Podcast appearances and mentions of Sidney Poitier

The final podcast on Have You Ever Seen in Black History Month talks for the 4th time about a movie with a primarily black cast. Otto Preminger often directed Issues Movies and here he's dealing with the Gershwin opera that's all about murder, rape, drug addiction, fishing and poverty…with some racism thrown in there too. Porgy And Bess is set-bound and melodramatic though. Bad print aside, the story and the execution often feel phony. The actors DO sell the passion better than the script or maybe even the original opera does. Sidney Poitier, Dorothy Dandridge, Brock Peters, Diahann Carroll and Sammy Davis Jr. actually do a terrific job with this not-always-effective material. So tune in for this 721st episode as I tackle yet another musical here in 2026: Porgy And Bess. Well, Actually: George Gershwin DID write the song "Summertime" for the 1935 opera, but DuBose Heyward came up with the lyrics. Also, for those interested in my quest to see absolutely, positively everything AFI-related, there are developments on that front (other nominated films on various lists) that will be discussed in future shows. Subscribe to the channel in your podcasting app. Rate the show with a delightful 5 stars, but also write a little complimentary review. And on the note of reviews, I talk about various flicks on Letterboxd: RyanHYES. Contacting suggestions: email (haveyoueverseenpodcast@gmail.com), Twi-X (@moviefiend51) and Bluesky (ryan-ellis).

They Dreaded Kegs = Three Geeky Dads Just like Setec Astronomy = Too Many Secrets Well, it's no secret that we are going to be taking a look at the 1992 espionage caper film, SNEAKERS starring Robert Redfolrd, Dan Aykroyd, Sidney Poitier, Mary McDonnell, Ben Kingsley, River Phoenix and David Strathairn. In the film, Redford and his team of security techs are tasked by a shadowy government agency to retrieve a mysterious "black box" but, but soon realize the job has nefarious and far-reaching consequences. Tune in and find out what we all thought!

On Feb. 20, two legendary artists entered the world. Sidney Poitier became the first Black man to win the Academy Award for best actor, redefining leading roles in Hollywood. Nearly a decade later, Grammy-winning vocalist Nancy Wilson was born, blending jazz, pop and soul with elegance and precision. Though both have passed, their influence continues to inspire generations. Subscribe to our newsletter to stay informed with the latest news from a leading Black-owned & controlled media company: https://aurn.com/newsletter Learn more about your ad choices. Visit megaphone.fm/adchoices

Celebrate National Cherry Pie Day with a fun mix of history, music, and celebrity birthdays. Today we look back at entertainment from 1984, plus major historical moments including MIT's founding, John Glenn becoming the first American to orbit Earth, and the story of the first U.S. ace pilot in WWII.Birthday spotlights include Sidney Poitier, Amanda Blake (Miss Kitty), J. Geils, Sandy Duncan, Kathie Baillie, Cindy Crawford, the Cummins kids, Andrew Shue, Kurt Cobain, and Rihanna. We also remember actress Sandra Dee, who passed away on this date.Music lineup features everything from Warrant and 50 Cent to Nirvana, Baillie & the Boys, Drake, Rihanna, and more.countryundergroundradio.comHistory & Factoids about today webpagecooolmedia.com

Phil & David welcome JoBeth Williams to "Naked Lunch" to discuss her iconic career, from her famous first film appearance in "Kramer Vs. Kramer" to director Sidney Poitier's "Stir Crazy" to "The Big Chill" to the "Poltergeist" movies to her latest film, "Not Without Hope." PLUS, singer-songwriter Louise Goffin stops by to discuss an upcoming benefit at Hotel Cafe in Hollywood for the Goffin-King Foundation -- https://thegoffinkingfoundation.org. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Check out our upcoming tour dates in February at https://www.drunkblackhistory.com/upcoming-shows! We'll be hosting shows in LA, Boston, Austin, Brooklyn, and more!   Don't forget to follow us on Instagram at officialdrunkblackhistory!Host Brandon (@frodo_blackins) is joined by "The Secret Life of TK Dutes" podcast host Keisha aka TK to discuss the groundbreaking career of Diahann Carroll. They discuss other life details like her affair with Sidney Poitier and how she got her career start. DBH Links:- https://www.instagram.com/officialdrunkblackhistory- https://www.drunkblackhistory.com/ - https://www.youtube.com/@drunkblackhistory- https://www.teepublic.com/t-shirt/16706941-dbh-logoGuest:Keisha "TK" DutesTastyKeish.comHosts:Brandon CollinsSponsors:Bunny podcast"Drunk Black History" is a production of Casa de Collins LLC.

We are talking about the Defiant Ones with Sidney Poitier. James Lott Jr is the guest host this episode!

Send us a textIn this episode, we are joined by Cheryl Boone Isaacs, a former Pan Am stewardess from 1972 to 1974 who went on to build an extraordinary career in Hollywood. Her journey is a remarkable one that spans aviation, Hollywood, and film education. She began her professional career as a Pan Am stewardess from 1972 to 1974, an experience that gave her a global perspective and a deep appreciation for storytelling and human connection.After leaving Pan Am, Cheryl moved to San Franscico where she held various jobs. However, she always thought about either going back into aviation or pursuing her dream of being in the film business inspired in part by her brother, Ashley Boone, a pioneering film executive. Learn more about Ashley here: https://www.hollywoodreporter.com/movies/movie-features/he-was-star-wars-secret-weapon-why-was-he-forgotten-1275211/Through him, she attended an advanced screening of Star Wars before its release in May 1977. That moment proved transformational and solidified her belief that the motion picture industry was where she belonged. So, she packed her bags and moved to Hollywood. Over the decades that followed, Cheryl worked on the marketing, publicity, and release of some of the most iconic films in cinema history. Her credits include Forrest Gump, Titanic, The King's Speech, Braveheart, The Artist, Close Encounters of the Third Kind, The Right Stuff, Once Upon a Time in America, The Wedding Singer, Austin Powers: The Spy Who Shagged Me, and Spider-Man 2. She also worked on two Indiana Jones films and five Star Trek films.Behind the scenes, Cheryl broke significant barriers. She became the first African American woman to lead a major studio marketing department at New Line Cinema, and later the first African American to serve as President of the Academy of Motion Picture Arts and Sciences, where she guided the organization through a pivotal period of reflection and change.Today, she continues shaping the future of storytelling as the Founding Director and Professor of Practice at the Sidney Poitier New American Film School at Arizona State University (film.asu.edu). In that role, she mentors students and builds a program grounded in Sidney Poitier's legacy, emphasizing inclusion, leadership, and real-world industry experience.From the skies of Pan Am to Hollywood studios and now the classroom, Cheryl Boone Isaacs' career reflects a lifelong commitment to storytelling, leadership, and opening doors for future generations. Support the show Visit Us for more Pan Am History! Support the Podcast! Donate to the Museum! Visit The Hangar online store for Pan Am gear! Become a Member! Follow us on Facebook, Instagram, and Twitter!A very special thanks to Mr. Adam Aron, Chairman and CEO of AMC and president of the Pan Am Historical Foundation and Pan Am Brands for their continued and unwavering support!

Oprah could never just ignore her weight. Everyone else was always talking about it – from tabloids to late-night shows. She talks to Rachel about her weight journey and her new embrace of GLP-1s, the topic of her new book, “Enough,” co-written with Dr. Ania Jastreboff. Oprah also opens up to Rachel about her childhood in Mississippi and the lessons she learned from Maya Angelou and Sidney Poitier.To listen sponsor-free and support the show, sign up for Wild Card+ at plus.npr.org/wildcard Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Reviews about black movies on Martin Luther King Day haven't been a tradition on this channel, but episode #710 is all about Sidney Poitier, Ruby Dee, Claudia McNeil and a cast that (mostly) looks just like them. In A Raisin In The Sun, they're a tumultuous family who come into a windfall of insurance money…and how to spend it is the thrust of the drama. Put it all into…a house? An education? A bar? Through all that, director Daniel Petrie's finest film gets into issues of alcoholism, financial difficulty, family squabbles, family love and racism. So come hear about the Youngers go through it all in this monologue about A Raisin In The Sun. Subscribe to the 'cast in your app while also giving some thought to rating the show (*****) and also jotting down a review. Find me on Letterboxd (RyanHYES) and also find me on social media. It's "@moviefiend51" on Twi-X and "ryan-ellis" on Bluesky. Another option is email: haveyoueverseendpodcast@gmail.com

-Trivia- Name the film in which Sidney Poitier befriends a blind white girl? -Reviews- Avatar: Fire & Ash Running Man Bugonia Bad Man -Trailer Addict- Wrecking Crew Supergirl The Odyssey   

Para muchas personas, los prejuicios racistas van unidos a la religión. Nuestra continua búsqueda de autojustificación hace que nuestro corazón, naturalmente, se incline a considerar que nuestra cultura, clase y fe, nos hace mejor que los demás. Como judío, Pedro veía al que no lo era, o sea "gentil", como "impuro", evitando comer con él. El conflicto al que se enfrenta en Hechos 10-11 continua hasta que Pablo le recrimina que "no anda rectamente conforme al Evangelio" (Gálatas 2:14). Si somo salvos por Gracia, ¿cómo podemos considerarnos superiores a otros? La canción de Salomon Burke nos dice que "Ninguno de nosotros es libre" (None Of Us Are Free 2002). El tema popularizado por Ray Charles, lo graba "el obispo del soul", predicador desde los siete años de una iglesia "unicitaria" pentecostal, muerto en el aeropuerto de Amsterdam en 2010, junto a los Chicos Ciegos de Alabama haciendo coros. Se refiere en principio a la idea judía de que nadie es libre, mientras haya uno que no lo sea. Para Jesús, eso significa que todos somos esclavos de un mal del que no podemos librarnos nosotros mismos (Juan 8:34). Por eso le dice el canadiense Neil Young al "Hombre sureño" (Southern Man 1970), que "no olvide lo que dice el Buen Libro". El racismo de la cultura "blanca anglosajona protestante" (WASP) del sur de Estados Unidos no se puede conciliar con el Evangelio. La verdad es que todos tenemos un "Amigo racista" (Racist Friend 1984), canta el fallecido Terry Hall. El cantante de origen judeo-alemán fue víctima de abusos por un círculo pedófilo francés a los doce años, formando en Coventry (Inglaterra) en 1977, la banda racialmente mixta de los Specials, que unió el "ska" jamaicano al sonido de la "Nueva Ola", hasta su muerte en 2022. Pocas películas revelan tan claramente la hipocresía de la sociedad liberal blanca occidental como "Adivina quién viene esta noche" (1967). El matrimonio que interpretan la pareja real extramatrimonial durante tantos años de Katherine Hepburn con Spencer Tracy, pocas semanas antes de su muerte, muestra la sutilidad del prejuicio racial con el que se enfrenta a la relación en la ficción de su hija, la sobrina de verdad de Hepburn, con el atractivo actor de las Bahamas, Sidney Poitier. Escuchamos escenas de la primera parte del filme en su versión doblada al castellano con los comentarios de José de Segovia sobre el texto de Hechos y la película de Stanley Kramer con el fondo de la banda sonora original de Frank DeVol. D C Talk fue uno de los tríos más populares de músicos cristianos a finales del siglo pasado y principios de éste. Racialmente mixto, la banda se formó en el entorno ultraconservador de la universidad fundamentalista del líder bautista de la Mayoría Moral de los 80, Jerry Falwell. Liberty. La banda acaba con el escándalo de la acusación de abusos sexuales por el afroamericano Michael Tait en 2025, conocido por su apoyo a Trump. "Gente de color" (Coloured People 1995) es uno de los pocos temas que hace referencia a la unidad con la que ve el Creador, la diversidad racial. El hijo del pastor bautista californiano, Steve Taylor, se enfrenta, sin embargo, desde su primer disco al "código de color" (We Don´t Need No Colour Code 1984), por el que se prohíbe la matriculación y el matrimonio interracial en la universidad evangélica, sede del fundamentalismo del sur de Estados Unidos, donde se forma Billy Graham. El "enfant terrible" de la "música cristiana" de los 80 la llama por sus iniciales (B. J. de Bob Jones) .El Evangelio nos muestra, sin embargo, que como "en Cristo Jesús no hay distinción" entre el que es judío y el que no lo es (Gálatas 3;28), tampoco hay diferencia en la fe, sea cual sea nuestra raza, pueblo o nación.

Encore! Encore! This December Janet, John, (and Pen) wanted to revist the astounding life of the director of A Warm December, an extremely talented actor, activist, and diplomat... Sidney Poitier! Born in Miami, Florida on February 20th in 1927, this Bahamian-American actor changed the game for black actors forever in the motion-picture industry by becoming the African American to win the Academy Award for best actor and the first Black movie star. Even though he seemed destined for the stage and stardom, Poitier worked hard to amass such a massive career in Hollywood. He got his start in the American Negro Theatre after applying for the second time after a previous rejection because of his accent (which he worked on changing to American pronounciation for six months). While studying acting, he made his Broadway debut in Lyrsistrata in 1946. His first film role was as Dr. Luther Brooks, a hospital's only Black doctor who treats a bigoted white cirminal, in No Way Out (1950). His refusal to play into racial sterotypes helped create inroads for Black people into American media culture. He later starred, worked in, and directed many films such as, Porgy and Bess (1959), A Raisin in the Sun (1961), and A Patch of Blue (1965), A Warm December (1973), Uptown Saturday Night (1974), and Stir Crazy (1980).  He also went onto winning  the Academy Award for Best Actor for Lilies of the Field (1963). He also received a Grammy Award, two Golden Globe Awards, and a British Academy Film Award! Join us as we revist Tribute 10 Mini-Sode: Sidney Poitier!   To learn more about this episode and others, visit the official Cinema Sounds & Secrets website!  

What happens when you take two comedy legends and place them in prison?? :o  Well in this particular case, in their second of four collaborations, you have Gene Wilder (Willy Wonka & the Chocolate Factory, Young Frankenstein, Blazing Saddles) paired up with Richard Pryor (Bustin Loose, Brewster's Millions, Blue Collar) paired up as two out-of-work-actors who end up in the wrong place and the wrong time and are convicted of a bank heist which they did not commit.  As a result, they are both sent to a southwestern prison where they team up with other prisoners to eventually escape via the opportunity of a prison rodeo....and HILARITY ensues!  Directed by the late great Oscar-winner Sidney Poitier (yes THAT Sidney Poitier...he was also a director), let's see how this smash hit comedy blockbuster from a different time (forty-five years ago to be exact) holds up.....Host: Geoff GershonEdited By Ella GershonProducer: Marlene GershonSend us a textSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

One of our favorite traditions continues! Screen Drafts MVPs / hosts of the Hollywood-ography podcast Oriana Nudo and Maureen Lee Lenker have spent the last year and a half watching every single feature film made by legendary Oscar winner SIDNEY POITIER, and now, at the conclusion of their Poitier season, they are joined at the Draft Table by American Cinematheque programmer Imani Davis to competitively / collaboratively rank the 11 BEST! Want more Screen Drafts? Become a Booster! For just $5 a month get ad-free Main Feed episodes, plus monthly installments of The Franchise mini-Super Draft, The Marathon, Speed Drafts, and the Cool Kids Criterion Club Corner. Visit www.patreon.com/screendrafts to join the Club!

Denise Nicholas joined me to discuss watching the Ed Sullivan Show; living on the same block as Hitsville, USA; not fitting in with her family; joining the Free Southern Theater and performing Waiting for Godot; Roscoe Orman; her part in the Civil Rights Movement; Negro Ensemble Company leads to It Takes a Thief with Robert Wagner; loving 2 1/2 Men; Room 222, the first "dramedy"; James L. Brooks; episodes were taken from the headlines; going on game shows with Karen Valentine; Hollywood Squares; injuring herself on Battle of the Network Stars; singing on The Tonight Show starring Johnny Carson in 1971; being the mystery guest on What's My Line; Match Game; Dinah Shore Show; having to prove herself to Sidney Poitier to cast her in Let's Do it Again; fighting to play Carroll O'Connor's girlfriend on In the Heat of the Night; asking for black writers; Redd Foxx; Baby, I'm Back; guesting on Diff'rent Strokes; her sisters gruesome murder; being in the pilot for Masquerade; guesting on Magnum, PI; getting an NAACP nomination for telefilm Mother's Day; joining the cast and writing staff of In the Heat of the Night; Ghost Dad; Richard Roundtree; her novel Freshwater Road; her second novel turning into her memoir deciding whether to work or not; 23 and me saying she is 64% European and 34% Nigerian; going to Nigeria and no one there believing she's Nigerian; Blacula; too much television shows

Based on a listener suggestion, we are covering a variety of queer coded Sidney Poitier and Tony Curtis films from the 1950's. Timestamps are approximate:2:45 - Sweet Smell of Success (1957)13:05 - Some Like it Hot (1959)27:05 - Trapeze (1956)47:00 - The Defiant Ones (1958)58:15 - Edge of the City (1957)Follow the show on Tumblr at ltbkpod.tumblr.com

Paul and Erin review two films about male friendships flourishing behind prison bars: Hector Babenco's 1985 Oscar-winner KISS OF THE SPIDER WOMAN, and Sidney Poitier's 1980 buddy comedy STIR CRAZY.

The Ringer's Bill Simmons, Kyle Brandt, and Joanna Robinson crank up the studio to 98.6 degrees to rewatch Robert Redford in ‘Sneakers,' alongside Sidney Poitier, Mary McDonnell, Ben Kingsley, Dan Aykroyd, and River Phoenix. Producers: Craig Horlbeck, Ronak Nair, Chris Wohlers, and Eduardo Ocampo A Mountain of Movies® on Paramount+. Stream now! A State Farm agent can help you choose the coverage you need. Like a good neighbor, State Farm is there.® Learn more about your ad choices. Visit podcastchoices.com/adchoices

EPISODE 108 -  “HOLLYWOOD ROYALTY: GLENN FORD & ELEANOR POWELL, REMEMBERED BY SON PETER FORD” - 10/06/25 PETER FORD was born into Hollywood royalty. As the son of MGM dancing sensation ELEANOR POWELL, and rugged leading man GLENN FORD, he was born into a world stat few can imagine. He lived in a mansion in Beverly Hills with a staff of 8. He called RITA HAYWORTH “Aunt Rita,” was babysat by JAMES MASON, had his first martini (at 10!) thanks to FRITZ LANG, and often had luminaries like HENRY FONDA, BARBARA STANWYCK, and CLARK GABLE at his dining room table. Peter once wrote, “I was sent by Central Casting to play the role of the perfect Hollywood son in this idyllic world of make-believe. I was great and performed flawlessly. It was hard work but I was underpaid!” Join us as Peter offers a fascinating, honest, and informative discussion of his loving, but complicated relationship with his parents, and what it was like to grow up surrounded by icons.  SHOW NOTES:  Sources: Glenn Ford: A Life (2011), by Peter Ford; “Peter Ford, A Star's Son: The Hardest Job in the World,” April 2011, by Charles Ziarko, Classic Images;  www.PeterFord.com; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Gilda (1946), starring Glenn Ford & RitaHayworth; The Big Heat (1953), starring Glenn Ford & Gloria Grahame; Heaven With The Barbed Wire Fence (1939), starring Glenn Ford, Jean Rogers & Richard Conte; So Ends the Night (1941), starring Fredric March, Glenn Ford & Margaret Sullavan; The Loves of Carmen (1948), starring Glenn Ford & Rita Hayworth; The Man From Colorado (1948), starring Glen Ford, William Holden & Ellen Drew; The Blackboard Jungle (1955), starring Glenn Ford, Sidney Poitier & Anne Francis; Interrupted Melody (1955), starring Glenn Ford & Eleanor Parker; 3:10 to Yuma (1957), starring Glenn Ford & Van Heflin; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

TVC 708.6: Howard Smith talks to Ed about the five characteristics that Johnny Carson, Sidney Poitier, Clint Eastwood, Dodgers manager Tommy Lasorda, and many other successful people from business, sports, politics, and entertainment have all embodied throughout their life and career. Howard's new book, My Friend Johnny: The Last 20 Years of a Beautiful Life with Johnny Carson and Friends, is now available at MyFriendJohnny.com

Before becoming a rock ‘n' roll frontman, Michael Des Barres was making his mark on screen—starring alongside Sidney Poitier in the 1967 classic To Sir, With Love. But it wasn't long before he traded the film set for the stage, forming glam rock outfit Silverhead in the early '70s before moving on to Detective, one of the few bands signed to Led Zeppelin's legendary Swan Song label. Hanging with Page, Plant, and Bonham was all part of the ride. In this episode of My Rock Moment, Michael shares his wild journey through music and acting—from those early days in London to writing one of the biggest songs of the 80s, to stepping in with The Power Station just days before Live Aid, and later, his unforgettable run as Murdoc on MacGyver. We also talk about his time with Pamela Des Barres, his show on Little Steven's Underground Garage, and the wise advice Sidney Poitier gave him early on. Michael Des Barres has lived a life where Hollywood and rock 'n roll collide—and he's got the stories to prove it. Find all things Michael Des Barres: Website: https://michaeldesbarres.com Instagram: https://www.instagram.com/mdesbarres Songs from this episode: Animotion - Obsession Silverhead - Sixteen and Savaged Chequered Past - How Much is Too Much? Michael Des Barres - 20th Century Boy Detective - Help Me Up For more information on My Rock Moment and the Host, Amanda Morck: www.myrockmoment.com For more information on upcoming episodes and your regular dose of rock history follow us on Instagram: https://www.instagram.com/la_woman_rocks Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's episode of Unclear and Present Danger, Jamelle and John watched the (rightfully) forgotten thriller The Jackal, a loose adaptation of The Day of the Jackal directed by Michael Caton-Jones and starring Bruce Willis, Richard Gere, Sidney Poitier and Diane Venora.In The Jackal, Willis plays the titular assassin, a feared hitman who has been hired by Russian mobsters to assassinate the director of the FBI, in retaliation for American activity in Russia. As the Jackal makes his arrangements, FBI Deputy Director Carter Preston (Poitier) and Russian Police Major Valentina Koslova (Venora) scour their sources for leads in a search that leads to imprisoned IRA sniper Declan Mulqueen (Gere). Mulqueen knows the Jackal and will help the FBI find him — if he gets his freedom in return. What follows is a chase across the world, as Carter, Koslova and Mulqueen race to stop the Jackal, whose ultimate target is the First Lady of the United States.The tagline for The Jackal was “How do you stop an assassin who has no identity?”You can find The Jackal to rent or purchase on Apple TV or Amazon Prime.Episodes come out roughly every two weeks, so we'll see you then with an episode on Tomorrow Never Dies, the second entry in Pierce Brosnan's run as James Bond.Over on Patreon, we have an episode on the first Mobile Suit Gundam compliation film. We're also doing a weekly politics show on the news of the day. Joining us by heading over to patreon.com/unclearpod. Our producer is Connor Lynch and our artwork is by Rachel Eck.

In the before times, comedian Bill Cosby starred in a trio of pictures with Sidney Poitier. This is the last one in the series. Joe was a kid when these films came out and he enjoyed them in their era but what does he think now?  Links You can rate and review us in these places (and more, probably) Does This Still Work? - TV Podcast https://www.podchaser.com/podcasts/does-this-still-work-1088105 ‎Does This Still Work? on Apple Podcasts https://podcasts.apple.com/us/podcast/does-this-still-work/id1492570867 Creator Accountability Network creatoraccountabilitynetwork.org.  

How many secrets? Too many. How many Sneakers? At least 5-6 pairs. How many Sidneys? Just the one - Poitier - inarguably the best one. Listen, we recorded this ep before Redford's death, so it's really more a tribute to old computers than anything else, but RIP anyway, "Mr. BRICE." Featuring Shrishma Naik, Carolyn Naoroz, and Justin Zeppa. Sneakers was directed by Phil Alden Robinson and stars Robert Redford and Sidney Poitier.We appreciate your support, so please subscribe, rate, review, and follow the show: YouTube: youtube.com/@oldmovietimemachineInstagram: @timemachinepodcasts Facebook: facebook.com/oldmovietimemachine Buy our luxurious merchandise: www.teepublic.com/user/old-movie-time-machine ★ Support this podcast on Patreon ★

Send us a textToday's episode is a replay of the very first interview episode from back in June 2023. My guest was Mia Mask, a professor at Vassar College where she teaches African American cinema, Documentary History, and seminars on topics including horror film and auteurs like Spike Lee, Charles Burnett and Ava DuVernay. She also teaches feminist film theory, African national cinemas, and other genre courses. Her commentary can be heard on NPR and her first book Divas on Screen: Black Women in American Film was published in 2009. She joined me back in 2023 to talk about her latest book Black Rodeo: A History of the African American Western.Listen to hear about Mia's work with Criterion, including getting to speak with actor Sidney Poitier, what three of her favorite westerns are, and much more.Books mentioned in this episode include:The Western in the Global South by MaryEllen Higgins, Rita Keresztesi, and Dayna OscherwitzUndead in the West: Vampires, Zombies, Mummies, and Ghosts in the Cinematic Frontier by Cynthia J. Miller and A. Bowdoin Van RiperHorror Noire: Blacks in American Horror Films from the 1890s to Present by Robin R. Means ColemanHorse by Geraldine BrooksFilms mentioned in this episode include:The Learning Tree directed by Gordon ParksBuck and the Preacher directed by Sidney PoitierThomasine and Bushrod directed by Gordon Parks Jr.Queen & Slim directed by Melina MatsoukasBonnie & Clyde directed by Arthur PennDjango Unchained directed by Quentin TarantinoThe Harder They Come directed by Perry HenzellFive Fingers for Marseilles directed by Michael MatthewsThe Homesteader directed by Oscar Micheaux and Jerry MillsSwingtime directed by George StevensA Raisin in the Sun directed by Daniel PetrieHorror Noire: A History of Black Horror directed by Robin Givens, Kimani Ray Smith, Rob J. Greenlea, Director X., Zandashé Brown, and Joe WestCheck out Wikipedia for more information about the Lobo Comics mentioned in the interview.Support the show

To end the summer time fun we're here with another "WAIT...You haven't seen THAT?!!?" Double feature.This time with the Sidney Poitier comedy "Stir Crazy" & the Jim Henson Fantasy film "Labyrinth" .and yes....we also couldn't stop staring at Bowie's crotch...Find Us Online-Instagram: @SuperPodHeroCast-Bluesky: https://bsky.app/profile/superpodherocast.bsky.social-Mastodon: @TSPHC@mastodon.socialCredits- Host: Casey Ryan. Bluesky: @notryancasey Instagram: @not.ryancasey Letterboxd : cjract TikTok: @notryancasey- Host: Todd Panek. Bluesky, Instagram, TikTok: @TMPinSYRAbout UsThe SuperPodHeroCast, Guys with beers talking about movies with capes. BE HEROIC!The SuperPodHeroCast is part of the Night Shift Radio network and distributed by Night Shift Media Group. Visit them on the web at NightShiftRadio.com

December 28th, 1991 - January 3, 1992 This week Ken welcomes Las Vegas comedian behind the new special "Highly Intelligent", Shanna Christmas.  Ken and Shanna discuss the heat, growing up in Las Vegas, how they were both 6'3" at age 14, being a jock, the nerd school, buying booze underage, hanging in night clubs, enjoying the word "Geriatric", dumb kids Ken grew up with, Jerry's Kids, how you never see teenage boys, having your own TV, wrestling, skillsets younger people miss out on, 1-900 spank lines, being between the Holidays, being born at Christmas, John Goodman, New Year's Eve, Moonlighting, unlikely movie stars, working at hotels, staying home on New Year's Eve, avoiding the strip, Marky Mark, the hit on the head cool guy character cliche, Family Matters, canceling shows that are already made, Sinbad, never watching stand up growing up, forgetting Sidney Poitier directed Ghost Dad, Fox making moves, In Living Color super bowl half time show, Summer Seasons, Beverly Hills 90210, befriending the homeless/downtrodden in the 80s and fixing all their problems with a bath, Murphy Brown, Blossom, Home Improvement, JTT posters, child acting aging weirdly, Ken's bias against the South, Rescue 9-1-1, homework, Neil Breen, New Year's Day, Jetsons meet the Flintstones, Jake and the Fatman, Wilfred Brimley, the technology on The Flintstones, Lisa Bonet, A Different World, how Ken wanted to go to an all black university, Hanging with Mr. Cooper, Holly Robinson, how there are no black people on Seinfeld, Soapdish, America's Most Wanted, Married...with Children, Martin, and how Ken should write a book. 

 Join Lou, Jesse, and Karen as they discuss the 1967 British drama film 'To Sir, with Love' starring Sidney Poitier. In this episode, the hosts revisit the classic movie, reflecting on its impact, themes, and relevance today. They explore the film's portrayal of social and racial issues, its nostalgic value, and the powerful performance of Sidney Poitier. The team also touches on the film's sequel and shares personal anecdotes related to the viewing experience. Don't miss this insightful trip down memory lane with JK JKL Media Reviews. 

Send us a textFIRST BLOOD SPECIAL NOTE: SEASON 15 OF THE GOOD, THE POD AND THE UGLY CELEBRATES THE USE OF THE PRACTICAL AND DIGITAL EFFECT KNOWN AS THE SQUIB. IRL GUN VIOLENCE IS INTOLERABLE AND RENOUNCED BUT... CINEMATIC VIOLENCE WILL BE CELEBRATED IN A WAY WILL DISTURB SOME LISTENERS.   FIRST BLOOD (1982), a.k.a. Rambo I! Surely the best possible pick for TGTPTU's Season 15 – Squib Season. An‘80s action flick, special forces, small town cops, a M60 machine rifle capable of firing 600 rounds a minute… Unless… Perhaps… Could it be the sequels changed the original movie, that actually the Rambo series starts not as the rah-rah patriotic killer of anonymous foreign brown peoples with knife, machine gun, and explosive-tipped arrows?  Affirmative. (Yes.) After years in development hell trying to adapt an early 70s anti-war novel about a young returning soldier-drifter (perhaps even younger than pod host Thomas and season guest Jack) with PSTD from his time as an elite killer in Vietnam, the movie First Blood went through three production companies and eighteen screenplays--including pod fav and former 4x4 season director John Frankenheimer attached at one point and Paul Newman, Al Pacino, Steve McQueen (who liked the jailbreak+motorcycle chase), Eastwood, DeNiro, Nolte, and Michael Douglas all considered for the role--as a nearly a decade passed from the actions of the undeclared war in ‘Nam contemporary with the novel and the protagonist subsequently aged up in the movie's contemporary Regan-era world. Other elements in adapting the book for the screen included giving Rambo a first name (John); omitting alternating storylines between Rambo and Sheriff Teasle; reducing the vet's body count from intentional dozens killed in the forest and back in town to one confirmed death falling from a helicopter after John Rambo throws a rock (with three additional possible from a vehicle wreck and gunshot wound), and giving Rambo a good cry at the film's end.   But while changes made, one thing unfortunate for the pod was maintained adapting the book into movie: Neither has blood squibs.   While a tree gets shot and a wall explodes in simulated gunfire, few people get plugged on screen in this action film, and those who do are sans exploded condoms of red liquid and juicy matter. Despite the franchise reputation to be parodied in pod fav Hot Shots! Part Deux (1993), this initial entry in the Rambo film pentalogy is relatively bloodless. (Here might be a good place for a parenthetical on how this film was selected by bookworm Thomas who's expressed subversive reservations about the violence inherent in this season of the pod.) This ep: Jack returns to the pod, Thomas presents the book report, Ken postulates that shooting the picture during an unexpectedly cold Canadian autumn might be why the sequels take place in warmer climes, Ryan continues his disgusting habit of recommending other film podcasts, and Sidney Poitier's Ghost Dad (1990) reenters the chat.  Note: Former presidential candidate Ross Perot's involvement with Vietnam War POW/MIA in the 80s, playability reviews of the NES and arcade Rambo video games,  and episode-by-episode recaps of the 1986 Saturday morning Rambo cartoon series were all cut for brevity.  THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

To SER With Love In the movie “To Sir, With Love”, Sidney Poitier was brilliant in the role of a black teacher in a tough London East End high school.  He was trying to make a difference for these young outcasts to better prepare them for the life they would face after graduating from school.  A very uplifting story about what is possible when we encourage others to be their best.  So what has this got to do with business, you may be asking?  As leaders, we have four jobs.  Run the machinery of the operation so everything works well, provide the vision on where we are going, explain the WHY and build our people.  This “build our people” part is a communications exercise which most leaders fail to do well enough, myself included. Many of us grew up in business in a era when your boss just expected you to get on with your job.  No encouragement was needed, because you were required to do a full day's work for a full day's pay.  Praise didn't exist and you found your own sources of encouragement.  Things are different today, but are we skilled enough in the best practice techniques of giving honest praise and encouragement?  This is where the acronym SER comes in. “S” is strength, “E” is for evidence and “R” for relevance.  It is a useful formula to remember when you want recognize the good work done by one of your team. “Strengths” are interesting because most bosses are laser beam focused on identifying weaknesses and fixing them.  They are “error finders” as opposed to “good work finders”, when looking at how people carry out their tasks.  They are searching for defects, time delays, poor quality, unsatisfactory performance, cost overruns and basic idiocy.  If we switch our mindset and look for strengths, then we completely change how we see our people. That automatically changes how we communicate with them.  Now words strung together like “good job” are a complete waste of time.  Please - don't even bother saying them. The person on the receiving end is fully aware they are doing many things in their work, but still have no clear idea which particular bit they are doing well.  We need to be highly specific about which aspect of their work we are recognizing.  This is how our words have impact. “Evidence” is critical to demonstrate that the boss has been paying attention and has noticed good work is being performed.  By referring to specific actions, decisions, outputs etc., the staff member knows the words coming out of their boss's mouth are real and not flattery, propaganda or an attempt to snow them into believing the boss is nicer than they really are. Every piece of work is made up of separate tasks, so the idea is to select a particular task that was done well and single it out for praise.  You could say, “Greg, good work on the report”.  Or you could say, “Greg, thank you for your work on the proposal for the client.  That was one of the best I have seen.  You assembled the evidence very comprehensively and you argued the case very convincingly.  I am sure the client was impressed by the professional level of the work they received from you”. It is obvious which one we want to receive.  So, if it so obvious, why aren't we communicating our feedback like this? “Relevancy” is a key step that 99% of bosses who do manage to offer some praise and recognition completely fail to mention.  We have to recognize the work, offer our evidence to make the praise credible and then take it one important step further.  We need to link the good work being done to the bigger picture.  That can be for the firm's future, but it is much more powerful if it is linked to WIIFM.  “What's In It For Me” is a powerful driver of employee self-interest.  The secret is to select that piece of excellent work and then link it to how that is going to help that person succeed in their business and career.  For example, “ Greg, your ability to source key data and then back it up with clear, concise language is a real skill.  That is the type of skill our company values highly.  It also means that you can have impact in your current role. This is the calibre of person we want to make a future leader in our organization.  I know you are working hard and keep going with what you are doing, because you are differentiating yourself in a powerful and positive way.  This will be a big help to you in your career”. If you are hearing that comment, you are going to be fired up to try even harder and push even further.  “Greg, good job” pales in comparison doesn't it.  Even worse, when nothing has been said at all, because working hard is expected around here, there has clearly been a major lost opportunity to engage your team members.  What is required?  That most valuable of all resources – “boss time”.  We have to make the time to become “good finders” and then take the time to communicate it using the SER formula. If we can do that, then we will make a huge difference to the enthusiasm, loyalty, productivity and happiness of our team members. They will outperform the competition, because a happy motivated team will always beat a disinterested, disengaged competitor's rabble.  

“He's been walking through doors. He's been falling through floors. He's been going through a lot lately, but he's still Dad.”   “Ghost Dad is a 1990 American fantasy comedy film directed by Sidney Poitier (in his final directorial effort) and starring Bill Cosby, in which a widower's spirit is able to communicate with his children after his death.”   Show Links Trailer: https://www.youtube.com/watch?v=4nRkAUAXT_A   Wikipedia: https://en.wikipedia.org/wiki/Ghost_Dad   Just Watch: https://www.justwatch.com/us/movie/ghost-dad   Socials Bluesky: https://bsky.app/profile/moviewavepod.bsky.social   Buy Me A Coffee: https://www.buymeacoffee.com/moviewavepod   Letterboxd: https://letterboxd.com/moviewavepod/   Mastodon: https://mastodon.social/@moviewavepod   Intro/Outro Sample Credits “Aiwa CX-930 VHS VCR Video Cassette Recorder.wav” by Pixabay “Underwater Ambience” by Pixabay “waves crashing into shore parkdale beach” by Pixabay   Movie Wave is a part of Pie Hat Productions.

We're celebrating #Juneteenth and honoring its power! Meanwhile, #SidneyPoitier warned #EddieMurphy off a Malcolm X part—stay what you are! #DavidSchwimmer admits he hated hearing friends theme song for years! #DDG confesses his red Ferrari was just a rental?!

In this episode, we hear from with award-winning author, journalist and broadcaster Ben Arogundade about his latest book, Hollywood Blackout.Drawing on a century of film history, Hollywood Blackout explores how the Academy Awards have both resisted and reflected changing social forces — from the Nazi invasion of Europe to the Civil Rights Movement, Vietnam, #OscarsSoWhite, and #BlackLivesMatter. Arogundade reveals how external political and cultural shocks shaped who was celebrated at the Oscars and when — and how Hollywood's slow path toward inclusion has been won by generations of under-recognised artists and activists.We discuss the ground breaking victories of Hattie McDaniel, Sidney Poitier, Denzel Washington and Will Smith — and how moments of global crisis forced the Academy to evolve. Ben also shares powerful insights into the systemic barriers faced by Black, Asian, Latino, Indigenous, and female creatives throughout Hollywood history. Hollywood Blackout is a richly detailed, deeply researched account of the struggle for recognition in one of the world's most powerful cultural institutions. A must-listen for anyone interested in the intersection of race, politics, and cinema.*****STOP PRESS*****I only ever talk about history on this podcast but I also have another life, yes, that of aspirant fantasy author and if that's your thing you can get a copy of my debut novel The Blood of Tharta, right here:Help the podcast to continue bringing you history each weekIf you enjoy the Explaining History podcast and its many years of content and would like to help the show continue, please consider supporting it in the following ways:If you want to go ad-free, you can take out a membership hereOrYou can support the podcast via Patreon hereOr you can just say some nice things about it here Become a member at https://plus.acast.com/s/explaininghistory. Hosted on Acast. See acast.com/privacy for more information.

In this episode of Ellis Conversations, co-host Jamil Ellis sits down again with his father, retired federal magistrate Judge Ronald Ellis, to mark Loving Day — the anniversary of Loving v. Virginia, the 1967 Supreme Court case that struck down bans on interracial marriage. What starts as a reflection on Loving Day quickly becomes a powerful and wide-ranging discussion about: How distorted historical narratives fuel today's rollback of civil rights Why anti-DEI forces rely on historical erasure The forgotten legal barriers against women The dangerous nostalgia embedded in the “Make America Great Again” slogan A look at Project 2025, the Federalist Society, and how today's Supreme Court is targeting many of the Warren Court's civil rights decisions From All in the Family to Sidney Poitier, from welfare state debates to voting rights, Judge Ellis breaks down the legal and cultural legacy at stake.   Relevant Links & Resources: Loving v. Virginia (1967) https://www.oyez.org/cases/1966/395 Warren Court Key Decisions Brown v. Board (1954): https://www.oyez.org/cases/1940-1955/347us483 Gideon v. Wainwright (1963): https://www.oyez.org/cases/1962/155 Miranda v. Arizona (1966): https://www.oyez.org/cases/1965/759 Griswold v. Connecticut (1965): https://www.oyez.org/cases/1964/496 Engel v. Vitale (1962): https://www.oyez.org/cases/1961/468 Tinker v. Des Moines (1969): https://www.oyez.org/cases/1968/21 Project 2025: https://www.project2025.org Federalist Society: https://fedsoc.org All In The Family theme reference: https://en.wikipedia.org/wiki/All_in_the_Family

It would be wrong to not do something right for the annual Black History Month and we got the perfect entry for you all: A retrospect on the IN THE HEAT OF THE NIGHT movie trilogy starring the late great award-winner Sidney Poitier in the role of Inspector Tibbs!   Why do the sequels take the feel of a general FRENCH CONNECTION/SHAFT type thriller?   Why will the original film always be relevant?   And what are the other unique yet one-of-a-kind themes that make the concept able to endure future generations?   Listen in on a franchise we all can respect!       MUSIC USED: "Essence 2" "Drifting 2," "Down the Way," "Dark Mystery," "Cop a Feel," "Closer to Jazz" & "Edward" by Jason Shaw (AudioNautix). All Songs are Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/        

For their 199th episode, two altruistic film critics, two anagram-loving dads, and two hacker school teachers, Will Johnson and Don Shanahan, tuck themselves into the warm sheets of the 1990s with the steady 1992 hit, "Sneakers." Directed by "Field of Dreams" director Phil Alden Robinson and top-lined by the Oscar-winning duo of Robert Redford and Sidney Poitier, this little pre-internet cyber caper has charm for days, topics that have held up in 30+ years, and perfect ensemble cast. Those traits give our hosts plenty of puzzles to unscramble and topics to talk about. Come learn more and stay for the mutual love and respect that fun movies encapsulate. Enjoy our podcast!https://discord.gg/N6MKWXU2https://www.teepublic.com/user/ruminationsradionetworkhttps://www.instagram.com/cinephilehissyfit/https://www.instagram.com/casablancadon/Twitter: https://twitter.com/CinephileFitwww.RuminationsRadioNetwork.comwww.instagram.com/RuminationsRadioNetworkTwitter: RuminationsRadioNetwork@RuminationsNProduction by Mitch Proctor for Area 42 Studios and SoundEpisode Artwork by Charles Langley for Area 42 Studios and Soundhttps://www.patreon.com/RuminationsRadiohttps://everymoviehasalesson.com/https://ruminationsradio.transistor.fm/ ★ Support this podcast on Patreon ★

Since the kind souls at The Criterion Collection generously sent both myself & my dear friend (& kid brother from an Oz mother) Blake Howard the same brand new pristine 4K edition of director Norman Jewison's Academy Award winning 1967 masterpiece IN THE HEAT OF THE NIGHT, we decided to team up to cover it together. Although you'll still hear several traditional Watch With Jen: Physical Media episodes in the future as Season 6 of my podcast continues, this time, we felt like kicking off the summer with a little HEAT c/o an episode of Blake's One Heat Minute Productions' Criterion Sessions pod. A fast-paced yet comprehensive, well-researched roughly twenty-minute episode on this landmark film starring Sidney Poitier & Rod Steiger, please stay cool for this fun chat between two friends, & then get ready for more Criterion coverage soon (including more Blake) on Watch With Jen as the summer continues.Originally Posted on Patreon (6/4/25) here: https://www.patreon.com/posts/130724718

What's Happening Star Ernest Lee Thomas "Raj" Reveals Untold Stories!Ernest Lee Thomas delivers a powerful and deeply personal account of his journey through fame, adversity, and redemption. He begins with wild, unforgettable moments surrounding his audition for What's Happening!!, sharing how Fred Berry landed the role of Rerun and his first encounters with Haywood Nelson, Shirley Hemphill, and Danielle Spencer. He recalls the support Shirley received from Jimmy Walker and reflects on working with the iconic Mabel King. Ernest discusses the shock of overnight stardom, his eventual fall into despair, and the personal trauma of childhood molestation and racism.He shares an emotional and humorous story about a life-changing meeting with Muhammad Ali and his struggle to finance a film. Ernest explains how he helped bring What's Happening Now!! to life, the behind-the-scenes drama with Fred Berry, and his work with rising stars like Martin Lawrence.He opens up about a painful experience with Bill Cosby and cherished encounters with Sidney Poitier, James Earl Jones, and auditioning for Malcom X for Spike Lee. Ernest also discusses his iconic role as Mr. Omar on Everybody Hates Chris, his chaotic time working with Robert Blake on Baretta, and incredible memories working with Adam Sandler and Robin Williams.From Broadway origins to nearly being cast as Kunta Kinte in Roots, Ernest's story is rich with Hollywood history, spiritual growth, and a triumphant 35 years of sobriety. His honesty, humor, and resilience made for a moving and unforgettable journey. Thank you so much Ernest!That's Classic! Merchandise: http://tee.pub/lic/2R57OwHl2tESubscribe for free to That's Classic YouTube Channel: https://www.youtube.com/channel/UCBtpVKzLW389x6_nIVHpQcA?sub_confirmation=1Facebook: facebook.com/thatsclassictvHosted by John Cato, actor, voiceover artist, and moderator for over 20 years for the television and movie industry. John's background brings a unique insight and passion to the podcast.

Brian and Shelly discuss the films of Sidney Poitier including In The Heat Of The Night, Guess Who's Coming To Dinner and To Sir With Love

As the Trump administration intensifies its attempts to reshape U.S. colleges and universities, Christiane Amanpour speaks to those who are pushing back. Massachusetts Governor Maura Healey talks about her concerns as her state is targeted by the Republican White House and Wesleyan University President Michael S. Roth discusses why he believes the Trump Administration is, in his words, “selling Jews a dangerous lie” by claiming its crackdown is to combat Anti-Semitism. Then, Mike Valerio's report on how South Korean women are fighting against explicit images made with AI deepfakes. Also, British playwright Ryan Calais Cameron discusses his timely West End smash, ‘Retrograde', a play revealing how Sidney Poitier's career was almost derailed by the Red Scare. Plus, as Sudan marks two years of its devastating war, an echo from history as Christiane revisits her reporting on the humanitarian crisis in Darfur in 2004. And finally, a tribute to a giant of Latin American literature, Mario Vargas Llosa. As the Peruvian author dies aged 89, Christiane looks back at their conversation when he told her how he got started by writing love letters. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Here it is, the movie that gave us the idea for Technology Month in the first place: Robert Redford in Sneakers! And not just Robert Redford, but also Sidney Poitier, David Strathairn, River Phoenix, Dan Aykroyd, Ben Kingsley and the queen, Mary McDonnell…it's a cast so stacked, the film might as well be about pancakes. Join Erika and Paul as they dive headfirst into this modern classic, filled with film icons!You can follow That Aged Well on Bluesky (@ThatAgedWell.bsky.social), Instagram (@ThatAgedWell), and Threads (@ThatAgedWell)!SUPPORT US ON PATREON FOR BONUS CONTENT!THAT AGED WELL MERCH!Wanna rate and review? HERE YOU GO!Hosts: Paul Caiola & Erika VillalbaProducer & Editor: Paul Caiola

Consider It Blacklit highlights films, television shows and stage plays featuring African Americans up front and behind the scenes. This episode is a discussion of the classic 1961 film, A Raisin in the Sun, starring Sidney Poitier, Claudia McNeil, Ruby Dee and Diana Sands. Host Kim Singleton discusses the film with author/filmmaker Bridgett Davis.www.tinyurl.com/CIBPodcast

You might know filmmaker, actor and comedian Robert Townsend for his roles in “The Meteor Man” and the Emmy award-winning TV show “The Bear.” Or for writing and directing classics like “Hollywood Shuffle” and “The Five Heartbeats.” Townsend has paved the way for generations of Black actors and filmmakers, and in his one-man stage show, “Living the Shuffle,” he opens up about personal challenges, the role Shakespeare played in his life and being mentored by Sidney Poitier. What has Robert Townsend's work meant to you? Guest: Robert Townsend, actor, director, writer, and filmmaker

EPISODE 76 - “MEMORABLE OSCAR SPEECHES OF THE GOLDEN ERA OF HOLLYWOOD” - 2/24/2025 Winning an Oscar is a dream for most people who work in Hollywood. But you can't just win the Oscar, you have to have a good speech once your name is called and you head to the podium. There have been some great ones — OLIVIA COLEMAN's funny and cheeky speech hit the right tone and who can forget JACK PALANCE's one-arm push-ups or CUBA GOODING's exuberance? There have also been some bad ones — don't we all still cringe a little at SALLY FIELDS' “You like me” speech? As we prepare to celebrate the 97th annual Academy Award ceremony, Steve and Nan look back on some of their favorite Oscar speeches and why they resonate. So put on your tux, don the gown and jewels, pop the champagne, and join us for a fun talk about … well, people talking.  SHOW NOTES:  Sources: “Five Times The Oscars Made History,” January 20, 2017, www.nyfa.edu; “Hollywood History: How World War II Forced the Academy to Rethink the 1942 Oscars,” April 16, 2021, Entertainment Weekly; “Charlie Chaplin vs. America Explores the Accusations that Sent a Star Into Exile,” October 24, 2023, byTerry Gross, www.npr.com; “The Most Memorable Oscar Speeches in Oscar History,” March 6, 2024, by Shannon Carlin, www.time.com;   Wikipedia.com; TCM.com; IMDBPro.com; www.Oscars.org; Movies Mentioned:  Stella Dallas (1938), starring Barbara Stanwyck, John Boles, Anne Shirley, & Alan Hale; Gone With The Wind (1939), starring Vivian Leigh, Clark Gable, Olivia de Havilland, Leslie Howard, Hattie McDaniel, Butterfly McQueen, Thomas Mitchell, & Barbara O'Neil; How Green Was My Valley (1941), starring Walter Pidgeon, Maureen O'Hara, & Donald Crisp; Sergeant York (1941), starring Gary Cooper, Joan Leslie, & Walter Brennan;  The Devil and Miss Jones (1941), staring Jean Arthur Robert Cummings, & Charle Coburn; Here Comes Mr. Jordan (1941), starring Robert Montgomery, Claude Rains, & Evelyn Keyes; Ball of Fire (1942), starring Barbara Stanwyck & Cary Cooper; Double Indemnity (1944), starring Barbara Stanwyck, Fred MacMurray & Edward G Robinson; Key Largo (1948); starring Humphrey Bogart, Lauren Bacall, Edward G Robinson, Claire Trevor, & Lionel Barrymore; All The King's Men (1948), starring Broderick Crawford, John Ireland, Joanne Dru, & Mercedes McCambridge; Pinky (1949), starring Jeanne Crain, Ethel Waters, Ethel Barrymore, Nina Mae McKinney, & Wiliam Lundigan; Marty (1955); starring Ernest Borgnine. Betsy Blair, Joe Mantell, & Esther Minciotti; The King and I (1956), starring Yul Brenner, Deborah Kerr, Rita Moreno, & Rex Thompson; Elmer Gantry (1960), starring Burt Lancaster, Jean Simmons, Shirley Jones, Arthur Kennedy, Dean Jagger, and Patti Page; West Side Story (1961), Natalie Wood, Richard Beymer, Rita Moreno, George Chikiris, & Russ Tamblyn; Lillies of the Field (1963), starring Sidney Poitier;  In the Heat of the Night (1967)l starring Rod Steiger, Sidney Poitier, & Lee Grant; The Producers (1967), starring Zero Mostel & Gene Wilder; Rosemary's Baby (1968), starring Mia Farrow, John Cassavetes, Ruth Gordon, & Charles Grodin; Faces (1968), starring Gena Rowlands, Lynn Carlin, Seymour Cassel, & John Farley;  The Heart is a Lonely Hunter (1968), staring Alan Arkin, Sondra Locke, Cecily Tyson, Stacey Keach, & Percy Rodrigues; The Last Picture Show (1971), starring Timothy Bottoms, Jeff Bridges, Cybill Shepherd, Ellen Burstyn, Ben Johnson, Cloris Leachman, & Eileen Brennan; Murder on the Orient Express (1974), starring Albert Finney, Lauren Bacall, Ingrid Bergman, Sean Connery, Martin Balsam, & Jacqueline Bisset; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

As we continue to honor impactful artists during Black History Month, we turn to a legitimate legend - Sidney Poitier. Very few people have bucked as many odds as he did. After almost dying at birth, and growing up in near-poverty, Sidney immigrates to the US from from the Bahamas as a boy. Once there, he deals with racism, death threats, homelessness, and an industry that wants nothing to do with him. But he forges ahead, refusing to quit, and makes history with an Oscar win that opens the door - not only for Black people in Hollywood - but all over the world.You can follow Brooke and Aricia on socials at @brookesiffrinn and @ariciaskidmorewilliamss. And check out the brand new Even the Rich merch store at www.eventherich.com. Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to Even The Rich on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App or on Apple Podcasts. Start your free trial today by visiting wondery.com/links/even-the-rich/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"THE NICHOLAS BROTHERS: CLASSIC CINEMA STARS OF THE MONTH" The Nicholas Brothers, FAYARD and HAROLD, are arguably two of the greatest dancer to ever hit Hollywood. Born to musician parents, they learned their craft working the vaudeville scene and appearing at the famous Cotten Club during the Harlem Renaissance before landing in Hollywood. In Tinseltown, they made movie magic dancing in some of Hollywood's biggest musicals. The brothers mixed tap-dancing with acrobatics to perfect thrilling routines that we're still win awe of today. They also had to endure the limits put upon them by the racism of the day. Join us this week, as we celebrate these icons of dance who are our Stars of the Month.  SHOW NOTES:  Sources: Brotherhood in Rhythm: The Tap Dancing of the Nicholas Brothers (2002), by Constance Valis Hill; Dorothy Dandridge: An Intimate Biography (1970), by Earl Mills; “The Nicholas Brothers, Fayard and Harold: Tap Dance Legends,” February 17, 2024, Dance Mogul magazine; “The Incredible Nicholas Brothers: A Classic Hollywood Black Dance Duo Everyone Should Be Obsessed With,” October 30, 2022, by Maureen Lee Lenker, Entertainment Weekly; “The Nicholas Brothers: Every Generations Dance Heroes,” February 17, 2020, by Najja Parker, The Atlanta Journal-Constitution; “Celebrating The Nicholas Brothers,” September 16, 2011, by Daniel Eagan, Smithsonian magazine; www.nicholasbrothers.com TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; AcademyMuseum.com Movies Mentioned:  Pie Pie Blackbird  (1932) - starring Nina Mae McKinney & The Nicholas Brothers; Stoopnocracy (1933), starring Budd Hulick & Harold Nicholas; The Emperor Jones (1933), starring Paul Robeson & Harold Nicholas; Kid Millions (1934), starring Eddie Cantor, Ann Sothern, & Ethel Merman; Jealousy (1934), starring Nancy Kelly & George Murphy; The Big Broadcast of 1936 (1935), starring Jack Oakie, George Burns, Gracie Allen, Bing Crosby, & Ethel Merman; Coronado (1935), starring Johnny Downs; My American Wife (1936), starring Francis Lederer & Ann Sothern; Don't Gamble with Love (1936) starring Ann Sothern; Babes in Arms (1937), starring Mickey Rooney & Judy Garland; Down Argentine Way (1940), starring Betty Grable, Don Ameche, Carmen Miranda, & Charlotte, Greenwood; Tin Pan Alley (1940), starring Betty Grable, Alice Faye, Jack Oakie, & John Payne; The Great American Broadcast (1941), starring Alice Faye & John Payne; Sun Valley Serenade (1941), starring Sonja Henie & John Payne; Orchestra Wives (1942), starring George Montgomery & Ann Rutherford; Stormy Weather (1943), starring Lena Horne; Reckless Age (1944), starring Gloria Jean & Harold Nicholas; Carolina Blues (1944), starring Kay Kyser & Ann Miller; The Pirate (1948), starring Judy Garland & Gene Kelly; Botta e Riposta (1950); El Mensaje le la Muerte (1953); Musik I'm Blut (1955); L'Empire de la Nuit (1964); The Liberation of L.B. Jones (1970), starring Lee J. Cobb, Roscoe Lee Brown, & Fayard Nicholas; Uptown Saturday Night (1974), starring Sidney Poitier, Bill Cosby, Richard Pryor, Flip Wilson, Harry Belafonte, & Harold Nicholas That's Entertainment! (1974); That's Dancing (1985); Tap (1989); --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

RockerMike and Rob Presents: Junior MarvinJunior Marvin, born Donald Hanson Marvin Kerr Richards Jr. on June 22, 1949, in Kingston, Jamaica, is a renowned guitarist and vocalist best known for his work with the legendary reggae band Bob Marley & The Wailers. His contributions helped shape the band's distinctive sound during their most globally influential years. Here's a detailed overview of his life and career:Early Life and CareerBirthplace: Kingston, Jamaica. However, he grew up in London, England, where he was exposed to a diverse range of musical styles.Early Influences: His early inspiration included blues, rock, and reggae, with artists like Jimi Hendrix and Eric Clapton being significant influences.Acting Background: Before fully committing to music, Marvin had a brief stint as an actor, appearing in movies such as To Sir, with Love (1967), starring Sidney Poitier.Musical Career1. Pre-Wailers Work:Marvin played with several bands in the UK, including Keef Hartley Band and Tontö's Expanding Head Band.His versatility as a guitarist allowed him to collaborate across various genres, including rock, funk, and soul.2. Joining Bob Marley & The Wailers:In 1977, Junior Marvin was invited by both Bob Marley and Stevie Wonder to join their respective bands. He ultimately chose Marley, as reggae resonated deeply with his Jamaican roots.His first album with the Wailers was “Exodus” (1977), widely regarded as one of the greatest albums of all time. He contributed guitar solos and backing vocals, enhancing the band's sound.Marvin remained with Marley and the Wailers until Bob Marley's death in 1981 and was a key part of classic albums like Kaya (1978) and Uprising (1980).3. Post-Marley Era:After Marley's passing, Junior Marvin continued to work with the Wailers Band, keeping Marley's music and legacy alive.He also pursued solo projects, releasing albums such as “Wailin' for Love” and “Smokin' to the Big M Music”, showcasing his unique blend of reggae, blues, and rock.Style and LegacyMarvin is celebrated for his innovative guitar work, which seamlessly blends reggae's rhythmic syncopation with rock's melodic sensibilities.His passionate performances and dedication to reggae have solidified his place as one of the genre's iconic figures.Personal LifeMarvin remains active in the music world, performing with various ensembles and touring internationally.He has dedicated much of his life to preserving Bob Marley's legacy while also pushing the boundaries of reggae as a genre.https://www.instagram.com/marvin7777?igsh=MWkzOWcweDZ3cmVsMA==https://amzn.to/3PCfd9Khttps://open.spotify.com/album/1bFmXCc85SyhC0HA52OSSv?si=WUdSOwUGRRGXJx0vpQ0DxAhttps://flatironrecordings.com/product/junior-marvin-happy-family/#Reggae #JuniorMarvin #BobMarley #TheWailers #ReggaeMusic #RootsReggae #JamaicanMusic #ReggaeVibes #OneLove #ReggaeLegend #ReggaeGuitarist #CaribbeanMusic #ReggaeCulture #Rastafari #ReggaeRoots

Stanley Kramer's 1958 feature THE DEFIANT ONES, a film very much of its time, makes multiple on-screen appearances in RaMell Ross' new NICKEL BOYS, a film about the way the past haunts the present. Both movies take place in the Jim Crow-era South and engage with that setting's lopsided ideas about justice, but THE DEFIANT ONES does so from a much more straightforward approach, operating as both a stylish thriller about two escaped prisoners, one black (Sidney Poitier) and one white (Tony Curtis), and an earnest allegory about interracial acceptance. That latter quality makes it easy to lump in with Kramer's other “message movies,” which are often dismissed from a modern vantage point as stodgy and sanctimonious, so we're revisiting THE DEFIANT ONES, with an assist from critic and pal Noel Murray, to see whether it earns or defies that reputation. And in Feedback we revisit our WIZARD OF OZ discussion with a reader suggestion of another child female protagonist who rivals Dorothy when it comes to teary helplessness. Please share your comments, thoughts, and questions about THE DEFIANT ONES, NICKEL BOYS, and anything else in the world of film by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our special series of archival interviews continues with two of the GOATs: Meryl Streep, the actor with the most Oscar nominations in history, spoke with Terry Gross in 2012 about playing Margaret Thatcher. And Sidney Poitier, the first Black man to win best actor, in 2000 talked about how the radio helped him learn an accent for auditions.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy