Podcasts about world war ii germany

In 2013, journalist Suzanne Rico gets the call. Her mother, Gabriele, is dying. As time ticks down, Gabriele reveals she has written an incomplete memoir about her traumatic childhood in World War II Germany - and makes a daunting last request: "Finish what I started." When Suzanne and her sister, Stephanie, dive into their mother's turbulent past, they come face to face with the mind blowing mysteries that swirl around inventor Robert Lusser - their grandfather - and his work building a secret super weapon for Adolf Hitler. The most puzzling of which is the mysterious, violent death of his wife. As they struggle to bring closure to something as intimate as a memoir, they have no idea of the revelations in store, or the reckoning they will require.  WINNER - Best Writing - Gracie Awards 2025 - Alliance for Women in MediaNOMINEE - Best Indie Podcast - Ambie Awards 2025 - The Podcast Academy“10 Best of 2024” - Crime Writers On PodcastFEATURED PODCAST - Apple PodcastsTOP TEN History Podcast of the Month - Goodpods

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Here is the edited version with improved grammar:Baya called me from Basking Ridge, New Jersey. She was raised in Germany by parents who grew up in post-World War II Germany, along with an abusive older brother. In her town, everyone knew Baya was adopted, and she even knew who her birth mother was. However, to this day, Baya has not yet reached the point where she feels ready to take the next step—coming face to face with the woman she has known about her entire life.This is Baya's journey.Who Am I Really?Who Am I Really? Website Share Your StoryDamon's story Find the show on:InstagramFacebookAppleYouTubeSpotifyGoogleTuneIn StitcherPlayer FMPodbean

In today's episode we delve into the remarkable rise of supernatural phenomena in post-World War II Germany, a period marked by the extraordinary popularity of faith healers like Bruno Gröning and a wave of witchcraft accusations. Joining us is Monica Black, the acclaimed historian and author of ‘A Demon-Haunted Land: Witches, Wonder Doctors, and the Ghosts of the Past in Post-WWII Germany'. Monica offers a compelling exploration of how a nation, grappling with the aftermath of war and the Holocaust, turned to supernatural beliefs and practices to cope with its collective trauma. In the wake of the war, Germany saw a resurgence of messianic figures and mystical healers drawing enormous crowds, prayer groups conducting exorcisms, and widespread sightings of the Virgin Mary. This period also witnessed a startling number of witchcraft accusations as neighbours turned against each other in a climate of pervasive fear and suspicion. Monica Black unpacks these phenomena, arguing that they were deeply intertwined with the nation's unaddressed guilt and the haunting silence over its recent atrocities. Our discussion highlights how these supernatural obsessions reveal a darker, more troubled side of Germany's postwar recovery, often overshadowed by narratives of economic resurgence and democratic rebirth. Monica's insights, drawn from previously unpublished archival sources, paint a vivid picture of a society struggling with profound moral and spiritual disquiet. This episode is a deep dive into the shadow history of postwar Germany, offering a fresh perspective on the emotional and psychological toll of trying to bury a painful and horrific legacy. My Special Guest Is Monica Black Monica Black is a historian of modern Europe. Her research focuses on the cultural and social history of Germany, with an emphasis on the era of the World Wars and the decades immediately after 1945. Much of her work has concerned how National Socialism functioned in daily life, and what happened to it after 1945. She is a Distinguished Professor in the Humanities at the University of Tennessee, Knoxville (UTK), where she has been a faculty member in the history department since 2010. From 2021 to 2023, she served as associate director of the UT Humanities Center. Earlier in her career, she taught at Furman University in Greenville, South Carolina and at the University of Virginia. Since 2019, she has been the editor of the journal Central European History (Twitter: @CentralEuropean). She also serve as an associate review editor for the American Historical Review and served from 2016 - 2021 as a member of the editorial board of German Studies Review. In 2022, she joined the German Studies Association's executive board. In 2023, she was named to the advisory board of the George L. Mosse Series in the History of Culture, Sexuality, and Ideas (University of Wisconsin Press). In 2014, she was awarded the Berlin Prize by the American Academy in Berlin. She has been a fellow of the Shelby Cullom Davis Center at Princeton University and the American Council of Learned Societies and the National Endowment for the Humanities have supported her research. In this episode, you will be able to: 1. Uncovers the lesser-known spiritual and psychological undercurrents of a nation in turmoil, and how these forces shaped the postwar German experience. 2. Discover more about the extraordinary popularity of faith healers like Bruno Gröning. If you value this podcast and want to enjoy more episodes please come and find us on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Haunted_History_Chronicles⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to support the podcast, gain a wealth of additional exclusive podcasts, writing and other content. Links to all Haunted History Chronicles Social Media Pages, Published Materials and more:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/hauntedhistorychronicles?fbclid=IwAR15rJF2m9nJ0HTXm27HZ3QQ2Llz46E0UpdWv-zePVn9Oj9Q8rdYaZsR74I⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ *NEW* Podcast Shop:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/haunted-history-chronicles⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Me A Coffee ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ko-fi.com/hauntedhistorychronicles⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Guest Links Website:⁠ https://www.monicablack.net/ Book: https://www.amazon.co.uk/Demon-Haunted-Land-Witches-Doctors-Post-WWII-ebook/dp/B07WZ7TSKV/ref=sr_1_1?crid=2FAH2IR3L0LRZ&dib=eyJ2IjoiMSJ9.obCmEuRjte-hDWtWa6yaMV9dwzLyn_Ed8Oai3lIfrW8.E_Pwga3gkGqiRxzhXUZIy5TU-vl7TcuYwRF-sMDbqBw&dib_tag=se&keywords=monica+black+a+demon+haunted+land&qid=1717241247&sprefix=monica+black+a+demon+haunted+land%2Caps%2C2409&sr=8-1

On this Independence Day, discover how the pastors of the American colonies, derisively called the Black-Robed Regiment by the British, boldly taught their congregations the Biblical principles to resist tyranny. Guest host Adam McManus interviews Dan Fisher, author of Bringing Back the Black Robed Regiment: How the 18th century church stood for liberty and why it must do so again. Dan is the co-pastor of Fairview Baptist in Edmond, Oklahoma, a former member of the Oklahoma House of Representatives from 2012-2015, and ran for Governor in 2018. His vision is that the American church will regain the “spirit” of the original “Black-Robed Regiment,” and once again actively engage in defense of truth and liberty. In an impressive 60-minute, multi-media presentation in full period costume, Dan travels the country to portray these heroic men of American history complete with verified artifacts from our War of Independence. (Check out his schedule). Adam and Pastor Fisher discuss: *  Pastor Peter Muhlenberg of Woodstock, Virginia who took off his black robe in the pulpit, revealing a colonel's uniform, and challenged the men to fight. *  Pastor Jonas Clarke of Lexington, Massachusetts who trained his men to prepare for the April 19, 1775 showdown with the British which led to the shot heard ‘round the world on Lexington Green. *  Pastor James Caldwell of Elizabethtown, New Jersey who brought hymnals to the Minutemen to use for wadding to fight the British. *  Pastor Naphtali Daggett, president of Yale, who rallied 100 students to fight the Redcoats, which led to his capture and brutal treatment. *  Pastor John Treadwell of Lynn, Massachusetts, who kept a loaded Flintlock in his pulpit, and who narrowly escaped death at the Battle of Bennington in Vermont. *  The disturbing similarity between the church in pre-World War II Germany and the American church today.  Both have, by and large, remained silent in the face of evil. This program includes: 1. The World View in 5 Minutes with Adam McManus (Tractor Supply Co. saw the light, The colonial pastors who took a stand against tyranny, Iran sentenced 5 Christians to total of 25 years in prison) 2. Generations with Kevin Swanson (Guest Hosted by Adam McManus)

The Reverend Heidi McGinness talks about her journey from the rubble of post-World War II Germany, to a life in faithful service to the poor, the persecuted, the oppressed, and the enslaved, including her work with the South Sudanese Underground Railroad in retrieving citizens from the North and returning them to the South.Reverend McGinness has, with unflinching zeal and hope, dedicated her life, alongside others of all faiths and of other ethical traditions, in advocating for and helping the poor, the persecuted, the oppressed, and the enslaved. Reverend McGinness's service has been recognized with several awards. She has worked with numerous humanitarian and anti-genocide organizations, including Christian Solidarity International, a Swiss human rights organization, in delivering humanitarian aid to Sudan in times of war and peace. From 2004 to 2018, Reverend McGinness assisted the South Sudanese Underground Railroad in retrieving citizens from the North and returning them to the South. Since her third retirement in 2018, Reverend McGinness continues to visit East Africa and work with refugees. Living in Omaha, she also supports Nebraskans in need, including assisting in the work of those combatting human trafficking in Nebraska and further afield.

Most people say, “If I had been alive in the 1940s and known about the Nazi death camps, I surely would have done something to stop that slaughter.” Sing A Little Louder is a short film portraying how one small church in World War II Germany dealt with the cries of Jewish prisoners, trapped in cattle cars and headed for the death camps. They just – “Sang a little louder.” Proverbs 24:11-12 states: "Rescue those who are being taken away to death; hold back those who are stumbling to the slaughter. If you say, 'Behold, we did not know this,' does not He who weighs the heart perceive it? Does not He who keeps watch over your soul know it, and will He not repay man according to his work?" Today, we have the slaughter and genocide of Palestinians in Gaza and the West Bank, some of whom are our Brothers and Sisters in Christ! This time, social media and instant communication capture the horrors, even if FOX, CNN, MSNBC, and PBS choose not to. We also see an unholy alliance between the Zionist State of Israel, the US Government, and the Evangelical churches. Ask a Christian this question:   

(Bonus) The Berlin Blockade (24 June 1948 – 12 May 1949) was one of the first major international crises of the Cold War. During the multinational occupation of post–World War II Germany, the Soviet Union blocked the Western Allies' railway, road, and canal access to the sectors of Berlin under Western control. The Soviets offered to drop the blockade if the Western Allies withdrew the newly introduced Deutsche Mark from West Berlin. The Western Allies organised the Berlin Airlift (German: Berliner Luftbrücke, lit. "Berlin Air Bridge") from 26 June 1948 to 30 September 1949 to carry supplies to the people of West Berlin, a difficult feat given the size of the city and the population. American and British air forces flew over Berlin more than 250,000 times, dropping necessities such as fuel and food, with the original plan being to lift 3,475 tons of supplies daily. By the spring of 1949, that number was often met twofold, with the peak daily delivery totalling 12,941 tons. Among these was the work of the later concurrent Operation Little Vittles in which candy-dropping aircraft dubbed "raisin bombers" generated much goodwill among German children.

Become a supporter of this podcast: https://www.spreaker.com/podcast/sermons-from-my-heart--2423678/support.Amidst the ruins of World War II Germany, a woman named Basilea Schlink brought together a small group of women in a faith community. They believed God wanted them to build a chapel, but they had nothing more than prayer, faith, and the encouragement of Scripture. They prayed, and land was donated, but repeatedly the building authority said, “You can't build on that land.” One morning she read this passage from Colossians 2:10: “(Christ) is the head of all rule and authority.” She decided to walk 45 minutes into town to visit the building authority and, on her way, a car slowed to offer her a ride. The driver was the town's mayor. “This man is the high official of our town that the Scripture spoke about,” she realized, and in five minutes she was able to explain her request. The building permit was granted, and a prayer tent was erected on the property as the women asked God to provide the missing $61,990 of the $62,000 needed to build. The funds came in. Schlink wrote that “this experience deeply etched into our hearts our responsibility to hang on in faith when a situation seems hopeless, for then the name of the Lord can be glorified before many people. “ In Romans 4:13-25, Paul analyzed Abraham's faith so that people would know what constitutes faith. God's promise is independent of the law and rests squarely on the principle of faith. Abraham's faith was based on confidence in God. When God's people look to the law for justification instead of looking to God, failure to keep the law makes them guilty and they face death instead of life. The object of faith is that which really matters more than anything else.

Braga, King, and Ski close out bird month with Chicken Run, a highly acclaimed kids movie that directly mimics the scenarios of World War II Germany. Are you saying that sounds like a bit much? Have you seen the movie!? Listen!

Thomas Craemer obtained a political science doctorate in 2001 from the University of Tuebingen in his native Germany, and a PhD from Stony Brook University, New York, in 2005. He teaches at the University of Connecticut's Department of Public Policy. His experience of growing up in post-World-War II Germany motivated his research on implicit racial […]

One of the hardest parts of telling any history, is which innovations are significant enough to warrant mention. Too much, and the history is so vast that it can't be told. Too few, and it's incomplete. Arguably, no history is ever complete. Yet there's a critical path of innovation to get where we are today, and hundreds of smaller innovations that get missed along the way, or are out of scope for this exact story. Children have probably been placing sand into buckets to make sandcastles since the beginning of time. Bricks have survived from round 7500BC in modern-day Turkey where humans made molds to allow clay to dry and bake in the sun until it formed bricks. Bricks that could be stacked. And it wasn't long before molds were used for more. Now we can just print a mold on a 3d printer.   A mold is simply a block with a hollow cavity that allows putting some material in there. People then allow it to set and pull out a shape. Humanity has known how to do this for more than 6,000 years, initially with lost wax casting with statues surviving from the Indus Valley Civilization, stretching between parts of modern day Pakistan and India. That evolved to allow casting in gold and silver and copper and then flourished in the Bronze Age when stone molds were used to cast axes around 3,000 BCE. The Egyptians used plaster to cast molds of the heads of rulers. So molds and then casting were known throughout the time of the earliest written works and so the beginning of civilization. The next few thousand years saw humanity learn to pack more into those molds, to replace objects from nature with those we made synthetically, and ultimately molding and casting did its part on the path to industrialization. As we came out of the industrial revolution, the impact of all these technologies gave us more and more options both in terms of free time as humans to think as well as new modes of thinking. And so in 1868 John Wesley Hyatt invented injection molding, patenting the machine in 1872. And we were able to mass produce not just with metal and glass and clay but with synthetics. And more options came but that whole idea of a mold to avoid manual carving and be able to produce replicas stretched back far into the history of humanity. So here we are on the precipice of yet another world-changing technology becoming ubiquitous. And yet not. 3d printing still feels like a hobbyists journey rather than a mature technology like we see in science fiction shows like Star Trek with their replicators or printing a gun in the Netflix show Lost In Space. In fact the initial idea of 3d printing came from a story called Things Pass By written all the way back in 1945! I have a love-hate relationship with 3D printing. Some jobs just work out great. Others feel very much like personal computers in the hobbyist era - just hacking away until things work. It's usually my fault when things go awry. Just as it was when I wanted to print things out on the dot matrix printer on the Apple II. Maybe I fed the paper crooked or didn't check that there was ink first or sent the print job using the wrong driver. One of the many things that could go wrong.  But those fast prints don't match with the reality of leveling and cleaning nozzles and waiting for them to heat up and pulling filament out of weird places (how did it get there, exactly)! Or printing 10 add-ons for a printer to make it work the way it probably should have out of the box.  Another area where 3d printing is similar to the early days of the personal computer revolution is that there are a few different types of technology in use today. These include color-jet printing (CJP), direct metal printing (DMP), fused deposition modeling (FDM), Laser Additive Manufacturing (LAM, multi-jet printing (MJP), stereolithography (SLA), selective laser melting (SLM), and selective laser sintering (SLS). Each could be better for a given type of print job to be done. Some forms have flourished while others are either their infancy or have been abandoned like extinct languages. Language isolates are languages that don't fit into other families. Many are the last in a branch of a larger language family tree. Others come out of geographically isolated groups. Technology also has isolates. Konrad Zuse built computers in pre-World War II Germany and after that aren't considered to influence other computers. In other words, every technology seems to have a couple of false starts. Hideo Kodama filed the first patent to 3d print in 1980 - but his method of using UV lights to harden material doesn't get commercialized.  Another type of 3d printing includes printers that were inkjets that shot metal alloys onto surfaces. Inkjet printing was invented by Ichiro Endo at Canon in the 1950s, supposedly when he left a hot iron on a pen and ink bubbled out. Thus the “Bubble jet” printer. And Jon Vaught at HP was working on the same idea at about the same time. These were patented and used to print images from computers over the coming decades. Johannes Gottwald patented a printer like this in 1971. Experiments continued through the 1970s when companies like Exxon were trying to improve various prototyping processes. Some of their engineers joined an inventor Robert Howard in the early 1980s to found a company called Howtek and they produced the Pixelmaster, using hot-melt inks to increment the ink jet with solid inks, which then went on to be used by Sanders Prototype, which evolved into a company called Solidscape to market the Modelmaker. And some have been used to print solar cells, living cells, tissue, and even edible birthday cakes. That same technique is available with a number of different solutions but isn't the most widely marketable amongst the types of 3D printers available. SLA There's often a root from which most technology of the day is derived. Charles, or Chuck, Hull coined the term stereolithography, where he could lay down small layers of an object and then cure the object with UV light, much as the dentists do with fillings today. This is made possibly by photopolymers, or plastics that are easily cured by an ultraviolet light. He then invented the stereolithography apparatus, or SLA for short, a machine that printed from the bottom to the top by focusing a laser on photopolymer while in a liquid form to cure the plastic into place. He worked on it in 1983, filed the patent in 1984, and was granted the patent in 1986.  Hull also developed a file format for 3D printing called STL. STL files describe the surface of a three-dimensional object, geometrically using Cartesian coordinates. Describing coordinates and vectors means we can make objects bigger or smaller when we're ready to print them. 3D printers print using layers, or slices. Those can change based on the filament on the head of a modern printer, the size of the liquid being cured, and even the heat of a nozzle. So the STL file gets put into a slicer that then converts the coordinates on the outside to the polygons that are cured. These are polygons in layers, so they may appear striated rather than perfectly curved according to the size of the layers. However, more layers take more time and energy. Such is the evolution of 3D printing. Hull then founded a company called 3D Systems in Valencia California to take his innovation to market. They sold their first printer, the SLA-1 in 1988. New technologies start out big and expensive. And that was the case with 3D Systems. They initially sold to large engineering companies but when solid-state lasers came along in 1996 they were able to provide better systems for cheaper.  Languages also have other branches. Another branch in 3d printing came in 1987, just before the first SLA-1 was sold.  Carl Deckard  and his academic adviser Joe Beaman at the University of Texas worked on a DARPA grant to experiment with creating physical objects with lasers. They formed a company to take their solution to market called DTM and filed a patent for what they called selective laser sintering. This compacts and hardens a material with a heat source without having to liquify it. So a laser, guided by a computer, can move around a material and harden areas to produce a 3D model. Now in addition to SLA we had a second option, with the release of the Sinterstation 2500plus. Then 3D Systems then acquired DTM for $45 million in 2001. FDM After Hull published his findings for SLA and created the STL format, other standards we use today emerged. FDM is short for Fused Deposition Modeling and was created by Scott Crump in 1989. He then started a company with his wife Lisa to take the product to market, taking the company public in 1994. Crump's first patent expired in 2009.  In addition to FDM, there are other formats and techniques. AeroMat made the first 3D printer that could produce metal in 1997. These use a laser additive manufacturing process, where lasers fuse powdered titanium alloys. Some go the opposite direction and create out of bacteria or tissue. That began in 1999, when Wake Forest Institute of Regenerative medicine grew a 3D printed urinary bladder in a lab to be used as a transplant. We now call this bioprinting and can take tissue and lasers to rebuild damaged organs or even create a new organ. Organs are still in their infancy with success trials on smaller animals like rabbits. Another aspect is printing dinner using cell fibers from cows or other animals. There are a number of types of materials used in 3D printing. Most printers today use a continuous feed of one of these filaments, or small coiled fibers of thermoplastics that melt instead of burn when they're heated up. The most common in use today is PLA, or polylactic acid, is a plastic initially created by Wall Carothers of DuPont, the same person that brought us nylon, neoprene, and other plastic derivatives. It typically melts between 200 and 260 degrees Celsius. Printers can also take ABS filament, which is short for acrylonitrile-butadien-styerene. Other filament types include HIPS, PET, CPE, PVA, and their derivative forms.  Filament is fed into a heated extruder assembly that melts the plastic. Once melted, filament extrudes into place through a nozzle as a motor sends the nozzle on a x and y axis per layer.  Once a layer of plastic is finished being delivered to the areas required to make up the desired slice, the motor moves the extruder assembly up or down on a z axis between layers. Filament is just between 1.75 millimeters and 3 millimeters and comes in spools between half a kilogram and two kilograms. These thermoplastics cool very quickly. Once all of the slices are squirted into place, the print is removed from the bed and the nozzle cools off. Filament comes in a number of colors and styles. For example, wood fibers can be added to filament to get a wood-grained finish. Metal can be added to make prints appear metallic and be part metal.  Printing isn't foolproof, though. Filament often gets jammed or the spool gets stuck, usually when something goes wrong. Filament also needs to be stored in a temperature and moisture controlled location or it can cause jobs to fail. Sometimes the software used to slice the .stl file has an incorrect setting, like the wrong size of filament. But in general, 3D printing using the FDM format is pretty straight forward these days. Yet this is technology that should have moved faster in terms of adoption. The past 10 years have seen more progress than the previous ten though. Primarily due to the maker community. Enter the Makers The FDM patent expired in 2009. In 2005, a few years before the FDM patent expired, Dr. Adrian Bowyer started a project to bring inexpensive 3D printers to labs and homes around the world. That project evolved into what we now call the Replicating Rapid Prototyper, or RepRap for short.  RepRap evolved into an open source concept to create self-replicating 3D printers and by 2008, the Darwin printer was the first printer to use RepRap. As a community started to form, more collaborators designed more parts. Some were custom parts to improve the performance of the printer, or replicate the printer to become other printers. Others held the computing mechanisms in place. Some even wrote code to make the printer able to boot off a MicroSD card and then added a network interface so files could be uploaded to the printer wirelessly. There was a rising tide of printers. People were reading about what 3D printers were doing and wanted to get involved. There was also a movement in the maker space, so people wanted to make things themselves. There was a craft to it. Part of that was wanting to share. Whether that was at a maker space or share ideas and plans and code online. Like the RepRap team had done.  One of those maker spaces was NYC Resistor, founded in 2007. Bre Pettis, Adam Mayer, and Zach Smith from there took some of the work from the RepRap project and had ideas for a few new projects they'd like to start. The first was a site that Zach Smith created called Thingiverse. Bre Pettis joined in and they allowed users to upload .stl files and trade them. It's now the largest site for trading hundreds of thousands of designs to print about anything imaginable. Well, everything except guns. Then comes 2009. The patent for FDM expires and a number of companies respond by launching printers and services. Almost overnight the price for a 3D printer fell from $10,000 to $1,000 and continued to drop. Shapeways had created a company the year before to take files and print them for people. Pettis, Mayer, and Smith from NYC Resistor also founded a company called MakerBot Industries. They'd already made a little bit of a name for themselves with the Thingiverse site. They knew the mind of a maker. And so they decided to make a kit to sell to people that wanted to build their own printers. They sold 3,500 kits in the first couple of years. They had a good brand and knew the people who bought these kinds of devices. So they took venture funding to grow the company. So they raised $10M in funding in 2011 in a round led by the Foundry Group, along with Bezos, RRE, 500 Startups and a few others. They hired and grew fast. Smith left in 2012 and they were getting closer and closer with Stratasys, who if we remember were the original creators of FDM. So Stratasys ended up buying out the company in 2013 for $403M. Sales were disappointing so there was a changeup in leadership, with Pettis leaving and they've become much more about additive manufacturing than a company built to appeal to makers. And yet the opportunity to own that market is still there. This was also an era of Kickstarter campaigns. Plenty of 3D printing companies launched through kickstarter including some to take PLA (a biodegradable filament) and ABS materials to the next level. The ExtrusionBot, the MagicBox, the ProtoPlant, the Protopasta, Mixture, Plybot, Robo3D, Mantis, and so many more.  Meanwhile, 3D printing was in the news. 2011 saw the University of Southhampton design a 3d printed aircraft. Ecologic printing cars, and practically every other car company following suit that they were fabricating prototypes with 3d printers, even full cars that ran. Some on their own, some accidentally when parts are published in .stl files online violating various patents.  Ultimaker was another RepRap company that came out of the early Darwin reviews. Martijn Elserman, Erik de Bruin, and Siert Wijnia who couldn't get the Darwin to work so they designed a new printer and took it to market. After a few iterations, they came up with the Ultimaker 2 and have since been growing and releasing new printers  A few years later, a team of Chinese makers, Jack Chen, Huilin Liu, Jingke Tang, Danjun Ao, and Dr. Shengui Chen took the RepRap designs and started a company to manufacturing (Do It Yourself) kits called Creality. They have maintained the open source manifesto of 3D printing that they inherited from RepRap and developed version after version, even raising over $33M to develop the Ender6 on Kickstarter in 2018, then building a new factory and now have the capacity to ship well over half a million printers a year. The future of 3D Printing We can now buy 3D printing pens, over 170 3D Printer manufacturers including 3D systems, Stratasys, and Ceality but also down-market solutions like Fusion3, Formlabs, Desktop Metal, Prusa, and Voxel8. There's also a RecycleBot concept and additional patents expiring every year.  There is little doubt that at some point, instead of driving to Home Depot to get screws or basic parts, we'll print them. Need a new auger for the snow blower? Just print it. Cover on the weed eater break?  Print it. Need a dracolich mini for the next Dungeons and Dragons game? Print it. Need a new pinky toe. OK, maybe that's a bit far. Or is it? In 2015, Swedish Cellink releases bio-ink made from seaweed and algae, which could be used to print cartilage and later released the INKREDIBLE 3D printer for bio printing. The market in 2020 was valued at $13.78 billion with 2.1 million printers shipped. That's expected to grow at a compound annual growth rate of 21% for the next few years. But a lot of that is healthcare, automotive, aerospace, and prototyping still. Apple made the personal computer simple and elegant. But no Apple has emerged for 3D printing. Instead it still feels like the Apple II era, where there are 3D printers in a lot of schools and many offer classes on generating files and printing.  3D printers are certainly great for prototypers and additive manufacturing. They're great for hobbyists, which we call makers these days. But there will be a time when there is a printer in most homes, the way we have electricity, televisions, phones, and other critical technologies. But there are a few things that have to happen first, to make the printers easier to use. These include: Every printer needs to automatically level. This is one of the biggest reasons jobs fail and new users become frustrated. More consistent filament. Spools are still all just a little bit different. Printers need sensors in the extruder that detect if a job should be paused because the filament is jammed, humid, or caught. This adds the ability to potentially resume print jobs and waste less filament and time. Automated slicing in the printer microcode that senses the filament and slices. Better system boards (e.g. there's a tool called Klipper that moves the math from the system board on a Creality Ender 3 to a Raspberry Pi). Cameras on the printer should watch jobs and use TinyML to determine if they are going to fail as early as possible to halt printing so it can start over. Most of the consumer solutions don't have great support. Maybe users are limited to calling a place in a foreign country where support hours don't make sense for them or maybe the products are just too much of a hacker/maker/hobbyist solution. There needs to be an option for color printing. This could be a really expensive sprayer or ink like inkjet printers use at first We love to paint minis we make for Dungeons and Dragons but could get amazingly accurate resolutions to create amazing things with automated coloring.  For a real game changer, the RecycleBot concept needs to be merged with the printer. Imagine if we dropped our plastics into a recycling bin that 3D printers of the world used to create filament. This would help reduce the amount of plastics used in the world in general. And when combined with less moving around of cheap plastic goods that could be printed at home, this also means less energy consumed by transporting goods. The 3D printing technology is still a generation or two away from getting truly mass-marketed. Most hobbyists don't necessarily think of building an elegant, easy-to-use solution because they are so experienced it's hard to understand what the barriers of entry are for any old person. But the company who finally manages to crack that nut might just be the next Apple, Microsoft, or Google of the world.

Christian Historical Fiction Talk is listener supported. When you buy things through this site, we may earn an affiliate commission.Become a patron and enjoy special perks and bonus content.Leslie Gould is this week's guest on the podcast, and what a wonderful and fascinating guest she was. We chatted about her new book, A Brighter Dawn, which is a dual time Amish novel. Among the subjects we touched on were what life was like for the Anabaptists in Germany just prior to WWII, Dr. Joseph Mengle, if she likes to write the historical or contemporary threads more, and what it was like to be a museum curator. My patrons also got to hear what she likes to read and what she's currently reading. A Brighter Dawn by Leslie Gould"Incredibly well-researched, thoroughly enjoyable, and singularly original."--SHELLEY SHEPARD GRAY, New York Times and USA Today bestselling author"A beautiful story of love, loss, and the bonds that connect a family to its faith."--SUZANNE WOODS FISHER, bestselling author of A Season on the WindIvy Zimmerman is successfully navigating her life as a young Mennonite woman, one generation removed from her parents' Old Order Amish upbringing. But when her parents are killed in a tragic accident, Ivy's way of life is upended. As she deals with her grief, her younger sisters' needs, the relationship with her boyfriend, and her Dawdi and Mammi's strict rules, Ivy finds solace in both an upcoming trip to Germany for an international Mennonite youth gathering and in her great-great-aunt's story about Clare Simons, another young woman who visited Germany in the late 1930s.As Ivy grows suspicious that her parents' deaths weren't, in fact, an accident, she gains courage from what she learns of Clare's time in pre-World War II Germany. With the encouragement and inspiration of the women who have gone before her, Ivy seeks justice for her parents, her sisters, and herself.Get a copy of A Brighter Dawn.Find out more about Leslie Gould:My strongest memories from childhood include stories of hope and grace—and how those stories connected me to family and friends. I also soaked up stories of redemption in the small-town churches we attended. Even though I knew I wanted to write fiction by the time I was in the sixth grade, as I grew older I pursued other things, such as majoring in history and communications, working as a museum curator, then as a public relations specialist, and finally as a magazine editor. Once I finally started writing fiction, it was another ten years until I sold my first novel. Soon after, I received a Master of Fine Arts in Creative Writing, which allowed me to teach writing at a local university besides writing novels full-time. I've written a large collection of dual-time, Amish, and contemporary novels, set in a variety of places—from the Pacific Northwest to Amish Country to France to Vietnam. My husband, Peter, and I have been married forty years and have four adult children and one grandchild. We live in Portland, Oregon and enjoy traveling, urban hikes, and hanging out with family and friends!Visit Leslie's website.

In this discussion, David, Ann and I discuss the importance of thinking The Idea of the University in the contemporary neoliberal and digitised political-economic landscape. The Idea of the University is a book by existentialist philosopher Karl Jaspers, and written to serve an educational reconstruction project in post-World War II Germany. Now we discuss this book in our historical context, but with the aim the same: to think the Idea of the University as such. Theory Underground's new course "The Idea of the University" starts January 14th 2023, learn more and sign up here!: https://theory-underground.com/courses/tiotu *Bonus: if you are signed up for the Science of Logic course and/or if you want to sign up for the Science of Logic course (starting January 16th 2023) you will get a Tier upgrade if you also attend The Idea of the University (I will be taking the course as well). Bryan, Ann, and David talking about the course: https://www.youtube.com/watch?v=WNHemcJnLOU&t=3089s The Idea of the University audiobook: https://www.youtube.com/watch?v=ysRXTmE5FsU The post about critique, theory, and ideology: https://theory-underground.com/critique-theory-and-ideology/ New Philosophy Portal course focused on Hegel's Science of Logic starts January 16th 2023: https://philosophyportal.online/science-of-logic

Rev. Tim Koch, pastor at Zion Lutheran Church in Linn, KS, joins host Rev. Timothy Appel to study Lutheran Service Book #337, “The Night Will Soon Be Ending.” Jochen Klepper wrote this powerful text while he was living during the beginning of the Third Reich in pre-World War II Germany. That context of growing despair makes the hope of the hymn all the more powerful. Although the darkness of sin, guilt, grief, and pain is all around us, Christians have true hope in the fact that Christ, who is the Light of the world, will return. His first coming at Christmas shone this invincible light into our world to give us this hope even now. That's why we run to the light of Christ as He comes to us now in Word and Sacraments, knowing that He has come for us lost sinners. Text: The Night Will Soon Be Ending (Copyright: © 1998 GIA Publications, Inc. Used with permission.) Author: Jochen Klepper, 1903-42 Translator: Herman G. Stuempfle, Jr., b. 1923 “The Hymns of Advent'' is a series on Sharper Iron that looks at a variety of the hymns found in the Advent section Lutheran Service Book. The season of Advent prepares us for Christ's coming. The hymns of Advent teach that this is more than getting ready for Christmas; the Word of the Lord sung in hymnody helps us to receive Christ as He comes to us now in the means of grace and when He comes again in glory on the Last Day.

Florida Gov. Ron DeSantis responds curtly to the political critics of his decision to fly detained migrants to the coveted island vacation spot of Martha's Vineyard. DeSantis specifically responds to the CNN interview comment of documentarian Ken Burns who characterized the charter plane flight to Martha's Vineyard as akin to the Jewish Holocaust in World War II Germany. KVI's John Carlson examines how the American political Left has tried to distort the Martha's Vineyard ploy to denigrate DeSantis.

In today's episode, we bring you a conversation from the opening night, March 4, of Sebastian Meise's new drama GREAT FREEDOM. The film centers on an incredible performance by world cinema superstar, Franz Rogowski, as a defiant gay man imprisoned in post-World War II Germany under the draconian Paragraph 175, which outlawed homosexuality. We were joined for this event by filmmaker Sebastian Meise, star Franz Rogowski, and the acclaimed American filmmaker Ira Sachs, who served as moderator. GREAT FREEDOM is now playing. Please check www.filmforum.org for showtimes and tickets and enjoy the discussion. Special thanks to Sebastian Meise, Franz Rogowski, Ira Sachs, and MUBI for making this event possible. Pictured: Sebastien Meise, Franz Rogowski & Ira Sachs. Photo by Stephen Olweck.

Encore Presentation of this Better Place Project Global Storytelling Series!Irmela Mensah-Schramm is a 75-year-old activist who set out to erase symbols of hate in the world. Often referred to as “Graffiti Grandma”, she's spent the last 3 decades removing and covering up Nazi imagery and racist graffiti in Berlin, Germany. She's removed 88,300 Neo-Nazi stickers since 2007 and continues to fight against racism and discrimination. In this episode, Irmela describes her experiences growing up in post-World War II Germany and the events that led her to find purpose in removing racist and xenophobic graffiti. We hope that her extraordinary story will leave you feeling inspired as we begin the new year.  If you wish to make a donation, visit www.hass-vernichtet.deSong credit for this episode: "Liebe" by German band NeufundlandTo become a Better Place Project Member (and receive free BPP Merch) and support our show, please visit::https://www.patreon.com/BetterplaceprojectTo stay connected with Better Place Project and for updates and behind the scenes info, please follow us on social media:  Website: BetterPlaceProject.org (Leave us a voice message directly from the home page of our website)Instagram: @BetterPlaceProj  To follow Steve & Erin on Instagram:@SteveNorrisOfficial @ErinorrisFacebook: Facebook.com/BetterPlaceProjectPodcastEmail: BetterPlaceProjectPodcast@gmail.com

What you'll learn in this episode: Why the most important thing a jewelry designer can invest in is high-quality photography How Amy finds the topics she writes about for JCK's “All That Glitters” blog How designers can find the story that helps them break through the crowded marketplace Who today's most exciting emerging and independent designers are How the jewelry industry changed during the pandemic, and what retailers must do to engage young consumers About Amy Elliott Amy Elliott is a writer, editor and brand storyteller who specializes in fine jewelry and fashion, and is fluent in other lifestyle categories, including food, weddings and travel. As a former staff editor at The Knot, Bridal Guide, Brides Local Magazines + Brides.com and Lucky, Amy is known for delivering high-quality editorial content across a variety of print and digital media. After recently serving as the Engagement Rings Expert for About.com, Amy joined the freelance staff of JCK as its All That Glitters columnist, while contributing articles about jewelry trends, estate and antique jewelry and gemstones to its prestigious print magazine. Amy also serves as the Fine Jewelry Expert for The Bridal Council, an industry organization composed of luxury bridal designers, retailers and media, and her byline has appeared in Gotham, Hamptons, DuJour, Martha Stewart Weddings, GoodHousekeeping.com and more. Additional Resources: Amy's Website Amy's Twitter Amy's Instagram JCK Article: Cicadas Swarm on Sienna Patti Gallery in Lenox, Mass. JCK Article: Christopher Thompson Royds' Flowers Bloom at Sienna Patti Gallery JCK Article: Look What Happens When Annoushka Gives Peridot A Go Examples of posts that reflect the intersection of jewelry with history, culture and current events: Bob Goodman Wants Jewelers To Join Him in Disrupting the Status Quo: https://www.jckonline.com/editorial-article/bob-goodman-jewelers-disrupting/ The Ten Thousand Things x Met Museum Collaboration Is Coming In Hot: https://www.jckonline.com/editorial-article/ten-thousand-things-x-met-museum/ Go “Sea” Some Serious Silver Treasures At Mystic Seaport Museum: https://www.jckonline.com/editorial-article/sea-as-muse-silver-seaport-museum/ New Jewelry From Rafka Koblence, Olympic Wrestler Turned Designer: https://www.jckonline.com/editorial-article/new-jewelry-from-rafka-koblence/ Transcript: As author of the “All That Glitters” blog for JCK, Amy Elliott has a front row seat to the jewelry industry's up-and-coming trends and designers. She's also been lucky enough to work with some of these designers, helping them refine their brands and create stories that resonate with customers. She joined the Jewelry Journey Podcast to talk about what designers and retailers should do to stay relevant with younger consumers, how art jewelry has influenced high jewelry, and what jewelry trends to watch out for in the coming months. Read the episode transcript here.  Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. Today, our guest is Amy Elliott, founder of Amy Elliott Creative. She is a writer, editor and thought leader who specializes in fine jewelry and fashion which makes most of us envious. That's a great profession. She is a contributing editor to the industry publication we all know, JCK, and writes the blog “All That Glitters.” We will hear all about her jewelry journey today. Amy, welcome to the program Amy: Thank you very much for having me, Sharon. It's a pleasure to be here. Sharon: So glad to have you. I'm always envious of people who are writing about jewelry or makers and designers. That's fabulous. I have no talent in that area, so when I hear about people writing, I think, “Wow, it's great.” Tell us all about your jewelry journey. Amy: My jewelry journey is a mix of personal and professional. I'm an avid collector of jewelry. My mother is a big collector of jewelry, so from age 12 on, jewelry was always a part of my life and something that I gravitated to. As a professional, jewelry has been central to my career as a journalist and a writer since the very beginning, starting at The Knot in 1999. Sharon: The Knot being the bridal publication. Amy: Yes. At that time, it was just a website. I was there when they moved into magazines. I helped coordinate the gowns and accessories for fashion shoots and got a taste of engagement rings and diamonds, the 4Cs. That was my first introduction to jewelry on a professional level. Then I took a job at Bridal Guide Magazine, which is a leading print publication still around, privately owned. I was a senior editor there. I had many duties, but one of them was to produce a jewelry column, and that is when my education in jewelry really began. I began forming connections within the industry to educate myself on the 4Cs, pearl buying, colored gemstones. I've always been drawn to color, so that's when I became a student, if you will, of gems and jewelry and how jewelry fits into conversations about fashion trends and cultural and social current events. That was when I really got into jewelry as a métier. I was one of the founding editors of Brides local magazines, which was a Condé Nast publication of regional wedding magazines that no longer exists. Because we were short on staff, I would call in all the jewelry for our cover shoots. Even though I had a leadership role there—I was the executive editor—I also made it part of my job to call in jewels for art cover shoots. I kept that connection, and then on the side I would freelance for luxury publications. It became the thing that I liked to do the best. I loved the people in the industry. I would always learn something. No matter what I was doing or writing about, I would learn something new, and that's still true to this day. There's always something for me to learn. I discovered that jewelry is the perfect combination of earth science, history, culture, and straight-up beauty and aesthetics. It's a very gratifying topic to cover. I love the way it intersects with current events and with, as I mentioned, the fashion conversations at large. Sharon: When you went to Vassar, did you study writing? They're not known for their metalsmithing program, so did you study writing with the idea “I just want to write”? Amy: Pretty much. I was always pretty good at writing and facility with language, so I went there knowing I'd be an English major. For my thesis I wrote a creative writing thesis; it was like a little novella. I've always had a love affair with words and expression of thoughts, and I loved reading, so I knew I would do something that had to do with words and writing. I actually graduated thinking I would be a romance novelist. That was what I thought I would do. Then, of course, I started out in book publishing, and I found it really, really slow and boring, just painfully slow, and I decided perhaps that wasn't for me. Then I took a job in public relations. I really loved the marketing aspect of it and the creativity involved. Of course, it involved a lot of writing.  Eventually I decided I wanted to be on the editorial side of things once and for all. I had always written for the high school newspaper. I had done an internship at Metropolitan Home Magazine in the design department in college, so magazines were always lurking there and were always the main goal. I ended up there; it just took a couple of years for me to get there. Once I did, I knew I wanted to work for a women's magazine. I love things that would fall under the heading of a women's magazine, relationships, fashion. The wedding magazines I worked at were a great fit for me because it's pure romance and fantasy and big, beautiful ball gowns and fancy parties. It was a good fit for me, and I was able to take that and home in on jewelry as a particular focus elsewhere in my career after those first years.  I will say Vassar is known for its art history program. I was not a star art history pupil by any means, but I took many classes there. I find myself leaning on those skills the most as a jewelry writer, looking closely at an object, peeling back the layers and trying to understand what the artist or jeweler is trying to say through jewelry, much like you would with a painting from the Renaissance. So, I am grateful for that tutelage because I found myself drawing on it often, even though I was definitely a B- student in art history. Sharon: It seems to me if you're not going to be a maker, if you're not going to be a metalsmith or a goldsmith or if you're not going to be selling behind the counter, it seems like art history is a fabulous foundation for jewelry in terms of the skills you draw on. Amy: Absolutely. Historical narratives and every historical event that's going on in the world can be—you can look at jewelry from the past and tie it into something that was going on, whether it was the discovery of platinum or the discovery of diamonds in South Africa. It all intersects so beautifully. Vassar taught me to think critically; it taught me how to express myself, to develop a style of writing that I think is still present in my writing today. I always try to get a little lyricism in there. A good liberal arts foundation took me into the world of magazines and eventually digital publishing. I stayed with Condé Nast for a long time. Then I went to Lucky Magazine and was on staff there for a little over a year and a half. I was exposed to fine jewelry on a more fashion level, like the kind cool girls would wear, gold and diamond jewelry that wasn't big jewels by Oscar Heyman. It was a different category, but still within that universe. That was a great education, to look at fine jewelry in a fashion context. They had layoffs in 2012 and I was forced to strike out on my own, but I've been freelance ever since, doing a mix of copywriting for fashion brands and writing for various publications. I've been writing for JCK since 2016. Sharon: Wow! Amy, we want to hear more about that, but just a couple of things. First, thank you to our subscribers. I want to thank everybody who's gotten in contact with me with their suggestions. I love to get them, so please email me at Sharon@ArtsandJewelry.com or DM me @ArtsandJewelry. Also a big shoutout to Kimberly Klosterman, whose jewelry is featured in the exhibit “Simply Brilliant: Jewelry of the 60s and 70s” at the Cincinnati Art Museum. It's on now through February 6. You can listen to our interview with Kimberly on podcast number 133. Now, back to our interview with Amy. Amy, what I like about what you said—you expressed it very well—is the intersection of jewelry with current events and history. I know I always have difficulty explaining to people why I'm interested in jewelry or jewelry history. They think, “Oh, you like big diamonds,” and it's hard to explain how it tells you so much about the period. Amy: Yes, I think acknowledging how global our industry is and learning about different cultures has been so critical to becoming fluent in this world and the gemstones that come from Afghanistan or Ethiopia or Mozambique. Just learning about the sapphires from Sri Lanka—it's so global and all-encompassing. I read the Cartier book, and their story is so fascinating. I am interested particularly in World War II and how that impacted the jewelry industry, how Susan Beltran saved the business of her lover, how the events of World War II Germany impacted Paris and the jewelers there, how the Cartiers would do the birds in the cage and all that stuff. I think you can look at historic jewels and see reflected back at you current events and moments in our history. Sharon: Definitely. I imagine when you look at something, it's not just seeing the jewel, but you're seeing the whole background behind it, how it sits within that context, that nest of history with World War II and platinum. It's an eye into the world. Amy: Even someone like Judith Leiber, who fled Hungary during wartime and became this amazing designer of handbags in New York. So many of the jewelers that are leaders and pillars of our industry came here because of the pogroms in Russia and Eastern Europe. It really does intersect with what was happening in the world. The jewelry industry is a microcosm of all those events, even going to back to the Silk Road and Mesopotamia and the Armenians and the Ottoman Empire. It is a rich tapestry of moments. Historic jewels in particular can give you insight, not just into an artist's vision, but into a moment of time. Sharon: I didn't know that about Judith Leiber; that's interesting. You left Lucky Magazine and opened your own shop. You do a lot of writing and editing. How do the graphics also play into it? Do you art direct? If clients come to you and say, “I need a brochure,” I assume you're doing all the copy and editing, but do they bring you the photos? How does that work? Amy: My background in magazines definitely has given me a pretty robust skillset in terms of working with graphic designers and art directors, conveying ideas and working with them to solve problems. You do emerge with a sense of the visuals, and a taste level is part of it when you're covering fashion and jewelry and things related to style. So yes, I think as a copywriter, one of the things I bring to the table is that I will be able to advise you on the quality of your photos and your look book on the crops, on the model even. Also there's the hierarchy of information; that's definitely a form of direction. It's not very glamorous, but I'm good at understanding how things should be stacked and arranged on a page in terms of hierarchy of messaging. I do have a lot of opinions, I guess, about what looks good and what doesn't. If that feedback is welcome, I'm always happy to share it. Sometimes a client will send me an email for review, and I know they just want to get it out, but I'm like, “No, this is spelled wrong, and the headline should be this, and this needs to go there,” and I'll mock it up on the screen as to where things should go. The best editors and writers, especially when you're dealing with jewelry and fashion and beautiful objects, you have to have a strong sense of the visual. Sharon: I know sometimes clients push back, but I assume they come to you because they want your opinion or they'd do it themselves, right? Amy: Yes. My favorite clients to work with are emerging designers who are just getting out there. They have so many ideas, so many stories to tell, and I help them refine their vision, refine their voice. For many of them, it's the first time they're coming to market, and I can help them present themselves in a professional way that will be compelling to buyers and to media. Sharon: What type of issues are potential clients coming to you for? Is there an overarching—problem might not be the right word—but something you see, a common thread through what they're asking? Amy: There are a number of things. One could be a complicated concept that needs to be explained, something technical like the meteorite that's used in a wedding ring. “We have all this raw material from our supplier. How do we make that customer-facing? How do we make that dense language more lively and easier to digest?” Sometimes it's collection naming. “Here's my collection. Here are the pieces. Can you give them a name? Can you help name this product?” Sometimes it's, “We want to craft a story around this,” and I'm able to come at it with, “I know what the story is here. We've got to shape you to be able to present that story to the world, whether it's a buyer or an editor.”  Usually there is some sort of a concept that is involved; it just hasn't been refined and it's not adjustable. They're so focused on the work and the design vocabulary, they need someone to come in and look at it holistically and figure out how they're going to package this as an overarching idea. Sometimes it's as simple as, “I need to write a letter. These are the things I want to get across to buyers or new accounts or an invitation to an event.” I can take these objectives, these imperatives, and spin them into something compelling and customer-facing and fun to read. It's a mix of imaginative work and down-and-dirty, let me take this corporate document and finesse it and make it more lively and more like something a consumer would want to read on a website. Sharon: They must be so appreciative. Their work may be beautiful, but they have to condense it to say what they are trying to express and get that across to somebody who may not know the language, so somebody wants to pick it up and say, “Oh, that's really interesting.” Amy: Storytelling is a big buzzword right now in the industry, but it's so important. The marketplace is so crowded, and it's not enough to be like, “I have a new collection of stacking rings,” or “I've expanded these rings to include a sapphire version.” You have to come up with some sort of a story to draw in an audience, and then you can use that story on all of your touchpoints, from social media to your email blasts to a landing page on your website. There are a host of jewelry professionals out there that can advise in different ways, to help you get into stores, to help you with specific branding, refining your collection from a merchandising standpoint. There are so many professionals out there that specialize in that, but I think what I bring to the table is knowledge of the industry and a facility with language. It's almost like I'm a mouthpiece for the designer or the corporate brand and a conduit to the consumers' headspace. Sharon: It sounds like a real talent in the areas where there are gaps in what a designer and retailer/manufacturer needs. Telling the story may be a buzzword, but it's words, and you have to use the right words. Tell us about the JCK. You write the blog “All That Glitters,” which is very glittery. It's very attractive. Tell us about it. Amy: Thanks. I was JCK's center for style-related content. Obviously, there's no shortage of breaking news and hard business news, because JCK's first and foremost a serious business publication. Sharon: With the jewelry industry. Amy: With the jewelry industry. I've evolved the blog to be—my favorite things to cover are new collections. I like to interview designers about inspirations. I like to show a broad range of photos from the collection. A lot of it is just showing collections that I love. Maybe I've seen them at Fashion Week; maybe I saw them at the JCK shows or at appointments in the city; maybe I saw something on Instagram. I love to cover design collaborations. Those are one of my favorites things to cover: how two minds can come together to create a new product, like when Suzanne Kalan partnered with Jonathan Adler to do a line of trinket trays. I am interested in cultural events. I like to cover museum exhibits. I covered the Beautiful Creatures exhibit at the Natural History Museum. Because I live in Connecticut, I was able to make it up to Mystic Seaport. They have a beautiful collection of silver trophies by all the best makers, from Tiffany to Shreve, Crump & Low and Gorham. I was able to go up there and see that collection.  It's a blog about culture. It's a blog about things I love. I've written about TV shows that have to do with jewelry. I like the title “All That Glitters” because it gives me a lot of leeway in terms of what I can cover. I've written about writing instruments. Fabergé did a collaboration with whiskey brands and I wrote about that. I try to leave it open, but if there's a strong, new, exciting collection, especially from a high jewelry brand—I'm going to be writing something on one from David Webb coming up. They just released a new collection called Asheville, inspired by his hometown. I like to do a deep dive into a designer story or to show a new collection. My colleague, Brittany Siminitz, does beautiful curations. Sometimes I'll do curations, meaning a roundup of beautiful products that correspond to an overarching theme. I love to do those, but I am happiest when designers come to me with a new collection and something that people haven't seen before. I particularly love discovering new voices and emerging designers that haven't been featured in the press before, so I can be that first introduction.

Germany's center-left Social Democrats were locked in a very close race Sunday with outgoing German Chancellor Angela Merkel's center-right bloc, which is heading toward its worst-ever result in the country's parliamentary election, projections showed.Top officials from both parties said they hope to lead Germany's next government and have their candidates succeed Merkel, who has been in power since 2005.Projections for ARD public television, based on exit polls and early counting, put voters' support at 24.9% for the Social Democrats — which is putting forth outgoing Vice Chancellor Olaf Scholz for chancellor — and 24.7% for Merkel's Union bloc under would-be successor state governor Armin Laschet.Separate projections for ZDF public television put the Social Democrats ahead by 25.6% to 24.4%. Both put the environmentalist Greens in third place with about 15% support.Those results would be the worst for the Union bloc in post-World War II Germany.The electoral system typically produces coalition governments but post-war Germany has never previously seen a winning party take less than the 31% of the vote that the Union won in 1949. That was also the center-right bloc's worst result until now.Given the exit poll predictions, putting together the next coalition government for Europe's biggest economy could be a lengthy and complicated process. Merkel will remain as a caretaker leader until a new government is in place. In German elections, the party that finishes first is best-placed, but not guaranteed, to provide the next chancellor.The projections also put support for the business-friendly Free Democrats at about 11% and the Left Party at 5%. The far-right Alternative for Germany party — which no other party wants to work with — was seen winning around 11% of the vote.Surrounded by Merkel and his party's top brass, Laschet said “we can't be satisfied with the result” predicted by the exit polls. The Union took 32.9% of the vote four years ago. He said “the result puts Germany, the Union, all democratic parties, before big challenges.”“We will do everything we can to form a government under the Union's leadership, because Germany now needs a coalition for the future that modernizes our country,” he promised.Laschet's likeliest route to power is a coalition with the Greens and the Free Democrats.The Social Democrats, meanwhile, celebrated a comeback after polling only 20.5% in 2017 and slipping well below that in recent years. Their general secretary, Lars Klingbeil, said "with this, we have the mission to form a coalition.” He wouldn't say which coalition partners would be approached.Scholz of the Social Democrats could also form a coalition with the Greens and Free Democrats, if the projected results hold up. The Greens traditionally lean toward Scholz's party and the Free Democrats toward Laschet's.Scholz proclaimed the projected result a “great success.” He said many voters chose his party “because they want a change of goverment and because they want this country's next chancellor to be Olaf Scholz.”“Now we will wait for the final election result, but then we will get to work,” he told cheering supporters in Berlin.The Social Democrats have been boosted by Scholz's relative popularity after their long poll slump, and by his rivals' troubled campaigns. The Greens' first candidate for chancellor, Annalena Baerbock, suffered from early gaffes and Laschet, the governor of North Rhine-Westphalia state, struggled to motivate his party's traditional base.The Greens saw their support substantially increase, but had hoped for more."We gained considerably, but it's hard for me to really enjoy it,” said Greens general secretary, Michael Kellner. He noted that his party has said it prefers to work with the Social Democrats, but added “we are ready to speak with all democratic parties to see what's possible."Another possible governing combination would be a repeat of the outgoing “grand coalition" of Germany's...

It's first episode for one of our theme song directors!  And one of your hosts went a little overboard getting up to speed with the works of Rainer Werner Fassbender.  Honestly, a lot of the typical second-half of the twentieth century European auteur themes come up in this film except now we have a decade spanning domestic drama exploring of postwar…femininity. Hanna Schygulla plays the eponymous heroine, navigating the obstacles of survival in post World War II Germany as she fiercely waits and prepares for the return of her husband and then his release from prison. If you'd like to watch ahead for next week's film, we will be discussing and reviewing Agnieszka Smoczynska's The Lure (2015).

We have a lot of conversations on this podcast about issues which are often moral in nature, such as the Israeli occupation of Palestine and defunding the police but often we aren't talking about the specific moral framework behind our positions on those issues, and so in this episode, we are going to have a more explicitly moral conversation than usual. We sit down with Luke Phillips, who has appeared on the show before in the Patriotism Episode (13) and the Loneliness Episode (41), and Randy Lioz, both of whom work at Braver Angels, a nonprofit organization Isabel has been volunteering at for 2 years, that is dedicated to fostering politically depolarizing conversations in America using family therapy techniques. This conversation came out of a previous offline conversation we had at a Braver Angels meetup on whether evil exists as a useful concept in general and specifically if it is a helpful or harmful concept when thinking about how to heal our politically divided nation. In this episode, we touch on topics like whether it is valuable to have a conception of justice in which we condemn evil acts unconditionally, such as with post-World War II Germany or American slavery, or whether it is better to pursue less-than-perfect justice because we know that continuing to condemn others simply perpetuates the cycle of backlash forever. One example of this is Darryl Davis, a musician who convinced over 200 former KKK members to give up their robes simply by reaching out to them and extending radical empathy. We also talk about whether or not the political divisions in this country stem primarily from differences in morals or less explicitly moralistic ideas, such as whether social hierarchies must necessarily continue to prevail or not. And out of all of this, the biggest question is: can people who disagree deeply on these types of fundamental moral issues still work together in trying to heal our politically divided country? Links: Braver Angels Website: https://braverangels.org/ Music is The Beauty of Maths by Meydän. --- Support this podcast: https://anchor.fm/im-the-villain/support

Welcome back to this week's episode of The Literary Life and our discussion of Fred Uhlman's novella “Reunion.” After they finished sharing their commonplace quotes, Cindy shares how she came across this novella and why she wanted to discuss it on the podcast. Thomas talks about the historical backdrop of the book as well as a little biographical info about the Uhlman. Angelina points out how much this story drove home the point of how assimilated the Jewish people were into European society and culture. They talk about the friendship between Hans and Konradin and their common taste in great literature. Other topics discussed were the unreality of what was happening in Germany, personal loyalty versus political loyalty, the dilemma of understanding pre-World War II Germany, and the power of a faithful life. Join us back here next week for an episode on The Literary Life of Atlee Northmore! We are excited to announce our third annual Literary Life Back to School Online Conference! This year's theme is Awakening: The Pursuit of True Education, and our featured guest speaker is James Daniels. The conference will take place on August 4-7, 2021, and you can learn more and register at morningtimeformoms.com.  Cindy also has some exciting announcements, including the debut of the new expanded edition of her book Morning Time: A Liturgy of Love, is now available! AND she is starting a new Charlotte Mason podcast called The New Mason Jar, set to begin airing on August 5, 2021!  Commonplace Quotes: Literature is full of teaching, by precept and example, concerning the management of our physical nature. I shall offer a lesson here and there by way of sample, but no doubt the reader will think of many better teachings; and that is as it should be; the way such teaching should come to us is, here a little and there a little, incidentally, from books which we read for the interest of the story, the beauty of the poem, or the grace of the writing. Charlotte Mason I acquired a hunger for fairy tales in the dark days of blackout and blitz in the Second World War. I read early and voraciously and indiscriminately–Andrew Lang's colored Fairy Book, Hans Andersen, King Arthur, Robin Hood, and my very favorite book, Asgard and the Gods, a German scholarly text, with engravings, about Norse mythology, which my mother had used as a crib in her studies of Ancient Norse. I never really like stories about children doing what children do–quarreling and cooking and camping. I like magic, the unreal, the more than real. I learned from the Asgard book that even the gods can be defeated by evil. I knew nothing about the Wagnerian Nordic pageantry of the Third Reich. Nor did I have any inkling that the British occupying forces in Germany after the war were going to ban the Grimms because they fed a supposedly bloodthirsty German imagination. Indeed, I retreated into them from wartime anxieties. A. S. Byatt Every fairy tale worth recording at all is the remnant of tradition possessing true historical value; historical, at least, insofar as it has arisen out of the mind of a people under special circumstance, and risen not without meaning, nor removed altogether from their sphere of religious faith. John Ruskin Sonnet 104 by William Shakespeare To me, fair friend, you never can be old, For as you were when first your eye I eyed, Such seems your beauty still. Three winters cold Have from the forests shook three summers' pride, Three beauteous springs to yellow autumn turned In process of the seasons have I seen, Three April perfumes in three hot Junes burned, Since first I saw you fresh, which yet are green. Ah, yet doth beauty, like a dial-hand, Steal from his figure, and no pace perceived; So your sweet hue, which methinks still doth stand, Hath motion, and mine eye may be deceived: For fear of which, hear this, thou age unbred: Ere you were born was beauty's summer dead. Book List: Reunion by Fred Uhlman Ourselves by Charlotte Mason Possession by A. S. Byatt The Children's Book by A. S. Byatt Paris, 1919 by Margaret MacMillan Letters to a Young Poet by Rainer Maria Rilke (not recommended) The Great Gatsby by F. Scott Fitzgerald Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at https://www.facebook.com/ANGStanford/ Find Cindy at morningtimeformoms.com, on Instagram @cindyordoamoris and on Facebook at https://www.facebook.com/cindyrollins.net/. Check out Cindy's own Patreon page also! Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB

Kirsty Manning's lush dual timeline stories, dealing with family secrets and female friendships in international settings, have drawn favorable comparison with blockbuster authors like Penny Vincenzi. Her latest book, The French Gift, is a tale of loyalty and betrayal in World War II Germany and Paris today. It is based on the true story of an iconic French Resistance fighter and won't disappoint. We've got three E-book copies of The French Gift to give away in our All New Aussies Giveaway. ENTER DRAW FOR THE FRENCH GIFT E-BOOK Hi there, I'm your host Jenny Wheeler and on the show today Kirsty talks about the remarkable woman who inspired The French Gift, an amazing jewelry find, and a medieval walled garden reborn in her best sellers. Just a mention - the sound quality on this episode is sometimes a little distorted as it was recorded in rural Australia and our WIFI connection danced around a little at times. I hope it won't distract too much - it's only in a few places that we get wobbly..... Six things you'll learn from this Joys of Binge Reading episode: Why multiple time frame novels appeal to KirstyWhy she sees writers as magpiesBeing captivated by Agnes HumbertThe glamor of the 1930s French RivieraThe mystery of a hidden jewel hoardHow a French holiday started her writing Where to find Kirsty Manning Website: http://kirstymanning.com/ Instagram: https://www.instagram.com/kirstymanningau/ Facebook: https://www.facebook.com/kirstymanningau/ Goodreads: https://www.goodreads.com/en/book/show/53486718-the-french-gift What follows is a "near as" transcript of our conversation, not word for word but pretty close to it, with links to important mentions. But now, here's Kirsty: Introducing author Kirsty Manning Jenny Wheeler: Hello there, Kirsty and welcome to the show. It's so good to have you with us. Kirsty Manning: Hello. Thanks for having me. Jenny Wheeler: You are talking this morning from the Macedon Ranges in Victoria, a place made famous by the movie Picnic at Hanging Rock. Kirsty Manning: Yes, it was, and of course it was a novel before that. I live right on the northern faces of Mt Macedon, in an old chestnut grove, and you can see Hanging Rock sometimes from my house. I'm surrounded by gumtrees, and if you walk up the hill a bit further from where I am, you can look right across to the valley and Hanging Rock peers up from the valley floor. It is very mystical and magical. Braemar College is just around the corner from my house and my kids went there in their early high school career. (Editor note: Braemar College is believed by some to be the model for the school in the novel. Novelist Joan Lindsay attended the girl's boarding school near Mount Macedon, then named Clyde College,) Jenny Wheeler: It sounds like a wonderful place to be set as a writer. Kirsty Manning: Yes, it is. It's private and quiet and very beautiful. A lovely place to spend your day. https://www.youtube.com/watch?v=kzfiGzHDJE0 Female friendships & family secrets Jenny Wheeler: We are talking about your fourth novel, The French Gift, but they have all got a very similar feeling. You have set yourself a tradition of lush dual timeline stories with an international reach, dealing with family secrets and female friendships. This is literature you have been drawn to yourself, isn't it? Kirsty Manning: Yes, it is. When I started to write, people said write what you love and what you are feeling at the time. A book that really captivated me when I was at university was Possession by A. S. Byatt. That was set in multiple timeframes. Later on, Geraldine Brooks' People of the Book, which traces the Haggadah through the ages. I thought about the way those books and that plot unfolded. Elizabeth Kostova is another one, toing and froing between history past to present. I was drawn to those stories. I have always loved historical fiction and when it cam...

A young American girl growing up in the Middle East, Carina Rourke enjoys a blissful innocence until, at age fifteen, she is captivated by an obsessive desire to peek inside her mother's beautiful, forbidden jewelry box. There, Carina discovers a shocking family secret arising from her mother’s clandestine past in post-World War II Germany.  On […] The post THE SYRIAN JEWELRY BOX: A Daughter's Journey for Truth by Carina Sue Burns appeared first on WebTalkRadio.net.

A young American girl growing up in the Middle East, Carina Rourke enjoys a blissful innocence until, at age fifteen, she is captivated by an obsessive desire to peek inside her mother's beautiful, forbidden jewelry box. There, Carina discovers a shocking family secret arising from her mother’s clandestine past in post-World War II Germany.  On […] The post THE SYRIAN JEWELRY BOX: A Daughter's Journey for Truth by Carina Sue Burns appeared first on WebTalkRadio.net.

A young American girl growing up in the Middle East, Carina Rourke enjoys a blissful innocence until, at age fifteen, she is captivated by an obsessive desire to peek inside her mother's beautiful, forbidden jewelry box. There, Carina discovers a shocking family secret arising from her mother’s clandestine past in post-World War II Germany.  On […] The post THE SYRIAN JEWELRY BOX: A Daughter's Journey for Truth by Carina Sue Burns appeared first on WebTalkRadio.net.

A young American girl growing up in the Middle East, Carina Rourke enjoys a blissful innocence until, at age fifteen, she is captivated by an obsessive desire to peek inside her mother's beautiful, forbidden jewelry box. There, Carina discovers a shocking family secret arising from her mother’s clandestine past in post-World War II Germany.  On […] The post THE SYRIAN JEWELRY BOX: A Daughter's Journey for Truth by Carina Sue Burns appeared first on WebTalkRadio.net.

Our first foray into a larger world begins as the Heroes of the Mom-CU, comprised of Harper the Hammer (13), Lily the Sorceress Supreme (13), Wren the Black Widow (8), and LK Captain America (5) teach their newest recruit Agent Momson about the Marvel Cinematic Universe. Episode 1 finds the heroes visiting World War II Germany as Captain America finds his footing as the hero we will all come to know and love. You can follow the Heroes on Twitter @cu_heroes for more fun of this journey.

#AreWeThereYet Don Jans leads discussion on whether the communists have succeeded in taking over America. What do we do? #PrayerBannedInAmerica Gordon Chaps Klingenschmdt discusses Rev. Patrick J. Mahoney claims Pelosi, Harris (in her capacity as president of the Senate), the U.S. Capitol Police, and the Sergeant at Arms of the U.S. Senate, Karen H. Gibson, violated his First Amendment rights by refusing to let him pray at the Lower Western Terrace of the Capitol on Good Friday. He claims this refusal violated his rights to free speech, freedom of assembly, free exercise of religion, and due process. #HitlersAmerica Amb Ken Blackwell discusses HR1 which could be The advent of one-party rule in World War II Germany was violent and complete. The path to one-party rule in America is subtle and only requires the American people to be duped by the American left. The core of this devious plan is the cynically named “For the People Act” passed by the House along party lines and awaiting a vote in the Senate as S.B. 1. This bill is being falsely promoted by its supporters, and should be more accurately called, “For the Corrupt Politician Act.” #JustTheNews Joe Weber News Editor Just the News. Breaking stories.

Despite the serious need to vet the legitimacy of the 46th POTUS, the Democrats have decided the real American threat is the 74 million Trump voters. The vitriol the Democrats are now on record with is dangerous rhetoric reminiscent of pre-World War II Germany. ACO's call for re-education camps, Nancy Pelosi's intent to set up a 9/11-like commission to investigate Trump supporters, and the MSM suggestion that millions of Americans need to be "reprogrammed" is a step in the opposite direction of "peace and unity." Meanwhile, Donald Trump's seat wasn't even cold before Joe "I Can't Form A Coherent Sentence Without Help" Biden was writing executive orders as fast as his weathered old hand could go in order to undo all of Trump's success. But I thought the Democrats were FOR minorities and women? So why do they want to undo all the positives that helped, in many ways, rebuild those communities and strengthen those individuals? It's almost like the Democrats are full of sh--........ Well, they are. I look forward to the liberal surprise when the realization settles in on them. And for the Republicans who have turned their backs on half of the country who seeks to be heard, we have taken note and we know who you are. We are tired of your cowardice and impotence; it is time to vote you out of office. For the influencers who have decided that today is the day to start trolling and picking at other Trump supporters, especially the Q folks, knock it off. Q may have mislead a bunch of people, but those people are still Trump supporters. They still want a free America. Now is not the time to start carving out our differences and returning us to a broken bunch of factions. You want to stop Communism and Socialism from taking over? Shut up and unite, stay united, and get in the fight. Follow: IG LadyDevilDogUSMC IG Conservative_Mama_Podcast Parler: Conservative Mama Podcast

When Sun Tzu wrote: “All warfare is based on deception," he probably wasn't thinking of the SolarWinds attack. But it seems like we might learn something about that recent event by studying his legendary text, *The Art of War.* Or so says Alex Gounares, CEO of Polyverse Corporation and our guest on the latest #CybersecurityByDesign episode of *Silo Busting.* Sun Tzu and the military talk about using decoys, says Gounares, and "cyber attackers use decoys all the time. And it works. It fooled World War II Germany with the decoys for the Calais invasion, it fooled in Confucian times, and it fools today in 2020.” If you don't want to be fooled, you'll attend—carefully—to what Gounares and Sam Rehman say in this spirited conversation. Gounares—who in a previous life was Bill Gates' technological advisor—zeroes in on the extremely topical theme of zero-trust software. Says Gounares: “Zero trust is this idea of saying: Assume the world around you is messy.” Listening to these two veterans talk about micro-segmentation, entropy, and repeatability is an educational experience you won't want to miss. Trust us. Host: Alison Kotin Engineer: Kyp Pilalas Producer: Ken Gordon

In this Global Storytelling Series episode, we chatted with Irmela Mensah-Schramm and our friend and translator from Germany, Petra Nikol.Irmela Mensah-Schramm is a 75-year-old activist who set out to erase symbols of hate in the world. Often referred to as “Graffiti Grandma", she's spent the last 3 decades removing and covering up Nazi imagery and racist graffiti in Berlin, Germany. She was featured in the 2017 documentary, The Hate Destroyer, and has received several awards including The Göttingen Peace Prize and The Erich-Kästner-Prize . Irmela's removed 88,300 Neo-Nazi stickers since 2007 and continues to fight against racism and discrimination. In this episode, Irmela describes her experiences growing up in post-World War II Germany and the events that led her to find purpose in removing racist and xenophobic graffiti. We hope that her extraordinary story will leave you feeling inspired as we begin the new year. If you wish to make a donation, visit www.hass-vernichtet.deSong credit for this episode: "Liebe" by German band NeufundlandTo stay connected with Better Place Project and for updates and behind the scenes info, please follow us on social mediaInstagram: @BetterPlaceProj  To follow Steve & Erin on Instagram:@SteveNorrisOfficial @ErinorrisFacebook: Facebook.com/BetterPlaceProjectPodcastTwitter: @BetterPlaceProjEmail: BetterPlaceProjectPodcast@gmail.com

I talk about the end of the war in Europe and how the aftermath of the war led the way to the beginnings of the Cold War. --- Send in a voice message: https://anchor.fm/afterschoolhistory/message

I talk about how Germany failed to achieve victory in the east and how that led to ultimate defeat in the war. --- Send in a voice message: https://anchor.fm/afterschoolhistory/message

In his new book, The German Epic in the Cold War: Peter Weiss, Uwe Johnson, and Alexander Kluge (Northwestern University Press, 2018), Matthew Miller explores the literary evolution of the modern epic in postwar German literature. Examining works by Peter Weiss, Uwe Johnson, and Alexander Kluge, it illustrates imaginative artistic responses in German fiction to the physical and ideological division of post–World War II Germany. Miller analyzes three ambitious German-language epics from the second half of the twentieth century: Weiss’s Die Ästhetik des Widerstands (The Aesthetics of Resistance), Johnson’s Jahrestage (Anniversaries), and Kluge’s Chronik der Gefühle (Chronicle of Feelings). In them, he traces the epic’s unlikely reemergence after the catastrophes of World War II and the Shoah and its continuity across the historical watershed of 1989–91, defined by German unification and the dissolution of the Soviet Union. Building on Franco Moretti’s codification of the literary form of the modern epic, Miller demonstrates the epic’s ability to understand the past; to come to terms with ethical, social, and political challenges in the second half of the twentieth century in German-speaking Europe and beyond; and to debate and envision possible futures. Matthew D. Miller is associate professor of German at Colgate University. Craig Sorvillo is a PhD candidate in modern European history at the University of Florida. He specializes in Nazi Germany, and the Holocaust. He can be reached at craig.sorvillo@gmail.com or on twitter @craig_sorvillo. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book, The German Epic in the Cold War: Peter Weiss, Uwe Johnson, and Alexander Kluge (Northwestern University Press, 2018), Matthew Miller explores the literary evolution of the modern epic in postwar German literature. Examining works by Peter Weiss, Uwe Johnson, and Alexander Kluge, it illustrates imaginative artistic responses in German fiction to the physical and ideological division of post–World War II Germany. Miller analyzes three ambitious German-language epics from the second half of the twentieth century: Weiss’s Die Ästhetik des Widerstands (The Aesthetics of Resistance), Johnson’s Jahrestage (Anniversaries), and Kluge’s Chronik der Gefühle (Chronicle of Feelings). In them, he traces the epic’s unlikely reemergence after the catastrophes of World War II and the Shoah and its continuity across the historical watershed of 1989–91, defined by German unification and the dissolution of the Soviet Union. Building on Franco Moretti’s codification of the literary form of the modern epic, Miller demonstrates the epic’s ability to understand the past; to come to terms with ethical, social, and political challenges in the second half of the twentieth century in German-speaking Europe and beyond; and to debate and envision possible futures. Matthew D. Miller is associate professor of German at Colgate University. Craig Sorvillo is a PhD candidate in modern European history at the University of Florida. He specializes in Nazi Germany, and the Holocaust. He can be reached at craig.sorvillo@gmail.com or on twitter @craig_sorvillo. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book, The German Epic in the Cold War: Peter Weiss, Uwe Johnson, and Alexander Kluge (Northwestern University Press, 2018), Matthew Miller explores the literary evolution of the modern epic in postwar German literature. Examining works by Peter Weiss, Uwe Johnson, and Alexander Kluge, it illustrates imaginative artistic responses in German fiction to the physical and ideological division of post–World War II Germany. Miller analyzes three ambitious German-language epics from the second half of the twentieth century: Weiss’s Die Ästhetik des Widerstands (The Aesthetics of Resistance), Johnson’s Jahrestage (Anniversaries), and Kluge’s Chronik der Gefühle (Chronicle of Feelings). In them, he traces the epic’s unlikely reemergence after the catastrophes of World War II and the Shoah and its continuity across the historical watershed of 1989–91, defined by German unification and the dissolution of the Soviet Union. Building on Franco Moretti’s codification of the literary form of the modern epic, Miller demonstrates the epic’s ability to understand the past; to come to terms with ethical, social, and political challenges in the second half of the twentieth century in German-speaking Europe and beyond; and to debate and envision possible futures. Matthew D. Miller is associate professor of German at Colgate University. Craig Sorvillo is a PhD candidate in modern European history at the University of Florida. He specializes in Nazi Germany, and the Holocaust. He can be reached at craig.sorvillo@gmail.com or on twitter @craig_sorvillo. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book, The German Epic in the Cold War: Peter Weiss, Uwe Johnson, and Alexander Kluge (Northwestern University Press, 2018), Matthew Miller explores the literary evolution of the modern epic in postwar German literature. Examining works by Peter Weiss, Uwe Johnson, and Alexander Kluge, it illustrates imaginative artistic responses in German fiction to the physical and ideological division of post–World War II Germany. Miller analyzes three ambitious German-language epics from the second half of the twentieth century: Weiss’s Die Ästhetik des Widerstands (The Aesthetics of Resistance), Johnson’s Jahrestage (Anniversaries), and Kluge’s Chronik der Gefühle (Chronicle of Feelings). In them, he traces the epic’s unlikely reemergence after the catastrophes of World War II and the Shoah and its continuity across the historical watershed of 1989–91, defined by German unification and the dissolution of the Soviet Union. Building on Franco Moretti’s codification of the literary form of the modern epic, Miller demonstrates the epic’s ability to understand the past; to come to terms with ethical, social, and political challenges in the second half of the twentieth century in German-speaking Europe and beyond; and to debate and envision possible futures. Matthew D. Miller is associate professor of German at Colgate University. Craig Sorvillo is a PhD candidate in modern European history at the University of Florida. He specializes in Nazi Germany, and the Holocaust. He can be reached at craig.sorvillo@gmail.com or on twitter @craig_sorvillo. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book, The German Epic in the Cold War: Peter Weiss, Uwe Johnson, and Alexander Kluge (Northwestern University Press, 2018), Matthew Miller explores the literary evolution of the modern epic in postwar German literature. Examining works by Peter Weiss, Uwe Johnson, and Alexander Kluge, it illustrates imaginative artistic responses in German fiction to the physical and ideological division of post–World War II Germany. Miller analyzes three ambitious German-language epics from the second half of the twentieth century: Weiss’s Die Ästhetik des Widerstands (The Aesthetics of Resistance), Johnson’s Jahrestage (Anniversaries), and Kluge’s Chronik der Gefühle (Chronicle of Feelings). In them, he traces the epic’s unlikely reemergence after the catastrophes of World War II and the Shoah and its continuity across the historical watershed of 1989–91, defined by German unification and the dissolution of the Soviet Union. Building on Franco Moretti’s codification of the literary form of the modern epic, Miller demonstrates the epic’s ability to understand the past; to come to terms with ethical, social, and political challenges in the second half of the twentieth century in German-speaking Europe and beyond; and to debate and envision possible futures. Matthew D. Miller is associate professor of German at Colgate University. Craig Sorvillo is a PhD candidate in modern European history at the University of Florida. He specializes in Nazi Germany, and the Holocaust. He can be reached at craig.sorvillo@gmail.com or on twitter @craig_sorvillo. Learn more about your ad choices. Visit megaphone.fm/adchoices

A Swede and Mexican get together over a cup of coffee to talk about films. This week we go back in time to World War II Germany in the witty satire Jojo Rabbit (2019). Produced, written and directed by Taika Waititi, Jojo Rabbit is the story of Johannes “Jojo” Betzler, a 10-year-old boy, member of the Hitler Youth who comes to find a Jewish girl hidden by his mother in their house. Starring Roman Griffin Davis, Thomasin McKenzie, Scarlett Johannson, Sam Rockwell and Taika Waititi as Jojo's imaginary friend “Adolf”. Join us every other Thursday! We also have a video version of this episode: https://youtu.be/lslCtQFVTxw Follow our Letterboxd: letterboxd.com/potatomoustache letterboxd.com/Filmeye This episode's recommendations: Algot: Think About Things (song) by Daði Freyr https://www.youtube.com/watch?v=VFZNvj-HfBU Mau: The Game (1997 film) by David Fincher ________________________________________________________________ Fresh Start by Joakim Karud https://soundcloud.com/joakimkarud Creative Commons — Attribution-ShareAlike 3.0 Unported— CC BY-SA 3.0 Free Download / Stream: https://bit.ly/_fresh-start Music promoted by Audio Library https://youtu.be/XN-tBgJ5CVw

This week we travel back in time to World War II Germany and learn of Truus and Freddie Oversteegen and Hannie Shaft in this weeks true crime episode. Listen to Amy tell the girls how these three young ladies became such badasses at such a young age and how they defied what was "normal" for girls their age during the war. 

For young adult novelist Pam Muñoz Ryan, a multi-cultural perspective comes naturally. She grew up in Bakersfield, California, with her grandmother who was an Oklahoma pioneer woman moving in as she grew older, and a big extended family nearby anchored by her other grandmother, Esperanza, who was born in Aguascalientes, Mexico. Muñoz Ryan based her novel Esperanza Rising on her Mexican grandmother's life, and it's become a classic of young people's literature—taught in schools and beloved in homes throughout the country. She has written over 40 books, and she casts a wide net in terms of subjects: from the childhood of Pablo Neruda in The Dreamer, to a young kid living in a trailer in Oklahoma in Becoming Naomi Leon, to the magical realism of Echo in which three young people in pre-World War II Germany and post-Pearl Harbor America are connected by an enchanted harmonica. But whatever the topic, Muñoz Ryan knows how to write for young people; her respect for them and the way they move in the world is enormous, and it's reflected in her writing. (She has the awards to prove it; it's a staggering list!) In this episode of the podcast, Muñoz Ryan talks about her upbringing, learning the histories of both her grandmothers, her writing in general and writing for young readers in particular. She's fun, thoughtful, and full of stories.

For young adult novelist Pam Muñoz Ryan, a multi-cultural perspective comes naturally. She grew up in Bakersfield, California, with her grandmother who was an Oklahoma pioneer woman moving in as she grew older, and a big extended family nearby anchored by her other grandmother, Esperanza, who was born in Aguascalientes, Mexico. Muñoz Ryan based her novel Esperanza Rising on her Mexican grandmother’s life, and it’s become a classic of young people’s literature—taught in schools and beloved in homes throughout the country. She has written over 40 books, and she casts a wide net in terms of subjects: from the childhood of Pablo Neruda in The Dreamer, to a young kid living in a trailer in Oklahoma in Becoming Naomi Leon, to the magical realism of Echo in which three young people in pre-World War II Germany and post-Pearl Harbor America are connected by an enchanted harmonica. But whatever the topic, Muñoz Ryan knows how to write for young people; her respect for them and the way they move in the world is enormous, and it’s reflected in her writing. (She has the awards to prove it; it’s a staggering list!) In this episode of the podcast, Muñoz Ryan talks about her upbringing, learning the histories of both her grandmothers, her writing in general and writing for young readers in particular. She’s fun, thoughtful, and full of stories.

For young adult novelist Pam Muñoz Ryan, a multi-cultural perspective comes naturally. She grew up in Bakersfield, California, with her grandmother who was an Oklahoma pioneer woman moving in as she grew older, and a big extended family nearby anchored by her other grandmother, Esperanza, who was born in Aguascalientes, Mexico. Muñoz Ryan based her novel Esperanza Rising on her Mexican grandmother’s life, and it’s become a classic of young people’s literature—taught in schools and beloved in homes throughout the country. She has written over 40 books, and she casts a wide net in terms of subjects: from the childhood of Pablo Neruda in The Dreamer, to a young kid living in a trailer in Oklahoma in Becoming Naomi Leon, to the magical realism of Echo in which three young people in pre-World War II Germany and post-Pearl Harbor America are connected by an enchanted harmonica. But whatever the topic, Muñoz Ryan knows how to write for young people; her respect for them and the way they move in the world is enormous, and it’s reflected in her writing. (She has the awards to prove it; it’s a staggering list!) In this episode of the podcast, Muñoz Ryan talks about her upbringing, learning the histories of both her grandmothers, her writing in general and writing for young readers in particular. She’s fun, thoughtful, and full of stories.

For young adult novelist Pam Muñoz Ryan, a multi-cultural perspective comes naturally. She grew up in Bakersfield, California, with her grandmother who was an Oklahoma pioneer woman moving in as she grew older, and a big extended family nearby anchored by her other grandmother, Esperanza, who was born in Aguascalientes, Mexico. Muñoz Ryan based her novel Esperanza Rising on her Mexican grandmother’s life, and it’s become a classic of young people’s literature—taught in schools and beloved in homes throughout the country. She has written over 40 books, and she casts a wide net in terms of subjects: from the childhood of Pablo Neruda in The Dreamer, to a young kid living in a trailer in Oklahoma in Becoming Naomi Leon, to the magical realism of Echo in which three young people in pre-World War II Germany and post-Pearl Harbor America are connected by an enchanted harmonica. But whatever the topic, Muñoz Ryan knows how to write for young people; her respect for them and the way they move in the world is enormous, and it’s reflected in her writing. (She has the awards to prove it; it’s a staggering list!) In this episode of the podcast, Muñoz Ryan talks about her upbringing, learning the histories of both her grandmothers, her writing in general and writing for young readers in particular. She’s fun, thoughtful, and full of stories.

Melting Potter episode 4 discussing chapter 4 of Harry Potter and the Chamber of Secrets, At Flourish and Blotts - it’s a long one! We talk at length about Wizarding World politics such as disposing of dark magical artefacts vs. preserving them, regime changes and how the opposition vilifies the ruling party, and how ordinary people can have no choice but to become accomplices and how we shouldn’t judge them. for that We also discuss the connection between what’s happening in the Wizarding World and what happened in post World War II Germany, including the importance of bearing witness and of keeping tangible proof so as not to give deniers a chance to say some things never happened, and how persecuting people who are just nostalgic about old times can be a double edged sword. In our talk, we touch upon Molly’s attitude toward Gilderoy and whether it’s meant to be endearing or signal a larger problem in her marriage. We also include a POV retelling through Lucius’ eyes, and we discuss Arthur’s internalised sense of worthlessness when it comes to the Malfoys. On a lighter note, Harry is being unnecessarily sneaky and we try to figure out why on earth would Dumbledore hire Gilderoy. Finally, are Madame Hooch and Professor Sprout in a loving relationship? We think so!

From Wikipedia: The Berlin Blockade (24 June 1948–12 May 1949) was one of the first major international crises of the Cold War. During the multinational occupation of post–World War II Germany, the Soviet Union blocked the Western Allies' railway, road, and canal access to the sectors of Berlin under Western control. The Soviets offered to drop the blockade if the Western Allies withdrew the newly introduced Deutsche mark from West Berlin. The Western Allies organized the Berlin airlift (26 June 1948–30 September 1949) to carry supplies to the people of West Berlin, a difficult feat given the size of the city's population. Aircrews from the United States Air Force, the British Royal Air Force, the French Air Force, the Royal Canadian Air Force, the Royal Australian Air Force, the Royal New Zealand Air Force, and the South African Air Force flew over 200,000 flights in one year, providing to the West Berliners up to 8,893 tons of necessities each day, such as fuel and food. The Soviets did not disrupt the airlift for fear this might lead to open conflict.` By the spring of 1949, the airlift was clearly succeeding, and by April it was delivering more cargo than had previously been transported into the city by rail. On 12 May 1949, the USSR lifted the blockade of West Berlin. The Berlin Blockade served to highlight the competing ideological and economic visions for postwar Europe.

Keith Fentonmiller joins me to share his novel "Kasper Mützenmacher’s Cursed Hat". A fascinating story that starts in pre - World War II Germany and moves to Detroit. Keith combines jazz, magic, mythology and history to create a compelling story that will have you compel to read just one more page. "Kasper Mützenmacher’s Cursed Hat" is the first book in Keith Fentonmiller's Life Indigo series. A book and series that tells a family saga in a new, bold and interesting format. Keith uses a finely tune layer of humor to lighten the tone of a story that has a very difficult time in world history as its backdrop.   Keith is also the author of two very interesting short stories. In "Non Compos Mentis" Keith uses the form of a legal brief to tell the story of a lawsuit involving a ghost and the estate of a deceased werewolf. In Keith's other short story, "Exodus", a Brooklyn transplant follows his beloved Dodgers to L.A. and then unexpectedly reunites with his boyhood crush.   Purchase from Amazon   Websites: www.keithfentonmiller.com www.curiosityquills.com/books/kasper-mutzenmachers-cursed-hat/   Facebook: www.facebook.com/author.Keith.Fentonmiller/   Twitter: @KFentonmiller

Eric Braeden joins James Lott Jr. to discuss hew memoir, I'll Be Damned: How My Young and Restless Life Led Me to America's #1 Daytime Drama. In this startling candid and poignant memoir, the legendary Emmy Award-winning star of The Young and The Restless, America's #1 soap opera, chronicles his amazing life, from his birth in World War II Germany to his arrival in America to his rise to humanitarian and daytime superstar for the past thirty-five years. For nearly four decades, fans have welcomed the star of television’s number-one daytime show, The Young and the Restless, into their living rooms. While they’ve come [...] The post Eric Braeden | I’ll Be Damned | Author Interview appeared first on Book Circle Online.

Eric Braeden joins James Lott Jr. to discuss hew memoir, I'll Be Damned: How My Young and Restless Life Led Me to America's #1 Daytime Drama. In this startling candid and poignant memoir, the legendary Emmy Award-winning star of The Young and The Restless, America's #1 soap opera, chronicles his amazing life, from his birth in World War II Germany to his arrival in America to his rise to humanitarian and daytime superstar for the past thirty-five years. For nearly four decades, fans have welcomed the star of television’s number-one daytime show, The Young and the Restless, into their living rooms. While they’ve come [...]

With John Wilson. Based on the bestselling novel by Markus Zusak, the film of The Book Thief - starring Geoffrey Rush and Emily Watson - tells the story of a spirited young girl Liesel in World War II Germany. Liesel finds solace from the war by stealing books and sharing them with others. Novelist Meg Rosoff reviews. Professor Joseph Rykwert is one of the few critics to win the prestigious Royal Gold Medal for architecture for a body of work that includes the ground-breaking book The Idea Of a Town. Written in 1963, it warned of the problems of traffic congestion in cities and the rise of the high-rise building. He tells John if anything has improved over the last 50 years. The comedian and actress Isy Suttie, from the TV series Peep Show, discusses her new stage role in a 'musical fable' The A-Z of Mrs P, about Phyllis Pearsall, the woman who set out to map an entire city in 1936, resulting in the classic A-Z map of London. Two books of monologues for black actors have been published to provide young performers with a diverse range of speeches to use at auditions. The monologues are taken from the Black Play Archive and have been compiled by theatre producer Simeilia Hodge-Dallaway. She and actor Jimmy Akingbola explain why these books are needed and discuss whether there is a glass ceiling for black British actors. Producer : Dymphna Flynn.

Novel Ideas makes a late appearance this week with The Book Thief by Markus Zusak. This is a YA? story about World War II Germany as told through the eyes of Death. More or less. Read the book to learn more. Listen to our episode to hear us discuss Death as an interesting character choice, […]

historian and author Tom Goodrich joins us to talk about post World War II Germany. Plus: Biden says gun legislation wont stop shootings. Walmart limits ammo sales due to shortage. Anti-gun nuts on captial hill. 64 legalized Hemp! Drone attacks are murder

Here's a quick growth conundrum, to get you thinking. Consider two countries at the close of World War II—Germany and Japan. At that point, they've both suffered heavy population losses. Both countries have had their infrastructure devastated. So...