Podcasts about avita

Debate: financiación de la industrialización en la construcción. - María Romero, Socia Directora de Economía, Afi - Enrique Martín, Director asociado y responsable de Real Estate, Afi - José Ignacio Esteban, director general de AVITA, del grupo AVINTIA - Juan Manuel Borrás, Director de Operaciones, Culmia

Male arrested after making verbal threats at Avita Hospital in Ontario: https://www.richlandsource.com/2025/01/29/male-arrested-after-making-verbal-threats-at-avita-hospital Today - we’re following a developing story out of Ontario, where a 65-year-old man was arrested Wednesday morning after allegedly making verbal threats at Avita Hospital at the Ontario Center, formerly known as the Richland Mall.Support the show: https://richlandsource.com/membersSee omnystudio.com/listener for privacy information.

ローソン、アバター接客の実証実験を開始　香川8店舗で本格展開が可能か検証。　ローソンとアバター事業を手掛けるAVITA（東京都品川区）は11月7日、アバター接客の実証実験を行うと発表した。期間は2025年2月末まで。香川県内のローソン8店舗にアバター接客を導入し、FC加盟店での本格的な展開が可能かどうか検証する。

O tom, čo vlastne to záhadné libido je, sme sa rozprávali s Karolom Kleinmanom, klinickým psychológom a zakladateľom platformy Ksebe (kde máme stále platný kód SEXOSKA10, s ktorým získate zľavu 10eur na prvé sedenie). Ako ovplyvňuje náš životný štýl kolísanie či zmeny libida? Ak si na sebe všímaš, že tvoja chuť na sex a intímne kontakty sa veľmi často mení, alebo máš pocit, že s partnerom či partnerkou nie ste na rovnakej vlne, určite si vypočuj túto epizódu. Dozvieš sa, čo všetko mám na libido vplyv, ako s tým pracovať a aké výživové doplnky ti vedia na tvojej ceste pomôcť. My aktuálne stále testujeme aj produkty od slovenskej značky výživových doplnkov Avita, ktorá je sponzorom tejto epizódy. S našim kódom SEXOSKA15 môžeš nakúpiť so zľavou 15% na všetky nezľavnené produktky a pomôcť svojmu libidu či iným oblastiam

Unveiling the Michaela Haynes Tragedy: Legal Corruption and A Mother's Fight for Justice In this gripping episode of the Tilted Lawyer podcast, host Omar Serrano is joined by attorney Avita Tolu to discuss the tragic case of Michaela Haynes, a 14-year-old forced to live with her convicted abuser, leading to her untimely death. The conversation delves into the wrongful death lawsuit, systemic failures within Missouri's legal system, and the troubling role of guardian ad litem Jennifer Williams. This episode also highlights Avita's battle against corruption, the need for systemic change, and the importance of public support in seeking justice for Michaela. With powerful testimonies and shocking details, this episode sheds light on a case that demands national attention.

Send us a Text Message.Avita Jay talk about her work as an actor and her experiences of stroke, her father dying of a stroke when Avita was fifteen.  Theatre includes: The Empress, Falkland Sound, The Comedy of Errors, The Winter's Tale (RSC); Jinnistan (Òran Mór, Traverse); Favour (Bush Theatre); The Lovely Bones (Birmingham Rep); Billionaire Boy (NST Theatre/UK tour); The Secret Garden (York Theatre Royal); The Jungle Book (national tour); Bottled Up (Lyric Hammersmith); Bring on the Bollywood (national tour); We're Stuck (Shoreditch Town Hall/national tour); Rapunzel, Warde Street (Park Theatre); Pioneer (Sheffield Crucible/tour); Unsung (Wilton's Music Hall); The Merry Wives of Windsor (national tour); Sunday Morning at the Centre of the World (Southwark Playhouse).Television includes: Casualty; Doctors; The Good Ship Murder; Emmerdale; Silent Witness; Coronation Street; L8R.Film includes: By Any Other Name; The Rezort, London, Paris, New York; Twenty8K.Other: Avita also narrates audiobooks for Audible and works for the charity, InterAct Stroke SupportSupport the Show.

Hear Alveda King answer questions for The Abortion Museum. Transcript The transcript was automatically generated and may contain errors. 00:06 : So, Avita, what was Doctor Martin Luther King’s view on abortion? 00:12 : When we consider Martin Luther King … Continued The post The ProLife Team Podcast 156 | Alveda King appeared first on Pro Life Ribbon.

In our fast-paced existence most of us do not allow ourselves to just be present in our bodies, to tune in, listen listen deeply and give it the space it needs to loosen, let go, and heal. Modern yoga methods in the U.S. tend towards achievement, and because of this, limit participation based on physical ability. Jeff Bailey, the founder of Avita yoga has in many ways taken yoga back to the basics blending a more restorative approach to yoga with meditative practice that can be enjoyed by all. https://avitayogaonline.com/ https://theyogacenterretreat.com/our-teachers/mark-wheat/

Avita celebrates new Shelby Walk-In Clinic, medical offices: https://www.richlandsource.com/2024/01/30/avita-celebrates-new-shelby-walk-in-clinic-medical-offices/ Today -  we dive into a recent development in Shelby's healthcare landscape, highlighting the opening of the new Avita Shelby Walk-In Clinic and medical offices. Support the show: https://www.sourcemembers.com/See omnystudio.com/listener for privacy information.

Jeff Bailey was interviewed by Rev. Cyndi Krupp. Jeff was not only a guest for our January 2024 Satsang but he also shares in the sanctuary on the 2nd and 4th Wednesdays of the month @ 5:30 p.m. ET/3:30 p.m. MT. His program is called “The Yoga Mind.” He is also leading a retreat at the Awakening Together Retreat House in La Veta, CO called “Healing through Yoga and Prayer.” If you're a long time yoga practitioner or a newbie Jeff's gentle integrated approach promises to support you. Jeff has been a student of A Course In Miracles since 1990. One of its principle messages corresponds perfectly with The Yoga Sutras: to identify and resolve the obstacles to peace and lasting freedom. His consistent dedication to our shared, eternal truth has inspired Avita as a unique and healing approach to yoga. Jeff has found that yoga can heal almost anything with a reflective, self-forgiving approach.  Jeff is the founder of Avita Yoga. He has a long and diverse yoga background that began in 1985 in Gunnison, CO. The son of a rural veterinarian, Jeff developed an early appreciation for anatomy and physiology, both of which form a basis for the practical nature of a yoga practice. He can reduce the complexities of the body and mind to simple, understandable terms and works with people of all ages to relieve chronic pain and bring more joy to life. For more information about Jeff go to his website: https://avitayogaonline.com/ If you'd like to see a video of this Satsang, you can find a link on this page: https://awakening-together.org/awakening-together-satsang-with-jeff-bailey/

S3 EP40: Celebrating Pharmacist Mont…and Sexual Health Care, Featuring Avita Pharmacy===

In New York on Tuesday, rising treasury yields and unfavourable economic data continued to pressure equities with the Dow Jones closing the session down 1.29% in its worst session since March, while the S&P500 and Nasdaq fell 1.37% and 1.87% respectively. Tuesday's 1.3% fall for the Dow Jones tipped the key index into the red for 2023, with the index down 0.4% year to date at the closing bell. The 10-year Treasury yield hit 4.787% on Tuesday, reaching its highest level since 2007 as traders assess the possibility of further monetary tightening by the Federal Reserve. Yields spiked and equities fell on Tuesday following the release of the August job openings survey which signalled 9.6 million open roles in the month, which was higher than economists were expecting and indicates the labour market in the US remains tight.In Europe, markets closed lower on Tuesday as investors digested unfavourable economic data out in the region indicating inflation remains stubbornly high. Italian new car registrations data for September came in at a rise of 22.8% from a rise of 12% in August in a sign consumers are still spending in the region despite rising interest rates. The STOXX600 fell 1.1% on Tuesday while Germany's DAX lost 1.06%, the French CAC fell 1.01% and, in the UK, the FTSE100 shed 0.54%.The local market fell again on Tuesday as global markets continue taking lead from the US whereby sentiment is currently dampened by the prospect of a potential government shutdown. The ASX200 closed Tuesday's session down 1.28% to a near 6-month low with every sector ending the session lower aside from healthcare. Energy stocks took the biggest hit yesterday as the sector closed down 3.7% on the sliding price of oil. Rising bond yields especially in the US also continue to sway investors away from the higher risk equities market in favour of less risky returns through bonds.The RBA held the nation's cash rate at 4.1% for a fourth straight month in the October meeting yesterday and the first with Michele Bullock as Governor of the RBA. As with the last few months of holds though, the commentary surrounding the rate pause decision focused on the possible need for further tightening in the future should inflation continue to show signs of remaining high. Australia's wage price index, consumer price index, housing and rent, energy and producer price index all continue to respectively rise which are the key factors of inflation in Australia while unemployment also remains at 3.7%. What to watch today:Ahead of the local trading session here in Australia the SPI futures are anticipating the ASX to open the midweek session down 0.5%.On the commodities front this morning, oil is trading 0.75% higher at US$89.50/barrel, gold is down 0.14% at US$1824/ounce and iron ore is flat at US$119.50/tonne.AU$1.00 is buying US$0.63, 93.88 Japanese Yen, 52.42 British Pence and NZ$1.07.Trading Ideas:Bell Potter has decreased the 12-month price target on Avita Medical (ASX:AVH) from $7.45 to $6.85 and maintain a speculative buy rating on the medical tech company after the FDA issued a ‘Substantive Information Request' in relation to the pre-market approval supplement application for Avita's RECELL GO product. The most substantive request relates to additional statistical analysis for cell phenotyping with RECELL GO i.e. how many and what type of cells are available using in a sample prepared with RECELL GO vs the legacy Recell Kit.And Trading Central has identified a bullish signal on Beacon Lighting (ASX:BLX) following the formation of a pattern over a period of 78-days which is roughly the same amount of time the share price may rise from the close of $1.90 to the range of $2.40 to $2.55 according to standard principles of technical analysis. 

Clasp your hands together and mumble intently your needs to a vacant space. That's called prayer. Does it work? What about when you read Hebrew from that little blue book in your shull? Did your prayers work then? Or how about when you wrapped that leather strap called Tefillin around your arm? Did Hashem hear you? The truth is, no one knows. Depending on who you talk to, they either swear by it and tell the tales of a mass revelation or the effort is sadly futile. What are we to think? Brad Weber, Founder and CEO of Avita Digital, is a proud student of Torah study and prayer. He is also a cancer survivor. His insights on his approach to prayer will leave you pleasantly surprised. Chaz Volk, host of Bad Jew, was equally surprised by Weber's answers on prayer, our connection to G-d, and how we personally grow from adding intention into our day-to-day. About Brad: Brad considers it a privilege to work with amazing companies and grow their online revenues and protect their reputation. A results-oriented, serial entrepreneur with multiple public and private exits, Brad loves tech, learning, teaching and using a hybrid marketing model to grow online businesses. Some of Brad's achievements in his three decades of digital marketing and management include pioneering comprehensive e-commerce solutions to early Internet businesses with Card.com. Card.com offered integrated affiliate tracking and robust chargeback risk mitigation and was quickly acquired. Brad later co-founded Interactive Telecom Network (ITN), establishing and maintaining rapid growth for one of the region's largest Internet Service Providers. As ITN's Chief Operating Officer, Brad led teams of 100+ in sales, online marketing, information systems, engineering, content management, e-commerce and customer service. This included spearheading the company's pioneering movement into organic SEO and cutting-edge PPC strategies.  ITN grew from a start-up to $45M in annual revenue in just a few short years and was sold to the publicly traded New Frontier Media.  Brad next co-founded BeNetSafe, a forward-thinking company that created and launched the first automated reputation management solution for diverse clients including individuals, companies and specialized government applications.  Brad remains grateful to support clients with expansive growth and exceeding profit goals. His mission in the creation of Avita Digital in 2003 continues to be the development of new strategies and better programs for companies that rely on digital marketing services to build better brands and ensure a good online reputation. While thinking up new digital innovations, Brad enjoys yoga, hiking, traveling and learning how to better serve Avita's clients. Connect with Brad Weber www.AvitaGroup.com Connect with Bad Jew BadJewPod@gmail.com Ig @BadJewPod TikTok @BadJewPod

Zoom sur l'Avita 12, une berline électrique de luxe prévue pour 2024. Va-t-elle détrôner Tesla? Découvrez tous les détails sur https://jtgeek.com.

OUT LOUD & PROUD SERIES: Avita care Solutions- Compassion, Equality, Inclusion & Representation- A Conversation with Michael Yount, RPh, JD CEO and Glen Pientrandoni, RPh CAO===

V tomto dieli budete počuť intímny, vtipný a úprimný rozhovor s političkou, mamou a manželkou Vladimírou Marcinkovou. V rozhovore s ňou sme odhalili, aké to je, byť mladou ženou v povolaní plnom mužov v rokoch, či a aké sú jej ambície v politike. Bavili sme sa aj o jej tehotenstve s Linou a o tom, aká je mama a čo ju materstvo naučilo. Zisťovali sme aj, ako funguje dvojkariérne manželstvo s jej mužom, hokejistom Tomášom Marcinkom. V úvode si môžete vypočuť odhalenia najnezmyselnejších záchvatov našich detí aj to, ako na ne reagujeme. Pripomenuli sme vám aj naše stále kódy na Avita (mamagang15) a Grizly (mamagangSK // mamagangCZ), našich verných partneroch, bez ktorých neujde hádam ani jediný deň v našich domácnostiach.

World AIDS Day is an annual day of celebration, honored every December 1st. The CHEcast in cooperation with AVITA Pharmacy would like to thank all those working together in the fight to combat AIDS, especially stigma.Please join us on this World AIDS Day in Remembrance, and to honor and celebrate people as well as events, related to the struggle against the AIDs epidemic; with our special guest Team Avita's: Andy and Champion.Please Like and share this episode. Team Avita:Andy DoanChampion CooperWORLD AIDS DAYPEPFAR-World AIDS DayAvita Pharmacy You're more than just a prescription. We're more than just a pharmacy.

WORLD AIDS Day, A Conversation with Glen Pietrandoni, Chief Advocacy Officer, Avita PharmacyRead the full post:===

This episode is sponsored by AVITA Pharmacy.Steve and Eddie talk with Avita Team members Shayla and Lauren from the South Austin Avita Pharmacy on everything from working in a Pharmacy  to PrEP to the Texas  Anti PrEP ruling  case by Justice O'Connor and more.  Please join the conversation and let us know what you think.Avita PharmacyAvita Pharmacy Facebook Center for Health Empowerment PrEPPEPTeam Avita members: LaurenShayla

We talk to Wicked's own Elphaba, Jackie Burns!FULL TRANSCRIPT (unedited):0 (2s):Hello? Hello. Hello survivors. How I've missed you. I've missed talking to you boss. And I took quite a number of weeks off. Well, I did. She, she actually continued to record for at least one week while I was gone. And she's got a great interview. We've got a great interview coming up. She talked to Jackie burns, little Jackie burns on Broadway, wicked playing Elphaba. No big deal. Actually. She has a big deal and she's great. And so were all of you. I am heartened because even though we've taken all this time off, we've continued to grow our listenership.0 (47s):So thank you to you for listening, for continuing to listen for being a first-time listener. If you are thank you for being here, it's a privilege actually, to be able to have a platform to speak one's mind is truly a privilege. And one, I hope we do right by. We're going to be right back into the swing of things with interviews, regular weekly interviews in the fall. So stay tuned for that. And in the meantime, please enjoy this interview with Jackie burns and I'm Gina Kalichi3 (1m 34s):To theater school together. We survived it, but we didn't quite understand.0 (1m 38s):20 years later, we're digging deep talking to our guests about their experiences and trying to make sense of it all.3 (1m 43s):We survived theater school and you will too. Are we famous yet?2 (1m 56s):Here's the thing. Jackie burns. Congratulations. You survived theater school and you also survived this hellish trying to get you on. So squad quest squad cast, which we usually use is totally wonky this morning. And I was like, no, I, because I'm obsessed with you because I'd been researching you. I'm not a musical theater person, but I am one of these musical theater lovers that has so much reverie. And I think it is a sacred thing to sing and I don't really do it. And so I'm obsessed and you and I have the same birthday, October 4, 10, 4, buddy, ten four. So You're a little younger than me, five years, but that's okay.2 (2m 41s):I'm still, I'm super obsessed. And I also like I, when I watch, so I'm known for like going to high schools and middle schools and watching musical theater of people I'd have no connection to in what I was at when I was in Chicago, because I adore the art form and I don't do it, but I'm obsessed. So anyway, start, start from the beginning. You grew up in Connecticut. How, and then obviously you're a Broadway star. Are you back working in on Broadway? What's happening with you right now?5 (3m 13s):Oh my God. What is happening?2 (3m 15s):Yeah. I looked at your, I looked at all your profiles, but I want to hear it from you. Where are you post sort of pandemic. What is happening with your career? Tell us,5 (3m 27s):Oh God. Well like every musical theater theater,2 (3m 31s):Just say star, just say star, you are a star. You're a musical theater star. Like I understand for someone like I write for TV and I act sometimes, but like I musical theater people when I see them on stage, I'm like, I, the, the, the amount of brilliance it takes and dedication to, I have trouble on set, just moving my body and say, and you sing and move and dance and all the things. Okay. Okay. So what's happening with your career?5 (4m 2s):Oh my God. Well, first of all, Jen, I'm obsessed with you because I wish the rest of the world felt the same way about musical theater people because all of I'm most TV and film people are like, oh, you're not a real actor because you,2 (4m 13s):No, I would love to cast, listen, listen, what I mean? I would love to catch you and all your cohort when I do, because here's the thing. The body spatial awareness of musical theater folks, to know where they are in space translates onto set. So everyone listening, the 10,000 people that have downloaded this podcast that will continue to hire musical theater folks on television and film because they know bodies and bodies. It's not just a head people. So anyway, okay, go ahead. Sorry. I keep interrupting. I'm just like,5 (4m 46s):Nope. I love you. You're like making me feel so good about myself. But as every theater person, all we want to do is get on TV and film.2 (4m 55s):Oh, right. It's that's holds true for musical theater folks too. I assume that's where the dough is. Is that5 (5m 1s):That's where that money is. Because if you think about it, like once the theater show closes, we don't get a back end of it. So like, that's it. Your paycheck's done.2 (5m 9s):There's no residuals.5 (5m 10s):There's no residual.2 (5m 12s):Yeah. Okay. So, okay. So tell me what is happening now? You said you got your insurance back, which is5 (5m 17s):Paula that's hope. It's always helpful. I just did a new musical called a walk on the moon. That was based off the movie. No,2 (5m 27s):No,5 (5m 29s):No. I'll walk in the cloud. Like very similar. No,2 (5m 33s):She's dope. I like to5 (5m 34s):Have her with like Viggo, Mortensen, Schreiber. And when it was like back in the day, it's a good movie. Tony, Tony Goldwyn, like directed it and stuff. And he actually came and saw the musical. Did2 (5m 47s):He give you a compliment?5 (5m 49s):Yes, he was very nice. It was also like super handsome. You're like, hi,2 (5m 52s):I have heard. Yes.5 (5m 54s):You're just like, hello? Oh, you're married Ella and there's no, no, no, no, no. And my boyfriend's gonna listen to be like,2 (6m 6s):No, no, no. That's okay. That's okay.5 (6m 8s):No, he knows. He knows that I'm just joking. I'm just stroking on there. No. And then Pam gray wrote it. Who wrote the, who wrote the script as well? Yeah. And it's really good. And we just closed and they're hoping to bring it to Broadway. So fingers crossed. But the problem is, is that Broadway because it was closed for two years. All these shows have been trying to get theater. So that were like low man on the total whole cause it's like two years worth of shows trying to get to Broadway.2 (6m 37s):Correct.5 (6m 37s):So it's, and we're just like a little show rather than like a big show, so2 (6m 43s):Yeah. Yeah. Okay. Yeah. But still worked. You have worked post pandemic, which is a huge thing. Okay. So tell me, were you a kid? Who did you grow up? You grew up in Connecticut. I'm assuming, were you a kid? Like you were five and you were like, just ho like you knew you could sing or what, how did that go? How does that, how do you discover that you can freaking sing?5 (7m 6s):You're so cute. I'm going to like put your pocket. Your energy is like seven. I'm going to be a best friend now.2 (7m 13s):And we'll together. We'll try to, we'll try to have a television show. That's like, I know they did it kind of with glee, but like Glebe, like less sassy and more earnest.5 (7m 23s):Yes. I am interested Jen, get2 (7m 26s):And throwing some murders because I, I write a lot of murder. Yeah.5 (7m 29s):Oh, I love that. That's what2 (7m 31s):Musical murders. Great. Okay. So you, you were a kid and how did this happen? That you were like, dude, I can be on stage and sing.5 (7m 38s):I just like always was obsessed with it. Like, so I started dancing when I was three and then, but like I used to get on like the little like Hutch, you know, like the fireplace such as my stage and sing, sing to like Michael Jackson's thriller. And I just like, yeah. And I used to, when I used to go to dance, like as I got older, we drove like 45 minutes. My mom drove me very sweet to dance class. And I used to sing along with the radio and I was convinced that the DJ could hear me. And it was just like a matter of time before I got recording contract.2 (8m 9s):Listen, here's the thing about that is that yeah. Some people might think it's wacky, but what I think is that bill that shows that somewhere, you envisioned a world where people were listening to you and were going to pay you. And that it was going to be like, even though it was just a fantasy in a car, what it shows is that you had like a sort of an expansive mind as a kid, as a lot of, not every kid is doing, most kids are like, oh, I sound terrible. And I'm never going to make it out of this Podunk town. Like that's, that's where I was at. So you, you were you're on. Okay. And then, so the dancing and singing, and then what about the acting part? Like, cause you could have just been a singer and a dancer.5 (8m 47s):Totally. You know what this is going to be, I'm going to throw so much shade and2 (8m 52s):You5 (8m 52s):Can do it2 (8m 53s):Any way. You want shade, half shade, full shade, whatever you need.5 (8m 57s):I'm going to give full shade just because I think it's funny. But when I went to my dance school, brought us to New York the first time, even though I lived in Connecticut, which is super close to New York, like I live two hours from the city. We never went to the city. So I went to the city for my first time when I was like, I was 15 years old and we went and saw Greece with like Broadway. That was my first Broadway show that I ever saw. And it was with like, kind of was like Brooke shields, like Rosie O'Donnell like crazy. But I, I was kind of not impressed. I was like, wait, I could do this. Like I, you know, I coveted Broadway is like so big. So like that, that I, I realized I was like, everyone sounded really great and who was dancing really great.5 (9m 41s):But I was not impressed with the acting at that point. For some reason, I just kind of was like, oh, it felt very pantomimed me2 (9m 49s):Like presentational.5 (9m 50s):Yes. Yeah. Yes. Which sometimes it's like, and that's when I moved to LA, I lived in LA for like a hot second cause I did wicked in LA and then I met my managers at T grin, I think. Yes.2 (10m 2s):Yes. Oh yes, yes, yes, yes. Tikrit is amazing. Yes.5 (10m 5s):Yeah. He's amazing. And they were like, come move to LA and like, let's get you on TV and film. And then I moved there and then the pandemic happened and I was like, well2 (10m 12s):It was right then. Oh shit.5 (10m 14s):Yeah. I was there for like six months and it was great and it was fun. And like, but the thing that I realized is like, when I first got there and I started got into acting classes there, they were like, yo, you're a musical theater. So you only like color with like two of the crayons in your coloring box rather than all of them. Because you know, it's so far back. So you just have to like, you know, play to the back of the house and it's true. So many times you go see a show and it's like so broad and present presentation. It doesn't like bring, bring truthful. So that's2 (10m 43s):I think, no, I have to say it's like, I wish LA and I'm not, I I'm sure you went to amazing classes, but I wish so. I teach at the theater school at DePaul over zoom now that's where we went. Okay. So I teach there. And so the thing is, I wish we had a better language for saying that to people. So what, for me it is, is not, when I see musical theater actors on all it is, it's not so much for me that they have two colors. What it is is that they were exceptionally built for the, the thing they were doing. Right. And now they're doing something else. So you say like, okay, look, the dope thing about you is we know all that's in there.2 (11m 25s):It's just a matter of, of like super tweaking it and making it niche, niche nuanced. And it's a total teachable skill, which I'm sure they told you to like to oh yeah. Just is like, but the good news is I think I would, you know, I would more say you have all the colors, all the people that do musical theater have all the colors in there, or you wouldn't be able to go broad. And it's just a matter of pivoting to being a more like lasered focused situation. So anyway, all the musical theater people out there, I know we all have many all the colors, but it's true that there was also like in the arts and the late nineties where theater was Uber presentational, like, like, oh my gosh.2 (12m 8s):So you saw that and you were like, okay, I want to act, I could do this. And so then what did you do? Start taking classes or what happened as a kid?5 (12m 16s):So then that's, well, that's what I, I'm a year early from my grade. So I was going into college that next year. You know what I mean? So I just decided to just go to school for straight acting, just for acting rather than musical theater. Cause I felt like if you can sing, you can sing. Obviously you can always get better and stuff like that. But I was like, I really wanted to make sure that cause everything is from a storytelling place. Right. You know what I mean? It's like, so if, if you're a BA, if you know, so anyways, so that's why I went to2 (12m 41s):Wait a minute. So here's the thing about singing? Like, okay. So when you, how do you know like your small and you're doing like, you're standing on the hearth of your fireplace and doing your thing, but like how does one know like, oh shit, I can do this because here's my thing. Like I never tried because my sister was the singer in the family. So I just assumed that that was like, every family gets one and that was her thing later in life, look, I took classes and I'm, but I'm not like a, a hearth singer like yourself. Right. So, but how do you know, do people say to you I'm serious? Do people say to you, oh my gosh, Jackie, when you're young, do you remember people saying like, you can really fucking sing?2 (13m 24s):Not maybe not with the fucking, you know what I mean?5 (13m 26s):No, they said, yeah. They said, Jackie, you can fucking sing. And I was like six and I was like, oh my God, thank you so much. You know, what's so funny is that this now everyone's going to really know our age. When I was, when I was in elementary school, my mom made me do the, what is it called? The talent show. And I sang Peter pans. I won't grow up. She made me like various.2 (13m 56s):I love that. I'm glad she, but I also glad because that could lend itself to comedy. So that's good.5 (14m 2s):Oh. And she gave me all the like, like, like I won't grow up. I had, and she had like a thing like, oh, I don't want to wear a tie. Like she, like, all the parents made a big deal out of me and they wanted to throw a bake sale to send me to star search. It was hilarious. But then all the little girls that I was friends with all hated me after.2 (14m 23s):Well, see here's well, that5 (14m 25s):Was,2 (14m 25s):That happens. I'll I'll all the time, so. Okay. Okay. Okay. Okay. Did you go to star search first of all?5 (14m 32s):No. No. I was too busy, crying every day because I had no friends and wanting to like be homeschooled.2 (14m 37s):So yeah. Yeah. I hear you. I, I, here's the thing about that. It's like, I don't have kids and I'm never going to have kids that ship has sailed thankfully. And so I, it's interesting to think about kids and like, what is it? I wish what I wish. So what I wish never happens. And that's why I say, I wish, I wish that the kids had said, oh my gosh, Jackie, you can sing. Yes. You got attention. Teach us how to do it. Or maybe let's, let's collaborate together, but they're like six and nobody's going to fucking collaborate when they're six, maybe. But like, I wish it had been more collaborative because look, what if you had like put on a production together with the girls that, but instead they ostracize you a little bit.2 (15m 21s):So then did you keep your singing or were you like, fuck you, I'm going to sing anyway. How did that go?5 (15m 25s):Oh, and then, so then, so then I went to junior high and then I actually always said like that it was junior high and the chorus teacher made a big deal out of me. And I like won all these awards and like, got like, like whatever I got all these solos and stuff. And then the parents started complaining to the chorus teacher that why is this little girl getting all the solos and not our daughter's getting solos. So then,2 (15m 47s):Wow. So here's the thing like, look, look, look, I understand that we want things to be equal, but how about then, like if I ran in the world or even had a little part of it, this is what I would do, I would say all right. All right. All right. So Jackie can sing her ass off. She's amazing. But why don't we pivot and turn and also look at what makes little Emily and little Jane amazing. And, and, and, and bolster that instead of trying to damp in Jackie's flame, like, it just doesn't make any sense to me. So like, I have this new phrase in Hollywood and people probably hate me. And when I go to meetings, I'm like, look, we have to collaborate or die.2 (16m 27s):Like that's where we're at agree. Right? Like adapt and collaborate or get the fuck out of the way. And people are like, oh, this crazy bitch. But here's the thing. The collaboration is going to be the only thing that saves us on our planet and in many ways. So wouldn't, it have been great. If they had said I should have my own POS podcast, that's just called wouldn't it have been great because I, I, I feel like I say that so much to people like, wouldn't it have been great if they, the parents had said, oh my God, like, Jackie's dope. But if Jackie can do it, that maybe means like my Susie can tap, dance her ass off or make pottery like a motherfucker. So like, let's focus on those things rather than dampening Jackie's, you know, it's so it's so such, such terrible behavior, but okay.2 (17m 10s):So junior high also, did you, were you like, oh shit. I can sing. And I'm amazing, but these people hate my guts or how did it?5 (17m 17s):Yeah. Yes. And then the caveat is when I went to high school, the junior high teacher told the high school teacher that I was like very special. And like, they should, she should put me in like senior prior. And then that teacher hated me and told me I was flat and told me, I sucked every day to the point I stopped singing. I just,2 (17m 37s):You know what that reminds me of wait, was it, was it a lady teacher? Okay. It reminds me of glee when it's a Dina and, and what's her name and you know, the one people like to talk shit about, I don't know her. Leah, Leah, Leah.5 (17m 55s):Yeah.2 (17m 55s):So they, that exact thing happens. And it's just, it's just, and maybe that's what happened. Maybe it's jealousy. Maybe it's maybe it's like, how dare someone be special? I never got to do the thing or whatever it is. It's not your, you were a kid. It was not your PR, even in high school, your problem to figure that out. So you stopped singing what? That now there's the real travesty, right?5 (18m 16s):Yeah. So then I stopped singing in choir. I would just like lip sync and she would still be like, oh, I hear is Jackie all layers, Jackie sound. It was horrible. Miss Hilton. I'll tell you to say it anyway. She was horrible to me. And then for college, you had to write, she, you had to get a letter of recommendation. And she told me she had nothing nice to say about me and she wouldn't write it. So then the guidance counselor, I had to write it for me. It was so that I could audition for schools.2 (18m 43s):Okay. That lady, that lady is whore. That's a horrible thing.5 (18m 47s):Yeah. I know. And then my brother, this is so funny. My brother, Kevin, my brother is seven years younger than me. And so when he went to high school, he had her too. And the first day of school went through and was like, Joey burns any relationship to Jackie burns. And he was like, yeah, that's my sister. And he was, she was like, yeah, she's still trying to make it on Broadway. And he was like, oh yeah, she's on Broadway in hair actually. And it shut her right up. And then all of a sudden she was like, oh, I've always knew she was going to make it. I was like,2 (19m 16s):Okay, here's the thing like, that is a sad, sad, human being. Like, if you are a teacher of youngsters and you cannot foster them in any way, then, then you, that is not the right fit for you. My friends. And also I I'm, well, it's, it's no shocker. I was a former, I'm a former therapist for, for people when they got up, I got out of prison. So like, all my bent is like on a psychological lens, but like a trauma lens, usually with this stuff. But it's like lady, I understand Ms. Whatever. Hilman, what's her name?5 (19m 50s):Hilton2 (19m 50s):Hilton. Ms. Hilton Paris Hilton. I understand if it was somehow related, I understand that you've got trauma that you haven't worked on, whatever, but that is not the children, the high high-schoolers responsibility, my friend, that is your responsibility. Just like it's my responsibility. And Jackie's responsibility to work on the shit that happened to us. So anyway, oh my God. Well, thank gosh for guidance counselors. I would have been like the guidance counselor. I would have been like,5 (20m 16s):She was the best. Yeah.2 (20m 18s):Ms. Fitzgerald. Thank you, Ms. Fitzgerald. Okay. So then you go to connect. You went to school in Connecticut, right?5 (20m 23s):Yeah. So then my parents were like, and then I, so I graduated when I was 17, so I, and I, because we're October. Yeah. And so what was the youngest class to get our drivers?2 (20m 35s):Yes, but like the best in terms of like, I got to college, I was 17. I was like, Hey, I'm young. And I'm got,5 (20m 41s):Say that same, same, but my so, but I didn't want to go to college. I was like, I'm just gonna move to New York and be a star. And my parents were like, yeah, you're 17. So no, you're not. And I was like, oh, okay. So I didn't put a lot of effort into looking into school. So I only audition for three schools, NYU boss' conservatory and Yukon. My parents were like, you should audition for the state school. Just, you know, whatever. Yeah.2 (21m 2s):It's also cheapest, cheaper, much cheaper. Right.5 (21m 5s):So, yeah. That's what, and that's what my parents said. They were like, listen, you can graduate. They're like, this is how much money we can afford. The rest is going to be loans and on you. They're like, so you're not graduating. And being a doctor like in going into like maybe a work, maybe what we think you'll work. My parents were always very supportive of me.2 (21m 22s):That's awesome.5 (21m 23s):So great. Yeah. They were never, they were, they weren't like, you need a backup plan. They were like, yeah, we think you'll make it. But they were like, you don't go. Right. So like, you know, they're like, you can graduate with a shit ton of debt or you can graduate basically debt free. And I chose to go to school debt free. I was like2 (21m 41s):So smart because let me tell you something. When the sheriff comes to your house, because you don't pay off your grad school loans, Jen Bosworth, Ramirez over here and says, you took out a private loan for your grad school in counseling psych, and you never paid it back. And so now we're here to collect. Literally the sheriff came to my house. I thought to myself, this was a poor choice that I, I did not need to take out this loan that I apparently, I mean, look, fit shit, happens for a reason. But what I'm saying is when I hear these stories, that people that chose to be debt free instead of go to Juilliard and take out $7,700,000 in debt or whatever, or in loans, I'm like, yes, because especially in this career, even if you are brilliant, and even if you are magical and are a star, you it's still, the paycheck is the paycheck right.2 (22m 29s):On Broadway. So, so good for you. Okay. So you up, well, how was your college experience, Jackie? Like, how would you say that was5 (22m 36s):Again also hilarious and the fact that, because I sang and I went to school for just straight acting, they all made fun of me for like sitting. They were like, oh, you want to do musical? That's not real acting. And I always left with laugh and be like, I'm going to actually work. So, you know,2 (22m 53s):Oh, people or any. Okay. So when I was on crew, I was on crew at DePaul theater school and we would do one musical a year, which I was never casting, but5 (23m 4s):Same thing we did one musical a year,2 (23m 6s):I guess. Were you the, I hope you were the fucking star everyone.5 (23m 9s):No. Sometimes no, because the grad actors would be the stars.2 (23m 14s):Oh my God. I bet they're kicking themselves. But anyway, okay. So I was crew and I was on makeup and I think Gina was too. And anyway, w I was on crew and I would literally, and it was into the woods, which is my favorite. And I would sit on the edge of the stage and Rapunzel, this woman, Jen, who was a Rapunzel and reposal, I would watch. And I would be like, oh my gosh. And Brockie, I think it was Brockie who did last midnight. And I just was be like, this is magic. So anyway, okay. So that was like me. And I would like miss my, my job because I would be listening and watching these musical theater people, I just would love, they were, I was like in love.2 (23m 54s):So anyway. Okay. So when you, you wouldn't be the star at Yukon5 (23m 58s):Sometimes, sometimes that like you, like, yeah. Towards the end, I started getting some starring work roles, which was great.2 (24m 4s):What was your favorite role at Yukon?5 (24m 11s):You know what I think it's, I think it was my favorite role. Cause I would never get cast in the real world was Joanna and Sweeney. Todd, because putting me in a bland blonde wig is it's a very unfortunate level. Oh, it's not good.2 (24m 24s):Okay. Okay. So you, Joanna is sweet. Sweet has a rough one.5 (24m 28s):Yeah. And also we love murder, but so like I'm not your quintessential ingenue and you know what I mean? Like, I don't have an ingenue look, you know,2 (24m 38s):You have more of like a fierce, like a fierce, like a warrior villain look.5 (24m 42s):Yeah. I'm a, I'm a Maleficent. I'm not an Elsa. You know what I mean? Like that's2 (24m 48s):Is what it is. It is what it is. I5 (24m 50s):Love it. Yeah.2 (24m 51s):I'm the crazy neighbor. I'm the crazy lady. I love it. I'll take it.5 (24m 56s):Yeah. Save. So it's like, I would never play that in the real world. So I loved that because it was a chance for me. Cause I never get to the icing can sing soprano. Nobody knows that like really well, like I actually prefer seas, but I don't ever sing soprano because,2 (25m 10s):Oh, I didn't understand that. Of course like the way the, the, the, the, the part is written. Yeah. The ingenue is probably our Sopranos.5 (25m 20s):Yeah. This is their soprano. And they're like the little blonde next door.2 (25m 23s):And the earthier grounded tone is more of the villainous to, or like the serious business tone. Okay. Very cool. Very cool. Okay. So also sweetened, I didn't know when I saw it, when I was younger, that what it was about and I saw it and I was like, what the fuck is going out? These meat pies, this is cannibalism. And it was crazy. Yeah. I love it now. Cause I write about that stuff, but like, I was like, why is this, why are they, why is he's cutting his throat? What's happening here. So anyway, I thought it was going to be like wizard of Oz. No, no, like, yeah. I didn't know. So. Okay. So you graduate and then are you like, fuck it, I'm moving to New York right away. Like how did this go?5 (26m 2s):Yeah. And then I moved out into New York to New York, with my best friend from college. We got randomly put together. She was not an actor. I didn't really hang out with any of the acting people. I like hung out with all normal people.2 (26m 13s):That's much better choice.5 (26m 16s):Yeah. And so, and even though going to school for straight acting, I wasn't around music, musical theater, people are a different energy, especially, it's a lot of, you know,2 (26m 26s):And he, you know, it's a lot, but it's also, I got to say like, it's a lot. And as I get older, I really appreciate it more because it's a way of sort of owning your space. But like when you were in high school and college and you sit in a restaurant next to a table of musical theater people, you're like, oh God, may I may lose it. So, yeah. Okay. So you graduate and you and your roommate from Yukon move into Manhattan or what, where do you go to5 (26m 50s):Yeah, we move it. Yeah. We, we lived together for 11 years actually. Yeah. Like we were like common law until I moved in with my ex-husband at the time. Like yeah. Like,2 (26m 60s):Yeah. Okay. And so what happens? You get an agent. How does this work for you? Jacqueline?5 (27m 4s):Yeah. It's so funny. So, well, I, I have such a random way. So I moved and I went to one audition.2 (27m 11s):What was it? Four, four. I5 (27m 12s):Don't even remember. I just remember I was at Chelsea studio. I don't even think that they2 (27m 17s):Do physical theater.5 (27m 18s):It was musical theater. And that was another thing because they didn't go to musical theater school. I didn't have like a2 (27m 23s):Book,5 (27m 25s):Like, so like, you know, I went to this, it was like a cattle call audition with like, you know, as non-union 8 million girls in a room2 (27m 33s):Shit. And they all had books and shit. I don't, I didn't even know what a book was. Cause I, until like last year I was like, she's like, I gotta refresh my book. I was like, yeah, just get a book, any book? And she's like, no girl. No. So, okay. So you show up there and how does it go? Are you nervous? Are you like, no, I can fucking sing. Fuck you.5 (27m 50s):No, I, I, I was there and I was waiting and everybody was wearing like the same dresses. It was like straight up like Jason, Robert Brown, you know, from last five years. And everybody's like talking about what they've done and dah, dah, dah, and their book and what they're going to sing. And I just had a panic attack and I left. I was like, Nope, I'm going. And I didn't audition for like two years. I just like lived in the city and like waitressed and like hung out with my friends. You know what I mean? It just was like a ridiculous,2 (28m 15s):Yeah. Living your life, like living your life. Like, you know what? I, I respect that. Like I, I, okay. The one, oh my God. The one audition girl I had. Oh my gosh. So I had to go to the lyric opera of Chicago because they were, they were, they were supposedly hiring non singers for like, or like just singers, but non, non opera singers for this, this thing that this big New York person was coming in the Merry widow of, I don't know. Yeah. Okay. Fine. So my agent's like, you got, I'm like, you know, I don't sing. They're like, no, no. They're just looking for people that can carry a tune or like, and I'm like, okay. But you know, and she's like, no, just go it's for this non more of an acting funny part.2 (28m 59s):And I'm like, okay, dude, like just learn 12 bars. So I, I learned the Cinderella stepsister song from Rogers and Hammerstein. Like why would a one out of eight? It's like a, it's like the ridiculous. Okay. So I go and I go into the bowels of the opera, the, the lyric opera where there's no cell reception. So I can't like text anyone and be like, I'm fucking in the wrong place. What the fuck? All the women come in, Jackie and they start and I hear them warming up and they're seeing opera opera. And I'm like, okay, okay. So I go to the bathroom, no reception. I'm trying to call my agent. Like I can't do this. And I go out and they're like, Jen, you're up? And I walk in.2 (29m 40s):Yeah, I'd walk in. And I hand my music to the piano player and he, and it's all these people. I never been to a musical theater audition, let alone an opera situation. And the guy on the panel just starts and I blacked out. I don't know what happened, Jackie. I didn't, I, I, I don't know what happened. It was awful. And I, I, like, I like left my body and they walk out and I'm like, and I walk out on the corner in Chicago downtown, and it just opens up. It starts pouring on me and I start crying on the corner and I call my agent. I'm like, I don't think it went so well. And then I tell them, anyway, I have no recollection of the, the, the audition.2 (30m 24s):Like I blacked out. So listen, I understand. And I couldn't sing and you could sing. And you were like, I'm out. So, so, okay. So you left and you for two years, you were a waitress and you were, you were kicking it with your friends. And then how did you work your way? Back in5 (30m 40s):My best friend came in with a backstage. She didn't even really know what it was. And she was like, you have to go to this audition today. Or you can't like hang out tonight. And I was like, she was like, come on, you didn't come. You didn't move here to be a waitress. And I was2 (30m 52s):Like, what was it for5 (30m 54s):Tokyo Disney in Japan?2 (30m 56s):Oh,5 (30m 57s):It was hilarious. And that, and I booked it. And that was my first job.2 (30m 60s):You went to Tokyo and you were worked at Disney.5 (31m 2s):Yeah. It was so fun. And they had this Broadway review. So I did this broad, they had this Broadway review show where I sang like mama rose and Avita. And like, it was hilarious. It was so fun. Yeah. It was so fun.2 (31m 15s):Did you do that Jackie?5 (31m 17s):Because nine months.2 (31m 19s):Oh my gosh.5 (31m 20s):So we2 (31m 21s):Did that. You make good money.5 (31m 23s):Yeah. It was great money. And then, and then I met this guy climbing, Mount Fuji, this Australian guy, and like fell in love. And so then I called my best friend, Rachel, who is just like the coolest person. And I was like, let's go to Australia. I also didn't like New York when I moved there, like, and she was like, okay. So like, we moved to Australia for like a year and like hung out there. And then I w we got kicked out cause our visa ran out, you know? And then, so then we came back to New York and I still hated New York. And I was like, Ugh,2 (31m 51s):What is your waving? And wait a minute. What you hate about it? Like, what did you not like about New York when you moved there?5 (31m 57s):Non-green you talk about Connecticut and the green light. And I live literally in2 (32m 1s):The middle of the middle of that,5 (32m 2s):On the shoreline, in the middle of nowhere, live in like a lake. It's all like, you know, it's like beautiful. And I'm a very outdoorsy girl. So it was just like, it was so ugly, concrete. It was so dirty. And I just was like, I missed the outdoors, you know what I mean? I miss like green. And so I just, I didn't, I just didn't like it, you know, now I love the city, but like, I just, I did not, it took me a while, but then I came back and I was like, that still don't want to be here. So I auditioned for a cruise ship and I got this. So then I went on a cruise ship and I was supposed to be there for nine months. And then four months into the cruise ship. I was like, what am I doing with my life? Like, I don't want to be like singing to old people, sleeping in the audience. Like, you know what I mean? So2 (32m 42s):Listen, it's old people. And then me, I go to those and I'm on the cruise. And I go to the musical reviews and I am like weeping in the audience and share5 (32m 53s): yeah.2 (32m 58s):Yeah. People sleeping. Yeah. No, I was like the one person and I know they were all asleep or like, or like snoring or like maybe a coma and like I, or like dead. And I was like, oh my God, this is the best thing. But I usually was alone in that. Okay. So you got off the cruise ship for months and you were like, Nope.5 (33m 15s):Yeah. And it was hilarious. Cause they, the lady, because with the way the cruise ship worked, like if you just leave, then you have to pay out your contract, which I did not want to do. Cause you, you know, so I was like, yeah, I'm having, I was like, I'm having, I said I was having episodes of like wanting to jump, you know what I mean? Cause like not seeing land for so long is like, and it was hilarious. Cause the lady totally knew the director knew I was lying. Her name's Natalie. And she was like, Jackie, she was like, if, if you say this, you'll never work on a cruise ship again, like you'll never get to come. And I was like, I'm okay with that.2 (33m 48s):So you got off.5 (33m 51s):So then I got off and2 (33m 53s):It's like a, it's like a psychological discharge kind of a5 (33m 55s):Situation. They don't want you to jump.2 (33m 58s):No, no, they don't want that.5 (33m 60s):No. And so then I'm moved back to the city and I was like, all right, I'm gonna audition. And, and so at that point I auditioned for this smokey Joe's yeah, yeah. I'd done like five smoking joints and this vector. Yeah. This, it was like one of my favorites. This cast director was like, Steven dandle is so nice. He was like, I want to help me call me the, after my audition. He was like, I think you're super talented. I want to help you. I want to help you get an agent. And I was like, okay. I was just very lucky. And so that's how I got my first agent. And then I had an audition for hair in the park, in Shakespeare, in the park and books that, so that, and I remember calling my parents when I got that. And I was like, this is, this is like the chicken before the egg type of thing, you know?5 (34m 41s):It's like, it's like, we love you, but you've never done probably before. So we can't give you a better show. And you're like, but how do I get a Broadway show? Unless you give me a Broadway show, you know what I mean? I was like, this is a game changer. And I knew, and it was great. And that's like kind of then from there on like2 (34m 56s):Here, was that, what year was that? The hair in the park here in the park.5 (35m 1s):I want to say it was it 2007.2 (35m 4s):Okay. Okay. Amazing.5 (35m 8s):Yeah. And it was great. And then while I was doing that in the park, all the girls in my dressing room were going in for this new show called rock of ages and, and, and my agents were small at the time, so they couldn't get me. I couldn't get in. And I was like, what the F I'm so right for this show. And then finally at the end I got an audition and there was one roll left the stage swing for like the dancer tracks. And I, at that point hadn't danced since I was 17, had been like, you know, almost 10 years. And I can tell you, I blew that, see dance so bad. Like everyone was going that one way. And I was one of those where it's like, there's no way I'm getting this, but I booked it because the music director fought for me and was like, no, I really want her voice.5 (35m 50s):Like I really want her. And so thankfully2 (35m 53s):We talk a lot about on this podcast and I just talk a lot about it in my consulting and stuff with my clients. It's like, here's the thing. Like, and, and, and tell me your thoughts on this. Like my, my, you know, my new sort of vision for things is look, and the people have told me this and I never listened because I was a fucking idiot. But like, like we're booking the room, we're not booking the job. Right. We're booking the people like that. We're booking our champions. We're making fans of our work everywhere we go. And we just don't know who our champions are going to be. So you might as well, like, just really try to, what is it like you're booking the room, right?2 (36m 35s):Like we're. Yeah. So, so you had these champions early on, not that you didn't have the talent and the fucking work ethic too, but you had champions like the guy who called the casting man who called you and told you, I want to help you. And like, and, and, and then the, the musical director on rock of ages, that's amazing. And I think, and I'm trying to sort of figure out like, and what are your thoughts on Why people want to champion certain people? Is it because that, I guess it's a leading question. What I think is that people are decent humans and they want to champion other decent humans, not just the talented voice or the stunning person, but like the decency inside the human something comes through.2 (37m 23s):Do you think that's, that has any validity to it or am I crazy?5 (37m 27s):No, I do think like you onset or in a, in a, in rehearsal, you're with these people for so many hours, if the person is talented, but they suck as a human, like who wants to be suck on sets with 16 hours or in a rehearsal room for eight hours? You know what I mean? Like,2 (37m 44s):I feel like you are one of those. And I would say yes, because I'm talking to you and I'm good with, I know people, but like what, what do you think it is about you? Like, I'm always talking about this to famous people and to stars and to like, what do you think it is about you that people want to work with?5 (38m 4s):I'm very I'm game to do anything. Like I I've no ego.2 (38m 9s):You're curious. You're humble. You have fond. It sounds like you have fun. You like that?5 (38m 15s):Yes. I think my biggest fault, like is that I am humble to a fault. So therefore I think we tell people how to treat us. So sometimes my humility will come across as a lack of confidence. And that's the problem. Cause you know, it's like, it's a lot of money there. Producers are putting on your shoulders and the person that comes in with the confidence that like, Hey, I'm amazing.2 (38m 39s):Let me tell you something. I'm five years older than you. And I'm just getting it. So I now can walk into a room and first excuse my language, but now I can walk into a room and I can swing my Dick. Yeah. I know I have done the work. I have seen what's out there and I know what I have to contribute and I'm also not. But I spent, and if you listen to it all in the podcast, you know, both Gina and I, we spent our twenties and even my thirties going pick me, choose me, love me on some level. Even if I wasn't saying that it was coming out somehow in rooms. Right. So nobody wants that.2 (39m 20s):Right? Like nobody, that's not, it's not even something it's not even about attractiveness. It's like not even attractive in like a human way. Right? Like in a working relationship kind of way. So now I walk in and I'm like, it's not that. And I think also like, and people say this all the time, like people mistake, humbleness for weakness all the time, but there's also something in us that's projecting this sort of smallness. Even if we're not saying it until now, like it took me until 40, like whatever to say, oh fuck, no, I've seen what's out there. And I know I belong and it's not constant. So do you feel like you're coming into that?5 (40m 1s):Yeah. I think that, I feel like I had figured it out like two years before the pandemic. I really kind of, you know what it was for me. I stood by for Idina Menzel and this show called if then on Broadway. And it was the height of her career. It was when frozen came out and she was on the Oscars. And like everybody she's like, you know, everyone was obsessed with her. They were coming to see her specifically in the show. They weren't coming to see the show. They were coming to see her standing by for her people were viscerally angry when I was on, you know what I mean? Because you know, they came to see like, people have flown in from me. I had this British woman yell at me because like she had flown in from England and to see a Dina and I was on and I was like, I'm sorry, like it's not my fault.5 (40m 45s):You know what I mean? Like, you know, so, but that gave me the comp and I had to like win the audience over, like, you know what I mean?2 (40m 54s):So they don't throw things at you, right?5 (40m 56s):Yeah. Like you could feel the shift. There was a song called what the fuck? And like, I always knew. I'd like, that's like, when I would get the audience, that's your2 (41m 3s):Side5 (41m 3s):Where they'd be like, okay, like it's not a Deena. Like, she's2 (41m 6s):Awesome.5 (41m 7s):But this girl, like, it's not like a terrible name. Right. You know what I mean? Like,2 (41m 12s):But that help, we can't help. But like this lady.5 (41m 14s):Yeah. Like, you know what I mean? Like she's at least like, not bad. So that gave me the confidence. Like I had gotten to the place where I was like, ma I believed in myself because it had to, because nobody else did. Right. So I had to like, be like, okay. And that's, I was in a really good place. And the same thing, like when I moved to LA, like I was doing really well, like getting into like producer session callbacks for like service. Like you don't get like, great. And then the pandemic happened and I'm slowly getting my mojo back. Because like, after having that two years, almost three years of like living in this void, this vacuum of self-tapes where you don't know what's going on, you know, like there's no creativity.2 (41m 51s):Yes.5 (41m 52s):That I'm slowly being like, okay, I do know what I'm doing.2 (41m 57s):Can you tell Tega right. Yes. I see you. And maybe I'll listen to this, send it to them. I feel like if I were an Tikosyn, you'd be like, okay, crazy bitch. You don't know what you're doing, but listen, if I were marketing, you I'd be like, she is the next Rene Russo meets. And I haven't figured out the meats part, but Like, I always have a meats, you know? And it's going to be someone, a little weirder. You know what I mean? Like my cause I always skew weird. So when I, so like, you are like, I can see it, but oh, you're the next Rene Russo. But with a fucking voice, how about that? That's how I would pitch you pitch you with a fucking voice to make the gods weep.2 (42m 38s):That's how I would pitch not a manager, but you know, and I haven't actually heard you sing, although you sang a little bit in, I write in this tape, I can tell, you can tell like musical theater and like people could really sing, even when they're like joking around. It's like, wow, the rest of us are like, what the fuck was that? When I mess around, I'm like, man, you're like, oh, it was just like a little bit like, whoa, what the fuck? So anyway, the point is, you're brilliant. And I could totally, I could see you being like the next bad-ass Rene Russo type. Who's like, you know, in the Thomas crown affair, like that kind of thing. That's how I would T grim5 (43m 14s):T grin. Listen, I tell him, tell him,2 (43m 16s):Tell him. And he's gonna be like, oh, that crazy bitch. So, okay. The thing is now. So we have about 10 minutes left and I want to focus on like, what are your dreams? Like, where do you want to be? What do you want to do? Where do you want to go?5 (43m 31s):So many good questions. I mean, I want to originate. I really just want to be originating roles. Okay.2 (43m 37s):Okay. Tell me more about what that means. Like, I don't even, we don't talk like that in Hollywood. So what does that mean?5 (43m 42s):Well, like, cause you know, Broadway shows, there's like a lot of long running shows, but like originated wicked. So they wrote the show for her. You know what I mean?2 (43m 52s):Okay. So this is great to know because a lot of us don't know this. Okay. So they write for the people. She did not audition for that or she did5 (44m 2s):No, she, no, she auditioned, but then once she got it. Yeah. So it's like all of a sudden if like, oh, you know, like,2 (44m 10s):Okay, I am that's okay. I have a dog I'm at my office, but I have a crazy dog named Doris. Who's insane. So don't worry.5 (44m 18s):I have a puppy. And she's like, she's hit her like, oh yeah. I've been2 (44m 22s):Grab her.5 (44m 24s):Can you come over here please? No. Okay. So yeah like, like with, if then they like, you know, like they changed so many keys for her to like find what is good for her, you know what I know? So that way this is done, but so, you know, I want to originate. I want to be at a place where I'm not replacing, you know, I want to be originating. So that way2 (44m 51s):Originating roles on Broadway.5 (44m 54s):Yes. And I really want to get into TV and film. I like want to be doing2 (44m 57s):So. So yeah. And I don't think there's any reason why not. And it's starting to pick up again. So like I would just put it out there that I, if I were you, I would give I'm giving you totally unsolicited advice To LA for another try another six months out here. And I feel like it's different. What I feel in LA right now. And it's why I moved from Chicago is that there is an expansiveness in Los Angeles that look, it can be full of garbage, of course. But there is an expansiveness and the people I'm meeting are like, especially the younger folks are like creating massive amounts of art and content.2 (45m 40s):And even I'm seeing theater out here and it's amazing. And also film and TV. So all I would say is, I think we're in an age where I, it does feel like in LA a lot of things and people listening like old, old timers listening are probably like, oh, shut up. But like, I do feel like we are coming to the end of where it's oversaturated with content from streamers and people are like, no, no, no, we don't need more. What we need is like very specific shows and movies that are, I think we're good. We're contracting a little bit, which is not bad. So it's going to be more for me anyway, like gritty, heartfelt, smaller stories, which I fucking adore.2 (46m 23s):So all I'm saying is come to LA and we'll be friends. That's what I'm saying, Come to my office and we can hang out and do all the things. But anyway, okay. So you want to do film and TV? Like what kind of roles? Like if I said to you, okay, magic wand. Here you go. Jackie, what kind of roles are you? I know you're like, so game to play anything, but like where do you think you'd really shine in television and film?5 (46m 48s):I think I'd really, that's a good, such a good, really good question. I think I am more of a, like of a quirkier than most people think I am. Do you know what I mean? Like a lot of people, especially like when I straightened my hair and like, they're like, oh, you're like a sexy, like, you know, and I'm like, I'm really kind of goofy and quirky.2 (47m 9s):Yeah. You're like more of an ally McBeal than a like Gina Gershon. Bad-ass like that you have a more quirky quirkiness to it.5 (47m 18s):Yes. And because I looked the way I looked people, I was just thinking about baddest, but I have a softness about me that I can't get rid of. Like I did just, there just is I, and so I am like the funny, but like also I'm going to tell you the truth. Cause I do have like, but in a, not in a, like, I'm going to cut your throat kind of way.2 (47m 38s):It's not aggressive. It's yeah. It's more like Ernest than that. There is an earnest quality.5 (47m 45s):Yeah. So I'm that? I just think like, you know, the best friend that's going to keep it real, but also as kind of a shit show and like, yeah,2 (47m 51s):Yeah, yeah. It's reminds me of like, you could, you could play a lot of things, but like you could play the partner of someone on television who like, who like keeps their partner in line, but it's also funny and sassy, but like is the, is the true north to somebody right. And earnest true north that's totally.5 (48m 15s):Yeah. Yes.2 (48m 17s):I feel like I should have a podcast where people come on and I like help market them.5 (48m 21s):I would, yes. I think that people wouldn't2 (48m 24s):Malarious, I'd be like, you're a real kind of Mike Shannon meats, you know, I don't know, John C. Riley type with a side of Ben Affleck or something like that. But anyway. Yeah. So, okay. So you want to do that and then are you auditioning right now for, is there what's happening on Broadway? What's happening off Broadway that you, that are you excited about? Anything what's happening? That you're excited about? Nothing. Okay, great.5 (48m 50s):I sadly to say it's kind of been really dry. Like I haven't had much additions and it's been a little like brutal.2 (49m 0s):Okay. Good to know. I mean, I look, look, it's better to be honest because here's the thing, like if we, and it also comes across, you know, that like if people come on this podcast or like, I'm talking to someone even in a party and they're like, it's fabulous. I mean, blah, blah, blah. And you're like, I don't buy this because I just don't buy it. My bullshit meter goes off. So it's been brutal. And I have to say like, it's been a really brutal for me too, but like in a, in a, in a, across the board. And I think this is a time. I mean, we're, I'm, I'm a triple Libra. So I have sun moon rising, all Libra, which means that I'm just a bonkers, but it also means I, we, I feel that we are in a huge transition time and as systems, whether that's Broadway, Hollywood, the government, whatever you believe, whatever systems as they sort of start to falter and fall in some ways, which is scary.2 (49m 55s):Cause it's, you know, I don't know. I have my thoughts about capitalism, but like systems are failing a little bit just because of the pandemic because of life, the climate, all this stuff, those of us in positions too are called to really come stand up and say, what do I want? How can I help? How can I be of service? And what do I really want to create? So it's like a beautiful time for artists to say, look, it's brutal too, but like there's opportunity in the brutality of like, wait a minute, who do I want to collaborate with? How do I want to collaborate? What kind of art do I want to make?2 (50m 35s):And what am I willing to do to make a living? And what am I not? And mostly for me, it's been about like, who do I want to align with? Who do I want to make, have partnerships with? And that to me is more important actually than the tasks I'm doing. It's like if I go into a writer's room and the, and the showrunners are fantastic and the writers are like we're crew and a team it's like, that would be I, and I'm all, I'm like totally putting this out into the universe. So I haven't been there yet. So like, I'm pre, but like, I can imagine that that is like more important to me than the actual dialogue or writing. Do you know what I mean?5 (51m 15s):Yes. I2 (51m 16s):Will work on whatever show, if the people in charge and the team are dope as hell, it's sort of not as important, what the it's still important, but it's not like it's more for me anyway. It's more the team, right? It's the team and who gets me and who I get. And at the end of the day, am I willing to go to bat for these people? And are they willing to go to bat for me versus it's like, again, it goes back to like collaboration versus, you know, like pick me, choose me, love me. And so that's what I wish for you is like, is like you find your next team of people that are like your champions that you can champion.2 (51m 57s):And then I think the project will sort of work itself out. Do you know what I mean?5 (52m 1s):Yeah, totally.2 (52m 2s):So listen, casting, listen, listen, people, Jackie burns. Bad-ass not just musical theater star, but musical theater star. And yeah. So what else is happening? Anything else you need to say, like to your, to people listening that they must to know about you or where you are in your life in the world? Because this is like, we talk a lot about in this podcast about legacy. Like I don't have kids, so I don't know. So a lot of people can have their legacy through their children and I don't have that. And I have an asshole dog that doesn't give a shit about legacy and she's not gonna do anything for legacy. So I, my legacy is like this part of it is this podcast, which is going to be around forever until the aliens, you know, whatever.2 (52m 46s):And so, or whoever's taking over, what do you want, what do you have anything to say for posterity? That's like going to be immortalized forever on in the cloud?5 (52m 59s):I think for me, I am, it's all about like work ethic. I am such a, I never take for, I never take for granted. Like a lot of people will talk about, and it's not to say that I don't get tired and I don't get like, there aren't times where I'm like, oh God, this is brutal. But there, it never leaves me in the fact that like, anytime I get to do a show and I get stressed out about, I am definitely, I deal with my own issues with perfection. Like, you know what I mean? Yeah. Like where, but it never leaves me that like, I am so lucky to get to do this. And I am so grateful for the audience. Like, it makes me want to cry. Like I like when people are like, oh, sometimes I go on autopilot where it's like, oh, it's the seventh show of the week. And it's like, but those people in that seven show or eights or a weekend spent so much money to come and see this show that I can't help, but give 180% every time I get out the gate because I am so appreciate.5 (53m 50s):Cause I know if they didn't come, we wouldn't have a job. And also there's like 8 million people that were up for this one role. And somehow I got it. And I'm not saying I wasn't talented enough for it because you know, we all are.2 (54m 4s):Yeah. But you got it. And it's your re there's like a responsibility and a stewardship of the, and a seriousness of the profession and the role and the, and the it's like sacred in a way. Like, it's a thing. I, I totally, I hear that. Okay.5 (54m 20s):I think it's so important. And I think it's so important to give, like, this is like, it's hilarious. Like I don't, unless I can do a certain note, like, unless if I can, if I can't take up a note consistently eight times a week, I won't do it because I don't think it's fair that like, oh, well I can do it like three times a week. So those special three peep, three shows, they get it. And then the other ones get my, like, you know, less than show, like regular show because like they all paid a crap ton of money. So like, for me, I don't know, it's a cuckoo thing. Like I'm not somebody who's like giving you a different vocal show every day, depending on how I feel. I am going to give you the, like, I want2 (54m 60s):You give your best all the time. If you're when possible. And when, and if, and you don't mess around with that, you like, don't try to manipulate what people are going to get. And I, you know, I did a solo show, which was the word, like I loved my solo show in New York, but I did a solo show about cancer. And I worked for Nick cage for years. So that's in my solo show. I have like this crazy life. I was a therapist, all the things. So yeah, I've had a crazy life, but the point is I did this solo show and one night there was one ticket sold, okay. One ticket. And I went to my friend and I was like mother fucker. And I said, I don't do I do this show for one person. And she said, listen to me, who are you not to do the show for one person?2 (55m 40s):What if that one person needs to hear what you have to say? Who are you not to do the show? And I did it. And I, I did the show and I hope they got something out of it. And I, but, but she just said like, that person needs to hear what you have to say. They, they, they need to, and who are you not to give it to them? If that's your gift to offer, you've got to give it. And I was like, oh, and it changed my sort of my idea of like what it means to be in collaboration with the audience and like it, I was like, oh right. One person matters. That matters, right? Like that matters the one person, even if it's one person that got a discount ticket in Idaho that flew it, they matter to see you in wicked or whatever.0 (56m 39s):If you liked what you heard today, please give us a positive five star review and subscribe and tell your friends. I survived. Theater school is an undeniable ink production. Jen Bosworth, Ramirez, and Gina are the co-hosts. This episode was produced, edited and sound mixed by Gina for more information about this podcast or other goings on of undeniable, Inc. Please visit our website@undeniablewriters.com. You can also follow us on Facebook, Instagram, and Twitter. Thank you.

Dr. Alveda KingAbout Alveda King: Dr. Alveda C. King is the daughter of the late slain civil rights activist Rev. A. D. King and the niece of Dr. Martin Luther King, Jr., and a Christian Evangelist. Author of the best seller KING RULES and WE'RE NOT COLORBLIND, she is also founder of Speak for Life, Chairman of the Center for The American Dream - AFPI, and currently serves as a Fox News Channel contributor and is the host of "Alveda King's House" on Fox Nation and a NEWSMAX opinion contributor; a member of Optimist International; former college professor; and a film and music veteran. Alveda is also a former Georgia State Legislator, college professor, a twice assigned Presidential appointee, and a 2021 recipient of the Presidential Lifetime Achievement Award.

Avita Bansee (she/they)  is here today to talk to us about what Anti Capitalist, Anti Racist Yoga looks like. Avita is a graduate of Yogaworks 200 hour RYTT and their life experiences and continuous study of yoga philosophy, anatomy, pranayama and biomechanics inform their teaching and self-practice.

For many patients and family members, hospice is a terrifying word that is equated with giving up. Avita Home Health & Hospice is working to change that viewpoint and show that hospice care is not giving up hope, it's simply revising hope. With the aid of healthcare technology like clinical communication and collaboration, Avita is able to meet patients where they are in their healthcare journey to answer questions and provide compassionate care.In this episode of The Connected Care Team, Catherine Sapp, executive director at Avita Home Health & Hospice details how nurses and staff members use TigerConnect to enhance communication and coordinate care.Related:Connect with Catherine Sapp on LinkedIn.Learn more about the TigerConnect Product suite.Follow TigerConnect on LinkedIn for the latest episodes, news, and announcements.Subscribe to The Connected Care Team on your favorite platform to get notified of new episodes.

What Does Retirement Look Like Today? Ep .44 On this episode, I have my talented friend Avita Williams here to talk with me about today's retirement programs. How with our everchanging world, retirement today looks a lot different than it did just 20 years ago. Pensions, 401k's, 403b's, IRAs, social security...how will that look in your current portfolio?What are some other factors that should be considered? Avita is my sister in finance and this is her expertise. Listen while we discuss the changes that we should all onsider in this new economy. To reach Avita, please schedule an appointment at 347-612-0037 » Contact Kye at: http://www.readysetfree.me/ (www.readysetfree.me) or Email: info@readysetfree.me   » Follow me on Instagram @Ready.Set.Free » Facebook & YouTube @Ready Set Free Show donations at CashApp $KyeFinancial Podcast Engineer Social Hooligans; socialhooligans@gmail.com

Avita's vitiligo trial update. Lily's lebrikizumab data for AD. UV Index Today offers patient resources. Plus, "Women in Dermatology."

Thank you everyone who came and made my set at Market Days one incredible moment. Whether you were on the dance floor or wishing you were, enjoy the sound that took over the Avita Dance stage Sunday August 8th, 2021.

If you've worked in the yoga industry for a while, you may have had the feeling that something “wasn't quite right”. We've had many conversations on this podcast about issues inside of the industry, and how yoga businesses are set up. Being a former studio owner myself, I don't believe it's (usually) the fault of malicious intent on the part of studio owners, but rather a reflection of the basic structure of the studio model. That's why I was so excited to speak with today's guests, Avita Bansee & Markella Los about The Connective, a teacher-owner, worker-co-op, online studio. The team at The Connective are actively creating an alternative where the teachers are also owners, who have come together on the basis of shared values to build an online studio that supports the whole, just as much as it supports the individual. PODCAST HIGHLIGHTSWhat The Connective is and why Markella was inspired to start itAvita's early experience with yoga at home, and how she started teachingThe legal structure of setting up a collaborative businessWhy shared values are the glue that holds The Connective togetherWhat it's actually like to be a teacher-owner in a studioThe benefits of being in a collaborative business vs. owning a business individuallyHow yoga has been devaluedAdvice for starting your own collaborative businessFIND AVITAAvita's InstagramFIND MARKELLAMarkella's InstagramFIND THE CONNECTIVEThe Connective's InstagramThe Connective's WebsiteFIND CORACora's WebsiteCora's NewsletterFor links & resources mentioned in this episode go to www.corageroux.com/episode68Support the show (https://www.corageroux.com/theteachersclub)

In the last episode of the series, Avita Jay talks to fellow actor Adjoa Andoh. They talk about Shakespeare, casting, fairness and why theatre and creativity matter. Adjoa is currently best known for her role as Lady Danbury in Netflix's original series Bridgerton, but has appeared in multiple TV series, including Silent Witness, Death in Paradise, Line of Duty, New Tricks, River, Doctor Who, Casualty and Broadchurch. Each week we bring together current Royal Shakespeare Company actors with RSC artists who have inspired them. Interval Drinks is sponsored by Darwin Escapes. The music is ‘Oberon's Theme – King of Shadows', originally composed by Sam Kenyon for A Midsummer Night's Dream (2016).

 February 7th is celebrated annually as National Black HIV/AIDS Awareness Day. We want to celebrate this awareness day and its theme of "we're in this together!" Join Mario Harper from Avita Pharmacy, Steve, and Taara as they discuss what this day means and different ways to address stigma within ourselves and our communities. National Black HIV/AIDS Awareness Day #NBHAAD#NBHAADAvita PharmacyCenter for Health EmpowermentCHE ReliefTelecheQCare+ storyblocks.com

1.40 - Quick review of 2020 2.35 - How to survive huge market swings like March 2020 and 2008-2009 3.45 - Discussion on support mechanisms in place in equity markets (central banks, fiscal stimulus, actions by management teams, etc) 5.45 - Current investment strategy is to stay invested & make sure we are constantly holding winners 7.35 - Sound fundamental reasons why companies with intense customer love, explosive growth, and market leadership perform so well 8.15 - Our companies are investing heavily. When revenue comes in they open new offices, hire marketing staff and etc which promises a greater return on investment. Many categorise these investments as costs, which gives the opposite (incorrect) answer 10.17 - Investment in tech and the "companies of the future" requires long term investment with value creation over 5 - 10 years 11.50 - Question: Have you invested in Nio? Nio capitalises on the necessity of an electric China. There is demand in the Chinese economy with issues like pollution for electric vehicles and the vast majority of the population will be buying locally made vehicles. Nio is a 100%+ revenue growth company and has proven user base in China 13.25 - Question: When do we trim? Focus of maintaining diversified portfolio of ultra-high growth companies 14.25 - Long term goals of the fund 16.17 - Question: Is there a limit to when printing to support the economy triggers inflation? Austerity weakened the private sector as seen in the UK and saw mass unemployment 17.14 - Comparison with the Australian experience 18.08 - The Greek experience with austerity, and how growth can be the solution to an economic crisis 20.20 - Worries around debt overhang have been consistently proven wrong for countries like Australia, Japan, UK and USA anyway 20.50 - Question: How are you investing in the life sciences? 22.23 - Discussion on liquid biopsy and Dermtech's sticker approach to melanoma 24.00 - Question: What do we think about SPACs? 26.20 - Question: what didn't work in 2020? A few biotechs underperformed, like Avita 27.40 - Discussion on Moderna now that vaccine is approved 30.33 - Market outlook: Market is changing with stimulus, vaccines and substantial changes in leadership with low interest rates 30.45 - At the highs of January 2021 we aim to stay consistent & ensure our portfolio companies are adding users and revenues everyday at the highest possible rates, just as we did in the lows 33.10 - Question: What do we think of high quality but richly priced companies like Crowdstrike? 33.23 - 2021 focus on life sciences - the space is independent over the growth space & captures novel explosive growth 34.10 - Always searching for companies that grow 100% year on year, trading on five-time sales 34.25 - Why we never bought Spotify 35.10 - Question: Are we in a tech bubble? 44.30 - Conclusion: we remain focused on our diversified portfolio of ultra-high growth companies intense customer love, long term

From SCV Means Business: Dr. Michael Perry, CEO of AVITA Medical, joins the program to discuss the work that his company does to harness the skin's regenerative capacity to create spray-on skin comprised of the patient's own skin cells. Discover the patients and conditions most likely to need this kind of therapy, and why AVITA Medical decided to move the company from Australia to the Santa Clarita Valley. 

Dr. Michael Perry, CEO of AVITA Medical, joins the program to discuss the work that his company does to harness the skin's regenerative capacity to create spray-on skin comprised of the patient's own skin cells. Discover the patients and conditions most likely to need this kind of therapy, and why AVITA Medical decided to move the company from Australia to the Santa Clarita Valley. 

 Flooding in Honduras:Please donate to help purchases beds, mattresses, refrigerators and stoves for those who have lost everything.  This episode of the CHECast, meet Mario! An Avita account executive, outreach ally, and HIV-prevention champion! With Mario, we learn more about Avita and the importance and responsibility of outreach when it comes to HIV prevention. We take a dive into the impact of representation and being in and for the community when it comes to eradicating stigma. Finally, we discuss World AIDS Day - coming up December 1st, 2020. https://cherelief.org/Center for Health Empowerment (CHE)Avita Pharmacy World AIDS Day_UNHistory of World AIDS DayHIV/AIDS Awareness Days_.GOVBilly Preston- Nothing from Nothing (1974)Never Split the Difference-Chris Vosssome music from  StoryBlocks.com

In today's podcast, my guest Avital Miller shares how she was told that she wasn't good enough, smart enough, and was diagnosed with an autoimmune disorder that kept her on a high amount of meds where was told she would most likely not get better from. Through her passion for life and by following her Joy, she overcame all of this and THEN some! Her story is super inspiring! To learn more about Avita, go to www.healinghappensbook.com To share your question with me and win a chance to get a FREE Oracle Card Reading with me, email your question to michele@loamiraclemindset.com. Be sure to put in the subject line: ASK MICHELE To learn more about my upcoming coaching programs including my upcoming group coaching program, “BEGIN AGAIN: HOW TO GO FROM SURVIVING TO THRIVING click HERE. You can watch my Joy and Miracle videos by clicking HERE. To become a part of our FB community, click HERE. You can now find my guided meditations on Insight Timer. Click HERE to follow me there. Click HERE to get your Free Discovery Session. Or go to www.michele-joy.com to learn more about me and all that I do. You can also email me at michele@loamiraclemindset.com. To sign up for a Soul Journey, click HERE. To sign up for an Oracle Card Reading, click HERE. To sign up for a Past Life Journey, click HERE. To learn more about my Miracle Mindset Business Mastery, click HERE. Thanks for listening and Happy Manifesting!

It is episode 4 of the CHECast and we are getting spooky in the spirit of October! This episode features Steve, Taara, Tapakorn, and Chip. Join us as we talk about Halloween costumes of years past! Next up we discuss Avita pharmacy and dispel some notions surrounding PrEP and PEP with Chip. Then, after taking a short break to discuss our favorite Halloween candies (Steve's is a surprising one!), we get into the true horror- abstinence-only sexual education. Do you remember what sex ed was like for you? Join us as we discuss our personal experiences, dispel some false sexual rumors, and share some horrifying facts about the state of sex ed in the USA!Things we mention:Avita PharmacyCHEFlu ShotsTaara's Sources for good sex ed:CHEAvita Pharmacistsyour gynecologist or primary care providerwww.plannedparenthood.orgMayo Clinicwww.ashasexualhealth.org/

Avita Bansee is a yoga teacher specializing in pre- and postnatal. The birth of her children and continued study in yoga philosophy, anatomy, pranayama and biomechanics inform her teaching and self-practice. Avita's group classes are centered on breath, strength and active rest while maintaining a sense of playfulness. Her work for the last seven years includes training private clients, aiding them with pain management, birth recovery or general well being through yoga and exercise. In addition to teaching yoga, Avita has a Masters in Political Science from the New School of Social Research and is a passionate advocate of social justice, feminism and anti-racist activism within and beyond the wellness industry.You can find out more about Avita and her work at avitayoga.com and on Instagram @yogawithavita. Check out her September workshop with Eleni and Liz on The Connective, Earth, Fire, Water. And find out more about her collaboration with Tejal Yoga and Social Justice at tejalyoga.comThe book Avita referenced, What Makes a Baby by Cory Silverberg can be found here.

The Aussie share market rose for the 4th month, up 33% from its COVID-19 low. We saw Australia slip into deflation, while on the commodity front, all that glittered was gold. In this week's wrap, Jessica covers:(0:16) Star stocks: ALS (ASX:ALQ) +34% & Orocobre (ASX:ORE) +33%(0:45) Stocks to consider as the gold price glistens(1:55) Inflation hits rock bottom - biggest fall in history(2:25) Rent takes a plunge: also a historical record(2:56) Inflation rebound themes to consider: childcare & fuel/oil(3:57) Rio Tinto (ASX:RIO) & Fortescue Metals (ASX:FMG) results(5:30) Next week: Resmed (ASX:RMD) reports, RBA meets(6:17) Retail stocks to watch: Temple & Webster (ASX:TPW), Michael Hill (ASX:MHJ) & Harvey Norman (ASX:HVN)

Mike and Claude from A Rich Life (https://arichlife.com.au/) talk Australian growth stocks for the next decade. If you'd like to know more about us see: www.fraziscapitalpartners.com 0:38 - Claude's background and time at Motley Fool 4:30 - Pro Medicus (PME:ASX) recommendation and discussion 6:38 - Claude touches on his investment style 8:08 - Pro Medicus as a platform business rather than just a software business 8:30 - Pro Medicus - the numbers 10:20 - Claude dives into Pro Medicus' two key revenue streams 11:50 - Michael introduces Alteryx (AYX:NYSE) and accounting standards 14:45 - Claude's worst mistake (Touchcorp) 17:30 - Claude touches on cognitive errors 18:10 - Michael discusses Afterpay (APT:ASX), comparing it to some US tech investments 19:25 - Afterpay, the YOLO stock? 21:55 - The network effects of Afterpay 22:30 - Consumer behaviour of Afterpay customers 24:38 - Claude introduces Avita Healthcare (AVH:ASX), discussed in Frazis Capital's previous podcast 26:58 - Avita's opportunity in vitiligo and skin rejuvenation 29:59 - How to value a company like Avita when there are no conventional cashflows? 32:02 - When should you sell a company like Avita? 35:20 - BARDA's funding of Polynovo (PNV:ASX) and Avita 37:40 - Claude goes through Audinate (AD8:ASX) 41:55 - Audinate's financial numbers 45:00 - Audinate's next 5 years 48:00 - Claude talks about his new project, "A Rich Life"

Peter Stevens joins us to discuss Coronavirus and two Aussie burns innovators: Avita and Polynovo. Find more information about us here: www.fraziscapitalpartners.com And please get in touch if you have questions you'd like us to answer on the podcast, suggestions or feedback. If you'd like to know more about us see: www.fraziscapitalpartners.com 00:28 – Coronavirus, and how to calculate the real mortality rate 02:20 – The common cold is a coronavirus 04:18 – Market performance during past pandemics 05:00 – Why you shouldn’t sell your stocks because of the coronavirus! 07:00 – Australian bushfiresand two Aussie burns innovators 07:50 – Introducing Polynovo (ASX:PNV) and how the firm’s improving the existing standard-of-care for serious burns over the incumbent, Integra 14:40 – Avita (ASX:AVH) 15:12 – Avita's RECELL system 16:16 – How ReCell improves recovery 17:10 – The opportunity in Vitiligo 19:12 – Skin grafts 19:47 – How Avita fits within our focus on customer love 20:45 – Avita’s opportunity in skin rejuvenation opportunity 22:40 – Australian life sciences successes of the past 25:10 – The real value uplift opportunity in life sciences 26:50 – More customer love! 27:18 – Avita and Polynovo's cash situation 28:40 – Mesoblast 30:50 – Bitcoin, the life sciences, and tying it all together.

In this episode we continue with our 2019/20 Summer Series, where we take a shallow-dive into companies that have been selected by the Equity Mates community. We had 180 submissions for companies to explore, so randomly picked 10. The idea of these episodes is to show how you can begin to research a company, where to look for information and what are some of the key things to consider. AVITA Medical is a publicly listed, global regenerative medicine company that provides a novel approach to skin regeneration. In this episode we: discuss what the company does take a look at their financial position and financial summary breakdown some key elements of their business model have a crack at a valuation close with a fun fact Want more? Subscribe to Equity Mates Investing Podcast, social media channels, Thought Starters mailing list and more here. Equity Mates is a part of the Diamantina Media Network - the home of Australia's favourite podcasts. For more information, visit http://diamantina.com.au/

The Dow snapped a three-day losing streak gaining 147 points and Cramer’s digging into today’s headlines. Then, Robinhood has changed the face of investing, and Cramer’s sitting down with the company’s co-founders & co-CEOs to learn more about how Robinhood is disrupting the industry. Then, just ahead of the holiday’s Cramer’s talking to Mattel’s CEO to learn more about holiday shopping and the release of the infamous “Baby Yoda”. Plus, Cramer’s sitting down with an under the radar biotechnology company, AVITA Medical, to learn more about their revolutionary procedures and the stock’s recent run.  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we try and talk about Fast Five & Furious 6. Listen to see if we get it together Drinking Game at 18:44 Tweet us at @seconddinnerpod Email us at seconddinnerpod@gmail.com Things we spoil (or just mentioned): Fast Five, Furious 6, Highlander, Titanic, FRINGE, Law & Order, Dragnet, Citizen Kane, Dracula, The Mummy, The Beauty & the Beast, 50 Shades of Grey, Monster Squad, Nosferatu, 2 Fast 2 Furious, Avita, Gigli, Ghost in the Shell, Rub & Tug, Exodus, Malcolm X, Black Panther, I Got The Hook Up 2, The Birth of a Nation, Crazy Rich Asians, Fast & Furious, Mamma Mia, Pitch Black, Furious 7, Fate of the Furious, Yesterday, Black Panther, Wizard of Oz, ET, Doc McStuffins, Mission Impossible 3, Mission Impossible 2, Deadpool, Chronicles of Riddick, Riddick, Highlander II: The Quickening, Transformers, Toy Story 4, St. Elmo’s Fire, St. Elsewhere, Pokemon Hobbs & Shaw Count: 2

Kedma Ough, MBA, is a nationally recognized business development and business funding expert, innovation and entrepreneurship thought leader, award-winning champion of small business, and business advisor for independent inventors. She is also a proud fifth generation entrepreneur, whose great-great grandfather peddled various products across Ireland. Throughout her career, Ough’s driving mission has been to empower people—particularly minorities, veterans, women, people with disabilities, and innovators—to become business owners and to maximize the potential of their businesses. To date, she has helped more than 10,000 individuals fund, launch, and grow their businesses, in a wide range of industries. Program, the SBDC Cyber Security Center, the Youth Entrepreneurship Program, and the National Franchise Program. She is also the founder and business director of Avita, a business counseling firm in Portland, Oregon. She is the past recipient of the SBA Women in Business Champion of the Year, SBA Small Business State Champion, and National Small Business Influencer Leadership awards, among others. Ough has also been recognized by the Huffington Post for fueling innovation and by Inc. Magazine for her work in creative financing for minority-owned businesses. A contributor to Entrepreneur.com and a popular featured speaker, Ough writes and lectures on entrepreneurship, innovation, business development, business funding, and other topics. Her first book, Target Funding—a veritable GPS to proven funding solutions for creating, improving, or growing a business—will be published by McGraw-Hill Education in February 2019. When she is not running around as a real-life superhero to the entrepreneurial community, she enjoys time with her family. The Inventors Launchpad Network – Is proud to present Tuttle Innovation, Co-Hosted by Warren Tuttle and Carmine Denisco. Warren has served as President of the Board of Directors for the UIA since 2010, and is a prolific speaker at inventor clubs and industry tradeshows, where he shares his his extensive knowledge and expertise to help educate aspiring inventors, patent holders and product developers.  Warren wants to educate inventors using stories from the industries most influential people.

'The Moon' is written by Afsaneh Gray and performed by Avita Jay. This is the Chain Reaction Project. The Chain Reaction project is a series of stories written in response to each other. A story is passed to the next writer in the chain, and they respond to it with another story, as loosely or as closely as they wish. Their story is then passed onto the next writer, and so on. Produced by Lydia Thomson Supported by Red Apple Creative.

This episode of “On Air with Avita” features Dr. Scott Foster, Avita’s fellowship-trained hip and knee replacement surgeon! For just over 10 minutes, Dr. Foster walks us through several key areas of the joint replacement program at Avita. If you are considering a hip or knee replacement (or if you are on the fence!), this episode might benefit you! Episode segments:0:00 Introduction:50 Patient satisfaction and better outcomes2:22 Reasons for top-ranking customer service scores4:35 The benefits of the HANA table in hip replacements7:22 Revisions and partial joint replacements7:55 The team approach to Avita’s joint replacement program9:20 Determining when a good time for a replacement is

This episode of “On Air with Avita” features Dr. Scott Foster, Avita’s fellowship-trained hip and knee replacement surgeon! For just over 10 minutes, Dr. Foster walks us through several key areas of the joint replacement program at Avita. If you are considering a hip or knee replacement (or if you are on the fence!), this episode might benefit you! Episode segments:0:00 Introduction:50 Patient satisfaction and better outcomes2:22 Reasons for top-ranking customer service scores4:35 The benefits of the HANA table in hip replacements7:22 Revisions and partial joint replacements7:55 The team approach to Avita’s joint replacement program9:20 Determining when a good time for a replacement is

Here it is! It’s our second episode of On Air with Avita! This episode is special because it is Better Speech and Hearing Month so we sat down with Audiologist, Heather Vaught, Au.D, and Speech Language Pathologist (Speech Therapist), Maddie Ellis. We learned a lot on infant language development, hearing aids, hearing loss, speech and swallowing disorders, and more! EPISODE SEGMENTS:00:40 – Better Speech and Hearing Month 2:50 – Early intervention for hearing loss4:55 – Working with infants and language development7:50 – Hearing aids 11:38 – Behind the ear vs in-ear hearing aids13:23 – The difference between hearing aids and personal sound amplifiers16:34 – The relationship between hearing and speech18:04 – Signs and symptoms of stroke and speech 20:30 – Scope of practice for speech language pathologists22:33 – Types of swallowing evaluations27:15 – Hearing loss prevention32:20 – Signs and symptoms of hearing, speech, or swallowing disorders37:18 – How to become a Speech Language PathologistAre we not on your podcast app of choice? Let us know! Send a message on Facebook or Twitter or email us at aoconnor@avitahs.org and we will work to get our podcasts directly to your app.

Here it is! It’s our second episode of On Air with Avita! This episode is special because it is Better Speech and Hearing Month so we sat down with Audiologist, Heather Vaught, Au.D, and Speech Language Pathologist (Speech Therapist), Maddie Ellis. We learned a lot on infant language development, hearing aids, hearing loss, speech and swallowing disorders, and more! EPISODE SEGMENTS:00:40 – Better Speech and Hearing Month 2:50 – Early intervention for hearing loss4:55 – Working with infants and language development7:50 – Hearing aids 11:38 – Behind the ear vs in-ear hearing aids13:23 – The difference between hearing aids and personal sound amplifiers16:34 – The relationship between hearing and speech18:04 – Signs and symptoms of stroke and speech 20:30 – Scope of practice for speech language pathologists22:33 – Types of swallowing evaluations27:15 – Hearing loss prevention32:20 – Signs and symptoms of hearing, speech, or swallowing disorders37:18 – How to become a Speech Language PathologistAre we not on your podcast app of choice? Let us know! Send a message on Facebook or Twitter or email us at aoconnor@avitahs.org and we will work to get our podcasts directly to your app.

On the debut episode of “On Air With Avita”, we talk with Dr. Ryan Wagner, Orthopedic Sports Medicine physician and Medical Director of Avita Center for Sports Health. 00:00 - Introduction3:03 – The importance of Sports Health and Athletic Trainers in schools12:10 – Staying on top of concussions15:55 – The difference between an orthopedics and sports medicine20:10 – Ultrasound in sports medicine23:21 – The power of regenerative medicine and Platelet Rich Plasma (PRP)30:35 – Sports medicine is not just for athletesBe sure to like us on Facebook at https://www.facebook.com/AvitaHealthSystem and follow us on Twitter @AvitaHealthSAre we not on your podcast app of choice? Let us know! Send a message on Facebook or Twitter or email us at AOConnor@AvitaHS.org and we will work to get On Air With Avita directly to your app.

On the debut episode of “On Air With Avita”, we talk with Dr. Ryan Wagner, Orthopedic Sports Medicine physician and Medical Director of Avita Center for Sports Health. 00:00 - Introduction3:03 – The importance of Sports Health and Athletic Trainers in schools12:10 – Staying on top of concussions15:55 – The difference between an orthopedics and sports medicine20:10 – Ultrasound in sports medicine23:21 – The power of regenerative medicine and Platelet Rich Plasma (PRP)30:35 – Sports medicine is not just for athletesBe sure to like us on Facebook at https://www.facebook.com/AvitaHealthSystem and follow us on Twitter @AvitaHealthSAre we not on your podcast app of choice? Let us know! Send a message on Facebook or Twitter or email us at AOConnor@AvitaHS.org and we will work to get On Air With Avita directly to your app.