Podcasts about community art

On this week's episode of Out and About, Dr. Mae Gilliland of ArtsPartners of Central Illinois talks with Nikki Wheeler, special events assistant at Five Points Washington, about the upcoming Community Art Fair on June 20. This curated outdoor event brings together regional artists, live music and hands-on art activities for children in a welcoming, community-centered setting.

Artspeak Radio, Wednesday, June 3, 2026, 9am -10am CST, 90.1fm KKFI Kansas City Community Radio, streaming live audio www.kkfi.org Producer/host Maria Vasquez Boyd welcomes artist GK Callahan, John Todd the Radio God. BEN WENDT, musician, & GK CALLAHAN artist.-10th Annual Arts in the Park Festival is a free two-day celebration of creativity, culture, and community at Macken Park in North Kansas City. This year's festival features more than 60 artists and makers, live music, food trucks, a beer garden, a petting zoo, family activities, and, through a partnership with the Kansas City Ethnic Enrichment Commission, cultural performances, traditional dance, music, and food representing communities from across the region. We look forward to celebrating everyone in North Kansas City, and enjoying arts and culture with our neighbors. https://www.artsinthepark.org GK Callahan is a civic artist and Community Arts & Engagement Specialist with the University of Missouri Extension, as well as a member of the North Kansas City Arts in the Park Festival Planning Committee. Ben Wendt, local musician, co-owner of The Rhino, and Arts in the Park committee member who helps coordinate the festival's music programming. JOHN TODD The Radio God- The phrase, “Under the Radar,” literally means to go without attracting notice; in an undetected or secretive manner. But don't let the title of John Todd's radio program fool you. If the bands he plays on air were unnoticed before, they are surely on someone's radar now. John has made it his personal mission to unearth Kansas City's best musicians by giving them the airplay they deserve. On his program, “Under the Radar”, anything goes. From rock to country, folk to funk, there's something here for all. Tune in Sunday night from 10-12 p.m. and let John help you get these under-represented bands on your music radar.

Guests: Jalen Thomas and Chris MetzgerHost:  Christopher KardambikisRecorded on February 27, 2026This is the third of three episodes focusing on the recent publication: Even the Score, guest edited by Lindsay Buchman and published by Homie House Press.Jalen Thomas is an interdisciplinary artist from Prince George's County, MD. Her work combines photography, quilting, and design to examine Black girlhood and Black feminine domestic identity.  Operating in the intersections between creative play and domestic labor, Thomas' work is inspired by her mother often creating in collaboration with and for her. Working primarily with textiles and archival family photos Thomas participates in liberatory Black homemaking practices and oral storytelling traditions that have been passed down through generations of Black mothers, sisters, and friends. Currently serving as an Americorp Artist in Residence at 901 Arts in Baltimore, MD, Thomas continues to pass along these traditions to youth by teaching with a commitment to care, joy, and radical imaginative creation. She holds a BS in Graphic design from Stevenson University and an MFA in Community Art from the Maryland Institute College of Art.Christopher Metzger is a socially engaged artist/educator living and working in Baltimore, MD. As Professor and Department Chair of Art and Graphic Design at Stevenson University, his creative practice often engages communities in collaborative-based projects that encourage an exploration of self within larger social frameworks. Centered on fostering community and the investigation of representational justice through a historical and contemporary lens, his work often critiques and challenges the status quo while developing critical perspectives and an urgency to bring about social change through acts of creative resistance.Working primarily within photographic media and design, Metzger's personal work is deeply rooted in, and informed by, his relationship to his wife and kids, a Black woman and two biracial sons. Often dealing with themes related to race, class, and identity, they examine their lived experiences through their individual identities and memories, while navigating places and spaces collectively as a family in search of joy, love, and truth.As an artist/educator, Metzger has come to embrace the symbiotic nature of his creative practice. His art is his teaching, and his teaching is his art. For Metzger, these identities are one in the same. Guided by community, agency, justice, and care and informed by his research into decolonizing art and design education, Metzger's work is committed to the process of un/learning and interrogating the narratives, structures, and systems that have historically been put in place to divide and exclude.Episode artwork by Homie House Press“Paper Cuts Theme” by The Early@theearly_band // http://theearly.net

This episode is a little different, and a very personal one.After unexpectedly spending time in hospital and needing to step away from my business for several weeks, I found myself reflecting on something important:What actually makes a creative business sustainable? In this episode, I share what happened during my time away, why I disappeared for a month, and the eight business systems I had built over time that allowed my business to keep moving while I focused on healing and recovery. We talk about:Building financial stability with emergency savingsCreating passive income through digital products and online workshopsThe importance of trust, consistency, and strong client relationshipsWhy systems and organisation matter in a creative businessDiversifying income streamsUnderstanding your own capacity and avoiding overcommitmentBuilding a business that supports your life, not consumes it This episode is an honest reflection on burnout, sustainability,rest, and what it really means to build a creative business that can support you through difficult seasons.And as this is Episode 100, it also marks the end of this seasonof the podcast as I take a short winter break to rest and recover fully.Thank you for being here and supporting Art + Business + Murals over the past 100 episodes. I am incredibly grateful for this community. The upcoming events and links that I mentioned in this episode:Sign up to my mailing list for upcoming competitions, coachingpackages and events: https://www.sculleydesign.com The 31 May Business of Art Community Bank Sunshine Coast x Sarah Sculley FREE workshop: https://bankingthatbenefits.com.au/ The Intro to Stencils Workshop and Art + Business Workshop in my Nambour Studio in July – more info and tickets can be found here: https://www.sculleydesign.com/workshops Open Studios Sunshine Coast information can be found here: https://openstudiossunshinecoast.com.au/ Open Studios Gympie: https://www.gympie.qld.gov.au/Community/Arts-and-Culture/Studio-TrailsOpen Studios Noosa: https://noosaopenstudios.com.au/  ——— Thank you so much for tuning into the Art +Business + Murals PodcastIf you'd like to say ‘hi' to me, or if you have any podcasttopic ideas or artists you'd like me to interview, please email: podcast@sarahsculley.com Please follow along: Instagram // https://www.instagram.com/sculleydesign/ Facebook // https://www.facebook.com/sculleydesign You Tube // https://www.youtube.com/@SarahSculley/videos Website // https://www.sculleydesign.comFeel free to give this podcast a star rating and ‘follow' so you are notified when new episodes come out each Monday. Please share it with any creatives in your life.

Do You Want to Die Not Knowing? One Artist's Leap Into Art as Service and HealingHave you ever had someone ask you a question that completely changed the direction of your life? In this episode, I talk with commission artist Shawn B. Standley, whose wife asked him exactly that kind of question — and it launched him into a new chapter as a full-time artist dedicated to healing and community service.Shawn's journey is anything but a straight line — from aerospace engineering student to carpenter, Navy veteran, restaurant manager, and Alaskan wilderness dweller — before finally committing to his true calling: creating deeply personal commission art that captures people's stories, memories, and life transitions.Now based in Conway, Arkansas, Shawn is partnering with wellness organizations, end-of-life doulas, and medical institutions to bring the healing power of art to people navigating major life changes. He also oversees the urban farming and community garden program at the Faulkner County Library — proof that art and service can take many forms.In this episode we cover:(1:42) How Shawn's father discouraged him from pursuing art as a career — and how he found his way back(11:51) Dropping out of aerospace engineering school and the winding road that followed(13:17) Moving to Whidbey Island and finding his first real artistic community and mentor(16:03) Going to art school at Cornish College of the Arts in Seattle — and why he left(18:11) How Alaska got under his skin and changed everything(22:07) The question his wife Shell asked that became the turning point of his artistic life(23:54) Discovering the profound emotional power of commission art and creating work that tells someone's personal story(24:40) Why Conway, Arkansas — and what surprised him about building an art practice there(28:45) Finding his why through the Artist Inc. fellowship and the Artists in Business mentorship program(32:15) Partnering with end-of-life doulas, the University of Arkansas Medical Sciences wellness program, and the Arkansas Wellness Network(37:55) His vision for combining art and healing as a full-time practiceConnect with Shawn: Website: shawnbstudios.com Social media: @shawnbstudiosConnect with me: arthealsallwoundspodcast.com | SubstackMusic by Ketsa and Lobo LocoSupport the show

Welcome to season 4, episode 6 of A Friend for the Long Haul - A Long Covid Podcast! One of my very favorite people is back on the pod: Amaranthia Sepia, co-founder of Sista Creatives Rising, commissioned seed packet artist for Sista Seeds, and now digital media manager for the disability and design podcast Down to the Struts. Amaranthia is a 26-year-old Black, disabled, neurodivergent artist and organizer based in New Hampshire, and in this conversation we get to really dig into her story, not only as a creative behind Sista Creatives Rising, but as an artist whose work is rooted in her family's gardening history, her love of Black women and the land, and her own hard-won journey toward self-preservation and community.We talk about her stunning seed packet illustrations for Sistah Seeds, founded by Amirah Mitchell. From the website: "In 2021, Amirah founded Sistah Seeds to connect black and brown growers to our culturally-important seeds. Sistah Seeds is one of a small but growing number of black-owned seed businesses in the U.S., changing the landscape of the seed industry. Together, we are part of a multi-ethnic, multi-national movement of farmers and seed-keepers, working to preserve our heritage and create a strong agricultural future for our communities."We also talk about hydroponics, healing, and how growing food for her mom during a health crisis sparked something lasting. We talk about Amaranthia's new role at Down to the Struts, how an unexpected $3,000 Social Security notice lit a fire under her to pursue additional work, and why remote, disability-justice-rooted employment is the difference between thriving and burning out.We also discuss what it's meant to find a vibrant disabled community online after years of navigating bullying, racism, misogynoir, and ableism...including the assumption that being homebound automatically means your life is sad and small. (Spoiler: it absolutely does not.)We also talk about Lilette, the tiny blue masking frog who has become the mascot of Sista Creatives Rising and might just end up in a children's book. No promises. But also maybe.Links mentioned in this episode:Sistah Creatives Rising: sistahcreativesrising.comSista Seeds: sistahseeds.comDown to the Struts (podcast on disability & design): downtothestruts.com Sista Creatives Rising on Instagram (for Lilette merch & links)The Sistas Uprising Fund micro grantsMentioned or featured in this episode:Katrina Dreamer (my pacing buddy, ep. 1, season 2 & season 3)Lissy Donovan (long hauler and business owner, ep. 9, season 3)

INTERVIEW: Lichen Sorrel on opening of community/art space Found Studio by Fi Jaxx on Radio One 91FM Dunedin

In this episode, we welcome Sam Horvath, Executive Director of the Perry County Council of the Arts (PCCA), to talk about his journey back to central Pennsylvania and his vision for strengthening the arts in Perry County.Bestselling author and entrepreneur Lindsey Smith joins us to talk about her groundbreaking new book, Summer Haters Club, the first traditionally published book to explore seasonal affective disorder in the summer. Lindsey sheds light on a condition that's often misunderstood or overlooked, inviting readers—and listeners—to rethink mental health during the warmest months of the year.

Send us Fan MailWe get honest about why the arts feel easier to ignore than roads or schools and why that choice costs us empathy, creativity, and shared community life. Brian Rodolfo, president and CEO of The Cabot, explains how a historic theater stays open by blending commercial shows with mission-driven arts education, outreach, and affordable access. • the arts as a tool for empathy, creativity, and collaboration across every field • why arts funding gets politicized and how art “shines a light” on society • when shocking art works and when it feels empty • a practical definition of art as something that moves you and makes you think • Brian's career path from lighting design to programming to CEO • The Cabot's roots as a 1920 movie palace and vaudeville house • curated movie nights and the power of a shared audience experience • the economics of running a nonprofit community arts venue • access programs including Vet Tix and Massachusetts EBT Card to Culture • why big-name patronage looks quieter today and how smaller gifts add up • arts and science connections including dementia, autism, and music therapy research Check out the website. We've started a sponsorship program. It starts as easy as $3 a month, and it helps me get this show out there. If you're interested in having the Action to Impact podcast and video cast come to your neck of the woods, be it your club, your assembly, your zone event, anything, Rotarianpod at gmail.com, message me. If you have somebody that you feel is turning their actions into impact, let me know. That same address, Rotarianpod at gmail.com.Support the showJoin me as I talk to those "amazing people turning their Actions 2 Impact all over the world. #BE THE CHANGE

Producer/host: Adina Salmansohn Other credits: Theme music written and performed by Ariel Chapman. A monthly show exploring Maine‘s culture, art and crafts that enrich our lives and bring us joy. This episode covers some innovative theater happening in Maine, including presenting and teaching Financial Literacy through the circus; Gilbert and Sullivan Operettas, updated; and a new youth theater program Downeast at the Milbridge Theatre and Community Arts Center. Guest/s: Lisa Leaverton, Chief Collaborator, Circus of Finance – inquirewithinproductions@gmail.com Deirdre McArdle and Deiran Manning – winterharbormusicfestival.org gilbertsullivanmaine.org Kimberly Laine, Executive Director, Milbridge Theatre and Community Arts Center – milbridgetheatre.org kimberly@milbridgetheatre.org About the Host: Adina Salmansohn started learning to play the trombone at the age of 8.  Her undergraduate years were at the Cleveland Institute of Music, where she studied with Robert F. Boyd of the Cleveland Orchestra.  After returning to her native New York, she played freelance in the NY Metro area, including multiple orchestras, big bands, and a 17 year stint with The Soundview Brass Quintet, which she founded in 1980. In addition, she had a busy career as an arts administrator, directing and teaching in Community Arts schools, light opera companies, and season programming for other non-profit organizations. Adina founded the Hudson School of Creative Arts in inner-city Yonkers, NY. After her second child was born, she returned to school, and earned a degree in Culinary Arts from the Culinary Institute of America. Her family then moved to the Chicagoland area, where she became Principal Trombone of the Skokie Valley Symphony Orchestra, and also served as a board member and Personnel Manager for many years.  In that time, she also taught Culinary Arts in high school.  She earned a Graduate Certificate in Museum Studies from Northern Illinois University in 2018. Upon retirement, she and her husband moved to Orland, Maine; she came out of retirement to teach in the JMG program. She performs with the Bangor Band, where she has been a Board Member at Large for four years, and is a member of a trombone quartet based at The University of Maine, The Bear Bones. The post Creative Maine 2/19/26: Maine Theater Initiatives first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

In this episode, Javier Proenza speaks with Frannie Hemmelgarn, director and co-founder of DMST Atelier, an artist-run space in Los Angeles developed in collaboration with affordable housing providers. Hemmelgarn reflects on the space's origins during the pandemic, its community feeds and public programming, and the responsibilities of artist-run initiatives within gentrifying neighborhoods. The conversation also turns to Hemmelgarn's studio practice, which centers on handmade papermaking using upcycled materials. She discusses how the work emerged from transitions between painting and cyanotype, and how incorporating her late father's papers shaped a process focused on grief, repair, and reconstruction.

On this week's episode of Out and About, Dr. Mae Gilliland of ArtsPartners of Central Illinois talks with Crystal Potthoff, artist and facilitator of ‘Breaking Free', a community art project centered on the meditative folk art of pysanky.

The West Park Presbyterian Church, a 135-year-old Upper West Side landmark, could soon have its landmark protections strip, allowing developers to turn the lot into luxury housing. Mark Ruffalo, award-winning actor and activist, and Peg Breen, president of the New York Landmarks Conservancy, discuss the community's effort to save the building from the wrecking ball, and hear from callers about their own connections to the space, which has served as an arts and community center for decades.

Producer/host: Adina Salmansohn Other credits: Theme music written and performed by Ariel Chapman. A monthly show exploring Maine‘s culture, art and crafts that enrich our lives and bring us joy. The episode covers Maine photographers past and present. Listeners will learn about wildlife photography, train photography, and historic pictures. Guest/s: Chris L’Abbe, Wildlife photographer @wildlife_by_chris Joey Kelley, Train photographer www.joeykelleyphoto.com/ Kevin Johnson, Photo Archivist, Penobscot Marine Museum penobscotmarinemuseum.org/ About the Host: Adina Salmansohn started learning to play the trombone at the age of 8.  Her undergraduate years were at the Cleveland Institute of Music, where she studied with Robert F. Boyd of the Cleveland Orchestra.  After returning to her native New York, she played freelance in the NY Metro area, including multiple orchestras, big bands, and a 17 year stint with The Soundview Brass Quintet, which she founded in 1980. In addition, she had a busy career as an arts administrator, directing and teaching in Community Arts schools, light opera companies, and season programming for other non-profit organizations. Adina founded the Hudson School of Creative Arts in inner-city Yonkers, NY. After her second child was born, she returned to school, and earned a degree in Culinary Arts from the Culinary Institute of America. Her family then moved to the Chicagoland area, where she became Principal Trombone of the Skokie Valley Symphony Orchestra, and also served as a board member and Personnel Manager for many years.  In that time, she also taught Culinary Arts in high school.  She earned a Graduate Certificate in Museum Studies from Northern Illinois University in 2018. Upon retirement, she and her husband moved to Orland, Maine; she came out of retirement to teach in the JMG program. She performs with the Bangor Band, where she has been a Board Member at Large for four years, and is a member of a trombone quartet based at The University of Maine, The Bear Bones. The post Creative Maine 1/15/26: Maine Photographers first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

This episode of Vermont Viewpoint was published 01/08/2026.David Zuckerman invites Rick Winston and Andrea Serota share how Winter Sundays at Adamant Community Arts Center combats isolation. Then Superintendent Jamie Kinnarney explains Act 73, its impact on rural schools, and the Governor's education agenda.

Producer/host: Adina Salmansohn Other credits: Theme music written and performed by Ariel Chapman. A monthly show exploring Maine‘s culture, art and crafts that enrich our lives and bring us joy. Listeners will learn about Mainers who use their crafting skills to do good in their communities. Guest/s: Rosa Moore, Executive Director and Jackie Perkins, Arts and Activities Director, HOME Inc. homeemmaususa.org Heidi O’Donnell, Art Teacher at Belfast Area High School, rsu71 hodonnell@rsu71.org Sara Brand-New sbrandnew@gmail.com Jillian Liversidge jillianliver@gmail.com About the Host: Adina Salmansohn started learning to play the trombone at the age of 8.  Her undergraduate years were at the Cleveland Institute of Music, where she studied with Robert F. Boyd of the Cleveland Orchestra.  After returning to her native New York, she played freelance in the NY Metro area, including multiple orchestras, big bands, and a 17 year stint with The Soundview Brass Quintet, which she founded in 1980. In addition, she had a busy career as an arts administrator, directing and teaching in Community Arts schools, light opera companies, and season programming for other non-profit organizations. Adina founded the Hudson School of Creative Arts in inner-city Yonkers, NY. After her second child was born, she returned to school, and earned a degree in Culinary Arts from the Culinary Institute of America. Her family then moved to the Chicagoland area, where she became Principal Trombone of the Skokie Valley Symphony Orchestra, and also served as a board member and Personnel Manager for many years.  In that time, she also taught Culinary Arts in high school.  She earned a Graduate Certificate in Museum Studies from Northern Illinois University in 2018. Upon retirement, she and her husband moved to Orland, Maine; she came out of retirement to teach in the JMG program. She performs with the Bangor Band, where she has been a Board Member at Large for four years, and is a member of a trombone quartet based at The University of Maine, The Bear Bones. The post Creative Maine 12/18/25: Crafting for Good first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

Welcome to the Art, Life, Faith Podcast, and I’m your host, Roger Lowther. Today, I’m excited to share with you a project that our team has been working on for quite some time now. Our new children’s book, The Tsunami Violin, comes out on November 24, 2025. Back in 2020, I wrote my first children’s book called “Pippy the Piano and the Very Big Wave”. Based on a true story, it tells how a church finds their beloved piano upside down and covered in mud and debris. But rather than throw it out, they decide to spend the enormous amounts of time and money necessary to fix it, and they give the piano new life. And even today, the church continues to tell this story through the many concerts they host there. Now we are releasing our second children’s book, which this time tells the story about a violin. A young tree protects her town from the cold and harsh ocean winds. But when the tsunami comes, everything is washed away: family, friends, town. She's lost everything, but then a master craftsman comes, a violin maker from Tokyo, and transforms her into something beautiful. Through her music and through her story, she brings encouragement and healing to all who hear it, a story of hope out of despair, life out of death, and new beginnings. Like Pippy the Piano, this book too is based on a true story. I'm fortunate to know Nakazawa-sensei, the violin maker, and also to have had the privilege of being involved in quite a few concerts with that violin. It’s such a powerful story of redemption that I had to get it out there. This is a story worth telling. In this episode, I have a conversation with some of the members of our team who made this book possible, the beginnings of the book and the process along the way, and especially with the very talented Holly Rose Wallace, whose images and illustrations so powerfully tell this story. So anyway, I know you’re going to love the book, and I hope this conversation into some of the background will help you enjoy it even more. Roger Well, today we are excited to share with all of you about this project we’ve been working on for quite some time now called The Tsunami Violin. And we have a number of us who are key players in getting this project together with us on the podcast. Can you all introduce yourselves one by one? Maybe Diane, you served as the project manager for this. Can you tell us a little bit about yourself? Diane Yes, I’m Diane Bakelaar, and I live in Nagoya, Japan. My husband and I run an arts ministry through an art gallery and meet people through the art gallery. I served as the project manager for this book. Roger Awesome. Now, most importantly, Holly Rose Wallace as the illustrator. Can you introduce yourself? Holly I don’t know about most important, but I’m Holly. I’m from Cleveland, Ohio. I did about a two-year internship in Nagoya, Japan, working with Diane and Peter Bakelaar, and then working on this project with Roger and others. This is my first illustration project, so it was really exciting to get to add this to my resume and work with the team on this project. But I’m a self-taught illustrator, and I’ve always loved the arts, so this is an exciting project for me. Roger Awesome. And, Verity, you’re on this call. Can you tell us your role in this project? Verity Hi, I’m Verity. I’m a London-based illustrator and designer specializing in book design. And I’m also preparing to move to Tokyo next year to work with Community Arts Tokyo as an arts missionary. Roger Very cool. Last but not least, we also have Tsumugu Misugi on the call. Can you introduce yourself? Tsumugu Yeah. Hello. My name is Tsumugu. I’m a violinist and a composer living in Japan. I write music and record for Japanese animation and Korean dramas and things like that. I was happy and so privileged to be able to play on the tsunami violin with Roger a couple of years ago. Roger Now, in the introduction to this episode, I’ve given a little summary of what this book is about. But really to capture the essence of it, I wanted all of us here together because I think there’s something really special about this project, in how it all came together. There were many pieces. It wasn’t like I wrote this story and then passed it on to Holly to illustrate and then published it, but there were so many moving parts. And as each part came in, it made the book all that much more special. So why don’t we just start right at the beginning? So, Tsumugu, why don’t you tell us a little bit about how you were first introduced to the tsunami violin? Tsumugu I served as a volunteer in Ishinomaki from 2012 and went back every summer until 2016. And so I had first-hand experience helping with relief work. And then I went to the States for college, and then I decided to move to Japan after college to pursue my work. And that was when I reconnected with Roger. And within the first, I think, maybe three months of me moving back to Japan, Roger was like, “Hey, there’s this project where we want to give about 10 concerts in Japan, and it would be awesome if you could play on this tsunami violin.” And that was the first time I had heard of the violin, but it’s very famous here in Japan, and I was very honored to be asked to play on the violin. Roger Yeah, I had gotten to know it at previous concerts, and then there was this church, a group of churches actually, up in Iwaki, who asked us to come and give concerts on the violin. And it really wasn’t until that time that it came together. I was like, “this is an amazing story to be told.” I mean, everywhere the violin goes, it doesn’t just give a concert, but its story is an essential part of that concert. Just bringing that hope, bringing that idea that there’s life out of death, that all things can be redeemed, even when you’re in the pit of despair. And to continually bring that violin into any crowd of people, really, it spoke, it said something. And I was like, “How can we tell this to more people, not just those at the concerts. What would that look like?” And that was when the idea came forth about making a children’s book. Now, of course, I am not a visual artist. I don’t have the means to do that, but it just so happened that God provided Holly at just the right time to begin having this conversation. Holly, what do you remember about those early conversations about this book? Holly I remember the first time that I met you, I was showing you some of my work, and you looked really excited. You’re like, I have an idea for my next children’s book, and I’ve been looking for an illustrator. And you asked if I do that. I was like, “Well, I haven’t, but it’s always been a dream of mine.” And so it was this perfect partnership of you needed an illustrator, and I wanted to illustrate. It all came together from there. Roger It started first with the two of us working on this project, but then I think things really got special when we brought in Anna, who isn’t on this call, and Diane to be part of the process as well. Actually, Diane, just before we started recording, you said something about that, just the idea of having more people involved in the project somehow made it better. Diane Yes, I’ve always been fascinated with the idea, the wisdom of the group, and how it’s statistically shown that when people as a group, when they’re working together well, they can make better decisions than an individual, even if that individual is an expert in the area. I certainly saw that with this project. Everybody was bringing their strengths to the table, and everyone in the group was able to listen and not hold on to their parts so tightly that they weren’t able to hear suggestions and improvements. That was really impressive to me how everyone was very humble and very willing to work together, and it just made the project so much better. Roger Yeah, I really enjoyed our times together. Once every two weeks or so, we all had our roles. Mine was officially words. Holly was images. Verity was, I think, everything artistic. Verity Not at first… Roger At first, what was your role? Verity At first, I was thinking when I came in that I'd be taking on a design role of doing stuff with how the text looked and how the cover looked. Then my input grew from there, for sure. Roger Yeah, it sure did. It was fun to see this project be born out of our time together. The idea was, how do we tell this story in the best possible way? What words do we use? What images? Are there things we can do with the text? Maybe we should add a frame here or take one out here. To be talking about that creatively as a group was some of the magic of this project, I think. Verity Yeah, definitely. I think the first ever meeting we had about this project, Diane was there on Zoom, we were sitting on the floor in this apartment which had no furniture, which is why we were sitting on the floor. But we were going through some of the sketches that Holly had done and some of the writing and stuff. For a while, I’d been working in the creative industries. In the creative industries, I definitely feel like your role gets isolated from the rest of the creative process, particularly as a designer, where you do your thing that you’re told to do, but you don’t have any input in how the rest of a creative project, a book, for example, looks like. I was coming from that into this project where we were all like, you were asking my opinion on the text and stuff, and I was a little bit worried about stepping on your toes. That was a really special moment for me. It was, I think, maybe my first week or two in Japan. I was like, Oh, this is something different here. What the team is doing here is different. It was a good moment. Roger Yeah, it was. Anna said you can’t publish a book without a cat in it. And that was just so much better. So we had this cat, and there’s this yellow bird that flies through the scenes and came to represent the Holy Spirit flying through and having a presence all throughout the story. And I think we were just having fun with it. It wasn’t just about practical things, but about what we can creatively do that would be fun, not just for us, but for the reader as well. Verity For me, I feel like it is something that’s natural to the creative process, but I feel like it came together in quite a non-linear way. I remember we brought in the idea of the music as in the images of music in the text, not right at the beginning, one of the opening paragraphs of the book is about the music of nature that the tree hears, which obviously it’s a book called the Tsunami Violin, so it makes sense to have those musical images. But it wasn’t something that we came up with until we talked through the project a little bit, and then we started thinking about how we could bring in those images and make it flow more cohesively. Roger Yeah, it became a theme throughout the whole book. It was actually someone else who wasn’t on this call who came up with an idea. They said, “One of the special things about children’s books is when phrases are repeated over and over.” It has a special power when you’re reading a children’s illustrated book. And I was like, oh, that’s like choruses in songs, right? I mean, you sing the verse and then the chorus, verse, chorus, verse, chorus, and the chorus keeps getting repeated. And I think that’s one of the beauties of this book now. It didn’t start that way at all, but to have this repeating course of the music of the town. In fact, we have it on the back cover here, “The rhythm of the waves, the song of the birds, the whistling of the wind, and the hum of the town,” She has it in the beginning, and then she loses it because of the tsunami. And then how does she get that back? And it’s through the work of this master craftsman, this violin maker who makes her into this beautiful thing that she didn’t know was possible. Through her music and through her story, the people are hearing the music of her town again. Verity I think that was another thing that I found quite exciting about working on The Tsunami Violin. I've never done a kid’s book before. Community Arts is not like a publishing house that specializes in children’s books. But it was quite exciting to just be like, “Well, let’s figure out how to do this,” exploring all of these ideas. I guess, I think for me, coming into that, I felt like I was breaking new ground creatively, having to think outside of the box that I find it easy to put myself in, having to think more broadly about what could I do and what can we do as a team. Diane Two creative challenges that I remember: the one in particular was when the violin maker looks into the box and visually how to do that and how poor Holly was trying so hard to do this. Verity Yeah, we really messed her up. Diane But anyway, and I think that is an example of where the group working together really helped. The page, I think, is very successful looking. But boy, that was a lot of hard work. Then the other aspect was because this is both in English and Japanese and how when it’s translated into Japanese, the words are longer, takes that much more space. Then again, having to adjust visually for creating more room. Anyway, there are just a lot of challenges along the way. Roger Holly, what do you think about all that as the illustrator of this book? Holly It’s all true! It was hard, but it’s all part of the creative process, is the back and forth and trying to work out how to make it look best. I think for me, it was a challenge because I wouldn’t really consider myself a digital artist, primarily. That’s not really my preferred medium. So this was a new experience for me in that sense. I had done digital work before, but I have very little experience and all self-taught. So that was one learning curve for me. And then the theme of the book being with a violin, but she starts out as a tree. For me, that was another challenge because I haven’t spent much time drawing trees. And so I’m like, Okay, I need to figure out the anatomy of a tree, and not just any tree, but specifically a Japanese pine. So there was a lot of back and forth trying to figure out what style to use and how to translate that into a children’s style. And then when she becomes the violin, coming up with that character design was a lot of fun for me. I had to watch a documentary on how violins are created because that was another thing. I don’t usually draw violins for fun. So that was another challenge to overcome, but it’s so much fun to do. And I think the cat, too, was a lot of fun to incorporate. And I went back and forth a lot with thoughts and ideas of how to design the cat and the bird. But I think what I finally came down to was just designing the cat to look like my cat, especially since I was living in Japan at the time, and my cat was back in America. So it was a fun way to feel connected to my cat. Verity My favorite is at the back when the cat is actually playing the violin. Roger It’s like one of my favorite scenes in the whole book. Holly That was one of my favorites to draw. Roger Actually, to the right of the cat is a young man that looks like Tsumugu to me. I don’t know, Holly, if you were actually looking at a picture of Tsumugu at the time, but it looks really like him. So that makes me happy. Verity Your moment of fame, Tsumugu. Tsumugu Yes, just happy to make a cameo in the book. Verity Yeah, you’re not getting any commission for this, by the way. We’re just using your image. Tsumugu That’s fine. I give full consent. Verity How generous. Actually, one of the things that I really like that you did, Holly, is the illustration of the tsunami. And that was something that we went back and forth on quite a lot. But there’s a scene in the book where the tsunami first appears, and it’s quite scary. I’m holding up a picture for these guys. It’s supposed to be quite a scary moment of this huge wave towering on the horizon. We went back and forth a lot on how to… First of all, how to make it look scary, but also should this tsunami be sentient? Should it be anthropomorphic the way that the tree and the violin are? We ended up settling on a design that references the Great Wave, the Hokusai famous woodprint. I think that it’s a really effective image as a result because it’s a very clear reference. The image in the Great Wave is also tsunami, I think. But then I think it’s interesting to how that connects people who aren’t as familiar with Japan and with Japanese culture because it’s such an internationally recognized image. I was speaking in front of a church on Sunday and I showed them the cover. People came up to me at the end and they were like, Oh, yeah, the wave. We reused the image in a composite with some other illustrations on the cover. And people were like, Oh, yeah, the wave is really cool. They remembered the connection with the great wave. And I feel like it’s just an interesting way of how you can connect with different audiences through those visual references. Holly Yeah, I agree. I’m so glad that people recognized it and saw that that was the inspiration. That panel was so challenging because I didn’t want to do a direct copy of the Hokusai wave, but I definitely wanted to draw inspiration from it. And it’s also the angle that it’s at, the wave is coming right at you. And I think that adds to make it scarier, make it more frightening for readers because it’s like, Oh, the wave is coming directly at me, off the page in a sense. But typically when you see illustrations of waves, like when I was looking for references, there are no pictures of waves coming directly at you. It’s always at some angle. And so that was something that took a lot of time to figure out, Okay, how do I interpret this into a visual representation of just this? But I’m really happy with how it turned out and happy for all of your guys’ input. Roger When I’ve shown that image to beta readers, they’re like, wow. I mean, wow. They were just speechless because it’s just so effective. But my favorite image is the one where you only did the two big eyes, where she’s at the low point of her life. She’s lost everything, and now she’s been cut up, and she’s thrown in this box, and doesn’t know where she’s going. The way you’re able to express all of that in just the two eyes, I think, is so effective. When I’ve been showing it to people, that’s always the page I show first. Like, look at these eyes. They’re like, oh, it’s just so cool. In this whole medium of children’s illustrated art, how you’re not trying to be literal. You can through the medium, through the language of children’s art, you can tell something in different ways. I think just looking at the eyes tells the whole story. Holly That’s so funny that’s your favorite page because that was the easiest one to do. That was one of the things in the character design for me that it’s so important, the eyes, because that’s what people are going to look at the most and what’s really going to bring the character to life. So I spent a lot of time trying to design those eyes and the eyelashes specifically, I was inspired by the F hole on the violin, so you could see that on the eyelashes of the character. But I thought that that was a fun little thing to add. Diane Holly, I was wondering about the colors that you chose. I love the colors in the book. Just what was your hope or thinking behind how you chose your colors? Holly I feel like it was really a team effort choosing the colors. But then, of course, some of the colors just come naturally. Because this is based on a true story, I was pulling colors a lot from just the reference images, but then trying to brighten them to make it more visually pleasing and more exciting for children. And all readers. But it was really interesting how naturally a palette came to be. It was a lot of browns and blues and greens, and just looking at them all side by side, it was like, yeah, there’s definitely a clear palette. But that came about really naturally, which was cool. Roger Yeah. Verity I have the actual physical book with me now, and the colors feel very alive. So it’s really nice to see it. Very vibrant. Tsumugu Nice. Can I talk a bit about the audience? I find it really interesting that you picked a children’s book as the medium to publish this because people who are older than teenagers would have experienced or would have seen the tsunami. But children, the target audience for this book, are people who’ve never experienced. They haven’t seen the tsunami. Roger They weren’t alive when it happened. Tsumugu Yeah, exactly. I think it’s so interesting that you picked children to spread this story and this message. I feel like it’s a good way for them to learn about the tsunami as well as the aftermath of what happened. Also, especially for international audiences, I feel like it might be something that is so far away and so detached from them, but there’s still such a powerful story in the aftermath of it. Roger Yeah, the violin maker, he met with the Emperor himself, and the Emperor said, “Oh, I’m so glad that you’re doing this because people are going to forget, and they need to remember what happened.” And that is essentially what his project, the violin, tsunami violin, continues to do, and that’s what we’re trying to do through this. Diane I was telling one of my Japanese friends that this was in the middle of the project, and I’m working on this project. She’s Japanese, and she had no idea about the tsunami violin. She didn’t know what it was. So I explained the story. She just looked at me and said, This is such an important story. This is part of our history. We’ve got to keep it alive. That was her reaction to the whole thing. Verity I think that it’s interesting. Perhaps we haven’t talked about this as a group, but it’s interesting to think about how this being a real event that really shapes people’s lives, all of the tragedy. And also, I feel like shapes the Japanese consciousness as well. I feel like it’s very much something in the minds and hearts of Japanese people. When we think about going through such a traumatic event, even as children, when children go through traumatic events, then there is this process of not being able to go back to what you were before. So experiencing something that is irreversible and coming out of that as a changed person. And that’s what happens to the tsunami violin is that the story is of her, not like she’s able to go back to the way she was when she was a happy and innocent child, but that she goes through something and she becomes something beautiful and something recognized by other people, but that she’s not able to go back to the way that she was. I feel like that’s actually a realistic view of trauma. I think that that’s quite a good thing to acknowledge, even for children, that just because you go through something doesn’t mean that you’re irreversibly broken, but that you can become something else. Roger Yeah, so good. I think we better end our time here. Thank you all so much for sharing with me and with our listeners. It’s just really a special project. We are excited to be able to launch it to all of you on November 24, and I hope that you’ll be able to pass it on to your friends as well. This story of redemption in a way that I think can reach audiences in any culture, any country, is just so important and we need to be repeating this story to others as well. You’ve been listening to the Art, Life, Faith podcast. The Tsunami Violin is available for sale on November 24 wherever you buy your books online. Please pick up a copy for yourselves and tell your family and friends about it as well. In fact, maybe it will also make a great Christmas present. As we say in Japan, “Ja, mata ne!” We’ll see you next time. BUY “THE TSUNAMI VIOLIN”

Welcome to The Mediumship Sisters Podcast, Season 6, episode 13!Today catch up with Ciarra and Paige as they share about healing Art, Medical Intuition and Fueling our Souls and events coming up and welcome guest, Kelly Coulter Psychic Medium to share this 3 day Soulful Symposium she put together with wonderful presenters to fuel your soul.Fueling your soul helps you find your purpose, fills you with life force and positive energy of creation and inspiration~ unlocking a deeper piece of self. Community, Art and Intuition*The PORTALS in Squamish BC.  ~Happening NOW~Ciarra is part of a multi-sensory art exhibition. A mythic journey of healing and transformation. Step into the portals— emerge changed.here https://www.ciarralovesart.com/shop-1 The exhibit runs Friday Oct 10th to Tuesday Oct 21st, 2025Location: Spirit School 38066 Loggers Ln, Squamish, BC Tickets, details and info  https://www.vergeartcollaborative.com/donate with proceeds going tohttps://www.vergeartcollaborative.com/partner PEARLSPACEPearlSpace (formerly Howe Sound Women's Centre) promotes equality and empowerment of women, Two Spirit, gender-diverse, non-binary, trans people, and children/youth. We provide emergency house programs, 24-hour response services, drop-in centres, outreach services, referrals, and advocacy. PearlSpace envisions a day where everyone, regardless of gender, is equally valued and can lead healthy lives – supported, connected to community, and free from violence.3 day Soul Symposium ~Friday thru Sunday October 24-26, 2025The registration purchase is for all 3 days for $111.00 usd with replays $11 off with code PAIGE11Register and learn more by clicking the link⁠https://www.soul-symposium.com/⁠Travel to sacred lands with Lauren rainbow, explore spirit art with Ann Marie Bond, Medical intuition with Paige Sturgeon, Shamanic Akashic Records, reading auras, psychic mediumship, animal communication, astrology blueprints, soul writing and elevate your soul and more…email any questions about the symposium to Kelly info@mediumkellykristin.comJoin NOMI the National Organization for Medical Intuition https://www.nomimedicalintuition.org/ a wonderful members day coming up for those professional medical intuitive's and supporting members and organizations that want to support the advancement and research of this important field to bring intuition back into medicine.NOMI ANNUAL ALL-MEMBERS MEETINGSUNDAY, 10/26/25. 11AM PT/2PM ET/7PM UK https://www.youtube.com/@MediumshipSistersPodcast@themediumshipsisters Follow us on InstagramCiarra Saylor Douglas @ciarrasaylor_mediumship @ciarrasaylorhere https://www.ciarralovesart.com/shop-1 Mariana Lucker @star.aligned.alchemy www.staralignedalchemy.com Paige Sturgeon @thewildspiritpaige @redhillphotowww.thewildspiritpaige.com www.redhillphotography.comRecorded 10/17/25*

host: Alyson Stanfield Artist and activist Malene Barnett joins host Alyson Stanfield to unpack how she balances a multidisciplinary practice while designing work that “holds memory” in space. Malene shares the planning, community, and process-sharing that keep a long, installation-driven practice moving, and she offers a resonant lens on clay as a tool for liberation grounded in Caribbean and West African heritage. Bits of her wisdom: Plan your studio around time-intensive mediums so momentum never stalls. On social media, share process, tools, and research to connect when finished work is scarce. Think in space: design work and installations that carry memory and story. Build stability outside the studio to support long-term creative growth. Form intentional communities for critique, support, and opportunity. HIGHLIGHTS 02:10 Family lineage and a first-generation background shape Malene's practice. 04:20 The pact to center ancestry and identity in her work from art school onward. 08:20 Clay as a tool for liberation through Caribbean pottery history and markets. 13:10 Leaving bespoke rugs, after a sabbatical, to reclaim her voice and move into clay. 19:20 Tiles and architecture as ways to create a space that holds memory. 21:00 Planning around clay's long timelines for drying, firing, and glazing. 22:20 Residencies, film, and building an archive of Caribbean potters. 26:40 Why sharing process, tools, and research sustains audience connection. 32:10 Founding the Black Artists and Designers Guild and how to start a community. 35:10 Crafted Kinship: agency, blurred lines between art, craft, and design. 41:10 Career advice: seek stability, invest, and take the long view. 43:20 What's next: a large-scale ceramic mural in Greensboro, with installation in 2027. ACTION This week, share one piece of your process with your community: a tool you rely on, a test tile, or a research thread you're following.

Producer/host: Adina Salmansohn Other credits: Theme music written and performed by Ariel Chapman. A monthly show exploring Maine‘s culture, art and crafts that enrich our lives and bring us joy. This episode introduces us to ways to find a creative community in Maine. Guest/s: Kelley Barrett, Owner of Verona Wine and Bistro, Bucksport Maine veronawinebistro@gmail.com Amber Mazza, Owner of Gealach Fola Acres and Midcoast Fiber Artists in Searsport. Theresa Johnston, Owner of The Crafty Grimalkin in Bangor www.craftygrimalkin.com Anna Fleming, Teen Librarian of The Bangor Public Library www.bangorpubliclibrary.org About the Host: Adina Salmansohn started learning to play the trombone at the age of 8.  Her undergraduate years were at the Cleveland Institute of Music, where she studied with Robert F. Boyd of the Cleveland Orchestra.  After returning to her native New York, she played freelance in the NY Metro area, including multiple orchestras, big bands, and a 17 year stint with The Soundview Brass Quintet, which she founded in 1980. In addition, she had a busy career as an arts administrator, directing and teaching in Community Arts schools, light opera companies, and season programming for other non-profit organizations. Adina founded the Hudson School of Creative Arts in inner-city Yonkers, NY. After her second child was born, she returned to school, and earned a degree in Culinary Arts from the Culinary Institute of America. Her family then moved to the Chicagoland area, where she became Principal Trombone of the Skokie Valley Symphony Orchestra, and also served as a board member and Personnel Manager for many years.  In that time, she also taught Culinary Arts in high school.  She earned a Graduate Certificate in Museum Studies from Northern Illinois University in 2018. Upon retirement, she and her husband moved to Orland, Maine; she came out of retirement to teach in the JMG program. She performs with the Bangor Band, where she has been a Board Member at Large for four years, and is a member of a trombone quartet based at The University of Maine, The Bear Bones. The post Creative Maine 9/18/25: Finding your Creative Community first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

Our summer break from the podcast was busy with lots of fun happenings, but we're excited to be back in action with the podcast.In this short episode, Laura and Becky share a rundown on our summer from the publishing of our Tiny Art Exchange Zine to our second Short Film Festival! We also chat about community support that's needed for our upcoming Art ‘Round the Room. Plus, stick around for plenty of bloopers at the end!Listen to this episode wherever you listen to podcasts or on our website www.CreativeGutsPodcast.com. Connect with us on Instagram, Facebook, LinkedIn, and Discord. Creative Guts recently moved our newsletter to Substack, and you can find us at creativegutspod.substack.com. If you love listening, consider making a donation to Creative Guts! Our budget is tiny, so donations of any size make a big difference. Learn more about us and make a tax-deductible donation at www.CreativeGutsPodcast.com.Shoutout to some past sponsors mentioned in this episode:The Currier Museum of Art: https://www.currier.org/Parker Education: https://www.parkereducation.com/Creative Co-op: https://creativeco-op.com/Enterprise Bank: https://www.enterprisebanking.com/ Thank you to our friends at Art Up Front Street Studios and Gallery in Exeter, NH, and the Rochester Museum of Fine Arts in Rochester, NH, for their support of the show! 

On this week's episode of Women Speak — a segment on Northeast Newscast — hosts Northeast News Editor-in-Chief, Julia Williams and former Missouri House Representative for District 19 Ingrid Burnett sat down with The Arts Asylum Executive Director and Paseo West Neighborhood Association President Evie Craig to continue our series on women in education.Throughout this episode, Craig delves into her background including her journey of how she got to where she is today. She discusses her upbringing in Indiana and her initial involvement in theatre programs there, which is where her passion for the arts originally began. She goes on to mention her experience as a performer including her most recent — and last — performance in May, which she shared was her first time on stage in nearly 47 years. She additionally provides advice for students interested in pursuing degrees and careers in arts as well as shares those who have inspired her along the way. Williams shares a brief history and statistics of women involved in various theater roles from the 1960s up to the present in the U.S., including how these numbers have shifted over the years.  Craig discusses partnerships The Arts Asylum has acquired including one with Starlight Theatre and with South Kansas City Performing Arts Academy to develop tech theater education for youth. She additionally shares how Missouri film tax credits have contributed to young women's involvement in Kansas City theater. Burnett and Williams  go on to discuss women who pioneered early theater production and the theater industry including the first female playwright, the first female actress and two women in the U.S. who worked to tell their story and shift the narrative for future generations. Craig goes on to discuss ways for Kansas Citians to get involved with theater production on a local level through The Arts Asylum as well as additional opportunities throughout the metro. In this section, Craig also discusses federal funding, which various art programs across the country lost this year including The Arts Asylum's “Our Town Grant.”Music used within this Women Speak episode is a song called “I Wish I Knew You Then” by Kansas City local artist Honeybee and the group's lead female vocalist, Makayla Scott. “I Wish I Knew You Then” is a recent single, which Honeybee released in March 2025.  Honeybee's latest single “Lindenlure,” was released on May 30 and is now available on its streaming platforms. 2025 singles “I Wish I Knew You Then,” “Charmed Life” and “Lindenlure” as well as additional Honeybee tracks are available on Spotify, Apple Music, Youtube, TIDAL and Youtube Music. *Disclaimer* I Wish I Knew You Then and any previous or future Honeybee songs used by The Northeast News within the Women Speak podcasts are courtesy of and approved by Makayla Scott and Honeybee under proper copyright law. Honeybee songs are not royalty-free nor subject to free use and should not be used by additional publications or organizations without proper consent. This podcast as well as all Women Speak episodes are made possible by The Northeast News, Northeast Kansas City Chamber of Commerce and Independence Avenue Community Improvement District. *Disclaimer: Ingrid Burnett is a board member for Historic Northeast Media, Inc* 

Producer/host: Adina Salmansohn Other credits: Theme music written and performed by Ariel Chapman. A monthly show exploring Maine‘s culture, art and crafts that enrich our lives and bring us joy. This episode considers great places to hear music in Maine-that you may not know existed! Guest/s: Paula Kee, Director of Wednesdays on Maine in Bucksport, bucksportwom@gmail.com Alan Wittenberg, Director of the Surry Barn info@surryartsandevents.com Joerg-Henner Lotse, Director of Eagle Hill Institute joerg@eaglehill.us Lisa Tapley, Town Clerk of Orland Maine lisatapley199516@gmail.com About the Host: Adina Salmansohn started learning to play the trombone at the age of 8.  Her undergraduate years were at the Cleveland Institute of Music, where she studied with Robert F. Boyd of the Cleveland Orchestra.  After returning to her native New York, she played freelance in the NY Metro area, including multiple orchestras, big bands, and a 17 year stint with The Soundview Brass Quintet, which she founded in 1980. In addition, she had a busy career as an arts administrator, directing and teaching in Community Arts schools, light opera companies, and season programming for other non-profit organizations. Adina founded the Hudson School of Creative Arts in inner-city Yonkers, NY. After her second child was born, she returned to school, and earned a degree in Culinary Arts from the Culinary Institute of America. Her family then moved to the Chicagoland area, where she became Principal Trombone of the Skokie Valley Symphony Orchestra, and also served as a board member and Personnel Manager for many years.  In that time, she also taught Culinary Arts in high school.  She earned a Graduate Certificate in Museum Studies from Northern Illinois University in 2018. Upon retirement, she and her husband moved to Orland, Maine; she came out of retirement to teach in the JMG program. She performs with the Bangor Band, where she has been a Board Member at Large for four years, and is a member of a trombone quartet based at The University of Maine, The Bear Bones. The post Creative Maine 8/21/25: Hidden Gems of Performance Venues first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

The environmental issues currently at hand, including global warming, are related, but I believe that at their root lies the decline of our listening ability and the power of listening as humanity. This decline is not merely a matter of our listening ability weakening as we age, but rather it encompasses what we choose to listen to, how we perceive it, and all the various subjects of listening and methods of comprehension. I believe this decline is a collective issue for humanity, particularly in modern Western contexts where we have been taught that this is how to listen, especially in relation to music and everyday listening practices, and how we have become confined to these methods. We must have once believed in more locally rooted ways of listening, but we are losing that I think that is fundamentally connected to the current environmental issues. My conversation with Japanese musicologist and soundscape researcher Keiko Torigoe at her home in Tokyo on May 21, 2025. Keiko is retired from her position as professor at Aoyama Gakuin University in Tokyo and is currently President of the Soundscape Association of Japan. Keiko is a long-time friend and colleague in the international acoustic ecology community who has done important research on soundscapes in Canada and Japan. Keiko answered the two following questions in Japanese: first, ‘what is role of arts and culture is in times of crisis, collapse and renewal' followed by ‘what about your current activities as a researcher and producer of community arts projects and what action points do you recommend'). I loved how her answers included the more-than-human world and locally rooted ways of listening. You can also listen to the original Japanese version of our conversation here. この対談のオリジナル日本語版はこちらでも聴くことができる。Show notes generated by Whisper Transcribe AIAction pointsRecognize the decline of listening ability in modern society and its connection to environmental issues.Broaden the concept of music to include communication with the natural realm.Deepen your connection with the land and local communities through artistic activities.Engage in collaborative projects that promote understanding and respect for diverse perspectives.Consider the impact of your actions on those around you, fostering intergenerational connections.Story PreviewImagine strolling around a tranquil pond in Japan, guided by a soundscape researcher who unveils the hidden stories of the land through music and conversation. This episode explores the power of listening, the interconnectedness of humans and nature, and the transformative potential of community art. Chapter SummaryThe Decline of ListeningIntroducing Keiko TorigoeArts and Culture in CrisisThe Narrowing Concept of MusicPersonal Journey and Artistic ExplorationTransformative Power of ArtFeatured QuotesI believe that at their root lies the decline of our listening ability, the power of listening as humanity.We have forgotten the other aspect of music, which is the concept of music that connects not just humans, but also the more than human world, allowing us to communicate with the entire natural realm.Art and such activities transform me, and having done it for many years, it gradually affects those around me as well.Behind the StoryClaude Schryer travels to Tokyo to meet with Keiko Torigoe, a renowned musicologist and soundscape researcher. Keiko shares her passion for reconnecting with the natural world through listening and artistic projects. Her insights are rooted in her research in both Canada and Japan and her personal experiences in her hometown. *END NOTES FOR ALL EPISODESHey conscient listeners, I've been producing the conscient podcast as a learning and unlearning journey since May 2020 on un-ceded Anishinaabe Algonquin territory (Ottawa). It's my way to give back.In parallel with the production of the conscient podcast and its francophone counterpart, balado conscient, I I publish free ‘a calm presence' Substack see https://acalmpresence.substack.com.Your feedback is always welcome at claude@conscient.ca and/or on social media: Facebook, Instagram, Linkedin, Threads, BlueSky, Mastodon, Tik Tok, YouTube and Substack.Share what you like, etcI am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. Claude SchryerLatest update on July 8, 2025

Producer/host: Adina Salmansohn Other credits: Theme music written and performed by Ariel Chapman. A monthly show exploring Maine‘s culture, art and crafts that enrich our lives and bring us joy. This episode highlights three musical instrument makers and restorers in Maine-what they do and how they do it. Guest/s: Nathan Slobodkin, Slobodkin Violins, Bangor. www.slobodkinviolins.com Leslie Ross, Leslie Ross Bassoons, leslieross.net David and Nick Wallace, Wallace Organ Company, wallacepipeorgans.com About the Host: Adina Salmansohn started learning to play the trombone at the age of 8.  Her undergraduate years were at the Cleveland Institute of Music, where she studied with Robert F. Boyd of the Cleveland Orchestra.  After returning to her native New York, she played freelance in the NY Metro area, including multiple orchestras, big bands, and a 17 year stint with The Soundview Brass Quintet, which she founded in 1980. In addition, she had a busy career as an arts administrator, directing and teaching in Community Arts schools, light opera companies, and season programming for other non-profit organizations. Adina founded the Hudson School of Creative Arts in inner-city Yonkers, NY. After her second child was born, she returned to school, and earned a degree in Culinary Arts from the Culinary Institute of America. Her family then moved to the Chicagoland area, where she became Principal Trombone of the Skokie Valley Symphony Orchestra, and also served as a board member and Personnel Manager for many years.  In that time, she also taught Culinary Arts in high school.  She earned a Graduate Certificate in Museum Studies from Northern Illinois University in 2018. Upon retirement, she and her husband moved to Orland, Maine;  she came out of retirement to teach the JMG program at Bucksport High School.  She  joined the Bangor Band in 2018, where she plays euphonium.  She is in her second year as a Board Member at Large for the Bangor Band. The post Creative Maine 7/17/25: Musical Instrument Makers in Maine first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

My advice to artists would be drop every garb that you have, drop every piece of knowledge that you think you have. Head to the jungles, head to the rural places. We are living in a time of crisis. We need artists more than the scientists. We need artists more than the healers. We need artists more than anything because arts connect everybody. We need songs, we need stories, we need pictures, we need circles, we need Ubuntu to prosper. Traditional Western ways of, colonized ways of working will not save us as a species. They're not going to help us. They're only going to destroy. And the traditionally arts ecosystem exists like that everywhere in the world. Now we know that it's been going on for hundreds of years. We need to destroy that as artists and we need to head to where our roots are, which is in the soil. And our arts come from there.I met Lallan (Anirudh Lallan Choudhry) at the Sunshine Himalayan Cottage facility in the Tirthan Valley, Himachal Pradesh, India. The managing host of this facility, Panki Sood, introduced us. Lallan, is a multi-disciplinary artist and socially engaged artist who practice is ‘rooted deep in working with the earthen, on a severe lookout for the conditions which enable genuine co-authors within communities, forming narratives through extra-human design and enquiry'. He is the founder of Baadii, a rural art-house in Himachal Pradesh where he currently lives and is also working on community arts projects at Sunshine Himalayan Cottage with Panki and his team, which you'll hear about in a few minutes. I want to thank Panki for introducing us and Lallan for this first conversation. Note: You can hear his latest musical production, Kyun, here). Below is a rough translation of the lyrics :Why is the world caught up in making excuses stillWhy are the machines continuously pumping smoke in the airBy whose permission did we dump all the garbage in the sea And who are the idiots building these dams trying to tie free rivers What is all this and why is this evenWhat is this world that humans are desiring? If everything is one day bound to be left here on the groundThen what is the use of constant fighting, over and over again?And why is it that we fill bombs and continue to drop them on our very own children? We are intoxicated by the notions of borders and religionAnd continue to revel in the blashpemy of it all So why is this evenThat destruction and more destruction is the only thing we want?  Those who can be quiet and just listen, where are they?Why are my torchbearers full of greed who want to sell the world?Those who divide the we into you and meWhy has everyone chosen them to lead?Those who dry down the rivers and erase forests Whar are they doing in everyone's share of the earthWhy are the deprived, still deprivedWhat kind of progress is this? Wherever you see, its filled of smokeWhat kind of a fire of hatred have they fueled  Douse it, douse it, douse itLet us breathe, of whatever breath is left Whatever little is left of life  Might also die, if you do not stop!Show notes generated by Whisper Transcribe AI:Action pointsEmbrace traditional wisdom by learning from rural communities and their sustainable practices.Create art that addresses socio-political issues and promotes cultural movements.Build community art spaces that foster collaboration between artists, naturalists, and local populations.Highlight the cultural importance of ecological regions through art and storytelling.Negate purely aesthetic work in favor of art that drives social and ecological change.Story PreviewImagine an artist who champions rural wisdom, bridging ancient traditions with contemporary art to spark cultural and ecological movements. Discover how Lalan is building vibrant arts ecosystems in the Himalayas, proving that art can be a powerful catalyst for change.Chapter Summary00:00 The Call for Artists01:29 Setting Up an Arts Ecosystem03:25 Learning from Rural Communities06:30 Art as a Medium of Connection08:06 The Journey of a Self-Taught Artist10:01 Creating Impact Through Community Art12:28 Current Projects and Future AspirationsFeatured QuotesWe need artists more than the scientists. We need artists more than the healers… because arts connect everybody.The traditionally arts ecosystem exists like that everywhere in the world…We need to destroy that as artists and we need to head to where our roots are, which is in the soil.How can you as an artist live and create work in a rural so called remote setting where nobody even expects a doctor or an engineer to even work. So how can you make art there? Behind the StoryLallan's journey from documentary filmmaker to socially engaged artist is rooted in a deep connection to rural communities and a desire to address pressing ecological and cultural issues. His work challenges the dominance of Western artistic models, advocating for a return to traditional wisdom and collaborative art practices that empower local voices. *END NOTES FOR ALL EPISODESHey conscient listeners, I've been producing the conscient podcast as a learning and unlearning journey since May 2020 on un-ceded Anishinaabe Algonquin territory (Ottawa). It's my way to give back.In parallel with the production of the conscient podcast and its francophone counterpart, balado conscient, I I publish fee ‘a calm presence' Substack see https://acalmpresence.substack.com.Your feedback is always welcome at claude@conscient.ca and/or on social media: Facebook, Instagram, Linkedin, Threads, BlueSky, Mastodon, Tik Tok, YouTube and Substack.I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. Claude SchryerLatest update on July 8, 2025

Von wem und für wen ist Kunst? Mit dieser Frage beschäftigt sich Anna-Sophia Kraus als neue Projektleiterin für Community Arts am Staatstheater Augsburg. Ihr Ziel ist es, durch Kunst zwischenmenschliche Beziehungen schaffen.

John Maytham is joined by Craig Parks, producer of the Urban Outreach Concert, to talk about how this unique Artscape initiative is bringing world-class performance right into the heart of Cape Town’s communities. With the spotlight on Athlone this year, the concert offers a professionally staged, free-to-attend celebration of local talent — hosted at the Athlone Community Centre. Presenter John Maytham is an actor and author-turned-talk radio veteran and seasoned journalist. His show serves a round-up of local and international news coupled with the latest in business, sport, traffic and weather. The host’s eclectic interests mean the program often surprises the audience with intriguing book reviews and inspiring interviews profiling artists. A daily highlight is Rapid Fire, just after 5:30pm. CapeTalk fans call in, to stump the presenter with their general knowledge questions. Another firm favourite is the humorous Thursday crossing with award-winning journalist Rebecca Davis, called “Plan B”. Thank you for listening to a podcast from Afternoon Drive with John Maytham Listen live on Primedia+ weekdays from 15:00 and 18:00 (SA Time) to Afternoon Drive with John Maytham broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/BSFy4Cn or find all the catch-up podcasts here https://buff.ly/n8nWt4x Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Producer/host: Adina Salmansohn Other credits: Theme music written and performed by Ariel Chapman. A monthly show exploring Maine‘s culture, art and crafts that enrich our lives and bring us joy. We learn about the Maine Fibershed, a soil to soil initiative for fiber farming and crafting. Guest/s: Pat Harpell, co-founder of Maine Fibershed. mainefibershed@gmail.com Sofina Paz, owner of Ebb and Flow ebbandflowmaine@gmail.com Stephanie Grant, Board member, Maine Fibershed mainefibershed@gmail.com Janet Beardsley, Owner Catawampus Farm and Board member, Maine Fibershed catawampusfarm.com/contact-us/ Amber Mazza, co-owner Gealach Fola Acres 207-323-2240 Sarah Ann Smith, Quilter sarah@sarahannsmith.com About the Host: Adina Salmansohn started learning to play the trombone at the age of 8.  Her undergraduate years were at the Cleveland Institute of Music, where she studied with Robert F. Boyd of the Cleveland Orchestra.  After returning to her native New York, she played freelance in the NY Metro area, including multiple orchestras, big bands, and a 17 year stint with The Soundview Brass Quintet, which she founded in 1980. In addition, she had a busy career as an arts administrator, directing and teaching in Community Arts schools, light opera companies, and season programming for other non-profit organizations. Adina founded the Hudson School of Creative Arts in inner-city Yonkers, NY. After her second child was born, she returned to school, and earned a degree in Culinary Arts from the Culinary Institute of America. Her family then moved to the Chicagoland area, where she became Principal Trombone of the Skokie Valley Symphony Orchestra, and also served as a board member and Personnel Manager for many years.  In that time, she also taught Culinary Arts in high school.  She earned a Graduate Certificate in Museum Studies from Northern Illinois University in 2018. Upon retirement, she and her husband moved to Orland, Maine;  she came out of retirement to teach the JMG program at Bucksport High School.  She  joined the Bangor Band in 2018, where she plays euphonium.  She is in her second year as a Board Member at Large for the Bangor Band. The post Creative Maine 6/19/25: Maine Fibershed first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

Producer/host: Adina Salmansohn Other credits: Theme music written and performed by Ariel Chapman. A monthly show exploring Maine‘s culture, art and crafts that enrich our lives and bring us joy. In this episode we explore “Maine Made” book publishing and marketing. Guest/s: Michelle Shores, www.mshoreswriter.com Suzanne DeFillips, bucksporttradingpost.com, 407-462-5618 Kate Corwin, Bookstacks Book Store, 207-469-8992 bucksportbookseller@gmail.com About the Host: Adina Salmansohn started learning to play the trombone at the age of 8.  Her undergraduate years were at the Cleveland Institute of Music, where she studied with Robert F. Boyd of the Cleveland Orchestra.  After returning to her native New York, she played freelance in the NY Metro area, including multiple orchestras, big bands, and a 17 year stint with The Soundview Brass Quintet, which she founded in 1980. In addition, she had a busy career as an arts administrator, directing and teaching in Community Arts schools, light opera companies, and season programming for other non-profit organizations. Adina founded the Hudson School of Creative Arts in inner-city Yonkers, NY. After her second child was born, she returned to school, and earned a degree in Culinary Arts from the Culinary Institute of America. Her family then moved to the Chicagoland area, where she became Principal Trombone of the Skokie Valley Symphony Orchestra, and also served as a board member and Personnel Manager for many years.  In that time, she also taught Culinary Arts in high school.  She earned a Graduate Certificate in Museum Studies from Northern Illinois University in 2018. Upon retirement, she and her husband moved to Orland, Maine;  she came out of retirement to teach the JMG program at Bucksport High School.  She  joined the Bangor Band in 2018, where she plays euphonium.  She is in her second year as a Board Member at Large for the Bangor Band. The post Creative Maine 5/15/25: Maine Made Books first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

Summary:Tracy's Culinary Career Journey:Amaris and Tracy discussed her personal experiences and career path that led her into the culinary industry. This included her journey from being a jeweler to becoming a bartender and eventually a manager at various restaurants, including Rosalie in Wayne. She highlighted the opportunities for growth and learning within the Fearless restaurant company, which she has been a part of for many years.Rosalie's Unique Features and Event Spaces:Tracy discussed the restaurant's unique features and its role as a venue for special occasions. She highlighted the restaurant's beautiful architecture, rustic design, and romantic ambiance, making it a popular choice for baby showers, bridal showers, and rehearsal dinners. She also mentioned the hotel's lobby, which serves as a contemporary space for cocktail parties and other events. She emphasized the restaurant's ability to cater to various needs and preferences, from casual dining to more formal events.Rosalie's Spring Menu and Happy Hour:Tracy discussed the new spring menu at Rosalie, emphasizing the farm-to-table concept and the use of fresh, seasonal ingredients. She highlighted the consistency of certain dishes, such as gnocchi and Castanelli, and the changing setup of the menu to keep it exciting. Tracy also mentioned the homemade pasta and the personal pizzas, which are popular among guests. She expressed her preference for the Bronzino dish and praised the burrata cheese. The conversation also touched on the happy hour specials, including discounted menu items and drinks.Rosalie Brunch Menu and Reservations:Amaris and Tracy discussed the brunch menu at Rosalie, a restaurant in the Wayne Hotel. Tracy highlighted popular dishes such as the egg in the hole, Shakshuka, and mushroom toast. They also mentioned the crispy potatoes as a side dish. For those interested in visiting or booking private events, Tracy provided the website fearlessrestaurants.com and the Wayne Hotel as contact points.Roosters Coffee House:Family-Owned BusinessClaudia Molina, who is the owner of Roosters Coffee House, discussed the family-owned business and its unique features. Claudia explained how the business came about, emphasizing their goal of creating a welcoming community space. They also highlighted their commitment to sustainability, including a refillable store offering grains and other items, and the use of repurposed materials in the coffee house's design.Community Art and Support Initiatives:Claudia discussed her passion for art and community, highlighting her shop's mural and local artist collaborations. She shared her gratitude board and pay-it-forward initiative, which aim to foster community support. Claudia also mentioned hosting events like pet adoption and small business markets, and her shop's in-house coffee roasting and brewing process. She expressed her desire to create unique and fun experiences for customers, especially children.Roosters Coffee House Menu Options:Amaris and Claudia discussed the various coffee and food options available at Roosters Coffee House. Claudia highlighted the popularity of the caramel haystack and pistachio drinks, as well as the Taylor ham and cheese croissant. They also discussed the testing process for new menu items, which involves customer feedback. Amaris expressed interest in trying the oat milk flat white with a Taylor ham and cheese croissant. Claudia provided information on how to find Roosters Coffee House online and in person.  https://www.roosterscoffeehouse.comBirchrun Hills Farm:From a previously recorded segment on Feb 27th, 2024:Our final guest literally offers the cream of her crop to all of us; Sue Miller co-owns and operates Birchrun Hills Farm located in Chester Springs, PA.  The first-generation and family-owned and operated farm offers cheeses produced from the milk of the 80+ holstein cows they raise.  Their award-winning cheeses can be found inside the kitchens of local restaurants, at farmers markets, and on-site at Birchrun Hills Farm. And for anyone curious about their cheeses, tune in till the end of our show to find out how you can sample some for yourself!  For more information about the Miller's, Birchrun Hills Farms, and locations their products are sold, please visit https://birchrunhillsfarm.com. 

You've probably admired one of Ky Vassor's murals without even knowing it—now she's back to pull back the curtain on how those vibrant public artworks, pop-up workshops, and neighborhood installations all began with a passion for community and a sprinkle of hustle.In this episode, Baltimore's interdisciplinary artist and Galerie Myrtis Assistant Director walks us through the unlikely lessons she learned bartending, volunteering, and designing street-team campaigns before deciding to earn an MFA in Community Arts—and how every step shaped her mission to make creativity part of daily life.From bartending and street‐team hustle to graduate studies: the unconventional path that led her to an MFA in Community ArtsCommunity‐first curation: activating public murals, mixed-media installations, and pop-up workshops in everyday spacesMentorship in action: building support networks for emerging artists through hands-on teaching and one-on-one studio visitsWearing multiple hats: balancing roles as artist, educator, and museum administrator for sustainable impactHonoring untold stories: creating works that uplift underrepresented voices and spark neighborhood prideWhat's next: upcoming public art commissions and expanded educational programs designed to broaden Baltimore's creative ecosystemCatch Ky Vassor's first appearance on the podcast here: Whether you're an artist, educator, or simply curious about the power of public art, this chat will leave you inspired to look at your own neighborhood in a whole new light. 

Discover how the Office of Raleigh Arts and the Arts Centers shape a vibrant, creative community. Hear from the leaders who make it happen and learn how you can get involved.

Producer/host: Adina Salmansohn Other credits: Theme music written and performed by Ariel Chapman. A monthly show exploring Maine‘s culture, art and crafts that enrich our lives and bring us joy. This months show is about Maple sugaring-how it’s done, rules and regulations, and some backyard sugaring tips and tricks. You will also learn about what it means to be the Poet Laureate of Maine. Guest/s: Jason Lilley, Maple Industry Educator of the University of Maine Extension Division, jason.lilley@maine.edu Ron Russell, Retired Maine Representative Julia Bouwsma, Poet Laureate of the State of Maine, julia.r.bouwsma@gmail.com. www.juliabouwsma.com FMI: Home About the Host: Adina Salmansohn started learning to play the trombone at the age of 8.  Her undergraduate years were at the Cleveland Institute of Music, where she studied with Robert F. Boyd of the Cleveland Orchestra.  After returning to her native New York, she played freelance in the NY Metro area, including multiple orchestras, big bands, and a 17 year stint with The Soundview Brass Quintet, which she founded in 1980. In addition, she had a busy career as an arts administrator, directing and teaching in Community Arts schools, light opera companies, and season programming for other non-profit organizations. Adina founded the Hudson School of Creative Arts in inner-city Yonkers, NY. After her second child was born, she returned to school, and earned a degree in Culinary Arts from the Culinary Institute of America. Her family then moved to the Chicagoland area, where she became Principal Trombone of the Skokie Valley Symphony Orchestra, and also served as a board member and Personnel Manager for many years.  In that time, she also taught Culinary Arts in high school.  She earned a Graduate Certificate in Museum Studies from Northern Illinois University in 2018. Upon retirement, she and her husband moved to Orland, Maine;  she came out of retirement to teach the JMG program at Bucksport High School.  She  joined the Bangor Band in 2018, where she plays euphonium.  She is in her second year as a Board Member at Large for the Bangor Band. The post Creative Maine 4/17/25: Maple Sugaring in Maine first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

Welcome back to another episode of Crawfordsville Connection! This week we are joined by Wabash College to talk about some upcoming community events! Dean Steven Jones and Dr. Jamal Watson share insights into the 100th Birthday Celebration for Malcolm X with two events featuring Dr. Ilyasah Shabazz, Malcolm X's daughter. We are also joined by Dr. Annie Strader, Julian Jamal Jones, and Anita Hardwick to talk about the Community Art Day featuring quilts from Julian and the Sugar Creek Quilters. Both events are free and open to the public! Dr. Shabazz and Dr. Garrow Book Pre-Orders Here: https://bookstore.wabash.edu/MerchList.aspx?ID=21147  Yodel Community Calendar & News Feed: https://events.yodel.today/crawfordsville  To ask any questions about this podcast or to submit topic ideas, please email Sarah Sommer at ssommer@crawfordsville-in.gov

In this episode of The Truth In This Art, we explore the heart of Baltimore's art community with Martha Robichaud, a passionate art educator and the driving force behind Meander Art Bar, a vital art space Baltimore. Discover how Martha cultivates a thriving creative community Baltimore through accessible art Baltimore and impactful community art projects Baltimore. We delve into her unique journey, from growing up immersed in the Baltimore cultural scene, surrounded by the Baltimore Symphony Orchestra (her mom was a pioneering French horn player!), to her dedication to creating spaces for interactive art Baltimore and enriching arts education programs Baltimore.If you're interested in the essence of the Baltimore art scene, the power of community, or simply seek inspiration, this conversation with Martha Robichaud is a must-listen. Tune in and discover the magic of Meander Art Bar.Learn how community-building thrives through art in this episode of The Truth In This Art with Martha Robichaud of Meander Art Bar. Explore their programs and collaborations, including a connection with Cultivated (hear my interview - Truth In This Art episode with Alex Madaus of Cultivated Studios. Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis. Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcast The Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Producer/host: Adina Salmansohn Other credits: Theme music written and performed by Ariel Chapman.   A monthly show exploring Maine‘s culture, art and crafts that enrich our lives and bring us joy.   Guest/s: From Bangor Maker Space: Eric Lovejoy, Director Justin Hughes, President Brandon Lieberthal, Director From Waterfall Arts: Katherine Devereux, Marketing ManagerFrom IMRC Center: Drew Hooke, Operations Manager FMI: Bangormakerspace.org Waterfallarts.org imrccenter.umaine.edu About the Host: Adina Salmansohn started learning to play the trombone at the age of 8.  Her undergraduate years were at the Cleveland Institute of Music, where she studied with Robert F. Boyd of the Cleveland Orchestra.  After returning to her native New York, she played freelance in the NY Metro area, including multiple orchestras, big bands, and a 17 year stint with The Soundview Brass Quintet, which she founded in 1980. In addition, she had a busy career as an arts administrator, directing and teaching in Community Arts schools, light opera companies, and season programming for other non-profit organizations. Adina founded the Hudson School of Creative Arts in inner-city Yonkers, NY. After her second child was born, she returned to school, and earned a degree in Culinary Arts from the Culinary Institute of America. Her family then moved to the Chicagoland area, where she became Principal Trombone of the Skokie Valley Symphony Orchestra, and also served as a board member and Personnel Manager for many years.  In that time, she also taught Culinary Arts in high school.  She earned a Graduate Certificate in Museum Studies from Northern Illinois University in 2018. Upon retirement, she and her husband moved to Orland, Maine;  she came out of retirement to teach the JMG program at Bucksport High School.  She  joined the Bangor Band in 2018, where she plays euphonium.  She is in her second year as a Board Member at Large for the Bangor Band. The post Creative Maine 3/20/25 first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

In this episode we interview woodworker Ryan Lutz. We talk about embracing professional flexibility during covid to build creative momentum, using broken skate boards to inspire the creation of his first art products, using corporate skills to push your art business forward, leaning into process exploration, strategically balancing multiple wood working income streams, and finding community through art residencies. Stay Connected With Ryan: www.dustedwoodworking.com https://www.instagram.com/dustedwoodworking/ Episode Blog Link: https://www.levelupartists.com/lua-podcast/202 Sign up for our studio newsletters at: https://www.AmeighArt.com https://www.JaclynSanders.com https://www.levelupartists.com Connect with us on Instagram: https://www.instagram.com/AmeighArt/ https://www.instagram.com/JSandersStudio/ https://www.instagram.com/LevelUpArtists/ Music by: https://www.coreyclaxton.com Watching or listening to one of our earlier episodes? In 2022, the Art Studio Insights podcast was renamed the Level Up Artists podcast!

This dual feature episode highlights the artistry of the Gee's Bend Quilters, whose improvisational designs and cultural resilience transformed necessity into celebrated textile art, alongside Francine Thompson, Design Director at Hims & Hers, who shares insights on visual storytelling and building compelling brand narratives._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay_______Sources:Souls Grown Deep Gee's Bend Website: geesbend.orgInstagram: @geesbendquiltmakersGee's Bend on EtsyAbout The Quilters of Gee's BendThe Gee's Bend Quilters are a collective of African American women from the small, rural community of Gee's Bend, Alabama, whose quilting tradition dates back to the 19th century. Descendants of enslaved people who once worked the land as sharecroppers, these women transformed necessity into artistry, crafting bold, improvisational quilts from repurposed fabrics like denim, flour sacks, and worn-out clothing. Their work remained largely unknown outside their community until the early 2000s, when museum exhibitions catapulted them into the national spotlight. Now celebrated as one of the most significant contributions to American textile art, Gee's Bend quilts have been displayed at the Whitney Museum, the Met, and the Smithsonian. Their distinctive designs—like the Housetop and Bricklayer patterns—have influenced modern art and design, blending tradition with innovation. Today, their legacy continues through exhibitions, workshops, and direct sales, ensuring their craft remains both an artistic and economic lifeline for the community.About FrancineFrancine Thompson is the Design Director of Brand at Hims & Hers, where she brings a strategic and thoughtful approach to branding, creating design systems that feel both human and impactful. With a foundation in graphic design, brand identity, typography, and creative strategy, she has built a career helping brands tell compelling stories that connect with people on a deeper level. Her work spans everything from printed materials to physical products, and she's known for her ability to turn big ideas into tangible, beautifully executed realities. Based in California, Francine's expertise in editorial design and brand storytelling has shaped her approach to crafting experiences that feel cohesive from the macro to the micro. In this episode, she shares insights on the power of visual storytelling and what it means to build a brand that resonates. Follow Francine:Instagram: @francineathompsonWebsite: francineathompson.comTikTok: @franslittlelife ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

Art has a unique ability to transcend language, evoke emotion, and bring people together across cultural divides. This idea is embodied in the work of Samra Bashir, whose glass paintings celebrate the rich traditions of South Asian and Islamic art while inviting a broader audience into their intricate beauty. Samra's journey as an artist began as a personal escape—something she turned to during challenging times. But over the years, her work evolved into something much larger. Through her use of glass paint and light, she has built not just an art practice, but also a powerful means of storytelling, connection, and cultural education. In this episode of The Art Biz, host Alyson Stanfield talks with Samra about: How her creative journey started and what led her to glass painting. The role of light in her work and why it's an essential element. How she uses art to foster community and bridge cultural gaps. The importance of stepping out from behind the screen and sharing art in real-life spaces. Samra's story is a reminder that art doesn't just exist in isolation—it thrives in conversation, connection, and shared experiences. 01:50 Samra's Early Inspirations 02:28 Reviving Her Art in the U.S.04:05 Samra's Cultural Heritage and How It Shows Up in Her Work 08:42 Building an Audience and Overcoming Challenges11:37 Balancing Multiple Roles and Art 18:47 The Importance of Community and Teaching Workshops22:43 Connecting Through Art and Overcoming Barriers 26:08 Practical Tips for Artists to Engage with Community 36:50 Conclusion and Practical Applications for You

Conversations about supporting community healing and dreaming through art with organizers, artists, and youth at Wisdom Circles Oceania: Sierra Dew (founder) and Nara Boone (Maui coordinator); Mariana Monasi (community artist); and Violet Aarona, Alana Koa, and Taytum Herrick (youth participants). Founded in 2016, Wisdom Circles Oceania fosters healing and justice through artistic expression. Their work builds community power and forges a stronger movement for social justice in Hawaiʻi by focusing on creating a community of care that centers youth voices, community workers, and accessible creative spaces for all ages. Website: www.wisdomcircles.org/ Tags: Hawaiʻi, Hawai'i, Hawaii

Producer/host: Adina Salmansohn Other credits: Theme music written and performed by Ariel Chapman.   A monthly show exploring Maine‘s culture, art and crafts that enrich our lives and bring us joy.   Guest/s: Dr. Beth Wiemann, President of The Society of Composers and professor of Composition and Clarinet at The University of Maine, Orono bwiemann@maine.edu www.socieyofcomposers.org Chantal Harris, the Director of Monson Arts Residency program, Monson, Maine director@monsonarts.org www.monsonarts.org Marc Mewshaw, Executive Director of Hewn Oaks Artists Residency info@hewnoaks.org www.hewnoaks.org About the Host: Adina Salmansohn started learning to play the trombone at the age of 8.  Her undergraduate years were at the Cleveland Institute of Music, where she studied with Robert F. Boyd of the Cleveland Orchestra.  After returning to her native New York, she played freelance in the NY Metro area, including multiple orchestras, big bands, and a 17 year stint with The Soundview Brass Quintet, which she founded in 1980. In addition, she had a busy career as an arts administrator, directing and teaching in Community Arts schools, light opera companies, and season programming for other non-profit organizations. Adina founded the Hudson School of Creative Arts in inner-city Yonkers, NY. After her second child was born, she returned to school, and earned a degree in Culinary Arts from the Culinary Institute of America. Her family then moved to the Chicagoland area, where she became Principal Trombone of the Skokie Valley Symphony Orchestra, and also served as a board member and Personnel Manager for many years.  In that time, she also taught Culinary Arts in high school.  She earned a Graduate Certificate in Museum Studies from Northern Illinois University in 2018. Upon retirement, she and her husband moved to Orland, Maine;  she came out of retirement to teach the JMG program at Bucksport High School.  She  joined the Bangor Band in 2018, where she plays euphonium.  She is in her second year as a Board Member at Large for the Bangor Band. The post Creative Maine 2/20/25 first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

In this episode of The Truth in This Art, I'm joined by returning guest Tonya Miller-Hall, Senior Advisor, Office of Arts & Culture for the Mayor's Office in Baltimore City, and acclaimed multidisciplinary artist and first time guest Derrick Adams to discuss "Inviting Light," a groundbreaking public art project transforming Station North. Curated by Derrick Adams and supported by Bloomberg Philanthropies, "Inviting Light" will feature five site-specific installations by renowned artists, bringing light and vibrancy to the neighborhood. We explore how this initiative will enhance the community, increase foot traffic, and revitalize Station North through the power of public art.Don't miss this episode to learn more about "Inviting Light" and the inspiring individuals behind it!Be sure to check out Tonya Miller-Hall's previous appearance on The Truth in This Art here Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis. Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcast The Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Welcome to episode 67: From nosey to necessary: The Impact of Evantson Made with Lisa Degliantoni"I started this work at 40, which just goes to show that it's never too late to begin something new and impactful" - Lisa DegliantoniSummary of the episodeToday's conversation centers on the vital role of community arts education and advocacy, delivered with profound insights from Lisa Degliantoni, a dedicated advocate for artists in her community. As the founder and co-director of Evanston Made, Lisa embodies a commitment to fostering visibility and support for artists, emphasizing the necessity of kindness and engagement in a world that often feels overwhelming. Throughout our conversation, we explore how Lisa's journey into arts advocacy began later in life, reminiscent of notable figures who found their calling beyond traditional timelines. She elucidates the importance of creating community among artists, highlighting that the isolation often experienced can be alleviated through collective support and shared experiences. This episode serves not only as a reminder of the power of community but also as an invitation to engage actively in fostering the arts within our own neighborhoods.Topics Discussed:local initiatives can foster support and visibility for artists.Lisa's journey into arts advocacy demonstrates that significant career transitions can occur later in life, inspiring individuals to pursue their passions.How Evanston Made serves as a model for community-driven arts organizations, focusing on the needs and aspirations of local artists.Meet Lisa -Lisa is a community advocate for artists and makers and is a passionate Community Arts Builder in Evanston. Working as the founder and co-director of the nonprofit arts organization, Evanston Made, Lisa's enthusiasm for community art building drives the organization's mission-based programs and events that bring visibility and opportunity to the artists in the community.Chapters:00:08 - Introduction to Community Arts and Kindness03:40 - The Heart of Community Engagement in Evanston19:10 - Creating Community Through Art Advocacy31:24 - Navigating Community and Self-Awareness43:23 - Community Engagement and Cultural RenaissanceResources mentioned in this episodeSeriously Baddass Women Interview with Lisa DegliantoniEvanston MadeLefty's BagelsMensch's DeliTerrain BiennialZentli on DempsterConnect with LisaEvanston Made on InstagramLisa's Instagram: @thelisadshowhttps://www.lisadegliantoni.com/Connect with StephanieInstagram: @stephaniegraham

An outbreak of Foot and mouth disease in Germany brings import bans and calls for farmers to be vigilant. We speak to the Chief Vet for Wales.Signs of spring - have you spotted any yet? The Field Studies council would love to hear from you - details below.Ahead of the RSPB's Garden Birdwatch (Jan 24th-26th) for our bird of "conservation concern" in Wales we hear how the humble house sparrow is fairing and the project to kickstart live, community gigs coming to a rural village near you!

Producer/host: Adina Salmansohn Other credits: Theme music written and performed by Ariel Chapman.   A monthly show exploring Maine‘s culture, art and crafts that enrich our lives and bring us joy.   Guest/s: Spencer Janney Naiad country Brewery Naiadcountrybrewery@gmail.com Lance and Liz Meadows Sew Rugged www.sewrugged.com 207-619-1898 95 Castine Road, Orland, ME 04472 Keith Drago Director, Carver Memorial Library 12 Union Street, Searsport (207) 548-2303 www.carverlibrary.org About the Host: Adina Salmansohn started learning to play the trombone at the age of 8.  Her undergraduate years were at the Cleveland Institute of Music, where she studied with Robert F. Boyd of the Cleveland Orchestra.  After returning to her native New York, she played freelance in the NY Metro area, including multiple orchestras, big bands, and a 17 year stint with The Soundview Brass Quintet, which she founded in 1980. In addition, she had a busy career as an arts administrator, directing and teaching in Community Arts schools, light opera companies, and season programming for other non-profit organizations. Adina founded the Hudson School of Creative Arts in inner-city Yonkers, NY. After her second child was born, she returned to school, and earned a degree in Culinary Arts from the Culinary Institute of America. Her family then moved to the Chicagoland area, where she became Principal Trombone of the Skokie Valley Symphony Orchestra, and also served as a board member and Personnel Manager for many years.  In that time, she also taught Culinary Arts in high school.  She earned a Graduate Certificate in Museum Studies from Northern Illinois University in 2018. Upon retirement, she and her husband moved to Orland, Maine;  she came out of retirement to teach the JMG program at Bucksport High School.  She  joined the Bangor Band in 2018, where she plays euphonium.  She is in her second year as a Board Member at Large for the Bangor Band. The post Creative Maine 1/16/25 first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

On this episode we interview artist and Community Arts Coordinator Kelly Schrader. We talk about staying inspired through community and service, the power of balancing an art administration role and a creative practice, looking at your past work with softer eyes, documenting the creative process, redefining how to stay organized, and developing transferable skills as an artist. Stay Connected with Kelly: https://www.kelly-schrader.com https://www.facebook.com/schraderart https://www.instagram.com/_schraderart_ https://www.youtube.com/@kellyschrader3214 https://www.linkedin.com/in/kelly-schrader-85b040114 https://schraderart.substack.com Episode Blog Link: https://www.levelupartists.com/lua-podcast/185 Sign up for our studio newsletters at: https://www.AmeighArt.com https://www.JaclynSanders.com https://www.levelupartists.com Connect with us on Instagram: https://www.instagram.com/AmeighArt https://www.instagram.com/JSandersStudio https://www.instagram.com/LevelUpArtists Music by: https://www.coreyclaxton.com Watching or listening to one of our earlier episodes? In 2022, the Art Studio Insights podcast was renamed the Level Up Artists podcast!

348 Artistry in Community Art has always brought people together, even in the darkest times of human history there is always a creative trying to give the world just a little bit of light.  In today's episode Sarah Elkins and Al Swanson discuss how community and artistry often go hand in hand, as well as the importance of giving back to your community.   Highlights Community. Passion for the path you chose. People will fall in love with the creator, not the product.   Quotes “Though the challenges are there I think because you are allowed to go down that path you chose, it's the more I'm interested in something the more I want to talk about it.” “Pick your medium, and you have to love it, and you're gonna have to want to give it.”   Mentioned in this episode Sarah Yaeger George McCauley   Dear Listeners it is now your turn, What are you going to explore today, tomorrow, the next day, in your creative outlet? What small thing can you take on, it might be picking up a coloring book and starting to color, just start to explore that. It might be picking out a recipe you've never tried or maybe it's finding your community at the library, a hiking group, maybe it's the land trust near you to help with trail maintenance, maybe it's something as simple as volunteering to read to children or seniors. What will you do to find your community, to contribute to it, to better yourself and keep yourself in alignment? And, as always, thank you for listening.    About Al (bio from his website) A.L. grew up on a small farm in Maine, surrounded by a beautiful forest, and raised by a father who loved working with wood. Watching his father create extraordinary pieces with his own two hands, with trees harvested from their land, left an impression on A.L. and sparked a passion that continues to this day. After spending time studying business and agronomy at respective universities, he decided to follow the passions he discovered as a boy and pursue the fine craft of woodworking. He apprenticed under several elite cabinetmakers in Maine, mastering the traditional craft. In 2000, he packed up his tools and gave in to the lure of the wide-open spaces of Montana, where he now calls home. Today he shares the passion he discovered as a boy with the folks who enjoy his collections of fine hardwood gifts for the home, exceptional hand-crafted furniture, and his line of wooden fly boxes, landing nets, and fly rod cases. When he's not in the studio creating something that will last for generations, you'll find him out on the river casting for trout, spending time with his son, and dreaming up the next big project to exceed his patrons' expectations.   Be sure to check out his website! As well as his Twitter and Facebook!   About Sarah "Uncovering the right stories for the right audiences so executives, leaders, public speakers, and job seekers can clearly and actively demonstrate their character, values, and vision." In my work with coaching clients, I guide people to improve their communication using storytelling as the foundation of our work together. What I've realized over years of coaching and podcasting is that the majority of people don't realize the impact of the stories they share - on their internal messages, and on the people they're sharing them with. My work with leaders and people who aspire to be leaders follows a similar path to the interviews on my podcast, uncovering pivotal moments in their lives and learning how to share them to connect more authentically with others, to make their presentations and speaking more engaging, to reveal patterns that have kept them stuck or moved them forward, and to improve their relationships at work and at home. The audiobook, Your Stories Don't Define You, How You Tell Them Will is now available! Included with your purchase are two bonus tracks, songs recorded by Sarah's band, Spare Change, in her living room in Montana. Be sure to check out the Storytelling For Professionals Course as well to make sure you nail that next interview!

In this episode of "The Truth In This Art," host Rob Lee converses with Sydnie L. Mosley, an award-winning artist, activist, and founder of "Sydnie L. Mosley Dances". Sydnie shares her artistic journey, emphasizing her commitment to community engagement and social justice through dance. She discusses her creative process, the importance of rest, and the influence of cultural icons like Katherine Dunham. Sydnie also highlights her recognition as one of Dance Magazine's "25 to Watch" for 2024 and offers advice to aspiring artists. This episode underscores the power of art in fostering connection and promoting social change.Episode Highlights:Sydnie's Background (00:01:56) Sydnie shares her journey as an artist, educator, and community advocate, emphasizing her roots in Baltimore.Creative Problem Solving Through Dance (00:03:12) Sydnie explains how SLM Dances engages communities to address issues through movement and art.Feeling Human Through Dance (00:05:49) Sydnie discusses the emotional and connective power of dance in fostering humanity and dialogue.Founding SLM Dances (00:09:24) Sydnie narrates her journey in establishing SLM Dances and the impact of her early dance experiences.Social Issues Addressed Through Dance (00:11:54) Sydnie elaborates on how her projects focus on social issues, particularly gender-based harassment.Thematic Focus of Recent Work (00:15:05) Sydnie shares insights on her latest project, "Purple," which explores sisterhood and social change.Importance of Continuous Learning (00:19:11) Sydnie emphasizes the necessity of learning and cultural engagement to enrich creativity and artistic expression.Recognition and Visibility (00:31:37) The significance of being acknowledged by peers and its potential benefits.Advice for Aspiring Artists (00:35:08) She encourages aspiring artists to take time, prioritize self-care, and start creating.Key Takeaways:1. Early Exposure to Art: Growing up in an artistic environment can significantly shape one's creative journey and passions.2. Community Engagement: Art can be a powerful tool for fostering dialogue and inspiring social change within communities.3. Phases of Creativity: Structuring the creative process into distinct phases, including rest, is crucial for sustaining creativity and preventing burnout.4. Self-Reflection: Regularly reflecting on one's work and seeking feedback ensures alignment with artistic goals and promotes continuous improvement.Website and Socials:www.sydnielmosley.comX: @slmdancesInstagram: slmdancesFacebook: Sydnie L. Mosley DancesLinkedIn: Sydnie L. MosleyIf you enjoyed this episode with the amazing Sydnie L. Mosley, please take a moment to visit and support her work by checking out her website and following her on social media. Your support means the world! Also, don't forget to rate and review this episode—it really helps us reach more listeners. And if you love what we're doing, consider supporting us on Patreon. Your contributions help keep this podcast going strong. Thank you! This program is supported in part by a grant from the Robert W. Deutsch Foundation.If you have a story about art, culture, or community in Baltimore, share it with us at rob@thetruthinthisart.com for a chance to be featured on "The Truth In This Art" podcast. This is a unique opportunity to contribute to the arts and culture podcast scene and showcase your insights on "The Truth In This Art" with Rob Lee.Follow The Truth In This Art on Twitter, Threads, IG, and Facebook @truthinthisart Original music by Daniel Alexis Music with additional music from Chipzard.Episode illustration by Alley Kid Art.About "The Truth In This Art"Hosted by Rob Lee, "The Truth In This Art" podcast dives into the heart of creativity and its influence on the community. This arts and culture podcast from Baltimore highlights artists discussing their ideas, sharing insights, and telling impactful stories. Through these artist interviews, listeners gain a deeper understanding of the creative economy and artistic life in Baltimore. Support the show:Merch from Redbubble | Make a Donation  ★ Support this podcast ★

In the first hour of "Connections with Evan Dawson" on Tuesday, August 6, 2024, guest host Kelly Walker leads a discussion with the new leadership of St. Peter's Community Arts Academy on their cultural impact on the children of Geneva and their plans for the future.