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Political commentator Robert Godden returns to examine how Trump's policies ripple through South Australian vineyards and shipyards, while introducing us to diverse local voters shaping our electoral landscape - from climate-conscious Ellie in Goodwood to disillusioned Mick in Morphett Vale. Robert's record for calling elections correctly stands firm as he reveals which South Australian electorates might swing in the upcoming federal vote. Though Labor appears headed for a reduced majority, the real question is how our vote might influence America's orange-tinted decisions affecting our exports and defence agreements. In the Musical Pilgrimage, Lizzie Hosking's soulful track "Can't Figure You Out" perfectly captures the electoral indecision many South Australians face heading into the May 3rd poll, while a Good Friday interview with Richard Pascoe uncovers the gruesome history buried at St. Mary's Anglican Church. There is no SA Drink Of The Week this week. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We're here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It's an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we'll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store - The Adelaide Show Shop. We'd greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here's our index of all episode in one concisepage. Running Sheet: From Trump to Two Wells - SA's Political Crossroads In AusVotes 2025 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week No South Australian Drink Of The Week, this week. 00:03:41 Robert Godden Robert Godden, our regular political analyst who correctly called the 2018 South Australian election before Antony Green, joins us to examine the upcoming federal election through a South Australian lens. With the shadow of Donald Trump's presidency louring over international relations, the conversation begins with the "Trump factor" and its potential impacts on our state. "We can look at what happened with China when they put tariffs on us," Robert explains when discussing Trump's trade war implications for South Australian exports like beef, wine, and seafood. "Remember Christmas before last when people were indulging in lobster who'd never had it before because it was so cheap?" He suggests diversification of markets is essential, noting how Australia pivoted successfully during the China tariff challenge. The conversation takes a more serious turn when examining the AUKUS agreement, with Robert noting that America's treatment of Australia has drawn criticism even from US politicians like Democratic Senator Mark Warner. "He spent a good half hour listing all the reasons... anyone with brains and shame would've gone, 'He's right, let's help Australia out.' But Trump hasn't shown great quantities of either." Robert's assessment of climate policy delivers perhaps the episode's most cutting insight: "The easiest way for the Liberals to have a chance at getting back in power would be to embrace the climate cause." He argues that the six Teal candidates in parliament are essentially "liberals with climate views," representing votes the Coalition has surrendered to independents. When Steve asks whether anything Australia does could influence Trump's policies, Robert responds with characteristic frankness: "He doesn't understand international trade. I mean, look, he doesn't understand shoelaces." The interview shifts to a fascinating examination of voter personas Robert has created, representing different South Australian demographics and their voting intentions. These include Ellie from Goodwood (a 29-year-old non-binary arts worker voting Green), Tyler from Lightsview (a 21-year-old apprentice electrician leaning Liberal), Andrew from Aldgate (a 45-year-old high school teacher supporting Rebecca Sharkie), Mick from Morphett Vale (a 53-year-old injured truck driver voting One Nation), and Jade from Christies Beach (a financially stretched childcare worker who remains undecided). When discussing cost of living concerns, Robert delivers one of the episode's most provocative statements: "If Peter Dutton wants to win this election at all costs, all he has to do is chuck money at people. If he said to the electorate, 'If you vote for me, I'll give you $300 a week from now until the next election' – job done." Robert heartily recommends using the ABC Vote Compass to help you see where you sit idealogically, and how that aligns to the parties. 01:04:04 St Mary's Anglican Church Cemetary Steve shares a recording from his Good Friday conversation with Richard Pascoe on FiveAA, discussing the upcoming cemetery tour at St. Mary's Anglican Church on Saturday, May 17, 2025, from 10am to 2pm. The segment reveals fascinating South Australian history, including the burial sites of Richard Hamilton (father of South Australia's wine industry) and Benjamin Herschel Babbage (son of computing pioneer Charles Babbage). The conversation takes a macabre turn as Steve describes university researchers' discoveries in the cemetery's pauper section, including bodies broken to fit into smaller coffins, teeth ravaged by untreated cavities, and even evidence of leprosy in early South Australia. "It just fires up gratitude for me of what we've actually been able to achieve," Steve reflects, noting how easily we forget the harsh realities our ancestors faced. 01:16:06 Musical Pilgrimage In the Musical Pilgrimage, we feature Can't Figure You Out by Lizzie Hosking. Steve praises her "breathy and hearty voice" with its "clear, clean, strong" qualities that draw listeners in. The song's sultry jazz feel and title perfectly mirror the electoral indecision many South Australians feel approaching the May 3rd federal poll. As Steve notes, "I chose it because frankly, I can't figure out who is worthy of my vote."Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

Adelaide’s scientific community wades into the global conversation about de-extinction as Associate Professor Bastien Llamas from the University of Adelaide’s School of Biological Sciences and the Australian Centre for Ancient DNA brings cool-headed expertise to recent claims about dire wolves being “brought back from extinction.” What began as scientific curiosity became urgently relevant when Steve overheard his teenage daughters excitedly discussing how “wolves aren’t extinct anymore and mammoths will be back soon” – highlighting the real-world consequences of misunderstood science. The SA Drink Of The Week segment isn’t included in this episode, as our focus remains squarely on the fascinating scientific ground being covered, from the definition of true extinction to the uncomfortable realities of dropping long-gone predators into modern ecosystems. In the Musical Pilgrimage, we’re treated to Professor Flint’s Rumble Rumble, a song about the Permian extinction that carries a message of both disaster and hope – perfectly complementing our exploration of extinction, science communication, and the resilience of nature given sufficient time. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: Making De-extinction Claims Extinct 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week No South Australian Drink Of The Week, this week. 00:02:52 Assoc. Prof. Bastien Llamas Winter isn’t just coming, apparently it arrived in October last year when Colossal Biosciences announced they’d successfully “de-extincted” the dire wolf after a 10,000-year absence. Now, for anyone watching the news or scrolling through social media lately, you might think you’ve stepped into an episode of Game of Thrones—and the connection is no coincidence, with George R.R. Martin himself serving as a “cultural adviser” to this company. I first caught wind of this story through our good mate Michael Mills, better known to many South Aussie school kids as Professor Flint, who was absolutely scathing about these claims. And I’ll admit, I thought exploring this topic might be a bit of scientific curiosity until I was driving my teenage daughters recently, and overheard them chatting excitedly about how “cool it is that wolves aren’t extinct anymore” and that “mammoths will be back soon too.” That’s when I realised we needed some cool-headed expertise on the subject. With us today is Associate Professor Bastien Llamas from the University of Adelaide’s School of Biological Sciences and the Australian Centre for Ancient DNA. Bastien’s work on ancient DNA and human adaptation to environmental and cultural stressors puts him in the perfect position to help us understand what’s actually happening with these de-extinction claims. Welcome. The interview opens amid the cultural echoes of Game of Thrones, with Steve noting how Colossal Biosciences has seemingly found a “middle ground” in the stark binary of winning or dying in the game of thrones – by claiming to resurrect dire wolves after a 10,000-year absence. This connection is no coincidence, with George R.R. Martin himself serving as a cultural advisor to the company. “If it looks like a dire wolf and it howls like a dire wolf, it’s… well, a dire wolf for the sake of PR purposes,” Steve observes, setting the stage for Bastien to methodically dismantle the scientific validity of these claims. The discussion begins with fundamentals, as Bastien explains what extinction actually means from a scientific perspective: “The extinction process is really the total disappearance of a particular species from the surface of the earth.” The conversation takes a fascinating turn when Bastien addresses the technological impossibility of true de-extinction: “To de-extinct means literally bringing back individuals from that very species to life… if that extinction happened hundreds or thousands of years ago, it means that we would need to have intact cells from these particular individuals. And through some cloning technologies, be able to create an embryo… Now we’re talking about science fiction.” When pressed on the ecological reality of reintroducing extinct species, Bastien paints a vivid picture of the challenges: “If a species got extinct in the first place, it’s very likely because there were some factors — environmental change or human overkill — that means the world has slowly changed to the point where that species was not adapted to their environment.” His specific example about dire wolves resonates with practical concerns: “A nice big cow would probably be a great prey for that wolf. And I am just waiting for the reaction of the farmers.” The scientific breakdown of Colossal’s claims is particularly enlightening, with Bastien revealing that dire wolves and grey wolves split evolutionarily 5.7 million years ago: “For 5.7 million years, they evolved differently. Dire wolf became those big whoopy canid, um, you know, hypercar, the gray wolves were more adaptable, uh, smaller size, and a diet that was a little bit more diverse.” This evolutionary divergence created approximately 12.5 million genetic differences, yet Colossal made only 20 genetic changes to grey wolves. “Twenty changes out of 12.5 million is nothing,” Bastien emphasises. The interview takes a philosophical turn when Steve asks about the one motivation that might have ethical value – atonement for human-caused extinctions. Bastien thoughtfully responds, “Even atoning for that doesn’t mean that we’re going to change our behaviors,” noting that such technology might create a dangerous sense of complacency about current conservation challenges. Perhaps most powerfully, Bastien offers an analogy that crystallises the issue: “If we take a chimp and we introduce 20 changes in the genome of the chimp, so it loses the hair, for example, and the shape of the skull is modified… would we consider that genetically engineered chimp a human?” The answer is clearly no, undermining the claim that genetically modified grey wolves are actually dire wolves. The conversation closes with wisdom about critical thinking, with Bastien suggesting that while we should allow ourselves to be amazed by scientific headlines initially, we must follow with critical reflection: “You need to let it go. At first you need to be amazed. You need to be curious. You need to be dreaming a little bit. But then once that first phase is over, you need to sit down a little bit and think about really what the information is about.” 00:51:09 Musical Pilgrimage In the Musical Pilgrimage, we feature Rumble Rumble by Professor Flint. This is a song about the Permian extinction, known as The Great Dying, in which 96% of all life was wiped out. It reminds us of the fragility of nature, and the impermanence of all things. It also reminds us of nature’s resilience. While it took millions of years to recover, given the chance, and time, nature was able to recover, and we enter the remarkable Age of Dinosaurs. The death of some, allows for the evolution of others. Michael Mills, the man behind Professor Flint and HeapsGood Music, is highlighted as someone gaining popularity by “staying true to the science” – a refreshing counterpoint to the misleading headlines discussed throughout the episode. Steve shares exciting news about Michael’s upcoming performances at the Lyme Regis Fossil Festival in the UK (making history as the first Australian to grace that stage), as well as his Commonwealth National Science Week grant supporting “The Ammonites,” an all-female dinosaur-loving supergroup touring across Australia this August.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

When Robert Godden joined us in 2018 for Episode 235, we read tea leaves to predict Steven Marshall’s election victory. Today, Robert returns with his tea expertise as we sit down with two Senate hopefuls – Dianah Walter and Dr. Rod Pearce AM – who are campaigning together under the “SA Matters” banner. While sipping tea, we explore how these candidates plan to navigate Canberra’s corridors while maintaining their commitment to South Australian priorities. In a refreshing departure from party politics, Dianah and Rod share their journey from collaboration on women’s health initiatives to forming an unendorsed Senate ticket focused squarely on local issues. With Dianah’s background in regional advocacy and Rod’s decades of experience as a respected GP shaping national health policy, they present a compelling case for representation that transcends party loyalty. There is no SA Drink Of The Week, this week. And in the Musical Pilgrimage, we close the show with Swap Meet’s dreamy indie folk-rock track “Ceiling Fan” – an apt choice given the band’s own journey of rebranding from Sour Sob and striking out with a new identity, just as Dianah is doing with her political realignment. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: SA Matters This Election 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week No South Australian Drink Of The Week, this week. 00:02:30 SA Matters: Behind the Independent Campaign In a political landscape where party loyalty often overshadows regional advocacy, Dianah Walter and Dr. Rod Pearce have emerged as “SA Matters” – an unendorsed Senate ticket with a decidedly local focus. Dianah, fresh from her departure from the Legalised Cannabis Party, and Rod, a respected GP whose voice has shaped national health policy, have joined forces at a time when social media giants face increasing scrutiny for their influence on political discourse. “South Australia does matter” isn’t just their campaign slogan – it’s the philosophy that brought them together through a shared history of advocacy that includes women’s health initiatives. Their promise is straightforward: representation that puts our state first, regardless of partisan pressure. “Our loyalty is to the work we’ve done together in the past and to basically being an advocate for South Australia,” Rod explains, citing specific examples of how party senators might face conflicts between state interests and party priorities. This unwavering focus on South Australian priorities forms the cornerstone of their campaign. Dianah’s recent encounter with caregivers of a disabled woman reveals their grassroots approach: “What can we do to help you?” she asked after a lengthy discussion. Their response was telling: “In all of the last two years they’ve been coming to that place, not once had anyone stopped to talk to them.” This approach reflects the StoryBrand framework where the voter is the hero and candidates are guides – something Dianah intuitively grasped at their campaign launch: “You are not here because of me… I believe you’re actually here because you’re here for you.” For Rod, this connection to community has been central to his 40-year career as a GP: “You need to have that 15-minute, one-on-one conversation, which I have with 20 or 30 people every day… but that’s gotta translate into effective advocacy.” Robert highlights how traditional media creates lasting trust: “I’ve been an avid listener to ABC radio since I was 18… I’ve just heard your voice so many times,” he tells Rod. “We don’t necessarily believe what we read on Facebook, but we certainly believe what we hear on the radio.” Dianah shares radio’s crucial role during emergencies: “We recently lost power for nearly 24 hours on the YP. I’m a Country Fire Service volunteer… our mobile phone towers went down and we had no connection as emergency services volunteers. But I got me little transistor out that dad gave me, and I tuned into ABC and I knew what was going on.” The darker side of modern media becomes apparent when Dianah describes setting up her campaign Facebook page: “Three seconds in my feed, I had Trump, Elon Musk, lots of right wing extremists in my feed!'” Robert, a self-described “below the line voter, like 10% of the population,” offers perspective: “Australian democracy is based on the person who the least people have a problem with gets in… it’s not about who’s the best, it’s about who’s the least worst.” This conversation reveals the complexity facing independent candidates – they must define themselves by values rather than party policies, building trust through personal connection rather than political shorthand. 01:03:30 Musical Pilgrimage In the Musical Pilgrimage, we feature Murray Bridge’s own Swapmeet with Ceiling Fan. Swapmeet began life as Sour Sob before a legal threat forced them to change their name. This journey of rebranding while maintaining artistic integrity mirrors our Senate hopefuls’ commitment to authentic representation. The name “Swapmeet” carries special significance for lead singer Venus O’Broin, who got her current guitar at a swap meet – a grassroots connection that echoes our candidates’ approach to building their campaign from the ground up. Swapmeet’s debut EP “Oxalis” (cheekily named after the genus of the sour sob plant) features today’s track “Ceiling Fan,” which captures the dreamy indie folk rock sound that earned them Best Song at last year’s SA Music Awards. Like our guests today, Swapmeet proved that sometimes starting fresh can be liberating while staying true to your roots.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

How’s it, indeed! Episode 411 of The Adelaide Show takes us on a remarkable journey with Ben Voss, a South African performer who’s recently landed in Adelaide, bringing with him a treasure trove of stories, a global talent visa, and a one-man show that dissects the intricate process of finding a new home. We also keep the international feel going with an exclusive interview with Bettina Bitchkinky, who will be in Adelaide this month to host Club Eurovision. She is a major star in Belarus and she’s teaming up with Glynn Nicholas and dozens of glittering performers to create one crazy night at the Arkaba Hotel. For the SA Drink Of The Week, we are imbibing our beverage through the medium of Barossa Valley Gourmet Fudge. And in the Musical Pilgrimage, we’re dipping back into the archives of Fergus Maximus and Dr D with another track about South Australia from their Fringe show, Back in ADL. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: [email protected] If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: From South Africa And Belarus With Love This Adelaide Fringe 00:00:00 Intro Introduction 00:02:25 SA Drink Of The Week The South Australian Drink Of The Week this week is actually a fudge with port by Barossa Valley Gourmet Fudge. Steve met Julie at a workshop he was running through the week for Regional Development Australia (RDA) Barossa Gawler Light Adelaide Plains (BGLAP). You’ll find her wares at the Barossa Farmers Market. She makes her fudge by hand in the Barossa Valley using local fresh cream, fresh Australian butter, and basically everything that is wholesome (in that special way that fudge does it). In a delightful twist, Steve Davis and Ben Voss eschew traditional liquid libations for a tasting of Barossa Valley Gourmet Fudge. They sample two decadent varieties: Port and Roasted Almond Truffles and Dark Chocolate Port and Raisin Fudge. The duo engages in a playful, descriptive tasting that transforms the fudge into a sensory journey, complete with metaphors ranging from “grandma’s feather bed” to “an air safety bag for your palate”. 00:10:20 Ben Voss Ben Voss opens up about his theatrical migration from South Africa to Australia, sharing the profound personal and artistic motivations behind his one-man show “Becoming Benno”. He candidly discusses the pivotal moment during the Durban riots that sparked his family’s decision to seek a new life, painting a nuanced picture of leaving one’s homeland not out of desperation, but with hope and intentionality. The conversation explores Ben’s artistic reinvention, from being a established performer in South Africa to becoming an eager newcomer in Australia. He reflects on the humbling yet invigorating experience of rebuilding his artistic identity, emphasising his belief that quality work will ultimately speak for itself. Particularly compelling are Ben’s observations about South Africa and Australia, comparing their social dynamics, discussing the complexities of cultural representation in comedy, and celebrating the egalitarian spirit he sees in his new home. Becoming Benno at the Woodville Town Hall and The Warehouse Theatre in Unley. 00:47:20 Bettina Bitchkinky, Club Eurovision In a riotous segment, Bettina Bitchkinsy, the “glittering jewel of Belarus Broadcasting,” brings her larger-than-life persona to the show. Hosting Club Eurovision at the Adelaide Fringe, she offers a hilariously unfiltered perspective on European culture, performance, and audience participation. Her advice is as bold as her personality: come prepared to wave flags, use “clackers,” potentially drink vodka, and absolutely not be shy. Bettina describes Eurovision as a “cosmic salad” of European identity, complete with feta cheese and “nuts” (both literal and metaphorical). She promises an interactive show where audience members get to vote live, emphasizing it’s “not like the Trump election” but a truly democratic experience. Her tips for attending include bringing 23 friends (for some mysteriously precise statistical reason), being ready to make noise, and potentially spending $10 for her coveted autograph. Get tickets for the March 19, 2025, glittering spectacular, here: Club Eurovision. 01:02:05 Musical Pilgrimage In the Musical Pilgrimage, we feature Cross Out The King by Fergus Maximus and Doctor D. (You can hear a full show with this duo in Episode 387). They have a Fringe show again this year, with tickets here: Back in ADL (more Sweet Home Songs). The episode concludes with a musical tribute by Fergus Maximus and Dr. D, featuring their song “Cross Out The King” – a playful exploration of Adelaide’s street-naming quirks. The track delves into the local myth that one cannot cross King William Street, revealing the humorous backstory of how Adelaide’s founding fathers managed their street-naming ambitions.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

The battle lines are drawn over UniSA’s Magill campus site, where a proposal to rezone from community use to residential threatens to replace a cherished green space with up to 400 dwellings. As urban infill pushes local infrastructure to its limits, Magill Matters representatives Denise MacGregor and Charlotte Reimer make their case for preserving this vital community asset, home to 350 trees (some predating colonial settlement), thriving wildlife corridors, and essential recreational spaces. While there is no SA Drink of the Week in this episode, the thirst for preservation of community assets runs deep through every moment of the conversation, as does the sobering realisation that once green spaces are lost to development, they’re gone forever. In a poignant Musical Pilgrimage, The Danger Dolphins’ “Blackfish Blues” serves as an unintentionally perfect soundtrack to the episode’s themes, its raw, blues-driven exploration of confinement resonating with both the threatened creek-dwelling creatures and future residents who might find themselves in an area stripped of its natural cooling canopy. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: We Will Discover Destroying UniSA Magill Matters When The Green Has Gone And Temperatures And Tempers Rise 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week There is no South Australian Drinks Of The Week this week. 00:07:25 Denise MacGregor and Charlotte Reimer, Magill Matters Standing at Third Creek on the UniSA site, one immediately understands what developers might miss in their spreadsheet calculations. The space serves as a vital community hub where the background hum of urban life fades away, creating what our guests describe as a “movie set” atmosphere of tranquility. From early morning Tai Chi practitioners to soccer-playing families and solitary readers, the campus grounds provide what Denise MacGregor poignantly describes as “dwelling spaces, not just dwellings” – a profound distinction in an era of shrinking private yards. The land’s history deepens its significance, having been bequeathed by Sir George Murray in 1942 to the university for community and educational purposes. This legacy faces an uncertain future as plans emerge for potential medium to high-density residential development, which could see buildings up to six storeys high replacing the current green space. Magill Matters advocates aren’t opposed to all development but propose creative alternatives that would maintain the site’s community focus while addressing housing needs. Their vision includes repurposing existing buildings for aged care facilities (addressing Minister Champion’s goal of freeing up family homes), maintaining recreational spaces, and preserving the vital green corridor that helps cool the suburb by up to 5 degrees Celsius. Links: Magill Matters, public Facebook group Magill Matters submission to Renewal SA that you are encouraged to read and submit before February 10, 2025 00:37:20 Musical Pilgrimage In the Musical Pilgrimage, we feature Blackfish Blues by The Danger Dolphins. For our Musical Pilgrimage this week, we’re diving into “Blackfish Blues” by Adelaide’s The Danger Dolphins, and the timing couldn’t be more poignant. As we’ve discussed the proposed rezoning of UniSA’s Magill campus, this raw, blues-driven track speaks to the confinement and constraints that echo through our main discussion. When Zac sings “Nothing changes every day, another dolphin out of sea, just glass between you and me,” it’s hard not to think of both the threatened creek-dwelling creatures and future residents who might find themselves in an area stripped of its natural cooling canopy and breathing spaces. The Danger Dolphins, born from late-night jam sessions between Zac Gerhardy and Nick Barone, have crafted a song that, while written about a different context, resonates deeply with the environmental concerns surrounding Third Creek’s ecosystem. Their sound, influenced by Led Zeppelin and The Black Keys, brings a powerful urgency to themes of restriction and environmental impact that mirror our concerns about urban development’s effect on both wildlife habitats and human wellbeing. While “Blackfish Blues” is a few years old now, The Danger Dolphins have recently released an EP, Jam Factory Vol. II, which captures their raw energy in a stripped-back two-day recording session that feels worlds away from their meticulously produced Vol. I. For a chance to experience their evolution in the flesh – and witness what they’re cryptically calling “a sneaky lil on stage treat” – catch them at the High Fever Festival at Macclesfield’s Three Brothers Arms on Saturday, February 8. With free camping available, you can let loose without watching the clock.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

In a special episode themed around Chinese New Year, we explore how Adelaide embraces cultural connections through three distinct lenses. The centerpiece is our conversation with Carolyn Lam, whose journey from Hong Kong to Adelaide has helped weave classical music into our city’s cultural fabric through Amicus Strings’ 100+ annual performances. The celebration begins with 23rd Street Distillery’s extraordinary Year of the Snake Whisky, one of only 3,600 bottles produced, showcasing Kangaroo Island barley aged in 15-year-old Galway Pipe casks. The resulting spirit proves as transformative as the year it honours. Our musical pilgrimage breaks new ground as we debut vinyl playback in the studio with Jayne-Anne Power’s “What’s Your Rush” from The Analogue Sessions, bringing soul-drenched wisdom to match the Year of the Snake’s themes of transformation and growth. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: Snake Whisky And Symphony Herald Adelaide’s Chinese New Year 00:00:00 Intro Introduction 00:03:43 SA Drink Of The Week The South Australian Drinks Of The Week this week is the 23rd Street Distillery Year Of The Snake Whisky. The 23rd Street Distillery Year of the Snake Whisky arrives in packaging that would make any emperor proud – deep burgundy and gold boxes revealing a snake-adorned bottle that’s as much art piece as vessel. Our resident palate, John Gledhill, discovers layers of butterscotch and warming spices dancing with sun-dried raisins and vanilla, while the 15-year-old Galway Pipe cask influence emerges like a wise elder offering quiet counsel. 00:16:00 Carolyn Lam, Co-founder, Amicus Strings From playing in total darkness at Mawson Lakes Planetarium to accompanying Elaine Paige, OBE, Carolyn Lam’s musical journey embodies the cultural bridges being built in Adelaide. She shares insights on everything from making classical music accessible through popular music arrangements to the surprising connection between Philip Glass and organised personalities. Her reflections on Hong Kong’s vibrant classical music scene and the differences between Eastern and Western musical approaches offer fascinating glimpses into how music transcends cultural boundaries. Amicus Strings booking information Hong Kong String Orchestra performance details for January 31st at Her Majesty’s Theatre 00:50:55 Musical Pilgrimage In the Musical Pilgrimage, we feature What’s Your Rush by Jayne-Anne Power. In a first for the podcast’s 11-year history, we spin vinyl right in the studio with Jayne-Anne Power’s “What’s Your Rush” from The Analogue Sessions EP. The funked-up soul and gritty grooves perfectly complement our Chinese New Year theme of transformation and wisdom, with Shane Ellery’s keys and the powerful vocal harmonies creating a soundscape that rewards patient listening – truly embodying the “what’s your rush?” philosophy.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

Alison Pilborough bridges two worlds often seen as incompatible - artisanal coffee roasting and premium loose leaf tea blending - offering insights from her Aldinga Eco Village base about why some roasts deserve second chances and why tea drinkers are increasingly seeking calm through chamomile. The SA Drink of the Week ventures into new territory with Fleurieu Roast's 18-hour cold brew coffee, challenging even the most orthodox espresso lovers to expand their horizons. We wrap up with The Saucermen's "Devil's Elbow", their rockabilly tribute to that infamous stretch of the old South Eastern Freeway that tested nerves and brakes in equal measure before the Heysen Tunnels arrived. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We're here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It's an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we'll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store - The Adelaide Show Shop. We'd greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here's our index of all episode in one concisepage. Running Sheet: Small-Batch Coffee Revolution At Fleurieu Roast Aldinga 00:00:00 Intro Introduction 00:03:27 SA Drink Of The Week The South Australian Drinks Of The Week this week is the 18-hour Cold Brew by Fleurieu Roast. Picture this: an elegant Kilner jar filled with what looks deceptively like strong-brewed tea, but is actually an 18-hour immersion cold brew using light-roasted Ethiopian natural processed beans. The result offers medicinal and herbal notes that dance across the palate before cleanly disappearing - like watching a train pass at the station, leaving just a whisper of breeze in its wake. Steve's initial trepidation gives way to intrigue as Alison explains how this concentrated elixir can be enjoyed neat or mixed with water/milk in a 50:50 ratio. A revelation for summer refreshment that might just convert even the most ardent hot coffee purists. 00:12:27 Alison Pilborough, Fleurieu Roast, Wyverstone Tea, and Elevenses From the moment Alison shares her first tea memory - being allowed the "second dunking" of her mother's teabag at age 11 - we're drawn into a world where beverages become storytellers. Her journey from service station barista counting shots to award-winning roaster demonstrates how South Australian artisans are elevating everyday drinks into extraordinary experiences. The conversation deepens beyond mere beverage talk as Alison reveals the meditation-like focus required during roasting, where a single phone call at the wrong moment can transform carefully sourced beans from sublime to scorched. Yet even "mistakes" find their audience - Steve's enthusiasm for an accidentally dark-roasted batch proves the old adage about one person's trash becoming another's treasure. Between discussions of "blooming the grounds" and the politics of milk in coffee, we discover why some of Alison's tea blends now include blue lotus for enhanced dream recall - though she remains vague about some of the features of her tea-induced dreams! Learn more about: Fleurieu Roast Wyverstone Tea Elevenses 01:05:58 Musical Pilgrimage In the Musical Pilgrimage, we feature Devil's Elbow by The Saucermen. The Saucermen's "Devil's Elbow" provides a rockabilly backdrop to memories of navigating that notorious stretch of the old South Eastern Freeway, where mastering your momentum was an art form all its own. For those planning ahead, catch them battling Melbourne's Scar Vendors at Ska vs Rockabilly at The Highway on March 15, 2025. Here's this week's preview video There is no featured video this week. SFX: Throughout the podcast we use free SFX from freesfx.co.uk for the harp, the visa stamp, the silent movie music, the stylus, the radio signal SFX, the wine pouring and cork pulling SFX, and the swooshes around Siri.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

In an episode celebrating South Australian innovation in unexpected places, Bickford’s Group Marketing Director Chris Illman shares how a 150-year-old drinks maker is modernising adult soft drinks while preserving quirky local traditions like our distinctive brown lime cordial. Between sips of their sophisticated new Pineapple Passion Fruit and Cloudy Lemonade soft drinks, we discover why South Australians developed different taste preferences from the rest of the nation. Port Adelaide’s Tanya Keen then unravels the surprisingly radical world of contemporary knitting from her Yarn Trader sanctuary, where cinema crafters work their magic in the flickering dark and being “knit-worthy” separates the appreciative from the uninitiated. We wrap up with Dr. D and Fergus Maximus transporting us to balmy Somerton Beach evenings with their perfectly timed summer anthem “Somerton Nights,” previewing their upcoming Fringe show that promises to time-travel through Adelaide’s musical history. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: Knitting Renaissance Meets Nostalgic Sips: Adelaide’s Love Of Tradition 00:00:00 Intro Introduction 00:02:39 SA Drink Of The Week The South Australian Drinks Of The Week this week are Cloudy Lemonade and Pineapple Passionfruit “Adult Style” soft drinks by Bickfords. Picture this: you’re in a backyard on washing day, sheets flapping in the summer breeze. That’s the exact moment Steve captured while savouring Bickford’s new Cloudy Lemonade, a drink that took an astounding decade to perfect. Chris Illman reveals it’s all about the real lemon concentrate creating that nostalgic weight across the palate. The Pineapple Passion Fruit follows, floating what Steve dubbed “Willy Wonka aromatics” through the studio. It’s a sophisticated departure from standard soft drinks, though Chris assures us there’s still room for that “permissible indulgence” we occasionally crave. Between sips, we discover South Australia’s unique relationship with Creaming Soda and learn why cloudy pear juice is cheekily known as “young person’s prune juice” – a revelation that had Steve reconsidering his medicine cabinet. 00:24:04 Tanya Keen, Yarn Trader Step into Yarn Trader, where Tanya Keen is revolutionising Port Adelaide’s crafting scene one stitch at a time. Who knew knitters were nervous about crafting in public? (“It’s usually because people decide that knitting or crocheting in public is an invitation to open a conversation,” Tanya explains with knowing wisdom.) Steve’s live attempt at mastering the knit stitch provides both comedy and insight – though his suggestion of passing down a “hand-knitted mankini” as a family heirloom might not make it into Tanya’s customer recommendations. The real eye-opener? Contemporary knitters are crafting everything from precision-fitted socks (“like Cinderella’s slipper”) to “knitted knockers” for post-mastectomy support. As Tanya notes, “We’re like a confessional – people come in and tell us of their plans and their woes and their traumas.” 01:06:15 Musical Pilgrimage In the Musical Pilgrimage, we feature Somerton Nights by Fergus Maximus and Dr D. Dr. D and Fergus Maximus wrap up our summer vibes with “Somerton Nights,” painting an audio portrait of those perfect Adelaide evenings when the sun dips low over the beach, the shark patrol makes its final announcement, and the choice between gelato or one more swim seems like life’s biggest decision. “Back in ADL” at Fringe 2025: Dr. D and Fergus Maximus time-travel through Adelaide’s musical history.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

In our main interview, Peggy Byrne discusses the 15th anniversary of Bowerbird Design Market, exploring the tension between consumerism and thoughtful acquisition while showcasing how handmade and thoughtfully-designed items can add value without contributing to clutter. In the SA Drink Of The Week, we taste Victor Harbor Gin from Heaps Good Spirits, featuring local coastal daisy bush botanicals that create a unique savory profile. And in the Musical Pilgrimage, we finish with a festive splash of song, with Dino Jag's uplifting Christmas track, celebrating South Australian musical talent. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We're here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It's an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we'll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We'd greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here's our index of all episode in one concisepage. Running Sheet: Bowerbird Design Market 2024: A Guide to Meaningful Gift-Giving 00:00:00 Intro Introduction 00:03:36 SA Drink Of The Week The South Australian Drink Of The Week this week is the Victor Harbor Gin from Heaps Good Spirits. A tasting of Heaps Good Spirits' Victor Harbor Gin revealed complex flavors including coastal daisy bush botanicals, creating a unique savoury profile that captures the essence of the region. The gin demonstrated careful craftsmanship and local ingredient selection. Peggy and Steve both agreed it is perfect for drinking neat, such is its elegance. 00:11:47 Peggy Byrne, Bowerbird Design Market Throughout human history, the act of gift-giving has undergone remarkable transformations. In prehistoric times, people exchanged food and tools not as commodities, but as ways to strengthen social bonds and build alliances. Ancient civilisations like Egypt and Rome elevated gifting into elaborate diplomatic and religious practices, where gifts carried deep symbolic meaning. During the Middle Ages, gifts – often food-based – became powerful symbols of status and authority between nobles and their subjects.But perhaps the most dramatic shift came with the rise of modern consumerism. Gift-giving transformed from something that cost the giver primarily time and care – like a handwoven blanket or carefully preserved foods – into something that primarily costs money. Instead of gifts emerging from hours of careful labour, they now typically emerge from shopping bags.Today, we face a fascinating paradox. While neuroscience shows that gift-giving activates pleasure centres in our brains, many people feel overwhelmed by receiving yet another item that adds to their household clutter. This tension between the joy of giving and the stress of accumulation makes this conversation particularly timely.Today we're speaking with Peggy Byrne, owner of Adelaide's Bowerbird Design Market, which for 15 years has been creating a space where handmade crafts and artisanal products can find their place in our modern gift-giving culture. The Bowerbird Design Market runs November 22-24, 2024, at the Wayville Pavilion, Adelaide Showground. Friday night runs 4-9pm with a special 2-for-1 entry offer, while Saturday and Sunday run 10am-5pm. Entry is $6 for adults, with children under 13 free. The event features golden ticket prizes all weekend, workshops for both adults and children, and even a visit from Santa supporting Catherine House with gold coin donations. Peggy Byrne, entering her fifth year at the helm of Bowerbird Design Market, provided several profound insights. On Quality vs Quantity: She shared a personal journey from filling her first apartment with mass-produced items to later choosing fewer, more meaningful pieces: “I bought one really good knife and I kept the teacups my grandmother gave me because they meant something to me.” This philosophy underpins Bowerbird's approach to modern consumption. On Curation and Selection: Byrne revealed the complex balancing act of curating the market, explaining how she manages categories like jewellery: “I need a bit of silver, and I need a little bit of ceramic, and I need a little bit of polymer… But as a whole, I still have 20 jewellers.” Her careful consideration extends to price points within each category, ensuring accessibility alongside exclusivity. On Maker-Customer Connection: The market mandates that designers must be present at least one day, fostering genuine connections. As Byrne emphasised, “They don't mind if you approach and don't end up buying. They love to tell their story.” 15th Anniversary Highlights: The upcoming market (November 22-24 at Adelaide Showground) features exciting new additions including: George the Slug: Whimsical ceramic creations that “make you happy” Hey Lady: Traditional braided guitar straps with contemporary colours Dog Boy Knives: Recycled steel transformed into premium kitchen tools Emma Clow Glass: Hand-blown stemless glasses that marry function with art Workshop Innovation: The market offers hands-on experiences including: Natural silk dyeing with Garden to Gallery Polymer clay jewellery making with Berry Beret Silver ring casting with Claire Brooks Children's art workshops with Little Picassos Environmental Consciousness: Byrne discussed how makers increasingly incorporate sustainability, from using offcuts for smaller items to choosing environmentally responsible packaging. The market encourages thoughtful consumption rather than mass acquisition. The interview concluded with Steve, who was initially resistant to acquiring more possessions, finding himself convinced of the value in choosing fewer, better items that carry meaning and story. As Byrne noted, “It's not necessarily volume… it's about what's behind it. Once you learn what's behind it, it just becomes special.” 01:07:02 Musical Pilgrimage In the Musical Pilgrimage, we feature You Don't Have To Wait For Christmas Day by Dino Jag. The episode concludes with a celebration of South Australian musical talent, featuring an uplifting holiday song that embodies local creative spirit, first featured in episode 174 back in 2016. However, in recent years, Dino created a video to go with the song, so get this ready for your Christmas playlists!Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

First up, we're joined by Robert Godden to dissect the centuries-old tradition of 'pairing' in politics, a practice where MPs offset each other's absence to maintain voting fairness. However, this tradition faces threats in today's hyper-connected world, where political integrity can be overshadowed by social media activism and public shaming. Following that, we sit down with Alex Vickery-Howe, discussing his provocative new play 'TRIGGERED'. The play offers a bold commentary on cancel culture and poses tough questions about free speech, artistic courage, and the cost of silencing in the social media age. And as always, we'll round things off with our Musical Pilgrimage, where this week, we feature Feel Into You, by Alison Newman. So sit back, pour yourself a glass of your favourite South Australian spirit, and enjoy a journey through whisky, cars, and music! You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We're here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It's an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we'll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store - The Adelaide Show Shop. We'd greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here's our index of all episode in one concisepage. Running Sheet: Triggered By Cancel Culture And Political Pairing 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week There is no South Australian Drink Of The Week this week. 00:03:13 Robert Godden And The Principle Of Pairing I'd like to explore the centuries-old principle of 'pairing' in politics—an honourable arrangement where a parliamentarian, unable to attend a vote, finds someone voting the other way to abstain as well, preserving the integrity of the parliamentary process. I would go so far as to claim that pairing is a hallmark of parliamentary civility, a gesture that underscores trust, respect, and a commitment to democracy that rises above partisan interests. In many ways, it's a defining characteristic of a civilised society—keeping us far from Thomas Hobbes' grim view of life as 'nasty, brutish, and short.' However, in a recent episode here in South Australia, this tradition was overshadowed by allegations of intimidation and public shaming. A prominent academic allegedly pressured an MP to break her pairing commitment, even threatening to ‘hold her to account in the public square.' This incident raises serious questions about the fragility of our democratic norms and the implications of social media-fuelled activism on parliamentary integrity. Joining me is Robert Godden, our resident political commentator, to discuss the erosion of such honourable traditions in politics, the risks to our institutions when personal agendas take precedence, and the ripple effects on workplace safety and culture in political environments. Robert, welcome back. Why do you think the principle of pairing has endured for so long in politics, and what does it symbolise in our parliamentary culture? Some might say that pairing demonstrates a level of trust and civility that's rare in today's political climate. Would you agree with that? And why do you think such civility matters? When MPs honour pairing arrangements, how does this benefit the broader democratic process? BACKGROUND In Australia, following the 2010 federal election, the Opposition refused to grant automatic pairing to the minority Gillard government, leading to some embarrassing situations.In the UK in 2018, there was controversy when Conservative MP Brandon Lewis broke a pairing agreement with Liberal Democrat MP Jo Swinson, who was on maternity leave.In Australia, there was an incident where a pair was initially not given for a member to care for her sick baby. Let's talk about the recent incident where a professor threatened to 'hold an MP accountable in the public square' if she honoured her pairing agreement. What do you make of this approach? Social media has become a powerful tool in political advocacy, but it can also be a blunt instrument. Do you see this incident as part of a broader trend of using social media to influence political processes, and what dangers does that pose? In a way, this scenario seems to echo tactics often associated with figures like Donald Trump, who many say have eroded democratic norms by treating political rules as malleable. Do you think this kind of activism has a similar effect on our institutions? Turning to the workplace aspect, SA Liberal MLC Jing Lee (who was the person at the centre of the pairing scandal) described feeling intimidated by this outside influence. How common is it for politicians to feel unsafe in their roles, and what might this incident reveal about workplace culture in parliament? With your HR background, what are some safeguards that could help protect MPs from feeling this kind of pressure? Bullying is a strong term that we often associate with corporate or school settings. How does the concept of workplace bullying apply to political environments, especially in a scenario like this where external pressures are involved? Finally, what would you say to those who might argue that the ends justify the means in cases like these? Is it ever acceptable to erode a tradition like pairing for the sake of a particular political outcome? 00:32:15 Triggered by Alex Vickery-Howe In 1971, Johnny Cash penned Man In Black in just 3 hours, responding to pressure to declare where he stood on various issues. The song, meant to express universal human compassion, was immediately politicised—praised by some, condemned by others. That was 50 years ago. Today, in our social media age, the pressure to declare allegiance and the swift judgment of those declarations has reached fever pitch. In our next interview, we're going to delve into the fabric of contemporary discourse through the lens of art. We'll be discussing the play, TRIGGERED, by Adelaide-based playwright Alex Vickery-Howe, a daring exploration of cancel culture through the lens of dark comedy, where he treads a fine line addressing contemporary issues with boldness and wit. Alex, welcome to The Adelaide Show. TRIGGERED will be one of six new South Australian plays, being performed at the Odeon Theatre in Norwood across November and December 2025, as part of the South Australian Theatre Company's Great Australian Bites festival. These never-performed-before works will be rehearsed over several days by South Australian actors and directors and read script-in-hand. TRIGGERED will be performed on Friday, November 21, 2025, at 1:00 pm. What sparked the idea for TRIGGERED? Was there a specific incident or moment that crystallised this concept for you? The play centers on a journalist critiquing a comedian - why did you choose these particular opposing forces? How does the format of a black comedy help navigate these sensitive themes? This isn't the first time you've tackled extremism and ideology in your work. In 2021, I reviewed your play 'Watchlist', which explored these themes with intense character flaws and ideological battles. Now with 'TRIGGERED', you're examining cancel culture and social judgment. Do you see these plays as companion pieces in some way? What fascinated me about 'Watchlist' was how you made all characters flawed, particularly Delia, whose rigid views alienated her from the audience. Are you employing similar character dynamics with your idealistic journalist in 'TRIGGERED'? While we were setting up this interview, you mentioned being nervous about tackling this subject matter. Can you talk about those fears and why you decided to proceed anyway? Are there certain topics you believe should be 'untouchable' in art, or does everything deserve examination? How do you balance critique of 'wokeism' while acknowledging its important historical roots in racial justice? It seems your play suggests that social media amplifies our worst instincts in these debates. What role does technology play in TRIGGERED? I was listening to Bill Maher interview Dr Phil recently, and something fascinating happened. Dr Phil suggested we need 'counsel culture' not 'cancel culture'—taking people aside for genuine conversation rather than public condemnation. What intrigued me wasn't just the idea, but how quickly people dismissed it (and attacked me for sharing it) solely because it came from Dr Phil. Does your play explore this phenomenon where we judge ideas not by their merit but by who expresses them? There's an interesting shift happening. Post-modernism taught us to separate art from artist, to judge work on its own merits. Yet today, it seems we're moving backward, judging every idea by its source rather than its substance. How does 'TRIGGERED' grapple with this contradiction? The term 'woke' has traveled from Marcus Garvey's 1923 call for global Black consciousness to today's often-pejorative use. Does your play address how noble movements can become distorted? The journalist in your play is described as 'idealistic' - are you exploring how good intentions can lead to harmful outcomes? What do you hope audiences take away from TRIGGERED? 01:13:24 Musical Pilgrimage In the Musical Pilgrimage, we feature Feel Into You by Alison Newman. Alison has just released the fifth and final track from her EP titled Wolf . This project delves into her personal experience with postnatal depression, promising a deeply introspective and emotive musical journey. We played the first track from it back in episode 395. Alison explains “The Wolf" plays the role of the PND, and she is akin to Little Red Riding Hood. The final track, which we play in this episode, is a song to celebrate the people that helped her through PND, and it also made it into the Top 100 in the 2024 Listen Up Music Songwriters Prize. We've also embedded the video clip in the show notes. Alison shared the clip sending the hugest of thank yous to Bree and Caitlin for choreographing and dancing, Cat, Noe and Tiana from the Limestone Coast Symphony Orchestra string section, Frank from Sir Robert Helpmann Theatre for giving her the stage, and to Marcus Jones who always listens to her wacky ideas and then brings them to life!! It was recorded in one continuous take in just a couple of hours!Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

In this episode, we take apart the story of South Australia's iconic dry stone walls, stone by stone. Our guest, Bruce Munday, take us on a captivating journey across the state, exploring the history and craftsmanship of these enduring structures. As we uncover the tales behind each wall, we celebrate the skill and dedication of both past and present artisans who keep this traditional craft alive. The SA Drink of the Week this week is a brand new Raspberry and Finger Lime Gin from 23rd Street Distillery. And in the Musical Pilgrimage, we hear the emotionally charged single "Sincerely Me" by the talented Hayli. Join us for this milestone episode as we blend history, music, and community conversation, marking eleven years of showcasing the passions that shape South Australia. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We're here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It's an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we'll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store - The Adelaide Show Shop. We'd greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here's our index of all episode in one concisepage. Running Sheet: Those Dry Stone Walls Of South Australia 00:00:00 Intro Introduction 00:04:05 SA Drink Of The Week The South Australian Drink Of The Week this week is the brand new Raspberry and Finger Lime Gin from 23rd Street Distillery. This gin is a really interesting blend of juicy raspberries and tangy finger lime. After soaking the blue juniper berries they then start the vapor distil process, creating a spicy, aromatic gin base. Then they add in the raspberries and finger lime, which soak for about three weeks, tasting daily to get that balance right.  The gin's smooth and fruity, and its recommended to mix it with tonic or soda and garnish with lime and mint. Our guest taster, John Gledhill from Gledhill Vignerons, mixed the drinks with Bickfords Soda and Bickfords Dry Tonic, and then pulled a rabbit out of the hat, mixing it with Fever Tree Raspberry Tonic. He also agrees with the good people at 23rd Street, that this would go very very well with dark chocolate. 00:18:30 Bruce Munday, Those Dry Stone Walls Revisited South Australia is blessed with beautiful stone – stone with colour, texture and light. Some of our stone structures have stood for 150 years, never touched by mortar. So, in this episode, Bruce Munday returns to The Adelaide Show to share the stories behind these stone walls and the people who built them and commissioned them. His book is, Those Dry Stone Walls Revisited, out through Wakefield Press. If Bruce sounds familiar, he was last on our show in 2017, discussing the history of rabbits in South Australia and beyond. 01:03:50 Musical Pilgrimage In the Musical Pilgrimage, we feature Sincerely Me by Hayli. Hayli was first on The Adelaide Show in episode 369, but has released a new single since then, Sincerely Me, which is very very raw. In fact, it comes with an explicit tag so if you're listening with kids or you'd prefer not to have your sensibilities pushed, you might want to click through to listen to some of her other tracks instead. As you'll hear in our interview, Hayli is a dynamic artist who pursues great clarity in in her stories, with the lyrics matching the melody and performance. So, it only follows that when she is unpacking a story of betrayal, that the passion and the rawness go off the scale. I've since discovered why Hayli was so generous in her interview and so clear in her willingness to dive into her storytelling through song; it's because she wants all of us to embrace music culture , whether we're adults or whether we're kids who are thinking about learning an instrument. Hayli, who is the music teacher at Seaview High School, says the most important part to of music is that people learn the value of self expression and teamwork. And she must be doing something right because her students have nominated her as the ARIA Music Teacher of the year. You can watch the nomination video with Sarah McLeod, and you can also vote for her, once a day, between now and November 13, 2024.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

Most South Australian's of a certain age, remember John Martin's Department Stores with great fondness. And now, 26 years after the doors closed, Paul Flavel has brought Johnnies back to life with a magnificent, hard cover book. He's our special guest, taking us down memory lane after five solid years of research and story gathering. There is no SA Drink of the Week this week. And in the Musical Pilgrimage, we hear an early song by Australian legend, Peter Combe, which was written for the John Martin's Christmas Pageant. Join us for this milestone episode as we blend history, music, and community conversation, marking eleven years of showcasing the passions that shape South Australia. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We're here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It's an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we'll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store - The Adelaide Show Shop. We'd greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here's our index of all episode in one concisepage Running Sheet: Pleasing You Was Important At John Martin's 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week No SA Drink Of The Week this week. 00:02:45 Paul Flavel, Author, John Martin's The Story Of South Australia's Beloved Department Store In this episode, Steve Davis sat down with author Paul Flavel to delve into the rich history of John Martin's, South Australia's beloved department store that graced the retail landscape for over 130 years until its closure in 1998. Paul's new book, John Martin's: The Story of South Australia's Beloved Department Store, is the first comprehensive documentation of this iconic institution, lovingly dedicated to his grandmother—a personal link that fuels his passion for the store's legacy. We explore dramatic moments in John Martin's history, starting with the devastating fire on Easter Sunday in 1901, when a display of wax figurines representing the Rock of Ages caught fire, spreading rapidly through the store. Despite such challenges, including enduring the Great Depression and two World Wars, John Martin's remained a cornerstone of the South Australian community. Paul shares how John Martin's stirs vivid memories in the subconscious of South Australians. For many, it was a place of first jobs straight out of school, the magic of the annual Christmas Pageant—a wonderful institution that brought joy to families—and staff picnics that fostered a sense of loyalty and connection among employees. These traditions remind us of a time when working for a company meant being part of a community. We reminisce about the charming "lift ladies" and other quirky characters that made shopping at John Martin's a unique experience. The conversation includes some funny stories, and even some romantic tales reminiscent of Are You Being Served?, like Steve's unrequited romance with the stationery girl, and anecdotes about his colleagues like Debbie, Sharon, and the West Lakes' stores version of Mr Peacock. We also touch on the iconic "Miss JM" and miniskirs, along with the store's brush with fame during The Beatles' visit. The conversation turns reflective as we examine whether, as consumers, we played a part in the store's demise. The introduction of bank credit cards in Australia gave shoppers more freedom, reducing reliance on department store credit systems—once a significant part of John Martin's business model. The rise of national retailers like Myer, and discount stores such as Kmart and Target, intensified competition, challenging John Martin's ability to compete. We discuss how these factors, along with the sale and rebranding of various store locations, signaled the end of an era. Finally, we contemplate whether a store like John Martin's could succeed in today's retail environment. Paul shares insights from his extensive research and reflects on how consumer behavior and the retail landscape have evolved. Is there still a place for the loyalty and community that John Martin's fostered, or have we moved beyond that model? Join us for a nostalgic journey through the history of John Martin's, filled with personal stories, historical insights, and reflections on the store's enduring legacy in South Australia. 00:57:45 Musical Pilgrimage In the Musical Pilgrimage, we feature To You Merry Christmas by Peter Combe. In 1989, Peter wrote a song for a John Martin's Christmas Pageant competition, called ‘To You Merry Christmas'. Although he didn't win the competition that year,  he did later release the song as part of a Christmas album which reached the ARIA top charts and it went gold within five weeks of its release in 1990. Ironically, it outlived John Martin's. In 2022, Peter was one of the celebrity performers at the Christmas Carols event and rode in the "National Pharmacies" Christmas Pageant as part of the promotion. National Pharmacies is the current title sponsor of the event, which is managed by Events South Australia. Peter has a new album waiting in the wings, A Frog in My Cheese Sandwich, and we're told that if we wash our face in orange juice and clean our teeth with bubble gum, he'll be happy to join us for a full episode.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

I'm incredibly honored to announce that I've won two major awards at the Asia Podcast Awards 2024—Best Interview Podcast for A Vietnam Podcast and Best Audio Producer for my work on all the podcasts created by Seven Million Bikes Podcasts!Since starting my podcast journey in 2019, what began as a passion project has now grown into a full podcast production service. A Vietnam Podcast, produced by Seven Million Bikes Podcasts, has allowed me to showcase diverse voices, explore Vietnam's rich culture, and share authentic stories with a global audience. Winning Best Interview Podcast is a huge recognition of the work and dedication poured into each episode.Being named Best Audio Producer is equally humbling. Producing high-quality podcasts is something I strive for, not just in my own shows but for every client I work with. Whether it's editing, recording, or refining the sound, my goal is always to deliver professional, engaging podcasts.These awards validate the hard work and passion behind the scenes, and I couldn't have done it without the support of my amazing team. We're excited to keep pushing the boundaries and creating even more impactful content!"Send me a message!"Become a Bắp Xào Đâyer in our community on Patreon and become part of something special.You can choose a Cà phê sữa đá, Bánh mì, Cơm tấm, Bún Thịt Nướng or the ultimate level, a Bắp Xào Đây. Need a stunning new logo for your brand? Or maybe a short animation? Whatever you need, you can find it on Fiverr.I've been using Fiverr for years for everything from ordering YouTube thumbnails, translation services, keyword research, writing SEO articles to Canva designs and more!Whether you're a budding entrepreneur, a seasoned podcaster, or anyone in between, Fiverr has got you cSupport the show

It takes a family to raise a theatre company, so we gathered Stirling Players family members, Erik Strauts, Bronwyn Chapple, Anita Zamberlan Canala, and Probir Dutt, to take is into some of its rich heritage and interesting moments. The SA Drink of the Week is from Howard Vineyard, which supports the work of Stirling Players. And in the Musical Pilgrimage, we hear an original composition by Stirling Players committee member, Probir Dutt. Join us for this milestone episode as we blend history, music, and community conversation, marking eleven years of showcasing the passions that shape South Australia. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We're here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It's an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we'll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We'd greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here's our index of all episode in one concisepage Running Sheet: The Hills Are Alive With The Sound Of Theatre 00:00:00 Intro Introduction 00:02:20 SA Drink Of The Week The SA Drink Of The Week this week is a 2022 Shiraz from Howard Vineyard. For the record, the General Manager and Head Winemaker at Howard Vineyard, Tom Northcott, was a guest in episode 161 A Night At The Manchen, and his 2010 Amos Cabernet Franc was our SA Drink Of The Year in 2013. 00:07:50 From The Stirling Players – Erik Strauts, Bronwyn Chapple, Anita Zamberlan Canala, and Probir Dutt The Stirling Players is a prominent amateur theatre group based in the Adelaide Hills, with a rich history marked by significant achievements and contributions to the local arts scene. As the group approaches opening night of its first ever “cross species” production, a play called Sylvia about the relationship between a man and his dog and the rift that creates in the relationship with his human wife, we've gathered backstage while people scurry about us, bumping in the set and running some of the final rehearsals. To take the story of Stirling Players out for walkies, we have the director of Sylvia, Erik Strauts, committee member and theatre stalwart, Bronwyn Chapple, actor who plays Kate in Sylvia, Anita Zamberlan Canala, and fellow committee member and composer, Probir Dutt. Sylvia runs September 13-28, 2024. Tickets here. Your new president, Tim Williams, opens the current edition of your newsletter saying, “Did you know that producing a play is absolutely simple?” If I hadn't read past that, I would have thought that bothering to come up the hill for this chat was much ado about nothing. However, he does go on to give context. What is the first reaction that runs through your minds when you hear that provocative claim? Erik, to give us an idea of what the arc of a production is like, how long it takes from conception to birth – when did you get an inkling that this could be a good Stirling Players production? Sarah Jessica Parker of Sex And The City fame was one of the first actors to play Syliva, the dog. How on earth do you direct a human to be a dog in a way that holds the narrative together without breaking that all important suspension of disbelief among audience members? The play did get some very warm reviews during its run off and on Broadway in the 1990s but it also got criticised for its portrayal of women. Were those criticisms valid, or did they misunderstand the show, and if they were valid, have you had to modify aspects of the play or its staging? Bronwyn, you're a part of the furniture at the Stirling Players (and I mean that in a nice way) and I believe you've also maintained a collection of production posters and cast notes, so I wonder if you can recall other productions from the company's past, where you've taken on unconventional material? Let's dart back to the beginning of Stirling Players. It was 1972, I believe. What came first – the desire to have a theatre company or the desire to save the Stirling Institute building? I do like the creative spark that lives in this company because it was only a few years old when it started the Hills Festival of One Act Plays in 1976. , the Stirling Players initiated the Hills Festival of One Act Plays. I love a good one act plays. What do they bring that longer plays don't, and vice versa? At one level, I guess there's a balancing act between getting a story over efficiently vs making it worth the work to go out and get you to the theatre on a cold, hills evening. What has been the mainstay of Stirling Players material over the years? What are the challenges in getting audiences to your shows in this age of streaming services like Netflix, and people having a stream of snack-size districtions right in the palms of their hands? Probir, it's not every theatre company that has someone on the team who is a gifted composer and musician. We are going to hear some of your music later but before we get to that, in a general sense, what attracted you to the Stirling Players? People I know in the music field are very very precious about their copyright, etc, and rightfully so. If you write and produce music for a production, what happens at that level to make sure Stirling Players is in the clear but that your work is also protected? Talking of music, the Hills Musical Company arose as part of the push to save the Institute. Are we allowed to mention them in mixed company? So, we have two pretty healthy companies that need volunteers to make productions happen. I'd like to understand how you attract new people but to get into that, what runs through your mind when you hear messages like this one that I saw on the Adelaide & South Australian Theatre Company Facebook Group this morning: Hey all! In desperate need of a stage hand for 3 shows tomorrow. (Yes I know it's Father's Day, it's a pain). Volunteer at the parks theatre, call time 9am through to 8pm. It's a great show, we're having a heap of fun, just not enough hands!!! Many churches and community service groups struggle because their people are ageing and there's not young blood coming through. What is the makeup of the Stirling Players community because I note that for your 50th celebration a couple years ago, Bronwyn, you chose to do Radio Show because, and I quote, it was a “chance to give some of the older Stirling Players, who find trouble remembering lines these days, to be involved and have scripts in front of them.” What are the next shows on the horizon? What would each of you like to see in Stirling Players' future over the next 5-10 years. How do people get tickets for Sylvia, which runs September 13-28, 2024? 01:00:20 Musical Pilgrimage In the Musical Pilgrimage, we feature Time Is Against Me by Probir Dutt.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

Welcome to the landmark 400th episode of The Adelaide Show! This week, we're celebrating a significant milestone with a special guest, Lord Mayor, Dr Jane Lomax-Smith AM. Our discussion delves into the challenges and opportunities of balancing heritage preservation with modern development in Adelaide, especially in the face of growing pressures to modernise historical sites. Oh, and does Steve Davis sneak into the Adelaide Town Hall and play the famous pipe organ? The SA Drink of the Week segment is a fitting tribute to Adelaide's history, because we sip a beverage connected to Colonel William Light, the city's founder. Join us as we explore the historical and cultural significance of this choice in a lively and insightful taste test. And in the Musical Pilgrimage, we round out our celebration, with The Saucermen performing a song that resonates with the themes of heritage and progress. Join us for this milestone episode as we blend history, music, and community conversation, marking eleven years of showcasing the passions that shape South Australia. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We're here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It's an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we'll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We'd greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here's our index of all episode in one concisepage Running Sheet: Balancing Heritage And Progress With The Adelaide Lord Mayor 00:00:00 Intro Introduction 00:03:50 SA Drink Of The Week The SA Drink Of The Week this week is a Penfolds Club Port. This was chosen because I had recently met the Lord Mayor at Colonel William Light's birthday celebration at the Adelaide Town Hall, an annual event since 1859 that honours Adelaide's founder. On April 27 each year, a group of people invited by the Lord Mayor, commemorate Light's influence on the city's layout with Australian Port, symbolically drunk from a historic silver bowl. Curiously, though, we each had separate slices of a special fruit cake and separate glasses of wine instead of sharing from the bowl. I asked the Lord Mayor why that was? 00:10:03 Adelaide Lord Mayor, Dr Jane Lomax-Smith AM Here we are, crafting a very special 400th episode of The Adelaide Show, where we've been shining a spotlight on South Australia's passionate people for 11 intriguing years. Today, we're joined by Lord Mayor Dr Jane Lomax-Smith AM, at a time when the echoes of Adelaide's pioneering spirits are being tested by the drumbeats of modern development. Together, we'll delve into how we can cherish and protect our city's rich heritage while steering towards progressive change, a topic sparked by the recent uproar over The Cranker's near-demolition. Dr. Lomax-Smith brings a wealth of experience from her dual roles as a former state minister and our current Lord Mayor, promising insights that bridge our past with the future. Welcome. This interview has extra signficance for me because it completes the trifecta of having had three Lord Mayors (everything inside me wants to say Lords Mayor) on our podcast. Stephen Yarwood got the ball rolling by drawing the ire of Peter Goers who lambasted him and us and gave us some profile, then Martin Haese was part of the program, playing some guitar, too, and today we have the honour of your company as we mark this milestone episode. What is it like, being in a role that is often called upon to mark special occasions and anniversaries, even though such things are purely arbitrary? When we began this podcast enterprise in 2013, we were motivated by the ubiquitous, lazy linking of Adelaide with the word, boring. We fought a strong fight and discovered that much of that slander had diminished by episode 80, which is when we marked our transition from Another Boring Thursday Night In Adelaide to our current name of The Adelaide. Do you think we have shaken off that connection? Do you find it still lingers? A psychologist we interviewed, Alexandra Frost from Attuned Psychology, noted that people are largely in control of how “boring” their surroundings are. You could be just as bored in New York as Adelaide, if you stayed in your room and moped about. On the other hand, I often find that some of the criteria used to judge a city boring, relate to a desperate need for artificial, external stimulation, rather than taking responsibility for finding intrinsinc motivation for engaging with one's surroundings. Furthermore, sometimes unique character gets marked down in the race to have the same stimuli that other towns have. How does a town craft and “own” confidence in its own skin? At Colonel Light's birthday celebration, you spoke passionately about the need to get the balance right between preservation and progress. What criteria do you believe should be used to determine which older buildings in Adelaide are worth preserving? The recent controversy surrounding The Cranker has highlighted tensions between heritage preservation and urban development. What lessons can be learned from this situation? I've performed stand up comedy at The Cranker, so it has a soft spot for me but many of us are not quite ready to relax about its future, given the risks of “accidental damage” during construction, such as the potential for a wrecking ball to inadvertently damage a heritage building. This is the dilemma for people protecting heritage vs developers – once we have lost what was there it is gone, whereas a developer can easily rebuild or reshape their construction. Is this just an age old source of anxiety that heritage proponents just have to live with? Prepare yourself. This will be the longest question ever constructed: The Cranker is special to me because I have performed there. The old Bank Of Adelaide building was special because my dad and grandpa worked on it with their business, Field and Davis Constructions (in fact, my dad, Barry Davis, tells me he swung in there one Saturday afternoon and installed the three flag poles on the roof, all by himself). Other parts are or have been significant because we might have seen The Beatles wave from a balcony, or a premiership team parade through streets, etc. I wonder if we can reflect on the ephemeral nature of what it means to protect heritage items. This question hit me while listening to US comedian and commentator, Bill Maher, interview some children and he was surprised that very few of them had even heard of Elvis Presley and almost none of them thought there was any reason to be interested in his story. So, when we pass on, the connection between our lived experience and The Beatles on a balcony, passes on too, either with us, or when our following generation passes on. Deep in the DNA of the Heritage Inclination, is there a sense that we are vainly trying to fight the realisation that time and memories pass quickly, like sand through our fingers, and that, ultimately, it is a losing battle or one of little everlasting value because nothing is everlasting? Would you indulge me in an imagination exercise? There was once a majestic building on the corner of Rundle Street and Frome Road called the Grand Central Hotel, where Sir Arthur Conan Doyle and many other illuminaries stayed during visits to Adelaide. It was built in 1910 on the site of the former York Hotel and was demolished in 1975-76 to make way for the Hungry Jacks car park. How would that part of the city be different today, had that building been maintained? And, yes, we could play this game with many other buildings; I'd just love to hear you think out loud about this. The nature of city-based employment and engagement does seem to be fast-paced, head down, etc, which is why traversing these streets in the extremes of temperature can be trying. I am often reminded of Lovin' Spoonful's lyrics: Hot town, summer in the cityBack of my neck gettin' dirty and grittyBeen down, isn't it a pity?Doesn't seem to be a shadow in the cityAll around, people lookin' half deadWalkin' on the sidewalk, hotter than a match head When we are in commuter, survival mode, I guess we just don't have head space for appreciating the environment. But, have our town planners and landlords also gotten some things wrong by not providing for human spaces between the buildings? Scientists tell us that just being surrounded by greenery in nature, actively helps calm our nervous systems. Do you think there's a subliminal effect we get from built environs? If someone is thinking about moving to the city to live, what sort of mindset would allow them to benefit the most from city life and contribute the most? 00:44:03 Musical Pilgrimage In the Musical Pilgrimage, we feature Valley of the Rattling Bones by The Saucermen. We've previously played The Saucermen right back in our early days with One Day Dry in episode 13, and The Ghost Of Johnny Cash in episode 28. In 2004, The Saucermen released their first original EP “Valley of the Rattling Bones”, penned by the lead singer and rhythm guitarist, Steve O'Malley, and and inspired by a co-worker's warning. It set the wheels in motion for the band to write more original tunes. The guys love this song and love playing it and I think it fits for this episode because you could argue that Adelaide, like any city that's been around for a while, is a valley of bones, to some degree, when you consider all the people whose lives have intersected with it. And, secondly, we've just been talking about how some of our early buildings have really stood the test of time and this song is a musical equivalent of that. Hope you enjoy it. And if you hear this in time, you can catch The Saucermen (along with Weekend Rage and The Overits) on Saturday, August 31 at The Cranker. Tickets via Try Booking. You can follow The Saucermen on MySpace and Facebook.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

Welcome to episode 399 of “The Adelaide Show”, where spirits soar as high as our conversations dive deep! This episode is a playful showdown between Port Adelaide's finest, Michelle and Michael, and Adelaide Football Club's spirited duo, Tina and Alexis. Join us as they taste and spar over the Carn The Pear Gin from Never Never Distilling Co and The Adelaide Crows 2024 Players Recipe Gin from Prohibition Gin. It's not just about the flavours but also the fiery fun that ensues when these passionate fans face off. Plus, we're delighted to have John Gledhill, expert winemaker and judge, to share his refined insights after the main event. In The Musical Pilgrimage, we finish with a new song from Professor Flint. The whole program is the SA Drink Of The Week, this week. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We're here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It's an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we'll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We'd greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here's our index of all episode in one concisepage Running Sheet: The Inaugural South Australian Gin Showdown 00:00:00 Intro Introduction 00:03:43 SA Drink Of The Week In this uniquely spirited episode, we set the stage for an unforgettable showdown between fans of The Power and The Crows. Each team not only champions their club but also their corresponding gin in a taste test filled with cheers and friendly jeers. Michelle and Michael carry the banner for The Power with the vibrant Carn The Pear Gin, while Tina and Alexis back The Crows with the bold Adelaide Crows 2024 Players Recipe Gin. The gins, each crafted by renowned South Australian distilleries, reflect the distinct personalities and heritages of their AFL teams. As the tasting concludes, the atmosphere shifts from competitive to contemplative with the arrival of John Gledhill. With a palate honed in Australia's wine country and a plethora of judging experiences, John offers a professional critique that adds depth to the playful banter of our tasters. His expert commentary not only enlightens but also celebrates the craftsmanship behind each gin. 00:48:33 Musical Pilgrimage In the Musical Pilgrimage, we feature Dance With Me by Lizzie Hosking. Rounding out the episode, we dive into the musical world with Professor Flint's intriguing song, “The Demon Duck of Doom.” This track brings to life the tale of Dromornis stirtoni, a colossal prehistoric bird native to Australia, blending science with melody to captivate and educate.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

Hello and welcome to the episode we are referring to, internally, as "Rolling Dough and Raising Spirits" or should that be "Raising Dough and Rolling Spirits"? It's about The SA Variety Bash which is underway today, the day we are releasing this episode (10th August 2024), and the main interview was recorded inside Car 13 The Bakers, which my company, Talked About Marketing, helped sponsor. So, you'll be right there amid the rumbling of a 1991 Commodore, as we cruise with a crew that mixes baking with benevolence. I talk about Darren Sutton from Kytons Bakery, along with his mates Julian Stone and Chris Madeley, as they put the finishing touches to the car before they drive thousands of kilometres to support the work of Variety. And when I say "finishing touches", I mean touches they needed to avoid the car being finished (yes, we spent an hour with the car on a hoist while last minute work was done, related to the transmission - luckily, that's not a critical part of the car). In The Musical Pilgrimage, we finish with a musical detour with 'Dance With Me' by Adelaide's own Lizzie Hosking, adding a rhythm to our ride that's got to make it onto the road trip playlists of all participants this year, especially Mr Fresh FM, Chris Madeley. There is no SA Drink Of The Week, this week. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We're here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It's an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we'll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store - The Adelaide Show Shop. We'd greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here's our index of all episode in one concisepage Running Sheet: Baking A Difference 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week There is no SA Drink Of The Week this week. 00:03:39 Car 13 The Bakers - SA Variety Bash Welcome to a high-octane interview on The Adelaide Show, recorded live from the back seat of the infamous Car 13, The Bakers, who are heading off on this year's SA Variety Bash. Joining me on the road are Darren Sutton from Kytons Bakery (where we're leaving from) and his mates, Julian Stone and Chris Madeley. Start Your Engine! Darren, this is your 20th Bash over the last 25 years, could you kick things off by telling us what sparked the idea to enter Car 13 into the Variety Bash? What's the backstory of 'The Bakers' getting together for this cause? We're in a 1990 Commodore. How did you go about choosing and kitting out a car for the Bash? What are some of the wildest modifications you've made or seen on the rally? What's a typical day like during the Bash? From dawn till dusk, walk us through the highs and the unexpected turns. When it comes to planning supplies, what are the absolute must-haves in your vehicle? Any quirky items that you wouldn't hit the road without? Road Trip Playlist: What tunes are on your playlist for those long stretches? Who's the DJ, and how do you settle the inevitable music disputes? Long hours on the road can lead to cabin fever. What's your strategy for keeping spirits high? Any favourite games or stories that come out during the drive? How has participating in the Variety Bash changed your perspective on charity and community service? Can you tell us about some of the most colourful characters or teams you've met during the Bash? Any rivalries or friendships forged along the way? What's the most unexpected thing that's happened to you during previous Bashes? Any memorable breakdowns or surprising encounters? Looking forward, what dream route or destination would you love the Variety Bash to tackle next? For anyone thinking about joining the Bash for the first time, what advice would you give them to prepare both their car and their team? Finally, if each of you had to describe your driving style using a famous movie or TV car, what would it be and why? 00:48:11 Musical Pilgrimage In the Musical Pilgrimage, we feature Dance With Me by Lizzie Hosking. Adelaide Singer Lizzie Hosking is a powerhouse vocalist with catchy melodies and fun story-telling. At a young age Lizzie was diagnosed with ASD, and has since navigated the world with resilience despite the challenges she faces in social interactions and societal misconceptions.  Through her love for music and determination, she uses her platform to advocate for understanding and acceptance of autism, inspiring others to embrace their diagnosis as a superpower and pursue their dreams with confidence. Lizzie has found success as an independent artist releasing multiple singles, to be featured in worldwide press, receiving support from Spotify and Apple editorial and the team at Triple J Unearthed. In March ‘24 Lizzie made her first festival appearance at WOMADelaide delivering a mesmerizing vocal performance on the NSS Academy Stage. Most recently Lizzie Hosking co-headlined Adelaide's UniBar and was selected to play at Music South Australia's “Scouted 2024”, proving Lizzie Hosking, one to watch. Dance with me is a Dance Pop and Disco tune with influences from ABBA and Ariana Grande - just perfect for Chris Madeley from Car 13! In Dance With Me, Lizzie empowers listeners to see their worth and tells the story of the fear of dimming your spark for someone else, however if they are willing to grow and shine with you then beautiful things can happen. She says this song is really about understanding your worth and preaching that to the masses. Lizzie says Dance With Me is for the girls that need a reminder that they are fierce and amazing and there will also be someone and something to lift them up! Dance With Me is on Spotify and Apple Music, and you can follow Lizzie there and on Instagram and TikTok.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

In this episode, we explore the textured life and inspirations of Chris Pitman, a South Australian actor and playwright. Chris discusses the upcoming season of his one-man show "Shore Break," at the Adelaide Festival Centre. The play, inspired by his encounters with societal "isolates" along the coast, delves into the poignant narratives of those living on the edges of society. Chris reflects on his Adelaide roots, his formative years by the beach, and the pivotal moments that shaped his artistic journey. He recounts his acting break in Neil Armfield's "Cloudstreet" and shares insights from his extensive career, including working with actors like Max Cullen. The episode kicks off with the SA Drink of the Week, celebrating the Beresford Emblem Fiano 2023, a world-class wine that has clinched a 95-point Gold medal at the Decanter World Wine Awards. Our guest wine taster is John Gledhill of Gledhill Vignerons. In our Musical Pilgrimage, we feature Darkness & Gold by My Chérie, a song that mirrors the introspective themes of Chris's play, exploring the facades we present and the hidden struggles within. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We're here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It's an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we'll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store - The Adelaide Show Shop. We'd greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here's our index of all episode in one concisepage Running Sheet: Chris Pitman From Beaches To The Stage 00:00:00 Intro Introduction 00:02:45 SA Drink Of The Week The SA Drink Of The Week is Beresford Estate's Beresford Emblem Fiano 2023, which has just received exceptional recognition at the prestigious Decanter World Wine Awards, earning a 95-point Gold medal and ranking No.1 in this year's Fiano category, inaugurating it as the best Fiano in the world. As we discuss with our guest wine taster, John Gledhill of Gledhill Vignerons, this wine earned the same score as some of the country's best $100 white wines yet sells for just $25; a feat John says is not unheard of but very special when it happens at such shows. In the discussion, we quote head winemaker, Chris Dix, discussing the remarkable growth of Fiano in McLaren Vale, since the Lloyd family planted the first Fiano vine 22 years ago. The Beresford Emblem Fiano 2023 is available through the Beresford cellar door - the Beresford Tasting Pavilion in McLaren Vale. 00:15:45 Chris Pitman Brink Productions will soon be presenting, Shore Break, as part of State Theatre's Stateside season in the Space Theatre at the Adelaide Festival Centre from 3 – 7 September. I'm told this play is an interesting one man show written and performed by Chris Pitman, about a man on the outskirts of society who is finding his way back. To make this play possible, Chris did some detailed research in campgrounds in the regions, along the coast talking to a number of outliers / “isolates” about their stories, and how they found themselves in their situations. It is from these stories that he derived inspiration for his play.You grew up in Adelaide, attracted to the beach. Can you start by painting a picture of Adelaide and South Australia as you remembered it back then? Anything you miss, anything you're glad has changed? Did you hang out with lots of friends, or was there an essence of the “isolate” in you back then? I note that you are a poster child for Steve Jobs' famous quip – Just Ship It. Took you a few years to apply for acting school, but when you did actually send a letter to the Western Australian Academy of Performing Arts (WAAPA), you got accepted. Does an academy like that actually instil acting ability into you, or does it nurture what is already inside? I note your first major break was auditioning for Neil Armfield for a major role in Tim Winton's ‘Cloudstreet', and you “somehow” got the job, moved to Sydney and suddenly started working with many famous and respected actors including, former guest of this podcast, Max Cullen. He was on episode 265, talking about Sunday Too Far Away, which was shot in South Australia. Did any Max Cullen rub off on you (or any of the actors) as you travelled overseas with that show? I just heard Malcom MacDowell being interviewed by Bill Maher. Malcolm got his break with Clockwork Orange and is now busier than ever. He did admit that he had said yes to films that he did not like, just for the money, noting, as a professional actor, what else can you do. This is what scares me to the core on behalf of artists like you. Your existence is one of maintaining the confidence to lurch from one gig to the next. Did you have to work hard to adapt to that reality after such a dream start to your professional career? One of our listeners, Anthony, has a young daughter, Alannah who is 11 and just went to an acting school on the Gold Coast and now has four agencies wanting to talk to you. I said she could ask you a couple of questions, given you have done a good smattering of TV work in shows like All Saits, Blue Heelers, and South Australian favourite, McLeod's Daughters and TV/film is what is luring her. First question, what was the first step in getting a role on TV?Second question, what was your favourite thing you have been? Alannah's dad had reworded the second question as What character impacted you the most, and to me, that's a great segue into Shore Break, because from the glowing and thoughtful reviews I've seen, this show gets you in the gut, which means it must have gotten you in the gut.So, what attracts you to the world of the isolate? I am profoundly jaundices by the ubiquity of smart phones and social media – I was originally a champion of them, now I am a voice saying they only LOOK like they are connecting us; they actually only deliver the confection of connection. Does that sentiment intersect with themes of the play? Is there something significant about these loners being near the water? Would the story be the same in a landlocked situation? Can you take us into your experience of chatting with these people because you note there was laughter along with very great pain. How did you earn that trust? Or was it easier than we might expect because you actually have them an ear inclined towards them? The blurb for the show says: Simple and raw, addressing the search for human connection and meaning, in a life filled with rejection and regret, Shore Break elegantly depicts the vulnerability of masculinity through a tour de force performance, sharp writing, and an emotional sucker-punch you won't see coming. We'll keep the sucker punch secret but without spoiling the play, can you tell us if these outsiders do have lessons for us about meaning that we cannot find elsewhere? I'm told that you describe working in theatre as a very insular experience, and just like surfing, they both require intensity and relaxation together. Does that seem to contrast the life of stable normalcy which is the gold standard in society's narrative about itself? The young director for this production is Chelsea Griffith who's worked closely with ex-Artistic Director Chris Drummond, to direct this work. The US election made age a big issue. And we hear people grumble if their doctor is too young, etc, based on the assumption that age brings wisdom and insight. You've been around. Did you need to adapt your mindset in any way to take direction from someone who is establishing their career? 01:15:45 Musical Pilgrimage In the Musical Pilgrimage, we feature Darkness & Gold by Chérie of My Chérie fame. With rich metaphors and poignant lyrics, 'Darkness & Gold' invites listeners into a world of introspection and self-discovery. My Chérie explores the various personas we embody, from the curated versions we present on social media to the hidden depths of our innermost selves. The song captures the essence of the human condition, highlighting the constant tension between aspiration and acceptance. Chérie says it's her candid portrayal and deep dive into my human experience of the internal struggles we all face. In confronting themes of strength, vulnerability, and the pursuit of self-improvement, I want to acknowledge the efforts of trying and the tricky journey of figuring ourselves out.”Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

We're thrilled to bring you a unique blend of conversation and music. Uncle Ken Jones from the Boandik community is here to talk about his deep connection to country and his incredible life stories, all from the heart of the Limestone Coast. And we've got John Schumann, whose songs capture the Aussie spirit in ways that stick with you long after the music stops. Expect to hear a few tunes throughout our chat, each telling a story that ties back to South Australia and South Australians. There is no SA Drink Of The Week this week. And we have made John's interview an extended edition of the Musical Pilgrimage. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We're here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It's an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we'll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We'd greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here's our index of all episode in one concisepage Running Sheet: South Australian Storytellers 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week No SA Drink this week. 00:03:37 Uncle Ken Jones Here on The Adelaide Show, we shine a spotlight on South Australian passion, and my guest has passion in spades. He is Uncle Ken Jones, who I'm sitting with during NAIDOC Week 2024. I met Uncle Ken through his work running the tourism business, Bush Adventures, down on the Limestone Coast, at Port MacDonnell, and I'm hoping we'll capture some of his profound connection to country, some of his wild story, and some of his storytelling and wisdom. Uncle Ken, welcome to the Adelaide Show. Uncle Ken, in a recent story about you published on SouthAustralia.com, you've said, “I'm part of the oldest continuous culture in the world.” How does this profound connection influence your daily life and values? Your parents deliberately hid your Aboriginal roots from you for much of your childhood, and in the story – which I will link to in the show notes – you reflect that upon discovering your Aboriginal heritage, you mentioned, “It was a shame factor.” I'd love to explore how this change in understanding about your identity affect your sense of belonging within Australian society?But just before you answer, I want to add something else. Your dad said he kept you identity a secret because, “Aboriginal people were not particularly loved or cared for in those days.” We're just about to hear from singer songwriter, John Schumann, and we'll be chatting about his song, On Every Anzac Day, which honours Aboriginal Australians who fought in the Australian army, defending someone else's king and defending land that had been taken away from them. Later in the song, the returned serviceman went to join his local RSL but was rejected because the people there didn't see a fellow soldier, they saw a black fella. Songs like that make me think I would have done the same as your father. But maybe there is a cost. Storytelling is clearly vital in Aboriginal culture. I remember hearing some dreaming stories shared by Aboriginal philosopher and author, Tyson Yunkaporta, and one, in particular about a crow and a magpie, has stayed with me ever since. Every time I see one of those birds, I remember the story about listening to your elders. It was the first time I understood the power of storytelling for passing on knowledge. How do you see storytelling among the Boandik people as similar to or different from mainstream Australian stories and the stuff we see on Netflix? You've worked tirelessly to forge connections and share your culture. What common grounds have you found most effective in bridging cultural divides? Looking to the future, you've expressed being “dangerously optimistic” about preserving Boandik Country's legacy. What are your hopes for the next generation of both Aboriginal and non-Aboriginal Australians in creating a more inclusive and understanding society? 00:29:58 Musical Pilgrimage In the Musical Pilgrimage, we feature an extended interview with John Schumann ahead of a special concert at The Gov on August 3, which we'll be going to, in which John Schumann and the Vagabond Band will work through a stack of John's back catalogue. In an interview for an ABC radio documentary on John Schumann's nation-changing song “I was only 19”, the noted rock historian Glenn A Baker concluded by saying “John Schumann is one of the finest songwriters this country has produced.” It's hard to argue with that because John Schumann's songs have that trace of red bulldust in them that is part bravado, part earthy wisdom, and they hang around your memory like flies in the Flinders Ranges. John, welcome back to The Adelaide Show. John, you and the Vagabond Crew are doing a show with many of the John Schumann back catalogue numbers on August 3 at The Gov. And I did see a video clip of you bemoaning the fact that cover bands earn more money that original singer songwriters these days, so think of the concert as a John Schumann cover show. Clever stuff!! We're recording this chat during NAIDOC week 2024, so as part of our meander through some of your South Australian-specific songs, I want to start and end with two that involve First Nations stories. The first is On Every Anzac Day. Back in 2014, the then Chief of Army, LTGEN David Morrison, commissioned you to write a song to pay tribute to Indigenous men and women who served Australia because he was worried the Anzac Centenary was going to ignore them. Turns out he was right, in a way, because as the song documents beautifully, there's the story of a black returned servicemen wanting to join his local RSL, only to be turned away because the people there only saw a black fella, not a soldier. Now, of course, when it comes to sacrifice and putting your life on the line, it's not a competition but there's something even more profound and filled with pathos and tragedy when you revere the fact that our Aboriginal soldiers put their lives on the line for someone else's king to defend the land they had taken away from them. How does this song resonate with you today and have you seen any clarity in how to fathom the contrasts and the tragedy of these situations?And who is singing with you on this? In our last episode, 395, we waltzed through all the big political stories of the day and I was able to use five Redgum songs to set the context for each. The opposition's call for nuclear power to be back on the agenda was accompanied by “Where Ya Gonna Run to?” There is the verse “Enrich the oxide out of Port Pirie and the toxic gases they won't even see but where ya gonna go when the north wind blows, where ya gonna run to now”. Interestingly, there has been some fairly solid science to support nuclear energy over the years but as we pointed out last week, its time has passed. It takes too long to build, the costs will blow out, and we'll be making more leaps and bounds with greener energy sources. Despite some of the work in its favour, you're dead right in that song – a haunting thought is what happens when something goes wrong? Of course, that's a quick, dramatic death, vs the slow drowning we're all suffering from the burning of oil, gas, and coal. Where's your thinking on this today? In episode 394, we traced some South Australian links to the stories of Sherlock Holmes, including the ship, Bass Rock, which was mentioned in the story, The Adventure of the Abbey Grange, travelling from Adelaide to Southampton. Not all ships made it, of course, including the famous Star of Greece, which broke apart and ran aground in a violent storm off Port Willunga on the 13th July 1888. There's some discrepancy in the actual number of lives lost, due to doubts about the number of people aboard the vessel when it left Port Adelaide, but most historians conclude that at least 18 perished. And one person who didn't, was your great grandfather, who missed the boat and saved his life. Can you take us into this story some more, and the song that appears on Etched In Blue called Thunder Across The Reef?Also, I have a recollection of hearing you perform this in Willunga – a special performance of etched in blue a long time ago – perhaps as part of a community arts project? For the Children is a song you wrote in your last few months in Redgum. Your first child was two and you were getting dragged away on tour by Redgum's management for 3 months at a time. For the Children explains, in part, why you left the band”. This is off rhyme or no rhyme – or really obtuse. Was that on purpose to invoke a mood of listlessness?Who was the lady from the paper?Have your kids ever used these words against you because sometimes we tap our higher, aspirational serves when writing and then life and foibles get in the way? “Graduation Day”, is a poignant evocation of the toll taken on our police officers who are called to serve and protect our communities. It's particularly raw here in the wake of the death of the son of our Police Commissioner, Grant Stephens. It was an unusual twist on the toll our people in blue pay. Another song about service in uniform. Some might think this contrasts with the Redgum bravado about ASIO printing out Redgum files so they can climb up to get to ours. Is it the writing class link between people on patrol? I want to finish with “Just Fade Away”, in which we hear a story about explorer John McDouall Stuart. The people from the Arabana nation advised him to follow the birds if he wanted to find water. What a great story, connecting us back to Uncle Ken, too.There's a great Wall of sound – What's making that haunting sound?Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

The financial impacts of closing recycling centers across California. Learning how to find joy and meaning at age 106. Finally, a concert honoring jazz musician Dave Brubeck is taking place in downtown Sacramento. California Recycling Deposit Investigation  in the last decade, leaving more bottles and cans littering the environment, and millions of dollars sitting in the state's beverage container fund. KPBS Investigative Reporter Scott Rodd joins Insight to talk about his investigation into why these centers are closing, what California is doing with the spare change, and what lawmakers are doing to make recycling more accessible. ‘This Is What It Feels Like' Living to 106 CapRadio's podcast This Is What It Feels Like was just named “Best Interview Podcast” by the Public Media Journalists Association. Hosted by Terra Lopez, This Is What It Feels Like allows listeners to put themselves in the shoes of everyday people at the center of issues that have been politicized or overlooked. Today we'll meet Glenna Walters, who lived to be 107 years old, and learn about how she found joy, purpose, and meaning in life. Dave Brubeck Tribute Concert A legendary jazz musician will be honored with a concert in downtown Sacramento this weekend. “An Ode to Sacramento” will be performed at the Cathedral of the Blessed Sacrament on Saturday, July 6 at 8 p.m. The performance features Dave Brubeck's “Pange Lingua Variations,” which premiered at the cathedral over four decades ago. Dave's son Chris Brubeck and Rex Rallanka, Music Director at the Cathedral of the Blessed Sacrament spoke with CapRadio's Paul Conley about the performance, and the piece's significance.

How the Supreme Court's ruling in Grants Pass v. Johnson will impact the unhoused community in Sacramento and across California. Also, revisiting the experience of navigating the U.S. healthcare system as a trans person on This Is What It Feels Like. Response to SCOTUS Homelessness Decision Last Friday, the Supreme Court issued its ruling in Grants Pass v. Johnson, which has been called the most important homelessness case in decades. In a 6-3 decision along ideological lines, the court granted cities more authority to arrest and fine people who sleep outside in public places, even if they have nowhere else to go. Angela Hassell, Executive Director of Sacramento Loaves & Fishes and CalMatters Homeless Reporter Marisa Kendall join Insight to discuss what the court's ruling means for the unhoused community here in Sacramento and across the state. CalMatters is a nonprofit newsroom that partners with public media stations across the state. ‘This Is What It Feels Like' Trans Healthcare CapRadio's podcast This Is What It Feels Like is now a bonafide award winner. Hosted by Terra Lopez, This Is What It Feels Like allows listeners to put themselves in the shoes of everyday people at the center of issues that have been politicized. It was just named “Best Interview Podcast” by the Public Media Journalists Association, as well as being named first runner up at the International Women's Podcast Festival in the category “Moments of Touching Honesty.” This week, we'll listen to highlights from some of the episodes, beginning today with “Navigating the U.S. Healthcare System as a Trans Person.”

You'll be sitting in on a unique and eclectic political analysis with our in-house pollster, Robert Godden. Inspired by the poignant lyrics of Redgum, we'll dissect the mood of the electorate and explore burning issues from nuclear energy debates to the controversies of political donations and the ongoing strain on South Australia's hospital system. We'll also debate the legacy of Frome and the critical funding battles between sports and the arts. The SA Drink Of The Week this week is the new Australian whisky released by 23rd Street. And in the Musical Pilgrimage, we feature the new song from Alison Newman, which delves into PND. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We're here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It's an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we'll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store - The Adelaide Show Shop. We'd greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here's our index of all episode in one concisepage Running Sheet: Redgum-flavoured Mid Year South Australian Politics Pulse Check 00:00:00 Intro Introduction 00:03:02 SA Drink Of The Week For our SA Drink of the Week segment, we're diving into the craftsmanship behind 23rd Street Distillery's pioneering Australian Whisky. 23rd Street has taken quality Australian barley, and then distilled it using two different, historic copper pot stills, amplifying the whisky's natural flavours and aromatic oils. Each batch boasts a robust palate of biscuity malt, vanillin oak, and toasty undertones. This whisky is matured in ex-Bourbon barrels and richly seasoned Tawny barrels. Join us as whisky aficionado David Olney helps us explore this bold, new addition to the 23rd Street lineup. 00:16:26 The Redgum-flavoured Political Pulse Check With Robert Godden Having seen footage of Premier Peter Malinauskus sleeping rough on a winter's night, it gave us pause for thought. What are his chances of staying ensconced in the warm and comforting rooms and hallways of Parliament House after the next election vs his risk of being tossed into the street? We figured it was time to check in with our in-house political pollster, Robert Godden, for his unique and eclectic range of political tea leaf reading. Robert, is it possible to start with your reading of the mood of the electorate, or, should I say, state? Here are some issues to give our discussion some structure, given some context by Redgum: I'd like to start with some Redgum lyrics (Enrich the oxide out of Port Pirie, And the toxic gases they won't even see, But where ya gonna go, When the North wind blows, Where ya gonna run to now?). Of course, this relates to the ongoing debate that never seems to reach its half life; nuclear power. Federal Opposition Leader Peter Dutton's calls for nuclear energy is raising heat levels within South Australian Liberal ranks. Some more Redgum lyrics (Electioneering's such a bore, Three months of bending ears, Thank Christ I only see you yobbos, Once every three years). Of course, that's four years in SA but when we think elections we have to think about all the political donations helping to prop up the different teams. What do you think of the South Australian government's proposal to ban political donations? More Redgum lyrics (Life wasn't meant to be impossible, Spare us the indignity, Two cheers for progress, reason denied, Whitewash and platitudes are all I can find). Does this relate to concerns about the strain on South Australia's hospital system, with the government releasing a new ad campaign to reduce pressure on emergency departments. More Redgum lyrics (We went looking for Australia In between the TV lines, 'Cause the ABC just couldn't make it real, Colour documentary From a beanbag on the floor Never shows as much as it conceals), this brings us to Frome and what he was really like and whether we should cancel him as the namesake of one of our electorates, as requested by Upper House MP Reggie Martin. More Redgum lyrics (Yes we know it was the festival of art and all that stuff, And the culture vultures still sat on the fence, Before you put your bum on those plush red seats take, a look in your backyard, Don't we need some changes in this town?) One of the big changes is more funding for the arts, with the government facing criticism that it prioritises sports over the arts. Discuss. 01:06:05 Musical Pilgrimage In the Musical Pilgrimage, we feature a song by Alison Newman, Things Are About To Get Dark. Experience a deeply personal musical journey with Alison Newman in our Musical Pilgrimage. Her EP "WOLF" confronts the challenging themes of postnatal depression, likened to a haunting dance with the Wolf of PND. Each track narrates a phase of her struggle and recovery, encapsulating the dark yet ultimately hopeful journey through a mix of melodramatic sounds and profound lyrics. This segment is not just a song feature; it's a testament to the resilience found in seeking help and the power of discussing mental health openly. The track we're hearing retells Alison's experience from the moment she experienced her first PND symptoms, it is a forboding moment of realisation, it is going to happen all over again. This track won the Australian Songwriters Association 2021 Exceptional Merit Award in the Rock/Indie CategorySupport the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

Come on a journey into the world of sustainable tourism with Craig Haslam, a pioneer in enhancing South Australia's environmental and tourist landscapes. Discover how Craig's company, Untamed Escapes, is setting new standards in eco-tourism and hear about his advocacy for the region, along with his belief in how the foundation of all good tourism is bases in human-to-human interaction. A must-listen for all professionals in tourism and sustainability! The SA Drink Of The Week this week is a special Shiraz from Eight At The Gate Wines. And in the Musical Pilgrimage, we feature a new song from Audio Reign that is perfect "driving" music if you like your tunes full throttle! You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We're here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It's an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we'll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store - The Adelaide Show Shop. We'd greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here's our index of all episode in one concisepage Running Sheet: Leadership Drought: A Call to Wine Australia Amid Small And Family Winery Despair 00:00:00 Intro Introduction 00:03:13 SA Drink Of The Week The SA Drink Of The Week this week is a 2019 Family Reserve Shiraz from Eight At The Gate Wines in Wrattonbully, South Australia. The sisters behind the winery, Jane and Claire, were previously on The Adelaide Show, recording a chat in their vineyards. 00:13:19 Craig Haslam And Tourism In South Australia Our special guest in this episode is a man who is well respected in tourism circles in South Australia, Australia, and on the world stage. He is the founder of Untamed Escapes, which has shown the wild side of South Australia to many visitors from around the world - and even shown many locals what's been right under our noses the whole time. Aside from being involved in Eyre Peninsula tourism since the naughties, he is currently Chair of the South Australian Leadership Group of the Australian Tourism Export Council. I welcome, Craig "Hassie" Haslam. Tourism is about people; people connecting with people. Do you agree? I remember meeting you through some online marketing workshops and social media marketing workshops that I ran from 2005, and I was in awe of the imagery you had, using the old cameras back then. You were pushing the envelope regarding the way you were searching for ways to use modern technology to capture the spirit of your passengers' experiences in the bush. You must be answering a deep call of the wild. Any idea how that began? What are some of the hairiest moments you've had out there? What holds some of us city slickers back? How can we learn to embrace the wild? What was it like operating tours across the Nullarbor Plain in the early days? What unique challenges did you face? How have consumer expectations and behaviours changed since you first started in the tourism sector? How did the COVID-19 pandemic impact your business, and what adjustments did you find most effective? As someone passionate about environmental sustainability, what practices have you implemented in your tours to minimise the ecological footprint? Can you share insights into your involvement with the Australian Tourism Export Council and its significance to your business? How do you see the future of tourism in South Australia, particularly in light of climate change and environmental concerns? You've been a strong advocate for the Eyre Peninsula. What makes this region special for tourists? What new trends or innovations in tourism are you most excited about right now? What advice would you give to new entrepreneurs entering the tourism industry today? Looking back, what would you say has been your greatest achievement in your career? Finally, what legacy do you hope to leave behind in the tourism industry and for the region you're so passionate about? 01:31:40 Musical Pilgrimage In the Musical Pilgrimage, we feature song by Audio Reign from their upcoming album being released on May 11, 2024. This track is called, Crown. We think this is pretty decent driving music. Try it on your next Nullarbor trip!Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

Whether you drink a little bit of South Australian wine, or a lot, your decisions about what you buy and where you buy it from, make a big difference. We sit with three passionate people from the wine industry, today, and they have some tales of woe to share, some stories about labour of love they all carry out, and some messages to those of us who'd like to see a thriving sector of small, family-run wineries who bring texture and body to the glass and to many circles of the economy throughout our state. There is no SA Drink Of The Week this week. Well, actually, there are four, but they are woven through the episode. And in the Musical Pilgrimage, we feature a new song from Suedan, that is slightly related to our theme: Whiskey Did It. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We're here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It's an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we'll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We'd greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here's our index of all episode in one concisepage Running Sheet: Leadership Drought: A Call to Wine Australia Amid Small And Family Winery Despair00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week Not one but four SA Drinks Of The Week this week. They are interwoven throughout the episode. If you would like to hear the tasting notes, you'll find them here: 00:09:08 – Paulmara Estates 2021 “The Marriage” Cabernet Shiraz 00:47:27 – Ben Murray Wines 2021 Barossa Valley Shiraz 01:18:15 – Flinders Run 2021 Baroota Creek Cabernet Sauvignon 01:49:05 – Paulmara Estates 2021 ARETÎ 00:03:19 Paul Georgiadis, Emanuel Skorpos, Dan Eggleton It's a tough gig, being at the helm of a family-owned winery in Australia in 2024. China's tariffs on Australian wine bit hard, causing a glut in supply, while the multinationals like Coles and Woolworths used their clout to create “fake” boutique wines that “magically” got shelf space and retailer support from, well, Coles and Woolworths. Meanwhile, our 2500 wineries and grape growers have been contributing to the coffers of Wine Australia in the hope that its role of supporting and regulating the Australian grape and wine industry would mean that someone was looking out for them and not ignoring the big bad wolves who are plundering the sector every day. But, if you're surviving in this industry, maybe that's enough because as one of the guests who couldn't make it today was quoted as saying on the ABC recently, you don't get into the wine industry to make money, you do it because you love it! Who are our guests? We have Paul Georgiadis who, among other things, is the founder and owner of Paulmara Estates, along with his wife, Mara. We're recording at Paulmara in Marananga today. We also have the man who suggested we hold this discussion, Emanuel Skorpos, the Principal Vintner at Flinders Run in the Southern Flinders, and Dan Eggleton, the cofounder and winemaker at Ben Murray Wines and Principal and Founder of Vinous Consulting. I like naming elephants in rooms, so my first reflection is that we're all blokes, sitting around this table. We haven't excluded women, it's more that Emanuel is directly connected to you all and this gathering developed organically from there. Had we more microphones, I would have arranged for Jane Richards to join us from Eight At The Gate Wines in Wrattonbully – she is an absolute dynamo – and I'm sure you all work with women in different roles. Can we acknowledge some before we move on? The key theme of our discussion is that “mum and dad” wineries make up the bulk of those 2500 wineries in Australia, and it always hurts a bit when we see our Premier hobnobbing at a new Wolf Blass cellar door to celebrate government support for a business you'd think was hardly in need of extra help. Mind you, I did mention this to a winemaker friend of mine, who is also part of a family-run winery, and he confessed that he “gets it” because the levies that fund Wine Australia are based on volume and the big end of town contributes more than we do. Can we start here? What are the big pain points for family wineries right now, and where does the support of Wine Australia hit and miss, in your opinions? Summarising the role of Wine Australia, goes like this. It's role is to support and regulate the Australian grape and wine industry with its primary functions being Research and Development (R&D) (and sharing and commercialising results of that research), Marketing and Promotion to boost consumption of grape products here and overseas, Regulation and Compliance, especially when exporting, and User Pays activities. But I note this: Wine Australia operates under a Statutory Funding Agreement with the Australian Government, which prohibits it from engaging in political activities or acting as an industry representative. Its governance and operations aim to achieve the best possible return on investment for the Australian grape and wine sector. Does this mean it's not the body that has any role to play in protecting us from the savagery of the duopolies, or in lobbying for government support to be directed to particular sectors, like “mum and dad” wineries? While on the government front, state and federal governments are crowing about China's ending of the industry-strangling tariffs it had placed on Australian wine, but I haven't seen Emanuel popping the sparkling wine cork. Does this mean there is devil in the detail? I am curbing alcohol consumption and opting for quality over quanitity. I am not alone. What do you make of this trend? What's your message for government? Is it harder for them to care, given how many of you there are vs there being just a handful of big, headline-grabbing operators? What's your message for consumers? Should they change buying habits? Do little changes make a difference? 01:57:17 Musical Pilgrimage In the Musical Pilgrimage, we feature song by Suedan, from the latest album, Suedan Mountain Blues, titled, Whiskey Did It. While our panel is still here, what impact is the explosion of distilleries having on the wine sector?Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

In this important episode, we delve into the complexities of living with disabilities in Adelaide, set against the backdrop of the city's ongoing efforts towards inclusivity. Our guests, including David Olney, Jorja Denton, and insights from Clair Crowley of the Strong & Capable Co-operative, share their lived experiences navigating well-intended urban interventions that sometimes present mixed outcomes for individuals with different disabilities. As Adelaide seeks public feedback on its new Disability Access and Inclusion Plan, this conversation aims to contribute unique perspectives to the dialogue, exploring the interplay of technology, community support, and the broader societal understanding of disability. There is no SA Drink Of The Week this week. And in the Musical Pilgrimage, we feature the the song "Fabulous" by Rachael Leahcar, written and produced exclusively for the No Strings Attached Theatre Of Disability. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We're here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It's an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we'll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store - The Adelaide Show Shop. We'd greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here's our index of all episode in one concisepage Running Sheet: Navigating Adelaide with Disabilities Amid Well-Intentioned Interventions 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week No SA Drink Of The Week this week. 00:02:32 Jorja Denton, David Olney, Clair Crowley The City of Adelaide publicly states that it's committed to making the city a welcoming and inclusive place for all people to enjoy by working toward demonstrating best practice in access and inclusion planning. And yet, even in my small circle of friends living with disability, I know about certain interventions that are great for people with certain forms of disability while making matters worse for others. With the City seeking public feedback on its new Disability Access and Inclusion Plan by 5pm, April 2, 2024, I thought we'd get a few people around a microphone to share their lived experiences and maybe this episode might be an unusual contribution to that process? My guests today are my friend, fellow podcaster, and colleague at Talked About Marketing, David Olney, another friend made through the early years of The Adelaide Show Podcast, Jorja Denton, and General Manager of the Strong & Capable Co-operative & a social innovator, Clair Crowley. I should note that Clair could not be here with us in person, today, but she has contributed some thoughts. I should also note that one of the most important aspects of her organisation, is its Peer Mentoring Program, which invites people with particular expertise and passion to mentor someone living with a disability to learn more about and engage in that field of interest. But the key thing is that this program includes mentoring BY people living with disability, not just FOR them. This is an important step in maturity for our society, and if you'd like to learn more, there's a Peer Mentoring Launch Party on Thursday, April 4, from 4.30-8pm, at Hard Days Night ADL. Launch Party invitiation. You can find info about the Co-Op and its programs over at www.strongandcapable.com.au. David and Jorja, perhaps I should get a reflection from you both by the universal, two-way flow model that Clair is developing through that program? Jorja, can you give us a snapshot of your lived experience with a disability and perhaps a "day in the life" view of how you get on in the world? David, could you do the same - giving us a snapshot of your lived experience and what a "day in the life" looks like for you? Looking at The City of Adelaide's Draft Disability Access and Inclusion Plan, there seem to be five main initiatives that are worth discussing and that will give us some more inroads into your lives. They are: Infrastructure Improvements: The plan includes specific targets for enhancing the accessibility of the city's infrastructure, such as footpath ramps, audio-tactile push buttons at crossings, and accessible bus stops. Liveable Neighbourhoods: Efforts to create more inclusive communities include the development of sensory-friendly spaces, upgraded Changing Places facilities, and the implementation of accessible community grants programs. Now, on that, I had no idea what Changing Places were and I found this definition on the Council's website: Changing Places facilities are best-practice bathrooms for people living with disability and their support person. They offer more space, a hoist and other customised features, providing dignified and purpose-built toileting and showering facilities for people with disability when you are out and about. Events and Festivals: The plan aims to make Adelaide's vibrant events scene more accessible through an accessible events project, incorporating accessibility planning checklists for event organisers and partnerships to foster access and inclusion. Business Engagement: A Business Access and Inclusion Program is proposed to improve the accessibility of city businesses, including efforts to promote inclusive businesses and support upgrades through development of skills and knowledge in the sector. Inclusive Customer and Employee Experiences: This involves training for City of Adelaide employees in inclusive practices, improvement in the accessibility of Council meetings, and a commitment to co-design and consultation activities involving people with disabilities. I'd like to wander back through these, and we might start with the last two or three, about training and promoting Council, Business, and Event management and employees to foster better access and inclusion. And there's one hurdle here that I think needs naming, and that is TIME. I feel that I'm under pressure to work much faster than ever before and if there's one thing I've noticed when organisations like No Strings work with people with disabilities, especially in physical gatherings, we all have the calm the heck down and slow down. And I mean, really slow down. Is this a tangible threat to the success of these initiatives or a mirage created by our own self-centredness? CLAIR: The common theme for me through starting my own business where I supported tourism operators to become more inclusive and where I am now with the co-operative, is that lived experience is where the value is, and even though everyone experiences their disability in their own unique way, the insights and knowledge that people with lived experience with disability can share with others is absolutely priceless and trusted. In tourism in particular we have seen inclusion come in leaps and bounds with the services they provide and their willingness to find ways to welcome more people through their doors, this refers to adapting the physical environment AND the customer experience. Many small - med owner operated businesses have an advantage in this space because they are in the frontline interacting with customers and they know the operational aspect of their business inside out, this means that when they listen to their customers to be more inclusive and they (usually) have the ability to adapt quickly and with a warm welcome. One thing I think would be an amazing asset would be the accessibility planning checklists for event organisers. Anything to make it easier and not half-hearted, is a good thing. I remember talking about having Jorja over to watch a movie at our place but none of our doors are compliant. Surely that doesn't happen with buildings today but instead of throwing shade, actually shining a light seems like a good move. The liveable neighbourhoods section is where I turn to both of you because you both live within the City Of Adelaide. How liveable is it or is it not? Let's turn to infrastructure, such as footpath ramps, audio-tactile push buttons at crossings, and accessible bus stops. Can you please take me on a tour of the good, the bad, and the ugly? How has technology enhanced your autonomy in navigating the city, and can you give examples where it fills gaps left by urban infrastructure? Technology is one thing, but human touch and support is another. I would love you both to reflect on whether or not it is important that friends, families, and colleagues support you by going the extra mile to make inclusion possible, but I want to preface this discussion by another comment from Clair. CLAIR: For my family, sport provided a pathway into a new life, after my husband's accident, he was invited to play wheelchair basketball and this was absolutely instrumental in finding his way forward. Sport continues to play an incredibly important role for us, it means we are part of a community where we can connect with like minded people, contribute and participate, it keeps us fit and healthy and always striving forward. It also opened up doors we didn't even know existed, for example we got to live in Northern Italy for a Wheelchair Basketball season and la dolce vita! In Italy it was really evident that good customer service is what makes the biggest difference to how we feel we 'fit in'. The built environment had its challenges, but we were always met with an Italian that was ready to help as needed. Clair mentioned sport, how important is the visibility of paralympic athletes in changing perceptions about disability, and what more can be done to support and promote disability sports? And turning to the arts and popular culture, can you identify TV shows or movies that either positively represent disability or perpetuate stereotypes? How do these representations influence public perceptions? What are some closing thoughts for those of us who are "not considered to be living with disabilities", from the perspective of inclusion, and just being a decent human? 00:59:57 Musical Pilgrimage In the Musical Pilgrimage, we feature song by Rachael Leahcar, written and produced exclusively for No Strings Attached Theatre Of Disability. Rachael says it reflects the “esprit de corps” she experienced being in amongst the whole No Strings team for her final placement for her uni studies (Bachelor of Disability and Developmental Education). And I quote: “I looked up what esprit de corps means and I completely agree with this and all the other sentiments. This is a huge team effort and I'm in total awe of how everyone worked together so seamlessly, navigating obstacles and making snap decisions sometimes. Everyone has so much passion for the arts and I want to thank you all, as a performer with a disability myself, for giving the opportunity for people to be portrayed as ACTORS instead of characters with disability (nothing wrong with that as well, just a rare opportunity). The actors have often commented how great it is to be accepted and have their strengths recognised.” The song has been gifted to No Strings and if you'd like to support the company by buying a copy, please contact them at nostringsattached.org.au. As an aside, Rachael actually wrote and recorded the song in the week before the No Strings end of year showcase, AMPLIFY, which was also the week just before her wedding! I also note that while she wrote this specifically for the show, everyone embraced it as their own personal theme song.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

James Rolevink and his wife, Rai, received just under $30,000 to look after vegetation on their Forreston property. That money was a small slice of the $1.3 million paid out to private landowners late last year as part of the State Government's Native Vegetation Heritate Agreement program. James has a legally-binding agreement to look after specified native vegetation and his story is fascinating. (The image on the show notes for this episode is the Blue Fairy Orchid, taken by James Rolevink). The SA Drink Of The Week is The Soloist 2021 Shiraz by Coriole, and it does link in nicely with our main topic. And in the Musical Pilgrimage, we feature the new single "Humble Heart" by West Thebarton, offering a taste of their upcoming album "Mongrel Australia." Plus a special cheerio to U3A Flinders (University of the Third Age), where Steve spoke recently about 10 years of podcasting. We hear from one "volunteer", Elizabeth Bleby, and we should thank Steve's mum, Yvonne Davis, for lobbying for the talking spot. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We're here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It's an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we'll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store - The Adelaide Show Shop. We'd greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here's our index of all episode in one concisepage Running Sheet: Protecting Native Plants From Kangaroos In The Adelaide Hills 00:00:00 Intro Introduction 00:04:38 SA Drink Of The Week The SA Drink Of The Week this week is the 2021 The Soloist Shiraz from Coriole. As Steve notes in his tasting, apart from loving this wine, he compares the nature of The Soloist vineyard to the work James is doing on behalf of the native plants he is now custodian of. All will be explained. 00:08:44 James Rolevink After losing everything in the Cudlee Creek bushfires, James Rolevink and his wife, Rai, bought a property at Forreston in the Adelaide Hills, hoping to start a new chapter in their lives. Well, little did they realise that before too long, the State Government gave them close to $30,000 to look after their garden. Well, that's not exactly the situation. As you're about to hear, James received this money to help his family protect rare and threatened native plants from, among other things, kangaroos. James, welcome to The Adelaide Show podcast. Before we get into the grant and the plants, I need to ask about Cudlee Creek because I am 100%  sure that I have no idea what it would be like to lose everything in a bushfire. In the hope that it might spur more of us to take our bushfire planning more seriously, what are some of the consequences of the bushfire that took you by surprise, that you didn't foresee? Today is tipped to reach 40 degrees. How present is the threat of bushfire in your mind? Our native plants have evolved to regenerate after bushfires, before we talk about them, can you see now that new things were generated within you and Rai as a result of this experience? Now, I'm told that when you and Rai saw this property, everybody else was looking left while you were looking right. What had caught your eye that the others were missing? Had you always known about native plants? What prompted your interest? Something that was counterintuitive when I first heard about your story, was native plants being threatened by kangaroos. To be fair, I suppose we have squeezed roos out of their habitat and we have put lots of paddocks of vegetation into place that helps them breed. Can you talk us through the situation and how it really sent you down the Heritage Agreement rabbit hole, so to speak? Actually, our episode on the History Of Rabbits In Australia is fascinating and worth a listen. Do any of the native plants on your property bear fruit that can be eaten because then I could say the grant is "money for jam"? I mentioned the temperature earlier, it's going to hit 40 today. We know native plants cope with bushfires by regenerating afterwards, but how do they get through these boiling days? Do these plants attract native birds? They can't protect themselves from kangaroos, what about introduced grazing animals, any luck there? Did our colder, wetter start to summer impact anything? What will you be expecting to see develop through autumn and winter? Any tips for home gardeners in relation to natives? And if someone in a bushfire zone asked you what is the minimum they could do to get by, safely, what would you recommend? 00:49:44 Musical Pilgrimage In the Musical Pilgrimage, we feature the new single from West Thebarton, Humble Heart. West Thebarton is hitting the road this year with its ‘Mongrel Australia' Album Tour With Guests OK Hotel. The single, Humble Heart, is from their new studio album, Mongrel Australia, which will drop on March 22, 2024. If you're up for their high octane rock, you'll want to get tickets to see them live at The Gov on Friday, June 21, 2024. Tickets at westthebarton.com. And good to see the new album, with 11 tracks, was recorded in The Little Smoke© here in Adelaide, and then engineered at Twin Earth Studios, Somerton Park.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

It's estimated that half of all Australians are now living from payday to payday, with no money saved up for emergencies. And yet last weekend's opening of the Fringe saw record, pre-covid levels of people on the streets of Adelaide. We will get stuck into these seeming contradictions with our special guest, Jordon Tomopoulos from the Adelaide Economic Development Authority. Here's a taste. And in the Musical Pilgrimage, Atlas Genius has two new singles that just dropped. We'll play one of them and build a link between them, Taylor Swift, and P!NK! You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We're here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It's an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we'll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We'd greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here's our index of all episode in one concisepage Running Sheet: The Economic Weather Forecast For Adelaide 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week There is no SA Drink Of The Week this week this week. 00:05:00 The Economic Weather Forecast For Adelaide There is no doubt climate change is making our weather unpredictable, but what are things like in the economic realm? Jordon Tomopoulos from the Adelaide Economic Development Agency, spends his days conducting economic research looking for insights into data and he joins us to share some of his findings. This talk is partly about data and partly about sentiment. According to some data from the financial comparison site, Finder, half of all Australians are now living pay cheque to pay cheque with no savings, with no money saved up for emergencies. Meanwhile, an Advertiser story towards the end of the first year of Covid, stated that it's essential to transfer any spare cash into a buffer account that could see you through 3 to 6 months.  It quoted Dominic Beattie, editor of online financial resource Savings.com.au, telling readers to prioritise that buffer account. The article warns people that while it's tempting to go to the pub or eat out now that restrictions are lifting, recessions can last for a while – you don't know what might happen down the track.” And now I turn to you, Jordon. At the Adelaide Economic Development Agency, you want to see a thriving economy. Before we dive into your data and analysis, as a fellow citizen here in South Australia, what's your reaction to these two bleak items, especially when your latest weekend foot traffic report shows people have flocked to the city for the opening of the Adelaide Fringe? I just came back from Melbourne for Taylor Swift. The city was swarming with swifties. I hear that bead bracelet kits were sold out for months in the lead up and that international leaders were begging Tay Tay to Stay Stay in their countries for the economic impact. The Australian reports that hotel occupancy during the Friday and Saturday nights of the concerts was sitting at 83%, which is pretty impressive when you consider how many hotels exist in Melbourne. However, we have Pink coming to Adelaide next week and your numbers suggest a bigger impact? What is the importance of big events like concerts, conferences, and sport (AFL Gather Round), events like the Fringe, etc (although. I get the impression they are like Carbs for the city – we get a big rush and then we're craving again. Is that fair? And is there anything that provides that lovely, Protein-like, slow release goodness over time? Hindley Street has been in the news with the City of Adelaide calling some special meetings to address the rapidly shrinking number of nightclubs and bars. This begs the question: Are there business models that rely too heavily on over consumption of alcohol? I ask because La Trobe University recently published a report titled, Generation Dry: why young people are drinking less. How can we cultivate that “buzz-based entertainment” when less people are chasing that high-margin buzz product? Has working from home stopped spending or just spread it out more through the suburbs? And can we get too much of a good thing? Tay Tay made us wait for going on stage – and we got the pay off. I am taking a break from Fringe because I was becoming jaded. Is there a role for peaks and troughs in a healthy economy (absense makes the heart grow fonder), or does that make you shiver? What was 2023 like? How is 2024 looking? 00:41:12 Musical Pilgrimage In the Musical Pilgrimage, Steven Jeffrey had told us a new Atlas Genius song was on the way and it just dropped this week. So we'll listen to Nobody Loves Like You. This fits in well with our discussion this week because we looked at the economic impact of big artists performing in a city, especially those that aren't saturating our radio stations. Atlas Genius has a huge following in the USA and a passionate group of followers in Australia, so when I saw someone starting a petition to bring Atlas Genius back to their hometown of Adelaide, the main thing I can hear is the sound of cash registers tinkling all around the city.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

In celebration of both Black History Month in February and Women's History Month in March, Mary put together this conversation series.During the final interview of the series, Mary talks with Keri Gray of the Keri Gray Group and the NAMED Advocates. The two discuss the gap between social justice and Disability Justice, how to close the gap, Black Disabled Lives Matter, and what it's like to live at the intersection of being Black and disabled.Keri Gray is a cancer survivor, entrepreneur, speaker, and facilitator. She is the CEO of the Keri Gray Consulting Group, LLC, where they strive to create professional communities of understanding through disability and racial justice education. She is also founder of the National Alliance of Melanin Disabled Advocates, which creates spaces for disabled leaders of color and BIPOC allies to gather, learn, connect, and grow around racial and disability justice. Keri's work has been featured in Teen Vogue, the New York Times, People Magazine, Time Magazine, PBS NewsHour, Madamenoire, and the Diet Coke campaign #Unlabeled. You can follow Keri on social media here and NAMED Advocates here.The Politics of Disability was named Best Interview Podcast at the Astoria Film Festival in both October 2022 and again in June 2023.

Sweet Songs is a collaboration between Doctor D and Fergus Maximus, multi-award-winning songwriters based in Adelaide. They first worked together in the sell-out Adelaide 2021 Fringe Show SWT_HM_ADL. Since then they have been delighting audiences with their music, stories and amiable on-stage personas. Their debut album Back in ADL is out now and you hear a great sampling of it, with seven full tracks in this episode. The episode image was shot by Ben Searcy. The SA Drink Of The Week - no featured drink this week. And the whole episode is a Musical Pilgrimage segment this week! You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We're here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It's an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we'll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store - The Adelaide Show Shop. We'd greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here's our index of all episode in one concisepage Running Sheet: Sweet Home Adelaide Songs 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week No SA Drink Of The Week this week. 00:02:48 Fergus Maximus and Dr D, Back in ADL Back In ADL is an album by Fergus Maximus and Dr D, drawing together some of the songs of their Adelaide Fringe hit show, Sweet Home Songs (and its earlier manifestations). There is so much goodness in the album, that we have them in the studio to walk us through a selection of songs about this state and this city, which has been named the Coolest Place In Australia by the Wall Street Journal. Buy Back in ADL on Bandcamp. Fergus, you've been on the Adelaide Show before, and you have 100% South Australian bona fides, having been born in Whyalla and grown up in Clare. Plus, you are married to one of our longest term listeners, Andrea Ferguson. I picture Johnny Cash walking along a railway line in the country and picking out a tune like, I Walk The Line. When did you first write a song based on a location in South Australia? Dr D. In the early days of our podcast, you had to be born and bred in SA to get a gong, but having moved here from the UK after your frequent visits gradually hardwired SA into your DNA, you are warmly welcomed. You've performed on five continents including legendary venues in London and Chicago. Is there a tangible, physical difference between the venues in those places compared to venues in South Australia OR if they feel more significant, is that due to the aura of those cities? It took me 4 or 5 songs on my first listen to fight through the echoes of cultural cringe. I've spoken about this with Peter Goers about how I don't bat an eyelid when a song talks about Baton Rouge or New York or Chicago or London, but when it mentions anywhere in Australia, let alone South Australia, it feels tacky or too familiar. I don't think it's actually cultural cringe because I'm very proud of our country and our townships. I think it might more closely be linked to the saying that a profit is never recognised or respected in their homeland. Let's get going with the title track, Back in ADL. BACK IN ADL (17:35) When you are writing about places, how do you stop them from sounding like TV commercials or slogans or jingles for property developments? Henley Square is one of those songs that comes very close to sounding like this, but so, too, does the title track, Back in ADL. The line take me to your deli counter and let me taste your ways because there's lots of innuendo there especially with smallgoods ... or is that just me? In our early days, we had the Adelaide Visa Council because people made lazy jokes about Adelaide being boring and Paul Barry from Media Watch was very cynical about Adelaide earning the Coolest City label from the Wall Street Journal. Let's listen to his cowardly backhander from a recent episode of Media Bites. I thought we were past these lazy jokes. Your thoughts? The second track on the album, Gulf of St. Vincent, contains the O word. Is that pedantic to query that? Is that just Total Adelaide? Talking of Vincent, I think St Vincent Street is a great song that needs to be included, all about about a particular female police officer. VINCENT STREET (36:00) Talking of streets, let's address the myth of naming conventions and the belief you cannot cross the king. In episode 28 of The Adelaide Show, around the 45-minute mark, Keith Conlon highlights that it was popularly believed that the reason none of our city streets continue either side of King William Street is because you CANNOT CROSS THE KING. PLAY KEITH CONLON INSERT Have you caught much flak about that song? CROSS OUT THE KING (47:50) When you get into history, I note that This Is Our Beef has an early Redgum feel. Beef Rebellion story THIS IS OUR BEEF (58:05) The thing about writing songs about places we know and live it, is that we all have stories that intersect with your songs. Do people call out during the show or want to talk to you afterwards? FOUR TREES (MIRNU WIRRA) (1:08:01) If I were at your show, I'd be chewing your ear about Johnnie's Gone Away because I worked at John Martins in the 80s in the West Lakes store in boyswear. And my maternal grandman, Lillian Field, she worked in the basement of the city store in the late 1930s when a young man from an engineering company turned up to fix the lifts. He soon became my grandpa. Why did you guys write about John Martins, which we're reflecting on the day after the 2023 Christmas Pageant which was a gift to SA from John Martins for most of its 131 years. JOHNNIE'S GONE AWAY (1:17:00) Finally, your Fringe show has won awards, and gotten great reviews. What is next? Has your song, Letter To Paul Kelly, caught Paul's attention? LETTER TO PAUL KELLY (1:28:45) 00:00:00 Musical Pilgrimage This whole episode was an extended Musical Pilgrimage segment.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

We have two Australian Army veterans as our special guests this episode. The first is the Vice President of the RSL in South Australia, and President of the Magill RSL Sub Branch, Retired Major Meredith Burgess. Apart from being a mechanic for the Australian Defence Force, she became and Officer and spent much of her career in the role of Quartermaster. Our second guest is Chairperson and Editor of The Top Ender, Tri-Services Magazine, and founder of Barossa Fun Factory, Deb Herring. Deb's focus on community extends throughout her work at the magazine for veterans as well as being a key part of her business. If you read this before November 18, 2023, Steve would like you to join him at the Magill RSL Sub Branch for an 80s Trivia Night. He'll be the Quizmaster on behalf of the organisers the Magill Sunrise Rotary Club. Details and tickets here. The SA Drink Of The Week - no featured drink this week. And in the Musical Pilgrimage, it's the first birthday of Dino Jag's song, Shake A Leg Like Elvis, so we'll itch that scratch and give it another spin! You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We're here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It's an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we'll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store - The Adelaide Show Shop. We'd greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here's our index of all episode in one concisepage Running Sheet: Remembering Beyond Remembrance Day 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week No SA Drink Of The Week this week. 00:03:29 Meredith Burgess That was a little snippet of the Concert Band and Chorus of the RAAF, singing Quartermaster's Store. I grew up with my dad playing "hits of the war years" over and over again and I always wondered what a quartermaster was. Well, fast forward to today and I am sitting next to a woman who has spent some of her army career as a quartermaster. I refer to Retired Major, Meredith Burgess. Meredith, we're sitting in the Magill RSL Sub Branch, where you are President (she is also Vice President of the RSL in South Australia) and on November 18, 2023, I'll be quiz master for an 80s trivia quiz being run by the Magill Sunrise Rotary Club to raise money for your programs here. Before we talk about them, and before you help me wrap my head around the role of a quartermaster, there is some South Australian business to attend to. You grew up in the wheat and sheep area of Lameroo and finished your schooling in Murray Bridge. What do you remember most about life in that part of Australia at that time? I worked for 7 years at 5MU and would often drive out to regional towns to do interviews in my HG70 panel van without any knowledge of mechanics. Was the tyranny of distance part of the reason that attracted you to getting under the hood? In other words, was it a simple survival mechanism? This drive you had for motor mechanics and metal fabrication led you to TAFE and then you joined the Army Apprentice School at Albury-Wodonga in the second class of female trainees where only 4 out of 13 graduated. My daughters have demanded that I ask you to share what it was like being outnumbered on grounds of gender and what enabled you to get through and then later get encouraged to undertake training as an officer at Duntroon? You've had various roles as quartermaster, what is it, in layperson's terms because to the best of my knowledge it was the person responsible for making sure supplies got to where they're needed? To get a sense of why RSL clubs and services are so important, I think us lay people need to remember the extremes service people are exposed to. Sometimes this is combat but at other times it is the aftermath of combat and atrocities and just squalid conditions. Would you mind just painting a picture or two of the conditions you and your fellow service people experienced when you were among the first to arrive in East Timor in 1999? You're on the record discussing the difficulties you faced in adjusting back to civilian life but it seems that your involvement in this RSL club has not only been good for you but also good for the club. Can you take us through the club's resurrection over the past 10 years, and then we'll look at some of the services. What keeps you going? What feedback do you get? Can we be part of it - non service people? Is there any protocol to follow? I spoke at a Mess In night for the RAAF at Edinburgh a few years ago and I had 17 pages of protocol to read, including the Passing Of The Port. 00:51:20 Deb Herring A theme of the conversation with our previous guest, Meredith Burgess, will also run through our next chat. That theme is the human drive to build community even amid change. This is given great focus in the lives of Australian Defence Force personnel because they are posted to different locations with great frequency, having to pull up roots and replant them over and over again. Deborah Herring has lived that life when she was in the army - twice. She's now living and working in the Barossa working as Chair and Editor of The Top Ender Tri-Services Magazine (which is a magazine for service personnel and veterans) while also running an events and tourism business, Barossa Fun Factory. Deb, you're settled in the Barossa now. I assume that's better than being moved about all the time, but what's it really like because us humans learn to adapt. Is it a challenge to learn to be in one place? How much did you move about in the Army? What do "relationships" look like in the defence force? Is it hard to build friendships or do you get better at bonding faster? What happens if the team on a particular deployment is not ideal? Meredith Burgess mentioned she felt quite lost when she left the Army. What was your experience? Your work with The Top Ender seems to be driven by a fire in your belly to give veterans a sense of connection. What fuels that fire? What sort of stories do you cover? At first look, nothing seems further from being in the defence force than running a company called Barossa Fun Factory. But there is some shared DNA, isn't there, because you talk a lot about your pop up events and corporate workshops as not only creating a sense of fun but deeply building connections between participants? What were the first things you ran? Are there regular events for kids? Halloween is just ahead of us at the time of recording. Special calendar events get you springing into action, don't they? You have run some successful corporate events, too, that have a bit if "kid's fun" to them. Talk us through an example and how it's linked to greater team engagement? And with Xmas upon us, I want to finish on something I think is excellent. You stage events called Mingle Bells, which transform the typically awkward or sometimes drunken company christmas event into a time of real connection. Finally, Remebrance Day is upon us. Is that a significant day for you, or is Anzac Day stronger. What do these days mean to you? 01:26:43 Musical Pilgrimage Our featured song this episode is Shake A Leg Like Elvis by Dino Jag. Given that Elvis did his time in the Army, it's only fair we feature a tribute to him by our own Dino Jag, on this pre-Remembrance Day episode.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

The Family Business is back in business for Season 6 - and a LOT has happened since the Alessis last stepped into the podcast booth. The Alessis welcomed a brand new baby / grandson (Marino), celebrated their first grandbaby's first birthday (Gianna), discovered that there will be a THIRD new Alessi baby in December...all in the midst of a lot of renovation and re-adjustments in their church and personal lives. In the midst of all that excitement and stress, it's easy to forget the precious moments and memories being made - and that's not good for any family.  Listen in as Steve and Mary Alessi help you protect the precious family memories that makes life special from the stress of everyday life, AND give you a sneak peek at all the powerful conversations coming your way in Season 6! If you like this episode, you'll love: How Successful Parents Set the Right Family Priorities | S1 E2The Perfect Family Meeting: How to Create a Memorable Mission with Your Loved Ones with Lee Domingue | S3 E20Fun, Family and Feasts: Sharing Our Favorite Traditions During Thanksgiving and The Holidays | S4 E12WE'RE NOMINATED! The Family Business with The Alessis has been nominated for a Spark Media Fan Award for Best Interview Podcast! Voting is open through Friday, September 23rd, so please tap the link below and cast your vote! Tap HERE to Vote JOIN THE FAMILY BUSINESS! Subscribe to the show on your app! Follow Us on Instagram and Facebook Subscribe to Our YouTube Channel! Leave a review! Have a question for the Alessis?Tap HERE and then the "Leave A Message" button to record your question!

In this episode, Mary sits down with drag performer and Drag Queen of the Year pageant contestant, Charles Galin.The two discuss Charles' pageant experience, virtual drag, why they choose to continue to mask in public spaces, lack of general accessibility in the world, and more.You can follow Charles on social media here.Production note: Mary's microphone was glitching at some points and she was unaware. Please refer to the transcript, if need be or if it meets your access need(s).The Politics of Disability was named Best Interview Podcast at the Astoria Film Festival in both October 2022 and again in June 2023.

Mary continues her conversation Season 5, All Stars 2 contestant of RuPaul's Drag Race, Detox for The Politics of Disability Pride series.The two discuss continue their discussion on what it will take to bridge the gap between the LGBTQIA+ community and the disabled/chronically ill community, the rise, fall, and possible revival of virtual drag shows, building community during the pandemic, and more.Episode content warnings: Mentions of ableism, adult languageThe Politics of Disability was named Best Interview Podcast at the Astoria Film Festival in both October 2022 and again in June 2023.

In part one of the second interview for The Politics of Disability Pride series, Mary sits down with Season 5, All Stars 2 contestant of RuPaul's Drag Race, Detox.The two discuss what it will take to bridge the gap between the LGBTQIA+ community and the disabled/chronically ill community, advocacy, anti-trans legislation, and more.Episode content warning: Mentions of ableism, mild adult languageThe Politics of Disability was named Best Interview Podcast at the Astoria Film Festival in both October 2022 and again in June 2023.

Mary continues her conversation with Season 12 contestant of RuPaul's Drag Race and the national co-chair of Drag Out The Vote, Brita Filter for The Politics of Disability Pride series.The two discuss anti-LGBGTQIA+ legislation, voting, lack of access to voting, lack of accessible social media, and more.Drag Out The Vote is a nonpartisan, nonprofit that works with drag performers to promote participation in democracy. You can learn more about it here.The Politics of Disability was named Best Interview Podcast at the Astoria Film Festival in both October 2022 and again in June 2023.

In part one of the initial interview for The Politics of Disability Pride series, Mary sits down with Season 12 contestant of RuPaul's Drag Race and the national co-chair of Drag Out The Vote, Brita Filter.The two discuss mental health, advocacy, voting, voting rights, Pride, the lack of accessibility when it comes to Pride events, and more.Drag Out The Vote is a nonpartisan, nonprofit that works with drag performers to promote participation in democracy. You can learn more about it here.The Politics of Disability was named Best Interview Podcast at the Astoria Film Festival in both October 2022 and again in June 2023.

In celebration of both Black History Month in February and Women's History Month in March, Mary put together this conversation series.During the second interview of the series, Mary continues her conversation with Stacey Abrams' former press secretary, Jaylen Black. The two discuss advocacy, voting rights, lack of access to basic needs such as food and shelter, the intersection of faith and politics and Jaylen's new podcast.Jaylen Black is a communications professional who has spoken on behalf of some of the most powerful individuals in Georgia. Her previous roles include Director of Surrogate Communications for Reverend Warnock's runoff election, Press Secretary and Spokesperson for Stacey Abrams for Governor 2022 race, and Georgia Press Secretary for Senator Reverend Warnock's federal office. She has experience handling crisis Communications and plethora of political issues. You can follow Jaylen on social media here and here.The Politics of Disability was named Best Interview Podcast at the Astoria Film Festival in both October 2022 and again in June 2023.

Get early access to our latest psychology lectures: http://bit.ly/new-talks5 In this interview, I'm joined by Mark LeRuste. Mark is an author, the host of The Unconventionalists Podcast, and a TEDx speaker with over a million views. His most recent book: Glow in the Dark, provides a masterclass in the art of storytelling, and how you can leverage it to improve almost any area of your life. In this conversation, you'll learn: — Why stories play such a central role in human life — The psychological benefits of getting clear on your own story and sharing it with others — Mark's simple framework for telling captivating stories. And more. You can learn more about Mark's work at www.markleruste.com and get a copy of the book at: www.glowinthedarkbook.com. --- As the Founder and Host of The Unconventionalists, Mark Leruste is on a mission to help entrepreneurs and business leaders have an impact on the world with their message. Mark first burst onto the scene in 2012 after going viral with his creative video CV pitch “A Dream Job Would Be Nice”, which landed him his dream job as Country Manager at the globally-renowned organisation Movember Foundation, where he helped raise €2.8 million for men's health and inspired 110,000 fundraisers to sign up, winning multiple awards along the way. Since then, his videos have been viewed over 2.5 million times on social media and his podcast The Unconventionalists was recently named "Best Interview Podcast" at the Podcasting for Business Awards 2021. He is the author of “It's Not You, It's Me”, a modus operandi for unfulfilled professionals looking to do more meaningful work, and his popular TEDx talk “What They Don't Tell You About Entrepreneurship” has more than 1.2 million views. To connect with Mark visit: www.markleruste.com --- Interview Links: — Glow in the Dark Book: https://www.glowinthedarkbook.com/ — Mark's website: https://markleruste.com

In celebration of both Black History Month in February and Women's History Month in March, Mary put together this conversation series.During the second interview of the series, Mary talks with Stacey Abrams' former press secretary, Jaylen Black. The two discuss how disability is viewed in the Black community, intersectionality, the disconnect between social and Disability Justice, and faith.Jaylen Black is a communications professional who has spoken on behalf of some of the most powerful individuals in Georgia. Her previous roles include Director of Surrogate Communications for Reverend Warnock's runoff election, Press Secretary and Spokesperson for Stacey Abrams for Governor 2022 race, and Georgia Press Secretary for Senator Reverend Warnock's federal office. She has experience handling crisis Communications and plethora of political issues. You can follow Jaylen on social media here and here.The Politics of Disability was named Best Interview Podcast at the Astoria Film Festival in October 2022.

If you are enjoying this show, please consider supporting the show by becoming a Patron http://patreon.com/user?u=82757269 Episode Overview: How long did it take you to find your purpose? Do you review what your purpose is on a regular basis? Exercise to clear your mind and not get overwhelmed by all you want to do. How to reel in the urge to help everyone in order to be more impactful. How do you find your niche and communicate your message effectively to your target audience? Why is it important to define your purpose? Do you need to quit your job to pursue your passion and purpose? How to reignite the passion at work. The importance of having healthy confrontations and not having fear of having difficult conversations. Things romantic relations have in common with business relationships. Defining what success means to you. The most priceless asset you can have. Validation and feeling enough. Breadcrumbs or following your curiosity. The importance of small incremental changes. Curbing impatience and appreciating your current progress. The imposter syndrome. 5 second rule. 3 most important life lessons. Why are we so scared to be authentic? The weaponization of vulnerability. Imposter syndrome vs imposter moments. Can you share your story, if you've done something bad aka you are the villain in that story? What's your recipe for happiness? About Guest: Mark Leruste - Author of multiple books , latest one speaking on how to share your personal story is called 'Glow in the Dark, Tedx Speaker, Coach, mentor and host of his famous 'Uncontionalists' podcast. As the Founder and Chief Purpose Officer of the Ministry of Purpose and Host of The Unconventionalists® award-winning podcast, Mark helps founders and business leaders clarify their purpose to better inspire and lead their people. Since 2016, he's been on a mission to eradicate career misery in the workplace for the next generation of leaders by empowering organisations and those who lead them to build purpose-driven and positive work cultures where people can bring their whole selves to work and feel inspired and aligned to achieve the company's vision. Mark previously served as Country Manager of the Movember Foundation, where he helped raise €2.8million for men's health and enrolled 110,000 fundraisers to take part, winning multiple awards along the way. Since then, Mark has worked with pioneering organisations, forward thinking leaders and disruptive event organisers including Google, TEDx, Intuit, INSEAD, Method & Ecover, L'Oreal, StateStreet, The Guardian, Samsung, YouTube, General Assembly and VirginStartup. His top rated business podcast The Unconventionalists® was recently named “Best Interview Podcast” at the Podcasting for Business Awards and reached 190,000+ downloads on Apple Podcasts across 100 countries. Find Mark on: https://www.markleruste.com Find Dana on: Instagram https://rb.gy/pm0wwp If you enjoyed this episode, please make sure to review and share :) Watch the video version on https://www.youtube.com/@IsThisItPodcast --- Send in a voice message: https://podcasters.spotify.com/pod/show/dana-grinberga/message

In celebration of both Black History Month in February and Women's History Month in March, Mary has put together this conversation series.She continues her conversation with Alison  Mariella Désir in part two of this compelling interview. They discuss what it means to be multi-marginalized in the Black community, how disability is viewed in the Black community, the pandemic, and more.Alison Mariella Désir is multi-talented: a founder, a doer, an activist, a connector, and an unapologetically straightforward communicator with a passion for community health. Alison came to running organically, following a period of depression, when a Black friend and role model trained for and completed a marathon.Alison is the author of Running While Black, the tv host and producer of Out & Back w/ Alison Mariella Désir (now streaming) and the host of Out & Back's companion podcast; listen here.Alison is the founder of Harlem Run, an NYC-based running movement, and Run 4 All Women, which has raised over $150,000 for Planned Parenthood and $270,000 for Black Voters Matter.Alison is co-founder and former chair of the Running Industry Diversity Coalition, a nonprofit that unites the running industry to provide resources, measure progress, and hold the industry accountable to equitable employment, leadership, and ownership positions and improve inclusion, visibility, and access for Black, Indigenous, and people of color.Alison holds her BA in History, MA in Latin American and Caribbean Regional Studies, and EdM in Counseling Psychology, all from Columbia University.Alison sits on the advisory boards for Strava and &Mother and is an Athlete Ambassador for Athlete Ally.You can follow Alison on social media here.The Politics of Disability was named Best Interview Podcast at the Astoria Film Festival in October 2022.

In celebration of both Black History Month in February and Women's History Month in March, Mary has put together this conversation series.She sits down with Alison Mariella Désir in part one of their conversation to discuss her book, Running While Black, the thought behind it, what running while Black means to her, the implications the book has had and the disconnect between social justice and Disability Justice.Alison Mariella Désir is multi-talented: a founder, a doer, an activist, a connector, and an unapologetically straightforward communicator with a passion for community health. Alison came to running organically, following a period of depression, when a Black friend and role model trained for and completed a marathon. Alison is the author of Running While Black, the tv host and producer of Out & Back w/ Alison Mariella Désir (now streaming) and the host of Out & Back's companion podcast; listen here.Alison is the founder of Harlem Run, an NYC-based running movement, and Run 4 All Women, which has raised over $150,000 for Planned Parenthood and $270,000 for Black Voters Matter.Alison is co-founder and former chair of the Running Industry Diversity Coalition, a nonprofit that unites the running industry to provide resources, measure progress, and hold the industry accountable to equitable employment, leadership, and ownership positions and improve inclusion, visibility, and access for Black, Indigenous, and people of color.Alison holds her BA in History, MA in Latin American and Caribbean Regional Studies, and EdM in Counseling Psychology, all from Columbia University.Alison sits on the advisory boards for Strava and &Mother and is an Athlete Ambassador for Athlete Ally.You can follow Alison on social media here.The Politics of Disability was named Best Interview Podcast at the Astoria Film Festival in October 2022.

In this season 2 bonus episode, Mary sits down with RuPaul's Drag Race season 11 finalist, host of Canada's Drag Race and executive producer/host of 1 Queen, 5 Queers, Brooke Lynn Hytes.The two discuss the differences in perceptions of disability in Canada and the United States, disabled representation in the Drag Race ecosystem and the lack thereof. Will there ever be a more accessible Drag Race format for disabled/chronically ill drag performers?They also discuss misconceptions surrounding disabled individuals, the future of 1 Queen 5 Queers, the inaccessibility of drag shows and whether or not virtual drag shows will be making a comeback.The Politics of Disability was named Best Interview Podcast at the Astoria Film Festival in October 2022.

In part two of this episode, Mary continues her conversation with friend Christophe Desorbay.The two discuss Mary's acting aspirations, the lack of representation on Broadway, auditioning for a Broadway role as some who is hard of hearing, and more. Christophe Desorbay is Franco-American producer and artist living in NYC. He currently works at Range Media Partners, finding the ways that theater can successfully interact with Film and & TV. Christophe is also a performer based in NYC, and thinks deeply about the ways that the industry can be more inclusive to disability. His regional theater credits include: West Side Story, Cinderella, Fiddler on the Roof, Guys & Dolls. TV/Film Credits include: ‘The Plot Against America' and ‘Wig,' now on HBO. He has also appeared in numerous ads and promotional materials, including Google Pixel, Daily Harvest, and The Book of Mormon. He has danced for JKDC, David Dorfman Dance, ELSCO Dance, and The Orsano Project as a company member. You can follow Christophe on social media here.The Politics of Disability was named Best Interview Podcast at the Astoria Film Festival in October 2022.

In part one of this episode, Mary sits down with her friend Christophe Desorbay about his experience as a artist, the ableism hard of hearing/Deaf performers on Broadway face, and more.Christophe Desorbay is Franco-American producer and artist living in NYC. He currently works at Range Media Partners, finding the ways that theater can successfully interact with Film and & TV. Christophe is also a performer based in NYC, and thinks deeply about the ways that the industry can be more inclusive to disability. His regional theater credits include: West Side Story, Cinderella, Fiddler on the Roof, Guys & Dolls. TV/Film Credits include: ‘The Plot Against America' and ‘Wig,' now on HBO. He has also appeared in numerous ads and promotional materials, including Google Pixel, Daily Harvest, and The Book of Mormon. He has danced for JKDC, David Dorfman Dance, ELSCO Dance, and The Orsano Project as a company member. You can follow Christophe on social media here.The Politics of Disability was named Best Interview Podcast at the Astoria Film Festival in October 2022.

Mary continues her conversation with founder and president of Row House Publishing, Rebekah Borucki. The two discuss accessibility, the disability tax, ableism and whether there is or will be a shift in representation in the publishing industry.Rebekah “Bex” Borucki (she/they) is a mother-to-five, self-help and children's author, and the Founder and President of Row House Publishing, Wheat Penny Press (Row House's children's imprint), and the WPP Little Readers Big Change Initiative, a 501(c)(3) nonprofit serving students in under-resourced school districts.You can learn more about Row House Publishing here.The Politics of Disability was named Best Interview Podcast at the Astoria Film Festival in October 2022.

Greipur Hjaltason comes all the way from Iceland to pull up a chair to the Comedy Roundtable. It was pretty cool, as Greipur likes to say.  Comedian Bill Burr has said Greipur is funny as hell and has a crazy laugh, which Greipur puts on full display during our conversation. Is there an app that Icelandic folks use to confirm if they are dating a relative? Do Icelandic people believe in elves? What does the fox say? Greipur tackles these compelling questions and more while answering queries from episode topics "Witch, Please," "European Vacation," and "Not a Chance."Check out Greipur's videos on Instagram and Tik Tok, where he has hundreds of thousands of followers who are treated to his quick quips about Icelandic life.  Tik Tok: https://www.tiktok.com/@greipjokesInstagram: https://www.instagram.com/greipjokes/

The second of my special episodes to mark Australian Father's Day 2022 features Steve Davis, a marketing consultant, educator, comedian, theatre reviewer + podcaster from Adelaide, South Australia, and a dad of 2 girls.Steve was passionate about being in radio. He recalls being 12 years old listening to his red transistor radio in his bedroom and deciding then + there he was going to be a radio announcer. This morphed into journalism + Steve spent countless years in radio newsrooms in Adelaide.After being in the newsroom on the day the Twin Towers fell on September 11th , + witnessing the way the journalism was used to fuel fear + increase ratings in the weeks following, Steve became quite jaded.He quit within a week and joined a marketing company and was there for the next 19 years. He then decided to go out on his own and started his own marketing consultancy, Talked About Marketing, which is based on a saying by one of his literary heroes, Oscar Wilde: There's only one thing worse than being talked about and that's not being talked about.In 2013 Steve was looking for a creative outlet and started The Adelaide Show Podcast, a show that passionately showcases the people of the great state of South Australia. The podcast proudly holds the title of Silver for Best Interview Podcast in Australia in the Australian Podcast Awards 2021.Apart from podcasting, after hours Steve does character-based stand up comedy as his two alter egos: Professor Sebastian Longsword from The MBA School of MBA Credentials, and Social Sales Whisperer, Darren Hill. Both have websites + linkedin profiles, + get booked to MC events + deliver talks. Steve has appeared on the reality tv series Is This Thing On? reflecting on his experience in the School of Hard Knock Knocks comedy school.Steve is driven by curiosity and says the formal setting of an interview is his natural habitat, whether that's in a studio or around a dinner table.Today we enjoy a really fun, lively, and at times quite serious chat covering journalistic integrity, raising girls and the significance and authenticness of including children in your art and creativity.**This episode contains discussion around a near death accident + still birth**Explore Steve's worlds : Talked About Marketing / The Adelaide Show Podcast / Professor Longsword / Darren HillPodcast - instagram / websiteIf today's episode is triggering for you I encourage you to seek help from those around you, or from resources on line. I have compiled a list of international resources hereMusic used with permission from Alemjo my new age and ambient music trio.

At San Quentin, Nate McKinney got what he's been dreaming about for decades: parole. Nate and the hosts of the KALW podcast Uncuffed talk about what it's like to spend your life hoping to be free. Their conversation first aired in November and earlier this summer, it took first place as the Best Interview Podcast, in the 2022 Public Media Journalism Awards. So to celebrate, we're giving it another listen.

What happens when you tell the stories that make embarrassed or ashamed about? How can you find those moments in your past that will attract people to you? What does storytelling have to do with culture and purpose? 87. Why Your Imperfect Story Changes Everything with Mark Leruste Welcome to The Storypowers Podcast, the show about the power of stories, the people who tell them and why you should be doing it too. I'm your host, keynote speaker and storytelling coach, Francisco Mahfuz. If you want to learn how to find, craft and tell stories that work, check out the Storypowers Bootcamp at https://storypowers.thinkific.com/courses/storypowers-online-bootcamp And if you love the show and would like to support us, you can buy me a coffee at https://www.buymeacoffee.com/storypowers My guest today Mark Leruste. As the Founder and Chief Purpose Officer of the Ministry of Purpose, Mark is on a mission to eradicate career misery in the workplace and help build purpose-driven organisations and positive work cultures. He previously served as Country Manager of the Movember Foundation, where he helped raise €2.8 million for men's health and inspired over a 100,000 fundraisers. Since then, Mark has worked with organisations such as Google, TEDx, INSEAD, The Guardian, and many more. Finally, his weekly podcast The Unconventionalists was recently named “Best Interview Podcast” at the Podcasting for Business Awards, and has reached over a 190,000 downloads across 100 countries. You can find him at https://www.markleruste.com/. If you like the show, please leave us a rating on Apple podcasts, share it and SUBSCRIBE! The support is very much appreciated. And please send me your comments on what you'd like to hear on future episodes. You can connect with me on LinkedIn, and on https://storypowers.com.