Podcasts about restaurant row

Growing up in the ‘90s here in San Diego—especially in North County—just hit different. In this episode, we're throwing it back to the days of Hollandia Dairy, the old San Marcos High, and before San Elijo Hills was even a thing. We talk Restaurant Row, the beginnings of LCC, Cabo Cantina in PB, and some classic SD spots like Hometown Buffet, The Murph, and so much more. If you remember Sun-In, puka shell necklaces, and Bruno's—you're gonna like this one.

The latest Building Black Business podcast episode features Helen Little in conversation with Jasmine Gerald and Lloyd Hollie, founders of Jasmine's Caribbean Cuisine on Restaurant Row in Manhattan, home to savory dishes and fruit-filled blends of cocktails inspired by islands throughout the Caribbean. In Partnership with @DriveToyota

One of the latest redevelopment frenzies has been happening on the 400 block of East Ohio Street on the North Side, and the area's even garnered a new nickname: Restaurant Row. But where's the line between bringing new life and changing too much of the neighborhood? City Cast Pittsburgh host Megan Harris is with PublicSource reporter Eric Jankiewicz to learn more. Learn more about the sponsors of this June 26th episode: Babbel Bike PGH Parks on Tap Become a member of City Cast Pittsburgh at membership.citycast.fm. Want more Pittsburgh news?  Sign up for our daily morning Hey Pittsburgh newsletter. We're on Instagram @CityCastPgh. Text or leave us a voicemail at 412-212-8893. Interested in advertising with City Cast? Find more info here.  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, 14850 Dining is checking out a new Korean restaurant in Downtown Ithaca — The Lotus. On the corner of Restaurant Row where Viva used to be, The Lotus serves familiar noodle and rice dishes and Korean BBQ, but they also specialize in Korean-style fried chicken. https://www.14850.com/062137029-lotus-korean-ithaca/ Subscribe to the 14850 Dining Podcast in Apple Podcasts or Google Podcasts, YouTube, Spotify, Audible, or RSS Feed, listen on WVBR, or follow 14850 Dining on Facebook, Instagram, and Twitter or sign up for our newsletter.

Meet Chas Kubis. Serial entrepreneur and iconic Bellingham restaurateur, he's the driving force behind Black Sheep's fried chicken tacos and the guy that bar staff call on when an oven breaks at 7:30 on a Friday night. In this episode, he talks hard conversations, the incubation space of multiple restaurant concepts, the early days of breweries & food trucks in Bellingham, and the vibe of Restaurant Row on Holly St. Follow the show: https://www.instagram.com/building.bellingham/

In this special episode of Tee'd Off, Ben and Aaron sit down with long time Myrtle Beach Golf veteran and new President of Volvik USA, Pete Kinney! Pete started his career in Myrtle Beach in 1990 as the Assistant Professional at Waterway Hills, a former popular course located on Restaurant Row. Known for it's signature gondola ride across the Intracoastal Waterway to and from the course, Pete said that manning the gondola once a week was the greatest bag boy position in town! To fuel his love for the game and to make ends meet, Pete also worked at a mini-golf course in the evenings, and even provided the famous 49 cent grip changes at Golf Dimensions! After stops at Sea Trail and Tidewater golf clubs, Pete scored his first Head Professional job at Beachwood Golf Club in 1996. During this time, Pete was involved in the inception of the Tee Time Network in the Myrtle Beach area, which was one of the first network-based tee times systems in the country! Over the next 20 years, Pete shifted into the corporate realm of the golf industry, gaining a wealth of experience in the apparel and equipment sectors with senior sales positions at major brands including TaylorMade, Slazenger, Cleveland, Bridgestone, Golf Galaxy, and Ralph Lauren. During his time with these brands, Pete became obsessed with the development and innovations of the golf ball. In 2023, Pete interviewed for a senior sales position with Volvik. His knowledge for the industry, golf ball manufacturing, and the genuine grass roots tales of his career were more than impactful, and Pete accepted the position of President of Volvik USA in August of 2023! With an impressive list of accomplishments spanning 4 decades, Pete coined this amazing opportunity with Volvik as his, "last job," but that in no way defines the ferocity and pace at which he has taken to bring a resurgence to the brand.  With 13 balls in their lineup, and nearly a dozen special edition balls, Volvik is bringing the word FUN to performance on the links! Pete showed the Tee'd Off crew their new Deadpool gift set to be released with the much-anticipated 3rd film, and he also dropped a bombshell on a new partnership with Disney! With vastly popular franchises such as Cars, Monsters Inc., and Toy Story, be on the lookout for some special edition Volvik balls showcasing your favorite Disney Character. Ben and Aaron hoped that Star Wars balls would soon be available, and Pete intimated that a deal with Lucas Films is not out of the question. How cool would a Darth Vader ball be?! In addition to providing fun, Volvik is looking to tee it up for a cause; their Vista3 Pink 360 BCRF ball gives $1 to each dozen sold for the Breast Cancer Research Fund, a initiative that not only seeks for a cure, but for ways to reduce recurrence of cancer in survivors. Pete and Volvik are off to a wonderful start reshaping the Volvik brand and we cannot wait to see what's next!Being a person of authority in the golf ball sector, we could not help but ask for Pete's feedback on the golf ball rollback. From the perspective of a PGA Member and Volvik President, Pete is against the rollback, but promises that Volvik will push the envelope of what is possible and maximum the performance of their balls, regardless of any restrictions. In a very special segment of Tee'd Off, Pete shared hilarious stories about Gary McCord, David Feherty, and Tiger Woods! You will have to tune in to hear these amazing stories!The package of the episode is the Myrtle Beach Golf Trail Replay Package, where you can get great prebooked replay discounts on nearly 30 of the top courses in Myrtle Beach!The accommodations of the episode is the Blue Water Keyes in North Myrtle Beach. This oceanfront resort offers some of the most luxurious 2, 3, and 4 bedroom condos in the area, with large floorplans and great bedding options for your next Myrtle Beach golf trip!

Caroline's on Broadway, Dangerfield's, and now LOL! Another comedy club in New York City has closed! The LOL Comedy Club on Restaurant Row in Times Square, New York City shut its doors for the last time October 29th. The Times Square Comedy scene is an uncelebrated corner of the New York Comedy scene. Crowds who are “barked in” to a comedy show. No one in the audience is there on purpose. Comedians have to be in the moment and make people laugh. Tom Kelly talks with the man he believes is the“Godfather” of Times Square Comedy, Francisco Aldorando. Cisko gives tips on how to entertain a skeptical audience that doesn't want to be there. He discusses the history of 46th Street Comedy, shares why he may be happier than other stand up comedians and what's next for him now that LOL has closed its doors!

In the past few months, Tom has had a friend mugged on Restaurant Row. Had his car broken into in broad daylight. Seen the mentally ill physically harass the elderly and had a seen a mentally ill man on the subway threaten to shoot everyone in the car. But that's not what has shifted Tom's love of New York City. While he's not quite saying “New York is dead”, Tom is saying the romance may be gone. He's been “Quiet Quitting” NYC. He's reading to switch to an “open relationship” and start seeing other cities. Hear about the moment that took the wind out of Tom's love for New York. It's not quite what you'd think!

Learn more at TheCityLife.org --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

Mentioned in Episode:San Marcos Creek ProjectNorth CityCity of San Marcos   If you enjoyed this episode, would you consider leaving a short review on Apple Podcasts? It takes less than 60 seconds and helps to make a difference in getting important news out to our community. ADVERTISE WITH USInterested in advertising your business on the podcast? Email Rick at rick@sanmarcoschamber.com.GET THE LATEST NEWSSign up for the San Marcos Chamber's Business newsletterDiscover the benefits of membership with the Chamber: sanmarcoschamber.com CONNECT WITH USInstagram: instagram.com/SanMarcosChamberFacebook: facebook.com/sanmarcoschamberYouTube: youtube.com/sanmarcoschamberTwitter: twitter.com/SMChamberCALinkedIn: linkedin.com/company/san-marcos-chamber-of-commerce

One of Downtown Ithaca's longstanding fixtures, Mahogany Grill, will close this winter as its owners work “to create a new concept” in the space. The restaurant's final day in its current form will be December 24th. We didn't get that warning for Smok'n Bones BBQ in Burdett. https://www.14850.com/113028941-mahogany-grill-refresh/ Subscribe to the 14850 Dining Podcast in Apple Podcasts or Google Podcasts, YouTube, RadioPublic, Spotify, Audible, or RSS Feed, or follow 14850 Dining on Facebook, Instagram, and Twitter or sign up for our newsletter.

Rosie O'Donnell is a beloved comedian, celebrated actress, and talk show legend. Despite all these professional accolades, it is perhaps her generosity of spirit, her tireless advocacy on behalf of children and families, and her heartfelt commitment to the health of the American theater that most definitively define her impact on popular culture.Born in Commack, New York on March 21, 1962, Rosie O'Donnell embarked on a career as a standup comedian right out of high school, and in short order found herself enjoying a five show winning streak on the iconic television series, “Star Search” Shortly thereafter, she scored additional major appearances on television, including a regular role as Maggie O'Brien on NBC's popular sitcom, “Gimme a Break” and a high profile run as a VH1 VJIn 1992, Rosie was cast alongside Tom Hanks, Madonna, and Geena Davis in the smash hit “A League of Their Own.” She went on to further success on the big screen, starring in twelve films between 1992 and 1996, including 1993's “Sleepless in Seattle,” 1995's “Now and Then,”and 1996's “Beautiful Girls.”Her most monumental break came by accepting NBC's offer to host a variety daytime television show, “The Rosie O'Donnell Show” in 1996. Rosie's innate love of all things show business and her easy rapport with the celebrities she had grown up idolizing translated into a unique and hugely popular TV phenomenon. “The Rosie O'Donnell Show” ran for six seasons and went on to win a variety of Emmy awards, leaving a memorable mark on American television before ending production in 2002.In the past 20 years, Rosie's dedication to her artistic endeavors and charitable interests have continued unabated. She has been a regular fixture on television, on Broadway, and, in recent years, has gotten rave reviews for her powerful performances in Showtime's “SMILF” and HBO's “I Know This Much is True.” She can currently be seen in the Showtime original series, “American Gigolo.”-bio adapted and edited from Rosie.com

What is up NCSD! Today we debate whether glamping is camping and the short answer is kinda. Cassidy went to a Giants/Padres game (notice who he puts first). There are some new spots coming to Encinitas, Restaurant Row in San Marcos may be something new, and Port Brewing just rebranded. Enjoy! Check out our YouTube Channel: North County San Diego with Chris and Cassidy Cassidy - @cassidylewisre Chris - @i.am.chris.erickson Email - hello@northcountyca.com northcountyca.com Please subscribe and leave us a review. We love ya!

This week, we're taking a first look at the new Revelry Yards in Downtown Ithaca. Restaurant Row's latest eatery is microbrewery and gastropub at the same time, and it's off to a fine start with creative food and delicious drinks. https://www.14850.com/080227015-revelry-yards-ithaca/ Subscribe to the 14850 Dining Podcast in Apple Podcasts or Google Podcasts, YouTube, RadioPublic, Spotify, Audible, or RSS Feed, or follow 14850 Dining on Facebook, Instagram, and Twitter or sign up for our newsletter.

Danny Burstein is a seven- time Tony Award nominee for The Drowsy Chaperone, South Pacific, Follies, Golden Boy, Cabaret, and Fiddler on the Roof, who won a Best Supporting Actor in a Musical Tony in 2021 for his performance as Harold Zidler in the stage adaptation of Moulin Rouge! He has also won two Drama Desk Awards, four Outer Critics Circle Awards, and received three Grammy Award nominations. His other Broadway credits include The Seagull, Saint Joan, and Women on the Verge of a Nervous Breakdown. On television, Burstein appeared as different characters in six episodes of the original NBC drama series Law & Order and recurred as Lolly Steinman on the HBO series Boardwalk Empire. Other TV appearances include: Fosse/Verdon, The Good Fight, Evil, and Winning Time: The Rise of the Lakers Dynasty. Film roles include: Transamerica, Deception, The Family Fang, Nor'Easter, Blackhat, and Indignation. (Revised bio courtesy of BroadwayWorld.com)

Written, Directed and Performed by Sophia Mohammad and Kay Kron Produced by Shawn Pfautsch “Se Kainouria Varka Bika (I Got a New Boat)”, traditional Greek; performed and arranged by Jake Selah Artemis, who has been stuck in the Elysian Field for eternity, finally meets 9-year-old Sophia who has offered to show her around the West Loop. The only issue is that Artemis, impressed by the grandeur of the West Loop, keeps on confusing the West Loop with the Wondrous City of Olympus. Together Sophia and the Greek Goddess Artemis explore the wonders of the West Loop. Join them as Sophia takes Artemis to the Greek Town, Mary Bartelme Park, Skinner Park, Chicago Children's Theater, WNDR Museum, West Loop Public Library, Restaurant Row, and the Time Out Market. An audio walking tour of the West Loop. To learn more and view the walking map, visit https://chicagochildrenstheatre.org/event/you-say-olympus-i-say-west-loop/

Jesse Tyler Ferguson made his Broadway debut at the age of 21 as Chip in George C. Wolfe's revival of On The Town, and later went on to originate the role of Leaf Coneybear in Second Stage's Tony Award®-winning Broadway musical, The 25th Annual Putnam County Spelling Bee (Drama Desk Award, "Outstanding Ensemble Performance"). In 2017, he won the Drama Desk Award for Best Solo Performance for his 40-character turn in the Broadway production of Fully Committed. He has worked extensively with The New York Public Theatre's Shakespeare in the Park in such notable productions as The Merchant of Venice, The Tempest, The Winter's Tale, A Midsummer Night's Dream and The Comedy of Errors where he performed alongside Al Pacino, Sam Waterston, Jesse L. Martin, Martha Plimpton, Hamish Linklater and Lily Rabe. Other theatre credits include Sir Robin in Spamalot and Leo Bloom in The Producers, both at The Hollywood Bowl. He is a five-time Emmy nominee for his role as Mitchell Pritchett on the long-running, Award-winning ABC comedy Modern Family. A longstanding advocate for marriage equality, Ferguson co-founded Tie The Knot (now PRONOUN) in 2012 with his husband, Justin Mikita, where they design limited edition bow ties and clothing, with all the proceeds going to various organizations that fight for LGBTQ equality around the world.

Coming to North Aurora Street, aka Restaurant Row in Downtown Ithaca, this spring is Revelry, a new restaurant and brewpub that will feature freshly renovated indoor dining, an expansive outdoor patio in back with its own bar, and a microbrewery on the second floor. Developed by Kevin Sullivan and Chef Matt Cleveland from Luna Inspired Street Food, and with Chef Andre Jacquet lined up to run the kitchen, Revelry takes over the former spot of the Ithaca Ale House, between the downtown location of Luna and Red's Place. https://www.14850.com/031624617-revelry-ithaca-2203/ Subscribe to the 14850 Dining Podcast in Apple Podcasts or Google Podcasts, RadioPublic, Spotify, Audible, or RSS Feed, or follow 14850 Dining on Facebook, Instagram, and Twitter or sign up for our newsletter.

We're so fortunate to have dozens of terrific eateries throughout Belmar, and we hope you will explore our many options, from delicious take-out to fine dining from award-winning chefs. You'll see a few of them right here in our own Restaurant Row, where residents and visitors alike dine inside and out. For a full listing of restaurants, with a variety of cuisines to suit any palate, don't forget to visit our website at www.Belmar.com or follow us on social media, where we regularly feature our fine businesses.

Donna McKechnie received the Tony Award for her performance in A Chorus Line. Other Broadway shows include How To Succeed...,The Education of Hyman Kaplan, Sondheim-A Musical Tribute,(which she also choreographed) On The Town, Promises, Promises, Company, and State Fair, for which she received the Fred Astaire Award. She has starred in numerous productions in London's West End as well as Paris and Tokyo. Donna has also guest starred extensively with Symphony Orchestras throughout the country, as well as on television and in film. Ms. McKechnie's memoir, TIMESTEPS- My Musical Comedy Life, was published by Simon and Schuster. For more information check out: www.donnamckechnie.com

Do you consult your inner child when making career decisions? Maybe you should! Anne & Pilar kick off the Boss Voces series at the beginning. They dive into Pilar's journey from young girl singing + mimicking to finance assistant to Colombian telenovela star… Transcript >> It's time to take your business to the next level, the BOSS level! These are the premiere Business Owner Strategies and Successes being utilized by the industry's top talent today. Rock your business like a BOSS, a VO BOSS! Now let's welcome your host, Anne Ganguzza. Anne: Hey everyone. Welcome to the VO BOSS podcast. I'm your host, Anne Ganguzza. And today I am honored to bring you special guest cohost Pilar Uribe. Pilar is a bilingual voice actor, telenova star, and radio personality. Born and raised in New York city. She broken this show business with roles from Ugly Betty, Poor Pablo, Eternally Manuela, and El Cartel, filmed in Colombia and Miami. She recorded and produced for WLRN Miami South Florida, and now lives in LA where she records voiceover for television, radio, and films, and last, but certainly not least, she has booth kitties, which are so very important. Yay! Pilar, it's a pleasure having you here today. Thank you so much for joining me. Pilar: I am so glad to be here, Anne. This is a real treat. Thank you. Anne: So, first of all, the booth kitty, I have to know, booth kitties, booth kitty? Pilar: Booth kitty. Anne: Booth kitty. Pilar: Booth kitty. Yes. His name is Paco, Anne: Paco. Pilar: Well, his full name is Paco Del Barrio. Anne: Oh. Pilar: Paco Del Barrio, yes. Anne: Oh, Paco. Now, is Paco in the studio with you right now? Pilar: No, he's not. I know he's outside, and he's sitting on top of the desk where I edit looking like, like, how dare you close that door? Anne: How dare you not pay attention to me? Pilar: Exactly. I need a window for the door. Anne: As you know, we now both have booth kitties and that is a major plus for, I think, productivity in the booth to have booth kitties. They really help you in your daily -- Pilar: Absolutely. Anne: -- your daily booth recordings. Pilar: Yeah, they're very, yes, they're very, they're very observant, and they're very, how can I say this? Anne: They direct well. Pilar: They teach you, they teach you a lot about you as a voice actor. Anne: I agree. Pilar: We'll get into that. Anne: I agree. I think that could be an episode actually, how our pets help us learn about ourselves. For sure. For sure. Pilar: Exactly. Anne: So you're not even like a triple threat. You're like a quadruple, like, you're like multiple, multiple threats, TV, radio, voiceover. Tell us about how you started in the business? Because I think you've got a wonderful story to tell, and we can all learn a lot about how you evolved into your voiceover career. Pilar: Okay. So how much time do you get? Anne: Well, this first episode is about only 25 minutes. So. Pilar: Okay, I'll be quick. Now, I was born and bred in New York. Both my parents are from Colombia, a little town called Ibagué. And, um, I spoke Spanish until I was five. When I went to grade school, high school, I was in all the plays. I played the angel. I, you know, I did all kinds of things, singing groups. I was in the choir. I was in -- Anne: Me too. Pilar: Yeah. Right. You know, you do it all. Anne: Choir thing and you know, that creative. stuff. Pilar: Exactly. Exactly. I went to a girls school, and so we were in this choir, and I was just in this thing called Triple Trio. And we would go to, we would go to boys schools. We would go to boarding schools and sing there and have crushes on all the boys. Anne: Of course. Pilar: So in college I majored in theater and kept studying voice and did musical theater and just all kinds of things. Anne: But not necessarily voiceover, right? You're thinking -- Pilar: No, no, it was all, it was all musical theater or -- Anne: Musical theater. Pilar: Yeah. Anne: Because you sing too. That was the other threat. 'Cause I actually happened upon one of your social media posts the other day. And you were singing. So. Pilar: Yes, I'm really into like the -- so that's the thing. I was kind of born and raised on singing a capella because I would sing with my sister. We had a little duet going, and she would play with the guitar. Sometimes we would play the guitar and sometimes we would just do two voices. So there's this great app called acapella. And I loved just dubbed myself over and over again into like four part harmony. It's so much fun. So in college, I kept singing. I kept with these groups, and I majored in theater, came back to New York. And of course it's a different story now, you know, once you're looking for a job, and I thought, well, okay, I'll, I'll go the corporate route. And I worked for Harper's Bazaar -- Anne: Oh wow. Pilar: for -- yeah. For two and a half years. And I, I totally lived the Devil Wears Prada life. Anne: I was gonna say! Pilar: Oh yeah, all that stuff is true. Anne: In New York too. Pilar: In New York. So I, I was an assistant to an editor, and it was like, oh, what an experience that was. Anne: I can imagine. Pilar: Yes. Yeah. That that's a whole other, that's a whole other story. Then I went to, I moved to Nine West and I started working to helping in design shoes. And all throughout this time, I was taking acting classes because I thought, let me just keep that muscle going. Even though it just, it seemed so far away at the time. And I got laid off. I was the last hired, first fired. There was a whole financial shakeup, and I thought, okay, this is the time to start working on my acting. So I got my headshot and resume together, and I started going out on auditions. And in the meantime I got married. Anne: That's a lot happening. Seems like a lot happening -- Pilar: Yes. And I cleared my throat. Anne: -- short period of time. Pilar: Yes, absolutely. And I cleared my throat because that was a whole experience in itself. So I did theater. I actually, I did "A Chorus Line," and I was probably the only person -- I played Diana Morales, who was the Hispanic character. And she was the one who said, "and I felt nothing, simply nothing." It's such a great song. I love that song. Anne: Lovely. Pilar: I was the only one who could not do a double pirouette, but I got away with it. That's like a requirement for "A Chorus Line," but I could not do a double pirouette to save my life. And if you try doing it, you will fall over. I can tell you right now because I can't, I just, every time I've tried it, I just fall over. I think I did it once in my life, but that's it. So I did a couple of films. I did student films, and I did extra work on "One Life to Live" and "All My Children," and I think there was one called "Passions." Anne: Wow. Pilar: And so that I had so much fun because of course I used to watch those shows, and I used to watch "General Hospital" actually in college. Anne: Oh, of course. Who didn't? Pilar: Remember -- yeah, like, what was it the, uh, the, yeah, there were these scenes, which we can't even say on the air. Anne: I just read something about Luke, that they finally wrote him off. Pilar: Yes, yes, yes! The Luke and Laura scene. Do you remember the Luke and Laura scene? Anne: Yes. Of course, of course. Pilar: Everybody talked about that. Anne: There has to be a moment in time. Like that is, that is ingrained into like the moment in time, uh, television history. And is this what brought you in -- the telenova star? So is that leading us to that place or? Pilar: Yes, yes. Anne: Okay. Pilar: Absolutely. It is. I do have a point and I will -- Anne: No, no, I totally get it. Pilar: So I started seeing in New York that, you know, everybody was hustling, like I was, and I was doing extra work on like a film with Michael J. Fox. And I got to touch Arnold Schwarzenegger's jacket, but I was always, you know, background extra. And I thought, wouldn't it be great to work in a job that is kind of a 9 to 5? And I realized television is that. So I had that dream, and that's why I did the extra work, because I, you know, I wanted to see what was going on in those soap operas. So I separated, and I thought, okay, I'm done. I'm going to go to take a little vacation and go to where my extended family lives, in Colombia, in Ibagué. And I go, and I stay with my cousin, and the third night I'm there, we decide to go to a fortune teller, and fortune tellers are big in Colombia. And I've, I just, I love them. Like they're just so much fun. So I go to this fortune teller, and she reads the way I smoke a cigarette of all things. So she's looking at my ashes as I'm smoking a cigarette, she gives me a cigarette, I start smoking it. And she says to me, pack your bags, get ready because you're going to be really famous. Anne: Ooh. Pilar: And I was like, what? Anne: Who doesn't like to hear that? Pilar: I just, I, but I was so, you know, I was so like, you know, I was so -- I was depressed, and I was going through the whole divorce proceedings. I had been working for Morgan Stanley as an assistant. And, you know, that was just the, the world of finance. I didn't even understand -- Anne: Oh, from fashion to finance. Pilar: Yes, exactly. And then she says this to me, and I'm like, oh, maybe I'm going to be a shoe designer. Maybe I'm going to be the next, you know, Manolo Blahnik. And I was like, I can't, I couldn't imagine that one at all. So my cousin and I, we left and we just laughed it off. So I, I, so I stayed a couple of months, a couple of extra months, and I thought, well, maybe I could live in Colombia. So I go back to New York after three months, and I'm, I get my reel together. And I met a party at my parents' house, and there's this really good friend of my mother's. And she says to me, have you read the book, The Celestine Prophecy? It's by James Redfield. And I was like, no. So I read it. And it was a game changer for me. That's all I can say. It, it just completely changed my perspective. And I started thinking, well, maybe I could do this. Maybe I could work in television. And I had a very good friend of mine who was my vocal coach. And he kind of turned into my mentor, and he started telling me, he said, you know what? I want you to start visualizing what it would be like to stand in front of the camera. I want you to see what it would feel like, what the lights would feel like on you, what it would sound like, the people walking around you, how it would taste if like you were drinking something on set, what it would smell like, and what you would hear and what you, you know, all the five senses and really do like a little meditation about it. And I wasn't into meditation back then at all. But The Celestine Prophecy talks about that a little bit, a lot, actually. So I have my reel, I speak to a couple of networks. I write letters and there are two that are interested, and one of them says, okay, great. We are interested. We want to see you. So I packed my bags, and I pay for my ticket, and I go down to Colombia. Anne: So when you say you wrote the networks, okay. So that's a very broad description. So what specifically? 'Cause that's like, you're marketing yourself. I mean, you've been marketing yourself I feel since you were out of the womb. Right? So in reality, you're sending letters and what are you saying in those letters? Hey, I'd like to meet you? I have acting experience? Pilar: Yes. Anne: I'd like to meet you? Pilar: Exactly. Exactly. Actually you just said, I didn't even realize that, you just turned the button on for me. Anne: Yeah. Pilar: So I was constantly doing that without even realizing. Anne: Without knowing. Pilar: Yeah, because what I had was, it was just a letter with my real back then. It was VHS. Okay? Anne: Yup. Pilar: So I'm really dating myself, you know, saying I have this experience, I have this training, and I'd really like to do TV. And one of the things I learned a long time ago was you can talk about your strengths. There's no need to lie, but you don't have to say, I don't know how to do this. Anne: Sure. Pilar: You can say, I'm very eager to learn. I'm very eager to get into the business because I realized as I was going down there that yes, I had worked in television as an extra. I had worked in film by then. And so I understood how the camera worked. 'Cause it was -- we worked on an entire summer, over a period of weekends on a feature film. So I knew how it worked, but television is very different from film because it's like, boom, boom, boom, here's this scene, set it up, do the scene. And then you've got a whole bunch of other things to do. So it's a lot busier than film. So I didn't, you know, long shots, you know, close-ups, I was still very much of a newbie. So I basically just concentrated on what my skills were. And these two people, they kind of said, yes, you know, one of them said, there's a possible role for you. And the other one was like, okay, well we'll meet you when you come down here. 'Cause I realized I had to go down there. Like they weren't going to sit there and say -- Anne: Sure. Pilar: -- oh yeah, we'll hire you. So that's why I, I made the decision. I packed my bags, and I go. So I get to Colombia and I'm staying with a friend in Bogotá now. 'Cause now I'm staying in the capital. Before I had been staying in Ibagué where my family is from, and I call up the producer and uh, I make an appointment and I get there and I'm like, I'm, I'm really excited. And I'm like, okay, this is it. This is the start of something big. And I get there and she said, that show has been scrapped. And she points to her, this shelf and all the episodes are there. And she's like, that's been scrapped. They're writing a new show. You're going to have to audition for it. And there's nothing, you know, I don't, I don't have anything for you. Anne: Yeah. Pilar: So I'm like, oh my God. So what do I do? I start envisioning what my life is going to be like. So I start making like a little list. Okay. I need an apartment. I need a job. That's my most important thing. I need an apartment and I need a car. So the first thing I would do is that I would call her on a weekly basis, this producer, and I would say, hi, how are you? How's it going? And she knew immediately why I was calling. She like, I don't have anything for you. So I was like, okay, great. That's done. Then I started going out and looking at apartments in Bogotá of where I wanted to live. I mapped out, I walked around a lot. I, you know, I was, this was basically, I was friends were taking mirrors, going in taxis or I was walking, and I found an area that I wanted to live in. And so everybody posted their little -- they did newspapers, but they, you know, they would post it up on the window, and I would look and I would take a look, and I finally found one and I was like, oh my gosh, this is really great. Did the same thing with cars. I went to the car dealerships. I looked at all these cars, and I found the car that I wanted, and I keep calling this woman. And so once a week, and then one day she called me. Anne: Here's the thing. You must've had a good relationship with her if you actually spoke to her, right? Pilar: Yes, yes. Anne: Usually producers, if they're very busy, that somebody else is either taking their calls for them or screening their calls. So if you were actually able to talk to her, you must have had a great relationship, which I think that's a key factor. Pilar: We developed it. It wasn't something that just started out that way. I mean, I always went through her secretary first. Yeah. So it wasn't like -- this was something that developed on a regular basis, but I wasn't like stalking her -- Anne: Right. Pilar: -- or being obnoxious about it. Anne: Right, right, right. Pilar: I was just saying, hey, I just wanted to see. And because I was, you know, this was the lead -- Anne: Keeping top of mind. Pilar: Exactly. Anne: See how I'm -- we're transforming all of this into the current day marketing. Pilar: I love it. I love it. This is awesome. Anne: This is also staying top of mind with the producer. There you go. Pilar: Exactly. Top of mind. So she calls me and she says, I have something for you. And I'm like, oh my God, this is it. This is it. I get to the studio. It turns out it's one episode of a children's show. Anne: Okay. Pilar: And I'm like, oh my gosh, I can't live on this. Anne: Yeah. Pilar: What are you going to do? And I talked to the director, that director, and I kind of, we just started talking, and you know, she knew who I was and she said, oh no, no, no, no, no. You're still being considered for this new show. Don't worry about it because I actually -- just going back a little bit -- I had auditioned for the new show. So, so, okay. So she called me up and she said, I want you to audition for the show. I auditioned for the show. And then she calls me. She said, I have this for you. And it was a children's show. So I was like, oh no, what am I going to do? And she said, no, no, no, no. You're still -- the director for the children's show said, no, you're still being considered. Because this was much smaller than what it is today. You know, in the very first time I went and I auditioned, it was very different from the way I auditioned in New York. So, you know, in New York you get given sides and now you memorize it, but you, you're allowed to have it in your hand. And back there, you, you know, you definitely had to memorize the whole thing. And I was panicked and this guy helped me and it was great. A couple of other weeks go by. And then they call me in for a second audition and that's with the director. He was very stern. And I was really nervous. A couple of weeks later, she called me, and she said, you got the job. So all this work that I had been doing, I, you know, I'm shortening it. I had been looking for the apartment. I'd been -- Anne: You'd been having a vision and meditating -- Pilar: Exactly. Anne: And manifesting. Pilar: Exactly. So once I had all that ready to go, when the call came, and this is over a period of three months that this happened, I was like, okay, great. Now it's time. I can get the car, and I can get the apartment. I can rent the apartment out because now I, now I have somewhere to go because I have a job. Anne: Sure. Pilar: And so actually it was really funny. The head of the network called me, and I, I -- it's kind of amazing that I think about this now -- he called me and he said, I, I, I have to tell you that -- and he kind of called me apologetically. And he said, you're going to be really -- this character, you're gonna be really ugly, and you're going to be really nasty. Anne: All right. Pilar: So I was like, please, you know bring it on. Right? So we start filming, and it's a whole new experience. So I have to start from the beginning again, and I'm learning camera angles, and I'm learning how the business works. And the show comes out and literally, Anne, overnight -- the show comes out like let's say on a Thursday. And the last show that what they did is that they dovetailed the old show, which was one of the most well-known shows in the history of Colombian television. It was called "Café -- Café con Aroma de Mujer." they're redoing it now. And so then ours came in. So we had that huge audience, which had seen the show, and everyone had been glued to the television. And then they saw our show. Anne: Right. Pilar: And I was the first one who spoke on the show. It was really cool. Anne: And you were an ugly, horrible personality, right? Pilar: Exactly. I was just, I snarled, I was a snarler. And so it's kind of like a good luck thing. It's kind of like when somebody says that's a kind of a good luck thing in a film when somebody says the name of the film in a film, it's good luck. And in television, in Colombia, it's like the first person who speaks, that's a good little sign. It's like a good luck charm. So, so I was the first person who spoke, and then literally the next day, I was being recognized -- Anne: Wow, that's great. Pilar: -- on the street. Anne: That's fantastic. Pilar: It was the weirdest thing. And so I was like, oh my gosh, what that lady said was true, that fortune teller. Anne: Right? Pilar: A year before practically it came out. Yeah. It was over a year that she had said that. And I thought, this is so interesting. So basically I manifested my way into this job. Anne: Well, I love that. I think there's a lot to be said. I mean, I, it's a new year, you know, and, and I talk all about how being grateful and then really writing down and thinking and manifesting and about what your goals are. I really believe that it comes true. You actually incorporate the steps to make it true. And interestingly enough, notice how I kept noticing all the marketing things that you were doing, which you weren't even realizing at the time. You were developing a relationship. Right? You were keeping top of mind. You were setting goals in place so that you could achieve them to get where you needed to be. So, congratulations. I mean, that's, that's a great story. Pilar: Anne, where were you, where were you in my life? I wish I could have called you out, like brought you back from the future in. My life would be like, you know, but yeah, exactly. So I started working, and I basically did this over and over and over again -- Anne: Yeah. Pilar: -- because in Colombia, telenovelas only last a year. Anne: Oh, that's what I was just going to ask. How long did the show go on, a year? Pilar: Yep. So yeah, because it was actually a little bit more. We do, we did a lot of episodes. Anne: Is it a daily? Like a -- Pilar: Yeah, yeah. Anne: Okay. Daily for a year? Pilar: So it's a daily, but it's not because it's actually prime time. 'Cause it always came out in prompt time. So they're, they're not exactly soap operas. They're, they're like prime time soap, operas. Let's put it that way. That's what they call them. And really they're more like series. Anne: Yeah. Pilar: Because they're not, they have a beginning, middle, and an end. Anne: Got it. Pilar: They don't last for 20 years like they do here -- Anne: Yeah. Pilar: -- or 30 years. So, you know, there's a story. So, you know, it's like a poor girl meets rich guy. Then he does something to her, and then she makes it on her own. And then she's great. And then they live happily ever after, or there's a tragedy, you know, and so, you know, all kinds of different stories. And I got to play all kinds of different characters. I became known as the bad girl because I was one of many bad girls on that first show with, "Eternamente Manuela," and then I became this super duper evil person. And it's so funny because on Instagram -- Anne: On that show or on other shows? Pilar: No, on that show. Anne: Okay. Pilar: That's what really established me as the resident bad girl. They showed "Eternamente Manuela" after many years. And there're all these people on Instagram who were like, oh my gosh, that was you. You were such a bad girl. And they're constantly giving me snippets and stuff that I didn't see. It's so funny. 'Cause like when you're working, you don't have time to watch your own show. You just don't. That's one of the things that -- so I never saw the show, that the entire show. Anne: You have archives that you can post, or is it mostly your fans that are posting -- Pilar: It's a little bit of both. I have some that I post, but most of the time, they show me things, and I'm like, oh my gosh. And I remember filming it, but I don't remember, you know? So it's really fun. It's really great to like kind of like walk down memory lane. I was doing that a lot this past year. Anne: Yeah. That would make sense that you would be, if it's like a daily thing, and you're in and you're just working all the time, it would make sense that you don't always get to watch. It's like, interestingly enough, the VO BOSS podcast only has weekly episodes, but I don't always get a chance to listen to them after we produce them. So every once in a while, when I get a free moment in my car, I'll listen, and I'll be like, oh, okay. And it brings the memories back. Well, that's a pretty decent episode. Pilar: Yeah, exactly. And then you can look back and go, oh yeah. Right. That's interesting. Oh goodness. Anne: When we're in the middle of the manifestation, we're in the middle of the execution, right, you just have to give it up to faith that we're doing a good job and that our listeners and fans are drinking it all in and liking it. And if it were anything, otherwise they would let us know. So. Pilar: Exactly. Anne: Yep. Pilar: Exactly. Barrel along. Anne: All right. So you are a star, a telanova star. And are you doing any other, are you doing any other shows at this point, other than your daily series? Pilar: Well, I did the first show, then I go and I do a second show. And then my second show, I'm playing a gringa. So "hablo así, hablo muy trabada así, con un acento así." And I just, I had a ball. I dyed my hair blonde. I was a blonde. Anne: Wow. Pilar: I was a blonde, Anne. Anne: Wow! Pilar: Oh my gosh. Blondes do have more fun. I'm here to tell you blondes do have more fun. I had so much fun doing that show, and I did so much improvisation on that show. It was amazing. 'Cause I had the latitude. I would sing because I played this housewife who's being cuckolded by her husband who fell -- who falls in love with the lead. So I sit there and I sing away, and I start singing away in English. And it was so much fun to improv on that show because I could do it. And they would let me, 'cause I was playing an American who spoke Spanish. At the same time -- that was a nightly show -- at the same time, I was doing a series, which was an hour weekly. I got a wig. I got a wig for the show. And so I was this very -- the other woman, she had -- American with an accent. She had blue nail polish. She was, she was really cool. She was really modern, wore these little mini skirts. The other series, she was a recovering alcoholic. So she was very prim and proper lawyer. She had a little sort of Lulu Brooks brown haired bangs. And there were people who did not know that I was in both shows, and that was so much fun to do. So then I added that to the roster at the same time. Anne: So you're doing all TV at this point. Pilar: All TV, but here's the thing. I'm doing a lot of interviews. Anne: Makes sense. Pilar: The interviews, I love doing live interviews, but the way -- when I would have the most fun was when I was doing live interviews were when I was doing radio. I had so much fun doing radio interviews. So I always asked my agent -- like I really liked doing them because there was just something so much fun about the spoken word. So I, I keep doing these shows, and I, I had a band going where we would do these jazz nights every Friday night at this place. And I added theater. And at one point I was doing two shows and a musical. It was a Colombian musical. And so I was doing everything at once. And then at some point along the lines, I did an animated show. So they asked me to do an animated show. And so that, I got to do like a whole, that was a whole different world for me. And that's when I really kind of -- Anne: Started voiceover maybe. Pilar: Yes, that's when I started voiceover. Thank you. Anne: Yeah. Pilar: And um -- Anne: Sounds like voiceover to me. Pilar: And it, it was so much fun though. 'Cause it was different voices and I got to really play around with it. And since they didn't really know what they wanted, I got to do the voices. I got to give them voices. Anne: So let me ask you a question. Now you're doing an animated show, and you're doing voices. Had you in your acting, your previous acting experience or had you had opportunities to do voices or were you training so that you could create different voices for different characters for acting? Pilar: None whatsoever. Anne: Okay. So these were -- Pilar: No, no. Anne: -- just things that you just brought out to life and -- Pilar: They just asked me to do it. So I did. So they would say, well, let's try this. She's a little bit younger. So I would, I would do a younger voice. And so let's try this person 'cause they're this loud, obnoxious teacher. So I would do this loud, obnoxious teacher. Anne: Had you played around with voices -- Pilar: No. Anne: -- when you were young? Pilar: That's not true. My mother would say absolutely because I used to be -- I was a great mimicker from the time I was a kid. Anne: Got it, got it. Pilar: I had a very good friend of mine's mother was German. So I would speak with the German accent and you know, I hear nothign, I see nothing. Anne: Yeah. Pilar: I would -- I was a great mimic when I was a kid. Anne: You know what's so interesting. I just want to break in a little bit. Pilar: Yeah. Anne: Because I find that where we are in life today, a lot of people that, that kind of tend to follow their heart, follow their dreams end up doing a lot of the same things that they do when they're children. So if you're mimicking, right, when you're a child, like I taught my dolls and I was this teacher for 20 years in front of the classroom. And I do e-learning today. So it's just so interesting that things that I loved when I was a kid, I just brought right through to my, up to my adulthood and to what I bring to my work. So, you mimicking and probably you acted. Did you -- I put on little plays too. Pilar: I can so see you doing that, Anne. I don't know why. I can see you as like a little mini Anne with, with her little glasses -- Anne: As a mini Anne. Pilar: -- just kind of, sort of like a little, like a little chorus and kind of like conducting your dolls. Right? Anne: Yeah. I did. I loved it. I loved it. And I brought it right up. I still do that today. It's so interesting. I think if everybody looks back to their childhood, if they're following their heart or, you know, I always say following my gut. I do both. I do it in my business and in my personal life, I follow my gut, and I really believe that we bring those things from our childhood, and it brings me a lot of joy. I'm pretty sure it brings you joy too. Pilar: I agree. That's so interesting that you bring that up. I really, and truly -- I hadn't, I kind of knew that on an intellectual level, but if I, if I really feel it in my gut, that is absolutely where I get joy -- Anne: Yeah. Pilar: -- was from when I was a kid, and I would do that and I would make other people laugh. I would make my mother laugh all the time, you know? Anne: Yeah. Pilar: Wow. Anne: So then yeah, so now you've transitioned, or not necessarily transitioned, but you've added to your repertoire some animation and voiceover. Pilar: Yes. Anne: Wow. Pilar: Yes. Anne: Without even knowing it. Pilar: It was just, it was, it was there. The opportunity was there, because I lived in a -- Bogotá is a place where everything is together. That's not really the case anymore, but it used to be that Los Angeles where it was where you did film and television, New York was where you did more theater. Anne: Yeah. Pilar: And theater, yes. Theater, was in the 50's, there was more television. And then I don't know why or, or what I mean, and I don't know the history of this, but it just became more of a theater town, and you know, then, you know, slowly but surely, they started doing the studios in Queens, and then more film and television came, and now there's a whole bunch more voiceover. And there always was that, but I feel like LA was the big place for all that stuff. And so Bogotá kind of did -- had everything. So I had a lot more opportunity -- Anne: Interesting. Pilar: -- to, to kind of -- Anne: Broaden. Pilar: Yeah, yeah. Broaden my horizons that way. So I basically just went from show to show to show. I never really stopped. There was one show that I did. It was the last show that I got to play a bolero and ranchera singer. I was hired on the basis of, I actually did a, uh -- back in, I was on a, this thing called Restaurant Row in New York, Cabaret Row. It's called, Don't Tell Mama. And I did this show called, um, I can't remember what it was. It was, it was a revue. And I played this character called Nora the Dominatrix. There was this one song that I had to sing. And it was "you ache for the touch of my lips dear, but much more for the touch of my whips, dear. I can raise welts. Like nobody else, as we dance to the domination tango." Anne: Love it. Pilar: So it was, it was so hysterical. And I was, I was all decked out in this whole dominatrix costume. And that was a whole, I actually, to get the costume, when I lived in New York, I went to Patricia Field, which back then, which was on 8th Street. And I walked in and I had to look for like, like I was looking for, I didn't know what I was really looking for. And this one, beautiful, beautiful, tall transvestite comes and says, can I help you, dear? And she had this long blonde hair. And so I'm like, I have no idea what I'm looking for, 'cause I don't know what a dominatrix looks like. I'm supposed to dress like a dominatrix. So there's this woman and she's kind of mousy. She's got a long raincoat on, and she's looking around and the salesperson's helping me. And then she comes up to me and she says, what are you looking for? And I said, well, I don't really know what a dominatrix looks like. She said, I'm a dominatrix. And I look at her and I'm like, oh, and I'm like, do you mind if I get my pen and paper out? She starts telling me what a dominatrix does. She gave me all this information. So I get the outfit and, you know, dog collar, little short shorts, you know, the whole thing, the fishnet stock and a whip. Anne: Yup, yup. Pilar: So for the audition that I did for the, back to what we're talking about, for this show, I wore that whole costume, and they were like, you got the job. Anne: Yep. Pilar: So -- Anne: You walked in, you got it. Pilar: Exactly. And I'm wearing like a little, a little blonde wig. So I had to sing when it was my turn to sing and I don't know why this is, but it was, it was really kind of a unique situation. It was my responsibility. So I would hire these guys, which of course the network paid for. But I, I would hire these -- a mariachi band, and they would come to the studio, and we would sing this song or wherever. And then I would learn the song for that week. And so it was like a little performance. So it was like, I was doing like a little play within the show, and it was such a great experience because I didn't have much time. So I had to -- it was like learning copy. Anne: Sure. Pilar: It's like, I had to, I had to learn the song quickly and have it as if I -- Anne: And deliver. Pilar: And deliver. So it was like, it was all of what I'm describing was just great practice for what I do today. Anne: So now do you come back to New York after a certain amount of time? Or how long are you down in Colombia? Pilar: Nine years. Anne: Okay. Pilar: I'm in, I'm in Colombia for nine years. And so I do all these different things, and my father passed away in '99, and that's when I realized kind of wanted to be near my mother and my sister. But I'm thinking, I don't know if I want to go back to New York. I'd like to try something different. And I thought, well, and I'd always been in love with Miami, because it was so beautiful -- Anne: Yup. Pilar: -- and just like, Ugh. So I wanted to go to LA, but I was too scared. I was like, it's just too big. It's just, there's just too much. I thought, let me try Miami. It's another market. Let me see what it's like. Anne: All right. Pilar: So I get to Miami, I have cousins there and I, I live with them, and I'm like, well, you know, I've been a telenovella actress for the past nine years. I've got all this body of work. I'm set, and I get there, and I don't get one job for a year. And I'm like, oh my gosh, I'm starting again. Anne: And here starts your life in Miami. Pilar: Yeah. Anne: And actually this is a good segue for part two. Part two. So yeah. So we're going to be continuing the story, which is a very interesting story, because I can draw so many parallels to see how you've evolved, how you've grown, and it really draws so many parallels to the voiceover industry and how you can grow as an artist anywhere really, whether you're doing voiceover acting, in television, theater on the stage; it really is such a wonderful, I guess, reveal, Pilar, of your career and how we can, we can learn from that. So I'd like to give a great, big shout out right now to our sponsor, ipDTL. You too can connect and network like a BOSS. You can find out more at ipdtl.com. Pilar, I cannot wait for our next episode to continue the conversation. So thank you so much for being with me today. And we will come back for part two in the next episode. Take care, BOSSes. Bye! Pilar: Thank you, Anne. This was a pleasure. >> Join us next week for another edition of VO BOSS with your host Anne Ganguzza. And take your business to the next level. Sign up for our mailing list at voboss.com and receive exclusive content, industry revolutionizing tips and strategies, and new ways to rock your business like a BOSS. Redistribution with permission. Coast to coast connectivity via ipDTL.

Steve and Dusty welcome Italian artist, actor and producer Antonio Del Prete to the podcast to discuss his appearance on the King of Queens as the waiter in Season 2, Episode 23 titled Restaurant Row.  Carrie gets angry at a waiter and the manager at a recently found favorite restaurant of Doug's. So Carrie bans him from ever going there again.  Unfortunately, Jenna was not feeling well, so she couldn't make it.  But we had a lot of fun talking with Antonio.  He is a great actor and a great person.  Enjoy!

The Ghost of Christmas Past visited us this time around! Take a trip down memory lane as we chit-chat with the staff about some of our favorite memories in the restaurant. We also wanted to share this episode as a tribute to the man who started it all, our boss and inspiration, Joe Allen, who passed away this past February. Yes, it's last year's episode, but it's been a year since we've heard it and it's just as fun now as it was then. Happy Holidays!

New Orleans food writer Ian McNulty on the revival of a neighborhood restaurant row and how it's fared in the pandemic.

New Orleans food writer Ian McNulty on the revival of a neighborhood restaurant row and how it's fared in the pandemic.

For the 248th episode, Jon Busdeker and Brendan O'Connor head to the newly-opened North Italia restaurant on Restaurant Row on Sandlake Road. This week's episode was sponsored by DeWitt Law Firm, Orange County Library System, the Council of 101's Festival of Trees, and Enzian Theater and the topics include Texans punching Universal Studios employees, Scooters getting slower, and Orlando City making it to the playoffs. This episode also features an interview with the organizers behind The Festival of Trees at the Orlando Museum of Art, The Council of 101. Tune in to Bungalower and the Bus every week on 104.1 Real Radio or our podcast to learn all about the top headlines, new restaurants, and best-bet events to attend this week.

Peter Gallagher has delivered critically-acclaimed performances in such films as  Sex, Lies and Videotape, American Beauty (SAG Award), The Player, Short Cuts (Golden Globe), The Idolmaker, While You Were Sleeping, and Center Stage. Selected television credits include: “Grace and Frankie”, “Zoey's Extraordinary Playlist,” “The OC,” “Covert Affairs," “Rescue Me,” and "Californication." Gallagher has worked with some of the industry's most respected directors including Mike Nichols, Robert Altman, Steven Soderbergh, Sam Mendes, Nicholas Hytner, Jonathan Miller and Hal Prince. His Broadway credits include award- winning Broadway productions of Guys and Dolls (receiving a Drama Desk nomination), Long Day's Journey Into Night (with Jack Lemmon, receiving a Tony Award nomination), The Real Thing (Clarence Derwent Award), The Corn Is Green (Theatre World Award), Noises Off, and The Country Girl. -edited from bio posted on broadwayworld.com

In this episode of Where Hawaii Eats, host Anne Lee sits down with Dave “DK” Kodama, owner and operator of DK Restaurants, to enjoy a variety of dishes featured at his different restaurants. She then heads to 3660 On the Rise in Kaimuki with special guest, Stanford Carr, President of Stanford Carr Development LLC, to hear his background and how he got to where he is today. Local boy from Aiea, O'ahu, Dave “DK” Kodama opened his first Sansei Seafood Restaurant & Sushi Bar in Kapalua, Maui. Saying he has “come a long way, baby,” would be the ultimate understatement. DK now owns and operates six restaurants on three islands. In May 2000, Kodama opened his second Sansei at Honolulu's Restaurant Row and in April 2002, the third location of the wildly popular concept was opened in Kīhei, Maui. In September 2004, D.K. took another giant leap when he moved the Restaurant Row Sansei Seafood Restaurant & Sushi Bar to the beautiful Waikīkī Beach Marriott Resort & Spa and added d.k Steak House at the same location. In July 2004 he teamed with Master Sommelier Chuck Furuya to open VINO Italian Tapas & Wine Bar at Restaurant Row. In February 2008, Hawai‘i Islanders got the Sansei they'd been craving at Queen's MarketPlace in beautiful Waikoloa. Like the others, it was an instant hit. For more information on DK Restaurants, visit dkrestaurants.com Stanford Carr is president of Stanford Carr Development, LLC (SCD) where he oversees an extensive portfolio of projects ranging from master-planned communities to resort-style living to affordable housing. Stanford is known for building communities on a foundation of family living, the spirit of the islands and respect for the land. Since 1990, SCD has completed over 6000 homes and is responsible for some of the most recognizable residential communities in Hawaii, including The Hawai'i Kai Peninsula, Kehalani Masterplan Community on Maui, Iwalani, Waikoloa Colony Villas, Wailea Fairway Villas, Keauhou Place, Hawaii's first Mixed Use Transit Oriented Development and many more. Stanford's projects have earned numerous national, western national, and local awards. For more information on Stanford Carr Development, visit stanfordcarr.com

Carrie gets angry at a waiter and the manager at a recently found favorite restaurant of Doug's. So Carrie bans him from ever going there again.

Good morning, evening, or night North County and beyond! How do you take your coffee? What new spots are opening up in the near future (hint...one's called the Co-Lab)? And what events are back this summer in SD? Tune in and enjoy! Check out our YouTube Channel : North County San Diego with Chris and Cassidy (that's the channel name) Cassidy - @cassidylewisre Chris - @i.am.chris.erickson Please subscribe and leave us a review. We love ya!

Jonathan Groff is a two-time Tony Award nominee for his acclaimed performances as Melchior in the hit musical “Spring Awakening,” and as King George III in the iconic smash “Hamilton.” Other stage credits include; the Public Theater's productions of “Hair” and “The Bacchae,” the City Center Encores production of “A New Brain”, the London revival of “Deathtrap” (with Simon Russell Beale), and the Los Angeles premiere of “Red” (with Alfred Molina). Groff starred in the HBO series “Looking,” the Netflix series “Mindhunter,” and provides the voices of Kristoff and Sven in the Disney's animated blockbusters, “Frozen” and “Frozen II.”Cocktails at Table 7- Inside New York's Joe Allen is produced and hosted by Jason Woodruff, Dana Mierlak and Sean Kent, with music by James Rubio and logo and artwork design by Christina D'Angelo. The Producers would like to extend a special thank you to the owners of Joe Allen, Orso and Bar Centrale Restaurants.

This weeks episode is brought to you by Signature Real Estate Group located here in Las Vegas, Nevada. With our hosts Co-Founder of Signature Real Estate Group Brandon Roberts, Corporate Broker, Vandana Bhalla and Branch Manager of Prosperity Lending, Shelly Panzarella. We are bringing you the BEST places to eat while you are visiting Las vegas and /or if you are a Vegas Local!

Peter Khoury is a deputy editor on The New York Times Express Team, which handles breaking news and trending stories. He worked on The Metro Desk at The Times for many years and was the night metro editor for a decade. His nocturnal existence has afforded him ample insight into New York nightlife. A native of Philadelphia who grew up in Washington, D.C., he joined The Times in 1998 after working as a reporter and editor at various newspapers in Maryland and North Carolina.Read Peter's appreciation of Joe in the New York Times...Cocktails at Table 7- Inside New York’s Joe Allen is produced and hosted by Jason Woodruff, Dana Mierlak and Sean Kent, with music by James Rubio and logo and artwork design by Christina D’Angelo. The Producers would like to extend a special thank you to the owners of Joe Allen, Orso and Bar Centrale Restaurants.

Kilty Reidy is currently in Melbourne performing in the Australian premiere of Come From Away after appearing in the U.S. National Tour of the Tony Award-winning hit. He was a member of the original casts of the Broadway musicals The Drowsy Chaperone and In My Life. Off- Broadway productions include Bye Bye Birdie at The City Center Encores!, South Pacific in Concert at Carnegie Hall with Reba McEntire, and Lone Star Love with the Red Clay Ramblers  Selected regional credits include 42nd Street (Bert Barry) opposite Sally Struthers at The Ogunquit Playhouse, A Christmas Story (Jean Shepard) at Capitol Rep, and The Producers (Roger De Bris) opposite Roger Bart and Brad Oscar at Kansas City Starlight Theatre.  He has also appeared on NBC’s The Blacklist in Kelly Reichardt's film Certain Women (2016 Sundance Film Festival) opposite Kristin Stewart. He is a founding member of the Manhattan based theater company B-side Productions, an alumnus of UNC-Chapel Hill (where he was a member of the prestigious all male a cappella group The UNC Clef Hangers) and a proud Actor's Equity Association Member. www.kiltyreidy.com

F. Murray Abraham has amassed 125 film and television credits in his distinguished career and won the Academy Award for Best Actor for his role as Antonio Salieri, in Milos Forman’s film of Amadeus, written by Peter Shaffer.  He has appeared in feature films directed by The Coen Brothers, Sidney Lumet, Brian DePalma, Richard Lester, Jean-Jacques Annaud, Gus Van Sant and Wes Anderson, to name just a few.  He was twice Emmy nominated for his role as Dar Adal on Showtime's Homeland and has given memorable guest performances on dozens of television series, running the gamut from Louie to Law and Order: Criminal Intent. He is also a prolific stage performer, appearing in over a dozen Broadway shows and countless off- Broadway and regional productions. He has made his home in New York since the early 60’s, and has been a devoted Joe Allen regular for over 50 years.Cocktails at Table 7- Inside New York’s Joe Allen is produced and hosted by Jason Woodruff, Dana Mierlak and Sean Kent, with music by James Rubio and logo and artwork design by Christina D’Angelo. The Producers would like to extend a special thank you to the owners of Joe Allen, Orso and Bar Centrale Restaurants.

You know what’s a lot of fun? Christmas podcasts that drop a week after Christmas! For our final episode of 2020, we spend a festive 47 minutes and 34 seconds sharing stories of celebrity goodwill and Joe Allen cheer with a very special lineup of Joe Allen all-stars. Dana even sings, for Christ’s sake! Featuring the fabulous Kimberly Huie (Orso), the splendid Nick Flatto (Joe Allen), the marvelous Erin Sullivan-Wertz (Miss Joe Allen, herself), the peerless Cheryl Orsini (Orso), the incomparable James Rubio (Orso and brilliant composer of our theme song), and the estimable Dame Mary Hattman (Bar Centrale/Joe Allen.) This episode celebrates the kinds of magic moments that make Joe Allen so near and dear to us all. So put on your yuletide finery, get your wassail on, and soak in Jason’s thoroughly delightful Boris Karloff impression-- It's the Cocktails at Table 7: Inside New York’s Joe Allen Christmas Episode!

Chita Rivera is one of the most admired and beloved performers in Broadway history. Starting at the age of 11, she trained as a ballerina at the School of American Ballet and made her Broadway debut six years later in Irving Berlin’s Call Me Madam. In her incomparable seven-plus decade career, she originated roles in numerous Broadway classics including West Side Story, Bye Bye Birdie, Chicago, The Rink, Kiss of the Spider Woman, and The Visit, as well as the autobiographical Chita Rivera: The Dancer’s Life. She has performed to sold out crowds in theaters throughout the United States and frequently graced the London stage recreating some of her most distinguished roles to great acclaim. She has won two Best Actress in a Musical Tony Awards and received a Tony Lifetime Achievement Award in 2018.  She is also the first Hispanic woman to receive a Kennedy Center Honor, and in 2009 was awarded a Presidential Medal of Honor by President Barack Obama. Cocktails at Table 7- Inside New York’s Joe Allen is produced and hosted by Jason Woodruff, Dana Mierlak and Sean Kent, with music by James Rubio and logo and artwork design by Christina D’Angelo. The Producers would like to extend a special thank you to the owners of Joe Allen, Orso and Bar Centrale Restaurants.

John Pankow has been a familiar face to television, film and theater audiences for almost four decades. Although he has been a frequent guest on dozens of hit television series, he is probably best known for his roles on two highly regarded, long running sitcoms- as the loveable Ira Buchman on the iconic Mad About You, and as the ruthless & clueless Merc Lapidus on the Showtime hit, Episodes. He has appeared in numerous films including William Friedkin’s To Live and Die in LA, Oliver Stone’s Talk Radio, and the George Romero directed cult classic, Monkey Shines. His extensive credits on the New York stage include the title role in Amadeus, The Iceman Cometh with Jason Robards, The Tempest with Patrick Stewart and Bill Irwin, the acclaimed Roundabout revival of Twelve Angry Men, and, most recently, Kiss Me, Kate with Kelli O’ Hara and Will Chase.  Cocktails at Table 7- Inside New York’s Joe Allen is produced and hosted by Jason Woodruff, Dana Mierlak and Sean Kent, with music by James Rubio and logo and artwork design by Christina D’Angelo. The Producers would like to extend a special thank you to the owners of Joe Allen, Orso and Bar Centrale Restaurants.

John Pankow has been a familiar face to television, film and theater audiences for almost four decades. Although he has been a frequent guest on dozens of hit television series, he is probably best known for his roles on two highly regarded, long running sitcoms-as the loveable Ira Buchman on the iconic Mad About You, and as the ruthless & clueless Merc Lapidus on the Showtime hit, Episodes. He has appeared in numerous films including William Friedkin’s To Live and Die in LA, Oliver Stone’s Talk Radio, and the George Romero directed cult classic, Monkey Shines. His extensive credits on the New York stage include the title role in Amadeus, The Iceman Cometh with Jason Robards, The Tempest with Patrick Stewart and Bill Irwin, the acclaimed Roundabout revival of Twelve Angry Men, and, most recently, Kiss Me, Kate with Kelli O’ Hara and Will Chase.Cocktails at Table 7- Inside New York’s Joe Allen is produced and hosted by Jason Woodruff, Dana Mierlak and Sean Kent, with music by James Rubio and logo and artwork design by Christina D’Angelo. The Producers would like to extend a special thank you to the owners of Joe Allen, Orso and Bar Centrale Restaurants.

To watch Act 3 of "An Evening at Joe's" go to Joe Allen TV London on youtube. Cocktails at Table 7- Inside New York’s Joe Allen is produced and hosted by Jason Woodruff, Dana Mierlak and Sean Kent, with music by James Rubio and logo and artwork design by Christina D’Angelo. The Producers would like to extend a special thank you to the owners of Joe Allen, Orso and Bar Centrale Restaurants.

Marsha Mason is a critically acclaimed actress who made her Broadway debut in Cactus Flower in 1966. She has appeared in over 30 feature films and is a four-time Academy Award nominee for her work in Cinderella Liberty, The Goodbye Girl, Chapter Two and Only When I Laugh. In addition to her film work, Marsha is a veteran of the stage and has been featured in numerous hit television series including Seinfeld, Frasier, The Middle, Madam Secretary, and most recently, Grace and Frankie. Her autobiography, Journal: A Personal Odyssey was published in 2000.Cocktails at Table 7- Inside New York’s Joe Allen is produced and hosted by Jason Woodruff, Dana Mierlak and Sean Kent, with music by James Rubio and logo and artwork design by Christina D’Angelo. The Producers would like to extend a special thank you to the owners of Joe Allen, Orso and Bar Centrale Restaurants.

Josephine Buchan began her career on television, hosting television programs for the  BBC, ITV and Sky. Her love of theater led to her embarking on a career as an independent producer/ director. In addition to her passion for first-class commercial theater, Josephine also seeks to develop the skills of young people, many of whom are struggling in the educational system, within the framework of performing arts. www.josephinebuchan.comCathie Winn became a bit of a cliche when she dropped out of art school and turned to waitressing while deciding what to do with her life.  After a flurry of odd jobs, she landed at Orso in Covent Garden.  In 1992, Cathie became the Head Maitre’d at Joe Allen London, and has been a beloved caretaker of its unique charms for almost 30 years.  Since the restaurant’s temporary closing in March 2020, Cathie has been occupying herself with her old love of painting (now with added allotment of gardening and baking.)  Cathie is married and lives in East London with her hubby and a Jack Russell terrier named Olive. To watch "An Evening at Joe's" go to Joe Allen TV London on youtube. Act 3 drops on November 26th. If you'd like to donate to Save Our West End, click here.Cocktails at Table 7- Inside New York’s Joe Allen is produced and hosted by Jason Woodruff, Dana Mierlak and Sean Kent, with music by James Rubio and logo and artwork design by Christina D’Angelo. The Producers would like to extend a special thank you to the owners of Joe Allen, Orso and Bar Centrale Restaurants. 

Tessa Zugmeyer was born in Colmar, France, to a French father and a mother who is a native Californian. Raised in the States, she moved to NYC after completing a BA in Theater at UCLA, and an MFA in Acting from American Conservatory Theater in San Francisco. A proud member of Actors' Equity, some of her favorite roles include Rosalind in “As You Like It”, the Greek Female Chorus in “How I Learned to Drive”, Agnes in “Dancing at Lughnasa”, and Leona Samish in “The Time of the Cuckoo." Tessa never leaves home without reading material. She composts, wears Birkenstocks in the summer and lives for the Jackson Heights farmer's market.  Although she is not back to work at Orso yet, she hopes to see you there very soon.William “Gip” Clark grew up in Greenwood, MS where he dreamed of being a singer/actor. It was after performing 2 years at Dollywood that he moved to NYC.  He worked sporadically as a performer in NYC on both the popular Spirit Cruise Lines and as an iconic Toy Soldier at the fabled F.A.O. Schwartz toy store.  Gip has been an integral part of the Bar Centrale family for many years and, in addition to his sparkling wit and charm, he makes a spectacular, Robert DeNiro approved Margarita.  Chris Rozanski was born in Troy, Michigan and now proudly resides in Astoria, NY. Chris, along with his sister Ashley, spent his childhood performing in many local community theatre and high school productions. He continued his education by getting his BFA in Musical Theatre Performance from Oakland University. Upon graduation, Chris moved to New York and quickly joined The Actors Equity Association. It was then that he chose to perform under the name, Christopher Persichetti to honor his maternal grandparents. They still get excited when they see "Persichetti" in a program! An accomplished bartender and seven time “Joey Award” winner, when Chris is not performing, you can catch him behind the bar at Joe Allen Restaurant, mixing drinks for Broadway's best. Come on in, talk about theatre, and enjoy a "Rosebud"cocktail. www.christopherpersichetti.comCocktails at Table 7- Inside New York’s Joe Allen is produced and hosted by Jason Woodruff, Dana Mierlak and Sean Kent, with music by James Rubio and logo and artwork design by Christina D’Angelo. The Producers would like to extend a special thank you to the owners of Joe Allen, Orso and Bar Centrale Restaurants. 

Jen Cody is a genuine triple threat who has been a familiar face on the New York stage for the past 25 years. Since 2018, she has been the Second Vice President of Actor’s Equity Association. She made her Broadway debut as Rumpleteazer in “Cats," and has gone on to originate roles in numerous hit musicals, including Andrew Lippa’s “The Wild Party” and the Tony Award winning “Urinetown." Additionally, she has performed at dozens of regional theaters including The Redhouse Performing Arts Center in Syracuse, NY, where her husband, Hunter Foster, is Artistic Director. She has been a regular presence in numerous Broadway Cares/ Equity Fights Aids fundraisers and has enjoyed great success as a voiceover artist, most notably as Charlotte La Bouff in Disney’s “The Princess and the Frog." www.jen-cody.comCocktails at Table 7- Inside New York’s Joe Allen is produced and hosted by Jason Woodruff, Dana Mierlak, and Sean Kent, with music by James Rubio and logo and artwork design by Christina D’Angelo. The Producers would like to extend a special thank you to the owners of Joe Allen, Orso, and Bar Centrale Restaurants.

Jim Caruso is a multi-talented singer, writer, producer, master of ceremonies and longtime staple of the New York Performing Arts community.  As a vocalist, he has performed his acclaimed revues (in collaboration with Billy Stritch, Jane Monheit and Klea Blackhurst) to packed houses around the country.  In addition to curating the “Broadway at Birdland” series at the venerable NYC jazz venue Birdland, he is the host and creator of the long running “Jim Caruso’s Cast Party”, an after-hours, extreme open mic that features, in his own words, “...some of the greatest singers in the Universe; also, other people." In 2009, Jim appeared with the incomparable Liza Minnelli in “Liza’s at the Palace”.  That production won the Tony Award for Best Special Theatrical Event and its original cast recording was nominated for a Grammy.  Jim is the recipient of six MAC Awards, two BackStage Magazine Bistro Awards and a New York Nightlife Award.  You can find all things "Pajama Cast Party" related at www.pajamacastparty.com. or check-out "Pajama Cast Party" on Youtube on the  Cast Party Network.You can make a donation to "Pajama Cast Party"  via Venmo @Jim-Caruso-1 or via PayPal at Carsuo212@aol.com.  For more information about NYCNext go to NYCnext.org.Cocktails at Table 7- Inside New York’s Joe Allen is produced and hosted by Jason Woodruff, Dana Mierlak and Sean Kent, with music by James Rubio.  The producers would like to extend a special thank you to Christina D’Angelo and the owners of Joe Allen, Orso and Bar Centrale Restaurants.

Richard Ridge is the lead correspondent for Broadway World, one of the most popular theatre websites in the world. Richard hosts “Backstage with Richard Ridge," a popular outlet for Broadway stars and legends to chat about their careers. His guests have included Chita Rivera, Lin-Manuel Miranda, and Cherry Jones among numerous other Broadway luminaries. Prior to that, Richard was the host of the groundbreaking “Broadway Beat” for 20 years and his latest venture, the SAG/AFTRA Foundation/ BroadwayWorld “Conversations Q & A Series" celebrates the vibrant theatre community in NYC. Past participants have included Ian McKellen, Patrick Stewart, Harold Prince, Stockard Channing, Nathan Lane, Darren Criss, and Sara Bareilles. Richard made his Broadway debut last season in the groundbreaking musical THE PROM. Here's Richard's page at Broadway World.

In This Episode So. This is an extremely exciting episode for us; it is Number 12 and the FINALE of our first season! Do you comprehend?! This means since May 29th, we have created and released Twelve. Original. Jingles. Promoting. Small. Businesses. During. The. Pandemic. A moment of silence, please.........It’s honestly more like an empire being born. We are so freaking proud of this idea and of the businesses we have connected with, and for them hanging tough during this really difficult time. We change it up for Ep. 12 and record remotely. We are at what is maybe our favorite place in Manhattan for the final episode of our season: Hold Fast Kitchen & Spirits, on Restaurant Row. You remember them from Ep. 2? Of course you do. If you don’t, I know what you’ll be doing tonight: yes, going back and listening. Anywhoo, Hold Fast arranged to have a flash mob with 30+ dancers shoot a music video featuring our jingle to commemorate their win of best bar in Hell’s Kitchen, their 3-year anniversary, and to celebrate the re-opening of indoor dining at 25% capacity in NYC. Very exciting! Do you know what is also very exciting? Since moving back to the Bay during the pandemic, we had had lots of positive feedback about what we did for Roy’s Station in San Jose, CA, in Ep. 1. I got wind of an emerging artists award through my mom’s yoga group. Thanks, Mom. We ended up being one of the winners selected! We are receiving a grant for the pod! A huge thank you to the San Jose Rotary Club and Leigh Weimers Emerging Artists Awards Committee. We have created an original piece for them. Ya know what? It’s tight. I have no problem saying it. We are pimping out the Rotary Club’s vibe in a MAJOR way. Leigh Weimers was a columnist for the San Jose Mercury News who devoted his life to writing about emerging Bay talent. We are so thankful and humbled to be honored for the work we’ve done in the past 4 months. This is the proverbial cherry on top of a very exciting first season. Thanks to all who have listened and subscribed. KEEP DOING IT. TELL THE WORLD ABOUT US! This Week’s Business......Us! (Just kidding) The Leigh Weimers Emerging Artists Awards Committee Website: https://www.weimersawards.com This committee has given over $100,000 to emerging artists and their work in the San Francisco Bay Area. Their winners have run the gamut: rappers, songwriters, visual artists, dancers, you name it. Very cool to be honored as winners in 2020.

When COVID restrictions threatened to cancel this year's Taste of the Arts Festival, its host organization, Arts United, got busy and virtually reinvented the entire celebration. Thanks to the generosity of Arcpoint Productions, the event's co-sponsor, many of the perennial activities were translated to concert-quality videos, including all of the music, dance and theater performances, which will take place on three virtual festival stages throughout the day. Restaurant Row, Artlink's Art Market and NIPSCO's STEAM Park are also making their products virtually available to festival goers. These will all be accessible from Arts United website, Facebook Live, and YouTube Live, with the ability to support participating artists directly. Meanwhile, several partner organizations have planned to host safe and socially distanced events on site in cooperation with Taste of the Arts to preserve the traditional festival flavor of the day. To learn what the event will look and sound like from this new online platform this weekend, WBOI's Julia Meek invited its technical director, Luke Holliger into the studio to discuss the scope of such a challenge, and what process his team devised to make it happen. WBOI Artcentric is brought to you by WBOI's own Julia Meek and Ben Clemmer. Our theme music is “Me voy pal campo” by KelsiCote. Our administrative assistants are Olivia Fletter and Brittany Smith. Our production assistants are Monica Blankenship and Mikaela Veltum.

“On Broadway” premiered on February 3rd, 2013. It was written by new showrunner Joshua Safran, and directed by Michael Morris, who had also directed the season 1 finale. The episode unfortunately did not premiere to as wide an audience as the season 1 premiere or even the season 1 finale; the viewership came in at 4.48 million, about 1.5 million fewer than the finale and almost 7 million fewer than the pilot. Wow. The premiere featured 6 songs: three original songs by our original team of Marc Shaiman and Scott Whitman, which were the good ol’ “Let Me Be Your Star,” a new song from Bombshell called “Cut, Print...Moving On,” and a new song from a different musical altogether, called “Mama Makes Three” from the show Beautiful (no, not that Beautiful) starring JHud. The two covers in this episode were the titular song “On Broadway” by the Drifters, and “Don’t Dream It’s Over” by Crowded House. Most notably though, the Season 2 premiere marks the introduction of composer Joe Iconis, who wrote the song “Broadway, Here I Come!” Iconis was the first of many musical theatre composers who were able to feature their work throughout the second season of Smash. After closing the pre-Broadway run of Bombshell, Producer Eileen Rand assembles her growing team to announce her goal of booking a Broadway theatre by the end of the week. She’s also planning a soirée for potential investors and invites Karen to pick her three back up singers (Her selections do not include the libertine Ivy Lynn, who Karen is still angry with for sleeping with her ex-boyfriend.) Derek takes Karen to see his former leading lady Veronica Moore tear the roof off of the St. James in a musical called Beautiful. However, this is not the Carole King biomusical but a rousing gospel show. After the performance, Veronica tells Karen “Someone’s always waiting to take you down, honey. But if the work is good, they won’t be able to.” Disdain for Ivy seems to be growing within the production; While other pre-Broadway ensemblists gave received offers for Broadway, Ms. Lynn is still waiting to hear. At rehearsal for the producer soirée, Ivy asks Julia advice. The lyricist tells her, “Maybe you apologized to Karen, but you were apologizing for the wrong thing.”  On their way to the event, composer Tom congratulates his boyfriend Sam on getting offered the General in The Book of Mormon tour. Sam says he would rather stay with his ten lines in Bombshell in order to be close to Tom. But as they canoodle down Central Park West they spot Julia’s husband caressing a coworker, effectively the final straw in ending her dissolving marriage.  Covering for a truant Jordan Roth at the investor event, Veronica and Karen duet on an impromptu rendition of “On Broadway.” Afterwards, Derek tells Ivy that she won’t be joining the Bombshell cast on Broadway. However, the real drama happens after the performance, when Eileen tells Karen and the creative team that Bombshell is being investigated. While the government is looking into how Eileen received the financing, Bombshell is effectively on hold for the foreseeable future.  The next day, Derek commiserates with Karen about how they’re both out of work, telling her “call me if you hear about something else.” But later that night while nursing a drink at a Restaurant Row piano bar, Karen meets a team of musical theatre songwriters who may just be Derek’s “something else.” Learn more about your ad choices. Visit megaphone.fm/adchoices

Sometimes you wanna go, where everybody knows your name" - Gary Portnay, Cheers theme song.   Shayla sits down with the  owner of Harlem Food Bar and explains how he created his own Cheers™ on Frederick Douglass' Restaurant Row. Show Summary:  In this episode, Shayla sits down with Ernest Gonzalez of Harlem Food Bar.  From his parents' kitchen to the galleries of ICC, Ernest explains how his upbringing influenced creating a neighborhood haunt where "everyone knows your name"! Thanks again for being a supporter of Make It Your Business, please rate and review us on iTunes!

The boys are back! Pennsylvania Station, Chewing Sounds, and Restaurant Row!

Luke is back in Restaurant Row at the Fair...

- Please follow the link to read the full transcript of this podcast about Louisville's La Chasse restaurant on Bardstown Road in the Highlands... -  

We are back again with Ed Squair where we finish our conversation on his projects while working for Disney, what he is up to next and his fascinating #StarWars and La Cienega’s Restaurant Row collection. In this episode he will also reveal where the best comic book shop in Los Angeles is.

In Episode 31 of How To Market You & Your Business from Paul G. Walmsley, Paul describes how to Not market to a new customer with an experience he just had at a restaurant in Beverly Hills, California. Paul lives by "Restaurant Row" and within a 10 minute walk of his apartment he has access to every kind of restaurant, bar and hang out imaginable. So, when Paul visited a restaurant in his neighborhood, you'd think the manager would take the time to get to know him and once he realized how local Paul was.....then surely he would see this as an opportunity??? No...Paul experienced how to Not market to a new customer! Listen in as Paul describes how the manager of the restaurant blew it big time and why Paul will never return to a restaurant literally 2 minutes from his apartment....This is how to Not market to a new customer!

LIVE ON AIR CP 24 regarding OMB Ontario Municipal Board and Restaurant RowSupport the show (http://www.condoradio.com)

Losing our Heritage, where are our roots asks Linda Pinizzotto, Realtor ® Sutton Group Quantum and Condo Xpert Radio Show Host speaking with Al Carbone, Owner Kit Kat part of Restaurant Row in Downtown Toronto fights OMB to protect Heritage Buildings from being torn down. Sad situation with overruling of OMB who supported tear down and new High Rise Condos site on King & John Street, Toronto, Ontario Support the show (http://www.condoradio.com)

Theater Talk welcomes playwright Amy Herzog discussing her celebrated new play, "Belleville." Next, legendary restaurateur Joe Allen, who helped pioneer Restaurant Row, a go-to spot for Broadway visitors.

Going twice, Sold! We push up the bid to play two unusual auction games from the pioneer prairies in Homesteaders to the blistering kitchens of Restaurant Row.

Going twice, Sold! We push up the bid to play two unusual auction games from the pioneer prairies in Homesteaders to the blistering kitchens of Restaurant Row.

Going twice, Sold! We push up the bid to play two unusual auction games from the pioneer prairies in Homesteaders to the blistering kitchens of Restaurant Row.