thebtbpodcast. Like Break the Business on Facebook and tell a friend about the show. Visit www.ryankairalla.com to find out more about Ryan's entertainment, education, and business projects.”

No matter where you are in your career, you'll benefit from listening to 3Q. 3Q provides a window into the careers of some of the best in the music business. Every episode is an insider's view of the realities of life as a music executive. Topics include issues of empowerment, uncertainty, trust, finances, etc; issues that will impact you both personally and professionally. The executives we interview represent every aspect of the industry including but not limited to A&R, Marketing, Music Supervision, Artist Management, Promotion, and more. About Rich: Rich currently serves as the Senior Vice President of A&R at Warner Chappell Music Publishing. Prior to joining Warner Chappell, Rich held the role of SVP and Head of East Coast A&R at Sony/ATV where his roster included songwriters like Billy Walsh, Ricky Reed, Sam Hollander, and many others. In addition, he's worked on several culturally important and commercially successful singles like “Sunflower” by Post Malone, “God's Plan” by Drake, and “Truth Hurts” by Lizzo. In his current role, he's been responsible for signing and developing songwriters like Jenna Andrews, Masked Wolf, Nate Rhoads, and many others. Singles those writers have worked on include “Butter” by BTS, “Astronaut in The Ocean” by Masked Wolf himself, and “You're Mine Still” by Yung Bleu.

We had the pleasure of interviewing Ricky Reed over Zoom video.Ricky Reed is a GRAMMY-Award winning and multi-platinum selling producer, songwriter, and artist, who is also the Founder and CEO of Nice Life Recording Company. Nice Life Recording Company is Los Angeles-based record label and publishing company founded by Reed; their roster of clients includes Lizzo, The Marías, St. Panther, and more. As CEO of Nice Life Recording Company, Ricky has…Discovered and launched Lizzo into superstardom, making her the first signee of the recording company in partnership with Atlantic RecordsSigned and developed The Marías and worked to craft their debut album CINEMA, which earned them a GRAMMY nomination this past year for Best Engineered album. They've gone on to play Coachella, sell out their headlining tour and will tour with Halsey and play Lollapalooza this summer. The album also netted a #1 radio single with “Hush”Worked to build out a staff for the label including executive level positions, as well as radio, streaming/sales, marketing and digital marketing roles, expanding the Nice Life footprintSigned key rising talent including St. Panther, John Robert, and publishing clients like Nate MercereauDevoted time and attention to mental health, creating a non-recoupable mental health fund for roster artists As a producer, Ricky has most recently….Co-produced Lizzo's “About Damn Time,” currently at number 4 on the Billboard Hot 100Produced Camila Cabello's “Bam Bam,” featuring Ed Sheeran. The song reached number 5 on the Billboard Hot 100, and peaked inside the Top 10 in over 15 countries, with Vulture calling it “a bona fide breakup bop”Developed and co-produced 7 tracks on Lizzo's multi-platinum selling breakthrough album Cuz I Love YouWon two Grammy awards, including one for Lizzo's Cuz I Love You in 2020 (Best Urban Contemporary Album) and the second this past year for Jon Batiste's We Are (Album of the Year)Produced tracks on albums including The Weeknd's After Hours & Leon Bridge's Gold-Digger's Sound Ricky has produced Lizzo's latest album SpecialWe want to hear from you! Please email Tera@BringinitBackwards.com. www.BringinitBackwards.com #podcast #interview #bringinbackpod #RickyReed #Wallpaper #Lizzo #NiceLifeRecordingCompany #NewMusic #zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow/ Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod

HULK / SPIDER-MAN / THE FLASH INTRIGUE*HAPPY EARLY 7TH BIRTHDAY, MILES!*~Tribute to psychofreak by Camila Cabello, featuring WILLOW~*Original written by Camila Cabello, Ricky Reed, Scott Harris, Tom Peyton, & Willow**Awesome Tribute by Rain ParisLyrics:Become the Hulk Hulk, Hulk Hulk, Hulk And climb like Spi Spi Spider-ManBecome the Hulk Hulk, Hulk Hulk, Hulk And climb like Spi Spi Spider-ManInteresting, got intrigue trigue' trigue' trigue' trigue'Interesting, got intrigue With class, plus rhymesTurning 7's a huge deal, Miles-The Flash, Tufty's favorite guyYou sprint so fastI can't see you sometimes… Outrunning the competition You're the track star typeRacing at IncredibleLasers to bumper carsYou mix all my favorite fairytalesWith your quick remarks You switch my pains to joysBrighten up my spark Salient to my writing development With a brilliant heartBeing with you & Oliver eases my ailsFrom phone to telegram If you need me, I'll FaceTime right thereTeaching you that intellectual aptitude has important consequences, for realzGrow those mental muscles strongerMove mountains with your willTeaching you, for others, how to truly careBe nice to plants too, please don't tug on their hairs! Be creative with your language Nothing trite for my DearsYou have to exercise, playground stunts for physical wear and tear You're my hero, hero, heroIt's always been trueBut it's your 7th BirthdayAnd the day has finally comeI know God's joys expound within youIt's always been trueBut the older you get, the more it shines in you, HunRight now, the green bag is still smallBut give it some time For Pandas, you're Red, and turning (into) oneI thank God, you're original In my life, you've become establishment Interesting, got intrigue With class, plus rhymesTurning 7's a huge deal, Miles-The Flash, Tufty's favorite guyYou sprint so fastI can't see you sometimes… Outrunning the competition You're the track star typeRacing at Incredible Laser tag to bumper carsYou remix all my favorite fairytalesWith your quick remarks You switch my pains to joysBrighten up my spark Salient to my writing development With a brilliant heartBecome the Hulk Hulk, Hulk Hulk, Hulk And climb like Spi Spi Spider-ManBecome the Hulk Hulk, Hulk Hulk, Hulk And climb like Spi Spi Spider-ManInteresting, you got intrigue trigue' trigue' trigue' trigue'When we're hanging outBoy, you're always groovyEven on your slowest daysYou're still climbing up treesIn your shared photo albumThe videos stack up to 115I can thank you boysYou make me so proud, proudI can't help but say wow!How did I get so lucky?To watch Encanto, you guys sat me down It resoundsLove it, profoundSo glad, I hit replayWe may not talk about BrunoBut we can sing about his predictions, wow!You're my hero, hero, heroIt's always been trueBut it's your 7th BirthdayAnd the day has finally comeI know God's love expounds within youIt's always been trueBut the older you get, the more you shine, HunRight now, the green bag is still smallBut give it some time For Panda's, you're Red, and Turning (into) oneI thank God, you're original In my life, you've become establishment Interesting, got intrigue With class, plus rhymesTurning 7's a huge deal, Miles-The Flash, Tufty's favorite guyYou sprint so fastI can't see you sometimes… Outrunning the company You're the soccer star typeRacing at IncredibleLaser tag to bumper carsYou remix all my favorite fairytalesWith your quick remarks You switch my pains to joysBrighten up my spark Salient to my writing development With a brilliant heartBecome the Hulk Hulk, Hulk Hulk, Hulk And climb like Spi Spi Spider-ManBecome the Hulk Hulk, Hulk Hulk, Hulk And climb like Spi Spi Spider-Man Interesting, you've got intrigue trigue' trigue' trigue' trigue'Become the Hulk Hulk, Hulk Hulk, Hulk And climb like Spi Spi Spider-Man Become the Hulk Hulk, Hulk Hulk, Hulk And climb like Spi Spi Spider-Man EndTribute by Melissa Smith:- Melzy of Wonderland on Youtube- Mel's Music on Spreaker, Spotify, Apple Podcasts, JioSaavn, Castbox, Deezer, Podcast Addict, Google Podcasts, iHeartRadio, Podchaser, Facebook &- Melissa_Martinek_Smith on Instagram (AKA: MelsMusic)

In a career spanning over 30 years, today's guest has been the guiding force behind selling over 50 million records and instrumental to some of the most musical moments of this generation. He has written and produced many chart topping R&B and pop singles and albums such as: Rihanna's GRAMMY winning "Umbrella"; Beyoncé's GRAMMY winning “Single Ladies (Put a Ring On It)"; Justin Bieber's "Baby"; Mariah Carey's "Touch My Body" and "Obsessed"; Mary J. Blige's "Just Fine"; Frank Ocean's “Novacane”; The-Dream's "Love/Hate" and "Love vs. Money"; Katy Perry's “Teenage Dream”; Beyoncé's “4”; Ciara's "Ride"; Frank Ocean's “Nostalgia, Ultra”; the Britney Spears and Madonna collaboration "Me Against the Music” and so many more. He has also discovered and/or developed game changing talents like: Ester Dean, Frank Ocean, Justin Tranter, Ricky Reed and writing partner The - Dream. Our guest is head of his own record label and commercial studio complex, RZ3 Recordings, based in Atlanta and he previously served as President of A&R at Epic Records. In 2012, Billboard named Stewart to the “40 under 40 list of Music Executives”. And The Writer Is… Tricky Stewart!Artwork: Michael Richey White See acast.com/privacy for privacy and opt-out information.

PEG Interview NY Born Musical Sensation Mia Koo BIO The New York-born musical sensation Mia Koo began her journey into the arts with the classical violin in 1996. From the age of six, she studied in chamber orchestras and programs for developing musicians around NYC reaching a level 6 certification in the NYSSMA Solo & Ensemble violin contests. Her national career took off early as she embarked on House of Blues tours from coast-to-coast with her first successful act, The Kung Fu Girls. The band collaborated with Tom Higgenson (Plain White T's) to produce their debut album, “Thinking of You.” This was all before she ever finished high school. In 2007, she broke into the pop industry collaborating again with Higgenson (who by now had formed the band) to write multi-platinum single Our Time Now (#66 on Billboard Pop 100 and #29 on Billboard Modern Rock Tracks). Our Time Now was also featured as the theme song for ABC Family's Greek, appeared on American Idol, iCarly,Wii Cheer, Sims 2, and Ultimate Band. It was also featured in the Disney Channel original movie Johnny Kapahala: Back on Board and a Norwegian commercial for As the Bell Rings. Kung Fu Girls broke up in 2009, but Mia's career didn't stop there. By 19, she'd already spent two years pitching to top industry artists like: ● Britney Spears ● P Diddy ● Demi Lovato ● Flo Rida ● Selena Gomez ● Enrique Iglesias ● Meatloaf ● Cher Mia co-wrote the 2014 song of the year in Norway for another collaboration titled Piñata with Andreas Schuller and Ricky Reed of Wallpaper ft. Inna, which was later released again through Atlantic Records asThe Cola Song. As of May 13, 2016, Mia has topped the Billboard Dance Electronic Album Chart at #4 (and iTunes Dance/Electronic Albums at #1) with her featured single on Markus Schulz's new album, “Watch The World” with her track Summer Dream getting international radioplay. The following year, Schultz featured Summer Dream in a mainstage act at the EDC festival in Las Vegas. In 2020, she co-wrote Forever Forever and was featured on Armin Van Buuren's “A State of Trance” and ranked in the show's song of the year contest. DJ Nifra dropped remixes of Forever Forever on the 2020 releases “In Bloom” and “Follow Me 2” which reached #1 in Beatport's Summer 2020 chart. Forever Forever also was included in John Askew's new album “From Dusk Till Dawn II” featuring remixes from Paul Van Dyk and more, released in May 2021. Now, Mia's collaborating with Markus Schulz again and DJ Anske to co-produce a new single Back In My Arms and new remixes for “In Bloom EP,” both dropping June 25th, 2021 on Coldharbor Recordings. Featured twice on Schulz Global Dj Broadcast (#GDJB). Spotify Track “Back In My Arms” https://open.spotify.com/track/6gQiVsQvsBoFdKz51ONlxo --- Send in a voice message: https://anchor.fm/phantom-electric/message Support this podcast: https://anchor.fm/phantom-electric/support

In this episode we give our predictions for the first round as well as our finals picks (full playoff picks on FB/IG @notanothersportspodcast and Twitter @n_a_s_podcast). We also discuss Tim Tebow, the hardest PG to guard in the league, the best NBA pipeline, and the best rivalry in the NBA --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

On Switched on Pop we talk to songwriters and artists about how they make great songs. Most songs are written with two or more people in the room. Something we've never done before is pair two of the best songwriters in the business to explain how they create a successful collaboration. Teddy Geiger is a Grammy nominated songwriter who's written countless number ones. You've likely heard her work with Sean Mendes, Leon Bridges, and Christina Aguilera, among many others. She’s also a critically acclaimed artist who's just released a single called “Love Somebody” written with Ricky Reed and Dan Wilson. Dan Wilson is the bandleader of Semisonic, famous for the song “Closing Time,” and the co-writer of Adele's “Someone Like You” and “Ready to Make Nice” by the Chicks. Wilson recently shared his top songwriting and collaboration tips published as a deck of cards called Words and Music in Six Seconds. He shared his ground rules for collaboration from the deck, through the case study of Teddy Geiger’s “Love Somebody” as part of On Air Fest 2021. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of We Talk Health, Will Kwasigroh talks with Mr. Ricky Reed, a teacher, musician, and resident of Brownsville, TN, about a wreck that he had on the way to Jackson, and how Sports Plus Brownsville was able to work with him to get his range of motion in his wrist back. Joining Mr. Reed is Torry Patrick and Susan Gilbert, both of which are caregivers at Sports Plus Brownsville. Tune in to hear Mr. Reed's story!If you'd like to learn more about Sports Plus Rehab Centers, click the link below: https://www.wth.org/services/sports-plus-rehab-centers/Hosts: Will KwasigrohSocial Media CoordinatorSusan Gilbert, COTA/LTorry Patrick, PTMr. Ricky Reed - Brownsville, TN Resident

In this episode, we sit down with Jeanette Fantone and OliOli Buika to talk all about their work! Watch the Ricky Reed visualizer here: https://vimeo.com/451357194 Recorded by Kohana Wilson & Lije Morgan Edited by Lije Morgan Theme music by Point.Reyes Background music by Zack Dresher Featuring music by Charlie Kilgore

There’s a common thread in being thoroughly accomplished, yet feeling like you still have plenty to prove. Enter the life of Ricky Reed: Grammy-winning producer, songwriter, Billboard veteran, reformed indie rocker, and EDM hybrid artist in a past life as well. Movie themes, #1 records, deep cuts… chances are, Ricky’s laid hands on something you love. He’s a man of many breakthroughs, but his second album started via live breakdown: The Room came to him and his collaborators as a COVID salve and a divine return to the purpose he couldn’t evade. From the basement of his new home, Ricky walks Michael through the work behind the victories, his principles for staying productive, and what the industry should do to stand by its marginalized talent.

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′11″ Winter in America (From “Black History Always / Music For the Movement, Vol. 2") by Freddie Gibbs on Winter in America (From “Black History Always / Music For the Movement, Vol. 2") - Single (HOLLYWOOD) 9′59″ Ode2MyLove by Navy Blue on Àdá Irin (Freedom Sounds) 12′19″ Winter by Nafets & Jontha Links on Winter - Single (Sonder House) 14′27″ The Office by RNDYSVGE & mont metri on The Office (RNDYSVGE) 16′10″ THIS ONES FOR US! by JPEGMAFIA on EP2! (GODMODE) 18′49″ coat of many colors by MIKE on weight of the world (10K) 20′34″ Fur Coat (feat. Shlohmo) by Jay Worthy on Till the Morning (feat. Shlohmo) (EMPIRE) 26′30″ Ain't Going Out Tonight by Huddyglo on Sports (Earth Libraries) 29′43″ Stacey by Shimmertraps on Look! (Gauzy Vox) 34′10″ BOUNCING by Nick Hakim on WILL THIS MAKE ME GOOD (ATO) 39′17″ Angel by Naji & The Kount on Angel - Single (Thousand Story & The Kount) 42′47″ Snowchild by The Weeknd on After Hours (XO) 46′47″ Rager teenager! by Troye Sivan on In A Dream - EP (EMI) 54′08″ Dogma by Red Moon on Dogma - Single (A Decca) 57′53″ Savior Complex by Phoebe Bridgers on Punisher (Dead Oceans) 65′08″ Someone Else by Deb Never on Someone Else - Single (Moonlanding) 66′46″ Elsie's Baby Boy (flashback) by Kid Cudi on Man On the Moon III: The Chosen (Republic) 72′02″ SMiLE by Swarvy on SUNNY DAYS BLUE (Black Focus) 74′37″ Courage by Lianne La Havas on Lianne La Havas (Warner) 78′18″ Good Days by SZA on Good Days - Single (Top Dawg Entertainment) 81′38″ Back on the Fence (feat. Becky and the Birds) by Healy on Tungsten (RCA) 85′20″ my future by Billie Eilish on my future - Single (Interscope) 93′39″ Real Deal (feat. J Warner & Sinead Harnett) by Maths Time Joy on Real Deal (feat. J Warner & Sinead Harnett) - Single (The Equation) 97′50″ Karma Plays by McClenney & Baby Rose on Karma Plays - Single (Haven) 101′28″ My Line (feat. Jay Prince, Vula & Soweto Kinch) by Reuben James & Col3trane on Slow Down - EP (Rufio ) 105′31″ Ungodly Hour by Chloe x Halle on Ungodly Hour (Parkwood) 109′38″ Herringbone by Topaz Jones on Herringbone - Single (New Funk Academy) 112′16″ Missing Out by Syd on Missing Out - Single (Columbia) 116′12″ Shoulda (ft. Babyface) by Lucky Daye on Shoulda (feat. Babyface) (RCA) 119′26″ Us (How Sweet It Was) by Ricky Reed, Jim James & Duendita on The Room (Nice Life) Check out the full archives on the website.

Snacky Tunes: Music is the Main IngredientBy Darin and Greg Bresnitz with Khuong Phan Intro: Welcome to the number one cookbook podcast, Cookery by the Book with Suzy Chase. She's just a home cook in New York City sitting at her dining room table, talking to cookbook authors.Darin Bresnitz: Hello, I'm Darin Bresnitz. I'm the cohost and coauthor of Snacky Tunes: Music is the Main Ingredient, which is our new book that I did with my brother, Greg and our business partner Khuong Phan. Now it is a perfect gift for the holidays. And if you have kids, you will look like the coolest parent in the room.Suzy Chase: Darin, I've known you, I think since like 2004 or five, when you used to play squash on and off with my husband, Bob, and now you're married and expecting your second child. I can't believe it. Time flies.Darin Bresnitz: I mean, it's pretty wild. I remember when you used to DJ at Trophy Bar. Oh my gosh. Back in the day, what a great spot.Suzy Chase: And then around 2007, you developed TV's first music and cooking show called Dinner with the Band an award-winning series. You and your brother, Greg are legit OG food media guys. So then in 2009, you went on to create Snacky Tunes, the first food and music radio show and you just mentioned Trophy Bar. I feel like we've kind of led parallel lives. Cause I had my soul music podcast that started in 2005. I had my DJ residency at Trophy Bar in 2010. That's when Brooklyn was the epicenter of the food and music explosion and all while I was creating this cookbook podcast. So I'd love to hear about your evolution in Brooklyn, from Dinner with the Band and your podcast and now the book with some stops along the way at Refinery29 and Tastemade.Darin Bresnitz: Oh man. Well, you know, I'll go back to 2001. When I was at school at Boston University and I gotten into television and I opened up the phone book to find myself an internship and the only show listed was The Phantom Gourmet and it was a restaurant review show on NECN, which was their local like a New York 1, but for all of New England and I called them and we chatted and that was my first foray into food and you know, this is like I said, 2001 and so explaining to people that I was working in food TV or working in food media, some people just raised their eyebrows, politely. Some people needed a larger explanation, but you know, from back then, I just really felt that that was really, where the greatest stories lied with greatest people lived, I felt that this was the path for me to really explore the world and I really haven't taken my eyes off the prize. You know, I really have never stepped completely out of the food media world. As you mentioned, I spent a little time at Refinery29, but even there, I was always bringing food into the events that I was doing there, but we were still doing Snacky Tunes, the radio show. We were still doing our barbecue blowouts in Williamsburg, where we had high-end chefs come to Williamsburg and pair them with a DJ. You know, it was always just traipsing along in the different types of media forms and in college when I had the idea for dinner with the band, I thought that if I was going to get into this business that I didn't want to ever just work on other people's show that the whole idea was to create your own thing, which I had taken from a lot of the DIY basement sort of punk rock shows that we were going to as kids, whereas you didn't need anyone's permission. You just went out and you built something and it was yours. And some people came, most people didn't, but at least you made something. And so that building of the show, building of Dinner with the Band in the late aughts is what was sort of the backbone for the first part of my career in TV. And then that ultimately went away and around that time, 2009, when we were sort of making the show and it was also sort of ending is when we started, Snacky Tunes, which Greg and I started at Heritage Radio Network, which was an absolute blast. You know you couldn't get more epicenter right? In the back of Roberta's 2009. I mean that's it. We were just in the heart of it and you could feel it was special at the time. You know, you could really just feel the ground shifting and you could see what was happening, post recession and all the new food ideas, you know, Roy Choi's Kogi Truck coming out of LA and the national, international effect that was having on restaurants and what could be considered a restaurant or a food truck and the accessibility where you didn't need to be in Manhattan or even Williamsburg, you could just be out anywhere and that was what Roberta's was teaching us and stuff. It was just great to be at the center of it. And then, five, six years later, 2015, I just felt the winds shifting for me a little bit and came out to LA and have been lucky enough to be part of the food movement that's happening out here. You know, I would argue that LA is one of, if not the most exciting food cities in the last few years, obviously the pandemic upended not just LA, but a lot of places, especially as we head into a second shutdown right now, but you know, I've been happy enough to be at Tastemade overseeing a lot of our original series for the networks. I just found in my lane early on. I think that's the best way to really describe it is that I found my lane and my lane was food and I never wavered. And there was a lot of setbacks and it's easy when you say the highlights like this to be like, Oh yeah, I went from this and that. And that, the other thing, you know, there was also bankruptcy and taxes owed and ideas not getting picked up and hunting for jobs and being freelance. But at the end of the day, I just never wavered. And food has just sort of been my guiding light, my North star, and I've loved all the food people I've met and all the chefs and the stories that have gotten told, and we've gotten to eat and where it's taken me all over the world and how I met my wife and how we're raising our family and just, it always comes back to food.Suzy Chase: I honestly, think you made that lane and you made it a really hip lane.Darin Bresnitz: I don't know if I would claim to say that I made it, you know, I think that I was happy to be in that lane with some people and I'm happy to be considered when anyone does that I'm a part of that. What I love about my role in this is, and this is where the weird thing is about being on the podcast and having the book is that we're not really front and center. You know, Greg and I have really worked to make the show as a platform for other chefs. And when I go back and listen to my interviews over the last decade or so, what I personally have worked to have done is taken myself out of the show as much as possible. It really is like a setup, a question, and then get out of the way. So, you know, it's doing this media talking about the book, which I so happy that we got to do and to curate and be a part of in many ways. It's like, you know, we wrote the intro and then we got out of the way and we let the chefs tell their stories.Suzy Chase: Okay. So will you sing your Snacky Tunes jingle with me?Darin Bresnitz: Oh man. Uh, let's see. Can I tell you the story about it before we sing it?Suzy Chase: Yesss!!Darin Bresnitz: So we were deejaying at the time and we didn't have a theme song and we're like, okay, we should have a theme song. And the original idea was to have different people. Cause we were having all these bands on and uh, you know, we had all these different musicians that were in our lives at the time and we're like, okay, we'll have people do different theme songs, like one every season or something like that. And then, uh, we were touring with Ricky Reed, AKA wallpaper, AKA Lizzo's producer. And we said, Hey man, can you make a theme song for us? And he was like, yeah, no problem. And then he sent over the theme song that is still the theme song today. And we heard it. And the reason why it's still the theme song is because he nailed it. He wrote the lyrics, he'd wrote the music, he sent everything and it was just like, okay, we're done. And that's, that's it. But yes, you know, tried to remember.Suzy Chase: All right, here we go.Suzy Chase: We talk about food we talk about music with musical dudes, finger on pulse, Snacky Tunes!Darin Bresnitz: Then it has like the NBC ring out like bomb, bomb, bomb. But no, it was great. It was like, Oh my God, uh, you nailed it. We don't need to ask anyone. And then Freelance Whales who was really the first live band that we had on that changed everything. Greg had found them busking in Brooklyn and they came in live and played a five song set. And that was really what changed the way that we did the show. We switched from DJ's to live bands somewhere on one of the episodes they were on they did a cover of, of it which is, you know, you have to dig up in the archive.Suzy Chase: I have to find that. So you and Greg wrote in the book, one of the most important ways people define themselves is by how they connect both to themselves and to the world at large, for us and many of the chefs who have appeared on our podcast, Snacky Tunes, those connections have been expressed by their lifelong intertwined relationships with food and music. I think the only way you could do that podcast and this book is to also have a deep connection to food and music. Can you talk a little bit about your personal connection?Darin Bresnitz: We grew up surrounded by food and music, both aware and unaware of how unique it was to our family. You know, our grandparents on my dad's side were Auschwitz survivors. My grandparents on my mother's side from Poland, for your Russia, a DP camp in Italy came to Brooklyn. And so in many ways we were second generation American Canadians. Our dad's parents wound up in Canada and a lot of the food we grew up eating was a harken back to this old European Eastern style of cooking, you know Hungarian on my grandmother's side and my dad's side and, and Polish on my grandmother's side. And so the idea of us eating food from scratch, being cooked from the kitchen, my mom carried on the tradition as well was just second nature to us, you know, and taking it for granted is maybe a weird way to say it, but just being unaware, that, that wasn't how everyone ate like we didn't eat fast food. We rarely went out to restaurants, not in a bad way. We just, you know, we're always cooking at home. And if we did go out to eat, it would be Chinatown or, you know, Jewish deli or something like that. And so food really became something that we were excited about. And then for music, you know, my father played guitar and was really into music. He was in Montreal growing up and he would go see all the Motown bands that would come over from Detroit and sneak into the bars when he was like 16. And he would also come to the States when he and my mom are dating and bringing back LP's that hadn't been released in Canada and have people over and share music with them. And so, you know, growing up, you'd always share music with us and there was always music on in my house, you know, every weekend morning, wake up to music and food and things like that. And so it just became ingrained in us that listening to music and eating food was just central to bringing people together, connecting with family, taking time to listen to a record or eat a meal together. And then as we got older and we started going out into the world, we weren't cooking as much for ourselves and this was the late nineties so food really hadn't taken off the way it had, but music, you know, we were super into the music scene and we'd go out of the suburbs of Philadelphia and into the city itself or go to our friend's shows and see emo bands and indie bands and punk rock bands and things like that and just the idea that you could create your own show, you could create your own t-shirt, you could make your own songs that just sort of gave us the definition of making things on our own to us, the food and the music itself is how we connected with people.Suzy Chase: So this book is complete with all new interviews, recipes, and playlists from 77 chefs from around the world who share how music has shaped them and its influence on the culinary world. When I first saw this book, I was like, yay, it's a compilation of your podcast interviews from over the years, but it's not, it's all new. Describe how you chose the chefs for this book.Darin Bresnitz: Greg had the concept to do a book and I believe the original idea was go back, pull this out of interviews of chefs that we had on the show. But to be honest, you know, if you go back and listen, like music pops up, but not every chef really goes into depth. And the stories that we're asking are not really the stories that we asked in the book. So we quickly realized that we needed to do a whole new format. Dale Talde, Nyesha Arrington, and Marc Vetri were the three chefs we reached out for the pitch whose stories wound up in the book and they helped us formulate what we would ask and things like that when we were doing our proposal for Phaidon, you know, knowing that this is gonna be a national international book, we sort of said, okay, half-ish of them were going to be North America, the rest will be international and then we kept going along the lines of how do we want to make this book diverse, right? Because we thought that you could easily fall into a very specific type of chef who do these compilation books and then you're not getting any variety. And we knew that we wanted to have some heavy hitters, you know, your Dominique Crenn, your Curtis Stone, your Asma Khan, your Ben Shewry but then we also wanted to have some new chefs that people may be had never heard of like Loic Dablé or Manu Buffara, or Monique Fiso some chefs who might be on our radar but might not be known at a larger level if you didn't know chef in general. And so we just went to work. I mean, we gritted it out to be honest, like we really were really disciplined and diligent in the type of chefs would reach out to and the diversity which was really key from us the beginning and we didn't want to have the thing where we're doing all this work and we wake up six months, seven months, eight months in and we go, oh my God, we didn't stick to our guns you know, we sort of fell short in who we wanted to be in this book. And so, you know, after the friends and after the colleagues when we started looking at who we saw, it still needed to be in the book and where we wanted some representation, you know, we have all six continents represented, we started just doing research and some of them were cold emails some of these people, the only interaction we've ever had with them was hi, how are you? You don't know us. Would you be a part of this book? Here's the questionnaire? Do you want to get on the phone? Let's talk things out. And people were really gracious with their time and their stories and the communication I have now, dozens of cities and chefs that I want to visit all over the world and eat their food and meet them for the first time.Suzy Chase: You just mentioned Manu Buffara, is that how you pronounce her last name? Yes. A chef in Brazil, but I love that you gave a voice to emerging chefs. Can you talk a little bit about her?Darin Bresnitz: Manu's incredible. In doing our research and what I personally know about chefs all over the world, I would say South America is one of my weak points. I don't know a ton. I haven't had the pleasure of visiting there yet and we knew that Brazil has one of the best culinary scenes in the world. It's super diverse they have a great amount of history and cultural representation ingredients. And what we love about Manu is that she really is at the forefront of this new type of cooking, where it's both paying homage to Brazilian cuisine, but at the same time, moving it forward. I mean, the fact that she picked Feijoada, which is I believe the Brazilian national dish, as her dish, but then modernizes it with some of the techniques. And some of the ingredients really shows the culmination and is really a perfect example of the type of food she makes. Feijoada. It was created by African slaves who came to Brazil and it's beans and it's beef and it's pigs ears. You know, it's a lot of, sort of like the bits and ends of food, but the culmination of the dish is something that's absolutely incredible. And then it just creates this gorgeous stew and you serve it with white rice and you have all these great garnishes. And it's just this very comforting, very soul hugging type of dish. Manu just works with local communities, she transforms abandoned sites into urban areas, she's a teacher, she's a chef. She's just one of those people who I go, can I hang out with you? How do we get to hang out more? And we reached out. She said, yes. And she gave us some incredible stories, a great playlist, and introduced, at least me personally, to a lot of artists who I didn't really know anything about. And I would say, and I probably butchering the name of this, but Céu, she was one of the artists on her playlist has become one of my favorite artists of 2020.Suzy Chase: Can you describe the look of this book and how it's all organized? It's super stylish.Darin Bresnitz: Oh, sure. Well, I cannot take really any credit for it. Phaidon paired us with an incredible set of designers Omnivore and they absolutely knocked it out. Now, the way that it works with the process is that we delivered the text so then they were going to parents with the designer and originally we were going to have 50 entries, right. And when you have 50 entries and you have X amount of pages and design costs, that allows for one type of design, well, Greg and Kuhong, and I had a very specific idea about who we wanted in the book and the amount of diversity that we wanted to represent the stories we wanted to tell. So we wound up delivering 77 entries with 86 chefs and restaurateurs. We had quite a few duos and so when you hand in that amount of information, I believe, I want to say the original amount of words we handed in maybe 200,000 words, and we got it down to maybe 110,120 thousand. But you know, when you have that much text, there really isn't that much room for illustration. And when you have that much text, you also think, like you said, how do you organize it? And so Omnivore really just knocked it out with the layout, the way that everything's presented, the way that we have different pull quotes. And we were involved a little bit in the feedback process, along with Phaidon, but I got to give credit where credit's due and they just do absolutely amazing work.Suzy Chase: Kendrick Lamar is in this book 12 times. What do you think that means?Darin Bresnitz: Well, I mean, so none of the chefs knew what any of the other chefs were submitting and when we did the interviews, we did not give any restrictions. We had a list of questions that we asked and we would ask the questions and then sit back. We didn't tell anyone what recipes to make, what songs to pick, which ours to lean into. And when you do something like that, you get some really fun coincidences such as this one. Let's be honest. Kendrick Lamar is one of the most prolific artists in the last half a decade, decade, right? But also he's got that same mentality that all great artists have. And a lot of the chefs we've talked to are great artists into themselves. It's inspirational. It's pushing yourself. It's, you know, looking at a tough situation and persevering. And I think when you're just in the kitchen, you're grinding it out and you're making a name for yourself and you're working really hard. You know, someone like Kendrick Lamar is a perfect ally when you're listening to music and looking for that type of inspirationSuzy Chase: Now to my segment called last night's dinner, where I ask you what you had last night for dinner.Darin Bresnitz: So I finally was able to unpack all of my cookbooks and I didn't want to fall into the, these are ornamental only. They look nice, but I wanted them to be both form and function. And so what I am made was The Phoenicia Diner's Chicken and Dumplings. You take a whole chicken, you boil it, you break it down, you pull the chicken off. Then you add all these root vegetables with some cream and little cornstarch to thicken it up and you just let that cook. And that's just absolutely incredible. And then you make these little biscuits with fresh chives and buttermilk, which are their take on the dumplings, which actually I really liked because I do like the texture a little bit better. And then you serve it up in one bowl and there's just so much in this recipe, but actually gets better each day. So day three of the chicken and dumplings was absolutely fantastic. And my daughter loved it. My wife loved it. It's, it's a very comforting dish when, when it gets to be, I guess, cold out here is below 50, but it does make me feel like I'm back East. It doesn't have like a lot of those flavors.Suzy Chase: Where can we find you on the web and social media and tell us about your virtual book tour.Darin Bresnitz: So you can find everything you need to know about us at snackytunes.com. You can also go to heritageradionetwork.org or phaidon.com is where you can buy the book but also if you want to support independent bookstores, we are huge, huge, huge advocates of that so you can go there and personally you can find me at Instagram, Darin Bresnitz. The virtual book tour. Greg had the idea of doing a virtual book tour and started putting it together and then Khuong and Phaidon and myself also helped put that together but we did over 10 stops. And the idea was in each city, we paired a different chef with a band and usually the chef of the band knew each other but, you know, look, we wanted to talk with people. We wanted to get the word out. We wanted to at least somewhat celebrate the book and some sort of physical presence. And the response we got was really good, hopefully sooner than later, at least hopefully for the second half of 2021 people will get back to physical tours.Suzy Chase: In the book you wrote, we hope you'll find a piece of yourself somewhere in these stories and be moved to create something of your own to share with the world. It was so great chatting with you, Darin. Thanks for coming on Cookery by the Book podcast.Darin Bresnitz: Thank you so much for having me really appreciate it and stay safe. Have a great holiday season, and we will see you in the new year.Outro: Subscribe over on CookerybytheBook.com. And thanks for listening to the number one cookbook podcast, Cookery by the Book.

En Música de Contrabando, revista diaria de música en Onda Regional de Murcia(orm.es, 00,00h). Recordamos a Spencer Davis, pionero del ‘rock and roll’ británico. El célebre guitarrista lideró The Spencer Davis Group. En noviembre se celebra el 50 aniversario del mítico álbum doble de 1970 Layla and Other Assorted Love Songs en formatos especiales en 4LP y 2CD a través de UMC / Polydor. Al doble álbum original se le ha dado el famoso tratamiento Half-Speed por Miles Showell en Abbey Road Studios. Elton John presenta dos inéditos incluidos en su próxima Jewel Box. Pet Shop Boys han decidido sacar a la luz sus apariciones en programas de la BBC desde 1985 a nuestros días.Decca Records anuncia la salida de ‘Good Night Songs for Rebel Girls’, como celebración de artistas musicales femeninas extraordinarias y creado en asociación con Rebel Girls, la multi-plataforma global de entretenimiento educativo centrada en servir de inspiración y dar confianza a toda una generación de chicas en todo el mundo. Joan Jett, considerada la reina del rock’n’roll y la madrina del punk, grabó una nueva versión del tema ‘Fresh Start’.En su nuevo single, Cabiria, acompañada de Josep Xortó, plantea un viaje por un universo de sintetizadores y ritmos ochenteros que remiten a tiempos mejores en los que podíamos ser los dueños de la pista. @Menta nos enseñan a cabalgar entre nuestras dudas. Ya disponible 'So May We Live In Interesting Times', nuevo EP de Indigo Drone. @MOW publica su 2º álbum ONE. 9 joyas de dream-pop de exquisitos arreglos y poéticas letras, con una sensibilidad cercana a artistas como Ángel Olsen, Big Thief, The Knife o Lana del Rey, entre otras. Toda una revelación de la escena nacional y más necesario si cabe en los tiempos que corren, Bronquio continúa posicionándose como un valor en alza dentro del mercado electrónico. Leon Bridges, y Lucky Daye lanzan "All About You". El dulce pero sensual tema inspirado en el R&B de los 90 que fue producido por el colaborador de Leon durante mucho tiempo, Ricky Reed, y fue grabado durante un encuentro casual en el estudio entre los dos artistas en Los Ángeles. Tras su reciente EP "Sunshine Pop Ep1", y mientras se cocinan el Ep2 y el Ep3, THE YELLOW MELODIES sorprenden con un nuevo single titulado "We all deserve a chance", en vinilo 7" de color amarillo y edición limitada publicado en el sello griego Old Bad Habits. Tras los dos primeros adelantos “Sociedades ficticias” y “Dolor con sentido del humor”, Burrito Panza presenta un nuevo avance de su próximo disco “Autosabotaje”, que verá la luz en noviembre. The Weeknd sorprende con una nueva remezcla de su éxito “In Your Eyes”. Esta vez cuenta con la colaboración de otro icono mundial, Kenny G. Desde Valencia llegan Machete En Boca, el torbellino musical femenino que más está dando que hablar en las últimas fechas. Duras, directas con rabia y flow. Entrevista: @Firmado, Carlota es el proyecto musical de Carlota Cabrerizo, una chica murciana de 19 años que emprende su proyecto musical más sólido en marzo de 2020 y se dibuja como una de las promesas emergentes del Pop Underground español. Loganz es el nuevo proyecto de Álvaro del Campo, líder y compositor de the Runarounds de Murcia, explorando nuevos terrenos y horizontes musicales. Regreso de Novio Caballo, los autores del hit indie “Jesús es negro”, con una versión de Glitter Klinik (proyecto de Luis Miguélez ex Dinarama, originalmente cantada por Fabio McNamara). Colaboran miembros de Viva Suecia y Axolotes Mexicanos. Siguen los aplazamientos: Viva Suecia presenta nuevas fechas de su gira.

Irvine, California-based renaissance woman St. Panther can be found collaborating with Ricky Reed or Nate Mercereau but they’ve also helped her come along as a solo artist in her own right. Let’s enjoy ‘These Days.” 

Today And The Writer Is…releases it’s 100th episode! To celebrate this milestone, Ross and Joe will answer questions from past guests such as Ryan Tedder, Charli XCX, Nick Jonas, Lindy Robbins, Ricky Reed, Simon Wilcox, Luke Laird, and more, as they reflect on the songwriting and the podcast. We want to express our deepest thanks to our listeners for their support and to everyone who has made this podcast possible. It is an honor to feature the stories of such talented music creatives. We are humbled by the opportunity to use this platform to amplify their voices and advocate for songwriters. A big thank you to our production team! Producers: Big Deal Music Group & Mega House MusicHost & Producer: Ross GolanProducer: Joe LondonProducer: Casey RobisonProducer: David SilbersteinProducer: Ashley AlexanderProducer & Social Media: Meg GogginsProducer: Zack WeinsteinProducer: Kelley FoxWatercolor Artwork: Michael Richey WhiteMarketing Consultant: Dodge WilliamsSpecial thanks to: Mark Tindle, Miles Bergsma, Fame House, Amber Packer, and Hipgnosis Songs Group. See acast.com/privacy for privacy and opt-out information.

Grammy-nominated music producer, songwriter, multi-instrumentalist and founder of Nice Life Recording Company, Ricky Reed joins LaunchLeft. He discusses a “day in the life” at the studio and the dichotomy of working with Top 40 recording artists such as Lizzo and artist just beginning their journey in the industry. He also talks about balancing his work with fatherhood, how music found him and shares a little bit about his newest collaborative project The Room. We end the show with a track off of the album No Stone featuring The Dirty Projectors.--------------------LAUNCHLEFT OFFICIAL WEBSITEhttps://www.launchleft.comLAUNCHLEFT PATREON https://www.patreon.com/LaunchLeftTWITTERhttps://twitter.com/LaunchLeftINSTAGRAMhttps://www.instagram.com/launchleft/FACEBOOKhttps://www.facebook.com/LaunchLeft---------------------LaunchLeft is an alliance of left-of-center artists, a label, a podcast, a curation engine. LaunchLeft Podcast hosted by Rain Phoenix is an intentional space for Art and Activism that enlists famed creatives to launch emerging bands. LaunchLeft begins with music, but ultimately aims to launch left-of-center artists in all creative fields.

St. Panther is a multi-instrumentalist / singer / producer from Irvine, CA. Her latest EP, "These Days," is a funky, soulful, genre-crossing, moving, and often danceable display of all her talents. As comfortable laying down her own drums as she is rapping and singing, SP is a creative powerhouse. Shes actually had to slow herself down and be more picky about when and what she creates so she can feel like all her songs have purpose. Now under the wing, and label, of Grammy nominated smash hit producer Ricky Reed, she's set to have a big moment any day now. She has all the talent and charisma to be a huge crossover act, and "These Days" is just a small sampling of what surely awaits. Tune in to hear us talk about growing up in a conservative area of Southern California, her piano teacher recognizing her as a composer in elementary school, and bouts of homelessness before getting signed. Head to YouTube now to see her perform "Something's Gotta Give."-Lee See acast.com/privacy for privacy and opt-out information.

feat: Rhiannon Giddens, Ricky Reed & Lido Pinmienta, Fantastic Negrito, Grant Lee Phillips, Delta Spirit New music with a touch of Americana and world flavour

Nancy Pelosi visited a hair salon, and Tucker Carlson isn't happy about it. Kevin and Nick breakdown the big blowout on this week's episode. Plus, we catch up with Ricky Reed. The East Bay-born musician, Wallpaper. frontman, and Lizzo producer has a new collaborative album, "The Room." Finally, we learn all about beer cocktails and the refreshing "Hazy McClaren" from Michael Huffman of San Francisco's Seven Stills. Join us!

Ricky Reed is the Grammy-nominated producer and songwriter behind hits by Lizzo, Kesha, Leon Bridges, Maggie Rogers, and more. He joins us for an All Of It listening party for his debut album, The Room, which features collaborations with the likes of Bridges, Terrace Martin, Jim James of My Morning Jacket, Dirty Projectors, Alessia Cara, and Lido Pimienta.

It was a particularly apocalyptic week in the Bay Area — even by 2020's standards. An oppressive heatwave, followed by a rare thunderstorm, followed by the beginning of fire season. Still, we find things to look forward to. Like the Inside Lands festival — the virtual event hosted by Outside Lands. Kevin and Nick figure out where they each come down on the +44/Angels & Airwaves divide, and Kevin learns about one of our regions most sought-after producers: Ricky Reed. Thanks for tuning in! Plus we hear a new song from San Francisco indie trio Fast Times and check in with Sara Gaiser — editor of our sister paper, The Examiner — who is now helping her fifth-grader navigate remote learning.

Full show: https://kNOwBETTERHIPHOP.com Artists Played: WordChemist, conshus, AMiAM, Blueprint, Kno, Tiye Phoenix, Ricky Reed, Leon Bridges, Kiana Lede, Fantastic Negrito, Tarriona Tank Ball, Dan Croll, St. Panther, Nas, The Firm, AZ, Foxy Brown, Cormega, Dr. Dre, Hit Boy, G-RY, Free Tillman, Leisure Chief, Moemaw Naedon, Bryony Jarman-Pinto, Oddisee, Priya Ragu, Sainte Ezekiel, Romare, M Slago, MidaZ The Beast, DJ Spiderman, Marcos Valle, Ali Shaheed Muhammad, Adrian Younge, Ultra Beast, 4-IZE, senor KAOS, Supastition, Land of Talk, The Audible Doctor, Screechy Peach, OutKast, Goodie MOb, IMAKEMADBEATS

The internet sure does love lobbing hate onto Kim Kardashian and her siblings! And now look: Kim Kardashian is about to free C-Murder! Also, this episode is dedicated to those spending time on Jay-Z conspiracy theories when you could just support Nas and go. RZA is revolutionizing ice cream trucks, Spotify is launching all types of personalized, interactive things, Of COURSE Megan Thee Stallion and Cardi broke all the records + Meg finally confirmed what we all pretty much have known from the beginning... well most of us. Cuz some of you wouldn't believe that girl til she showed you her bullet wounds. SMH. We're also talking new music by Drake, Dua Lipa, Miley Cyrus, Ricky Reed, Jack Harlow, Earthgang, Dave East and The LOX. And let's give Jaden Smith ALL of the things!! Make sure you follow @chopblockpod on IG and @thechopblockpod on Twitter for updates between episodes. And, as always SUPPORT YOUR LOCAL CREATORS. This episode was recorded at Twelve Studios in Atlanta, GA. Hosted by @Cizzurp215 and @SaintBoogie Produced by @anatome3 --- Support this podcast: https://anchor.fm/thechopblockpod/support

Enjoying the show? Please support BFF.FM with a donation. Playlist It's Only Us by Monophonics on Single (Colemine) Never Be Another You by Lee Fields & The Expressions (Big Crown) Love Will Bring Us Back Together Again by Roy Ayers on Best of Roy Ayers (Universal) Tonite by DJ Quik on Quik is the Name (Profile) Tell Me When To Go (feat. Keak Da Sneak) by E-40 on My Ghetto Report Card (Reprise) Mafo by Naira Marley on Lol (Moves Recordings) Vibration by Fireboy DML on Laughter, Tears & Goosebumps (VBNL Nation) Mask Off by Future on FUTURE (Epic Records) HUMBLE by Kendrick Lamar on DAMN (Aftermath / Interscope) Cool as the breeze/Friday by Chronixx (Soul Circle Music) Sunrise by Sizzla (Evidence Music) Heads High by Mr. Vegas on Heads High (Greensleeves Records) Man is the Least by Lady Saw on Extra Raw: The First Lady Of Dancehall (VP Music ) Bring It (feat. Beenie Man) by DJ Ecko (Dancehall Diamonds) Jailbird Riddim by Anthony B (Born Fire Music) Police by Anthony B on Street Knowledge (VP Records) Water Me Down (Pamcy Remix) by Vagabon on Water Me Down (Pamcy Remix) (Self-Released) Twice as Tough (feat. Mansionair) by upsidedownhead on Single (Liberation) Us (How Sweet It Was) by Ricky Reed on Single (Nice Life) Pac-Man (fest. Schoolboy Q) by Gorillaz on Single (Warner) Rien Ne Va Plus by Funk Factory on Funk Factory (Atco Records) Car Thief by Beastie Boys on Paul's Boutique (Grand Royal) Six Days - Remix by DJ Shadow on Fast and Furious Soundtrack (Universal) Dripping Sun by Kikagaku Moyo on Masana Temples (Guruguru Brain) Ordinary Guy (feat. The Mattson 2) by Toro Y Moi on Single (Company Studio) Ordinary Guy by Joe Bataan on Gypsy Woman (Faina) Sabor A Mi by El Chicano on Revolucion (Geffen) Slippin' Into Darkness by War on All Day Music (Far Out) Never Heard 'Em Say by Durand Jones & The Indications (Dead Oceans) You n Me Sellin' Weed by The Flaming Lips (Warner) € € € €^^%%!!!!!heaven!!!!!! by Lala Lala, Baths (Hardly Art) Another Weekend by Ariel Pink on Dedicated to Bobby Jameson (Mexican Summer) The next Tender Knob Radio is on Sunday, September 6th at 6:00 pm. Check out the full archives on the website.

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′24″ The Mighty Tree by Terrace Martin, Robert Glasper, 9th Wonder & Kamasi Washington on Dinner Party (EMPIRE) 7′46″ Lylz by Helena Deland on Lylz - Single (Luminelle) 9′49″ Seven Times by Lianne La Havas on Lianne La Havas (Warner Records UK) 13′19″ Shoot Your Shot by Oddisee on Odd Cure (Outer Note) 17′24″ Shine by Joey Bada$$ on The Light Pack - Single (Columbia) 20′12″ Detroit River Rock by Boldy James / Sterling Toles on Manger on McNichols (Sector 7-G) 28′24″ Real Magic by Ricky Reed, Terrace Martin & St. Panther on Real Magic - Single (Nice Life) 32′16″ Cookie Chips by Rejjie Snow, MF DOOM & Cam O'bi on Cookie Chips - Single (Honeymoon) 36′30″ bittersweet by Ivy Sole on bittersweet - single (Les Fleurs) 39′40″ Poppin Shit by SahBabii on Barnacles (Casting Bait Music Group) 42′43″ Very Fine by Vritra on Floaters (735697 Records DK) 48′5″ Acid by Jockstrap on Wicked City (Warp) 51′46″ Everybody's Mother by Kacy Hill on Is It Selfish If We Talk About Me Again (Self-Released) 54′44″ Trying (Porches Remix) by Aunty Social on Trying (Porches Remix) - Single (Nettwerk) 58′5″ Zenith by Synead on Zenith - Single (Amuse-Bouche) 61′26″ Aguïta by Gabriel Garzón-Montano on Aguïta (Jagjaguwar) 66′50″ Like Fire by Jessy Lanza on All the Time (Hyperdub) 69′45″ Note To Self (feat. Empress Of) by Jim-E Stack on Note To Self (feat. Empress Of) - Single (AWAL) 71′59″ Moody by Brijean on Moody - Single (Ghostly International) 74′12″ A Mirror by Kllo on Maybe We Could (Ghostly International) 78′46″ Deep End by Joe Hertz on Current Blues (Juicebox) 81′50″ Equilibrium by Darius & Wayne Snow on Equilibrium - Single (Roche Musique) 86′28″ Mirage (Don’t Stop) by Jessie Ware on What's Your Pleasure? (A PMR / Virgin EMI) 93′17″ Wherever You Go (feat. Jamie xx, Neneh Cherry & CLYPSO) by The Avalanches on Wherever You Go / Reflecting Light - Single (Modular) 98′42″ Womxn (Logic1000 Remix) [feat. Logic1000] by Låpsley on Womxn (Logic1000 Remix) [feat. Logic1000] - Single (XL) 103′17″ Water Me Down (Pamcy Remix) by Vagabon on Water Me Down (Pamcy Remix) (Self-Released) 106′56″ Beautiful by 박혜진 Park Hye Jin on How Can I - EP (Ninja Tune) 109′12″ Your Love Is Lifting Me (Aleksandir's Loft Rework) by Athlete Whippet on Your Love Is Lifting Me (Reimagined) (squareglass) 113′12″ they told us it was hard, but they were wrong. (Fort Romeau Remix) by ela minus on they told us it was hard, but they were wrong. (remixes) (Domino) 117′0″ ALL U LADIES by FAUZIA on once upon a production mix (self-released) The next Music Ninja Radio is on Friday, September 4th at 4:00 pm. Check out the full archives on the website.

My guest today is Ike Schultz, a Multi-Platinum award-winning mixing and tracking engineer based in Los Angeles, CA originally from Toronto Canada. He’s collaborated and worked on albums for a variety of artists including Tinåshe, Lizzo, Adele, Rihanna, Kanye West, Ariana Grande, Adam Lambert, Whethan, Calvin Harris, Dua Lipa, Charlie Puth (pooth), Phantogram, and more. Ike worked at the legendary Larrabee Studios directly assisting nine-time Grammy award-winning mixer, Manny Marroquin, for 3 years. Then went on to mix Lizzo’s debut release ‘Coconut Oil’, under executive producer Ricky Reed at S.K.A.M. Studios. Ike worked on the majority of the album including the singles “Phone” & “Good As Hell”.    While at S.K.A.M. Studios, Ike worked with DJ Felli Fel, Ty Dolla $ign, Lil Yachty, Whethan, DRAM, Imad Royal & Post Malone. Afterwards, he mixed & contributed as a songwriter for multiple feature films for Paramount Pictures’ music department, and began working with Grammy award-winning producer & engineer Chris Testa for the Oprah Winfrey Network, MTV, & Facebook’s content collaborations with Buzzfeed.   In 2018, Ike became the engineer/vocal producer for Emmy Nominated & Multi-Platinum recording artist Tinashe. He recorded & mixed her fourth studio album “Songs for You” which became the first independently released #1 album on iTunes in the US since 2016.    Thanks to Gabe White at WhisperRoom for the introduction. Thanks to our sponsors! OWC: Other World Computing: https://www.OWC.com JZ Microphones: https://usashop.jzmic.com Spectra1964: https://www.spectra1964.com Presonus Studio One: https://www.presonus.com API Audio: http://www.apiaudio.com/ RSR Academy: http://RSRockstars.com/Academy Want to learn more about mixing? Get Free mix training with Lij at: http://MixMasterBundle.com Hear more on Youtube If you love the podcast, then please Leave a review on iTunes here CLICK HERE FOR SHOW NOTES AT: http://RSRockstars.com/255

Nicole Nfonoyim-Hara sits with the new Executive Director of the Rochester Art Center Pamela Hugdahl to discuss how the Art Center has adapted during the pandemic. We check in with local restaurant owners and take a walk around the new Cascade Lake. Mary O’Neil, Program Manager of the Housing Stability Team, stops by to discuss what Olmsted County is doing to help the most vulnerable populations in the time of COVID-19. (MPTA, Legacy, KSMQ, 7-10-20) Featured Songs: "Real Magic" by Ricky Reed, Terrace Martin & St. Panther "Summer" by Bktherula Connect with us! Facebook: https://www.facebook.com/KSMQPBS/ Instagram: https://www.instagram.com/ksmqtv/ Twitter: https://twitter.com/KSMQ #RTown Website: http://ksmq.org/rtown R-Town, the show about Rochester, is brought to you in part by the Minnesota Arts and Cultural Heritage Fund and the citizens of Minnesota, and the members of KSMQ Public Television. Thank you!

The pandemic has upended the art and business of making music. Producing, performing and releasing — every aspect is new and uncharted. The need for social distancing means that it’s unsafe to collaborate in small studios or perform for large crowds — not to mention finding the right thing to sing about in such a charged moment. We’re telling three stories about how artists are working within these constraints: Ricky Reed and John-Robert have found a way to generate a creative spark remotely, Jacob Collier has defied the laws of physics to master live performance over the internet, and Dua Selah has released a powerful new track that helps support the protests in Minneapolis. Everything is radically different than it was a few months ago, but these stories shine a light on why making music matters more than ever in 2020.  SONGS DISCUSSED Lizzo - Juice John-Robert, Ricky Reed, Zach Sekof - Favorite Boy Bill Withers - Lean On Me performed by Ty Dolla Sign & Jacob Collier Jacob Collier - All I Need D’Angelo - Feel Like Making Love Stevie Wonder - You And I performed by Tori Kelly and Jacob Collier Dua Saleh - Body Cast Dua Saleh - Sugar Mama Dua Saleh - Moth Dua Saleh - Smut Sister Rosetta Tharp - This Little Light Of Mine MORE Watch Nice Live on YouTube: https://www.youtube.com/channel/UC24tNtu1NuD9yZ9t2YUATIQ Dua Saleh's "Body Cast" BandCamp campaign: https://duasaleh.bandcamp.com/track/body-cast Listen to Dua Saleh's new album Rosetta: https://duasaleh.bandcamp.com/album/rosetta Learn more about your ad choices. Visit megaphone.fm/adchoices

The pandemic has upended the art and business of making music. Producing, performing and releasing — every aspect is new and uncharted. The need for social distancing means that it’s unsafe to collaborate in small studios or perform for large crowds — not to mention finding the right thing to sing about in such a charged moment. We’re telling three stories about how artists are working within these constraints: Ricky Reed and John-Robert have found a way to generate a creative spark remotely, Jacob Collier has defied the laws of physics to master live performance over the internet, and Dua Selah has released a powerful new track that helps support the protests in Minneapolis. Everything is radically different than it was a few months ago, but these stories shine a light on why making music matters more than ever 2020.  Links to resources discussed: https://switchedonpop.com/ Host: Arielle Duhaime-Ross (@adrs), host and lead reporter of Reset About Recode by Vox: Recode by Vox helps you understand how tech is changing the world — and changing us.

This guest from Season 1 is a songwriter, producer, artist, and father who has built an incomparable resume over the past decade. He is known for his work with Lizzo, Meghan Trainor, Twenty One Pilots, Christina Aguilera, Halsey, Leon Bridges, Kesha, Phantogram, Bomba Estéreo, and more. Been nominated for 5 GRAMMY Awards, two of which for Producer of The Year in 2019 and 2016. He’s launched his label, Nice Life Recording Company, and founded the publishing company Nice Life Copyright Company. He was a major contributor to Lizzo’s breakout album ‘Cuz I Love You’, and co-wrote and co-produced the No. 1 hit “Truth Hurts.” These days you can find him on his weekly YouTube series, ‘NICE LIVE’ where he sat down with Ross for this interview. And The Writer Is… Ricky Reed!Please join us to help keep the music community alive and thriving, giving it as much as it gives us. To donate or to apply for assistance visit the MusiCares COVID-19 Relief Fund site: https://www.grammy.com/musicares/get-help/musicares-coronavirus-relief-fund Watch this video interview on YouTube at https://www.youtube.com/andthewriteris or on Instagram at @andthewriteris. See acast.com/privacy for privacy and opt-out information.

Grammy nominated producer and songwriter, Ricky Reed, talks to iHeartRadio's Dave Styles, about what being a producer entails, the process of directing stars in the studio, fashion, and being a new dad.

Episode 9! In this episode we share some reading recommendations from myself as well as from Jamie & Christian Reynolds. We're all avid readers and have different tastes. We'll do more book recommendations down the line. In this episode I also talked about my thoughts on the Grammys. Shout out to Ricky Reed and Lizzo! Plus a brief review of my wine tasting experience out here in lovely Napa, CA. And a few words about the great Kobe Bryant.

The Alpha and Jimmy Thompson, with Ricky Reed as Referee, share their thoughts of the most recent episode of AEW Dynamite each week. Episode two, originally aired on http://twitch.tv/BacklogNetwork, covers AEW episode 1/8/2020. Ricky and Jimmy jump right in - and Alpha sits out due to coming down with a suspicious sickness. --- Send in a voice message: https://anchor.fm/bathpodcast/message

The Alpha and Jimmy Thompson, with Ricky Reed as Referee, share their thoughts of the most recent episode of AEW Dynamite each week. This episode is a landmark. The first episode of BatH, on 1/1/2020. We cover the current status of AEW and how it will fare going into the new decade. --- Send in a voice message: https://anchor.fm/bathpodcast/message

He is nominated for Producer of the Year as well as Album of the Year and Song of the year along with LIZZO. Please welcome to the desk, Ricky Reed!

He is nominated for Producer of the Year as well as Album of the Year and Song of the year along with LIZZO. Please welcome to the desk, Ricky Reed!

We had the honor of interviewing FIDAR with co-host Sean Ulbs of The Eiffels."Over the course of 13 songs, FIDLAR’s third album Almost Free touches on many of the tragedies and irritations of modern life: existential dread, gentrification, the inescapable sway of the super-rich and the self-involved, post-breakup telecommunication, performative wokeness, the loneliness of sobriety or the lack thereof. But through sheer force of imagination and an unchecked joie de vivre, the L.A.-based band manages to turn feeling wrong into something glorious and essential. In the age of joyless self-care, Almost Free makes a brilliant case for being less careful, for living without fear of fucking up, and possibly embracing any incurred damage as a lucky symptom of being alive.Produced by Ricky Reed (a 2017 Grammy Award nominee for Producer of the Year, known for his work with Leon Bridges, Kesha, and Halsey), Almost Free skids along with a relentless energy, a sustained rush of feeling. Even in the album’s most languid moments it’s still wildly kinetic, with guitars that thrash and buzz and sometimes wander into ethereal terrain, heavy and unhinged rhythms, vocals that shift from manic to fragile and back again.Despite that volatility, Almost Free came to life through a far more gradual and deliberate process than the band followed for their 2013 self-titled debut and their 2015 sophomore album Too. Mixed by eight-time Grammy-winner Manny Marroquin (Christine and the Queens, Dirty Projectors, Kanye West) and mastered by multiple Grammy nominee Chris Gehringer (Rihanna, Chvrches, St. Vincent), the album taps into the insights Zac’s recently gleaned in producing for The Frights, SWMRS, and Dune Rats. At the same time, Almost Free achieves a graceful cohesion that the band largely credits to Reed’s guidance in sharpening their songcraft, as well as his aligning the disparate sensibilities of FIDLAR’s two lead songwriters. “Elvis is really into garage-rock and blues, and I’m usually listening to new shit,” says Zac. “There’s a yin and yang happening, and Ricky was able to offset everything so it’s not so rock & roll and not so SoundCloud rapper—there’s a balance.”In the spirit of contradiction and contrast, much of Almost Free centers on FIDLAR’s love-hate relationship with L.A. and its endless tensions. Partly inspired by the band getting kicked out of their house after Highland Park went trendy, the album-opening “Get Off My Rock” fires off on the thoughtless upheaval that happens when people with too much money claim a neighborhood as their own. And on “Can’t You See,” Almost Free portrays a particular species of L.A. creep, summed up by Zac as “a musician who’s high on coke at a party and showing you his music on his iPhone, and punishing you by making you listen to it.” With its slippery groove and tongue-in-cheek lyrics (“Meditate, you can get rich quick/Don’t talk, just like my shit”), “Can’t You See” originated with a demo that Elvis submitted on a whim. “I figured no one would be into it, since it didn’t fit into what we’ve always done, but Ricky really responded to it,” he says. “It was freeing to realize I don’t have to write a certain way for it to work for FIDLAR—the songs can take all different shapes.”Whereas “Can’t You See” unfolds with an elegant precision, “Alcohol” sinks into FIDLAR’s most supremely base instincts. Built on a serpentine riff and thunderous drumming, the track emerges as a transcendent party song with a dark undercurrent. “I was sober for a long time, and I remember sitting in a meeting listening to someone’s story and thinking, ‘This is just making me want to get fucked up,’” says Zac. “Eventually I started drinking again, and that song is what came out.” Elsewhere on Almost Free, themes of addiction manifest in the self-effacing sing-song of “By Myself” (as in “Well, I’m cracking one open with the boys, by myself”) and in the bleary and brooding stomp of “Kick.” “‘Kick’ is really about trying to get over addiction of any kind,” Elvis points out. “Around the time it came together my friend had gone through a bad breakup, which can be just as awful if not worse than getting off drugs.”A duet with K.Flay (the Grammy-nominated singer/rapper/songwriter otherwise known as Kristine Flaherty), “Called You Twice” looks at life-changing heartbreak more directly and tenderly. “My ex-girlfriend and I had just broken up and I was such a mess, I couldn’t sleep—I’d never been through anything like that before,” says Zac. “Kristine called me up and I told her, ‘Man, I’m going through it right now,’ and she was like, ‘Perfect time to write a song!’” Written together on an acoustic guitar, “Called You Twice” ultimately evolved into a slow-burning ballad built on delicate melodies, lovesick but brutally self-aware lyrics, and sweetly shattered vocals.With the horn-fueled instrumental title track serving as its centerpiece, Almost Free presents some understated political commentary on the unnervingly sunny “Scam Likely” and expounds on self-deception on the frenetically beat-driven “Too Real” (sample lyric: “And let’s pretend that EDM didn’t happen at all/And that politics are why you drink alcohol”). Showing the scope of FIDLAR’s artistry, the album also offers the glammy shimmer of “Flake,” the onomatopoeic fury of “Nuke,” and the epic free-for-all of “Thought. Mouth.” (an infinitely shapeshifting track that spontaneously bursts into full-tilt jukebox anthem). And on “Good Times Are Over,” Almost Free closes out on a communally written, bittersweet serenade to a lost friend (“Misery, you could use a little company/I always thought that we’d be sad together, sad forever”).From song to song, Almost Free bears a raw vitality that FIDLAR partly attributes to a certain lightning-in-a-bottle element in its construction. While the album was recorded in several different locations—including the iconic Sunset Sound and Sonic Ranch, a studio in the Texas border town of Tornillo—much of the material came straight from homemade demos. “On the last record we took the demos and re-recorded everything in the studio, but this process was more like how we worked in the beginning,” says Elvis. “I feel like it got us back to that original feeling we had when we first started making music together, instead of just pushing everything out on a deadline.”FIDLAR’s origins trace back to 2009, when Elvis (whose dad played in the legendary punk band T.S.O.L., and who joined his own first punk band at age 13) landed an internship at a recording studio where Zac worked as an engineer, and the two started jamming in the off-hours. “I remember one day we went out to get a Little Caesar’s pizza and Elvis put on Songs for the Deaf by Queens of the Stone Age and I was like, ‘I love this record,’” Zac recalls. “That was the moment when it just connected for me: ‘We’re gonna be in a band together.’” With Brandon and Elvis’s kid brother and lifelong bandmate Max brought into the fold, the four musicians felt an immediate chemistry but had no real direction. “There wasn’t any kind of plan to become a working band,” says Elvis. “We just all really wanted to make loud rock & roll music.”Throughout Almost Free, FIDLAR match their stronger sense of purpose with the ineffable magic that’s always driven them—most notably, that pure and palpable love of playing together. “We were so young when this started, we were just partying and being kids, and FIDLAR took on a life of its own,” says Zac. “I really thought I was going to be working on other people’s music for the rest of my life, and that would be it. In my wildest imagination I never would’ve thought that this all would’ve worked out the way it did—but that’s how life happens in general. That’s the classic story.”Zac Carper (lead vocals, rhythm guitar) - Elvis Kuehn (lead guitar, vocals) Brandon Schwartzel (bass) - Max Kuehn (drums)https://fidlarmusic.com/http://www.theeiffels.com/https://www.bringinitbackwards.com/Hello@BringinitBackwards.comCredits: Theme Song: Scott Russo & Design: Oscar Rodriguez & Photo: David Black 

Subscribe on Bandcamp for ad free episodes: https://makingrecords.bandcamp.comTobias Wincorn is a music producer who has worked with Lizzo, Phantogram, Goldlink, Panic! At the Disco, James Arthur, Meghan Trainor, Ricky Reed and many more. We talk about:[] Sampling music [] Clearing sampled music[] Best way to format emails reaching upward in the industry[] Ways of creating music for licensing[] Approaching publishers for sample use[] Much more about sampling music![] The making of Lizzo’s “Tempo”Follow him on Instagram: http://www.instagram.com/tobiaswincornListen to his selected discography on Spotify: https://open.spotify.com/user/daveeberg/playlist/3AYUlO4wW7iGp3zBrnLw92?si=6YiAL-LfScOP9HBJY2mz2A- Listen to my selected discography on Spotify: https://open.spotify.com/playlist/37Ov5jIRL2afzukSU4yWwe?si=4YaOv0UgQC6d80CSV7np7AMy own samples and loops available here: https://producedbydav.bandcamp.comMy Instagram: http://www.instagram.com/producedbydavThanks for listening. Please subscribe/review if it helped you out!

Ricky Reed hosts this episode of “And The Writer Is!” Ricky interviews Ross in a candid conversation about Ross's 14 year project called “The Wrong Man.” Ricky produced the concept album released on Interscope Records that is being adapted into a musical opening in NYC by the Hamilton director by Tommy Kail and music director Alex Lacamoire. How does a project grow through word of mouth to a major label release and Off Broadway show without every releasing recorded music until last week? Listen to find out about this amazing journey from a West Hollywood apartment in the mid 2000s to a worldwide distributed album! See acast.com/privacy for privacy and opt-out information.

21 Pilots... Blurry face Album Review...... Show notes   21 Pilots .. Blurry face Album with writing credits Tyler Joseph. Blurryface[14] No. Title Producer Length 1. "Heavydirtysoul" ·         Ricky Reed ·         Tyler Joseph[a] 3:55 2. "Stressed Out" ·         Mike Elizondo ·         Joseph[a] 3:22 3. "Ride" ·         Reed ·         Joseph[a] 3:35 4. "Fairly Local" ·         Reed ·         Joseph[a] 3:27 5. "Tear in My Heart" ·         Reed ·         Joseph[a] 3:08 6. "Lane Boy" ·         Reed ·         Joseph[a] 4:13 7. "The Judge" ·         Mike Crossey ·         Joseph[a] 4:58 8. "Doubt" ·         Reed ·         Joseph[a] 3:11 9. "Polarize" ·         Elizondo ·         Joseph[a] 3:47 10. "We Don't Believe What's on TV" ·         Reed ·         Joseph[a] 2:57 11. "Message Man" ·         Tim Anderson ·         Joseph[a] 4:00 12. "Hometown" ·         Elizondo ·         Joseph[a] 3:55 13. "Not Today" ·         Elizondo ·         Joseph[a] 3:58 14. "Goner" ·         Reed ·         Joseph[a] 3:57     Please note I talk about the group as one person not two as even though I have been listening to them for years i never bothered to google them to see what they looked like until doing the show notes Eminem song was ‘Guilty conscience’ from The Slim Shady LP https://www.youtube.com/watch?v=H-CGWrV3oQ0   modern comparisions When I mentioned the Chainsmokers make a form of EDM/ Trap/ Pop this is what i meant https://en.wikipedia.org/wiki/Trap_music_(EDM) and this apparently is what it is https://en.wikipedia.org/wiki/The_Chainsmokers La La La Never found the proper musical term for la la or na na type lyrics in music but did find this interesting list of examples from mashable https://mashable.com/2014/08/18/la-la-la-music-monday-who-even-needs-words/?europe=true p.s I forgot to mention how much ‘Home town’ channels David Bowie R.I.P And forgot to R.I.P XXXtention when i mentioned his name.   Generic references to 80’s music On reflection the clash and maybe the undertones are obviously a heavy influence in 21 Pilots music https://www.youtube.com/watch?v=EfK-WX2pa8c&index=3&list=PL5oBma4Dh7jyUC5wzi459DMVcBgtTVHdX https://www.youtube.com/watch?v=sKumfRiGdQI&list=PLtLlUc8WoDhxNFifurGTyuh25XiQHmBvP  

We talk about some very interesting topics: - We remember Ricky "DJ Technoid" Reed - one of Chris' inspirations for creating music.- Minnie Van's are going to get more expensive in some cases.- A Wreck it Ralph story is slated to come to the Void.- More non-Disney hotels coming soon! Expedition Roasters is ‘THE’ artisanal roaster of specialty Disney inspired coffees. Why not brew some magic at your home? Some of their coffees include Skipper’s Brew, Ghoulish Delight, Enchanted Tiki Coconut, Redhead Rum and many other unique roasts. Their coffees are certified gluten & allergen-free and feature unique custom artwork by guest artists. Trader Sam’s Coffee Company offers an adventure in every bag! So, start your adventure today by visiting us online at TraderSamsCoffee.com, That’s Expeditionroasters.com And Behind The Ears, listeners be sure to take advantage of this exclusive offer and save 20% on your first purchase with code: EARS20 – That’s EARS20 at Expeditionroasters.com Brew Your Happy Place! Tired of lugging that stroller on to the plane? Maybe it’s taking up too much room in the trunk on your drive down to Disney World, but who can you trust to get a stroller? How about Kingdom Strollers. They have a variety of sizes and models to fit every family and their budget. Plus, there a trusted Disney brand so save you the hassle and space and simply visit KingdomStrollers.com for your next family trip! We invite all of you to follow us on our social media platforms, you can find them all here: Facebook – behindtheearspodcast@gmail.com Twitter – @BehindtheearsPC Instagram – Behindtheearspodcast Email – behindtheearspodcast@gmail.com YouTube/ Behindtheearspodcast Facebook group – “WDW Community” Like always please RATE and REVIEW the show on iTunes and if you would like to see any of our videos or archived shows you can always find them on our YouTube channel. Now sit back, Relax and enjoy your trip through Disney World! ** Theme song owned/created by Behind The Ears Industries LLC **

Laura Miller and Ricky Reed field our unimportant questions such as What is the last thing that you learned about your significant other? What were your favorite bands in high school? Follow Laura and Ricky: https://www.instagram.com/imlauramiller/  https://www.instagram.com/rickyreed/  Follow along with the show: http://www.totallylaime.com/        https://twitter.com/TotallyLaime       https://twitter.com/drrosenrosen       https://www.instagram.com/elizabethlaime/       https://www.instagram.com/doctorrosenrosen/       Support the show on Patreon: https://www.patreon.com/totallylaime    

This week on A Waste of Time with ItsTheReal, we welcome singer, rapper, actress Lizzo to the Upper West Side! Known for her songs Phone and Good as Hell, her EP Coconut Oil, and great performances on MTV, Desus & Mero and Full Frontal with Samantha Bee, we discuss how she grew up in Detroit, moved down to the SWAT section of Houston because "the mortgage business" was popping, dropped out of the University of Houston where she had a flute scholarship, moved to Denver where she photographed Cirque du Soleil and refused to speak, tried out for American Idol in Dallas, performing for zero audience as part of an indie progressive band in Houston, moving to Minneapolis and becoming one of Prince's favorite artists, taking a chance and collaborating with Ricky Reed in Los Angeles, and ultimately signing to Atlantic Records. All that, plus Slim Thug, Mike Jones, TV Johnny, John Mayer, Mark Ronson, Owen Wilson, Sanjaya, Puffy, Raising Canes, McCormick and Schmick's, and living her absolute best life. See acast.com/privacy for privacy and opt-out information.

The Doc welcomes Fat Tony. The two talk about Macgregor Park, his new song Son of God, working with Ricky Reed, and they even go over the perfect order at Whataburger. Also Dave "Burly Man" Berlin tells you why your picture of your grandma at Thanksgiving is lame. Listen Now!

Pensado's Place - Audio 53:35 info@pensadosplace.tv (Pensado's Place)noPensado's Place Audio PodcastGrammy winning mix engineer Dave Pensado and veteran manager/executive producer Herb Trawick are the host and co-host of Pensado’s Place. A weekly talk show covering the audio and music spectrum, its craftsman and the business of. Pensado’s Place has been called the “Charlie Rose of audio”, a description that sits fine with both Herb and Dave. Pensado’s Place segments cover include interviews, technique application, interactive audience participation, speed rounds and more. Along with location shoots, sweepstakes, gear and career opportunities, thought leader analysis of the challenges and evolution in the audio and music space, Pensado’s place is the tv show for the casual enthusiast up to the long term professional. With mix credits including Michael Jackson, Kelly Clarkson, AfroJack, Beyonce, Elton John, Christina Aguilera and Jill Scott, Dave is acknowledged as one of the leading online educators for all things audio. Trawicks experience as a successful manager makes him the resident expert on intellectual property, business affairs, career consultation, digital media and

Pensado's Place - Video 53:35 info@pensadosplace.tv (Pensado's Place)noPensado's Place - VideoGrammy winning mix engineer Dave Pensado and veteran manager/executive producer Herb Trawick are the host and co-host of Pensado’s Place. A weekly talk show covering the audio and music spectrum, its craftsman and the business of. Pensado’s Place has been called the “Charlie Rose of audio”, a description that sits fine with both Herb and Dave. Pensado’s Place segments cover include interviews, technique application, interactive audience participation, speed rounds and more. Along with location shoots, sweepstakes, gear and career opportunities, thought leader analysis of the challenges and evolution in the audio and music space, Pensado’s place is the tv show for the casual enthusiast up to the long term professional. With mix credits including Michael Jackson, Kelly Clarkson, AfroJack, Beyonce, Elton John, Christina Aguilera and Jill Scott, Dave is acknowledged as one of the leading online educators for all things audio. Trawicks experience as a successful manager makes him the resident expert on intellectual property, business affairs, career consultation, digital m

Originally from Oakland, California, this writer-producer has built an incomparable resume over the past decade. Just this past year alone, he was nominated for Producer of The Year at the Grammy's AND announced his very own imprint label under Atlantic, Nice Life Recording Company. When he's not perfecting one of his own projects, he's shaping other artists' careers with notable hits such as Jason Derulo's "Talk Dirty", Meghan Trainor's "NO", and Twenty One Pilots' "Ride." Still, he does it all with the humblest attitude and warmest personality. And The Writer is...Ricky Reed! See acast.com/privacy for privacy and opt-out information.

Sarah Barthel and Josh Carter started Phantogram in 2007. They’ve worked on crafting a particular sound and they’ve had a particular way of making their dense productions since the beginning. But for their new record, Three, things changed. The song "You Don’t Get Me High Anymore" took the band outside of their comfort zone. And, in this episode, Sarah and Josh break down how they made the original demo, and how outsiders like The-Dream and co-producer Ricky Reed influenced the way the song ultimately turned out. songexploder.net/phantogram

Over some late, late snacks (AKA breakfast) at his Silver Lake, Los Angeles recording studio, Grammy nominee producer and founder of the group Wallpaper., Ricky Reed, talks about focusing on joy on the most recent episode of "The Dinner Party with Elysabeth Alfano". Ricky and I also dish on the making of a hit record and the key ingredient for producing for such varied artists as Jason Derulo, Bomba Estereo, Twenty One Pilots and Meghan Trainor.