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Remember the "American Dream" with the white picket fence and 2.5 kids? Yeah, us too... kinda. This week, we're dusting off those old notions and comparing them to the reality of today's hustle – where your side gig might just be your main gig. Join the chaos as we hilariously unpack how our views on the "American Dream" have been hilariously warped by time, student loans, and the sheer audacity of trying to afford avocado toast. We'll share our past illusions, our present struggles, and maybe, just maybe, stumble upon the secret sauce (spoiler alert: it probably involves more than just hard work). Intro: Beatstore: https://beatsbyhottize.com/Outro:ASCAP Publishing Co. = The Council Productions
Send us a textIn this episode of Soul of Travel, Season 6: Women's Wisdom + Mindful Travel, presented by @journeywoman_original, Soul of Travel listener and guest Tara Busch would like to share her favorite conversation with Lydia Dean of Go Philanthropic.At twenty-nine, Lydia Dean left Florida with her husband John and young children for a life-changing global journey, eventually settling in Provence, France. Her humanitarian work took her through India, Asia, and Latin America, leading to the creation of GoPhilanthropic Travel and GoPhilanthropic Foundation, connecting travelers with grassroots changemakers worldwide. Her two memoirs, Jumping the Picket Fence and Light through the Cracks, chronicle her experiences from living in Provence to working with human trafficking survivors in Nepal and India. Today, she and John run Only Provence and Provence Life while continuing their philanthropic work.Christine and Lydia discuss:· Why we seek powerful travel experiences· How to give back in the most beneficial way while we travel· The possibility that the most powerful parts of the Journey may be before and after we travel· Truth, vulnerability, and connection for powerful changeJoin Tara and Christine for this soulful replay with Lydia Dean.
In this powerful episode, I sit down with Brenda Yoder as she shares her deeply personal journey of overcoming food addiction, battling reactionary emotions, and learning to live authentically. Brenda opens up about her struggles with anorexia and bulimia, how she found healing through her faith, and the transformative moment when she realized she needed to break the cycle for her daughter's sake.We also discuss:✨ The importance of recognizing unhealthy coping mechanisms✨ How 1 Corinthians 10:23 & 10:13 shaped her journey to freedom✨ Learning to regulate emotions instead of reacting✨ Finding healing through faith and intentional choices✨ The power of authenticity, humility, and setting boundariesBrenda also shares insights from her book, Uncomplicated: Simple Secrets for a Compelling Life, specifically her chapter on humility and authenticity. We talk about the challenge of being genuine in a world that often rewards curated images and highlight reels. How do we balance what we share? How do we stay true to who we are, whether we're in public or behind closed doors? Brenda gives practical wisdom on how to set healthy boundaries while remaining real and relatable.If you've ever struggled with addiction, unhealthy habits, or the tension between transparency and privacy, this conversation will encourage you to seek God's freedom and take steps toward healing. Bio:Brenda L. Yoder, LMHC, is a counselor, speaker, author, and educator. She is the author of Uncomplicated: Simple Secrets for a Compelling Life; and Fledge: Launching Your Kids without Losing Your Mind. She's the cohost of the Midlife Moms Podcast and Facebook community. She also hosts and writes the Life Beyond the Picket Fence podcast and blog, covering a variety of topics on faith, life, and family beyond the storybook image.Brenda writes for Guideposts, Mornings with Jesus, and has been featured in: The Washington Post, Publisher's Weekly, Chicken Soup for the Soul, Every Woman's Bible, For the Family, and For Every MomAs a teacher, Brenda twice received the Touchstone Award for teachers. Brenda is currently a part-time elementary counselor and therapist in private practice. She and her husband, Ron, are parents to four adult children and two daughters-in-law and grandparents to three grandsons with whom they love creating new memories. Brenda and Ron live on a farm in Shipshewana, Indiana, where she loves gardening and spending evenings sitting on her front porch rocker.Anchor Verse:1 Corinthians 10: 131 Corinthians 10: 23Connect with Brenda:Website: https://brendayoder.comEmail: brenda@brendayoder.com Instagram: https://www.instagram.com/brendayoderspeaksFB: https://www.facebook.com/brendayoderspeakerLinktree: https://linktr.ee/brendayoderspeaks***We're thrilled to hear from our listeners! Sharing your thoughts through reviews is a fantastic way to become part of our podcast community and contribute to the conversation. If you've enjoyed our podcast, leaving a review is a quick and easy process. Simply head to Apple Podcasts or wherever you're listening and share your feedback. Your input makes a significant difference!***
This is a book about empowerment. It's about finding yourself within the rubble. -Sarah Elizabeth Sarah grew up on a dirt road in rural Maine in a farmhouse built in 1770…an idyllic childhood until it completely disappeared when her parents divorced when she was in high school and her family as she knew it, fell apart. “ As a young woman, the image of the white picket fence became a mission for me. I was convinced that I could build a life of control and stability.” Sarah and her husband were both products of divorce, and were determined not to allow what happened to them happen to their children: “ Our marriage didn't work, but our family very much does.” Sarah found herself saying yes to everything and only feeling valuable when she said yes to others. It's one thing to write a book, it's another thing to put it out there for the world to read. The biggest source of joy is hearing from women who have read the book. Women and men have said that they felt like they are no longer alone on their own journeys. A divorce is the death of a family. Originally, Sarah wanted to be an “author, an architect and a world traveler” but after her parent's divorce, when her world was upside down, she decided to become an accountant. A safe step, a solid future. Once she started writing this book, “the words poured out of me” I think motherhood broke me…in the most beautiful way. When you have children, you realize how NOT in control of your life you are. Sarah would tell her younger self “just slow down. It will be okay. “
EPISODE #1161 THE ALIEN ALMANAC Richard welcomes award-winning filmmaker and UFO researcher Craig Campobasso to discuss his groundbreaking new documentary, The Extraterrestrial Species Almanac. Based on his acclaimed book, this visually stunning film delves into 82 documented alien species—Greys, Reptilians, Nordics, and more—featuring never-before-seen photographs, cutting-edge CGI, and firsthand accounts from those who claim contact. Campobasso reveals the meticulous research and intricate storytelling behind bringing extraterrestrial entities to life on screen. He shares astonishing revelations from experiencers, human-alien hybrids, and experts who challenge everything we think we know about our place in the universe. What do these beings want? How do they interact with humanity? And why is this information being hidden? GUEST: Craig Campobasso is an Emmy-nominated casting director, award-winning filmmaker, and acclaimed UFO researcher. With over 100 film and TV projects to his credit, he has worked on Dune, Total Recall, and Picket Fences, but his true passion lies in exploring the unknown. A leading voice in extraterrestrial research, he is the author of The Extraterrestrial Species Almanac and its accompanying documentary, bringing 82 alien species to life through stunning visuals and firsthand testimonies. Featured on Ancient Aliens, Coast to Coast AM, and Gaia TV, Campobasso is a master storyteller bridging Hollywood and the cosmos. WEBSITE: https://www.autobiographyofanet.com BOOKS: The Extraterrestrial Species Almanac: The Ultimate Guide to Greys, Reptilians, Hybrids, and Nordics The UFO Hotspot Compendium: All the Places To Visit Before You Die or Are Abducted The Autobiography of an ExtraTerrrestrial Saga book series DOCUMENTARY: The Extraterrestrial Species Almanac: THE DOCUMENTARY Rent Documentary here: https://vimeo.com/ondemand/etspeciesalmanacdoc Purchase Documentary DVD copy here: https://www.autobiographyofanet.com/other-books SUPPORT OUR SPONSORS!!! HIMS - Making Healthy and Happy Easy to Achieve Sexual Health, Hair Loss, Mental Health, Weight Management START YOUR FREE ONLINE VISIT TODAY - HIMS dot com slash STRANGE https://www.HIMS.com/strange SHIP STICKS Skip airport stress and costly airline fees with complimentary insurance, real-time tracking, dedicated support, and on-time delivery. ShipSticks is offering our listeners 20% off your first shipment when you go to Shipskicks.com and use the code STRANGE. Go to https://www.shipsticks.com and use the code STRANGE to get 20% off your first shipment and save yourself the hassle this ski season. That's S-H-I-P-S-T-I-C-K-S.com. Make sure you use the code STRANGE so they know we sent you. BECOME A PREMIUM SUBSCRIBER!!! https://strangeplanet.supportingcast.fm Three monthly subscriptions to choose from. Commercial Free Listening, Bonus Episodes and a Subscription to my monthly newsletter, InnerSanctum. We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. By using our website and services, you agree to our use of cookies as described in our Cookie Policy. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://strangeplanet.supportingcast.fm/
Craig Campobasso is a casting director and award-winning filmmaker. He has been casting film and television for over three decades, and was Emmy-nominated for casting David E. Kelly's Picket Fences. He recently cast "Don't Come Back from the Moon," starring James Franco and Rashida Jones, the film Starbright, and the television series "The Adventures of Velvet Prozak." Craig directed, wrote and produced the short film "Stranger at the Pentagon," which was adapted from the popular UFO book authored by the late Dr. Frank E. Stranges. It won Best Sci-Fi film at the Burbank International Film Festival and the Worldfest Houston International Film Festival. He is also the author of "The Autobiography of an ExtraTerrestrial Saga" book trilogy.Website(s):autobiographyofanet.comstrangeratthepentagon.comcraigcampobasso.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-x-zone-radio-tv-show--1078348/support.
In this bonus episode, I reflect on a powerful conversation with Barb Higgins, who has faced numerous life challenges, including the tragic loss of her daughter. Barb's journey is a testament to resilience and finding meaning in grief. She emphasizes that while our experiences shape us, they do not solely define us. She shares how she maintains her joyful spirit despite the hardships, even describing herself as a "wrinkly kid" at heart. This is my little episode to convince you to listen to Barb's full story on The Life Shift - https://www.thelifeshiftpodcast.com/s3e159.Takeaways:Life experiences, even traumatic ones, can shape us without solely defining our identities. Barb's story illustrates the power of authentic storytelling in connecting with others. Embracing both joy and sorrow allows us to live more fully despite past traumas. The significance of community and support in overcoming life's toughest moments is paramount. This podcast uses the following third-party services for analysis: Podcorn - https://podcorn.com/privacy
Barb Higgins shares a deeply moving and raw story about the loss of her daughter, Molly, an experience that transformed her life in unimaginable ways. The conversation explores the complexities of grief, addiction, and the journey toward healing after such a profound loss. Barb candidly discusses her struggles with substance use as a coping mechanism and how she navigated the tumultuous emotions that followed Molly's death. As she reflects on her experiences, Barb emphasizes the importance of allowing oneself to feel and process pain without judgment. The episode concludes with a message of hope and resilience, highlighting that even in the darkest moments, there are pathways to new beginnings and personal growth.Takeaways: Life is a balance of joy and sorrow, and both can coexist simultaneously. Straddling life's challenges can feel like being on a picket fence, with highs and lows. The journey through grief can lead to unexpected paths and new beginnings. Coping mechanisms, even unhealthy ones, emerge as we try to handle trauma. The importance of sharing stories lies in connecting with others who have similar experiences. Transformation often arises from our darkest moments, leading us to new perspectives. Barb Higgins is a dedicated educator, coach, and author committed to inspiring others through her personal experiences. Her journey from overcoming childhood trauma to becoming a published author highlights her resilience and passion for personal growth. Barb's work in education and athletics continues to empower individuals to pursue their own paths of healing and transformation.Connect with Barb Higgins:www.athousandtinysteps.comwww.mollybfoundation.orgResources: To listen in on more conversations about pivotal moments that changed lives forever, subscribe to "The Life Shift" on Apple Podcasts or wherever you listen to podcasts. If you enjoyed this episode, please take a moment to rate the show 5 stars and leave a review! ⭐️⭐️⭐️⭐️⭐️Access ad-free episodes released two days early and bonus episodes with past guests through Patreon.https://patreon.com/thelifeshiftpodcastConnect with me:Instagram: www.instagram.com/thelifeshiftpodcastFacebook: www.facebook.com/thelifeshiftpodcastYouTube: https://bit.ly/thelifeshift_youtubeTwitter: www.twitter.com/thelifeshiftpodLinkedIn: https://www.linkedin.com/company/thelifeshiftpodcastWebsite: www.thelifeshiftpodcast.comThis podcast uses the following third-party services for analysis: Podcorn - https://podcorn.com/privacy
If you've ever wished you could make life less complicated, you're going to love my guest on today's podcast. Brenda Yoder is here with me talking about contentment - what it is, how to cultivate it and what is keeping you from feeling satisfied with your life.You'll Learn:Why there is more discontent in our current society that in past generationsHow contentment and happiness are different from each otherCommon challenges to feeling content7 strategies for bringing more contentment into your lifeThe exercise I used to create more contentment in my marriageMy invitation to you today, Mama, is to chase contentment. Choose it. Figure out how to bring more of it into each moment. You're already good enough.-------------------------------My guest, Brenda Yoder, is a licensed mental health counselor, school counselor, speaker and educator. She is also the author of Uncomplicated: Simple Secrets for a Compelling Life; and Fledge: Launching Your Kids without Losing Your Mind.She's the cohost of the Midlife Moms Podcast and Facebook community. She also hosts and writes the Life Beyond the Picket Fence podcast and blog, covering a variety of topics on faith, life, and family beyond the storybook image. Uncomplicating Your LifeBrenda lives in a small Amish-Mennonite community, and sees how tourists flock there because there is something in that lifestyle that they want in their own lives.How many of us watch Hallmark movies at the holidays and long for those quaint towns and communities? We're drawn to the uncomplicated, less chaotic, less busy way of life. Visitors to Brenda's town think they would have to be Amish in order to have that simplicity and satisfaction. But contentment isn't about where you live or what you have or don't have. It's more internal - how you view the world and what you value. As a working mom to 4 kids and now a grandma to 3 little ones, Brenda understands that there's more to an uncomplicated life than just “slowing down”. She says, “It really is a sense of values clarification.” Clarifying our values, modeling them and seeing them lived out is not as common as it was in previous generations. Instead, we're inundated by technology, social media and other distractions.In Brenda's book, Uncomplicated, she outlines ten virtues, mindsets and behaviors for an uncomplicated life: resourcefulness, practicality, fidelity, equanimity & forbearance, stewardship, interdependence, being grounded and humble, foresight prudence and, of course, contentment. A Culture of DiscontentBrenda defines discontentment as “that one thing that's always out of your reach.” Maybe it's always looking to a new goal or experience as soon as you achieve something. As a parent, you might find yourself constantly looking ahead to the next stage, wishing for your kid to have better grades or better behavior. When you are discontent, you'll always be looking at what's out of reach, rather than seeing what you already have that can fill you up. You take things for granted, and nothing ever seems to be enough.Finding contentment comes back to asking yourself, “What if today is as good as it gets?” Can you be content and satisfied with what is here? Brenda explains that many people confuse contentment with happiness, but they are not the same. She says, “Contentment is a sense of ‘I am full, and I don't need more'.”In helping moms raise emotionally healthy kids, contentment is huge. We don't want our kids to grow up and be people who are chronically dissatisfied with their life. Our kids pick up on what we model and how we view our lives. Obstacles to ContentmentMany aspects of...
Join Justin as he chats with actor and producer Justin Shenkarow about the legacy of the cult-classic TV series Eerie, Indiana, navigating his childhood as a celebrity, Hey Arnold!, and more!Justin Shenkarow bio:“Justin Shenkarow is an American actor, producer, director and writer, best known for his roles of Matthew Brock in Picket Fences, Simon Holmes in Eerie, Indiana, and the voice of Harold Berman from the Nickelodeon animated series, Hey Arnold!”Monsters, Madness and Magic Official Website. Monsters, Madness and Magic on Linktree.Monsters, Madness and Magic on Instagram.Monsters, Madness and Magic on Facebook.Monsters, Madness and Magic on Twitter.Monsters, Madness and Magic on YouTube.
Join us as we sit down with Nicole Petersen, the founder of Picket Fence Studio, a family-owned business built from a passion for creativity and community. Nicole, a former teacher, shares her inspiring journey from the classroom to the crafting world and how she transformed her love for crafting into a thriving family-run company. In this podcast, we dive into the heart of Picket Fence Studio, exploring their unique designs, the importance of family values in business, and what it means to create something meaningful together. Get inspired by Nicole's story of entrepreneurship, creativity, and family dedication!Check out Artistry by Altenew website:Artistry by Altenew | Watercolor, Markers, & Art Supplies – ArtistrybyAltenewInstagram: https://www.instagram.com/artistrybyaltenew/Facebook: https://www.facebook.com/Artistry-by-Altenew-102472322591073YouTube: https://www.youtube.com/channel/UCCY0ifFqCq6irkxFZeQGrXgPinterest: https://www.pinterest.es/artistrybyaltenew/Craft your life with Altenew! Follow us for more design inspiration:Instagram: https://www.instagram.com/altenewllc/Facebook: https://www.facebook.com/altenewYouTube: https://www.youtube.com/altenewPinterest: https://www.pinterest.com/altenew/Card blog: https://www.blog.altenew.comScrapbook blog: https://www.mixedmedia.altenew.comVisit https://www.altenew.com to shop for your crafting stash.Contact our Customer Happiness Team at support@altenew.com if you have any questions.
pWotD Episode 2687: James Earl Jones Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 1,070,030 views on Monday, 9 September 2024 our article of the day is James Earl Jones.James Earl Jones (January 17, 1931 – September 9, 2024) was an American actor known for his film roles and for his work in theatre. Jones has been described as "one of America's most distinguished and versatile" actors for his performances on stage and screen. He has also been called "one of the greatest actors in American history". He was inducted into the American Theater Hall of Fame in 1985. He was honoured with the National Medal of Arts in 1992, the Kennedy Center Honor in 2002, the Screen Actors Guild Life Achievement Award in 2009, and the Honorary Academy Award in 2011.Born in Arkabutla, Mississippi in 1931, he had a stutter since childhood. Jones said that poetry and acting helped him overcome the challenges of his disability. A pre-med major in college, he served in the United States Army during the Korean War before pursuing a career in acting. His deep voice was praised as a "stirring basso profondo that has lent gravel and gravitas" to his projects. Jones made his Broadway debut in 1957 in Sunrise at Campobello (1957). He gained prominence for acting in numerous productions with Shakespeare in the Park including Othello, Hamlet, Coriolanus, and King Lear. Jones worked steadily in theatre, winning the Tony Award for Best Actor in a Play for his role as a boxer in The Great White Hope (1968), which he reprised in the 1970 film adaptation, earning him Academy Award and Golden Globe nominations.Jones won his second Tony Award for Best Actor in a Play for his role as a working class father in August Wilson's Fences (1987). He was a Tony award nominee for his roles as the husband in Ernest Thompson's On Golden Pond (2005) about an ageing couple, and as a former president in the Gore Vidal play The Best Man (2012). His other Broadway performances included Cat on a Hot Tin Roof (2008), Driving Miss Daisy (2010–2011), You Can't Take It with You (2014), and The Gin Game (2015–2016). He received a Special Tony Award for Lifetime Achievement in 2017.Jones made his film debut in Stanley Kubrick's Dr. Strangelove (1964). He received a Golden Globe Award nomination for Claudine (1974). Jones gained international fame for his voice role as Darth Vader in the Star Wars franchise, beginning with the original 1977 film. Jones' other notable roles include parts in Conan the Barbarian (1982), Matewan (1987), Coming to America (1988), Field of Dreams (1989), The Hunt for Red October (1990), The Sandlot (1993), and The Lion King (1994). Jones reprised his roles in Star Wars media, The Lion King (2019), and Coming 2 America (2021). On television, Jones won two Primetime Emmy Awards for his roles in TNT thriller film Heat Wave (1990) and the crime series Gabriel's Fire (1991). He was Emmy-nominated for East Side West Side (1963), By Dawn's Early Light (1990), Picket Fences (1994), Under One Roof (1995), Frasier (1997), and Everwood (2004). He also acted in Roots (1977), Jesus of Nazareth (1977), and Homicide: Life on the Street (1997).This recording reflects the Wikipedia text as of 08:28 UTC on Tuesday, 10 September 2024.For the full current version of the article, see James Earl Jones on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Gregory.
In Episode 10, Jay Webb talks culture shock, breakdancing, graffiti, rapping, MC'ing, his music career and accomplishments, and The Gem City Letdown .
jD and Brian Glaser get together this week on the Pavement Top 50 Countdown. They of course discuss Brian's Pavement origin story and then they reveal and talk about track 23 on the countdown.Transcript: Track 1:[0:00] Previously on the Pavement Top 50.Track 2:[0:02] A stone-cold classic. This is the eighth song on our list from Pavement's penultimate album, Bright in the Corners. At 24, it's in. Jamie, what are your initial thoughts about this song? I think I remember really liking it kind of when I, you know, when you buy Bright in the Corners, you put it on, you go through the album, and it feels like a sensible, good closing song. The name kind of gives it away.Track 1:[0:30] Hey, this is Westy from the Rock and Roll Band, Pavement, and you're listening to The Countdown.Track 3:[0:38] Hey, it's JD here, back for another episode of our Top 50 Countdown for Seminole Indie Rock Band, Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own Top 20 ballads. I then tabulated the result, choosing an abacus and a woman named Helen, who frankly looked kind of lost. How will your favorite song fare in the rankings? You'll need to tune in to find out. So there's that. This week we're joined by Pavement superfan, Brian from New Jersey. Brian, how are you doing, motherfucker? I'm doing alright. How are things in Canada? Things are just dynamite. the sky is bright blue the clouds are nice and fluffy it's sunny you know i'll take sunny even if it's a little bit below zero just uh rather than that gray shit that just you know ruins everything yeah how about you everything's great here yeah it's you know it's uh it's the weekend just getting to hang out i'm getting to talk about pavement yeah that's pretty good right, Well, let's do that then. Let's get your Pavement Origins story.Track 3:[1:52] So my Pavement Origins story, I feel like it is the most down-the-middle, ordinary one. But it's also, from listening to your podcast, it's essentially the inverse of yours. Okay. So I was a college radio DJ in the early 90s. And our college radio station, the music director, would call us into his dorm like once a week or once every other week uh all the djs would come in and he would have all of the recent releases and we would hit play and just see what was happening and what we might want to play on our radio shows and stuff like that and i remember.Track 3:[2:32] Slanted and enchanted dropping into this gathering and you know he hits play on summer babe um and And it was amazing. You know, I'm also, I'm a drummer, so I'm listening to this. And this great song, one of the hooks is the hi-hats. Yeah, that hi-hat wiggle or whatever you want to call it. What do you call that? I don't know. Wiggles as good as anything. But like, think of another song where like part of the hook is, you know, a little hi-hat flourish. So that blew my mind. And then, you know, Trigger Cut comes right after that. So I went from never hearing of this band to, you know, I'm in my, I'm probably like 19, sitting in a college dorm, listening to Slanted and Enchanted, and I am a billion percent in. Like, it's everything I like.Track 3:[3:30] It's everything I love. So, I was then just like, I was there for each record coming out, and I bought them as they came out. And I went to see the Crooked Rain tour, and I saw them on Lollapalooza, and I saw the Brighton the Corners tour. And I think by the time Bright in the Corners came out, I was a music journalist in Philadelphia. And I'm pretty sure I wrote a review of Bright in the Corners for somewhere.Track 3:[4:03] I bought Terror Twilight. So I bought all of them when they came out. I did not see – I missed the Terror Twilight show. I went to the other night of the matador anniversary show because the other one was headlined by Yola Tango and they're my number one I don't miss them uh and a buddy of mine went to the other one said that the pavement show that was when he had like the uh Malcolm has had the handcuffs dangling off of his microphone stand to show his displeasure um Um, And then, you know, after that, it just, it went from being a present tense thing to pavement went into past tense and I bought the reissues when they came out. Um, but I wasn't, when they got back together and we're playing in central park, I think my son had just been born. So I didn't go see that, but they were really just kind of a past tense thing for me. And then kind of two additional things happened. The first was the pandemic.Track 3:[5:16] And just because of the kind of music guy I am, when we got sent home to work remotely, I listen to music when I work from home and I like to set little projects or parameters for myself to make it interesting. I'll be like, today I'm only going to listen to songs that this drummer is on or whatever I'm going to do. Oh, cool. And since I thought we were just going home for like a month or two, I was like, I'm only going to listen to stuff I have on vinyl. No CDs, no streaming. It's just going to be vinyl. It'll make me stand up every 20 minutes and, you know, it'll just be like a fun little parameter because I have a bunch of vinyl, but it's not the biggest part of my collection. And the only pavement I had on vinyl, I had this extra live LP that Matador sold along with the Bright in the Corner, Nicene Creed's reissue.Track 3:[6:20] It's okay. But I also had Terror Twilight, which I had listened to. I bought it on vinyl, I listened to it, and I was like, eh, there's no spiral songs on here. It feels kind of clean. It just didn't connect. But by that time, I was listening to your podcast, and this was the only one that under my rules I could really listen to. So i listened to the shit out of terror twilight you know in 2020 so it had you know it'd been out and somewhere in the back of my head for a while but i really engaged with it um and so now i'm like all in on terror twilight all these years later and you know then they came back for their latter-day reunion shows. And my buddy and I turned 50 as they rolled into Brooklyn. And so we're like, and he lives not far from King's Theater, so we're like, we're going. And we went to one of the King's Theater nights in Brooklyn. And this is like the fourth or fifth time I've seen them. And, and, Suddenly, this was the best I'd ever seen them play.Track 3:[7:33] This is what I'm hearing. This is what I'm hearing about 2022. It was amazing. I guess I would describe when I went to those shows during the initial run, everyone was playing their parts as best they could, which was very good, but they were all just kind of doing their part of the band. Yeah. On this tour, they were together. I thought so, too.Track 3:[8:26] Enchanted in college when it came out. and we're looking at each other like we couldn't believe that this was the best pavement show we'd ever seen that's amazing it just didn't seem possible um right you know because that's not what reunion tours are for no not typically um and then i'll just add you know as part of my origin story it's been it's made me have a different extension of my origin story listening to you and the other people you have on the podcast who generally seem to have come in around Terror Twilight or even after the initial run.Track 3:[9:05] This may sound pretentious or silly or whatever you want to say, but it felt like you're not as invested in the narrative that popped up around Pavement in that initial run and that every record that came out was colored by the Pavement story. Does that make sense? Yeah, I think so. You know, because I think, especially with like Wowie Zowie Bright in the Corners and Terror Twilight, when those came out, They were part of like a reaction to what had happened the year before with them. And it was hard to listen to those just sort of on their own merits because you were listening to them as part of the narrative.Track 3:[9:50] And it's fun, like getting the chance to listen to them, not like that, sort of inspired by the way you're hearing them and your experience with them and the other people that you talk to. And it's really, it's changed my relationship with a lot of the records and a lot of the songs. Oh, wow. Do you have a specific example of a song? Well, I think I'll give an album example instead. The narrative of Bright in the Corners when it came out was, A, they got the shit back together after the wowie-zowie being all over the place. And also, everyone, maybe especially people who are music journalists, were very into the R.E.M. Connection because of the production. So I was sort of talking myself into hearing REM in that record, you know, because I'd heard Unseen Power, The Picket Fence, and I knew that they had REM's producers and all that. So I was like, I listened to it as their REM record. I've never thought of that. That's great. Yeah. Great. Well, and now I can just listen to it as, you know, here's some amazing Spiral Stairs songs and here's the band really playing together. Like that one might be the closest to how they're sounding now.Track 3:[11:18] That's a good call. Yeah. Yeah, I think so. So yeah, so that's an example of how it's changed here, getting out of the narrative. I'll also say something that colored my initial run through Pavement, and I don't think I've heard you talk about this before, is when they were at their initial peak, they were this huge and overwhelming influence on like indie rock so like i remember i was at maxwell's the week that crooked rain coming out not seeing pavement but just another band with you know two distorted guitars and a slacky attitude or whatever and in between all their songs they They talked about Crooked Rain.Track 3:[12:08] That was their stage banter. It was so... Are you serious? Yeah. It was just when Pavement did something, this small but invested community talked about it. And I remember getting the CD to review from this band called Number One Cup that no one's ever heard of. They didn't last very long. I think they only put out like one or two records. And the first song on the album, I remember kind of digging it, but feeling like it felt really familiar. So I'm playing it a few times. And I realized you could sing the lyrics to Summer Babe to this song. And they were essentially just making Pavement songs. They were completely ripping them off. Well, I don't think they were ripping them off. I think they were influenced too heavily. That's so nice. But that's the thing is like Pavement was this huge influence because-Track 3:[13:17] A lot of the other things happening at that time were, strangely enough, when you go back and listen to the Pavement catalog, was a lot noisier than Pavement.Track 3:[13:29] Archers of Loaf, Sonic Youth, Super Chunk, all that stuff, those are louder and punkier than Pavement for the most part. I'm not saying Pavement had a clean sound or anything like that. No, but Crooked Rain is pretty straightforward, you know, and then, like you said a moment ago, Bright in the Corners is, I don't understand how that didn't sell a jillion copies, you know? I know. It's such a good record. Not that the other ones aren't, but it's like mainstream good. Yeah i i mean i think my if i'm putting my critic hat on i think the answer to that is they chose the wrong single um stereo is a weird single right um i don't think anyone hearing that would be like get that right on the radio and you know this is my new pop thrill here right maybe start with shady lane yeah uh start with shady lane something like something like that, could have done it, but also I mean, honestly, cut your hair was a fluke, and I think it created this idea that Pavement could have hit singles, and maybe that just wasn't true.Track 3:[14:50] That's fair. Do you think it's true? Do you think they could have been a hit singles band?Track 3:[14:59] There's just some song every once in a while you hear it's not like father to a sister of thought um like i can see that being in like, like on a tv show like playing in the background near the end of the show and you know they're wrapping things up but no i suppose you're right few and far between there you know there's a There's a few that you can look at and say, okay, yeah, yeah, this has got the makeup of a mainstream hit song. But you're right, not many, because they were doing things that were very different than the mainstream. Very different. Yeah, and I remember going to the Lollapalooza when they were on the main stage. And you've seen the videos of people throwing mud at them and stuff like that. But part of the problem was that stage was just too big for them at that point. They can do it now, but I don't think they were ready for that.Track 3:[16:03] And you saw that show, you said, right? Not the one with the mud. I saw them in Camden, New Jersey on the Lollapalooza, you know, on that tour. And was it apparent there as well? Like it just. Yeah. Cause you know, I, I was sitting out on the lawn. It's, you know, it was touring those kinds of sheds where there's the seats up front and then a big lawn in the back and it's a summer day and you got your little pick a a mcbasket and your blanket and all that and it didn't really translate that far back in.Track 3:[16:35] A way that you know like cypress hill and sonic youth and even back who were on that tour like it translated into the bigger venue and they didn't wow that is wild stuff and i mean i don't mean that as a criticism no i think it's just you know it was the superpowers they had at the time it was you know it was more intimate um and it was you know again i don't think they had whatever it is that they've gathered up with age wisdom whatever you want to call it at this point where they can go out and you know jam on the hex or whatever for 10 minutes um and really make it work i don't think they had that in their arsenal yet no i suppose you're right.Track 3:[17:32] Yeah touring wasn't wasn't their strong strong point you know and yet it was fun and yet every show you saw or every every show that i've ever heard people talk about was amazing you know Because of the venue and because of the context and that good stuff. Yeah. And I mean, it could also be that part of their target audience is, you know, guys like me, guys like you who are, you know, ready to have that rush of emotion from, you know, from the experience that, you know, in our 20s or whatever was just kind of maybe we weren't mature enough for or open enough to. Yes. Yes. Well, should we flip the side here and talk about song number 23? Let's do it. Okay, we'll take a quick break and we'll be back with song number 23.Track 1:[18:35] Hey, this is Bob Mustanovich from Pavement. Thanks for listening. And now on with a countdown.Track 3:[21:47] Well, there it is on the Top 50 Countdown. Song number 23 is the Spiral Stairs Gem, Kennel District. Brian from New Jersey.Track 3:[21:59] Give me the goods. This is ridiculously underrated. I'm going to say this one's top five. Well, or I'll caveat that. Either this or Date with Ikea, which in my mind, they're kind of, they're like, fraternal twin songs um you gotta have a spiral song in the top five like the pavement founding documents say this is a band founded by sm and spiral stairs and if that top five is all, coming out of malchemist i think you've done something wrong you know and if you're gonna have a spiral song in the top five i i would do this one um it's it's amazing i mean it was It was a lot of fun on the reunion tour. Yes. And that's, you know, I remember the night I went to King's Theater, they did not play Summer Babe and they did not play Here, but they played Kennel District. And I remember having like my little list of songs in my head that I was going to be bummed if I walked out and they didn't play. And that was one of them. But they tore it up. It was like it was a highlight of the show. Wow. Yeah, that's great.Track 3:[23:17] And, you know, one of the things, you know, I mentioned earlier, I'm listening to this a little bit as a drummer. One of the things I hear in the song, and I'm curious if you hear this too, I think it's a Gary drum beat in this tune.Track 3:[23:34] Really? Yeah, it's got that little off-kilter stumble. It's not evenly distributed beats. It kind of lurches a little bit as it's going forward. I hear it as Westy playing a Gary beat rather than playing Westy style on this. You know, there's something to that, because in my conversations with Spiral, and then the tracks that ended up, I think, on the Nicene Creators edition, where it's just Gary and Spiral doing songs. Maybe it was around Terror of Twilight time, actually, where it was them doing songs. And, uh...Track 3:[24:30] You know scott's always had a a pretty big place in his heart for gary you know so i wonder if you know in in creating the song even he was like westy can you give me something garyish you know yeah that's interesting it's there and you know i think the other reason i i love the song is like even though this is you know halfway through the catalog in in wowie zowie i don't know I know that this would have been completely out of place on the early EPs. So it's got that overdriven driving guitar. It's got the Gary beat. It's got the distorted vocals, but then the sing-along or shout-along refrain that carries you out. Like, it's, you know, if you place this next to, you know, on the same seven inches debris slide, I don't think you'd be like, one of these was recorded many years later, and I can hear it so clearly. You know, I think they're akin. It's got a little bit more sheen, obviously. Yeah. Yeah, but it's like the ingredients and the style are classic pavement rather than ladder pavement or whatever you want to call it. Right, right.Track 3:[25:56] Yeah, I think if you have a beat on what it could be about. No, like this. Like any pavement song, too tough, right? Right. It's too tough. And this one is even like I was doing a little internet trolling for the lyrics. Like the internet doesn't even agree what these lyrics are. Oh, really? Yeah. I mean, I found, you know, especially the first line of the second verse, you know, I found the one I've got up on my screen right now says, I can't believe she's married to Roe, like fish egg Roe. I have too. And there's no way it's that. And I remember just in Googling a little, I found a couple other theories, but I find that hard to believe that's the lyric. Yeah, me too.Track 3:[26:53] Maybe that's why he's so incredulous. You can't believe it. Yeah, maybe. I also know that there's a lot of songwriters, and you've talked to Spiral a lot, so maybe he's given you some more insight into his process. But I know when you hear from a lot of songwriters, they talk about laying down the track first and just kind of putting some nonsense sounds or lyrics over it. And then some people will sit and write something very considered and serious when they go to do the lyrics. And then some people be like, oh, I almost said the word robe there. I guess I'll just stick with it. I wonder if that's what happened here.Track 3:[27:37] Yeah, because it's an interesting song because you're right. I don't quite know what it's about, but it makes me feel something. Because of the chorus. Um whatever you want to call it why didn't i ask why didn't i ask why didn't i ask and then going out there's something really like almost painful about that question you know like you really feel for the protagonists here like yeah what the fuck man why didn't you ask and what were you asking about and why is it important to you and all the rest but at the very least can Can you answer me the question? Why didn't you ask? Right. And then the delivery with the guitars, the beat, the buildup, you're not only singing along about regret, but you're doing it with your fist in the air. You're just like, you're all jacked up about regret. And there's nothing not to love about this song. Yeah. It's a good one.Track 3:[28:47] And I'm kind of curious. Chris, I know you've talked to Spiral a lot. Based on the sort of relationship you've built up with him over the last few years, do you have a sense of what he goes for in his songwriting, like how he's expressing himself? Yeah.Track 3:[29:09] It's really changed, I think. I think that his vocal has become much more of a tool. He used to sort of sing with that almost break, almost that pubescent break when he sang, and now his voice is sharp. It is right on. So I think he takes advantage of that a little bit more when writing a song, not lyric wise, but when he's writing a song in general, like he can be more melodic. And that's nice. Like that medley attack is a great record. It's a really good record. I'm going to listen to it today because it's really good. And then of course i i just can't help but draw the parallel between terror twilight and let it be.Track 3:[30:02] With paul and john completely shutting george out of the process and then george turns around and comes out with all all things must pass and it's holy shit it's a double record filled with some of the best songs you've ever heard and he had that in him and spiral came out with psoi and And while it's not all things must pass, it's holy shit, you were sitting on all these songs and you couldn't put one on fucking Terror of Twilight? You know? Yeah. And you know, I think one of the reasons I didn't connect with Terror of Twilight at the beginning is...Track 3:[30:39] Spiral to me is that the actual analogy i would use is lee ronaldo in sonic youth oh okay when you have those sonic youth records like you know obviously thurston and kim are the marquee and core sounds in there but like daydream nation without eric's trip and without hey joni it's not the masterpiece that it is without those and the lee ronaldo songs like Like they fit in the band, but they're a little off to the side of the rest of it. And, you know, it's super melodic and it's fun, but it's not what Thurston and Kim do for the rest of the record. And you're always like, when that, you know, when Moat or Disappearer pops up, I think those are his two on Goo.Track 3:[31:29] When those pop up on Goo, you're like, yeah, here we go. We're hearing Disappearer now. Now um did do i have that right that disappears the you're asking the wrong dude i'll have to do a sonic youth uh podcast at some point i mean initially that was my like i had a blind spot with early pavement i had a blind spot with the eps um like the three eps and so i thought well i'll do a podcast where i listen to each ep and you know talk about the ep and i was like well why don't i just do it like song by song you know and then that way i get to listen to everything thing and that's that was the genesis of this little beast yeah and i think you know with sonic youth you'd have the same experience where you know you're moving along and it's the songs you're used to and then this this gem pops up that's you know of a different color and a different tone a different palette and i think that's what spiral brings to these pavement records yeah i would agree with that and the shows like when you get that spiral break when kennel district comes out or date with ikea you're like yeah fuck yeah here we go we're doing this now yeah and we'll get back to that that malchmus thing but it's a great um like i i don't want to say interlude because that's not maybe it's like a great counterpoint.Track 3:[32:50] Yeah there's a bit of yin and yang right yeah absolutely sorry well uh i'll just repeat that my dogs are both in here yeah there's a bit of yin and yang right yeah absolutely, and you know being a fan of the Spiral songs doesn't make you less of a Pavement fan or even less of a Malchemist fan it's just, he's one of the main ingredients again it's this band was started by SM and Spiral Stairs so without him it's not Pavement right, I couldn't yeah I couldn't agree more.Track 3:[33:27] Well, Brian from New Jersey, do you have anything that you would like to plug or discuss with people on the World Wide Web? I guess the only thing I'll plug, I was playing drums in a band here in New Jersey that is now defunct. It went away with the pandemic, but we have stuff up on Bandcamp and everywhere. It's called Diecast Cars.Track 3:[33:52] Diecast Cars. Yeah, like the toy cars for kids. It would appeal very much appeal to fans of pavement we are noisy and a little sloppy but a little poppy and a little rocky and all that kind of stuff and uh the the guitars are loud and and we also have the one of the guitar players you know didn't write as much as the other but he's like he's the spiral the ronaldo of a die-cast cars and that he's got you know two or three things in the what we have on the band camp page and their gems um you know not not to take away from the other guy but you know when they come up you're like okay we're getting we're getting into a different frequency for a few minutes and then we'll we'll go back to that other one cool well check out diecast cars on band camp everybody it's been great talking to to you today brian from new jersey uh you've you've got some wild theories and um some theories that i can actually cleave on to and uh kennel district again at number 23 so this is a lot of fun man too low a lot of fun so uh take care and uh we'll talk to you soon brian and everybody else wash your goddamn hands thanks.Track 1:[35:17] For listening to meeting malchus a pavement podcast where we count down the top 50 pavement tracks as selected by you if you've got questions or concerns.Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
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This week on the pod. jD welcomes his buddy, Jeremy from Niagara Falls on to discuss his Pavement origin story and reveal song 26!Transcript:Track 2:[0:00] Previously on the Pavement Top 50.Track 1:[0:02] Stephen, what are your initial thoughts about this song, The Hex? The Hex, well, it's a really cool song. I think it's completely different to anything else that Pavement does. I think it's very unique. It's got a style which isn't really there in any... I can't think of any other song that looks like it.Track 2:[0:19] Hey, this is Westy from the Rock and Roll Band Pavement, and you're listening to The Countdown.Track 4:[0:25] Hey, it's JD here, back for another episode of our Top 50 Countdown. For seminal indie rock band, Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own top 20 ballads. I then tabulated the results using an abacus and a girl named Shannon that might have played bass in an indie rock band. Sigh. So there's that. This week, I'm joined by Pavement superfan, Jeremy from Niagara Falls. How's it going, motherfucker?Track 3:[0:54] It's hot. It's hot.Track 4:[0:56] It's really hot.Track 3:[0:58] It's been hot all week. Yeah. So sorry if there's fan noises in the background. They're here to cheer me on.Track 4:[1:04] Yes, of course they are. And that's very good that they are doing that for you because it will give you adrenaline and strength that you need and require to get through this next question. Jeremy, from the Falls, what is your pavement origin story?Track 3:[1:20] Story um my origin story for the band pavement is a little um stranger than most i i did not come to them by way of their music i i came to them by way of uh discussions about just how cool their uh their albums the the song names were, so i before i ever heard a pavement track which was years uh uh it was it was uh i had a friend who was in a band named uh cindy and they before they were called cindy they they were racking their brains about what they wanted to call themselves and we just got in this deep discussion one night i have heard we started talking about i don't think i've heard of king cobb steely, There's probably a good, I bet a good amount of this audience would really dig King Cub Steely because it's kind of in the same vein. But they had awesome song names.Track 3:[2:21] Luckily, I keep my feathers numbered for just such an emergency. That's a song name, Time Equals Money and Money Equals Pizza and Therefore Time Equals Pizza. Just stuff like that. And we got talking about it. And I was like, yeah, that's really cool. and we're talking about the band Head. Lowercase and an uppercase. Head with a lowercase h. That's right. And an uppercase, yeah, just because it was the 90s. And then my friend turned to me, he's like, I just wish that I could have an album title as good as Crooked Rain, Crooked Rain. And he just, he went on for like half an hour on that. I was like, that is a really cool album title and who is this band? And he's like, Pavement, check them out. And of course, being the 90s, I mean, being dirt poor, I couldn't. That's right. That's the only way you could do it. I couldn't purchase an album. Because they weren't being played on the radio.Track 3:[3:15] Well. That's right. And it was pre-internet. And yeah, they weren't being played on the radio. But, and this is, I like hearing the stories of people out here saying like, yeah, my first experience was like I got onto a torrent site and I ripped all their albums over the course of like a week or however long it used to take. But before that we used to have this thing and it doesn't exist anymore rarely does that's right of uh compilations you remember yeah and there was a big one in the 90s it was really big because of the secret hidden track that i think everyone only bought it for the secret hidden track it was called no alternative and nirvana did uh of uh at the very end wasn't listed everyone who was there It wasn't listed, but they did – it's sappy, but it's also called Verse Course Verse. It was an unreleased track, and it kicked. It was so good. But also on that album was Matthew Sweet, Goo Goo Dolls, and Pavement did Unseen Power and Picket Fence. And who was the second one you named? Goo Goo Dolls. Yeah. Goo Goo Dolls? You know, like rather funky band until, you know, Twister. No, it's not Twister. Until that Twister song.Track 3:[4:41] They did a song on the Twister set. No, it was the Asteroid one. No, it wasn't the Asteroid one. Fuck. Oh, yeah. Dude. It's called Angel or something like that. No, they did a song on the Twister set. It's like Alanis Morissette did a song. On the record, you came uninvited. Yeah, anyway, this is riveting conversation for somebody who tuned in for Pavement. I know.Track 3:[5:13] Beastie boys was also on the alternate and breeders did a really good live live track but but really it was like you could get uh like that was if you did not have a lot of money and you wanted to hear and this is backwards thinking because nowadays you'd be like why would you buy a whole album for one song well everybody did everybody bought it for that nirvana song and uh and then you got a little a little sampler of all these other bands that you could get into And that was my first. Hold on, let's talk about this for a second. So what did you think of On Scene Power? Yeah. It was good. And in comparison to everything else on the album, it's like, oh, this is top ten. This is really fresh and inviting. And I dig the sound. It was kind of rare. It wasn't overproduced. and it didn't have that, you know, that pastina. Am I using that word correctly? You know, patina. Sorry, patina. It's fucking boiling. It's hot. Did I mention it's hot? It's like 55 degrees in Canadian. 55? Celsius. But yeah, I think it's like 40. I was like 55. Your skin would be melting.Track 3:[6:35] Anything after 35, I'm like, it's all the same. I like the heat, but it's not like this muddiness. Yeah. I can't handle it. Really? Yeah, it's the thing. It's not the heat, it's the humidity. No, oven's dry heat. Anyway. Yeah. Again. But yeah, no, I really, I like the sound. And I was also big into Sonic Youth, but I had a bit of a bone to pick with Sonic Youth because their stuff never really seemed to get me to the place where I was like, yeah. Yeah and it felt like pavement was like they got it it was it was kind of this it's like a visceral, sort of song yeah but it's it's it rocks i totally know what you mean you know i mean yeah i've been i've been uh nose deep in in pavement's catalog for almost five years now so, like i mean obviously i enjoyed it prior to that but you know just looking at it week after week week after week you know it's it's been asked me to name a fucking song um title though and i'm usually stumped or or where it falls on a record and there's people that will be able to do oh yes it's right after this and before this and it's like i just can't do that i'm just because that's part of the culture though that's part of like the like we when we lost physical media, like it's like remembering your best friend's phone number do you even know it now i don't Oh, I know my wife's. I don't know my wife's. I don't know my kids.Track 3:[8:03] Oh, really? Yeah. Yeah. But yeah, so that, like that compilation. And then you'd think I would have rushed out and I would have bought, you know, a pavement album, but I didn't because a scant few years later, the Brain Candy soundtrack came out and being the massive kids of all fan I was. Okay. All right. Is R. I was and I still am. Yeah. And will continue to be. And you know who was on that soundtrack oh matthew sweet fuck me really, he followed yeah he follows you around doesn't he yeah but pavement like painted soldiers is, like it's in my top five songs it's in my top 15 for sure no my top 10 and it's the best spiral There is. Other than the unreleased Preston School of Industry. For sale, the Preston School of Industry. But yeah.Track 3:[9:09] And another breakout track on a soundtrack album that has like... They are? Yeah. They play Butts Wiglin'. Yeah. They might be Giants, I think, did a track. Uh, stereo lab and like a real, Oh, and of course the odds were on there, but yeah, it's kind of five. I think there was even a GBV guy by voices song on there. I think that might, it was by first exposure to guided by voices. I got into a lot of music through compilations, something that does not exist. And I wonder how we can rectify this. Yeah.Track 3:[9:57] Well, we have to change the industry one person at a time. Starting at this moment in time. And this is the... It's 66 degrees. Good things are forged in heat. This is... Hey, listen. This is the closest I've ever recorded an episode to drop date. Like, most everything else is done. Oh, yeah? I did it in the spring. You know? So, this is... What is the date? It's June 20th. And this goes out on the 28th. Yeah. Or whatever next Monday is. Wow. Look at me. Look at me knowing fucking calendars. 24th. Okay. Fair enough. Yeah. Yeah. Sure is. Yeah. It's sooner than you think. That's right. No. Into that editing bay. This one doesn't get edited. This podcast doesn't. But yeah. Oh no. All my secrets. Okay. Back to the matter at hand here. There's a lot of... So if you haven't noticed, Jeremy and I are buddies and we're doing some catch up at the same time that we're um that we're doing this so that's why we're getting a little distracted i apologize for that and i hope this is acceptable for your pavement listening uh enjoyment yeah it's a forgiving crowd have you ever listened to the episode of meeting malchus called uh hate mail.Track 3:[11:17] Oh you should look that i haven't heard that one i got a hate mail letter oh yeah i just decided to do an episode on it because it is like a screed it is like it is like martin luther knocked you know nailed something to my door you know and it was like it was like oh deep cut wow yeah now it was type was it written or was it typed oh then you know it's serious yeah listen to that one oh wow if you're just getting into to this because of the top 10. There's a whole other podcast out there where I go through each of the songs. It's called Meeting Malchmus. That's the feed that you're on right now. And there's lots of good... I can only hope that this generates at least one more hit. It might. So from there, you finally buy a record? Or do you get into the torrents?Track 3:[12:11] I bought, oh, and this is shameful, and now I wish you do edit it. I bought Crooked Rain, Crooked Rain through another form of dead media, the Columbia House Records Club. Dude, Columbia House was money. It was so good. It was so good. It was. 12 CDs for a penny? You're paying 30 bucks afterwards, but hey. And it was one of those auto ship deals. That's where they got you. That's where they got you on the lazy. It just shows up, right? Because it was $30 a hit, and you would be like, fuck. But if you played your cards right, you won. The house did not always win, but they must have won enough.Track 3:[12:51] Yeah. I mean, and you could send them back and say, you know what? Liz Fair just isn't my cup of tea. I'm going to exile Guyville. Yeah, this one, I think it was her follow-up. I was like, eh. Never sent me Matthew Sweet. So Crooked Rain, Crooked Rain. Do you know where the title comes from? It comes from, apparently, it comes from Purple Rain, Purple Rain. And Stephen just liked the rhythm of that. Or it may have even been David Berman who suggested it. And, yeah.Track 3:[13:26] If I'm wrong, shoot me an email. JD at meetingmalchmas.com. Would love to hear from you. So you put that one on the old CD player, I'm guessing. Not a turntable. about this point and yeah it starts with silent and that song just melts your brain like right off the bat it is i i that album for me is like a textbook like this is how you start an album like this series of songs like this is how you do it this is how you you break it in so you lay the frown the foundation for the listening experience you're about to undertake and man i yeah i listened to that album a lot. It's a masterpiece for sure. I will fully admit, I thought he was saying Silent Kit for the longest time. I thought it was about drummers. Well, nobody really knows. It's got multiple titles. People will say Silence Kid, and people will say Silent Kid. People will say Silent Kit, and people will say Silence Kit. So I think on the liner notes, it's Silence Kid. So, yeah. Oh, interesting. Yeah. Did you ever get a chance to see them live?Track 3:[14:45] So, jury's out on that. It was the 90s. I was young. I got around a lot. And a friend of mine was like, no, I don't think we do. We did see them. And I was like, I distinctly remember being at, like, the Cool House. Did you go to Lollapalooza in 95? At one point.Track 3:[15:08] Okay. No, I've never been to a Lollapalooza. I was just going to say, because they played that, and that might be something that you saw and forgot. Because I can't imagine, you are going to generate some hate mail. That you saw them live and you don't fucking know that you saw them live? What kind of fucking planet is this? This is so different than the other interviews I've done for this program. I know. I know. But you know what? If I did, I enjoyed it. Well, there's that. that and if i didn't then you know so there's that i i guess i never will do we want i mean somebody had to somebody had to remind me that i've seen wean like several times and somebody was like you know i was like oh i wish i could i wish i could see wean and they're like you've seen like eight times like oh that's oh yeah that's a really shitty superpower to have dude, i know i know i have a very bad short-term memory but my long-term memory is near You're fucking impeccable still. Well, see, my short-term memory was bad at the time. You didn't, yeah. See, I don't create new memories. Yeah. I have a very difficult time creating new memories. Yeah. I still have them, but yeah. Oh. Yeah. It's ever since I got zapped. Okay. What do you say we flip the record over and start talking about song number 26? You up for that? Yeah. Let's do it. We'll be right back after this.Track 2:[16:34] Hey, this is Bob Mustanovich from Pavement. Thanks for listening, and now on with a countdown. 26!Track 3:[21:05] This week, we are celebrating song number 26, Fight This Generation. What do you think of this one, Jeremy from the Falls? This is probably, it bridges the best run, I think, that Pavement has on any album, starting with AT&T, going right through to the end of Wowie Zowie. I started AT&T, I just listen to these tracks over and over again. And Fight This Generation is definitely a staple in that run. Yeah, I think so. And it's a staple of their live show as well at this point. Even when I saw Malcolm on the Traditional Techniques tour, he played a guitar and computer version of it. And it was really quite fucking cool. Oh, really? Oh, I would have loved to have seen that. There's got to be a video of that. I'm sure there is on the old YouTubes. Yeah, I wouldn't be surprised. Yeah. Like, I love the demo version in that enhanced Wowie Zowie release. Oh, right. Yeah, yeah. Nice and Critter's Edition. Yeah. Yeah. Yeah.Track 3:[22:24] But yeah, no, this track does that thing that I like so much in every song I hear it in, where you start listening to it and then halfway through it turns into a different track also. Absolutely. Two different songs mashed together for sure. Yeah. So in listening to this again for this I couldn't believe this track is only like four, it's under four and a half minutes. This feels to me like an epic six, seven minute long track but it's not. It's a tight 4.23. Yeah. Tight 423. That's funny.Track 3:[23:04] I mean, long for a pavement track, but it feels like, it feels a lot longer. Doesn't it? Doesn't it? Maybe I'm just thinking of the demo version. It does because, okay, so not in a bad way for me. No, no. No. But because it feels like two different songs, I think that might give you the illusion that it's long. Yeah. You know? Plus the repetitive outro, like just that jam at the end. That always feels too short. And yet it feels like a day. It feels like a good day. Punching in, punching out. You're friends with the coyote. You're not friends with the coyote. Or the sheep rather no i, you know so there's been like three matthew sweet references and now like two looney tunes all right well um what else do you have to say about fight this generation, This, um, like all, all lyrics are interpretive. Yes. Like, and, and I, and I hesitate because I've listened to everybody else talk and they're so. Erudite.Track 3:[24:27] That's a great word. And I think that's what I'm trying to say. But they, they, they're very, they, they've got very strong opinions and they're very, they're very knowledgeable and they've obviously put a lot of pen to paper and sorted this out and, you know after 18 cups of coffee and and i i'm still i grapple with this one because it's like seeing shapes and clouds and you know you know that old um oh man it's a charlie brown comic from years ago uh and and they're like all sitting on the grass and they're looking at the clouds and the one one i think linus is saying like oh look that's like that cloud looks like washington crossing the delaware and and that one looks like uh rodan's the thinker and and that cloud looks like the the the stoning of saint peter and and they're like what do you see charlie brown he's like i see a ducky and a horsey but you know so i think you can i think you can do that with this track i mean just the the title alone evokes like uh an emotion yes and and the The way that it's, like, the way the song is constructed, how it starts off in 3-3, moves to 4-4 time in there, you get the sense of, like, there's two sides clashing. I'm still trying to figure out, like, for you.Track 3:[25:55] Wait a minute. 3-3. There's no 3-3. 3-4.Track 3:[25:59] At the beginning? Yeah. There's no 3-3. Oh, yeah.Track 3:[26:09] I'm not a music student, but it sounds pretty waltzy to me. Anyways, what is this song about to you? What viewpoint do you see this from? Because I think there's a couple different ones. Is this punching up or punching down? Oh, I don't think it's punching at all. I think this is a jumping up and down song.Track 3:[26:36] Um it's just anthemic and it's just you can get behind the the idea of fight this generation but i don't think any of the other stanzas um support any information about which generation it is who's doing the fighting you know that sort of thing and to me that's what makes it an anthem because you know the kids listening to it right now can feel like they're fighting the gen xers whereas like we were fighting boomers you know um but is it ever like the gen xers fighting the millennials well i suppose a few years ago it may have been because that's that's where i kind of landed on it's like it's the song itself feels cyclical in the way that it's it's like you could probably put it on repeat and it's just this constant like the the themes in it are are such such that it is like there's always going to be this realization, like the fight is part of the progress. It's part of the identity. So therefore it has to exist, but you're in it on one side and then you're on the other side of it. So you're constantly at odds with the generation before you and the generation after you. Absolutely. Yeah. It's very funny that that's the way it's turned out, you know, or keeps turning out.Track 3:[28:04] It's like Battlestar Galactica.Track 3:[28:08] New or old the new one all right the good one the really good one i liked the old one as a kid but it doesn't hold up well the old one had a robot dog and yeah and action figures yes i had a star buck with one arm did it come that way no no i pulled it off i wanted to make him a star wars was villains so that's what i did so listen it's been great talking to you today about your pavement origin story uh fight this generation and uh you know just a basket of other things uh hope uh you enjoyed yourself i know i did and uh that's what we've got for you this week next week we'll we're getting into the top 25 man so we we start to kick out the top 25 next week we're halfway way fucking home. Can't wait to hear it. I'll talk to you then. Wash your goddamn hands.Track 2:[29:05] Thanks for listening to Meeting Malcolmists, a pavement podcast where we count down the top 50 pavement tracks as selected by you. If you've got questions or concerns, please shoot me an email. JD at MeetingMalcolmists.com.Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Buffering the Vampire Slayer | A Buffy the Vampire Slayer Podcast
This week we have a special appearance by special guest LaToya Ferguson who is here to help us discuss one of the most wild(ly bad) episodes of The X-Files to date: S2E10 "Red Museum"! Luckily, this episode was ALSO intended as a crossover with Picket Fences, so we get to talk about Tom Skerritt's mustache! We also get a true gift from the heavens: Scully eating ribs in a white suite and OOPS getting some BBQ sauce on her face... however will she get it off?!?!?! Producer LaToya Ferguson gives "Red Museum" 1.4/5 Kids As Guinea Pigs Time Stamps for Picket Fences Spoilers: 37:06 - 43:45 IN-EPISODE LINKS Hirbawi Textile Factory: https://www.hirbawi.ps/ JOIN US FOR OUR FIRST EVER VIRTUAL BUFFY PROM! Live on June 8th @ 8pm Eastern & Streaming through June 29th bufferingcast.com/live LOCATE YOUR HOSTS UPON THE INTERNET Jenny Owen Youngs | @jennyowenyoungs; jennyowenyoungs.com Kristin Russo | @kristinnoeline; kristinnoeline.com Featuring Special Appearance by Special Guest LaToya Ferguson Buffering: A Rewatch Adventure | @bufferingcast on socials MUSIC | Theme song and jingles composed and performed by Jenny Owen Youngs | bufferingcast.com/music PATREON | patreon.com/bufferingcast MERCH | bufferingthevampireslayer.com/shop X-FILES ABACUS | bufferingcast.com/abacus PODCAST SCHEDULE | bufferingcast.com/jennycalendar Produced by: Kristin Russo, Jenny Owen Youngs, and LaToya Ferguson Edited & Mixed by: John Mark Nelson and Kristin Russo Logo: Devan Power We acknowledge that we and our team are occupying unceded and stolen lands and territories. Kristin occupies the Lenape territories of the Esopus Lenape Peoples. Jenny occupies the Wabanahkik territory of the Abenaki and Pennacook Peoples. Learn more about Land Acknowledgments + our continued anti-racist efforts at bufferingthevampireslayer.com/justkeepfighting Learn more about your ad choices. Visit megaphone.fm/adchoices
This week we have a special appearance by special guest LaToya Ferguson who is here to help us discuss one of the most wild(ly bad) episodes of The X-Files to date: S2E10 "Red Museum"! Luckily, this episode was ALSO intended as a crossover with Picket Fences, so we get to talk about Tom Skerritt's mustache! We also get a true gift from the heavens: Scully eating ribs in a white suite and OOPS getting some BBQ sauce on her face... however will she get it off?!?!?! Producer LaToya Ferguson gives "Red Museum" 1.4/5 Kids As Guinea Pigs Time Stamps for Picket Fences Spoilers: 37:06 - 43:45 IN-EPISODE LINKS Hirbawi Textile Factory: https://www.hirbawi.ps/ JOIN US FOR OUR FIRST EVER VIRTUAL BUFFY PROM! Live on June 8th @ 8pm Eastern & Streaming through June 29th bufferingcast.com/live LOCATE YOUR HOSTS UPON THE INTERNET Jenny Owen Youngs | @jennyowenyoungs; jennyowenyoungs.com Kristin Russo | @kristinnoeline; kristinnoeline.com Featuring Special Appearance by Special Guest LaToya Ferguson Buffering: A Rewatch Adventure | @bufferingcast on socials MUSIC | Theme song and jingles composed and performed by Jenny Owen Youngs | bufferingcast.com/music PATREON | patreon.com/bufferingcast MERCH | bufferingthevampireslayer.com/shop X-FILES ABACUS | bufferingcast.com/abacus PODCAST SCHEDULE | bufferingcast.com/jennycalendar Produced by: Kristin Russo, Jenny Owen Youngs, and LaToya Ferguson Edited & Mixed by: John Mark Nelson and Kristin Russo Logo: Devan Power We acknowledge that we and our team are occupying unceded and stolen lands and territories. Kristin occupies the Lenape territories of the Esopus Lenape Peoples. Jenny occupies the Wabanahkik territory of the Abenaki and Pennacook Peoples. Learn more about Land Acknowledgments + our continued anti-racist efforts at bufferingthevampireslayer.com/justkeepfighting Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome to the Girls Gone Hallmark podcast, where your hosts Megan and Wendy take on the beloved "Signed, Sealed, Delivered" franchise all summer long. In today's new episode, your favorite Hallmark podcast duo review episodes 1-5 from 2014. If you're new to the series or it's a favorite, come along and chat about the charming characters, heartfelt moments, and the signature Hallmark magic that captivated audiences for years. See the Signed, Sealed, Delivered SUMMER schedule here Are you watching "Signed, Sealed, Delivered" for the first time? Email us at meganandwendy@gmail.com or let's talk about it in the Girls Gone Hallmark Facebook Group! We Need Your 5-STAR Ratings and Reviews Spotify Podcast listeners: Spotify allows listeners to rate podcast episodes. Once you listen to a podcast for at least 30 seconds, you get the option to rate it between one and five stars. Return to the podcast's main page and tap the star icon. Then, tap submit. About "Signed, Sealed, Delivered" Episode 1 The title of episode 1 is called "Time to Start Livin.' First premiered on Sunday April 20, 2014 Scott Smith directed. Scott went on to direct 5 total episodes of the one season of Signed, Sealed, Delivered. Writers: Martha Williamson and Brandi Harkonen Co-Stars: Valerie Harper appears as Theresa Capodiamonte. She's probably best known for “The Mary Tyler Moore Show,” “Rhoda” and "Valerie." Harper passed in 2019 at the age of 80. Christine Willes appears as Vivian Lasseter. She has 103 acting credits and was last seen on Hallmark in “Guiding Emily.” About "Signed, Sealed, Delivered" Episode 2 The title of episode 2 is called "To Whom It May Concern." First premiered on Sunday, April 27, 2014 Director: Scott Smith Writers: Martha Williamson and Brandi Harkonen Co-Stars: Valerie Harper returns as Theresa Capodiamonte. Joel Berg appears as Corporal Benjamin 'Buzz' Parker. Joel has just 15 acting credits and this was his only appearance on Hallmark. Rami Kahlon plays Samila (adult). She has 29 acting credits and has only appeared on Hallmark in this project. About "Signed, Sealed, Delivered" Episode 3 Episode 3 is called "Soulmates." First premiered on Sunday, May 4, 2014 Directed by Kevin Fair. He has 44 directing credits. Since this episode in 2014, he has gone on to direct 10 SSD movies, plus some Hallmark fan favorites like “Taking a Shot at Love,” “Always Amore,” “3 Bed, 2 Bath, 1 Ghost,” and most recently “Legend of the Lost Locket.” Writers: Martha Williamson, Brandi Harkonen, and Dawn DeKeyser. Co-stars: Della Reese as Cora Brandt. She's probably best known for her 211 episodes of “Touched By an Angel” but also appeared on other classic series like “Welcome Back, Kotter,” “Night Court,” “227,” “Picket Fences,” “Designing Women” and so many more. These two episodes of Signed, Sealed, Delivered were her very last projects. Della Reese passed in 2017 at the age of 86. Emilie Ullerup plays adult Marie. Emilie went on to play Bree O'Brien in 55 episodes of “Chesapeake Shores” as well as other Hallmark movies like “Don't Forget I Love You” and “Retreat to You.” Greyston Holt plays adult Sam. He also appeared in 12 episodes of “Chesapeake Shores” as Jay Ross. About "Signed, Sealed, Delivered" Episode 4 Episode 4 is titled "The Masterpiece." First premiered on Sunday, May 11, 2014 Director: Kevin Fair Writers: Martha Williamson, Jeff Eckerle, and Marilyn Osborn Co-stars: Della Reese returns as Cora Brandt. Paul McGillion as dad Henry Barrett. Paul has been in several Hallmark projects including “Christmas in Tahoe” and “An Unexpected Christmas” from 2021. Kate Corbett as widowed wife Sarah. Kate has previously appeared in 23 episodes of “Good Witch” as Eve. About "Signed, Sealed, Delivered" Episode 5 Episode 5 is titled "The Edge of Forever" First premiered on Sunday, May 18, 2014
Politics, News, Culture, Society - Wonder Media Network
Do you ever feel that life is more challenging than it used to be, and wonder why? Our guest, Brenda Yoder, offers some age-old wisdom to help bring us back to the basics of an uncomplicated life. Following the Covid-19 pandemic, Brenda noticed how God used the many threads of her home, career and Airbnb to weave together the pages of a book she recently published called “Uncomplicated, Simple Secrets For A Compelling Life.” Brenda shares some of her journey and practical tips to live more simply so we can model and teach this to the next generation! Ready to learn how to live an uncomplicated life? Let's go! BRENDA L. YODER, LMHC, is a counselor, speaker, author, and educator. She's the co-host of the Midlife Moms Podcast and Facebook community. She also hosts and writes the Life Beyond the Picket Fence podcast and blog, and writes for Guideposts' Mornings with Jesus. As a teacher, Brenda twice received the Touchstone Award for teachers. She is currently a part-time elementary counselor and therapist in private practice. Brenda and her husband, Ron, are parents to four adult children, two daughters-in-law and grandparents to three grandsons with whom they love creating new memories. Brenda and Ron live on a farm in Shipshewana, Indiana, where she loves gardening and spending evenings sitting on her front porch rocker. Resources Website: brendayoder.com Buy Uncomplicated Instagram: @brendayoderspeaks Facebook: @brendayoderspeaker TikTok: brendalyoder Life Beyond the Picket Fence Podcast Midlife Moms Podcast Brenda's Free Resources 1 Corinthians 10:23 - everything is permissible, not beneficial Next Steps Rate & Review this podcast on your favorite channel Engage with us on FB & IG Share this episode with a friend Join our Podcast IMPACT Team Join our mission!
Brenda L. Yoder is a Licensed Mental Health Counselor, elementary school counselor, speaker, former teacher, and author of Uncomplicated: Simple Secrets for a Compelling Life; Fledge: Launching Your Kids Without Losing Your Mind; and Balance, Busyness, and Not Doing It All. She has been featured in Guideposts Mornings with Jesus devotionals, Chicken Soup for the Soul books and The Washington Post. She hosts the Midlife Moms and Life Beyond the Picket Fence podcasts and the Midlife Moms Facebook Group. She and her husband, Ron, raised four children on their family dairy farm in northern Indiana, where they currently raise Bernese Mountain dogs, goats, chickens, and cattle and host an Airbnb. Keep reading...
Fresh out of high school, California native Craig Campobasso found himself working behind the scenes for four years on Frank Herbert's Dune. The father and daughter producing team, Dino and Raffaella De Laurentiis, and director David Lynch, were Craig's mentors into the business of filmmaking. After he apprenticed as a casting associate on Steven Spielberg's Amazing Stories, Raffaella later hired him to be casting director for the popular Christmas movie Prancer, starring Sam Elliott. Emmy-nominated for casting David E. Kelly's Picket Fences, Craig has been casting for more than three decades and is an acting coach in the Los Angeles area.Craig's passion is to write stories that provoke the reader to think, to raise their consciousness, to expand their mind about Creation, while still entertaining in the Hollywood tradition.Craig directed, wrote and produced the short film Stranger at the Pentagon, which was adapted from the popular UFO book authored by the late Dr. Frank E. Stranges. After production, the short film collected accolades. In September 2014, it won Best Sci-Fi film at the Burbank International Film Festival, selling out all 275 seats—a first for the festival. In 2015, it won a Remi Award at the Worldfest Houston International Film Festival for Best Sci-Fi Short.Craig has appeared on many radio shows, including Coast to Coast AM with George Noory. He has also been a guest on the Open Minds talk show, with Regina Meredith; and two episodes of Beyond Belief, hosted by George Noory on www.Gaia.com. Craig has also appeared on The History Channel's Ancient Aliens, where Giorgio A. Tsoukalos is the main Ancient Astronaut theorist.Websites strangeratthepentagon.com autobiographyofanet.com craigcampobasso.comBooks The Extraterrestrial Species Almanac The Autobiography of an Extraterrestrial Saga: The Huroid Revolution The Autobiography of an ExtraTerrestrial Saga: I AM Thyron The Autobiography of an Extraterrestrial Saga: Thyron's Dossier The Autobiography of an ExtraTerrestrial Saga: Waking Thyron The UFO Hotspot Compendium
This week Ken welcomes director Michael Pressman (The Great Texas Dynamite Chase, Some Kind of Hero, Doctor Detroit, Teenage Mutant Ninja Turtles II The Secret of the Ooze) to the show. Ken and Michael discus COVID binging, The Bear, Slow Horses, The Crown, Call My Agent, having a comedy background but gravitating towards drama, having difficulty knowing when TV Comedy is working, Bad News Bears, working for Roger Corman, Picket Fences, how executives don't understand funny, indie cinema, directing Vanilla Ice, special FX, non-Union shoots, Golden Harvest, Michael's father being blacklisted, David Pressman's directing career, The Actor's Studio, visiting Hollywood sets after the blacklist was lifted in the 60s, the early days of live TV, Cosmopolitan Theater, New York vs L.A., westerns, Car 54, Where Are You?, Phil Silvers, Bonanza, directing theater, how much ratings have changed, the strange nature of streaming, soap operas, Law and Order SVU, Grey's Anatomy, Chicago Hope, Dick Wolf, Richard Boone, loving Hitchcock, being a 70s film snob, art house cinema, French New Wave, cults to flops, studio interference, made for TV movies, Ingmar Berman, the studio system, how in person viewing returns, when tech companies want to be the movie business, shared experiences, midnight movies, Netflix, the gimmick of going live, the origins of TV Guide, Ken's collection, ten years of the podcast, the lost age of shows and hunting down Michael's father's work.
Emmy award winner Jeff Melvoin has been a writer-producer on over a dozen dramatic series, serving as showrunner on eight of them. In all, he's helped produce over 470 hours of primetime television, most recently as an Executive Producer on season three of the BBC America series, Killing Eve. Other Exec Producer credits include Designated Survivor, Army Wives, Alias, Early Edition, and Picket Fences. He was Supervising Producer of the CBS series Northern Exposure, for which he won an Emmy and two Golden Globe Awards. Other writer-producer credits include the NBC series Hill Street Blues and Remington Steele. Melvoin is also founder and chair of the Writers Guild of America's celebrated Showrunner Training Program, now entering its nineteenth year. In February, 2015, he received the Morgan Cox Award, the WGA's highest recognition for Guild service. In making the announcement, Guild President Chris Keyser said, “If this is a Golden Age of television, the program Jeff so lovingly shepherds deserves its fair share of credit. Thanks to him, as an art form and as a business, we are better at what we do.” Melvoin has taught at USC School of Cinematic Arts, UCLA, Harvard, and the Sundance Institute, and is a frequent guest instructor on college campuses throughout the United States and at media conferences around the world. He is a past board member of the Mystery Writers of America (Southern California Chapter) and the Writers Guild of America, West. Before entering television, Melvoin was a Time magazine correspondent. He is married to Martha Hartnett Melvoin and has two sons, Nick and Charlie. www.jeffmelvoin.com Connect with your host Kaia Alexander: https://entertainmentbusinessleague.com/ https://twitter.com/thisiskaia Produced by Stuart W. Volkow P.G.A. Get career training and a free ebook “How to Pitch Anything in 1Min.” at www.EntertainmentBusinessLeague.com Learn more about your ad choices. Visit megaphone.fm/adchoices
This next guest is the pride of West Jefferson, NC (beautiful Blue Ridge Mountains) with home now being in Nashville, TN. She started singing at young age of four years old and music has been her passion her since. She values her roots and believes in being who you are and country is who she is. She's got a new single in "Picket Fence" so let's welcome Ms. Taylon Hope! Taylon Hope Website: http://www.taylonhopemusic.com/ Facebook: https://www.facebook.com/TaylonHopeMusic/ Instagram: https://www.instagram.com/taylonhopemusic/ YouTube: https://www.youtube.com/channel/UCsRjXXBzbjJ7p6AN6ZSbVbg Crazy Train Radio Facebook: www.facebook.com/realctradio Instagram: @crazytrainradio X/Twitter: @realctradio Website: crazytrainradio.us YouTube: youtube.com/crazytrainradio --- Support this podcast: https://podcasters.spotify.com/pod/show/crazytrainradio/support
Cuyle Carvin takes over the main console in this episode to interview friend and colleague Craig Campobasso who is a casting director, filmmaker, author and UFO enthusiast. Oh the stories he has to share -- the Truth is not "out there" ... it's on this episode!ABOUT CRAIG CAMPOBASSOMultiple award-winning filmmaker and Emmy-nominated casting director Craig Campobasso got his start working behind-the-scenes on such blockbuster film classics as Frank Herbert's Dune directed by David Lynch; and two Arnold Schwarzenegger movies Conan The Destroyer and Total Recall. He began his casting career on Steven Spielberg's Amazing Stories. He received an Emmy nomination for Outstanding Casting for a Series on David E. Kelley's Picket Fences. Craig directed, wrote and produced the short film Stranger at the Pentagon, which was adapted from the popular UFO book authored by the late Dr. Frank E. Stranges. In September 2014, Stranger at the Pentagon won Best Sci-Fi film at the Burbank International Film Festival and in 2015 it won a Remi Award at the Worldfest Houston International Film Festival for Best Sci-Fi Short. Craig has appeared on many radio shows, including Coast to Coast AM, the Open Minds talk show with Regina Meredith; and Beyond Belief, hosted by George Noory on www.Gaia.com. Craig has also appeared on The History Channel's Ancient Aliens.BUY CRAIG'S BOOKS“The Autobiography of an ExtraTerrestrial Saga: The Huroid Revolution and Other Warring Creatures” is the fourth book in the series. "The Silence of the Hams: A Pictorial Memoir of the Making of a Cult Classic" is Craig's memoir casting the greatest comedians of all time in an epic spoof movie based on horror classics. It was released in June of 2020. "The Extraterrestrial Species Almanac: The Ultimate Guide to Greys, Reptilians, Hybrids, and Nordics," is Craig's latest book due out January 1, 2021.To learn more about The Autobiography of an ExtraTerrestrial Saga Book Series, The Extraterrestrial Species Almanac, The Silence of the Hams: A Pictorial Memoir of the Making of a Cult Classic and Craig Campobasso go to www.AutobiographyOfAnET.com.SUPPORT CRAIG'S FILMGoFundMe Campaign Link:ET ALMANAC DOCUMENTARY (https://gofund.me/db31535d)To inquire about an Associate Producer or Executive Producer credit, email Craig at www.autobiographyofanet.com Support the showSUPPORT THE PODCAST FOLLOW/SUBSCRIBE/REVIEW...On our website at afraidofnothingpodcast.com.SUBSCRIBE...Your gracious donation here helps defray production costs. Beyond my undying gratitude, you will also will be shouted out in an upcoming episode.WATCH ON YOUTUBE...We are uploading past episodes on our Youtube channel. WATCH THE DOC… VIMEO ON DEMAND: Rent the Afraid of Nothing documentary here: https://vimeo.com/ondemand/aondoc. TUBI: watch for free with ads on tubitv.com. REVIEW OUR FILM ON ROTTEN TOMATOES...Write your five-star review here.
Author and counselor Brenda Yoder invites you to her front porch as she thoughtfully converses with Cassie Rademaker, the Life Beyond the Picket Fence podcast producer. Cassie is a homeschooling mom, a millennial, and together with her husband, forging an uncomplicated lifestyle. In this conversation, you'll glean wisdom about: How to be intentional about your priorities while in the middle of parenting young children. Carving contentment with a more simplified life. Controlling your workload so it doesn't overwhelm you. Determining whether an activity or purchase is helping or serving your values and goals. Pick up Brenda's books: Fledge: Launching your Kids without Losing Your Mind by Brenda L. Yoder Balance, Busyness, and Not Doing It All by Brenda L. Yoder ➡️Connect with host Brenda Yoder at: Website: https://brendayoder.com/ Instagram: https://www.instagram.com/brendayoderspeaks/ Facebook: https://www.facebook.com/brendayoderspeaker
In this episode I speak again with casting director, author, and channeler... Craig Campobasso. Craig and I discuss his expansive book series 'The Autobiography of an Extraterrestrial' which details the story of Thyron, a Pleiadian working on behalf of the Star Seed Alignment of Space Peoples and Planets to help activate mankind. We also discuss Craig's career as a casting director, and working on Hollywood films such as the sci-fi epic Dune. As we continue, we talk about the experiences that led Craig to channel this unedited book series which reveals some of the deepest history of Galactic races and Angelics, and their plan for planet Earth. An absolutely enthralling episode, do not miss this one! www.autobiographyofanet.comCraig Campobasso Bio:Craig Campobasso is an author, casting director, and award-winning filmmaker.Fresh out of high school, California native Craig Campobasso found himself working behind the scenes for four years on Frank Herbert's Dune. The father and daughter producing team, Dino and Raffaella De Laurentiis, and director David Lynch, were Craig's mentors into the business of filmmaking. After he apprenticed as a casting associate on Steven Spielberg's Amazing Stories, Raffaella later hired him to be casting director for the popular Christmas movie Prancer, starring Sam Elliott. Emmy-nominated for casting David E. Kelly's Picket Fences, Craig has been casting for more than three decades and is an acting coach in the Los Angeles area. Craig's passion is to write stories that provoke the reader to think, to raise their consciousness, to expand their mind about Creation, while still entertaining in the Hollywood tradition. Craig directed, wrote and produced the short film Stranger at the Pentagon, which was adapted from the popular UFO book authored by the late Dr. Frank E. Stranges. After production, the short film collected accolades. In September 2014, it won Best Sci-Fi film at the Burbank International Film Festival, selling out all 275 seats—a first for the festival. In 2015, it won a Remi Award at the Worldfest Houston International Film Festival for Best Sci-Fi Short. Craig has appeared on many radio shows, including Coast to Coast AM with George Noory. He has also been a guest on the Open Minds talk show, with Regina Meredith; and two episodes of Beyond Belief, hosted by George Noory on www.Gaia.com. Craig has also appeared on The History Channel's Ancient Aliens, where Giorgio A. Tsoukalos is the main Ancient Astronaut theorist. Personalized and autographed copies of Craig's four book Sci-Fi series “The Autobiography of an ExtraTerrestrial Saga" at this link: https://www.autobiographyofanet.com/books Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
October 16-22, 1999 This week we travel to Ireland to talk TV with The Try Channel's own Dermot Ward. Ken and Dermot discuss why Dermot is even on the show, bad ideas, Dermot talking people out of liking him, Big Trouble in Little China, being a Martial Arts nerd, Ireland's national martial art, awful Boston Irish stupidity, The Streets, the origins of Corned Beef and Cabbage, The 50 Greatest TV Characters Ever, being totally overwhelmed by TV Guide listings, Letterman, weird commercial breaks, prescription drugs, the English, Fifish Finkle, Picket Fences, Joan Collins, Hawk, PBS Mystery, Prime Suspect, Father Ted, AbFab, Roseanne, Cheer, High School, The Avengers, Emma Peele, Taxi, The Prisoner, swears on American TV, NYPD Blue, Comedy Central, Soap, Bob Newhart, Mary Tyler Moore, Man in the Moon, Andy Kaufman, The Simpsons, Friends, The Wonder Years, Full House, visiting weird American states, Ballykissangel, sexy priests, Win Ben Stein's Money, the late 90s gameshow boom, Baywatch, how prime time US shows are afternoon children's shows in Ireland, sleeping on Baywatch Nights, It's a Wrap, Everybody Loves Raymond, Veronica's Closet, the hell of TV tapings, Buffy, Angel, Shasta McNasty, The Secret Diary of Desmond Pfeifer, Homeboys in Outer Space, loving crossover episodes, The Addams Family, Must See TV, and loving Ghostbusters.
Author and counselor Brenda Yoder invites you to her front porch as she relaunches the Life Beyond the Picket Fence podcast. In this conversation, Brenda interviews writer and speaker Ingrid Lochamire. You'll glean wisdom about: How to not overcrowd your life. How to pay attention to time and how not to waste the time we have. Tempering life situations that seem to shipwreck us, but they don't need to. Connect with Ingrid at https://ingridlochamire.com/ and on Instagram @ingridlochamire Pick up Brenda's books: Fledge: Launching your Kids without Losing Your Mind by Brenda L. Yoder Balance, Busyness, and Not Doing It All by Brenda L. Yoder ➡️Connect with host Brenda Yoder at: Website: https://brendayoder.com/ Instagram: https://www.instagram.com/brendayoderspeaks/ Facebook: https://www.facebook.com/brendayoderspeaker
Author and counselor Brenda Yoder invites you to her front porch as she relaunches the Life Beyond the Picket Fence podcast. In this conversation, Brenda interviews author and speaker Kim Ray Mishler. You'll glean wisdom about: God's faithfulness and grace in hard circumstances. How to ground yourself in the present when feeling overwhelmed with uncertainty and troubles. How to not waste your suffering, but use it instead to help others. Connect with Kim at https://www.kimraymishler.com/ Pick up Kim and Brenda's books: A Life Rescued: A Story of Adoption, Redemption, and Hope by Kim Ray Mishler Fledge: Launching your Kids without Losing Your Mind by Brenda L. Yoder Balance, Busyness, and Not Doing It All by Brenda L. Yoder ➡️Connect with host Brenda Yoder at: Website: https://brendayoder.com/ Instagram: https://www.instagram.com/brendayoderspeaks/ Facebook: https://www.facebook.com/brendayoderspeaker
Author and counselor Brenda Yoder invites you to her front porch as she relaunches the Life Beyond the Picket Fence podcast. In this introductory episode, Brenda shares lessons she's been learning in the quiet season of the last two years. You'll glean wisdom about: How places where you thrive help the hard places in your life. How to be present with what's right in front of you. Resizing your life and priorities for your current season. And what Brenda's been doing in the last two years during the show's sabbatical. Pick up Brenda's books: Fledge: Launching your Kids without Losing Your Mind Balance, Busyness, and Not Doing It All ➡️Connect with host Brenda Yoder at: Website: https://brendayoder.com/ Instagram: https://www.instagram.com/brendayoderspeaks/ Facebook: https://www.facebook.com/brendayoderspeaker
Born in Los Angeles, California, Brown made his Broadway directorial debut with a 1970 revival of Noël Coward's Hay Fever.Under Brown, Long Wharf produced more than 200 plays, some 70 of which were staged by Brown himself. His specialty at Long Wharf and in New York was realistic American plays of the mid 20th century, often in revival. Notable Brown-directed productions include works by Arthur Miller (The Crucible, A View From the Bridge), Eugene O'Neill (A Touch of the Poet), and Rod Serling (Requiem for a Heavyweight). His directing credits also include The National Health (1974), Ah, Wilderness! (1975), Watch on the Rhine (1980), Privates On Parade (1982), American Buffalo (1983), Open Admissions (1984), Private Lives (1992), and The Twilight of the Golds (1993). Brown also has carved out a career as a director of operas, including Porgy and Bess at the Metropolitan Opera in New York.[1][2][3] [4]Brown has directed for numerous television series, including multiple episodes of NCIS, Leverage, Lie to Me, The Practice, Ally McBeal, Crossing Jordan, Kevin Hill, Everwood, and The Closer, and single episodes for Picket Fences, Party of Five, Chicago Hope, Dawson's Creek, Judging Amy, Ed, Private Practice and Shark, among many others. He also directed the television adaption of The Gin Game featuring Dick Van Dyke and Mary Tyler Moore. [5]He has made one feature film, Diary of the Dead (1976), starring Geraldine Fitzgerald, Hector Elizondo, and Salome Jens.He married actress Joyce Ebert on November 2, 1969, and was married to her until her death in 1997.
Harvey Brownstone conducts an in-depth interview with Jeremy Kagan, Acclaimed Director, Screenwriter, Producer, Author & Educator About Harvey's guest: Today's guest, Jeremy Kagan, is a highly acclaimed director, screenwriter, producer, author and educator, whose feature film credits include “Scott Joplin”, “Heroes”, “The Big Fix”, “The Chosen”, which won 3 Jury Prizes at prestigious international film festivals, “The Sting 2”, “The Journey of Natty Gann”, which was the first American film to win a Gold Prize at the Moscow Film Festival, “Golda's Balcony”, and the exceptionally powerful and compelling movie entitled “SHOT”, which is a must-see film about gun violence in America. Some of my favourite of his TV movies are “Katherine”, “Courage”, “Descending Angel”, “Conspiracy: The Trial of the Chicago 8”, which won an ACE Award for Best Dramatic Special, “Roswell: The UFO Cover-Up”, which got a Golden Globe Award nomination for Best TV movie, “Color of Justice”, “Bobbie's Girl”, and “Crown Heights”, which earned him the Directors Guild of America Robert B. Aldrich Achievement Award, and a nomination for Outstanding Directorial Achievement in Children's Programs, AND for which he won an NAACP Image Award AND the Humanitas Award for "affirming the dignity of every person". He also produced and directed the internationally acclaimed 10 part TV series entitled, “The ACLU Freedom Files”, which won a Special Recognition Award at the Washington Independent Film Festival. In addition, he's directed dozens of TV shows including “Columbo”, “Picket Fences”, “Chicago Hope”, for which he won an Emmy Award for Outstanding Directing, “Ally McBeal”, “Family Law”, “The West Wing”, for which the Online Film and Television Association nominated him for Best Direction of a Drama Series, AND he directed the pilot for “Dr. Quinn, Medicine Woman”. This man's contributions to the film industry have been monumental. He created the Change Making Media Lab, which fosters positive social and environmental change by producing award-winning films dealing with pressing social issues. He served as the Artistic Director of Robert Redford's Sundance Lab. And he's been on the National Board of the Directors Guild, where he is Chairperson of its Special Projects, providing members with educational, cultural and technological information. Our guest is also an accomplished author. His books entitled, “Directors Close Up”, Volumes 1, 2 and 3 contain fascinating interviews with renowned film directors. He also wrote a mesmerizing and inspirational book about his near-death experience, called “My Death: A Personal Guidebook”. And he's written an interactive eTextbook called “Keys to Directing”. He's a Professor at the USC School of Cinematic Arts, and he's taught master classes on filmmaking throughout the world. He's a member of the Academy of Motion Picture Arts and Sciences, The Television Academy, The Writers Guild, and The Directors Guild. For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To see more about Jeremy Kagan, go to:https://www.facebook.com/jeremypkagan/https://www.instagram.com/jeremypkagan/https://twitter.com/ainsof #JeremyKagan #harveybrownstoneinterviews
Support me on patreon for two bonus episodes every month: https://www.patreon.com/iictisatpod “Postcard from Camp Gaylore” Cosmopolitan Article by Frankie de la Cruz: https://www.cosmopolitan.com/lifestyle/a44903791/taylor-swift-queer-theories-camp-gaylore/ Interview w/ Patrick Haggerty re: ‘Lavender Country'(1973): https://www.theguardian.com/music/2014/apr/10/country-music-gay-stars-kicking-closet-door-lavender-country Chely Wright answering audience question re: being closeted in Hollywood: https://www.youtube.com/watch?v=odWTVdhzYRY Chely Wright “Wish Me Away” Documentary: https://www.youtube.com/watch?v=UD_dnIGvGtk Interview w/ Chely re: ‘Picket Fences': https://countryqueer.com/stories/interview/chely-wright-interview/ Interview w/ Chely re: YNTCD Music Video: https://www.facebook.com/CNNReplay/videos/country-musics-chely-wright-taylor-swifts-message-of-inclusivity-saves-lives/196784304560949/ Unreleased song 'Thinkin Bout You' written by Taylor Swift and Chely Wright: https://genius.com/Taylor-swift-thinkin-bout-you-lyrics Chely Wright Gaylor “I see you.” Tweet: https://twitter.com/chelywright/status/1619857837538299904?s=46 Gaylor creator shout out
eff Melvoin has written an inspiring and comprehensive guide to the art & science of what may be the most momentous, yet mysterious title in Hollywood: Showrunner. At its core, the job is described as a writer/producer hybrid. But it encompasses so much more than just that.Jeff joins us to talk about Running The Show: Television From the Inside, and he shares his unique perspective on what it takes to make it in the TV industry (spoiler: talent will take you only so far!) Coming to his author role with decades of television experience from broadcast to basic cable to the realm of Bezos (whom he refers to as “the Stalin of Streaming”), Jeff's enthusiasm for mentoring and educating compliment his acumen as an accomplished show runner on Killing Eve, Army Wives, Designated Survivor, Picket Fences, and Northern Exposure. They also serve him well as the writer of a wise, funny, instructive and inside view of his field of expertise.Jeff brings us incredible insight and wisdom on the specific set of skills and personality traits required to succeed at showrunning and leadership in general. We hear his Six Rules, The Twelve P's, His One career-making line (which he wrote for an episode of Remington Steele) and much more. Plus, he's got stories from the many shows he's worked on, including Remington Steele, NYPD Blue and Alias and he's bringing the intel on the differences between American and British Productions as learned via Killing Eve. He's also sharing his views on streaming's landscape overhaul, the existential nature of the current writers' strike and the need-to-know phrase for responding to a studio exec's notes.Plus, Fritz and Weezy are recommending The Beanie Bubble on Apple TV+ and San Francisco Sounds: A Place In Time.Path Points of Interest:Running the ShowJeff Melvoin on InstagramJeff Melvoin on WikipediaJeff Melvoin on imdbThe Beanie BubbleYou're Wrong About... with Sarah Marshall and Jamie Loftus Beanie Babies Episode San Francisco Sounds: A Place In Time
This challenging economy has changed people's definition of The American Dream. Steve Sipress, entrepreneur, marketing, advertising, sales, tips, ideas, help, strategy, small business owner, direct response, tactics, success, profits, growth, results, marketing consultant, American, Dream, home, house, own, ownership, mortgage, economy, inflation, cost, living,
Lindsay is joined by Chelsea from the Beyond the Picket Fence podcast to see if she can decipher what a couple of Victorian slang terms mean. Listen to Beyond the Picket Fence wherever you catch your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
Ever felt like the white picket fence dream is more of a nightmare? Ever thought that ADHD could actually be a superpower? Get ready to rethink those assumptions with our special guests, Ben and Cassidy Royall, on the latest episode of 'The Last Shot'. We take the conventional American dream and flip it on its head, discussing how the white picket fence is not just a chore to maintain, but could symbolize exclusion from community. Plus, we get hilariously philosophical over the struggles of keeping a white shirt clean in a fast-food world.Shifting gears, we delve into the misunderstood world of ADHD. Ben and Cassidy share personal stories and insights, challenging the negative stigma often associated with this condition. They passionately argue that, far from being a hindrance, ADHD can be a strength when harnessed properly. From school experiences to self-discipline, and overcoming negative comments, this episode is a journey through their unique perspectives. So, tune in to the Whiskey and Wisdom podcast for an enlightening conversation that will make you rethink and appreciate the potential benefits of ADHD.Flaviar Whiskey Club! The internet's best whiskey club! Get three samples sent to your door every month.Sway Creations PROMO CODE: WHISKEY Level Up your Marketing and Social Media Use PROMO CODE: WHISKEY for 10% off your first month.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showThank you all for listening to this week's podcast! If you enjoy listening please consider rating, following, and reviewing the show. Want to support the show further? Consider subscribing to the show, HEREHow to find us:Whiskey & Wisdom: @whiskey.and.wisdomChris Kellum: @ctkellum LinkedIn: Christopher KellumTyler Yaw: @tyler_yaw_LinkedIn: Tyler Yaw
Tom Skerritt, Emmy winner (Outstanding Lead Actor in a Drama Series) for his series PICKET FENCES, is one of the most versatile and acclaimed American actors in movies and TV. At UCLA Film School, he acted in theatre and began writing for screen as a means to understand the full embrace of his primary interest, directing film. While acting on stage, he was seen and hired to be in a small film where he met Robert Redford and Sydney Pollack. Soon after, he met director Robert Altman, with whom he mentored as a filmmaker, which led Tom to be cast in the movie version of M*A*S*H. This led to a distinguished and decades-long career, starring in such acclaimed films as TURNING POINT (for which Tom won the National Board of Review's Best Supporting Actor Award), ALIEN, TOP GUN, STEEL MAGNOLAS, A RIVER RUNS THROUGH IT, CONTACT, TEARS OF THE SUN and THE DEAD ZONE. The recipient of UCLA's Lifetime Achievement Honor in 1994, Tom is also a veteran of may television programs, including appearances on MADAM SECRETARY, THE WEST WING, LAW & ORDER: SPECIAL VICTIMS UNIT, CHEERS, WILL & GRACE and THE GOOD WIFE. In 2007, Tom received a Life Achievement Award from Wayne State University, which was followed with a Laureate Award from The Rainier Club in Seattle. In 2011, he received the Saturn Best Guest Actor Award - TV.Legendary film actress Veronica Cartwright began her career as a child actress in the classic films THE CHILDREN'S HOUR (directed by William Wyler), Alfred Hitchcock's THE BIRDS and SPENCER'S MOUNTAIN. A veteran of many beloved films, Veronica has appeared in over 50 movies and her resume includes two science fiction classics in the 1970's, Philip Kaufman's remake of INVASION OF THE BODY SNATCHERS and Ridley Scott's masterpiece thriller, ALIEN. Veronica starred as Betty Grissom in the epic dramatization of NASA's space program based on Tom Wolfe's novel, THE RIGHT STUFF, also directed by Kaufman. She made an indelible impression on moviegoers in 1987 with her standout performance in THE WITCHES OF EASTWICK. Among Veronica's many television credits are the hit shows CRIMINAL MINDS, CSI CYBER, BOSCH, RESURRECTION, GREY'S ANATOMY, WILL & GRACE, LEAVE IT TO BEAVER, THE TWILIGHT ZONE, GOTHAM KNIGHTS, ALFRED HITCHCOCK PRESENTS, THE GOOD DOCTOR and THE X FILES. Veronica has been nominated four times for an Emmy Award with one win. At age 15 she won an Emmy for Best Actress in a television movie called TELL ME NOT IN MOURNFUL NUMBERS. She was nominated again in 1997 for her guest starring role of Mrs. Huston in two widely acclaimed episodes of ER. In 1998 and 1999 the Television Academy nominated her twice for her pivotal role of Cassandra Spender on Fox's THE X FILES.
Lindsay and Madison discuss Julie d'Aubigny, as well as how to get a death sentence in absentia, that being a badass can be a good AND a bad thing, and how to live your best life in the 17th century. Information pulled from the following sources: 2022 All That's Interesting article by Genevieve Carlton 2022 Culture Trip article by Jade Cuttle 2022 Historic Mysteries article by Lauren Dillon 2019 Story of a City article by Laura Moore 2017 Los Angeles Public Library article by Alan Westby 2015 The Rake article by David Smiedt Badass of the Week Encyclopedia Kelly Gardiner Rejected Princesses Wikipedia (1) Go check out our friend Chelsea over at the Beyond the Picket Fence podcast. Get your groceries and essentials delivered in as fast as 1 hour via Instacart. Free delivery on your first 3 orders. Min $10 per order. Terms apply. Become a member on Buy Me A Coffee for as little as $1/month to support the show. You can write to us at: Ye Olde Crime Podcast, PO Box 341, Wyoming, MN 55092. Join the conversation over at the Cultiv8 Discord and join the Olde Crimers Cubby to chat with us and other listeners of the show. Leave us a rating and review on Apple Podcasts, Podchaser, Spotify or Goodpods! Don't forget to follow us on Twitter, Instagram, Facebook, TikTok, and YouTube. Learn more about your ad choices. Visit megaphone.fm/adchoices
Watch The Full Episode On Youtube:https://youtu.be/NXdoLcBzd1AIn the vast expanse of the digital landscape, where creativity and connection intertwine, there shines a beacon of inspiration and authenticity. Anna Henry, known to the world as Anna Kabana, stands at the forefront of content creation, a force of unyielding passion and boundless imagination. With every video, every word, and every captivating frame, she weaves a tapestry of compelling stories and transformative experiences. Anna's magnetic presence and unwavering dedication ignites a spark within her audience, empowering them to embrace their own unique journeys and chase their wildest dreams.**********************************************Want to try Feel Free by Botanic Tonics?Save $40 + Free Shipping when you use the code 'BTYS' @ checkout!Click Here: https://crrnt.app/BOTA/BTYS **********************************************CHECKOUT Anna on Social Media:https://www.instagram.com/annakabanaofficial/CHECKOUT Anna's Blog : https://linktr.ee/AnnakabanaFOLLOW BACK TO YOUR STORY:• Instagram: https://www.instagram.com/backtoyourstory • TikTok: https://www.tiktok.com/@btysclips • Facebook: http://www.facebook.com/backtoyourstory • Twitter: http://www.twitter.com/backtoyourstory • Website: https://www.backtoyourstory.com **********************************************WANT TO COME ON THE PODCAST AND SHARE YOUR STORY?Email: Brock@BackToYourStory.com NEED HELP WITH PRODUCTION OR JUST WANT TO SEND OUR PRODUCER/VIDEO EDITOR A COMPLIMENT?Email: robitailletylerr@gmail.com ENJOYING THE SHOW AND WANT TO SEND US A GIFT?PayPal: https://paypal.me/BackToYourStoryTipsBitcoin Wallet: 3Bvx3GRaS2TZW2VpUgR4HvgY65rxchSPbhEthereum Wallet: 0x260b47a35438bD0056faEF55158ccA8d84da7d45
We're bringing you another podcast from Wonder Media Network that we think you'll love: White Picket Fence. White Picket Fence interrogates the structures of inequity affecting women since America's founding. On the newest season, host Julie Kohler investigates mothers as a political force — how motherhood has been utilized for political gain and why the identity of “mother” remains so politically potent. In the fall of 2020, a group of mothers gathered around a kitchen table. They were concerned that public school administrators were making decisions about their children's health and education that overstepped their bounds. It felt like they were losing control over their kids. So they decided to band together and fight for their parental rights. Pretty compelling, right? It's hard to argue with moms. The GOP knows that. And that's why they've weaponized our reverence for motherhood by propping up Moms for Liberty — the “grassroots” organization that's leading the charge in the culture wars in American public schools. White Picket Fence's cover art features a photograph by Jonathan Wilkins. White Picket Fence is supported by Planned Parenthood. For more information or to book an in-person or virtual appointment, visit plannedparenthood.org or call 1-800-230-PLAN.
We're bringing you another podcast from Wonder Media Network that we think you'll love: White Picket Fence. White Picket Fence interrogates the structures of inequity affecting women since America's founding. On the newest season, host Julie Kohler investigates mothers as a political force — how motherhood has been utilized for political gain and why the identity of “mother” remains so politically potent. In the fall of 2020, a group of mothers gathered around a kitchen table. They were concerned that public school administrators were making decisions about their children's health and education that overstepped their bounds. It felt like they were losing control over their kids. So they decided to band together and fight for their parental rights. Pretty compelling, right? It's hard to argue with moms. The GOP knows that. And that's why they've weaponized our reverence for motherhood by propping up Moms for Liberty — the “grassroots” organization that's leading the charge in the culture wars in American public schools. White Picket Fence's cover art features a photograph by Jonathan Wilkins. White Picket Fence is supported by Planned Parenthood. For more information or to book an in-person or virtual appointment, visit plannedparenthood.org or call 1-800-230-PLAN.
For decades, there has been a stigma attached to remaining unmarried and childless in the Black community, particularly for women. But a growing part of the Black middle class is single, childfree adults. Does the trend threaten the future of the Black family, or is it time to recognize a different model for family life? On today's episode of A Word, Jason Johnson is joined by sociologist Kris Marsh, author of “The Love Jones Cohort: Single and Living Alone in the Black Middle Class.” Guest: Kris Marsh, University of Maryland Sociology Professor and author of “The Love Jones Cohort: Single and Living Alone in the Black Middle Class.” Podcast production by Ahiyana Angel You can skip all the ads in A Word by joining Slate Plus. Sign up now at slate.com/awordplus for just $1 for your first month. Learn more about your ad choices. Visit megaphone.fm/adchoices
For decades, there has been a stigma attached to remaining unmarried and childless in the Black community, particularly for women. But a growing part of the Black middle class is single, childfree adults. Does the trend threaten the future of the Black family, or is it time to recognize a different model for family life? On today's episode of A Word, Jason Johnson is joined by sociologist Kris Marsh, author of “The Love Jones Cohort: Single and Living Alone in the Black Middle Class.” Guest: Kris Marsh, University of Maryland Sociology Professor and author of “The Love Jones Cohort: Single and Living Alone in the Black Middle Class.” Podcast production by Ahiyana Angel You can skip all the ads in A Word by joining Slate Plus. Sign up now at slate.com/awordplus for just $1 for your first month. Learn more about your ad choices. Visit megaphone.fm/adchoices
For decades, there has been a stigma attached to remaining unmarried and childless in the Black community, particularly for women. But a growing part of the Black middle class is single, childfree adults. Does the trend threaten the future of the Black family, or is it time to recognize a different model for family life? On today's episode of A Word, Jason Johnson is joined by sociologist Kris Marsh, author of “The Love Jones Cohort: Single and Living Alone in the Black Middle Class.” Guest: Kris Marsh, University of Maryland Sociology Professor and author of “The Love Jones Cohort: Single and Living Alone in the Black Middle Class.” Podcast production by Ahiyana Angel You can skip all the ads in A Word by joining Slate Plus. Sign up now at slate.com/awordplus for just $1 for your first month. Learn more about your ad choices. Visit megaphone.fm/adchoices
For decades, there has been a stigma attached to remaining unmarried and childless in the Black community, particularly for women. But a growing part of the Black middle class is single, childfree adults. Does the trend threaten the future of the Black family, or is it time to recognize a different model for family life? On today's episode of A Word, Jason Johnson is joined by sociologist Kris Marsh, author of “The Love Jones Cohort: Single and Living Alone in the Black Middle Class.” Guest: Kris Marsh, University of Maryland Sociology Professor and author of “The Love Jones Cohort: Single and Living Alone in the Black Middle Class.” Podcast production by Ahiyana Angel You can skip all the ads in A Word by joining Slate Plus. Sign up now at slate.com/awordplus for just $1 for your first month. Learn more about your ad choices. Visit megaphone.fm/adchoices
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