Podcasts about floralia

Dans l'imaginaire contemporain, les statues de l'Antiquité sont souvent perçues comme de froids blocs de marbre immaculé, exposés dans des musées silencieux. Mais la recherche pionnière de l'archéologue danoise Cecilie Brøns révèle une réalité bien différente : dans l'Antiquité, les statues étaient colorées, habillées, ornées de bijoux… et parfumées. Cette découverte, publiée en 2025, réinscrit l'art antique dans une expérience sensorielle globale, où l'odorat tenait un rôle central.Le parfum comme offrande divineL'usage du parfum dans l'Antiquité ne se limitait pas à la toilette personnelle ou à la séduction. Il s'agissait aussi d'un acte religieux, un moyen de rendre hommage aux dieux. Dans les sanctuaires, les prêtres et prêtresses oignaient les statues sacrées avec des huiles aromatiques coûteuses : essence de rose, de myrrhe, de nard ou de cannelle, souvent mélangées à de l'huile d'olive ou à de la cire d'abeille. À Délos, des documents comptables mentionnent les sommes importantes dépensées pour parfumer les effigies d'Artémis ou d'Apollon, preuve de l'importance de cette pratique.Ces rituels n'étaient pas uniquement symboliques. Dans les croyances antiques, les dieux vivaient dans leurs statues. Les soigner, les habiller, les parfumer revenait donc à honorer leur présence réelle. Le parfum, volatil et invisible, servait de pont entre le monde humain et le monde divin.Une esthétique du vivantAu-delà du rituel, parfumer les statues contribuait à leur donner une présence vivante. Comme le rappelle Cecilie Brøns, ces effigies n'étaient pas conçues pour être contemplées dans un silence muséal : elles étaient exposées dans des temples animés, au milieu des chants, des prières, des fumées d'encens et… des odeurs.Certaines statues étaient même mobiles : montées sur des chars ou portées en procession, elles étaient lavées, habillées, décorées de guirlandes florales et abondamment parfumées lors des grandes fêtes religieuses. On retrouve cette pratique lors des Floralia romaines ou des Panathénées à Athènes, où les effigies de divinités participaient activement à la vie collective.Un art multisensoriel à redécouvrirEn restituant l'usage des parfums, la recherche de Cecilie Brøns invite à repenser radicalement notre rapport à l'art antique. Ces œuvres n'étaient pas seulement visuelles : elles engageaient tous les sens, dans une esthétique du sacré incarné. Le marbre n'était pas froid, il était chaud de vie. Et le dieu, loin d'être figé, respirait à travers l'odeur de ses offrandes. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Dans l'imaginaire contemporain, les statues de l'Antiquité sont souvent perçues comme de froids blocs de marbre immaculé, exposés dans des musées silencieux. Mais la recherche pionnière de l'archéologue danoise Cecilie Brøns révèle une réalité bien différente : dans l'Antiquité, les statues étaient colorées, habillées, ornées de bijoux… et parfumées. Cette découverte, publiée en 2025, réinscrit l'art antique dans une expérience sensorielle globale, où l'odorat tenait un rôle central.Le parfum comme offrande divineL'usage du parfum dans l'Antiquité ne se limitait pas à la toilette personnelle ou à la séduction. Il s'agissait aussi d'un acte religieux, un moyen de rendre hommage aux dieux. Dans les sanctuaires, les prêtres et prêtresses oignaient les statues sacrées avec des huiles aromatiques coûteuses : essence de rose, de myrrhe, de nard ou de cannelle, souvent mélangées à de l'huile d'olive ou à de la cire d'abeille. À Délos, des documents comptables mentionnent les sommes importantes dépensées pour parfumer les effigies d'Artémis ou d'Apollon, preuve de l'importance de cette pratique.Ces rituels n'étaient pas uniquement symboliques. Dans les croyances antiques, les dieux vivaient dans leurs statues. Les soigner, les habiller, les parfumer revenait donc à honorer leur présence réelle. Le parfum, volatil et invisible, servait de pont entre le monde humain et le monde divin.Une esthétique du vivantAu-delà du rituel, parfumer les statues contribuait à leur donner une présence vivante. Comme le rappelle Cecilie Brøns, ces effigies n'étaient pas conçues pour être contemplées dans un silence muséal : elles étaient exposées dans des temples animés, au milieu des chants, des prières, des fumées d'encens et… des odeurs.Certaines statues étaient même mobiles : montées sur des chars ou portées en procession, elles étaient lavées, habillées, décorées de guirlandes florales et abondamment parfumées lors des grandes fêtes religieuses. On retrouve cette pratique lors des Floralia romaines ou des Panathénées à Athènes, où les effigies de divinités participaient activement à la vie collective.Un art multisensoriel à redécouvrirEn restituant l'usage des parfums, la recherche de Cecilie Brøns invite à repenser radicalement notre rapport à l'art antique. Ces œuvres n'étaient pas seulement visuelles : elles engageaient tous les sens, dans une esthétique du sacré incarné. Le marbre n'était pas froid, il était chaud de vie. Et le dieu, loin d'être figé, respirait à travers l'odeur de ses offrandes. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Nous recevons deux musiciennes, compositrices et interprètes, Kyrie Kristmanson pour l'album Floralia et Dom La Nena pour Léon, album instrumental du nom de son violoncelle. Un peu de Canada et de Brésil à Paris. (Rediffusion) Notre première invitée est Kyrie Kristmanson pour la sortie de l'album Floralia.Kyrie Kristmanson est une aventurière des musiques qui aime naviguer entre le folk nord- américain et la lointaine mémoire du Moyen-Âge européen. Son premier album, Origin of Stars, s'inspire des vibrations des paysages canadiens qui l'ont vus grandir. Récompensé aux Canadian Folk Music Awards, l'album est sorti mondialement chez NØ FØRMAT!/Universal France en 2010. Elle saisit les spectateurs du Printemps de Bourges et elle séduit Emily Loizeau qui l'invite à assurer ses premières parties. La tournée qui suivra l'amènera à travers l'Asie et l'Europe jusqu'au sud de la France où, intriguée par l'histoire portée par les pierres, elle visite les ruines des châteaux médiévaux. Ces vestiges l'inciteront à retracer le répertoire lacunaire des premières compositrices : les trobairitz. Après avoir complété une thèse à leur sujet à La Sorbonne, c'est en prenant la liberté de s'approprier ces poèmes d'amour qu'elle compose un second opus : Modern Ruin. Arrangé pour quatuor à cordes et voix par Clément Ducol, son hommage à ces compositrices méconnues est sorti chez Naïve en février 2015. Fascinée également par les découvertes de la physique quantique, Kyrie s'est ensuite interrogée sur l'hypothèse d'une tradition musicale venue d'un monde parallèle. Le résultat de ce questionnement est l'album Lady Lightly, un folk-cosmique qui semblerait avoir voyagé des années-lumière à travers des cieux stellaires. Enregistré dans une aile abandonnée du Château de Versailles et réalisé par Saint Michel, la tournée se fait aux côtés d'Étienne Klein, philosophe des sciences. Kyrie Kristmanson ne cesse d'explorer et d'expérimenter avec sa guitare et ses chansons habitées par de très anciennes et très puissantes énergies.Personnalité excentrique à l'univers singulier, l'aventurière canadienne Kyrie Kristmanson est une artiste folk-pop baroque dont l'univers musical s'inscrit dans la famille des grandes chanteuses insolites telles que Kate Bush ou plus récemment Jeanne Added, avec qui elle a partagé la scène.Après avoir sillonné les scènes de France et au-delà avec ses précédents albums —du Printemps de Bourges aux Primeurs de Massy, en passant par les Folles Journées de Nantes— Kyrie Kristmanson nous dévoile Floralia, un cycle de chansons dédié à Flora, déesse de la nature et de la féminité. À travers des mélodies folk éthérées ainsi qu'un lyrisme sensuel et mystique, l'artiste nous propose un spectacle verdoyant éclairé à la bougie : un manifeste d'une sensualité et poésie inédites.Floralia s'assemble tel un bouquet de fleurs baroque où la country s'entremêle librement à la musique traditionnelle japonaise ou encore à une sorte de folk dylanesque à l'ère du Rolling Thunder Review. Pendant trente-trois minutes, la chanteuse-compositrice-guitariste nous propose une promenade concise mais foisonnante à travers son univers kaléidoscopique. Enregistré la nuit entre les murs quasi-millénaires de l'Abbaye de Noirlac, Floralia nous fait entendre l'écho hanté de la réverb naturelle des pierres et le souffle des bandes qui semblent sur le point de nous livrer le secret de leur mystère. En effet, la chanteuse nous révèle : « Je voulais que Floralia sonne comme un album découvert dans le grenier d'une maison abandonnée, comme la musique d'une ère révolue ou d'une civilisation oubliée… ». Des berceuses aux doux parfums du passé, oui, mais celles qui rêvent d'utopies futures.Titres interprétés au grand studio- Hummingbird Heart Live RFI- Le Jardin, extrait de l'album Floralia- Night's Refrain, solo de Kyrie K. Live RFI. Line up : Kyrie Kristmanson, chant, guitare ; Anne Berry, chant, alto ; Mathilde Vrech, chant, violon.Son : Mathias Taylor & Benoît Letirant. ► Album Floralia (Iki Records 2023) Puis nous recevons la violoncelliste Dom la Nena, à l'occasion de la sortie de Léon.Après l'excellent Tempo en 2021 encensé par la critique et qui a su autant toucher Iggy Pop que Britney Spears, Dom La Nena est de retour avec un nouvel et quatrième album solo intitulé Leon, d'après le doux surnom de son violoncelle. Un écrin instrumental, intime, hanté et transcendantal. Une déclaration d'amour à son complice de toujours, un retour aux sources d'une grande sensibilité.Leon est un véritable chef-d'œuvre de musique de chambre composé dans une quête de simplicité, d'émotion et de beauté, ne répondant qu'à l'intuition, l'improvisation et à une seule contrainte : composer uniquement avec et pour le violoncelle. Un exercice inédit pour Dom La Nena qui renoue avec son instrument, reprenant le cours de leur dialogue intérieur. La compositrice se recentre sur son son, sa matière, ses textures, ses nuances, sa capacité à créer des mondes et à les habiter. Enfin, le soliste, c'est lui.Motifs répétitifs, orchestrations épurées, bourdons tenus comme un om̐… Dom La Nena déploie une approche minimale très proche du mantra, dont elle connaît par cœur le principe actif en répétant chaque jour les mêmes exercices lorsqu'elle travaille son instrument. Un état d'oubli de soi, de concentration, d'apaisement, d'instant présent pur. Leon apporte à l'oreille sa musique, mais aussi une collection d'histoires, un monde en soi, peuplé de textures soignées, de voix spectrales et de silences contemplatifs.De disque en disque, Dom La Nena a reçu les plus beaux éloges de la presse internationale comme The Wall Street Journal (« Un jeune Brian Wilson »), The New Yorker (« Chacune de ses chansons est sacrée »), BBC (« Brillant et beau»), NPR (« Une musique à la fois douce et envoûtante ») ou encore The Guardian (« Un enchantement »).Elle a chanté à propos du temps, de ses rêves et de ses peurs, sous la forme de ritournelles tendres et poétiques, toujours appuyées par son violoncelle. Du besoin de se renouveler, du plaisir de revenir à la source, du désir de rendre grâce à son plus fidèle compagnon… Aujourd'hui, naît Leon.Un disque conçu et enregistré seule, en deux mois, à domicile, avec un seul micro — avant d'être mixé par Noah Georgeson, connu pour ses collaborations avec Rodrigo Amarante ou Devendra Banhart.Titres interprétés au grand studio- Last Day, Live RFI- Universo, extrait de l'album Léon voir le clip avec le quatuor Momentum- Dulac, Live RFI. Line Up : Dom la Nena, violoncelle.Son : Jérémie Besset.► Album Leon (Sabia/ Big Wax/Alter K 2023).

#flora #roman #paganism Are the Ludi Florales the origin of May Day or Beltaine? Goddess Flora, Chloris, Lupercalia and Parilia. Roman Festivals of fertility, sex and lust. CONNECT & SUPPORT

Walpurgis and May Day are, like all holy days of nature, indicators of change. The wheel of heaven turns and life below is influenced. Over thousands of years humans have attempted to align themselves with these changes and connect with powers greater than themselves. Ancient Romans celebrated Floralia in late-April, early-May. In the Middle East there is Riḍván. The western world today celebrates Beltane or May Day, a time of rejuvenation, regrowth, warmth, light, and love. That is why we need to take back the origins of holidays/holy-days and fill the void created by institutional religions seeking to eradicated their spiritual competitors, i.e. pagans. Ironically, that void has been filled with satanists and chaos magicians seeking to usurp God's creation and hijack its power for their own distorted and inverted version of the world. On Friday, SatanCon kicked off in Boston, Massachusetts, to align with Walpurgis weekend. Although modern satanists are different than Anton LaVey's satanism, LaVey also chose April 30 for the foundation of his Church of Satan. At the latter event videos surfaced of Bibles being ripped and blue pro-police flags being torn. The irony here is that Saturn is the god of organized chaos and law and order. SatanCon also required full proof of pharmaceutical intervention and facial covering. The event also featured a satanic marketplace, in hypocrisy of the anti-capitalist elements in that community. Also, a video surfaced prior to SatanCon of a state representative in Arizona hiding Bibles. All of these things suggest that there is an increasing repulsion for God and his creation, be that his Word, Nature, or the human face itself (image of God). This force is the same evil that ripped out human hearts and sacrificed babies to Moloch. Today we call it science and healthcare, i.e. myocarditis and abortion.The distortions and inversions of nature are results of anti-christ consciousness. Whether planned or unplanned, historical events at Waco, Oklahoma City, Columbine, and Virginia Tech, or the Titanic, the Lusitania, deaths of Presidents and other leaders, etc., have been hinges by which the past, present and future continues to swing. In April 2023 we heard about 18,000 cows dying in the largest barn fire ever. A few weeks later global news became focused on the coronation of King Charles to the throne, slated for May 6 - Satur(n)day. Buckingham Palace has said it “will reflect the monarch's role today and look towards the future, while being rooted in longstanding traditions and pageantry.” His role today and in the future is akin to the mythical figure of King Arthur, the ‘once and future king'. It is no coincidence that Charles' son William was born on the Summer Solstice through induced labor, or that William's daughter was born May 2. King Charles is an advocate for a ‘war-like' footing on Climate Change just as his father Phillip wanted to be reincarnated as a “deadly virus” to solve overpopulation. The coronation will also include a pledge the public can say to honor his Majesty. Powerful people understand the cycles, dates, times, etc., and exploit them to their advantage. This is certainly part of what is mean in the Biblical book of John 8:44, wherein it is described: You belong to your father, the devil, and you want to carry out your father's desires. He was a murderer from the beginning, not holding to the truth, for there is no truth in him. When he lies, he speaks his native language, for he is a liar and the father of lies.

Since this episode drops on my birthday and it's just a few days before Beltane, I'm tackling both Birthday Magick AND the major wheel of the year celebration and fire festival. Also, coming fresh from helping with the Jim and Jup Tour, I'm feeling very warm and fuzzy about friendship which is why I'm sharing a birthday ritual to be done with your nearest and dearest. I'm also wrapping up the discussion on Beltane, Beltaine, May Day, Floralia and Walpurgis Night with a delicious seasonal kitchen witchery recipe, so be sure to listen all the way through!   Thank you so much for listening! Please leave a review, wherever you're listening from. Go to AIsForAgrimony.com to check out the blog, get event updates and browse the spell & ritual archive! Get Bonus Content and Behind-the-Scenes, Early Release Video Episodes over at the Patreon: Patreon.com/aisforagrimony Follow or Contact Me: Instagram: @a_is_for_agrimony Facebook: Facebook.com/aisforagrimony Email: ReachMargo@aisforagrimony.com Want to send me some good old fashioned mail? Surprise me at: PO Box 397, Cherry Hill NJ 08003. Many many thanks to Shane Ivers for Music: Zen Garden by Shane Ivers: https://www.silvermansound.com  

Narrator: Heather Foster

Subscribe Apple | Google | Spotify | Stitcher | iHeart   Podchaser Leave a Review   Support The Daily Gardener Buy Me A Coffee    Connect for FREE! The Friday Newsletter |  Daily Gardener Community   Historical Events Floralia April 28th marks the beginning of a six-day festival called Floralia in the Roman calendar. And it's held in honor of the goddess of flowering crops and plants, and she was known as Flora. Now the goal of this weeklong festival was a satisfying appeal to Flora for a great growing season, a bountiful harvest, safety for workers, and probably a solid grape harvest for good wine.   1834 Birth of Harry Bolus, South African botanist, artist, businessman, and philanthropist.  If you've ever heard of the Bolus Herbarium in South Africa, it was named in honor of Harry. Harry founded the Herbarium, and he bequeathed his extensive library and part of his fortune to establish the South African College, now known as the University of Cape Town. Harry Bolus was not originally from South Africa. He was actually born in Nottingham, England. And the school that he attended, Castle Gate School, had a headmaster who corresponded with a plant collector named William Kensit. When Kensit required an assistant, Harry Bolus was the student who was selected for the job. Harry moved to South Africa and promptly fell in love with William's sister Sophia. The two were married, and they had three sons and a daughter. In 1864, when their oldest son died at six years old, a friend and fellow botanist named Francis Guthrie suggested that Harry take up botany to help heal his broken heart. Well, the rest, as they say, is history. Harry started his great botanical collection in 1865, and he soon struck up a correspondence with the most famous botanists of his day. And there's one other story about Harry Bolus that I thought you would enjoy. In 1876, Harry and Francis Guthrie traveled together to the world's Mecca for botany - Kew gardens in England - along with a large collection of plants. Even though their ship hit a reef on their return voyage and their collection was lost, Harry always referred to that trip as "Forty happy days."   1852 On this day, Henri Frederic Amiel, Swiss philosopher and poet, wrote in his journal:  Once more, I feel the spring languor creeping over me, the spring air about me. This morning the poetry of the scene, the song of the birds, the tranquil sunlight, the breeze blowing over the fresh green fields — all rose into and filled my heart.   1947 Birth of Bonnie Marranca, New York City-based critic, publisher, and writer. In her book, American Garden Writing (1988), Bonnie wrote, I judge a garden by the gardener who cares for it, the one who invests space with daydreams. How well I know the downward gaze into the face of the earth, the feeling of a luxurious body and good, dark soil that slips through the fingers in the rush to return to its dirty delirium. Each gardener creates an ideal world of miniature thoughts that drift languidly into each other like flowers on a dry afternoon. Hear silence has the rhythm of wishes.   Grow That Garden Library™ Book Recommendation The Perfect Specimen by Durlynn Anema This book came out in 2019, and the subtitle is The 20th Century Renowned Botanist: Ynes Mexia. This book is a wonderful biography of Ynes Mexia - the Mexican American botanist born in 1870 and who discovered the Sierra Club at age 50. And that led her to her life's calling and her legacy as a botanist. And so I love what Durlynn wrote and the dedication of this book because she wrote, This book is dedicated to those people who gained confidence in their abilities later in life.   And that is certainly the case with Ynes Mexia. She loved her experience with the Sierra Club so much that she decided to enroll in botany classes at Berkeley. In fact, over a 16-year period, she just kept taking botany classes on and off; She never had the goal of graduating. She just wanted to keep learning - so that's quite a paradigm shift. And as the mom of four young adults who are either in college or about to go to college, I love that perspective of being a lifelong learner - which is undoubtedly something that Ynes achieved. Now, I don't want to give the impression that Ynes was all about coursework and classrooms because that's really only a very small portion of Ynes's story. She was actually very drawn to fieldwork. She took countless trips through the Southwestern part of the United States into New Mexico and even into South America. She was very drawn to unique plants. She loved sunflowers, and she was a voracious collector. Many scholars argue that Ynes was one of the most accomplished collectors of her time. On her very first collecting trip, she collected over 500 specimens, which is essentially the same amount Darwin collected on his first expedition on The Beagle. Over her lifetime, Ynes collected over 150,000 specimens -500 of which were brand new plant species that had never been identified before. Ynes's story sadly came to an end in 1938 due to lung cancer. She was actually in Mexico on a plant collecting trip when she just could not go on any longer. So she cut her trip short, returned to the United States, and then died at Berkeley that summer on June 12th. And aside from her staggering amount of work, Ynes left a legacy when part of her estate was donated to the Redwood Preserve in California (which I think of as kind of a full-circle moment - harkening back to her work with the Sierra Club.) And so, forty acres of the Mexia estate were donated to the preserve, and one of the very tallest trees was named in honor of Ynes - a woman who is definitely worthy of a biography. I also wanted to share just a bit of what Durlynn wrote in the author's note at the beginning of this book because I think it does a beautiful job of outlining the extraordinary nature of Ynes's story. Durlynn writes, Most successful people, no matter their endeavor or occupation, find inspiration through either a parent, an important or inspirational person or an event. This is not the case with Ynes Mexia. A shy, quiet girl. She seemed to fade into the background with both her parents. She led a lonely life, which ironically aided her in her later endeavors. Mexia's is a story of retreat into self in the early years, and then blossoming to reach her highest potential after 50 years old. It is also the story of a doctor, who during the infancy of psychiatry and psychology, mentored this woman to her potential and became the father figure she never had. Read Marvel. And enjoy. Ynes Mexia's story.   It's a good one. This book is 174 pages about the life of the renowned botanist Ynes Mexia. You can get a copy of The Perfect Specimen by Durlynn Anema and support the show using the Amazon link in today's show notes for around $14.   Botanic Spark 1701 Birth of Madeleine Françoise Basseporte ("Mad-ah-lin Frahn-swahz Bass-ah-port"), French botanical artist, miniature painter, interior decorator, and teacher. Madeleine was a student of Claude Aubriet, the man honored with the naming of the Aubrieta ("Aubreesha") genus. The only reason Madeleine was able to study with Aubriet was that her talent was undeniable.  Despite his lack of credentials, Claude himself had risen through the ranks to become the Royal Painter of France. In 1741, Madeleine succeeded Claude as the Official Painter of the Royal Garden - an unprecedented appointment as Madeleine became the first woman to hold the position.  It was a role she would carry out for over four decades. Madeleine was 40 years old when she took on this assignment. She never married or had children. Instead, she dedicated herself to her work. At a minimum, she was required to produce twelve botanical paintings for the King every year. On top of that, King Louis XV also gave her the responsibility of teaching all the princesses how to draw and paint flowers. Madeleine also taught botanical art to many other artists and scientific illustrators throughout her career. She also became the godmother to several children from academic families she knew well. Madeleine also had the honor of working as an artist and designer for the King's official mistress, Madame de Pompadour. Pompadour was a major patron of creatives in architecture, porcelain, and decorative arts. Madeleine had an instant rapport with Pompadour. After Madeleine captured the beauty of the flowers around Madame Pompadour's chateau, Madame Pompadour insisted that the King give Madeleine a pay raise. And he did. Now it's important to know that as the first female Official painter of The Royal Garden, Madeleine did not work in a bubble. She exchanged letters with the French naturalist Georges-Louis Leclerc and the philosopher Jean-Jacques Rousseau who appreciated her work so much that he wrote, “nature gives plants their existence, but Mademoiselle Basseporte preserves them for us forever.” (Translation my own). Madeleine was also a contemporary of Carl Linneaus. On January 30, 1749, Bernard Jussieu wrote a letter to Linnaeus teasing that Madeleine was "very proud of the title you give her, of your second wife.”   Despite her work alongside the top scientific minds of her time, her beautiful, botanically accurate art, and her groundbreaking appointment, Madeleine (unlike her predecessor Claude Aubriete) was never honored with the naming of any flower. But that doesn't mean she wasn't deserving of it. Today scholars hold Madeleine's work in esteem as scientific art - designed to show the structure and physiology of her plant subjects.  To me, Madeleine's art has a delicate, sensitive quality. Her expression of leaves, in particular, shows her depth of understanding regarding her plant subjects.  In 2021, Nina Gelbart wrote a book called Minerva's French Sisters by @yalepress. The book explores the biographies of six forgotten female scientists from 18th century France - including Madeleine Françoise Basseporte.   Thanks for listening to The Daily Gardener And remember: For a happy, healthy life, garden every day.

Greeting's heathens and witches,Welcome to the Horn and Cauldron podcast…Beltane is held on May 1st (or November 1st if you're in the southern hemisphere), which is about halfway between the Spring Equinox and the Summer Solstice. Beltane has been celebrated since ancient times with bonfires, visiting holy wells, fertility rituals, handfasting, honoring the fae folk, maypoles, feasts, and decorating with spring greenery, flowers, or ribbons. In this episode, we discuss the origins of Beltane and other festivals that happen at the same time, such as Walpurgisnacht, May Day, Blōstmfrēols, and Floralia. While each one of these is a separate festival, we can also see strong ties to Beltane celebrations, as well as similarities to each other. We also share how we celebrate Beltane, go over correspondences, and share a simple Beltane ritual. To get the full picture, we recommend that you also listen to episode 11: Beltane 102.

Ce mercredi dans Bruxelles vit !, Charlotte Maréchal vous emmène à Floralia Brussels, la 19ème édition de l'exposition florale de printemps qui se tient du 2 avril au 3 mai 2022. Sur les 14 hectares du parc du château de Grand-Bigard vous pourrez découvrir presque toutes les variétés de fleurs de printemps à bulbes. Sous la direction de spécialistes, professionnels des plantes à bulbes, ce sont plus d'1 million d'oignons qui ont été plantés à la main par l'équipe de jardiniers du château.

Comenzamos el repaso al calendario de festividades romanas hablando de lo que sucedía los meses de ENERO, FEBRERO, MARZO Y ABRIL. Hablaremos de fiestas tan famosas como las Lupercalia y de otras no tanto como una celebrada en honor a la diosa ISIS. Un programa lleno de curiosidades que seguro te sorprenderán. Recopilación de fiestas mencionadas en el programa: ENERO (Sin fecha fija) COMPITALIA Día 9. AGONALIA de Jano. Días 11 y 15. CARMENTALIA. (Sin fecha fija) FERIAS SEMENTIVAS y PAGANALIA. FEBRERO Día 2 (o sin fecha fija) AMBURBIUM. Día 13. FAUNALIA. Del 13 al 21. PARENTALIA. Día 15. LUPERCALIA. Día 17. QUIRINALIA. Día 21. FERALIA. Día 22. CARISTIA. (Sin fecha fija, aunque límite día 17) FORNACALIA. Día 23. TERMINALIA. Día 24. REGIFUGIO. Día 27. EQUIRRIA. MARZO Día 1. DIES NATALIS MARTIS. Día 1. ANCILIA. Día 1. MATRONALIA. Día 5. NAVÍO DE ISIS. Día 14. EQUIRRIA. Día 15. FIESTA DE ANNA PERENNA. Días 16 y 17. ARGEI. Día 17. LIBERALIA. Día 17. AGONALIA DE MARTE. Día 19. ARMILUSTRIUM. Del 19 al 23. QUINQUATRUS MAIORES. Día 23. TUBILUSTRIUM. Del día 22 al 28. FIESTA DE ATIS. ABRIL Día 1. VENERALIA. Día 4. MEGALENSES. Día 15. FORDICIDIA. Del día 12 al 19. CERIALIA. Día 21. PARILIA. Día 23. VINALIA. Día 25. ROBIGALIA. Día 28. VESTALIA. Del día 28 al 3 de mayo. FLORALIA. (Sin fecha fija) FERIAS LATINAS. La imagen que ilustra este programa es FIESTAS LUPERCALES, un óleo sobre lienzo de Andrea Camassei (1635). Esta obra forma parte de la colección del Museo del Prado. TRACKLIST DEL PROGRAMA 00'00'' - Arriving in ancient Rome, Kikoru. 01'04'' - Sancta Terra, Dark Fantasy Studio. 03'32'' - Sunrise, Dark Fantasy Studio. 08'37'' - Ancient Rome Music, BluePanda Music. 12'57'' - Chant of the Moors, Flouw. 18'05'' - Primitive Traces, JH Coleman. 21'24'' - Epic Bravery Percussion, Akashic Records. 24'57'' - An ancient dome, Trabant 33. 30'09'' - The Dominion, Bonnie Grace. 31'47'' - Imperious, Bonnie Grace. 34'44'' - Bone Breaker, Dark Fantasy Studio. 37'17'' - Battle Drums, Akashic Records. 37'51'' - Blankh, Andrey Avhimovich. 41'47'' - Dark Turns to Light, Hampus Naeselius. 45'42'' - Adventures Wanted, AlfRaMusic. 55'12'' - Epic Cinematic Vocal, Robert Karpinski - Etta. 57'44'' - Adventures Wanted, AlfRaMusic. 67'14'' - Spirit Machine, Robert Karpinski. 69'22'' - Brought to Rome, Francis Wells. 73'37'' - Deeper than the Ocean, Bonnie Grace. 78'51'' - Aetas Romana, Adrian von Ziegler. ¡Suscríbete, no dudes en dejar tus comentarios y comparte el programa con las personas a las que les guste la historia de Roma! Recuerda que me puedes apoyar en iVoox mediante suscripción mensual o también me puedes invitar a un chupito de garum en nuestra página de ko-fi: https://ko-fi.com/romaaeterna Para ponerte en contacto conmigo puedes encontrarme en Twitter: @RomaAeternaFM o si lo prefieres me puedes escribir por correo electrónico: Romaaeternapodcast@gmail.com Ahora me puedes seguir también en instagram: romaaeternapodcast Estoy haciendo un hilo recopilatorio en Twitter con canciones que uso en el Podcast: https://twitter.com/RomaAeternaFM/status/1386210996042227713 ¡Muchas gracias por escucharme, esto no sería posible sin ti! Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Una impactante persecución a una banda de jaladores de vehículos tuvo lugar entre la localidad de Puente Aranda y el barrio Floralia en Kennedy. Cercados al llegar a una calle ciega, los ladrones se enfrentaron a tiros a la Policía, en medio del pánico de los habitantes de la zona.See omnystudio.com/listener for privacy information.

¿Cuántas veces hemos escuchado que las experiencias difíciles nos hacen más fuertes? ó  Que lo que no nos mata nos fortalece, Muchas de éstas nos cambian para bien o para mal, pero en ocasiones, para algunos, suelen llevarlos a la grandeza, a sacar la fuerza que llevan dentro y a trascender especialmente cuando estas adversidades se traducen en discapacidad física.Floralia Estrada, lanzadora de disco paralímpica, posicionada en 4º lugar en Tokio 2020 y el Campeonato Mundial en Dubai , ganadora de la medalla de oro y recordista en Lima 2019, así como medallista en el Campeonato Mundial de Londres 2017, nos cuenta su vida, sus anécdotas, su historia de éxito y cómo las adversidades y obstáculos de haber perdido ambas piernas a temprana edad no la detuvieron para convertirse en una gran atleta. Disfruta conmigo éste capítulo lleno de aprendizajes que sin duda cambiará tu filosofía de vida y éxito.CONOCE MÁS DE FLORALIA ESTRADA EN:-InstagramAVISO...Como sabes hace unas semanas lanzamos nuestro curso para que puedas crear un podcast exitoso... Te tengo una INCREIBLE OFERTA... hemos bajado el precio de nuestro curso para que cientos de personas puedan iniciarse en el mundo del podcasting son más de 50 clases, sesiones de Q&A y decenas de hacks y consejos para que inicies un podcast con el pie derecho, si estas pensando en lanzar un podcast este es el curso que podrá ayudarte a conseguirlo de forma profesional, visita la pagina para conocer mas acerca del curso AQUIVISITA NUESTRAS REDES SOCIALES:VISITA NUESTRAS REDES SOCIALES-Facebook: Estado Mental Podcast-Instagram: Estado Mental Podcast-TikTok Estado Mental Podcast

Warning: Explicit Conversations About Politics, Culture, & Sexuality It's a trifecta of fiestas: May Day, International Workers Day, and the first sacred self-loving day of Masturbation Month 2021. Brothers and Sisters, Wankers and Monkey-Spankers, Workers of the World—and that includes Sex Workers—Unite! Smash your chains (unless you're into bondage)! Break out the Maypoles, Hitachi Magic Wands, Communist Manifestos and lube! It's also almost Cinco de Mayo, so break out the salsa (just don't confuse the lube with the salsa)! Feliz Masturbación de Mayo! And take this bonoboësque, sapiosexual, party ride on the Love Train, as we pick up “Most Well-Rounded Kinkster” SUZY award-winning MFA, MILF and “hot art teacher,” Rhiannon Aarons (who recalls our threesome with me and a big phallic green gourd named Gourdy), and more, telling tales of first-time masturbation experiences along with our most recent which, in some cases, happened just before the show! Origin Storytelling begins with May Day, rising up from the prehistoric Floralia like a joyously erect Maypole. International Workers' Day, the ultimate F*ck Da Rich Fest, declared in 1889 by the Socialist/Communist Second International, commemorates Chicago's “Haymarket” workers' revolt. A century later, Masturbation Month was proclaimed by my late great mentor Dr. Betty Dodson and Good Vibrations, honoring U.S. Surgeon General Joycelyn Elders, fired for saying public school sex education could teach that masturbation is a good safer sex option. If only President Bill Clinton had listened to Dr. J's advice… See why self-pleasure is so important—not just for you—but for the world? So, go bonobos (yes, bonobos do it too), and give yourself a hand. You Do You. Celebrate the month of May… Slight tangent: California Governor Gavin Newsom's ill-advised French Laundry dinner is kind of like Clinton's bad-judgment BJ. Newsom should have dined at home, and Clinton should have masturbated alone. Still, that was no reason for Clinton to be impeached, nor for Newsom to be recalled! Our sizzling post-show throwback features sexy Savannah Fyre (now Alana Cruise) kicking off “Masturbation Month 2016” with a bang and a sparkling Spring squirt. I also present the 8 Great Virtues of Masturbation. Virtues? Yes, indeed, denigrated as “self-abuse” for centuries, now we are calling it what it is: self-pleasure. It feels good. And it is good. But what is it good for? Listen and learn… Wankers of the World Unite! Want more? Watch what we can't show you here and read the Journal: https://drsusanblockinstitute.com/guided-masturbation

3 de maig de 2021. Entrem en el mes de les flors de la mà d'una artista que sempre tenim present al programa i acabem a un altre en el qual sempre ens fixem també. Potser aquesta sigui una de les edicions més melòdiques que hem fet fins ara, però amb tanta pluja i tanta flor esperem que us vingui tan de gust com a nosaltres un programa com aquest. Moltes gràcies i fins aviat

On episode 25 of the Magick and Alchemy Podcast, hosts Kate Belew and Kristin Lisenby discuss ritual and lore for Beltane. They talk about the Roman festival Floralia, May Queens, and handfasting. They consider Beltane's connection to both fire and water, and share a few superstitions surrounding the sacred Needfire. Created by Tamed Wild. Production by KT Herr. Music by Follow the Wind, Taizo Audio. Sources: “Beltane: Rituals, Recipes and Lore for Mayday” by Llewellyn https://tamedwild.com/products/sabbat-series-books?_pos=1&_sid=ac836c35b&_ss=r

Today we celebrate a 20th-Century Landscape Architect who focused on his client’s desires and needs. This effort to personalize his work made him incredibly successful. We'll also learn about a species Tulip praised for its hardiness and peppermint candy appearance. We’ll hear some thoughts about the first fine spring days. We Grow That Garden Library™ with a book that will help you finally replace your high-maintenance lawn with something Sustainable, inviting, and low maintenance. And then we’ll wrap things up with the story of Flora- the Roman goddess of spring.   Subscribe Apple | Google | Spotify | Stitcher | iHeart To listen to the show while you're at home, just ask Alexa or Google to “Play the latest episode of The Daily Gardener Podcast.” And she will. It's just that easy.   The Daily Gardener Friday Newsletter Sign up for the FREE Friday Newsletter featuring: A personal update from me Garden-related items for your calendar The Grow That Garden Library™ featured books for the week Gardener gift ideas Garden-inspired recipes Exclusive updates regarding the show Plus, each week, one lucky subscriber wins a book from the Grow That Garden Library™ bookshelf.   Gardener Greetings Send your garden pics, stories, birthday wishes, and so forth to Jennifer@theDailyGardener.org   Curated News The 15 Best Groundcover Plants for Your Garden | Pure Wow | Arricca Elin SanSone   Facebook Group If you'd like to check out my curated news articles and original blog posts for yourself, you're in luck. I share all of it with the Listener Community in the Free Facebook Group - The Daily Gardener Community. So, there’s no need to take notes or search for links. The next time you're on Facebook, search for Daily Gardener Community, where you’d search for a friend... and request to join. I'd love to meet you in the group.   Important Events April 27, 1902 Today is the birthday of the renowned and innovative 20th-Century landscape architect Thomas Church. Known as the “Dean of Western Landscape Architects” and the “Father of the California Garden,” Thomas - or Tommy as he was known to his clients and friends - is remembered for personalized landscape design. His 1955 book aptly titled Gardens are for Peopledrew on Tommy’s belief that gardens are personal and needed to meet his clients' needs. Tommy wrote, “We're all different - and our gardens and what we expect our land to do for us will vary as much as our demands and our personalities. No one can design intelligently for you unless he knows what you need, what you want,  and what you are like.” Tommy also wrote, “The only limit to your garden is at the boundaries of your imagination.” A pioneer of Modernism in the garden, Tommy’s approach to design came to be known as the “California Style.” Tommy’s California Style included elements that seem pretty standard today: raised beds, low-maintenance, lots of groundcovers, timber decking, kidney-shaped pools, places to sit, clean lines, and asymmetry. Tommy once wrote, “Style is a matter of taste. Design is a matter of principles.” Tommy’s portfolio was comprised of over 2,000 private gardens, but he did some work for Berkely and Stanford and the University of California, Santa Cruz, where Tommy famously said, “Gentle be the hand that lays upon the land.” In addition to his private and university work, Tommy designed the gardens for Sunset Magazine after the headquarters moved to Menlo Park in 1952. Tommy designed the Sunset Garden to encircle an acre of lawn. The trees and plants represent the 17-State circulation area of Sunset Magazine and are grown in four distinct gardens. For instance, there was a dry Arizona desert garden and a wet garden representing the Northwest. Today at Sunset, the redwood trees that were planted from five-gallon cans are now 100 feet tall. In all, there are over 300 varieties of trees, shrubs, and perennials in the Sunset gardens. The annual flower beds are replanted three times a year. Now two aspects of gardening - the amount of expertise the owner had and the amount of free time available by the owner - were both taken into account by Thomas Church. His obituary said, “[Tommy] thought it preposterous to create a garden with exotic fragile plants that need tending for busy people who just like to relax in a garden. He wanted these people to have a tranquil place they could use and enjoy without its upkeep being an albatross around their necks Thus because each garden came from his understanding of its owners -  none of them look the same though they have common elements.” Thomas Church wrote, “When your garden is finished I hope it will be more beautiful than you anticipated, require less care than you expected, and have cost only a little more than you had planned.”   April 27, 1952 On this day, The Knoxville News-Sentinel published a little article about a short, six-petaled, cherry-red, and white species tulip, known as Tulip clusiana - commonly called the Persian Tulip or the Peppermint Tulip. “Pretty and charming is Tulip clusiana, named for the great botanist Clusius, who is said to have grown it in his garden in Flanders. It is known to have been cultivated for more than 300 years.  Louise Beebe Wilder says of it,  “Clusius reported that it was sent to Florence in 1606 with the statement that it had come from Persia.  Parkinson knew it as the early Persian tulip.  Sir Daniel Hall says it is now apparently wild from Chitral (“Ch-eh-trull”) (in Pakistan) to Spain...  Reginald Farrer says it is frequently found in old olive orchards about Cannes (“Can”)”  [Now the] buds are long, slender, and pointed with broad streaks of rose-red up the backs of the white petals. Because of this effect, it is sometimes called the radish tulip. Other names are candy tulip and lady tulip.” Clusiana tulips open with the sun and close at night.     Unearthed Words When the first fine spring days come, and the earth awakes and assumes its garment of verdure, when the perfumed warmth of the air blows on our faces and fills our lungs, and even appears to penetrate to our heart, we feel vague longings for undefined happiness, a wish to run, to walk at random, to inhale the spring. ― Guy de Maupassant, (“Ghee-du-mo-pah-sawnt”) The Complete Short Stories of Guy de Maupassant, Part One   Grow That Garden Library Lawn Gone! by Pam Penick This book came out in 2013, and the subtitle is Low-Maintenance, Sustainable, Attractive Alternatives for Your Yard. In this book, Pam Penick - one of my favorite garden bloggers - shares practical and down-to-earth advice for replacing a traditional, high-maintenance lawn with something endlessly more manageable and inviting. Pam’s book is an inspiring look at the countless options for transforming residential landscapes with low-work flowers, shrubs, ground covers, and native plants mixed with paved or mulched areas.   If you’ve been hesitant to take the plunge and downsize or eliminate the lawn altogether, Pam offers inspiration, reassurance, helpful ideas, how-to’s, and tips. This book is 192 pages of beautiful, low-maintenance, and inviting lawn alternatives from an intelligent and practical garden blogger. You can get a copy of Lawn Gone! by Pam Penick and support the show using the Amazon Link in today's Show Notes for around $9   Today’s Botanic Spark Reviving the little botanic spark in your heart On this day, April 27, the Romans honored Flora - the goddess of flowers and spring. One of the goddesses of fertility and a goddess of eternal youth. Flora was married to the west wind god, Zephyr, and she was the mother of Carpus - a beautiful boy whose name means “fruit.” Today, carpology is the study of fruits and seeds, and a carp is the fruiting body of a fungus. The Latin term “Carpe diem” or seize the day could also be thought of as “Make the day fruitful.” Today, the word flora is a general name for the plants of a region. Now, while the growing season starts with Flora, the goddess of spring, it ends with Pomona, the goddess of the Harvest. And so, the two goddesses - Flora and Pomona - were respectively celebrated at the beginning and end of the growing season. In 1884, the British artist and designer Sir Edward Coley Burne-Jones created two beautiful tapestries that depicted life-sized figures of Flora and Pomona. Each Tapestry was nearly 10- feet long, and a backdrop of foliage and flowers surrounds both goddesses. To the Romans, Flora and Pomona were deemed important enough to have their own dedicated priests, temples, and festivals. Flora’s priest was called the Floralis, and her festival was called the Floralia. Established in 240 BCE, the Floralia was a week-long festival loaded with symbolism around renewal and rebirth and celebrated with drinking and flowers. During the festivities, even men wore flowers, and women were allowed to wear bright-colored clothing - something considered taboo otherwise. One of the most beautiful and beloved frescos from this time depicts Flora. Beloved by many, this masterpiece highlights Flora against a green background. She’s wearing a yellow dress, and she’s walking barefoot with her back to us. Her left arm holds a cornucopia basket filled with delicate spring flowers, and her right hand is reaching to pluck a white flower from a shrub. The Flora fresco is housed at the  National Archaeological Museum in Naples, Italy (cat. no. 8834). Finding representations of Flora in art is easy - if you know what to look for. Flora is often shown holding a small bouquet and crowned with a halo of blossoms. And, can you guess what Flora’s special gift was? (Here’s a hint: it was made (naturally) from flowers and was highly valued by the Romans for its medicinal and culinary uses.)     The answer is honey.   Thanks for listening to The Daily Gardener. And remember: "For a happy, healthy life, garden every day."

With Beltane around the corner, we're covering this ancient Gaelic May Day festival. Observed throughout ancient Ireland, Scotland, and Isle of Man, it marks the beginning of the pastoral summer season when cattle were driven out to the summer pastures. This pagan festival  celebrates fertility (bow-chicka-wow-wow!), prosperity, protection, and honors all living things. Listen to learn it's history, how to celebrate Beltane and May Day yourself, rituals to incorporate, and even how to build your own Maypole!References:https://beltane.org/ - Beltane Fire Societyhttps://youtu.be/gqdGGjsV608 - Lora O'brien's Beltane Rituals Videohttps://www.youtube.com/watch?v=OXAlBpoPB5A - Maypole TutorialSupport the show (https://patreon.com/thenewwitches)

Dans la première partie de Bruxelles Vit !, on vous emmène à la découverte du festival Floralia Brussels. Il prend place non loin de Bruxelles, au château de Grand-Bigard. L'organisateur de l'événement interviendra dans l'émission. 

Dans la première partie de Bruxelles Vit !, on vous emmène à la découverte du festival Floralia Brussels. Il prend place non loin de Bruxelles, au château de Grand-Bigard. L'organisateur de l'événement interviendra dans l'émission. 

Welcome to Train to Dreamland, a podcast to help you unwind and fall asleep. I'm your conductor, Kimmy B. Topics are loosely engaging to help make your transition into sleep effortless. Tonight's journey includes 4 stations:A guided meditation in search of the caterpillar form of the Rosy Maple Moth.Oracle card pulled from Angel's and Ancestors, by Kyle Gray: DruidTop-level history of the Floralia festival of ancient RomeRecipe for Golden Milk TeaThis podcast is enhanced by music licensed from epidemicsound.com

“Hors Pistes – 16e édition”L'écologie des images – festival en ligneau Centre Pompidou, Parisdu 1er au 14 février 2021Extrait du communiqué de presse :Commissariat : Géraldine Gomez, chargée de programmation.assistée d'Alexandre FinkelsztajnDu climat aux écrans, les désordres planétaires changent notre culture visuelle. Durant quinze jours, le festival Hors Pistes convie cinéastes, artistes et chercheurs pour alerter les regards et entrevoir d'autres avenirs. Plus de 50 rendez-vous exclusifs et gratuits à suivre sur centrepompidou.fr.HOME  |  AGENDA CULTUREL  |  “HORS PISTES – 16E ÉDITION” L'ÉCOLOGIE DES IMAGES – FESTIVAL EN LIGNE, AU CENTRE POMPIDOU, PARIS, DU 1ER AU 14 FÉVRIER 2021 “Hors Pistes - 16e édition” L'écologie des images – festival en ligne, au Centre Pompidou, Paris, du 1er au 14 février 2021Partage“Hors Pistes – 16e édition”L'écologie des images – festival en ligneau Centre Pompidou, Parisdu 1er au 14 février 2021Centre PompidouFestival Hors PistesPODCAST – Interview de Géraldine Gomez, chargée de programmation du Festival Hors Pistes,par Anne-Frédérique Fer, à Paris, le 25 janvier 2021, durée 26'09, © FranceFineArt.Hors Pistes - 16e dition LÕcologie des images Ð festival en ligneHors Pistes - 16e dition LÕcologie des images Ð festival en ligneHors Pistes - 16e dition LÕcologie des images Ð festival en ligneHors Pistes - 16e dition LÕcologie des images Ð festival en ligneHors Pistes - 16e dition LÕcologie des images Ð festival en ligneHors Pistes - 16e dition LÕcologie des images Ð festival en ligneHors Pistes - 16e dition LÕcologie des images Ð festival en ligneHors Pistes - 16e dition LÕcologie des images Ð festival en ligneHors Pistes - 16e dition LÕcologie des images Ð festival en ligneHors Pistes - 16e dition LÕcologie des images Ð festival en ligneHors Pistes - 16e dition LÕcologie des images Ð festival en ligneHors Pistes - 16e dition LÕcologie des images Ð festival en ligneHors Pistes - 16e dition LÕcologie des images Ð festival en ligneHors Pistes - 16e dition LÕcologie des images Ð festival en ligne© Anne-Frédérique Fer,visite de l'exposition avec Géraldine Gomez, le 25 janvier 2021.Geoffroy de Crécy,Empty Places,2020. © Autour de minuit.Daniel Spoerri,Fouilles archéologiques du Déjeuner sous l'herbe.© Denis Gliksman, Inrap.Ellen Gallagher,Wiglette from DeLuxe,2004. © Ellen Gallagher. Courtesy Gagosian.Lia Giraud,Photosynthèse,2020.Nikolaus Geyrhalter,Homo Sapiens.© Nikolaus Geyrhalter Filmproduktion GmbH.Sabrina Ratté,Floralia,2021.Extrait du communiqué de presse :Commissariat : Géraldine Gomez, chargée de programmation.assistée d'Alexandre FinkelsztajnDu climat aux écrans, les désordres planétaires changent notre culture visuelle. Durant quinze jours, le festival Hors Pistes convie cinéastes, artistes et chercheurs pour alerter les regards et entrevoir d'autres avenirs. Plus de 50 rendez-vous exclusifs et gratuits à suivre sur centrepompidou.fr.ÉditorialL'explosion des plateformes ou celle de la vidéoconférence en témoignent : depuis un an, la pandémie de covid-19 a ralenti la circulation des corps et démultiplié celle des images. Proposer, dans ce contexte, un festival intégralement en ligne et non in situ comme initialement prévu, vous donner rendez-vous chaque jour sur internet pour y partager rencontres, projections, performances, c'est installer cette 16e édition de Hors Pistes sur la crête de ce paradoxe : d'écran en écran, le partage infini des images contraste avec notre conscience des limites planétaires et du soin qu'il nous faut prendre de ce monde fini dans lequel réapprendre à habiter. Quelle écologie, alors, pour les images ?L'arrivée d'un train, la sortie d'une usine : on remarque rarement combien, avec les frères Lumière, la naissance du cinéma emprunta ses emblèmes à la révolution industrielle, célébrant ici la mobilité et la vitesse, s'attardant là sur la foule affairée des travailleurs du regard. L'extraction des moindres éclats du réel et leur réplication sur pellicule vont alors bon train : bientôt, les rails du travelling s'inspireront de ceux du chemin de fer et les studios afficheront fièrement leur statut d'industrie ; il n'y aura guère que Buster Keaton à la proue d'une locomotive ou Charlie Chaplin entre deux roues dentées pour s'inquiéter de la frénésie de conquête technique et géographique où les images se trouveront prises, de l'appétit avec lequel elles annexeront des territoires entiers au périmètre du visible, se dispensant d'interroger leur propre impact sur la nature ou sur les peuples ainsi offerts à la voracité de l'oeil.Un siècle plus tard, cette évidence a vécu. À mesure que les enjeux écologiques s'installent au coeur des motifs du cinéma populaire, à mesure aussi que les effets du changement climatique s'avèrent sous nos yeux dans des lueurs d'incendie, la tension s'accroît entre le souci de protéger l'environnement des effets destructeurs de l'activité humaine, et les formes de production, de circulation et de consommation des images. Car le train des frères Lumière n'a pas cessé de rouler, ni son réseau de s'étendre : il dessert désormais, outre les salles de cinéma, les multiples terminaux qui donnent sur nos rétines et il ne nous est plus permis de fermer les yeux sur ce qu'il exige de terres rares dans nos téléphones, de câbles sous nos océans, d'énergie pour refroidir nos serveurs. Peut-on imaginer et pratiquer une écologie des images?Peut-on, aux images conquérantes, substituer des visions d'artistes en forme de présages, attachées à alerter sur les dangers et les possibles d'une transformation planétaire dont les effets sont encore à venir ? Ces questions traverseront la 16e édition de Hors Pistes, festival dédié à explorer toutes les formes de l'image en mouvement, et à rencontrer celles et ceux qui en font la matière de leur création, de leur pensée et de leur écriture. Conçue à l'origine autour d'une exposition, de projections, de performances et de parole, cette 16e édition dorénavant numérique souhaite rester fidèle à son ambition initiale en articulant des productions originales (comme la visite virtuelle de l'exposition) et des interventions de grandes voix de la création contemporaine qui, chacune dans leur domaine conjuguent la quête de sobriété écologique et le souci du vivant : Kelly Reichardt au cinéma, Vinciane Despret en philosophie, Jérôme Bel dans le champ de la danse contemporaine, Hito Steyerl ou Nicolas Gourault dans celui des arts visuels, Philippe Descola en anthropologie des images et bien d'autres encore guideront nos regards et nos pas.Mathieu Potte-Bonneville, Directeur du département culture et création du Centre PompidouCoup d'œil sur l'écologie des imagesL'ensemble du programme et les horaires sont à retrouver sur le site : www.centrepompidou.fr/fr/horspistes2021Comment les images donnent-elles à voir l'urgence environnementale ? Comment le souci de l'impact écologique des images transforme-t-il la fabrique et la diffusion de notre culture visuelle ? Le Festival Hors Pistes proposera cette année une programmation mêlant projections, exposition et rencontres sous le signe de « l'écologie des images ».Du 1er au 14 février, se feront ainsi écho :L'exposition « Matières d'image », rassemblant les oeuvres contemporaines de plasticiens et vidéastes (Nicolas Gourault, Peter Hutton, Alice Lenay, le collectif Fossilation, Michelangelo Frammartino, Lia Giraud, Jacques Perconte…), dans un jeu de confrontations entre photographie argentique et image numérique traquant les signes de l'avenir dans les mutations du paysage, éclairés par les incendies géants que les films amateurs documentent dans de nombreuses parties du monde.Le festival réunira de grandes voixqui, dans de multiples domaines de la pensée et de la création, mettent la préoccupation environnementale au coeur de leur recherche et de leur pratique.Ouvert par un dialogue entre la philosophe Vinciane Despret (invitée intellectuelle du Centre Pompidou en 2021) et l'artiste Tomás Saraceno, le festival se clôturera par une rencontre entre l'anthropologue PhilippeDescola et la documentariste Eliza Levy qui lui consacre le film Composer les mondes.La plasticienne Hito Steyerl, dont l'exposition majeure ouvrira le 3 février en Galerie 2 du Centre Pompidou, conversera avec le philosophe Peter Szendy, pour une séance exceptionnelle du cycle Planétarium consacré aux cartographies contemporaines.Rendez-vous de la réflexion sur toutes les formes de l'image en mouvement, Hors Pistes sera ponctué de nombreux rendez-vous :Rendez-vous de parole : rencontres quotidiennes avec « La leçon des images » conviant cinéastes, chercheurs, photographes… de tous horizons à proposer tour à tour leur regard singulier sur les images qui les ont marqués ; feuilletons au long cours confiés, une semaine durant, au critique de cinéma Hervé Aubron puis à l'historienne de l'art Anne Lafont.Rendez-vous en images : projections « Animation et écologie » avec la revue Blink Blank.Rendez-vous collectifs : avec les huit intervenants du « marathon » réunis par Marie Rebecchi, les jeunes réalisateurs de Master de l'École des Arts de la Sorbonne, les finalistes du festival de cinéma en école d'art Si Cinéma… comme autant de manières de prendre la mesure d'une préoccupation écologique aujourd'hui partagée.L'exposition Matières d'imageLes images constatent, témoignent, investissent, dénoncent, accusent irrémédiablement. Elles captent, surveillent, tracent, enregistrent et deviennent de véritables pièces à conviction sur l'état de notre planète. Un flux littéral, qui révèle toujours plus la dégradation de notre environnement et de nos conditions de vie. C'est un nouveau continent qui est né, qui investit notre attention, dessine nos imaginaires, nos peurs, nos fictions et nos avenirs.Ce ne sont pas de ces images dont il s'agit ici. S'entremêlent des images argentiques, numériques, projetées sur les murs, un écran, sur de l'eau, une membrane, des images aux matières variées, qui ont comme lien celui de l'observation du monde.Ainsi l'exposition propose une halte, une brèche, un souffle suspendu à l'image : non celle que l'on voit, mais celle qui manque. Non celle qui n'aurait pas été filmée, mais celle qui augure d'une scène encore à venir, à la manière des prêtres de l'antiquité, qui du bout d'un bâton, tracent dans le ciel un rectangle et y observent un signe qui vient à surgir.Ces images laissent présager. Que va-t-il se passer dans les paysages grondants de Peter Hutton, dans les montagnes en mutations de Jacques Perconte. Que nous révèlent les algues marines appelées « oeil véritable » de Lia Giraud ou la caméra embarquée sur le dos d'un animal de Nicolas Gourault, d'une promenade non humaine à ras du sol, d'autres paysages ? d'autres représentations du monde. Que cherchent les mains des sculptrices filmées par Kelly Reichardt dans la terre, cette même terre, écorce de la planète, retravaillée par les motifs pixélisé et hypnotiques de Nicolas Sassoon et Rick Silva qui enferment une histoire du monde… Dans ces quadrati rectangulaires, la scène qui s'y augure, par définition ne s'y trouve pas encore. [Pascal Quignard, Sur l'image qui manque à nos jours.]Les images sont souvent silencieuses, seule la voix de l'artiste chamane numérique, Seumboy Vrainom :€, résonne. Autant d'histoires à suivre, d'une écologie à inventer.Géraldine Gomez, Programmatrice du festival Hors Pistes Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

 Do you hear that sound? Can you feel it? The cool ocean breeze in your hair, the salt on your tongue. It's the smooth crash of the Last Wave on KVGM with your host, Hammock, bringing you thirty minutes of the best video game jams(z) from all your favorite composers and consoles, each and every week from our beachside studio on sunny Aqua City Island. Sit back, relax, and get ready to catch...the Last Wave.We're one week away from our special 100th episode extravaganza, featuring some very special guests, but this week...it's business as usual as we check in with some of our favorite composers, including Akira Sato, Katsuhiro Hayashi and Yumi Kinoshita. And of course, it wouldn't be the Last Wave without a little naughty visual novel action. Good grief. DOWNLOAD - THE LAST WAVE (10/4/20)PlaylistCity of Blue - Masahiro Fukuzawa(The Outfoxies, Arcade)Survey Legwork - Mitsuo Singa(Tokyo Xanadu, Playstation Vita)BGM 4 - Unknown(Puzzle Series Vol. 4: Kakuro, Nintendo DS)04 - Akira Sato(Inju Gakuen: La★Blue Girl. FM Town)Little Fourteen Groove (Eri Theme) - Riverside Music(Canaria, Playstation 2)Settings - Yumi Kinoshita(T&E VR Golf - Masters: Harukanaru Augusta 3, 3DO)Stylish Flower - Katsuhiro Hayashi(Floralia+, PC)Credits - Mitsuhito Tanaka(Youkai Buster: Ruka no Daibouken, Super Famicom)Special RequestRhombus Square - Deniz Akbulut(CrossCode, multiple)

Do you hear that sound? Can you feel it? The cool ocean breeze in your hair, the salt on your tongue. It's the smooth crash of the Last Wave on KVGM with your host, Hammock, bringing you thirty minutes of the best video game jams(z) from all your favorite composers and consoles, each and every week from our beachside studio on sunny Aqua City Island. Sit back, relax, and get ready to catch...the Last Wave.This weekend, Hammock is away celebrating his best friend's wedding on the coast. Leave a message after the beep. BEEPDOWNLOAD - THE LAST WAVE (9/20/20)PlaylistMirror of Mind ~The Dawning~ - Norihiro Furukawa(Densha de GO!, Arcade)adv_c - Yuzo Koshiro, Motohiro Kawashima, Takeshi Yanagawa(Katekyoo Hitman Reborn! Dream Hyper Battle!, Playstation 2)BGM 7 - Unknown(Gekitou Densetsu Pro Wrestling Noah: Dream Management, Game Boy Advance)Atmosphere - Katsuhiro Hayashi(Floralia+, PC)Demo 2 - Naoki Yoshioka(Bassing Beat 2, Playstation)Sophisticated Study - Hirokazu Koshio(Watashi no Happy Manner Book, Nintendo DS)Moody - Yusuke Beppu and Hidekazu Hoshino(Furu Furu Park, Nintendo Wii)Ending 2 - Rikei Hirashima(Sol: Moonarge, PC-Engine CD)Special RequestTorrid - Koji Niikura, Hiroyuki Naka, and Hiroshi Taniguchi(Dragon's Earth, Super Famicom)

Vaikka vappu on nykyään työläisten ja opiskelijoiden juhla, on vappu saanut Suomessa nimensä pyhästä Valpurgista (Saint Walpurga), katolisesta nykyisen Saksan alueella palvelleesta lähetystyöntekijästä, josta tuli myöhemmin Heidenheimin luostarin johtaja 700-luvulla jaa. Sekä vapunaatto että vapunpäivä ovat olleet Euroopassa monin paikoin keskeisiä kevään juhlapäiviä kristinuskosta riippumatta. Kelteille Beltane-juhla oli toinen vuoden tärkeimmistä juhlapäivistä, samaa juhlistavat nykyäänkin monet pakanauskonnot, mm. wiccat. Muinaisessa Roomassa juhlittiin antiikin aikaan puolestaan Floralia-juhlaa. Kelttien ja myöhemmin wiccojen beltane-juhlasta, kelteistä sekä uuspakanallisuudesta on puhumassa Kirkon tutkimuskeskuksen tutkimuskoordinaattori, teologi ja uuspakanallisuutta tutkinut Jussi Sohlberg, uskontotieteen väitöskirjatutkija, diskordianisti, wiccalaisuuttakin harjoittanut Essi Mäkelä sekä kelttejä tutkinut historioitsija, uskontotieteen dosentti Katja Ritari. Rooman Floralia-juhlasta kertoo antiikintutkija Jussi Rantala. Tuukka Pasanen juontaa.

Dance into May In my neck of the woods, in eastern Canada, the midpoint between the spring equinox and the summer solstice will be May 5th, at 2 minutes to 4 o'clock in the afternoon. This is the moment when we astrologically step from the end of spring to the beginning of summer. Since ancient times – since the Iron Age - it has been celebrated as the final victory of life over death, light over darkness, and the return of life to the earth as the heat of the sun makes its way back into our world.  In the wheel of the year, this is the opposite pole to Samhain.  Like Samhain, it is believed to be a time in the year when the veil between the world of the spirit and the physical realm is at its most thin, and humans can more easily connect with  the spirit of the land. The celebration of coming of summer, honors fertility, abundance, sexuality, sensuality, creativity of all sorts, and the growth of everything beautiful on earth. Bealtaine is named after the Celtic god of light known as Bel or Belinus. It celebrates the return of the heat of the sun – and the heat of our passions – by the stoking of large bonfires, usually lit by striking two pieces of wood together, and rubbing and grinding till the sparks fly. A symbolic union of the earth and the sky, it represented the inner heat of light, insight, intelligence, and the fecundity and creative passion of life.  The bonfire was believed to foster and protect the fertility of the growing season to come. In ancient times, Druids would kindle great “Bel-fires”, or bonfires, made from nine different kinds of wood. The fires would blaze on top of Beacon Hills. Each village would have its Beltane fire, believed to protect and bring healing and fertility.  Cattle would be released from the barns after a long winter.  They would then be driven between the two fires to cleanse them of disease ,and ensure their fertility, and the richness of milk yield, in the coming months.  Young couples would leap over the twin Beltane fires, running between them or dancing around them clockwise. Young unmarried people would leap the bonfire wishing for a husband or a wife.  Young women would leap the bel-fire to ensure their fertility, and couples leap through the twin fires together to strengthen their bond. Beltaine celebrates the fecundity of the earth, and the fertility of we humans who are also part of that natural world.   Beltaine became the traditional time for hand-fasting in Celtic culture.  The hands of the couple would be tied together in the symbolic gesture of tying the knot.  It marked the engagement of the couple. A trial marriage would then last for a year and a day at which point the couple could decide to officially marry or to go their separate ways.  Beltaine was a time for young couples to make their way to the woods for nighttime love-making.  The village would welcome the “children of May” nine months later. It's a time when a broomstick could be laid on the ground, and a couple jump over that threshold together, as an early form of marriage. In Scotland, sometimes juniper branches were added to the fire to increase the smoke’s purification quality. The bright fire - or White, shining fire at Beltane - would protect a couple's love, just as it would protect cattle from disease. To pass between the fires, or to pass through the smoke, cleansed the spirit - burning up and destroying any harmful influences - bringing health, vigour and vitality.  On Beltaine eve, all the hearth fires and candles would be doused, and at the end of the festival they would all be re-lit from the Beltaine bonfire,  renewing the fire of life. In old Roman culture, the first of May was celebrated as Floralia, the festival of Flora, goddess of flowers. Flowers are part of the Beltaine celebrations in many parts of the world.  Hawthorn blossoms would be used to decorate homes and barns and turned into a sweet wine. May baskets were filled with the first flowers of summer and left on doorsteps of friends or family, loved ones or the elderly. Branches of the hawthorn tree, or other types of trees, would be decorated with bright flowers, ribbons and painted shells. Sometimes there would be dancing, and singing, and celebrating in circles around the May tree. In many parts of the world, a very large pole or trunk of a tree would be erected high in the sky as a symbol of fertility.  Ribbons would be interwoven around the May pole as people danced in circles around the tree to celebration fecundity and the flowering of life. Yellow flowers, such as Primrose or Marigold, were set in doorways and windows. Sometimes loose flowers strewn on the ground at thresholds of doorways.  Yellow flowers, representing the sun, were fastened to cows to encourage protection and abundance of milk. At Beltaine, people would journey to visit sacred wells, rivers or lakes to ask for blessing and protection.  People would leave offerings at the well, sometimes throwing a coin into the water or making a food offering to the spirit of the land. It was said that to wash one's face with the morning dew at Beltane would maintain youthfulness and increase one's sexual allure. It is a time to celebrate the magic that is life itself. Beltaine is the time when those seeds that we planted in the spring – in our gardens and in our lives – become fertile and potent.  Whether it’s the conceiving of a child, or a business venture, a new relationship, or any kind of creative project, now is the time for things to flower and grow. Beltane continues to be celebrated in many parts of the world as May Day, the eve of April 30th and the day of May 1st or 2nd. In Bulgaria, the holiday is associated with rituals to protect people from snakes or lizards. In the Czech Republic, bonfires are lit to celebrate the holiday of love. In Finland, it is one of the four biggest holidays of the year. There is a great carnival-style festival with sparkling wine, singing and dancing, freshly baked cakes and mead, an alcoholic beverage made from honey. It was May 1st, 1561 when King Charles the IXth of France received a lily of the Valley as a lucky charm and decided to offer lily of the valley flowers each year to the ladies of the court. The custom continues, and on the first of May lilies of the valley are sold tax free in bunches of flowers to be offered to loved ones. In Germany, there are bonfires, and  May tree covered in streamers can be taken to the house of the girl that you love: in leap years, the women bring one to the men. In Greece, flower wreaths are purchased from flower shops, or woven from wildflowers, and hung at the entrance of the family home.  In Serbia, May 1st is a night to spend by a campfire, and it marks the official beginning of barbecue season. The beginning of summer:  it’s a time for singing and dancing, and feasting and drinking, bonfires, flowers and delight, a time to celebrate the sexual, and the sensual, and any creative union which brings life. So in this season of celebrating the coming of summer may you be inspired to give pause and notice the magic of a world that has come into flower and bloom. If you wish, build a bonfire on the beach, or a fire in the hearth, or light a large pillar candle and reflect.  Notice the cleansing, protecting quality that comes of stoking our inner flames as we burn off what it is that we need to let go. If you wish, bring yellow flowers into your world. Prepare something fun for a feast; there should be something sweet. Watch a sunrise.  Dance. Spend time in nature.  Make an offering of birdseed to the spirits of the land.  Place a flower wreath on your door.  If you feel inspired, you may wish to wash the front door, and clean the glass,  as we cross the threshold into summer. Pay attention – take joy and delight – in the pleasure of your own sensuality, or sexuality, whatever that looks like for you.  This is the time for a romantic weekend, or a romantic evening beside the fire.  Pay really close attention while you enjoy excellent chocolate.  Walk barefoot across the lawn. Beltane, the coming of summer, is hedonistic.  Celebrate the abundance of life, fertility, fire and fun.  Stoke your inner flame and welcome the sun.  We will feel whole and alive to the degree that we connect to that wholeness of which we are a part.  So, shake off what it is that you need to let go, and dance into May. The quality of the relationship that you have with the outside world directly relates to the quality of relationship you have with yourself.  Come see us at “justbreatheyouareenough.com” and join the JBYAE community. I'm Adela, and you've been listening to Just Breathe....You Are Enough™.  You can follow us on Instagram, Facebook and Twitter. If you haven't yet, please subscribe, rate and review this podcast. Join us next time, and thank you for listening. Copyright © 2019, Adela Sandness

Han pasado 4 años desde que la melodía sonó. Caminamos la ciudad con micros y con cables, nos metimos en eventos y en casas. La pasamos bueno. Ahora los personajes han cambiado pero la esencia está allí y, por supuesto, nuevos oídos y nuevas bocas van pidiendo pista en el parche salsero, en el agujero negro, en la melodía al cien!! Hoy sonando desde una terraza en el Barrio El Rodeo en Cali...sonando temas que son himnos subjetivos y que tamién identifican los barrios de donde venimos. Estuvo Karen Grisales, Mateo "el exigente", Génesis, Monina, Camilo, Mateo Gúzman "el celio", Karen Sanchéz, Alejo Dj, Don Robert, Doña Ana...estuvo la melodía. Aguante el Poblado 1, el Rodeo, Antonio Nariño, Floralia, Libertadores, Las Ceibas, El Guabal, Pasoancho, La Aldea, en Popayork...

Today, author and worldwide witchcraft expert Judika Illes joins Dr. Kelly on the show discuss the celebration of Beltane, the ancient Celtic, Pagan Roman feritlity festival that takes place on May 1st. Find out how these ancient rituals and traditions are still relevant today, and learn ways you can celebrate! We also discuss folklore and symbology including Maypoles, The Green Man, Fertility rites, Floralia, orgies and more! Find out how the earth magick of this Spring, sensual festival still applies to our lives today! Judika also shares with Dr. Kelly what it means to be a 'witch' in modern times, as well as how to use intention to cast- spells for your own self-growth and development. We also discuss metaphysical phenomenon and how they can be subjectively experienced. Don't miss this show!

Today, author and worldwide witchcraft expert Judika Illes joins Dr. Kelly on the show discuss the celebration of Beltane, the ancient Celtic, Pagan Roman feritlity festival that takes place on May 1st. Find out how these ancient rituals and traditions are still relevant today, and learn ways you can celebrate! We also discuss folklore and symbology including Maypoles, The Green Man, Fertility rites, Floralia, orgies and more! Find out how the earth magick of this Spring, sensual festival still applies to our lives today! Judika also shares with Dr. Kelly what it means to be a 'witch' in modern times, as well as how to use intention to cast- spells for your own self-growth and development. We also discuss metaphysical phenomenon and how they can be subjectively experienced. Don't miss this show!

You can ask questions or discuss whatever topics you wish; connection with our loved ones on the other side; specific messages from guides and your Angelic Realm specific to where you are standing in life; Love life; past lives affecting choices now.  www.westcoastmedium.com May Day:  The earliest May Day celebrations appeared in pre-Christian times, with the Floralia, festival of Flora, the Roman goddess of flowers, held on April 27 during the Roman Republic era, and with the Walpurgis Night celebrations of the Germanic countries. It is also associated with the GaelicBeltane, most commonly held on April 30. The day was a traditional summer holiday in many pre-Christian European pagan cultures.  

Un vehículo tipo camioneta atropelló a un niño de dos años en el barrio Floralia, norte de Cali, quitándole la vida de forma instantánea. El automotor... See omnystudio.com/listener for privacy information.

Hemisfério Norte: 1º de Maio / Hemisfério Sul: 31 de Outubro Também conhecido como Dia 1o de Maio, Dia da Cruz, Rudemas e Walpurgisnacht, o Sabbat Beltane é derivado do antigo Festival Druida do Fogo, que celebrava a união da Deusa ao seu consorte, o Deus, sendo também um festival de fertilidade. Na Religião Antiga, a palavra "fertilidade" significa o desejo de produzir mais nas fazendas e nos campos e não a atividade erótica por si só. Beltane celebra também o retorno do sol (ou Deus Sol), e é um dos poucos festivais pagãos que sobreviveu da época pré-cristã até hoje e, em sua maior parte, na forma original. é baseado na Floralia, um antigo festival romano dedicado a Flora, a deusa sagrada das flores. Em tempos mais antigos, esse festival era dedicado a Plutão, o senhor romano do Submundo, correspondente do deus Hades da mitologia grega. O primeiro dia de maio era também aquele em que os antigos romanos queimavam olíbano e selo-de-salomão e penduravam guirlandas de flores diante de seus altares em honra aos espíritos guardiães que olhavam e protegiam suas famílias e suas casas. No dia de Beltane o sol está astrologicamente no signo de Tauros, o Touro, que marca a "morte" do Inverno, o "nascimento" da Primavera e o começo da estação do plantio. Beltane inicia-se, acendendo-se, segundo a tradição, as fogueiras de Beltane ao nascer da lua na véspera de 1o de Maio para iluminar o caminho para o Verão. Realiza-se o ritual do Sabbat em honra à Deusa e ao Deus, seguido da celebração da Natureza, que consiste de banquetes, antigos jogos pagãos, leitura de poesias e canto de canções sagradas. São realizadas várias oferendas aos espíritos elementais, e os membros do Coven dançam de maneira muito alegre, no sentido destrógiro, em torno do Mastro (símbolo fálico da fertilidade). Eles também entrelaçam várias fitas coloridas e brilhantes para simbolizar a união do masculino com o feminino e para celebrar o grande poder fertilizador do Deus. A alegria e o divertimento costumam estender-se até as primeiras horas da manhã, e, ao amanhecer do dia 1o, o orvalho da manhã é coletado das flores e da grama para ser usado em poções místicas de boa sorte. Os alimentos pagãos tradicionais do Sabbat Beltane são frutas vermelhas (como cerejas e morangos), saladas de ervas, ponche de vinho rosado ou tinto e bolos redondos de aveia ou cevada, conhecidos como bolos de Beltane. Na época dos antigos druidas, os bolos de Beltane eram divididos em porções iguais, retirados em lotes e consumidos como parte do rito do Sabbat. Antes da cerimômia, uma porção do bolo era escurecida com carvão, e o infeliz que a retirava era chamado de "bruxo de Beltane", e tornava-se a vítima sacrificial a ser atirada na fogueira ardente. Nas Terras Altas da Escócia, os bolos de Beltane são usados para adivinhação, sendo atirados pedaços deles na fogueira como oferenda aos espíritos e deidades protetores. Incensos: olíbano, lilás e rosa. Cores das velas: verde escuro. Pedras preciosas sagradas: esmeralda, cornalina laranja, safira, quartzo rosa. Ervas ritualísticas tradicionais: amêndoa, angélica, freixo, campainha, cinco-folhas, margarida, olíbano, espinheiro, hera, lilás, malmequer, barba-de-bode, prímula, rosas, raiz satyrion, aspérula e primaveras amarelas. 1 - Andrew White - Journey - 3:39 2 - Celtic Soul - The Butterfly - 2:26 3 - Shamaani Duo - Idja Dal Lea - 2:49 4 - Grada - The Hutt Reels: the Butterfly/Farewell to Sandy - 3:31 5 - Trobar de Morte - Esperit De Reserca - 4:42 6 - Woven Hand - The Speaking Hands - 4:01 7 - Mediæval Bæbes - Cantiga - 1:49 BT. Solas - Beauty Spot - 6:33 (29:08min | 42mb)