Podcast appearances and mentions of don cameron

Today's conversation is with Don Cameron.Don is the cofounder of Crypto Glasgow and a familiar voice on the podcast.It's been 14 months since our last conversation in December 2023, when Bitcoin closed at $42K—and a lot has changed since then.This is a bull run special.Expect to learn:

On this episode, it's Superman's girl friend (two words): Lois Lane! We talk the origins of everyone's favorite "girl reporter" and kick things off with a 1944 story that sees Lois stepping out on her own sans Superman. Then, we zero in on a 1962 issue of Superman's Girl Friend Lois Lane that sees the Daily Planet dynamo be "abandoned" by Superman (and face off against an octopus!) and then discover Superman's secret mermaid family on another planet (yep). We wrap up by discussing Lois on screen, why she doesn't have a more regular solo title and what to expect from Rachel Brosnahan's upcoming portrayal. Ep. 152 What if Lois Lane thought Superman abandoned her & hijinks ensued?from Superman's Girl Friend Lois Lane #30 (DC Comics)Find us at https://linktr.ee/dearwatchersIt's more silver age silliness! After our recent Jimmy Olsen issue, we are talking about Superman's main squeeze: Lois Lane. We talk her origins from Siegel & Shuster (and Joanne Carter) and then cover an early story from Don Cameron & Ed Dobrotka that sees Lois talk someone off a ledge (literally). We then cover a zany issue of Superman's Girl Friend Lois Lane where Lois faces off against gangsters, an opium smuggler and an octopus without the help of Superman (or so she thinks). Plus, lookout for a truly bizarre Krypton cameo! Later in that issue, Lois discovers Superman has a secret mermaid wife and child on another planet but everything might not be what it appears to be in this story from the pencil of iconic Lois Lane artist Kurt Schaffenberger. We wrap up by sharing our love for Margot Kidder, Elizabeth Tulloch, Teri Hatcher and speculate on how Lois will be portrayed in James Gunn's upcoming film. Reading / Watch List:Superman Vol. 1 #28 (1944, DC Comics)Superman's Girl Friend Lois Lane #30 (1962, DC Comics)Email Podcast@DearWatchers.comFind us & support us at https://linktr.ee/dearwatchersTheme music is Space Heroes by MaxKoMusic (Creative Commons Attribution-ShareAlike 3.0) ★ Support this podcast ★

Ep 54 – Action Comics #59, “Fiddler's Fee” – April 1943 https://prairiejustice.podbean.com/e/ep-54-%e2%80%93-action-comics-59-fiddler-s-fee-%e2%80%93-april-1943/ Introduction, Discussion and Original Radio Play adaptation of Vigilante feature appearing in Action Comics #59, April 1943. The first appearance of the villainous Ben Bowe, the first DC villain to be known as The Fiddler. Greg Sanders Radio Rodeo Notes Courtesy of Michael Bradley: One of Don Cameron's Superman stories was censored by the United States War Department due to unwitting and perceived and similarities to the then-in-development nuclear program. You can read more about that here: https://www.cbr.com/superman-atomic-bomb-censored-united-states-government/ Feedback for Prairie Justice can be left on:  Facebook: https://www.facebook.com/Vigilante41 email: vigilantecast@gmail.com Twitter: @ToltonGord Music Excerpts Used Opening Stinger– “Nashville Just Wrote Another Cheatin' Song” – Midnite Rodeo Band “Curly's Theme”- Bill Hersch and Blue Train “Celtic Fiddle” - Enya “The Rabbit Dance” “Father Lavallee's Polka” “Red River Jig” – John Arcand The Devil Went Down to Georgia” excerpt – Charlie Daniels Band “Orange Blossom Special” – Mickey Gilley Band “Square Dance medley - Les Handley Orchestra “Half Mile of Hell” – Ian Tyson (instrumental excerpt by Roy Warhurst Closing Stinger – “The Last of the Singin' Cowboys” Marshall Tucker Band

Today's conversation is with Don Cameron. Don is the cofounder of Crypto Glasgow and a voice you will have enjoyed hearing from on the podcast before. This time round, we go into Don's journey and his perspectives. Expect to learn how to make the most of the learning opportunities and time in your day job, the necessity of trying different businesses until you find the right one for you, how Crypto can appear to be an overnight success but takes longer than you think, how the right sources can rewire your mind, why you need to pause for reflection and celebrate success, and much more. Many of you will have enjoyed the episodes with Crypto Glasgow when we've discussed the fundamentals of the market, particular coins, and the importance of being resolute and strong during the different market cycles. This episode is a chance to get inside the mind of someone who has built their dream business, hit significant financial milestones and is striving for more for their Brain, body and business in 2024. Today's podcast is supported and sponsored by Clean Foods Meal Prep. The removal of over 90 minutes of cooking and meal prep each week has been a big win for me, while the meals are tastier and more varied ingredients than I would manage cooking them myself. And the meals are cooked fresh each Saturday and midweek in Glasgow before being delivered across the UK. Visit https://cleanfoodsmealprep.com/?ref=cambro today and use CAMBRO to save 15% on your order.  Order before 2pm on a Saturday for Monday delivery or Midnight on a Monday for Thursday delivery. Connect with Don: Insta - https://www.instagram.com/crypto.glasgow/ YouTube - https://www.youtube.com/channel/UCr7CWiGyHiMe1fh9uQzseIg Connect with Col: Instagram: https://www.instagram.com/col.cambro/ Email List - https://mailchi.mp/548e38ba5942/colincambro Support me: buymeacoffee.com/ColCamBro

The Digital Transition Podcast is powered by Bond University's Building Information Modelling Program. In this episode, I have Don Cameron back in the studio to discuss the current state of BIM here in Australia. We talk about the apparent slowdown of progress in the industry, and why it feels like we are talking about the … Continue reading EPISODE 49: The State of BIM in Australia with Don Cameron →

Don Cameron's life in the Catholic faith has been a series of plateaus moving from one truth to the next in a journey to understand the individual beatitudes of the Catholic faith, and became an ardent student of Catholicism. Throughout that journey he has experienced setbacks, both physical and spiritual, but has kept his joy and sense of humor, even in the midst of life's greatest trials.

Pamela Currie, Host of the Franchise Business Radio show and Founder of Franchise Intellect, Inc. www.FranchiseIntellect.com To learn more about guest topics, contacting a guest or becoming a guest on the Franchise Business Radio show simply email Pam@FranchiseIntellect.com or call Pam at 847-970-8765 David Hicks, the CEO of Dallas-based HomeVestors, better recognized for their marketing message and the original “We Buy Ugly Houses” company. With more than 1,100 franchises in 170 markets across the country. David joined the company in 2005 as director of franchise systems and developed a process for coaching franchisees.       Don Cameron has been a We Buy Ugly Houses franchisee since 2005.  His goal has been to grow his business every year and he has been extremely fortunate to have been recognized as the HomeVestors franchise of the year 5 of the past 10 years.  Don originally joined HomeVestors to grow his business by becoming part of a nationally recognized brand and to take advantage of the fact that HomeVestors allows franchisees to focus on buying houses - something he has proven to be very successful at doing. Since becoming a franchisee in 2005, Don has purchased more than 1,500-2,000 homes from local sellers. Interview Questions Asked: Tell me a little bit about HomeVestors and the work your franchise does? How is HomeVestors different from a traditional real estate business? Tell me a bit about your time with HomeVestors and the work you have done for homeowners in the South Florida market. What is the biggest benefit a homeowner who wants to sell gets in working with HomeVestors? When you first saw the home that was later designated as the Ugliest House of the Year, what was your reaction and if you could renovate it to a point in which it was livable again? What was some of the work that you and your team put into the house, and what were the biggest challenges? Can you tell me a bit about the final outcome of helping the previous homeowner out of a bad situation by offering cash for the house and then renovating it for a new homeowner? What are some of the characteristics you look for in an ideal franchisee?   Learn more about “The Ugliest House of the Year” and this man, Don Cameron, a franchisee, orchestrated a dramatic turnaround. He then provided a home to a young family, and donated $20,000 so other families could afford homes.  HOW IT GOT UGLY: There was a single candle lit outside on the back patio of a single story ranch house in Hollywood, Florida. The wind blew the candle over onto a rug, which caught fire, and within minutes the 1,035-square-foot home was engulfed in flames. extensive smoke damage extensive structural damage the home was unlivable the owner did not want to spend any time or money to repair it. HOW IT GOT PRETTY: Cameron bought the house “as is” Gave the homeowner instant money without having to make repairs prior to the sale He then completed a full renovation that included extensive work and upgrades on: drywall electric plumbing paint floors landscaping FAMILIES BENEFIT - $20,000: Cameron then sold the house to a family with a young child They appreciated being able to move in without needing to do any work to the house or property Thrilled with the total makeover of the home Now enjoys being able to host family and friends in their first home and large backyard As an added bonus, Don Cameron and HomeVestors recently made a $20,000 donation to the local Habitat for Humanity, a global non-profit housing organization, to support its mission to help families in need of decent and affordable housing. Don Cameron: Cameron has worked on many similar projects as one of HomeVestors' longest tenured and most successful franchisees. His group owns five franchises in the South Florida market He buys and sells more than 200 houses per year

A Gluten Free PodcastEpisode 63My guest today is Penny Dellsperger, Health Advocacy for Officer at Coeliac Australia who'll be joining me for our February 2023 edition of 5 in 5. She'll share the latest news, updates and research from Coeliac Australia this month. What we'll cover:* Gluten Free Festival * Dr Don Cameron awarded OAM posthumously * Advice on container, cups, straws and utensils made from wheat or gluten contain products * Key pillars of Coeliac Australia's new directions * Plans to research cost of the gluten free diet LinksGluten Free Festival details Dr Don Cameron posthumously awarded OAM Coeliac Australia's advice on paper/ wheat straws Coeliac Australia Website About Coeliac AustraliaCoeliac Australia is the national registered charity supporting Australians with coeliac disease and associated conditions requiring a gluten free diet. They provide membership and a range of support and information services to enhance the lives of people with coeliac disease, raise vital funds for research and create awareness of coeliac disease and the gluten free diet within the medical profession, food services industry and the broader community. A note from Coeliac Australia: “Coeliac Australia are calling out to their membership community for some first-person stories on what is was like for your child (and family) when they were first diagnosed, what was their route to diagnosis, what were the challenges, and how are they feeling now that they are living gluten free! We'll be also including a traveling with kids feature in the March issue of The Australian Coeliac magazine and would love to hear stories from our members about their experiences and tips, recommendations they may have, as we know it can be difficult venturing to new places and navigating the gluten free diet, particularly with kids.If any of our members listening to the podcast would like to include a story on either of these topics please contact: editor@coeliac.org.au” Get in touchYou can find me on Instagram @a.gffamily or send an email to aglutenfreefamily@gmail.com You can also find me writing a regular column for The Australian Coeliac magazine under the title 'A Gluten Free Family' released quarterly for Coeliac Australia members.DisclaimerThe content on this podcast is not a substitution for professional medical advice. It is the opinion and experience of the show host and guests. Please seek professional medical advice from a medically qualified professional before making any decisions about your health or diet.

Clark deals with precarious youth. The Unauthorized Biography of Clark Kent continues. Son of El is written and produced by Isaac Bluefoot. The views expressed are not necessarily those held by DC Comics and Warner Media.This telling of Superman is an interpretation of the works of many writers and artists. Clark Kent, Jimmy Olsen, Lois Lane, Martha Kent, and Lex Luthor were created by Jerry Siegel and Joe Schuster. Martian Manhunter was created by Joseph Samachson and Joe Certa. John Stewart was created by Dennis O'Neil and Neal Adams. Barry Allen was created by Robert Kanigher and Carmine Infantino. Wally West was created by John Broome and Carmine Infantino. Mister Mxyzptlk was created by Jerry Siegel and Ira Yarbrough. Kara Zor-El was created by Otto Binder and Al Plastino. Batman was created by Bill Finger and Bob Kane. Two-Face was created by Bill Finger and Bob Kane. Alfred Pennyworth by Don Cameron and Bob Kane. Jason Todd was created by Gerry Conway and Don Newton. Steve Trevor was created by William Moulton Marston and Harry G. Peter. Ra's Al Ghul was created by Dennis O'Neil, Neal Adams, and Julius Schwartz.Manuscript Editing assistance by Tricia Riel. Theme Music by Royal Jelly. Additional music licensed through Creative Commons: Process by Borrtex, New Cresente by Blue Dot Sessions, Unialus by Jair Pitkanen, Twinkletoes by Podington Bear, Tar and Spackle by Blue Dot Sessions, We Collect Shiny Things by Blue Dot Sessions, Calm and Collected by Blue Dot Sessions, Ode to the World by Kai Engel, Izeah by Blue Dot Sessions, Micolai by Blue Dot Sessions, Donnalee by Blue Dot Sessions, Sneeuwland by Oskar Schuster, Trundle by Podington Bear, Tropical Pleasure by Serge Quadrado, Endless Story About the Sun and Moon by Kai Engel, Greyleaf Willow by Blue Dot Sessions, Synthewave by Ryan Anderson.

Clark embarks into the darkness. The Unauthorized Biography of Clark Kent continues. Son of El is written and produced by Isaac Bluefoot. This is an unauthorized biography. The views expressed are not necessarily those held by DC Comics and Warner Media.This telling of Superman is an interpretation of the works of many writers and artists. Clark Kent, and Lex Luthor were created by Jerry Siegel and Joe Schuster. Weather Wizard was created by John Broome and Carmine Infantino. The Toyman was created by Don Cameron and Ed Debrotka. Steve Trevor was created by William Moulton Marston and Harry G. Peter. Martian Manhunter was created by Joseph Samachson and Joe Certa. Green Arrow was created by Mort Weisinger and George Papp. Hal Jordan was created by John Broome and Gil Kane. Bizarro was created by George Papp and Otto Binder. Batman was created by Bill Finger and Bob Kane. Ra's Al Ghul was created by Dennis O'Neil, Neal Adams, and Julius Schwartz.Manuscript Editing assistance by Tricia Riel. Theme Music by Royal Jelly. Additional music licensed through Creative Commons: Transformations II by David Hilowitz, Falaal by Blue D ot Sessions, Wind by Crowander, Below the Surface by Kyle Preston, Respiration by Podington Bear, Touch Your Breath by Masato Abe, Kalsted by Blue Dot Sessions, Idiophone by Bio Unit, Fog In A Dawn by Masato Abe, Stregheria by Eletrólise, Submerging Blue-Blak by Podington Bear, The Bridge (Horror I) by David Hilowitz, Rise by Igor Khabarov, Synthpop Motion by Serge Quadrato. 

Clark does his best to avoid politics. The Unauthorized Biography of Clark Kent continues. Son of El is written and produced by Isaac Bluefoot. The views expressed are not necessarily those held by DC Comics and Warner Media.This telling of Superman is an interpretation of the works of many writers and artists. Clark Kent, Lois Lane, Lex Luthor, and Martha Kent were created by Jerry Siegel and Joe Schuster. Peacemaker was created by Joe Gill and Pat Boyette. Lana Lang was created by Bill Finger and John Sikela. Steve Trevor was created by William Moulton Marston and Harry G. Peter. Etta Candy was created by William Moulton Marston and Harry G. Peter. Green Arrow was created by Mort Weisinger and George Papp. Black Canary was created by Dennis O'Neil and Dick Dillon. Roy Harper was created by Mort Weisinger and George Papp. Richard Grayson was created by Bill Finger and Bob Kane. The Flash was created by Robert Kanigher and Carmine Infantino. Ray Palmer was created by Julius Schwartz, Gardner Fox, and Gil Kane. Black Lightning was created by Tony Isabella and Trevor Von Eeden. Hal Jordan was created by John Broome and Gil Kane. Bizarro was created by George Papp and Otto Binder. Martian Manhunter was created by Joseph Samachson and Joe Certa. Prometheus was created by Grant Morrison and Arnie Jorgensen. Wonder Woman was created by William Moulton Marston and Harry G. Peter. Weather Wizard was created by John Broome and Carmine Infantino. The Toyman was created by Don Cameron and Ed Debrotka.Manuscript Editing assistance by Tricia Riel. Theme Music by Royal Jelly. Additional music licensed through Creative Commons: Trundle by Podington Bear, Gradual Sunrise by David Hilowitz, Fjord by Bio Unit, Ancora Dolcemente by Jari Pitkanen, Three Colors by Podington Bear, Last Day of High School by Borrtex, Donnalee by Blue Dot Sessions, Show Me by Borrtex, Night Vision by Podington Bear, Lady Marie by Blue Dot Sessions, Low Horizon by Kai Engel, Emu in the Bass by Gorowski, A Soul the Same by Audralic, Counting Lights by Kai Engel, Coming Home by Borrtex, Memory Wind by Podington Bear, Evermore by Jari Pitkanen, New England is Interesting by BOPD, Outside (Luxalove remix) by Luxalove, Big Feeling Man by Blue Dot Sessions, Boadicee (Johnny Ripper Mix) by Phasme, Rising Out of Stagnant Water by Jack Anderton, Swollen Clouds by Podington Bear, You Make My Heart Sing by Will Bangs, Flatlands 3rd by Blue Dot Sessions, Ashes by Jahzzar.

In this week's episode, we are talking all things balloons. First up, Mia Vines Booth chats to Ian Martin who directs and choregraphs Bristol Balloon Fiesta's world-famous night glow. Music Editor Issy Packers also interviews Don Cameron - the founder of Cameron Balloons about his history and the founding of the fiesta.

Clark finds himself in an unexpected team-up.Son of El is written and produced by Isaac Bluefoot. This is an unauthorized biography. The views expressed are not necessarily those held by DC Comics and Warner Media. This telling of Superman is an interpretation of the works of many writers and artists. Clark Kent, Lois Lane, Jimmy Olsen, and Lex Luthor were created by Jerry Siegel and Joe Shuster. Batman was created by Bill Finger and Bob Kane. Martian Manhunter was created by Joseph Samachson and Joe Certa. Hugo Strange was created by Bill Finger and Bob Kane. Scarecrow was created by Bill Finger and Bob Kane. Mad Hatter was created by Bill Finger and Lew Sayre Schwartz. Poison Ivy was created by Robert Kanigher and Sheldon Moldoff. Riddler was created by Bill Finger and Dick Sprang. The Toyman was created by Don Cameron and Ed Debrotka. Arthur Ivo was created by Gardner Fox and Mike Sekowsky. Achilles Milo was created by Bill Finger and Sheldon Moldoff. Solomon Grundy was created by Alfred Bester and Paul Reinman. Wonder Woman was created by William Moulton Marsten and Harry G. Peterson. The Flash was created by Robert Kanigher and Carmine Infantino. Black Canary was created by Dennis O'Neil and Dick Dillon. Green Arrow was created by Mort Weisinger and George Papp. Wildcat was created by Bill Finger and Irwin Hasen. Black Lightning was created by Tony Isabella and Trevor Von Eeden. Vixen was created by Gerry Conway and Bob Oksner. Mr. Terrific was created by John Ostrander and Tom Mandrake. Ray Palmer was created by Julius Schwartz, Gardner Fox, and Gil Kane. Arthur Curry was created by Mort Weisinger and Paul Norris. Metallo was created by Robert Bernstein and Al Plastino. Richard Grayson was created by Bill Finger and Bob Kane. Alfred Pennyworth was created by Don Cameron and Bob Kane.Manuscript Editing assistance by Tricia Riel. Theme Music by Royal Jelly. Additional music licensed through Creative Commons: Pickers by Blue Dot Sessions, Idiophone by Bio Unit, I Have a Plan by Borrtex, Below the Surface by Kyle Preston, Everlasting Sorrow by Abstract Nostalgic Fractal Systems, Cirrus Remix by Scanglobe, Tar and Spackle by Blue Dot Sessions, The Time Is Now by Borrtex, Dub We Do by Neonormalizm Crew, Action by Chad Crouch, Ode to the World by Kai Engel, Star of David by Siddhartha Corsus, Ancora Dolcemente by Jari Pitkanen, The Come Up by Audiobinger. 

Don Cameron, Vice President and General Manager of Terranova Ranch, joins the Voices of the Valley to share his experiences with agtech start-ups looking to gain traction in California agriculture. "The ones that tend to come early and listen and hear what we're saying are the ones that tend to be successful," he says. Currently Terranova is using cutting-edge technology for automated irrigation, laser weeding and nitrogen capture, and Don says that the perpetual difficulties the industry faces with water, labor and regulation create an urgency to technology adoption in the state. "This is one of the answers for the future - alternatives that work well and are economical," he says.

Clark's life is changed by cutting-edge technology. Son of El is written and produced by Isaac Bluefoot. This is an unauthorized biography. The views expressed are not necessarily those held by DC Comics, and Warner Media. This telling of Superman is an interpretation of the works of many writers and artists. Clark Kent, Lois Lane, and Jimmy Olsen were created by Jerry Siegel and Joe Shuster. Ron Troupe was created by Dan Jergins and Jerry Ordway. Batman was created by Bill Finger and Bob Kane. Ray Palmer was created by Julius Schwartz, Gardner Fox, and Gil Kane. Mr. Terrific was created by John Ostrander and Tom Mandrake. Rudy Jones was created by John Ostrander and Joe Brozowski. Dr. Emil Hamilton was created by Marv Wolfman and Jerry Ordway. The Toyman was created by Don Cameron and Ed Debrotka.Manuscript Editing assistance by Tricia Riel. Theme Music by Royal Jelly. Additional music licensed through Creative Commons: Olsten Harten by Blue Dot Sessions, Cirrus Remix by Scanglobe, Respiration by Podington Bear, …and Degeneracy by Abstract Nostalgic Fractal Systems, Ingravity by Jahzzar, Canopy by Jack Anderton, Fly a Kite by Spectacular Sound Productions, You Make My Heart Sing So Loud by Will Bangs, Dutiligi by Mello C, Dub We Do by Nenormalizm Crew, Buenos Beeze by Serge Quadrado, Sequence by Borrtex, Flashing Runner by Blue Dot Sessions, Lemon and Melon by Blue Dot Sessions, Make It Funky by Dan Lizard.

This week I met with ballooning pioneer Don Cameron. We discussed the birth of hot air ballooning in Britain, the fifty-year history of his company - Cameron Balloons, the remarkable rise of the Bristol International Balloon Fiesta, and touched on some of the extraordinary feats of ballooning that Don has undertaken.

Bob "Pork Carrot" Myers returns for another round of fun. Novick and Dick Giordano); Captain Marvel Jr. in "Freddie Freeman's Christmas" (by William Woolfolk and Bud Thompson); Batman and Robin in "Christmas Peril" (by Don Cameron and Jerry Robinson); The Sandman by Michael Fleisher, Jack Kirby and Mike Royer); Robin in "Robin's (Very) White Christmas" (by Bob Rozakis, José Delbo and Vince Colletta). www.ComicBookSyndicate.com

In this episode of Voices from the Field, NCAT Sustainable Agriculture Specialist Katherine Favor heads to Terranova Ranch in the central San Joaquin Valley of California to talk about conservation hedgerows with Don Cameron, the ranch's general manager and vice president.Terranova Ranch is dedicated to producing over 25 premium-quality crops as effectively, productively, and sustainably as possible. They have implemented a wide variety of conservation and regenerative agriculture practices, including sustainable irrigation practices and conservation hedgerows.Learn about the benefits and challenges of hedgerows, along with do's and don'ts for hedgerow design and installation.Since planting these hedgerows just two years ago, Don has seen a wide variety of positive changes at the ranch, including increased biodiversity, more beneficial insects and pollinators, reduced erosion, and a more aesthetically pleasing farmscape. Related ATTRA Resources: A Pictorial Guide to Hedgerow Plants for Beneficial Insects Farmscaping to Enhance Biological Control Agroforestry: An Overview Miles of Hedgerows, a California Update Native Plants Offer More Than Beauty to the Farmscape Other Resources: Terranova Ranch Contact Katherine Favor via email at katherinef@ncat.org Please complete a brief survey to let us know your thoughts about the content of this podcast. Please call ATTRA with any and all of your sustainable agriculture questions at 800-346-9140 or e-mail us at askanag@ncat.org. Our two dozen specialists can help you with a vast array of topics, everything from farm planning to pest management, from produce to livestock, and soils to aquaculture. You can get in touch with NCAT/ATTRA specialists and find our other extensive, and free, sustainable-agriculture publications, webinars, videos, and other resources at NCAT/ATTRA's website. You also can stay in touch with NCAT at its Facebook page. Keep up with NCAT/ATTRA's SIFT farm at its website. Also check out NCAT's Regional Offices' websites and Facebook Pages! Southwest Regional Office: Website / Facebook Western Regional Office: Website / Facebook Rocky Mountain West Regional Office: Facebook Gulf States Regional Office: Website / Facebook Southeast Regional Office: Website / Facebook Northeast Regional Office: Website / Facebook

In this episode of Voices from the Field, NCAT Sustainable Agriculture Specialist Katherine Favor heads to Terranova Ranch in the central San Joaquin Valley of California to talk about conservation hedgerows with Don Cameron, the ranch's general manager and vice president.Terranova Ranch is dedicated to producing over 25 premium-quality crops as effectively, productively, and sustainably as possible. They have implemented a wide variety of conservation and regenerative agriculture practices, including sustainable irrigation practices and conservation hedgerows.Learn about the benefits and challenges of hedgerows, along with do's and don'ts for hedgerow design and installation.Since planting these hedgerows just two years ago, Don has seen a wide variety of positive changes at the ranch, including increased biodiversity, more beneficial insects and pollinators, reduced erosion, and a more aesthetically pleasing farmscape.Related ATTRA Resources:A Pictorial Guide to Hedgerow Plants for Beneficial InsectsFarmscaping to Enhance Biological ControlAgroforestry: An OverviewMiles of Hedgerows, a California UpdateNative Plants Offer More Than Beauty to the FarmscapeOther Resources:Terranova RanchContact Katherine Favor via email at katherinef@ncat.orgPlease complete a brief survey to let us know your thoughts about the content of this podcast.Please call ATTRA with any and all of your sustainable agriculture questions at 800-346-9140 or e-mail us at askanag@ncat.org. Our two dozen specialists can help you with a vast array of topics, everything from farm planning to pest management, from produce to livestock, and soils to aquaculture.You can get in touch with NCAT/ATTRA specialists and find our other extensive, and free, sustainable-agriculture publications, webinars, videos, and other resources at NCAT/ATTRA's website.You also can stay in touch with NCAT at its Facebook page.Keep up with NCAT/ATTRA's SIFT farm at its website.Also check out NCAT's Regional Offices' websites and Facebook Pages!Southwest Regional Office: Website / FacebookWestern Regional Office: Website / FacebookRocky Mountain West Regional Office: FacebookGulf States Regional Office: Website / FacebookSoutheast Regional Office: Website /

The UN has asked game developers to be more green. It would make a nice change from every brown military shooter of the early 2010s. Oh, wait. They want us to use less energy. The UKIE has written a Green paper on methods for developers to reduce their carbon footprint.SMS is an awful, insecure method for 2FA, but we still use it because anything better is too hard. Maybe this latest string of hacks will help us move on.Movies are still going straight to streaming even as vaccination rates increase. This used to be a sign of a bad movie. Now we'll have to rely on Rotten Tomatoes, or, god forbid, talk to people about movies.Game Development for Green Thumbs- https://www.gamesindustry.biz/articles/2021-08-17-games-london-to-discuss-the-environment-at-best-places-to-work-awards-uk- https://whitepapers.gamesindustry.biz/greenPhone hacking taken to a new level- https://www.abc.net.au/news/2021-08-17/hackers-using-mirroring-apps-to-see-your-texts/100381366Streaming Services Vs Cinemas : Who will win- https://www.hollywoodreporter.com/movies/movie-news/sonys-hotel-transylvania-amazon-1234998312/Other topics discussedOnlyFans, a social media platform known for porn, is banning 'sexually explicit' content- https://www.abc.net.au/news/2021-08-20/onlyfans-banning-seuxally-explicit-content/100395154NSW breaks COVID-19 case records with 825 infections, three deaths- https://www.abc.net.au/news/2021-08-21/nsw-records-825-covid-cases-three-deaths/100396208Explicit content banned from OnlyFans but 'the show has to go on', say sex workers- https://www.abc.net.au/news/2021-08-21/only-fans-explicit-content-changes/100394776Jimmy Rees - Meanwhile in Australia- https://www.youtube.com/playlist?list=PLU0uDN_Bi_UoLnUkbeHFlZ9imdbI_AQDNHow Much Electricity Does My Game Console Use?- https://www.redenergy.com.au/living-energy/appliances/how-much-electricity-does-my-game-console-useHow Much Electricity (Power) Does a PS5 Use?- https://www.thehomehacksdiy.com/how-much-electricity-power-does-a-ps5-use/Want to fight climate change? Have fewer children- https://www.theguardian.com/environment/2017/jul/12/want-to-fight-climate-change-have-fewer-childrenWhat is Embodied Carbon?- https://www.carboncure.com/concrete-corner/what-is-embodied-carbon/Halo: Combat Evolved (also known as Halo: CE, is a first-person shooter game developed by Bungie and published by Microsoft Game Studios. It was released as a launch game for Microsoft's Xbox video game console on November 15, 2001. Halo is set in the twenty-sixth century, with the player assuming the role of the Master Chief, a cybernetically enhanced supersoldier. The Chief is accompanied by Cortana, an artificial intelligence. Players battle aliens as they attempt to uncover the secrets of the eponymous Halo, a ring-shaped artificial world.)- https://en.wikipedia.org/wiki/Halo:_Combat_EvolvedIron Sky, smartphone powered computer- https://www.youtube.com/watch?v=ziVpqh9UXmIIron Sky, cell phone and computer- https://www.youtube.com/watch?v=pv3fcwx2TUYIron Sky (a 2012 Finnish-German-Australian comic-science-fiction action film directed by Timo Vuorensola and written by Johanna Sinisalo and Michael Kalesniko. It tells the story of a group of Nazi Germans who, having been defeated in 1945, fled to the Moon, where they built a space fleet to return in 2018 and conquer Earth.)- https://en.wikipedia.org/wiki/Iron_SkySkyrim 10th Anniversary Edition Announced for PS5 and Xbox Series X|S- https://www.ign.com/articles/skyrim-10th-anniversary-remaster-ps5-xbox-series-xPlaying For The Planet (The Playing For The Planet Alliance was launched during the Climate Summit at UN Headquarters in New York. In total, the members of the Alliance have the ability to reach more than 1 billion video game players.)- https://playing4theplanet.org/Playing For The Planet Members & Commitments (The Playing for the Planet Alliance is a group of gaming-companies who have made voluntary, ambitious, specific, and time-based commitments for people and planet.)- https://playing4theplanet.org/members/Playing For The Planet Green Game Jam (Over 25 studios from around the world – with a collective player base of over one billion – have collaborated and committed to implementing green activations in and out-of-game such as new modes, maps, themed events, storylines and messaging. Guiding the studios is a theme centred around conserving and restoring forests and oceans.)- https://playing4theplanet.org/greengamejam/Ubisoft (a French video game company headquartered in the Montreuil suburb of Paris, with several development studios across the world. Its video game franchises include For Honor, Assassin's Creed, Prince of Persia, Far Cry, Rayman, Rabbids, Watch Dogs, Just Dance, and the Tom Clancy's series.)- https://en.wikipedia.org/wiki/UbisoftGreen leap forward: China boosts renewable energy capacity- https://www.upstreamonline.com/energy-transition/green-leap-forward-china-boosts-renewable-energy-capacity/2-1-1047867The 20 most popular passwords stolen in Adobe hack- https://www.smh.com.au/technology/the-20-most-popular-passwords-stolen-in-adobe-hack-20131106-2x03o.htmlA crossword based on the Adobe password leak.- https://zed0.co.uk/crossword/';--have i been pwned? (This site came about after what was, at the time, the largest ever single breach of customer accounts — Adobe. I often did post-breach analysis of user credentials and kept finding the same accounts exposed over and over again, often with the same passwords which then put the victims at further risk of their other accounts being compromised.)- https://haveibeenpwned.com/SIM-Jackers Can Empty Your Bank Account with a Single Phone Call- https://www.vice.com/en/article/3kx4ej/sim-jacking-mobile-phone-fraudYubikey (a hardware authentication device manufactured by Yubico to protect access to computers, networks, and online services that supports one-time passwords, public-key cryptography, and authentication, and the Universal 2nd Factor (U2F) and FIDO2 protocols developed by the FIDO Alliance. It allows users to securely log into their accounts by emitting one-time passwords or using a FIDO-based public/private key pair generated by the device.)- https://en.wikipedia.org/wiki/YubiKeyRSA SecurID (formerly referred to as SecurID, is a mechanism developed by RSA for performing two-factor authentication for a user to a network resource. The RSA SecurID authentication mechanism consists of a "token" — either hardware (e.g. a key fob) or software (a soft token) — which is assigned to a computer user and which creates an authentication code at fixed intervals (usually 60 seconds) using a built-in clock and the card's factory-encoded almost random key (known as the "seed").)- https://en.wikipedia.org/wiki/RSA_SecurIDDirect-to-video (refers to the release of a film, TV series, short or special to the public immediately on home video formats rather than a theatrical release or television broadcast. Direct-to-video release has also become profitable for independent filmmakers and smaller companies. Some direct-to-video genre films (with a high-profile star) can generate well in excess of $50 million revenue worldwide.)- https://en.wikipedia.org/wiki/Direct-to-videoPiracy : Its a Crime TV Ad- https://www.youtube.com/watch?v=HmZm8vNHBSUThe IT Crowd - Series 2 - Episode 3: Piracy warning- https://www.youtube.com/watch?v=ALZZx1xmAzgScarlett Johansson sues Disney over streaming of Black Widow- https://www.bbc.com/news/world-us-canada-58017445Freelancer (a space trading and combat simulation video game developed by Digital Anvil and published by Microsoft Game Studios. It is a chronological sequel to Digital Anvil's Starlancer, a combat flight simulator released in 2000.)- https://en.wikipedia.org/wiki/Freelancer_(video_game)Starflight™ 1+2 on sale at GoG- https://www.gog.com/game/starflight_1_2J. Robert Oppenheimer: "I am become Death, the destroyer of worlds."- https://www.youtube.com/watch?v=lb13ynu3IacPart of the Einstein exhibition. - The Manhattan Project- https://www.amnh.org/exhibitions/einstein/peace-and-war/the-manhattan-projectWB Kids - Looney Tunes | Duck Dodgers in the 24 ½th Century | Classic Cartoon| WB Kids- https://www.youtube.com/watch?v=ukTuKnIZCUUCast Party : A Dungeons & Dragons Podcast- https://thatsnotcanon.com/cast-party-a-dungeons-dragons-podcastShout Outs 15th August 2021 – 35th anniversary of Starflight - https://en.wikipedia.org/wiki/StarflightStarflight is a space exploration, combat, and trading role-playing video game created by Binary Systems and published by Electronic Arts in 1986. Originally developed for IBM PC compatibles, it was later ported to the Amiga, Atari ST, Macintosh, and Commodore 64. Set in the year 4620, the game puts players in the role of a starship captain sent to explore the galaxy. There is no set path, allowing players to switch freely between mining, ship-to-ship combat, and alien diplomacy. The broader plot of the game emerges slowly, as the player discovers that an ancient race of beings is causing stars to flare and destroy all living creatures. The team coded the game mostly in Forth with a few key routines written in x86 assembler. Forth was chosen since it is easier to use than assembler and more compact. This was important because the game had to fit into 128K of RAM. It took "fifteen man-years" and three actual years to develop the game. The group designed what they called a "fractal generator", which took six man-years to develop and allowed them to increase the number of planets in the game from 50 to 800. The game was one of the earliest to use procedurally generated content for planets and everything on them. The techniques used created a type of roguelike environment on each planet, with the contents randomly distributed. The story network was also one of the earliest examples of a sandbox game design. They created a separate ecosystem generator over the course of two man-years of work. The alien names were created by randomly combining syllables until they had names they liked, and their code for simulating communications was rewritten four times before completion. The game has been widely praised by both contemporary and modern critics. The game has been widely praised by both contemporary and modern critics. It led to the development of a sequel, Starflight 2: Trade Routes of the Cloud Nebula, and influenced the design of numerous other games for decades after its release17th August 2021 – Panda gives birth in Singapore - https://www.abc.net.au/news/2021-08-17/giant-panda-gives-birth-in-rare-event-for-endangered-species/100385386 A Chinese giant panda at a Singapore wildlife park has given birth to a cub — the first born in the South-East Asian country and a rare event for an endangered species. Pandas Kai Kai, 13, and Jia Jia, 12, entered their seventh breeding season in April this year with the aid of artificial insemination, after arriving in Singapore in 2012 on a decade-long loan from China. Weighing about 200 grams, the cub was born on Saturday but the sex has yet to be determined, Wildlife Reserves Singapore (WRS) told Reuters, adding mother and cub were doing well. WRS said female giant pandas can display hormonal and behavioural signs of pregnancy even when not pregnant, but the organisation detected signs last month that a cub was on the way and Jia Jia's pregnancy was confirmed on August 10. China has been sending its black and white ambassadors abroad in a sign of goodwill since the 1950s as part of what is known as "panda diplomacy".17th August 2021 – Creator and 'godfather' of Sudoku passes away at 69 - https://www.abc.net.au/news/2021-08-17/sudoku-creator-dies/100385554 Maki Kaji, the creator of the popular numbers puzzle Sudoku whose life's work was spreading the joy of puzzles passed away. Known as the "Godfather of Sudoku," Mr Kaji created the puzzle to be easy for children and others who didn't want to think too hard. Its name is made up of the Japanese characters for "number" and "single," and players place the numbers one through nine in rows, columns and blocks without repeating them. Originally, Sudoku was called "Suji-wa-Dokushin-ni-Kagiru," which translates to, "Numbers should be single, a bachelor." It wasn't until 2004 that Sudoku became a global hit, after a fan from New Zealand pitched it and got it published in the British newspaper The Times. In recent years, Sudoku, believed to be the world's most popular pencil puzzle, has come out in digital versions. He was 69 and had bile duct cancer.18th August 2021 – 15th anniversary of Snakes On a Plane - https://gizmodo.com/snakes-on-a-plane-15-years-of-expletive-snakes-and-exp-1847474744Snakes on a Plane was released on August 18, 2006, which means it's celebrating its 15th anniversary this week. However, the film's legacy begins a little before that; in July 2006, Snakes on a Plane took its hilarious title and premise into San Diego Comic-Con and blew the roof off the place. There, fans and bloggers alike were wowed by the gory, fun footage. The event created huge buzz all over the internet and, as a result, people who got their film news online expected it to be an instant cult hit. Then it opened. While it did hit number one on its opening weekend, it barely grossed $14 million on its way to $34 million domestic (and $62 million international), which was way under expectations. The story is credited to David Dalessandro, a University of Pittsburgh administrator and first-time Hollywood writer. He developed the concept in 1992 after reading a nature magazine article about Indonesian brown tree snakes climbing onto planes in cargo during World War II. He originally wrote the screenplay about the brown tree snake loose on a plane, titling the film Venom. He soon revised it, expanding upon the premise to include a plague of assorted venomous snakes, then—crediting the film Aliens—revised it once again to include "lots of them loose in the fuselage of a plane." More than 450 snakes were used for filming to represent 30 different species of snakes. The different species include a 19-foot (5.8 m) Burmese python named Kitty (which the crew called Kong for film purposes), scarlet kingsnake (the non-venomous double for the eastern coral snake), milk snake, corn snakes, rattlesnakes, and mangrove snakes. The scarlet kingsnake and Pueblan milk snake stood in for coral snakes, while another species of milk snake and Florida kingsnake filled the role of the venomous Australian taipan (which attacks the couple having sex and the man using a restroom respectively). About two-thirds of the snakes seen throughout the film were either animatronic or CGI. The snakes that were real were mostly the non-venomous ones that are never seen attacking anyone. The scenes where someone is clearly bitten were often done with a mix of animatronic and animation. According to the DVD, all the snakes had production names, but only Scarface (an animated pit viper), Peanut (a cobra), and Kong are mentioned by name in the audio commentary. During filming, Samuel Jackson did not come into contact with any live snakes, due to a contract clause preventing snakes from being within 8 m (25 ft) of the actor. When the film was released in theaters, "pranksters" released two live western diamondback rattlesnakes at the AMC Desert Ridge 18 theater in Phoenix, Arizona during a showing of the film on August 22, 2006. One snake made its way into the lobby of the theater on its own, the other was found in the parking lot. No one was harmed and the snakes were released back into the desert.Remembrances17th August 2012 – Victor Poor - https://en.wikipedia.org/wiki/Victor_PoorAn American engineer and computer pioneer. At Computer Terminal Corporation (later renamed Datapoint Corporation), he co-created the architecture that was ultimately implemented in the first successful computer microprocessor, the Intel 8008. Subsequently, Computer Terminal Corporation created the first personal computer, the Datapoint 2200 programmable terminal. Poor continued his research and development, trying to develop a method for sending photographs and pictures wirelessly. In 1969 while working his notice period from Frederick Electronics, during the Thanksgiving holiday, Poor and fellow amateur radio colleague Harry Pyle produced the underlying architecture of the modern microprocessor on a living room floor. They then asked fellow radio amateur Jonathan Schmidt to write the accompanying communications software. Pitching the idea to both Texas Instruments and Intel, the partnership developed the Intel 8008, the forerunner of the microprocessor chips found in today's personal and computing devices. In late 1969, Poor joined start-up computer company Computer Terminal Corporation as Technical Director in San Antonio, Texas. Founded by two former NASA engineers, Phil Ray and Gus Roche, they asked him to approach Intel to see how much of his design could fit onto a computer chip. Pitching a $100,000 proposal to place the architecture onto silicon and into production, the project became the Intel 8008 master chip, the world's first 8-bit microprocessor. Poor and Pyle then developed the instruction set architecture which enabled Ray and Roche to design and develop the mass-produced programmable Datapoint 2200 computer terminal. As a result of the success of this product, the company changed its name to Datapoint. Datapoint remained one generation ahead of Intel until the Intel 80286. Overseeing the development of ARCNET by lead ARCNET architect John Murphy, an early local area network, Poor stayed with Datapoint until 1984, after they had lost their technical microchip lead to IBM and been bought out by corporate raiders. Poor died at the age of 79 in Palm Bay, Florida.Famous Birthdays17th August 1896 – Leslie Groves - https://en.wikipedia.org/wiki/Leslie_GrovesLieutenant General Leslie Richard Groves Jr. a United States Army Corps of Engineers officer who oversaw the construction of the Pentagon and directed the Manhattan Project, a top secret research project that developed the atomic bomb during World War II. In September 1942, Groves took charge of the Manhattan Project. He was involved in most aspects of the atomic bomb's development: he participated in the selection of sites for research and production at Oak Ridge, Tennessee; Los Alamos, New Mexico; and Hanford, Washington. He directed the enormous construction effort, made critical decisions on the various methods of isotope separation, acquired raw materials, directed the collection of military intelligence on the German nuclear energy project and helped select the cities in Japan that were chosen as targets. Groves wrapped the Manhattan Project in security but failed to prevent the Soviet Union from conducting a successful espionage program that stole some of its most important secrets. After the war, Groves remained in charge of the Manhattan Project until responsibility for nuclear weapons production was handed over to the United States Atomic Energy Commission in 1947. He then headed the Armed Forces Special Weapons Project, which had been created to control the military aspects of nuclear weapons. He was given a dressing down by the Army Chief of Staff, General of the Army Dwight D. Eisenhower, and told that he would never be appointed Chief of Engineers. The Manhattan Engineer District (MED) was formally established by the Chief of Engineers, Major General Eugene Reybold on 16 August 1942. The name was chosen by Groves and MED's district engineer, Colonel James C. Marshall. Like other engineer districts, it was named after the city where its headquarters was located, at 270 Broadway. Unlike the others, however, it had no geographic boundaries, only a mission: to develop an atomic bomb. He was born in Albany, New York.Events of Interest17th August 1978 – Double Eagle II becomes first balloon to cross the Atlantic Ocean when it lands in Miserey, France near Paris, 137 hours after leaving Presque Isle, Maine. - https://en.wikipedia.org/wiki/Double_Eagle_II Double Eagle II, piloted by Ben Abruzzo, Maxie Anderson and Larry Newman, became the first balloon to cross the Atlantic Ocean when it landed 17 August 1978 in Miserey near Paris, 137 hours 6 minutes after leaving Presque Isle, Maine.It can be regarded as a successful crossing at the point that the Double Eagle II crossed the Irish coast, on the evening of 16 August, an event that Shannon Airport notified the crew about when it happened. Newman originally intended to hang glide from the balloon to a landing, while Anderson and Abruzzo continued to fly, but the hang-glider had to be dropped as ballast earlier on 16 August. While flying over France, they heard by radio that authorities had closed Le Bourget Airfield, where Charles Lindbergh had landed, for them. The crew declined the offer as they were running out of ballast and it would be too risky (to themselves and anyone below) to pass over the suburbs of Paris. They landed in a field of barley, owned by Roger and Rachel Coquerel, in Miserey, 60 mi (97 km) northwest of Paris. Television images showed a highway nearby, its shoulders and outer lanes crowded with stopped cars, people sweeping across the farm field to the landing spot. The gondola was protected, but most of the logs and charts were stolen by souvenir hunters. The flight, the fourteenth known attempt, was the culmination of more than a century of previous attempts to cross the Atlantic Ocean by balloon. Some of the people who had attempted it were never found. Larry Newman won a draw among the three to sleep in the same bed at the United States Embassy that Lindbergh slept in. British balloonists Don Cameron and Christopher Davey feted the trio at a party that included a balloon shaped like the Double Eagle II. The trio and their wives planned to return to the United States aboard the supersonic Concorde. Upon the successful crossing, the trip was accommodated by Air France at no charge to the trio and spouses.17th August 1939- Buck Rogers premiered in Portugal - https://www.imdb.com/title/tt0032290/ On this day in 1939 (in Portugal), Buck Rogers took a trip into the future after waking up from a long sleep. Here's the plot summary: "A 20th Century pilot named Buck Rogers and his young friend Buddy Wade awake from 500 years in suspended animation to find that the world has been taken over by the outlaw army of Killer Kane." In the original comic strip, Buck Rogers is actually a former World War One pilot who was working as a mine surveyor at the time he came to fall into his long (500 years long) sleep. For some reason, the regulations would not allow the screenwriters to use the comic strip's continuity, so the serial is actually a completely original story with the comic strip characters added. The character of Killer Kane was changed, too: in the original strip, his real name was Oba Kane, he had a twin brother named Nova and a pistol called "Baby". He also had a girlfriend named Ardala Valmar. The regulations would not allow any of this background to be used, either: instead, Oba "Killer" Kane is presented as the despotic ruler of a future Earth. This serial is probably based on an unofficial Flash Gordon story in which Flash Gordon travels to Saturn; this story was not and has never been part of the original Flash Gordon universe (it was illegally published in 1936). After the serial came out, a second origin appeared in the comic strip in which Buck fell into a crater while looking for a meteor made from impervium, an indestructible metal used in the making of spaceships. Due to having hit the meteor when he fell in, Buck released the gas from inside and it put him to sleep for 500 years, only to be found by scientists and awakened. Again, this origin took place on Earth and not in space. There was a character in the strip who was in stasis in a satellite for 500 years, but his name was Dr. Laika; the story was inspired by the launch of Sputnik II. This is the origin story used in Buck Rogers in the 25th Century (1979). Henry Brandon hoped to play chief villain Killer Kane but was cast as Kane's henchman Captain Laska instead. When Brandon complained to his agent about this he was told, "The lead heavy works for one day, the henchman works for three weeks. Which part did you say you wanted again?" The film takes place in 1938 and 2440. IntroArtist – Goblins from MarsSong Title – Super Mario - Overworld Theme (GFM Trap Remix)Song Link - https://www.youtube.com/watch?v=-GNMe6kF0j0&index=4&list=PLHmTsVREU3Ar1AJWkimkl6Pux3R5PB-QJFollow us onFacebook- Page - https://www.facebook.com/NerdsAmalgamated/- Group - https://www.facebook.com/groups/440485136816406/Twitter - https://twitter.com/NAmalgamatedSpotify - https://open.spotify.com/show/6Nux69rftdBeeEXwD8GXrSiTunes - https://itunes.apple.com/au/podcast/top-shelf-nerds/id1347661094Instagram - https://www.instagram.com/nerds_amalgamated/Email - Nerds.Amalgamated@gmail.comSupport via Podhero- https://podhero.com/podcast/449127/nerds-amalgamated See acast.com/privacy for privacy and opt-out information.

Today we're checking out a couple of Jessika's latest estate sale finds: Superboy 109 & 110. Are these swingin' sixties stories about the Boy of Steel any good? Well, no. Not really. But they certainly gave us something to talk about! ----more---- Episode 13 Transcript Jessika: [00:00:00] Dude. It's always fucking Florida, Mike: I can't think of anything that comes out of Florida that's good. Jessika: Hello. Welcome to Ten Cent Takes, the podcast where we traverse tumultuous time continuities, one issue at a time. My name is Jessika Frazier and I am joined by my cohost, the dastardly dog dad, Mike Thompson.  Mike: That's a fair description.  Jessika: That was a segue. We need to talk about your newest acquisition.  Mike: What, Mo?  Jessika: No. We've talked about Mo. What was your newest acquisition in relation to the squad?  Mike: Oh, right. We bought a dog wagon over the weekend.  Jessika: Yeah, you did! Mike: And then, uh, already busted it out and taking them all over the neighborhood [00:01:00] and to the beach. I think it was proven to be a wise investment when this neighbor who we'd never seen before stopped his car in the middle of the road and yelled at us about how cute he thought it was. He was like, “that's the cutest thing I've ever seen!” He was this big old dude. I'm like, alright, I'm on board with this. All right. Success.  Jessika: Amazing.  Mike: It was very wholesome.  Jessika: Well, I think Mike'll have to post at least one or two pictures of the dogs  in this week's transcript. Mike: Yeah, no, we  can absolutely post photos of the dogs in this episode's transcript.  Jessika: Yes. Mike: Yeah.  Jessika: Well, the purpose of this podcast is to study comic books in ways that are both fun and informative. We want to look at their coolest, weirdest and silliest moments, as well as examine how they're woven into the larger fabric of pop culture and history. Today we'll be discussing the boy of steel, Superboy. While there are many variations of this character, we are going to be focusing on the OG [00:02:00] comics from 1944 to 69 as the ones that we talk about, but we will also just briefly touch upon the other comics, TV shows, and movies sporting the same character, as well as touch upon the absolute nightmare that is the timeline continuity, or lack thereof, that is Superman's life story. But before we do that, what is one cool thing that you've read or watched lately?  Mike: Sarah and I have been watching a show called Motherland: Fort Salem. Have you heard of this?  Jessika: I have, I was interested. Should I start it?  Mike: Yeah, we really dig it. It's on FreeForm, but it's streaming on Hulu. It takes place in this world where the United States stopped hunting witches 300 years ago and there was something called the Salem Accords signed. So now we have a world that's dominated by the USA and witches make up, as far as I can tell, the entirety of its armed forces. Jessika: [00:03:00] Oh, snap.  Mike: It's really cool. And the whole thing is magic is based on sound and resonance. And it's really a unique spin on things, but the show follows these three young witches who are recruited into the army and then start navigating their way through it. And the larger society, that's a part of the military and it's very comic book-y in terms of its plotting and character development and then the meta narrative as well. It's really cool. And it's really diverse in terms of casting. The storylines are really thoughtful in a lot of ways, and it's very queer. Like, extremely queer.  Jessika: Yes.  Mike: And the shows in the middle of its second season. And it's gotten much better. Like, I mean, it was already, it was already very good, but it feels like the second season, they really got the kick things up and they've really upped the creep factor. There's a whole thing about witch hunters re-emerging in kind of striking back at witches and riling up public sentiment. It feels very topical. [00:04:00] And then the whole thing is that because which is get their powers from the sound of their voice, what these witch hunters are doing is they're actually like cutting out witches' voice boxes and then weaponizing them. It's really cool and really creepy. And I really like it. Jessika: Oh, damn. That is like horrific. And like wow, that's an interesting concept.  Mike: Yeah. Sarah and I have been really, really enjoying it. And it's definitely something that we put on when the kids aren't around obviously, but,  Jessika: Oh, yeah.  Mike: but it's really solid. So yeah, not a comic book this time. But certainly something that I think a lot of comic book fans would enjoy.  How about you? Jessika: Well, once again, Lauren from Outer Planes in Santa Rosa comes through on the recommendations. Because she suggested the Image series, Man Eaters: The Cursed.  Mike: Hm.  Jessika: It's so fun. It starts off with 15 year old Maude being forced to go to summer camps. So her parents can go on this romantic vacation by themselves without her.  Mike: [00:05:00] Relatable.  Relatable, mom and dad.  Jessika: Absolutely. Well, and it's so funny because they put these fun little, like. It's almost like little artifacts in there , for you. So they have the registration card where they're registering her. And so it's like, will you be on vacation while your child is at camp? And it's like, YES. Like it literally asked that as a question like it's expected.  Mike: Good.  Jessika: It's pretty funny. Another thing I found that's really funny is they have the campers have these buttons. They're like warning buttons for insurance purposes. And they say things like sleepwalker or lice, or like Gemini. Which like big Gemini myself, like absolutely issue some warnings.  Mike: I love it. Jessika: And I love that there is one male character so far in this, and he's the least prepared for everything and Maude totally [00:06:00] roasts him a couple of times.  Mike: Again, relatable. Because the one who does all the home repairs around here, it ain't me. Jessika: Oh my gosh. So yeah, no, I added that to my pull list.  Mike: Yeah, that sounds great. Jessika: All right. Well, welcome to another episode of Jessika's estate sale fines. This week we'll be looking at Superboy, the comics, and I'm going to run us through the timeline of the comics as they came out, along with the TV shows and movies that were associated with those. So a lot of this is going to be like informational about when the comic came about and the character, Superboy  as Kal-El Mike: I'm super excited.  Jessika: there was a lot to it. And actually there was a  lot of different weirded consistencies that we're definitely gonna get into. As I've already hinted at that, I think you'll find very [00:07:00] funny,  Mike: I'm so excited.  Jessika: Okay. before I get too deep into this topic, I want to give a shout out to the resources that I use to compile my information today: An article from DC on DC comics.com fan news blog by Megan Downey, titled “Reign of the Superboys: The strange history of the Boy of Steel,” the Wikipedia article on Superboy, a blog post on captaincomics.ning.com in a forum called the comics round table by username commander Benson titled “deck log entry, number 176 Superboy: the time of his life,” and IMDB. for those of you who are. For those of you who are somehow unfamiliar with the basic storyline of Superboy's origins. not to be confused with Superman's origins, which he swoops in a little bit differently initially in the comics than this. but Kal-El in this instance was sent to earth by his parents before their home planet of Krypton [00:08:00] was destroyed. He was discovered in the crater left by his arrival by locals Martha and Jonathan Kent, who adopted him, raising him as their own son and naming him Clark. At age eight, Clark is told how he was found and finds out more about his origins from Krypton. Martha makes him an indestructible suit out of a blanket that he was found with one that came from Krypton and is imbued with the same powers that he himself holds. And it's basically just like Superman fucking around and not being in school.  Mike: Yeah, it almost entirely takes place in Smallville, which… it's kind of like the DC universe version of Cabbot Cove from Murder, She Wrote, where you're just like, how many fucking people die in this town? You know, in Smallville, it's, it's more along the lines of how many fucking supervillains hang out in this town in the middle of nowhere, Kansas,  Jessika: That's just it. What is it? A convention?  Mike: I guess. Jessika: Oh, so Superboy as a character was created by Joe Schuster and [00:09:00] Superman co-creator Jerry Siegel in 1938, but was rejected twice by Detective Comics before the growing popularity of the comic Robin, the Boy Wonder, finally convinced them to change their stance and they then decided to use it to try to relate to a younger readership with a younger character, which makes sense. Thus, Superboy made his comic debut in 1945, but just as a feature in the anthology, More Fun Comics issue 101. Now, of course, it wouldn't be comics without a little bit of drama. Schuster had assistance from Don Cameron instead of Siegel, as Siegel was serving in World War II and stationed in Hawaii. And he actually had to hear about Superboy's and inaugural publication through a letter from Schuster. DC didn't send them any notification nor was he able to actively participate in the trajectory of the plot line  since he was serving. It [00:10:00] was kind of a fuck you.  Mike: considering how heavily Superman was a part of propaganda. There is literally a cover of Superman running a printing press that says, I think it says, like, “help slap a Jap.” Jessika: Oh, that hurt me.  Mike: Yeah. Like, I mean, Superman was very much part of World War II propaganda, and that's insane that they wouldn't let one of his creators participate in the storylines because he was serving in the, uh, okay. Whatever. Jessika: Yeah. Yeah. It's pretty, it's pretty rough. So apparently there was already a rift in Siegel and Schuster's relationship. And so this just increased that strain. After that first issue, Superboy appeared in More Fun Comics, bimonthly issues through number [00:11:00] 107, but was picked up by Adventure Comics debuting in April of 1946. So he was bouncing around, that was issue number 103. And he was the lead feature for the anthology on this one Mike: Hm  Jessika: and remained the headlining feature for over 200 issues and continued being featured in Adventure Comics until 1969.  Mike: That's such a huge, just, that's an incredible run. Jessika: Yeah. It's a ton of time. And especially considering like he had, this was just like a side gig for Superboy. Really. He had other stuff going that he was doing.  Mike: Yeah, I do know that at one point in the sixties, Superboy was I believe the number two comic in America and the only one that was doing more than that was Superman. Jessika: It's like you were reading ahead. No, seriously. That's in my notes.  Mike: Oh, really? Okay, cool.  Jessika: Yeah, Yeah, yeah, no. And actually was frequently number two. We'll just  get to it now. It was frequently number two for a lot of it's run.[00:12:00]  So notable storylines that we got from Adventure Comics were intro to Krypto, the super dog, the origin story of his rivalry with Lex Luther, which that continues pretty far. So it's interesting that they, like, created the origin story.  Mike: Yeah. They had like teenage Lex Luther show up in Smallville, right?  Jessika: Yeah, yes, yes. Correct.  Mike: I think he had hair  Jessika: Back when he had hair, yeah.  Mike: Yeah. And that's something that's continued up until modern times as well. Mark Waid's Birthright, I know, did that… where it basically revealed that Clark Kent had been for a short time friends with Lex.  Jessika: Oh, wow. Of course. They had to be friends before they were enemies. Frenemies. There was also the the debut of the 30th century superhero team, the Legion of superheroes.  As Superboy, continue to frequent the pages of anthology comics in April of 1949, he became the sixth superhero to get his own comic book. and was the first new superhero [00:13:00] title to succeed after World War II. Mike: Oh, wow. That's crazy.  Jessika: Right?  Mike: I had no idea that there were only six superhero comics back then. Jessika: Yeah. Not with our own titles.  Mike: I mean, that's wild.  Jessika: Totally. I didn't realize that either.  Mike: yeah Jessika: notable storylines from this namesake comic were intro to Ilana Lang and Pete Ross, the storyline of the first Bizarro and first appearances of Legion of superheroes characters, Mon-El and Ultra Boy.  He also appeared in Legion of superheroes volume. One, which was printed as an anthology. Superboy itself continued until 1976 when the comic was renamed Superboy and the Legion of superheroes. Superboy was involved in the storyline until issue number 2 59. When he leaves after learning new information regarding the death of his parents.[00:14:00]  Dramatics. Mike: Yeah, I haven't read a lot of those, but the idea is that he's displaced through time and he winds up hanging out with the Legion for a while. And then if I remember right, Supergirl winds up joining the Legion after a while, too. Basically, so they can have kind of a headliner. Jessika: I smell them trying to fix a time continuum. But that's maybe I'm biased. Based on the research I've been doing,     The series was then retitled Legion of superheroes volume two, and ended with issue number 354 and 1979. There was also a three-part mini series called Secrets of the Legion of Superheroes that was published in 1981. And despite the general decline of superhero readership, Superboys' popularity continued to grow and adventure comics and Superboy frequently sold over a million copies combined.  Mike: That's an insane amount of comics these days. You know, back then that [00:15:00] was wild. Jessika: I mean, it definitely groundbreaking for its time. I would say it was, it sounded like it was huge. The popularity may also have been due to the fact that Superboy was found on more than just comic book stands. He was also on the TV and in the movies, he appeared in a 26 minute movie called the Adventures of Superboy and multiple six-minute episodes airing with the New Adventures of Superman, which aired for 1966 to 70, the Superman Aquaman Hour of Adventure from 67 to 68 and the Batman Superman Hour 68 to 69. All of which were just continuations are within that same world as the initial comic book.  Mike: Right. And those were all animated series too, I think, right?  Jessika: they were. They were. And here's something fun for you to watch if you wanted to click on that link.  Mike: Okay.  [Superboy INTRO AUDIO PLAYS] I love the image of like infant CBRE, boy, just lifting a piano. All right.  Jessika: Very patriotic.  Mike: Yeah. I love the fact that they have Krypto in there. Like I've always had a soft spot for Krypto. I am a little offended that his cowlick isn't in the shape of an S though. Come on guys. You know, this is an amateur hour.  Jessika: Missed opportunity. Mike: Right. But yeah, that was super cute.  Jessika: Wasn't that fun? Yeah. So I can,  I could see kids get getting really excited about seeing that. And then they walk by the newsstand and they go, I just saw that on TV.  Mike: yeah, exactly.  Jessika: [00:17:00] So I think they had a good thing going with that at that point. Mike: Oh, a hundred percent. So that was in the sixties, you said, right?  Jessika: Yes.  Mike: So that was right when television was becoming the dominant form of entertainment in the United States. I think by 1959 or 1960, it was something like 90% of households in America had televisions. And Saturday morning cartoons were starting to become a thing, which by the way, you guys should go back and listen to that episode about Saturday morning cartoons. It's our first episode. And we talk all about the evolution of that and how it connected with Comics. Jessika: It was a fun one. So pretty much right after the Legion of Superheroes volume two ended, the New Adventures of Superboy was published in 1984. That had 54 published issues,  Mike: Okay. That's a respectable run.  Jessika: Yeah. It's not anything too wild. Yeah. In 1985, DC tried to tie up some of those pesky plot holes that we're going to discuss later [00:18:00] on, for sure, by creating a comic that told the story of Clark Kent's transitional years in college at Metropolis University, going from Superboy effectively to Superman. And while this was supposed to last for 12 installments, they only ended up publishing six, mostly due to the fact that Crisis on Infinite Earths was published  Mike: I was about to ask. Yeah.  Jessika: Yep. That actually featured the eraser of Superboy  and yet another attempt to correct a timeline.  Mike: Well, Crisis on Infinite Earths was the first real attempt by DC to sit there and stream everything into a coherent timeline. And at the same time they had John Byrne's The Man of Steel, which came out I think right after. Crisis on infinite earths. And that also streamlined Superman's very convoluted history. The problem is is that by that point in time, you had almost 50 years of continuity, which made no fucking [00:19:00] sense. Jessika: And we'll discuss it later, but there wasn't necessarily a need for continuity back in the day. I mean, they didn't have to have it. They were just there for like, we're doing this adventure. This is fun. They're going to enjoy it. And there wasn't a feeling that you had to necessarily link it with what came before it or what was going, coming after it in the same way that we want now as readers and as fans, we want everything to make sense because we want more of the story in that  way. Mike: We want that overarching meta plot. Jessika: Exactly. Exactly. So despite DC's attempt to write Superboy out of the universe completely, he appeared once again in Legion of Superheroes Volume Three, which ran from 86, 87 and while Crisis on Infinite Earths had erased Superboy. To some extent in other time, continuations, they now needed to recreate him in order to have a cohesive storyline for [00:20:00] Legion of Superheroes. Mike: God. Jessika: So they were like, what are we going to do? Oh, I know pocket universe.  Mike: Why not?  Jessika: Why not? So in this version, it's set in a pocket universe created by the villain Time Trapper.  Mike: I think the Time Trapper… so the Time Trapper is like a villain who has had multiple identities. It's the same villain ultimately, but it's different people wind up becoming the Time Trapper. And I think, Superboy became the time trapper point.  Jessika: This doesn't surprise me at all. What the hell?  Mike: Yeah, don't, don't quote me on this, but I'm pretty sure I'm pretty sure that it happened, uh, during one of their big, crossovers,  Jessika: Oh, no, Mike: Comic books are dumb and I love them.  Jessika: I do, too. This is actually part of the  reason I really do like them. Because I like seeing all of these little differences. It doesn't make me mad. I just find it very funny.  Mike: Yeah. so the Time Trapper created a pocket [00:21:00] universe and then they used him to bring Superboy back.  Jessika: Yeah, exactly. And so he, but here's the funny part. He was really just like a sideline character in this. He came in and issued 24 and he was killed off in 38. Mike: Superboy was going. Okay. I'm not going to ask question.  Jessika: Yeah. Cause he had to like sacrifice himself to save the world. I mean,  that's, you know, common trend in these, right.  Mike: Of course.  Jessika: Yeah.  It was convenient. If not obvious.  Mike: Okay.  Jessika: Superboy apparently would not, could not be stopped. As was apparent in 1988 with not only a comic publication, but also a TV appearance. Once again, this time live action.  Mike: I remember that show.  Jessika: Yeah, it was here and that was gone.  Mike: It lasted for a couple of seasons, but I think they had a couple of different actors play Superboy. Jessika: They did. Yeah. So it was four seasons and it started out starring John Hames Newton for season one [00:22:00] and then recast replaced for the remainder of the four seasons. So the rest of the three by Gerard Christopher.  Mike: Oops.  Jessika: So that was a 22 minute runtime, pretty normal for that time. but there again, it went along with the same year that the Superboy volume two hit shelves. You know, they did another one of those timing things thinking, Hey, it worked what? 30 years ago.  Let's do it again.  Mike: Yeah. It's that whole transmedia thing. Jessika: Yeah, exactly. the show ultimately lasted until 1992, the same year a one-shot comic called the last Superboy was published. But that seemed to be the last dying ember from the fire that is Superboy, as we've talked about up until this point, except one thing. And I know that we want to talk about it a little bit, which is Smallville. And I know we've mentioned it, but I didn't watch that. Did you watch that show?  Mike: Oh, yeah. Are you kidding me? I, I was all over that show for the first few seasons. Jessika: Okay. I [00:23:00] just really, it was just cause I had a crush on Kristin Kruek, but unfortunately she got involved with that horrific NXIVM cult.  Mike: I thought It wasn't her. It  was the… Jessika: It was Alison Mack, but  like, but  she was involved for a few years,  unfortunately. Big. Yikes.  Mike: I don't know too much about it. I just know that Alison Mack was one of the big ringleaders for it and it was wild. Jessika: She was, yeah.  Mike: Like she, I think she left Smallville to like devote herself full-time to that cult.  Jessika: That sounds right. Yeah, she was, she was definitely a big part of it. yeah, it was rough. I've been following it.  Mike: I really liked Smallville when it first came out. I remember getting so excited when they had a little teaser ad for it where I think it's Krystin Kreuk is wandering through the darkness and she hears something and turns and then you see Tom Welling step out of the shadows and he says something along the lines “Oh, Hey, it's just me. It's it's Clark.” and then it just says Smallville, and I was like, oh mother fucker. That's amazing. [00:24:00] And yeah, it was, it was fine. It was very teen angsty, but they had a lot of deep cuts for comic fans. And, I think I stopped watching around season four  because it just started to, it felt like it really sort of jumped the shark,  Jessika: Oh, okay. Yeah. I was going to, ask if it's  something I should rewatch. I don't know. Stuff from that. Timeframe is so cringey these days.  Mike: A lot of it's cringey. I remember a whole thing with his heat vision was tied to like him being horny.  Jessika: No. Why do you have to do that?  It's so unnecessary.  Mike: But you know, what's funny is they actually brought Tom Welling back in the whole DC Arrowverse recently where they have a version of Lex Luther. Who's traveling the multi-verse and he shows up at, he shows up at the Kent farm and Tom welling is there. I thought it was just, it was great. It was, it was just, it was a really cute little nod. Jessika: That is pretty cute. I do like that.  Mike: And then he got all mad because he was trying to suck Superman's powers [00:25:00] away. And then it turns out Superman gave up his power so that he can have a family and a normal life. And then the now powerless Superman pops him in the nose. It was kind of good.  Jessika: That is cute.  Mike: I was fine with this. It was very, it was very wholesome. Jessika: So there are other iterations of Superboy, but they're not necessarily Clark Kent and some of them are, but they kind of stray off into different timeline. And I could have gone down that rabbit hole, but Mike: Yeah.  Jessika: you know, I didn't. Here we are.  Mike: that's fine.  Jessika: So I also know that I, more than hinted, we've talked about a little bit, uh, the continuity troubles that plagued Superboy.  Mike: Right,  Jessika: I, I gotta say some of these transgressions are just capital B A D bad. But they get a bit of a pass again, you know, like I said, because Comics at that point [00:26:00] really didn't hinge on a time continuum.  Mike: Right. That wasn't a thing.  Jessika: No, it wasn't. So, we got to give them a little bit of credit except when they actually started figuring it out and they still did absolutely nothing about it, which is what we're going to talk about. Mike: Okay.  Jessika: Because after Superman, they kind of figured out, oh, people are wanting more of a storyline and we've already given Superman kind of a timeframe. And now this has to be Superboy. So it needs to be earlier. So they were like, Okay. Superboy is from the 30s.  Mike: Right.  Jessika: But Superman at that time, I think was supposed to be set in the 60s or the 50s. And the math did not add  Mike: Right.  Jessika: at all to get to that point. So right off the bat. You've just you're wrong about the dates. what's even more funny to me is that in the first iterations of the Superman comic, the origin story is always [00:27:00] that the first time he came to earth was when he came to metropolis, like as a full ass adult.  Mike: Right.  Jessika: So what's, what's up, you know, so that's where it's like, all Right. this is already… Mike: This is convoluted. Yeah. Jessika: exactly. So you and I read a couple of comics from the time period of those original comics, and we read them from specifically from 1963. What I love about these is you could actually, at that, I don't, maybe they still do this. I haven't seen it yet in my Comics. You could write in and they would publish the comments and the editor … Mike: they still do this.  Jessika: Okay, cool. So the editor writes a comment back,  Mike: Yeah.  Jessika: So we have a few of these.  Mike: Okay.  Jessika: And I would love for you to read them for us.  Mike: Okay. So we have a few of these here. the first one says dear editor, since Superman was a Superboy before World War II and television sets, weren't perfected and [00:28:00] sold to the public until after World War II. How come you show TV roof antennas, and Superboy stories. Kevin Herron, Tiffin, Ohio. And the editor responded with you're right, Kevin, we're wrong. We made a booboo. Editor. Jessika: Okay. Mike: The next one is dear editor. How come in Superboy comics. You illustrate such modern inventions as a bombs, atomic subs, jet planes, television, et cetera, all devices, which weren't invented until 1945 for later. And which certainly weren't around when Superman was born, Ken parent Wheaton, Illinois. The response is historians refer to such inconsistency as anachronisms. They are a necessary form of literary license required to achieve dramatic effects. Movies exercise this option very often. For example, the first umbrella was invented in 1740 yet numerous period films devoted to the life in the middle ages have shown heroines protecting themselves from the sun with a parasol. Editor Jessika: I love how he's getting like a little salt here with his answers.  Mike: Just a little bit. [00:29:00]  Jessika: He's like, but Webster's dictionary says…  Mike: God. Yeah. I don't miss those days. These days. Usually when you see the letters section of a comic, it's usually people talking about how much something meant to them, or at least in the ones that I read it. It's always really nice. So.  Jessika: That's sweet.  Mike: All right. So the last one: dear editor in the recent story, the amazing bizarro you had Superboy dropping an atomic bomb on bizarro. How is this possible, as Superboys adventures. They're supposed to have happened before 1945 and scientists had not perfected the H-bomb until  1945. Steve Spangler, Sonoma, California,  Jessika: Boom representation. That's right down the road from us.  Mike: the response is “we goofed! From now on no more a bombs in Superboy. Editor.”  Jessika: Well, that's easy.  Mike: Oh, that's great. At some point it's like, come on guys, it's a comic book.  Jessika: Yeah,  Mike: I think it's, are you [00:30:00] really expecting the science fiction comic, starring an alien who just happens to look exactly like a human, but has more super powers than God is going to be historically and scientifically accurate all the time. Okay. Whatever. I don't…  Jessika: I know. I know. I know. I hear you. I do well. And what's funny too, is at one point, Lana Lang is in a beauty competition and it says 1952.  Mike: Well, it's reassuring to know that nerds were always this nitpicky. Jessika: Absolutely. That really is.  Mike: Yeah. Jessika: So the time in consistencies didn't end there. As I mentioned, there have been multiple timelines that have been created and destroyed to ensure some kind of consistency in the Superman universe. But whether or not that was actually a success is really anybody's opinion. It's up to the listener. [00:31:00] But if you're interested in finding out more about this travesty of a timeline, go check out that blog post I mentioned at the top of the episode, I'm on Captain Comics Presents, it's got a lot more examples of the inconsistencies from those OG comics. Mike: Yeah. Well, okay. One thing I will note is that DC kind of figured this out recently where they, ran a series called doomsday clock, and it's Dr. Manhattan from the Watchman universe with Superman. And the very end of it is revealing that there is now a “metaverse” in DC. Where it's like, oh yeah. So Superman arrived in the 30s and started being a superhero, you know? And then also he also arrived in the 60s and then he also arrived in the 80s and so on and so forth. And so it,  it sort of makes sense of that for those people who care. Jessika: Well, and it's like the same kind of Marvel multi-verse that we have going on with that, with the  Spider-Man is pointing to each other.  Mike: Yeah. It [00:32:00] basically, it takes the concept of a multi-verse and then it adds another layer and it does it in a way that feels, hm, I'm not going to say plausible, but it just, it kind of works and, you know, I actually liked it, but that's just me. Jessika: Yeah. you know what, and what's funny about Superman is I don't like Superman, so it's funny that we're doing this whole episode. I just thought it, was interesting. These Superboy comics when I saw them, well and I picked them up because like, honestly, like the titles were horrific and I will have some very liberal things to say about them, but yes, I, you know, but honestly, what's very funny, even though I hate Superman, I don't know what it was about the Superman symbol that I used to love.  And I didn't read the comics. I'd watch the show from the eighties. And I'd seen the Christopher Reeves movies. We loved those. But other than that, I wasn't like huge in the Superman, but if I had gotten a tattoo, when I was 18 years old, it would have been a Superman symbol. So I'm very glad my mom never, she never [00:33:00] listens to this. So she will never know that I'm confessing that, she talked me out of making a very bad tattoo decision because she doesn't need any more gloating rights,  Mike: Yeah. I don't know. I kind of viewed him like Captain America, where I thought he was really boring. And then I realized that if you find the right writer, Superman really, really works. I've come to really enjoy a lot of Superman stories, but you know, it depends.  Jessika: And I think you're right. That I, I probably just haven't found the right writer or the right style. And I did recently start do I start birthright? I started something recently.    Mike: I think it was  Birthright, based on our conversations. Jessika: yeah. So I will get back into that at some point in time. I just have such a stack now will obsessed. Oh no. Mike: Oh no,  Jessika: Oh, no. more Comics. So Mike, you and I read a couple of these issues that I found at that estate sale. That was Superboy boys. Numbers, 109 [00:34:00] and 110. So do you want to recap 109 us?  Mike: Yeah. Okay. You've mentioned that these are anthology comics and so Superboy at this point in time, apparently was having two or three storylines per issue. based on the two that we read, each one had two different stories in it.  Superboy 109 has the first story is the Super Youth of Brozz. The title story about the rival super dogs doesn't show up until later, which that always surprises me, when the cover action isn't the first story and everything else is in a backup, but whatever.  Jessika: It's a little confusing.  Mike: the Super Youth of Brozz is about how a young Clark Kent winds up sort of becoming friends with another teenage orphan in Smallville named Fred who's, quote, timid that's his like defining character trait. That's all that anybody used to describe him. And he gets picked on by the towns in crowd of teenagers. It's revealed that he lives in the [00:35:00] Smallville orphanage, which okay. He literally walks back to the orphanage and then Superboys spies on him and he's crying because he overheard people talking about how they didn't want to adopt him  because he was too much of a wimp I'm just like, oh, okay.  Jessika: Thanks for being super toxic Superboy. That's so great.  Mike: Superboy winds up deciding to give him confidence. And so he takes him to a planet called Brozz where Fred gains super powers from the atmosphere. And then Superboy actually loses his overtime for reasons that are not really well explained because you know, Superboy, he gets his powers from the yellow sun. And then later on, he gets his powers back sort of from the little spacecraft that they brought Fred over in, because it had some remnants of Earth's atmosphere, which that's not how science works. I was a history major and even I can tell you that. Superboy has this whole convoluted plot about how if he can get Fred to have super power's he'll gain confidence, which Fred sort of does. He eventually saves Superboy's life and then decides to stay on the planet and be a superhero. And he gets offered to be adopted, but he declines the offer for some bizarre reason, something about like, you know, basically he doesn't want to put his, foster parents at risk. And Superboy heads home to earth and has a final thought about how he wouldn't be the person he was, if it hadn't been for the Kents. The end. Jessika: Yeah. Yup.  Mike: Yep. But the title story, which is the Super Dog That Replaced Krypto is basically at some point, Superboy rescues a dog named Swifty, which looks like a Greyhound. Swifty winds up months later, tracking down Superboy in Smallville, which means that Superboy didn't [00:37:00] even drop this dog off at a shelter. Apparently he just got him out of harm's way and then just left him. So strike one, Supes.  Jessika: Yeah. It's not.  Mike: Then Superboy winds up temporarily granting Swifty the same powers that Krypto has. And then it seems like he's testing them out, but it doesn't quite work out that way. Swifty loses his powers and then he's, again, I guess, left alone. He's just as far as I can tell, he's a homeless dog in Smallville. Jessika: Yeah. There's  a lot of orphans in the story.  Mike: after his powers fade some villains who were trapped in the Phantom zone, but crossover and are sort of the Phantom zone wind up trying to take mental control of Superboy and Krypto, they don't have any luck. They are able to influence Swifty. And then they guide him through a process that grants him super powers. And then I think it also makes them evil, but it's not really well explained.  Jessika: Oh, it's because the Phantoms were  influencing him. [00:38:00]  And so their intentions were like his intention. So  because they had negative vibes against Superboy. That's what I got out of it, but it's, it's really vague.  Mike: Super vague.  Superboy decides to randomly hold a series of tests for Swifty and Krypto to be the new super dog. And like, he does this as opposed to like, just like letting  them both help him out. Jessika: that's what I'm saying. Like, it wasn't even to like, be the next super dog. It was like to  go be the ambassador on this trip  Mike: Oh, is that it? Okay.  Jessika: yeah. And then , why wouldn't  you want like an entourage of fucking, like super dogs with you? Why would you two super dogs is way better than one super dog. Like, I don't know what the fuck his problem  was Mike: 100%. So anyway, the Phantom zone criminals helps Swifty, win the contest, Swifty becomes the super [00:39:00] dog for at least this instance. And then he leads both Krypto and Superboy into a kryptonite death trap. Like there's literally a spring that like hurls kryptonite at them. And then at the last second Krypto manages to blast Swifty with the duplicate Ray, which creates a bizarro Swifty, who's good as opposed to the original version. Superboy comes up with a potion or, sorry, the Bizarro Swifty saves them. And then Superboy comes up with a potion that strip Swifty's powers and restores his good nature. And then he creates a collar that repels the Phantom zone ghosts so they can't control the dog again. And that's it like, Swifty's apparently the sad homeless dog in Smallville who just gets sad every time that he sees Superboy and Krypto fly by. And he thinks about how he wants to be Superboys' dog again. Jessika: It's really depressing. And I would never do that to Carl for the record. I would never. Okay.  Mike: I mean, [00:40:00] yeah, this, this issue definitely rubbed me the wrong way. Just for that, where I'm like, God, Superboy. it couldn't even find a home for the dog who tracked you down across the country and just wanted to be your friend. Jessika: You're fucking Superboy have two fucking dogs. Like, I don't know how difficult this is. Like, well, where Martha. Martha is like, no, we've already gotten one super dog in the house.  Mike: Yeah, right.  Jessika: No, this one's just normal, now! I swear. Mike: between the two of us, we have four dogs. So, I  mean, we're definitely the wrong audience for this, Jessika: for sure. And I bought this comic for the fact that there were like super dogs on there. I got very excited.  Mike: yeah. And the thing is, is that there's a whole menagerie, a super pets like you eventually get like Comet the super horse. Like it's no, there, there was a monkey. There was, I think, I think it was Streaky the super cat too.  Jessika: Oh, no.  Mike: It's not like, you know, [00:41:00] there wasn't a whole collection of super pets. But whatever.    Jessika: Yeah. What did you think of this since you haven't told, since you haven't started telling me already. Mike: It reminded me that Superman and Superboy stories from this era just a lot of times don't make any sense.  I have a collection from the late eighties called the Greatest Superman Stories Ever Told, and It's got stories from the forties to the eighties and even those early great stories, in quotes, they're pretty out there. And neither of these stories are anywhere close to what's contained in that book. I don't know. My biggest complaint is how Superboys' logic is always terrible. Like why does Fred need to be made into another version of the Superboy in order to gain confidence? Why not just help them with the core issue, which is that nobody wants to adopt them  from the Smallville orphanage, which again, lawl. Jessika: Yeah. Like what does it have two orphans in there?  Mike: It just, it seems like helping them find a [00:42:00] family would do a lot more good. And likewise, why not just adopt Swifty too? Like  it's shitty and it's dumb, but all of this reminded me of the site called Super Dickery, which I showed you.  Jessika: Yes.  Mike: It was the site that's originally focused on the absolute insanity of Superman comic covers. So many of these comics would feature things like Superman, just fucking over his friends. That was a repeated theme for years. There's one where he has Lois lane strapped to the grill of a truck and he's flying out after he drove it off a cliff. And just saying something to the effect “I'll see you later, Lois.” Jessika: Holy shit.  Mike: And there's another one where Aquaman, Jimmy Olsen are dying of thirst in the desert and Superman's just lording over them with this pitcher of water. the site was around at least in 2005, which is when I first came across it. It's kind of defunct. Now. I don't think has been updated for a couple of years, but you can go back on archive.org and just scroll through all these things. The [00:43:00] tagline was Superman's a Dick and here's the evidence and it's great. Like that is a way to kill an afternoon. Let me tell ya. Jessika: Oh, I definitely checked out a few of those today and I was  rolling. Rolling. He definitely came off  as an asshole in this comic. Like, no question, no question.  You know, what makes me the most mad is that he has the ability to give Swifty super powers. He has the ability to make both dogs talk.  Mike: Oh my God. Yeah. Jessika: What the fuck are you doing?  Mike: there was a cover on Super Dickery where it's young Clark Kent and Bruce Wayne, and they've created a computer that lets them see the future and like, Hey, we're going to grow up to be crime fighters and superheroes. So we're going to be best friends. It's like cool. You know, what also would be useful? I don't know. Maybe telling Bruce Wayne that his parents are going to get murdered and it can be avoided.  Jessika: Seriously. Holy shit. Oh my God. Yeah. But then he wouldn't have his [00:44:00] homie. Superboy's  just all in it for himself.  Mike: Yeah.  Jessika: And like, why does he just have something lying around the  has fandoms as I can get out? Why does he have that? Doesn't make any sense. Mike: We don't have another two hours to discuss the Phantom Zone. Jessika: Kal-El you silly boy. So let's, let's move on to the other comic we read, which, uh, we're just be just as angry about, by the way. Spoiler case you were wondering. So what happened in issue? Number 110? Cause I did get sequential ones, which is great, kind of.  Mike: Right. Okay. So again, we have two stores. We have the Surrender of Superboy and the runt of steel, the surrender of supervise story is the one that we actually get on the cover. It's Superboy in Krypto losing a tug of war match to some old man. And we're basically told, well, you won't believe who the old man is. In the Surrender of Superboy, Clark [00:45:00] Kent, and Lana Lang traveled to South America to accompany her, I guess he's a college professor, dad on an archeological dig. One of the flowers recovered is this legendary hate flower, which causes any living, being that smells it to hate the first human they see after smelling it. They're like very specific that it's, you will hate the first human. Jessika: Yeah.  Mike: When they get back to Smallville, Lana smells the hate flower by accident. She sees Superboy flying outside and then dun, dun dunnnn winds up developing an intense hatred for the boy of steel. She grabs. I think it's like, it's… do we ever get a name for this thing? It's like a devil's mask? Jessika: I think she just calls it devil's mask. Cause it's a devil's witch mask or something like that on the wall. It's very vague again.  Mike: So she's in this museum, she grabs this thing off the wall because there's no fucking security anywhere. And it specifically says what it does, where it's says the person who wears this can summon souls , or spirits from the past and have them obey them for an hour. And then she [00:46:00] starts using it to cause trouble. Sir Lancelot and then George Washington are her first minions, but they refuse to help because they claim that they've heard about Superboy's heroic  deeds and even in the past, which Jessika: No, no, no, It's not a thing. No.  Mike: I just, I can't, man, it's so dumb. Jessika: When I read that, I was like, what, what is actually going on right now? I literally stopped reading for a few minutes.  Mike: Everything about the story it feels like monkeys at a typewriter.  Jessika: Yes,  Mike: So then she summons Merlin to humiliate Superboy at this super strength exhibition that he's doing in order to benefit the old folks home and Merlin, it turns out is the old man who beats him in the tug of war on the cover. Which by the way, this is like three panels in the comic. And it's not that big a deal.  Jessika: it's really not.  Mike: yeah, after that she summons Edgar Allen Poe and [00:47:00] Sherlock Holmes. She says they're the two greatest detective minds of the past. So they help her solve a jewel highs that Superboy can't and then she framed Superboy by having Hercules, Samson, and Atlas tear apart the Smallville Scientific Institute. Um, let's see, she summons Venus, Helen of Troy, and Juliet to basically seduce Superboy. And then she spurns him at a dance. And also I'm sorry, but really? JULIET? Like, come on. Jessika: Juliet was a child who fell into a situation and was a tragic  figure.  Mike: Juliet was a stupid teenager. Like, I can't, I can't even,  I'm sorry.  Jessika: She probably had acne and Superboy definitely had that hair where it was brushed forward and then spiked up in the front. Mike: Yep.  Jessika: Absolutely. Yep.  Mike: Yeah.  Jessika: Fuckin' assholes. All of them, Mike: So she [00:48:00] spurns them at this dance and her dad gets mad at her. He's like, I heard you were very rude to Superboy.  Jessika: Which by the way, the fact that he wears that fucking suit to every occasion, like,  come on, dude.  Mike: I just love that idea. Jessika: Can you have like a literal suit, like, a super suit. That actually looks nice?  Mike: Just get something, like, get a nice Navy blue, kind of slim fitting suits have an Ascot popping out with your Superman logo.   All the girls would be all over you. It'd be great. Jessika: Oh, my gosh. Can you imagine the Kent's first trip to a fancy restaurant where they have to like, get the borrow jacket, like the  loaner jacket from the restaurant, because he's wearing his stupid ass suit and they're  like, Oh, Sir, excuse me.  Mike: He's just walking around with his Cape, sticking out from under the jacket. I would read that  comic.  Jessika: I would too. [00:49:00]  Mike: Anyway. So finally Lana decides to pull Jor-El, Superboy's dad from the past, in order to help her discover Superboys' secret identity. Instead of, I don't know, reuniting Jor-El with his son who he never got to see, but whatever. Okay. Jor-El gives you this device that's supposed to detect Kryptonians. It leads her to a closet where Krypto the Superdawg is Krypto shakes himself, and basically gives off a bunch of dust. Actually counteracts the flowers' hate pollen. And it turns out that Superboy and Lana's dad switched the mask with a dummy, once they realized what was going on and then her dad disguised himself as GRL and then everything just  goes back to normal and nothing matters. Jessika: Yeah, we're again, they have access to these devices that are like powerful and they like have instructions on the wall, but don't use them. Like he literally says to his daughter at one point like, oh, well stay away from the superstition side of things. It's quite dangerous. And she's like, oh, what's that?[00:50:00]  Let me check out this mask. So fricking ridiculous.  Mike: So then we get the second story, which is the Super Runt of Steel, which is about a criminal named Peewee Reagan, who we don't know who this dude is, but he shows up at this dilapidated house, he pays some amoral super scientist to grant him super powers. Peewee goes on a crime spree that even Superboy can't stop because Superboys' powers are weirdly fading for no real reason. Peewee flies away to a distant planet because he spotted treasure inside it. He gets to the planet, he wrecks a bunch of the alien robots that are there and then goes inside this vault that's full of space gems and minerals, and he winds up screaming in pain. Superboy finds out the scientist it turns out leached his powers and transfer them over to Peewee. And he's able to track the criminal to the aforementioned planet. And it turns out Peewee died because the vault also contained kryptonite and then Superboy [00:51:00] buries Peewee and flies away the end. Jessika: Because he somehow gets his powers back by just being around him. It was weird.  Mike: Everything about this issue just made me roll my eyes. And a lot of the stories from this era, if you go back and read a lot of these things, they had those kinds of surprise endings. That just feel so dumb these days. Like it was that weird, ironic twist. They're not really ironic because they don't really make a lot of sense.  Jessika: Yeah, they're just kind of like a left field thought.  Mike: Yeah, there's a lot that just doesn't work. And it's like if you go down this very specific logic train that these writers force you along, it's like, you know, the whole thing. Having Lana's dad disguise himself as Jor-El, like Superboy, just, knew that this was going to be the next step. You're like, all right. Well, I don't know, and then also, I'm sorry. But she's supposed to be calling all of these characters from history, all these spirits or people from history and then it's gods and fictitious characters like [00:52:00] Lancelot and Juliet and uh, whatever. Jessika: No, they were really contrived figures. I mean, even when they had real people in there, they weren't used to their purpose.  Mike: No, and it's one of those things where you read it and you're like, this is just, this is so dumb. Oh, it's Samson and Hercules. Okay. Whatever, why not? Random characters from the Bible and Greek mythology. Why not? Jessika: Dude, where do I even start on this issue though?  They had so many problems. The beginning, when the scientists negate the word of the locals as superstition, even though it actually did have dangerous poisonous properties to it. They're like, oh, it's just a myth.  Mike: Because there's a whole thing where one of the boroughs winds up attacking a guide and then when they sit there and say, oh, it must have like gotten near the hade flower and they're like, oh no, it just got bit by a fly. All right.  Jessika: Yeah. And the scientists are like, I mean, gosh, darn. How big of a [00:53:00] supremacist asshole do you have to be to not trust the people who live there to know anything about the plants that they have been living with their whole lives. I truly don't understand that.  Mike: Yeah.  Jessika: Then the scientists were like, oh, woopsie, Daisy. I guess they were right. Chuckle, chuckle. Mike: This was also still a period in time where anyone who was not white, especially native populations were viewed with a healthy degree of just kind of, well, like you said, it like supremacy. Like if you go back and read those old Tintin books, woof.  Jessika: Oh,  yeah. I've read someof those in the original French and they're... Yeah.  Mike: Yeah. And if you go back and read those and then like up until really, I want to say the 70s or 80s was one thing started to get a little bit better, but even mainstream in the 60s were still pretty awful when it came to depicting people who weren't [00:54:00] white. Jessika: Yeah. There was that whole segregation thing. You know, just that.  Mike: Yeah. Jessika: Yeah, I, it was really gross when the quote unquote historical women came to give her beauty advice so that she could do seduce Superboy, like that was so contrived and odd and sexist and strange,  Mike: Yeah.  Jessika: Or the part where Superboy is not only supposed to be earning money for an old person's home. He's also making agist jokes about the quote unquote old man that ends up beating him. Both him and his dog, a tug of war.  Mike: Yeah.  Jessika: But  then the comic itself is so obviously like they so obviously made it agistly clear that this man only be Superboy because he was Merlin, the wizard, which yikes guys,  I know people way older than me that could kick my ass at most anything. So that's pretty [00:55:00] ridiculous.  Mike: yeah.  Jessika: Oh. Or the fact that the little guys or men that are like smaller and stature or timid, they are constantly the ones that need quote, unquote saving by Superboy in these really odd, like vague ways. Like they need to get physical strength to be appreciated.  And it's super toxic.  Mike: Yeah. And I mean, that kind of hinges on the old ideas of masculinity as well. Jessika: Oh, and I'm sorry, why Lana's dad keeping again, keeping legit magic items where people can access them. It just, I can not get past that because they just have all this shit sitting around where people are like, oh, let me touch it. Mike: look, here's the thing, like gun control, wasn't a thing back then you think they're going to seriously guard supernatural weapons of destruction. Jessika: that is a valid point. That is so valid.  at least he wasn't mistreating his dog in this issue, I guess.  Mike: I guess. I don't know. He locked him in the closet for a few hours.  Jessika: Shit. That's right. [00:56:00] Nevermind. Fuck. So that wraps up our Superboy conversation.  Let's move on to our brain wrinkles. And this is the one thing comics are comics adjacent that's just been rattling around in your brain. Since the last time we talked.  Mike: Yeah. So I was going to talk about free comic book day and how I was originally pretty excited about it. But now, we're recording this a couple of weeks before free comic book day is going to happen. And we are still in the middle of a pandemic when we record this, the Delta strain has started to rear its ugly head and lead to cases spiking all over the place, including here in the Bay Area. So, As someone who has immunocompromised kids who are too young to get the vaccine still, we're not going to be able to participate. Um, so yeah, I don't know. I think I'm instead going to talk about The Suicide Squad and actually how I'm really [00:57:00] excited about that movie. And it's getting rave reviews and it's opening this week on HBO max and in theaters. And then, because people can't leave shit well, enough alone, David Ayer, the director of the original Suicide Squad movie talked about how this one is great, but then he proceeded to shit all over Warner Brothers and talked about how the version of just Suicide Squad that got released back in 2016, was not his version of the film and how it's terrible. And he wants, vindication now. And I just, I can't go through another Snyder Cut. I just, I don't  have… Jessika: Alright like, you know, at least, okay. At least it's not the Justice League.  At least it's Suicide Squad,  Mike: But like the Snyder Cut almost broke me. Jessika: No, I hear you. I already don't like, I already wasn't like on board and I had to watch like so much Justice League that weekend.  Mike: I remember.  Jessika: Then I had prequel films I had to [00:58:00] watch. No, I don't want to do this again. I don't. Mike: I can't.  I am happy to talk about Suicide Squad. And I'm pretty sure there'll be jazzed up to talk about it after this movie. But I just, I can't bring myself to care about these auteur directors who are just… when I was working in the video games industry, we had this term that we used for certain people who were on the development side, who were all about their vision and how, they wouldn't compromise anything. And we, we just refer to them as the genius babies, because they would have these ungodly meltdowns. I can't bring myself to just, I can't bring myself to care about another genius baby throwing a temper tantrum. Jessika: I don't want it.  Mike: How about you?  What is, uh, what is sitting in your head these days? Jessika: I've been thinking a lot about representation in the media, including comic books. [00:59:00] And that's partially because we've been reading all these old comics where we don't see a lot of different representation. Versus the comics that I'm drawn to, which are full of representation, because that's what I prefer to read. I want to see everyone and it's been really nice to read destiny, New York and some of these other recent comics that actually show different types of bodies, different skin tones, different sexualities and genders. But I think there's so much more that we need to do, and that can be done to add and continue to build upon that representation. Like just in general, it's 2021. And we're still shaming people for being a certain size and, you know, airbrushing people who are already considered to be the epitome of beauty in our society. Like what is it going to take for us to allow people to just exist as we are. I mean, you know, besides the whole capitalist bullshit [01:00:00] game, telling women, they need more and more products to achieve beauty. But aside from that, but it's giving me, it's definitely making me feel better to see all of the representation, but there, again, it just reminds me that we need more. Mike: I was gonna say, it's that reminder of we've come a long way, but we need to go further. Jessika: Yep. It is. It is. You had mentioned, your inability to go to free comics day. and I feel like there are probably a lot of people who had a really difficult time getting anywhere. To go to something like that, you know? And so thinking about accessibility in that way of, what about those readers? Like what are we doing about them? So you know, it's just something I think about I've worked at social services too. I mean, I'm just, I'm a bleeding heart, but we need people like me or else, I don't know, get rid of that. We don't need people like me. So that's, that's, what's been rattling for me. [01:01:00] It's just more of a continuous disappointed buzz in my brain that we don't respect all people.  Mike: Yeah. Well, we do on this podcast.  Jessika: So on that uplifting note, that's it for today, but stay tuned for another episode in two weeks and until then we'll see it in the stacks.  Mike: Thanks for listening to Ten Cent Takes. Accessibility is important to us. So text transcriptions of each of our published episodes can be found on our website. Jessika: This episode was hosted by Jessika Frazier and Mike Thompson, written by Jessika Frazier and edited by Mike Thompson. Our intro theme was written and performed by Jared Emerson Johnson of Bay Area Sound, our credits and transition music is Pursuit of Life by Evan McDonald and was purchased with a standard license from premium beat. Our banner graphics were designed by Sarah Frank, who goes by. Look, mom draws on Instagram.[01:02:00]  Mike: If you'd like to get in touch with us, ask us questions or tell us about how we got something wrong. Please head over to Tencent takes.com or shoot an email to Tencent akes@gmail.com. You can also find us on Twitter. The official podcast account is Tencenttakes. Jessika is Jessika with us, and Jessika is spelled with a K and I am Vansau: V A N S A U Jessika: If you'd like to support us, be sure to download, rate and review wherever you listen.  Mike: Stay safe out there.  Jessika: And support your local comic shop  . 

In this episode, Don Cameron, CEO of StaySafe, discuses lone workers including the grey areas in legislation and how advice on keeping lone workers safe differs internationally. 

We continue our important discussion on the universal support of agriculture. Today's episode focuses on the Herculean efforts of two States, Maryland, and California, and the farmers who make those States great through the USFRA's Decade of Ag effort, Earth Day, and the public private partnerships, which we are all focused on the future of sustainable agriculture. In the previous episode, we heard about what's happening in Maryland, where the number one industry is actually farming. Now we travel across the country to California to continue the discussion with California's Secretary of Ag, Karen Ross and Don Cameron, President of the California State Board of Food and Ag.

In today's episode, Sabrina Halvorson talks with Don Cameron about his 40 years at Terra Nova Ranch and being a leader in water recharge research. 

Ruapehu community leaders are unhappy their area is being used as a Covid-19 bunker for Aucklanders. When city went into Alert Level 3 on Sunday, a bunch of residents packed their bags and drove to their holiday homes instead. People in the central North Island community are feeling nervous and unsettled by the Aucklander invasion, and Ruapehu Police say there could be consequences for people blatantly breaking the rules. Ruapehu District mayor Don Cameron spoke to Corin Dann.

The Digital Transition Podcast powered by NBS. In this episode, I have Don Cameron back behind the mic to join me to discuss the last 9 months and what it could mean for the future. I take the pessimistic view on the future while Don takes the optimistic one. I come up with a new … Continue reading EPISODE 28: Back to the Future in BIM with Don Cameron →

Locals are today rallying around a family devastated by a triple fatality on a Raetihi farm in the Central North Island. Three people from one family died yesterday after their car plunged into a pond. The bodies were found trapped in the vehicle when it was pulled from the water. An elderly man understood to be the husband of one of the dead and the grandfather of the two others was flown to Whanganui Hospital with moderate injuries. Ruapehu mayor Don Cameron speaks to Kim Hill.

Aaron Stevens speaks with Mudbar and restaurant and Blue cafe owner, Don Cameron.

In today episode your host Don Cameron is going to drop some massive gems! The goal is to plant a seed in your mind but it's up to you to water it.

Today in the Billion Dollar Secret our host Don Cameron will be talking about 8 different strategies that will boost creativity and productivity!

Anya Fernald of Belcampo Meat Co. Chris Sayer from Petty Ranch, Don Cameron from Terra Nova Ranch Inc. and Judith Redmond from Full Belly Farm share how they are adapting, learning and finding opportunities in this crazy COVID time.

Don Cameron is the new chair of the Walking Access Commission board. He''s also mayor of the Ruapehu District Council and a keen advocate for enjoying the outdoors. In this episode, he talks about the link between good multi-modal tracks and trails and protecting our biodiversity with traps.

In this episode I have a candid discussion with Don Cameron about the reasons why Building Information Modelling is struggling to gain traction from asset owners. Are the leaders in industry trying to push people too fast along their digital journey? Are they forcing people to Walk before they Crawl? Don Cameron LinkedIn Future Infrastructure … Continue reading EPISODE 15: Crawling before you Walk with Don Cameron →

You're Dead Too - Episode 24 - Don Cameron   John sits down with long time friend Don Cameron to talk about growing up in Canada, the joys of public shaming, why religion didn't take hold and then proceeds to tell horrifying ghost stories for the remainder of the episode. Seriously, they're great.   You're Dead Too is a podcast about our shared, inevitable demise! No matter in life what you try to do, you're dead too. So let's talk about what that means and how we deal with it.

Alex Grand and Jim Thompson interview the Prince of Comics, Howard Chaykin part 2 discussing his work on American Flagg, the Shadow, Time Square, Blackhawk, Alan Moore, Frank Miller, Black Kiss, Cyberella with Don Cameron, his Television career including the 1990s Flash TV show, Legend with Russ Heath, Hawkgirl with Walt Simsonson, his Marvel career in 2012, Black Kiss 2, the controversy surrounding the Divided States of Hysteria, and finally his ode to comic history, Hey Kids! Comics! Should Batman fight crime wearing a ball gag? Find out here. Find out here. Music - Standard License. Images used in artwork ©Their Respective Copyright holders, CBH Podcast ©Comic Book Historians. Thumbnail Artwork ©Comic Book Historians. Support us at https://www.patreon.com/comicbookhistoriansSupport the show (https://www.patreon.com/comicbookhistorians)

Don Cameron, President of the California State Board of Food & Agriculture discusses shaping policies that influence and strengthen the agriculturally rich area of California's Central Valley. This interview was produced in collaboration with ValleyPBS.

Don Cameron of Bereskin & Parr LLP and Jerry Chen of JZC Intellectual Property Law discuss their involvement as counsel in Canada’s first electronic patent trial. (Length: 24:40) Download MP3

Where did you go?! Ryan fights a Bostonian! Shoutouts to Don Cameron and Mike Seibert!! Galvatron: “Why did you torture me?” Unicron: “Because you failed!!” Whole 30 Unicron!!! Finger welding! Daniel...actually helping!!! Junkeons: “Go for the gusto!!!”

In this episode of Deeply Talks, Tara Lohan, Water Deeply's managing editor, speaks with Philip Bachand, a water engineer and founder of the environmental engineering firm, Bachand & Associates, Daniel Mountjoy, the director of resource stewardship at Sustainable Conservation and Don Cameron, vice president and general manager of Terranova Ranch, about recharging groundwater and the crucial role that farms can play in this important effort.

In this episode of Deeply Talks, Tara Lohan, Water Deeply's managing editor, speaks with Philip Bachand, a water engineer and founder of the environmental engineering firm, Bachand & Associates, Daniel Mountjoy, the director of resource stewardship at Sustainable Conservation and Don Cameron, vice president and general manager of Terranova Ranch, about recharging groundwater and the crucial role that farms can play in this important effort.

Micheline Gravelle, Don MacOdrum, Mike Fenwick and Don Cameron of Bereskin & Parr LLP discuss “The Promise of the Patent” and the Supreme Court of Canada’s decision in Astrazeneca (Length: 55:16) Download MP3