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4 episodes with Tina Landau
2 episodes with Tina Landau
2 episodes with Tina Landau
Floyd Collins runs on Broadway at Lincoln Center Theater's Vivian Beaumont Theater through June 22nd. To learn more, please visit www.lct.org. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Theatermania and Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org
Achoo! We're falling in love with the one and only Faith Prince. You Might Know Her From Modern Family, Emily in Paris, Melissa & Joey, Spin City, My Father the Hero, The Last Dragon, and Broadway productions of Guys & Dolls, A Catered Affair, Bells Are Ringing, and BOOP! Faith talked to us about grounding her character, Valentina, in the cartoonish plot of BOOP!, coping with fame during her star-making turn in Guys & Dolls, and leaning on her co-star Gerard Depardieu in one of her first leading roles on camera in My Father the Hero. Faith also shared stories from working as a Broadway replacement in the cumbersome costume of Ursula in The Little Mermaid and the notoriously “realistic” production of Anne as Miss Hannigan. All that, plus working with theatre legends like Jerome Robbins, Abe Burrows, Betty Comden & Adolph Green, doing dialect work at Joey Lawrence and Lily Collins, doing her best Cyndi Lauper in cult fave The Last Dragon (and making pals with Berry Gordy, and working with Jean Smart and Mary McDonnell in the short-lived High Society. This one was a HOOT. Patreon: www.patreon.com/youmightknowherfrom Follow us on social media: @youmightknowherfrom || @damianbellino || @rodemanne Discussed this episode: Evergreen topics for Anne and Damian: Tyne Daly in Gypsy, Grease, Spice Girls track listings, we look like cats in Heathcliff, the cast of Mannequin 2 aka is it Jonathan Silverman, no it's William Ragsdale in Herman's Head, Sex and the City/AJLT Cynthia Nixon's kitchen tour Tom and Lorenzo and their SJP adventure Plays Valentina in Boop on Broadway We love Dancer/Choreographer Rachelle Rak Coughing as Adelaide was tougher than talking and singing in character voice Bob Saget used his stand-up to differentiate himself from Danny Tanner Nathan & Adelaide are famously the SOUBRETTES in Guys & Dolls so Jerry Zaks put them forward instead of Sky and Sarah (this changed how future productions positioned the 2 couples) Jerry Mitchell says it's important to pass the baton down to the next generation of musical theatre stars Arthur Laurents aka “the meanest man in show-business”, Jerry Gutierrez, Abe Burrows, Comden & Green, Sondheim, Barishnykov, Howard Ashman, Jack Plotnick, Tina Landau, My Father the Hero w/ Gerard Depardieu “Dirty Books” from The Last Dragon / Suzanne de Passe and Berry Gordy produced the soundtrack. Berry Gordy took her OUT and called her “baby” “One More Time” in First Wives Club “How do you know if someone has lived through trauma — by the way they get someone who doesn't like them, to like them.” Cole Escola of Oh, Mary! on CBS Sunday Morning Was in first 6 episodes of High Society with Jean Smart and Mary McDonnell (based on AbFab and Faith played the Saffy character) Faith Prince's “Men” from Nick & Nora. The show was a notorious flop. Arthur told Faith she was making a big mistake by leaving show to do Guys & Dolls. Mary Rodgers told her she could find a way into Anna through Gertrude Lawrence, who was a comedienne. Was offered the role of Audrey in the original Off-Broadway production of Little Shop of Horrors Went to CCM with Jim Walton Had taken the revue, Scrambled Feet and was doing an IBM industrial so couldn't' take LSOH Lance Roberts is currently in Just in Time Ellen Greene did Adelaide at The Hollywood Bowl Studied Donna Murphy who she replaced in The King & I and then did Wonderful Town (at LA Opera) Katie Finneran talked with us about James Lapine's realistic interpretation of Annie and Miss Hannigan in the 2012 revival. Said it was a challenge in the NYT. Re the 2012 revival of Annie: Andrea McArdle said “I didn't know we were doing Secret Garden” Associate Director Wes Grantham LOVES HUMOR, unlike Lapine Martin Charnin & Charles Strouse KISSED HER FEET when they visited her backstage John Doyle who directed A Catered Affair also backs away from the humor We love Bells are Ringing - Faith starred in the 2001 Broadway revival. Difficult because of Mitchell Maxwell who produced Had to ride an actor in Grey's Anatomy because character's IUD got stuck on her ex-husband's Prince Albert penis piercing Does some great character work in the indie film Our Very Own (got gig from doing reading of The Women with Allison Janney) IMDB lists her on an ep of Mad Men. INCORRECT. Martin Short was in Dennis Quaid movie, Innerspace My Favorite Broadway: The Leading Ladies was an incredible, formative concert Managing Ursula costume in The Little Mermaid was worse than managing the wig in her Lifetime movie with Kathleen Turner, Friends at Last Vicki Lewis told us she held Dixie Carter's spit cup in a production of Mame she was in with Faith Christopher Walken kept pickled things in the pockets of his costume during James Joyce's The Dead (Marni Nixon was also in the show) We interviewed Annaleigh Ashford who is maybe made in the mold of Faith Prince Damian is seeing an Italian production of Cats / Anne is seeing her nephew do Grease Jr. in Sicily DUCK ASS HAIR for Danny Zuko
Dylan and Connor are joined by Jason Gotay (Floyd Collins, Teeth). Girls and gays, hold onto your panties because heartthrob and leading man Jason is here on DRAMA. ahead of his grand Broadway return in Floyd Collins. We discuss this year of revivals, led by incredible leading performances by Audra McDonald, Nicole Scherzinger, and more. Who's snatching the Tony? Jason spills all the tea on Floyd Collins, his role, and what to expect from this new Tina Landau production. Don't worry, your burning questions are answered. Was Jason really naked on stage in Teeth? What was it like playing Peter Parker on Broadway? Who's Jason's favorite pop diva? All tea. We also hear Jason's coming out story, his love story with his husband (spoiler: Alison Williams was perching nearby…), and how he's coming into his own as a gay man both on and off-stage. It wouldn't be three gays gabbing without discussion of Drag Race season 17, Lady Gaga's Mayhem album, and… Survivor? Stories from the Gossip Girl reboot, playing Che in Evita at New York City Center Encores!, and his Broadway debut in Bring It On: The Musical are also part of this instantly canon episode of the podcast. Catch Jason in Floyd Collins at Lincoln Center Theater this spring! You don't want to miss it.Follow Jason on InstagramFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramSubscribe to our show on iHeartRadio Broadway!Support the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!
Mike Dobson is a drummer, percussionist, and Foley artist who has spent over 20 years bringing stories to life with his unique combination of live music and sound effects.With degrees from The Hartt School (B.M.) and The New School (M.M.), Mike has the training and the creativity to tackle any project. He co-wrote the offbeat production Room 17B and has worked with top directors like Tina Landau.Mike's journey started behind the drum kit, but his passion for sound grew during his early days performing in circus and clown shows. That's where he learned how sound effects can create humor and enhance storytelling, lessons he's carried throughout his career. One of his standout roles was as the live Foley artist for The SpongeBob Musical. I first met him there and was able to work with him when subbing for Damien Bassman. He continued that role in The SpongeBob Musical Live On Stage, proving that sound can bring just as much personality to a show as the actors on stage.He's the drummer and percussionist for the Broadway show Water for Elephants, based on the bestselling novel. In this production, Mike doesn't just play drums—he helps create the world of a traveling circus during the Great Depression and uses traditional percussion, found objects, and custom instruments. Water for Elephants runs through December 8, 2024, so go see it before it ends!For more: https://www.mikedobsonmusic.com/homeClayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, Aquarian Drumheads, and Empire Ears in ear monitors.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe
After a month of yet more shenanigans, Dean and Alex are here to talk about the books they read in July, and there are a lot! From books about theatre, to kidnapped children, to obsessed artists and more. We also get a surprise call-in from author Ben Gonshor (bengonshor.com).Books discussed include:- The Book Of Izzy (Ben Gonshor, 2024)- Sun Ascendant (C. F. Dunn, 2024) - Portrait Of A Lady (Henry James, 1881)- The Masterpiece (Émile Zola, 1886)- Shalimar The Clown (Salman Rushdie, 2005)- La Bestia (Carmen Mola, 2010)- Robinson Crusoe (Daniel Defoe, 1719)- Rebecca & Rowena (WM Thackeray, 1850)- The Viewpoints Book (Anne Bogart & Tina Landau, 2004)booksboys.comGet the show early plus all out other shows like Animation Adventurers, Darkplace Dreamers series 5, & the latest episodes of Playboys Extra, at patreon.com/Booksboys Hosted on Acast. See acast.com/privacy for more information.
FEB 13 - MAR 31, 2024 Sheila and Hughes Potiker Theatre Book by Tina Landau Music by Kate Diaz Lyrics by Kate Diaz and Tina Landau Conceived by Tina Landau and Idina Menzel With additional contributions by Idina Menzel Directed by Tina Landau Broadway icon Idina Menzel makes her La Jolla Playhouse debut in the world premiere of Redwood, a one-of-a-kind theatrical event about one woman's journey into the precious and precarious world of the redwoods. Idina plays Jesse, a successful businesswoman, mother and wife. She seems to have it all, but inside, her heart is broken. Finding herself at a turning point, Jesse leaves everyone and everything behind, gets in her car and drives… and drives. Thousands of miles later, she hits the ancient forests of Northern California, where a chance meeting and a leap of faith change her life forever. In the presence of the magnificent, towering redwoods, Jesse finds strange and powerful connections, an unexpected sense of community, and a chance at healing. Acclaimed writer and director Tina Landau (Beauty) brings this immersive and cinematic new work to life with lush visuals and a soaring score from Kate Diaz. You will travel with Jesse into an intoxicating environment of dense greenery, fractured light and dizzying heights – a place where nature can help us heal, if only we don't destroy her first. An exhilarating new musical featuring one of Broadway's greatest stars, Redwood will awaken your sense of adventure and lift you higher than the treetops. “Now underneath a canopy of stars, I call out to the night. Please keep me safe and show me this is right. I'm scared of letting go of everyone I know.” Jesse, Redwood
Jose Llana returns to Broadway in the highly anticipated production of David Byrne & Fat Boy Slim's Here Lies Love, for which he earned a Lucille Lortel Award nomination for creating the role of “Marcos” at the Public Theatre. He most recently starred as The King Of Siam in Lincoln Center Theater's Tony Award Winning revival of The King & I on Broadway, the US National Tour and the UK Tour. Previous Broadway credits include Chip Tolentino in William Finn's The 25th Annual Putnam Country Spelling Bee (Drama Desk Award, dir. James Lapine), El Gato in Wonderland, Wang Ta in David Henry Hwang's adaptation of Rodgers & Hammerstein's Flower Drum Song, Angel in RENT (dir. Michael Greif), Jessie-Lee in Streetcorner Symphony and his debut as Lun Tha in the 1996 Revival of Rodgers & Hammerstein's The King & I opposite Donna Murphy and Lou Diamond Phillips. Off-Broadway appearances include Adam in Falling For Eve (York), Gabey in On the Town (dir. George C. Wolfe, Delacorte) and Adam Guettel's Saturn Returns (dir. Tina Landau, Public Theater). Regional appearances include Bill Sikes in Oliver! (Papermill), Guillaume in Cameron Mackintosh's Martin Guerre (Guthrie Theater), Tin Man in Ballad of Little Jo (Steppenwolf Theater, dir. Tina Landau, Jefferson Nomination - Best Supporting Actor) and Candide in Candide (Prince Theater, Barrymore Nomination - Best Actor). TV/Film appearances include HBO's Sex and the City opposite Margaret Cho and Hitch with Will Smith. Appearing on numerous cast albums Jose is also a best-selling recording artist on the VIVA Philippines label. He has made two appearances with American Songbook in 2019 and 2015 which led to the release of his second solo CD, Altitude in the spring of 2016. Learn more about your ad choices. Visit podcastchoices.com/adchoices
RNIB Connect Radio's Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for the next in his regular Connect Radio theatre reviews. This week we are entering the underwater world of SpongeBob Square Pants with Vidar's review of the audio described performance of The SpongeBob Musical at the Birmingham Hippodrome Theatre on Saturday 15 April at 2pm with description by professional Audio Describers Julia Grundy and Jonathan Nash. When the citizens of Bikini Bottom discover that a volcano will soon erupt and destroy their humble home, SpongeBob and his friends must come together to save the fate of their undersea world! Starring Pop Idol and musical superstar Gareth Gates and Ru-Paul's Drag Race legend Divina De Campo, The SpongeBob Musical is written by Kyle Jarrow and conceived by Tina Landau and features a tidal wave of original songs by the world's most iconic rock and pop artists, including Yolanda Adams, Steven Tyler, and Joe Perry of Aerosmith, Sara Bareilles, Jonathan Coulton, Alex Ebert of Edward Sharpe & The Magnetic Zeros, The Flaming Lips, Lady A, Cyndi Lauper, John Legend, Panic! At the Disco, Plain White T's, They Might Be Giants and T.I., and songs by David Bowie, Tom Kenny and Andy Paley. Additional lyrics by Jonathan Coulton. Additional music by Tom Kitt. The SpongeBob Musical is a hilarious deep-sea pearl of a show that is set to make a splash with audiences young and old as the must-see musical of 2023. For ages 6 plus The SpongeBob Musical continues on tour around the country and details about venues and dates can be found by visiting - https://www.spongebobstage.com (Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)
Artistic co-director and co-founder of the WaxFactory, and Assistant Professor in Theatre Performance at SFU's School for the Contemporary Arts, Erika Latta, sits down with Am Johal to explore her journey as a theatre-maker – from her memorable experiences touring throughout Europe, pushing platforms in the mud for site-specific work with Begat Theater, or now, working with SFU theatre performance students on their upcoming production of Strange Joy. Erika also speaks about growing up in the woods in Oregon with artistic parents, pushing artistic boundaries in university, and co-founding WaxFactory. Full episode details: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/206-erika-latta.html Read the transcript: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/transcripts/206-erika-latta.html Resources: Erika Latta: https://www.sfu.ca/sca/events---news/news/welcome--erika-latta--assistant-professor/ SFU's School for the Contemporary Arts: https://www.sfu.ca/sca.html SFU Theatre Performance: https://www.sfu.ca/sca/programs/theatre-performance.html WaxFactory: https://waxfactory.nyc/ Begat Theatre: http://begat.org/ Get Tickets for Strange Joy: https://www.sfu.ca/sca/events---news/events/strange-joy.html HOME/LAND: http://www.hand2mouththeatre.org/homeland Bio: Originally from the Pacific Northwest, Erika Latta is the artistic co-director and co-founder of WaxFactory in New York City. WaxFactory continues to nurture a hybrid approach, based on unconventional narrative styles, originally dramaturgy, visual and physical rigor, technological experimentation and site-responsive work. With the company, she works as a director, writer, actor, sound designer and educator. As an actor and director she has presented work in international venues and festivals throughout Europe and Latin America creating long lasting partnerships with artists and designers. She holds a BFA in Theater from the University of Washington, and an MFA in Acting from Columbia University. Erika is also an associate director of the French trans-media company Begat Theater. For Begat, she co-conceived, directed, designed sound and co-wrote several of Begat productions. Begat Theater's productions have been awarded numerous grants, co-productions and partnerships, as well as the generous support from FACE (French American Fund for Contemporary Theater). Erika is a member of the Society of Authors (SACD) in France, and she continues to author and co-author many of the original productions for both WaxFactory and Begat Theater. Outside her company, she has worked with Felix Barret and Maxine Doyle of Punchdrunk (SLEEP NO MORE), Robert Wilson at the Watermill Center, Anne Bogart (SITI Company), Robert Woodruff, Victor Gautier Martin, Tina Landau, and Chuck Mee , among others. Cite this episode: Chicago Style Johal, Am. “Strange Joy — with Erika Latta.” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, March 21, 2023. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/206-erika-latta.html.
Dylan and Connor are joined by Ethan Slater (SpongeBob SquarePants, Assassins). NOT a simple sponge! Listen in as the guys discuss Sondheim's birthday, Ethan's new play Good Night, Oscar, starring alongside comedic genius Sean Hayes, staying positive with Danny Skinner, Severance on Apple TV+, working with John Doyle and an unreal cast in Classic Stage Company's Assassins, the brilliance of Tavi Gevinson, the dream role of Lee Harvey Oswald and the Balladeer, the masterful art of Tina Landau, Vassar, Sondheim revivals on YouTube, and starring as SpongeBob SquarePants in the Tony nominated titular role. We. Love. Ethan.Follow Ethan on Twitter & InstagramFollow DRAMA. on Twitter & InstagramFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramEdited by DylanGet your DRAMA merch (t-shirts, stickers, and more) HERE!SUBSCRIBE TO OUR PATREON HERE! Support us and help us continue producing content!Please subscribe on Apple Podcasts, rate us 5 stars, and leave a kind review!
For Video Edition, Please Click and Subscribe Here: https://youtu.be/OmqZl5vX_3U Randy Skinner (Conceiver/Director/Choreographer). Broadway shows include 42nd Street (Tony, Drama Desk, Outer Critics, Astaire nominations), Irving Berlin's White Christmas (Tony, Drama Desk nominations), Dames at Sea (Tony, Drama Desk, Outer Critics, Astaire nominations), Ain't Broadway Grand (Tony, Outer Critics nominations), State Fair (Outer Critics nomination), and After the Night and the Music. For City Center Encores!, Mr. Skinner choreographed Do Re Mi, Of Thee I Sing, Face the Music, No, No, Nanette, Gentlemen Prefer Blondes, and Lady, Be Good; he played the role of Pa Dolan in their production of On Your Toes. Off-Broadway, he choreographed Lone Star Love (Lucille Lortel nomination). Barry Kleinbort (Book) has earned the prestigious Edward Kleban Foundation Award for Lyric Writing, two Gilman-Gonzalez Musical Theatre Awards, the Second Stage Musical Writers Award, the Jamie deRoy/ASCAP award, two BackStage Bistro awards, and twelve Manhattan Association of Cabarets (MAC) awards for his directorial and songwriting efforts. He wrote the book and lyrics for the musical Was (music by Joseph Thalken, based on the novel by Geoff Ryman), which was the inaugural production of the American Musical Theater Project in Chicago, under the direction of Tina Landau. Irving Berlin (Music) (May 11, 1888–September 22, 1989) was an American composer and lyricist, widely considered one of the greatest songwriters in American history. His music forms a great part of the Great American Songbook. https://web.ovationtix.com/trs/cal/34375/1635739200000
This week, David and Joey chat with the wonderful Karen Olivo about the origins of AFECT, the importance of self discovery, and setting up future generations for success in an industry that continues to demand accountability and transparency. Karen Olivo (she/they) is a multi-hyphenate living/working on the ancestral lands of the Ho-Chunk Nation in Madison, WI. She is most widely known for their acting work that spans the last 25 years on Broadway and TV. In the Spring of 2020, Olivo co-founded the non-for-profit organization, Artists for Economic Transparency (AFECT), in the efforts to educate the industry and promote discussion regarding entertainment industry structures and how they can be altered to better support underserved communities. www.Afectchange.org Olivo's most recent theatrical work is for playing “Satine” in Moulin Rouge, The Musical for which they received their 2nd Tony Award nomination. Olivo is also recognized for their Tony Award winning performance as “Anita” in the acclaimed 2009 Broadway revival of West Side Story, a role for which she also earned Drama Desk, Drama League, Outer Critics Circle, and Astaire Award nominations. Some of their Broadway theater credits include originating the role of “Vanessa” in the Tony Award-winning musical, In the Heights (2008 Astaire Award), starring as “Faith” in the Broadway production of Brooklyn the Musical, and in Jonathan Larson's Pulitzer- and Tony Award-winning musical, Rent. Additional world premiere theatre credits include Murder Ballad at the Manhattan Theater Club, By the Way, Meet Vera Stark by Lynn Nottage at 2nd Stage, and The Miracle Brothers directed by Tina Landau at the Vineyard Theatre. Olivo is also recognized for her many television appearances including a series regular, recurring & guest-starring roles on “Harry's Law”, “The Good Wife,” “Criminal Minds: Suspect Behavior,” “Chase,” “Law & Order: Special Victims Unit,” “Conviction,” and “Law & Order.” As an educator Olivo has worked at Northwestern University, NYU-Tisch, Cincinnati Conservatory of Music, University of Wisconsin-Madison, as well as working as a visual artist, writer, and vocalist. Their 1st solo album LEAVE was released in 2018. Connect with Karen (she/they) https://www.instagram.com/karenolivo76/ https://twitter.com/karenolivo?lang=en Connect with David (he/they) http://www.davidmendizabal.com/ https://www.instagram.com/its_daveed/ Connect with Joey (they/them) https://www.instagram.com/mxjoeyreyes/ https://twitter.com/mxjoeyreyes Follow The Sol Project http://www.solproject.org/about-us.html https://www.facebook.com/solprojectnyc/ https://www.instagram.com/solprojectnyc/ https://twitter.com/solprojectnyc This episode was mixed and edited by Iris Zacarías (she/they) https://www.iriszdesigns.com/ https://www.instagram.com/irismarcelina/
In this episode, Adam and Budi discuss the top 5 theatre productions that influenced them as theatre makers, what they learned from them, and how it changed them.Mentioned in this episode:Dan AndrewsNew Administrative CapitalZabbaleen and Trash CityJean-Guy LecatTina LandauThe Diary of Anne FrankAnne Bogart and Tina Landau's The Viewpoints BookChristopher BayesExperimental Theatre WingUbu RoiChristina Wistari FormaggiaGambuhGambuh Drama Tari BaliTheatre du SoleilCartoucherieLes EphemereEinstein on the BeachRobert WilsonPhilip GlassTo submit a question, please visit http://www.speakpipe.com/theatreofothers for voice recording or submit an email to podcast@theatreofothers.com Messages may be quoted by name unless the writer stipulates otherwiseIf you enjoyed this week´s podcast, we´d love for you to leave a review on Apple Podcasts. It helps with our visibility, and the more people listen to the podcast, the more we can invest in it and make it even betterMusic credit: https://www.purple-planet.comhttp://www.theatreofothers.com
In this riveting conversation, Audrey Francis sits down with legendary director and ensemble member Tina Landau who shares insightful glimpses into her unique process of directing, including how she has learned to trust actors to bring all of themselves into rehearsal. The two also discuss the Viewpoints method, Tina's current projects in development, and the seemingly unlikely pairing of Landau's directing practice and Steppenwolf's aesthetic. Interview begins at 3:32Tina Landau is a writer, director and teacher whose work includes directing/conceiving SpongeBob Squarepants: The Broadway Musical, Tarell Alvin McCraney's Head of Passes (Steppenwolf, The Public and the Mark Taper Forum), WIG OUT! (Vineyard Theatre), and In the Red and Brown Water (The Public), Bill Irwin/David Shiner's Old Hats, Chuck Mee's Big Love and Iphigenia 2.0 (Signature Theatre), and her musical Floyd Collins (Playwrights Horizons). On Broadway, Landau has also directed Tracy Letts's Superior Donuts and the revival of Bells are Ringing. At Steppenwolf, directing credits include MS. BLAKK FOR PRESIDENT, The Wheel, Hot L Baltimore, The Brother/Sister Plays, The Tempest, The Time of Your Life (also Seattle Rep, ACT), The Diary of Anne Frank, The Cherry Orchard, The Ballad of Little Jo, Berlin Circle and her own play Space (also Mark Taper Forum, the Public). Landau has co-authored The Viewpoints Book with Anne Bogart and has taught regularly at such schools as Yale, Columbia, Harvard and Northwestern. Learn more at Steppenwolf.orgWant to get in touch? Email halfhour@steppenwolf.orgA transcript of this episode can be found HERE
KAREN OLIVO (she/they) is a television, film, and stage actor who most recently played “Satine” in Moulin Rouge, The Musical on Broadway. Olivo is also recognized for her Tony Award winning performance as “Anita” in the acclaimed 2009 Broadway revival of West Side Story, a role for which she also earned Drama Desk, Drama League, Outer Critics Circle, and Astaire Award nominations. Some of her Broadway theater credits include originating the role of “Vanessa” in the Tony Award-winning musical, In the Heights (2008 Astaire Award); starring as “Faith” in the Broadway production of Brooklyn The Musical, and in Jonathan Larson’s Pulitzer- and Tony Award-winning musical, Rent. Additional theatre credits include Murder Ballad at the Manhattan Theater Club; By the Way, Meet Vera Stark by Lynn Nottage at Second Stage; and The Miracle Brothers directed by Tina Landau at the Vineyard Theatre. Olivo is also recognized for her many television appearances including a series regular, recurring & guest-starring roles on “ Harry’s Law”, “The Good Wife,” “Criminal Minds: Suspect Behavior,” “Chase,” “Law & Order: Special Victims Unit,” “Conviction,” and “Law & Order.” Olivo is also an educator teaching at Northwestern University, NYU-Tisch, Cincinnati Conservatory of Music, University of Wisconsin-Madison, as well as working as a visual artist and writer. In the Spring of 2020, Olivo co-founded the non-for-profit organization, AFECT, Artists for Economic Transparency, in the efforts to educate the industry and promote discussion regarding entertainment industry structures and how they can be altered to better serve marginalized communities. www.AFECTchange.orgWeekly Round-Up:Listen to this podcast episode of The Ezra Klein Show with Tressie McMillan Cottom and then buy Tressie’s book Thick and lastly, listen to her Hear To Slay podcast, co-hosted with Roxanne Gay.Review Deepa Iyer’s guide and framework, “Mapping Our Roles in Social Change Ecosystems”, originally introduced to Celia through The Broadway Advocacy Coalition. Attribution: Deepa Iyer, SolidarityIs and Building Movement Project.Read this New York Magazine article, “Art Doesn’t Need Tyrants” by Tavi Gevinson
Eden Espinosa is most recognized for her critically acclaimed portrayal of Elphaba in "Wicked” on Broadway and in Los Angeles and San Francisco. Other credits include originating the title character in “Brooklyn the Musical”, Flora in “Flora the Red Menace,” and Maureen in the closing company of “Rent” on Broadway. Eden also originated the role of Sadie Thompson in the world premiere of “Rain”, at the Old Globe Theater. She portrayed Eva Peron in TPAC and Studio Tenn’s production of “Evita”. In 2017 she toured Denmark and London playing Emma Borden in the rock musical “Lizzie”. She played Mary Flynn to rave reviews in Maria Freidmans productions of “Merrily We Roll Along” at the Huntington Theatre in Boston. Eden was Daniela in Kennedy Center’s “In The Heights”. Also portrayed Anita in West Side Story for the BBC PROMS at the Royal Albert Hall. Most recently she originated the role of Tamara De Lempicka in the world premiere of “Lempicka” at Williamstown Theatre Festival, directed by Rachel Chavkin. Her television appearances include shows such as Law and Order, Ugly Betty, and Elementary. Voiceover credits include Cassandra in the Disney Channel’s Tangled the Series, Robot Chicken, MAD TV, Elena of Avalor, and Titan Maximum Eden’s debut album, Look Around, charted in the Pop iTunes top 50 between Adele and Katy Perry. Her second album REVELATION of all new original music was released in January 2019. Karen Olivo is a television, film, and stage actor who is most recognized for her Tony Award-winning performance as Anita in the acclaimed 2009 Broadway revival of West Side Story, a role for which she also earned Drama Desk, Drama League, Outer Critics Circle, and Astaire Award nominations. Some of her Broadway theater credits include originating the role of Vanessa in the Tony Award-winning musical In the Heights (2008 Astaire Award) and starring as Faith in the Broadway production of Brooklyn The Musical. She played the role of Angelica Schuyler in the Chicago production of Hamilton and currently stars as Satine in Moulin Rouge on broadway. Additional theatre credits include Murder Ballad at the Manhattan Theater Club, By the Way, Meet Vera Stark by Lynn Nottage at 2nd Stage, and The Miracle Brothers directed by Tina Landau at the Vineyard Theatre. Olivo is also recognized for her many television appearances including recurring & guest-starring roles on “The Good Wife,” “Criminal Minds: Suspect Behavior,” “Chase,” “Law & Order: Special Victims Unit,” “Conviction,” and “Law & Order.” Karen Olivo is a native New Yorker who currently lives in Madison, Wisconsin. Olivo recently taught Musical Theater Styles at UW-Madison as well as working as a teaching artist and writer for Theatre LILA, she serves on the Advisory Committee for Forward Theater and she also coaches students in her private Madison studio. Karen also released her first solo, ‘Leave,’ album in 2017. www.Karenolivo.com Learn more about your ad choices. Visit podcastchoices.com/adchoices
Today, I am joined by Ed Kleban Award Winner Barry Kleinbort. In Part 1 of our conversation, Barry discusses the many musicals he’s penned including 13 Things About Ed Carpolotti, Was, Angelina, The Rat Race, Metropolita(i)n, Second Avenue Rag, Big City Rhythm, and more. Hear him talk about what he learned from Harold Rome, how he decides a property should be musicalized, why you should never assume anyone knows who you are, why he made Frank Gilroy forget the ending of his own play, and why he ended up having two months to write a show to be performed in a barge on the Seine! Plus, more stories about Penny Fuller, Joseph Thalken, Barbara Harris, Tina Landau, and others! Also, throughout the episode you can enjoy never before released performances of Mr. Kleinbort’s songs by Danny Burstein, Howard McGillin, Roger Bart, Rita Gardner, and other great artists!
The early 90s was an exciting but difficult time to be a queer person in the United States. The AIDS crisis was still claiming so many lives and after 8 years of President Regan not even mentioning the word AIDS and 4 years of President Bush’s inaction, LGBTQ folks felt invisible, and our visibility was a matter of life and death.In the spirit of making a political statement, and shocking the squares, Joan Jett Blakk, backed by Queer Nation, launched her bid to become President of United States with the catchy slogan “Lick Bush in ’92.”This bold political performance art would had been just a delightful footnote in the history of queer activism until this year when Broadway director Tina Landau and Moonlight Oscar winner Tarell Alvin McCraney presented their new play, “Ms Blakk for President,” now playing at the Steppenwolf Theater.Today Terence Alan Smith, the artist behind the drag personage of Joan Jett Blakk joins us to talk about that amazing time when a black drag queen ran for President of the United States and how 27 years later she’s back making a big splash. Will she run again in 2020?{Best of Feast of Fun, originally ran as FOF #2759 - The Time When Ms. Joan Jett Blakk Ran for President, Jul 3, 2019}
Dogfight, Falsettos, a new EP out this week, movies, plays, musicals, Godspell... THE MAN IS NON STOP. Broadway multi-hyphenate Nick Blaemire is HERE!!! So you know that one friend you always ask for help? That one friend you constantly lean on who asks nothing in return? For us... That's Nick Blaemire. We have asked Nick Blaemire to "help us move" approximately a thousand times. "Hey Nick! We're writing a TV show.. will you help us?!" .. "Hey Nick! I wanna write a movie ... where do I start?!" .. "Hey Nick! Wanna come on our podcast..." Dan and Joe are MOOCHERS. Nick is the greatest guy. This guy writes musicals, tv shows, and movies, he acts, sings, plays music, writes music... he is one of the greatest, most talented men on the planet. And we're thrilled he's here this week. Thank you Nick. We love you. Nick Blaemire is a writer and performer based in Brooklyn. At 23 years old, Nick wrote the score to the musical Glory Days (book by James Gardiner, OBCR on Ghostlight Records). Since its historic one night engagement on Broadway, it has had over 40 productions all over the world. He has also written book, music and lyrics for four original musicals: A Little More Alive (commissioned by Broadway Across America, produced at Williamstown Theatre Festival, Kansas City Rep and Barrington Stage, optioned as a feature film); Soon (premiered at Signature Theatre, won the Stephen Sondheim Young Artist Citation); Fallout (with Kyle Jarrow, in development); and Space Dogs (with Van Hughes and Tina Landau, in development). Other writing projects include the film adaptation of the novel This Song Will Save Your Life and a romantic comedy for Universal Pictures. Nick has released two pop EPs, both available on iTunes and Spotify. As an actor, he recently completed the National Tour of Falsettos as Mendel and was nominated for a Drama Desk Award for his performance as Jonathan in the Off-Broadway Revival of Tick, Tick...Boom!. Learn more about your ad choices. Visit megaphone.fm/adchoices
Today we’re on the line with stage managers, educators, and authors, Narda E. Alcorn and Lisa Porter where we’re discussing their new book, Stage Management Theory as a Guide to Practice: Cultivating a Creative Approach, their recent HowlRound essay, "We Commit to Anti-Racist Stage Management Education," and what we as designers, creators, stage managers, and industry professionals can do to make anti-racist theatres and entertainment a reality.Narda E. Alcorn is a Professor and Stage Manager who has worked on Broadway, Off-Broadway, regionally, and internationally. In 2019, Narda was appointed Chair of the Stage Management Program at Yale School of Drama. She has been Head of Stage Management for New York University, DePaul University, and State University of New York at Purchase. She received DePaul’s Excellence in Teaching Award in 2015 and The Robert Christen Award for Excellence in Technical Collaboration in 2017.On Broadway, Narda has had collaborations with the Tony-winning directors Kenny Leon, Bartlett Sher, and George C. Wolfe. She premiered four of Pulitzer-Prize winning playwright August Wilson’s Century Cycle plays, and stage managed two Broadway revivals of his work. Her New York and Regional credits include productions with Denzel Washington, Viola Davis, Billy Crystal, Kevin Kline, Annette Bening, Phylicia Rashad, David Schwimmer, and Richard Foreman. Narda was a long-time stage manager on the Broadway production of The Lion King, and she has collaborated with the celebrated MacArthur Fellows, composer George E. Lewis and playwright Tarell Alvin McCraney. She has recently co-published, with Lisa Porter, Stage Management Theory as a Guide to Practice: Cultivating a Creative Approach and the essay We Commit to Anti-Racist Stage Management Education on HowlRound.Lisa Porter is a Professor of Theatre and Dance at the University of California, San Diego, where she has taught since 2005. She is the Head of the MFA in Stage Management, and teaches graduate and undergraduate stage management. She has also developed courses related to creativity, neuroscience, disability, and performance. Lisa has taught in the MFA Stage Management program at Yale School of Drama, and has led international classes in Singapore, Taiwan, and China.Working in diverse venues on six continents, Lisa’s career has included international projects with Laurie Anderson, Mikhail Baryshnikov, Anne Bogart, Hal Hartley, Yo-Yo Ma, Silkroad Ensemble, White Oak Dance Project, and Robert Wilson. She has collaborated extensively on multiple intercultural productions with Singaporean director Ong Keng Sen and TheatreWorks Singapore. Her New York and Regional credits include productions with Christopher Ashley, Charles Busch, Jonathan Demme, Richard Foreman, Doug Hughes, Tina Landau, Kenny Leon, Suzan-Lori Parks, Darko Tresnjak, and Mark Wing-Davey. She has also produced and stage managed non-profit and corporate events since 1996. She has recently co-published, with Narda E. Alcorn, Stage Management Theory as a Guide to Practice: Cultivating a Creative Approach and the essay We Commit to Anti-Racist Stage Management Education on HowlRound.Interested in hearing more from Narda and Lisa? Register for their upcoming USITT Webinar, "Stage Management Theory as a Guide to Practice: Cultivating a Creative Approach" taking place Monday, Oct. 19 @ 7 p.m. EDT. This webinar is free for USITT members and $15 for non-members. Advanced registration is required. Register here: https://secure.usitt.org/NC__Event?id=a0l0b00000Djoy0AAB
Emily Ritger is a director, playwright, performer and choreographer based in Chicago. As a teacher and director developing new work, she has worked for American Theatre Company, Redmoon, Cleveland Public Theatre, Northlight Theatre, ChiArts, The New Harmony Project and The National High School Institute. While Ritger’s focus is in ensemble based work, her diverse training includes Viola Spolin Theatre Games, Viewpoints, Puppetry, Contact Improv, experimental methods of writing and various forms of music, creating work that is saturated in movement, music and play. Her work draws from her experience of growing up in small town Wisconsin. It celebrates rural america - its voice, land, dialect, sense of community and the people who carry on the traditions and way of life inherent to living off the land. With the agrarian landscape as her cornerstone, her work explores the philosophy and religion inherent in nature and living off the land, and the cyclical birth and death inherent in life on a farm. Her current projects include her solo show, "Crud", part documentary style theatre, part fantastical music and shadow puppetry, examining a day her family never talks about. "Behaymas", a collaboration with playwright Aliza Bartfield, three humans and one animal blur the lines of domesticity and societal constructions of family. And her play "The Day Krissy LeDuke Fell Through the Ice", is a moment in time and its arrayed vectors of tragedy told through free verse and music. She has studied with theater artists Dan Hurlin, David Neumann, Sibyl Kempson, Tina Landau, Brett Bailey, Claudia Castellucci, Aretha Sills, Shirley Kaplan, Cassandra Medley, Stuart Spencer and Tom Lee, and received her MFA in Theater from Sarah Lawrence College and a BS in Theatre and Philosophy from the University of Evansville. Edited and Produced by Kyrie Ellison (SLC21) Interviewed by Anne Bakan (SLC20) and Kyrie Ellison (SLC21)
Jenni is a Comedian, a Filmmaker and an improviser. You can check out some of her content at @fiberopticduck on instagram. In this episode Jenni discusses mindfulness in improv and about being aware of what you're already doing and what's already happening in a scene. She talks about this primarily through the lens of Kinaesthetic Response which is one of the Viewpoints: A theory of acting by Anne Bogart and Tina Landau. Enjoy. The Improv Conspiracy is one of Australia's premiere improv comedy theatres. Hosted by Broni Lisle, the Improv Conspiracy podcast features weekly guests talking about a little corner of improv philosophy or practice that they are passionate about. The perfect extra curricular companion to the Improv Conspiracy's training program, while also being a useful resource for improvisers the world over. Please rate and review friends!! Email your questions to broni@improvconspiracy.com For information on classes and live shows head to http://improvconspiracy.com See omnystudio.com/listener for privacy information.
The early 90s was an exciting but difficult time to be a queer person in the United States. The AIDS crisis was still claiming so many lives and after 8 years of President Regan not even mentioning the word AIDS and 4 years of President Bush’s inaction, LGBTQ folks felt invisible, and our visibility was a matter of life and death.In the spirit of making a political statement, and shocking the squares, Joan Jett Blakk, backed by Queer Nation, launched her bid to become President of United States with the catchy slogan “Lick Bush in ’92.”This bold political performance art would had been just a delightful footnote in the history of queer activism until this year when Broadway director Tina Landau and Moonlight Oscar winner Tarell Alvin McCraney presented their new play, “Ms Blakk for President,” now playing at the Steppenwolf Theater.Today Terence Alan Smith, the artist behind the drag personage of Joan Jett Blakk joins us to talk about that amazing time when a black drag queen ran for President of the United States and how 27 years later she’s back making a big splash. Will she run again in 2020?[Originally posted as FOF #2759 - The True Story of When Ms. Joan Jett Blakk Ran for President, July 4, 2019]
In this episode, Ben and Daniel talk to Tony-winning Broadway star Faith Prince about Liza Minnelli's 1972 live album Liza with a Z. They also discuss Tina Landau, Fanny Brice, Funny Girl, Jule Styne, Judy Holliday, Mary Rodgers, Gwen Verdon, Fosse/Verdon, Scott Frankel, Comden and Green, and Marilyn Maye. Faith tells stories of how she landed lead roles in shows like Guys and Dolls, Bells Are Ringing, and The First Wives Club, and shares valuable advice on how to set yourself apart at auditions by bringing your intelligence into the room and onto the stage. She also talks about what it means to be your authentic self and the value of being present as a performer and in life. Faith's fabulous live albums Leap of Faith and Total Faith are available on iTunes, Amazon, and Spotify.
Tarell Alvin McCraney is an acclaimed writer. His script IN MOONLIGHT BLACK BOYS LOOK BLUE is the basis for the Oscar-winning film MOONLIGHT directed by Barry Jenkins, for which McCraney and Jenkins won an Oscar for Best Adapted Screenplay. He wrote the film HIGH FLYING BIRD which premiered on Netflix directed by Steven Soderbergh. McCraney’s plays include MS. BLAKK FOR PRESIDENT (co-written with Tina Landau), THE BROTHER/SISTER PLAYS trilogy, HEAD OF PASSES, WIG OUT!, and CHOIR BOY which was nominated for four Tony Awards. McCraney is the recipient of a MacArthur "Genius" Grant, the Whiting Award, Steinberg Playwright Award, the Evening Standard Award, the New York Times Outstanding Playwright Award, the Paula Vogel Playwriting Award, the Windham Campbell Award, and a USA Artist Award. He is currently Chair of Playwriting at Yale School of Drama; an ensemble member at Steppenwolf Theatre Chicago; and a member of Teo Castellanos/D-Projects. McCraney is currently working on an original scripted TV series, DAVID MAKES MAN, for Oprah Winfrey’s OWN Network, produced by Michael B Jordan and Page Fright Productions. Screen Heat Miami Screen Heat Miami (SHM) is hosted by veteran Miami based producers Kevin Sharpley and JL Martinez and each week covers the latest trends in the film, tv, and entertainment industry, including interviews with global and local industry leaders, all told from a "Miami" point of view.
Tarell Alvin McCraney is an acclaimed writer. His script IN MOONLIGHT BLACK BOYS LOOK BLUE is the basis for the Oscar-winning film MOONLIGHT directed by Barry Jenkins, for which McCraney and Jenkins won an Oscar for Best Adapted Screenplay. He wrote the film HIGH FLYING BIRD which premiered on Netflix directed by Steven Soderbergh. McCraney’s plays include MS. BLAKK FOR PRESIDENT (co-written with Tina Landau), THE BROTHER/SISTER PLAYS trilogy, HEAD OF PASSES, WIG OUT!, and CHOIR BOY which was nominated for four Tony Awards.McCraney is the recipient of a MacArthur “Genius” Grant, the Whiting Award, Steinberg Playwright Award, the Evening Standard Award, the New York Times Outstanding Playwright Award, the Paula Vogel Playwriting Award, the Windham Campbell Award, and a USA Artist Award.He is currently Chair of Playwriting at Yale School of Drama; an ensemble member at Steppenwolf Theatre Chicago; and a member of Teo Castellanos/D-Projects. McCraney is currently working on an original scripted TV series, DAVID MAKES MAN, for Oprah Winfrey’s OWN Network, produced by Michael B Jordan and Page Fright Productions. http://www.oprah.com/app/david-makes-man.html
Karen Olivo is a television, film, and stage actor who is most recognized for her Tony Award-winning performance as Anita in the acclaimed 2009 Broadway revival of West Side Story, a role for which she also earned Drama Desk, Drama League, Outer Critics Circle, and Astaire Award nominations. Some of her Broadway theater credits include originating the role of Vanessa in the Tony Award-winning musical In the Heights (2008 Astaire Award) and starring as Faith in the Broadway production of Brooklyn The Musical. She played the role of Angelica Schuyler in the Chicago production of Hamilton and currently stars as Satine in Moulin Rouge on broadway. Additional theatre credits include Murder Ballad at the Manhattan Theater Club, By the Way, Meet Vera Stark by Lynn Nottage at 2nd Stage, and The Miracle Brothers directed by Tina Landau at the Vineyard Theatre. Olivo is also recognized for her many television appearances including recurring & guest-starring roles on “The Good Wife,” “Criminal Minds: Suspect Behavior,” “Chase,” “Law & Order: Special Victims Unit,” “Conviction,” and “Law & Order.” Karen Olivo is a native New Yorker who currently lives in Madison, Wisconsin. Olivo recently taught Musical Theater Styles at UW-Madison as well as working as a teaching artist and writer for Theatre LILA, she serves on the Advisory Committee for Forward Theater and she also coaches students in her private Madison studio. Karen also released her first solo, ‘Leave,’ album in 2017. www.Karenolivo.com
Nick Duncalf follows Tina Landau and Tarell Alvin McCraney of the Steppenwolf Theatre Company as they rehearse their revolutionary new stage show, Ms Blakk for President. In Chicago, Illinois, two of the ensemble’s key creatives, Tina Landau and Tarell Alvin McCraney, are bringing a theatrically daring and politically charged new show to life. Ms Blakk for President tells the extraordinary true story of an African-American drag queen who ran for president of the United States in 1992, at the height of the Aids crisis. Tarell is a critically acclaimed playwright who won an Oscar for his screenplay for the film Moonlight, based on his own childhood growing up in Miami, Florida. Not only has this show been created from scratch at breakneck speed, but Tarell is playing the lead role, after a 15-year absence from the stage. Inspired and supported by the company’s history and success, Tarell, Tina, and Steppenwolf’s artistic director, Anna D. Shapiro, are determined that this cultural institution must be theatrically and politically revolutionary in order to not just survive, but thrive in the 21st century. Founded 45 years ago in a leafy suburb of Chicago, the Steppenwolf Theatre Company has forged a reputation as one of the world’s foremost producers of electrifying, actor-led theatre, from their breakthrough productions of Balm in Gilead and Sam Shepard’s True West, to the Pullitzer Prize-winning August: Osage County, written by one of their own ensemble members, actor-turned-playwright Tracy Letts. The ensemble, expanding over the years to include 50 members, has won Tonys, Emmys, Pullitzers and multiple Oscar nominations, and includes John Malkovich, Laurie Metcalf, Gary Sinise, Joan Allen, Bruce Norris, and many more.
Jonathan Abarbanel, our first theatre critic guest, comes with great perspective not just as a theatre historian and scholar but also as an artist. He's been an actor, dramaturg, playwright, and producer, so he knows what it means and takes to bring work to the stage. He's the immediate past president of the American Theatre Critics Association. He's reviewed Chicago theatre for 50 years and continues as a great critic for the Windy City Times and Footlights magazine. He and Kerry Reid are the "Dueling Critics" on The Arts Section on WDCB public radio. This marvelous and nuanced conversation about Isaac Gomez's play, La Ruta, is a great example of their collaboration and a chance to hear some longer form criticism from two real pros. Frank tells us about his trip to the Dalmation Coast, including a visit to the "Museum of Broken Relationships" in Zagreb. Sounds like a must-see. Jonathan was an early member of the off-loop theatre movement and was part of exciting and important developments like working with Del Close on the Harold. He briefly worked as a copywriter and producer in advertising an came up with an iconic slogan "America spells cheese, K-R-A-F-T"! Another claim to fame was his appearance on the Antique Road Show with original artist boards of Winsor McCay's comic strip, "Little Nemo in Slumberland." Winsor invented animated cartoons with a character called "Gertie the Dinosaur". Jonathan was working summer stock and came across the boards in a barn. He offered to buy them from the property's owner who said just to take whatever he wanted...They were worth a lot of money when he went on the Road Show and are worth even more now. Picture here is one of the Little Nemo strips he owns, as it appeared in print in full color. Jonathan describes it as "a zoo on Mars and a Martian is showing Nemo and his gang around." We asked Jonathan about his philosophy of criticism and he responded that he does not believe in attack criticism. And since his review space in the Windy City Times is usually only about 450 words, he doesn't have space to show off his "style." He'd rather spend 10 words writing about a costume or sound design than trying to show off his wit. He is very direct. To Jonathan, every single word sounds. Especially when writing about new work. About 50% of the shows produced in Chicago are new work. He will generally approach the script first, rather than the production elements or acting. The question is, "Does it work?" He talks about how consistently excellent most of the performances in Chicago theatre are right now. Speaking of which, Gary, Frank, and Jonathan agree that the performances in Steppenwolf's production of the new play by Tina Landau and Tarell Alvin McCraney, Ms. Blakk for President, were just terrific! Jonathan quotes the famous New Yorker critic, John Lahr's book title, Astonish Me, Adventures in Contemporary Theatre about what he's looking for when he walks into a theater. "Make me walk out full of the wonder of your production." He looks for that show that "just hits him in the guts." Sometimes he just "puts his pen down and lets it happen to him."
@kylematthewhamilton goes from pro skateboarder to debuting in his first Broadway show via a short birthday video for Spongebob The Musical’s director, Tina Landau. Well, it wasn’t that easy...it took some practice, along side 11 year olds in tap class. www.builtforthestage.com www.kylematthewhamilton.com BROADWAY: SpongeBob SquarePants The Musical Learn more about your ad choices. Visit megaphone.fm/adchoices
@kylematthewhamilton goes from pro skateboarder to debuting in his first Broadway show via a short birthday video for Spongebob The Musical’s director, Tina Landau. Well, it wasn’t that easy...it took some practice, along side 11 year olds in tap class. www.builtforthestage.com www.kylematthewhamilton.com BROADWAY: SpongeBob SquarePants The Musical
The guests of the hour are Daniel Isengart and Francisco Migoya! Both men have combined a deep love of art with their culinary aspirations, and have truly unique perspectives on cooking, eating, and creating. Daniel Isengart is the author of The Art of Gay Cooking, a literary appropriation of The Alice B. Toklas Cookbook, that includes a foreword by Jeremiah Tower, the legendary Godfather of California Cuisine. Isengart was born in Munich, Germany and raised in France. Since his NYC stage debut in 1994 (in Tina Landau’s Stonewall – Night Variations), he has become a specialist in the intimate performance style of the cabaret genre. Francisco Migoya, head chef of Modernist Cuisine and co-author of Modernist Bread: The Art and Science, grew up in Mexico City surrounded by the cultures of his parents: Italian-American and Spanish. Chef Migoya’s first calling, however, was not culinary school but art school, where he planned on studying painting, drawing and sculpture. Encouraged by a friend, he acquired a staging position in a Mexico City hotel at age 16. Migoya quickly realized that the kitchen was where he belonged. Our theme song is “Suns Out Guns Out” by Concord America. HRN Happy Hour. is powered by Simplecast.
Skeptics who rolled their eyes at the thought of Nickelodeon’s hit animated series SpongeBob SquarePants heading to Broadway were quickly silenced when they experienced the talent of triple threat ETHAN SLATER. In less than a year, the young talent has gone from fresh-faced Broadway newcomer to 2018 Tony nominee, Outer Critics Circle Award winner and two-time Broadway.com Audience Choice Award winner. His energetic performance in the role of SpongeBob SquarePants has wowed both audiences and critics. Not unlike the delightfully zany production he stars in, Slater has proven that the Bikini Bottom director Tina Landau has created at the Palace Theatre is a lot more than burgers and bubbles. This show, boasting 12 Tony nominations, has proven that it's not just a simple Great White Way show: it's a contender and more. Slater recently discussed making the optimistic yellow cartoon his own, learning about loss, counting his blessings and other takeaways on Show People with Paul Wontorek.
HAPPY TONY NOMS DAY!!! And how lucky are we that our guest this week is Gaelen Gilliland from SpongeBob SquarePants: The Musical – which SWEPT the nominations with 12! Congrats to all in that pineapple under the sea, especially director Tina Landau, whose dressing room we are stealing to record in! Gaelen has also been in every Broadway show known to man. We dive deep into her stories of being in the original companies of Legally Blonde and 9 to 5 as well as talk about how she found herself fitting into the business, growing as a performer, onstage goofs with Allison Janney, #oldheadshotday, the importance of pushing yourself, the life of a swing, u/s, and track performer, puppy stuff, and why EVERYONE SHOULD SEE SPONGEBOB ON BROADWAY! And come see US live and IN THE ROOM at The West End Lounge on 5/6 @7pm for a very special night of songs, gab, games, and drinks with past guests. Tickets available at www.intheroompod.com! @gaelengillilandmiller www.gaelengilliland.com
Judy Kuhn has been nominated for four Tony Awards most recently for her starring role in the Tony award winning musical Fun Home. Also on Broadway she starred in the Roundabout’s hit revival of She Loves Me (Tony Nomination), Chess (Tony & Drama Desk Nomination), Les Miserables (Tony & Drama Desk Nomination), Rags (Drama Desk Nomination), Two Shakespearean Actors (Lincoln Center Theatre), Alan Menken & Tim Rice's King David, and The Mystery of Edwin Drood (original cast). Recent appearances incude: The Visit by John Kander, Fred Ebb & Terrance McNally at The Williamstown Theater Festival; the orginal production of Fun Home Public Theater (Lucille Lortell Award); Fosca in the much lauded production of Stephen Sondheim & James Lapine’s Passion directed by John Doyle at the Classic Stage Co. (Drama League Award nomination) and and she appeared in the inaugural season of Encores! Off-Center in The Cradle Will Rock directed by Sam Gold. Other theater includes: Three Sistersadapted by Craig Lucas and directed by Bartlett Sher (Intiman), Passion (Kennedy Center’s Sondheim Celebration); U.S. premiere of Sunset Boulevard in Los Angeles; Ricky Ian Gordon’sSycamore Trees (Helen Hayes Award/Signature Theater); Michael John LaChiusa’s The Highest Yellow, Eli’s Comin’ (Vineyard Theatre/Obie Award); The Ballad of Little Jo (Steppenwolf Theatre Co./Jeff Award Nomination); As Thousand's Cheer (Drama Dept.); Tina Landau and Ricky Ian Gordon’s Dream True (Vineyard Theatre); The Glass Menagerie (McCarter Theatre), Martin Guerre(Hartford Stage), and Martha Clarke's Endangered Species (BAM). In London's West End she starred in Metropolis (Olivier Award Nomination). Judy sang the title role in Disney's Pocahontas as well as the in the sequel Pocahontas II: Journey To A New World. Other film and television appearances include: Enchanted, Elementary (CBS) Hope & Faith (ABC), Law & Order (NBC), All My Children (ABC), The Secret Life of Mary Margaret...(HBO), My Favorite Broadway: The Leading Ladies (PBS), The Kennedy Center Honors (CBS), The Les Miserables 10th Anniversary Concert (PBS), In Performance At The White House (PBS), and the independent feature Day on Fire in which she costarred and performed the soundtrack with John Medeski. Judy has performed on concert stages around the world including appearances at Carnegie Hall, Avery Fisher Hall, Feinstein’s at The Regency, The Hollywood Bowl, The Philly Pops Orchestra and , The Royal Albert Hall and The Hippodrome in London. She can be heard on numerous original cast recordings as well as her solo CD’s: All This Happiness (PS Classics); Serious Playground: The Songs of Laura Nyro (Sh-K-Boom) and Just In Time: Judy Kuhn Sings Jule Styne.
Marc Kudisch, currently appearing in "A Minister's Wife" at Lincoln Center Theater, talks about performing in a musical where the transitions between speaking and singing are instant and fluid, how the show, based on Shaw's "Candida", focuses its emphasis on the romantic triangle at its core, and the similarities between his character of Morrell and his early role as Conrad Birdie. He also talks about discovering himself as a performer as a senior in high school and then more fully in college; why he has always considered himself to be a character actor and how he defines that term; his performances as The Devil (in both "The Apple Tree" and "The Witches of Eastwick"), as comic villains (Franklin Hart in "9 to 5", Baron Bomburst in "Chitty Chitty Bang Bang"), comic foils (playing Count Carl-Magnus in four productions of "A Little Night Music", including the depth he finds in a character described by others as "an idiot") and leading man (as Jeff Moss in "Bells Are Ringing"); his admiration for directors George C. Wolfe, Tina Landau and Joe Mantello; why he has to work to get himself considered for roles in plays, when plays were what he first did when coming to New York; and the positive and negative uses of a healthy ego. Original air date - May 25, 2011.
Marc Kudisch, currently appearing in "A Minister's Wife" at Lincoln Center Theater, talks about performing in a musical where the transitions between speaking and singing are instant and fluid, how the show, based on Shaw's "Candida", focuses its emphasis on the romantic triangle at its core, and the similarities between his character of Morrell and his early role as Conrad Birdie. He also talks about discovering himself as a performer as a senior in high school and then more fully in college; why he has always considered himself to be a character actor and how he defines that term; his performances as The Devil (in both "The Apple Tree" and "The Witches of Eastwick"), as comic villains (Franklin Hart in "9 to 5", Baron Bomburst in "Chitty Chitty Bang Bang"), comic foils (playing Count Carl-Magnus in four productions of "A Little Night Music", including the depth he finds in a character described by others as "an idiot") and leading man (as Jeff Moss in "Bells Are Ringing"); his admiration for directors George C. Wolfe, Tina Landau and Joe Mantello; why he has to work to get himself considered for roles in plays, when plays were what he first did when coming to New York; and the positive and negative uses of a healthy ego. Original air date - May 25, 2011.
"Shrek"'s big green hero, Brian d'Arcy James, talks about the opportunities and limitations of creating the title character in the Broadway musical drawn from the first of the blockbuster animated films. He also discusses his journey from Michigan to the New York stage and the two dominant strains on his resume - serious Irish plays (including "Public Enemy", "The Good Thief", "Port Authority" and "The Lieutenant of Inishmore") and serious new musicals ("Floyd Collins", "Titanic", Lippa's "The Wild Party", "Sweet Smell of Success" and the Off-Broadway production of "Next to Normal"). Along the way, he also touches upon his roles in the original Broadway production of "Blood Brothers", the directorial expertise of Nicholas Hytner and Tina Landau, the experience of replacing Norbert Leo Butz in "Dirty Rotten Scoundrels" -- and explains his familial bond to TV's most famous dolphin, "Flipper". Original air date - August 10, 2009.
"Shrek"'s big green hero, Brian d'Arcy James, talks about the opportunities and limitations of creating the title character in the Broadway musical drawn from the first of the blockbuster animated films. He also discusses his journey from Michigan to the New York stage and the two dominant strains on his resume - serious Irish plays (including "Public Enemy", "The Good Thief", "Port Authority" and "The Lieutenant of Inishmore") and serious new musicals ("Floyd Collins", "Titanic", Lippa's "The Wild Party", "Sweet Smell of Success" and the Off-Broadway production of "Next to Normal"). Along the way, he also touches upon his roles in the original Broadway production of "Blood Brothers", the directorial expertise of Nicholas Hytner and Tina Landau, the experience of replacing Norbert Leo Butz in "Dirty Rotten Scoundrels" -- and explains his familial bond to TV's most famous dolphin, "Flipper". Original air date - August 10, 2009.
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