Podcasts about Chernobyl Nuclear Power Plant

It was just supposed to be a regular safety test... but in the early morning hours of April 26th, 1986, something went terribly wrong... For those opposed to nuclear energy, the Chernobyl Nuclear Power Plant accident was the nightmare scenario. But it took a while for the rest of the world to even find out. By the time they did, the effects of the explosion had spread shockingly far--and fast. Today we look back on the accident that was a disaster in the making, all the fallout, and how the Soviets downplayed it.  And as bad as Chernobly was--could it have been even worse...? Get access to new episodes early and ad-free: Patreon.com/80s

Hello, poison fans! This episode we are discussing the aftermath of the accident at Chernobyl Nuclear Power Plant, both immediate and later. Radiation Sickness is no joke and what these people went through was horrible. We will discuss some of the people we mentioned in the previous episode and what became of them as well as what happened to Pripyat its residents. That radioactive cloud that arose from the destroyed reactor 4? Yeah it traveled and it was not until radiation was picked up by Denmark, Finland, and especially Sweden that the rest of the world began to realize something crazy had happened. Lets get into it... Again, we always want to say thank you for listening and support! You guys are the best! Support us on Patreon: patreon.com/thepoisonersalmanac Follow us on socials: The Poisoner's Almanac on IG- ⁠https://www.instagram.com/poisoners_almanac?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==⁠ Adam- ⁠https://www.tiktok.com/@studiesshow?is_from_webapp=1&sender_device=pc⁠ Becca- ⁠https://www.tiktok.com/@yobec0?is_from_webapp=1&sender_device=pc⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/goldstar002/support

Another one of those movies that we had better memories of.. J - 5/10 M - 4/10 For daily horror movie content follow the podcast on Twitter / Instagram @darkroastcult Each week we choose a movie from one of the horror genre to discuss the following week. Follow along each week by keeping up with the movies we are watching to stay in the loop with the movie club! Check out other podcasts, coffee and pins at www.darkroastcult.com ! THANKS TO ANDREW FOR MAKING THE INTRO SONG. (soundcloud.com / andoryukesuta)@andoryukesuta Chris, his girlfriend Natalie, and their mutual friend Amanda are traveling across Europe. They stop in Kyiv, Ukraine, to visit Chris' brother, Paul, before heading on to Moscow, Russia, where Chris intends to propose to Natalie. Paul suggests they go for an extreme tour of Pripyat, an abandoned town which sits in the shadow of the Chernobyl Nuclear Power Plant, the site of the 1986 Chernobyl nuclear disaster. Chris is against going on the tour and would rather stay on the original plan of going to Moscow, but Paul insists. They meet tour guide Uri and are joined by a backpacking couple, Norwegian Zoe and Australian Michael. Uri drives them through Ukraine, before they arrive at a Chernobyl Exclusion Zone checkpoint, where they are refused entry by the Ukrainian military. He then takes them to an alternate entry he discovered years ago. The group stops at a river where Uri points out a large, mutated fish apparently able to live on land; while returning to their van several other mutant fish are seen. The group is worried about radiation poisoning, but Uri assures their safety with a Geiger counter. After spending a few hours exploring, Uri takes them to the upper floor of an apartment building and shows them the Chernobyl nuclear plant on the near horizon. After hearing noises at the other end of the apartment, it is found to be a bear which runs through the hallway past them, but not harming them. The group prepares to leave Pripyat, but Uri finds the wires in his van have been chewed through. He tries to radio for help, to no avail. As night falls, the group decides on whether to hike to a nearby checkpoint which is 20 km (12 miles) away, or to stay put and wait for help. Suddenly, strange noises come from outside, so Uri goes out to investigate and Chris follows. Shots are heard and Paul runs out to investigate, returning with Chris, whose leg has been severely mauled, and claiming that Uri has been taken. While they decide to stay the night in their locked vehicle, they are attacked by dogs. The next day, Paul, Michael, and Amanda go out to look for Uri. They follow a trail of blood to an abandoned cafeteria and find Uri's mutilated body. They take his gun and are chased by a creature through the building before returning to the van. Amanda checks her camera and one of the pictures shows a humanoid creature inside one of the apartment buildings. Natalie stays with the wounded Chris while the others begin the hike to the checkpoint.

In what still stands as the worst nuclear disaster to take place on this planet, the explosion at the Chernobyl Nuclear Power Plant in Ukraine on April 26 1986 was the catalyst that led to the downfall of the Soviet Union. Poor materials, rushed construction, and a staggering amount of ineptitude regarding the design and operation of the nuclear reactors were the main factors in this shit show we're about to dig into. What exactly happened that night? What kind of impacts are still being dealt with today? How the hell does a nuclear reactor even work? Oh you bet your sweet ass we'll cover it, all you gotta do is press that play button. Sponsor: Mini Museumhttps://shop.minimuseum.com/?utm_source=podcast&utm_campaign=historicallyhigh

The Chernobyl disaster (Chornobyl in Ukrainian) stands out as one of the most pivotal events in Ukrainian history. On 26 April 1986, a catastrophic explosion at the Chernobyl Nuclear Power Plant not only resulted in immediate loss of life and widespread health implications but also left an enduring environmental impact. The disaster exposed the shortcomings of the Soviet system, highlighting a lack of transparency and safety measures, and could be considered to have hastened the collapse of the Soviet Union, which occurred 5 years later in 1991. Join The History Buff as we talk about this fascinating but ultimately tragic event.Find out how you can support Ukraine in its struggle for peace and freedom here.You can find bonus content such as videos and extended versions of episodes over at The History Buff Patreon (it's free - for now!). You can also follow The History Buff on Instagram, TikTok and Youtube.Artwork by Leila Mead. Check out her website and Instagram.Music: As History Unfolds by Christoffer Moe Ditlevsen. Hosted on Acast. See acast.com/privacy for more information.

Chernobyl is a city in northern Ukraine that was the site of the worst nuclear disaster in history on April 26, 1986. A power surge during a safety test at the Chernobyl Nuclear Power Plant caused two massive explosions that blew off the reactor's roof and released a cloud of radioactive material into the atmosphere. The accident killed dozens of workers and firefighters, exposed millions of people to radiation, and forced the evacuation of over 100,000 people from the surrounding area. The city of Chernobyl and the nearby town of Pripyat remain largely abandoned and contaminated to this day, although some people still live and work in the exclusion zone. #chernobyl #pripyat #ukraine #abandoned #urbex #stalker #chernobylzone #chernobylexclusionzone #slav #radiation #russia #decay #exclusionzone #radioactive #nuclear #chernobyldisaster #gopnik #chernobylhbo #chornobyl #memes #slavmemes #travel #hbo #stalin #hardbass #cheekibreeki #tschernobyl #abandonedplaces #ussr #tchernobyl #USSR #Russia #Aftermath #chernobyl #pripyat #ukraine #abandoned #urbex #stalker #chernobylzone #chernobylexclusionzone #slav #radiation #russia #decay #exclusionzone #radioactive #nuclear #chernobyldisaster #gopnik #chernobylhbo #chornobyl #memes #slavmemes #travel #hbo #stalin #hardbass #cheekibreeki #tschernobyl #abandonedplaces #ussr #tchernobyl #sovietunion #ww #cccp #soviet #history #communism #meme #ussrmemes #socialism #lenin #cykablyat #sovietmemes #vintage #russianmemes #worldwar #historymemes #russian #dankmemes #usa #marxism #communist #slavic #slavicmemes #retro #podcast #fun  #RightToDie #Lawless #PersistentVegetativeState #FamilyFeud #AmericanHistory #HistoryNerds #HistoryPodcast #HistoryMystery #ThisD #TVNewsHistory #TVNewsHistory #TVNewsFlashback #OldTVNews #BehindTheNews #NewsNostalgia #forgottenstorys #AfterTheFact #Viewerdiscretion  #CaseyKasem #at40 #love #TFLers #tweegram #photooftheday #20likes #amazing #smile #follow4follow #like4like #look #instalike #igers #picoftheday #food #instadaily #instafollow #followme #girl #iphoneonly #instagood #bestoftheday #instacool #instago #all_shots #follow #webstagram #colorful #style #swag #amazing #followme #all_shots #textgram #family #instago #igaddict #awesome #girls #instagood #my #bored #baby #music #red #green #water #harrystyles #bestoftheday #black #party #white #yum #flower #2012 #night #instalove #niallhoran #jj_forum #love #instagood #me #tbt #cute #follow #followme #photooftheday #happy #tagforlikes #beautiful #self #girl #picoftheday #like4like #smile #friends #fun #like #fashion #summer #instadaily #igers #instalike #food #love #photooftheday #portrait #baby #me #instamood #cute #friends #hair #swag #igers #picoftheday #girl #guy #beautiful #fashion #instagramers #follow #smile #pretty #followme #photo #life #funny #cool #hot #bored #girls #iphonesia#movies #theatre #video #movie #film #films #videos #actor #actress #cinema #dvd #amc #instamovies #star #moviestar #photooftheday Hollywood #goodmovie #instagood #flick #flicks #instaflick #instaflicks #27club #Cobain#explore #fridayfuckery #podcastlife #podcasts #youtube #book #deus #fy #fyp #interview #podcasthost #radio #90s #apple #applepodcasts #author #bringingthefuckery #goat #superman #death --- Send in a voice message: https://podcasters.spotify.com/pod/show/daniel-hudson9/message

We continue our miniseries on the 1980s movies distributed by Miramax Films, with a look at the films released in 1988. ----more---- TRANSCRIPT   From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   On this episode, we finally continue with the next part of our look back at the 1980s movies distributed by Miramax Films, specifically looking at 1988.   But before we get there, I must issue another mea culpa. In our episode on the 1987 movies from Miramax, I mentioned that a Kiefer Sutherland movie called Crazy Moon never played in another theatre after its disastrous one week Oscar qualifying run in Los Angeles in December 1987.   I was wrong.   While doing research on this episode, I found one New York City playdate for the film, in early February 1988. It grossed a very dismal $3200 at the 545 seat Festival Theatre during its first weekend, and would be gone after seven days.   Sorry for the misinformation.   1988 would be a watershed year for the company, as one of the movies they acquired for distribution would change the course of documentary filmmaking as we knew it, and another would give a much beloved actor his first Academy Award nomination while giving the company its first Oscar win.   But before we get to those two movies, there's a whole bunch of others to talk about first.   Of the twelve movies Miramax would release in 1988, only four were from America. The rest would be a from a mixture of mostly Anglo-Saxon countries like the UK, Canada, France and Sweden, although there would be one Spanish film in there.   Their first release of the new year, Le Grand Chemin, told the story of a timid nine-year-old boy from Paris who spends one summer vacation in a small town in Brittany. His mother has lodged the boy with her friend and her friend's husband while Mom has another baby. The boy makes friends with a slightly older girl next door, and learns about life from her.   Richard Bohringer, who plays the friend's husband, and Anémone, who plays the pregnant mother, both won Cesars, the French equivalent to the Oscars, in their respective lead categories, and the film would be nominated for Best Foreign Language Film of 1987 by the National Board of Review. Miramax, who had picked up the film at Cannes several months earlier, waited until January 22nd, 1988, to release it in America, first at the Paris Theatre in midtown Manhattan, where it would gross a very impressive $41k in its first three days. In its second week, it would drop less than 25% of its opening weekend audience, bringing in another $31k. But shortly after that, the expected Oscar nomination for Best Foreign Language Film did not come, and business on the film slowed to a trickle. But it kept chugging on, and by the time the film finished its run in early June, it had grossed $541k.   A week later, on January 29th, Miramax would open another French film, Light Years. An animated science fiction film written and directed by René Laloux, best known for directing the 1973 animated head trip film Fantastic Planet, Light Years was the story of an evil force from a thousand years in the future who begins to destroy an idyllic paradise where the citizens are in perfect harmony with nature.   In its first three days at two screens in Los Angeles and five screens in the San Francisco Bay Area, Light Years would gross a decent $48,665. Miramax would print a self-congratulating ad in that week's Variety touting the film's success, and thanking Isaac Asimov, who helped to write the English translation, and many of the actors who lent their vocal talents to the new dub, including Glenn Close, Bridget Fonda, Jennifer Grey, Christopher Plummer, and Penn and Teller. Yes, Teller speaks. The ad was a message to both the theatre operators and the major players in the industry. Miramax was here. Get used to it.   But that ad may have been a bit premature.   While the film would do well in major markets during its initial week in theatres, audience interest would drop outside of its opening week in big cities, and be practically non-existent in college towns and other smaller cities. Its final box office total would be just over $370k.   March 18th saw the release of a truly unique film.    Imagine a film directed by Robert Altman and Bruce Beresford and Jean-Luc Godard and Derek Jarman and Franc Roddam and Nicolas Roeg and Ken Russell and Charles Sturridge and Julien Temple. Imagine a film that starred Beverly D'Angelo, Bridget Fonda in her first movie, Julie Hagerty, Buck Henry, Elizabeth Hurley and John Hurt and Theresa Russell and Tilda Swinton. Imagine a film that brought together ten of the most eclectic filmmakers in the world doing four to fourteen minute short films featuring the arias of some of the most famous and beloved operas ever written, often taken out of their original context and placed into strange new places. Like, for example, the aria for Verdi's Rigoletto set at the kitschy Madonna Inn in San Luis Obispo, where a movie producer is cheating on his wife while she is in a nearby room with a hunky man who is not her husband. Imagine that there's almost no dialogue in the film. Just the arias to set the moments.   That is Aria.   If you are unfamiliar with opera in general, and these arias specifically, that's not a problem. When I saw the film at the Nickelodeon Theatre in Santa Cruz in June 1988, I knew some Wagner, some Puccini, and some Verdi, through other movies that used the music as punctuation for a scene. I think the first time I had heard Nessun Dorma was in The Killing Fields. Vesti La Giubba in The Untouchables. But this would be the first time I would hear these arias as they were meant to be performed, even if they were out of context within their original stories. Certainly, Wagner didn't intend the aria from Tristan und Isolde to be used to highlight a suicide pact between a young couple killing themselves in a Las Vegas hotel bathroom.   Aria definitely split critics when it premiered at the 1987 Cannes Film Festival, when it competed for the festival's main prize, the Palme D'Or. Roger Ebert would call it the first MTV opera and felt the filmmakers were poking fun at their own styles, while Leonard Maltin felt most of the endeavor was a waste of time. In the review for the New York Times, Janet Maslin would also make a reference to MTV but not in a positive way, and would note the two best parts of the film were the photo montage that is seen over the end credits, and the clever licensing of Chuck Jones's classic Bugs Bunny cartoon What's Opera, Doc, to play with the film, at least during its New York run. In the Los Angeles Times, the newspaper chose one of its music critics to review the film. They too would compare the film to MTV, but also to Fantasia, neither reference meant to be positive.   It's easy to see what might have attracted Harvey Weinstein to acquire the film.   Nudity.   And lots of it.   Including from a 21 year old Hurley, and a 22 year old Fonda.   Open at the 420 seat Ridgemont Theatre in Seattle on March 18th, 1988, Aria would gross a respectable $10,600. It would be the second highest grossing theatre in the city, only behind The Unbearable Lightness of Being, which grossed $16,600 in its fifth week at the 850 seat Cinerama Theatre, which was and still is the single best theatre in Seattle. It would continue to do well in Seattle, but it would not open until April 15th in Los Angeles and May 20th in New York City.   But despite some decent notices and the presence of some big name directors, Aria would stiff at the box office, grossing just $1.03m after seven months in theatres.   As we discussed on our previous episode, there was a Dennis Hopper movie called Riders on the Storm that supposedly opened in November 1987, but didn't. It did open in theatres in May of 1988, and now we're here to talk about it.   Riders on the Storm would open in eleven theatres in the New York City area on May 7th, including three theatres in Manhattan. Since Miramax did not screen the film for critics before release, never a good sign, the first reviews wouldn't show up until the following day, since the critics would actually have to go see the film with a regular audience. Vincent Canby's review for the New York Times would arrive first, and surprisingly, he didn't completely hate the film. But audiences didn't care. In its first weekend in New York City, Riders on the Storm would gross an anemic $25k. The following Friday, Miramax would open the film at two theatres in Baltimore, four theatres in Fort Worth TX (but surprisingly none in Dallas), one theatre in Los Angeles and one theatre in Springfield OH, while continuing on only one screen in New York. No reported grosses from Fort Worth, LA or Springfield, but the New York theatre reported ticket sales of $3k for the weekend, a 57% drop from its previous week, while the two in Baltimore combined for $5k.   There would be more single playdates for a few months. Tampa the same week as New York. Atlanta, Charlotte, Des Moines and Memphis in late May. Cincinnati in late June. Boston, Calgary, Ottawa and Philadelphia in early July. Greenville SC in late August. Evansville IL, Ithaca NY and San Francisco in early September. Chicago in late September. It just kept popping up in random places for months, always a one week playdate before heading off to the next location. And in all that time, Miramax never reported grosses. What little numbers we do have is from the theatres that Variety was tracking, and those numbers totaled up to less than $30k.   Another mostly lost and forgotten Miramax release from 1988 is Caribe, a Canadian production that shot in Belize about an amateur illegal arms trader to Central American terrorists who must go on the run after a deal goes down bad, because who wants to see a Canadian movie about an amateur illegal arms trader to Canadian terrorists who must go on the run in the Canadian tundra after a deal goes down bad?   Kara Glover would play Helen, the arms dealer, and John Savage as Jeff, a British intelligence agent who helps Helen.   Caribe would first open in Detroit on May 20th, 1988. Can you guess what I'm going to say next?   Yep.   No reported grosses, no theatres playing the film tracked by Variety.   The following week, Caribe opens in the San Francisco Bay Area, at the 300 seat United Artists Theatre in San Francisco, and three theatres in the South Bay. While Miramax once again did not report grosses, the combined gross for the four theatres, according to Variety, was a weak $3,700. Compare that to Aria, which was playing at the Opera Plaza Cinemas in its third week in San Francisco, in an auditorium 40% smaller than the United Artist, grossing $5,300 on its own.   On June 3rd, Caribe would open at the AMC Fountain Square 14 in Nashville. One show only on Friday and Saturday at 11:45pm. Miramax did not report grosses. Probably because people we going to see Willie Tyler and Lester at Zanie's down the street.   And again, it kept cycling around the country, one or two new playdates in each city it played in. Philadelphia in mid-June. Indianapolis in mid-July. Jersey City in late August. Always for one week, grosses never reported.   Miramax's first Swedish release of the year was called Mio, but this was truly an international production. The $4m film was co-produced by Swedish, Norwegian and Russian production companies, directed by a Russian, adapted from a Swedish book by an American screenwriter, scored by one of the members of ABBA, and starring actors from England, Finland, Norway, Russia, Sweden and the United States.   Mio tells the story of a boy from Stockholm who travels to an otherworldly fantasy realm and frees the land from an evil knight's oppression. What makes this movie memorable today is that Mio's best friend is played by none other than Christian Bale, in his very first film.   The movie was shot in Moscow, Stockholm, the Crimea, Scotland, and outside Pripyat in the Northern part of what is now Ukraine, between March and July 1986. In fact, the cast and crew were shooting outside Pripyat on April 26th, when they got the call they needed to evacuate the area. It would be hours later when they would discover there had been a reactor core meltdown at the nearby Chernobyl Nuclear Power Plant. They would have to scramble to shoot in other locations away from Ukraine for a month, and when they were finally allowed to return, the area they were shooting in deemed to have not been adversely affected by the worst nuclear power plant accident in human history,, Geiger counters would be placed all over the sets, and every meal served by craft services would need to be read to make sure it wasn't contaminated.   After premiering at the Moscow Film Festival in July 1987 and the Norwegian Film Festival in August, Mio would open in Sweden on October 16th, 1987. The local critics would tear the film apart. They hated that the filmmakers had Anglicized the movie with British actors like Christopher Lee, Susannah York, Christian Bale and Nicholas Pickard, an eleven year old boy also making his film debut. They also hated how the filmmakers adapted the novel by the legendary Astrid Lindgren, whose Pippi Longstocking novels made her and her works world famous. Overall, they hated pretty much everything about it outside of Christopher Lee's performance and the production's design in the fantasy world.   Miramax most likely picked it up trying to emulate the success of The Neverending Story, which had opened to great success in most of the world in 1984. So it might seem kinda odd that when they would open the now titled The Land of Faraway in theatres, they wouldn't go wide but instead open it on one screen in Atlanta GA on June 10th, 1988. And, once again, Miramax did not report grosses, and Variety did not track Atlanta theatres that week. Two weeks later, they would open the film in Miami. How many theatres? Can't tell you. Miramax did not report grosses, and Variety was not tracking any of the theatres in Miami playing the film. But hey, Bull Durham did pretty good in Miami that week.   The film would next open in theatres in Los Angeles. This time, Miramax bought a quarter page ad in the Los Angeles Times on opening day to let people know the film existed. So we know it was playing on 18 screens that weekend. And, once again, Miramax did not report grosses for the film. But on the two screens it played on that Variety was tracking, the combined gross was just $2,500.   There'd be other playdates. Kansas City and Minneapolis in mid-September. Vancouver, BC in early October. Palm Beach FL in mid October. Calgary AB and Fort Lauderdale in late October. Phoenix in mid November. And never once did Miramax report any grosses for it.   One week after Mio, Miramax would release a comedy called Going Undercover.   Now, if you listened to our March 2021 episode on Some Kind of Wonderful, you may remember be mentioning Lea Thompson taking the role of Amanda Jones in that film, a role she had turned down twice before, the week after Howard the Duck opened, because she was afraid she'd never get cast in a movie again. And while Some Kind of Wonderful wasn't as big a film as you'd expect from a John Hughes production, Thompson did indeed continue to work, and is still working to this day.   So if you were looking at a newspaper ad in several cities in June 1988 and saw her latest movie and wonder why she went back to making weird little movies.   She hadn't.   This was a movie she had made just before Back to the Future, in August and September 1984.   Originally titled Yellow Pages, the film starred film legend Jean Simmons as Maxine, a rich woman who has hired Chris Lemmon's private investigator Henry Brilliant to protect her stepdaughter Marigold during her trip to Copenhagen.   The director, James Clarke, had written the script specifically for Lemmon, tailoring his role to mimic various roles played by his famous father, Jack Lemmon, over the decades, and for Simmons. But Thompson was just one of a number of young actresses they looked at before making their casting choice.   Half of the $6m budget would come from a first-time British film producer, while the other half from a group of Danish investors wanting to lure more Hollywood productions to their area.   The shoot would be plagued by a number of problems. The shoot in Los Angeles coincided with the final days of the 1984 Summer Olympics, which would cut out using some of the best and most regularly used locations in the city, and a long-lasting heat wave that would make outdoor shoots unbearable for cast and crew. When they arrived in Copenhagen at the end of August, Denmark was going through an unusually heavy storm front that hung around for weeks.   Clarke would spend several months editing the film, longer than usual for a smaller production like this, but he in part was waiting to see how Back to the Future would do at the box office. If the film was a hit, and his leading actress was a major part of that, it could make it easier to sell his film to a distributor.   Or that was line of thinking.   Of course, Back to the Future was a hit, and Thompson received much praise for her comedic work on the film.   But that didn't make it any easier to sell his film.   The producer would set the first screenings for the film at the February 1986 American Film Market in Santa Monica, which caters not only to foreign distributors looking to acquire American movies for their markets, but helps independent filmmakers get their movies seen by American distributors.   As these screenings were for buyers by invitation only, there would be no reviews from the screenings, but one could guess that no one would hear about the film again until Miramax bought the American distribution rights to it in March 1988 tells us that maybe those screenings didn't go so well.   The film would get retitled Going Undercover, and would open in single screen playdates in Atlanta, Cincinnati, Dallas, Indianapolis, Los Angeles, Nashville, Orlando, St. Louis and Tampa on June 17th. And as I've said too many times already, no reported grosses from Miramax, and only one theatre playing the film was being tracked by Variety, with Going Undercover earning $3,000 during its one week at the Century City 14 in Los Angeles.   In the June 22nd, 1988 issue of Variety, there was an article about Miramax securing a $25m line of credit in order to start producing their own films. Going Undercover is mentioned in the article about being one of Miramax's releases, without noting it had just been released that week or how well it did or did not do.   The Thin Blue Line would be Miramax's first non-music based documentary, and one that would truly change how documentaries were made.   Errol Morris had already made two bizarre but entertaining documentaries in the late 70s and early 80s. Gates of Heaven was shot in 1977, about a man who operated a failing pet cemetery in Northern California's Napa Valley. When Morris told his famous German filmmaking supporter Werner Herzog about the film, Herzog vowed to eat one of the shoes he was wearing that day if Morris could actually complete the film and have it shown in a public theatre. In April 1979, just before the documentary had its world premiere at UC Theatre in Berkeley, where Morris had studied philosophy, Herzog would spend the morning at Chez Pannise, the creators of the California Cuisine cooking style, boiling his shoes for five hours in garlic, herbs and stock. This event itself would be commemorated in a documentary short called, naturally, Werner Herzog Eats His Shoe, by Les Blank, which is a must watch on its own.   Because of the success of Gates of Heaven, Morris was able to quickly find financing for his next film, Nub City, which was originally supposed to be about the number of Vernon, Florida's citizens who have “accidentally” cut off their limbs, in order to collect the insurance money. But after several of those citizens threatened to kill Morris, and one of them tried to run down his cinematographer with their truck, Morris would rework the documentary, dropping the limb angle, no pun intended, and focus on the numerous eccentric people in the town. It would premiere at the 1981 New York Film Festival, and become a hit, for a documentary, when it was released in theatres in 1982.   But it would take Morris another six years after completing Vernon, Florida, to make another film. Part of it was having trouble lining up full funding to work on his next proposed movie, about James Grigson, a Texas forensic psychiatrist whose was nicknamed Doctor Death for being an expert witness for the prosecution in death penalty cases in Texas. Morris had gotten seed money for the documentary from PBS and the Endowment for Public Arts, but there was little else coming in while he worked on the film. In fact, Morris would get a PI license in New York and work cases for two years, using every penny he earned that wasn't going towards living expenses to keep the film afloat.   One of Morris's major problems for the film was that Grigson would not sit on camera for an interview, but would meet with Morris face to face to talk about the cases. During that meeting, the good doctor suggested to the filmmaker that he should research the killers he helped put away. And during that research, Morris would come across the case of one Randall Dale Adams, who was convicted of killing Dallas police officer Robert Wood in 1976, even though another man, David Harris, was the police's initial suspect. For two years, Morris would fly back and forth between New York City and Texas, talking to and filming interviews with Adams and more than two hundred other people connected to the shooting and the trial. Morris had become convinced Adams was indeed innocent, and dropped the idea about Dr. Grigson to solely focus on the Robert Wood murder.   After showing the producers of PBS's American Playhouse some of the footage he had put together of the new direction of the film, they kicked in more funds so that Morris could shoot some re-enactment sequences outside New York City, as well as commission composer Phillip Glass to create a score for the film once it was completed. Documentaries at that time did not regularly use re-enactments, but Morris felt it was important to show how different personal accounts of the same moment can be misinterpreted or misremembered or outright manipulated to suppress the truth.   After the film completed its post-production in March 1988, The Thin Blue Line would have its world premiere at the San Francisco Film Festival on March 18th, and word quickly spread Morris had something truly unique and special on his hands. The critic for Variety would note in the very first paragraph of his write up that the film employed “strikingly original formal devices to pull together diverse interviews, film clips, photo collages, and” and this is where it broke ground, “recreations of the crime from many points of view.”   Miramax would put together a full court press in order to get the rights to the film, which was announced during the opening days of the 1988 Cannes Film Festival in early May. An early hint on how the company was going to sell the film was by calling it a “non-fiction feature” instead of a documentary.   Miramax would send Morris out on a cross-country press tour in the weeks leading up to the film's August 26th opening date, but Morris, like many documentary filmmakers, was not used to being in the spotlight themselves, and was not as articulate about talking up his movies as the more seasoned directors and actors who've been on the promotion circuit for a while. After one interview, Harvey Weinstein would send Errol Morris a note.   “Heard your NPR interview and you were boring.”   Harvey would offer up several suggestions to help the filmmaker, including hyping the movie up as a real life mystery thriller rather than a documentary, and using shorter and clearer sentences when answering a question.   It was a clear gamble to release The Thin Blue Line in the final week of summer, and the film would need a lot of good will to stand out.   And it would get it.   The New York Times was so enthralled with the film, it would not only run a review from Janet Maslin, who would heap great praise on the film, but would also run a lengthy interview with Errol Morris right next to the review. The quarter page ad in the New York Times, several pages back, would tout positive quotes from Roger Ebert, J. Hoberman, who had left The Village Voice for the then-new Premiere Magazine, Peter Travers, writing for People Magazine instead of Rolling Stone, and critics from the San Francisco Chronicle and, interestingly enough, the Dallas Morning News. The top of the ad was tagged with an intriguing tease: solving this mystery is going to be murder, with a second tag line underneath the key art and title, which called the film “a new kind of movie mystery.” Of the 15 New York area-based film critics for local newspapers, television and national magazines, 14 of them gave favorable reviews, while 1, Stephen Schiff of Vanity Fair, was ambivalent about it. Not one critic gave it a bad review.   New York audiences were hooked.   Opening in the 240 seat main house at the Lincoln Plaza Cinemas, the movie grossed $30,945 its first three days. In its second weekend, the gross at the Lincoln Plaza would jump to $31k, and adding another $27,500 from its two theatre opening in Los Angeles and $15,800 from a single DC theatre that week. Third week in New York was a still good $21k, but the second week in Los Angeles fell to $10,500 and DC to $10k. And that's how it rolled out for several months, mostly single screen bookings in major cities not called Los Angeles or New York City, racking up some of the best reviews Miramax would receive to date, but never breaking out much outside the major cities. When it looked like Santa Cruz wasn't going to play the film, I drove to San Francisco to see it, just as my friends and I had for the opening day of Martin Scorsese's The Last Temptation of Christ in mid-August. That's 75 miles each way, plus parking in San Francisco, just to see a movie. That's when you know you no longer just like movies but have developed a serious case of cinephilea. So when The Nickelodeon did open the film in late November, I did something I had never done with any documentary before.   I went and saw it again.   Second time around, I was still pissed off at the outrageous injustice heaped upon Randall Dale Adams for nothing more than being with and trusting the wrong person at the wrong time. But, thankfully, things would turn around for Adams in the coming weeks. On December 1st, it was reported that David Harris had recanted his testimony at Adams' trial, admitting he was alone when Officer Wood stopped his car. And on March 1st, 1989, after more than 15,000 people had signed the film's petition to revisit the decision, the Texas Court of Criminal Appeals overturned Adams's conviction “based largely” on facts presented in the film.   The film would also find itself in several more controversies.   Despite being named The Best Documentary of the Year by a number of critics groups, the Documentary Branch of the  Academy of Motion Pictures Arts and Sciences would not nominate the film, due in large part to the numerous reenactments presented throughout the film. Filmmaker Michael Apted, a member of the Directors Branch of the Academy, noted that the failure to acknowledge The Thin Blue Line was “one of the most outrageous things in the modern history of the Academy,” while Roger Ebert added the slight was “the worst non-nomination of the year.” Despite the lack of a nomination, Errol Morris would attend the Oscars ceremony in March 1989, as a protest for his film being snubbed.   Morris would also, several months after Adams' release, find himself being sued by Adams, but not because of how he was portrayed in the film. During the making of the film, Morris had Adams sign a contract giving Morris the exclusive right to tell Adams's story, and Adams wanted, essentially, the right to tell his own story now that he was a free man. Morris and Adams would settle out of court, and Adams would regain his life rights.   Once the movie was played out in theatres, it had grossed $1.2m, which on the surface sounds like not a whole lot of money. Adjusted for inflation, that would only be $3.08m. But even unadjusted for inflation, it's still one of the 100 highest grossing documentaries of the past forty years. And it is one of just a handful of documentaries to become a part of the National Film Registry, for being a culturally, historically or aesthetically significant film.”   Adams would live a quiet life after his release, working as an anti-death penalty advocate and marrying the sister of one of the death row inmates he was helping to exonerate. He would pass away from a brain tumor in October 2010 at a courthouse in Ohio not half an hour from where he was born and still lived, but he would so disappear from the spotlight after the movie was released that his passing wasn't even reported until June 2011.   Errol Morris would become one of the most celebrated documentarians of his generation, finally getting nominated for, and winning, an Oscar in 2003, for The Fog of War, about the life and times of Robert McNamara, Richard Nixon's Secretary of Defense during the Vietnam War era. The Fog of War would also be added to the National Film Registry in 2019. Morris would become only the third documentarian, after D.A. Pennebaker and Les Blank, to have two films on the Registry.   In 1973, the senseless killings of five members of the Alday family in Donalsonville GA made international headlines. Four years later, Canadian documentarian Tex Fuller made an award-winning documentary about the case, called Murder One. For years, Fuller shopped around a screenplay telling the same story, but it would take nearly a decade for it to finally be sold, in part because Fuller was insistent that he also be the director. A small Canadian production company would fund the $1m CAD production, which would star Henry Thomas of E.T. fame as the fifteen year old narrator of the story, Billy Isaacs.   The shoot began in early October 1987 outside Toronto, but after a week of shooting, Fuller was fired, and was replaced by Graeme Campbell, a young and energetic filmmaker for whom Murder One would be his fourth movie directing gig of the year. Details are sketchy as to why Fuller was fired, but Thomas and his mother Carolyn would voice concerns with the producers about the new direction the film was taking under its new director.   The film would premiere in Canada in May 1988. When the film did well up North, Miramax took notice and purchased the American distribution rights.   Murder One would first open in America on two screens in Los Angeles on September 9th, 1988. Michael Wilmington of the Los Angeles Times noted that while the film itself wasn't very good, that it still sprung from the disturbing insight about the crazy reasons people cross of what should be impassable moral lines.   “No movie studio could have invented it!,” screamed the tagline on the poster and newspaper key art. “No writer could have imagined it! Because what happened that night became the most controversial in American history.”   That would draw limited interest from filmgoers in Tinseltown. The two theatres would gross a combined $7k in its first three days. Not great but far better than several other recent Miramax releases in the area.   Two weeks later, on September 23rd, Miramax would book Murder One into 20 theatres in the New York City metro region, as well as in Akron, Atlanta, Charlotte, Indianpolis, Nashville, and Tampa-St. Petersburg. In New York, the film would actually get some good reviews from the Times and the Post as well as Peter Travers of People Magazine, but once again, Miramax would not report grosses for the film. Variety would note the combined gross for the film in New York City was only $25k.   In early October, the film would fall out of Variety's internal list of the 50 Top Grossing Films within the twenty markets they regularly tracked, with a final gross of just $87k. One market that Miramax deliberately did not book the film was anywhere near southwest Georgia, where the murders took place. The closest theatre that did play the film was more than 200 miles away.   Miramax would finish 1988 with two releases.   The first was Dakota, which would mark star Lou Diamond Phillips first time as a producer. He would star as a troubled teenager who takes a job on a Texas horse ranch to help pay of his debts, who becomes a sorta big brother to the ranch owner's young son, who has recently lost a leg to cancer, as he also falls for the rancher's daughter.   When the $1.1m budgeted film began production in Texas in June 1987, Phillips had already made La Bamba and Stand and Deliver, but neither had yet to be released into theatres. By the time filming ended five weeks later, La Bamba had just opened, and Phillips was on his way to becoming a star.   The main producers wanted director Fred Holmes to get the film through post-production as quickly as possible, to get it into theatres in the early part of 1988 to capitalize on the newfound success of their young star.    But that wouldn't happen.   Holmes wouldn't have the film ready until the end of February 1988, which was deemed acceptable because of the impending release of Stand and Deliver. In fact, the producers would schedule their first distributor screening of the film on March 14th, the Monday after Stand and Delivered opened, in the hopes that good box office for the film and good notices for Phillips would translate to higher distributor interest in their film, which sorta worked. None of the major studios would show for the screening, but a number of Indies would, including Miramax. Phillips would not attend the screening, as he was on location in New Mexico shooting Young Guns.   I can't find any reason why Miramax waited nearly nine months after they acquired Dakota to get it into theatres. It certainly wasn't Oscar bait, and screen availability would be scarce during the busy holiday movie season, which would see a number of popular, high profile releases like Dirty Rotten Scoundrels, Ernest Saves Christmas, The Naked Gun, Rain Man, Scrooged, Tequila Sunrise, Twins and Working Girl. Which might explain why, when Miramax released the film into 18 theatres in the New York City area on December 2nd, they could only get three screens in all of Manhattan, the best being the nice but hardly first-rate Embassy 4 at Broadway and 47th. Or of the 22 screens in Los Angeles opening the film the same day, the best would be the tiny Westwood 4 next to UCLA or the Paramount in Hollywood, whose best days were back in the Eisenhower administration.   And, yet again, Miramax did not report grosses, and none of the theatres playing the film was tracked by Variety that week. The film would be gone after just one week. The Paramount, which would open Dirty Rotten Scoundrels on the 14th, opted to instead play a double feature of Clara's Heart, with Whoopi Goldberg and Neil Patrick Harris, and the River Phoenix drama Running on Empty, even though neither film had been much of a hit.   Miramax's last film of the year would be the one that changed everything for them.   Pelle the Conquerer.   Adapted from a 1910 Danish book and directed by Billie August, whose previous film Twist and Shout had been released by Miramax in 1986, Pelle the Conquerer would be the first Danish or Swedish movie to star Max von Sydow in almost 15 years, having spent most of the 70s and 80s in Hollywood and London starring in a number of major movies including The Exorcist, Three Days of the Condor, Flash Gordon,Conan the Barbarian, Never Say Never Again, and David Lynch's Dune. But because von Sydow would be making his return to his native cinema, August was able to secure $4.5m to make the film, one of the highest budgeted Scandinavian films to be made to date.   In the late 1850s, an elderly emigrant Lasse and his son Pelle leave their home in Sweden after the death of the boy's mother, wanting to build a new life on the Danish island of Bornholm. Lasse finds it difficult to find work, given his age and his son's youth. The pair are forced to work at a large farm, where they are generally mistreated by the managers for being foreigners. The father falls into depression and alcoholism, the young boy befriends one of the bastard children of the farm owner as well as another Swedish farm worker, who dreams of conquering the world.   For the title character of Pelle, Billie August saw more than 3,000 Swedish boys before deciding to cast 11 year old Pelle Hvenegaard, who, like many boys in Sweden, had been named for the character he was now going to play on screen.   After six months of filming in the summer and fall of 1986, Billie August would finish editing Pelle the Conquerer in time for it to make its intended Christmas Day 1987 release date in Denmark and Sweden, where the film would be one of the biggest releases in either country for the entire decade. It would make its debut outside Scandinavia at the Cannes Film Festival in May 1988, where it had been invited to compete for the Palme D'Or. It would compete against a number of talented filmmakers who had come with some of the best films they would ever make, including Clint Eastwood with Bird, Claire Denis' Chocolat, István Szabó's Hanussen, Vincent Ward's The Navigator, and A Short Film About Killing, an expanded movie version of the fifth episode in Krzysztof Kieślowski's masterful miniseries Dekalog. Pelle would conquer them all, taking home the top prize from one of cinema's most revered film festivals.   Reviews for the film out of Cannes were almost universally excellent. Vincent Canby, the lead film critic for the New York Times for nearly twenty years by this point, wouldn't file his review until the end of the festival, in which he pointed out that a number of people at the festival were scandalized von Sydow had not also won the award for Best Actor.   Having previously worked with the company on his previous film's American release, August felt that Miramax would have what it took to make the film a success in the States.   Their first moves would be to schedule the film for a late December release, while securing a slot at that September's New York Film Festival. And once again, the critical consensus was highly positive, with only a small sampling of distractors.   The film would open first on two screens at the Lincoln Plaza Cinemas in midtown Manhattan on Wednesday, December 21st, following by exclusive engagements in nine other cities including Los Angeles, Philadelphia, San Francisco, Seattle and Washington DC, on the 23rd. But the opening week numbers weren't very good, just $46k from ten screens. And you can't really blame the film's two hour and forty-five minute running time. Little Dorrit, the two-part, four hour adaptation of the Charles Dickens novel, had been out nine weeks at this point and was still making nearly 50% more per screen.   But after the new year, when more and more awards were hurled the film's way, including the National Board of Review naming it one of the best foreign films of the year and the Golden Globes awarding it their Best Foreign Language trophy, ticket sales would pick up.   Well, for a foreign film.   The week after the Motion Picture Academy awarded Pelle their award for Best Foreign Language Film, business for the film would pick up 35%, and a third of its $2m American gross would come after that win.   One of the things that surprised me while doing the research for this episode was learning that Max von Sydow had never been nominated for an Oscar until he was nominated for Best Actor for Pelle the Conquerer. You look at his credits over the years, and it's just mind blowing. The Seventh Seal. Wild Strawberries. The Virgin Spring. The Greatest Story Ever Told. The Emigrants. The Exorcist. The Three Days of the Condor. Surely there was one performance amongst those that deserved recognition.   I hate to keep going back to A24, but there's something about a company's first Oscar win that sends that company into the next level. A24 didn't really become A24 until 2016, when three of their movies won Oscars, including Brie Larson for Best Actress in Room. And Miramax didn't really become the Miramax we knew and once loved until its win for Pelle.   Thank you for joining us. We'll talk again soon, when Episode 117, the fifth and final part of our miniseries on Miramax Films, is released.     Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

We continue our miniseries on the 1980s movies distributed by Miramax Films, with a look at the films released in 1988. ----more---- TRANSCRIPT   From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   On this episode, we finally continue with the next part of our look back at the 1980s movies distributed by Miramax Films, specifically looking at 1988.   But before we get there, I must issue another mea culpa. In our episode on the 1987 movies from Miramax, I mentioned that a Kiefer Sutherland movie called Crazy Moon never played in another theatre after its disastrous one week Oscar qualifying run in Los Angeles in December 1987.   I was wrong.   While doing research on this episode, I found one New York City playdate for the film, in early February 1988. It grossed a very dismal $3200 at the 545 seat Festival Theatre during its first weekend, and would be gone after seven days.   Sorry for the misinformation.   1988 would be a watershed year for the company, as one of the movies they acquired for distribution would change the course of documentary filmmaking as we knew it, and another would give a much beloved actor his first Academy Award nomination while giving the company its first Oscar win.   But before we get to those two movies, there's a whole bunch of others to talk about first.   Of the twelve movies Miramax would release in 1988, only four were from America. The rest would be a from a mixture of mostly Anglo-Saxon countries like the UK, Canada, France and Sweden, although there would be one Spanish film in there.   Their first release of the new year, Le Grand Chemin, told the story of a timid nine-year-old boy from Paris who spends one summer vacation in a small town in Brittany. His mother has lodged the boy with her friend and her friend's husband while Mom has another baby. The boy makes friends with a slightly older girl next door, and learns about life from her.   Richard Bohringer, who plays the friend's husband, and Anémone, who plays the pregnant mother, both won Cesars, the French equivalent to the Oscars, in their respective lead categories, and the film would be nominated for Best Foreign Language Film of 1987 by the National Board of Review. Miramax, who had picked up the film at Cannes several months earlier, waited until January 22nd, 1988, to release it in America, first at the Paris Theatre in midtown Manhattan, where it would gross a very impressive $41k in its first three days. In its second week, it would drop less than 25% of its opening weekend audience, bringing in another $31k. But shortly after that, the expected Oscar nomination for Best Foreign Language Film did not come, and business on the film slowed to a trickle. But it kept chugging on, and by the time the film finished its run in early June, it had grossed $541k.   A week later, on January 29th, Miramax would open another French film, Light Years. An animated science fiction film written and directed by René Laloux, best known for directing the 1973 animated head trip film Fantastic Planet, Light Years was the story of an evil force from a thousand years in the future who begins to destroy an idyllic paradise where the citizens are in perfect harmony with nature.   In its first three days at two screens in Los Angeles and five screens in the San Francisco Bay Area, Light Years would gross a decent $48,665. Miramax would print a self-congratulating ad in that week's Variety touting the film's success, and thanking Isaac Asimov, who helped to write the English translation, and many of the actors who lent their vocal talents to the new dub, including Glenn Close, Bridget Fonda, Jennifer Grey, Christopher Plummer, and Penn and Teller. Yes, Teller speaks. The ad was a message to both the theatre operators and the major players in the industry. Miramax was here. Get used to it.   But that ad may have been a bit premature.   While the film would do well in major markets during its initial week in theatres, audience interest would drop outside of its opening week in big cities, and be practically non-existent in college towns and other smaller cities. Its final box office total would be just over $370k.   March 18th saw the release of a truly unique film.    Imagine a film directed by Robert Altman and Bruce Beresford and Jean-Luc Godard and Derek Jarman and Franc Roddam and Nicolas Roeg and Ken Russell and Charles Sturridge and Julien Temple. Imagine a film that starred Beverly D'Angelo, Bridget Fonda in her first movie, Julie Hagerty, Buck Henry, Elizabeth Hurley and John Hurt and Theresa Russell and Tilda Swinton. Imagine a film that brought together ten of the most eclectic filmmakers in the world doing four to fourteen minute short films featuring the arias of some of the most famous and beloved operas ever written, often taken out of their original context and placed into strange new places. Like, for example, the aria for Verdi's Rigoletto set at the kitschy Madonna Inn in San Luis Obispo, where a movie producer is cheating on his wife while she is in a nearby room with a hunky man who is not her husband. Imagine that there's almost no dialogue in the film. Just the arias to set the moments.   That is Aria.   If you are unfamiliar with opera in general, and these arias specifically, that's not a problem. When I saw the film at the Nickelodeon Theatre in Santa Cruz in June 1988, I knew some Wagner, some Puccini, and some Verdi, through other movies that used the music as punctuation for a scene. I think the first time I had heard Nessun Dorma was in The Killing Fields. Vesti La Giubba in The Untouchables. But this would be the first time I would hear these arias as they were meant to be performed, even if they were out of context within their original stories. Certainly, Wagner didn't intend the aria from Tristan und Isolde to be used to highlight a suicide pact between a young couple killing themselves in a Las Vegas hotel bathroom.   Aria definitely split critics when it premiered at the 1987 Cannes Film Festival, when it competed for the festival's main prize, the Palme D'Or. Roger Ebert would call it the first MTV opera and felt the filmmakers were poking fun at their own styles, while Leonard Maltin felt most of the endeavor was a waste of time. In the review for the New York Times, Janet Maslin would also make a reference to MTV but not in a positive way, and would note the two best parts of the film were the photo montage that is seen over the end credits, and the clever licensing of Chuck Jones's classic Bugs Bunny cartoon What's Opera, Doc, to play with the film, at least during its New York run. In the Los Angeles Times, the newspaper chose one of its music critics to review the film. They too would compare the film to MTV, but also to Fantasia, neither reference meant to be positive.   It's easy to see what might have attracted Harvey Weinstein to acquire the film.   Nudity.   And lots of it.   Including from a 21 year old Hurley, and a 22 year old Fonda.   Open at the 420 seat Ridgemont Theatre in Seattle on March 18th, 1988, Aria would gross a respectable $10,600. It would be the second highest grossing theatre in the city, only behind The Unbearable Lightness of Being, which grossed $16,600 in its fifth week at the 850 seat Cinerama Theatre, which was and still is the single best theatre in Seattle. It would continue to do well in Seattle, but it would not open until April 15th in Los Angeles and May 20th in New York City.   But despite some decent notices and the presence of some big name directors, Aria would stiff at the box office, grossing just $1.03m after seven months in theatres.   As we discussed on our previous episode, there was a Dennis Hopper movie called Riders on the Storm that supposedly opened in November 1987, but didn't. It did open in theatres in May of 1988, and now we're here to talk about it.   Riders on the Storm would open in eleven theatres in the New York City area on May 7th, including three theatres in Manhattan. Since Miramax did not screen the film for critics before release, never a good sign, the first reviews wouldn't show up until the following day, since the critics would actually have to go see the film with a regular audience. Vincent Canby's review for the New York Times would arrive first, and surprisingly, he didn't completely hate the film. But audiences didn't care. In its first weekend in New York City, Riders on the Storm would gross an anemic $25k. The following Friday, Miramax would open the film at two theatres in Baltimore, four theatres in Fort Worth TX (but surprisingly none in Dallas), one theatre in Los Angeles and one theatre in Springfield OH, while continuing on only one screen in New York. No reported grosses from Fort Worth, LA or Springfield, but the New York theatre reported ticket sales of $3k for the weekend, a 57% drop from its previous week, while the two in Baltimore combined for $5k.   There would be more single playdates for a few months. Tampa the same week as New York. Atlanta, Charlotte, Des Moines and Memphis in late May. Cincinnati in late June. Boston, Calgary, Ottawa and Philadelphia in early July. Greenville SC in late August. Evansville IL, Ithaca NY and San Francisco in early September. Chicago in late September. It just kept popping up in random places for months, always a one week playdate before heading off to the next location. And in all that time, Miramax never reported grosses. What little numbers we do have is from the theatres that Variety was tracking, and those numbers totaled up to less than $30k.   Another mostly lost and forgotten Miramax release from 1988 is Caribe, a Canadian production that shot in Belize about an amateur illegal arms trader to Central American terrorists who must go on the run after a deal goes down bad, because who wants to see a Canadian movie about an amateur illegal arms trader to Canadian terrorists who must go on the run in the Canadian tundra after a deal goes down bad?   Kara Glover would play Helen, the arms dealer, and John Savage as Jeff, a British intelligence agent who helps Helen.   Caribe would first open in Detroit on May 20th, 1988. Can you guess what I'm going to say next?   Yep.   No reported grosses, no theatres playing the film tracked by Variety.   The following week, Caribe opens in the San Francisco Bay Area, at the 300 seat United Artists Theatre in San Francisco, and three theatres in the South Bay. While Miramax once again did not report grosses, the combined gross for the four theatres, according to Variety, was a weak $3,700. Compare that to Aria, which was playing at the Opera Plaza Cinemas in its third week in San Francisco, in an auditorium 40% smaller than the United Artist, grossing $5,300 on its own.   On June 3rd, Caribe would open at the AMC Fountain Square 14 in Nashville. One show only on Friday and Saturday at 11:45pm. Miramax did not report grosses. Probably because people we going to see Willie Tyler and Lester at Zanie's down the street.   And again, it kept cycling around the country, one or two new playdates in each city it played in. Philadelphia in mid-June. Indianapolis in mid-July. Jersey City in late August. Always for one week, grosses never reported.   Miramax's first Swedish release of the year was called Mio, but this was truly an international production. The $4m film was co-produced by Swedish, Norwegian and Russian production companies, directed by a Russian, adapted from a Swedish book by an American screenwriter, scored by one of the members of ABBA, and starring actors from England, Finland, Norway, Russia, Sweden and the United States.   Mio tells the story of a boy from Stockholm who travels to an otherworldly fantasy realm and frees the land from an evil knight's oppression. What makes this movie memorable today is that Mio's best friend is played by none other than Christian Bale, in his very first film.   The movie was shot in Moscow, Stockholm, the Crimea, Scotland, and outside Pripyat in the Northern part of what is now Ukraine, between March and July 1986. In fact, the cast and crew were shooting outside Pripyat on April 26th, when they got the call they needed to evacuate the area. It would be hours later when they would discover there had been a reactor core meltdown at the nearby Chernobyl Nuclear Power Plant. They would have to scramble to shoot in other locations away from Ukraine for a month, and when they were finally allowed to return, the area they were shooting in deemed to have not been adversely affected by the worst nuclear power plant accident in human history,, Geiger counters would be placed all over the sets, and every meal served by craft services would need to be read to make sure it wasn't contaminated.   After premiering at the Moscow Film Festival in July 1987 and the Norwegian Film Festival in August, Mio would open in Sweden on October 16th, 1987. The local critics would tear the film apart. They hated that the filmmakers had Anglicized the movie with British actors like Christopher Lee, Susannah York, Christian Bale and Nicholas Pickard, an eleven year old boy also making his film debut. They also hated how the filmmakers adapted the novel by the legendary Astrid Lindgren, whose Pippi Longstocking novels made her and her works world famous. Overall, they hated pretty much everything about it outside of Christopher Lee's performance and the production's design in the fantasy world.   Miramax most likely picked it up trying to emulate the success of The Neverending Story, which had opened to great success in most of the world in 1984. So it might seem kinda odd that when they would open the now titled The Land of Faraway in theatres, they wouldn't go wide but instead open it on one screen in Atlanta GA on June 10th, 1988. And, once again, Miramax did not report grosses, and Variety did not track Atlanta theatres that week. Two weeks later, they would open the film in Miami. How many theatres? Can't tell you. Miramax did not report grosses, and Variety was not tracking any of the theatres in Miami playing the film. But hey, Bull Durham did pretty good in Miami that week.   The film would next open in theatres in Los Angeles. This time, Miramax bought a quarter page ad in the Los Angeles Times on opening day to let people know the film existed. So we know it was playing on 18 screens that weekend. And, once again, Miramax did not report grosses for the film. But on the two screens it played on that Variety was tracking, the combined gross was just $2,500.   There'd be other playdates. Kansas City and Minneapolis in mid-September. Vancouver, BC in early October. Palm Beach FL in mid October. Calgary AB and Fort Lauderdale in late October. Phoenix in mid November. And never once did Miramax report any grosses for it.   One week after Mio, Miramax would release a comedy called Going Undercover.   Now, if you listened to our March 2021 episode on Some Kind of Wonderful, you may remember be mentioning Lea Thompson taking the role of Amanda Jones in that film, a role she had turned down twice before, the week after Howard the Duck opened, because she was afraid she'd never get cast in a movie again. And while Some Kind of Wonderful wasn't as big a film as you'd expect from a John Hughes production, Thompson did indeed continue to work, and is still working to this day.   So if you were looking at a newspaper ad in several cities in June 1988 and saw her latest movie and wonder why she went back to making weird little movies.   She hadn't.   This was a movie she had made just before Back to the Future, in August and September 1984.   Originally titled Yellow Pages, the film starred film legend Jean Simmons as Maxine, a rich woman who has hired Chris Lemmon's private investigator Henry Brilliant to protect her stepdaughter Marigold during her trip to Copenhagen.   The director, James Clarke, had written the script specifically for Lemmon, tailoring his role to mimic various roles played by his famous father, Jack Lemmon, over the decades, and for Simmons. But Thompson was just one of a number of young actresses they looked at before making their casting choice.   Half of the $6m budget would come from a first-time British film producer, while the other half from a group of Danish investors wanting to lure more Hollywood productions to their area.   The shoot would be plagued by a number of problems. The shoot in Los Angeles coincided with the final days of the 1984 Summer Olympics, which would cut out using some of the best and most regularly used locations in the city, and a long-lasting heat wave that would make outdoor shoots unbearable for cast and crew. When they arrived in Copenhagen at the end of August, Denmark was going through an unusually heavy storm front that hung around for weeks.   Clarke would spend several months editing the film, longer than usual for a smaller production like this, but he in part was waiting to see how Back to the Future would do at the box office. If the film was a hit, and his leading actress was a major part of that, it could make it easier to sell his film to a distributor.   Or that was line of thinking.   Of course, Back to the Future was a hit, and Thompson received much praise for her comedic work on the film.   But that didn't make it any easier to sell his film.   The producer would set the first screenings for the film at the February 1986 American Film Market in Santa Monica, which caters not only to foreign distributors looking to acquire American movies for their markets, but helps independent filmmakers get their movies seen by American distributors.   As these screenings were for buyers by invitation only, there would be no reviews from the screenings, but one could guess that no one would hear about the film again until Miramax bought the American distribution rights to it in March 1988 tells us that maybe those screenings didn't go so well.   The film would get retitled Going Undercover, and would open in single screen playdates in Atlanta, Cincinnati, Dallas, Indianapolis, Los Angeles, Nashville, Orlando, St. Louis and Tampa on June 17th. And as I've said too many times already, no reported grosses from Miramax, and only one theatre playing the film was being tracked by Variety, with Going Undercover earning $3,000 during its one week at the Century City 14 in Los Angeles.   In the June 22nd, 1988 issue of Variety, there was an article about Miramax securing a $25m line of credit in order to start producing their own films. Going Undercover is mentioned in the article about being one of Miramax's releases, without noting it had just been released that week or how well it did or did not do.   The Thin Blue Line would be Miramax's first non-music based documentary, and one that would truly change how documentaries were made.   Errol Morris had already made two bizarre but entertaining documentaries in the late 70s and early 80s. Gates of Heaven was shot in 1977, about a man who operated a failing pet cemetery in Northern California's Napa Valley. When Morris told his famous German filmmaking supporter Werner Herzog about the film, Herzog vowed to eat one of the shoes he was wearing that day if Morris could actually complete the film and have it shown in a public theatre. In April 1979, just before the documentary had its world premiere at UC Theatre in Berkeley, where Morris had studied philosophy, Herzog would spend the morning at Chez Pannise, the creators of the California Cuisine cooking style, boiling his shoes for five hours in garlic, herbs and stock. This event itself would be commemorated in a documentary short called, naturally, Werner Herzog Eats His Shoe, by Les Blank, which is a must watch on its own.   Because of the success of Gates of Heaven, Morris was able to quickly find financing for his next film, Nub City, which was originally supposed to be about the number of Vernon, Florida's citizens who have “accidentally” cut off their limbs, in order to collect the insurance money. But after several of those citizens threatened to kill Morris, and one of them tried to run down his cinematographer with their truck, Morris would rework the documentary, dropping the limb angle, no pun intended, and focus on the numerous eccentric people in the town. It would premiere at the 1981 New York Film Festival, and become a hit, for a documentary, when it was released in theatres in 1982.   But it would take Morris another six years after completing Vernon, Florida, to make another film. Part of it was having trouble lining up full funding to work on his next proposed movie, about James Grigson, a Texas forensic psychiatrist whose was nicknamed Doctor Death for being an expert witness for the prosecution in death penalty cases in Texas. Morris had gotten seed money for the documentary from PBS and the Endowment for Public Arts, but there was little else coming in while he worked on the film. In fact, Morris would get a PI license in New York and work cases for two years, using every penny he earned that wasn't going towards living expenses to keep the film afloat.   One of Morris's major problems for the film was that Grigson would not sit on camera for an interview, but would meet with Morris face to face to talk about the cases. During that meeting, the good doctor suggested to the filmmaker that he should research the killers he helped put away. And during that research, Morris would come across the case of one Randall Dale Adams, who was convicted of killing Dallas police officer Robert Wood in 1976, even though another man, David Harris, was the police's initial suspect. For two years, Morris would fly back and forth between New York City and Texas, talking to and filming interviews with Adams and more than two hundred other people connected to the shooting and the trial. Morris had become convinced Adams was indeed innocent, and dropped the idea about Dr. Grigson to solely focus on the Robert Wood murder.   After showing the producers of PBS's American Playhouse some of the footage he had put together of the new direction of the film, they kicked in more funds so that Morris could shoot some re-enactment sequences outside New York City, as well as commission composer Phillip Glass to create a score for the film once it was completed. Documentaries at that time did not regularly use re-enactments, but Morris felt it was important to show how different personal accounts of the same moment can be misinterpreted or misremembered or outright manipulated to suppress the truth.   After the film completed its post-production in March 1988, The Thin Blue Line would have its world premiere at the San Francisco Film Festival on March 18th, and word quickly spread Morris had something truly unique and special on his hands. The critic for Variety would note in the very first paragraph of his write up that the film employed “strikingly original formal devices to pull together diverse interviews, film clips, photo collages, and” and this is where it broke ground, “recreations of the crime from many points of view.”   Miramax would put together a full court press in order to get the rights to the film, which was announced during the opening days of the 1988 Cannes Film Festival in early May. An early hint on how the company was going to sell the film was by calling it a “non-fiction feature” instead of a documentary.   Miramax would send Morris out on a cross-country press tour in the weeks leading up to the film's August 26th opening date, but Morris, like many documentary filmmakers, was not used to being in the spotlight themselves, and was not as articulate about talking up his movies as the more seasoned directors and actors who've been on the promotion circuit for a while. After one interview, Harvey Weinstein would send Errol Morris a note.   “Heard your NPR interview and you were boring.”   Harvey would offer up several suggestions to help the filmmaker, including hyping the movie up as a real life mystery thriller rather than a documentary, and using shorter and clearer sentences when answering a question.   It was a clear gamble to release The Thin Blue Line in the final week of summer, and the film would need a lot of good will to stand out.   And it would get it.   The New York Times was so enthralled with the film, it would not only run a review from Janet Maslin, who would heap great praise on the film, but would also run a lengthy interview with Errol Morris right next to the review. The quarter page ad in the New York Times, several pages back, would tout positive quotes from Roger Ebert, J. Hoberman, who had left The Village Voice for the then-new Premiere Magazine, Peter Travers, writing for People Magazine instead of Rolling Stone, and critics from the San Francisco Chronicle and, interestingly enough, the Dallas Morning News. The top of the ad was tagged with an intriguing tease: solving this mystery is going to be murder, with a second tag line underneath the key art and title, which called the film “a new kind of movie mystery.” Of the 15 New York area-based film critics for local newspapers, television and national magazines, 14 of them gave favorable reviews, while 1, Stephen Schiff of Vanity Fair, was ambivalent about it. Not one critic gave it a bad review.   New York audiences were hooked.   Opening in the 240 seat main house at the Lincoln Plaza Cinemas, the movie grossed $30,945 its first three days. In its second weekend, the gross at the Lincoln Plaza would jump to $31k, and adding another $27,500 from its two theatre opening in Los Angeles and $15,800 from a single DC theatre that week. Third week in New York was a still good $21k, but the second week in Los Angeles fell to $10,500 and DC to $10k. And that's how it rolled out for several months, mostly single screen bookings in major cities not called Los Angeles or New York City, racking up some of the best reviews Miramax would receive to date, but never breaking out much outside the major cities. When it looked like Santa Cruz wasn't going to play the film, I drove to San Francisco to see it, just as my friends and I had for the opening day of Martin Scorsese's The Last Temptation of Christ in mid-August. That's 75 miles each way, plus parking in San Francisco, just to see a movie. That's when you know you no longer just like movies but have developed a serious case of cinephilea. So when The Nickelodeon did open the film in late November, I did something I had never done with any documentary before.   I went and saw it again.   Second time around, I was still pissed off at the outrageous injustice heaped upon Randall Dale Adams for nothing more than being with and trusting the wrong person at the wrong time. But, thankfully, things would turn around for Adams in the coming weeks. On December 1st, it was reported that David Harris had recanted his testimony at Adams' trial, admitting he was alone when Officer Wood stopped his car. And on March 1st, 1989, after more than 15,000 people had signed the film's petition to revisit the decision, the Texas Court of Criminal Appeals overturned Adams's conviction “based largely” on facts presented in the film.   The film would also find itself in several more controversies.   Despite being named The Best Documentary of the Year by a number of critics groups, the Documentary Branch of the  Academy of Motion Pictures Arts and Sciences would not nominate the film, due in large part to the numerous reenactments presented throughout the film. Filmmaker Michael Apted, a member of the Directors Branch of the Academy, noted that the failure to acknowledge The Thin Blue Line was “one of the most outrageous things in the modern history of the Academy,” while Roger Ebert added the slight was “the worst non-nomination of the year.” Despite the lack of a nomination, Errol Morris would attend the Oscars ceremony in March 1989, as a protest for his film being snubbed.   Morris would also, several months after Adams' release, find himself being sued by Adams, but not because of how he was portrayed in the film. During the making of the film, Morris had Adams sign a contract giving Morris the exclusive right to tell Adams's story, and Adams wanted, essentially, the right to tell his own story now that he was a free man. Morris and Adams would settle out of court, and Adams would regain his life rights.   Once the movie was played out in theatres, it had grossed $1.2m, which on the surface sounds like not a whole lot of money. Adjusted for inflation, that would only be $3.08m. But even unadjusted for inflation, it's still one of the 100 highest grossing documentaries of the past forty years. And it is one of just a handful of documentaries to become a part of the National Film Registry, for being a culturally, historically or aesthetically significant film.”   Adams would live a quiet life after his release, working as an anti-death penalty advocate and marrying the sister of one of the death row inmates he was helping to exonerate. He would pass away from a brain tumor in October 2010 at a courthouse in Ohio not half an hour from where he was born and still lived, but he would so disappear from the spotlight after the movie was released that his passing wasn't even reported until June 2011.   Errol Morris would become one of the most celebrated documentarians of his generation, finally getting nominated for, and winning, an Oscar in 2003, for The Fog of War, about the life and times of Robert McNamara, Richard Nixon's Secretary of Defense during the Vietnam War era. The Fog of War would also be added to the National Film Registry in 2019. Morris would become only the third documentarian, after D.A. Pennebaker and Les Blank, to have two films on the Registry.   In 1973, the senseless killings of five members of the Alday family in Donalsonville GA made international headlines. Four years later, Canadian documentarian Tex Fuller made an award-winning documentary about the case, called Murder One. For years, Fuller shopped around a screenplay telling the same story, but it would take nearly a decade for it to finally be sold, in part because Fuller was insistent that he also be the director. A small Canadian production company would fund the $1m CAD production, which would star Henry Thomas of E.T. fame as the fifteen year old narrator of the story, Billy Isaacs.   The shoot began in early October 1987 outside Toronto, but after a week of shooting, Fuller was fired, and was replaced by Graeme Campbell, a young and energetic filmmaker for whom Murder One would be his fourth movie directing gig of the year. Details are sketchy as to why Fuller was fired, but Thomas and his mother Carolyn would voice concerns with the producers about the new direction the film was taking under its new director.   The film would premiere in Canada in May 1988. When the film did well up North, Miramax took notice and purchased the American distribution rights.   Murder One would first open in America on two screens in Los Angeles on September 9th, 1988. Michael Wilmington of the Los Angeles Times noted that while the film itself wasn't very good, that it still sprung from the disturbing insight about the crazy reasons people cross of what should be impassable moral lines.   “No movie studio could have invented it!,” screamed the tagline on the poster and newspaper key art. “No writer could have imagined it! Because what happened that night became the most controversial in American history.”   That would draw limited interest from filmgoers in Tinseltown. The two theatres would gross a combined $7k in its first three days. Not great but far better than several other recent Miramax releases in the area.   Two weeks later, on September 23rd, Miramax would book Murder One into 20 theatres in the New York City metro region, as well as in Akron, Atlanta, Charlotte, Indianpolis, Nashville, and Tampa-St. Petersburg. In New York, the film would actually get some good reviews from the Times and the Post as well as Peter Travers of People Magazine, but once again, Miramax would not report grosses for the film. Variety would note the combined gross for the film in New York City was only $25k.   In early October, the film would fall out of Variety's internal list of the 50 Top Grossing Films within the twenty markets they regularly tracked, with a final gross of just $87k. One market that Miramax deliberately did not book the film was anywhere near southwest Georgia, where the murders took place. The closest theatre that did play the film was more than 200 miles away.   Miramax would finish 1988 with two releases.   The first was Dakota, which would mark star Lou Diamond Phillips first time as a producer. He would star as a troubled teenager who takes a job on a Texas horse ranch to help pay of his debts, who becomes a sorta big brother to the ranch owner's young son, who has recently lost a leg to cancer, as he also falls for the rancher's daughter.   When the $1.1m budgeted film began production in Texas in June 1987, Phillips had already made La Bamba and Stand and Deliver, but neither had yet to be released into theatres. By the time filming ended five weeks later, La Bamba had just opened, and Phillips was on his way to becoming a star.   The main producers wanted director Fred Holmes to get the film through post-production as quickly as possible, to get it into theatres in the early part of 1988 to capitalize on the newfound success of their young star.    But that wouldn't happen.   Holmes wouldn't have the film ready until the end of February 1988, which was deemed acceptable because of the impending release of Stand and Deliver. In fact, the producers would schedule their first distributor screening of the film on March 14th, the Monday after Stand and Delivered opened, in the hopes that good box office for the film and good notices for Phillips would translate to higher distributor interest in their film, which sorta worked. None of the major studios would show for the screening, but a number of Indies would, including Miramax. Phillips would not attend the screening, as he was on location in New Mexico shooting Young Guns.   I can't find any reason why Miramax waited nearly nine months after they acquired Dakota to get it into theatres. It certainly wasn't Oscar bait, and screen availability would be scarce during the busy holiday movie season, which would see a number of popular, high profile releases like Dirty Rotten Scoundrels, Ernest Saves Christmas, The Naked Gun, Rain Man, Scrooged, Tequila Sunrise, Twins and Working Girl. Which might explain why, when Miramax released the film into 18 theatres in the New York City area on December 2nd, they could only get three screens in all of Manhattan, the best being the nice but hardly first-rate Embassy 4 at Broadway and 47th. Or of the 22 screens in Los Angeles opening the film the same day, the best would be the tiny Westwood 4 next to UCLA or the Paramount in Hollywood, whose best days were back in the Eisenhower administration.   And, yet again, Miramax did not report grosses, and none of the theatres playing the film was tracked by Variety that week. The film would be gone after just one week. The Paramount, which would open Dirty Rotten Scoundrels on the 14th, opted to instead play a double feature of Clara's Heart, with Whoopi Goldberg and Neil Patrick Harris, and the River Phoenix drama Running on Empty, even though neither film had been much of a hit.   Miramax's last film of the year would be the one that changed everything for them.   Pelle the Conquerer.   Adapted from a 1910 Danish book and directed by Billie August, whose previous film Twist and Shout had been released by Miramax in 1986, Pelle the Conquerer would be the first Danish or Swedish movie to star Max von Sydow in almost 15 years, having spent most of the 70s and 80s in Hollywood and London starring in a number of major movies including The Exorcist, Three Days of the Condor, Flash Gordon,Conan the Barbarian, Never Say Never Again, and David Lynch's Dune. But because von Sydow would be making his return to his native cinema, August was able to secure $4.5m to make the film, one of the highest budgeted Scandinavian films to be made to date.   In the late 1850s, an elderly emigrant Lasse and his son Pelle leave their home in Sweden after the death of the boy's mother, wanting to build a new life on the Danish island of Bornholm. Lasse finds it difficult to find work, given his age and his son's youth. The pair are forced to work at a large farm, where they are generally mistreated by the managers for being foreigners. The father falls into depression and alcoholism, the young boy befriends one of the bastard children of the farm owner as well as another Swedish farm worker, who dreams of conquering the world.   For the title character of Pelle, Billie August saw more than 3,000 Swedish boys before deciding to cast 11 year old Pelle Hvenegaard, who, like many boys in Sweden, had been named for the character he was now going to play on screen.   After six months of filming in the summer and fall of 1986, Billie August would finish editing Pelle the Conquerer in time for it to make its intended Christmas Day 1987 release date in Denmark and Sweden, where the film would be one of the biggest releases in either country for the entire decade. It would make its debut outside Scandinavia at the Cannes Film Festival in May 1988, where it had been invited to compete for the Palme D'Or. It would compete against a number of talented filmmakers who had come with some of the best films they would ever make, including Clint Eastwood with Bird, Claire Denis' Chocolat, István Szabó's Hanussen, Vincent Ward's The Navigator, and A Short Film About Killing, an expanded movie version of the fifth episode in Krzysztof Kieślowski's masterful miniseries Dekalog. Pelle would conquer them all, taking home the top prize from one of cinema's most revered film festivals.   Reviews for the film out of Cannes were almost universally excellent. Vincent Canby, the lead film critic for the New York Times for nearly twenty years by this point, wouldn't file his review until the end of the festival, in which he pointed out that a number of people at the festival were scandalized von Sydow had not also won the award for Best Actor.   Having previously worked with the company on his previous film's American release, August felt that Miramax would have what it took to make the film a success in the States.   Their first moves would be to schedule the film for a late December release, while securing a slot at that September's New York Film Festival. And once again, the critical consensus was highly positive, with only a small sampling of distractors.   The film would open first on two screens at the Lincoln Plaza Cinemas in midtown Manhattan on Wednesday, December 21st, following by exclusive engagements in nine other cities including Los Angeles, Philadelphia, San Francisco, Seattle and Washington DC, on the 23rd. But the opening week numbers weren't very good, just $46k from ten screens. And you can't really blame the film's two hour and forty-five minute running time. Little Dorrit, the two-part, four hour adaptation of the Charles Dickens novel, had been out nine weeks at this point and was still making nearly 50% more per screen.   But after the new year, when more and more awards were hurled the film's way, including the National Board of Review naming it one of the best foreign films of the year and the Golden Globes awarding it their Best Foreign Language trophy, ticket sales would pick up.   Well, for a foreign film.   The week after the Motion Picture Academy awarded Pelle their award for Best Foreign Language Film, business for the film would pick up 35%, and a third of its $2m American gross would come after that win.   One of the things that surprised me while doing the research for this episode was learning that Max von Sydow had never been nominated for an Oscar until he was nominated for Best Actor for Pelle the Conquerer. You look at his credits over the years, and it's just mind blowing. The Seventh Seal. Wild Strawberries. The Virgin Spring. The Greatest Story Ever Told. The Emigrants. The Exorcist. The Three Days of the Condor. Surely there was one performance amongst those that deserved recognition.   I hate to keep going back to A24, but there's something about a company's first Oscar win that sends that company into the next level. A24 didn't really become A24 until 2016, when three of their movies won Oscars, including Brie Larson for Best Actress in Room. And Miramax didn't really become the Miramax we knew and once loved until its win for Pelle.   Thank you for joining us. We'll talk again soon, when Episode 117, the fifth and final part of our miniseries on Miramax Films, is released.     Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

The world now waits as an alleged attack on the Zaporizhzhia power plant in Ukraine is rumored to take place Wednesday night. Both Ukraine and Russia are accusing the other side of planning an attack, which could result in a nuclear catastrophe similar to the 1986 disaster at the Chernobyl Nuclear Power Plant also in Ukraine. In other news, the U.S. government can no longer collude with Big Tech to censor Americans—at least not for now. A federal judge granted a partial injunction blocking the U.S. government from working with social media companies to censor users. The case is not over yet, but it could result in a landmark decision on the nature of government censorship. In this episode of Crossroads, we'll discuss these stories and others. ⭕️ Stay up-to-date with Josh with the Crossroads NEWSLETTER

April 26, 1986. A safety test goes wrong at the Chernobyl Nuclear Power Plant in Ukraine, causing the worst nuclear disaster in history.Go to HistoryDaily.com for more history, daily.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In a new feature film called Inside, an art heist goes terribly wrong for a thief named Nemo. Nemo is played by the world-renowned actor Willem DaFoe, well-loved by the art world already for his performance in the 2018 film At Eternity's Gate, where he played Vincent van Gogh. In the ultra-contemporary plot of Inside, Dafoe's character Nemo is not a world famous artist, but rather an anonymous robber who's after a self-portrait by Egon Schiele. The artwork is not where it is supposed to be inside the ultra-modern penthouse he's just broken into. Carefully laid plans seem to be going awry. Precious minutes are lost. Then, the alarm system locks down, leaving Nemo sealed off from the world while in the center of Manhattan. If you haven't seen Insideyet, be advised that there are spoilers scattered throughout this episode. So, Nemo is now stuck in a resplendent box of glass, steel, and concrete, with little more than some exotic fish, luxury furniture, and a multimillion dollar art collection. On-screen alone for practically the entire film, Dafoe's character begins to battle against the degradation of his body and spirit—to deal with the latter, the artworks in the apartment become something like a central character, as does Nemo's own blossoming creativity. The artworks in the apartment, which were carefully curated, drive the plot and deepen the themes. There is a 1999 work by Maurizio Cattelan, a large photograph of a man taped to the wall with tons of duct tape, sarcastically titled A Perfect Day. There is also David Horvitz's 2019 neon that hangs over the character's struggle, with a sort of torturous prescience: it says “All the time that will come after this moment.” To build out the idea of a real art collection, there are more emerging stars. Kosovan artists Petrit Halilaj and Shkurte Halilaj's work for the 2017 Venice Biennale is worn by Nemo when the penthouse's temperature drops. And a video work by Julian Charrière and Julius von Bismarck from 2016, which was filmed at the exclusion zone surrounding the Chernobyl Nuclear Power Plant, is among the artworks in the film that conjure questions around humanity, planetary survival, and climate crisis—which is an undercurrent theme of the movie. On this week's episode, European editor Kate Brown speaks to the film's director Vasilis Katsoupis and art curator Leonardo Bigazzi about this captivating and claustrophobic feature, which had its world premiere at the Berlinale film festival last month and is about to hit theaters in the United States.

In a new feature film called Inside, an art heist goes terribly wrong for a thief named Nemo. Nemo is played by the world-renowned actor Willem DaFoe, well-loved by the art world already for his performance in the 2018 film At Eternity's Gate, where he played Vincent van Gogh. In the ultra-contemporary plot of Inside, Dafoe's character Nemo is not a world famous artist, but rather an anonymous robber who's after a self-portrait by Egon Schiele. The artwork is not where it is supposed to be inside the ultra-modern penthouse he's just broken into. Carefully laid plans seem to be going awry. Precious minutes are lost. Then, the alarm system locks down, leaving Nemo sealed off from the world while in the center of Manhattan. If you haven't seen Insideyet, be advised that there are spoilers scattered throughout this episode. So, Nemo is now stuck in a resplendent box of glass, steel, and concrete, with little more than some exotic fish, luxury furniture, and a multimillion dollar art collection. On-screen alone for practically the entire film, Dafoe's character begins to battle against the degradation of his body and spirit—to deal with the latter, the artworks in the apartment become something like a central character, as does Nemo's own blossoming creativity. The artworks in the apartment, which were carefully curated, drive the plot and deepen the themes. There is a 1999 work by Maurizio Cattelan, a large photograph of a man taped to the wall with tons of duct tape, sarcastically titled A Perfect Day. There is also David Horvitz's 2019 neon that hangs over the character's struggle, with a sort of torturous prescience: it says “All the time that will come after this moment.” To build out the idea of a real art collection, there are more emerging stars. Kosovan artists Petrit Halilaj and Shkurte Halilaj's work for the 2017 Venice Biennale is worn by Nemo when the penthouse's temperature drops. And a video work by Julian Charrière and Julius von Bismarck from 2016, which was filmed at the exclusion zone surrounding the Chernobyl Nuclear Power Plant, is among the artworks in the film that conjure questions around humanity, planetary survival, and climate crisis—which is an undercurrent theme of the movie. On this week's episode, European editor Kate Brown speaks to the film's director Vasilis Katsoupis and art curator Leonardo Bigazzi about this captivating and claustrophobic feature, which had its world premiere at the Berlinale film festival last month and is about to hit theaters in the United States.

"Red Meat, Greenville." 02/14/23

Charlie talks about Nikki Haley's latest presidential ad. He questions why South Carolinians would ever vote for her considering her record of accomplishments. Charlie talks more about Nikki Haley's run for president. He discusses the 180 degree turn in policy in the wake of the 2024 election.

The Clean Futures Fund (CFF) raises awareness and provides international support for communities affected by industrial accidents and long-term remedial activities. We speak with CFF founder Erik Kambarian. Erik first traveled to Ukraine in 2013 as an official visitor of Chernobyl Nuclear Power Plant with a group of professionals with backgrounds in nuclear energy and emergency response.    Please help by donating to CFF by visiting them at: https://www.cleanfutures.org/   Check out Starmints Merch at: https://starmints.live   

On 26 April 1986 at the No. 4 reactor the Chernobyl Nuclear Power Plant, near the city of Pripyat in the north of the Ukranian SSR in the Soviet Union, one of only two nuclear energy accidents rated at seven, the maximum severity, on the International Nuclear Event Scale took place when, while running a test, the operators accidentally dropped power output to near-zero, due partially to xenon poisoning. After the scheduled shut down,  a rupturing of the fuel channels led to a complete meltdown of the reactor's core and the great nuclear disaster to have ever happened. Later, it came to light that the people involved in the accident experienced a series of strange events revolving around sightings of a mysterious creature described as a large, dark, and mutated man with gigantic wings and piercing red eyes. People affected by this phenomena experienced horrific nightmares, threatening phone calls and first hand encounters with the winged beast which became known as the Black Bird of Chernobyl. Could this be our Mothman from Point Pleasant? If so, one thing is clear. MOTHMAN DEFINITELY GOT BETTER AT THE WHOLE HARBINGER OF DOOM THING!Campfire: Tales of the Strange and Unsettling is created for adult audiences only. The content and discussion in this show will necessarily engage with various accounts that include violence, anxiety, fear, and occasional body horror. Much of it will be emotionally and intellectually challenging to engage with. We will flag especially graphic or intense content so as to never put you in an uninformed or unprepared position. We will do our best to make this a space where we can engage bravely, empathetically, and thoughtfully with difficult content every week. This week's episode includes descriptions/sound related the following sensitive content:ExplosionsRadiation SicknessNightmaresStalkingAnimal AttacksHigh-Stress SituationsCheck it Out!Mothmen 1966https://store.steampowered.com/app/1755030/Mothmen_1966/Bigfoothttps://www.bigfootplay.com/Chernobyl: History of a TragedyCheck this out on AmazonMothman Archivehttps://archive.wvculture.org/history/notewv/mothman.htmlWoodrow Derenberger Interviewhttps://youtu.be/k7p06V3JrlkVisitors from Lanuloshttps://a.co/d/aMSrMgrThe Mothman Prophecies: A True StoryJohn KeelCheck this out on AmazonStrange Creatures From Time and SpaceJohn KeelCheck this out on AmazonThe Silver BridgeGray BarkerCheck this out on AmazonReal Monsters, Gruesome Critters, and Beasts from the DarksideBrad SteigerCheck this out on AmazonMothman: The Facts Behind The LegendJeff WamsleyCheck this out on AmazonSmall Town Monsters: The Mothman Trilogyhttps://www.smalltownmonsters.com/shop/iik9sw349cgim4k4mzc9lkxppt19i3Adverts!Support Campfire on Patreon:https://www.patreon.com/campfiretalesofthestrangeandunsettlingSatisfy All of Your Merch Needs:https://www.teepublic.com/stores/campfire-tales-of-the-strange-and-unsettling?ref_id=25702Join the conversation on social media atwww.campfirepodcastnetwork.com Discord: https://discord.gg/43CPN3rzInstagram:instagram.com/campfire.tales.podcastGoodPods:https://goodpods.app.link/T0qvGnXnplbTwitter:www.twitter.com/campfiretotsau Facebook:www.facebook.com/campfire.tales.podcastVisit Our Linktree for Any and All Campfire Info:https://linktr.ee/CampfirepodcastSpecial Thanks:Gregg Martin for music contributions! Go follow him on Instagram at Instagram.com/reverentmusic , on Bandcamp at https://reverentmusic.bandcamp.com/releases or on Spotify at https://open.spotify.com/album/6QVhQsYQeeBVOtxrelehTI?si=V5CAxS8sSXyVFn14G7j-GAAdditional Music & SFX Provided By: Artlist.ioElias Armao for graphic design! Go follow him on Instagram at instagram.com/doggedlinedesignsupply Jonathan Dodd for merch design! Show him some love at https://linktr.ee/jonathandoddEaston Chandler Hawk! Support his work at https://linktr.ee/eastonhawkartChristina at The Crescent Hare! Support everything she does at https://thecrescenthare.bigcartel.com/productsTodd Purse at Create Magic Studios! Support his work at https://linktr.ee/Createmagicstudios

The Chernobyl disaster was a nuclear accident that occurred on 26 April 1986 at the No. 4 reactor in the Chernobyl Nuclear Power Plant, near the city of Pripyat in the north of the Ukrainian SSR in the Soviet Union. Today Chernobyl is a ghost town that is visited by curious people from all around the world. Discover more TERRIFYING podcasts at http://eeriecast.com/ Follow Carman Carrion!  https://www.facebook.com/carman.carrion.9/ https://www.instagram.com/carmancarrion/?hl=en https://twitter.com/CarmanCarrion Subscribe to Spotify! https://open.spotify.com/show/0uiX155WEJnN7QVRfo3aQY Please Review Us on iTunes! https://podcasts.apple.com/us/podcast/freaky-folklore/id1550361184 Music and sound effects used in the Destination Terror Podcast have or may have been provided/created by:  CO.AG: https://www.youtube.com/channel/UCcavSftXHgxLBWwLDm_bNvA Myuu: https://www.youtube.com/channel/UCiSKnkKCKAQVxMUWpZQobuQ Jinglepunks: https://jinglepunks.com/ Epidemic Sound: https://www.epidemicsound.com/ Kevin MacLeod: http://incompetech.com/ Dark Music: https://soundcloud.com/darknessprevailspodcast Soundstripe: https://app.soundstripe.com/   Learn more about your ad choices. Visit podcastchoices.com/adchoices

This is NOT a Mothman episode...but, we do end up mentioning the Mothman of Point Pleasant, West Virginia quite a bit... It was hard not to frankly, because this week on our show, we are focusing on two sightings of a "large, dark, headless creature" with "gigantic wings, and fire red eyes" that occurred on the other side of the world with eerie similarity to America's own Mothman. We're talking about The Blackbird of Chernobyl and The Freiberg Shrieker. In April of 1986 the worst nuclear disaster the world has ever seen occurred at the Chernobyl nuclear power plant...but, a few days prior the people living and working at the Chernobyl Nuclear Power Plant began seeing a creature, described as a large black, bird like creature or a headless man with a 20 foot wingspan, and red eyes. Just a few years previous in September of 1978 at a mine in Freiberg, Germany miners who arrived that morning to work were greeted by a strange dark figure blocking the mine's entrance - keeping the workers from entering...moments later an underground explosion inside the mine caused a collapse that would have killed all 50 men. Are these the only sightings of a Mothman-like creature...the answer is NO. PRESS PLAY and get ready to hear about sightings we found in history in areas all around the world dating all the way back to the 1800s. Hear our theories, and help us decide...is this figure an angel with a warning...or a harbinger of death. Thanks so much for listening, and Be Rad! -------------------------------------------------------------------------------------------------------- SHOW INFO

This is a revamped version of a previous episode. I will select a few of my older episodes and remake them with better quality than before! On April 26, 1986, an explosion erupted the Chernobyl Nuclear Power Plant in Ukraine when the number four reactor, after a routine test, suddenly dropped power to near zero before overloading. Built up steam blew the 1,000 ton reactor lid through the roof, exposing a 700 mile radius to 400 times more radiation than the bombs dropped on Hiroshima and Nagasaki combined. Two workers were killed in the initial explosion, while 29 others would die in the days and weeks following, mostly firefighters who were unaware of the exposure. The nearby town of Pripyat was evacuated three days later. The roughly 50,000 residents were told the move was temporary. They never returned. The cleanup efforts were costly and long, with many workers being exposed to high amounts of radiation. After almost a year, a steel sarcophagus was placed over the reactor to contain the radiation. In 2016, a dome like concrete sarcophagus was built over the reactor and old protection that will last 100 years. At the time of the explosion, the Soviet government did everything to conceal the event. Even the manager of the test that lead to the explosion threatened his workers and said that no explosion actually occurred. It wasn't until other European countries noticed the high levels of radiation, when the Soviet Union admitted to the world what had happened. The Soviet government continued to lie to its citizens in the surrounding area of the power plan and said they were fine. Since 1986, over 100,000 deaths are attributed to the explosion. The official death toll remains at 31 according to Soviet records. The Chernobyl Exclusion Zone won't be livable for another 24,000 years. the soil, plants, water and animals are highly contaminated, although animals a seemed to adapted to the radiation and appear fine.

The last episode of season 3 features the ladies of Luminol Cocktail talking through the tragic events that took place on April 26, 1986 causing the accident of a nuclear disaster at the Chernobyl Nuclear Power Plant. While Lindsey and Tiffany cover this tale of unfortunate events, they are sipping on radiantly green The Chernobyl cocktails. Plenty of more content and information about Luminol Cocktail's patreon can be accessed through the First Responder's Unit links below! Facebook Instagram --- Support this podcast: https://anchor.fm/luminol-cocktail/support

April 26, 1986. A safety test goes wrong at the Chernobyl Nuclear Power Plant in Ukraine, causing the worst nuclear disaster in history. Learn more about your ad choices. Visit megaphone.fm/adchoices

A new drone video shows abandoned Russian military positions in a highly radioactive area near the Chernobyl Nuclear Power Plant. And, new scenes from Ukraine continue to shed light on the destruction in the Kyiv region. Also, the United States has sanctioned Russian President Vladimir Putin's two adult daughters. Who are they, and how is Putin expected to react to this move? To learn more about how CNN protects listener privacy, visit cnn.com/privacy

On April 26, 1986, reactor No.4 of the Chernobyl Nuclear Power Plant exploded, triggering one of the worst man-made disasters in human history. Today, Chernobyl is back in the news as the site of one of the first battles in the Russia-Ukraine War. In this episode of Coming in From the Cold, Steve Wills sits down with Michael Kofman and Mary Chesnut, from CNA's Russia Studies program. They discuss the impact that the Chernobyl accident had on the Ukrainian people, and the strategic value of the site today.   *Listener note: this episode was recorded on March 24, 2022, before reports emerged that Russian troops stationed in Chernobyl developed “acute radiation sickness.” Michael Kofman is the director of CNA's Russia Studies Program. He is an expert in Russian armed forces, military thought, capabilities, and strategy. Mr. Kofman is also a Senior Editor at War on the Rocks, where he regularly authors articles on strategy, the Russian military and Russian decision-making. Twitter: https://twitter.com/KofmanMichael Mary Chesnut is an associate research analyst with CNA's Russia Studies Program. Prior to joining CNA, she was the program manager of the Nuclear Security Working Group a non-partisan organization at George Washington University. Twitter: https://twitter.com/nuke_nerd    

Live—from the campus of Hillsdale College in beautiful Hillsdale Michigan— this is Scot Bertram in for Steve on the Steve Gruber Show for –Thursday March 31st 2022—   —Here are 3 big things you need to know—   Three—  Crews in seven states are rushing to restore power so 220-thousand people don't wake up in the dark.  Tennessee has the most outages at 58-thousand after a storm left a trail of damage.  Alabama is next followed by Kentucky, Indiana, Mississippi, Ohio and Georgia.   Two— The trial about a plot to kidnap Michigan's governor switches gears today.  The defense will begin its case after the prosecution rested.  Four men are charged with planning to take Gretchen Whitmer from her home in 2020 out of anger over COVID restrictions. And number one— It looks like Russian troops are leaving the Chernobyl nuclear power plant in Ukraine.  A U.S. defense official says they're repositioning to Belarus, which is bordered by both countries.  Russia took control of the plant on the first day it invaded Ukraine, more than a month ago.

This week on Hashtag History, we are discussing the Chernobyl Disaster. This was an incident that occurred on April 26, 1986 at the Chernobyl Nuclear Power Plant in Ukraine where a test went disastrously wrong and resulted in a radioactive explosion. Two people would die as a direct result of the explosion with nearly thirty more people dying over the course of the next few months due to exposure to the radiation. What is particularly devastating about this incident in History was the lack of transparency and the cover-up attempt on the part of the Soviet Union. This would lead to radioactive contamination throughout the Soviet Union and Western Europe for some ten days following the explosion. It is now estimated that upwards of 125,000 people died as a result of Chernobyl, having been exposed to radiation at levels nearly 400 times greater than those of the Hiroshima bombing. Chernobyl is considered to be the worst nuclear disaster in History. Follow Hashtag History on Instagram @hashtaghistory_podcast for all of the pictures mentioned in this episode. Citations for all sources can be located on our website at www.HashtagHistory-Pod.com. You can also check out our website for super cute merch! You can now sponsor a cocktail and get a shout-out on air! Just head to www.buymeacoffee.com/hashtaghistory or head to the Support tab on our website! Finally, you can locate us on www.Patreon.com/hashtaghistory where you can donate $1 a month to our Books and Booze Supply. All of your support goes a long ways and we are endlessly grateful! To show our gratitude, all Patreon Supporters receive an automatic 15% OFF all merchandise in our merchandise store, bonus Hashtag Hangouts episodes, a shoutout on social media, and stickers! THANKS FOR LISTENING! - Rachel and Leah

Missed the show? No worries, we've got you covered with the ON Point podcast. On this episode Alex is first joined by Conservative MP for Carleton & official candidate for leader of the Conservative Party Pierre Poilievre. Alex and Pierre discuss what the campaign trail will look like, how Pierre plans to unite a fractured party, and if he thinks he can help the Conservatives overcome the Trudeau Liberals. Next, Alex speaks with Jeff Merrifield, the former Commissioner of the U.S. Nuclear Regulatory Commission about the recent news that the Chernobyl Nuclear Power Plant has lost power after Russian forces took over the site. Jeff breaks down the reality of the dangers in the situation, how likely a radiation leak could be, and why this is the second Nuclear facility the Russian forces has targeted. Finally, Alex is joined by Marcus Kolga, the Director of DisInfo Watch and Sr. Fellow at the Macdonald-Laurier Institute Centre for Advancing Canada's Interests Abroad. Marcus breaks down the importance of the UK laying sanctions against Russian oligarch Roman Abramovich, and why Canada needs to very quickly follow suit if we want to send a strong message. Let's get talking See omnystudio.com/listener for privacy information.

Alex Pierson is joined by Jeff Merrifield, the former commissioner of the U.S. Nuclear Regulatory Commission to discuss the current state of the infamous Chernobyl Nuclear Power Plant after being taken over by Russian forces. Alex and Jeff discuss the safety of the site, what the likelihood of a radiation leak is, and if we should be worried about the state of these facilities while in an open war zone. Let's get talking See omnystudio.com/listener for privacy information.

For the past 24 years, the U.S. and Russia have worked together to construct and maintain the International Space Station, where research has led to some of the most important discoveries of the 21st century. Vice President Kamala Harris' trip to Poland on Wednesday comes amid tense times in the region and difficult negotiations between Warsaw and Washington. The Chernobyl plant in Ukraine is disconnected from the grid due to damage inflicted by Russian occupying forces, sparking concerns of radioactive contamination if the cooling of spent nuclear fuel stops. See omnystudio.com/listener for privacy information.

Andrei Stsiapanau's story is absolutely incredible. He was born and raised in Belarus, which was a part of the Soviet Union at the time.  As a child, Andrei lived just 70 miles as the crow flies  from the Chernobyl Nuclear Power Plant, and was only 2 when the worst nuclear disaster in history, both in cost and casualties, struck. At the age of 7, he watched the fall of the Soviet Union. All through elementary and middle school, Andrei had to wear a device that measured and monitored his internal body radiation. Now, living the American Dream here in the states as an electrical engineer and contractor,  his life and access to hunting looks very different than it once did. A lot of people have been asking me to share my opinion on the conflict between Russia and Ukraine, and at this point in time, I feel like I don't yet know enough to say. So, I wanted to have Andrei on the show to share his life experiences and feelings about what's happening right now. To give us all a little more context and insight into the places and people that are living through this war.  Andrei on Instagram 

On April 26th, 1986, one of the largest nuclear disasters in history occurred at the Chernobyl Nuclear Power Plant, near the city of Pripyat in the north of the Ukrainian SSR in the Soviet Union.  While the Soviet Union tried to sweep this under the rug, the news of the destruction and deaths slowly reached the world news cycle.What didn't get discussed, however, were the strange phone calls and shared nightmares of many Chernobyl employees in the days leading up to the meltdown.  And stranger still, no one commented on the mysterious red-eyed man who was spotted in the very pillars of smoke that would seal the fates of everyone in the immediate area - a man who would soon be called the Black Bird of Chernobyl.  Fuck Putin.  Stand with Ukraine.

More than a dozen countries have urged their citizens to leave Ukraine amid warnings from Western nations that an invasion by Russia could be imminent. The US, UK and Germany are among those who told their nationals to leave. Also on the programme: Canadian police are clearing a blockade of the main US border crossing by truckers angered by Covid mandates; and thousands of Afghan refugee camp residents in Abu Dhabi have gathered in public to protest over their continuing stay at a camp since fleeing Kabul after the Taliban took power in Afghanistan. (Service members ride atop of an armoured personnel carrier during tactical exercises, which are conducted by the Ukrainian National Guard, Armed Forces, special operations units and simulate a crisis situation in an urban settlement, in the abandoned city of Pripyat near the Chernobyl Nuclear Power Plant, Ukraine 4 February 2022. Credit: Reuters/Gleb Garanich)

Chernobyl Nuclear Power Plant

On April 26, 1986, one of the world's worst nuclear disasters occurred in the Ukrainian city of Pripyat. There was an explosion caused by a flawed reactor design at the Chernobyl Nuclear Power Plant, which tossed massive amounts of radiation into the air. The city of Pripyat was evacuated, and a total of 31 people died as an immediate result of the accident itself, while as many as 500,000 were affected. 30 years later Pripyat has became a tourist attraction. The ghost town is still explored by visitors to this desolate city. Lore and legends surround the area, from ghosts, death cult like behaviors, and a strange ominous black bird that some believe to be the harbinger of disaster. Listen as our hosts break down all the legends and give their thoughts on each of these legends.  The extended episode of our shows is EXCLUSIVE to our patrons. Marcus and Vic continue discussing legends surrounding Chernobyl. They discuss stories of secret soviet technology projects, misconstrued viruses, and stories of strange mutants in the woods of Pripyat. Sign up to become a patron and get access to this great content by clicking HERE Follow Us: Facebook: https://www.facebook.com/OneCandleSociety Twitter: @1candlesociety Instagram: 1CandleSociety YouTube: https://www.youtube.com/c/OneCandleSociety

 The Chernobyl disaster / nuclear accident, occurred on April 26th, 1986, at the No. 4 reactor in the Chernobyl Nuclear Power Plant, near the city of Pripyat in the north of Ukraine. The initial emergency response, together with later decontamination of the environment, ultimately involved more than 500,000 personnel and cost an estimated US$68 billion, adjusted for inflation. The current Chernobyl Exclusion Zone covers an area of approximately 2,600 km2 (1,000 sq mi) in Ukraine, immediately surrounding the Chernobyl Nuclear Power Plant, where radioactive contamination is highest and public access and inhabitation are restricted. The Exclusion Zone's purpose is to restrict access to hazardous areas, reduce the further spread of radiological contamination, and conduct radiological and ecological monitoring activities. Today, the Exclusion Zone is still one of the most radioactively contaminated areas in the world and draws significant scientific interest for the high levels of radiation exposure in the environment, as well as increasing interest from tourists. Despite the extremely high radioactivity of the region, the zone has become a thriving sanctuary with natural flora and fauna with some of the highest biodiversity and thickest forests in all of Ukraine. On this episode of our show, we are joined by Mykola Tolmachov, of the Chernobyl-51 Industrial Cluster, discussing their novel public-private partnership for both ecosystem restoration and the production of both energy and chemical byproducts, in the exclusion zone. English translation during the episode is performed by Ms. Victoria Laskina-Ustimenko. 

The Chernobyl disaster was a nuclear accident that occurred on Saturday 26 April 1986, at the No. 4 reactor in the Chernobyl Nuclear Power Plant, near the city of Pripyat in the north of the Ukrainian SSR in the Soviet Union. It is considered the worst nuclear disaster in history both in terms of cost and casualties, and is one of only two nuclear energy accidents rated at seven—the maximum severity—on the International Nuclear Event Scale, the other being the 2011 Fukushima Daiichi nuclear disaster in Japan. The initial emergency response, together with later decontamination of the environment, ultimately involved more than 500,000 personnel and cost an estimated 18 billion Soviet rubles—roughly US$68 billion in 2019, adjusted for inflation. https://instagram.com/malayalampodcast?utm_medium=copy_link . A malayalam podcast from Kerala.

Grab your glass and get cozy, let's talk about.. the world's largest nuclear disaster! We are definitely stepping into new territory with this one, as we dive into the unsettling case of the Chernobyl Nuclear Power Plant accident.  Get ready for science class as this episode will be all about radiation, nuclear power, and what series of events lead up to the explosion on April 26, 1986, in Reactor Number Four. We tried to make it a bit more entertaining than your high school physics class so don't run away! Join us as we discuss the construction of the power plant, along with the city that housed the workers, how nuclear energy works and its destructive history, what radiation is and the effects it can have on humans, and of course, exactly how the nuclear accident occurred in Chernobyl and the events that immediately followed.  You may be asking, could this really be considered a true crime case? We certainly think so! Not only is it a dark and twisty topic, but it has a trial, conviction, and possibly the highest death toll out of all of any story we've covered in the past.. and perhaps, even in the future. But you'll have to come back for Part 2 to learn all of those details!   Make sure to check out our socials and add to the conversation. As always, answer our questions at the end and we might read your response on next week's show!  Email: murderandmerlot@gmail.com Facebook: Murder & Merlot Podcast Instagram:@murdermerlopodcast  Twitter: @murderandmerlo1   Book Reference:  Midnight in Chernobyl by Adam Higginbotham  Note: We will have a separate book club episode to discuss this book in further detail!   Cheers! *Tink* Psst.. don't like all the chit-chat? That's cool. Skip to 5:45 to start the case.

In this episode Shelly is joined by Adam Higginbotham, author of New York Times best selling book Midnight in Chernobyl. Listen as Shelly and Adam talk about his book and about the biggest nuclear disaster in the world. Adam takes the time to share his own research in the Chernobyl nuclear power plant and the many events that led up to the accident. Visit us at: mynuclearlife.com Patreon: www.patreon.com/mynuclearlife

On 26 April 1986, one of the reactors at the Chernobyl Nuclear Power Plant exploded after unsanctioned experiments on the reactor by plant operators were done improperly. The resulting loss of control was due to design flaws of the RBMK reactor, which made it unstable when operated at low power, and prone to thermal runaway where increases in temperature increase reactor power output.[24][25] Chernobyl city was evacuated nine days after the disaster. The level of contamination with caesium-137 was around 555 kBq/m2 (surface ground deposition in 1986).[26][27] Later analyses concluded that, even with very conservative estimates, relocation of the city (or of any area below 1500 kBq/m2) could not be justified on the grounds of radiological health.[28][29][30] This however does not account for the uncertainty in the first few days of the accident about further depositions and weather patterns. Moreover, an earlier short-term evacuation could have averted more significant doses from short-lived isotope radiation (specifically iodine-131, which has a half-life of about eight days). Estimates of health effects are a subject of some controversy, see Effects of the Chernobyl disaster. Read About the Chernobyl Disaster Chernobyl - Wikipedia Follow Us @s3podcast_ on instagram --- Send in a voice message: https://anchor.fm/thes3podcast/message

This week's episode, Tessa and Taylor briefly discuss the location and history of the Chernobyl Nuclear Power Plant, the location of the worst nuclear disaster in history. The girls also go through the aftermath--directly after the disaster, as well as what's occurring current day. Tessa covers one of her favorite things, conspiracy theories relating to the disaster, and Taylor wraps up the episode talking about mysterious fungi and fearing aliens!

In this episode, have you got a lot of travel rewards banked? You might want to think about starting to use them sooner than later as bookings continue to increase. We'll get some tips and advice from Patrick Sojka from Rewards Canada. Plus we'll check in with the Cruise Guru, David Yeskel and get an update on what's new in the cruise industry and get some insight on the new ships that are being launched. And it's been 35 years since the disaster at the Chernobyl Nuclear Power Plant in Ukraine. And since the HBO mini-series about Chernobyl has aired it's become quite a tourist attraction so we'll find out what it's like to do a tour of the Chernobyl site, 35 years later.   Support the show: https://www.theinformedtraveler.org/

In this episode, have you got a lot of travel rewards banked? You might want to think about starting to use them sooner than later as bookings continue to increase. We'll get some tips and advice from Patrick Sojka from Rewards Canada. Plus we'll check in with the Cruise Guru, David Yeskel and get an update on what's new in the cruise industry and get some insight on the new ships that are being launched. And it's been 35 years since the disaster at the Chernobyl Nuclear Power Plant in Ukraine. And since the HBO mini-series about Chernobyl has aired it's become quite a tourist attraction so we'll find out what it's like to do a tour of the Chernobyl site, 35 years later.   See omnystudio.com/listener for privacy information.

A new neural interface lets people type with their mind, and a crafting journey into materials science.In this episode:00:45 A brain interface to type out thoughtsResearchers have developed a brain-computer interface that is able to read brain signals from people thinking about handwriting, and translate them into on-screen text. The team hope this technology could be used to help people with paralysis to communicate quicker than before.Research Article: Willett et al.News and Views: Neural interface translates thoughts into typeVideo: The BCI handwriting system in action07:37 Research HighlightsLight-sensitive cells help headless worms ‘see’ with their bodies, and a wearable device that monitors itchiness.Research Highlight: How headless worms see the light to steerResearch Highlight: How itchy are you? A new device knows precisely10:26 The science of everyday materialsMaterials scientist Anna Ploszajski joins us to talk about her new book Handmade, which details how her journey into craft helped shape her materials research.Book review: From spoons to semiconductors — we are what we make18:26 Briefing ChatWe discuss some highlights from the Nature Briefing. This time, the genomes of some viruses that contain a very unusual DNA nucleobase, and the smouldering nuclear reactions that remain in the wreckage of the Chernobyl Nuclear Power Plant.Nature: Weird viral DNA spills secrets to biologistsScience: ‘It’s like the embers in a barbecue pit.’ Nuclear reactions are smoldering again at Chernobyl See acast.com/privacy for privacy and opt-out information.

On the anniversary of the Chernobyl Disaster, Michael is joined by Rob Maxwell, Contemporary Archaeologist at the University of Sydney, who is the only archaeologist to stand in the ruins of the world’s deadliest city.      The Chernobyl disaster occurred on Saturday 26 April 1986, at the No. 4 reactor in the Chernobyl Nuclear Power Plant, near the city of Pripyat in the north of the Ukrainian SSR and is considered the worst nuclear disaster in history both in terms of cost and casualties.   About 49,000 people were evacuated from the area, primarily from Pripyat. The exclusion zone was later increased to 30 kilometres (19 mi) radius when a further 68,000 people were evacuated from the wider area.   The reactor explosion killed two of the reactor operating staff. A massive emergency operation to put out the fire, stabilize the reactor, and clean up the ejected nuclear core began.   In the disaster and immediate response, 134 station staff and firemen were hospitalized with acute radiation syndrome due to absorbing high doses of ionizing radiation. Of these 134 people, 28 died in the days to months afterward and approximately 14 suspected radiation-induced cancer deaths followed within the next 10 years.   The initial emergency response, together with later decontamination of the environment, ultimately involved more than 500,000 personnel and cost an estimated 18 billion Soviet rubles—roughly US$68 billion in 2019, adjusted for inflation. See omnystudio.com/listener for privacy information.

Welcome to You Already Know, the podcast with jokes about news you already know. My name is James Creviston and I am a comedian in Los Angeles. Here are this weeks news jokes.Amazon has announced it is bringing palm-reading payment tech to Whole Foods stores. So you can get your palms read in the Vegan aisle and at the register.New research has revealed that traces of radioactive fallout from nuclear tests in the 1950s and 1960s can still be found in American honey. So move over Incredible Hulk here comes The Incredible Drone.President Joe Biden pledged to cut U.S. greenhouse gas pollution in half by 2030. He has started by cutting his own bean intake and banning Taco Tuesdays. According to a new tell all Prince Philip had ‘only one complaint' about Queen Elizabeth during their 73-year marriage. It turns out that he couldn't stand her Dutch ovening him in bed. Polish Animal Control officers detained what was reported to be an animal stuck in a tree, but instead turned out to be a croissant. Authorities detained the croissant and disposed of it during lunch. A Ukrainian airline is commemorating the 35th anniversary of the Chernobyl Nuclear Power Plant disaster by offering an aerial tour of the site. The flight includes a tour, snacks, and an extreme form of cancer. A fight over the name of Josh drew a crowd of hundreds from around the country to a Nebraska park on April 24th for a heated pool-noodle brawl. Following the battle there was no longer any Americans named Josh. These are the jokes for April 26, 2021. I'm James Creviston you can find me on YouTube and this is You Already Know.

April 26, 2021 marks the 35th anniversary of the 1986 disaster at the Chernobyl Nuclear Power Plant in the former USSR — which remains the worst nuclear accident in history — so I’m re-releasing an episode from my second season where my friend Donna and I visited the site of the explosion and toured abandoned buildings in nearby villages. You can read more about my trip and see photos and videos on my website. If you’re a new listener to my show and you enjoy this episode, I recommend you go back and delve into my archives, since I’ve got tons more interesting documentaries I’ve produced from my travels over the years! ————- On Far From Home, award-winning public radio journalist Scott Gurian documents fascinating stories from far-flung places like Iran, Chernobyl, and Mongolia. For more info, visit farfromhomepodcast.org

Bad events can be good teachers. When I was twenty-years-old, the Chernobyl Nuclear Power Plant exploded in the old Soviet Union. Although the Russians tried to keep it secret for days, a huge cloud of radioactive particles was released and began to spread over Europe. Experts predicted hundreds of thousands of cancer deaths over the coming years. It was a scary time, especially for me. A few days after the explosion, I got soaked in an unexpected rain shower on the way to catch a bus to work. Dripping wet, I got on the bus and opened my morning paper, to be met with a government warning: Stay indoors and avoid rain! I wasn’t a Christian at the time, but this tragic event got me thinking seriously about my life and my death, which I was sure was imminent. I thought a lot about what would happen to me after death. This bad event was a good teacher for me. But bad events can also be bad teachers, as we’ll discover in Luke 13:1-5. How do we use bad events as good teachers instead of bad teachers? Let Jesus teach us how.Instagraphics.Website.iTunes.Spotify.

On this week's show, we'll be discussing the "blackbird of Chernobyl" and sharing a grim anniversary. 35 years ago today (April 26), an explosion at the Chernobyl Nuclear Power Plant, in the northern region of Soviet Ukraine, led to the worst nuclear disaster in history. The Chernobyl accident, as it is called,  put 400 times more radioactive material into the Earth's atmosphere than the atomic bomb dropped on Hiroshima in 1945. With such a landscape of human and environmental destruction, it only makes sense that the paranormal would find a home within this abandoned, condemned and yes, haunted place where nobody lives. The Q Files is a personal, purposeful, paranormal podcast about the highly strange and weirdly unknown. Join us on our queer adventures as we explore the people, places, and phenomena, outside popular consciousness. The documentary series features astonishing stories about the paranormal, the supernatural, occulture, forgotten history, and the strange. Be Weird. Stay Curious. These are The Q Files. If you enjoyed the show, be sure to subscribe and leave a review. Stay in touch: Facebook: The Q Files Podcast, Twitter: TheQFilesPod, Instagram: TheQFilesPod The music for The Q Files is provided by Sounds Like An Earful.

In this episode we chat about : shopping cart theory, nuclear symbolic and being rushed at the checkout. Chatting about all topics of life, friends, family, relationships, current events, past experiences and anything between them in the Quarterlife quandary. http://quarterlifequandary.co.uk Shownotes and links: https://scoop.upworthy.com/viral-shopping-cart-theory-determines-moral-character https://en.m.wikipedia.org/wiki/Long-time_nuclear_waste_warning_messages https://twitter.com/AldiUK/status/1222485913235787776?s=19 https://www.mondly.com/blog/2020/05/13/oldest-languages-world/ http://www.theraycatsolution.com/#10000 https://en.wikipedia.org/wiki/Fukushima_Daiichi_nuclear_disaster?wprov=sfla1 https://en.wikipedia.org/wiki/Chernobyl_Nuclear_Power_Plant?wprov=sfla1 ://en.wikipedia.org/wiki/Three_Mile_Island_accident?wprov=sfla1 --- Send in a voice message: https://anchor.fm/quarterlifequandary/message

Patrick Woodall (Adam Ruins Everything, Plus One) returns to help us take on Chuck Norris: Karate Kommandos, the 1986 cartoon where Chuck leads a band of martial artists to fight the evil Claw, Super Ninja, Angelfish and their band of evil ninjas. Plus dolphins!Contact Us!Email: pilotprojectshow@gmail.comInstagram: @pilotprojectpodFacebook: https://fb.me/pilotprojectpodTwitter: @pilotprojectpodWatch: TubiAired: September 15, 1986Episode Run: 5 EpisodesDirected by: John Kimball (Star Trek: The Motion Picture (1979), Darkwing Duck (1991) and Chip 'n' Dale Rescue Rangers (1988)), Charles A. Nichols (Charlotte's Web" (1973), "Pinocchio" (1940))Written By: Michael Maurer and Dorothy MiddletonProduced by: Larry Huber (Danger Rangers (2003), ChalkZone (2002) and Dexter's Laboratory (1996))Composed by: Udi HarpazOfficial Description: Chuck Norris is an operative for the United States government who has a team consisting of Pepper, a technological genius, Kimo, a Samurai warrior, Reed, his apprentice, Tabe, a Sumo warrior, and Too Much, the young ward. Together they foil the plans of The Claw and his right hand man, The Super Ninja.Cast:Sam Fontana ... Reed (voice)Kathy Garver ... Pepper (voice)Robert Ito ... Tabe (voice)Bill Martin ... Claw (voice)Chuck Norris ... Chuck Norris (voice)Alan Oppenheimer... President (voice)Keone Young ... Super Ninja (voice)Episode Description:  Angel Fish kidnaps Dr. Sanford, the architect behind the creation of Sea Lab, so that the Claw can infiltrate it and control the world's oceans. It is up to Chuck Norris and his team of Karate Kommandos to stop them.September 1986 The #1 song that week was “Take My Breath Away" By Berlin The #1 movie for the week was "Blue Velvet"  By David Lynch The film concerns a young college student who, returning home to visit his ill father, discovers a severed human ear in a field that leads to his uncovering a vast criminal conspiracy and entering a romantic relationship with a troubled lounge singer. The #1 tv show was The Cosby Show, followed by Family Ties and Cheers Space Shuttle Challenger blew up 73 seconds after take-off, killing all 7 crew members. Tens of thousands of school-age children were watching the flight live because teacher Christa McAuliffe was a member of the crew. The term “Going postal” originated from a  mass shooting committed by a US Postal Service employee, Patrick Sherrill, in an act of workplace rage. Fourteen people were killed in the rampage. The USSR's Chernobyl Nuclear Power Plant reactor # 4 had a mishap, giving radiation poisoning to an estimated 500,000 to 6,000,000 people. The remaining three reactors continued to operate until 1991, 1996 and 2000 respectively. The USSR created and distributed a forged letter that “exposed” the US government “conspiracy” to overstate the seriousness of Chernobyl meltdown ‘The Wave' was first brought to worldwide attention during the 1986 FIFA World Cup in Mexico The year we found out that last year's Dallas TV show entire season was just Bobby Ewing's (Patrick Duffy) dream (Who Shot JR) Fun Facts To coincide with the airing of the show, Kenner Products made a set of action figures based on the main characters of the show. Kenner also made many accessories, including weapons and vehicles, to go along with the figurines The show is parodied in the 2012 CGI series version of Teenage Mutant Ninja Turtles via a fictional cartoon show named Chris Bradford's 2 Ruff Krew, starring and produced by Chris Bradford, himself a parody of Chuck Norris. This fictional series is first featured in the 4th-season episode "The Weird World of Wyrm". The Karate Komando comic book was penned by the creator of Spider-man and Dr Strange, steve ditko   ★ Support this podcast on Patreon ★

Episode 7: The Chernobyl Disaster   The explosion at the Chernobyl Nuclear Power Plant in Ukraine in the early morning of April 26, 1986 ushered in one of the greatest international disasters of the post-WWII world. The resulting radioactive fallout caused massive suffering and the deaths of thousands and thousands, young and old.   But the events of that morning and the preceding evening remain largely misunderstood. The failures that led to the Chernobyl disaster were locked behind the Iron Curtain for years. After the fall of the Soviet Union, much of the initial misreporting remained unchallenged. Sadly, the HBO series on the subject perpetuates some of the inaccuracies.   Now, the Doomsday Clock podcast, with the help of Adam Higginbotham, author of "Midnight in Chernobyl," uncovers the truth. What happened, why it happened, and how the Politburo reacted are revealed in this stunning discussion. This episode also provides clarity on a complicated subject: the relationship between Chernobyl and the subsequent collapse of the Soviet Union.

In this episode of Reading Between The Lines, Hamza & Mishkat discuss a hit miniseries on HBO called 'Chernobyl'. This is a dramatic retelling of the events leading up to and the aftermath of the Chernobyl Nuclear Power Plant's meltdown in 1986 in Soviet Ukraine.We discuss the stellar videography, cast, characters, and plot of this miniseries.Warning: There is one scene of nudity, in the 3rd or 4th episode, where Russian miners had to mine without clothing. This is a brief scene and is inconsequential to the plot. We recommend this miniseries for older adolescence and adults only as this show deals heavily with the effects of radiation on the body and does have gruesome scenes depicting bodily harm from radiation.▬ Timestamps  ▬▬▬▬▬▬▬▬▬▬00:00​ - Introduction01:52​ - Show Review48:27​ - Book Recommendation: With the Heart in Mind▬ Links  ▬▬▬▬▬▬▬▬▬▬You can find this podcast's website at http://ihya-502.glitch.me/Check us out on YouTube: http://tinyurl.com/ihya502-youtubeCheck us out on Substack: https://tinyurl.com/ihya502-substackCheck us out on Spotify: https://tinyurl.com/ihya502-spotifyWith the Heart in Mind: https://www.qalam.foundation/qalambooks/with-the-heart-in-mind

On April 26, 1986 the worst power plant accident in history took place. The Chernobyl disaster. That's right! This week, Kait is joined by her guest and roommate, Johnny to discuss the Chernobyl Nuclear Power Plant accident that forced the evacuation of an entire city and is still inhabitable today. What exactly happened on that April day? Who is to blame? What's the status of Chernobyl now? Listen and find out. NEW EPISODES EVERY MONDAY! RATE AND REVIEW ON APPLE PODCASTS! Follow the show on Twitter & Instagram: @spookyshowpod Email the show: spookyshowpod@gmail.com Join the Facebook Group and like the Facebook Page: Spooky Show Podcast Follow Johnny on Twitter @doodoojsyg and Instagram @jysg Listen to Johnny's music by searching jsyg on Spotify and Bandcamp! --- Support this podcast: https://anchor.fm/spookyshowpod/support

Welcome to the thirteenth episode of Failurology; a podcast about engineering failures. This week's engineering failure – Chernobyl Nuclear Power Plant Disaster Engineering News- Printable Thermoelectric Generators Transcript / Photos / Sources from this episode - https://www.failurology.ca/ Send your Q&A questions on Twitter - https://twitter.com/failurology Or email me at thefailurologypodcast@gmail.com

Beginning in early April 1986 the people in and around the little known Chernobyl Nuclear Power Plant began to experience a series of strange events revolving around sightings of a mysterious creature described as a large, dark, and mutated man with gigantic wings and piercing red eyes. PATREON ► https://www.patreon.com/podcastfear CREEPYPASTA ► "The Blackbird of Chernobyl". written by Unknown, narrated by Paul Rondeau ► https://creepypasta.fandom.com/wiki/The_Blackbird_of_Chernobyl ~ All stories featured in my videos were narrated, created & published with the original authors expressed permission. ~ SUBMIT YOUR STORY! ► to podcastfear@gmail.com ► Social Media TWITTER ► http://twitter.com/podcast_Fear DISCORD ► https://discord.gg/MsKnMCPeNf SPOTIFY ► https://open.spotify.com/show/6zBwcSjiCEyBNmISyEaDC9?si=RUb7WhFVTbu7jB_kIzYadg ANCHOR.FM ► https://anchor.fm/fearpod ► Business email: podcastfear@gmail.com MUSIC ► Epidemic Sound #Creepypasta #FEAR --- Send in a voice message: https://anchor.fm/whatdoyoufear/message Support this podcast: https://anchor.fm/whatdoyoufear/support

Today, we discuss the infamous Chernobyl Nuclear Power Plant disaster. MysteryHistoryPodcast.com Patreon.com/MysteryHistoryPodcast Sources: https://en.wikipedia.org/wiki/Chernobyl_disaster https://www.world-nuclear.org/information-library/safety-and-security/safety-of-plants/chernobyl-accident.aspx https://www.livescience.com/39961-chernobyl.html --- Send in a voice message: https://anchor.fm/mysteryhistorypodcast/message

We see batteries almost every day, but our brain hardly registers them unless we need one. On average, we throw away over 179,000 batteries every year, plus an additional 140,000 rechargeable batteries. We all know these small reactors create electricity, but what you may not know is the earliest known battery, called the “Baghdad Battery” is from 250BC. It was re-discovered in 1938 in the basement of the Baghdad museum. Controversy surrounds this earliest example of a battery, but suggested uses include electroplating, pain relief, or a religious tingle. American scientist and inventor Benjamin Franklin first used the term "battery" in 1749 when he was doing experiments with electricity using a set of linked capacitors. The first true battery was invented by the Italian physicist Alessandro Volta in 1800. Volta stacked discs of copper and zinc separated by a cloth soaked in salty water. Wires connected to either end of the stack produced a continuously stable current. #batteries #lithium # Now, get ready for the extreme advancement of x-ray technology. A brilliant new light shines in France, where officials at the ESRF announced the reopening of their completely rebuilt x-ray source. The ring-shaped machine, 844 meters around or 2,769-foot circle, generates x-ray beams 100 times brighter than its predecessor and 10 trillion times brighter than medical x-rays. The intense radiation could open up new vistas in x-ray science, such as imaging whole organs in three dimensions. #x-ray #esrf #advancex-ray One of the biggest challenges facing crewed missions to Mars is figuring out how to protect crewmembers from the onslaught of deadly cosmic rays. Now, scientists at a number of universities say there's growing evidence that an unusual solution could be effective: building shields out of a radiation-absorbing fungus that grows near the Chernobyl Nuclear Power Plant. #ChernobylNuclearPowerPlant #CryptococcusNeoformans --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/sciencebytes/message Support this podcast: https://anchor.fm/sciencebytes/support

On the anniversary of the Chernobyl Disaster, Michael is joined by Rob Maxwell, Contemporary Archaeologist at the University of Sydney, who is the only archaeologist to stand in the ruins of the world’s deadliest city. The disaster occurred in 1986, at the No. 4 reactor in the Chernobyl Nuclear Power Plant, near the city of Pripyat in the north of the Ukrainian SSR and was the biggest nuclear energy disaster in history. Of the 50,000 residents that fled the city, few had any idea that the evacuation would be permanent, with abandoned homes, shops, offices and schools frozen forever in time. “Archaeology is very useful in places like Chernobyl, Detroit and Fukushima because it tells you what occurred on the ground, what’s happened since and how we view those places” says Mr Maxwell.

Save Meduza!https://support.meduza.io/enIn a world engulfed by the coronavirus pandemic, “The Naked Pravda” travels back in time to the carefree 1980s, when Americans and Russians worried about simpler things like World War III. Fears in U.S. popular culture that the Cold War might turn hot culminated in 1984 with the film “Red Dawn,” starring Patrick Swayze and Charlie Sheen, about a group of high school students resisting occupation by invading Soviet, Cuban, and Nicaraguan troops. Even if you haven't seen the movie, you've probably seen people on the Internet shouting “Wolverines!” at each other — a reference to the name Red Dawn's protagonists adopt for their guerrilla group.  Soviet-born journalist Slava Malamud joins this discussion about Cold War cinema. Last year, his tweets about the HBO miniseries “Chernobyl” gained enormous popularity, attracting thousands of likes and reposts, including from Craig Mazin, the show's creator. In May 2019, Meduza published a story from Slava about his stepfather's experience as a liquidator at the Chernobyl Nuclear Power Plant in 1986. “The Naked Pravda” comes out on Fridays. Catch every new episode by subscribing at Apple Podcasts, Spotify, Google Podcasts, or other platforms. If you have a question or comment about the show, please write to Kevin Rothrock at kevin@meduza.io with the subject line: “The Naked Pravda.”

Was the biggest peacetime nuclear disaster and demise of the Soviet Union inevitable? On 26 April 1986 at 1.23am, a reactor at the Chernobyl Nuclear Power Plant in Soviet Ukraine exploded. The blast contaminated over half of Europe with radioactive fallout and took the world to the brink of nuclear annihilation. In his award-winning book, Chernobyl: History of a Tragedy, Harvard University professor Serhii Plokhy argues that this was a disaster waiting to happen. A leading historian of Eastern Europe, Plokhy presents the first full analysis of the gripping and unforgettable tragedy, offering us a compelling account of the perpetrators, heroes and victims. Join the winner of the Baillie Gifford Prize for Non-Fiction as he powerfully and expertly argues that Chernobyl was the catalyst of the Ukrainian revolt and the collapse of the Soviet Union. Chaired by award-winning journalist Hamish Macdonald.

Even with the 1,000-square-mile Exclusion Zone, the fires could stir up radiation that settled in the soil. Learn more about your ad choices. Visit megaphone.fm/adchoices

In April of 1986 a nuclear accident occurred at the Chernobyl Nuclear Power Plant in the then Soviet Union. The fallout from the accident and the Soviet government’s response compounded into one of the worst manmade disasters of the nuclear era. In his masterful work of nonfiction, Midnight In Chernobyl, Adam Higginbotham weaves together the stories of the individuals and systems that contributed to the creation of one of the worst disasters in human history. It is not only a sharp eyed and empathetic look at Chernobyl, but it is a particularly timely story about all the things that fall together to create disaster.RELATED READING:Midnight in Chernobyl: The Untold Story of the World’s Greatest Nuclear Disaster by Adam HigginbothamSeeing Like a State by James C. Scott“How the Coronavirus Revealed Authoritarianism’s Fatal Flaw” by Zeynep Tufekci

Chernobyl 2019 ‧ Historical period drama ‧ 1 season In April 1986, the city of Chernobyl in the Soviet Union suffers one of the worst nuclear disasters in the history of mankind. Consequently, many heroes put their lives on the line to save Europe. No. of episodes: 5 The #Chernobyldisaster was a nuclear accident that occurred on Saturday 26 April 1986, at the No. 4 nuclear reactor in the #Chernobyl Nuclear Power Plant, near the city of Pripyat in the north of the Ukrainian SSR.[1][2] It is considered the worst nuclear disaster in history and is one of only two nuclear energy disasters rated at seven—the maximum severity—on the International Nuclear Event Scale, the other being the 2011 Fukushima Daiichi nuclear disaster in Japan. The accident started during a safety test on an RBMK-type nuclear reactor, which was commonly used throughout the Soviet Union. The test was a simulation of an electrical power outage to aid the development of a safety procedure for maintaining cooling water circulation until the back-up generators could provide power – there is a time gap between the moment of power outage and the moment at which the back-up generators reach full power. This operating gap was about one minute and had been identified as a potential safety problem that could cause the nuclear reactor core to overheat. Three such tests had been conducted since 1982, but they had failed to provide a solution. On this fourth attempt, the test was delayed by 10 hours, so an unprepared operating shift had to perform it.[3] During a gradual decrease of reactor power that was done in preparation for the test, the power unexpectedly dropped to a near-zero level at one moment. The operators were able to partially restore power, but this put the reactor in a highly unstable condition. The risks were not made evident in the operating instructions, despite a similar accident occurring years before, and the test proceeded even though the power was still lower than prescribed. Upon test completion, the operators triggered a reactor shutdown, but a combination of unstable conditions and reactor design flaws caused an uncontrolled nuclear chain reaction instead.[4]:33 A large amount of energy was suddenly released, vapourising superheated cooling water and rupturing the reactor core in a highly destructive steam explosion. This was immediately followed by an open-air reactor core fire that released considerable airborne radioactive contamination for about nine days that precipitated onto parts of the USSR and western Europe, before being finally contained on 4 May 1986.[5][6] The fire gradually released about the same amount of contamination as the initial explosion.[7] As a result of rising ambient radiation levels off-site, a 10-kilometre (6.2 mi) radius exclusion zone was created 36 hours after the accident. About 49,000 people were evacuated from the area, primarily from Pripyat. The exclusion zone was later increased to 30 kilometres (19 mi) radius when a further 68,000 people were evacuated from the wider area.[8][8] --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/vegansteven/message

Erich asks "How much paint would it take to paint the Red Forest red?" If you have a question that needs answers, email me at noahataquad@gmail.com or leave a message at anchor.fm/aquad Music and sound design by the Readymade Utopia production team.  https://www.readymadeutopia.com/ Side Note: The Red Forest is just part of the surrounding forested area of the Chernobyl Nuclear Power Plant. The radiation in the area is extremely dangerous, yet many animals have created homes in the area. That's not to say they don't have issues. Birds often have stunted wings and smaller brains than those not in the irradiated zone. There is a growing concern that the trees in the area aren't decaying properly due to the lack of critters that would normally be responsible for it. Many people are worried that there is 35 years worth of kindling full of radiation ready to be released when a forest fire hits the area. It's a scary thought and will be interesting to see if it's proactively addressed. If you are curious, you can read more here: Forests Around Chernobyl Aren't Decaying Properly, Smithsonian: https://www.smithsonianmag.com/science-nature/forests-around-chernobyl-arent-decaying-properly-180950075/ --- Send in a voice message: https://anchor.fm/aquad/message

“On April 26, 1986, a power surge destroyed Unit 4 of the Chernobyl Nuclear Power Plant causing the largest nuclear disaster in history. On this episode of KennanX our host, Jill Dougherty, explores the lasting legacy and impact of Chernobyl. We are joined by Craig Mazin, Creator and Producer of HBO’s Chernobyl; Serhii Plokhii, Director, Ukraine Research Institute, Harvard University; Masha Gessen, Staff Writer at The New Yorker; and Maxim Trudolyubov, Senior Advisor at the Kennan Institute and Editor-In-Chief of The Russia File.”

When an accident occurred at the Chernobyl Nuclear Power Plant's No. 4 reactor in Ukraine on April 26, 1986, Landsat satellites were among the first to capture visual evidence of its widespread impact. This episode of Eyes on Earth outlines how the disaster focused the world's attention on the value of remote sensing.  

When an accident occurred at the Chernobyl Nuclear Power Plant's No. 4 reactor in Ukraine on April 26, 1986, Landsat satellites were among the first to capture visual evidence of its widespread impact. This episode of Eyes on

Radioactive bugs, birds, and dogs: these are a few of biologist Timothy Mousseau’s favorite things. Though the Chernobyl Nuclear Power Plant and neighboring Pripyat have sat largely abandoned for over 30 years, Mousseau has been back more than 50 times. Radiation levels vary inside the evacuation zone — perfect conditions he says to observe its effects on the creatures that call the area home.Support us by supporting our sponsors!Mack Weldon - For 20% off your first order, visit mackweldon.com and enter promo code AI at checkoutCayman Jack- Cayman Jack provides premium prepared cocktails for those with good taste and little time. Find Cayman Jack at a store near you by visiting caymanjack.com. Please drink responsibly. Premium malt beverage. American Vintage Beverage Co. Chicago, Illinois.

This week things get a little serious as we discuss the tragic real-life disaster at the Chernobyl Nuclear Power Plant and the television series that it inspired. Note: We ran into some technical problems this week so you may notice some slight audio glitches and jarring cuts. Grab some merch & support the show at https://www.teepublic.com/stores/disasterartists Join the conversation on Discord https://discord.gg/nxGDVHy Follow us on Twitter https://twitter.com/DisasterArtistsFollow us on Instagram:https://www.instagram.com/disasterartists/ Subscribe on YouTube :https://www.youtube.com/channel/UCPoo2pc6CLnIDXw7iNox6ng    

When an accident occurred at the Chernobyl Nuclear Power Plant's No. 4 reactor in Ukraine on April 26, 1986, Landsat satellites were among the first to capture visual evidence of its widespread impact. This episode of Eyes on Earth outlines how the disaster focused the world's attention on the value of remote sensing.  

The Chernobyl disaster was a catastrophic nuclear accident that occurred in 1986 at the Chernobyl Nuclear Power Plant in the Ukraine. Today, we deep dive into what exactly happened, the failure of leadership, and dereliction of duty. A huge amount of energy was suddenly released, rupturing the reactor pressure vessel in a highly destructive explosion, which was immediately followed by an open-air reactor core fire. The only thing left to secure the radioactive site was the hands and daylight of the people.

In this episode of Atypical Asians, the guys do a dive on HBO’s Chernobyl, a miniseries focusing on the events of the nuclear disaster at the Chernobyl Nuclear Power Plant in 1986, and it’s effects on the world then and 30 years later. They then discuss some of the recently announced gaming titles unveiled at this year’s Electronic Entertainment Expo, aka E3, and one of the world’s premier trade events for the gaming industry. Musing over how titles such as Death Stranding and Cyberpunk 2077 have notable Hollywood celebrities such as Norman Reedus and Keanu Reeves, they discuss how cinematic lines are being blurred with more actors having their likeness brought into gaming, and the future of gaming itself may tie in with this.

Season and Series FinalesGood Girls (NBC)When sisters Beth and Annie and their best friend Ruby become fed up with playing by the rules and not getting the respect they deserve, they band together to take control of their lives -- by holding up a local grocery store. Beth's the perfect wife and mother, but her used-car-dealing, cheating husband has sent her family into financial ruin; Ruby is happily married to a policeman but can't afford the medical bills and experimental drugs to help her daughter; and Annie, a single mom, is caught in a nasty custody battle with her ex. In desperate need of money, the women plan the heist expecting to ease their financial burdens. But new to the game of crime, they get pulled in deeper than they ever imagined -- and the only way out of this will be together.Killing Eve (AMC/BBC America)Eve's life as a spy is not adding up to what she had hoped it would be when she started. She is a bored, very smart, MI5 security officer who is very desk-bound. Villanelle is a very talented killer, mercurial in mood, who clings to the luxuries of her job. Eve and Villanelle go head to head in a fierce game of cat and mouse, each woman equally obsessed with the other as Eve is tasked with hunting down the psychopathic assassin. Sarah Barnett, BBCA president, says, " `Killing Eve' stands out in a sea of scripted stories as refreshingly entertaining and great fun."Fosse/Verdon (FX)Spanning five decades, "Fosse/Verdon" explores the singular romantic and creative partnership between Bob Fosse and Gwen Verdon. Bob is a visionary filmmaker and one of the theater's most influential choreographers and directors, and Gwen is the greatest Broadway dancer of all time. Only Bob can create the groundbreaking musicals that allow Gwen to showcase her greatness. Only Gwen can realize the unique vision in Bob's head. Together, they will change the face of American entertainment -- at a perilous cost.Chernobyl (HBO)Brave men and women act heroically to mitigate catastrophic damage when the Chernobyl Nuclear Power Plant suffers a nuclear accident on April 26, 1986. Movie TalkWild RoseFresh out of prison, a Scottish woman juggles her job and two children while pursuing her dream of becoming a country music star. She soon gets her chance when she travels to Nashville, Tenn., on a life-changing journey to discover her true voice.Director: Tom HarperProduced by: Faye WardCast: Jessie Buckley, Sophie Okonedo, Julie WaltersDistributor: Entertainment OneRelease Date: June 7, 2019Runtime: 1 hour 40 minutesGenre: Drama, Music Plus OneLongtime single friends agree to be each other's plus one at every wedding they are invited to.Director: Jeff Chan, Andrew RhymerProduced by: Jeff Chan, Debbie Liebling, Ross Putman, Andrew Rhymer, Greg Beauchamp, Jeremy ReitzCast: Maya Erskine, Jack Quaid, Beck Bennett, Rosalind Chao, Perrey Reeves, Ed Begley Jr.Distributor: RLJE FilmsRelease Date: June 14, 2019Runtime: 1 hour 39 minutesGenre: Comedy, Drama, Romance RocketmanAn epic musical fantasy about the uncensored human story of Sir Elton John’s breakthrough years.Director: Dexter FletcherProduced by: Elton John, David Furnish, Matthew Vaughn, David Reid, Adam BohlingCast: Taron Egerton, Jamie Bell, Richard Madden, Bryce Dallas HowardDistributor: Paramount PicturesRelease Date: May 31, 2019Runtime: 2 hour 01 minutesGenre: Biography, Drama, Music See acast.com/privacy for privacy and opt-out information.

HBO's Chernobyl has taken the entertainment world by storm as the series documents brave men and women who act heroically to mitigate catastrophic damage when the Chernobyl Nuclear Power Plant suffers a nuclear accident . But how do Nuclear Explosions & Nuclear Meltdowns Happen? We take a dive into the process of how nuclear meltdowns or explosions occur. Further, we look at the Chernobyl and the Fukushima Daiichi nuclear disaster. Thanks for listening! Email - TheOffTheTopCast@gmail.com Social - @OffTheTopCast

Jay and Chris review the fifth episode of HBO's incredible limited series Chernobyl. This five-part account of facts chronicles the tragic and terrifying events during and after the explosion at the Chernobyl Nuclear Power Plant in 1986. --- Support this podcast: https://anchor.fm/talkingtelevision/support

Jay and Chris review the fourth episode of HBO's incredible limited series Chernobyl. This five-part account of facts chronicles the tragic and terrifying events during and after the explosion at the Chernobyl Nuclear Power Plant in 1986. --- Support this podcast: https://anchor.fm/talkingtelevision/support

Jay and Chris review the third episode of HBO's incredible limited series Chernobyl. This five-part account of facts chronicles the tragic and terrifying events during and after the explosion at the Chernobyl Nuclear Power Plant in 1986. --- Support this podcast: https://anchor.fm/talkingtelevision/support

Jay and Chris review the second episode of HBO's incredible limited series Chernobyl. This five-part account of facts chronicles the tragic and terrifying events during and after the explosion at the Chernobyl Nuclear Power Plant in 1986. --- Support this podcast: https://anchor.fm/talkingtelevision/support

Jay and Chris review the first episode of HBO's incredible limited series Chernobyl. This five-part account of facts chronicles the tragic and terrifying events during and after the explosion at the Chernobyl Nuclear Power Plant in 1986. --- Support this podcast: https://anchor.fm/talkingtelevision/support

Films and TV Series Discussed:OnlyOnly is a mysterious, dreamy post-apocalyptic love story told elegantly and in non-sequential order by director Takashi Doscher. Tony Award-winner Odom, Jr. (Hamilton) and Pinto (Slumdog Millionaire) play the doomed couple whose fear that their secret will be revealed unveils the layers of pain and longing between them. As Will and Eva struggle to reach a beloved waterfall from their past, the couple attempts to survive in a new world where she is a commodity of unparalleled worth.Two/OneKaden (Boyd Holbrook) is a ski jumping champion pushing the limits. After a few disappointing jumps, his drive returns in the form of a long lost love. Khai (Song Yang) is a lonely executive focused on an ascending career. When a mysterious woman (Zhu Zhu) starts working at his office, he’s not ready for the detour.The same living essence inhabits two different homes: one in Canada, one in China. Two men who have never met share a lonely existence. While one sleeps, the other is awake. The world waits for an impending moment; They must unite.RoadsTwo lost teenage boys, from Congo and Britain, meet in Morocco and take a road trip in a stolen RV to France, encountering poverty and refugees on the way.Chernobyl Brave men and women act heroically to mitigate catastrophic damage when the Chernobyl Nuclear Power Plant suffers a nuclear accident on April 26, 1986.The Kill TeamA young American soldier in Afghanistan is disturbed by his commanding officer's behavior and is faced with a moral dilemma.Crown Vic Follows one memorable night in the life of LAPD officer Ray Mandel while hunting two cop killers on the loose. See acast.com/privacy for privacy and opt-out information.

Series PremieresGentleman Jack (HBO)It's 1832 in West Yorkshire, England -- the cradle of the evolving Industrial Revolution -- where landowner Anne Lister is determined to save her faded ancestral home, Shibden Hall, even if it means bucking society's expectations. In addition to reopening the coal mines, a part of Lister's plan to help her family is to marry well. But the charismatic, single-minded Lister -- who dresses head-to-toe in black and charms her way into high society -- has no intention of marrying a man. "Gentleman Jack" examines Lister's relationships with her family, servants, tenants and industrial rivals, and would-be wife. The real-life Anne Lister's story was recorded in her diaries, and the most intimate details of her life are revealed for the series.Chambers (Netflix)Consumed by the mystery surrounding the donor heart that saved her life, a young patient starts taking on sinister characteristics of the deceased. Upcoming Miniseries PremiereChernobyl (HBO)Brave men and women act heroically to mitigate catastrophic damage when the Chernobyl Nuclear Power Plant suffers a nuclear accident on April 26, 1986. Mid-Season Check-InGame of Thrones (HBO)Nine noble families fight for control over the mythical lands of Westeros, while an ancient enemy returns after being dormant for thousands of years. See acast.com/privacy for privacy and opt-out information.

On the night of the 25th going into the 26th of April 1986, a chain of events began that would destroy thousands of lives, ruin millions of acres of land and would, in many respects, help catalyst the re-shaping of a world that had been in the grip of the Cold War since 1945. That chain of events would culminate in the nuclear disaster that decimated Reactor 4 at Chernobyl Nuclear Power Plant, near the town of Pripyat, in northern Soviet Ukraine. This April sees the 33rd anniversary of the disaster. Dr. Paul Goldsmith joins Versus History to talk about his research and experiences at Chernobyl.

Tonight we discuss the strangeness around the Chernobyl Nuclear Power Plant disaster. There are a lot of urban legends and some stories that just might have some truth to them…. Can you decide which is which? Poddy Break: Hillbilly Horror House Hekyll & Shyde Mail us something PO Box 941 Hendersonville, Tn. 37077 Patreon https://www.patreon.com/GraveYardTales Do you want GraveYard Merch?!?! WWW.GraveYardPodcast.com to get you some! Visit DarkMyths.org Thank You Darron for our Logo!! You can get in touch with Darron for art work by searching Darron DuBose on Facebook or Emailing him at art_injector@yahoo.com Thank you to Brandon Adams for our music tracks!! If you want to hear more from Brandon check him out at: Soundcloud.com/brandonadamsj Youtube.com/brandonadams93 Or to get in touch with him for compositions email him at Brandon_adams@earthlink.net WWW.GraveYardPodcast.com Email us at: GraveYardTalesPodcast@gmail.com Find us on social media: Twitter: @GrveYrdPodcast Facebook: @GraveYardTalesPodcast Sources http://www.world-nuclear.org/information-library/safety-and-security/safety-of-plants/chernobyl-accident.aspx https://themothman.fandom.com/wiki/The_Blackbird_of_Chernobyl https://www.vice.com/en_us/article/7bxama/the-immortality-commune-of-gavdos https://mysteriousuniverse.org/2018/02/conspiracies-mysteries-and-monsters-of-chernobyl/ https://www.ranker.com/list/creepy-chernobyl-stories/juliet-bennett-rylah http://www.paranoiamagazine.com/2017/10/ghostly-stories-ukraine-haunting-chernobyl/

Occultae Veritatis Podcast Case #032: The Chernobyl Nuclear disaster The Chernobyl disaster, also referred to as the Chernobyl accident, was a catastrophic nuclear accident. It occurred on 25–26 April 1986 in the No. 4 light water graphite moderated reactor at the Chernobyl Nuclear Power Plant near the now-abandoned town of Pripyat, in northern Ukrainian Soviet Socialist Republic, Soviet Union, approximately 104 km (65 mi) north of Kiev. Palet Cleanser: Solidarity Forever by Pete Seeger Subscribe: https://linktr.ee/ovpodcast

On the morning of April 26, 1986, the world witnessed the worst nuclear disaster in history: the explosion of a reactor at the Chernobyl Nuclear Power Plant in Soviet Ukraine. Dozens died of radiation poisoning, fallout contaminated half the continent, and thousands fell ill. In his lecture, Serhii Plokhii draws on new sources to lay bare the flaws of the Soviet nuclear industry, tracing the disaster to the authoritarian character of Communist party rule, the regime’s control of scientific information, and its emphasis on economic development over all else. Today, the risk of another Chernobyl, claims Plokhii, looms in the mismanagement of nuclear power in the developing world.

At 01:23 Moscow time, on April 26, 1986, the world underwent a fundamental change; Reactor No. 4 at the Chernobyl Nuclear Power Plant experienced a core explosion, a subsequent steam explosion and open-air graphite fire. The Chernobyl catastrophe was the result of mankind’s hubris. Nothing could go wrong and yet the worst case scenario occurred.Author, photographer and world traveler Charles E. Rawlings, M.D, J.D., talks about his recent visit to Chernobyl, the ghost town of Pripyat and the Pripyat Hospital, 31 years after the disaster. See his photo essay here: http://blendradioandtv.com/listing/chernobyl/

The Chernobyl disaster, also referred to as the Chernobyl accident, was a catastrophic nuclear accident. It occurred on 26 April 1986 in the No.4 light water graphite moderated reactor at the Chernobyl Nuclear Power Plant near Pripyat, in what was then part of the Ukrainian Soviet Socialist Republic of the Soviet Union (USSR). During a late night safety test which simulated power-failure and in which safety systems were deliberately turned off, a combination of inherent reactor design flaws, together with the reactor operators arranging the core in a manner contrary to the checklist for the test, eventually resulted in uncontrolled reaction conditions that flashed water into steam generating a destructive steam explosion and a subsequent open-air graphite fire.[note 1] This fire produced considerable updrafts for about 9 days, that lofted plumes of fission products into the atmosphere, with the estimated radioactive inventory that was released during this very hot fire phase, approximately equal in magnitude to the airborne fission products released in the initial destructive explosion.[1] Practically all of this radioactive material would then go on to fall-out/precipitate onto much of the surface of the western USSR and Europe. The Chernobyl accident dominates the Energy accidents sub-category, of most disastrous nuclear power plant accident in history, both in terms of cost and casualties. It is one of only two nuclear energy accidents classified as a level 7 event (the maximum classification) on the International Nuclear Event Scale, the other being the Fukushima Daiichi nuclear disaster in Japan in 2011.[2] The struggle to safeguard against scenarios which were, at many times falsely,[1] perceived as having the potential for greater catastrophe and the later decontamination efforts of the surroundings, ultimately involved over 500,000 workers and cost an estimated 18 billion rubles.[3] During the accident, blast effects caused 2 deaths within the facility and later 29 firemen and employees died in the days-to-months afterward from acute radiation syndrome, with the potential for long-term cancers still being investigated.[4] The remains of the No.4 reactor building were enclosed in a large sarcophagus (radiation shield) by December 1986, at a time when what was left of the reactor was entering the cold shut-down phase; the enclosure was built quickly as occupational safety for the crews of the other undamaged reactors at the power station, with No.3 continuing to produce electricity into 2000.[5][6] The accident motivated safety upgrades on all remaining Soviet-designed reactors in the RBMK (Chernobyl No.4) family, of which eleven continued to power electric grids as of 2013.[7][8]   From: https://en.wikipedia.org/wiki/Chernobyl_disaster   Final skit music  "Dangerous" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/  

The Chernobyl disaster, also referred to as the Chernobyl accident, was a catastrophic nuclear accident. It occurred on 26 April 1986 in the No.4 light water graphite moderated reactor at the Chernobyl Nuclear Power Plant near Pripyat, in what was then part of the Ukrainian Soviet Socialist Republic of the Soviet Union (USSR). During a late night safety test which simulated power-failure and in which safety systems were deliberately turned off, a combination of inherent reactor design flaws, together with the reactor operators arranging the core in a manner contrary to the checklist for the test, eventually resulted in uncontrolled reaction conditions that flashed water into steam generating a destructive steam explosion and a subsequent open-air graphite fire.[note 1] This fire produced considerable updrafts for about 9 days, that lofted plumes of fission products into the atmosphere, with the estimated radioactive inventory that was released during this very hot fire phase, approximately equal in magnitude to the airborne fission products released in the initial destructive explosion.[1] Practically all of this radioactive material would then go on to fall-out/precipitate onto much of the surface of the western USSR and Europe. The Chernobyl accident dominates the Energy accidents sub-category, of most disastrous nuclear power plant accident in history, both in terms of cost and casualties. It is one of only two nuclear energy accidents classified as a level 7 event (the maximum classification) on the International Nuclear Event Scale, the other being the Fukushima Daiichi nuclear disaster in Japan in 2011.[2] The struggle to safeguard against scenarios which were, at many times falsely,[1] perceived as having the potential for greater catastrophe and the later decontamination efforts of the surroundings, ultimately involved over 500,000 workers and cost an estimated 18 billion rubles.[3] During the accident, blast effects caused 2 deaths within the facility and later 29 firemen and employees died in the days-to-months afterward from acute radiation syndrome, with the potential for long-term cancers still being investigated.[4] The remains of the No.4 reactor building were enclosed in a large sarcophagus (radiation shield) by December 1986, at a time when what was left of the reactor was entering the cold shut-down phase; the enclosure was built quickly as occupational safety for the crews of the other undamaged reactors at the power station, with No.3 continuing to produce electricity into 2000.[5][6] The accident motivated safety upgrades on all remaining Soviet-designed reactors in the RBMK (Chernobyl No.4) family, of which eleven continued to power electric grids as of 2013.[7][8]   From: https://en.wikipedia.org/wiki/Chernobyl_disaster   Final skit music  "Dangerous" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/  

In this episode of the Slow Russian Podcast we are talking about the catastrophic nuclear accident that occurred on 26 April 1986 at the Chernobyl Nuclear Power Plant in the city of Pripyat.  Чернобыль – городок в 80 километрах от Киева. Именно здесь 26 апреля 1986 года произошёл взрыв на атомной электростанции, который вошёл в историю как крупнейшая техногенная катастрофа. Интерес к этой теме до сих пор колоссальный. Десятки фильмов и сотни статей посвящены Чернобылю. На основе фотографий из зоны отчуждения сделаны компьютерные игры. Давайте обсудим несколько самых распространённых вопросов. Вопрос первый. Сколько человек пострадали от аварии? По официальной статистике в первый год было зарегистрировано более 638 тысяч человек. Из них 187 тысяч – ликвидаторы и 389 тысяч – жители близлежащих областей. Последствиями стали лучевая болезнь, лейкемия и рак щитовидной железы, особенно среди детей и подростков. Второй вопрос. Действительно ли на территории встречаются мутанты? Мировая наука 60 лет изучала появление генетических дефектов вследствие радиации. Слухи о генетических последствиях чернобыльской катастрофы сильно преувеличены. Зона вокруг Чернобыля больше напоминает природный заповедник, где бродят лоси, олени, волки, лисы. Биологи их изучали и не нашли ни одного двухголового или трёххвостого.   Trancript - http://realrussianclub.com/2016/05/27/episode-18/  My YouTube - http://youtube.com/realrussianclubchannel  My Twitter - http://twitter.com/realrussianteam  My instagram - http://instagram.com/realrussianclub  If you like what I do, you can support me by donating with PayPal - https://www.paypal.me/realrussianclub   Please subscribe to a newsletter on my website! http://realrussianclub.com/subscribe   

A botched safety test in the Chernobyl Nuclear Power Plant's fourth reactor will change the world forever. 30 years on, Dave explores the worst nuclear disaster in history. How and why did it happen? Also Dave tries to be all sciencey and explain how a nuclear reactor works... So that's fun. #MegaTrotsTwitter: @DoGoOnPodInstagram: @DoGoOnPodFacebook: https://www.facebook.com/DoGoOnPod/Email us: dogoonpod@gmail.comSupport the show and get rewards like bonus episodes:www.patreon.com/DoGoOnPod See acast.com/privacy for privacy and opt-out information.

Martha Kearney reviews today's release of secret government files from the mid 1980s. The year long miners' strike came to an end in 1985, but social unrest continued with riots in London leaving a policeman dead in Tottenham. Football hooliganism burgeoned, resulting in horrific scenes at the European Cup Final in Heysel when 39 people died during violent riots before the Liverpool/Juventus match. Mikhail Gorbachev became Soviet leader and Oleg Gordievsky was one of a number of high profile Russian defectors to Britain. As nuclear arms talks between the Soviet Union and the United States made a tentative start, a catastrophic accident at the Chernobyl Nuclear Power Plant in Ukraine released radioactive particles over much of the Western USSR. A row in Cabinet over the future of Westland helicopters resulted in Michael Heseltine's resignation as Defence Secretary in early 1986. A Cabinet Committee considered government policy on AIDS for the first time, and several Whitehall departments collaborated to develop what became the 'Poll Tax'. As the official Cabinet papers of the mid-80s are opened to the public for the first time, Martha Kearney discovers how these events were viewed in Government. With access to the Prime Minister's personal correspondence, minutes of top secret meetings and telephone calls, and confidential policy advice, UK Confidential offers fresh insights into history. Martha is joined in the studio by key political players from the time - Defence Secretary Lord (Michael) Heseltine, Shadow Chancellor Lord (Roy) Hattersley, Margaret Thatcher's private secretary Lord (Charles) Powell, and Channel 4 Political Correspondent Elinor Goodman. Produced by Deborah Dudgeon A Whistledown production for BBC Radio 4.

On April 26, 1986 at 1:23 in the morning, the reactor number four at the Chernobyl Nuclear Power Plant located in the Soviet Union near Pripyat in Ukraine exploded. Further explosions and the resulting fire sent a plume of highly radioactive fallout into the atmosphere and over an extensive geographical area.  Nearly thirty to forty times more fallout was released than Hiroshima. Do you remember? You should.  You need to.The following is a study of Revelation 8:6-13

ABSTRACT BACKGROUND Leukaemia, especially the acute types predominant in children, may be caused by ionizing radiation. After the Chernobyl Nuclear Power Plant accident on 26 April 1986, parts of Belarus, Russia and the Ukraine were contaminated with radionuclides. To date, over 270 000 people live in such contaminated regions in Russia. This study investigates whether the leukaemia incidence rates in these regions might have increased due to the radiation. MATERIALS & METHODS A prospective population-based cohort study with a control group was carried out. Cases of leukaemia previously not registered were actively sought for in medical and administrative institutions. Each case that had occurred in the study regions between 1980 and 1998 has been ascertained and verified. A descriptive analysis was then performed on the resulting data base which included 333 leukaemia cases. RESULTS There is a slight secular trend in the standardized incidence rates both in the highly contaminated and in the control regions. This increase, however, is more marked in the control regions. The incidence rates in children (0-14) in the highly contaminated regions decrease between the pre-accident (1980 to 1986) and the first post-accident period (1987-1992) and show a slight increase towards the second post-accident period (1993-1998), whereas the incidence rates in the control regions show exactly the opposite dynamic. This makes a connection between the dynamics of the incidence rates and the radiological situation highly improbable. The comparative analysis of the leukaemia incidence rates has not revealed a statistically significant difference between the population of the highly contaminated regions of the Bryansk oblast and the combined control regions of the Kaluga oblast. CONCLUSIONS There is so far no indication of an increase in leukaemia incidence rates in the general population, neither for children nor for adults. This does not contradict the current radiobiological knowledge that cancer, especially leukaemia, can be caused by ionizing radiation. The number of expected radiation-induced cases based on the risk estimates from the Japanese cohort lies within the 95% confidence limits of the spontaneous incidence rates. It would therefore, if at all present, not be statistically detectable in a population of 222 000 with a spontaneous rate of 5.4/100 000 in men and 3.3/100 000 in women in the control regions. Considering the latency periods and the age-dependent risk-curve of radiation-induced cancers, it is highly unlikely that a radiation-related increase in leukaemia or solid tumour incidence rates will become obvious in the future. The fear and apprehension caused by the overestimation of the radiation risks create a continuous stress situation and add to the present detrimental health conditions in the population. It is therefore of utmost importance to communicate not only the results but also the reliability of the study and the soundness of the data to the affected people.