Podcasts about radio hits

Oooh yeahhh! Wrestling fever has come to the Mold Brain HQ. Can you smell whats cooking? It's our boys about to put the smack down on yer asses! And what's this? Like Sting dropping down from the rafters, it's David from The WacArnolds Bro's dropping some knowledge on the fellas. Mold Brain 3:16 For more of yer boi Dj Pi$$ https://open.spotify.com/album/7kxYBqhzk20cQBBhNSBuF7?si=cIYjm6bpT5C8KdKWNxizEw

In der siebenundachtzigsten Episode unseres ultrakurzweiligen Medien-Podcasts „Voll in die Presse“ dreht sich alles um das Radio, das heute 100-jähriges Jubiläum feiert. So lange ist es her, seit in Deutschland das erste dauerhafte Unterhaltungsprogramm gesendet wurde. Damals noch zum Schnupperpreis von 350 Mrd. Mark. Als virtueller Studiogast beehrt uns Funk- und Fernsehredakteur DJ Belucci. Als Mann vom Fach würzt er unsere - durch viele launige O-Töne aufgelockerten - romantisch beseelten Ausführungen mit der angemessenen Expertise. Kurzum, wir lieben das Radio und das hört man auch! Die vollständigen Shownotes mit allen Bildern und Artikel-Links findet ihr unter: www.benanza.de/2023/podcast/vidp87-radio-hits-radio-pannen-und-radio-romantik-radio-jubilaeums-edition-mit-dj-belucci

Rock on, Slackers!Although nowadays every Disney Channel star gets at least one hit single, in the 70s, 80s, and 90s, actors getting hit records wasn't nearly as common. When this type of thing did happen, it often came from the most unexpected performers.From David Soul (Hutch of Starksy & Hutch fame) and his #1 soft rock hit "Don't Give Up On Us", to Jamie Walter's #1 ballad "How Do You Talk To An Angel", a number of tv and film stars hit the charts in big way.Soap opera hearthrobs Jack Wagner & John Stamos (Beach Boys) became minor music stars, while A list movie stars like Eddie Murphy, Bruce Willis, and Patrick Swayze were one hit wonders.Did you know that Swayze actually wrote "She's Like the Wind"?And do you remember Tracey Ullman before her self titled sketch comedy show hit the airwaves?

Live Recorded Set from VirtualDJ Radio TheGrind

Sam and Adam get right to discussions after Lauryn Hill announces her new tour. They then discuss what albums in the last 5 years have aged well and aged poorly. They then debate who they think should perform at the Super Bowl and why there is lack of radio hits now. Lastly, they shout out some great albums from Mick Jenkins and Russ.   Make sure to subscribe and rate us on Apple, Spotify, Google Podcast, and Sound Cloud! We truly appreciate your support.     Find us on social media for daily content and information regarding all things music industry Twitter: https://twitter.com/soundcentricmus Instagram:https://https://www.instagram.com/soundcentricmusic//soundcentricmusic Tik Tok: https://www.tiktok.com/@soundcentricmusic Facebook: https://www.facebook.com/SoundCentricmusic Website: https://soundcentricmusic.com Podcast: https://www.soundcentricmusic.com/listen/    0:00 - Intro 0:25 - Lauryn Hill Announces Miseducation tour 2:20 - Playlist title of the week 3:40 - Teezo Touchdown shoutouts 8:00 - Drake drops album cover for For All The Dogs 12:50 - Artists we want to drop 17:45 - What albums have aged well and poorly the last 15 years 29:25 - Who will perform at the Super Bowl 31:15 - What happened to radio hits? 34:20 - Mick Jenkins album shoutout 35:45 - Russ album shoutout  

Here in Episode 127 of the No Name Music Cast, it is Joy's turn to pick the topic and she chooses to talk about Top Radio Hits!She covers the most played songs on UK and US Radio and some of them are a surprise to both of us!We cover The Police, The Kinks and The Association to name only a few.We also cover Vegan Butter, Sunscreen, Greetings Cards and Bullseye!https://www.facebook.com/NoNameMusicCast/

'Radio Hits Vocals Vol.2 Male Edition' is the latest addition to our renowned HighLife Samples Radio Hits Vocals Vol.2. Dive into a world of captivating male vocals that will take your EDM productions to new heights.  Crafted with meticulous attention to detail, this royalty-free sample pack is designed to inspire and elevate your music. Are you ready to infuse your tracks with emotion and powerful energy? Look no further than Radio Hits Vocals Vol.2 Male Edition.  Whether you're producing progressive house, electro, trance, or any other EDM genre, these male vocals will seamlessly blend into your tracks, adding depth and professionalism.  Experiment with different vocal samples, slice and dice them, or use them as they are. The endless possibilities allow you to shape your tracks exactly how you envision them. We understand the importance of versatility in music production, so this male edition perfectly complements the previously released female edition.  Together, they provide a well-rounded collection of vocal samples, catering to the diverse needs of EDM producers. Take advantage of this opportunity to create truly unforgettable tracks. Like all HighLife Samples products, Radio Hits Vocals Vol.2 Male Edition is meticulously curated and organized with Key scale and BPM, making finding the right vocal snippet for your project easy. Each sample is delivered in high-quality 24-bit WAV format, ensuring compatibility with all major DAWs and samplers. You can also find loops of Drums, Bass, Fx, and Synths. Elevate your EDM productions with the captivating male vocals of Radio Hits Vocals Vol.2 Male Edition. Get ready to unleash your creativity and make a lasting impact on the global music scene. Pack Content: 5 Construction Kits 10 Vocals(Wet and Dry) 10 Bass Loops 17 Drum Loops 17 Fx 7 Synth Loops

This week on Round Guy Radio we celebrate 1000 episodes. Dave and John put together a show so big we had to break it into 2 parts. Coton Liechty of WACO and Clay Morse named Round Guy Radio Athlete of the week. Lots more.

In this weeks episode I talk about Ronnie Radke, Falling in Reverse, and their latest single that was released titled, "Watch the World Burn".Ronnie Radke is a very polarizing figure in the music industry, you either love him or you hate him. The unfortunate thing is that his name has always been surrounded by heavy criticism for things he has done in the past.I for one can see that this man is attempting to turn his life around and it seems like people are trying to hold him hostage to his past decisions.He is extremely talented in music, his work ethic is undeniable, and everything this band puts out immediately garners eyeballs, clicks, and attention.I feel the need to come to Ronnie's aid/defense because what he is doing with his music, message, and unrelenting creativity is massively important for the day and age that we are living in. This man must be protected at all costs.Enjoy the episode, the video version will be up on YouTube here shortly.----- Checklist -----Instagram: https://www.instagram.com/pootsiemama/Patreon: https://www.patreon.com/colepootsTik tok: https://www.tiktok.com/@pootsiemama

A selection of Top 40 hits from January 2009. Artists include The Killers, Kevin Rudolf, Nickelback, Katy Perry, David Cook, Jordin Sparks and more! (R)

All-round Radio Hits by Reminisce Radio - Fleqx --- Support this podcast: https://podcasters.spotify.com/pod/show/fleqx/support

Video download links: https://mega.nz/folder/EU9mmKTY#SWpYU0-p6ykNPO_5CGc45w https://t.me/djsanchez254mixes

#1 highest rated episode guest ever Bulldogs Coach Borrison and Dave celebrate a big Bulldog win and Round Guy Radio hitting 10,000 listener's. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

On Sunday evening, Aug. 21 at 7 p.m. EDT, Redemption will host Gotee Records recording artist Cochren & Co. at Redemption's Jasper Campus. The Dove Award-nominated Cochren & Co. have toured coast to coast and recently completed a run on the arena-filling Hits Deep tour directly supporting TobyMac and Crowder. Their debut full-length album Don't Lose Hope was released on Gotee Records in 2021 and includes the Billboard Top 10 Radio Hits "Church (Take Me Back)," "One Day," and "Who Can." The current single "Thank God For Sunday Morning" is heating up across airwaves and streaming platforms nationwide. In this wide-ranging interview with Michael Cochren, he tells Redemption's Daniel Ross how music — and the music business — fits into his life, as well as how a kid can go from Montgomery, Indiana, to sharing the stage with the godfather of modern Christian Music, TobyMac. In addition, he talks about anxiety, pressures — and joys — of the music business, playing in post-hardcore/screamo bands/Warped Tour bands, and much more!

Bienvenidos de nuevo a la Cinemafia, familia. Benjamín Salcedo es fundador de la Revista Rolling Stone México, de la cual ha sido director desde el 2002. Benjamín cuenta con una notable experiencia en el mundo de la industria editorial, estrategias de marketing, publicidad y contenidos creativos. Fue editor de Switch Magazine, locutor y productor de programas de radio como Radio Hits en Grupo Radiocentro y Frecuencias Alteradas en el IMER y en Rock 101. En este episodio nos acompaña como invitado especial para intercambiar opiniones sobre la vida de Elvis Presley y la reciente película sobre la vida del Rey del Rock dirigida por Baz Lahrmann, Director de maravillosas películas como El Gran Gatsby, Romeo + Julieta y su obra por excelencia, Moulin Rouge. Hablamos sobre la actuación de los principales actores, las escenas más impactantes, los hitos y el legado de trayectoria de Elvis Presley. Hablamos de la costumbre de Elvis de llevar su coche a todas sus giras y de cómo los Beatles se inspiraron en eso para crear sus primeros vídeos musicales. Para conocer más sobre Benjamín síguelo en sus redes sociales: Instagram: @benjaminsalcedo Twitter: @benjaminsalcedo Blog: Sonósferas by Benjamín Salcedo Síguenos en: Youtube: La Cinemafia Instagram: @lacinemafia, @lachicaalmodovar, @anuarac1. Producido por: @genuinamedia y @starletproject Síguenos en:Youtube: La CinemafiaInstagram: @lacinemafia, @lachicaalmodovar, @anuarac1Producido y Distribuido por:Genuina Media

Brian Davis' songs have been recorded by artists including, Brantley Gilbert, Lee Brice, Jarrod Niemann, Tyler Farr, Gretchen Wilson, and many others. He wrote Brantley Gilbert's #1 hit "One Hell of an Amen."

Charli XCX - The Interview | Unplugged Interviews All uploads on this channel are for promotional purposes only! The music has been converted before uploading to prevent ripping and to protect the artist(s) and label(s). If you don't want your content here (that goes for audio or images) please contact me immediately via email: unpluggedtube@outlook.it and I WILL REMOVE THE EPISODE OR ARTWORK IMMEDIATELY! ---------------------------------------------------------------------------------------------------- 0:00 - Intro 2:46 - Exploring the Limits of Pop in 5 Albums 10:45 - Reflecting on the Past 10 Years 16:47 - Love, Loss and Life Experiences 24:43 - Concept of CRASH 32:21 - Rejection and the Pop Model 35:31 - Radio Hits and Being Authentic 39:37 - Finding Musical Identity 49:30 - Legacy of SOPHIE 54:25 - Reshaping Music Forever Reshared by Team UNPLUGGED.

GenerAsian Radio  is a Twitch stream and podcast showcasing beats from around the world in search of modern (and classic) beats with the hopes of bringing the world closer together. This podcast explores the beauty and connectedness of musical cultures from every part of the globe and their dancefloors.This world music radio show features such artists Talwiinder , Shakur Da Brar , Bambi Bains , Dj Alx and More!!!Add us on Instagram, Facebook, and watch us on http://twitch.tv/generasianradio and now subscribe to our YouTube!!!FASHION DI DEFINITION - Deep Jandu Circle - Varinder Brar Ft KaaterBAMBI BAINS - Duniya Suroorn - Taji Miss Pooja - Juraban ALL ABOUT ME - Shakur Da BrarHappy Singh - Das BilloG Shit - Sidhu Moose Wala Talwiinder - Look at Them Thug Life - Jasmine SandlasGOAT - AP DHILLONMAJHAIL - AP DHILLONJAAN PANJABI 2.0 - PBN Tesher x Jason Derulo - Jalebi BabyRitviz - PranLIFAFA लिफाफा - NikammaPiya (feat. @Dhaval Kothari & @Rebel 7 )  - Shreyasi GopinathInsane x Peaches - DJ ALXAwara Hoon -  DJ SURAJ FLIP RaOol  - Ke Have HaveLIFAFA लिफाफा  - Wahin Ka WahinVismay Patel - Main Toh Chala Rusha & Blizza - KaisePooram - RHYTHOM Ritviz - Khamoshi Brodha V - AaraamWHITE COLLAR -  Kaam BhaariKYA YAHI PYAR HAI (VIZEN FLIP)   Natya  - Tabla Trap BeatAR Rahman - Roja (Trapstep Remix)Blurface - Kisi kiCatchy - Bandra Talwiinder - Unforgettable Teer Punjab Ton  - Jazzy B Umbrella - Diljit Dosanjh  CHAOS - PBN CASH FLOW - LUV SINGHTere Naal Mulaze - DangerDhamiSun Wanjli - DangerDhami

Episode 16 Chopping it up with John Soto of Christ is King Subscribe NOW to Letz Chop It Up: https://bit.ly/LetzChopItUp​ Get MORE of Letz Chop It Up: ► FOLLOW us on Instagram: https://www.instagram.com/LETZCHOPITUP​ ► LIKE us on Facebook: https://www.facebook.com/letzchopitup​

This week I go over songs that I have heard over and over again on the radio while driving to and from work. These are good catchy songs that will probably get stuck in your head. The last song CAROUSEL by Aries is one of my most played from my playlist recently, but is not on the radio constantly. A fun episode with great podcast questions. Please DM me on Instagram @jd4unc to answer the podcast questions or provide any feedback about the podcast. All feedback will be appreciated. If you have not yet, go check out the last episode with guest Vanessa Merritt. Thanks for listening, leave a like, a review, and share with a friend. Music Credits For This Episode: Intro The Alan Parsons Project Sirius, Kings & Queens by Ava Max, BANG! By AJR, SO DONE by The Kid LAROI, and CAROUSEL by Aries. The outro Midsummer Madness Instrumental Prko. Sources: Genius, Muisxmatch.com, lyricfind.com, Spotify.com playlist Today's Top Hits, and YouTube.

Finally what you’ve been waiting for!!!! 2021 is already starting off a kick ass year for the R.A.Z. Boys! This very special first episode of the year was brought to you by Rivas Enterprises and none other than the man, the myth and the legend, Steven Mangurten. Dirt jumped on our show to talk about our new setup improvements, updates and upgrades to our platform. Thanks for making the time for us Steven and we hope to see you very soon again. Listen in now on:#Spotify#IheartRadio#ApplePodcastsand watch on:#YouTube

It's a party! This episode has dance remixes from your favorite artists, as well as some throwbacks!Support the show

W.H.A.T. (The What?) Radio - Hits Through The Decades Hello everyone... Tune In, Tune Out is back and slightly better than ever! We know you all missed Troy a lot and The Trizzz a little but we're back with one of our most popular segments, W.H.A.T. (The What?) Radio. Playing 2, count em 2 fire songs from each decade to get you grooving and moving on your Monday commute. Follow us through the 60s all the way to the 2000s on an all new episode of Tune In Tune Out with Troy and The Trizzz!

#SaturdaySelections [05.12.2020]

This month's episode is a live mix featuring current and classic Radio Hits! Everything you need to keep the party going!Featuring music from Ariana Grande, Internet Money, Tesher, Bad Bunny, Karol G, and more.Support the show (http://www.djashish.com)

NEW MIX ALERT! Back once again with mix that has the radio hits BEFORE they hit the radio! #S4DP #Sagittarius2020 edition features brand new music from Shawn Mendes and Justin Bieber with their collabo song "Monster", 24kgoldn "Mood" remix with Bieber and J Balvin, selected club bangers from Megan thee Stallion, Ty Dolla Sign, Lil Tjay, Billie Eilish, Fleetwood Mac and so much more! Want some reggaeton? There's a sample of it with songs from Maluma and The Weeknd, Bad Bunny and Pitbull! Just a little bit of everything for everybody! As with all #S4DP mixes, the songs are clean and radio friendly for all listening audiences! Kept it short and sweet with 45 minutes of non-stop music. All killer no filler! 00:00 24kGoldn feat. Justin Bieber, J Balvin and iann dior - Mood (Remix) 02:19 Benny Blanco and Justin Bieber - Lonely (PeteDown Remix) 03:46 Mike WiLL Made-It feat. Nicki Minaj and Youngboy Never Broke Again (Youngboy NBA) - What That Speed Bout! 04:56 2 Chainz feat. Ty Dolla Sign and Lil Duval - Can't Go For That 05:31 Megan Thee Stallion - Shots Fired 06:32 Megan Thee Stallion feat. City Girls and Hot Girl Meg - Do It on the Tip 07:42 Megan Thee Stallion feat. SZA - Freaky Girls 08:52 Megan Thee Stallion feat. Big Sean and 2 Chainz - Go Crazy 10:19 10K - Throw it Back 11:03 Kash Doll and Infamous feat. Mullato and Benny the Butcher - Bad 12:04 Shordie Shordie and Murda Beatz - Good Evening 13:14 DJ Spinking feat O.T. Genasis and Fivio Foreign - I Got 14:24 $not feat. Iann Dior - Like Me (DJ Rukus Redrum) 15:33 Iann Dior - Hold On 16:52 Phora feat. Ty Dolla Sign - This Weekend 18:19 Lil Tjay - Losses 19:12 Lil Mosey - Jumpin out the Face (DJ Rukus Redrum) 20:13 SAINt JHN - Gorgeous 21:14 Rock Mafia feat. Wiz Khalifa - Don't Change You 23:01 DaniLeigh feat. Queen Naija - Mistreated 24:02 Maluma feat. The Weeknd - Hawai (Remix) (DJ Nasa VIP Edit) 25:12 Anitta feat. Cardi B and 24kGoldn - Me Gusta (Remix) (Da Phonk Club Edit) 26:56 Bad Bunny and Jhay Cortez - Dakiti (Club Killers Remix) 28:06 Pitbull, Sak Noel, Salvi, Slayer Brand - Que Rica (Deville Moombah Rework) 29:25 Dua Lipa and Angele - Fever (DJ Jeff Afrobeat Redrum) 30:39 Ariana Grande feat. Doja Cat - Motive 32:24 Billie Eilish - Therefore I Am 33:20 Fleetwood Mac vs Dillon Francis - Dreams (DJ Nasa Blend) 34:39 Cheat Codes - Washed Up (DJ Miles Redrum) 35:31 Sam Feldt and Karma Child feat. Tabitha - The Best Days 37:15 Ariana Grande - Positions (PeteDown Remix) 38:03 Shawn Mendes and Justin Bieber - Monster 39:43 Ty Dolla Sign feat. Kehlani - Universe 41:08 DaniLeigh feat. Ty Dolla Sign - I Wish 42:21 Dillon Francis feat. Evie Irie - Be Somebody 43:34 Jessie Reyez - Roof

Wir haben diese Folge auf Grund der aktuellen Geschehnisse um eine Woche verschoben.Doch zuerst zu den News: Es ist (mehr oder weniger) fix, dass 41 Länder am Eurovision Song Contest 2021 teilnehmen werden, die gleichen, die auch 2020 starten wollten.Neues von der Podcast-Front: Marco fand den zeitgeschichtlichen Podcast von Deutschlandfunk Nova – Eine Stunde History – Der “Grand Prix Eurovision de la Chanson” inakurat, Auch Sonja und Sascha vom ESC Greenroom haben die Stunde Geschichtsunterricht gründlich auf Fakten abgeklopft.Wir sind ja schon drei deutschsprachige Podcasts, die sich intensiv um den Song Contest kümmern, denn neben dem ESC Greenroom gibt es ja auch den ESC Schnack mit Daniela und Christoph. Schön, dass jetzt auch der NDR, der für den Song Contest verantwortliche Sender der ARD, sich dem annimmt. Thomas Mohr und Marcel Stober moderieren ihr ESC Update für gewöhnlich auf dem Radiosender NDR Blue, jetzt gibt es die Folgen eben auch als Podcast. Und nein, liebe Kollegen, ihr seid nicht der erste deutschsprachige Eurovision-Podcast. Nur der erste offizielle. ;-)Anlässlich des bestätigten Antretens von Daði Freyr für Island beschäftigen sich Marco und Alkis auch mit der isländischen Aussprache.Und dann macht Marco ein Ratespiel mit Alkis. Nun ja...Zu Gast ist Katrina Leskovich, die Sängerin von Katrina & the Waves, die 1997 den Eurovision Song Contest in Dublin für UK gewonnen haben.Als Army-Tochter kommt die 12-jährige Katrina mit ihren Eltern nach Europa, nach wenigen Jahren in den Niederlanden kommt die Familie nach Großbritannien. Sie wird Sängerin der Waves und nach kleineren Radio-Hits folgt mit "Walking On Sunshine" der Durchbruch. Viele größere Hits hat die Gruppe bis 1997 zwar nicht mehr, aber sie sind gut mit Auftritten ausgelastet.1997 werden sie von der BBC nach Dublin geschickt, das Land beim Song Contest zu vertreten und kommen als Sieger zurück.Bald danach löst sich die Gruppe auf, Katrina macht allein weiter, 2004 versucht sie sich mit einem von Thomes G:Son geschriebenen Song ("As If Tomorrow Will Never Come") beim schwedischen Musikfestivalen.2010  ist sie beim ORF zu Gast und trainiert für die Show "Helden von Morgen" Lukas Plöchl.Katrina lebt in London und hat gerade ein neues Album am Start: "Hearts, Love & Baby" heißt es. Sowohl im Video für "Drive" als auch für die zweite Single "I Want To Love Again", das sie eigentlich Samantha Fox gewidmet hat, spielt ihre Pudeldame Peggy Lee einige prominente Rollen. Katrina hat auch unter dem Namen Metropoodle zwei Reiseführer für HundebesitzerInnen geschrieben. Sie ist auch die einzige US-Amerikanerin, die den Song Contest gewonnen hat. Den US-amerikanischen Song Contest hält sie aber für keine so gute Idee. Für die Zwei unserer Standardfragen hat sie recht schnell beantworten können: Ihr Eurovision-Lieblingssong von 2020 ist eindeutig: Daði Freyr mit "Think About Things".Die zweite Frage, die nach der schönsten Erinnerung, wird gleich mit der dritten Frage, der nach dem Lieblingssong aller Zeiten beantwortet, denn die Lieder sind ihre liebste Erinnerung. Sie liebt den spanischen Beitrag aus dem Jahr 1973, Mocedades sangen damals "Eres Tu". Aber auch Dominico Modugno mit "Nel blu dipinto di blu (Volare)" aus dem Jahr 1958, Gina G mit "Ooh Aah.. Just A Little Bit" (UK 1996) und auch Conchita mit "Rise Like A Phoenix".2020 ist "Love Shine A LIght" auch der Seelentröster der EBU. Am Tag des abgesagten Eurovision Song Contests zeigt sie eine gleichnamige Show, am Schluss singen alle diesjährigen Künstler_innen das Lied. Die letzten Zeilen singt Katerina. Mit Pudeldame Peggy Lee auf dem Arm.In der kleinen Geschichte am Schluss erzählt Alkis die Geschichte des schönsten Preises der Eurovision-Welt: Dem Barbara-Dex-Award.Barbara Dex war die belgische Teilnehmerin 1993, ihr Lied "lemand als jij" erreichte nur - unserer Meinung nach unverdient - den letzten Platz. Die nierderlandische Fansite "House of Eurovision" fand ihr selbst entworfenes Kleid so unschön, dass sie 1997 einen jährlichen Preis für das hässlichste Bühnen-Outfit ausrief. Erste Preisträgerin war Debbie Scerri aus Malta. Ihr Lied "Let Me Fly" war zwar kein Überflieger, ihr Kleid dagegen irgendwie schon. Im negativen Sinn. Unter den weiteren Preisträger_innen finden sich recht illustre Namen, manche zu recht (Guildo Horn und t.A.t.u.), andere zu unrecht (Verka Serduchka, Rona Nishliu). Mittlerweile findet die Abstimmung öffentlich nach dem Song Contest statt. Barbara Dex findet den Preis übrigens nicht übel. Sie hat eine Boutique in Flandern und verkauft coole Kleidung.

This month's episode is a live mix featuring current and classic Radio Hits! Everything you need to keep the party going!Featuring music from Drake, Selena Gomez, Bts, Pop Smoke, and more.Support the show (http://www.djashish.com)

CMU’s Andy Malt and Chris Cooke review key events in music and the music business from the last week, including OfCom's announcement that it intends to investigate whether the BBC Sounds app is competing with commercial media, and YouTube hitting back at a lawsuit arguing that it should not enjoy protection under the copyright safe harbour because it doesn’t make its Content ID rights management system available to everyone.  SECTION TIMES 01: OfCom to investigate BBC Sounds (00:05:19) 02: YouTube defends Content ID access policy (00:20:42) STORIES DISCUSSED THIS WEEK • MPs call for OfCom review of BBC Sounds app after new dance music service added (https://completemusicupdate.com/article/mps-call-for-ofcom-review-of-bbc-sounds-app-after-new-dance-music-service-added/) • OfCom allows Radio 1 24/7 dance stream launch to go ahead, but will look at market position of BBC Sounds app (https://completemusicupdate.com/article/ofcom-allows-radio-1-24-7-dance-stream-launch-to-go-ahead-but-will-look-at-market-position-of-bbc-sounds-app/) • YouTube hits back against lawsuit over Content ID access (https://completemusicupdate.com/article/youtube-hits-back-against-lawsuit-over-content-id-access/) ALSO MENTIONED • Kanye West says he'll give GOOD artists back their masters; Big Sean, Desiigner & 070 Shake rejoice (Billboard) (https://www.billboard.com/articles/columns/hip-hop/9454375/kanye-west-give-back-good-artists-back-their-masters) MORE FROM CMU • Book your place on CMU's Autumn Webinars (https://cmuinsights.com/webinars/) • Buy the new Dissecting The Digital Dollar on Amazon (https://amzn.to/38kwzlb) • Sign up to receive the CMU Daily news bulletin (https://completemusicupdate.com/signup/)

Dan & Manny dig through the 90's Pop Radio Hits playlist on Spotify and put an insane amount of random music to the ULTIMATE TEST! This episode has it all: Rock, Pop, Hip Hop, R&B, and Dance music, and it's just like Dan & Manny to take it a little too far by talking about 28 songs (list below). There are serious discussions, tangents, and a ton of love for some of their favorite songs. We're not experts, we make mistakes with the info, and these are just our opinions. So PLEASE share your thoughts on our Instagram, Twitter, and in the show's comments. See if some of your favorite songs passed The Nostalgia Test.----more---- They also talk about:  What are the origins, and is the song “Cotton Eye Joe” racist? Love for Toni Braxton & Whitney Houston. It's not a 90's list without “Two Princes.” The force that's C+C Music Factory Manny's Meat Loaf guilty pleasure. And so much more!   ✉️ Join the mailing list |

This month's episode is a live mix featuring current and classic Radio Hits! Featuring music from Justin Bieber, Dua Lipa, Rihanna, Drake, and more.Support the show (http://www.djashish.com)

01.KarolG ft Nicki Minaj - Tusa 02.The Black Eyed Peas - Mamacita ft Ozuna, J. Rey Soul 03.J Balvin - Amarillo 04.Scott Storch - Fuego Del Calor ft Ozuna & Tyga 05.Daddy Yankee - Que Tire Pa Lante 06.The Black Eyed Peas - RITMO ft J Balvin 07.Bakermat - Baiana 08.Regard - Ride it 09.SAINtJHN - Roses (Imanbek remix) 10.Meduza - Lose Control ft Becky Hill & Goodboys 11.Aaron Smith - Dancin (Krono remix) 12.The Weeknd - Blinding Lights 13.Doja Cat - Say So (remix ft Nicki Minaj) 14.Dua Lipa - Don’t Start Me Now 15.SZA ft Justin Timberlake - The Other Side 16.The Weeknd - In Your Eyes (remix feat Doja Cat) 17.Sean Paul ft Tove Lo - Calling On Me 18.Jawsh 985 ft Jason Derulo - Savage Love (Laxed - Siren Beat) 19.Pedro Capo Ft Alicia Keys Y Farruko – Calma (Remix 20.Powfu - Death Bed (Coffee for Your Head)

I am playing the songs that were playing on your car radio in the 1970's!

Black genius and I talk about female rappers skill set . Some are radio hits / club bangers versus just a music video hit. We talk about the female artist that pave the way for new artist such as Nicki Minaj Megan thee stallion , and Cardi B ! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/conversational-piece/support

Selección de los mejore temas que sonaron en todas las emisoras FM del mundo! TRACKLIST 01 - Tears For Fears - Shout (U.S. Remix) 02 - The Waterboys - The Whole of the Moon 03 - Glass Tiger - Don't Forget Me (When I'm Gone) 04 - Talk Talk - It’s My Life (US mix) 05 - Icehouse - Hey, Little Girl 06 - Go West - We Close Our Eyes 07 - Prefab Sprout - Cars and Girls 08 - Deacon Blue - Real Gone Kid 09 - IQ - Promises (As The Years Go By) 10 - Cutting Crew - (I Just) Died In Your Arms 11 - Mike Oldfield - Moonlight Shadow [with Maggie Reilly - 12 inch single version] 12 - Cock Robin - The Promise You Made 13 - Bee Gees - You Win Again (Extended Version) 14 - F.R. David - Sahara Night 15 - Toto - Africa 16 - China Crisis - Wishful Thinking 17 - The Bangles - If She Knew What She Wants

The Industry 45 Podcast show sits down with twenty plus year veteran of the Nashville music scene RICH REDMOND. Rich has been the back beat behind Jason Aldean for almost 2 decades. He has been the “Country Drummer of the Year” in Modern Drummer in 2016 2017 2018 . He has recorded 27 #1 Radio Hits and played to Millions of fans in arenas and stadiums.Rich has also toured, recorded or performed with the likes of Bryan Adams, Bob Seger, Chris Cornell, Joe Perry, Kenny Rogers, Keith Urban, Florida Georgia Line, Luke Bryan just to name a mere few. Rich has book out called C.R.A.S.H course for Success---5 ways to supercharge your personal and professional life. Shane talks to Rich as he prepares to hit the road with Aldean for the start of the 2020 We Back Tour.  They talk drums, moving to Nashville, working with Nadia Azar from the U of Windsor, Tour preparations, Acting, Public Speaking and his RICH REDMOND PODCAST SHOW.  Intro and Extro music provided by the one and only THE MAYSIDES “loved and lost” www.richredmond.comwww.drumminginthemodernworld.comwww.jasonaldean.com

This month's episode is a live mix featuring current and classic Radio Hits! Support the show (http://www.djashish.com)

Los Angeles, And Six Hits Apiece From Some Of L.A.'s Great Groups From The 1960's Please Go To Website For Contents.

Thanks to Vincent Paul we were able to dig up some more stuff from the vault, and these are definitely worth hearing! To start out Vince and Michael J are joined by former HorrorBid boss, Justin, to discuss dating for the disabled, wrestling, and other topics. Then, they get into the possibility of a Jaws remake (Note: this was recorded in 2011 and yes there is now talk of a Jaws remake in 2020.) The show concludes with a sketch from our own Alex Edwards. Then, Vince’s interview with 1981 HALLOWEEN II director Rick Rosenthal! This was recorded in February 2011 while Rick was driving to the Sundance Film Festival and covers a wide array of topics from Halloween to Life Goes On and everything in between. Give it a listen! For More Rabbit In Red Visit: https://www.facebook.com/groups/rabbitinredradio/ Follow Us On Twitter:@RIRShowOfficial or Instagram: @rabbitinredradio Email Us: rirradio2017@gmail.com Leave Us A Voicemail: 215-240-7839

Another volume of Sound By Science's 'The Rewind' series comes your way! Volume 3 includes classic radio hits and EDM remixes spanning Top 40, Dancehall, Soca, Latin, Hip Hip & RnB. Take a listen and enjoy! Subscribe to this podcast for updates and notifications to all the latest podcast releases from Sound By Science.

This episode has remixes of some of my favorite radio hits.  Mixed live with two turntables and a mixer. Support the show

Carlo Chicco seleziona classici da radio tra ripescaggi e le richieste degli ascoltatori ...

1:39 How the Virus affected our weeks 9:15 Corona Virus emptied all of the grocery stores 20:08 Big Sean's Hot Ones Interview 31:30 Who invented the term "Drive The Boat?" Meg Tha Stallion or Kodak Black? 38:06 Radio Hits getting played out 43:17 At what point did Drake become the biggest rapper in the world? 54:54 What our frist steps would be if the apocalypse came 1:15:51 SOTW Play4Keeps by Kahrion

Scrappy knows that most of what he plays for you is music you’ve never heard before, so this week he’s decided to play all hits, all podcast long. That’s right, you’re going to know ALL the songs on this week’s podcast! The first all hits BFH podcast features songs from Rod Stewart, Outkast, Prince, The... The post Broadcasting From Home Podcast 94: Radio Hits appeared first on Broadcasting From Home.

1. Crazy In Love - Beyonce 2. Bad At Love - Halsey 3. 365 - Zedd, Katy Perry 4. Beautiful - Bazzi 5. The Middle - Zedd Maren, Morris, Grey 6. Mad Love - Sean Paul, David Guetta, Becky G 7. Dancing With A Stranger - Sam Smith, Normani 8. Girls Have Fun - Tyga, Rich The Kid, G-Eazy 9. Superstar - Jamelia  10. Delicate - Taylor Swift 11. Youth - Shawn Mendes, Khalid 12. Case of The EX - Mya 13. All The Stars - Kendrick Lamar, SZA  14. Hands On Me - Burns, Maluma, Rae Sremmurd 15. Say My Name -  David Guetta, Bebe Rexha, J Balvin 16. I Cant Get Enough - Benny Blanco, Selena Gomez, J Balvin 17. Friends - Marshmello, Anne-Marie 18. One Dance - Drake,Wizkid, Kyla 19. My Neck, My Back, Lick It - Khia 20. Wow - Post Malone, Noiz, Omar Duro 21. She Loves Control - Camila Cabello 22. Get Ur Freak On - Missy Elliot 23. Questions- Chris Brown 24. 7 Rings - Ariana Grande   www.djtoshityler.com

Hugo Helmig - den Namen sollte man sich merken. Nach einigen Radio-Hits wie "Please Don`t Lie" oder "Wild" geht der schmucke Däne jetzt mit seinem Debüt-Album "Juvenile" an den Start. Im Klönschnack mit Kaya hat er verraten, welchen Duft er trägt, warum er nie beim ESC antreten würde, weshalb er seinen privaten facebook-Account gelöscht hat oder wie die musikalische Früherziehung in Dänemark abläuft. Außerdem hat er Kaya erzählt, wie romantisch er seine Verlobte kennengelernt hat und warum sie sich niemals sorgen müsste, auch wenn er bald von Mädchen umzingelt auf große Tour geht? Das Interview ist in englisch.

Are you looking for vocals that they take your tracks to the next pro level? Want to make tracks that the whole world can enjoy? Planet Samples has return with a brand new vocal pack, dedicated to pop modern radio hits. Grab a copy of our latest pack, ' Planet Samples Radio Hits Vocals ’ and give your track a chance to be heard. Inside you will find 5x construction kits ready for you to release your next hit! Each pack contains the Dry and Wet Vocals, all accompanying Synth Instrument wav’s and midis, drum Loops and Fx are also included. All folders are numbered and labelled with their respective root key and bpm for your convenience. We have also included as a bonus extra melodies plus saxophone melodies in wav and midi format. What’s more, everything you get is Royalty Free! Buy once and use in any of your projects in as many combinations as you want. Compatible with all DAWs and usable in more projects and genres than you can imagine. For Demo song 2 are not included the Drum Loops and Piano Chords. Pack Content: 5x Construction Kits (Included Vocals) 17x Vocals (Stems and Loops) 73x Midi Files 9x Extra Melodies + Midi Files 30x Saxophone Melodies + Midi Files 102x Wav Loops (Drums, Fx, Bass, Chords, Melodies) Kits BPM Range: 105-120 Kits Root Keys: A, G, F, F#

Are you looking for vocals that they take your tracks to the next pro level? Want to make tracks that the whole world can enjoy? Planet Samples has return with a brand new vocal pack, dedicated to pop modern radio hits. Grab a copy of our latest pack, ' Planet Samples Radio Hits Vocals ’ and give your track a chance to be heard. Inside you will find 5x construction kits ready for you to release your next hit! Each pack contains the Dry and Wet Vocals, all accompanying Synth Instrument wav’s and midis, drum Loops and Fx are also included. All folders are numbered and labelled with their respective root key and bpm for your convenience. We have also included as a bonus extra melodies plus saxophone melodies in wav and midi format. What’s more, everything you get is Royalty Free! Buy once and use in any of your projects in as many combinations as you want. Compatible with all DAWs and usable in more projects and genres than you can imagine. Pack Content: 5x Construction Kits (Included Vocals) 17x Vocals (Stems and Loops) 73x Midi Files 9x Extra Melodies + Midi Files 30x Saxophone Melodies + Midi Files 102x Wav Loops (Drums, Fx, Bass, Chords, Melodies) Kits BPM Range: 105-120 Kits Root Keys: A, G, F, F#

In this episode, Maz Jobrani reveals how much he makes per episode on Superior Donuts, and Cristela Alonzo leads the audience in a sing along of one of her favorite songs. In What's the Difference, Cristela and Maz share their theories on the difference between eternal and everlasting, and prison and jail. Maz's claimed areas of expertise are: Iran, shaving one's head and bad accents. Cristela claims to know a lot about The Golden Girls, bad 1980s movies and 1980s Radio Hits. Who will triumph in this useless game of trivia? Find out! Appearing in this episode: J. Keith van Straaten Helen Hong Cristela Alonzo, host of her new podcast To Be Continued Maz Jobrani, star of Superior Donuts With guest experts: Jim Colucci,Entertainment writer, radio reporter, editor at CBS Watch magazine and author of Golden Girls Forever Eliza Jane Schneider, Accent and dialect coach Go Fact Yourself was devised by Jim Newman and J. Keith van Straaten, and produced in collaboration with Maximum Fun. The show is recorded at the Angel City Brewery in downtown Los Angeles. Theme Song by Jonathan Green David McKeever is the Live Sound Engineer. Maximum Fun's Senior Producer is Laura Swisher The show is edited by Christian Dueñas

The TTA90s were special guests on Hits 106.9 "Mornings with Matt" from Great Bend, Kansas! Here's the Totally Awesome interview! Thanks Matt & Hits 106.9! Official Podcast Website: http://tta90spodcast.buzzsprout.com Contact Us Links: Facebook Page: https://www.facebook.com/TTA90sPodcast/ Gmail: TTA90spodcast@gmail.com Twitter: @TTA90spodcast Rate us & Review us on iTunes: https://itunes.apple.com/us/podcast/that-totally-awesome-90s-podcast/id1117188877?mt=2

Как Вы думаете, если бы я был диджеем например на радио "Семь на семи холмах" или "Серебряный дождь" , то какой плейлист был бы у меня!? Уверен что Вы даже не догадываетесь! Так вот я решил скомпилировать свой плей лист из своих любимых радио-хитов! Ну а что из этого получилось, судить Вам дорогие мои слушатели!

We were shamed for our love of O.A.R. pre "Shattered" era.

In an effort to keep giving you content, I started this series to reduce the excuses. This series will be a mix of genres and era to allow me to post a mix "just because". To kick off the series, here's some Top 40 Radio hits out right now.  THIS MIX HAS NO SWEARING. CLEAN RADIO EDITS ONLY. @IAMDJDMONEY ON ALL SOCIAL MEDIA.

www.patrickalvesdj.com

Kungs vs Cookin on 3 Burners - This Girl Feder ft Emmi - Blind Kygo - Firestone Lost Frequencies - Are you with Me Robin Schulz ft Jasmine Thompson - Sun Goes Down Dj Snake ft George Maple - Talk Calvin Harris ft Rihanna - This is What you Came For Tiesto ft John Legend - Summer Nights Sigala - Easy Love Deorro ft Elvis Crespo - Bailar ZHU - Faded Justin Timberlake - Can't Stop The Feeling Ape Drums ft Busy Signal - The Way we Do This Major Lazer ft Nyla & Fuse ODG - Light it up Drake - One Dance J. Balvin - Ginza Era Estrefi - Bonbon Mike Posner - I Took a Pill in Ibiza Matt Simons - Catch & Release Kygo - Stole the Show Coldplay - Hymn for the Weekend Twenty One Pilots - Stressed Out

just some stuff that the radio plays the crap out of, decided to make a mix of it. One surprise track though thats not on the radio but its a fav of mine right now. Please be kind to each other, we are all we have.

just some stuff that the radio plays the crap out of, decided to make a mix of it. One surprise track though thats not on the radio but its a fav of mine right now. Please be kind to each other, we are all we have.

We welcome Jason Ingram to Full Circle Music studios. He is a producer, songwriter, and artist with multiple SESAC songwriter of the year awards, Dove Awards, and Grammy Awards, with more #1 Radio Hits than most ever see. His credits include Brandon Heath, Hillsong, Chris Tomlin, Tenth Avenue North, Casting Crowns, and MercyMe.He talks about the idea that “your calendar will tell me if you're a songwriter”. It is the discipline versus inspiration. Which comes first.He also shares some personal insight into his story and his journey through the hard times in the beginning of trying to make it in a new city as a professional songwriter.To get Top 10 Songwriting Tips click Here.fca_eoi_form p { width: auto; }#fca_eoi_form_269 input{max-width:9999px;}#fca_eoi_form_269 *{box-sizing:border-box;}#fca_eoi_form_269 div.fca_eoi_form_text_element,#fca_eoi_form_269 input.fca_eoi_form_input_element,#fca_eoi_form_269 input.fca_eoi_form_button_element{display:block;margin:0;padding:0;line-height:normal;font-size:14px;letter-spacing:normal;word-spacing:normal;text-indent:0;text-shadow:none;text-decoration:none;text-transform:none;white-space:normal;width:inherit;height:inherit;background-image:none;border:none;border-radius:0;box-shadow:none;box-sizing:border-box;transition:none;outline:none;-webkit-transition:none;-webkit-appearance:none;-moz-appearance:none;color:#000;font-family:"Open Sans", sans-serif;font-weight:normal;transition:background 350ms linear;}#fca_eoi_form_269 div.fca_eoi_form_text_element{text-align:center;}#fca_eoi_form_269 *:before,#fca_eoi_form_269 *:after{display:none;}#fca_eoi_form_269 i.fa,#fca_eoi_form_269 i.fa:before{display:block;margin:0;padding:0;line-height:normal;font-size:14px;letter-spacing:normal;word-spacing:normal;text-indent:0;text-shadow:none;text-decoration:none;text-transform:none;white-space:normal;width:inherit;height:inherit;background-image:none;border:none;border-radius:0;box-shadow:none;box-sizing:border-box;transition:none;outline:none;-webkit-transition:none;-webkit-appearance:none;-moz-appearance:none;}#fca_eoi_form_269 div.fca_eoi_layout_popup_close{display:block;margin:0;padding:0;line-height:normal;font-size:14px;letter-spacing:normal;word-spacing:normal;text-indent:0;text-shadow:none;text-decoration:none;text-transform:none;white-space:normal;width:inherit;height:inherit;background-image:none;border:none;border-radius:0;box-shadow:none;box-sizing:border-box;transition:none;outline:none;-webkit-transition:none;-webkit-appearance:none;-moz-appearance:none;color:#000;font-family:"Open Sans", sans-serif;font-weight:normal;display:block;position:absolute;z-index:9999992;top:-10px;right:-10px;background:rgba(0, 0, 0, 0.6);border:1px solid #000;color:#fff;font-weight:bold;width:20px;height:20px;line-height:20px;text-align:center;cursor:pointer;}#fca_eoi_form_269 div.fca_eoi_layout_headline_copy_wrapper{font-weight:bold;}#fca_eoi_form_269 div.fca_eoi_layout_5,#fca_eoi_form_269 form.fca_eoi_layout_5{display:inline-block;}#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_widget,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_widget{max-width:300px;}#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_postbox,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_postbox{max-width:600px;}#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_popup,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_popup{max-width:650px;}#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_field_wrapper,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_field_wrapper{float:none;width:100%;}#fca_eoi_form_269 div.fca_eoi_layout_5 div.fca_eoi_layout_content_wrapper,#fca_eoi_form_269 form.fca_eoi_layout_5 div.fca_eoi_layout_content_wrapper{margin:20px;}#fca_eoi_form_269 div.fca_eoi_layout_5 div.fca_eoi_layout_field_wrapper,#fca_eoi_form_269 form.fca_eoi_layout_5 div.fca_eoi_layout_field_wrapper{border:solid 1px transparent;width:49%;border-radius:3px;margin-bottom:10px;position:relative;}#fca_eoi_form_269 div.fca_eoi_layout_5 div.fca_eoi_layout_name_field_wrapper,#fca_eoi_form_269 form.fca_eoi_layout_5 div.fca_eoi_layout_name_field_wrapper{float:left;}#fca_eoi_form_269 div.fca_eoi_layout_5 div.fca_eoi_layout_email_field_wrapper,#fca_eoi_form_269 form.fca_eoi_layout_5 div.fca_eoi_layout_email_field_wrapper{float:right;}#fca_eoi_form_269 div.fca_eoi_layout_5 div.fca_eoi_layout_inputs_wrapper_no_name div.fca_eoi_layout_field_wrapper,#fca_eoi_form_269 form.fca_eoi_layout_5 div.fca_eoi_layout_inputs_wrapper_no_name div.fca_eoi_layout_field_wrapper{float:none;width:100%;}#fca_eoi_form_269 div.fca_eoi_layout_5 div.fca_eoi_layout_field_wrapper input,#fca_eoi_form_269 form.fca_eoi_layout_5 div.fca_eoi_layout_field_wrapper input,#fca_eoi_form_269 div.fca_eoi_layout_5 div.fca_eoi_layout_field_wrapper input:focus,#fca_eoi_form_269 form.fca_eoi_layout_5 div.fca_eoi_layout_field_wrapper input:focus{border:none !important;width:100%;height:auto;font-size:16px;line-height:1.2em;padding:7px 0;outline:none;background:none !important;box-shadow:none;}#fca_eoi_form_269 div.fca_eoi_layout_5 div.fca_eoi_layout_submit_button_wrapper,#fca_eoi_form_269 form.fca_eoi_layout_5 div.fca_eoi_layout_submit_button_wrapper{clear:both;transition:background 350ms linear, border-color 350ms linear;}#fca_eoi_form_269 div.fca_eoi_layout_5 div.fca_eoi_layout_fatcatapps_link_wrapper a,#fca_eoi_form_269 form.fca_eoi_layout_5 div.fca_eoi_layout_fatcatapps_link_wrapper a{display:block;margin:10px 0 0;font-size:12px;}@media (min-width:1px) and (max-width:450px),(min-height:1px) and (max-height:450px){#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_headline_copy_wrapper div,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_headline_copy_wrapper div,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_headline_copy_wrapper div,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_headline_copy_wrapper div,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_headline_copy_wrapper div,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_headline_copy_wrapper div,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_description_copy_wrapper div,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_description_copy_wrapper div,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_description_copy_wrapper div,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_description_copy_wrapper div,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_description_copy_wrapper div,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_description_copy_wrapper div,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper i.fa:before,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper i.fa:before,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper i.fa:before,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper i.fa:before,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper i.fa:before,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper i.fa:before,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper div.fca_eoi_layout_field_inner input,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper div.fca_eoi_layout_field_inner input,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper div.fca_eoi_layout_field_inner input,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper div.fca_eoi_layout_field_inner input,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper div.fca_eoi_layout_field_inner input,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper div.fca_eoi_layout_field_inner input,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper div.fca_eoi_layout_field_inner input:focus,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper div.fca_eoi_layout_field_inner input:focus,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper div.fca_eoi_layout_field_inner input:focus,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper div.fca_eoi_layout_field_inner input:focus,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper div.fca_eoi_layout_field_inner input:focus,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper div.fca_eoi_layout_field_inner input:focus,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_submit_button_wrapper input,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_submit_button_wrapper input,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_submit_button_wrapper input,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_submit_button_wrapper input,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_submit_button_wrapper input,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_submit_button_wrapper input,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_submit_button_wrapper input:focus,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_submit_button_wrapper input:focus,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_submit_button_wrapper input:focus,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_submit_button_wrapper input:focus,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_submit_button_wrapper input:focus,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_submit_button_wrapper input:focus,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_privacy_copy_wrapper div,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_privacy_copy_wrapper div,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_privacy_copy_wrapper div,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_privacy_copy_wrapper div,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_privacy_copy_wrapper div,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_privacy_copy_wrapper div,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_fatcatapps_link_wrapper a,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_fatcatapps_link_wrapper a,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_fatcatapps_link_wrapper a,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_fatcatapps_link_wrapper a,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_fatcatapps_link_wrapper a,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_fatcatapps_link_wrapper a{font-size:13px !important;}}@media (min-width:1px) and (max-width:320px),(min-height:1px) and (max-height:320px){#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_headline_copy_wrapper div,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_headline_copy_wrapper div,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_headline_copy_wrapper div,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_headline_copy_wrapper div,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_headline_copy_wrapper div,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_headline_copy_wrapper div,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_description_copy_wrapper div,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_description_copy_wrapper div,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_description_copy_wrapper div,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_description_copy_wrapper div,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_description_copy_wrapper div,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_description_copy_wrapper div,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper i.fa:before,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper i.fa:before,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper i.fa:before,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper i.fa:before,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper i.fa:before,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper i.fa:before,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper div.fca_eoi_layout_field_inner input,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper div.fca_eoi_layout_field_inner input,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper div.fca_eoi_layout_field_inner input,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper div.fca_eoi_layout_field_inner input,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper div.fca_eoi_layout_field_inner input,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper div.fca_eoi_layout_field_inner input,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper div.fca_eoi_layout_field_inner input:focus,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper div.fca_eoi_layout_field_inner input:focus,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper div.fca_eoi_layout_field_inner input:focus,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper div.fca_eoi_layout_field_inner input:focus,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper div.fca_eoi_layout_field_inner input:focus,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_field_wrapper div.fca_eoi_layout_field_inner input:focus,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_submit_button_wrapper input,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_submit_button_wrapper input,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_submit_button_wrapper input,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_submit_button_wrapper input,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_submit_button_wrapper input,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_submit_button_wrapper input,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_submit_button_wrapper input:focus,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_submit_button_wrapper input:focus,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_submit_button_wrapper input:focus,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_submit_button_wrapper input:focus,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_submit_button_wrapper input:focus,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_submit_button_wrapper input:focus,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_privacy_copy_wrapper div,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_privacy_copy_wrapper div,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_privacy_copy_wrapper div,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_privacy_copy_wrapper div,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_privacy_copy_wrapper div,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_form_text_element.fca_eoi_layout_privacy_copy_wrapper div,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_fatcatapps_link_wrapper a,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_popup div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_fatcatapps_link_wrapper a,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_fatcatapps_link_wrapper a,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_widget div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_fatcatapps_link_wrapper a,#fca_eoi_form_269 div.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_fatcatapps_link_wrapper a,#fca_eoi_form_269 form.fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_content_wrapper div.fca_eoi_layout_fatcatapps_link_wrapper a{font-size:12px !important;}}@media (min-width:1px) and (max-width:450px),(min-height:1px) and (max-height:450px){#fca_eoi_form_269 div.fca_eoi_layout_5 div.fca_eoi_layout_content_wrapper,#fca_eoi_form_269 form.fca_eoi_layout_5 div.fca_eoi_layout_content_wrapper{margin:8px 13px;}#fca_eoi_form_269 div.fca_eoi_layout_5 div.fca_eoi_layout_fatcatapps_link_wrapper a,#fca_eoi_form_269 form.fca_eoi_layout_5 div.fca_eoi_layout_fatcatapps_link_wrapper a{margin:0;}#fca_eoi_form_269 div.fca_eoi_layout_5 div.fca_eoi_form_text_element.fca_eoi_layout_headline_copy_wrapper,#fca_eoi_form_269 form.fca_eoi_layout_5 div.fca_eoi_form_text_element.fca_eoi_layout_headline_copy_wrapper{margin-bottom:5px;}}@media (min-width:1px) and (max-width:320px),(min-height:1px) and (max-height:320px){#fca_eoi_form_269 div.fca_eoi_layout_5 div.fca_eoi_layout_popup_close,#fca_eoi_form_269 form.fca_eoi_layout_5 div.fca_eoi_layout_popup_close{top:-1px;right:-1px;}}@media (min-width:1px) and (max-width:768px){#fca_eoi_form_269 div.fca_eoi_layout_5 div.fca_eoi_layout_field_wrapper,#fca_eoi_form_269 form.fca_eoi_layout_5 div.fca_eoi_layout_field_wrapper{float:none;width:100%;}}#fca_eoi_form_269 div.fca_eoi_layout_5 div.fca_eoi_layout_headline_copy_wrapper,#fca_eoi_form_269 form.fca_eoi_layout_5 div.fca_eoi_layout_headline_copy_wrapper{margin-bottom:20px;}@media (min-width:1px) and (max-width:450px),(min-height:1px) and (max-height:450px){#fca_eoi_form_269 div.fca_eoi_layout_5 div.fca_eoi_layout_headline_copy_wrapper,#fca_eoi_form_269 form.fca_eoi_layout_5 div.fca_eoi_layout_headline_copy_wrapper{margin-bottom:0;}}#fca_eoi_form_269 div.fca_eoi_layout_5 div.fca_eoi_layout_inputs_wrapper,#fca_eoi_form_269 form.fca_eoi_layout_5 div.fca_eoi_layout_inputs_wrapper{margin:20px 0;}@media (min-width:1px) and (max-width:450px),(min-height:1px) and (max-height:450px){#fca_eoi_form_269 div.fca_eoi_layout_5 div.fca_eoi_layout_inputs_wrapper,#fca_eoi_form_269 form.fca_eoi_layout_5 div.fca_eoi_layout_inputs_wrapper{margin:8px 0;}}#fca_eoi_form_269 div.fca_eoi_layout_5 div.fca_eoi_layout_field_wrapper,#fca_eoi_form_269 form.fca_eoi_layout_5 div.fca_eoi_layout_field_wrapper{border-radius:5px;}#fca_eoi_form_269 div.fca_eoi_layout_5 div.fca_eoi_layout_field_inner,#fca_eoi_form_269 form.fca_eoi_layout_5 div.fca_eoi_layout_field_inner{margin:0 10px;}#fca_eoi_form_269 div.fca_eoi_layout_5 div.fca_eoi_layout_submit_button_wrapper,#fca_eoi_form_269 form.fca_eoi_layout_5 div.fca_eoi_layout_submit_button_wrapper{border-bottom:solid 4px transparent;border-radius:5px;padding:0 !important;text-align:center;width:100%;}#fca_eoi_form_269 div.fca_eoi_layout_5 div.fca_eoi_layout_submit_button_wrapper input,#fca_eoi_form_269 form.fca_eoi_layout_5 div.fca_eoi_layout_submit_button_wrapper input{border:0 !important;border-radius:5px;font-weight:bold;margin:0;height:2.8em;padding:0;text-shadow:0 0 2px black;white-space:normal;width:100%;}.fca_eoi_form{ margin: auto; }#fca_eoi_form_269 .fca_eoi_layout_5.fca_eoi_layout_postbox{background-color:#f6f6f6 !important;border-color:#ccc !important;}#fca_eoi_form_269 .fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_headline_copy_wrapper div{font-size:28px !important;color:#1a78d7 !important;}#fca_eoi_form_269 .fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_name_field_wrapper,#fca_eoi_form_269 .fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_name_field_wrapper input{font-size:18px !important;color:#777 !important;background-color:#fff !important;}#fca_eoi_form_269 .fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_name_field_wrapper{border-color:#ccc !important;}#fca_eoi_form_269 .fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_email_field_wrapper,#fca_eoi_form_269 .fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_email_field_wrapper input{font-size:18px !important;color:#777 !important;background-color:#fff !important;}#fca_eoi_form_269 .fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_email_field_wrapper{border-color:#ccc !important;}#fca_eoi_form_269 .fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_submit_button_wrapper input{font-size:18px !important;color:#fff !important;background-color:#81b441 !important;}#fca_eoi_form_269 .fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_submit_button_wrapper input:hover{background-color:#70a01f !important;}#fca_eoi_form_269 .fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_submit_button_wrapper{background-color:#70a01f !important;border-color:#70a01f !important;}#fca_eoi_form_269 .fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_privacy_copy_wrapper div{font-size:14px !important;color:#8f8f8f !important;}#fca_eoi_form_269 .fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_fatcatapps_link_wrapper a,#fca_eoi_form_269 .fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_fatcatapps_link_wrapper a:hover{color:#8f8f8f !important;} AUDIO 37min:19secPodcast – Interview with hosts Seth Mosley, Chris Murphy & guest, Jason IngramSeth: Hey what's up. this is Seth Mosley, host of the Full Circle Music Show, thanks for listening. Again, this week we've got an awesome guest, one of my long time heroes of the music business, Jason Ingram, Sir Jason Ingram. He's a producer, song writer, artist, worship leader and all of the above. He has multiple awards on his mantle for Sesac songwriter of the year, he's won Dove Award producer of the year, more number ones than you can imagine and really has had, in the last several years, what has been an incredible career in the music business. And today we get to sit down and hear the story before Jason Ingram as the Jason Ingram that we know now.That's half the reason why we do this show is to kind of shine a light on the blood, sweat and tears that goes into making a successful career in the music business and there's a lot of stuff that I learnt in this episode about Jason; some stories about how he got into it and believe it or not at one time he was touring as a merch manager for a band, him and his wife were selling blood plasma just to get back home for Christmas. I'm telling you there's some stuff that you don't know that goes into making a successful song writing and producing career. So stick around and before we dive into it we wanted to thank you for listening, thank you for subscribing, go over to iTunes, leave us a good rating and review. That helps us a ton as we're getting this podcast off the ground.And for our next segment, Full Circle music trivia, the answer to last week's question: What is the highest selling album of all time? Well the answer for that is Michael Jackson Thriller. So to one of you guys who e-mailed in to trivia@fullcirclemusic.org, you get a free copy of the book ‘Hitmen'. And this week's question is: Who is the top Grammy award winner of all time? Again, who is the top Grammy award winner of all time? Email your response in to trivia@fullcirclemusic.org and this week the winner's going to take home ‘All you need to know about the music business' by Donald Passman, 8th Edition. Up to date information on new music business models including music streaming services and cloud lockers, the latest developments in digital rights and updated numbers and statistics for a traditional industry. Again, email your responses in to  trivia@fullcirclemusic.org and thanks for playing along.Alright, let's just dive into the episode, we've got Jason Ingram in here, in the house. A good friend and without even probably knowing it, mentor of mine who I've looked up to since I've moved to Nashville and song writing and production. And just track record for days, the  guy has just had hit after hit after hit and his songs are being sang in churches all around the world.  So for you to take a few minutes to come and spend with us means a lot so thank you for doing this.Jason: Yeah, it's an honourSeth: So do you want to carry us in?Chris: Yeah man, one of the things that I wanted to know from you Jason, is when did the song writing bug hit you or how long have you been doing it? Was it one of those things just where you were doodling in a notepad when you were 6 years old or even earlier or…?Jason: I started taking piano lessons in middle school but I think I was a freshman in high school when I was introduced to just chord voicings so up until then I was just learning to read music and more classical sort of training and which I wasn't excelling at but I loved music and so I just stayed at it and then I think my freshman year in high school, someone just taught me how to play chords. And think about music as chords as opposed to just reading notes on a scale. And I instantly started writing songs once I had chords, I was a songwriter…not a very good one…but from then on, yeah, I mean I was writing songs.Chris: Did it start for you at going on what you were hearing on the radio and just putting chords to that? Or was it truly like “I don't care what's going on, on the radio, I've  got my own vision that I'm…[4.06]Jason: Yeah no, I was, I was writing my own thingsChris: That's greatJason: Love songs for interest of mine, things like thatChris: Yeah, wow that's great man. So were you that guy with the guitar who got the girl because you had the guitar?Jason: Yeah…my wife…and then once I learnt chords I started leading worship as well and so my wife, we were on a little missions trip to Mexico, we lived in California and I was a  graduating senior and she was going into her junior year in high school and we went down there and I led worship at this thing that we were doing. And I didn't know her but she saw me leading worship and she knew, she told a camp counsellor that I was going to be her husband. And so, yeah, I think the guitar strummings, it helps man.Seth: AbsolutelyJason: Helps make up for other things…Chris: The lack of confidence [5.06] actually talking face to face.Jason: Massive lack of confidence, man, growing up in the church, there's so many stories that sound similar to that, it's like going up to that youth pastor or whatever and pointing, like that's going to be my guy.Seth: Did you know at that time or did you find that out later?Jason: I found that out later, we started sort of dating a bit after that but yeah, I found that out later. And she's not that kind of person, she's actually…I wasn't one of the popular kids and she was so I wouldn't have even, like gone there.Chris: Yeah, she was out of your leagueJason: She was [5.38] but yeah, I found that out later and I've just been writing songs out of a ‘heart place' you know. Ever since I first started writing songs I think that's been one of the, hopefully one of the things that people notice when they hear songs that I'm part ofChris: Yeah, yeah. And has that always come naturally to you? To be able to express your heart on paper or in a recording?Jason: I guess it has, yeah I guess it has. I've found music as the gift of…which is hard to hold onto sometimes when you've been doing something for a while and it becomes your career but there was a lot of years where the only reason I had to write a song was just to get something out. There wasn't any career in itChris: AlrightJason: And so I did that long enough that I think that it's easy for me to sort of stay in that placeChris: Yeah, yeah, I think one of the hallmarks of the songs that I know of yours, I mean from a perspective of they've got a story or they've got an intention to it and it sounds like you were saying, in those early days before anybody was paying you to write a song; or asking you to go do something that it was because you had to get something out. And I feel like that there is a trend in, at least pop music these days, where there's not necessarily a story, it's  just the feeling, it's a vibe that's going on. Do you find that you would have a harder time if you were you know, if you needed to go write the next Justin Bieber song versus writing something that has more of a, a heart pouring so to speak?Jason: I will say it, like a melody or a track or a vibe can bring out a lot of emotions so since you've mentioned Bieber…[7.16]…yeah, his most recent album is like, to me it's been the thing I've listened to the most this year. And so I just love it, I think the song writing is amazing, I think the production is phenomenal and it's emotional to me so it feels like, I feel like I can touch it. There is a lot of pop music that doesn't have that same sense to it.Chris: Yeah, maybe Justin Bieber recently is not the best of those examples but it has that pop sheen to it, necessarily more than an emotion.Jason: Yeah, what I'm kind of hearing you ask is, is it those songs that are less about the lyric and about just a vibe or something like that. Lyric is huge for me, especially in the lane that God has me in and I feel like in some regard  a lot of pop music, the lyric is real secondary to whether or not it's a hit or not right? And I think we're accountable to more, I look at songs in this lane that God has called me to, I've often called them life rafts for people and so if I'm throwing someone a life raft, if that's what God lets me do with my song, I want it to hold them up. And so our words often become people's prayers, you know, and that's phenomenal. Martin Luther said when I can't pray, I sing and we're able to throw these life rafts to people, a lot of times that don't even know what to pray and write the prayer that they need to re-engage their heart with the Lord and so it's a huge, I think a weight, that we need to carry when we're considering ‘do we have the words right?'Seth: It's not  just that when you're in a session just like settling on something because at some point, you know, I mean, you've got deadlines and you've just got to get the song out. I mean you've got eight hours a day and you've got to get home to your family. But the intentionality in this genre of lyric is everything.Jason: Yeah, it totally isSeth: So, rewinding, we skipped forward a lot of years but from you leading worship on that mission trip, wherever you were in California to when you, you know, got your first pay check from doing music, what did that look like?Jason: It was a lot of years. I definitely took the long road so I heard Christine Cane talk once on the distance between anointing and appointing and it's different for all of us but I really felt like God anointed me very specifically to write songs for His church, as a teenager. The appointing was probably some fifteen years later and so I went to Bible College, I became a worship pastor at a church in California and had a band, got a little bitty record deal, toured…sold four albums…it was off to an amazing startChris: All to your relatives right?Jason: Right and then at some point my wife and I felt nudged to move here and so we did but I didn't have a job or anything in music and so my entry point into music, and I was working temp agency jobs, I mean it got pretty lean for us, there was a Christmas where we went to sell blood plasma to try to get home for Christmas.Seth: [10.43] from going to Nashville to California? WowJason: That year I just remember thinking, ‘This, this has got to turn around pretty soon', you know, ‘there's only so much blood available'Seth: It was literally blood, sweat and tearsJason: Yeah, right yeah.Chris: That's amazingJason: My entry point into what I'm doing now, oddly enough, was getting a job doing merchandise for Sonicflood and this was back when they were sort of at the top of their thing. And so I needed a job, I didn't think…that's not what I moved here to do…but I started selling their merchandise and I heard they were about to make their second record and I heard that they wanted the title of the record to be ‘Resonate' and they didn't have a song called ‘Resonate', usually you don't title your album until you've got an album you know? Isn't that weird, so I pounced, ‘merch guy' saw an opportunity and wrote a song called ‘Resonate' which was a shoe in because you have to have a song called ‘Resonate' if the album's called ‘Resonate' and they didn't have it, so they had to record it. They recorded it, of course it was the title track but that happened before I wrote the song [11.53] it became their first single off that album. So that was the first time someone else recorded something that I wrote.Seth: You were doing merch for them on a tour and heard some conversation that [12.09]Jason: I heard a conversation, went to a hotel room, wrote a song, came back and said “Here's a song called ‘Resonate'”Chris: What was that like when you presented it? Did you present it as though you had not heard that before but just randomly came up with a song that was…Jason: No, I wasn't, I didn't play it off like I hadn't heard that they were calling the album ‘Resonate', so that was my entry point and then someone said “So that song made a little bit of money”, that was the first time that ever happened to me you know, ten years into writing songs, selling merchandise and blood. Some friends were saying “You should meet with publishers in town”, I'd never heard of a music publisher. I didn't know there was a career to be had in song writing, I had no idea. I was pretty naive to how the music industry worked and so I met with all the publishers in town, got a quick “No” from everybody. I just didn't have, I had this one song you know, and then…Seth: And they were all like, “And what else?”Jason: Right, right. And so the fourth publisher I met with, which was the last option, saw potential in the writing but really valued sort of, my heart for what I wanted to do with my writing so I entered my first publishing deal and that was, I guess, twelve years ago now.Chris: Who was that with?Jason: Cindy Wilt signed me to Word, so I wrote for Word for three years, she's my champion, she's with the Lord now…Chris: Just this past year…Jason: Yes, she signed me, I probably wrote a hundred songs my first year, as a writer at Word, with co-writes, almost every day. I didn't get one cut.Chris: Wow! Out of a hundred?Jason: A hundred yeah, yeah my batting average was pretty low, I wrote a hundred songs, no cuts but I really felt at the time that it was the most amazing year and I thought ‘Well, I'm not going to get my option picked up because I've made no money for the company but I was just really thankful to the Lord to have sort of lived a dream for a year. And so I was really ready to pack up and go back to something else and she picked up my option, wrote another hundred songs for another year, got my first cut, found out it was a hidden track…Seth: So did you even get paid for this?Jason: Well my…Chris: He got paid with hidden moneyJason: Yes, hidden money, Cindy called and assured me that you get paid the same, just no one will hear it. I was like “Ah, awesome”. So again, I thought…Seth: So one out of two hundredJason: One out of two hundredSeth: That's amazing though just for her vision in you, you know. If I signed a writer, if I was a publisher…Jason: You would not, no, you do not stick around, I would have never stuck with me so yeah, she really is a champion for meChris: Yeah, that's amazingJason: And so she picked up my option again…Seth: After the hidden trackJason: Really, really caught a wave, “So you're telling me there's a chance…”. So year three is when I finally kind of did catch my wave and I started having quite a few things work and the real sort of, another real pivotal album for me was Joy Williams did an album called Genesis and we wrote most of the songs on that album together…Seth: You and Joy…Jason: Yes, and it, it didn't necessarily go on to be the biggest album but everyone loved it. So it was like all of our peers loved it and so all of a sudden, doors started opening up and then I met a guy named Bebo Norman and we started writing songs for his album. And I'd never produced anything and I was just doing demos and stuff with the songs we wrote and then I ended up producing that record for him called Between the Dreaming and the Coming TrueSeth: Was that just kind of like, hey, you had been doing these demos and they loved what you were doing, just keep…Jason: Yeah, well what actually happened is we had written, I think, almost all the songs for his album, just the two of us and he went to the producer that they had hired to produce the first couple of songs and they just weren't thrilled with where they landed and so I think Bebo went and just said “Hey, do you mind if me and Jason sort of try to hit a couple?” I think he asked if we could hit a couple and record at the mall. So, then I was a producer you know and that's when I really did sort of catch a wave in that season. And another thing, so I started having lots of songs getting recorded, I started producing a lot. I really think this happened where I might have written a hundred songs and had no cuts, I think I've had a couple years where I've had a hundred songs cut.Chris: Wow, wowJason: And which is nuts so things just got fast and exciting and I found was a part of a couple guys who stumbled into this band called 10th Avenue North and so we signed them to a little development deal and shot them a record deal and that thing's turned into something really significant. Brandon Heath and I wrote ‘Give me your eyes' which turned into something significant and then it just seemed, it seemed to be like…where Seth is right nowSeth: I don't know if I'm there yetJason: Just lots of songs doing really, really, really well and to some degree I'm still on that wave but I have had a bit of a shift in, for me personally, and like God uses music in so many different ways but the song that I was most desiring in my life was songs for the Church. Songs that the Church could bring in worship to the Lord and I had a picture in my mind since high school that one day I would walk in to the back of a room and hear God's people singing something that He let me be a part of writing. So this is relatively recent, about six and a half years ago, six years ago I had…the mailbox money was there…and the accolades and stuff with my peers was there but I had this sort of unfulfilled dream and passion of mine and I was asking the Lord, before I moved into another [18.51] deal, if I was meant to keep doing this because I truly, and I prayed this, and I truly meant it, that I would trade all of the other things and what it brought and the success that it brought for that experience of walking in the back of a church and hearing God's people singing something that He'd let me be a part of writing.So I started bringing this prayer to the Lord about six and a half years ago, took some space from writing and it just seemed like that, at that time God shifted some things from me and really moved me into a place where that was going to become a much more significant part of my life. I remember the day I heard a church sing, I was in the back of a room and I heard a church sing something I wrote for the first time and it was six years ago. It was something I'd written with a guy named Reuben Morgan, because of the success that I'd had, he had come through town and he'd asked if he could get with Christian music's sort of top writer/producers and I was one of three he spent a day with and he didn't really want to write any songs. It was more to just sort of like talk philosophy, hang out, kind of get some exposure to some other ways of maybe approaching songs and take that back because they write their songs internally. So we spent a day and didn't write but we became friends instantly, it was like the brother that was out there that I hadn't met yet. So he came back through a couple of weeks later and on a Saturday morning we just decided to give a go at writing a little something and we wrote Forever Reign but he wasn't thinking that he would take it home and use it at church. So it was just a song that was just on a voice memo on two phones and I didn't know if that's all it would ever be and you really don't know.I think songwriters out there kind of wonder if you know when you've got one of those and you really don't know. I think you should feel like you've got one of those with every song you ever write, so this song was sitting there and I'm still praying this prayer, “Lord, let me walk in the back of a church and hear your people singing something You let me write” and I get this email and it says “Hey, decided to give this a run at church, it's unbelievable what's happening, this is just a board mix so excuse it being rough but I just wanted you to hear it”. And so I'm by myself in my room at home and I push play and I'm listening to Hillsong church sing ‘Forever Reign' like their lives depend upon it and I realized at that moment I was in the back of a church, like, but in God's extravagant and beautiful way, I was by myself with Him but I was listening into the back of not just any church but the most influential church on worship in the world. That really marked a transition for me and I so love radio, it's so fun for me and hooks and pop melodies but if I had to give my life as a writer to one thing, it would certainly be songs that God's people are singing in the church and so I do as much of that as possible these days and really love itChris: What an amazing storySeth: It's pretty crazyChris: Yeah, it is, and the fact that you were able to have kind of a private moment there but still have that experience that you kind of envisioned years and years beforeJason: Yeah, God's got this stuff you know, He's got usChris: Well speaking of that and the faith that it took to get to that point, what kind of faith did it take for you or ‘stick-to-it-iveness' that first year where you had the deal and you wrote a hundred songs and not one cut and then the second year where you finally got one but not many people would hear it unless they knew how to work a CD player the right way? What did it take for you to keep going and for Cindy to continue to have faith in you, just what was that experience like for you?Jason: Well I think what keeps us going is that we love it, it's hard for me to come over here and talk with Seth and not be like ‘So let's write something' because I love it, I love when we write, I love writing songs and so it's what keeps you going is that you love it. Even if there's not the return of people hearing it, that's a big bonus but that kept me going at it. And also too, I'm a bit, I'm driven, I don't think anyone ends up in this world that's achieving things like you're going to find that drive is a big part of a common factor.Seth: Well to push through two years of not having anything, it has to beJason: Right, it is and belief, people believing in you. The other thing, I do think it's important for songwriters in this era, we're such an instant gratification culture and an entitled culture that we don't appreciate the hours. There's this whole ten thousand hours thing that it takes to master anything that we're all familiar with but I really find that's true. I like to tell songwriters, I've got a good friend named Jimmy Abegg who was in The Ragamuffins with Rich Mullins and he's still a brilliant guitar player but his painting is probably his first love, so he's this brilliant painter; we have his paintings hanging all around our house. My wife dabbles in painting sometimes and so she had taken some pictures of the ocean out where we're from in Santa Cruz and had come home and was painting these ocean scenes, she had six canvasses hanging on the wall and she thought ‘Well I'm going to have Jimmy come out and give me some critique'. And I'm like ‘Oh, that'll be amazing, get critiqued by Jimmy Abegg' so he comes out and he looks at her six paintings and he tells her so many…like he just finds encouraging things to say about every inch of all six canvasses…but then he says, “Okay, so  you've got six, so go paint ninety four more and then paint your first painting”Chris: Oh gosh…Jason: But that's like, what good advice, I mean we always just want to fast track to…and some writers might write…their first song might be a world changing song, there's a difference between people who ‘happen' into a good song and people that constantly write great songs. And that comes from really honing your craft and honing your craft is…there's no shortcut to hours.Chris: I was thinking as you were saying that, the hundred songs in the first year and the hundred songs in the second year, even if they didn't get put anywhere that either could equate to significance on the charts or every bottom dollar, whatever that is, like what a classroom that is, to be in front of someone else, doing a co-write, [25.56] writing. All those songs are building towards…just like you were saying Jimmy was saying that all of those hundred paintings build towards being able to put your first one out there that is really a statementSeth: My competitiveness would probably go back and take some of those if I were in your position and play them for somebody and just watch how many of them would get cut. Now because you're Jason Ingram…Jason: You're totally right, and that does happen, that does happen. I mean you don't…it's hard to get a fair listen…people always listen to things through the filter of what their expectation is and so if their expectation is that something is going to be great, they're more likely to hear it that waySeth: Yeah, it's pre-informed, I'm sureChris: That's definitely true. So the kid that's getting out of Belmont and wanting to become the next Jason Ingram…what's your biggest word of advice to him or her?Jason: Write songs that mean something to you and put your head down and work hard and write a lot. The other thing I…when I say write something that means something to you…is I do find that a lot of people sort of come out of these environments and they've learned some sort of craft butSeth: Like meaning [27.17] haven't gone and gotten a degreeJason: Yeah, like got a degree or they've kind of read some books so they want to do something so they study the craft and you can assemble a song because the rhyme is there or the hook is there but I just think the difference, even in the pop world, and certainly in Country and Christian, is the songs that are written because they matter to you is…those are always the ones that do something. And another thing I tell people is if you want to be a songwriter, make sure your calendar tells me you're a songwriter because if your calendar doesn't tell me you're a songwriter you're not a songwriter.We sort of have this sort of idea that ‘Well, I'm just going to catch a song, I'm waiting for inspiration or…', the thing that we learn is,  we calendar our song writing and then good things happen. You tend to want to think that…like even ‘Forever Reign' as an example…or anything like that, that I was woken up in the middle of the night and the Lord said “I've got something for you”, so I got up, I sang something into my phone and the next morning I'm playing it back, and I'm like ‘Oh my goodness, this is amazing'. But, really it was just a date and a time that was scheduled on a calendar and had that not happened, that song would not exist and so I always tell people your calendar will tell me what you are in life and if you want to be a songwriter let's look at your calendar and let's see if you are. That's a big one is because it takes a lot of discipline to keep writing songsSeth: Now that's a good word, it's kind of less of waiting for inspiration to strike and just showing up every day and then the inspiration comes because of who you're around and…Chris: Definitely, definitelyJason: Yeah, and another thing is, on that, because of who you're around, co-write. We both know, we all know co-writing is the key to my success, that wasn't something I was doing…none of the songs that people know me by would even exist…that's a very big dealSeth: Do you sit down nowadays, ever, and just do anything by yourself anymore or is it just kind of like…that's…you don't do it that way anymore?Jason: I really don't. Every now and then, I think last year I wrote a song by myself, I just…you know was in a moment where I felt like I needed to express something…but that's so rare. I have an unfair advantage in that I have access to a lot of talented friends and so I want to know what my idea shapes into with someone else's mind involved in it as wellChris: Was that a process for you? In the early days when you say you sat in your room by yourself writing that song, to being mostly known as a person whose an amazing collaborator and co-writer, that process of transitioning into mostly co-writesJason: One of the things I told my first publisher when I signed my first publishing deal is that I write my best songs by myself and I really believed that and she said “Okay, well we'll see how that shapes up for you”. And it certainly was not true, what I said. I do not write my best songs by myself.Chris: How long did that take for you to fully believe that?Jason: About two years, of writing some by myself and writing a ton with other people, it makes sense though, I mean the community in strength. Like it just…it makes sense that when you do something as a team you're going to get better results than individualsSeth: That word is recurring very many times in this podcastChris: Isn't it though? It's amazingSeth: The importance of team and along with your team, when you were getting into it would you consider that publisher like your mentor, do you feel like you had a mentor, sort of shepherding you in your career?Jason: She would have been my mentor in that season of life for sure, she would listen to everything I wrote and told me what was working and what wasn't, yeah that was just like school for meChris: Was it tough to hear?Jason: No, because the heart was someone who was…when no one else wanted to give me any advance and tell me to write songs…this was the person that said “You can do it” so no, it definitely wasn't. I mean, it's always tough to hear in the regard that I think we put our hearts, we put ourselves into these things that we do and so it's always hard to hear things that are critical but it's so valuableSeth: At this point in your career you've achieved some pretty big success by any world standard. Is there anything that you're still afraid of when you come into work every day?Jason: Yes and it's that I'm afraid that I'm missing what God wants out of me and so I keep that in front of me, like the thing I'm really wanting to be mindful of in 2016 is if I didn't write another song [32.38] my family's going to be okay and I've accomplished something and I could come and write songs purely out of craft and gifting as can you and get good results but I…what I'm afraid of is, I'm not seeking what God wants…What does He want from me? What does He…what are the prayers that people need? What are the life rafts that we need to throw to people? What are the…not just writing songs [33.13] I just don't want to…in this space that I'm in…the music industry works unfortunately, I think, very much like any other industry, there's not a lot of conversation of mission, there's not a lot of conversation of, truly, of life impact, which is kind of sad you know. You want to hope that that's there but we're inundated by ‘Is it a hit?', I hate that word, I love when things become a hit but I…Seth: If that's what you're shooting forJason: The fear in me is just that we would just write really catchy jingles that people enjoy but that we're not really bringing the people what God, what His heart for us to bring them is. So that's front and centre for meSeth: Now that's goodChris: You're kind of building on that, and borrowing from a term you said earlier that you feel you're still kind of riding that initial wave that you caught. Can you foresee what you either want your next wave to look like or what you feel like you're transitioning into now? If it's the same thing, that's fine but what is the next two, three, five years look like for Jason Ingram?Jason: I've reached a place of freedom in my life where there's been a lot of hustle and  a lot of drive for a lot of years and I really want to sit in a place of rest and freedom and gratitude and so when you're too tired or there's something that happens when you're not taking care of yourself or your soul and your ‘get to's' become ‘got to's'. There is some years where I get to write a song, I get to be with this artist today, I get to come and talk about this. They become ‘got to's', I've got to do this, I've got to write today, I've got to be with that artist tomorrow. And there's no joy in that, there's no rest in that and for me, I'm just trying to move just into a space where everything is a ‘get to' again and however long God wants to use me in this capacity, like I'm pumped but holding it loosely.But I am excited, I'm ready to write the best songs I've ever written and to dig deep and jump around a room [35.36] listening to you know, I'm super fired up so I don't know, I don't have another thing, you know, just this thing and I do think there's something to that. I don't often say to people like you can go so many paths when something starts working, when one thing's working it's easy to start thinking about all these other things that you're not doing. And I've just tried to live by this principle that I heard someone say which is so where you have favour and so where I have favour, that's where I'm going to continue to sow and not be thinking about ‘Well because this is working [36.18] what I can get in that door, that I could do that thing'Chris: It's been a pleasure to  hear from you. I know that so many of your words have turned into songs that have turned into these personal words for other people. You know they've taken those as their own, as their prayer like you're saying. So it's been a pleasure for me to be able to sit here and just hear from you because so much of what I've heard from you have been the songs that you've created and so to hear personally from you about some of that with the struggles or the high points or the…what you're thinking of as some of those songs come to light has been a pleasure man, thank youSeth: Yeah, super funJason: Thanks so much for the time manSeth: You've been listening to the Full Circle Music Show, leave us a nice rating and review on iTunes. Editing help this week thanks to Kayley Ingram and [37.05] Jerricho Scroggins, produced by the Full Circle Music Company. Check us out at fullcirclemusic.org/podcastwww.fullcirclemusic.orgThe post FCM012 – Writing 100 Songs A Year with Jason Ingram appeared first on Full Circle Music. See acast.com/privacy for privacy and opt-out information.

Hi guys, here are my favorite tracks of the moment. Special shouts to Adrian Daniel and Omi. These guys have huge tracks that in my opinion will become Radio Hits very soon. Hope you'll like it! Enjoy :)

--> Mix by : Dj Sky (Ptah Dj's) --> Musical Category : Hits Radio // Kuduro // EDM 01. Nicky Jam & Enrique Iglesias - El Perdon (Intro Club) 02. Dasoul - El No Te Da (Club Mix) 03. Cutty Ranks - Limb By Limb (Team Rush Hour Remix) 04. David Guetta - Hey Mama (#Ash Simons Ragga Blend) 05. Willy William - Ego (Club Mix) 06. Dj Kikfat Feat. Edalam & Willy William - Helicopta (Club Mix) 07. Jesse - Ma Lina (Club Mix) 08. Dj Assad Ft. Luyanna, Jessy Matador - Venga Venga (Extended Mix) 09. Dj Cort-S - Vamos A La Fiesta (Extended Mix) 10. Spice Girls - Wannabe 2015 (#Ash Simons Peak Hour Bangerz) 11. Dj Assad Ft. Big Ali & Greg Parys - Olé (Extended Mix) 12. Eva Simons - Policeman (#Ash Simons Hybrid Bangerz) (Ft. JAKKO) 13. Rebel - Music (Extended Mix) 14. Ummet Ozcan, Dimitri Vegas, Like Mike - The Hum (Original Mix) - SoundCloud : https://soundcloud.com/ptah-djs - Make Me Guest France : http://www.makemeguest.fr/aquitaine/profil-dj-ptahdjs.html

Paulo Pringles é movido a música. Desde pequeno tinha uma rádio montada em seu quarto com o sonho de um dia se tornar locutor e dj. O início precoce fez com que seu interesse aumentasse, trabalhou em loja de cd’s, começou a tocar em eventos corporativos, clubs e logo após, entrou no mercado radiofônico, passando pela Energia 97, 89 FM, Metropolitana e também na maior rádio do país, Jovem Pan. Depois de uma década, construiu uma carreira sólida no mundo do entretenimento, fazendo centenas de apresentações anuais em todo o país, inovando a cada apresentação.

Paulo Pringles é movido a música. Desde pequeno tinha uma rádio montada em seu quarto com o sonho de um dia se tornar locutor e dj. O início precoce fez com que seu interesse aumentasse, trabalhou em loja de cd’s, começou a tocar em eventos corporativos, clubs e logo após, entrou no mercado radiofônico, passando pela Energia 97, 89 FM, Metropolitana e também na maior rádio do país, Jovem Pan. Depois de uma década, construiu uma carreira sólida no mundo do entretenimento, fazendo centenas de apresentações anuais em todo o país, inovando a cada apresentação.

 **RE-BROADCAST** This Week on "TheMusicBox" with National Recording Artist Tanya Dallas-Lewis! They are some of Gospel Music's Finest! Meet Troy Sneed and Kendall King! Gospel Star Troy Sneed is no stranger to success in the music industry! This singer, songwriter, producer and  co-founder of ''Emtro Records,'' has enjoyed half a dozen Top 10 Radio Hits, and is also a Stellar and Soul Train Award Nominee! Kendall King is one of Gospel music's most exceptional, multi-faceted talents.  Gifted as a producer, songwriter, artist, musician, minister of music, and worship leader, she joins ME in the studio to talk about what's next for her in her exciting journey! Plus, [as always--like, FOR REAL-FOR REAL!] I'll be playing the BEST in gospel music by artists that you ACTUALLY know [wowsa!],add to THAT--- news, interviews, updates, how-to's and so much more!  -Tanya, Stellar/Dove Nominated Recording Artist EPISODE SPONSORS: POPW INC., BAPMINISTRIESRADIO.COM, AGAPE MULTIMEDIA INC., PO'MAN MEALS, HGS RADIO

E Negao Jackson Comovido com o fim da tv do nosso convidado Andrew Monquelat fez um rap dedicado a ela... Claro ao modo dele, A zoeira vai rolar solta. kkkkkkkk

This Week on "TheMusicBox" with National Recording Artist Tanya Dallas-Lewis! They are some of Gospel Music's Finest! Meet Troy Sneed and Kendall King! Gospel Star Troy Sneed is no stranger to success in the music industry! This singer, songwriter, producer and  co-founder of ''Emtro Records,'' has enjoyed half a dozen Top 10 Radio Hits, and is also a Stellar and Soul Train Award Nominee! Kendall King is one of Gospel music's most exceptional, multi-faceted talents.  Gifted as a producer, songwriter, artist, musician, minister of music, and worship leader, she joins ME in the studio to talk about what's next for her in her exciting journey! Plus, [as always--like, FOR REAL-FOR REAL!] I'll be playing the BEST in gospel music by artists that you ACTUALLY know [wowsa!],add to THAT--- news, interviews, updates, how-to's and so much more!  I'll have my candy-coated JORDAN ALMONDS and some LIME-A-RITA to ice my forehead with on this very HUMID and HOT DAY! Won't you join me? LOL! I'm sharing!! -Tanya, Stellar/Dove Nominated Recording Artist EPISODE SPONSORS: POPW INC., BAPMINISTRIESRADIO.COM, AGAPE MULTIMEDIA INC., PO'MAN MEALS, HGS RADIO

Just a little something extra to those that are in search for the latest and upcoming radio/club hits. All urban selections from R&B to Rap to Pop, you'll find 20 Jams that are new or yet to be released! Enjoy this Mainstream Radio collection anywhere since is edited just in case your at work or around young ones. -DJ JFresh-One www.facebook.com/djJFreshOne Tracklist: 01. Kendrick Lamar - King Kunta 02. Quincy feat. French Montana - Friends First 03. Snoop Dogg feat. Charlie Wilson - Peaches 'N Cream 04. Jason Derulo - Want To Want Me 05. Jamie Foxx feat. Kid Ink - Baby's In Love 06. Ne-Yo - Coming With You 07. Flo-Rida - Girl's Mine 08. Omarion feat. Chris Brown & Jhene Aiko - Post To Be 09. Dustin Tavella feat. Baby Bash - Blink 10. Miguel - Like You 11. The Dream - That's My Ish 12. Eric Bellinger feat. 2 Chainz - Focused On You 13. Meek Mill feat. Big Sean & ASAP Ferg - B-Boy 14. Tech N9ne feat. B.o.B & 2 Chainz - Hood Go Crazy 15. Fashawn - Out The Trunk 16. J. Cole - No Role Modelz 17. Big Sean feat. Kanye West - All Your Fault 18. Diggy feat. French Montana - Ain't 'Bout To Do 19. The Baka Boyz feat. Too Short, Guy James, Palmer Reed & Thurz - Show Me 20. Natalie La Rose feat. Jeremih - Somebody

Lord Leveson talks back, the new DG sets out his plans for the BBC and commercial radio hits middle-age.

New music from Daft Punk, Audien, David Guetta with Neyo, 4 Strings, Nikki Williams and many other favorite top dance tracks to make you sing along & shaking your ass! 1. Leaving You (Original Mix) - Audien feat. Michael S 2. Play Hard Feat. Ne-Yo & Akon (Albert Neve Remix) - David Guetta 3. Get Lucky (DJ Toshi Tyler Edit) - Daft Punk feat. Pharrell Williams 4. Sexy People (Michael Woods Club Mix) - Lolene  5. Atom (Original) - Nari & Milani 6. What Does Tomorrow Bring (Extended Mix) - Starkillers & Richard Beynon feat. Natalie Peris 7. Glowing (Cazzette vs. Nikki Williams Remix) - Nikki Williams  8. Trippin On You (Thomas Gold Vs Dave Ramone Remix) - Cahill feat. Nikki Belle  9. Sparks (Original Vocal Mix) - Fedde Le Grand & Nicky Romero feat. Matthew Koma  10. Ready To Fall (Orginal Mix) - 4 Strings feat. Seri 11. Faded (Wideboys Electro Club Mix) - Cascada 12. How To Be A Heartbreaker (Dada Life Mix) - Marina And The Diamonds  http://djtoshityler.com/ https://itunes.apple.com/us/podcast/dj-toshi-tyler-dance-club/id528277849

After a few drinks at a wine bar, we decide to have random ass conversations.

Escucha el Martes de Versus en donde escucharas lo nuevo de Blink 182, lo nuevo de los red hot chilli peppers, y la sorpresiva invasión de Peter Real a la cabina de Radio Hits'. Recuerda que esta emisión podrás escuchar traducciones de canciones, y la historia de otras. Recuerda seguirnos en Twitter.

Escucha el Martes de Versus en donde escucharas lo nuevo de Blink 182, lo nuevo de los red hot chilli peppers, y la sorpresiva invasión de Peter Real a la cabina de Radio Hits'. Recuerda que esta emisión podrás escuchar traducciones de canciones, y la historia de otras. Recuerda seguirnos en Twitter.

Este día contamos chistes en compañía de Peter Real, quién nos pidió un bonito Poema para sus cuates. Chistes de Religión, machistas y Feministas. Además entrevista con Abner el nuevo Locutor de Radio Hits y otra con Asmizael Montenegro y el cambio de horario con su programa.

Este día contamos chistes en compañía de Peter Real, quién nos pidió un bonito Poema para sus cuates. Chistes de Religión, machistas y Feministas. Además entrevista con Abner el nuevo Locutor de Radio Hits y otra con Asmizael Montenegro y el cambio de horario con su programa.

Entérate de las mejores noticias del mundo del espectáculo en el Lunes de Now News, a través de Radio Hits de 3 a 5 de la tarde.

Entérate de las mejores noticias del mundo del espectáculo en el Lunes de Now News, a través de Radio Hits de 3 a 5 de la tarde.

Hoy en Now Music, escucha la invasión de 3 amigos cósmicos espaciales que llegaron a la cabina de Radio Hits de manera sorpresiva. Ellos son : Lizzy_Gahan, Perry, y Malklache. Además escucha como el 187 se aparece vía telefónica para saludar los invitados.

Hoy en Now Music, escucha la invasión de 3 amigos cósmicos espaciales que llegaron a la cabina de Radio Hits de manera sorpresiva. Ellos son : Lizzy_Gahan, Perry, y Malklache. Además escucha como el 187 se aparece vía telefónica para saludar los invitados.