Podcasts about f1 drive

O Galinha Viajante de hoje tem a participação especial do Manolo e do Johann da Red Studios pra falar sobre V-Monsters! Super inspirado em Digimon, a franquia de monstrinhos já está rolando e o próximo jogo, em desenvolvimento, promete ser incrível! Ouça um pouco sobre a franquia, as inspirações e o futuro de V-Monsters nesse episódio de hoje. E também tem, claro, as Cartinhas Viajantes e um pouco do Que Tá Rolando com a gente nesse mês de novembro.APOIE O GALINHA VIAJANTEAcesse catarse.me/galinhaviajanteLINKS DA GALINHACatarse | Youtube | Instagram | BlueskyContato: cast@galinhaviajante.com.brAcesse nosso SITE: galinhaviajante.com.brWISHLIST V-MONSTERS FORGOTTEN LINKAcesse a página do jogo na Steam.OUÇA TAMBÉMGV#194: Digimon SurviveGV#76: Digimon World 1, 2 e 3GV#144: Pokemon Ruby, Sapphire e EmeraldTRILHA SONORAMidside Notes, A Funny Soul, Rootin Tootin, Lucky Spin (Martin Landstrom)Asuka City (Digimon World 3)Battle On The Jazzy Bridge (Quasar)CITADOS NO EPISÓDIOVideogames: V-Monsters Digital Farm, V-Monsters Forgotten Link, Digimon World 1, 2, 3, Re:Digitize; Sakura Card Captors, Hades II, Final Fantasy Tactics, Kingdom Hearts (franquia), Monster Hunter World, Final Fantasy XIV, Monster Rancher, Medabots, Mega Man Battle Network, Power Stone, Possessor(s), Kingdoms of the Dump, Demonschool, Rift of the Necrodancer, Cassette Beasts, PEAK, ABSOLUM, Shard Squad Outras Mídias: Bucky, Power Stone, Sakura Card Captors, Medabots, Mega Man NT Warrior, Tamagochi, F1 Drive to Survive, Até o Último Samurai, Digimon Beatbreak CAPÍTULOS00:00:00 - Abertura do Episódio00:04:22 - Cartinhas Viajantes00:23:54 - V-Monsters, o Digimon Brasileiro01:28:55 - O Que Tá Rolando01:47:47 - Encerramento do EpisódioO Galinha vai ao ar toda semana graças aos Escudeiros da Galinha Viajante! Apoie você também o nosso projeto no Catarse e junte-se à Escudaria!Apresentado e produzido por Leon Cleveland e Samuel R. Auras.Contato: cast@galinhaviajante.com.brSupport the show

Formula 1 Chief Commercial Officer Emily Prazer joins The Big Impression to accelerate the motorsport's hold on Americans with year-round content and venue in Las Vegas. Episode TranscriptPlease note, this transcript  may contain minor inconsistencies compared to the episode audio.Damian Fowler (00:00):I'm Damian Fowler.Ilyse Liffreing (00:01):And I'm Ilyse LiffreingDamian Fowler (00:02):And welcome to this edition of The Big Impression.Ilyse Liffreing (00:09):Today we're joined by Emily Prazer, president and CEO of the Las Vegas Grand Prix and the Chief Commercial Officer of Formula One. She's helping transform F1 into one of the fastest growing sports brands in the world, leading strategy partnerships and fan engagement across markets from Miami to Melbourne.Damian Fowler (00:30):Emily's here to talk about the road to the last Vegas Grand Prix on November the 22nd. Now, in its third year, the Vegas Grand Prix turns the strip into a global stage where sport, entertainment and culture collide under the neon lights.Ilyse Liffreing (00:46):I love that. From the 100 day countdown events to new sponsorship models and digital fan experiences, formula One is redefining what a modern sports brand can look like, especially in the U.S. market.Damian Fowler (01:02):In past years, the marketing around Las Vegas, the Grand Prix has felt like a crescendo building over several months. What's been your strategy this year as you build, it's the third year, right? As you build towards those?Emily Prazer (01:14):Yeah, this third year, so I think the difference this year is we've had two years of a foundation to figure out what works and what doesn't work, but equally we've had our building open all year, so prior, well the first year we're obviously building the building for those that dunno, it's called Grand Prix Plaza. It's the length of three NFL fields, so it's not small. It's designed and built to service the Formula One Paddock Club, which is the most high-end hospitality that we offer in Formula One. Underneath that is where the garages are and where the teams hang out, so it's quite a significant building. When we first moved to Vegas, we purchased the 39 acres of land and have invested around $500 million in this infrastructure and so the difference I think is obviously the first year we were building it, the second year we were getting to grips with owning such a significant property in Las Vegas and then moving into the third year of the event, the building's been open all year and we built something called F1 Drive, which is carting.(02:10):We've had a restaurant up there called Fool and Fork, which is Formula One, themed food and beverage as you'd expect. We built an immersive Formula one experience called F1 X and so the marketing's ramped up, but that's because locally we've been able to activate since the day after the race last year all the way through to this year, and obviously how we market is very different depending on what we're trying to do, whether it's selling tickets or whether it's driving foot traffic to the building. It's all the awareness that we need in Las Vegas to continue to grow our fan base.Damian Fowler (02:41):The a hundred day countdown, that's important,Emily Prazer (02:43):Right? That was a big one. We always go big around a hundred days. We did a strip takeover, we made sure people understood that it was a hundred days ago. We did similar for 50 days, so we use those milestones to make sure, obviously Vegas is somewhat a last minute market. Some Grand Prix go on sale and sell out in 90 minutes. We see the most amount of activity from a hundred days through to November.Damian Fowler (03:04):That's very interesting. How do you decide which moments where you target your marketing strategy in that a hundred day buildup?Emily Prazer (03:12):Oh, well, we're very fortunate that the racing continues For those, again, that aren't familiar, formula One is a 24 race calendar, which spans globally, so we typically go big around the big races as you'd expect. We've just come out of Singapore where hopefully people have seen that McLaren won the Constructors Championship. We'll go big again around Austin and Mexico. They're both feeder markets to the Las Vegas Grand Prix and we'll just continue to make sure we've got major announcements, whether it be food and beverage merchandise programming all the way through between now and race day.Ilyse Liffreing (03:42):Now, can you also talk a little bit about the F1 business summits because you're also launching that during race week? Sure. How intentional is the idea of making Vegas not just a race, but a business and cultural destination?Emily Prazer (03:56):Sure. Well, if you look at what Vegas do around other major sports, it's not that we're trying to reinvent the wheel, we're taking learnings from how well the NFL have operated there with the Super Bowl, even around WWE where you see them extend from a one or two day event through to a whole week. We are very fortunate that again, for those that dunno, formula One kicks off on Thursday with free practice, we have qualifying on Friday and then on Saturday is the race. And so we are lucky that we actually have really good opportunity for shoulder programming and so it was a lot of requests coming through from multiple stakeholders saying we'd love to get the ecosystem together and talk about how we've shifted Formula One culturally into something very different. Obviously it's a sport first and foremost, but I think everyone's now seeing the change into more of a lifestyle brand and a proposition around how we're executing with some partners, which I'm sure we'll get to, but I think a lot of it has been around how we kind of talk about that strategy and how we've grown the sport over the last five years.(04:54):So it was very intentional, it's had really great uptake and as you'll see as we get closer to the race, we'll start talking about what we're doing kind of Tuesday, Wednesday all the way through.Damian Fowler (05:04):It was interesting you brought up the mention of partners and the fact that Formula One now transcends the racetrack and I for one say follow some Formula One drivers on Instagram. How do you play into that whole notion now that Formula One is this lifestyle brand and what does that mean when it comes to partnerships?Emily Prazer (05:26):Well, we've been really fortunate that we've, formula One was bought by Liberty Media in 2017 and the handcuffs were taken off per se, where social media was something that didn't really exist in the sport prior to that and the drivers have done a great job and the teams have done a great job of giving us access collectively to the drivers. They're all a lot younger than they have been before, so we've been fortunate enough to help them build their profiles through social, but obviously the pivot came with Drive to Survive. Everyone knows that that was a big leap of faith that Formula One took to be able to give behind the scenes access. It's a complicated sport that had traditionally been kept to a different type of club and we've opened up those floodgates and obviously we're reaping the rewards of that at the moment.(06:10):It hasn't been easy, but ultimately when you have the likes of Netflix wanting to display what we do, hopefully everyone's seen the Formula One movie with Brad Pitt, which is now I think the highest grossing sporting movie of all time and Brad Pitt's highest grossing movie of all time. So that again, is a great explainer if you take that concept, the strategy around all of it has to create this always on dynamic, which isn't just about the 24 race weekends, it's about how to have brand extension through partnerships 24 7, 365 days a year that's come to life through our licensing business, which I can get to and also our sponsorship business, that the thought process was we want to sign less B2B organizations more consumer brands, not because we don't appreciate, we are always going to have a B2B element Formula One lives in that space, especially on the technical side of the sport, but as it talks about how we penetrate the fan base, how we acquire new fans and how we talk to fans differently.(07:06):One of the big pieces of it was, well, how do we show up in every shopping mall, not just in North America, but globally and using the likes of Lego? You would've seen our recent announcement with Tag Hoya. You now go to these shopping malls and you see these different brands actually activating and taking some learnings from how the US sports do it, where everywhere you go you can buy a t-shirt. I think one of my proudest moments was being at the Super Bowl last year in New Orleans and seeing people in the parade wearing Formula one T-shirts.(07:32):I was like, that shows that the strategy is working. In addition to we acknowledge that pricing of Grand Prix is expensive, they're also places you typically have to travel to, and so brand extension through license partners has been really important. We have something called F1 Drive, which we'll be rolling out, which is the carting proposition I mentioned in Vegas we have F1 arcade, which is now opening up and popping up all over North America. We have F1 exhibition, which is a tribute to the history of the sport and we'll keep growing as we want to keep penetrating and explaining to those fansIlyse Liffreing (08:07):Fans. That is really interesting hearing you describe just how different the strategy here is in the US too because F1 is such a global brand. How do you I guess, keep the brand though true to its global roots at the same time as also making it feel like America's race?Emily Prazer (08:25):Definitely not trying to make it feel like America's race. I think taking the learnings of how to speak to the audience we've acquired wherever we go, the benefit of being a global sport is we're global, but in each of those destinations we act very local. So when you're there, you very much know that when you're at the British Grand Prix that you're at Silverstone and there's all of the heritage around it, Monza, there's nothing more special in global sport in my opinion, than seeing the ZI on a Sunday run onto the grid with the Ferrari flags and what have you that you can't take that passion and bottle it up and just pop it into a US race. The US market is different, but if you look at how Miami has identified itself, you for sure know where you are. Same with Austin, where it's Texas and everybody is in cowboy boots and you know that you're in Texas and then Vegas takes it to a different level because we partner with our friends at the L-B-C-V-A and other partners in Vegas to bring that kind of extreme entertainment to life. So yeah, wherever you go, you really do know where you are and that's where I think the local element comes into play.Ilyse Liffreing (09:28):Has anything changed in the sports rights context in order for Formula One to really be able to create more social and organic marketing tied to the event?Emily Prazer (09:41):Yeah, I think it's that we've got the confidence to try different things and have given different types of access. So you'll see obviously that we have lots of short form content. Now we're noticing that this generation of fandom that we're trying to continue to excite wants to look at things slightly differently, whether it be through YouTube or TikTok. I think we're launching our first TikTok store in a couple of weeks, which I never thought we would be in a place to do, but it's a testament to where the sports got to. So I don't think the rights have changed. I think our approach to it has changed where we have the confidence because of the excitement around destinations like Las Vegas to shift our mindset. Like I say, we're not going to do it everywhere. We're going to pick specific places to test it, and Vegas for us for the last three years has served as that test testbed.(10:28):You'll see the collaborations alone that we do in the merchandise space we've not been able to replicate prior and we're proud of it. What we're doing there is giving us the confidence to deliver new partnerships across the sport. American Express is a prime example where they came in as a Vegas only partner, did a year of that, a year later became a regional partner, so they activated across the Americas and then a year after that became a global partner. So it's just showing that we can bring in these more consumer led brands, but also how we've shifted our mindset to be able to deliver against it.Damian Fowler (11:00):That happened very fast. It's kind of amazing. You touched on this a little bit, but the different audiences in the different markets. What have you learned after the first two years of hosting Grand Prix in the United States about American fans specifically?Emily Prazer (11:16):Just that you need to give them variety. They aren't going to come in and behave the same way as a traditional Motorsport fan that has been or has grown up with. The heritage of the British audience is a great example where I mentioned Silverstone goes on sale and sells out. We've had to adjust the product to make sure that we're very much catering to that audience and the programming around it, like we talked about, has been super important. People don't want to come just for one session, but they want the option to come and leave and go to a casino or go to a different show and what have you. So they're looking for all round entertainment, not just coming to watch the Formula One event, which we focus specifically on making sure that we deliver against.Damian Fowler (11:59):One thing that's interesting about Vegas as well is that it's a big draw for tourism globally as well and people fly in. So maybe that fan base is also kind of a mix of international and local.Emily Prazer (12:11):Yeah, well interestingly, we've seen the majority of our fan base come from Mexico, Canada, and within the United States. I think Vegas obviously is incredibly special that they cater to everyone. I think they have something like 150,000 hotel rooms that spam from five star all the way through, and so one of the things that we had to pivot from in the first year where we expected Vegas to be this really, really high end proposition was actually that we needed to cater for all different types of ticket package and hospitality package. So we've learned those differences. We thought that it would be very, very high end and mostly international. It's actually around 80% domestic, but drive in traffic and fly in traffic from other US markets in. Like I said, Canada and Mexico have been significant buyers of the Grand Prix and Vegas.Ilyse Liffreing (12:59):Very cool. I'm very curious what kind of feedback you've gotten so far from those fans, sponsors, broadcasters, anybody watching the sport in Vegas?Emily Prazer (13:09):Well, the sponsors love it because it's something different. Like I said, we put a lot of emphasis on the production. What we were all really surprised about was the quality of the racing. I think it has the most overtakes on the Formula one calendar, so that was something we weren't going to know until you can do simulations, but until you see cars going around the track in the first year, we didn't really acknowledge or understand how great the actual racing would be. So I think that was the biggest surprise around feedback and what the broadcasters and general audience have been quite positive about shifting. The mentality and mindset has been something that we're proud of, but it's all stemming from the confidence we've gained through promoting our own event.Ilyse Liffreing (13:47):When you look at success, what KPIs are you most interested in? Is it ticket sales or,Emily Prazer (13:54):I think it's all around halo effect for the sport ticket sales and revenue is obviously my ultimate goal. I'm the chief commercial officer of Formula One, so I don't think I can sit here and say otherwise, but brand extension and growing the fandom and being engaged, giving another touch point to the US audience when again, I mentioned Liberty bought Formula One in 2017, they were very clear that they had two very strategic objectives. One was growing the sport in the United States, the other was growing the sport in Asia and obviously Asia's taken a little bit longer for obvious reasons with COVID and what have you, but we're starting to see the momentum pick up again there. The US we heavily focused on signing Miami as a starting point as a partnership with the Miami Dolphins, which we're really happy with, proud of as they have shown us how to do it. Seeing how they put their event on before we even put on Vegas meant that we could really take their learnings. But yeah, the expectations are that we continue to grow it, that the production level remains incredibly high and that it's our tempo event in the Formula one calendar.Damian Fowler (14:55):Now, you mentioned the Netflix show Drive to Survive, and obviously there's been a lot of media around the importance of that show. Could you talk a little bit about the significance of that show, how it helps or not inspire marketing strategy?Emily Prazer (15:09):Yeah, it comes back to this always on point that I mentioned before, which is Formula One needs to be accessible for the next generation of fans to truly understand it and the next generation of fans care about the competitive nature of the racing, but they also want to understand the personalities behind the sport, and I think it gave us the opportunity to open up to be able to show who we all are. The technical terminology, the filming that went into that and the movie to be honest, has given us the opportunity to use that content to be able to explain what DRS means or what is the significance of each Grand Prix, what does it actually mean? So these drivers like the NFL, when a player puts on a helmet, it's hard to understand the emotion, but being able to get to know the drivers and the team behind the drivers, which is also incredibly important, has been really helpful in our marketing strategy.(16:01):But what it inspired was how do we talk to the different audience? Like I said before, you can't talk to that audience the same way that you talk to the 75-year-old fan that's been going to Silverstone since its inception. So a lot of it has been about how we change our thoughts around short form content and how we use different platforms. To talk to a different audience in different markets has just meant that we've had to learn how to engage and pivot from just broadcast on a Sunday to every minute of every day coming up with new ideas to talk to the fan base.Damian Fowler (16:34):That's pressure for sure. You also mentioned the different channels, and we do talk about a lot about how live sports is now available across many, many different channels and tech platforms are bidding next to traditional broadcasters. I wonder in the mix of things, and especially when it comes to the show and when you broadcast it, how important has that kind of explosion as it were of channels been?Emily Prazer (17:00):I mean we have been ahead on the curve on that somewhat for we are different. Formula One owns its own broadcast capability. We have an office or a building in the UK in Big and Hill and Kent for those that have been in London, been to Kent around London and it's incredible. We own and operate again the whole thing. So every camera, every fiber optic cable, everything you see at a Grand Prix is being produced by Formula One. We have remote operations at the track that go back to Big and Hill and we have 180 broadcasters globally. So we've always been slightly different to other mainstream sports in that regard because we produce our own show, which is helpful for us around sponsorship and what have you. But generally speaking, I think obviously the world is changing and we've got to make sure we keep up with it.Ilyse Liffreing (17:47):Looking forward, which marketing innovations, there's obviously a lot right now, but ai, contextual, programmatic, what excites you the most? Is there any digital marketing innovations?Emily Prazer (18:02):Yeah, I think AI is something that we are excited but cautious. Again, with the sport that's so technologically advanced, you've got to be thoughtful about how we use it. We also don't want to lock ourselves in one direction or the other. So we're doing a lot of work without Formula One has the most unbelievable roster of tech partners. If you think about Salesforce, AWS, Lenovo globin to name a few, they're going to tell us how to use AI to benefit our sport, not just commercially, but on the tech side. So we are very excited about it, not just from a marketing point of view, but from a just general point of view. How does AI benefit the sport? We're taking a massive amount of time to think about just general activations. I know that sounds kind of immature if you think about Formula One, but how do we bring different activity to the track outside of just races? I'm not sure if either of you saw what we did in Miami with Lego, where Lego built 10 full size cars for the drivers to race Lego cars around the track.Damian Fowler (19:05):I show my son that. That'sEmily Prazer (19:06):So cool. If you think about the content that that created around marketing, that was probably the most viral thing we've done in a very, very long time. So our marketing strategy at the moment is about solidifying the brand equity, making sure that we deliver against our partnership objectives and that we continue to grow our social platforms. I'm not going to say that we're not technically as advanced, but the data capabilities is all quite new to Formula One. Loyalty programs are all quite new to us, so for us, I keep coming back to it, but it's really about figuring out how to engage with the audience and have something to sell them. Again, we're a rights holder that doesn't have tons of assets to sell ourselves. We license a lot out, and so really it's about coming up with these creative ideas to be kind of 10 steps ahead of anyone else.(19:53):And I think we are in a very unique space. We're very lean, which means we can be very nimble. So when we're making a lot of these decisions, it's me going to Stefano who's the CEO of Formula one saying, how do you feel about us trying something like this? And that's again, where we link the Vegas piece together with the broader marketing strategy to continue to keep everyone engaged rather than it just being like a technical marketing play. Obviously we do that day in, day out, but I think for us it's the confidence we've got now to really push the boundaries and be the first to do a lot of different things, whether it be what we're doing in the broadcast around all of the different types of digital advertising and what have you. I think again, if you watch the races, you'll start to see that we are trying and testing new technologies in thatIlyse Liffreing (20:37):Way. And on that note, we talked a little bit before about the timing of the race in Vegas. InEmily Prazer (20:46):Vegas. Yeah.Ilyse Liffreing (20:47):Because it's a new time for you guys thatEmily Prazer (20:49):10:00 PM Yeah, we moved it forward from 10:00 PM to 8:00 PM which is great. I think a lot of people were struggling with how that's local time, right? Local time, yeah. When we first went to Vegas, the idea was that the timing would be in line with the boxing match or the show. So it wasn't done for any other reason than 10 o'clock on a Saturday night in Vegas is when typically you start seeing things happen. The difference being is that the distance or time you need to keep between certain amounts of sessions meant that it created gaps. So if there were delays that 10:00 PM could technically be pushed. And so we had our issues in the first year. We learned from those last year operationally delivered really well, but we still felt that it was slightly too late, hence the 8:00 PM start. So everything has shifted forward. We have F1 Academy this year, which we're really excited about, so that will, I think doors now open at 2:30 PM rather than four. So it means everything will be a lot earlier, but it's all for the show.Damian Fowler (21:48):And presumably you have a kind of global viewership as well, so that all impactsEmily Prazer (21:53):The trends. Yeah, I think it obviously will be beneficial to the east coast market, not so beneficial to the rest of the world, but we still feel good about the viewership numbers and what we're seeing. SoDamian Fowler (22:03):The true fans willEmily Prazer (22:05):Watch you, right? If not next. Exactly. Hands always come through. Exactly.Damian Fowler (22:08):Alright, so we've got some kind of quick fire questions here to wrap this up. So first off, what keeps you up at night in the lead up to this?Emily Prazer (22:16):Everything in the lead up? The lead up. I'm not sleeping at all my first year as A CEO, I think last year it would've been ticket sales. This year it's probably just security and all round operations. So as my role has expanded on the Vegas race particularly, it's just we are opening and closing the track every three hours. It's not like other street races keep their roads closed for up to seven days. We are having to keep it open and close it regularly. You're in one of the busiest roads in North America, so we don't really have much of a choice and we don't want to impact the locals any further. So I think it's just being responsible for the logistics is scary.Damian Fowler (22:58):Wow. I agree. Closing the road down is like mind blowing.Emily Prazer (23:00):Yeah, it is genuinely mind blowing. If you go to Vegas now, you can see that things are still are on their way to being built and it's like, oh wow, this is happening.Ilyse Liffreing (23:10):That is scary. I'm scary for you. What would you say is missing in the US sports sponsorship marketplace that you would love to see happen?Emily Prazer (23:19):Ooh, good question. I haven't thought about the answer to that. That's a hard one. I'm going to have to sit on that one for a minute. Don't worry. Yeah, I mean I can't speak for, I can only really speak for my sport, but I'd love to have the same access to the teams that N-F-L-N-B-A have as the rights holder. We definitely don't get to just sell the team IP as we see fit. We have something in Formula One called the Concord Agreement, which means that we have some restrictions there. But yeah, let me have a think about the broader space. Sorry. I like that answer One hit me.Damian Fowler (23:52):That's a good answer there. We can circle back and do it again if you want, but I like that to be honest. Okay. So which other sports or entertainment brands do you think are nailing their brand positioning right now?Emily Prazer (24:03):I think the NBA and the NFL, they just do it so unbelievably well and they have fandom here. I've never witnessed in the UK you very much see the fandom around a specific team. Here you see genuine fandom around the NFL. And what I love as a Brit in the US obviously is I still can't believe how each of the TV channels cross-promote each other for other games. So you'll be watching Fox and they'll be like, tune into CBS to watch this game. And you're like, oh wow. They really do do it for the greater good of the league. We would obviously it's different. We don't have multiple games in Formula One, but if I think about it in comparison to the Premier League, you really do follow the team. If I'm a Chelsea fan by the way, but I would watch Chelsea, I wouldn't then flip channels to watch Man United in the us.(24:57):I find myself on a Sunday watching three or four games and I'm like, I'm not even your core audience. It has to be something to do with the marketing that it's always there telling me what to do, telling me how to watch it. And I really admire, maybe this is actually the answer to the previous question. I actually admire how good they are at getting in my head because I think about it, I'm like, what games are on a Sunday or what playoffs are happening in the NBA and I go to watch it because it's there. Whereas like I said, premier League, as much as I'm a huge Chelsea fan and grew up with it, you just don't seem to be able to follow it like that.Damian Fowler (25:35):Yeah, that's very interesting. Would you say you were an NFL fan before you came to theEmily Prazer (25:39):Us? No, not at all. Didn't know the rules and now I'm like hardcoreDamian Fowler (25:42):Because of the marketing, I guess.Emily Prazer (25:43):Wow. Must be. They just got in my head.Damian Fowler (25:46):Amazing. Yeah. And that's it for this edition of The Big Impression.Ilyse Liffreing (25:54):This show is produced by Molten Hart. Our theme is by love and caliber, and our associate producer is Sydney Cairns.Damian Fowler (26:01):And remember,Emily Prazer (26:02):We've had to learn how to engage and pivot from just kind of broadcast on a Sunday to every minute of every day coming up with new ideas to talk to the fan base.Damian Fowler (26:13):I'm Damian. Ilyse Liffreing (26:14):And I'm Ilyse.Damian Fowler (26:14):And we'll see you next time. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

One of the best voices in Formula 1, BBC and Drive To Survive's Jennie Gow believes that Oscar Piastri will fulfill his own prophecy and hold off Lando Norris to win the Driver's Championship. Chatting to Declan Byrne on The Saturday Sledge, Gow gives us a glance from pit lane into Piastri's steely resolve and what he said to her in 2024 that has "haunted" her. Gow also tells us how Piastri will cope with the pressure, whether McLaren will break their own 'papaya rules' and why Piastri vs Norris will add fire to the historic Aus v Eng rivalry.

Mohammed says he's not a hero - but he certainly is - others would have started taking a video...Exciting times at Cork Airport - the future is as bright as it gets.. The Corkwoman who dreams about driving in Formula 1 & lots more Hosted on Acast. See acast.com/privacy for more information.

Prime Minister Sir Keir Starmer chatted to us about his first year in office and took part in Kids Prime Minister's Questions.McClaren Racing CEO Zak Brown revs us up for the British Grand Prix this Sunday and gave us all the gossip behind F1 Drive to Survive.Will and Grace star Sean Hayes pops by for a chat, before his Tony award-winning play, Good Night, Oscar, opens at the Barbican Centre in London on Thursday 31st July.Join Chris, Vassos and the Class Behind The Glass every morning from 6.30am for laughs with the listeners and the greatest guests. Listen on your smart speaker, just say: "Play Virgin Radio. Hosted on Acast. See acast.com/privacy for more information.

Haircuts, interrupted sleep. F1 Drive to Survive. Full Swing. The sad case of Christina Applegate. TV Friends. Dumb Comedies. 80's Songs. Things that are gradually disappearing. Dream Vacations. And #RandumbFacts

Lo mejor es que vemos que este 2025 tiene pinta de ser un gran año de nuevas series y regresos donde podemos disfrutar de lo mejor del audiovisual. Comenzamos... Programa que aglutina los estrenos de series y las novedades. Espacio de tertulia para comentar las series SIN SPOILERS, con noticias, novedades sobre ellas y curiosidades. EPISODIO 224 Link para pedir vuestras camisetas de series😊: https://malonsilla.es/category/camisetas-atemporadas 📺 Series mencionadas 📺 La plebeya - Amazon Los crímenes de Åre- Netflix Adolescencia - Netflix Paradise - Disney Formula 1: La emoción de un Grand Prix / Drive to Survive - T7 - Netflix Con amor, Meghan - Netflix 🖥️ Nuestra web: https://atemporadaspodcast.blogspot.com/ 🐦 Twitter: @aTemporadas 📸 Instagram: https://www.instagram.com/atemporadaspodcast/ 📌 Pinterest: https://www.pinterest.es/atemporadaspodcast/ 🔊 Puedes escucharnos en las plataformas más habituales de podcast: iVoox, Spotify y Apple Podcast, , Podimo... y te invitamos a dejarnos Me gustas, comentarios, suscribirte si no lo has hecho, será tu manera de ayudar a que aTemporadas crezca.

In today's episode we share about what has been happening for us recently. It is a different kind of episode, with a tone that is different to our usual discussions. This conversation covers how we approach conflict, the importance of space, external stresses on the relationship, communication styles and so much more*.*We also manage to pivot the conversation at the end away from the heaviness and turn our attention to our obsession with F1 & Drive to Survive.Evolving Love Links:Website | Instagram | Substack This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit evolvingloveproject.substack.com/subscribe

It's that time of year, time to pick our favorites of 2024: Mike's Picks: * North Woods by Daniel Mason Ep. 240 (https://www.penguinrandomhouse.com/books/726262/north-woods-by-daniel-mason/) * David Nance and Mowed Sound Ep. 235 (https://davidnance.bandcamp.com/album/david-nance-mowed-sound) * Fall Guy Ep. 232 (https://www.youtube.com/watch?v=EySdVK0NK1Y&ab_channel=UniversalPictures) * Yellowstone National Park Ep. 237 (https://www.nps.gov/yell/index.htm) * Blogging Ep. 81 (https://www.falfa.com/blog/) Adam's Picks: * BigXthaPlug Ep. 230 (https://open.spotify.com/artist/6qxpnaukVayrQn6ViNvu9I?si=q144vlf8RFS11iAwvshwcQ) * Balatro Ep. 230 (https://www.playbalatro.com/) * The Haunting of Hill House Ep. 224 (https://www.netflix.com/title/80189221) * The Barn by Wright Thompson Ep. 240 (https://www.penguinrandomhouse.com/books/679066/the-barn-by-wright-thompson/) * F1 Drive to Survive Ep. 231 (https://www.netflix.com/title/80204890)

On today's episode of That Peter Crouch Podcast, Crouchy, Chris and Sid's are doing less talking on the mic and more talking on the track as they decide who really is the fastest footballer in this F1 Raceday experience. Crouchy and the lads are joined by former footballers and friends of the podcast for this raceday spectacular, including Carlton Cole, Wayne Bridge, David Bentley, John Nellis and more! This epic F1 Drive raceday experience will see the lads each become team captains going head to head against their own teams in qualification to set their grid places for the ultimate final showdownTune in for the highs, the lows, questionable tactics and some of the biggest skid marks this side of Silverstone.Will Bridgey prove Sid's right and claim his title as the best ever karter the premier league has ever seen? Will Crouchy's cornering be his downfall? Does Chris start his Kart before or after putting his seat belt on? Tune in to find out.Chumba-f***ing-wamba 00:00 - Intro01:05 - Meet the racers…05:37 - Racing nicknames06:37 - Bents and Sids07:53 - Ledley King swoops in!12:21 - Best poem manager on the track?13:50 - Qualifiers16:56 - Post-race thoughts18:29 - Stacky and White21:57 - Team bonding exercises 23:59 - Bridgey and Nellis27:32 - A wedding invitation…29:24 - The final showdown31:23 - Closing ceremony 34:11 - And the winner is…35:48 - Wrapping up F1 Drive: https://www.tottenhamhotspurstadium.com/f1-drive-london/tickets/?utm_source=external&utm_medium=affiliate&utm_campaign=visitor-attractions_f1drive_1_2024_12&utm_content=crouchpodcastSubscribe to https://www.youtube.com/channel/UCFULBvlxNWW8cWsrV6fGrcwFollow our Clips page https://www.youtube.com/channel/UCLNBLB3xr3LyiyAkhZEtiAA For more Peter Crouch: Twitter - https://twitter.com/petercrouch Therapy Crouch - https://www.youtube.com/@thetherapycrouch For more Chris Stark Twitter - https://twitter.com/Chris_StarkInstagram - https://www.instagram.com/chrisstark/For more Steve Sidwell Twitter - https://twitter.com/sjsidwell Instagram - https://www.instagram.com/stevesidwell14 #PeterCrouch #ThatPeterCrouchPodcast Hosted on Acast. See acast.com/privacy for more information.

F1 cars are racing on the streets of Las Vegas at more than 200 miles per hour. It's the most spectacular race of the season, and it takes months of work by a team of more than 15,000 people.   Christian Hewgill and Katie Osborne are in Las Vegas to find out how Formula 1 takes over the city. Las Vegas Grand Prix VP of Sporting and Race Operations Silvia Bellot explains how public roads, including the famous Las Vegas Strip, are transformed into a racetrack with miles of special lights, safety barriers and fences. She reveals the challenges of racing in the non-stop entertainment capital of the world, including re-opening the track to regular traffic in-between the F1 action.  Katie and Christian answer your questions about the Las Vegas Strip Circuit – the layout, the track surface and the barriers.  Then, Christian heads to the grandstands to talk to fans who are loving watching F1 live in Vegas.   If you want to experience the Las Vegas Grand Prix for yourself, you can place your deposit for 2025 tickets now at f1lasvegasgp.com/2025-deposits/. Plus, coming in Spring 2025, an F1 Drive karting track and other special events in Grand Prix Plaza.   'Hi F1 Explains, my F1 question is...' Be part of the podcast. Send your question to F1Explains@F1.com Listen to more official F1 podcasts F1 Beyond The Grid - exclusive interviews with F1's biggest stars F1 Nation - expert Grand Prix reviews and previews Discover F1 Unlocked Unseen. Unheard. F1 Unlocked. Dive into exclusive content from F1 experts, redeem rewards and enter money-can't-buy competitions. Click here to join for free

The first thing Guenther Steiner said when he walked into the HTF studio was: ‘Recently your guests have been Shania Twain and Salman Rushdie, are you sure you want me and haven't made a mistake?' This tells you almost everything you need to know about the breakout star of Netflix's F1: Drive to Survive and former Haas team principal: he's hilarious, he's modest and he still finds his newfound fame fairly baffling. Although he's known for his fruity vocabulary alongside his racing skills, I confess that the only person to swear in our chat was me. Guenther was an incredibly charming guest - honest, thoughtful and kind. We talked about failure in sport, how to keep calm in high pressure situations and what Toto Wolff is *really* like. Plus, Guenther's regrets at not spending enough time with his family and why there are no women drivers in F1. The only question that stumped him was when I asked what his favourite car was - you'll have to listen for the answer. Have something to share of your own? I'd love to hear from you! Click here to get in touch: howtofailpod.com Production & Post Production Manager: Lily Hambly Studio and Mix Engineer: Gulliver Tickell and Josh Gibbs Senior Producer: Selina Ream Executive Producer: Carly Maile Head of Marketing: Kieran Lancini How to Fail is an Elizabeth Day and Sony Music Entertainment Production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

What happens when your documentary feels flat and unengaging, despite all your hard work? This was the main question behind a Masterclass I gave at  the World Congress of Science and Factual Producers.We look at  why a lack of storytelling craft and mentorship in the industry often leads to issues with storytelling, and debunk the myth that extensive planning compromises authenticity. Also I  contrasts the techniques used in drama and documentary, highlighting the crucial need for structural organization to create compelling narratives.As case studies I look at  both the Natural History documentary about Meerkats, with commentary read by Sir David Attenborough, and the storytelling techniques behind the hugely popular Netflix series "F1: Drive to Survive." I explain how the Netflix  series we used commentators and scripted lines to clarify the intricate dynamics of Formula One racing, weaving multiple narrative layers to offer a richer and more engaging story. I also look at  methods for balancing external and internal conflicts in documentaries, using examples from both racing and science documentaries. Are you interested in joining the DocFix program and working with Nigel? Get started with our complimentary case study that shows you how the method is used in high-profile documentaries and to see if you are a good fit for what we do and how we work. Instagram: @nigel.levy.storiesFacebook: Nigel Levy - The Doc FixIncidental music composed by Birger Clausen

Mike's Picks: * (8:55) Supergirl: Woman of Tomorrow (2022) (https://dc.fandom.com/wiki/Supergirl:_Woman_of_Tomorrow_Vol_1) * (19:21) Bupkis (2023, Peacock) (https://www.youtube.com/watch?v=bgURp1wljlQ) Adam's Picks: * (13:22) Fallout (2024, Prime) (https://www.amazon.com/Fallout-Season-1) * (25:55) F1: Drive to Survive (Netflix) (https://www.netflix.com/title/80204890) Rattled by the appearance of the dark figure, Jake found himself unable to shake the feeling of dread that had settled over him like a suffocating blanket. For a week, he avoided the hospital, unable to face the possibility of encountering the sinister presence again. The staff grew increasingly concerned, their calls and messages flooding Jake's phone as patients continued to pile up, desperate for his expertise. Amidst the relentless barrage of notifications, one message stood out—a text from Dr. Theo Evans, a colleague who had become a trusted friend during Jake's time at the hospital. Concern evident in his words, Theo expressed his worry for Jake's well-being and insisted on paying him a visit. Reluctantly, Jake agreed, his apprehension outweighed by a glimmer of hope that Theo might provide some answers. The next day, Theo arrived at Jake's apartment, his expression a mix of sympathy and determination. Sensing Jake's unease, Theo wasted no time in getting to the heart of the matter. As Jake recounted his encounter with the dark figure, Theo listened intently, his brow furrowing with concern. When Jake finished speaking, Theo offered a reassuring smile, though it did little to ease Jake's troubled mind. "Jake, I understand that this must be terrifying for you," Theo began, his voice gentle yet firm. "But I believe that what you're experiencing is simply a manifestation of an overtaxed brain. Your x-ray vision is an incredible gift, but it's also placing an immense strain on your body and mind. I think it's crucial that we conduct some tests at the hospital to better understand what's happening."

The number of entrepreneurs that have had a Hollywood movie made about them is tiny. Mark Zuckerberg, Steve Jobs, Jordan Belfort, Howard Hughes, Darren Cox . Orlando Bloom plays Darren Cox in the movie Gran Turismo. It tells the struggle, wins and failures Cox endured to get his breakthrough idea agreed, funded and renewed in a big, conservative corporation.   On this episode, Darren Cox discusses his journey of innovation and disruption in the motorsport industry, from his role in establishing Nissan's GT Academy to adapting his media company during COVID. The conversation delves into Cox's early career aspirations, the strategic risk-taking in his professional journey, and the impact of the GT Academy in democratizing motorsport talent. Additionally, Cox shares insights on adapting to unforeseen challenges, such as pivoting his F1 media group during the pandemic, and the importance of pursuing one's passions despite potential obstacles.   Episode Highlights: 03:11 The Making of a Hollywood Movie: Gran Turismo's Journey 05:47 Reflecting on Success and the Power of Disruption 16:21 The Genesis of GT Academy: From Gaming to Racing 25:30 Navigating Corporate Culture: Pushing Innovative Ideas 32:26 The Gran Turismo Movie: Bringing a Dream to the Big Screen 37:34 Behind the Scenes of the Gran Turismo Movie 42:45 Launching an F1 Media Group Amidst a Pandemic     Darren Cox is an innovator, disrupter, marketer, and pioneer in the F1 Drive to Survive era who has had his biggest project turned into a major Hollywood movie, ‘Gran Turismo”. Darren's professional motorsport journey started when in 2005 he conceived an idea well ahead of its time, exploring whether a Playstation gamer could transfer from his sofa to the race track. “Gran Turismo' tells the story of how Darren fought to launch and keep the ‘Gamer to Racer' concept against pressure from Nissan and Playstation. As founder and CEO of a start up independent F1 media group, Darren drove the business to lead in terms of results and reputation in the F1 paddock within 3 years, exploiting the tsunami of interest generated by Netflix. As well conceiving GT Academy and other start up motorsport brands Darren is also behind landmark projects and concepts such as the Deltawing Le Mans entry, a new Marketing media awards platform for Motorsport and has run esports teams for Mercedes F1, Racing Point F1 (Aston Martin) and Fernando Alonso. Connect with Darren Cox on LinkedIn here: https://www.linkedin.com/in/iamdarrencox/ Don't just listen to the podcast, it's time to take action and dominate your game!  

Netflix's Break Point cost millions, took months to be completed, several of the most talented people in the industry, and still can't hold a candle to the ATP Season, a comedic 5-minute parody of what the tennis season is like. Players pretending that everything we see is fake, and some of the best acting from your favourite players like Novak Djokovic, Andy Murray, and Gael Monfils. What is missing to the multi-million dollar production by the entertainment giant? What did Netflix miss? For starters, we think that they should get rid of the F1: Drive to Survive thinking and find their own mission statement.We also talk about the most controversial coach in modern tennis, Patrick Mouratoglou. Who is he really? A great coach? A PR genius with a way to make people talk about himself? A... clown? We don't quite believe in this last option, but the true merits of Mouratoglou as an elite tennis coach are a good topic to be explored - one that might bring about an entire episode of its own.Touching briefly on some of the WTA matches this week, Andre recommended the Abu Dhabi semifinals, but obviously these are over by now. So if you can, go watch a replay of Rybakina vs Samsonova and Haddad Maia vs Kasatkina! Both of these were amazing. And don't forget to catch the final on Sunday!Finally, we ended up having to chat about Saudi Arabia's involvement in tennis. What to expect? What to do as fans? How can we still enjoy good tennis, and at the same time keep in mind that Saudi Arabia is far from being a role-model of a country, being a quite brutal dictatorship with many shortcomings when it comes to human rights? Ultimately, though, money talks for the big players.Talk to us on social media :)Follow Tennis and Bagels: Twitter @TennisAndBAGELSAndre Rolemberg @RolembergAndreVansh Vermani @vanshv2kOwen Lewis @tennisnationOwen's The Golden Rivalry: follow all chapters as they are released on substack!Check out Popcorn Tennis!Twitter: @Popcorn_Tennis1Website: popcorntennis.comSupport this show http://supporter.acast.com/tennis-and-bagels. Hosted on Acast. See acast.com/privacy for more information.

Netflix's Break Point cost millions, took months to be completed, several of the most talented people in the industry, and still can't hold a candle to the ATP Season, a comedic 5-minute parody of what the tennis season is like. Players pretending that everything we see is fake, and some of the best acting from your favourite players like Novak Djokovic, Andy Murray, and Gael Monfils. What is missing to the multi-million dollar production by the entertainment giant? What did Netflix miss? For starters, we think that they should get rid of the F1: Drive to Survive thinking and find their own mission statement.We also talk about the most controversial coach in modern tennis, Patrick Mouratoglou. Who is he really? A great coach? A PR genius with a way to make people talk about himself? A... clown? We don't quite believe in this last option, but the true merits of Mouratoglou as an elite tennis coach are a good topic to be explored - one that might bring about an entire episode of its own.Touching briefly on some of the WTA matches this week, Andre recommended the Abu Dhabi semifinals, but obviously these are over by now. So if you can, go watch a replay of Rybakina vs Samsonova and Haddad Maia vs Kasatkina! Both of these were amazing. And don't forget to catch the final on Sunday!Finally, we ended up having to chat about Saudi Arabia's involvement in tennis. What to expect? What to do as fans? How can we still enjoy good tennis, and at the same time keep in mind that Saudi Arabia is far from being a role-model of a country, being a quite brutal dictatorship with many shortcomings when it comes to human rights? Ultimately, though, money talks for the big players.Talk to us on social media :)Follow Tennis and Bagels: Twitter @TennisAndBAGELSAndre Rolemberg @RolembergAndreVansh Vermani @vanshv2kOwen Lewis @tennisnationOwen's The Golden Rivalry: follow all chapters as they are released on substack!Check out Popcorn Tennis!Twitter: @Popcorn_Tennis1Website: popcorntennis.comSupport this show http://supporter.acast.com/tennis-and-bagels. Hosted on Acast. See acast.com/privacy for more information.

Forget Drive to Survive, THIS is the kind of #f1 material new fans need to watch to get an understanding about #formula1 and the Brawn GP story in its entirety. I watched all four parts last week and LOVED IT. Seeing everything from the different perspectives and to hear Rubens Barrichello speak as well as all of the other unsung heroes was an absolute stunner. Here is my review of the series and why Disney have made something truly special. Keanu Reeves is an amazing presenter, you will not be disappointed by Brawn: The Impossible Formula 1 StoryGet ready for an epic journey back to the thrilling 2009 Formula 1 season with our latest video about Brawn: The Impossible F1 Story!

In today's show, I'm receiving Art Lapinsch, the creator of the Climate Tech newsletter called Delphi Zero, and a super inspiring mind.We talk about:-Why Climate Tech has a HUGE Story Problem-how we can learn from other mega entertainment successes like-

In this episode of The Fun Waste of Time, the fellas discuss the Hollywood writers and actors strike and its impact on the film fan and TV enthusiast community.  While in full support of the writers' and actors' unions' right to strike to negotiate better conditions and more favorable terms for their members, the fellas discuss what that means for fans and enthusiasts of this awesome hobby.  Will waiting for new and updated content be as long or challenging as the COVID experience?    The fellas also dive into the recently released “Kraven: The Hunter” trailer. Do they think Sony will knock this movie out of the park or will it be another mediocre entry in their Venom-verse in the likes of “Morbius”?        James Gunn's official casting for the first movie in the rebooted DCU movie universe, Superman: Legacy has been announced and the fellas weigh in.   In Watch-List, movies and TV shows the fellas are watching are discussed.  Content discussed are Mission Impossible: Dead Reckoning, Transformers: Rise of the Beast, Indiana Jones and the Dial of Destiny, Hijack, Secret Invasion, Lincoln Lawyer, Nascar, F1: Drive to Survive and more!   Bonus discussions include:  1) Should the Indiana Jones franchise have been rebooted or “requeled” with a new younger actor?  2) Are there any black fans of Nascar and if so, where are they?   There's all this and more in episode 62 of The Fun Waste of Time!   FWT Website: thefunwasteoftime.com FWT Email: podcast@thefunwasteoftime.com Be sure to follow us on Apple Podcast, Spotify, Stitcher and all other major podcast platforms!    

On this episode, Harry LaBollita returns to discuss Netflix's hit series Break Point. Helmed by the same team behind F1: Drive to Survive, Break Point chronicles the world's up-and-coming tennis stars as they prepare and compete on the international professional tennis circuit, including all four Grand Slams and ATP and WTP tournaments. In Season 1, the cast of characters includes Nick Kyrgios (a "bad boy" from the Land Down Under), Matteo Berrettini (an Italian stallion with high ambitions and an equally successful girlfriend, Ajla Tomljanovic) Taylor Fritz (a So-Cal native who overcomes injury to out Nadal in the Indian Wells championship), Paula Badosa (a Spanish model dealing with mental health issues), Ons Jabeur (a Tunisian standout representing an entire continent), and Felix Auger-Aliassime (a Montreal-based wunderkind who just might be the next great). We focus on a few primary themes: namely, the emergence of mental health crises and the perils of neuroses in the sport. This leads us into a fascinating discussion about the inherent pressures of tennis, the grueling attrition of playing year-round on the pro circuit, the attrition of mental fortitude due to the overwhelming speed of the game, the isolated vulnerability of playing a singles tournament, and the relativistic medley of psychological approaches and philosophies deployed by the various teams in hopes of curbing negative thoughts before they spiral into destructive self-sabotage on the court. We also debate who we think might be the next poster child for tennis as the Big Three (Nadal, Federer, Djokovic) begin to retire or suffer from the law of diminishing returns with age. Enjoy!

Neste programa, Wagner Wakka conversa com Felipe Demartini sobre F1: Drive to Survive. Esta é uma série documental sobre Fórmula 1,com os dramas dos pilotos e empresas. Saiba se você, mesmo que não goste tanto de F1, vai curtir essa série. O Vale o Play? é o nosso podcast focado em séries, filmes, games e cultura pop, com publicação todo domingo, às 7h da manhã no nosso site e nos agregadores de podcast. Citados no quadro Vale ficar de olho:- Fatal Frame: Mask of the Lunar Eclipse (PC, PS4, PS5, Xbox One, Xbox Series, Switch) – 9 de março- You - 9 de março Entre nas redes sociais do Canaltech buscando por @Canaltech em todas elas. Entre em contato pelo nosso e-mail: podcast@canaltech.com.br Este episódio foi roteirizado, apresentado e editado por Wagner Wakka. Participação de Felipe Demartini. Revisão de áudio é de Gabriel Rimi e Mari Capetinga, com a trilha sonora de Guilherme Zomer. Capa por Erick Teixeira.See omnystudio.com/listener for privacy information.

John Pollock & Wai Ting are joined by Chris Elliot to discuss Netflix's Formula 1: Drive to Survive Season 5, Episodes 1-3. A free preview from the POST Wrestling Café.Is DTS truly more akin to Top Gun than a documentary? They discuss criticisms lauded at the show for its over-dramatization and possible influence on the controversial conclusion of the 2021 season.Episodes 1-3 introduce us to Charles Leclerc's campaign for Max Verstappen's crown despite questionable team strategies from Ferrari. Lewis Hamilton and Mercedes encounter the debilitating effects of ‘porpoising', leading to a public outburst from Team Principal Toto Wolff. Haas' Guenther Steiner worries about his next call to Gene.Plus, a look ahead to the start of the 2023 season and Sunday's Bahrain Grand Prix.Join the POST F1 Fantasy League: https://fantasy.formula1.com/en/leagues/join/C5SBWHOTQ04Chat F1 in the POST Discord: https://postwrestling.com/discordDTS Season 5 Trailer: https://www.youtube.com/watch?v=PSLTXPefVGEWatch Drive to Survive on Netflix: https://www.netflix.com/title/80204890Subscribe: https://postwrestling.com/subscribePatreon: http://postwrestlingcafe.comForum: https://forum.postwrestling.comMerch: https://store.postwrestling.comTwitter/Facebook/Instagram/YouTube: @POSTwrestlingAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

WARNING: SPOILER EPISODE FOR NETFLIX'S BREAK POINT Episode 65: Frankie & Marcus, the original "Break Point" media platform in the tennis universe, has a surprisingly similar cousin on Netflix named "Break Point", a Netflix docuseries revolving around the 2022 ATP & WTA season, inspired by the successful F1 Drive to Survive docuseries. Aiming to put tennis on the map for the casual sports fan, featuring 1st time guest Shelby Slauer, Part 2 of the series dives into the epic run Taylor Fritz had at the 2022 Indian Wells Masters tournament, the stories of Ons Jabeur & Paula Bedosa at the 2022 Madrid Masters, and the HOTLY debated portrayal of Felix Auger-Aliassime, Rafael Nadal, and Toni Nadal's tennis triangle, among the stories of Maria Sakkari & Casper Ruud. Make sure to follow and subscribe on all major platforms! --- Support this podcast: https://anchor.fm/breakpointpodcast7/support

Vanessa Sanchez is in studio for the second time this week to join Matt Robinson as they discuss Netflix going back to the well after an extremely successful Formula 1 series called “Drive To Survive” as they launch a tennis series called “Break Point” and a PGA version called “Full Swing.”What made Drive to Survive so successful? Is there any chance Netflix can recreate the same magic around other sports? Which of these two are more likely to explode?Follow Vanessa Sanchez on social media @VanSan3000.Check out the Tall Can Audio 1000 Playlist for all sorts of songs associated with the show over our first thousand episodes. Apple Music: https://music.apple.com/ca/playlist/tall-can-audio-1000/pl.u-pZ2ETYAq6vySpotify: https://open.spotify.com/playlist/2rZG14zZDmm70onDkGrv2a?si=yeSwQIUXTaW2XfUPUY50_wFollow TCA on Twitter: https://twitter.com/tallcanaudioFollow TCA on Instagram: https://instagram.com/tallcanaudio?igshid=YmMyMTA2M2Y= Follow TCA on Facebook: https://www.facebook.com/tallcanaudio Support good friend of the show Steve Bunda's mother as she tries to recover from a fire at her home and being defrauded by the company that was to rebuild her house. https://www.gofundme.com/f/c3wsts-help-bonny-bunda-recover-after-fire-fraudStuff We're Digging Right NowEvan Drellich. “Winning Fixes Everything”. https://amzn.to/3lwnlN4Dave Bidini: A Wild Stab For it - This Is Game Eight From Russia. https://amzn.to/3BIAIhJ

WARNING: SPOILER EPISODE FOR NETFLIX'S BREAK POINT Episode 62: Frankie & Marcus, the original "Break Point" media platform in the tennis universe, has a surprisingly similar cousin on Netflix named "Break Point", a Netflix docuseries revolving around the 2022 ATP & WTA season, inspired by the successful F1 Drive to Survive docuseries. Aiming to put tennis on the map for the casual sports fan, Part 1 of the docuseries discusses story lines from the first half of the 2022 ATP & WTA season, with the likes of Nick Kyrgios, Ons Jabeur, Casper Ruud, Maria Sakkari, among others. We give our thoughts, opinions, highlights, and hot takes on the first 2 episodes from Part 1 of the series (The Maverick & Take the Crown). Make sure to follow and subscribe on all major platforms! --- Support this podcast: https://anchor.fm/breakpointpodcast7/support

Joe Castello is joined by Sue Morris and Gio in Miami. Chili Bowl Nationals, F1 Drive to Survive Release Date, NFL Super Wildcard Weekend, SportsCollision

The guys are back with the first episode of 2023. The Colipod welcomes guest host, Leroy Jenkins to fill in for Tommy, though Tommy does make a surprise appearance to make his 2023 NFL Playoff predictions. The guys talk about the best Christmas gifts they received and what resolutions they've made for the new year. Basto's Recommendations returns as the guys talk Avatar 2, Yellowstone, 1883, Tulsa King, and F1: Drive to Survive, to name a few. Other topics on the episode include: Damar Hamlin, Covid Boosters, Politics, Black Lives Matter, Epstein Island, alcoholism, and alternative means of transportation (Heely shoes). Also, U.V. shows Leroy a side of Hollywood he hasn't seen before. --- Send in a voice message: https://anchor.fm/thecoliseum/message

Today on "The Good Hour", JD Bunkis and Ben Ennis go over the Blue Jays' offseason moves, why 2023 is a pivotal season for Bo Bichette defensively, and why an “F1: Drive to Survive”-style show would be impossible for the NHL and other team sports. Later on, Rangers analyst and goaltending consultant Steve Valiquette examines why good goalies are having bad statistical seasons, New York's recent surge, and if Matt Murray's strong play is sustainable (51:00). Later on, TheScore's Joseph Casciaro assesses the Toronto Raptors' play to this point in the season, and questions if this small sample size is a reflection of their ability to be competitive in the Eastern Conference (01:20:17). The views and opinions expressed in this podcast are those of the hosts and guests and do not necessarily reflect the position of Rogers Sports & Media or any affiliates.

Today we're going to tell you the story behind Nyck de Vries's crazy 24 hours in Monza. It was the ultimate job interview for a 2023 Formula 1 contract. At last weekend's Singapore Grand Prix we were delighted to see Alex Albon return after an emergency appendectomy and serious complications, ultimately requiring him to be put on a ventilator.    It was because Albon couldn't drive at Monza that Nyck de Vries was thrust into the limelight, scoring points with a stunning debut drive.  And now Autosport sources expect him to partner Yuki Tsunoda at Alpha Tauri next season.   Today:       • Find out about the 60 minute warning he had to ‘suit up'   • His circuitous route to F1, and whether that was looking likely before his Monza performance   • After scoring points on his debut, which other F1 drivers have done the same?   Let's get up to speed with Autosport's Jake Boxall-Legge.

This week we're keeping it real as talk about all the latest and greatest (mostly cult) documentaries that have consumed our lives! These documentaries have everything - music, 2000's fashion, skateboarding, religion, and even more. Take a listen! Music J Lo's Halftime Count Me In Spring Awakening: Those You've Known Woodstock 99 2000s Fashion & Jeffrey Epstein White Hot the Rise & Fall of Abercrombie Victoria's Secret Angels & Demons Skateboarding Minding the Gap Tony Hawk Until the Wheels Fall Off F1 Drive to Survive Religion & Cults Keep Sweet, Pray and Obey The Vow The Deep End Mormon No More The Way Down Misc The Girlfriend Who Didn't Exist Three Identical Strangers Not So Pretty WeWork The Girl in the Picture

Welcome to Episode 112 of the Different Animals Podcast and this week we talk about The Weeknd's Tour, Beyonce's "Renaissance", Light and Magic, Hacks, F1: Drive to Survive, Batgirl, and some huge, grand, unmissable MLB News. This podcast is available on Spotify, Stitcher, Apple Podcasts and wherever else you catch your podcasts. You can catch us on IG and Twitter @DifAnimalsPod or email us directly at DifferentAnimalsPodcast@gmail.com with any feedback or suggestions. S/O to @Creative.Collin on IG for the dope Artwork. S/O to @EdERuger and @PhilliePhr3sh for the dope theme. Enjoy, and we'll see you in a week. PEACE. This podcast is powered by Pinecast.

In the second hour of The Bench, Lance asks John if he would like to trade for his life. Then, John and Lance debate how much money Justin Verlander will command this offseason. Next, John and Lance are joined by GP Fans Global editor-in-chief and New York Times freelance F1 writer Ian Parkes. He talks about the success of the hit Netflix show F1: Drive to Survive and the growth of the sport. To end the second hour, John and Lance talk about the LIV Golfers suing the PGA. 

In the second hour of The Bench, Lance asks John if he would like to trade for his life. Then, John and Lance debate how much money Justin Verlander will command this offseason. Next, John and Lance are joined by GP Fans Global editor-in-chief and New York Times freelance F1 writer Ian Parkes. He talks about the success of the hit Netflix show F1: Drive to Survive and the growth of the sport. To end the second hour, John and Lance talk about the LIV Golfers suing the PGA. 

John and Lance are joined by GP Fans Global editor-in-chief and New York Times freelance F1 writer Ian Parkes. He talks about the success of the hit Netflix show F1: Drive to Survive and the growth of one of the worlds fastest growing sports.  

We're kicking off a week of troublemaking by giving props to the Auto News 40 Under 40 list. We're also covering the rise to record new car loan payments, as well as trying to learn a thing or two about how F1 has become a household name through telling great stories. Congrats to the Automotive News 40 under 40 young dealership leaders“This year's stars have led digital retailing transformations, found new ways to stock vehicles during an inventory crisis and chipped away at recruiting challenges.”Some resident OG Troublemakers: Ashley Cavazos, Director of Digital Performance, Walser Automotive GroupMike Cavanaugh, VP Operations, DrivewayJennifer Scarbrough, GM, Swope Hyundai-Genesis of ElizabethtownBen St. Ours, Managing Partner, CMAs Valley HondaJeff Ramsey, Variable Operations Director, Ourisman Automotive GroupAverage loan payment for a new car has reached an all time highJune Monthly payments on new car loans averaged an all-time high of $686, according to Edmunds. Data began in 2005. Up 4% from January and 13% YoYRecord 12.7% of buyers now have a monthly payment of over $1000 (in 2019 it was less than 5%In addition, avg down pmt up 27% to $6,333Repayment terms are also being extended w more and more beyond 7 yearsUsed Car payments also near a record, currently up 12% YoY at $554Take Away: Take note of the most struggling middle and do everything you can to empathize and help How F1 became such an unstoppable brandIn 2012 the sport lost almost 25% of it's worldwide viewership and sold 1.6 Billion worth of shares at a 9B valuation It 2016 F1 needed another cash injection and sold the entire company to Liberty Media for only $8BLiberty launched a targeted US campaign including the 2019 docuseries “F1: Drive to Survive” which featured all 20 drivers across 10 teams and it was a hitAvg viewership per race went from 557k in 2018 to 1.4M in 2022 (up 47% from 2021)Using it's current deal w ESPN, value has increased 18x in its licencing value (5 - 90M)Content marketing and branding are the core strategy. NOT paid media.Other sports following suit of original contentTake away: Stories make people careGet the Daily Push Back email at https://www.asotu.com/Rock with us LIVE at ASOTU CON! Tickets: https://www.asotucon.comJOIN the conversation on LinkedIn at: https://www.linkedin.com/company/asotu/Read our most recent email at: https://www.asotu.com/media/push-back-emailShare your positive dealer stories: https://www.asotu.com/positivityASOTU Instagram: https://www.instagram.com/automotivestateoftheunion/

In Episode 88, Paul and Phil discuss highlights and lessons learned from our interviews with Shay Haddow, Dion von Moltke and Mike Semenza, George Blamoh, and Christian Devries during the second half of this season, a huge upset in the Lamar Hunt U.S. Open that is close to home for Phil, and Paul's trip to Guatemala with Warrior Way Gives and FCA Guatemala. They also give a quick preview of what's to come this summer from HSEL. Resources and Links from this Episode Uncut Video of the Episode HSEL Facebook Group Coaching the Bigger Game information Warrior Way information Paul Jobson's email address Phil Darke's email address F1: Drive to Survive

The Bears drafted some players and so it's time for a spring edition of the Bears Podcast with Mike Pusateri. The guys take a look at the Bears picks, their strategy of not doing much to fix the offense, but how they did draft Velvet Jones. They also talk about the free agents the team has signed and discussed if the Bears really seem invested in Justin Fields. And then, it's time to talk TV. So they dig into Better Call Saul (and recommend a great podcast), Bob Odenkirk's book, Robert Evans' audiobook and the Paramount Plus series The Offer, Brian Cox's book, WeCrashed, The Dropout, The Staircase, Severance, Central Park, We Own This Town, F1 Drive to Survive, The Great Pottery Throwdown and more. --- Send in a voice message: https://anchor.fm/desipio/message

In today's episode, we celebrate 2 years of Stationery Orbit! We'll also talk about Postal Banking, some really expensive pens and some comforting storing about post offices and stationery stores.The current top five episodes of SO15. Brad Dowdy of The Pen Addict27. Exploring the world of socially responsible stationery with Daryl of Musubi22. Learning about fountain pen fluid dynamics from Nicole Sharp1: The Pen Primer25. Emergency Episode : Paper Source BankruptcyAll Time Total Downloads18KCOUNTRIES / TERRITORIES (71 Total)CITIES (1829 Total)Postal Bulletin: Women's rowing stamps, Mighty Mississippi Stamps, stamps and color postmarks, a few fun B&W postmarksPostal MerchPostal Banking?  It could happen… again.More postal bankingMore postal bankingMore postal bankingMore postal bankingTo be filed away in the weirdest Post Office article I've seen:Also: see CompassionOK, Myke and Brad got me, I've been watching too much F1:Drive to Survive! Go Pirelli!The damageOut of my comfort zone for pens, but the picture of the Guilloche by CNC machine at Otto Hutt is awesome!Looking for stationery that's easy to find and makes you feel good about yourself?  Look no further than BeRooted Stationery at your local Target store.And something to keep an eye on out of Malaysia:

On this week's episode, the boys are previewing the playoffs and draft lottery while also talking about Auston Matthews 60th goal of the season, the Lightning's visit to the White House, Wayne Gretzky's appearance on Spittin' Chiclets and the Leafs signing Hobey Baker winning goalie Dryden McKay. In the MLB, Angel Hernandez continues to be the worst umpire behind the plate, while Miguel Cabrera reaches 3000 hits and the Blue Jays ML model keeps rolling. The NFL Draft begins Thursday Night and we have no idea what to expect from this years draft class. NBA Playoffs are in full swing with the Raptors trying to make a historic comeback against the 76ers, Minny and Memphis are playing one of the most fun to watch series of all time, the Celtics sweep the Nets and Lavar Ball is rumoured to be a candidate for the Hornets head coaching job. Hosk has stuff to talk about including F1 Drive to Survive, the LIV International Golf Series, Paulina and DJ tie the knot and we recap the last week of play on Survivor and Big Brother Canada. To close the show Jones puts us back on the Grill. Get yourself a pair of MeUndies and receive 20% off your first order by following the link - http://getcomfy.in/v/intosportsandstuff Visit TeePublic for all your Into Sports and Stuff Merchandise Needs - http://tee.pub/lic/intosportsandstuff Follow us on Twitter: @IntoSportsStuff Follow us on Instagram: @IntoSportsandStuff

A new week is here and that means the gang from the Real Life Podcast is back with a brand new episode to help you get through what's left of your Monday. On today's podcast, the guys looked at the NHL playoff push, the Masters, and a whole lot more. To kick things off, the guys got the podcast started with a conversation about where the hell Chalmers has been over the last few weeks. Despite missing some time, Chalmers promised that he'll be bringing out his Cowboy Chris character for the playoffs after it was specifically requested by Jay. Turning to the Oilers, the gang checked in on the standings and how we're getting to a point in the season where every single point matters. Changing gears, the guys talked a little about F1 as this podcast continues to shift into a racing show based on the fine work of the F1: Drive to Survive series on Netflix. Sticking with sports, the guys then looked at the Masters that took place this past weekend and how it was a lot of fun to watch Tiger Woods get back out there only 14 months after his accident. After waiting patiently to see if Jay was going to join, the guys broke the news that he and his girlfriend welcomed a beautiful baby girl on Sunday, setting Chalmers up for a big baby pool win. Lastly, the guys wrapped up the Monday episode of the podcast with some springtime tips for your home as Chalmers walked the boys through a quick checklist on what needs to get done now that the seasons are changing. 

F1 Drive to Survive season 4, Dave plays a role in the Ukraine crisis, the guys discover maybe the ultimate bet payoff.

Paul Martin & James Gay-Rees, Producers of F1 Drive to Survive spoke to Shane Hannon for OTB AM.

In this episode, Alex and Mike talk about, Pat Mahomes' shitty family, Jaxon Smith-Njigba 300 yards receiving, and F1 Drive to Survive. Shop Our Merch: https://teespring.com/stores/the-madoians-and-friends-shop Social Media https://www.instagram.com/themadoiansandfriends/ https://www.instagram.com/madoian93/ https://www.instagram.com/mikemadoian5/ https://soundcloud.com/doibeats/sets/the-madoians-and-friends https://www.tiktok.com/@themadoiansandfriends?

Over the summer we caught up via conference platform with Audi Sport and Le Mans legend Tom Kristensen for a chat about his biography "Mr. Le Mans". The book is as much about the man as it is about racing, which led to a conversation about documentaries like "Truth in 24" and the "F1 Drive to Survive" series by Netflix. We also got Tom's take on Le Mans 2023 and Audi's return. "Mr. Le Mans" is published by Euro Publishing. It can be found here and possibly with autographed copies ( https://www.evropublishing.com/products/mr-le-mans-tom-kristensen) and can also be found on Amazon (https://www.amazon.com/Mr-Mans-Tom-Kristensen/dp/8797260304).

WE'RE BACK! Apologies for the unannounced hiatus - we know you've missed us! ;) As a way to round out 2021, in this episode we are discussing our favorite binge of the year - F1: Drive to Survive on Netflix. In the episode we discuss how we discovered the show, our favorite drivers and teams, and a brief amateur outline of how the sport works. You don't have to watch F1 races to be able to enjoy this show. But, if you do, it makes this peak-behind-the curtain that much more entertaining. We hope you'll watch and love it as much as we did! Currently reading and watching: The Return by Nicholas Sparks Life Undercover: Coming of Age in the CIA by Amaryllis Fox One Tree Hill on Hulu Seinfeld on Netflix We hope you'll stick around for the long haul by liking, sharing, rating and subscribing wherever you listen. Follow us on Instagram @watchnowreadlater

A rare confluence of Jewish high holidays and immovable project deadlines results in a Patreon content unlock for the week! We celebrate the return of Frank with a few excellent stories about what he's up to lately, Mathew Kumar has an incredible impromptu interview with Chris Remo about the design considerations of crosswords, and Ash Parrish talks about the shift from Kotaku to The Verge. Find over a year's worth of excellent bonus content just like this at the Insert Credit Patreon! A SMALL DESCRIPTION OF EPISODES PULLED FROM: (Ep. 196, the weed episode) Pre-show. The panel describes what they're doing to alter their perceptions of reality. Frank is so successful he's gotta start turning people away. (Ep. 196, the weed episode) Extended break. Brandon shares the details of his dad's weed, and an excellent spoonerism. Frank thinks Special Guest Patrick sounds gorgeous, and high. Jaffe is rotating a letter in his mind right now and explains the details of Doctor Who. (Ep. 197) Pre-show. Jaffe has been waiting for someone to take the easy joke, and Brandon does. Special guest Mathew Kumar writes down a new title in his Fantasy Book Idea Journal. Finally, you'll understand Jaffe's intro line for this episode! (Ep. 197) Post-show. Extended in-depth crossword puzzle discussion with Special Guests Mathew Kumar and Chris Remo. Genuinely fascinating stuff. big thank you to mathew for hosting this impromptu interview! (Ep. 198) Post-show. Special Guest Ash Parrish goes into some detail regarding her move from Kotaku to the Verge, and the current state of game journalism is discussed. Also, accents. (Note: from 36:35 to 38:53, there's some compelling but also terrifying climate climate discussion. feel free to skip to 38:53 if you need a break from that) (Ep. 199) Extended intro. Frank, Brandon and Jaffe talk comic books. (Ep. 199) Special Guest Chris Kohler is playing Star Ocean. Frank likes that Final Fantasy I remake. (Ep. 199) Post-show. Brandon recommends F1: Drive to Survive. Frank and Special Guest Chris Kohler discuss moving from one office to another. Frank has an incredible story of busting bootlegs. All names censored. Edited by Esper Quinn. Original Music by Kurt Feldman.

This week on The Wormcast, I'm joined by veteran sports tv producer Mark Perez. Mark, most recently worked at VSiN, the sports wagering content platform founded by Brent Musburger and which was recently purchased by DraftKings. We talk about producing interesting content, growing the audience and the next steps in the sports betting world. Later we discuss Naomi Osaka's withdrawal from the French Open and how other athletes and coaches have had similar situations dealing with the press and social media. Finally we discuss F1: Drive to Survive on Netflix and Alex Ferguson: Never Give In documentary on Paramount+. Enjoy! Topics discussed: 1:30 Getting started at VSiN 8:00 What is in a VSiN show rundowns? Serving hardcore v casual consumer 13:00 DraftKings 17:00 Brent Musburger stories 23:00 Sports betting daily shows on ESPN and FS1 37:00 Naomi Osaka fallout from the French Open 45:20 Kyrie Irving 50:25 Zinadine Zadane's resignation letter 53:00 How LeBron James has handled the media & social media spotlight 1:00:00 F1: Drive to Survive 1:03:45 Alex Ferguson doumentary 1:06:00 Auto Racing a great television sport This podcast is hosted by ZenCast.fm

The Rec Center is bouncing back after a two week break that featured both the thrill of victory and the agony of defeat. It's a documentary heavy week, but first we revisit the craziness of Behind Her Eyes - Netflix (4:32). The doc talk heats up with recommendations for WeWork - Hulu (8:43), This is a Robbery - Netflix (12:41), Q: Into the Storm - HBO Max (17:33), and The Boy Band Con: The Lou Pearlman Story - YouTube Originals (23:18). Finally, Lindsay begs you to watch season 3, episode 9 of F1: Drive to Survive on Netflix (26:57).

Arik reviews the Autobahn, Allen discusses drag, Arik informs us how to get into the NBA, and ye get some followup. Autobahn Sweden's Vision Zero Drag coefficient F1 Drive to Survive What Percentage of 7 Footers are in the NBA?