Podcast appearances and mentions of Gordon Kennedy

Friend of the show Gordon Kennedy is back to tell Nick and Chris about the new football play he's currently in, plus there's the usual round up of the week including, of course, some Oldham s***e. —————————————— If you would like to support the podcast, you can do so by subscribing to our offering at anotherslice.com/famousslopingpitch.  For just £5 a month you'll get an ad-free version of the podcast every week PLUS fortnightly bonus episodes where we delve into seasons past and review them.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

GORDON KENNEDYS SKELSÆTTENDE POLTERBABEND: Hvad gør man, når man pludselig får at vide, at ens bror ikke deler samme far som én selv? For skuespiller og komiker Gordon Kennedy blev den sandhed afsløret da han som 29-årig deltog i sin brors polterabend. "Det var virkelig livsændrende. At man kan gå i 29 år og tro noget, der viser sig ikke at holde stik", fortæller han.Sognepræst Pernille Nærvigs erfaringer som præst er, at fortielser er mere udbredte, end vi måske tror: "Det handler mere om, hvordan man får levet med skeletterne - end om, at de ikke er der", mener hun.

Visit (or click) https://goodgriefgoodgodshow.com/s2ep2-jimmieleesloas to access both parts one and two of this episode, including audio and video links.  Visit (or click) https://www.GoodGriefGoodGodShow.com to learn more about the show.

Visit (or click) https://goodgriefgoodgodshow.com/s2ep2-jimmieleesloas to access both parts one and two of this episode, including audio and video links.  Visit (or click) https://www.GoodGriefGoodGodShow.com to learn more about the show.

For the 100th episode, I talk to a special guest, the brilliant comedian, JACK DOCHERTY. Docherty is a Scottish comedian, actor, and writer.  He first performed at the 1980 Edinburgh Fringe with the comedy sketch group The Bodgers (with Moray Hunter, Gordon Kennedy and Peter Baikie).  Docherty and Hunter became staff writers for the BBC radio comedy contributing to shows such as Radio Active, Week Ending and The News Huddlines. They were teamed with Norwenna Banks and John Sparkes and went onto make four series of the successful sketch show, Absolutely, for Channel 4 between 1989 and 1992. Also in the eighties, his writing skills helped make Spitting Image, Alas Smith & Jones, Vic Reeves Big Night Out, and The Lenny Henry Show, all major hits.  In 1997 (until 1999), he was part of the launch of Channel 5, becoming Britain's first five nights a week chat show host on The Jack Docherty Show.  From 2014, he has memorably starred as Chief Miekelson in BBC Scotland's Scot Squad, winning awards for the part, and then wrote and starred in radio and television versions of Stop Start In 2018 he returned to the Edinburgh Fringe with new solo shows in 2018 and 2022, and has a new show, David Bowie and Me: Parallel Lives in 2023. I have many happy memories of sitting in the audience at recordings of The Jack Docherty Show at The Whitehall Theatre in London (now Trafalgar Theatre) from 1997 to 1999.  I have also seen Docherty perform for Stop Start at the BBC Radio Theatre in 2015, and his solo shows Miekelson and McGlashan: Serious Men at the Edinburgh Fringe in 2018 and Nothing But, at the Soho Theatre, London in 2022. Thank you so much for listening to my podcast, if you like what you hear, please subscribe and I hope you enjoy the interview. Please read Jack Docherty's blog at: www.arichcomiclife.blog/2018/08/30/jack-docherty/ Jack Docherty Links: Twitter: www.twitter.com/mrjackdocherty Instagram: www.instagram.com/mrjackdocherty    

This is one of those podcast conversations that's still a little baffling to me because I'm shocked it actually happened. Let me explain. When I was a student in college, way back in the dark ages—I mean, the early 1990s—I was introduced to the music of Christian recording artist Wes King. My good friend Jeff Hogan was a guitar player and worship leader, and one day I was in his apartment on campus. He said, “You've gotta listen to this guy Wes King. He's an incredible musician.” The first song he played for me was Wes's song “Life on the Vine,” from his album “Sticks and Stones.” I was immediately hooked. From then on, I was a huge Wes King fan. In the 1990s and early 2000s, Wes released a number of incredible albums, including “The Ultimate Underlying No-Denying Motivation,” the aforementioned “Sticks and Stones,” “The Robe,” “Common Creed,” “A Room Full of Stories,” “What Matters Most,” and “Invention,” a collaboration with fellow guitar virtuosos Scott Dente and Phil Keaggy. Wes has also written songs with, and collaborated with, many other Christian artists over the years, such as Michael W. Smith, Amy Grant, Kim Hill, Gordon Kennedy… the list goes on. He's known as an insightful, lyrical, and theologically-minded songwriter… not to mention a world-class guitarist. I couldn't tell you how many hours I've devoted over the years to figuring out how to play some of his songs and the crazy tunings they're in. So, you can imagine my surprise when, a few weeks ago, I had the opportunity to visit Wes in his home in Franklin, TN, to meet him in person and record this interview. This conversation drifted to a range of issues, including his music career, songwriting, the creative life, theology, and much more. A quick note: we were not in a studio for this conversation. I used a small digital recorder, so it has a different sound than my typical Zoom interviews. But I hope you enjoy it, and much more important, I hope you check out Wes's music if you're not already familiar with it. You can also connect with him on Facebook. * * * Today's episode is sponsored by Vellum, the go-to book formatting software for indie authors who care about creating beautiful ebooks and print books. Use the link to download Vellum for FREE.

This is one of those podcast conversations that's still a little baffling to me because I'm shocked it actually happened. Let me explain. When I was a student in college, way back in the dark ages—I mean, the early 1990s—I was introduced to the music of Christian recording artist Wes King. My good friend Jeff Hogan was a guitar player and worship leader, and one day I was in his apartment on campus. He said, “You've gotta listen to this guy Wes King. He's an incredible musician.” The first song he played for me was Wes's song “Life on the Vine,” from his album “Sticks and Stones.” I was immediately hooked. From then on, I was a huge Wes King fan. In the 1990s and early 2000s, Wes released a number of incredible albums, including “The Ultimate Underlying No-Denying Motivation,” the aforementioned “Sticks and Stones,” “The Robe,” “Common Creed,” “A Room Full of Stories,” “What Matters Most,” and “Invention,” a collaboration with fellow guitar virtuosos Scott Dente and Phil Keaggy. Wes has also written songs with, and collaborated with, many other Christian artists over the years, such as Michael W. Smith, Amy Grant, Kim Hill, Gordon Kennedy… the list goes on. He's known as an insightful, lyrical, and theologically-minded songwriter… not to mention a world-class guitarist. I couldn't tell you how many hours I've devoted over the years to figuring out how to play some of his songs and the crazy tunings they're in. So, you can imagine my surprise when, a few weeks ago, I had the opportunity to visit Wes in his home in Franklin, TN, to meet him in person and record this interview. This conversation drifted to a range of issues, including his music career, songwriting, the creative life, theology, and much more. A quick note: we were not in a studio for this conversation. I used a small digital recorder, so it has a different sound than my typical Zoom interviews. But I hope you enjoy it, and much more important, I hope you check out Wes's music if you're not already familiar with it. You can also connect with him on Facebook. * * * Today's episode is sponsored by Vellum, the go-to book formatting software for indie authors who care about creating beautiful ebooks and print books. Use the link to download Vellum for FREE.

Tommy: And not being able to get there was really tough for me.  I don't think I expressed any of this ever,  outwardly, or openly, but it was tough. It was tough to think that I wasn't,... it felt like I was saying goodbye to those folks because of this new life I had now... Tommy Sims and Mark Gershmehl reminisce about the making of the final album track, "I'll Meet You There".  New episodes release every Monday.Ad Links:The 1513 Collection - A Faith-based Apparel CompanyEverything Nash - One-stop shop for all things Music City, USA

GORDON: I've thought if you look at Jesus on the cross and tell him that, "Well, there's this one thing I've done that's too much" then you're looking at him there and saying, "So what you're doing is not enough." Before they talk about the message of forgiveness and healing in "Let It Go", the guys delve into the genius that is producer, Brown Bannister.  From the way songs were chosen to the final order on the album, Brown's methods would be replicated by the guys for decades.New episodes release every Monday.Ad Links:The 1513 Collection - A Faith-based Apparel CompanyEverything Nash - One-stop shop for all things Music City, USA

GERSH: We could come out of a song like The River Will Flow into the same Psalm and just that reflection to say, Whatever it is, whatever you're going through, whatever's going on in your life, listen for the river within you. It's strong. It's a beautiful place. And, and you know what, just be still there. Just be still and know....In this episode, the guys discuss chocolate malts, Steven Curtis Chapman, the Psalms and producer, Brown Bannister playing to everyone's strengths within the group.New episodes release every Monday.Ad Links:The 1513 Collection - A Faith-based Apparel CompanyEverything Nash - One-stop shop for all things Music City, USA

TOMMY: it's not only on the record, but it was like the loudest thing on the record at that point. And I thought, no way are they actually, uh, this, we're actually keeping this, you know, literally it was, it was, it was just  a joke. I was trying to crack everybody up...In this episode, Gordon and Tommy discuss co-writing Invitation and Tommy's scatting while Rick chimes in with his thoughts on the energy the song provides for live shows.New episodes release every Monday.Ad Links:The 1513 Collection - A Faith-based Apparel CompanyEverything Nash - One-stop shop for all things Music City, USA

RICK: So I'm like, you know, couple rooms away, running down the hall with a microphone in my hand all the way right up to his face!  That was so stinking awesome. I LOVED doing that!In this episode, the topic turns to drummer, Chris McHugh! Gordon explains the inspiration behind Power Tools, Rick and Gersh recall the metal scream at the beginning and  the episode ends with learning who the little girl's voice is at the end.New episodes release every Monday.Ad Links:The 1513 Collection - A Faith-based Apparel CompanyEverything Nash - One-stop shop for all things Music City, USA

 GORDON: Even in recent years walking off stage with somebody like Peter Frampton and seeing somebody running towards me, ... and it's somebody, "Man, that Freedom album, that Freedom album. Oh my gosh." In this episode, Gersh discusses the the message of Eighth Wonder, Gordon cracks about the charts and Rick pulls back the curtain a little on Christian radio. New episodes release every Monday.Ad Links:The 1513 Collection - A Faith-based Apparel CompanyEverything Nash - One-stop shop for all things Music City, USA

GERSH: he's standing in front of the microphone and we hit a pause and we're rolling back the tape. And I say to him, "what did you just do?" And he says, "what?" I said, "what did you just do? "..... "I don't know. What did I just do?"In this episode, Gordon  chokes up talking about God's blessings pouring out on his life, Rick talks about joining the band and Gersh talks about Rick's first time in the studio. New episodes released every Monday.Ad Links:The 1513 Collection - A Faith-based Apparel CompanyEverything Nash - One-stop shop for all things Music City, USA

TOMMY: The idea that nobody's more or less important here. it is just the unit. What's important is that we just get the best music we can get,...In this episode,  Gersh explains the inspiration behind the song, Tommy discusses how he came up with that silky smooth bass riff in the intro and Gordon ties in Roy Orbison and  later, the Mississippi Blues. New episodes release every Monday.Ad Links:The 1513 Collection - A Faith-based Apparel CompanyEverything Nash - One-stop shop for all things Music City, USA

GORDON: the older you get and the longer you live, the more you see God laughing and smiling and winking at you...In this episode, the guys discuss the second song on the album and Gordon discusses his family's musical lineage (spoiler alert: his dad was kind of a big deal...) New episodes release every Monday.Ad Links:The 1513 Collection - A Faith-based Apparel CompanyEverything Nash - One-stop shop for all things Music City, USA

GERSH: well, the idea originally sprang we were in my apartment...We start with "Bye Bye Babylon", the opening track off of Whiteheart's 1989 album, Freedom but we also discuss how lead vocals are determined and how Rick Florian takes someone else's lyrics and makes it his own. (Spoiler Alert: that was Gordon Kennedy singing lead on "Montana Sky" from their Emergency Broadcast album.) New episodes release every Monday.Ad Links:The 1513 Collection - A Faith-based Apparel CompanyEverything Nash - One-stop shop for all things Music City, USA

This week we welcome Route 3 and Brady Seals! From Southern Missouri, award winning Bluegrass Band ROUTE 3 is comprised of veteran musicians that have performed at venues all over the mid-west as well as nation wide. With a traditional sound, many originals, and great instrumentation, they bring a hard driving bluegrass sound. Route 3 are recipients of the 2020 Arkansas Country Music Awards, Bluegrass Artist of the Year Award. Members of the group include: Jason Jordan: When nine-year-old Jason Jordan met Bill Monroe, he got to play his mandolin, and his love for bluegrass music began. Shortly after that, Jason began playing mandolin in his first band, an all-youth band called The Parking Lot Pickers. Jason subsequently was a founding member of Just In Tyme. He started writing and arranging his own songs. Shortly after he received an invitation to join Brightwater Junction as their guitar player. Jason co-wrote the song Captain that was recorded and made popular by Doyle Lawson and Quicksilver, and also wrote seven of the songs on the Route 3 debut album. Doug Clifton: At the age of 12, Doug Clifton began playing bass at his home Church, Macedonia Freewill Baptist in
the Southwest Missouri town of Purdy. Soon after, he and best friend Brandon Rickman, along with Brandon's brother Heath and dad, Gary, formed The Rickmans. In 2000, Doug was a part of New Reflections, winners of the S.P.B.G.M.A International Band contest in Nashville, Tennessee that year. Doug has played with multiple bands over the years including The Messengers, Breakaway, The Signature Quartet, The Kellys, The Drifters, Roaring River Sound and New Road. Gaylon Harper: In 1986, Gaylon started learning banjo at home and attending weekend festivals with friends. It wasn't long before he was playing with a local traditional bluegrass band, Jim Orchard and The Bressler Brothers. While traveling the bluegrass circuit with them, Gaylon met the Bob Lewis Family. Shortly after, he was given the opportunity to join their
band. In 1994, Gaylon and wife, Katrina, started a group with his two brothers to form The Harpers. 2009 begin the biggest adventure with the Lord so far, when Gaylon and his family begin a full-time music ministry as The Harper Family. In 2010, The Harper Family won the S.P.B.G.M.A International Band competition. A highlight is when Crossroads Recording signed them to their Pisgah Ridge label in 2013. Gaylon came off the road and became music minister at First Baptist of Birch Tree, MO. Roy Bond: Roy attended his first bluegrass show at the age of 12 and was instantly hooked. He soon began learning to play guitar and study music. Roy has been performing on stage since he was 13. He became a member of the Current River Opry show for the last two years of its 45 year run at the age of 14. After that, Roy became a member of Jim Orchard & The Ozark Bluegrass Boys where he stayed for 13 years. He has also done a considerable amount of fill in and part time work with many Ozark based bands including The Bressler Brothers, The Baker Family, Kirby Clark, and many more. Route 3 just got signed to Pine Castle Records. You can see them perform at the upcoming Treasure Lake Bluegrass Festival. For more information visit their website: Route3Bluegrass.com . Singer-songwriter and artist Brady Seals has a pedigree for success. He is related to numerous music industry heavyweights including, Jimmy Seals (Seals & Crofts), Dan Seals (England Dan & John Ford Coley), and country songwriters Troy Seals (Songwriting Hall of Fame Member) and Chuck Seals. Throughout his career, Brady Seals has sold over 11 million albums, topped three genres simultaneously, and his songs continue to captivate audiences and attract licenses for TV, radio, and film. A touring musician since the age of 16, Brady Seals is probably best known for his tenure in Little Texas. During his six years as keyboardist and co-lead singer for the multi- platinum group, they were voted ACM's Vocal Group of the Year Award and received two Grammy nominations. Little Texas celebrated three consecutive number one hits with What Might Have Been, God Blessed Texas, and My Love, all of which Seals co-wrote, granting him the ASCAP Triple Play Award. In 1996 Seals pursued a solo career, collaborating with the legendary Rodney Crowell to co-produce his Warner Brothers album, The Truth. It features a duet with Wynonna Judd, Another You, Another Me that sold over 100,000 singles. In 2002 Seals formed Hot Apple Pie (DreamWorks). Comprised of extraordinary musicians, the music industry dubbed the band “Music City's Super Group." Seals spent the next two years with Hot Apple Pie playing large venues in North America and Canada. Fans clamored for tickets to see and hear their live show as word spread about the amazing musicianship and Seals' “Jagger-esque” stage appeal gaineing the respect of music industry insiders and established acts due to their tight harmonies, agile playing skills, and charismatic stage antics. In 2008 Seals released an independent solo CD called “Play Time” featuring friends, Richard Marx and Stan Lynch (Tom Petty And The Heartbreakers) and hit the road again. He spent two years performing in clubs, theaters, and other venues across the country. When 2015 rolled around Seals along with his friend and co-writer, Gordon Kennedy founded the songwriter show called Music City Pickers LIVE! featuring artists such as Ricky Skaggs, Larry Stewart (Restless Heart), Richie McDonald (Lonestar), Peter Frampton, and many other hit-makers. In 2016 Brady paired up with Lua Crofts to form Seals & Crofts 2. 2016 also brought on another musical project for Seals. He was also asked to front a Tom Petty tribute band called The Petty Junkies. The group is comprised of the who's who of Nashville professional studio musicians and artists who have been very successful in their own right. In 2022 Seals signed with SM1 Music Group/Universal Music to release a brand-new musical project that he's been working on for years. Brady's first single from the project, "I'd Really Love To See You Tonight", has streamed over 1.5 million times on Spotify. His latest single "Farm Boy" is available now on all major streaming platforms. You can check out Brady's website at: www.BradySeals.com.

GORDON: Speaking of nicest humans on the planet....BAM! hahahaha....From their early start as the backing band for Bill and Gloria Gaither to working with esteemed CCM producer, Brown Bannister, the guys discuss their beginnings including touring their previous album, Emergency Broadcast. New episodes release every Monday.Ad Links:The 1513 Collection - A Faith-based Apparel CompanyEverything Nash - One-stop shop for all things Music City, USA

Gordon Kennedy is probably best known for the Channel 4 comedy series Absolutely, which aired from 1989 to 1993 which he co-stared in, co-wrote and produced. The BBC radio series of Absolutely is now available as a three series audiobook. Gordon co-hosted the original National Lottery show alongside Anthea Turner and in the late 90s, he was cast in the role of Little John in the BBC's hit series Robin Hood. He has appeared in a variety of shows, including as Sergeant Bruce Hornsby in the BBC drama Red Cap, he was in The Deal, The Halcyon, The Windsors, Endeavour, Vera, Harlots, Being Human, Sherlock, Red Dwarf and even the Kenny Everett Television Show. He was various voices in the cartoon series Stressed Eric and was the voice over in the long running US series, Ramsay's Kitchen Nightmares with Gordon Ramsay. He's appeared in films such as The Borderlands, Tank 432, and T2 Trainspotting.Gordon Kennedy is guest number 277 on My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .The Absolutely radio series audiobook is available here: linktr.ee/theabsolutelyradioshow .Follow Gordon Kennedy on Twitter @gordongkennedy .Follow My Time Capsule on Twitter, Instagram & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people. Get this podcast ad-free by becoming a team member with Acast+! Your support will help us to keep making My Time Capsule. Join our team now! https://plus.acast.com/s/mytimecapsule. Hosted on Acast. See acast.com/privacy for more information.

Gordon Kennedy's metal sculptures are on display in public places in the CBRM. The Coke Oven Sculpture towers over Open Hearth Park, a monument to steel making and the people who built the community. And a newly installed piece at the Hospice Facility embodies a prayer for those saying their final good byes.

Lige om lidt melder kalenderen d. 1. februar - og så er der premiere på årets udgave af Esbjerg Revyen. Radio Victoria fik lov at komme helt ind i maskinrummet, hvor det syder og bobler af kreativitet, musik og højt humør. Det blev til en snak med Trine Gadeberg, Jan Svarrer, Kasper Gattrup, Gordon Kennedy - og ikke mindst hele Esbjergs revymutter Hanne Bjørnskov. Der er lagt op til et velanbragt svirp med den satiriske pisk - og i Esbjerg kan vi være stolte af en revy i særklasse...

EPISODE 37 - The Christian rock band Whiteheart was formed in 1982 by singer Steve Green, guitarist Dann Huff, bassist Gary Lunn, keyboardists Mark Gersmehl and Billy Smiley, and drummer David Huff, most of the members alumni of Bill Gaither's group. After debuting with a self-titled effort issued on the Home Sweet Home label, Green exited the line-up, and was replaced by vocalist Scott Douglas for 1984's Vital Signs; another roster swap exchanging Dann Huff for guitarist Gordon Kennedy again shook up the Whiteheart sound just prior to 1985's Hotline. The remaining Huff brother, David, split soon after its release, as did Douglas; new vocalist Rick Florian and drummer Chris McHugh were installed in time for 1986's Don't Wait for the Movie, the last Whiteheart record to feature Gary Lunn. Whiteheart - Even The Hardest Heart Whiteheart - It Could Have Been You ___ The Add To My Playlist Website Have a podcast and need a great website? Try Podpage! podcast presented by True Media Solutions

Nick Hancock and Chris England round up this week's World Cup news, including sausages, Iran and a bit of Beckham. And of course, some Oldham shit.  Nick and Chris are also joined by actor and comedian, Gordon Kennedy. They discuss Gordon's team, Livingston (formerly Meadowbank), being a Liverpool fan along side that, the glory days of Scottish international football, and his colourful scene in T2: Trainspotting. Get in touch and follow us on Twitter @slopingpitch  If you have any thoughts, feelings or queries, please feel free to contact us on slopingpitch@gmail.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

Currently playing guitar touring with Garth Brooks, Gordon Kennedy said it was his song writing that opened the doors of opportunity in Nashville. Having written 15 songs for Garth, and many others for several popular singers, it was when Gordon co-wrote and won a Grammy for "Change The World" performed by Eric Clapton that his career began to take off. The song was shelved for several years...Gordon initially questioned his talent and why he believed he had written a hit song when the industry told him it was not.

Afsnit 409. Timm Vladimir. Timm siger selv, at hvis han skal beskrives kort, så er han kok - Men han er meget mere end det. For han er også uddannet skuespiller, TV- og radiovært og tidligere standupkomiker. Derfor tager vi bl.a. fat i det at køre parløb, som han selv har gjort med Gordon Kennedy, at indtage en værtsrolle, hans adieu med standup, hans meget uhyggelige dykkerture samt hans specielle forhold til hans far. Der er altså lagt op til et klassisk "Hva så?!"-afsnit hvor snakken virkelig går i øst og vest. Rigtig gå fornøjelse, Christian.

Gordon Kennedy has won multiple Grammys, as a co-writer of "Change the World" sung by Eric Clapton and for his work on the album "Fingerprint" by Peter Frampton. Gordon has written 15 songs that Garth Brooks has recorded and is Garth's touring guitar player. We talk about Gordon's legendary dad, Jerry Kennedy, who played with Elvis, Roy Orbison, and on many of Country Music's most famous recordings. We discuss Gordon's years in White Heart, his work as a recording session player (with Don Henley, Reba, Alison Krauss and many more), touring with Garth, and his latest recording with Dogs of Peace.Find tour info, Dogs of Peace links and all the latest that Gordon is doing at https://www.gordonkennedymusic.com/.If so inclined, please consider leaving a kind review or rating, following or subscribing to keep more interviews coming. Thank you kindly.

Han er kendt for at sige, at han bestemt ikke kan se satiren i dette program. Og det er jo et super duper udgangspunkt for at deltage i et satireprogram. Med os. Der virkelig ikke kan tage kritik. Så de næste 54 minutter bliver virkelig presset. Men det er dagens gæst helt selv uden om. Så undskyld kære lytter.Dagens gæst er Danmarks modigste og mest øretæveindbydende mand: Gordon Kennedy..I dag skal vi finde ud af hvad satire egentlig er, vi skal udfylde en side i Tsunamis venindebog, og så skal vi selvfølgelig slås med Gordon Kennedy.Tsunami lærte: - Gordon Kennedy savner Tim - Han er misundelig på skuespillere der har noget at lave- Han skal til at lave stand-up igen- Han hader revy - Han er sgu flink nok - Han ved, hvad dopamin er___________________________________Værter: Sebastian Peebles & Chano Jørgensen Producer: Sally Juncker Larsen Gæst: Hans Gordon Kennedy Musik: Upright-Music

This week the lads have the pleasure of spending an hour in the company of Gordon Kennedy, a man who you'll have seen and heard many many times but maybe without realising it. Hear amazing anecdotal stories of life on set, auditions with Danny Boyle and his love of all things cricket and the Lord's Taverners Charity. Enjoy!!

Gordon Kennedy var en af de helt store navne på den danske stand-up-scene tilbage i 90'erne. I dag er han gæst i Go Tur Hjem, hvor han blandt andet snakker om at have medvirket i verdens dårligste film, og om et rædderligt job for TDC.Værter: Oliver Stanescu og Benjamin JeppesenKlip: Martin Riise Nielsen

Creators of the hit Radio 4 Sci Fi comedy Quanderhorn, Rob Grant (Son of Cliché, Spitting Image, Red Dwarf) and Andrew Marshall (Burkiss Way, Whoops Apocalypse, 2point4children) invite you back for a deeper glimpse into the steaming primordial swamps of their hideously contorted imaginations, known only as The Nether Regions. Trapped with them in the dank basements of their fetid minds are sparkling young talents Helen Cripps, Edward Rowett and Holly Morgan. The Nether Regions is our dystopian present – it's now, but not now, and then, but now. Not. Past, present and future merge into one writhing tortured tangle, where the Naked Truth climbs out of the window, because Fake News has come home unexpectedly early. Continuing the mirth, mayhem and something else beginning with M of the highly acclaimed pilot show. Scream in terror. Then listen to the show. Then scream in terror again, as you witness: Germany's most efficient fast food sausage establishment The recently rediscovered classic, Jane Austen's Love Island Thinking dogs for the stupid The tortured souls who are addicted to being Alan Bennett. These and other mind-munching experiences await the unwary listener. Make sure you book a return ticket. Created and Written by Rob Grant and Andrew Marshall Performed by Rob Grant, Andrew Marshall, Helen Cripps, Edward Rowett and Holly Morgan Studio Engineered and Edited by Jerry Peal Original Music Composed by Pete Baikie Programme Managed by Sarah Tombling Recorded at The Shaw Theatre, London Produced and Directed by Gordon Kennedy, Rob Grant and Andrew Marshall An Absolutely production for BBC Radio 4

Gordon Kennedy er inviteret i studiet til en snak om comedy fra 90'erne. Vi finder blandt andet ud af, at jokes kan forstås på mange måder - og misforstås på lige så mange. See omnystudio.com/listener for privacy information.

Cathy “CC” Carlson has had over 25 years in the Music Industry with co-written songs placed on NBC, CBS, CMT (Country Music Television), and GAC (Great American Country). She also owns Independent Music Publishing companies and a Record Label. Cathy has worked for non-profits for concerts and events which included music celebrities David Foster, LeAnn Rhimes, Gary Allen, and television celebrities Paul Newman, Jacqueline Smith, Stephen Segal, Eric Estrada (“Chips”), and Baywatch stars which included Carmen Electra. Sports celebrities included Sugar Ray Leonard, Evander Hollyfield, and Race Car Driver Mario Andretti.  CC's Music Background also includes a TV Co-Host for a talent and variety show with over 2 million viewers and working as a Los Angeles Radio Co-Host with KCLA Radio and a Meryl Haggard radio program in Los Angeles. She was an Event Coordinator for NSAI (Nashville Songwriters Association International), SGA (Songwriters Guild of America), and other Los Angeles and International Songwriter Organizations including IMRO (Irish Music Rights Organization). Cathy worked with Bob Diamond (son of the famous Leo Diamond) who was the chief harmonica soloist or virtuoso in the “high fidelity” LP era. Bob was the partner of Midnight Music in Los Angeles which managed song catalogs and recordings by Tiffany, Irene Cara (Flash Dance) among many other artists and songwriters.  Cathy toured with her twin sister Colleen with the Min-On International Concert Association in Japan (the 2nd largest concert association in the world) with the “Route 66 Band” to packed concert halls through Japan which was managed by Seymour Heller, Manager to Liberace.  “CC” also worked for Celtic Harmony/Music Bridge with American Recording Artists including Rodney Crowell, the Go Go's, Delbert McClinton, Jeff Healey, Montell Jordan and Irish Recording Artists including Brian Kennedy, Liam Reilly (of popular Irish Band “Bagatelle”) Keith Donald, Jimmy MacCarthy, Marian Bradfield (founder of “Celtic Women”), Mick Hanly, and IMRO (Irish Music Rights Organization) Songwriters in Ireland. American Writers included Brenda Russell, Gordon Kennedy (co-writer of “Change The World” with Eric Clapton), Gary Nicholson, Jill Sobule. Songwriter Organizations included ASCAP, BMI, SESAC. Record Labels included Putumayo World Musiz, Polygram, EMI Music Publishing.  “CC” has co-written songs with Roger La Rocque who managed “Celine Dion” and Joel Hirschhorn (Grammy-winning theme song for “Poseidon Adventure”, Jan Buckingham (co-writer Pam Tillis “Queen of Denial”), Montell Jordan, Def Jam Recording Artist of the song “This is How We Do It”.  Studio work included recordings with Artist Theresa James, 2019 Grammy Award winner of “Contemporary Blues Album”. Patrick Swayze danced to CC's co-written song “Desire” in an HBO film “Letters From A Killer” which featured another one of CC's co-written songs “Daddy Tried” a take-off of “Mama Tried” by Merle Haggard.  Film and Television Song Placements:  Cathy's co-written song “A Woman In Charge” will be featured in a Sci-Fi film starring Barry Bostwick who starred in the cult classic “Rocky Horror Picture Show” with Susan Sarandon back in 1975. Cathy's dedication continued as Southwest Coast A/R, Representative for a Film/TV Placement company in Nashville where she submitted over 110 Artist Packages which totaled 3,500 songs in just 6 months.  Current Projects: Cathy co-hosts a "Gemstar Worldwide Podcast" with Plastic EP from Australia and she will also be hosting both a Music Podcast on www.bbsradio.com and hosting a show about her co-written books "Beyond The Veil of Sedona" and "Beyond The Cloak of California" which she co-wrote with her twin sister! Cathy currently works as “Music Publishing, Director” at Big Fish Music Group with Chuck Tennin, President & CEO. Chuck has worked on recording projects with “Legendary” Artists such as Neil Young, Aretha Franklin, Steppenwolf, Elvis Presley, Jim Hendrix, Peter Frampton, Rolling Stones, Ike, and Tina Turner, Neil Diamond, and many others.  Big Fish Music Group is an Independent Music Publishing Company located in N. Hollywood, CA which maintains one of the largest independent unpublished catalogs of all types of music available for use.

Det stikker helt af idag hvor Volfing og Vesterbøg vender alt fra olympiaden, lort, styresystemer og panserne som kigger i Vesterbøgs røv. Der er også lidt om en stor stor succes på Onyfans. Vi slutter af med Guld fra Gordon Kennedy. Husk at anmeld og tjums.

Gordon Kennedy has been teaching music lessons since 1985. He has performed in numerous bands in Northern California and his students have won numerous awards at big events like the Battle Of The Bands at Slims in SF and more. Gordon was born in Lathrop went to grammar school in Manteca and attended East Union. He has operated the GK School Of Music, for many years, staying true to his community.

På grund af tekniske vanskeligheder genudgiver vi vores afsnit 89. Hvis du allerede har hørt det, så beklager vi ulejligheden, men til dig der bruger iTunes appen på din telefon, så burde det være første gang du støder på afsnit 89.Vi har snakket med Line Kirsten Nikolajsen og Gordon Kennedy om "Da insekterne forsvandt" fra TV2 See acast.com/privacy for privacy and opt-out information.

Vi kigger på naturen med TV2 i "Da insekterne forsvandt" sammen med vores gæster - Line Kirsten Nikolajsen og Gordon Kennedy. See acast.com/privacy for privacy and opt-out information.

Vi skal snakke om "The Bachelor" fra TV2 - tidens helt store reality basker. I studiet er komiker og skuespiller Gordon Kennedy og radiovært Line Kirsten Nikolajsen. See acast.com/privacy for privacy and opt-out information.

On this episode of Inside MusiCast, we welcome a second-generation guitar player who just happens to be a multi-Grammy-winning songwriter and producer. Nashville-based Gordon Kennedy is literally following in his father’s footsteps, and the similarities of their accomplishments are astounding. He co-wrote "Change The World" for Eric Clapton, which won "Song of the Year” at the 1997 Grammy Awards. He has written and produced for artists such as Peter Frampton, Alison Krauss, Bonnie Raitt, Garth Brooks, Ricky Skaggs, Don Henley, Faith Hill, Tim McGraw and many more. His guitar playing is second to none - just ask Peter Frampton. We’re glad to welcome an ever present icon in the Nashville scene, Gordon Kennedy.

Multi-Grammy Award winning songwriter and record producer, Gordon Kennedy reveals what he’s been up to during lockdown, reflects on co-writing Eric Clapton’s huge hit, Change The World, and shares his recent discovery – putting Celestion Ruby speakers into his 1962 Fender Bassman cabinet.

Rhik & I continue on conversation in detail on White Heart and living for and loving God.

Ric discusses his discovery of music, Taylor University, moving to Nashville and how he ultimately ending up the lead singer in White Heart, as well as recording and touring.

Gersh and I continue our discussion on the WhiteHeart album catalog as well as modern worship, song writing and we wrap up talking about what he and his wife Brynn are doing these days.

Country music legend John Rich talks about the freedoms that come with releasing Big & Rich's music under their own record label. Iconic guitarist Peter Frampton discusses his stripped down acoustic tour and the joy of getting to play live with his son, Julian. He also tells Phil about being a star-struck 14 year old while on the British TV show “Ready Steady Go!” with the Rolling Stones. Frampton shares his biggest piece of advice for all artists & bands who are just starting their careers.Performances:“I Wish You Were Beer“ - Phil Vassar & John Rich“Do You Feel Like We Do" - Peter Frampton & Gordon KennedyTo stay up to date with Big & Rich, head on over to https://bigandrich.comTo stay up to date with Peter Frampton, head over to http://www.frampton.com/home/More info on Songs From The Cellar & details on how to watch the TV series can be found at https://www.songsfromthecellar.comKeep up with John Rich on Social media at:FacebookInstagramTwitterYouTubeSpotifyKeep up with Big & Rich on Social media at:FacebookInstagramTwitterYouTubeSpotifyKeep up with Peter Frampton on Social media at:FacebookInstagramTwitterYouTubeSpotifyFollow Phil Vassar and Songs From The Cellar at:FacebookInstagramTwitterYouTubeSpotifyCheck out more awesome podcasts at:American Songwriter Podcast NetworkAnd go!

Gersh discusses the WhiteHeart catalog of albums, breaks down songs and talks extensively about touring and recording with WhiteHeart.

Welcome to MICRO BREAK Season 2! On this episode of MICRO BREAK (Episode 28), I talk about change. You can't change THE world...but you can change YOUR world! I read a few quotes from famous people on the subject, and talk a little bit about politics. Yep, I said it, politics. A topic I tend to discuss very little of. Do you think you can change the world? How about starting with yourself? I'm Michael J Maione, born and raised in New Jersey, and the host of MICRO BREAK. A podcast for humans with the attention span of a goldfish. Where I share my thoughts, wisdom, and humor on a wide range of topics including, the 80s, 90s, social media, technology, current affairs and whatever else I think my listeners might benefit from. Every episode is under 15 minutes! All delivered unscripted and loosely edited each and every week. Please Subscribe to start your journey with me! Social Media Twitter: @micro_break Facebook: @MICROBREAKPODCAST YouTube: https://www.youtube.com/channel/UCkIz31v8MDiADis4-9Y-GYQ Anchor.fm: https://anchor.fm/microbreak Consider being a guest on a future episode of MICRO BREAK. Email microbreakpodcast@gmail.com and tell me your story! Resources 107 Quotes About Change to Help You Get Through Anything Change the World" is a song written by Tommy Sims, Gordon Kennedy, and Wayne Kirkpatrick, the best-known version of which was recorded by the English singer Eric Clapton for the soundtrack of the 1996 film Phenomenon. The track was produced by the R&B record producer Kenneth "Babyface" Edmonds. History of the World, Part I is a 1981 American sketch comedy film written, produced, and directed by Mel Brooks. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/microbreak/message Support this podcast: https://anchor.fm/microbreak/support

On this Gordon Kennedy Interview: the ONE thing Eric Clapton really wanted to know... integrity and other lessons learned from his father, Nashville A-List member Jerry Kennedy… some great stories about working with Jerry Reed, Garth Brooks, Eric Clapton, Bonnie Raitt, Peter Frampton… the business highs and lows of being a songwriter, being threatened to have to pay back an advance, and the comeback song he never expected, accepting change, being comfortable in his own skin, cool vintage guitars, serendipity, dominoes, David Bowie, looking at the bigger picture and LOADS more stuff. GREAT call with a super cool guy and stories for days! A MUST listen      If you’d like to support this show: http://www.everyonelovesguitar.com/support  Gordon Kennedy is a multi-Grammy Award winning songwriter & record producer, and a successful touring & session guitarist in Nashville. He co-wrote the hit song "Change The World,” recorded by Eric Clapton. Gordon was a member of the Christian Rock band White Heart that had many # 1 hits - released 11 Studio LPs from the early 80’s - late 90’s. Gordon then formed another Contemporary Christian band called Dogs of Peace, that released 2 LPs Gordon’s written loads of hits for artists like Garth Brooks, Bonnie Raitt, Alison Krauss, Stevie Nicks, Faith Hill, Don Henley, Tim McGraw, and Carrie Underwood... and has had multiple tracks licensed in first-tier movies. He’s performed on LPs by Ricky Skaggs, Don Henley, Kenny Loggins, Reba McEntire, Michael McDonald, Leanne Rimes, Bruce Hornsby, Little Big Town & others. Subscribe https://www.everyonelovesguitar.com/subscribe/  Facebook: https://www.facebook.com/EveryoneLovesGuitar/ Instagram: https://www.instagram.com/everyonelovesguitar/ 

Hør hans historie, om hvordan han kom til st lave stand-up, og om hans evige nysgerrighed der driver ham ud i alverdens projekter.

This week we review - The Break (Series 3 Episodes 1) The Break is set in the fictional Yorkshire coastal town of Flamford - the seaside town sanity forgot - and features retired resident, Jeff Whittaker and his estranged London-bred financial whizz-kid nephew, Andy Chambers, who has arrived unannounced and stressed-out in desperate need of peace and quiet.Andy gets neither of these as Jeff takes it upon himself to cure all of Andy's ills in a series of comic and poignant adventures around the town. Each week they meet Jeff's regular friends, Fish Shop Frank, Pest Control Supervisor, Corinne who has an 'arrangement' with Jeff every second Thursday, and Joyce Rickles from The Copper Kettle Café, who is constantly startled by everything, most of all her flamethrower toaster.Written by Ian Brown and James HendrieProduced by Gordon Kennedy.Directed by Gordon Kennedy.An Absolutely Production for the BBC.The Break is available here: https://bbc.in/2UDvG0J The Comedy Slab Podcast is available on Apple Podcasts, Spreaker, Stitcher, iHeart Radio, Spotify and Youtube. Subscribe for a new episode each Monday. Get in touch - we're @ComedySlab on Twitter and ComedySlab on Facebook.

Gordon Kennedy is a 2-time Grammy Award-winning musician, songwriter, and producer who happens to also have an amazing musical pedigree. His mother was a regular on the Louisiana Hayride with a recording contract, and his father was a member of the famed Nashville A-Team and ran Mercury Records’ Nashville division for 21-years. The stories abound about his musical upbringing, as he watches his record exec father steer the careers of Roger Miller, Jerry Lee Lewis, and the Statler Brothers, yet the pace doesn't slow a bit as it moves into his storied career. Multiple Grammy wins, working with Frampton, Clapton, Garth, Skaggs and so many other musical legends show that Kennedy is his own man, with his own incredible story. We also take a look at some of his stunning collection of instruments that includes two that are part of the Gibson Custom Shop Collector's Series; his father's b-bender equipped 1961 ES-335, and his 1959 Les Paul, formerly owned by John Sebastian.

Vi når vidt omkring i dagens afsnit. Vesterbøg sætter blandt andet et restaurant scenarie op med en indisk dreng som jonglerer og så er der vist en tjener fra Paraguay der hedder Alfredo. Så varmer vi lattermusklerne op med Gordon Kennedy jokes. Det lyder underligt, men det er det virkelig også for der bliver talt alt for meget dumt engelsk.

Uffe Holm når aldrig at blive æsel på DIN's men debuterer direkte på Comedy Zoo. Og derfra går det stærkt for den unge komiker, der er både bliver elsket og hadet for sine frække og provokerende jokes. Medvirkende: Uffe Holm, Gordon Kennedy, Timm Vladimir og Lars Hjortshøj. Vært: Kathrine Abrahamsen. Redaktion: Michael Charles Gaunt, Morten Narvedsen, Frederik Bækgaard Ludwigs og Karen Straarup. Programansvarlig: Tine Maria Borresø.

Timm og Gordon læser på teaterskolen i Aarhus, da de møder Lars, der tager dem med til stand-up på Cafe Jorden. Uden at vide det, bliver det begyndelsen på et af dansk comedys største eventyr. Medvirkende: Timm Vladimir, Gordon Kennedy, Palle Strøm og Lars Hjortshøj. Vært: Kathrine Abrahamsen. Redaktion: Michael Charles Gaunt, Morten Narvedsen, Frederik Bækgaard Ludwigs og Karen Straarup. Programansvarlig: Tine Maria Borresø.

Paul and Sean bring to a close our five-episode dissection of all things Gouldman with a conversation attempting to do justice to Graham's post-2000 solo albums and the enormous number of songwriting collaborations that he has taken part in since Wax. Graham has been incredibly prolific, by any songwriter's standards. With his 'insider' access to the PRS database, Paul has unearthed just shy of 1000 songs attributed to Gouldman. Many solo, many co-written with a vast array of songwriters, some of the very highest pedigree. Today's podcast can only scratch the surface of this rich seam. We look in some detail at his excellent work with Claudio Guidetti, Kirsty Maccoll, Henry Priestman (of Christians fame), Suggs (Madness) and Chris Difford (Squeeze), all of whom he rubbed shoulders with at EMI's residential songwriter workshops at Huntsham Court. Once again, we're massively indebted to both Graham and his archivist David Jarvis for allowing us to play snippets of some of the wonderful live recordings and demos of songs that were born during these star-studded jaunts.  We hear some truly delightful clips from Graham's songwriting sessions with Gary Barlow (Take That) and Kevin Godley (for 'GG06'). Along the way, we touch on assorted projects with Andrew Gold, Roger Cook and less well-known but notable collaborators such as Barry Greenfield, Gordon Kennedy and Gary Burr. There are even some lovely revelations about his early Strawberry work with Neil Sedaka. Sadly, our efforts to shine light on some mystery compositions by Eric and Graham are in vain. Graham has no recollection of them, if they existed at all! Gouldman rekindled his solo career with several fine and enjoyable albums which seemed to capture the same warm, natural and personal touch exhibited by his songs on 10cc's 'Mirror Mirror. 'And Another Thing', 'Love and Work' and 'Play Nicely and Share' all receive a good and deserved delving here.  90 minutes were simply no time at all to try and encapsulate Graham's discography over this 25-year period. Waiting in the wings for discussion, with rare tape recordings to hand, were the likes of Lamont Dozier, Tony Hadley, Steve Piggott, Kevin Kennedy and several others. But we hope that with the cross-section we did manage to cover, we succeeded in conveying the simple fact that Graham Gouldman is an exceptionally prolific, productive and consistent songwriter. It's a joy to hear him recall these many, many musical journeys with such clarity and fondness. Thank you so much Graham and Dave, it's been a pleasure for us. 

Scottish actor Gordon Kennedy joins Tony to chat about growing up in a small town outside Edinburgh. Going to school in Edinburgh, performing in the Edinburgh Fringe Festival in the 80's and some of the best spots to visit if you ever come to Scotlands Capitol City.

Most are familiar with stories of the lost civilization of Atlantis, but in this video Lara explains that there is another lost civilization that lies even closer to us in time and gave rise to similar megalithic sites, and the spread of the same religion across the world. Everything in this video is based on evidence. Thanks to the knowledge of Lara's husband Mark and research of Martin Doutré http://celticnz.co.nz/ – which helped her piece together the narrative presented. Other minor references: Graham Hancock, Thor Heyerdahl, Dr David Frawley, Gordon Kennedy.

 This week we are wrapping up season 1 of the YOU CAN Make A Living In The Music Industry Podcast! I am saying “thank you” to all of my listeners and asking for some interaction from you about this season as we prepare for season 2.Show Notes:Sponsors: Edenbrooke Productions - We offer consulting services and are offering listeners a 1-hour introductory special. To request more info on consulting services, email Marty at contact@johnmartinkeith.com. Talking Points:*Thank you all for listening and supporting this podcast and it’s mission! I hope you are encouraged by it and now have some hard evidence to know that YOU CAN make a living in the music industry.I want to thank all of my season 1 guests: Gordon Kennedy, Mark Irwin, Elizabeth Chan, Jared DePasquale, Doug DeAngelis, Keith Everette Smith, Jeremy Quarles, Hope Thal, Eric Kalver, Nate Sousa, Philip Peters, Lauren Lucas, Brent Milligan, Ben Phillips, Blaine Barcus, Jordan Childs, Eric Horner, Chad Segura, Eric Hurt, Jared Ribble, Wes Cole, Dave Cleveland, Bobby Rymer and my wife Keely Brooke Keith for helping me with the pilot episode!I want you to interact with me by commenting on this episode through one of my Facebook pages: YOU CAN Make A Living In The Music Industry, Edenbrooke Music, John Martin Keith or Marty Keith, on instagram OR email me at contact@johnmartinkeith.com regarding the following:Tell me your 3 favorite guests/episodes.*1 thing you learned from that guest.*What is 1 episode you have not listened to yet but are looking forward to checking out?*I look forward to your answers!*Let me know if you have certain guests you would like to hear from or certain topics you would like to know more about for season 2.*Season 2 is well underway and will release before too long. I will post on all of my pages before it releases so you can be ready.*Thank you all again for listening, learning and supporting this podcast! I am forever grateful.

On this episode of Thinkin’ & Drinkin’ Bart talks with Grammy and Song of the Year winning Gordon Kennedy. Gordon talks of his success and all of the wonderful people he has worked with along the way. The stories he shares are intriguing to hear, and will definitely strike interest. Listen to the story of Gordon Kennedy, you will not be disappointed! In this episode, you’ll hearGrowing up in the shadow of his dad, Jerry Kennedy.His amazing guitar collection, his Grammy awards and working with Garth Brooks & Peter Frampton among othersCheck out today’s sponsor Cathead VodkaFor the full show notes visit >> http://www.thinkinanddrinkin.com/gordonkennedy If you like what your hear make sure you leave us a rate and a review! See acast.com/privacy for privacy and opt-out information.

 This week I’m talking with my friend Bobby Rymer who owns the publishing company Writer’s Den Music Group in Nashville. He’s worked his way from the bottom to the top of record labels and publishing companies in the music industry and has a career that has spanned over 35 years. We are discussing the process of working your way up the ladder at publishing companies and record labels, the importance of knowing the history of the music industry, what publishers are looking for when signing new writers and the best venues to play in Nashville to get noticed by industry insiders.Show Notes:Sponsors: Edenbrooke Productions - We offer consulting services and are offering listeners a 1-hour introductory special. To request more info on consulting services, email Marty at contact@johnmartinkeith.com. Talking Points:*I own Writer’s Den Music Group. As a publisher I have a day gig and a night gig.*During the day I pitch songs and have meetings, etc. At night I go to showcases and meet writers and artists.*Spend money smartly.*Look over your options at what you want to accomplish and how.*You don’t have to have an office anymore if you have a laptop and a phone you can do most of your work that way.*I was doing social work and realized it was not my passion and I decided to go back to school to get a degree in the music business.*My friend got a job at Capitol Records in the mail room and called and asked if I would be interested in his old job at a record store. Then 9 months later he called saying he got promoted and asked if I wanted my name put in for the mail room job at Capitol.*The mail room at a record label is the bottom of the totem pole which is where most people have to start.*Get in anyway you can and prove your worth.*Ask yourself “how bad do you want it?”*Internships and a course called "Copyright Law" are worth their weight in gold.*You really don’t start to understand how the music industry works until you’re in it working everyday and making relationships and learning how things are done.*I got to sit in on meetings and learn how you find talent and find songs.*If you can, try to work out a smaller company because you will stand out more as opposed to a larger company that just churns interns out every semester.*After about a year and a half an opening came up in A&R and I was able to move up because the label looked within before looking out.*My main job in A&R was to go out and find songs for the artists on the label by meeting with the publishers in town.*If you want to consider the music business for a career, you better know your history.*When looking for songs for artists, I would sit with the label heads after they talked with the artists to know what they were looking for.*You go out and find songs you’re passionate about and the come back and see if there’s a home for it on the label.*You have to listen to songs and see if they are checking off the boxes of things you are looking for to fit an artist.*When you are reaching out to labels or publishers, you better know who they are and the history of people they’ve worked with and what they’ve done and you better know who they are working for now.*Get Billboard Magazine and make sure you know every artist, label, producer and writer and study the charts so it becomes second nature. That is where you start. You shouldn’t have to pause when someone asks who produced or wrote the latest hit is.*Before you knock on a door or make a phone call to a company, understand who you are talking to because if you don’t they will quickly realize that you don’t want this bad enough or you haven’t done your homework.*I was A&R for about 4 years at Capitol, then there was a regime change and lost that job.*Opportunity is not going to knock on your door, you have to go out and meet it.*I kept having meetings and eventually bumped into a publisher I knew who used to play me songs and he offered me a job as a tape copier at the music publisher Almo-Irving.*Even though it was a step back from where I had been, I wanted to stay in the industry and I got the job as the tape copy, which is the ground floor at a publishing company.*A tape copy made copies of 8-10 songs on a tape and put together lyrics and a label for publishers to take to pitch meetings.*The tape copy is the best place to start at a publishing company because that’s where you learn the catalog and the songs and writers.*The writers would come down with new songs and you would put the songs in the system so you get to spend time with the writers and build relationships.*I was tape copy for about 3 years learning until a vacancy came open and I naturally moved up to song plugger.*I realized that publishing is all I ever want to do because I get to work creators who make things out of thin air and I get to help find a home for it.*A song plugger is being aware of the labels in town, the artists in town and your job is to find a home for these songs. sometimes it’s find new writers and bringing them in to the company.*As a songwriter show up and do the work and always have your antenna up because you never know where a song idea will come from.*Some songs in a publishing catalog don’t see the light of day after a while because they have a time stamp on them using certain language and melodies from the time it was written and the language and melodies maybe different now than they were then and those things change.*Maybe the song is there but the demo is dated and will turn someone off even if it’s a great song.*If the song will take it, I like demos with acoustic instruments. Don’t go crazy with reverb. Maybe do a glorified work tape and the demo has the chance of having a longer shelf life because they aren’t dating it with certain tones and sounds.*The guitar/piano vocal demo is great because that’s the way I hear it when the writer plays it for me and there is nothing getting in the way of the lyric and the melody.*If you bring a fully produced demo and the producer knows they aren’t going produce it that way, then they have to sit with the artist and start subtracting what they don’t want and that is hard for artists to hear sometimes because they are hearing it one way and being told they are going to do it a completely different way. If you have a guitar/piano vocal and say I’m going to start adding this, they get it.*Some producers need to hear the full demo as it would be on the record.*The song will dictate what it needs as a demo ultimately.*resumes mean nothing in this business. It’s all relationship based.*I worked for Almo-Irving for 14 years and eventually ran the Nashville office. It got bought out by Universal Music Group so after a year off I started a publishing company called Writer’s Den Music Group.*Write what you know. Your story’s already been written. Tell it!*People say “no” to songs I think are hits because this is an art, not a science and everyone has their own opinion. Find people who have similar tastes to you and send them songs that fit you similar personalities. If people have different tastes than you, find out what they are.*This business is an educated guessing game.*You have to be careful to not create demos that are too much like an artist because if they pass on it and you pitch elsewhere, those artists or labels think it sounds like that particular artist and once they find out the previous artist passed on it, they think something is wrong with the song and it will not get cut.*Don’t pitch what they’ve done, pitch what they might be doing.*Write what’s familiar to all of us but unique to you.*It’s the music business, not the music I’ll do whatever I want and hope it works.*For tv/film sync music you have to stand out and offer something that no one else is.*We need the first you, not the second anybody else.*It’s about creating a mood.*Everything is negotiable.*Music supervisors only want songs that are pre cleared so they don’t have to wait 3-4 days to to get an answer from a publisher if they want to license a song.*As a publisher when I want to sign a new writer I’m looking for songs that have a good lyric and melody. If I can whistle it, I’m in.*I’m not looking the next whoever, I’m looking for the first you.*Great writers have a thumbprint like great singers do and you know within the first few seconds who wrote the song.*I’m looking for someone who can write a song told a thousand different times, told from a different angle.*If someone is reaching out to me wanting to get signed to a publishing deal, the best thing is to meet me at workshops and conferences where we can meet in person. That’s what I’m there for. Most of the time it’s by word of mouth from people I know or at songwriter nights when I go to listen to new writers.*I close my eyes when I listen to songs because I want to see the movie you’ve created. If I don’t like a song it’s because I’m seeing it and feeling it.*Maybe I’m not crazy about the song, but there are a couple of lines that are new and fresh and that will make me want to talk to the writer because that might be the tip of the iceberg for something greater.*I’m looking for potential.*Hone your craft so that when someone listens to it, there is nothing they can suggest to make it better.*You can’t control God given talent, but you can control work ethic.*I prefer to sign writers to long term contracts, not single songs because I want to build a relationship. I like to court a writer for period of time to get to know each other before I sign them.*I’m looking for a certain amount of talent and a work ethic.*Find people who will give you a leg up you do the same for others.*If we don’t see you, if we don’t hear you, you don’t exist.*Be out and play out. You need to play out 1 night and be out 4 or more. *You never know who you’re going to be standing next to or see on stage that you can develop a relationship with.*Play out so people can see you.*There are venues for tourists and venues for industry people. Play the venues such as The Local, Belcourt Taps, Douglas Corner, 3rd and Lindsley and The Bluebird where the industry people attend.*If you’re playing at these venues, you’re going to find your “class” of people to rise up with at that is usually at the earlier shows from 5-7pm. You want to be hanging around those people.*It’s about making smart decisions, hanging out at the right places at the right times, giving yourself opportunities and letting people see you are out and about and proactive. Eventually someone will take notice and you’re going to get invited to the next level. Bobby Rymer is the owner and general manager of the Nashville based music publishing company Writer’s Den Music Group.Writer’s Den was originally started in 2007 with Rymer at the helm. Among the cuts secured are multiple songs by Alan Jackson (including the 2013 Grammy nominated song, “So You Don’t Have To Love Me Anymore”), Lindsay Ell, Alabama, Chris Stapleton, Kesha, The Steeldrivers, Lee Ann Womack, Plumb, Ricky Skaggs, Olivia Newton-John, Trace Adkins, Randy Owen and Joe Nichols as well as several cuts by Bonnie Raitt. In addition, the company has landed a number of film/TV placements including numerous songs in the TV show, Nashville. They have also secured cuts in Canada, Europe, South America and Australia.Currently signed to the roster are Brennen Leigh, Noel McKay and Gordon Kennedy.Prior to Writer’s Den, Rymer was VP/GM of the Nashville office of Almo/Irving/Rondor Music, a company that was founded by Herb Alpert and Jerry Moss of A&M records fame. Some of the writers he was privileged to work with during that time were Bekka Bramlett, Peter Frampton, Patti Griffin, Nanci Griffith, Emmylou Harris, Paul Kennerley, Mark Knopfler, Kent Robbins, Annie Roboff, Anthony Smith, Marty Stuart, Gillian Welch and Craig Wiseman. Before joining the publishing side of the business, Rymer was at Capitol Records/ Nashville from 1985 to 1990. Initially starting in the mailroom and then moving to the A&R Dept., he worked with Garth Brooks, Barbara Mandrell, New Grass Revival, Marie Osmond, Kenny Rogers, Dan Seals and Tanya Tucker among others.He is an Alumnus of Leadership Music, class of 2002.

In conversation with Actor and Comedian Gordan Kennedy as he reflects on his remarkable career. To find out more information about this and my other interviews, please go to my website: www.beyondthetitle.co.uk www.facebook.com/beyondthetitle

Alle de barer, værtshuse og restauranter, vi er vant til at mødes og skåle på, er lukket pga. coronavirussens hærgen. Men hvad har det betydet for dine alkoholvaner, hvis det da overhovedet har betydet noget? Mathilde er nattens første lytter, og hun siger, at Gordon Kennedy hver aften livestreamer, at han virtuelt drikker vin med forskellige almindelige danskere. Det synes hun er hyggeligt, selvom hun foretrækker at drikke Faxe Kondi Booster. Så taler vi med Tom, der har lavet digitale bodega-aftaler med to forskellige vennegrupper i denne uge - fredag og lørdag. Det, synes han, er hyggeligt. Torben taler også med Ejner, der i dag glad for alkoholfri øl, fordi han er tørlagt alkoholiker og har levet det meste af sit liv på et værtshus. Så fortæller Ejner, at han nyder, at se gamle Olsenbanden-film her i coronatiden, og Yvonne ringer og fortæller, at hun mistede sin mand for en måned siden. Efter coronaudbruddet har hun følt sig endnu mere ensom, end hun gjorde i forvejen, og derfor kan hun godt finde på at drikke lidt mere, end hun plejer. Til sidst taler Torben med Axel, der før har drukket stærke øl, men det gør han ikke så meget længere. Han anerkender ikke begrebet alkoholiker, men siger, at alkohol er farligt, fordi man mister hæmningerne. Men han kritiserer også digital undervisning, som jo er meget aktuelt og interessant at diskutere i disse coronatider.

Der er kropstema i dag, så der bliver snakket en hel del om stift, bollerering og røde dillerhår. Hulk og Yasmin bliver vendt lidt og så snakker vi om Bruce er et bøs navn. Så er der selvfølgelig Gordon Kennedy jokes. Du skal også huske at bestille billet til vores liveshow. Tak;-)

Gordon Kennedy - Episode 1 Show Notes:I sat down with hit songwriter, producer and musician Gordon Kennedy to discuss his successful career, the ups and downs of the music business and how taking a series of one steps can lead to a great career in the music industry.Sponsors: Edenbrooke Productions - We offer consulting services and are offering listeners a 1-hour introductory special. To request more info on consulting services, email Marty at contact@johnmartinkeith.com.Gordon Kennedy’s social media links:www.gordonkennedymusic.comwww.facebook.com/gordonkennedymusicTalking Points:* I think we're supposed to pray about and do our due diligence and get a peace about what's the next one step to take. Then when you take the one step, guess what you do? We do the same thing again.* Just one step is all that matters and don't get too bent out of shape over long-term plan.* Gordon has been building industry relationships since high school.* “Change The World” took years to write in small amounts between multiple writers. Once it became a single for the soundtrack, then that event caused   me and Wayne [Kirkpatrick] and Tommy [Sims] to start getting calls from people about "would you write us a song?" "Would you do one for Bonnie Raitt?", etc.* For some it doesn't make sense to do a publishing deal these days because publishing companies can't really pay. In fact they're embarrassed to offer what they're able to offer these days to a seasoned writer. * If people don't buy music, then you see the these draws (advances) that publishing companies give writers diminish to the point where they'd rather not offer a deal than offer the kind of deal they can these days.* Income streams for songwriters and publishers in performance royalties is still there.* Mechanical royalties (CD sales, etc) has pretty much vanished.* You have an advantage if you're an artist because a publisher can see an artist as being somebody that is going to bring them recorded songs rather than songs they have to go hit the sidewalks to pitch to try to get recorded.* Single steps lead to these other things.* Advantages of a publishing deal - someone to connect your songs to major artists.* Advantages of being self published - getting more money when a song is cut.* Tip Sheet - an industry form for publishers and song pluggers that list artists going in the studio and types of songs they are looking for.* Gordon has been a live player, a session player, a producer, a published writer, a self-published writer. * This is a calling that is on my life.* God doesn't call the equipped, God equips the called.* I’ve tried the best I can to let priorities shape my goals rather than the other way around. A lot of times if your goal is to be a star, then your priorities can suffer as far as how you're going to be a husband, how you're going to be a father. They have to get in line behind these priorities, otherwise I'm not interested in that particular goal if I have to leave my family for weeks and weeks on end and be gone to achieve this goal, I'm not interested in that goal anymore.* If you're getting called a bunch for something, pay attention to what that might be and maybe that's something you should investigate.* Ricky Skaggs talks about God wanting us to study on and think about what the next one step is. Pray about that and when you get a peace about it, take that one step and then do the same thing again.* You’re writing your personal story right now. Be aware of that. Do the work now, don't put it off.Links:* Podcast Facebook* Podcast You Tube* John Martin Keith Instagram* John Martin Keith Twitter  Gordon Kennedy - BIOGordon Kennedy is a multi-Grammy Award winning songwriter and record producer, a virtuoso guitarist, and a music industry visionary in Nashville. With his love for storytelling, vintage guitars and his deep knowledge of music history, he has emerged as one of Music City’s most beloved Ambassadors. Kennedy’s live shows are a treasure trove of colorful backstories and outstanding performances that one only as talented and immersed in rich experiences can truly deliver. He came by it honestly as the son of legendary guitarist, Jerry Kennedy.Kennedy sites his guitar pickin’, record producing dad and his singing mom, Linda Brannon, as his biggest musical influences. “While other families might gather around the TV to enjoy time together,” Kennedy recalls, “we gathered around a tape machine. My dad would come home every night and bring us new music that he had just recorded. My brothers Bryan, Shelby and I couldn’t wait to hear from Roger Miller, Bob Dylan, Roy Orbison, The Statler Brothers or Jerry Lee Lewis.” The Meet the Beatles album his dad gave him when he was five, and more records from his father’s days as an executive of the Mercury Records office of Nashville, provided him with a diverse diet of music. This, along with a basement full of his father’s guitars, a jukebox and a piano, nourished and inspired him as he became one of music’s finest songwriters, producers and players.Kennedy’s most successful composition is the international hit song Change The World recorded by Eric Clapton for which Kennedy and his co-writers received a Grammy Award for Song of the Year in 1996. The song won Record of the Year for Eric Clapton, and spent a record breaking 81 weeks on the top of the charts. In 2007 Kennedy also received a Grammy Award for Best Pop Instrumental Album, co-producing, composing and performing on Peter Frampton’s Fingerprints album.  Bluegrass Legend Ricky Skaggs’s Grammy nominated Mosaic, released in 2010, was produced and co-written mostly by Kennedy. It was a career bending recording that was a departure from Skaggs’s bluegrass records. Skaggs called in Kennedy to produce after hearing his song demos. He wanted to recreate the Beatle-esqe musicality that Kennedy captures on the record.In his early career, Kennedy was a member of the Christian Rock band White Heart for six years in the 1980s. His substituting on a few shows for high school friend Dan Huff ultimately led to a permanent position as the band’s lead guitar player and songwriter. Huff became a successful record producer and would later hire Kennedy to play on many records that became gold and platinum recordings. Kennedy played on Reba McEntire’s first #1 hit, Can’t Even Get The Blues in 1975 while a young student at Belmont University.Kennedy recalls that songwriting began to click for him in 1991 when he began co-writing with his friend, Wayne Kirkpatrick. Dogs of Peace formed in 1995. Their first album, Speak, was released in 1996. Twenty years later, in 2016, Kennedy, Jimmie Sloas, Blair Masters, John Hammond and Jeff Balding reunited for a second album called Heel. Kennedy, Kirkpatrick and Tommy Sims would later join forces in co-writing one of the biggest chart topping hits of their generation, Change The World. Kennedy not only received a Grammy for Song of the Year in 1996, but in 2002 a plaque on the Record Walk of Fame. In June 1997, the Southern Songwriters Guild inducted Gordon into the Songwriters Hall Of Fame in a ceremony in Louisiana.As a songwriter, Kennedy has written 15 songs recorded by Garth Brooks. Kennedy co-wrote You Move Me recorded by Garth Brooks which reached #2 on the Billboard Country Airplay Chart in 1998. Brooks subsequently recorded ten more of Kennedy's songs on his alter-ego album, The Life of Chris Gaines, which reached No. 2 on the Billboard 200 chart. Kennedy will join Garth Brooks 2019 Stadium Tour on guitar. “Garth and I have been friends for many years. It’s a great honor to be asked to tour with him and the other fine musicians that will be a part of the band.” It’s a feather in the cap of a successful career for Kennedy to accompany his friend Garth on this legendary tour. “It’s not just anyone I’d leave my family, the comfort of my home and my studio to hit the road with, but Garth’s an exception.”Bonnie Raitt has said that Gordon Kennedy is “one of her favorite songwriters.” It’s no surprise then, that four of her five recent singles have been Kennedy compositions. Kennedy's songs have also been recorded by artists including Alison Krauss, Stevie Nicks, Faith Hill, Don Henley, Tim McGraw, and Carrie Underwood. His compositions have been heard in the film soundtracks of Tin Cup, Phenomenon, For the Love of the Game, Where the Heart Is, Almost Famous, Summer Catch, Someone Like You, The Banger Sisters, Instant Family, and Disney’s The Fox & the Hound 2.He has lent his talents as a player to Don Henley, Kenny Loggins, Reba McEntire, Michael McDonald, Leanne Rimes, Bruce Hornsby, Little Big Town and Shedaisy, among others.Seals and Crofts 2, the Beatles cover band Mystery Trip, and Tom Petty cover band The Petty Junkies are current projects Kennedy enjoys. He recently produced Shifting Gears, the new solo project of his longtime friend Larry Stewart of Restless Heart.As a Belmont University alumnus, Gordon has been recognized as a Morris Family Mentor & Lecture Series, Curb College Distinguished Lecturer, and in 2014 received the Curb College’s Robert E. Mulloy Award of Excellence. Kennedy currently serves on the Belmont University Advisory Board, and has served on the Board of Governors for the Nashville’s National Academy of Recording Arts and Sciences.Kennedy has continually given to Belmont and its students for years. He has spoken at seminars, hosted events (including Belmont’s Homecoming concert, Homecoming in the Round), is an adjunct professor, and a student mentor.  Gordon is the fifth and final recipient of the Distinguished Lecturer, an honor given to industry professionals who inspire others through their work in the entertainment and music industry. In addition, Gordon served on Brentwood Academy’s Board of Trustees from 2007-2010 where he and his two children are graduates and remain active alumni.

No, really. Ahead of their new sketch show pilot The Nether Regions airing on BBC Radio 4 on Thursday 24th October at 11pm, Rob Grant and Andrew Marshall invited your intrepid DwarfCast team of Ian Symes, Danny Stephenson and Jo Sharples for a big old chat at Rob's kitchen table. We touched upon the "terrifying" experience of performing in front of an audience, the intricacies of their writing process, the sketches and characters that didn't make the final cut, their "bloody magnificent" producer Gordon Kennedy, and also got the latest on Quanderhorn Series 2. And yes, we also discussed another show that Rob co-created, covering his experiences at Dimension Jump, being back on set for the first time since the 90s, and the possibility of him ever writing for Red Dwarf again. All this, plus 2point4 Children, Son of Cliché, Strange, Week Ending and how Rob's The Strangerers caused unexpected problems for one of Andrew's series. We also grill Andrew about his connection to Marvin The Paranoid Android, get Rob's thoughts on the proposed return of Spitting Image, his friendship with Martin Kemp, and how he pissed off Billy Ocean when they were both on Top of the Pops. A huge, huge thank you to Rob and Andrew for their candid, thoughtful and hilarious interview.

No, really. Ahead of their new sketch show pilot The Nether Regions airing on BBC Radio 4 on Thursday 24th October at 11pm, Rob Grant and Andrew Marshall invited your intrepid DwarfCast team of Ian Symes, Danny Stephenson and Jo Sharples for a big old chat at Rob's kitchen table. We touched upon the "terrifying" experience of performing in front of an audience, the intricacies of their writing process, the sketches and characters that didn't make the final cut, their "bloody magnificent" producer Gordon Kennedy, and also got the latest on Quanderhorn Series 2. And yes, we also discussed another show that Rob co-created, covering his experiences at Dimension Jump, being back on set for the first time since the 90s, and the possibility of him ever writing for Red Dwarf again. All this, plus 2point4 Children, Son of Cliche, Strange, Week Ending and how Rob's The Strangerers caused unexpected problems for one of Andrew's series. We also grill Andrew about his connection to Marvin The Paranoid Android, get Rob's thoughts on the proposed return of Spitting Image, his friendship with Martin Kemp, and how he pissed off Billy Ocean when they were both on Top of the Pops. A huge, huge thank you to Rob and Andrew for their candid, thoughtful and hilarious interview. Don't forget to listen to The Nether Regions on Tuesday 24th October at 11pm on Radio 4, or thereafter on the website or BBC Sounds.

Gordon Kennedy is a 2-time Grammy Award-winning musician, songwriter, and producer who happens to also have an amazing musical pedigree. His mother was a regular on the Louisiana Hayride with a recording contract, and his father was a member of the famed Nashville A-Team and ran Mercury Records’ Nashville division for 21-years. The stories abound about his musical upbringing, as he watches his record exec father steer the careers of Roger Miller, Jerry Lee Lewis, and the Statler Brothers, yet the pace doesn't slow a bit as it moves into his storied career. Multiple Grammy wins, working with Frampton, Clapton, Garth, Skaggs and so many other musical legends show that Kennedy is his own man, with his own incredible story. We also take a look at some of his stunning collection of instruments that includes two that are part of the Gibson Custom Shop Collector's Series; his father's b-bender equipped 1961 ES-335, and his 1959 Les Paul, formerly owned by John Sebastian.

Eftersom podcasten Dårligdommerne nu er færdig, og sluttede med at se på filmen 'Stjerner uden Hjerner' genudgiver vi her vores special, der går bagom filmen, og fortæller alle de vilde historier. Vi snakker med Gordon Kennedy, Christian Grønvall, forfatter Marie Trolle og instruktør Kasper Wedendahl. En historie om storhed, fald, manglende manuskripter og vandaber.  God fornøjelse Jacob & Elias 

Our guest this episode is Gordon Kennedy. The son of legendary producer, songwriter, and guitar player Jerry Kennedy, Gordon has carved out a place of his own in the world of music. He has written songs and played guitar with the likes of Peter Frampton, Garth Brooks, Ricky Skaggs, Reba McEntire, Bonnie Raitt, Tim McGraw, Wynonna, George Strait, Carrie Underwood, and many more. In 1996 he won a Grammy Award for Song of the Year for co-writing the Eric Clapton hit “Change the World".

Gordon Kennedy is truly one of the nicest, kindest, most dangerous, Christ loving gentlemen I’ve ever met. The ultimate quadruple threat, writer, singer, guitar player, producer, he can seriously do it all. I’m always a little intimidated because of my own hero worship when I’m around GK. See acast.com/privacy for privacy and opt-out information.

Hvordan opstod "Bornholmeren" Preben Kofoed i Transit hos Timm & Gordon. Hvordan kom de overhovedet med dér og hvordan har Melodi Grand Prix gjort det godt igen for Gordon, efter utallige forsøg på at komme med uden at det er lykkedes....få alle svar og gode historier i denne podcast med Gordon Kennedy som gæst. Gordon Kennedy playlist : T´N´G Giberish Aqua Barbie Girl Spin doctors Two princes Me & My Dub I Dub Lex & Klatten For kendt Cher Believe Prince The most beautiful girl in the world Ace of base All that she wants Spice Girls Wannabe Alannah Myles Black velvet Boyzone Love me for a reason Take That Back for good Timm & Gordon Sjip sjap

Et radiotalkshow med både sjov og alvor, hvor værterne Britt Berglund og Dennis Johannesson kommer længere ind og tættere på deres gæster. Programmet tager revolverjournalistikken til nye højder med spørgsmål hentet i 'Den Russiske Roulette'. Alle holder vejret - undtagen når de synger. Denne lørdag er der besøg af: Timm Vladimir - Skuespilleren der startede det hele i 'Den kroniske uskyld', og som via godnathistorier med Gordon Kennedy i 90'erne, masser af TV-serier, en kokkeskole og en kogebog, nu er nået til syvende sæson af 'Bagedysten' på DR1, i aften klokken 20:00. Abdel Aziz Mahmoud - Radio- og TV-værten, der for tiden kan opleves i 'Shitstorm på P1', men som du sikkert også husker fra hans tid på 'Aftenshowet'. Nu er han aktuel med samtalebogen 'Fra Libanon til Lærkevej - samtaler vi aldrig har haft', hvor han sammen med sin mor fortæller familiens historie. Marie Højlund - med en bachelor i musikvidenskab fra Aarhus Universitet, og såmænd også en ph.d. i audiodesign, var hun godt rustet til, tidligere på året, at blive det første kvindelige medlem af gruppen Nephew, der på fredag spiller for fulde huse i Jyske Bank Boxen og, dagen efter, i Royal Arena.

Shelby Kennedy has worn a lot of hats. He's a songwriter who has had his songs recorded by everyone from Reba McEntire, Mel McDaniel to Ray Charles. Kennedy has also worked in the business side of music and has signed many great writers to both ASCAP and BMI. He's the Vice President of Entertainment Relations for Tune Core, a service that provides independent musicians and songwriters with tools to distribute their music. In the studio he's received credits both as a record producer and a background vocalist. Shelby Kennedy is the brother of past guests Bryan Kennedy and Gordon Kennedy and son of past guest Jerry Kennedy. I found Shelby Kennedy to be a source of inspiration and ideas. What more could you ask for? You've got the best seat in the house and your ticket is complimentary, only on The Paul Leslie Hour. Shelby Kennedy is up next! Support The Paul Leslie Hour by donating to their Tip Jar: https://tips.pinecast.com/jar/the-paul-leslie-hour

País Reino Unido Dirección Danny Boyle Guion John Hodge (Novela: Irvine Welsh) Música Rick Smith Fotografía Anthony Dod Mantle Reparto Ewan McGregor, Robert Carlyle, Jonny Lee Miller, Ewen Bremner, Kelly Macdonald, Shirley Henderson, James Cosmo, Anjela Nedyalkova, Steven Robertson, Irvine Welsh, Gordon Kennedy, Eileen Nicholas, John Bell, Katie Leung Sinopsis Han pasado 20 años desde que Mark Renton abandonara Escocia, y la heroína. Ahora, Renton vuelve a su Edimburgo natal con el objetivo de rehacer su vida y reencontrarse con sus amigos de toda la vida: David "Spud" Murphy, y Simon "Sick Boy" Williamson; al mismo tiempo que Francis "Franco" Begbie sale de la prisión con sed de venganza.... Secuela de 'Trainspotting' (1996), basada en 'Porno', la siguiente novela de Irvine Welsh.

"World-class guitarist" doesn't do Gordon Kennedy justice. A multi-Grammy Award winning songwriter and producer, he is a visionary at the forefront of Nashville’s music community. He has co-written "Change The World" for Eric Clapton that won "Song of the Year" at the 1997 Grammys, among many others for artists such as Bonnie Raitt, Garth Brooks, and Alison Krauss.

Gordon Kennedy is a songwriter, musician and record producer. His songs have been recorded by a wide range of artists including Peter Frampton, Faith Hill, Alison Krauss, Ricky Skaggs and 15 songs for Garth Brooks. Kennedy co-wrote the international hit song "Change the World," recorded by Eric Clapton.A first on The Paul Leslie Hour, Gordon is the brother of Bryan Kennedy and son of Jerry Kennedy who were both recent guests. His sense of purpose will resonate with you! Support The Paul Leslie Hour by donating to their Tip Jar: https://tips.pinecast.com/jar/the-paul-leslie-hour

Jerry Kennedy is a retired record producer, guitarist and songwriter. A 4-time Grammy award-winner, his guitar and Dobro playing has been featured on albums from everyone from Elvis Presley, Johnny Hallyday, Kris Kristofferson, and Bob Dylan. As a producer, Jerry Kennedy worked with everyone from Reba McEntire, Tom T. Hall, Connie Smith and most of the country recordings of Jerry Lee Lewis.Jerry Kennedy is also the father of past guest Bryan Kennedy, songwriter Gordon Kennedy and music industry insider Shelby Kennedy. We're honored to present a rare interview with a beloved figure in the world's music! Support The Paul Leslie Hour by donating to their Tip Jar: https://tips.pinecast.com/jar/the-paul-leslie-hour

    Hey Love, I’ve so enjoyed listening back to this interview with my good friend, Gordon Kennedy. I’m sure you’re getting a lot out of it too. Today, he’s going to give you an up close and personal look into the wild and crazy music business and you’ll hear him share a vision he…

  Hey Love,     Do you ever wonder if your ship has sailed? Or if your dream will ever come true? Do you have any hope left that your shattered dream could ever be put back together? If you’re a mom who’s put her career on hold so you could help fulfill the needs of…

Vi har bagedystens karismatiske kransekagefigur, Timm Vladimir, med os i studiet - og hans telefon er fyldt med mere end bare mad- og kageapps. Vi catcher op på hans forhold til den gamle makker Gordon Kennedy via SMS, Timms åndedrætsteknik, hans hardcore musiksmag og meget mere. Vi prøver naturligvis også at fritte årets bagedyst-vinder ud af Timm... Hør her om det lykkes! Værter: Frederik Dirks Gottlieb og Kasper Lundberg. Produceret af Munck Studios København.

Afsnit 3 Jeg er vokset op med Gordon... altså inden i mit fjernsyn. Han er et menneske, hvis sympatiske personlighed, altid er et af de træk folk fremhæver ved ham. Han skuffede ikke, men det er nu også spændende at få lov at komme lidt ind bagved. Og når man hører hans historie, bliver man endnu mere imponeret over at han er endt med at være som han er. Ha' det dejligt! Christian

Gordon Kennedy and Karla Davis share why they chose music to be their ultimate career path, the beginnings of working together and why being nice to everyone you meet just might "Change The World." To hear an extended version of this podcast with performances by Gordon and Karla, visit nashvillesongwriters.com/nsaicoffeebreak! About this podcast: NSAI Coffee Break is a series featuring legendary and modern-day songwriters, artists and music industry executives. Each episode highlights their creative journeys, including the successes and the in-betweens, and where they are headed to next! Gordon Kennedy is a multi Grammy Award-winning songwriter and producer, guitarist. Kennedy became nationally recognized when he won Song of the Year at the 1997 Grammys for Eric Clapton's No. 1 hit "Change the World,” co-written with Wayne Kirkpatrick and Tommy Sims. Kennedy won a 2007 Best Pop Instrumental Album Grammy for co-producing Peter Frampton's Fingerprints album. Karla Davis is a soulful singer/songwriter from Monroe, North Carolina. In 2010 she was named the winner of the Colgate Country Showdown and was given the title Best New Act in Country Music. In 2012, Karla made it in the top 16 on Season 2 of NBC's The Voice. In 2015 she competed on Season 14 of American Idol and was then signed to a record deal with Mapletop Entertainment, which was founded by Gordon Kennedy and Jeff Balding. She continues to write, perform, and hone her craft with the likes of some of the best in the business.

Gordon Kennedy is a Nashville-based songwriter, producer, and guitarist best known for co-writing “Change the World,” which Eric Clapton took to the top of the charts and kept in the Top 20 on Billboard’s Adult Contemporary rankings for an unprecedented 81 weeks. That success won Kennedy a Grammy Award for Song of the Year and turbocharged his commercial songwriting career. After scoring a #3 Billboard country hit with “You Move Me” in 1998, Garth Brooks went on to release 10 more Kennedy-penned songs on his 1999 Chris Gaines album. These included the Top 5 pop hit “Lost in You” and “It Don’t Matter to the Sun,” which fell just shy of the Top 20 on the country chart. Kennedy has enjoyed additional charting singles, such as Faith Hill’s “It Will Be Me;” the Clark Family Experience’s “Meanwhile Back at the Ranch;” Garth Brooks and Trisha Yearwood’s “Love Will Always Win;” Carrie Underwood’s “The More Boys I Meet;” and Bonnie Raitt’s “I Can’t Help You Now,” “I Will Not Be Broken,” and “Gypsy in Me.” Other artists who’ve recorded Gordon’s songs include Tim McGraw, George Strait, Alison Krauss, Nickel Creek, Joan Osborne, Bruce Hornsby, Wynonna, Jerry Reed, Martina McBride, Kristin Chenoweth, and more. He has worked extensively with Ricky Skaggs and Peter Frampton, earning two Grammy nominations for his work on Skaggs’ Mosaic album and winning a Grammy for producing Frampton’s 2006 album, Fingerprints. His most recent project is called Heel, a celebrated reunion album with his mid-1990s band Dogs of Peace.

Hej, Godt nytår og velkommen til årets første Han Duo! Denne gang tager vi hul på endnu en special epsiode, og fortæller historien bag en af de mest berygtede danske film: Stjerner uden Hjerner. Et kæmpeflop da den udkom i 1997, og en produktion der var præget af den ene vilde historie efter den anden. Vi har haft besøg i studiet af Gordon Kennedy, der for første gang fortæller historien. Og så har Elias været ude og snakke med instruktør Kasper Wedendahl, skuespiller Christian Grønvall og Marie Trolle, der er krediteret som manusforfatter på filmen, selvom hun ikke skrev det endelige manus. God fornøjelse!

Gordon Kennedy er gæst for første gang! Han har nok været gæst før, men det har været andetsteds. Han har lavet en masse sjov, tv og radio - i den rækkefølge - og det er længe siden. Morten skal undervise og Mikkel skal være nisse. Sonnyboy en røvkedelig fætter Hvad gjorde i med den bil, der var halv farve Er det sovs det her eller Mokai i en skål HVAD tænkte I da I vandt? Er det en ægte Kenny Gordony? Jeg var i godt humør da hun ringede Frækt OVERtøj Du kan tage din .dk og stikke den i piben Støt os på 10er.dk!