Podcasts about You Belong with Me

fWotD Episode 2774: You Belong with Me Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Sunday, 8 December 2024 is You Belong with Me."You Belong with Me" is a song by the American singer-songwriter Taylor Swift and the third single from her second studio album Fearless (2008). Big Machine Records released the song to radio on April 20, 2009. Swift was inspired to write "You Belong with Me" after overhearing a telephone call between a touring band member and his girlfriend; she and Liz Rose wrote the lyrics, which discuss an unrequited love. Swift and Nathan Chapman produced the track, which has a banjo-led country pop production and incorporates fiddle, mandolin, and rock-influenced bass and electric guitars. Although the single was promoted on country radio, some critics categorized it into 1980s pop subgenres such as pop rock and power pop.Early reviews of the song generally praised its radio-friendly production and the emotional engagement of the lyrics, although a few deemed the songwriting formulaic. Some feminist critics took issue with the lyrics as slut-shaming but retrospective opinions have considered "You Belong with Me" one of Swift's signature songs. At the 2010 Grammy Awards, the song was nominated in three categories, including Song of the Year and Record of the Year. The single reached the top 10 on several charts and received certifications in Australia, Canada, Japan, and New Zealand. In the United States, it peaked at number two on the Billboard Hot 100, and was the first country song to reach number one on both the Hot Country Songs chart and the all-genre Radio Songs chart. The Recording Industry Association of America (RIAA) certified the single seven-times platinum. Roman White directed the song's music video, which stars Swift as both the antagonist—an unsympathetic, popular brunette cheerleader—and the protagonist—a sympathetic, blonde girl next door who yearns for the antagonist's boyfriend. The video premiered on CMT on May 4, 2009, and won Best Female Video at the MTV Video Music Awards; Swift's acceptance speech was interrupted by Kanye West, which caused a controversy widely covered by the press. Following a 2019 dispute about the ownership of Swift's back catalog, she re-recorded the song as "You Belong with Me (Taylor's Version)" for her album Fearless (Taylor's Version) (2021). As of 2024, "You Belong with Me" has been included in the set lists of five of Swift's six headlining tours.This recording reflects the Wikipedia text as of 00:30 UTC on Sunday, 8 December 2024.For the full current version of the article, see You Belong with Me on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Russell.

In Psalm 139, the psalmist talks about how we belong with God. He knows us, he is with us, and he made us wonderfully. Knowing this should direct our actions in life. In this sermon, Pastor Kyle talks about why it is so important that we belong with God and what we should do about it. Since we belong with God, we need to fiercely protect our intimacy with him. Sermon Clip   The message notes for the sermon can The post Psalm 139 – You Belong With Me appeared first on Island Pond Baptist Church.

Amy Hutton writes contemporary romantic comedies from her home on Sydney's Northern Beaches. An award-winning Television Producer by trade, she walked away from a successful career in network television, to follow her dream of becoming an author. Amy is a Romance Writers of America and Romance Writers of NZ Award Winner and the 2023 runner-up in the Romance Writers of Australia Emerald Award. Amy's debut rom-com Sit, Stay, Love was released in August 2023. Love from Scratch was released in June, 2024. Our interview begins at 17.00We've got a Substack publication now! On the last day of the month, we share recommendations for two things we reckon you should read/watch/listen to. The beauty of Substack is you can revisit all our old editions and comment on our episode updates to share your thoughts. Come say hi! Caitlin & Michelle recommend: Who's That Girl? and You Belong With Me by Mhairi McFarlaneIn Who's That Girl? Edie's life explodes when a colleague kisses her on his wedding day. She's labelled a homewrecker and bullied by other colleagues so her boss sends her back home to Nottingham to ghostwrite the memoir of up-and-coming actor Elliot. (Small spoiler alert!)You Belong With Me picks up after a knock at Edie's door on Christmas Day where Elliot is waiting to confess his love. But how will the couple cope with Elliot's soaring fame and celeb gossip pages?We had the pleasure of chatting with Mhairi a few years ago, you can listen to that here!In this interview, we chat about:The connection between Amy's books (but why you can still read them as a standalone) and why she wanted to continue Ethan's storyWhy Amy chose to set the book on Queensland's Sunshine CoastHow Amy feels about the way tropes have become a major discussion point among readersQuitting TV production to write full time and Amy's path to publication (including a brilliant way to look at pitching)Books and other things mentioned:A Family Affair (film) Jodi McAlister's reality TV romance series (listen to our interview here)The Wake-Up Call by Beth O'LearyPets in Rom Coms with That Rom Com PodPuppy Love (film)Follow @amyhuttonauthor on InstagramThank you to Simon & Schuster Australia for providing copies of the book in preparation for the interview. Connect with us on Instagram: @betterwordspod

This is a rerun from May 5, 2023.... If the Fearless era is your favorite era, then the podcast episode you've been looking for has been here the whole time, or at least it's here now. Sam and Rachel discuss the fan favorite “You Belong With Me.” After passing notes back and forth about Era's Tour Secret Songs, they discuss the influence of this song in main stream pop. Sam and Rachel will make you laugh when you know you're ‘bout to cry with their conversation, particularly the nuance of the music video.

'They don't make music like they used to'- you might say as you listen to the latest hits on the radio. Well, new research published in the journal Scientific Reports might prove you right. In the study, researchers analysed 1,131 melodies from 360 singles that reached the top 5 US Billboard charts each year between 1950 and 2022. They chose to study melodies because when asked to sing a popular song, most people would sing the melody rather than its bassline or drum pattern. They found that the complexity of song rhythms and pitch arrangements continued to decline over the decades. The big changes, which the researchers call ‘melodic revolutions' were in 1975, 1996 and 2000. In 1952, You Belong With Me was released by Jo Stafford and it contained a complex, rhythmic melody. While there is a beat in the background, Jo doesn't sing on beat and instead flows over the music with her voice. Moving to 1975, Love Will Keep Us Together was released by Captain & Tennille. Here, the singing is kept on beat and it's a much simpler song rhythmically. Then in 2009, we had Poker Face by Lady Gaga, where the same note is sung over and over again with a very simple melody. While the researchers found that melodic complexity decreased over time, they also found that the average number of notes played per second increased, mostly due to technological advances. In the 1950s, music production was limited to whatever physical instruments could be used in the song. However, today's digital music production software can create almost any sound imaginable. So while melodies are getting simpler, chords are getting more complex - meaning the overall complexity of modern songs are the same as the golden oldies, it's just the balance of melodies over production that has changed. LISTEN ABOVESee omnystudio.com/listener for privacy information.

Katherine Blunt, author of California Burning, joins Crystal Ball and Paul Dockery to discuss the eras of the electric sector (Taylor's Version).To celebrate Taylor Swift's April 19th release of The Tortured Poets Department (and Tortured Poets Department: The Anthology), Katherine Blunt, Crystal Ball, and Paul Dockery recorded a special, bonus, episode dedicated to the Eras of the Electric Sector.Katherine Blunt is the author of California Burning; The Fall of Pacific Gas and Electric--and What It Means for America's Power Grid which is the most approachable introduction to the history of the electric sector ever published! The book interprets, unpacks, and conveys the complex history of Pacific Gas & Electric, and, through it, provides an introduction to the history of the electric sector as well. Katherine Blunt joined Crystal Ball and Paul Dockery for an interview that'll be part of an upcoming, regular, episode of Public Power Underground, but while we were together we took some time to record a discussion of the sector's history.In the recording (and attached 20 slide power point) Katherine, Crystal, and Paul explore the history of the electric sector and Pacific Gas & Electric through Taylor Swift's discography. The exploration answers the age old question of what electric sector milestone Taylor Swift wrote “You Belong With Me” about. And, because you know it's what you wanted, there's an official Eras of the Electric Sector Spotify playlist.Yes, my wife and I share a Spotify account. And, yes, my whole family contributed to the playlist including the additions, modification, and resorting of songs like “The Last Great American Dynasty” starting the Efficiency Era instead of “Cardigan” and the addition of Jimmy Carter's sweater speech as an electric sector milestone. But, no, we didn't get a preview of The Tortured Poets Department to include songs from the new album in the playlist. You can find the podcast on Apple Podcast, Spotify, or wherever you get your podcasts. Share with friends that are energy enthusiasts, like us!Public Power Underground, for electric utility enthusiasts! Public Power Underground, it's work to watch!

The Kansas City Chiefs took home the win at this years Super Bowl against the San Francisco 49ers. Taylor Swift was ecstatic for her boyfriend Travis Kelce, planting a big kiss on him during the on-field celebration. During the post-game after party, Travis serenaded Taylor singing her song, "You Belong With Me", to her. Donald Trump posted on social media that he's to thank for Taylor Swift making more money off her music. Joe Biden also posted to social media on Sunday, trolling MAGA supporters poking fun at conspiracy theories. Usher brought out a variety of special guests for his halftime show performance. Kim Kardashian and Odell Beckham Jr. reunited in Las Vegas over Super Bowl weekend amid dating rumors. Kanye West blew $7 million on a Super Bowl ad spot, but $0 on production for the commercial, filming himself with his phone advertising a Yeezy sale. Plus, Larsa Pippen and Marcus Jordan sparked breakup rumors after they unfollowed each other on Instagram and removed all photos. Hosts: Charlie Cotton & Melanie Miller Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of the Class E Podcast, Dr. Kasie Whitener and Host, Mary Sturgill explore the fascinating intersection of Taylor Swift's career, entrepreneurship, and the power of love.  From the impact of Taylor's re-recording on the music industry to her savvy business decisions in negotiating streaming rights, the conversation delves into the entrepreneurial lessons embedded in Taylor Swift's journey. Join the discussion as they uncover Taylor Swift's entrepreneurial blueprint, offering valuable insights for leaders, innovators, and dreamers.  Guest: Dr. Kasie Whitener Host: Mary Sturgill Producer: Isabella Martinez TRANSCRIPT: MARY: Hi there, everyone. You may have noticed that that is not our regular music. And that's because today we are talking about Taylor Swift. Yeah, that's right. More specifically, we are having a discussion about her innovation, her entrepreneurial spirit, and the economic impact that she is having on our country and now that she's started her world tour, probably other countries. So I want to welcome you to this episode of the Class E Podcast all about Taylor Swift. This is the podcast that is brought to you through the partnership with the Hill Institute for Innovation and Entrepreneurship and the Communication Studies Department here at Furman University. And of course, I'm your host, Mary Sturgill. And can I just tell you I've been so looking forward to this conversation that we're gonna have today, and I hope that you enjoy it as much as I've enjoyed researching it and chatting with my friend Kasie Whitener. Dr. Kasie Whitener is joining me today. Kasie is an author. She's an entrepreneur, she teaches entrepreneurship at the Darla Moore School of Business at the University of South Carolina. She and her daughter are Swifties. I do believe. Kasie, that you have some proof of that. Yeah, there we go. The friendship bracelets.  She and her daughter are Swifties. And she's my friend of course. So when I thought about this podcast episode topic, of course, I thought about having Kasie on the show to talk with us about that. Kasie, welcome to the show.  KASIE: Thank you so much for having me. I'm excited to be here and any excuse to talk about entrepreneurship, which I get paid for. And also Taylor Swift which I don't get paid for. This is like it's perfect. It's the perfect combination of both.  MARY: Yeah, I love it.  “It's me, hi, I'm the problem, it's me…”  MARY: And of course, she is not the problem. She's our topic today. That's Taylor Swift. She has been in our lives for 17 years, guys. I can't believe it's been that long. We've known her since she was a kid. And now of course as especially with people like Kasie who have children, she is in her children's lives as well, socially. And so today the conversation is going to be about her innovation, her entrepreneurship, her economic impact, as I said, because now her entrepreneurship is bolstering others, not just herself. And Kasie I want to start with…we talked about, you know, her fandom and, and all of that and how she's pulling more fans in every day and I want to start with talking about her marketing. Can you talk about some of the things that you've noticed that she's doing right?  KASIE: Yeah, so you know, I'm hosting this digital marketing class in the honors college right now at the University of South Carolina. And one of the things we have been talking about is online communities, and the ability of online communities to amplify the message of a product, a company, a brand, right? So Taylor Swift very clearly a brand…has put together this Eras tour, which the idea of it is so beautiful, she's got 10 albums, she's walking people through 10 different versions of herself essentially. We're seeing her entire kind of career all onstage at the exact same time. Artists typically come forward… they do the one album that they're promoting right? And they'll play mostly from that album, but in her case, she's decided she's going to do them all and so depending on which show you get to see, you get to see two or three songs from each of the albums.​​​ The fandom has gone crazy online because a lot of people are going to a show… they're seeing three or four songs from Lover, they're seeing two songs from Folklore, they're seeing one song from you know…the version she put in the movie theater only had one song from our favorite album, which is the one that she released over the summer, Speak Now Taylor's version, and so when we you know you kind of get obsessed with it. You're like, oh, this is my album. I can't wait and then you get to the show, and you're like, oh, she only gave me one song for my era, you know? And so then people just keep coming back for more and more. So everything around the excitement of it. This online kind of cult following for her, the community that has grown up around it. She also drops a bunch of hints and creates these little kind of Easter egg nuggets that people started building up these conspiracy theories and well she said this at this time and she was wearing a blue dress on this day and I can't even pretend to keep up with all of that except that it all shows up in my Instagram.  MARY: Mine too. And my Tik Tok and my Tik Tok.The other thing is with those little easter eggs…and there's a Tik Tok video going right now that came up on my feed last night about the Easter eggs. I think this is brilliant on her part because like you said: one, she's creating that community, that family. She talks directly to her fans that other artists…not in a way that any other artist does right now I don't think or has in the past I should say. But the Easter eggs… we all love a good mystery right? And we all love trying to figure things out so she has us intrigued and on the edge of our seats.  KASIE: Well, the way that she's predicting what she's going to do next. So everybody kind of says, Well, are we going to see this next? Are we going to see that next? So of course, I know we're going to talk about this on the business side. But she's been rerecording some of her earlier albums because she didn't own the master recordings. But she did own the copyright of the music itself. And so she re-recorded them so that she could then profit off the albums being sold, right? So we have all these albums where they're Taylor's version albums. And the Taylor's version albums are the ones that she actually re-recorded, which there's a whole other sideline there about really that is because when you get to take a look at your own work and do it again, you're a different person. You're a different artist, and it's just been incredible to listen to how her voice has changed. And sorry..I went crazy fangirl, down the rabbit hole with that one.  MARY: No, it's true though. No, I totally agree. It's true. I was listening to something, maybe her it was her first version of 1989 or something. And, or maybe it was, I can't remember which one it was quite honestly. But I was listening to the first version of her first album. And then I was listening to the newer version. I believe it was the first album. I might be wrong about that. I was listening to a version of one of her albums. And then the other version and her voice of course has matured because she started when she was a kid, right? And we can see the same evolution and other people we've known who've grown up from kids. I see this in Kelly Clarkson who can sing anything right? But I'm also seeing it specifically in our girl Taylor, and just the re-releasing of those with her, with the maturity in her voice and the way that she sings certain lines I've noticed and the different clips that I've seen online and stuff is totally different too and people are here for it.  KASIE: Yeah, well so the two…I think the two songs that we hear on that first album that are so… you hear “You Belong With Me,” which is the song about the girl in the bedroom, you know, and the boy that doesn't realize that she should be more than a friend right? There's that song and then the other song is the “Love Story” song which is about the guy getting on one knee and asking her to marry her right? These two songs… very wistful, very teenagery, teenage-y like this kind of first love ish kind of sound. And then when we hear it in Taylor's version, it's this kind of backward looking, nostalgic sort of feel to it, and I gotta tell you, I think Gen X is here for it. Like I think when we first heard those songs, we were too old for those songs, right? Like they were teenager songs and like the turn of the early 2000s, mid 2000s. Like we were past that right? And you get into now this age and she re records them and you hear that nostalgia to them and you're like yes, that's the voice I'm looking for on those particular songs. So I definitely think she swept in an older generation with the Taylor's version on some of these older versions.  MARY: Yeah, I completely agree with that. We're both of Gen X right? And I have been swept up with all of this. I mean, I've always been a Taylor fan because I mean her poetry, her lyrics are just… No one writes a song like she does except maybe Dolly Parton, right? In my book. That's my personal opinion. Which is why she has a gazillion awards and that kind of thing because she's recognized by her peers as a good storyteller, as a good songwriter. And it's that storytelling, I think that is the key to her marketing, right? So it's the songs , the lyrics, it's the storytelling with laying the Easter eggs for her fans and giving them hints about things when things are coming out and she and her PR team. You know, we know Tree Paine's her publicist, they are brilliant. They make a brilliant team. I think of Tree Paine as the Olivia Pope of the music industry.  KASIE: You're not wrong about that. So I think you're right about there being… the marketing piece here is knowing exactly who your audience is, and what they want, and giving them what they want. And it's interesting because I've been listening to these other podcasts lately that are talking about how the danger of pop culture is that it gives us exactly what we want. And so it's not necessarily stretching us or making us better people and this kind of thing. And it's almost like Taylor's like I get it, I get there are people for whom that's the thing they do, right there are philosophers, there's whoever else that's out there that wants to make us all better people. What I'm here to do is give you exactly what you want, which are the stories that you recognize, the lyrics that you like, the poetry that you're looking for, and she's delivering. I think right now she's firing on all cylinders.  MARY: Yeah, I agree and when I talk to my students about the importance of storytelling because I teach storytelling and its place in marketing, these are the kinds of stories that I want my students to come up with, right? And if successful entrepreneurs come up with these kinds of stories, we just had a podcast recently with Chad Price of Kettlebell Kings, and they were making that online community before the athletic communities or the workout communities that we see that are online now. And they were doing that back in 2012. So I think that's… and of course, Taylor has been doing it since day one just about….  KASIE: Well, let's talk about that online community growth over Taylor. Because I think it's so organic. I think that people go to talk about what they're interested in and what they care about. And she's been quoted as saying things like anybody who makes you feel bad for the things that make you happy, that's like the worst kind of person, right? And so instead, she's encouraging this idea that people should come together and talk about things that make them happy and that's the feel, that's the vibe in the Taylor Swift fandom..is this sense of this makes me happy and and sharing it with other people makes me happy. And when other people are happy, I also feel happy. Like there's this tremendous joy in this community, which I think is something unique that we don't see in a lot of other fandoms and I'll be honest to say like, I'm not in a lot of other fandoms. I'm not in the Star Wars fandom. I'm not in, but my kid is in a lot of fandoms and her take on some of them is like there's some purity tests to it, right? Like are you really a Star Wars fan? Do you know this, that, or this, right? But you don't get that from Swifties.  Swifties aren't out there being like how Swiftie are you? Do you know this about that? Do you know this about? Instead they're just like, welcome! What can I share with you that you don't know?  MARY: And have a friendship bracelet!  KASIE: Have a bracelet! Yeah.  MARY: I love that. Um, is there anything else from a marketing standpoint that you've noticed or that you've even talked about in your classes with that, that our audience should understand about maybe some takeaways that they could take away from Taylor to their own businesses?  KASIE: Yeah, so marketing is all about channels, right? Figuring out how to reach your customer, how to get the right message in front of them at the right time. So understanding what their buying cycle looks like, giving them, you know, awareness, giving them a reason to make your choice that you want them to make, right. All of these kinds of things. And I think what Taylor does a good job of is using all the channels available to her. So she has her music, obviously, right she's got video appearances. Anytime she's on, you know, interviews or talk shows or anything like that promoting things. She's done her own video content. So if you haven't been to see any of these videos, the short films that she's made to get over these videos, like take yourself down the rabbit hole because it's totally worth it. But then on top of that all the social media channels too, where she's purposely using different social media channels to drop different information and trying to bring all those fans access to her no matter where they are, which I think is a huge marketing lesson for anybody that's doing marketing. Meet your customers where they are, and bring them the messages that they need to be able to choose you and choose your product.  MARY: Right. And that movie, the Eras movie, that's doing exactly that. We're going to talk a little bit about the economic impact of that a little bit later, but that's doing exactly that.  KASIE: To meet them where they are, yeah.  MARY: She's meeting them where they are because not everyone can afford concert tickets or to go to the cities. I mean, we have a lot of rural people in America who love Taylor Swift, right? Not everybody lives in a city. And so she's giving everyone the opportunity to get, you know, the feeling of the tour to be able to experience that in some way in the theaters, which I absolutely love.  KASIE: I gotta say my favorite reel about the Eras tour movie was the video of her actually watching it. Like, this is the first time Taylor Swift has seen Taylor Swift on tour. You see her in the movie theater, just like, yay! She's as excited as everybody else. And I can't even imagine what that must be like to watch what you've created there live for people to see and enjoy. Well,  MARY: Well, and I want to point out too that that is not an act. You know, people see through when things like that or an act. The joy that she shares with people is truly her and who she is. I mean, I don't know her… like I haven't met her, but I feel like I have. And that is a great skill for anyone in the public eye to have or anyone who is the face of the company to have because that can transcend not just the music industry or the creative industry, right?  KASIE: I think the critical word there is authenticity, and especially if you're trying to appeal to Gen Z. Gen Z is so cynical about what they see everywhere. I mean, online and politicians, in person, in the classroom, like Gen Z is so cynical, because they've been so overexposed, right? They've seen so much and authenticity really resonates with them, and they and they pick it out. And I think Taylor Swift just has a gift of being authentic all the time. She is…what you see is what you get. She is who she is right? And um, people will say that. Other celebrities will meet her and talk about or they'll just be like, it's just amazing how kind and gentle she is and how she's just genuinely interested. And whether or not you've enjoyed your experience either at the tour or wherever they are like, it's… people are blown away by her.  MARY: I think one of the things that show that is the growth in her Instagram following. You know, when we first had this conversation about doing this podcast, I checked her Instagram following and it was at 265 million followers. Just in the past month, it's grown to 276 million followers.  KASIE: Wow.  MARY: Yeah, that's a lot of growth.  KASIE: That's 10 million people jumping on board in the last month.  MARY: Exactly, exactly.  KASIE: That's wild.  MARY: So I would like to get a look at her Instagram stats because that's… just based on that number, it's gotta be crazy.  “I promise that you'll never find another like me…”  KASIE: There's this great viral version of Taylor, while they're writing this song, and she's sitting on the couch and she sings it, she puts her hand up like that she gets really excited about it, and it's in the writing process. It's well before it's ever been recorded. It's like as she's putting down the lyrics for the first time ever. And I mean, you can't stage that, like it's, it's clearly not staged. It's obviously spontaneous, and her joy in the process and how excited she is when it clicks for her, and then we hear what it turns into right afterwards. But I think that that really resonates with people too. That creative process piece really resonates too.  MARY: And that's part of the story too, because she's showing behind the scenes of how she does her work. Right. And that draws us in. I get that same feeling. I understand that feeling when she puts her hand up in the air and is like I'm onto something right here.  KASIE: Yes.  MARY: Any creative knows that feeling. One of my students the other day, or even this morning, one of my students figured out how to do this great thing for her video. And I did it for her basically I was like, woo hoo, you know, whatever.  MARY: Yeah, so proud that they have that moment where everything just comes together like that. So I want to shift now to talk about her Eras tour because we've been talking about it a little bit but I want to dive into the economic impact of this thing. Right? Because we had three great tours I think going on this past summer, Beyonce, Pink, and of course Taylor Swift and the economic impact, specifically of Taylor Swift, since she's our topic today, has just been crazy. The overall impact of the tour should be around, and this is the United States part of it, North American part of it, $2.2 billion just in ticket sales, right? That doesn't include the hotels, the merch, the food, all that other stuff.  KASIE: And don't forget the hospitality tax that everybody's paying, right? So all these cities that have posted or that have had this massive 11% or whatever it is hospitality tax, you know, yuck it up communities, but you're getting all of that too.  MARY: Yeah, absolutely. Absolutely. So based on research that I found, I believe this was from Time Magazine, maybe… typically every $100 spent on a live performance generates an estimated $300 and ancillary local spending on things like hotels, food, transportation, I forgot transportation a minute ago. But for the Eras tour…That's just a regular tour, right? For the Eras tour, it's anywhere from $1300 to $1500.  KASIE: Per $100 spent.  MARY: Per $100 spent.  KASIE: Nice.  MARY: Yeah, so that's boosting all of those local economies.  KASIE: All the restaurants, all the hotels, yeah, all the transportation. So Uber, you know, taxi services. Everybody else. Yeah, absolutely. So I want to talk a little bit about the structure of the Eras Tour. So what I think what sparked our first conversation about this was how impressed I am with the way the Eras Tour was built. So usually, and you can watch these videos where they talk about, they break down the economics of a tour. Usually a team will go out on and you'll see the artist kind of zigzagging across the country. They're hitting, you know, sort of regions, maybe but they're basically going all over the map right? And the Eras tour is designed very intentionally right? It was designed years out actually. Where it was okay, we're gonna go to Atlanta, we're going to play for Friday night, Saturday, and Sunday night, and now everybody that was performing those three nights in a row is now off, right Monday through Friday as we travel from one place to the next place. Then we're gonna go to the next town. We're going to set up and we're going to perform Thursday night, Friday night, Saturday night, right? And so we have these three shows in one place performing three nights back to back, which is like an easy Broadway to schedule, right? Like it's an easy schedule versus like a Broadway schedule, but they're doing it right? And the setup is there on Friday, and it stays up through the whole weekend. And then they bring it down and then they travel on Monday, right? This and they've been very intentional about the cities they've gone to and how they've moved around the country. This has never been done before this particular way or something on this kind of scale. And it's the economy of it. The idea that they're not wasting gas, they're not wasting hours, they're not wasting transportation time. They're not they're not there's no waste here, right, which is so compelling to me.  MARY: Yeah, let's remind everybody that normally, in how this is different, is that a concert will go to one place for one night, and then pick up and go to the next place for the next night. And so you have all that picking up and moving. And in this particular case, they're saving all of that picking up and moving…that time, that energy the people power, but she employs hundreds of people, if not 1000s…  KASIE: The jobs are there, right, and you mentioned the economic impact like that's there. It doesn't cost less necessarily except that they are maximizing the economy of being in one space for three days in a row and selling and those shows are selling out all three shows in every place, right? So yeah, I mean, I think from a design perspective, when we talk about an industry in general, entrepreneurship, always, it's about disrupting the industry. So if you take a look at what's happening in our industry, this is very blue ocean strategy stuff. All of you business nerds out there, just Google Blue Ocean Strategy. It'll say like, what are, what is not going well in our industry? What does our industry not do well? And one of the things that music industry does not do well is show to show to show to show, because there's just so much like this venue is not available, that town's not available. We're using planes. We're using buses. We're all these different things, right? And she really got into a place and said, Look, we're gonna do this well, and in order to do it well we're gonna have to book it several years out, we're gonna have to plan you know, this far ahead. And I want to say they started doing this like 2020 is when she started booking this tour.  MARY:  Yeah, yeah, I think so. I think so and planning of course before that, even before. I mean, she, she probably was thinking about this years ago, because I think she really thinks that far ahead. In her head she does.  KASIE: More than likely 17 years old. You know what I'm gonna do when I'm 30?  MARY: Exactly when I'm 30 this is what's gonna happen. Right. Um, we were talking a minute ago about the impact of her re-recording. We all know Scooter Braun bought her masters and Kelly Clarkson tweeted to her redo them, you own the copyright, right? The initial releases, especially her first album sold over like $10 million, 2 million copies, or brought in $10,000,000, 1989 brought in 10 million, but now she's re-releasing those and they're making that much money again if not more in some cases.  KASIE: The second time around.  MARY: The second time around. Taylor's version. So unlike other artists who haven't done this, they release it, they release an album and yay, they get all the money and the economic impacts of all you know, all that entails. But now she's doing it round two.  KASIE: So what's interesting about this and again, like we go back to this concept of Blue Ocean Strategy. What do people in my industry not do well? And one of the things that artists typically don't do well is they don't capitalize on reusability for their songs, right? But streaming services have taught us that people don't they don't need to own the song. They just want to hear the song, right? And so as you look at okay, streaming services, there's all the there… The people who own the master copies are making money on the streaming services, you know, .000001, you know, penny, per play or whatever. Okay, here's all these artists that are like, what am I going to do about that? Like, it's just it is what it is right? And instead, you see Taylor go well, number one, I don't want Scooter Braun making all that money off of me for the streaming services, no matter how much it is. And number two, here's the thing I can do about it, which is I'm going to release a new version of something I know people already love. And this I mean, this feels like something out of the Disney playbook. When you go… Disney's got their animated Beauty and the Beast. They've got their live action, Beauty and the Beast, they've got their Broadway Beauty and the Beast, right? Like they had their TV version of Beauty and the Beast like they took that Beauty and the Beast and they've ran it for whatever it's worth right? And so that's not new necessarily, but the way she's gone about doing it to be able to monetize existing property, things that you already do have possession of, and then find a new way to package it. I think it's just genius.  MARY: Yeah, and I read also somewhere that because of the Ers tour…  obviously streaming of her music and this happens for all artists but in particular, since we're talking about Taylor Swift… if they if they're having a concert, especially one that's so huge, like this one, right, the streaming of their music goes way up. So then that of course has the other economic impact of raising more money, right? For the artist and for whoever gets a piece of that pie. Right? So I think that's super interesting is that we can't leave that out of the economic impact as well when we talk about that.   KASIE: Another one of the channels when we were talking before about channels. So on streaming services like Spotify, you can create your own playlists, right? Some of the most popular playlists are fan created playlists. Taylor's got fan-created playlists that are replacing the original versions with the Taylor's version as they come out. So you're not getting both versions of “Love Story.” As soon as the new version came out, the old one was gone. And so it's like they're erasing her digitally. They're erasing these old versions digitally. You can still access them. They're still on Spotify. But the fans are saying those aren't the ones we listen to anymore. We only listen to Taylor's version.  MARY: And they're on that train. They're on that Taylor train.  KASIE: They're all bought in.  MARY: And we're going to only listen to the new stuff that's Taylor's version. That's our stuff. And I think that that circles back around to her marketing and her building that community and the positivity that she puts out there and that her fans kind of feed off of right? You know, one of the things that makes her so inspirational to me is her generosity, right? We've heard the stories of every city that she's been in with the Eras tour. She's donated 1000s and 1000s of dollars. Nobody's disclosed the amount but we know it's a lot to every food bank in the city where she's had a concert. And that, that says a lot because that has its own economic impact… we talked about the financial gain of people buying stuff and going to hotels and restaurants and stuff, but this has another economic impact on those cities.  KASIE: Yeah, I think so. It wouldn't surprise anybody who's a Taylor Swift fan to know that she's, you know, overseeing some of these decisions that are made at the concert level, right? So we don't know how many of these are Taylor Swift decisions necessarily, but it does feel like it comes from an overall vibe. So if you think of like a corporation having corporate values, what are the corporate values and does this corporation always act within their values? And in Taylor Swift, if Taylor Swift is a corporation, one of the values is generosity. And so where does that generosity manifest itself? And it is of course in charitable donations, it is in economic impact, it is in bonusing your own employees, caring for your own employees, those kinds of things. And so yeah, I don't think it would surprise anybody to know that Taylor Swift is living her values all the time.  MARY: Right. And it's a great example to other leaders and whatever industry it doesn't matter the industry because you mentioned taking care of her employees. We heard about the bonuses that she gave, not just her truck drivers, but all of her employees. So like $55 million I don't know many people that would take $55 million out of their own pocket and spread it around to people that work for them.  KASIE: Well, two it speaks to this… So as a Gen X-er are right, like I kind of hate to give it, you know, the millennial credit right? But I think it speaks to this sense in that generation that enough is as good as a feast. And so I don't need $55 million more. You know what I'm saying like, what else is that money going to do for me except just be more money, right? And so I can't take it with me like there's this kind of sense and I will give 100% the millennials the credit for that. They have a sense that enough is as good as a feast. And so when somebody has so much more than they really believe that they need right? We see that with Mr. Beast. There's a lot of these kinds of digital entrepreneurs that are recognizing, hey, I want to take care of myself and my family. But beyond that, I want to take care of all the people around me right? And that generosity, I think is generational.  MARY: That's the generosity that I wish would permeate throughout all of society.  KASIE: I think we're gonna see more of it honestly I think and like I said, I'm giving credit to the millennials. They're not all that way, but a lot of the leaders in that generation are and I think Gen Z is going to be the most generous generation we've ever seen.  MARY: I completely agree with that. My students every day… they just impress me so much and surprise me. Speaking of… one of my students is my producer. Isabella, pop in here and show everybody and say hi.  KASIE: Hi Isabella!  MARY: She's the one. And for all of our podcast listeners, she's the one that makes this podcast sound so good. So we thank her tremendously. She graduates by the way, she graduates in May and I'm going to hate to lose her but somebody out there is gonna get a really good employee, who's very creative, who's just on top of things. So.  KASIE: And here's an opportunity for somebody in your ranks that maybe gets to move into Isabella's spot.  MARY: Absolutely, absolutely. I love that you pointed that out. We're talking about the economic impact. $4.6 billion to the local economies, according to QuestionPro, is what her tour should be when all is said and done, should have kind of input into local economies.  KASIE: And remember this isn't in a vacuum, right? This is a community effort. This is all the people who are taylor Swift fans coming forward spending their money, wanting to be part of something that is bigger than themselves, wanting to give their money to the community like wanting to go out to eat, wanting to make it a thing, right? Like all this stuff, so it's not…it is Taylor Swift. It is the tour. It is of course like hey, thank you Taylor, for creating this amazing company. But the key to it is that she's providing something people want, and people are willing to part with their money in order to get that thing and I think that's really critical because she's getting some heat from certain elements of like, how expensive the tickets are and like how much it costs and you mentioned before, because I want to maybe this segues into our conversation about the movie, about people not being able to afford to go and she gets some heat for that. There are people who don't, maybe they don't recognize the experience that is the Taylor Swift Eras tour, so they don't feel like you know, this is just not worth it. Nobody should charge that much. Blah. Blah, blah. Market economics tell us that people will pay the value that they believe it's worth right? And so they're willing to pay this money. That's them being willing to…don't feel sorry for these ticket buyers, right? They're willing to do that right?  MARY: They're choosing.  KASIE: Exactly it's a choice. She didn't make anybody spend that money on those tickets. And then she put the movie out. And the movie tickets which I love. First of all, the tickets are $19.89 So this is one of those Easter eggs, right? She charged 1989 for her tickets. When the tickets went on tour, we found out first of all, we thought it was only gonna be one night. So as soon as we found out they were going on tour we did not get to see the Eras tour. We fell in the group of people that was like we don't have two grand to go see this right? Not that I would in any way not spend that money if I did. I would 100% spend that money if I had it but anyway, all that to say when the movie was coming out… we're huge movie people. So Holly and I were super excited. We jump on the app. We're gonna buy the tickets. And when we see it, I just turned it to her like, it's $19.89 and we lost it, like, cackling that she had priced them at 1989. Like, I mean, come on. Come on Tay.  MARY: Yeah, but it's another one… It's genius exactly, because it created that feeling in you guys that you are now even more excited because you're like this is right on right on what we expect from her. KASIE: Oh, it's on brand, like it's fully on brand and it makes you feel like because you get it when you see it's 1989 you're like, oh, I get it. Good job, Taytay, right? Like and then you feel like you're part of this squad because you know this thing that other people don't know. I think the same when we showed up to the actual movie theaters… we're walking in, and everybody's got their bracelets on. People are singing along like nobody's telling you to shhh we're watching a movie like it's not.. We didn't have one of the big dancy theater ones. I think if we had gone to a later show, maybe but we went to an earlier show. There were some small kids like we kind of… people didn't want to stand up in front of people and not let them be able to see so we just all sat and watched but, man we sang. I mean we definitely sang.  MARY: And you're not alone. Everybody around the country. So the movie worldwide has grossed over $123 million.I mean, it's just, these numbers are just mind boggling, right? It's reached $90 million within like the first week I think..it's crazy, right? KASIE: Can I tell you where I think this is the only mistake I think Taylor Swift may have made? MARY: Oh yeah. Let's talk about that.  KASIE: Are you ready? MARY: Because we learn from our mistakes, right? KASIE: So the Eras tour movie grosses $129 million dollars,can you imagine if they're had been six versions of that movie?  MARY: Oh good lord. Yeah.  KASIE: If she had issued… you never know which version you're gonna get. Remember when clue came out? And there were three things to clue. Yeah. So you went to see it three times because you weren't sure which ending they were going to show in that theater is a thing that needs to be done more often. And with the era's tour movie, she had a chance to do it, especially because there were shows that she recorded where she had played more songs. Like I said, we only got the one song from our favorite album. There were shows where she played more songs from that. So why not get film from a bunch of different shows and piece together three or four or six, but like say you get three, three versions of the error story. And you don't know so you show up like not sure is this going to be the Argentina one? Is this going to be the Indianapolis one? Is it…I don't know which one I'm watching. I'm just watching one of the three Eras movies that may be showing today. Right? Come on, we'd be back. We've got 1989 every time.  MARY: Right. Dr. Kasie Whitener. That is why I have you on this show. Because you bring up things like that. I love it. I love it. I love it.  KASIE: It's just a missed opportunity. Just a missed opportunity. It's not a criticism. It's just an opportunity. MARY: Absolutely. And who knows, maybe she's gonna listen to this podcast and check out that missed opportunity. And if not, maybe somebody else will.  KASIE: I think we get the world tour. I think she's going to do another movie. It's going to be whatever she does overseas.  MARY: I think you're probably right about that. If I had to guess as a matter of fact, I also heard that she is also extending some dates after she comes back to the States again. So we'll see if that pans out. I don't know for sure if that's true or not.  MARY: But now we're coming to my favorite topic of the podcast. And that is the love, the romance… KASIE: We're here for it MARY: You're right. We're all sitting here. I swear to God after the Buenos Aires video came out and of her changing the lyrics, of her running up to Travis at the end. Literally, I'm watching it from every angle that I could find on everywhere and I'm not alone because there's a gazillion Tik Tokers who are talking about the same thing. And we are all on even as old women…all of us Gen X-ers are loving this.  KASIE: Yes right here for it.  MARY: We're here for it. And I know the reason I'm here for it is because I love love. I've have always been romantic. But we're here for it and that is turning into some economic impact with the NFL. And with anything related to Travis and Jason Kelce, you know, I mean, right after she showed up at the Chiefs game, their podcast went to number one.  KASIE: Yep. MARY:  The sales of his Travis Kelce, his jersey have gone up 400% You know, their song that they just released the brothers Christmas song… number one on iTunes charts even beating Taylor, right, in some places. So that economic impact is spreading beyond just the world of Swifties and spreading to the NFL, and they're eating it up.  KASIE: So there's two possibilities here right there's the cynical side, which is like this is a publicity stunt. The Kelce brothers organized this… their podcast was launching, their documentaries launching, blah blah blah publicity stunt, blah, blah, blah. Yeah, okay. Fine. If that's the case, there's a publicity stunt. I'm here for it.  MARY: Me too.  KASIE: I'm all in, it's fine. It doesn't have to be real. Like I'm into to read the story. Live the story. Love the story. I'm fine with it. It doesn't have to be real. So that's fine. So many haters that are out there. They're like oh, they're just doing it for, you know, for record sales. Okay. Oh, they're just doing it to get more. Okay. I have no problem with it.  MARY: Whatever. Yeah. Me either. I don't think that's true. KASIE: By all means, okay. So there's that one side. And again, that's fine. And then the other side is this could be real. Right? And I think that this could be real side is really compelling for a number of reasons of course because through her lyrics, through her songs,  all the sad stories. I just watched her go through all this right and and of course, she gets torn down to the media for two reasons, one for serial dating and then the flip of it is for writing songs about being a serial dater, right. And then it seems like what we're seeing, and again, it could be a publicity stunt. But it seems like what we're seeing is somebody who has a career in his own right has plenty of competence in his own right, feels perfectly good about himself as a human being in his own right, and is glad to share a spotlight with her and it's almost in awe of her and how wonderful she is and that worship that all of us feel for her… when we see him demonstrate it to is gratifying because we think she deserves it. And we think she deserves somebody who believes she deserves it and is not ashamed or unwilling to give it. MARY: Right exactly. And who's confident… I think you've hit on it right there… who's confident enough to stand he's, granted I'm not taking anything from Travis, but stand in her shadow a bit and really support her right because she's now a billionaire and not because she's a billionaire. But because she's so creative because she's so talented. She's gotten to that financial place because of her talents. And because of her work ethic, right?  KASIE: Oh the work ethic, easy.  MARY: The work ethic is crazy, right? And so which we also aspire to but I don't I don't know about that.  KASIE: She's a once in a lifetime talent. And I'm perfectly fine with that.  MARY: Exactly. I want to be Taylor Swift. But the great thing is we can learn from it. Right? And all the NFL is learning from it right now. Right?  KASIE: I gotta say there's two pieces of that that I think are really brilliant. I know your classes look at digital media… look at digital governorship too and the first one was with the New Heights podcast, watching Travis Kelce watch the video of the couple that had been the Travis Taylor couple. I don't know if you saw this right. MARY: Yes I did.  KASIE: So first of all, to back up just a little bit… MARY: It was Jax and her… putting him on the map… KASIE: But yeah, so there's a big trend on the internet of women talking about how Taylor Swift put Travis Kelce on the map people you know I don't even watch the NFL but I'll watch it for Taylor Swift like it became this like running joke around women who know better, but are intentionally trapping their husbands into like, you know, oh, I don't even know who this person is. Like, I mean, she made him famous. And these men just like losing their minds, because they're angry. She's not even a thing. It doesn't even matter. Okay, so that piece of it was really funny when the NFL changed their twitter handle to Taylor's version, right and so then you get the mash up of her saying. So now when you see it says Taylor's version it's because I own it. And then they show the NFL thing. This is Taylor's version. Taylor owns the NFL, like, like all of this was really great publicity for the NFL. Really great publicity for Taylor Swift and for Travis Kelce. And I think again, even if it is a publicity stunt, I'm here for it because it was clever. It was new, it felt fresh and it felt real and authentic. And then the other part was, of course, like I said with the Halloween costume. Jax is talking about her putting him on the map. And he just falls for it, the boyfriend supposedly falls for it And he's like. Oh, come on. He actually puts his face on the map. And then Travis is watching and he goes oh, I get it. She put me on the map. That's pretty funny. Like he's in on a joke. It's okay with him. He's not feeling ashamed, but he's not wanting to hide it and pull it off. He's not throwing a temper tantrum about it. And that just shows this like grown up man behaving like a grown-up man. And I think I want to be here for that too. I want to see more of that on the internet.  MARY: We could have a whole nother podcast about just the romance and how Travis is a grown up man and the right person or the right type of person for her. They have the same energy. I don't want to go down this rabbit hole but they have the same energy. He matches her energy. If you saw the video of him at the Buenos Aires concert on his off week, he was cheering her on just like she was cheering him on at the game she went to right.  KASIEL Yeah, well you see videos of him when she's not even around. Like Travis just being Travis is that way. There's a kind of like goof factor to it. There's a kind of so much confidence and who they are and how they are. Yeah, I think you're exactly right. This is good. And again, this is a love story. We're all here for it. We want the best thing for both of them either, of course like nobody's over here going. If they break up, we're gonna be pissed at them. It's not like that, everyone's like along for the ride. We're just glad to see two people who we all believe deserve happily ever after maybe maybe seeking one.  MARY: Yeah, now we can't ignore the... I don't want to go down this rabbit hole but we can't ignore the people who are the naysayers and I just ignore… I mean, we can't ignore them. That's the way I should have said that. We can't ignore them and I do ignore them. Because like you said, the whole marketing, everything is brilliant about it. And just to talk a little bit to remind some of our viewers or listeners about the impact it's had on the NFL, not just the ticket jersey. The Jersey sales but ticket sales to actual games have gone up. Where people, the Chiefs games in particular, or even the Eagles games where people thought Taylor might be at the Eagles game. A few weeks ago those ticket sales went up and of course ESPN and the viewing viewership on TV went up as well, which of course, increases financial gains there for ESPN and NFL both. Right? Yeah.  KASIE: So it's just a good thing all around. And I think for the haters that are out there, either sick of it or they don't know anything about it or they don't care about it. They don't want to talk about it, all of that, you know, it goes back to what Taylor said about if somebody is gonna make you feel bad about the thing that gets you excited, then that's just the worst kind of person. Like, why would you make people feel bad for the thing that gets them excited? It makes them happy, like, just let them be happy. You know, like, I just, yeah, just… MARY: That's why all of us are drawn to her because of that mentality. Right? And, and we know that she's been through it. And to come out and to see the happiness on her face right now. Just the joy and the… she's at peace right now. Right? She's loving everything that she's doing. And then when she's with Travis it's just great. I could just talk about it forever.  KASIE: But I'm here for it. MARY: I know we've gone down a rabbit hole a little bit. For our listeners and our viewers. Hopefully you've come along right along with us. But we also have given some golden nuggets here in this podcast, some Easter eggs if you will, not as clever as Taylor has done them. But things that you can take with you. Take away. Always look, I tell my students all the time, look for the blueprint in your story. Look for the blueprint that people can take with them into their lives. And we try to do that with this podcast every episode that we have, and talking to people about their stories and having conversations like we are with Dr. Kasie Whitener here. And so there are things that you can take and apply to your business or figure out how to apply to your business or your entrepreneurial venture whatever wherever and whatever stage you're in, right? KASIE: I think the most useful thing is, it's a climb. I mean, it's a climb. Taylor Swift didn't wake up at 17. And have an impact of billions of dollars, you know, on global markets. That's not how things worked out, but she's been working. She had a vision for what she wanted to do, for how she wanted her career to go. When she left country music, she wanted to sing her own songs. That was a huge risk. I remember being in a conversation with my brother, uh, when she left when she decided to walk away from her label and country music because she wanted to sing her own songs and he was like she's gonna fail and I was like, I don't know, I wouldn't bet against her. I'll be honest with you. I wouldn't bet against Taylor Swift. And here she is, you know, having rewritten the rules in her own industry to fit things the way she wants it to work. And she and she gets knocked down. She just gets back up again. I mean, things that should… if you think of the Kanye…I mean, it's humiliation, basically, public and professional humiliation. And she just came right back. Right? And so, and I know that's not.. I say that she came right back making it sound like it's easy.  MARY: It took two years for her to… KASIE: And the way she wrote about it and the way she talked about it. The way she processed it and brought us all along for that journey too because who she is as a songwriter. You know when we see all of that I think that's why we want such good things for her now. If you know her through her music that well then you go okay, we're at the climax of the story now, right, where all the things are supposed to be working out the way they're supposed to work out. And I want to see the beautiful things happening for her.  MARY: So yeah, oh, I love that. I do want to circle back around to the idea of bringing people along with you. Because one of the two things she's done recently that I think we all should point out is that she's used the status that she has to help. I mean, obviously, we talked about philanthropic ventures and things like that, but in her contract with Universal and in her contract, she made them agree to give more artists more percentage of their streaming rights, you know that you get paid so much for every time you stream, it''s pennies on the dollar, right, right. But in that negotiation process, she got Universal to give all of their clients, all of their musicians, all of their bands, singers, everybody, more percentage from their streaming rights. That's huge. Because they knew what they would lose.  KASIE: Yeah, exactly. It's industry leadership but saying I have a position of power and I'm gonna use it to lead the industry and I think that's a very mature place for her to be. It was mature for her to walk away from country music when she was however old, you know, in her 20s. But this is a really mature thing for her to do this late in her career, even to say I'm an industry leader, I have industry power, and I'm going to use that power to improve the lives of all of my fellow workers.I mean, you don't need a union when you've got somebody in a powerful position that willing to work for you. Right?  MARY: And willing to work for you is the key thing there. And then the same thing with the Eras tour and the movie, right? She bypassed the studios to get it out to the theaters because the studios wanted to take a higher percentage than she knew that she would be able to get if she just dealt directly with theaters. I KASIE: I love how aware we are of the inner workings of Hollywood and movie theaters now, because of Taylor Swift. Like I love the visibility that we now all have to the system and where everybody takes their cut, because Taylor Swift was very clear about I'm doing it this way and here's why. And I think that if you're in an industry where somebody that powerful is calling you out for doing the wrong thing, or for behaving in the wrong way, you got to take a look at yourself and be like, Okay, our business model just got called out for being shady and we need to figure out a way to… and you just have to compete. I think that's the biggest part is like we see industries where competition has been driven out by bad practices, you know, just just bad practices. And when you have somebody like Taylor Swift come in and say we're just not going to do things that way. You have to compete. And I think sometimes companies get a little bit slack, a little bit lazy, they start taking things for granted, and they get caught blindsided and they're bad about it, and they'll say terrible things about it. But at the end of the day, if you're not competing, you're not winning in your market. You know, you got nobody to blame but yourself.   MARY: I think we could drop the mic on that one. Because that's true, right? Yeah. Dr. Kasie Whitener and my friend, thank you so much for joining me. This has been a great conversation. We could talk about this for hours, but she has to go pick up her little Swiftie, her daughter. Kasie, thanks so much.   KASIE: Thank you so much for having me, Mary. And anytime you want to talk entrepreneurship, I'm your gal. And if you add Taylor Swift, I'm here for it, I'm absolutely here for it.   MARY: We love it. Absolutely. Thank you so much.   MARY: All right, Class E Podcast listeners, that does it for this episode of the Class E Podcast. Remember that  this is the podcast is brought to you through a partnership between the Hill Institute for Innovation and Entrepreneurship, and the Communication Studies Department here at Furman University. I'm your host, Mary Sturgill. This is produced by our student producer Isabella Martinez, who you got to see in this podcast episode. By the way, remember that you can find us wherever you listen to your podcast, and on YouTube as well. So please subscribe, hit those subscribe buttons wherever is most convenient for you. But until next time, everybody take a page out of Taylor's book and dream big.      

【聊了什么The What】 无论你是Taylor Swift的忠实粉丝还是普通路人，你肯定听说过这位美国女歌手，以及她从出道以来经历的不同的“eras”（时代）对流行文化的影响。 从她高中时期固化女性形象“You belong with me”的时代，2009年金融危机后被Kanye羞辱的”受害者公主“时代，2010年中期的时代金发红裙维密秀上的时代，再到2023年她开启的全美巡演撬动几十亿美元经济活动的”eras”时代。 这期疲惫娇娃，我们以Taylor Swift在2023年的演唱会名字“Eras”为主题，回顾她2008年初出茅庐再到2023成为定义时代的流行巨星的一路。无论是循环播放她的歌，还是将她作为流行文化的符号来去深入研究，我们都在人生的不同阶段和Taylor Swift交织。每一个Taylor的时代都能让我们回溯到过去十五年的某一种人生状态，唤起一些根深蒂固的回忆和情绪。本期节目中我们深入挖掘她多年来的各种造型，职业生涯变革的颁奖典礼时刻，与其他巨星的争执以及她的音乐——并探讨这些主题如何与我们自己的成长紧密相连，以及过去十五年“女性”作为一个集体意识是如何进化和蜕变。 Whether you're a die-hard Swiftie or just a regular person who's not into her songs, there's no denying the grip that Ms. Taylor Swift has had on American pop culture since her debut in 2006. In her most recent “Eras” tour, which generated roughly $5 Billion USD for the US economy, Taylor Swift walks the audience through her many eras: the hopeless romantic princess in sparkly dresses in “You Belong With Me,” who then fell from her pumpkin carriage and claimed victimhood after Kanye's public humiliation of her in 2009; clapping back at critics and experimenting musically with “Red;” embracing her "girl squad" of famous friends and cementing her spot as a pop culture icon with “1989;” her villainelle era with “Reputation;” and taking quaratining at home to the next level by embracing cottagecore with “Folklore” and “Evermore” during the pandemic. In this episode of CyberPink, we take a look at how different stages of our own lives intersect with Taylor Swift's eras and how we interacted with her – whether it's through passionately listening to her songs on repeat, reciting the lyrics, or simply studying her as a pop culture artifact and what her popularity means from an anthropological perspective. Each Taylor era evokes memories and emotions that allow us to revisit a moment somewhere in the last fifteen years. So join us as we dive deep into her many looks through the years, career-changing award show moments, feuds with other mega stars, and her music – and explore how the themes intricately intertwined with our own growth, and the evolution of what it means to be a modern woman. 【时间轴 The When】 03:00 Fearless Era：来自纳什维尔的邻家女孩和我们的青春期 22:29 在2009年MTV音乐录影带大奖颁奖舞台上，Taylor和Kanye命运的齿轮开始转动 37:00 Red Era：流行巨星Taylor同时也是机灵乖巧的”最大公约数女性“ 42:40 Taylor vs Spotify：改变音乐行业的流媒体 50:00 Famous歌词的争议，和2016年前后美国流行文化的大转弯 01:09:00 Reputation Era：Taylor的音乐母带和重录争议 01:25:05 Midnights Era：Taylor的第十张专辑，为女性和自己创作 03:00 Fearless Era: The girl next door from Nashville and our collective coming-of-age 22:29 On the stage of the 2009 MTV VMAs, the wheels of fate begin to turn for Taylor and Kanye 37:00 Red Era: Pop superstar Taylor as the clever, well-behaved “common denominator” woman 42:40 Taylor vs Spotify: When streaming upheaved the music industry 50:00 The controversial lyrics of “Famous” and America's culture shift around 2016 01:09:00 Reputation Era: Debate over Taylor's master recordings and re-recordings 01:25:05 Midnights Era: Taylor's tenth album, written for all women and herself 【拓展链接 The Links】 我们提到的文章： For Taylor Swift, the Future of Music Is a Love Story Tom Hiddleston on Taylor Swift, Heartbreak, and Great Bolognese Taylor Swift (Acquired's Version) Listening to Taylor Swift in Prison 其他参考的内容： Make the Whole Place Shimmer: America Spends Big for Beyoncé and Taylor Swift Non-Fungible Taylor Swift Scooter Braun Makes $300 Million Deal for Big Machine Records Taylor Swift's Feud With Scooter Braun Spotlights Musicians' Struggles to Own Their Work The unavoidable politics of Taylor Swift Kanye West Addresses Hip-Hop's Homophobia In 2005 Interview | MTV News Can't Shake It Off: How Taylor Swift Became a Nazi Idol Taylor Swift: The Rolling Stone Interview 【疲惫红书 CyberRed】 除了播客以外，疲惫娇娃的几个女的在小红书上开了官方账号，我们会不定期发布【疲惫在读】、【疲惫在看】、【疲惫旅行】、【疲惫Vlog】等等更加轻盈、好玩、实验性质的内容。如果你想知道除了播客以外我们在关注什么，快来小红书评论区和我们互动。 Apart from the podcast, we have set up an official account on Xiaohongshu. We will periodically post content such as “CyberPink Reading,” “CyberPink Watching,” “CyberPink Traveling,” “CyberPink Vlog,” and more. Those are lighter, more fun and more experimental stuff about our lives. Leave us some comments on Xiaohongshu! 【买咖啡 Please Support Us】 如果喜欢这期节目并愿意想要给我们买杯咖啡： 海外用户：https://www.patreon.com/cyberpinkfm 海内用户：https://afdian.net/@cyberpinkfm 商务合作邮箱：cyberpinkfm@gmail.com 商务合作微信：CyberPink2022 If you like our show and want to support us, please consider the following: Those Abroad: https://www.patreon.com/cyberpinkfm Those in China: https://afdian.net/@cyberpinkfm Business Inquiries Email: cyberpinkfm@gmail.com Business Inquiries WeChat: CyberPink2022

We've been covering a lot of sad songs lately, so we wanted to be a little more lighthearted this week and cover the songs that we first remember loving from Taylor: Our Song for Cat and You Belong With Me for Abby!

It's fall, y'all! From chai cookies to a whole new color palette, we have officially entered into the season of fall, and we want to celebrate it with some of our favorite Taylor songs! Join us as Jenn talks about why “You Belong With Me” is forever a fall song in her midwestern mind; Jodi gives us an overview of the fall-themed marketing that came with the release of Red; and Maansi shocks us all by proving that “Cornelia Street” is 100% a Fall song even though it's on a summer album. Make sure to listen all the way to the end to get a glimpse into a heated topic of debate among your professors as well ;)    Mentioned in this episode:  Shortcut: How Analogies Reveal Connections, Spark Innovation, and Sell Our Greatest Ideas Joseph and the Amazing Technicolor Dreamcoat Wuthering Heights by Emily Bronte Taylor Swift Style, @taylorswiftstyled, Sarah Kucharski  @taylorswiftinstapostss for cataloging Taylor's old Instagrams “Basic Autumn Lovers Rise” TikTok, Tumblr re-enactment, Oct 2021, Taylor Swift The Curious Symbolism of Autumn in Literature and Myth, Interesting LIterature.com    *** Episode Highlights:  [00:32] Intro to Fall topic [01:00] “You Belong With Me,” Fearless (Taylor's Version) 2021 [09:43] “Red,” Red (Taylor's Version) 2021 [22:51] “Cornelia Street,” Lover 2019   Subscribe to get new episode updates: aptaylorswift.substack.com/subscribe   Follow us on social!  TikTok → tiktok.com/@APTaylorSwift Instagram → instagram.com/APTaylorSwift YouTube → youtube.com/@APTaylorSwift Link Tree → linktr.ee/aptaylorswift Bookshop.org → bookshop.org/shop/apts This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

Kel-swift Mania has taken over the NFL, so we decided to have a little fun and discuss which Taylor Swift song titles fit certain fantasy football assets going into week 4 of the NFL season. We also discuss the emergence of Browns' defense, the Dolphins historic blowout over the Denver Broncos, and our best bets for week 4.TIMESTAMPS00:04:40 - Browns Blow Out the Titans00:13:01 - Browns Elite Defense: Fantasy Matchup to Avoid?00:17:18 - Dolphins Forget to Turn Off "Rookie Mode"00:25:52 - Shake It OFF, You Belong With Me, or Bad Blood?00:49:49 - Week 4 Best Bets

To celebrate the upcoming 15th anniversary of "Fearless", we are joined by the amazing Nora Princiotti (Every Album Ever Podcast, The Ringer). Together we  chat about this amazing record and the iconic moments the era had to offer, in what has since become the record that broke Taylor Swift into the mainstream pop world.courtesies: gac, mtv, itunes, big machine records, taylor swift, cmt, people, countryhoundSupport the show

In this week's episode the Powell men discuss the record breaking 70 piece that the @MiamiDolphins put on the @DenverBroncos . The Broncos weren't the only team in Colorado to get their butts kicked as the Colorado Buffaloes got trampled by the Oregon Ducks. Quack Quack. NFL star Travis Kelce is singing You Belong With Me as he tries to woo Taylor Swift. Zach Wilson sucks PeriodT. Jonathan Majors looks to beat his case.  #MiamiDolphins #DenverBroncos #ColoradoBuffaloes #CoachPrime #PregonDucks #NFL #Madden #TravisKelce #TaylorSwift ##YouBelongWithMe #ZachWilson #NYJets #RobertSaleh #JonathanMajors  

Whether you are a Taylor Swift fan or not, her song, "You Belong With Me," about unrequited love is a perfect title for the minor prophetic book of Hosea. In this book, God, the faithful, wronged husband, pours out His anger on His unfaithful, idol-chasing bride, Israel. This book has so much to teach us about God, Israel, the church, and ourselves! Join us as we delve into HoseaThanks for tuning in! Be sure to check out everything Proverbs 9:10 on our website, www.proverbs910ministries.com! You can also follow us on Facebook, Instagram, Rumble, YouTube, Twitter, Truth Social, and Gettr!

Oooooooh... it's a big one this week!  You Belong With Me is ICONIC.  The lyrics were FUN.  The music video defined a generation.  The award said music video won dominated the pop culture discussion for decades.  Even Barack Obama weighed in!  This is a beefy episode, so snuggle in.  We even talk about the ethics of private air travel and class in America lmao. Things mentioned in this episode Margaret Qualley and Jack Antonoff's wedding The ethics of private jets The Women's Prize for Fiction The Red Tour Performance of YBWM Taylor's Quick Changes The INCIDENT Obama on the VMAs https://linktr.ee/beginagainpod Music by Leila Sunier This podcast is in no way related to or endorsed by Taylor Swift, her companies, or record labels.  All opinions are our own. 

After spending a day online trying to fetch Taylor Swift tickets from the Ticketmaster mafia, our Bill Cole shakes off the bad blood after an evening in Philadelphia and fills in the blank spaces of 100,000 girls singing "You Belong With Me" @coleroofing

If the Fearless era is your favorite era, then the podcast episode you've been looking for has been here the whole time, or at least it's here now. Sam and Rachel discuss the fan favorite “You Belong With Me.” After passing notes back and forth about Era's Tour Secret Songs, they discuss the influence of this song in main stream pop. Sam and Rachel will make you laugh when you know you're ‘bout to cry with their conversation, particularly the nuance of the music video. For any show notes, visit our website at: https://swiftandswigspod.substack.com/. Follow our socials @swiftandswigspodcast on Instagram and TikTok! --- Send in a voice message: https://podcasters.spotify.com/pod/show/swift-and-swigs-with-sibs/message

A sparkling, serotonin-pumping portrait of suburban white girl life, Taylor Swift's sophomore album “Fearless” preceded her status as one of pop culture's most divisive figures. With decade-defining singles like “You Belong With Me” and “Love Story,” it's hard to feign impartiality on this one.  Watch the video version of this episode here! Join our Discord server here!  Check out our merch shop here!  Get 15% off Casetify with code 15SLEEPOVER! Follow Sleepover Cinema on Instagram here! Follow Hannah and Audrey on Instagram here! Sleepover Cinema TikTok Sleepover Cinema Facebook Sleepover Cinema Twitter More about Too Pink Productions For more details on this episode, go to www.evergreenpodcasts.com/sleepover-cinema! Learn more about your ad choices. Visit megaphone.fm/adchoices

Join Ella Goodstadt, JillIan Koenig, and Julia Rosten for Episode 3 of Taylor Talks (Eastside's Version). In this episode, they discuss Taylor Swift's second album, Fearless, as well as the re-recorded album, Fearless (Taylor's Version). Listen to learn about the Taylor's launch into stardom and how she became an international sensation with hits like "You Belong With Me" and "Love Story."

This week Pastor Tim Schoen continues the “What is Love?” teaching series  with the second message “You Belong With Me.” (Recorded February 25th, 2023) To get connected follow us on Instagram @HSRevolution

As the 2023 Grammys draw closer we look into Taylor's tricky history with the Song of the Year Grammy Award. Although she's been nominated a record amount of six times for this songwriting prize, she hasn't won for any of her previous tracks, which included You Belong With Me, Blank Space, Shake It Off, Lover and Cardigan. This year she has been nominated for All Too Well (Ten Minute Version) in the highly competitive category alongside titans such as Beyoncé, Kendrick Lamar and Adele. We discuss her previous losses as well as her chances for this Sunday's Grammy awards.

Tough day? Shake it Off and realize You Belong With Me, the Rabid Trail podcast. Oh Look What You Made Me Do, I've gone and done some ridiculous Taylor Swift references in the description. Well, Don't Blame Me, I'm no Anti-Hero. Actually I'm Delicate. It's just that when I think about you, dear listener, I get in a Lavender Haze. K, Anyway enjoy the episode. I'm gonna go play some Bejeweled.

And here are your finalists for The Greatest Song of the 00s!!1. You Belong With Me by Taylor Swift2. Yellow by Coldplay3. Hurt by Johnny Cash4. Seven Nation Army by The White StripesVote on your favorite of "The Greatest Songs of the 00s" finalists

Have you ever seen the music video, "You Belong With Me", by Taylor Swift???Jack and I are random strangers neighbors who met through the window of our apartments and are now friends. This episode goes into the weirdness of the apartment we are living in, how we met, his diabetes diagnosis, and how to heal and deal with a rough ending to a relationship."You only live once, but if you do it right once is enough."Hope your Christmas is amazing and you have the best time with your friends and family!FOLLOW US ON INSTAGRAM: https://www.instagram.com/keepingupwithkashhhh/?hl=enFOLLOW US ON FACEBOOK: https://www.facebook.com/keepingupwithkashhhhFOLLOW US ON TIKTOK: https://www.tiktok.com/@keepingupwithkashpodcast?is_from_webapp=1&sender_device=pcWATCH ON YOUTUBE: https://www.youtube.com/channel/UCXudyY3mhhVgk_IPqdLaOsw BUY MERCH: https://keepingupwithkash.com/merchSTART YOUR OWN PODCAST: https://www.buzzsprout.com/?referrer_id=1924451

 A Taylor Swift album is just not a collection of new music, it's an exploration of a theme. For the last eight years, each release has embodied a single idea. Reputation marked a turn to the dark side, Lover a return to the light, and her pair of albums Folklore and Evermore painted acoustic, fictional landscapes. Each album propels fans to find covert lyrical connections to her personal life, and easter eggs to past compositions. Whereas Swift's pop star contemporaries have focused their energies on becoming business moguls, Swift has gone deeper into songwriting and receiving accolades in the process. In September 2022, the Nashville Songwriting Association International awarded Swift the Songwriter of the Decade award. In her acceptance speech she says, “writing songs is my life's work and my hobby and my never-ending thrill.” Now she continues that thrill collaborating with her frequent producing partner and friend of the show, Jack Antonoff, on Midnights, her 10th studio album (not counting her recent “Taylor's version” re-recordings of past releases). On Midnights Swift builds a lyrical and sonic world that takes place across “13 sleepless nights.” Nate and Charlie listen closely to hear how she constructs this late night feeling.   More Nate's article on “Taylor Swift and the Work of Songwriting” for the Contemporary Music Review Journal John Hull's Soundfly course on Advanced Synths and Patch Design for Producers Music Discussed: Taylor Swift - Anti-Hero, Lavender Haze, Maroon, Question, Snow On the Beach, Mastermind, Bejeweled, Vigilante Shit, Labyrinth, Midnight Rain, You're On Your Own Kid, You Belong With Me, Stay Kevin “Reese” Saunderson - Just Want Another Chance Ray “Renegade” Keith - Terrorist P.A. Mix Burial - Archangel  Learn more about your ad choices. Visit podcastchoices.com/adchoices

#95-91Intro/Outro: Pretty Wings by Maxwell95. I Kissed a Girl by Katy Perry94. Hate It or Love It by The Game93. Without Me by Eminem92. You Belong With Me by Taylor Swift91. Low by Flo RidaVote on your favorite song from today's episodeVote on your favorite song from Week 4 of the 90sVote on how to correctly pronounce this decade

University professor Katy Head has often joked that she could teach a course on Taylor Swift, and here she's off to an excellent start. Katy outlines the arguments for appreciating Taylor as an artist, business woman and storyteller. She also provides insight into the “Swiftie” fan community and the strong connection Taylor has with her fans...including bringing them to her house for food and listening parties. Class is in session! Katy's Personal Soundtrack: Picture to Burn (from self-titled debut album, 2006) You Belong With Me (from Fearless album, original 2008; re-recorded Taylor's Version, 2021) Mean (from Speak Now album, 2010) All Too Well (from Red album, original 2012; re-recorded Taylor's Version, 2021) Begin Again (from Red album, original 2012; re-recorded Taylor's Version, 2021) Miss Americana & The Heartbreak Prince (from Lover album, 2019) Invisible String (from Folklore album, 2020) Taylor Swift https://www.taylorswift.com/ (Official Website) Episode Music Credits: Intro: https://app.sessions.blue/browse/track/97934 (Great Great Lengths from Blue Dot Sessions) Outro: https://app.sessions.blue/browse/track/97936 (Lamplist from Blue Dot Sessions)

With multiple GRAMMYs under her belt, a 2007 SESAC Nashville Songwriter of the Year title, as well as her own publishing company (Liz Rose Music), Liz Rose is undeniably a songwriting powerhouse. Born and raised in Texas, Rose moved to Nashville and began writing songs at the age of 37. She has since penned 16 songs with Taylor Swift, including the No. 1 crossover hits “Tim McGraw”, “Teardrops On My Guitar”, “You Belong With Me”, GRAMMY Award winning Best Country Song “White Horse”, and ACM Song of the Year “Crazy Girl”. More recently, she co-wrote Little Big Town's double platinum smash hit, “Girl Crush”, which earned the GRAMMY for Best Country Song in 2016, and the Country Music Association's Award for Song Of The Year in 2015. Rose has also written songs for many other artists including Alison Krauss, Blake Shelton, Bonnie Raitt, Carrie Underwood, Chris Young, Gary Allan, LeeAnn Womack, Miranda Lambert and Tim McGraw. Together, her songs have sold more than 20 million copies.  

Back again all the way from the You Belong With Me episode, I am joined with Haley! I have had the most fun recording these episodes and Haley is a great conversationalist who brought the best analysis of this song. We chat about the drums, the lyrics, the connection to Nothing New and how Swifties will forever sleep on this song for whatever reason. Hope you love this episode! --- Support this podcast: https://anchor.fm/thelongpodcaststudiosessions/support

This week, Kait and Sam jump back into Taylor Swift's Fearless Era with You Belong With Me. Does Sam think Taylor's Version is a bop? How does this relate to cargo shorts and Kanye West? Tune in and find out!

In this week's episode, join Megan, Bri, and guest Parker as they go over recent Taylor news, You Belong With Me, and some tangents about...clown college? Listen now to learn why!

Now that the women's tournament is in the books, time to shift gears to the men's tournament at MSG! Providence's DJ Finesse joins me to discuss the storybook season happening in Friartown this year and how "You Belong With Me" became their anthem! I'll also recap the final regular season games around the league from Saturday, this year's Big East awards, and make my complete predictions for the men's tournament, the best conference tournament in America!

Carley and Jenna celebrate their love of one of the most iconic tracks of Taylor Swift's illustrious career: "You Belong With Me"! Carley had a drastic change in opinion of this song from when she first heard it 2008 vs. the re-release in 2021, and Jenna has heartwarming, firsthand experience of how this song brings people of all ages together. There's no denying the staying power of this track! Let us know what you think of "You Belong With Me" at taylorloverspodcast@gmail.com. Follow us on Instagram @taylorloverspodcast and on TikTok @taylorloverspod.

This week I'm talking “You Belong With Me” with dynamite guest Helen Chatham Showalter! Helen works in music, artist management and marketing, is secretly powerful, and has a devastating history with pseudo-unreciprocated crushes. We have a free-wheeling convo about all things Taylor and get specific on the perfection that is You Belong With Me, including the divine specificity of the outfits in the music video. Our featured "Artist Who Is Not Taylor Swift" this week is Loren Gray - check her out @loren. Follow Helen - @HelenChathams. And Follow the pod! @wyf_tss Please rate & review xoxo!!    

Jamie Kenney interviews Liz Rose. Liz Rose is best known for her work with Taylor Swift, penning songs such as "Teardrops on My Guitar", "All Too Well", and "You Belong With Me". Liz also frequently collaborates with Miranda Lambert, Little Big Town, Carrie Underwood, and many others.

#64-62Intro/Outro: Midnight Rider by The Allman Brothers Band64. A Rush of Blood to the Head by Coldplay (The Scientist & Clocks & Green Eyes & A Rush of Blood to the Head)63. Fearless by Taylor Swift (Hey Stephen & You Belong With Me & The Way I Loved You & Fearless & Love Story & You're Not Sorry)62. Exile on Main St. by The Rolling Stones (Tumbling Dice & Stop Breaking Down & Rocks Off & All Down the Line & Shine a Light)Vote on Today's Album ArtHave you voted on Week 12 Round 1 winners yet? If so, no further action needed. If not:Vote on Week 12 Round 2 Album Art (Episodes 356-360)

01:30 — “Sparks Fly” 07:10 — “You Belong With Me” 13:50 — “Mean” 18:30 — “Love Story” 23:50 — “We Are Never Ever Getting Back Together” Team UNPLUGGED.

In 2008, at the age of 18, Taylor Swift released her second studio album “Fearless”. This album would go on to become the most awarded country album of all time, securing Taylor Swift her first of three Grammy awards for album of the year, at the time making her the youngest artist to achieve this feat. The album is certified diamond by the RIAA and continues to be one of the most acclaimed albums of all time. Flash forward to 2021, Taylor Swift releases a re-recorded version of Fearless titled “Fearless (Taylor's Version)”. This re-recording features all of the songs on the original as well as the platinum edition album and includes the song; Today Was a Fairytale originally recorded for the Valentines Day movie, as well as 6 additional vault tracks. For chronological purposes and the way I have this podcast set up, in season 2 we will only be covering the songs originally featured on Fearless and Fearless Platinum Edition, don't worry, we will get to the vault songs after they're all here! Join some of my favorite swifts and I as we chat about Taylor's iconic hits like Love Story and You Belong With Me as well some of her under appreciated songs like Hey Stephen and Tell Me Why. Get your curly blonde hair out and your iconic hair flips ready as we drag you head first, fearless into season 2 of the long podcast studio sessions.

In this episode, the girls have several flashbacks to the mid-2000s while discussing Evan Rachel Wood, how much SNL they definitely don't watch, and VH1 You Oughta Know Artists. They also talk about the songs Hey Stephen, White Horse, You Belong With Me, and Breathe.

#130-126Intro/Outro: Papa's Got a Brand New Bag (Pt. 1) by James Brown130. That's All Right by Elvis Presley (4)129. Doo Wop (That Thing) by Lauryn Hill128. American Pie by Don McLean127. One by U2126. You Belong With Me by Taylor Swift (5)Balderdash #21 answerDecade update:70's - 7690's - 7500's - 7260's - 5510's - 4180's - 2850's - 2440's - 230's - 120's - 1Top years:1970, 2005 - 141994 - 131971, 1973 - 12We are running out of time to hear from the following seven years: 1959, 1961, 1962, 1981, 2016, 2017, and 2019.

We're back Astro Swifties! After a heavy eclipse and a much-needed week off, we are READY to jump into one of the biggest hits off the Fearless album, You Belong With Me! We discuss the iconic music video, Taylor's Aquarius Venus, and all about the importance of the angles, aka you ascendant/descendant and MC/IC. We also start off with Astro TayCast talking all about Olivia Rodrigo's Sour drop and what that has to do with Taylor and her evermore vinyl release! . . . Join Sagittarius chart twins Shannon (@astrologychef) and Emily (@starryeyeddata) as they do a deep dive on the astrology of Taylor Swift, going song by song, album by album through her discography, analyzing it through an astrological lens. As she re-releases her old music, we'll follow along, releasing new seasons with each new album. It's bound to be a fun adventure so follow us along on social media! @twinfiresignspod on Instagram; @twinfire_signs on Twitter. Love you to the Moon and to Saturn!

This week we discuss the hit that rocked the nation, You Belong With Me and the 5th track from the vault, Don't You. We talk about how Taylor villainized brunettes, give a nod to the Hannah Montana movie soundtrack, and get a play by play of a drag performance idea Conor is (spoiler: it actually sounds really good)    Support the pod!    Follow us: @swifterthanfictionpodcast 

Join Sophie, Esther and special guest Naomi as they chat about You Belong With Me, Track 6 from Fearless, Sophie's changed lyrics, and the rom-com feel of the music video. Follow us on Instagram @swiftlypodingalong

This is the song that brought Taylor into Kanye's harmful ways.. You Belong With Me got the cred that Taylor deserved but it also created a life and work defining moment. And in case you have no idea what happened, we lay it all out for you right now. The short version, the one that started it all. The bigger episode will come later!Ana, Amy, Lacey and Nick dissect this song, and feel all of the emotions on such a crazy moment. What did we leave out? Please let us know, and chime in with all of your thoughts and feels!CONTACT THE PODCAST!Email – the13podcast@gmail.comIG: https://www.instagram.com/the13podcastTikTok: https://www.tiktok.com/@the13podcast FOLLOW US!Ana - https://www.instagram.com/anacas31Lacey – https://www.instagram.com/lacey_bishopAmy – https://www.instagram.com/amysnicholsNick – https://www.instagram.com/nickadamspics CHECK OUT OUR OTHER PODCASTS!Lacey & Amy – "Loose Lips & Child-Bearing Hips"Ana - "On Cloud Wine"Nick – "Shut Up!" & "The Chatty Daddies" This podcast is in no way related to or endorsed by Taylor Swift, her companies, or record labels. All opinions are our own.

Theo and Eric join the boys to chat about their new podcast We're All a Little "Crazy", how the #SameHere movement started, and share some behind the scenes hockey stories! Plus Justin Robertson from Outatime! fills in for Tom on the intro/outro to catch up and he blesses us with their new cover of "You Belong With Me" which will be out on Friday! Pre-save it here: https://distrokid.com/hyperfollow/outatime3/you-belong-with-me NEW EPISODE EVERY TUESDAY! SUBSCRIBE SO YOU NEVER MISS A GREAT INTERVIEW! FOLLOW: INSTAGRAM: https://www.instagram.com/bardownbreakdown/ TWITTER: https://twitter.com/bdbdpodcast FACEBOOK: https://www.facebook.com/BarDownBreakdownPodcast/ WEBSITE: https://bardownbreakdown.com MERCH: https://www.c2chockey.net PLAYLISTS: https://open.spotify.com/playlist/7FonU7NPNQtFxRZnqm4dxL?si=z1RX3VUgSbKVrKHn2Az7TA WE'RE ALL A LITTLE "CRAZY": https://podcasts.apple.com/us/podcast/episode-1-season-1-were-all-a-little-crazy/id1556305271?i=1000517434228 BROUGHT TO YOU BY THE HOCKEY PODCAST NETWORK: https://www.thehockeypodcastnetwork.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Theo and Eric join the boys to chat about their new podcast We’re All a Little "Crazy", how the #SameHere movement started, and share some behind the scenes hockey stories! Plus Justin Robertson from Outatime! fills in for Tom on the intro/outro to catch up and he blesses us with their new cover of "You Belong With Me" which will be out on Friday! Pre-save it here: https://distrokid.com/hyperfollow/outatime3/you-belong-with-me NEW EPISODE EVERY TUESDAY! SUBSCRIBE SO YOU NEVER MISS A GREAT INTERVIEW! FOLLOW: INSTAGRAM: https://www.instagram.com/bardownbreakdown/ TWITTER: https://twitter.com/bdbdpodcast FACEBOOK: https://www.facebook.com/BarDownBreakdownPodcast/ WEBSITE: https://bardownbreakdown.com MERCH: https://www.c2chockey.net PLAYLISTS: https://open.spotify.com/playlist/7FonU7NPNQtFxRZnqm4dxL?si=z1RX3VUgSbKVrKHn2Az7TA WE'RE ALL A LITTLE "CRAZY": https://podcasts.apple.com/us/podcast/episode-1-season-1-were-all-a-little-crazy/id1556305271?i=1000517434228 BROUGHT TO YOU BY THE HOCKEY PODCAST NETWORK: https://www.thehockeypodcastnetwork.com

Taylor Swift is on the top of everyone's minds lately. In July 2020, Swift released her eighth studio album Folklore, followed by a second surprise album only five months later titled Evermore. At the 63rd Annual Grammy Awards, Swift won Album of the Year for Folklore, written during quarantine and produced virtually by Aaron Dessner and Jack Antonoff. These are only a few of her recent victories in her 15+ year career. But it hasn't been an easy journey for the Nashville country-singer-turned-pop-star. Throughout her career, Swift has had a tumultuous relationship with the media, spurred on by Kayne West and her propensity for writing songs about her long list of ex-lovers (Joe Jonas, John Mayer, Harry Styles, Calvin Harris to name a few.) At the 2009 MTV Video Music Awards, Kanye infamously stole the mic from her onstage while accepting Best Female Video for “You Belong With Me.” That moment rocketed Taylor Swift from rising star to a household name, and ever since, the media has criticized Swift for playing a victim. In this episode, we examine the major events in her career and how the media has reported on them to answer the question: Is Taylor Swift really a victim? Enjoy this episode? Join our Patreon community or leave us a tip on PayPal! Want to talk more? Find us: @name3songs | @sara_feigin | @jenna_million This is a music commentary podcast based on pre-existing knowledge and facts cited at Name3Songs.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Talk about folklore! Actually we don't talk about Folklore, but we due get deep into some much of the lore of pop-music's most mysterious cryptid, Taylor Swift, with the hilarious Sarah Kennedy (Taydar Podcast). We examine thee of her videos that span her career from country to icon. We start with You Belong With Me, a video that might only be improved by the addition of a third Taylor Swift. Next we examine Blank Space, is it a satirical statement about the media's perception of her dating life or just proof that Ms Swift has a boy deliver service? And finally we take a trip to Fransylvania with Taylor (and Brendon Urie of Panic! At the Disco) with ME! to unpack all its hidden messages about Babe: Pig in the City. Look Imma let you finish the description but Matthew and Sarah had one of the greatest podcast episodes of all time. Please rate, review and subscribe wherever you can. It really helps the show. And tell a friend! Thanks. If you want to tell us anything please contact us at ComedyKilledTheVideoStar@gmail.com --- Send in a voice message: https://anchor.fm/comedykilledthevideostar/message

I was a little surprised that it's been 6 years since I made the first Essential Taylor Swift back in 2015. She has released so many great songs since then with some superb remixes to go along with them. With this second edition of Taylor Swift I wanted to use completely different tracks than I did on volume 1. The only repeat track here is "Blank Space" because the Luis Vazquez remix is awesome. I do want to give special thanks to Mark from Dirty Disco as well as Russ Rich & Andy Allder who very generously provided me with some advance remixes they had completed before they were released. They feature quite heavily in this set because they are all brilliant. As always, my good friend Rob (aka Division 4) also provided me with his exclusive mix of "You Are In Love" which opens the set. Other stand out remixes come from Guy Scheiman, Sagi Kariv, Leo Frappier and Joel Dickinson. I do like the way Taylor's music keeps evolving as she matures and this 2nd edition of Essential Taylor Swift shows that evolution. Enjoy Anthony 1/ "YOU ARE IN LOVE" (Division 4 Remix) 2/ "CARDIGAN" (Russ Rich & Andy Allder Club Mix) 3/ "EVERMORE" (Russ Rich & Andy Allder Evermore Dancefloor Club Mix) 4/ "YOU NEED TO CALM DOWN" (Dirty Disco Mainroom Remix) 5/ "THE ARCHER" (Russ Rich & Andy Allder Combat Club Remix) 6/ "DON'T BLAME ME" (Russ Rich & Leo Frappier Bangin' Afterhours Club Mix) 7/ "WONDERLAND" (Sagi Kariv Remix) 8/ "THE MAN" (Guy Scheiman Remix) 9/ "BLANK SPACE" (Luis Vazquez Unreleased Club Mix) 10/ "ME!" (Dirty Disco Eagle Houston Remix) ft. Brendon Urie 11/ "LOVE STORY" (Dirty Disco Mainroom Remix) 12/ "THIS IS ME TRYING" (Russ Rich & Andy Allder Shiniest Wheels Club Mix) 13/ "YOU BELONG WITH ME" (Thee Werq'n B!tches Club Mix)

Act One Podcast - Episode 14 - Interview with Director Roman White and Producer Gabriel Vasquez of the new Netflix film, A Week Away.An accomplished director, White has worked with some of the biggest names in entertainment including Taylor Swift, Blake Shelton, Justin Bieber, Kelly Clarkson, Colbie Caillat, Josh Groban, Reba, and Shakira. Also an animator and FX artist, White has earned numerous Emmy Awards, plus multiple Director of the Year nods, and he's been recognized by MTV, ACM, CMA and CMT for his work. His video for Taylor Swift's “You Belong With Me” is the only country video to ever win an MTV VMA, and his video for Carrie Underwood's “Before He Cheats” was named by CMT as the top video of the decade. In 2016, White wrote and directed his first film, Summer Forever (Relativity and Disney) and has been directing commercials and films ever since.Founder and President of Vazquez Entertainment, Vasquez has spent the last 20 years developing and managing the careers of award-winning, accomplished artists and speakers. Through his company, he has produced over 4,000 events. Over his career, Vasquez has held multiple roles at major labels and management companies including 3rd Wave Records, EMI/Sparrow Records, Myrrh Records, Creative Trust, Creative Trust Workshop, and Word Entertainment/Warner Brothers. He has worked on the creation and launch of many artist projects, including Amy Grant, Steven Curtis Chapman, Newsboys, and Jaci Velasquez, among many others. In 2016, he executive produced his first film, Wildflower, under the Vasquez Productions banner.Rove Productions' debut film, A Week Away, will be released globally on Netflix March 26. Vasquez is the co-creator and producer of the faith-based musical, while White co-produces and directs. Filmed in Nashville, A Week Away is the fish-out-of-water story of a troubled teen who ultimately finds love and belonging at the place he least expects, a Christian summer camp. (From Lorie Hollabaugh/Music Row)The Act One Podcast provides insight and inspiration on the business and craft of Hollywood from a Christian perspective.Support the show (https://actoneprogram.com/donate/)

The #RomanceClass podcast had a tropetastic launch for season four with the launch of a short story anthology: The Tropetastic Kindness Bundle. It’s an anthology of romance stories written by #RomanceClass authors — and all proceeds of the sale will go to good causes such as disaster relief and livelihood programs for women and vulnerable communities. Host: Tara Frejas Mina V. Esguerra “Pleasure to Meet You” (Trope: Minor Celebrity) Guests: Angel C. Aquino “Home at Last” (Trope: The Protector)Suzette de Borja “Be With Me” (Trope: Locked Out Of Apartment”) Georgette S. Gonzales “Perfect Dad” (Trope: Single Parent)Katt Briones “Two Doors Down” (Trope: Mail Delivered By Mistake)Jay E. Tria “You Belong With Me” (Trope: Best Friend’s Sibling)Carla de Guzman “Congrats, You’re In Love!” (Trope: Forced Proximity)Dawn Lanuza “Noted” (Trope: There’s Only One Bed) 00:00 – Intro01:05 – #Tropetastic202101:27 – Subscribe to the podcast02:09 – Carla de Guzman and Dawn Lanuza10:00 – The KiligCast Newsletter10:39 – Angel C. Aquino, Suzette de Borja, Georgette S. Gonzales20:28 – Subscribe to the Podcast21:45 – Katt Briones and Jay E. Tria29:53 – Pahabol – Mina V. Esguerra “Pleasure to Meet You” Buy the Tropetastic Kindness Bundle Watch the full video Subscribe to the #RomanceClass Podcast to get new chapters as soon as they’re available: iTunes / Apple Podcasts Listen on Spotify Google Podcasts Listen on Stitcher RSS The #RomanceClass Podcast is part of the Frolic Podcast Network. Discover other great romance-themed podcast by visiting the Frolic website. The post The Tropetastic Kindness Bundle first appeared on #RomanceClass Podcast.

This week we discuss the highs and lows of the award-winning album Fearless. Songs discussed: Fearless; Fifteen; Love Story: Hey Stephen: White Horse; You Belong With Me; Breathe; Tell Me Why; You're Not Sorry; The Way I Loved You; Forever & Always; The Best Day; Change

In Chapter 35 of Anne of Green Gables, Anne notices that Gilbert has been spending a lot of time with Ruby Gillis, and we see the seeds planted for Taylor Swift's "You Belong With Me." While Anne's friends worry themselves half to death over exams, Anne takes the longview and tells them to focus on the chestnut buds. Life is good, and Anne is here for it.After the chapter reading, you'll hear chapter reflections between me and my friend Katie Devine. Katie is a middle school teacher of language arts and social studies who has been my book club buddy for over six years now. In our conversation, we talk about the trope of "she's not like other girls," Anne's growing respect for Gilbert and the maturity she displays in her reverence for chestnut buds over anxiety. 

It's Nat'l Ginger Cat Day and Nat'l Tofu Day. Kelly's dinner confession. On this day in country music: 2009 - Taylor Swift - "You Belong With Me." Gotcha Gossip: Justin Bieber buys $26M home and Fresh Prince reunion coming to HBO Max. Another edition of Brandon cries. People are Crazy: A naked guy at a Taco Bell drive-thru claims his clothes are in the wash. Cheap Brandon strikes again! We celebrate birthdays! Country Music News: Miranda Lambert has a new song out and Kelsea Ballerini drops video for "Hole in the Bottle." What is your go to gas station order? "Big news Brandon is his name, throwing the news is his game." Families may be zooming for Thanksgiving. What's on the podcast and TV tonight?

This week The Alarmist (Rebecca Delgado Smith) decides who is to blame for the Taylor Swift/Kanye West Feud! She is joined by pop culture efficianados and hosts of the Watch Less Podcast, Khal Davenport and Frazier Tharpe, Fact Checker Chris Smith and Producer Amanda Lund. They reveal if they were Team Taylor or Team Kanye during the 2009 VMAs debacle, debate wether sexism or racism are more to blame for the fallout, and Rebecca goes on a shocking tirade against Taylor’s “You Belong With Me” music video. On the board this week: Hennessy, Seating Charts, and Pop Star Megalomania Tell us who you think is to blame at http://thealarmistpodcast.comEmail us at thealarmistpodcast@gmail.comFollow us on Instagram @thealarmistpodcastFollow us on Twitter @alarmistTheCall the Earios hotline! 626-604-6262 Support this show http://supporter.acast.com/alarmist. See acast.com/privacy for privacy and opt-out information.

This week The Alarmist (Rebecca Delgado Smith) decides who is to blame for the Taylor Swift/Kanye West Feud! She is joined by pop culture efficianados and hosts of the Watch Less Podcast, Khal Davenport and Frazier Tharpe, Fact Checker Chris Smith and Producer Amanda Lund. They reveal if they were Team Taylor or Team Kanye during the 2009 VMAs debacle, debate wether sexism or racism are more to blame for the fallout, and Rebecca goes on a shocking tirade against Taylor’s “You Belong With Me” music video. On the board this week: Hennessy, Seating Charts, and Pop Star Megalomania Tell us who you think is to blame at http://thealarmistpodcast.comEmail us at thealarmistpodcast@gmail.comFollow us on Instagram @thealarmistpodcastFollow us on Twitter @alarmistTheCall the Earios hotline! 626-604-6262 See acast.com/privacy for privacy and opt-out information.

Many are saying this could possibly be the most controversial episode of Funpoint! ever. One of our hosts really liked Taylor Swift's 1989, and the other one still liked it but just not as much so don't get mad at me. This one goes a little long because we spend like 47 minutes roasting Harry Styles and Justin Bieber's swaggy mouse tattoo. Hope you enjoy it. Slap City picks: "You Belong With Me" by Taylor Swift, "Let's Be Friends" by Carly Rae Jepsen. Listen to our playlist here Join us in 2 weeks when we'll discuss our next pick, Tyler, The Creator's Flower Boy! Our Patreon page: https://www.patreon.com/postgameofthrones Join our Discord chat: discord.gg/7sbAt9X Check out our merch here: http://www.redbubble.com/people/wehgrr/collections/647855-postgame-of-thrones-podcast

On December 13, 2019, Taylor Swift turned 30! In episode 10, I countdown 20 songs I admire from her career, and tell you how she spent her 30th birthday. The CW Network televised iHeartRadio's Jingle Ball 2019 concert 12/19/19 at 8pm, and on their app. Top 20 Songs playlist: https://open.spotify.com/playlist/7k7L27tpuUNt8kN8EjlQz8?si=9qDFeuKLRxSAMiiGSEBmiATaylor Swift Songs Used: 20. “Highway Don’t Care” - Tim McGraw (feat. Keith Urban) (2013)19. “I Knew You Were Trouble” (2012-2013)18. “Out of the Woods” (2014-2015) 17. “ME!” feat. Brendon Urie (2019)16. “Babe” - Sugarland (2018)15. “Back to December” (2010)14. “Wildest Dreams” (2015-2016)13. “End Game” - feat. Future & Ed Sheeran (2017)12. “We Are Never Ever Getting Back Together” (2012)11. “Blank Space” (2014)10. “… Ready for It?” (2017)9. “You Belong With Me” (2008-2009)8. “Two Is Better Than One” - Boys Like Girls (2009-2010)7. “22” (2012-2013)6. “Lover” (2019)5. “Begin Again” (2012)4. “Soon You’ll Get Better” feat. The Dixie Chicks (2019)3. “Half of My Heart” - John Mayer (2009-2010)2. “You Are In Love” (2014)1. “Fifteen” (2008-2010)Theme Song: "Dance Track", composed by Jessica Ann Catena.

On 12/13/19, Taylor Swift turned 30! I countdown 20 songs I admire from her career, and tell you how she spent her 30th birthday. iHeartRadio's Jingle Ball 2019 aired The CW Network and their app on 12/19/19. Theme Song: "Dance Track", composed by Jessica Ann Catena.Taylor Swift Songs: https://open.spotify.com/playlist/7k7L27tpuUNt8kN8EjlQz8?si=9qDFeuKLRxSAMiiGSEBmiA20. “Highway Don't Care” - Tim McGraw (feat. Keith Urban) (2013)19. “I Knew You Were Trouble” (2012-2013)18. “Out of the Woods” (2014-2015) 17. “ME!” feat. Brendon Urie (2019)16. “Babe” - Sugarland (2018)15. “Back to December” (2010)14. “Wildest Dreams” (2015-2016)13. “End Game” - feat. Future & Ed Sheeran (2017)12. “We Are Never Ever Getting Back Together” (2012)11. “Blank Space” (2014)10. “… Ready for It?” (2017)9. “You Belong With Me” (2008-2009)8. “Two Is Better Than One” - Boys Like Girls (2009-2010)7. “22” (2012-2013)6. “Lover” (2019)5. “Begin Again” (2012)4. “Soon You'll Get Better” feat. The Dixie Chicks (2019)3. “Half of My Heart” - John Mayer (2009-2010)2. “You Are In Love” (2014)1. “Fifteen” (2008-2010)

Zack and Madeline deep dive into the jam packed, legendary, very busy year of 2009 - where Taylor continues to conquer the world with Fearless, has her first questionable encounters with Miley Cyrus and Demi Lovato and plugs You’re Not Sorry like it’s her next #1 single. We take a trip down memory lane to her first Rolling Stone profile, the iconic Fearless Tour, her dramatic wins at various award shows, the beginning of Taylor Squared, her continued beef with Joe Jonas, her first (terrible) Grammy performance, her short-lived friendship with Katy Perry and two music videos: You Belong With Me and Fifteen. The beginnings of her acting career are also discussed - Taylor Swift on CSI, anyone?

This episode contains one direct quote from Season 1 Episode 15 of the TV series Madam Secretary, created by Barbara Hall: 1. “You’re the one who wanted to go for three.” REFERENCES 1. “The Ninth Circle." Madam Secretary. Season 1, Episode 15, CBS, 8 Mar. 2015. Netflix, https://www.netflix.com/watch/80074142?trackId=14277281 2. Miss McCord’s opinion does not necessarily reflect that of the author, who has composed many a scene while listening to “Shake It Off”, “Love Story”, “Blank Space”, “I Knew You Were Trouble”, “Style” and “You Belong With Me”, in that order. 3. “The Dissent Memo.” Madam Secretary. Season 3, Episode 4, CBS, 30 Oct. 2016. Netflix, https://www.netflix.com/watch/80188785?trackId=14277283

Inspired by the latest bout of taylurking, your hosts discuss Taylor Swift’s unique relationship to her fans - featuring a special guest interview! - before taking it back to the Fearless era with a look at all the drama behind her seminal hit “You Belong With Me.”

Inspired by the latest bout of taylurking, your hosts discuss Taylor Swift's unique relationship to her fans - featuring a special guest interview! - before taking it back to the Fearless era with a look at all the drama behind her seminal hit “You Belong With Me.”

Cassie sits down with Bryan Kent. They talk about Touchdowns and Tunes, which is an event during labor day with headliner Cody Johnson. To learn more about Touchdowns and Tunes: www.touchdownsandtunes.com Follow Bryan: www.facebook.com/bryankentmusic, twitter.com/bryankentmusic, www.youtube.com/user/BryanKentMusic Taylor Swift: The oldies "Mary's Song" "Tim McGraw" "You Belong With Me"

This week we are joined by novelist Zara Lisbon to talk about the anthem "You Belong With Me."

Dan's first guest is Grammy Award-winning songwriter Liz Rose who will share her experiences in the music industry working with megastars like Little Big Town, Taylor Swift and Carrie Underwood. We'll play two songs penned by Liz, “You Belong With Me” and “Swimming Alone.” After Liz, Dan will talk with Chris D. Estes, a multimillion-dollar earner with Zija International. Living from paycheck to paycheck, Chris realized he had full-time jobs and a part- time life. He took the advice of Abe Lincoln who said, “Good things may come to those who wait, but only the things left by those who hustle.” In a short time Chris went from a limited life to a life unlimited. Dan's final guest is Aaron Young, a lifelong entrepreneur, trusted advisor to CEOs and business owners and creator of The Unshackled Owner, a program for entrepreneurs looking to build a business and not just a glorified job. If you need to hear some inspiration, some humor, some great music and some great advice, listen in!

The Total Tutor Neil Haley will interview Hayley Orrantia Star of ABC's The Goldbergs.  Strong, Sweet & Southern Hayley Orrantia, star of ABC's THE GOLDBERGS has released her latest single, Strong, Sweet & Southern. The song is now available on all downloadable and streaming sites including Spotify, iTunes, Amazon, and GooglePlay. Orrantia co-wrote the song with Mark Bright (Carrie Underwood, Rascal Flatts) and Kevin Kadish (Meghan Trainor), who produced and recorded the song at both the Starstruck and LoveShack Studios in Nashville. Hayley has been singing, songwriting, acting and playing piano since her early teens. For the past three years, she has spent her off seasons from THE GOLDBERGS in Nashville writing with many notable songwriters including Bright, Kadish (All About That Bass, My Lips Are Movin), Liz Rose (Girl Crush, You Belong With Me), Corey Crowder (I'm Coming Over, Think of You), Johnny Bulford (Woman Like You, Lonely Eyes), among others. In the last year, she has opened for country music stars Brad Paisley and Easton Corbin, performed at the CMA Fest and Off The Rails country music festivals, and released three original songs Love Sick, Until Then and Hasta Verte. The Goldbergs stars Wendi McLendon-Covey (Bridesmaids) as Beverly Goldberg, Patton Oswalt (Ratatouille) as adult Adam Goldberg, Sean Giambrone as Adam Goldberg, Troy Gentile (Good Luck Chuck) as Barry Goldberg, Hayley Orrantia (The X Factor) as Erica Goldberg, with George Segal (Just Shoot Me) as Pops Solomon and Jeff Garlin (Curb Your Enthusiasm) as Murray Goldberg.    

Na semana passada nós reclamamos que estava faltando assunto. Então o mundo resolveu nos dar o golpe da Kim Kardashian contra a Taylor Swift, Alexander Skarsgård promovendo "Tarzan" no Brasil e a nova maravilha da Netflix, "Stranger Things". Precisamos dizer o que achamos dessa série! Phelipe, Samir e Marina estão com Diego Bargas no #ElencoFixo par digerir toda essa informação. Marina conta como foi entrevistar o Lixandre e todos fazem um desabafo sobre socialização desnecessária no Uber. ASSINE O PODCAST NO ITUNES LINK > bit.ly/AssineWandaNoItunes RSS FEED DO MILKSHAKE LINK > bit.ly/RSSdoWANDA WANDA NO FACEBOOK: facebook.com/PodcastWanda WANDA NO TWITTER: @PodcastWanda ME AJUDA, WANDA! "Wander, sou puta por ir na sauna?" "Estou separando dois grandes amigos e não sei o que faço" Devolutiva Wanda: "Acho que meu BFF me tirou o boy" "Wanda, me ajuda a superar o meu amorzinho evangélico!" Estagiando na agência do pai com fodinha no banheiro. "Meu amigo de infância quer largar o casamento para ficar comigo" LOTUS Racistas ofendendo Leslie Jones Melania Trump copiando discurso da Michele Obama Passageiros de Uber Pool querendo socializar Dificuldades de pronúncia no inglês Justin Bieber recusando presente e abraço MERYL "Stranger Things" Channel 4 com campanha da Paraolimpíadas O novo filme do Tarzan INTERESSANTENEY APP: Prisma (iOS) FILMOGRAFIA: Winona Ryder FILME: "Goonies" SÉRIE: "Black-Ish" MÚSICAS "Single Ladies" - Beyoncé "You Belong With Me" - Taylor Swift "Judas" - Lady Gaga "The Goonies 'R' Good Enough" - Cyndi Lauper "Oh, Pretty Woman" - Roy Orbison Podcast #98 apresentado por: TWITTER / INSTAGRAM @phelipecruz @santahelena @samsworld @diegobargas SNAPCHAT papelpop marinastahelena samirduarte Quer ter seu caso lido em nosso podcast? Mande um desabafo, uma rapidinha, ou pergunte curiosidades para o e-mail redacao@papelpop.com. Coloque qualquer coisa com "Wanda" no assunto! ASSINE O PODCAST NO ITUNES (E, se curtiu, avalie a gente!) LINK > bit.ly/AssineWandaNoItunes RSS FEED DO MILKSHAKE LINK > bit.ly/RSSdoWANDA Toda semana um episódio novo: Às quintas-feiras, às 13h17, no papelpop.com e também no blog dontskip.com

Episode 139 - I just want to open your eyes and make you realize… a new episode of Taylor Talk is out! In Episode 139 of Taylor Talk: The Taylor Swift Podcast, your hosts discuss “Invisible,” Taylor’s beautiful ballad of unrequited love. We also talk about cooking with Barefoot Contessa, Taylor’s new kitten, and touch on Ed Sheeran’s new album. Enjoy the episode! Highlights from Episode 139 of Taylor Talk: The Taylor Swift Podcast Main Discussion – “Invisible” Song Analysis: - We flash back to a song from Taylor’s high school days, “Invisible.” - Steve calls this song the first draft of “You Belong With Me.” - We debate who or what exactly is invisible in this song. - Adam never fails to find a way to relate Harry Potter to Taylor Swift! - How does the fact that Taylor wrote this song with a co-writer change the song? - We wonder why this song was a bonus track rather than being on the original album. Other Topics: - Taylor Swift says she won’t hang out with boys who are on a diet… just so you know. - There’s a new kitty in Taylor’s life: Olivia Benson! Does this mean she’s a cat lady now? - Be sure to vote for Taylor in the Teen Choice Awards. - You know you’re a Swifty when you name your hermit crab “Swift!” - MASSIVE end of tour sale going on at the Taylor Swift Online Store! Get it while it’s hot and RED! - Swifties are listening to Ed Sheeran’s new album “X”

ACM voting is officially open! Make sure to vote for Taylor for Entertainer of the Year! You can also vote for her for the Kids Choice Awards, iHeartRadio Awards, and Radio Disney Awards. Taylor has been out and about in New York City this past week, most notably when she visited the Sloan Kettering children's hospital for 4 and a half hours last weekend. She was also spotted at Sephora and Blick Art Supplies, where we assume she bought the watercolor paints for her beautiful paintings! The first official trailer for The Giver movie is out. Taylor is a brunette in it. Don't blink or you'll miss her! Congratulations to You Belong With Me for passing 300 million view on YouTube! WOW! For our main discussion, we sit down for a special interview with Liz Grammaticas, the artist behind the upcoming "Who's Taylor Swift Anyway?" art show in Brooklyn. She tells us all about what inspired her to start creating paintings of Taylor, and about all the other amazing artists contributing Taylor related things to the gallery. Any of our east coast listeners should definitely check out this art show in person! Follow her at @LizGrammaticas or go to FowlerProjectSpace.org for more information. Giveaway announcement, lots of Swiftie problems, and more! Please hit the subscribe button on iTunes to get our episodes automatically downloaded for free each week! Tweet us at @swiftcast13 or email us at theswiftcast13@gmail.com to let us know what you thought of this episode of Swiftcast.

Episode 126 - Can’t you see Taylor Talk are the ones who understand you? We are big Swifties like you, and this week, we’re analyzing the Taylor Swift classic “You Belong With Me.” Listen up in Episode 126 of Taylor Talk: The Taylor Swift Podcast as your hosts discuss the lyrics, tour performances, and more of “You Belong With Me.” Enjoy! Highlights from Episode 126 of Taylor Talk: The Taylor Swift Podcast Main Discussion: “You Belong With Me” Song Analysis: - Fun fact: One of Taylor’s bandmates inspired the first line of the song - Is this song autobiographical or fiction? Debate! It could be about Drew from “Teardrops on my Guitar” - Diane’s “You Belong With Me” Youtube parody is the reason Adam is friends with her. - Fearless, Speak Now or RED — what’s your favorite performance of “You Belong With Me” ever? Other Topics: - The Fowler Project Space is holding a special Taylor Swift art exhibit in New York - Voting for ACM EnterTAYner of the Year begins March 24th. Get voting! - If Swifties Ruled the World, everyone would have a musical or baking ability. Sounds delicious! - What are Swifties listening to? “Saturday” by Ed Sheeran

Episode 116 - Everyone has that one Taylor Swift song that grabbed them and made them a Swifty. In Episode 116 of Taylor Talk: The Taylor Swift Podcast, we discuss which songs on each album made Taylor Swift the superstar she is today. And since Taylor's a superstar, it's surprising that she does not yet have a star on the Hollywood Walk of Fame. But did you know that fans can nominate celebrities to receive a star? Swifties should nominated Taylor! Let us know if you'd be willing to help nominate Taylor Swift to get a star on the Hollywood Walk of Fame. Happy listening! Highlights from Episode 116 of Taylor Talk: The Taylor Swift Podcast: - We are combining our mid-week episode and our Monday shows into one awesome show per week!  - Which song off RED helped Taylor acquire more Swifties? Let us know your thoughts! - We discuss whether or not moving into the pop genre helped Taylor grow in popularity. - Fun Fact: "The Story of Us" was the song that made Adam a Swifty. - "Love Story" and "You Belong With Me" may be the all-time Swift classics. - A listener listens while she's working out! We're so happy Taylor Talk can help keep you healthy. - Do you think Taylor will receive a star on the Hollywood Walk of Fame?  - Fun Fact: Only 20 people are chosen per year to get a star on the Hollywood Walk of Fame.  - So... who wants to get Taylor Swift a star on the Hollywood Walk of Fame? It would be the coolest gift ever!

A very academic episode in which we ponder whether cheerleaders feel pain, party with Jesus and indulge our kleptomania. - We confuse George Orwell’s Animal Farm and the frat house comedy Animal House. - We analyse the lyrics of Taylor Swift’s ‘You Belong With Me’ and ponder if cheerleaders feel pain. - We list the reason’s why Jesus is the life of the party and great at limbo. - Ben relives his deadbeat dad gold rush experience and steals a lot of fake money. - Gross kinder kids scar Ben for life from eating pre-prepared fruit. - Stealing food has become Vicki’s ‘thing.’ - We play a round of High School Guess Who. - We’re getting too cocky as a civilization if we’re spending our efforts on the Titantic II and bobble heads. - We examine our high school yearbook and get voted ‘most likely to not effect society in any meaningful way’. - We discuss schoolyard crushes and the differences between a man and a guy.

A very academic episode in which we ponder whether cheerleaders feel pain, party with Jesus and indulge our kleptomania. - We confuse George Orwell’s Animal Farm and the frat house comedy Animal House. - We analyse the lyrics of Taylor Swift’s ‘You Belong With Me’ and ponder if cheerleaders feel pain. - We list the reason’s why Jesus is the life of the party and great at limbo. - Ben relives his deadbeat dad gold rush experience and steals a lot of fake money. - Gross kinder kids scar Ben for life from eating pre-prepared fruit. - Stealing food has become Vicki’s ‘thing.’ - We play a round of High School Guess Who. - We’re getting too cocky as a civilization if we’re spending our efforts on the Titantic II and bobble heads. - We examine our high school yearbook and get voted ‘most likely to not effect society in any meaningful way’. - We discuss schoolyard crushes and the differences between a man and a guy.

It’s a special day for songwriters when their hard work pays off with a number one hit.  Liz Rose Co-wrote ‘You Belong With Me’ with teen sensation Taylor Swift, and it didn’t take long for that song to reach the top of the charts.  Kelly Lynn was there to celebrate.

Inspired by the latest bout of taylurking, your hosts discuss Taylor Swift's unique relationship to her fans - featuring a special guest interview! - before taking it back to the Fearless era with a look at all the drama behind her seminal hit “You Belong With Me.”