Podcasts about Chinatown

We've got Tone Bell and Napoleon Emill in the turtle lair for another splendiferous episode! We've got AI nightmare videos, airport survival tactics, lawless Chinatown bus stories, why people use Zelle vs Ca$hApp, and we debate if men should use a bag and what man bag is best?Dave reveals his quest to get his money's worth by showering in the Delta Lounge, while the group breaks down how airports are secretly designed to kill time — complete with art, shopping, and lounge hustles. Then things get personal with a breakdown of GoFundMe scams, Derek's real subway take, and we play the hold-your-breath challenge!LIKE, SHARE & SUBSCRIBE https://www.youtube.com/channel/UCLAUp-4rTF4q4XLujbJ51YQ TOUR DATES https://www.linktr.ee/nnfaMERCH https://nnfa.creator-spring.com/ BONUS CONTENT https://www.patreon.com/c/ImDaveTemple?utm_medium=clipboard_copy&utm_source=copyLink -----------------Follow host Derek GainesIG https://www.instagram.com/thegreatboy/ Follow host Dave TempleIG https://www.instagram.com/imdavetemple/ YouTube https://www.youtube.com/@DAT46Follow guest Tone BellIG https://www.instagram.com/tonebell/ Follow guest Napoleon EmillIG https://www.instagram.com/napoleonemill/ Follow No Need for ApologiesIG https://www.instagram.com/nnfapodcast/ TT https://www.tiktok.com/@noneedforapologies FB https://www.facebook.com/noneedforapologies/Produced by Teona SashaIG https://www.instagram.com/teonasasha/TT https://www.tiktok.com/@teonasasha -----------------To advertise your product on our podcasts please email jimmy@gasdigitalmarketing.com with a brief description about your product and any shows you may be interested in advertising on.SEND US MAIL:GaS Digital StudiosAttn: NNFA151 1st Ave # 311New York, NY 10003"No Need for Apologies" - NEW Episodes every Saturday at 3PM/ET on YouTube-----------------⏱️ Timed Highlights:00:00 – Intro00:40 – Welcome Tone Bell & Napoleon Emill04:30 – AI videos09:10 – The lawless Chinatown bus24:30 – Best Buck Delta Lounge33:33 – CashApp vs Venmo users38:00 – Scam GoFundMe debate47:00 – Video: Man bag options48:39 – What's in Napoleon's tote bag?57:20 – Video: Derek's real subway take1:01:03 – Holding your breath challenge1:02:40 – OutroSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jer Staes is joined by co-hosts Devon O'Reilly and Norris Howard for a wide ranging talk about food, faith, politics, and Detroit's future.​ What we talk about​ Devon went to Dearborn for Mayor Abdullah Hammoud's Unity Iftar dinner during Ramadan and talks about what Iftar is, who was in the room, and how it felt to see an Imam and a priest share very similar prayers.​ The crew gets into why learning about other cultures in Metro Detroit can break down fear and hate, and why showing up when you are invited matters.​ Jer visited the new Detroit 75 Kitchen brick and mortar spot, talks about the giant portions, the menu, the space, and why it feels like the start of a bigger concept.​ Norris checks in after a whirlwind trip to Washington, D.C. for the State of the Union, riding the underground tram at the Capitol, and trying to talk with members of Congress while votes keep getting moved around.​ The table digs into the "weird" mood in D.C., the feeling that we are at the end of an era, and how broken national leadership and media bubbles spill down into local politics.​ We respond to listener feedback on Michigan's slide in education and economic numbers, why covering bad data is not "being negative," and a listener question about Chinatown gets into a bigger conversation about population loss and where capital follows growth — and that the city has lost a lot of the middle class since 2000, a fact that continues even with recent popultion upticks. That loss has real impacts on what businesses can survive in that aftermath.​ ​We close on the tight Michigan governor's race, why early polls show a true toss up, why no major candidate is dropping out, and what Governor Whitmer's low key State of the State might say about her next move.​​ Support and follow​ Sign up for the Daily Detroit newsletter: https://www.dailydetroit.com/newsletter/ Become a member to support local coverage: https://www.patreon.com/DailyDetroit Feedback: ​dailydetroit - at - gmail - dot - com or leave a voicemail, 313-789-3211 Follow us on Apple Podcasts or wherever you get shows for future episodes: https://podcasts.apple.com/us/podcast/daily-detroit/id1220563942

After a gang leader was murdered in San Francisco's Chinatown, the only witnesses who would talk with the police were tourists. They looked through so-called “mug books” filled with photographs of Asian men - and pointed out a man named Chol Soo Lee. Years later, a journalist decided to investigate his case, and described it as an “unreal, Alice-in-Chinatown murder case." Today's episode comes from the Smithsonian's Sidedoor podcast. Julie Ha's documentary is Free Chol Soo Lee. Say hello on ⁠Facebook⁠, ⁠Instagram⁠ and ⁠TikTok⁠. Sign up for our ⁠occasional newsletter⁠. Follow the show and review us on ⁠Apple Podcasts⁠. ⁠Sign up for Criminal Plus⁠ to get behind-the-scenes bonus episodes of Criminal, ad-free listening of all of our shows, invitations to virtual events, special merch deals, and more. We also make ⁠This is Love⁠ and ⁠Phoebe Reads a Mystery⁠. Artwork by ⁠Julienne Alexander⁠. Check out ⁠our online shop⁠. Episode transcripts are posted on ⁠our website⁠. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today, we're talking about the future of Midtown. Getting details on that new Chinatown project (and a whole lot more) with the executive director of Midtown Detroit, Inc. You'll learn a lot about this series of Detroit neighborhoods in this conversation and what's ahead for an area of Detroit so many people have so many connections to. More show notes to come. Feedback as always, dailydetroit - at - gmail - dot - com or leave a voicemail, 313-789-3211. Follow Daily Detroit on Apple Podcasts: https://podcasts.apple.com/us/podcast/daily-detroit/id1220563942 Or sign up for our newsletter: https://www.dailydetroit.com/newsletter/  

The first museum in New South Wales dedicated to the history of Chinese people in Australia has opened in the heart of Sydney's Chinatown. The Museum of Chinese in Australia [[MOCA]] dedicates its stories to some of Australia's earliest migrants - preserving Chinese history and culture in the country. - В самом сердце сиднейского Чайнатауна открылся первый в Новом Южном Уэльсе музей, посвященный истории китайского народа в Австралии. Он так и называется - Museum of Chinese in Australia, MOCA. Начавшийся год огненной лошади традиционно связан со временем значительных прорывов и радикальных перемен. И музей впервые открыл свои двери после многих лет трудностей, включая пандемию COVID-19 и сложности, связанные с реконструкцией исторического здания 1875 года.

Mayor Sheffield launches new neighborhood, community safety office Detroit's Chinatown getting $2.4 million in infrastructure upgrades Hail Yes!: Why Michigan basketball's week is still a success, even with loss to Duke Subscribe/follow, rate and share "Hail Yes!" available on all podcast platforms including: Apple Podcasts Spotify Amazon Music YouTube

In this episode of Gangland Wire, host Gary Jenkins, retired Kansas City Police Intelligence Unit detective, continues his deep dive into organized crime history with prolific Mafia author Jeffrey Sussman. Sussman, the author of eight books on organized crime, joins Jenkins for a wide-ranging conversation that spans the rise, violence, prosecutions, and survival tactics of La Cosa Nostra in America. Drawing from works like Backbeat Gangsters and his latest release Mafia Hits, Misses Wars and Prosecutions, Sussman offers sharp insight into how the Mafia enforced silence, eliminated enemies, and adapted to government pressure. The discussion opens with omertà, the Mafia's infamous code of silence, and how mob warfare enforced loyalty through fear. Sussman recounts notorious hits and mob wars that shaped organized crime, then shifts to landmark prosecutions led by Thomas Dewey, whose relentless pursuit of Murder Incorporated dismantled the mob's most feared execution squad. Jenkins and Sussman examine the disastrous Appalachian Conference, where Vito Genovese overplayed his hand, drawing national attention to the Mafia and setting the stage for informants like Joe Valachi to break decades of secrecy. The episode also explores the Mafia's darkest execution methods, including lupara bianca—murders designed to leave no body and no evidence—along with chilling stories involving Mad Sam DeStefano. The assassination attempt on Joe Colombo, and its ties to Joey Gallo, highlight how ego and publicity often proved fatal in the mob world. The episode concludes with Sussman previewing his upcoming book on the Garment District, blending personal family history with organized crime's grip on American industry. Together, Jenkins and Sussman deliver a sweeping, chronological look at how the Mafia rose, fractured, and endured—leaving a permanent mark on American culture. Get his book Mafia Hits, Misses, Wars, and Prosecutions. ⏱️ Episode Chapters 00:00 – Introduction and Jeffrey Sussman's Mafia work 03:45 – Omertà and enforcing silence 07:30 – Mafia hits and internal wars 12:10 – Thomas Dewey and Murder Incorporated 18:40 – St. Valentine's Day Massacre 23:30 – Formation of the Five Families 28:50 – Italian and Jewish mob alliances 34:20 – Capone, Lansky, and Luciano 39:45 – Appalachian Conference fallout 45:10 – Vito Genovese and Joe Valachi 50:30 – Lupara blanca and body disposal 55:20 – Mad Sam DeStefano's brutality 59:40 – Joe Colombo assassination 1:05:30 – Betrayal and mob survival 1:10:50 – Sussman's upcoming Garment District book   [0:00] Hey, welcome, all you Wiretipers, back here in the studio of Gangland Wire, as you can see. This is Gary Jenkins, retired Kansas City Police Intelligence Unit detective and later sergeant. I have a guest today. He is a prolific author about the mob in the United States. We have several interviews in the archives with Jeffrey Sussman. Welcome, Jeffrey. Thank you, Gary. It’s a pleasure to be with you once again. All right. How many mob books you got? Eight or nine, I think. Eight or nine. I know you’ve covered Tinseltown, the L.A. Families, the crime in L.A., the Chicago. What are some of those? I did Las Vegas, which had a number of the Chicago outfit members in it. I did Big Apple Gangsters. Oh, yeah. My last one was Backbeat Gangsters about the rock music business. Oh, yeah. And then I did also one about boxing and the mob, how the mob controlled boxing. And then my new book is Mafia Hits, Misses Wars and Prosecutions. The update is February 19th. All right. Guys, when I release this, we’re doing this, actually, we’re doing this before Christmas. But when this comes out, while you’ll be able to go to the Amazon link that I’ll have in there, get that book, we’ll have, you’ll see a picture of it as we go along. So you’ll know what the cover looks like. It sounds really interesting, especially about the Mafia Misses. But I’m sure that’s interesting. [1:29] Well, the mob, that’s their way of enforcing their rules. The omerta, somebody talks, they’re going to rub you out, supposedly. And by mob, we’re talking about primarily La Cosa Nostra, Sicilian-based organized crime in the United States. Yeah. The five families particularly have brought this up front. The five families have really perfected this as an art, killing their rivals, killing people that threaten them in any way, killing people that they even had a contract on Tom Dewey, the prosecutor, I believe, at one time. That would be a bomb miss, wouldn’t it? Yeah, actually, what happened with that is Dutch Schultz wanted the commission to take out a contract on Tom Dewey, and they said, no, we can’t do that, because if we do that, it’ll bring down too much heat on us. And so the mob wound up killing Dutch Schultz because he was too much of a threat to them in some ways. But the irony was that if they had killed him, Lucky Luciano never would have been prosecuted. He was prosecuted by Thomas Dewey. Lucky Bookhalter never would have been prosecuted and gone to the electric chair, several others as well. So, by not killing Dewey, they set themselves up to be arrested and get either very long prison terms or go to the electric chair. [2:57] Yeah, Dewey sent, I think it was four members of Murder Incorporated to the electric chair and the head of it, the Lepke book halter. And then he arrested and got a conviction against Lucky Luciano for pimping and pandering, which should have been a fairly short sentence, just a couple of years. But he had him sentenced to 50 years in prison, which is amazing, the pimping. [3:20] So if they had killed Thomas Dewey, they probably would have been better off. But that’s 2020 hindsight. Yeah, hindsight’s always 2020. And a cost-benefit analysis, if you want to apply that, why the cost of killing Tom Dooley might have been much less than the actual benefit was. That’s right. Exactly. And they came to realize that, but it was too late for them. I think they always do a cost-benefit analysis in some manner. How much heat’s going to come down from this? Can we take the heat? Because I know in Kansas City, our mob boss, Nick Savella, was in the penitentiary. He was about to get out, and he sent word out, said I want all unfinished business taken care of by the time I get out. Because when I get out, I do not want all these headlines, because murder generates headlines. And so there was like three murders in rapid succession right after that. [4:13] So they worry about the press and hits, murders generate press. So let’s go back and talk about some particular ones. One of the most famous ones was the St. Valentine’s Day Massacre. Do you cover that? [4:26] Yeah, I start with the assassination of Arnold Rothstein in 1928, and then I go right into the St. Valentine’s Day Massacre. I go into the Castel Marari’s War, the birth of the five families. They had a famous meeting at the Franconia Hotel where the Jewish and Italian gangsters decided to form an alliance rather than fight one another. I went through the trial and conviction of Al Capone, the Bug and Meyer gang. Which evolved into Murder Incorporated, and then how Mayor LaGuardia went after the mob in New York and drove out Frank Costello, who had all the slot machines in New York, drove him down to Louisiana, where Frank Costello paid Huey Long a million dollars to let him operate slot machines all around New Orleans and the rest of Louisiana. And then there was William Dwyer, O’Dwyer, and Burton Turkus, who prosecuted the mob, other members of Murder Incorporated, and then how the federal government was using deportation to get rid of a lot of the mobsters, and how the mafia insinuated itself with entertainers and was controlling entertainers like Frank Sinatra and Dean Martin and Jerry Lewis and others. [5:44] And then the Appalachian Conference, and what an embarrassment that was to Vito Genovese, who wanted to declare himself the boss of bosses. Instead, he became the schmuck of schmucks because the FBI invaded this. And there was a theory that this was really set up, Meyer Lansky, Carl Gambino, and Lucky Luciano, because they didn’t want Vito Genovese to become the boss of bosses because Vito Genovese was responsible for the attempted murder of Frank Costello, and they wanted to get rid of him. After they embarrassed him with Appalachian, And then they set him up for a drug buy. Which is ridiculous because you don’t have the head of a mafia family going out on the street and buying heroin from someone. But that’s what they got him for. And they sent him off to prison for 15 years where he died. But in the realm of unintended consequences, which we just heard some, he goes down to Atlanta and a guy named Joe Valacci is down there. And he thinks that Vito Genovese is given to the fisheye and maybe wants to have him killed. [6:52] If Vito Genovese is not in Atlanta, Joe Valacci does not turn and become the first big important witness against the mob in the United States that couple that with Appalachian. And embarrassment to the FBI and then this Joe Valacci coming out with all these stories explaining what all that meant, the organized crime in the United States, why we may not have the investigation that subsequently came out of all that. It’s crazy, huh? Yeah, exactly. In terms of unintended consequences, because if Vito Genovese hadn’t given the kiss of death, supposedly, to Joe Valacci, you never would have had Joe Valacci’s testimony about how the mob operates. He opened so many doors and told so many secrets. It was a real revelation to the world. [7:42] Now, what about these murders? And I understand they call them a lupara blanca, where the body is never found. Did you talk about any of those or look into that at all? [7:53] We’ve had them in Kansas City, where it’s obviously a mob murder. They even will send a message to the family. We had one where the guy disappeared. Nobody ever found his body. But somebody called the family and said, hey, go up on Gladstone Drive and check this trash can. And then they find the guy’s clothes and his driver’s license, everything in there. Now, did you go into any of those blanks? Yeah, there were a number of mob hits, especially during the murder ink era where they would dispose of the bodies and no one would ever find them. But they would leave clues around for members of the family just so they would know that their father or their son or their brother, whoever was no longer in this world. [8:39] Yeah, that was done quite a bit. And when the Westies, which was an Irish gang that operated on the west side of New York, they believed that if you never found the corpse, you could never convict them of murder. So they used to take their dead bodies out to an island in the East River and chop them into little pieces and then dump them in the river and no one would ever find them. And supposedly they did that with dozens and dozens of bodies. Yeah. Interesting. Yeah, and it is. It’s hard to prosecute without the body. It’s been done, but it’s really hard to do. You’ve got to have a really lot of circumstantial evidence to approve a murder without a body. And when Albert Anastasia and Leffy Foucault, who were running Murder Incorporated, they believed two things. One, that if you didn’t find the body, it would be hard to prosecute. And if you couldn’t show a motive, that would be the other thing that would make it difficult. So there would be absolutely no connection between the person who killed the victim and the victim. There was no connection whatsoever. So it was almost as if it was a stranger. In fact, it was a stranger who would commit the murder and then disappear and make sure that the body also disappeared. So you’d have neither motive nor body. Interesting. Pretty stiff penalty for murder. So I understand why you take some extra. Exactly. [10:08] Yeah, that tried to disassociate yourself from any motive for the body. There’s a guy in Chicago named Mad Sam DeStefano. Oh, sure. Lone shark and particularly egregious person when it came to collecting and was responsible for some murders and tortures. And they claim that he would buddy up to the person he knew he wanted to have killed and give him a watch. So then when the police came back around, he’d say, he was my friend. I gave him a present. I gave him that watch. Look and see. Ask his wife. I gave him a watch. Yeah. And I think it was Anthony Spolatro who was charged by the outfit of getting rid of Sam DiStefano because he was a friend. He had been like a protege of Crazy Sam. And so Sam didn’t suspect him as the person who would come and kill him. Yeah, that’s common clue. They say, look out. When a friend comes around and it seems a little bit funny and they want her particularly nice to you and you know you’re in trouble, anyhow, look out. Because that’s the guy that’s going to get you. Exactly. At least set you up. Maybe they have somebody else come in and pull the trigger, somebody that’ll leave town or whatever, but your friend’s going to set you up, make you comfortable. [11:24] Yeah, I think that’s exactly how it happened. We talked a little bit about the Joe Colombo murder. Did you look at that? Yes. [11:31] Tell us about that, because I’m really interested in that. I’d kind of like to do a larger story, just focusing on that, what really happened there, because that’s a mystery. Did this Jerome Johnson, this black guy, do it? Why would he do it? Nobody ever came out and connected him directly to Joey Gallo, and that’s the claim. So talk about that one. What happened is Joe Colombo formed the Italian Anti-Defamation League because he thought Italians were being blamed for too many things. And Colombo was responsible for having the producers of the movie The Godfather never use the word mafia in the movie, never use La Cosa Nostra in the movie. And he was making a big splash for himself. And this was driving a lot of people in the mafia a little crazy. They’re getting nervous because he was getting so much attention for himself, and it’s not the kind of attention they wanted. And Gambino was particularly upset about this. And Joey Gallo had been in prison, and he had been involved in the war against Profaci earlier on. And when he got out of prison, he felt that the new head of the Profaci family, who was Joe Colombo, should honor him with the amount of time that he spent in prison. And Joe Colombo offered him $1,000. [12:57] And Gallo was incensed by that. He expected $100,000. [13:02] And so he started another war with Colombo. [13:09] This would be good for Carlo Gambino because then he could use Joey Gallo to get rid of someone and his hands wouldn’t appear to be anywhere near this. And when Joey Gallo was in prison, he befriended a lot of black gangsters who were drug dealers and showed them how to succeed in the drug dealing business. And his attitude was that the mafia was very prejudiced against black people, but he thought that was stupid. He thought that we should use black criminals the same way we use any other criminals. And so he befriended a lot of blacks when he was in prison. And no one really knows how exactly he came in contact with Jerome Johnson. But anyway, Jerome Johnson was given the mission of assassinating Joe Colombo at a demonstration where Joe Colombo would be speaking about the Italian American Anti-Defamation League, which had attracted a lot of entertainers. Frank Sinatra was on the board of it. They raised a lot of money. I spoke to some Italian friends of mine at the time, and they said that people from the Italian Anti-Defamation League went around to small Italian-run stores, pizza parlors, shoe repair stores, whatever, and had them closed down for that day so that these people should attend the rally. And the rally was being held, I believe, in Columbus Circle. [14:36] And Jerome Johnson was there, and he had a press pass. So he was permitted to get very close to Joe Colombo because it appeared that he was a reporter or a photographer for a newspaper. And as soon as he got close enough, he pumped a couple of bullets into Joe Colombo’s head. Immediately, three or four gangsters descended on Jerome Johnson and killed him immediately. [15:02] And those three or four people who killed him, they disappeared into the crowd. No one ever found them again. I know. I wish we’d had cell phone footage from that. No one wouldn’t have gotten away if everybody had their cell phones out that day when they would have seen everything that happened. [15:21] Exactly. Columbo existed in a vegetative state. I think it was for about seven years before he finally died. I didn’t realize it was that long. Wow. Yeah, but he was semi-conscious. He couldn’t communicate. He was paralyzed. But the The Colombo family believed that it was Joey Gallo who was responsible for this. Joey Gallo and his new wife had been having a dinner with friends at the Copacabana nightclub in New York. They were joined at their table by Don Rickles, who had been performing that night. Comedian David Steinberg, who had been the best man at Joey Gallo’s wedding to a second wife, was there. And he suggested to them that they left the Copacabana about three o’clock in the morning. And he suggested to them that they all go down to Little Italy, go to Chinatown, and we’ll have a late dinner there. So Rick Olson and Steinberg said, it’s too late for us. You go and enjoy yourself and we’ll see you another time. Joey Gallo, his bodyguard, a Greek guy, I can’t remember his name exactly. Peter Dacopoulos. That’s it. And his wife, and Decapolis’ girlfriend and Joey Gallo’s stepdaughter. They all drove downtown. They couldn’t find anything open in Chinatown, so they drove over to Little Italy, and they went into Umberto’s Clam House. [16:49] And it was very strange, because supposedly a gangster would never do this. Joe Colombo was sitting with his back to the door. [16:58] Usually, your back is to the wall, and you’re facing the door. Oh, Joey Gallo was sitting with his back to the door. Yeah, I meant Joey Gallo. Yeah. Go ahead. And there was kind of a lonely guy sitting at the bar having a drink, and no one paid any attention to him. He was a mob wannabe, and he recognized Joey Gallo, and he went to a mob social club that was a few blocks away that was a hangout for Colombo gangsters. And when he came in and told them that joey gallo was there and the one of the guys there called a capo from the colombo family and told him who they saw and so forth and apparently he instructed them to go and get rid of him and so they took the mob wannabe guy and they got in two cars and they drove down to or around the block whatever it was to umberto’s clam house they went in and they immediately started shooting. And Colombo flipped over the table. I’m sorry, Joey Gallo flipped over the table and had his wife and girlfriend in the step door to get behind the table. And he and Peter were firing back at these guys. [18:07] Peter got shot in the ass and complained about it for many months afterwards, and Joey Gallo ran out onto the street chasing them, and he got shot in the neck, and I think it hit his carotid artery, and he bled to death on the sidewalk. And the guys from the Columbo and the Columbo wannabe guy, they quickly drove up to an apartment on the Upper East Side where the Columbo capo was. And he told them to go to a safe house in Nyack, New York, where they went. And meanwhile, the mob wannabe guy who had fingered Columbo, he’s getting very nervous. He feels that his life isn’t worth too much. He’s in over his head. [18:51] Right. So he sneaks out in the middle of the night and takes a plane to California to live with his sister. And he tries to get into the witness protection program, but they don’t believe him. They don’t believe he has enough evidence to make it worthwhile. No one knows exactly what happened to him afterwards. And the guys who supposedly killed Gallo, nothing really happened to them either. There was a huge funeral for Joey Gallo in Brooklyn. And it was like one of those old mob funerals that you see in a movie with a hundred flower cars and people lining the streets. And I think it was Joey Gallo’s mother who threw herself into the grave on top of the coffin. Oh, really? And Joey Gallo’s. [19:38] He had two brothers, one of whom had died of cancer, and the other one wound up going into another mob family. That was part of the peace deal. I can’t remember if it was the Gambino family or the Genovese family. He went into one of those two families. I think it was Gambino family, that Albert Kidd Twist gallo, I think was his name. And I think it was the Gambino family. He just kept a low profile until he died of natural causes. I think he’s dead now. He never heard from him again, basically. Exactly. [20:06] Interesting. That’s a heck of a story. A lot more stories like that in there, too. I bet. What was your favorite story out of that, or the one that shocked you or you learned something? Maybe something that you learned that you didn’t know or cut through some myth. [20:20] Probably, I’m just looking at my notes here to see what really fascinated me the most. I think the evolution of the Bug and Meyer gang. This guy, Ralph Salerno, who was a fascinating guy who headed the New York Prime Strike Force, Mafia investigators He’s been dead for about I think 10 or 15 years But I spent about Two or three hours Interviewing him A long time ago Didn’t he write a book Didn’t he write a book Called The Crime Confederation Or something like that Yes he did Yeah And it’s excellent So he knew Meyer Lansky He had met Bugsy Siegel Back once In the early 1940s He knew Frank Costello He knew all of these people And it was fascinating To, to hear his stories. And he said that during the time of the Bug and Meyer gang, they were the most vicious gang in New York. And they had a complete menu for crimes that they would commit on your behalf. Burglaries, murders, throwing people out of windows, breaking arms and legs, killing by stabbing, killing by shooting, killing by knifing. And each one had a price. And he said they actually had it printed. It was like a menu and you could check off what you wanted. [21:40] Crazy. And then he said, as they got more and more involved in prohibition, they got out of this and it evolved into Murder Incorporated, which had about 400 members, primarily Jewish and Italian gangsters. And it was run by Albert Anastasia and Lepke Bookhalter. [22:05] And when Thomas Dewey came into power, he wanted very much to convict these guys, but, Murder Incorporated had this fascinating idea that every member of Murder Incorporated would receive a monthly retainer and then it paid a special price for committing murders. And the more ambitious the member was, the more murders he would commit. So there were a couple who were really very ambitious and did a lot of murders. And each one had a specialty. So there was this one guy named Abe Hidtwist Relis, who only killed people with an ice pick in the back of the neck. And then he would leave the body in a car, talking about getting rid of bodies, and he would burn the body and leave it in the car and let other people know who were the relatives that he had been done away with. And then there was a guy named Pittsburgh Phil, who was the most ambitious of them, who supposedly committed about 100 to 150 murders because he just loved getting money for each one that he committed. [23:15] Then there was a guy named Louis Capone, who’s no relation to Al. He worked with a partner named Mendy Weiss, and the two of them went out and killed people together. They thought it was a fun event for them. It was like a boy’s night out. Who we’re going to kill today. Weren’t they two of them that got the electric chair? Yes, they did. And there’s a picture of them on the train up to Singh on their way to the electric chair. And they’re laughing. This is nothing. This is just another fun time for us. And yeah, I think there were four of them who finally went to the electric chair. And then one member of this was a guy named Charlie the Bud Workman, who finally got indicted for the murder of Dutch Schultz. He was the one who carried out the murder of Dutch Schultz for the mob. And he got, I think he was 30 years in prison. But according to his son… [24:13] Who is a PGA golfer, who is well-known in PGA circles as a very good golf competitor, said that the mob took care of his family for the entire time that Workman was in prison because he never spoke about anybody else. He really observed the rules of a murder, and they appreciated him for that. So that whole episode was like a corporation murder, which is why they called it Murder, Inc., that would go out and kill people on orders only from the mafia. They only worked for the mafia. You couldn’t hire them if you weren’t a member of the mafia. And it had to go through a mafia boss for the instructions to come down to them. A soldier couldn’t tell them what to do. Even a capo couldn’t tell them. It had to go up to a boss, the boss had to approve it, and then assign someone to do it. And they all worked out of a candy store in Brooklyn called Midnight Roses because it was open 24 hours a day. And the phone would ring there from giving whoever it was instructions about who was to be killed, where they were to be killed, how they were to do it, and so forth and so on. [25:27] So what was also interesting is even though Bugsy Siegel had left the Bug and Meyer gang, he still loved participating in murder. He liked killing people. And his partner in these murders was a guy named Frankie Carbo, who became a big deal in boxing. He controlled most of the boxing in America up until at the time of Sonny Liston. And his partner in this was a man named Blinky Palermo. [25:59] And according to Ralph Natale, who for a while had been the boss of the Philadelphia crime family, it was Frankie Carbo who was sent by the mob to kill Bugsy Siegel. Because if he was caught or Bugsy Siegel saw him around, he wouldn’t suspect that he was his killer because they were friends and they had operated as partners together. So this goes back to what we were talking about earlier. It’s your friend who comes closest to you and then arranges you to be assassinated. So I found that whole story just fascinating. Interesting. I’ll tell you what. And there’s those and a whole lot more stories in this, isn’t there, Jeff? Yes, there are. I think that the book covers pretty much the mob history, beginning with the founding of the five families, going all the way up through Sammy the Bulgurvano’s testimony against John Gotti and the commission trial, where they decapitated the heads of the five families. Not literally, folks. Not literally. Not literally. We didn’t literally decapitate. Rudy Giuliano, he tried to. He tried to. He tried to. Metaphorically, he decapitated the heads of the five families. Exactly. [27:15] You know, what was interesting, though, is in the 1930s, you had Thomas Dewey. In the 1960s, you had Robert Kennedy, who went after the mob. And then later on, you had Rudy Giuliani going after the mob. And the mob always managed to reorganize itself and figure out a new way of existing. They were very opportunistic and they always managed to find a way to keep going, even if it was very low key, which is what it is now, where they operate in the shadows and they don’t have any John Gottis or Al Capone’s out there getting a lot of attention for themselves. They’re still out there doing things. Yeah. Yeah. They finally learned something about that getting publicity. And most recently, they put together a whole scheme, and this goes way back, of cheating people. Big whales, I call them whales, of rich men that like to gamble and brush up against kind of the dark side and cheat them at cards. They’ve been doing that for years. They just do it under goes to clear black to the Friars Club scam in Los Angeles where Ronnie Roselli and some others had a spotter, would see who had what cards in what’s hands, then would tell another player. And so now there’s just more electronic, but the same game just upgraded to electronics. [28:30] That’s right. What someone I spoke to interviewed said, he said they’re very involved in electronic gambling poker machines and that kind of thing. And a lot of offshore gambling and offshore money laundering. And to some extent, even drug dealing now. And they’re still very involved in New York in the construction business. Oh, really? Yeah. Union business. They’re still in it, huh? And I know in Kansas City, there’s a couple of examples where they put money into a buy here, pay here car dealership into a title loan place because there’s a huge rate of interest on those things. And there’s a lot of scams that go down out of those places, especially the old crap cars and put them together and sell them to poor people for they’ve got $500 in the car and they sell it to them for $2,000. They charge them a 25% interest and then go repo it when the car breaks down, turn around and patch it up and sell it again. So there’s always schemes going on out there to mob will put their money into. Oh, it’s incredible. I knew of one scheme where they would They would sell trucks to people and give them a special route. And so on that route, they could make enough money to pay off the loan on the truck. But then they would take away the route from them. They couldn’t pay off the truck. So they would repossess the truck and sell it to someone else and do it all over again. [29:50] Oh, I know. They got to tell you that. And Joey Messino and the Bananos, they organized the tow main wagons, the lunch truck, the snack wagons. Right, exactly. Organize them. And then they start extorting money, formed an association. And then to get to good spots, then you had to kick money to them. And just to be part of the organization, that was kicking money to them. There’s always something. They always manage to find a place where they can make money. And it’s like whack-a-mole. You can stop them here, you can stop them there, and then they pop up in three other places. [30:24] Really all right jeffrey susman i’m so happy to talk to you again i haven’t talked to you for a while and i hope everything else is everything’s going okay for you in new york city yep i’m working on a new book uh what are you working on now oh my god you are so prolific i look on your amazon page just when i was getting ready to do this trying to think of some of those other titles Oh, my God. I’m working on a book about the Garment Center. Ah, interesting. Only because my family was involved in that business, and they had to deal with the mob in various ways, with trucking companies, unions, and so forth. And since I knew that, and I had a lot of information, a lot of contacts, I thought I would tackle that next. I remember when I had my marketing PR business back in the 1970s. [31:16] I had a client who was in the fitness business, and I had a cousin of my mother’s who was a very famous dress designer at the time, and he had a big showroom on 7th Avenue, which is in the garment center. I went to see him because I wanted to see if I could get a deal for my client to manufacture exercise clothes and brand it with her name. I made a date to have lunch with this cousin of mine, and he said, come up to my showroom. we’ll meet for lunch, And so I got to the showroom, and I called out his name when I walked in. It was empty. And this guy comes running out of the back, and he just has a shirt on, and he has a shoulder holster, .38 caliber gun in it. And he says to me, who the F are you? I said, I’m so-and-so’s cousin. I’m here to have lunch with him. He disappeared into the back. And a couple of minutes later my mother’s cousin comes out and i said who was that what was that about he says i don’t want to talk about it now i’ll tell you all for lunch so we go down to a restaurant around the corner and i asked him again and he says he said he couldn’t have his dresses delivered to any department store unless he made a deal with yeah i forgot if it was the gambinos or the lucasies that he had to take this guy on as a partner otherwise the trucks wouldn’t deliver his garments. And there was nothing he could do about it. It was either that or go out of business. [32:45] I’ll tell you what, they’re voracious. They’re greedy and voracious and don’t care. Just give me those, show me the money. That’s all it is. It’s all about money and any way to get it. And then there’s always a threat of murder behind it. If you don’t cooperate, think of the worst thing that can happen to you. And that’s what’ll happen. Yeah. I’ve had guys over the years tell I’m like, oh, you ought to throw in with one of those ex-mobsters that’s doing podcasts and try to do something with them. I say, I ain’t doing business with them. They play by their rules. I play by society’s rules. And I don’t have time to mess with that. Yeah. And that was a smart thing to do. Because also, when I had this fitness client, I met someone who was… I didn’t know what was connected to the mob, but a mutual friend, this guy said that he wanted to set up fitness centers all around the country for my clients. So I mentioned this to a mutual friend and he said, whatever you don’t go into business with this guy, I said, regret it for the rest of your life. So I advised my client not to do it. [33:49] Yeah. Cause initially before we knew that it sounded like a great opportunity. And then when you investigate, it’s not such a great opportunity. Yeah, really. Speaking of that, we tell stories for hours. I just heard a story. We had a relocated mobster, a guy that testified against Gigante, came here to Kansas City. And he was, of course, under witness protection and he’s got an assumed name. And he befriends a guy that has a fitness center. He has a franchise of Gold’s Gym or something. And he has a fitness center. And he talks this guy into taking him on, investing a little money in it, taking him on as his partner. Within the next couple of years, this mobster, he’s got two of his kids working there and neither one of them are really doing anything, but they’re drawing a salary and the money’s trickling out. And the guy, the local guy, he just walks away from it because this guy’s planned by the mob’s rules. So he just ended up walking away from it, did something else. So it’s do not go into business with these guys. No, never. Never. [34:48] Jeffrey Suspett, it’s a pleasure to have you back on the show. Thank you so much. It’s a pleasure to be with you again, Gary. It’s always a pleasure. Thank you very much.

Bảo tàng đầu tiên ở New South Wales dành riêng cho lịch sử người Hoa ở Úc đã khai trương tại trung tâm Chinatown của Sydney. Bảo tàng Người Hoa tại Úc (MOCA) trình bày những câu chuyện về một số nhóm người nhập cư sớm nhất của đất nước – lưu giữ lịch sử và văn hóa của cộng đồng người Hoa tại Úc.

The final design for a streetscape project has been unveiled that'll restore Detroit's Chinatown. WWJ's Tony Ortiz and Tracey McCaskill have the afternoon's top news stories.

The first museum in New South Wales dedicated to the history of Chinese people in Australia has opened in the heart of Sydney's Chinatown. The Museum of Chinese in Australia [[MOCA]] dedicates its stories to some of Australia's earliest migrants - preserving Chinese history and culture in the country.

Vancouver's Chinatown was never built to be trendy. It was built because people had nowhere else to belong. Shut out of opportunity. Pushed to the margins. Told where they could and could not live. So they built anyway. Store by store. Family by family. A place that began to pulse and then became magnetic to all who lived in and visited Vancouver.   And then slowly, the pulse weakened. Rising costs. Aging buildings. Poverty. Then the pandemic. The streets emptied. Businesses struggled to survive. Anti-Asian racism surged. Fear replaced foot traffic. Absence replaced community.   This week on Chatter That Matters, you will hear the story of how one woman turned darkness into light. Carol Lee looked at decay and did not see failure. She saw a break in belonging.    Carol's approach can be replicated by any struggling community.   Joining the conversation are Martin Thibodeau, Regional President of RBC in British Columbia, and Carmen Stossel, Regional Director of Community Marketing and Social Impact at RBC. They share what makes Carol Lee special and why they got involved.   If you care about your community and humanity.   You will want to hear this conversation.   Because sometimes lighting up a neighbourhood is really about lighting up belief.   Hit play to Light Up Chinatown.

A string of unsolved murders in San Francisco's Chinatown in the 1970s led police to the door of a young Korean immigrant named Chol Soo Lee — who was quickly arrested and sentenced to life in prison. But when investigative journalist K.W. Lee started digging into the case, he discovered a world of twisted law and order that went far deeper than one man. The articles K.W. wrote about what he uncovered in Chinatown shocked Asian Americans across Northern California to stand up and demand justice for Chol Soo Lee — and themselves. Guests: Sojin Kim, curator at the Smithsonian Center for Folklife and Cultural HeritageRanko Yamada, friend of K.W. Lee and Chol Soo Lee  Julie Ha, journalist, writer and co-director of the documentary film "Free Chol Soo Lee"

Today's we answer several listeners' requests for an episode on the American womenswear brand Lilli Ann. One of the great runaway success stories of American 20th century fashion, the backstory of the brand takes some twists and turns from its early years in San Francisco's Chinatown, to Lilli Ann's founder's fisticuffs with New York mobsters and his surprising relationship with the French textile industry which garnered Adolph Schuman the prestigious Legion d'Honneur award. Want more Dressed: The History of Fashion?  Our ⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠classes⁠⁠⁠⁠⁠ Our ⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠ Our ⁠⁠⁠⁠⁠bookshelf⁠⁠⁠⁠⁠ with over 150 of our favorite fashion history titles Dressed is a part of the ⁠⁠⁠⁠⁠AirWave Media⁠⁠⁠⁠⁠ network Learn more about your ad choices. Visit megaphone.fm/adchoices

House of Usher (1960), The Pit and the Pendulum (1961), and The Masque of the Red Death (1964) In the beginning of his career as a producer / director Roger Corman was known for cranking out cheap and fast black and white pictures that always made money. He worked in all genres, but it was mainly the horror and sci-fi pictures in the mid to late '60s he was known for. All that changed in 1960, when he convinced AIP to let him adapt a story from Edgar Allan Poe, but in color, with a bigger budget, and longer shooting schedule. That started a new phase of Corman's career, which also made an even bigger star of Vincent Price. In this episode, we take a deep dive into three of these Poe adaptations, and not necessarily looking in the faithfulness of them, but in their production, the incredible casts, the look, the style, as well as the feel of them. They really do get better each and every time you watch them. Hopefully after listening to this episode, you'll decide to either venture down this dark path for the first time, or take a revisit to admire the doom and gloom they all have. Films mentioned in this episode: The Big Bird Cage (1972), Black Sunday (1960), Chinatown (1974), City of the Dead (1960), Countess Dracula (1971), Corman's World: Exploits of a Hollywood Rebel (2011), Death Race 2000 (1975), Don't Look Now (1973), Duel (1971), Five Guns West (1955), The Fly (1958), Gunslinger (1956), The Haunted Palace (1963), Horror Hospital (1973), House on Haunted Hill (1959), House of Usher (1960), House of Wax (1953), Humanoids from the Deep (1980), Intruder (1962), It Conquered the World (1956), The Legend of Hell House (1973), Little Shop of Horrors (1960), Masque of the Red Death (1964), Monster from the Ocean Floor (1954), Naked Paradise (1957), Not of this Earth (1957), Pit Stop (1969), Piranha (1978), The Pit and the Pendulum (1961), Premature Burial (1962), Psycho (1960), The Raven (1963), Return of the Fly (1959), Rock 'n' Roll High School (1979), The Seventh Seal (1957), Swamp Women (1956), Tales of Terror (1962), The Terror (1963), The Tingler (1959), Trilogy of Terror (1975), The Wasp Women (1959)

Fun episode for you today! We're talking with Hannah Chea, Miss SF Chinatown 2025! She is a woman of many interests and talents. She marched with the Cal Marching Band during her time at UC Berkeley. She worked in tech, but after getting laid off, she pivoted to oyster shucking at parties and touring with a Cambodian dance company! And, she lives near Galileo High, so we had her "in studio" for a face-to-face chat! Listen to our episode on Spotify, Apple Podcasts, or wherever you find podcasts. Follow Hannah @xirimpi on social media, and look for her in Chinatown during these 2 weeks of festivities! As I always mention, you can write to us at: ⁠infatuasianpodcast@gmail.com⁠, and please follow us on Instagram and Facebook @infatuasianpodcast  Our Theme: “Super Happy J-Pop Fun-Time” by Prismic Studios was arranged and performed by All Arms Around  Cover Art and Logo designed by Justin Chuan @w.a.h.w (We Are Half the World) #asianpodcast #asianamerican #infatuasian #representationmatters

East Oahu lifeguards conducted 23 rescues and over 1,700 preventative actions yesterday. A 27-year-old man was arrested and held on bail for assaulting a law enforcement officer in Honolulu. Chinatown 808 celebrated its 50th annual Chinatown Festival and Parade.See omnystudio.com/listener for privacy information.

Send a textA truck driver who can't stop asking questions, a friend who does the real fighting, and a sorcerer who waited 2,000 years for green eyes—there's a reason Big Trouble in Little China refuses to fade. We dive straight into why this cult classic still sparks debate: the self-aware camp, the electric synths, the rain-soaked neon, and the audacity of casting a swaggering, lovable bumbler as your poster hero.We break down Kurt Russell's Jack Burton as a brilliant misdirect—loud, lost, but weirdly brave—while Wang carries the narrative weight and the martial arts grace. That inversion lets John Carpenter poke holes in the American hero myth without losing the popcorn thrills. From practical monsters and the iconic knife throw to uneven but ambitious fight staging, we pull apart the craft that makes the movie sing. And yes, we talk about the moments that age poorly—forced flirtations, accented English used among Chinese characters—and how the satire lands alongside the stereotypes.Carpenter's fingerprints are everywhere: the synth-driven score that snaps scenes into focus, the pulpy color palette that turns Chinatown into a fever dream, and the long partnership with Russell that keeps risk-taking fun. We trace cultural ripples into 90s pop culture, Mortal Kombat parallels, and why this film bombed before becoming midnight-movie royalty. Two of us call it pure five-star joy; one of us gives it a thoughtful seven, intrigued enough to chase The Thing next. Whether you rewatch for the set design, the one-liners, or that thunder-lit ceiling shot, there's big charm in this little slice of cinematic chaos.Hit play, ride with the Pork Chop Express, and tell us: is Jack Burton a hero, a decoy, or the perfect mix of both? If you enjoy our take, subscribe, share with a friend, and drop your favorite line in the comments. Support the show

On today's episode of Eat. Talk. Repeat.

Residents of San Francisco's Chinatown are grappling with competing concerns. Then, a Marriage and family therapist helps us get ahead of Valentine's Day with some relationship advice. And, the magic of a classic love song with an Uncuffed My Mix Tape. Plus, a (love) poem. 

Zhe Wu is a reporter with the San Francisco Public Press, who covers Chinatown. Here, Zhe explains what's pressing most on the minds of SF Chinatown residents as they get ready for one of their biggest holidays.

Edmonton's McCauley neighbourhood has a PR problem. The inner city community is home to Commonwealth Stadium, the Italian Centre and Chinatown. But it also has a disproportionate number of resources for the homeless community. But residents believe in their neighbourhood. Perhaps none more than Teresa Spinelli. Host Clare Bonnyman joins Spinelli for a talk about the work the community is doing, to make McCauley better and the lessons the rest of the city can learn from them.

Dimestore Radio Theater #155 WFMU Playlist & Interactive Live Chat (The Digital Salon) A simple effort to test his sikills, and renew his Private Eye License, causes Richard Diamond get involved in a murder case that happens at the police station, DURING a test.  Meanwhile, we spend a fair amount of time in Cairo’s Chinatown, … Continue reading Dimestore Radio Theater #155

Do you have a favorite Super Bowl commercial? Andy loves “whazzuuup!” plus any Budweiser commercial. Is every man you know a low-T soy boy? There may be a reason for that — it’s all thanks to the testosterone influencer. Andy discusses bias in the media, particularly with outlets like the LA Times. Andy took part in a KTLA Super Bowl-themed relay race earlier today, and it did not go well for our resident soy boy. Here are some of the 101 best movies set in LA according to the list: 101. Babylon 50. To Live and Die in LA 34. A Star is Born 35. La La Land 32. Training Day 16. The Player 12. Once Upon a Time in Hollywood 52. Rebel Without a Cause 38. Licorice Pizza 33. Drive. Heat is at No. 14, while Once Upon a Time in Hollywood nearly cracks the top 10. Double Indemnity is No. 9 Singing in the Rain at No. 8. Boogie Nights is in the top 10 as well! No. 3 is Sunset Boulevard, and No. 2 is Mulholland Drive. So, what’s No. 1? From 1974, it’s Chinatown.See omnystudio.com/listener for privacy information.

On today's episode of Eat. Talk. Repeat.

The final film in director Roger Corman's Edgar Allan Poe cycle, The Tomb of Ligeia marked the second collaboration for Corman and screenwriter Robert Towne.  Towne would go on to be one of the hardest working and respected writers and script doctors in Hollywood (The Last Detail, Shampoo, Mission: Impossible, The Firm, Personal Best and Tequila Sunrise) and collect an Academy Award for writing Chinatown.  Towne is quoted, however, as saying that his adaptation for The Tomb of Ligeia was the hardest he'd ever worked on.   Dan and Vicky discuss the horror film along with plenty of recently seen like films Marty Supreme, Rosemead, Dead Man's Wife, The Lost Bus, Griffin in Summer, Twinless, Is This Thing On?, and TV series Heated Rivalry and Kaos. Our socials:  hotdatepod.com FB:  Hot Date Podcast X: @HotDate726 Insta:  hotdatepod

We kicked off the program with four news stories and different guests on the stories we think you need to know about! FBI offers reward for information about gunman charged in slayings of five men in Chinatown in 1991Guest: Emily Sweeney – Boston Globe Cold Case Files Reporter The Price is Right Live™, an interactive stage show coming to the Chevalier Theatre in Medford on May 8th. “Come on Down” and be a part of this family-friendly stage show!Guest: Todd Newton – Game Show Host, Author & Entertainment Reporter The Patriots playing in the Super Bowl this weekend against the Seattle Seahawks. Chad Finn live from San Francisco will discuss!Guest: Chad Finn – Boston Globe Sports Reporter Zoo New England is giving New Englanders a reason to brave the cold with the return of Orchid Adventure at Franklin Park Zoo – a warm, tropical experience that feels like a mini vacation without ever leaving Boston!Guest: Josh Meyer - Zoo New England Curator of Horticulture & Sustainability See omnystudio.com/listener for privacy information.

Nueva York siempre ha presumido de ser la ciudad que nunca duerme, pero últimamente pide silencio a gritos. Por eso cada vez hay más espacios donde lo más valiosos es la falta de ruido. Se las conoce como cafeterías silenciosas y se han convertido en auténticos refugios urbanos para reconectar con uno mismo. En el café Biblioteque, ubicado en pleno barrio del Soho, Silvia Haeminens busca precisamente eso: un buen ambiente de trabajo en el que pueda concentrarse “Siento que hay buena vibra, me encanta la música, está muy bien… Aprecio el silencio, sobre todo tengo que acabar un trabajo”, explica.    La pandemia disparó el teletrabajo y con apartamentos cada vez más pequeños, muchos neoyorquinos han buscado despachos improvisados fuera de casa. Es el caso de Marian Redford, sentada a pocos metros de Silvia, disfruta de una infusión mientras se pone al día con sus emails. “Sí, he venido buscando un lugar donde me sienta cómoda, que sea silencioso para que pueda trabajar, y no hay muchos lugares en esta ciudad como este, así que cuando encuentro un lugar como este trato de seguir viniendo”, cuenta Marian bajando la voz casi sin darse cuenta. Aquí no hay lugar para gritos, ni para el estruendo de los autos que se escucha fuera. En la calle el sonido te recuerda que Nueva York es una de las ciudades más ruidosas de Estados Unidos. Y cada vez más personas entienden que el bullicio acaba pasando factura, la OMS (Organización Mundial de la Salud) lleva años alertando de su impacto en el estrés y el sueño. Y los expertos subrayan que el silencio ayuda a recuperar la concentración. De ahí que el silencio se esté convirtiendo en un pequeño lujo cotidiano que los neoyorquinos buscan constantemente. En el Silentcafe de Chinatown la calma y tranquilidad es casi una norma. Sus paredes completamente blancas evitan cualquier tipo de distracción, el olor a incienso llena la sala y unos enormes altavoces se encargan de que la música esté siempre al volumen justo. Para el propietario AJ Jacono, el hilo musical era fundamental cuando abrió su negocio. “Si la música estuviera muy alta, la gente no lo disfrutaría, sería difícil escucharse, concentrarse. Cuando abrí el negocio buscaba un lugar donde la gente pudiera hablar sin preocuparse de que nada les moleste”, dice Jacono. Ahora en Nueva York el ruido ya no está de moda, se busca un respiro que ayude a bajar revoluciones.

Send us a textJustin Warfield stops by the show to discuss, Deathrock Devotionals Vol II, inner peace, change in perspective and more. *****After a year of steady build-up, bold reinvention, and dancefloor resurrection, WARFIELD - the darkwave/deathrock project helmed by She Wants Revenge lyricist and frontman Justin Warfield - arrives at a pivotal moment. Today marks the release of Deathrock Devotionals Vol. II (out via Black Heathers/Cleopatra Records), the latest installment in Justin's ongoing love letter to the early Los Angeles deathrock and post-punk scenes that shaped him. Just two weeks later, on November 28, the saga culminates with the release of the full-length album Deathrock Devotionals - an all-encompassing statement piece that merges narrative depth, goth energy, and propulsive hooks into one darkly luminous body of work.“Like its predecessor, Vol. II is a continuation, and remembrance of, the early years of goth and deathrock in Los Angeles,” Justin explains. “I'm taking inspiration from 45 Grave, Super Heroines, Rozz Williams, Patrick Mata - all those people who pioneered this thing that not only lives on, but is thriving so many years later it. I'm just continuing that spirit and making something new, fun, full of energy, and from my point of view.” He continues, “In many ways this project, this band, and this record specifically is really the child of a time in the early '80s in LA when there was a confluence of art-rock punks, East LA punks, Queer culture, late-night diners and after hours, basement shows, dueling live music venues in Chinatown as the epicenter of the scene, and suburban backyard parties. When Hollywood was dangerous and full of possibility, and before the jocks and bros crashed the punk party.”******If you would like to contact the show about being a guest, please email us at Dauna@bettertopodcast.comFollow us on Social MediaInstagram: https://www.instagram.com/author_d.m.needom/Facebook: https://www.facebook.com/bettertopodcastwithdmneedomIntro and Outro music compliments of Fast Suzi©2025 Better To...Podcast with D. M. NeedomSupport the show

San Francisco's Chinatown is the oldest Chinatown in North America and one of the largest Chinese enclaves outside Asia. Spanning 30 city blocks and home to tens of thousands of monolingual Chinese residents, its endurance is remarkable—especially given how close it came to erasure. In Chinatown: San Francisco's 1906 Earthquake and the Paradox of American Immigration Policy (JHU Press, 2026), Dr. Dafeng Xu uncovers the contested history of this vibrant community, focusing on the transformative period surrounding the 1906 earthquake and fire that destroyed 80 percent of the city, including Chinatown. White San Franciscans saw the disaster as an opportunity to permanently displace the neighborhood. Instead, Chinatown was rebuilt—but not without conflict or consequence. Using detailed census data and other historical documents, Dr. Xu examines how this rebuilt Chinatown differed socially and physically from its earlier form—and the many ways it stayed the same. He explores whether the earthquake shifted patterns of segregation, if and how Chinese immigrants navigated pressure to assimilate—including adopting English, changing their names, and leaving ethnic neighborhoods—and whether they gained economic ground in the city's new landscape. Dr. Xu's study reveals a striking contradiction: while Chinese Americans were often criticized for not assimilating, systemic barriers made that very process nearly impossible. The post-disaster Chinatown became a symbol of cultural resilience, shaped by both community agency and persistent exclusion. Rich in insight and original research, Chinatown offers a powerful look at how disaster, racism, and resistance shaped one of America's most storied immigrant neighborhoods. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

San Francisco's Chinatown is the oldest Chinatown in North America and one of the largest Chinese enclaves outside Asia. Spanning 30 city blocks and home to tens of thousands of monolingual Chinese residents, its endurance is remarkable—especially given how close it came to erasure. In Chinatown: San Francisco's 1906 Earthquake and the Paradox of American Immigration Policy (JHU Press, 2026), Dr. Dafeng Xu uncovers the contested history of this vibrant community, focusing on the transformative period surrounding the 1906 earthquake and fire that destroyed 80 percent of the city, including Chinatown. White San Franciscans saw the disaster as an opportunity to permanently displace the neighborhood. Instead, Chinatown was rebuilt—but not without conflict or consequence. Using detailed census data and other historical documents, Dr. Xu examines how this rebuilt Chinatown differed socially and physically from its earlier form—and the many ways it stayed the same. He explores whether the earthquake shifted patterns of segregation, if and how Chinese immigrants navigated pressure to assimilate—including adopting English, changing their names, and leaving ethnic neighborhoods—and whether they gained economic ground in the city's new landscape. Dr. Xu's study reveals a striking contradiction: while Chinese Americans were often criticized for not assimilating, systemic barriers made that very process nearly impossible. The post-disaster Chinatown became a symbol of cultural resilience, shaped by both community agency and persistent exclusion. Rich in insight and original research, Chinatown offers a powerful look at how disaster, racism, and resistance shaped one of America's most storied immigrant neighborhoods. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

San Francisco's Chinatown is the oldest Chinatown in North America and one of the largest Chinese enclaves outside Asia. Spanning 30 city blocks and home to tens of thousands of monolingual Chinese residents, its endurance is remarkable—especially given how close it came to erasure. In Chinatown: San Francisco's 1906 Earthquake and the Paradox of American Immigration Policy (JHU Press, 2026), Dr. Dafeng Xu uncovers the contested history of this vibrant community, focusing on the transformative period surrounding the 1906 earthquake and fire that destroyed 80 percent of the city, including Chinatown. White San Franciscans saw the disaster as an opportunity to permanently displace the neighborhood. Instead, Chinatown was rebuilt—but not without conflict or consequence. Using detailed census data and other historical documents, Dr. Xu examines how this rebuilt Chinatown differed socially and physically from its earlier form—and the many ways it stayed the same. He explores whether the earthquake shifted patterns of segregation, if and how Chinese immigrants navigated pressure to assimilate—including adopting English, changing their names, and leaving ethnic neighborhoods—and whether they gained economic ground in the city's new landscape. Dr. Xu's study reveals a striking contradiction: while Chinese Americans were often criticized for not assimilating, systemic barriers made that very process nearly impossible. The post-disaster Chinatown became a symbol of cultural resilience, shaped by both community agency and persistent exclusion. Rich in insight and original research, Chinatown offers a powerful look at how disaster, racism, and resistance shaped one of America's most storied immigrant neighborhoods. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

San Francisco's Chinatown is the oldest Chinatown in North America and one of the largest Chinese enclaves outside Asia. Spanning 30 city blocks and home to tens of thousands of monolingual Chinese residents, its endurance is remarkable—especially given how close it came to erasure. In Chinatown: San Francisco's 1906 Earthquake and the Paradox of American Immigration Policy (JHU Press, 2026), Dr. Dafeng Xu uncovers the contested history of this vibrant community, focusing on the transformative period surrounding the 1906 earthquake and fire that destroyed 80 percent of the city, including Chinatown. White San Franciscans saw the disaster as an opportunity to permanently displace the neighborhood. Instead, Chinatown was rebuilt—but not without conflict or consequence. Using detailed census data and other historical documents, Dr. Xu examines how this rebuilt Chinatown differed socially and physically from its earlier form—and the many ways it stayed the same. He explores whether the earthquake shifted patterns of segregation, if and how Chinese immigrants navigated pressure to assimilate—including adopting English, changing their names, and leaving ethnic neighborhoods—and whether they gained economic ground in the city's new landscape. Dr. Xu's study reveals a striking contradiction: while Chinese Americans were often criticized for not assimilating, systemic barriers made that very process nearly impossible. The post-disaster Chinatown became a symbol of cultural resilience, shaped by both community agency and persistent exclusion. Rich in insight and original research, Chinatown offers a powerful look at how disaster, racism, and resistance shaped one of America's most storied immigrant neighborhoods. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

San Francisco's Chinatown is the oldest Chinatown in North America and one of the largest Chinese enclaves outside Asia. Spanning 30 city blocks and home to tens of thousands of monolingual Chinese residents, its endurance is remarkable—especially given how close it came to erasure. In Chinatown: San Francisco's 1906 Earthquake and the Paradox of American Immigration Policy (JHU Press, 2026), Dr. Dafeng Xu uncovers the contested history of this vibrant community, focusing on the transformative period surrounding the 1906 earthquake and fire that destroyed 80 percent of the city, including Chinatown. White San Franciscans saw the disaster as an opportunity to permanently displace the neighborhood. Instead, Chinatown was rebuilt—but not without conflict or consequence. Using detailed census data and other historical documents, Dr. Xu examines how this rebuilt Chinatown differed socially and physically from its earlier form—and the many ways it stayed the same. He explores whether the earthquake shifted patterns of segregation, if and how Chinese immigrants navigated pressure to assimilate—including adopting English, changing their names, and leaving ethnic neighborhoods—and whether they gained economic ground in the city's new landscape. Dr. Xu's study reveals a striking contradiction: while Chinese Americans were often criticized for not assimilating, systemic barriers made that very process nearly impossible. The post-disaster Chinatown became a symbol of cultural resilience, shaped by both community agency and persistent exclusion. Rich in insight and original research, Chinatown offers a powerful look at how disaster, racism, and resistance shaped one of America's most storied immigrant neighborhoods. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

San Francisco has a women's sports bar! In this episode, meet Danielle Thoe and Sara Yergovich. Together, they own and operate Rikki's, a women's sports bar on Market in the Castro. We'll hear from Danielle and Sara about their early lives and how they made their way to San Francisco and became friends. We'll also hear the story of why and how they opened The City's first women's sports bar, as well as the incredible woman they named it for. Most importantly, both Sara and Danielle (and me, Jeff) are Libras

Fidel Caballero is the chef-owner of Corima in New York City, a progressive Mexican restaurant located in Chinatown with one Michelin star. Fidel is also behind the hit burrito shop and bakery Vato, which has become the talk of brownstone Brooklyn and well beyond. In this episode, Fidel shares his journey from Mexico and El Paso to China, the Basque region, and finally New York City. Fidel is a rising star, 20 years in the making, and it was great to hear his story.  And before that Matt recaps recent visits to Santi, Cove, and Samwoojong, all in New York City. Subscribe to This Is TASTE: ⁠⁠Apple Podcasts⁠⁠, ⁠⁠Spotify⁠⁠, ⁠⁠YouTube⁠⁠  Learn more about your ad choices. Visit megaphone.fm/adchoices

A national championship ring on one hand, a turntable on the other. That's the unexpected arc of DJ Nasty Nate, who traded Auburn football practices for late nights in Honolulu's Chinatown and found a craft worth building from the ground up.We dive into the real playbook for breaking into Hawaiʻi's DJ scene—no clout chasing, no gimmicks. Nate walked us through how showing up to clubs and venues, listening before asking, and introducing himself with aloha opened doors faster than any pitch. He breaks down the differences between Birmingham's trap-heavy nights and Oʻahu's genre-blending crowds, why Latin sets became his biggest learning curve, and how he balances new heat with the familiar records people forgot they love. From reggae to R&B to hip hop to reggaeton, he treats each night like a puzzle: peak, reset, send folks to the bar, and bring them back without burning the room out.We also get into the craft. Nate still practices on turntables to keep his ear honest, avoids repeating the previous DJ's set, and builds crates as a foundation before freestyling where the crowd leads. He shares candid thoughts on timeless R&B versus TikTok-fast trends, why some songs will outlive the news cycle.  The community piece matters too: Hawaiʻi's collaborative culture, Scratcher Hawaiʻi, and Bay Area ties that prove sharing shine doesn't dim your own.Offstage, Nate coaches at UFC Gym Kailua with a functional fitness focus—helping clients move better, feel stronger, and build sustainable habits. The mindset that earned him a scholarship at Auburn now powers long nights, consistent practice, and a growing party brand with DJ Marknado. He's building Much Loved into a traveling R&B experience while keeping Hawaiʻi as home base, investing in social content, and wearing all seven hats modern DJs need.If you care about crowd reading, set building, vinyl respect, or how to enter a tight-knit market the right way, this conversation is packed with examples and honest advice. Hit play, subscribe for more Above the Bridge stories, and drop a comment with the one song that never fails in your city.

A one-room museum located in the basement of a church-turned-community arts center is crammed with mementos from a pretty spectacular period in history. We hang with some retired dancers who recall the time when Chinatown in San Francisco was filled with late night cabarets famed for their showgirls.READ MORE IN THE ATLAS: https://www.atlasobscura.com/places/showgirl-magic-museum-san-francisco-california Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We're talking about plowmaggedon, the city up in arms about icy streets and blocked-off alleys. We're talking about the looming cuts at the Washington Post and what they mean for hometown DC. And we're talking about an appalling apartment building in Chinatown — and what it says about DC's ability to enforce its own rules. Plus, in a member's only fourth segment, the comeback campaigns of two very longtime local politicians.  Want some more DC news? Then make sure to sign up for our morning newsletter Hey DC. You can text us or leave a voicemail at: ‪(202) 642-2654‬. You can also become a member, with ad-free listening, for as little as $10 a month. Learn more about the sponsors of this January 30th episode: Library of CongressInterested in advertising with City Cast? Find more info HERE

Welcome to our exciting new series, A Script By...Before it was a film, it was a script. Brad Koszo dives deep into some of Hollywood's most celebrated screenplays to analyze their structure, themes, and page-to-film journey. Get ready for a look at the writers behind the words as he explore their process, what influenced them, and how they inspired some of the iconic cinema we enjoy today. Chuck Bryan from The Cinematic Flashback Podcast joins Brad on the very first episode of this monthly series, as they turn the page on Robert Towne's Chinatown!Check out our NEW YouTube Channel and subscribe now! If you're one of the first 100 subscribers, you'll be entered to win a weekend pass for one of several comic cons happening in 2026!Head over to our Patreon and get started with a FREE 7-day trial. We've got plenty of exclusive content and episodes that you'll only find there! You can also sign up as a free member! www.afilmbypodcast.com/ for more information.Email us at afilmbypodcast@gmail.com with your questions, comments, and requests.Find us on Instagram, X, and Facebook @afilmbypodcast.

Hundreds of protesters marched in Philadelphia earlier this week and held a demonstration outside the Immigration and Customs Enforcement field office in the city's Chinatown neighborhood. Governor Josh Shapiro campaigned on getting justice for sexual abuse survivors during his first gubernatorial run. Now, some say he hasn’t done enough to fulfill those promises as governor. Governor Josh Shapiro is calling for an end to the federal government's immigration crackdown in Minneapolis. Speaking Tuesday night on CNN, Shapiro said federal officials have “eviscerated the trust that should exist between law enforcement and the community.” U.S. Senator John Fetterman of Pennsylvania is among those calling for the firing of Kristi Noem, Secretary of the Department of Homeland Security. And now a deep dive: President Donald Trump’s Department of Homeland Security is claiming a newfound authority to enter some immigrants' homes without a warrant signed by a judge. Pennsylvania legal experts are calling the move unconstitutional. In uncertain times, our community counts on facts, not noise. Support the journalism and programming that keep you informed. Donate now at www.witf.org/givenow. And thank you. Support WITF: https://www.witf.org/support/give-now/See omnystudio.com/listener for privacy information.

300 hundred restaurants in 22 countries might not sound like a billion dollar empire, but you would be wrong. Dave Young: Welcome to the Empire Builders Podcast, teaching business owners the not-so-secret techniques that took famous businesses from mom-and-pop to major brands. Stephen Semple is a marketing consultant, story collector, and storyteller. I’m Stephen’s sidekick and business partner, Dave Young. Before we get into today’s episode, a word from our sponsor, which is… Well, it’s us, but we’re highlighting ads we’ve written and produced for our clients, so here’s one of those. [OG Law Ad] Dave Young: Welcome back to the Empire Builders Podcast. I’m Dave Young. Stephen Semple is here, and we’re going to talk about the building of another empire. And I’ve got to admit, I don’t know a whole lot about this one. I’ve maybe… Stephen Semple: Oh, wow. That’s exciting. Dave Young: We’re going to talk about P.F. Chang’s. I’ve maybe eaten at one of them, I would say less than half a dozen times in my life. Stephen Semple: Okay. Dave Young: And I think it’s just more of a convenience and proximity issue. I’m never really near any of them. Stephen Semple: So while they’re big, they’re not massive. They’re 300 restaurants in 22 countries, so they’re not like many of the other things we’ve talked about where there’s thousands of them. Dave Young: Right. Stephen Semple: So no, they’re not as prevalent. But look, 300 restaurants is still pretty successful. Dave Young: Yeah, that’s a lot. How did they get started? I’m not going to guess. I’m going to let you tell me. Stephen Semple: Okay. The business was founded by Philip Chiang and Paul Fleming. And Paul Fleming, you might recognize because he’s of Ruth’s Chris Steakhouse fame. Dave Young: Oh, okay. Stephen Semple: They got together, and they founded P.F. Chang in Scottsdale, Arizona- Dave Young: That makes a lot of sense. Stephen Semple: … in 1993. Now, Philip spells his last name C-H-I-A-N-G. So at a certain point, he changed his spelling just to make it easier. Drop the I and make it easier. Dave Young: Drop the I and made it just… Spell it the way it sounds. Stephen Semple: … Spell it the way it sounds, make it easier for the U.S. market. And the company has been bought and sold a few times over the years, but the first acquisition from the founders, from Philip and Paul, happened in 2012 by Centerbridge Partners in a deal worth a little bit over a billion dollars. Dave Young: Wow. Stephen Semple: They did okay. They walk away with some cash. Dave Young: Now, was it before or after they started putting it in supermarkets? Stephen Semple: I do not know the answer to that question. Dave Young: Probably predates. Stephen Semple: I’m going to suspect after. Dave Young: Okay. Stephen Semple: But the story starts with Philip’s mother, Cecilia Chiang. Cecilia was born in Beijing in 1920 to a really wealthy family. She grew up in a palace in China, ate high-end food, full staff, chefs, the whole nine yards, part of the aristocracy. And during the Chinese Civil War and the Japanese occupation, her family fled China and relocated in Japan, and there, the family opened a restaurant. Now in the 1960s, she travels to the U.S. Cecilia travels to U.S. to help her sister who came to America because of the economic challenges in Japan, and her sister had opened a restaurant in San Francisco and needed help- Dave Young: Okay. Stephen Semple: … and Cecilia came over to help her. But that venture failed, but Cecilia still remained in the U.S. And look, Chinese food in America at that time was not good. If you look at just about every food that has come to United States, the first people who brought it, whether it was Italian, whether it was Mexican, whether it was Chinese, the first immigrants were the people who were poor. Dave Young: Yeah. What years are we talking about here? Stephen Semple: 1960. Dave Young: Okay. Stephen Semple: So the first immigrants who came were the people who were poor, so therefore, typically the food is not the great food, it’s not made with the great ingredients. And so here she is, she’s looking around and she’s saying, “Look, there’s this poor Chinese food, all basically from the Canton region.” And most of it has been also turned into an American version, because basically, again, people were making it with whatever was available, so it really became very Americanized. Dave Young: Right. Stephen Semple: And Cecilia saw that, and what she wanted to do was introduce America to a more refined Chinese food, what she had experienced growing up as a wealthy person in China. So in 1961, she opens a sit-down restaurant with food from Northern China called The Mandarin. Dave Young: Okay. Stephen Semple: And it opens not in Chinatown, because here’s the thing that she recognized, context is everything. If she opened it in Chinatown, people’s expectation would be it would be the same as all the Chinese restaurants in Chinatown. Dave Young: All of them. Right, right. Stephen Semple: So what she did, she opened it on Polk Street, not far from Pacific Heights in San Francisco. Dave Young: Okay. Stephen Semple: Bit of a bold move, but she wanted to be seen as different, and that was how you did it. Dave Young: Makes sense. Stephen Semple: Now, the menu had some things that were unfamiliar, like pigeon, and it did not have some things that were expected like chow mein. And she struggled initially, because America was not really ready to try new things. Now, after two years of struggle came her breakout moment. The restaurant was visited by a guy by the name of Herb Kane, who was the most influential columnist in San Francisco history. He was a writer for the San Francisco Chronicle. But here’s the interesting thing, not a food critic. And he comes in the restaurant, falls in love with it, and gives it a great review. And overnight, the place becomes famous. You couldn’t get into it. It was visited by the likes of Julia Child, James Beard. It was totally on the radar. And I actually think the review may have even been more powerful because he was not a food critic. Dave Young: Sure. Yeah. Stephen Semple: But it also goes to show you… We talk about influencers, influence and all these other things, most restaurants be like, “We’ve got to get the food critics in here.” This guy was just a columnist who came in to try out their food- Dave Young: Right. Stephen Semple: … and it made them famous. And one of the things he loved was Peking duck, and so today Peking duck is pretty normal, it was really new back then. And suddenly, authentic Chinese food started to pop up. This really started it. In the late 1960s, Chinese restaurants in the United States doubled to about 10,000 of them. 1966, the first sushi restaurant opens. She opens the second restaurant, and Philip… And we’re talking about Philip Chiang? Dave Young: Right, right. Stephen Semple: Philip, her son, joins the business, and opens The Mandarin Cafe in LA, where he starts modernizing Chinese dishes for American diners, so starts doing a bit more of a fusion, right? Dave Young: Mm-hmm. Stephen Semple: Now, it’s here that Philip meets Paul Fleming, from Ruth’s Chris Steakhouse. Dave Young: Right. Stephen Semple: And Philip starts to build a bit of a friendship with Paul, and wants to work with Paul, wants to leverage his knowledge. Because after all, Ruth Chris is an upscale restaurant, and there’s this rise of casual chains, but Paul is not super excited, because none of them are Chinese, nor is Cecilia. She’s like, “I don’t really want to do this.” Philip is determined, he stays in touch with Paul. So 1979, things really start to change, because the restaurant called China Coach is opened by Wolfgang Puck, and it grows very quickly to 50 restaurants. And it’s the early ’90s, and Cecilia is ready to sell the restaurants. Dave Young: Stay tuned, we’re going to wrap up this story and tell you how to apply this lesson to your business right after this. [Using Stories To Sell Ad] Let’s pick up our story where we left off, and trust me, you haven’t missed a thing. Stephen Semple: And it’s the early ’90s, and Cecilia is ready to sell the restaurants, which basically frees Philip to make the changes he wants to do. He cycles back to Paul. Paul’s now looking at it going, “Well, there is this place for this growth and all of this.” So they decide to start something new. And Philip wants to bring other Asian cuisines, he wants to take it beyond Chinese. Dave Young: Okay. Stephen Semple: So he wants to add other Asian foods to it. So he spends three years developing the menu, and they changed the spelling of his last name to make it easier. And in 1993, here’s the other thing I found really, really interesting, they chose to open in Scottsdale in 1993. And here’s where Philip learned something from Cecelia, she did not open in Chinatown, she opened somewhere where there was not Chinese restaurants. At the time in Scottsdale, it’s described as a Chinese food desert at the time. Virtually no Chinese restaurants in 1993. Now, many people would go, “Well, you want to open up somewhere…” Nope, open it in Scottsdale. Opening weekend, they had 1,000 people, some waited for hours. Dave Young: Wow. Stephen Semple: Lined up around the block. Now, what really made them successful is Paul brought his ability to be able to scale a business, upscale dining, and really grow the business. And this is what allowed them to quickly… They quickly drove to 200 locations in a few years. And in 2012, 19 years later, they sold it for $1.1 billion. Dave Young: A billion bucks. Stephen Semple: Yeah. And there was also a point in there where they went public, gave them a bump, and then they were sold, and business was taken private, and it’s changed hands a few times. Dave Young: Well, one thing I’ve always known is that they’re not like every Chinese restaurant you’ve ever been in. Even every small town in America has a Chinese restaurant that they always seem to almost even share the same menus. Stephen Semple: Same thing here. Dave Young: Right. And- Stephen Semple: No matter how tiny the community is, there’s a Chinese restaurant. Dave Young: And- Stephen Semple: But it would have those things like chow mein, and- Dave Young: [inaudible 00:11:43], and Kung Pao chicken, and… Stephen Semple: Yeah. Dave Young: Sure. Stephen Semple: She took those things that were very common and very familiar and left them off of her menu, which was a bold move as well. Dave Young: Yeah, because otherwise we’d all be going in there ordering the Kung Pao chicken. Stephen Semple: We wouldn’t be having the Peking duck. Right. We wouldn’t be having the Peking duck. Dave Young: Yeah. Stephen Semple: So it was really interesting what she did, she leaned in to the difference in terms of opening it, because her mission was to bring this food, didn’t open in Chinatown, and left some popular things out, added some interesting things. But let’s face it, she struggled, and then there was the breakout moment. But here’s the part about all of this, now sometimes the trick is you have to be able to survive. If you’re able to survive, and you’re doing something truly remarkable, that breakout moment often happens. Now, advertising and promotion can accelerate that breakout moment, because it exposes people to this new idea, and entices them to come in. But if you do something… But it really and truly has to be remarkable. If you do something remarkable, and you do it really well, and if you can survive through the slow times, you get those breakout moments. Dave Young: Yeah. Yeah. It’s a really cool story. And the place has always felt… Yes, it’s Chinese, but no, it’s different. Stephen Semple: Yeah. Well- Dave Young: You can see the Ruth’s Chris DNA in the place, right? The- Stephen Semple: It’s funny, I had no… And I’ve been in a couple of P.F. Chang’s, and I had no idea the relationship with it. And as soon as I read that, I was like, “Oh, that makes…” It was sort of one of those. As soon as it’s presented that he was involved, it was like, “Oh, that makes so much sense, and I can see it.” It’s sort of funny how you didn’t see it, a lot of these things, hidden, and then it’s revealed, and suddenly it’s obvious, right? Dave Young: Yeah. In the last episode we talked about… I think it was one of the last episodes, we talked quite extensively about brand extension. Stephen Semple: Yes. Dave Young: And this is another good example of what we know would not have worked, and that would’ve been a Chinese restaurant by Ruth Chris. Stephen Semple: Correct. Correct. That’s a great observation. Yes. It would not have worked. Dave Young: Ruth’s Chris Chinese would not have worked. Stephen Semple: Right. Dave Young: You couldn’t leverage the good name of a steakhouse into a Chinese restaurant. Stephen Semple: No. Dave Young: Because that would not work. But you can take the DNA from the steakhouse, the high-end ritzy steakhouse, and apply it in measured ways to a high-end Chinese restaurant. And that’s exactly what they did, they took the luxury part of it, and made a luxury Chinese restaurant. Stephen Semple: Yeah. How the food is presented, how the place is decorated, although it would be decorated regionally different, and how the staff are trained, and all of those… And how the kitchen is run. I bet you if you walk into the two kitchens, you’d go, “Oh, I totally see…” I bet you the methodology in terms of how the kitchen is managed and all those other things is probably exactly the same. Yeah, so you’re right. You’re taking the DNA, and then basically modifying the presentation of that DNA to fit that thing, and giving it its own identity. And the problem that people make is they’ll look at it, go, “Well, the DNA is the same, so why can’t you just name it same?” And it’s, again, it’s like you talked about before, those hidden barriers. We think about the places of steakhouse, what’s the expectation? The expectation is steak, fine wines, potatoes, shrimp, lobster. Yes, there’ll be also vegetables, and grilled things, and all this other stuff, right? Dave Young: Yeah. Stephen Semple: You could even put in an appetizer of Peking duck and it would be fine, but you can’t make it a Chinese restaurant. Dave Young: Yeah, I think- Stephen Semple: Just like you couldn’t go the other way. Dave Young: You and I should buy Ruth’s Chris Steakhouse. Stephen Semple: Why should we do that? Dave Young: Just so we could change the name to Dave’s Steve’s Ruth’s Chris Steakhouse. Stephen Semple: Yeah, I’m going to pass. As awesome in ideas that sounds, as amazing as we would be at running- Dave Young: Another brand violation. I can see it now. Stephen Semple: Is this like a restaurant? Dave Young: All right. Well, thank you for sharing the P.F. Chang story. Now I’ve got to find one near me, and… I don’t want the bag of frozen stuff from the restaurant, I want to go in. Stephen Semple: God, no. You want to go and do the restaurant. Dave Young: Yeah, I want the experience. Stephen Semple: And they are good. They are fine. Dave Young: Yeah, yeah, every time I’ve been, but I just haven’t been very many times. Stephen Semple: Right. Dave Young: All right. Thank you. Stephen Semple: All right. Awesome. Thanks, David. Dave Young: Thanks for listening to the podcast. Please share us. Subscribe on your favorite podcast app, and leave us a big, fat, juicy five-star rating and review at Apple Podcasts. And if you’d like to schedule your own 90-minute empire-building session, you can do it at empirebuildingprogram.com.

A feminist romp through pop culture that illuminates how women influence and shape the economy. Taylor Swift isn't just a pop megastar. She is a working woman whose astounding accomplishments defy patriarchal norms. And while not all women can be Beyoncé or Dolly Parton or Reese Witherspoon, the successes of these trailblazing stars help us understand the central role of women in today's economy. Swiftynomics: How Women Mastermind and Redefine Our Economy (U California Press, 2026) assesses the complex economic lives of everyday American women through the stories of groundbreakers like Taylor Swift, Misty L. Heggeness digs into the data, revealing women's hidden contributions and aspirations—the unexamined value they create by pursuing their own ambitions. She highlights the abundance of productive activity in their daily lives and acknowledges the barriers they still face. Exploring critical reforms regarding caregiving and gendered labor, this book offers advice for women to thrive in an economy that was not built for them. More about the author: Misty L. Heggeness is co-director of the Kansas Population Center, Associate Professor of Economics and Public Affairs at the University of Kansas, and former Principal Economist and Senior Advisor at the US Census Bureau. She is also creator of The Care Board, a dashboard of economic statistics built by and for caregivers that brings their economic contributions into the fold. Learn more about Swifynomics: here Learn more about Misty: here More about the host: Kailey Tse-Harlow is a Chinese-Irish writer born and raised in Boston's Chinatown. She earned her BA in Film and Television Production from Emerson College and her MFA in Creative Writing from Lesley University. Her nonfiction writing has appeared in MIT News, and she is currently at work on her debut novel with support from Tin House. Based in Cambridge, MA, Kailey lives with her partner and two cats. Alongside her writing, she works as a freelance publicist part-time. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A feminist romp through pop culture that illuminates how women influence and shape the economy. Taylor Swift isn't just a pop megastar. She is a working woman whose astounding accomplishments defy patriarchal norms. And while not all women can be Beyoncé or Dolly Parton or Reese Witherspoon, the successes of these trailblazing stars help us understand the central role of women in today's economy. Swiftynomics: How Women Mastermind and Redefine Our Economy (U California Press, 2026) assesses the complex economic lives of everyday American women through the stories of groundbreakers like Taylor Swift, Misty L. Heggeness digs into the data, revealing women's hidden contributions and aspirations—the unexamined value they create by pursuing their own ambitions. She highlights the abundance of productive activity in their daily lives and acknowledges the barriers they still face. Exploring critical reforms regarding caregiving and gendered labor, this book offers advice for women to thrive in an economy that was not built for them. More about the author: Misty L. Heggeness is co-director of the Kansas Population Center, Associate Professor of Economics and Public Affairs at the University of Kansas, and former Principal Economist and Senior Advisor at the US Census Bureau. She is also creator of The Care Board, a dashboard of economic statistics built by and for caregivers that brings their economic contributions into the fold. Learn more about Swifynomics: here Learn more about Misty: here More about the host: Kailey Tse-Harlow is a Chinese-Irish writer born and raised in Boston's Chinatown. She earned her BA in Film and Television Production from Emerson College and her MFA in Creative Writing from Lesley University. Her nonfiction writing has appeared in MIT News, and she is currently at work on her debut novel with support from Tin House. Based in Cambridge, MA, Kailey lives with her partner and two cats. Alongside her writing, she works as a freelance publicist part-time. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Wine isn't often the drink of choice in Chinese restaurants, yet the country's immigrants played a key role in planting Northern California vineyards and building wineries after the Gold Rush. Now, a Chinese American winemaker is bringing a taste of that history — along with her Sonoma and Napa wines — to Chinatown restaurants in the Bay Area and beyond. Reporter: Tina Caputo California State University has reached a legal settlement with its faculty union over the sharing of faculty information with federal authorities. Reporter: Juan Carlos Lara, KQED After over a decade of planning, and years of construction, Butte County finally has a new jail. Reporter: Claudia Brancart, North State Public Radio Learn more about your ad choices. Visit megaphone.fm/adchoices

The LA Times released a list of the best 101 films set in Los Angeles. The number one spot went to the 1974 film Chinatown, directed by Roman Polanski, starring Jack Nicholson and Faye Dunaway, with the backdrop of a 1930’s Los Angeles. Second place went to David Lynch’s Mulholland Drive (2001), and some other notable picks include Blade Runner (1982), Her (2013), Tangerine (2015) and Boyz n the Hood (1991). Joining Larry Mantle on FilmWeek to discuss some of the more surprising films included and their personal favorites are LAist film critics Manuel Betancourt, assistant editor of Documentary Magazine, and one of the contributors to the LA Times’ Best LA Movies list, and Wade Major, film critic for CineGods.com and author of the “Hollywood Heretic” Substack. You can read the LA Times’ 101 Best LA Movies list here.

Welcome back to Not A Bomb! —the podcast where we resurrect cinema's most infamous box office disasters and ask the burning question: was it really that bad? We're celebrating five years of cinematic redemption.For the month of January, Not A Bomb asks a very important cinematic question: what happens when actors decide that being in front of the camera just isn't enough and take a shot at directing themselves? In the latest episode of Not A Bomb, Troy and Brad crack open one of Hollywood's strangest sequels — The Two Jakes. Arriving sixteen years after Chinatown, this long‑delayed follow‑up limped into theaters weighed down by production troubles, an unfinished script, and the impossible shadow of one of the greatest neo‑noirs ever made.Jack Nicholson pulls double duty this time, stepping behind the camera while reprising his role as private eye J.J. “Jake” Gittes. But despite the star power and the legacy attached, the film barely made a dent upon release, leaving audiences and critics wondering whether this sequel ever had a fighting chance.Does The Two Jakes earn its place as a continuation of a classic, or is it proof that some stories are better left alone? Troy and Brad dig into the mystery.The Two Jakes is directed by Jack Nicholson and stars Jack Nicolson, Harvey Keitel, Madeleine Stowe, Eli Wallach, Ruben Blades, Frederic Forrest, David Keith, and Richard FarnsworthWant to help support the show? Head over to the Not A Bomb Tee Public store and check our merchandise. Special thanks to Ted Blair for the amazing designs!We're committed to hearing your feedback and suggestions. If there's a cinematic flop you'd like us to delve into, please reach out to us at NotABombPod@gmail.com or through our contact page. Your reviews and feedback are what drive us. If you enjoy our content, consider leaving a review on Apple Podcast or Spotify.Cast: Brad, Troy

THE SECRET AGENT director Kleber Mendonça Filho joins hosts Josh Olson and Joe Dante to break down the movies that made him! Kleber is fresh off winning this year's Golden Globe for Best Foreign Language Film for THE SECRET AGENT this weekend. His film's star, Wagner Moura, also took home a Globe for Best Actor in a Motion Picture – Drama. Show Notes: Movies Referenced In This Episode Small Change (1976) The Secret Agent (2025) Bacurau (2019) *Walkabout (1973) *Wake in Fright (1971) The Right Stuff (1983) Don't Look Now (1973) Performance (1970) The Witches (1990) Close Encounters of the Third Kind (1977) Superman (1978) Star Wars (1977) Piranha (1978) *Fitzcarraldo (1982) Burden of Dreams (1982) Apocalypse Now (1979) The Blues Brothers (1980) Bad Lieutenant: Port of Call New Orleans (2009) Paris, Texas (1984) *The Beguiled (1971) The Beguiled (2017) Escape From Alcatraz (1979) *The Long Goodbye (1973) *Punch-Drunk Love (2002) McCabe and Mrs. Miller (1971) MASH (1970) Chinatown (1974) Boogie Nights (1997) Magnolia (1999) The Wedding Singer (1998) Happy Gilmore (1995) Assault on Precinct 13 (1975) Escape to Witch Mountain (1975) LA Plays Itself (2003) Pictures of Ghosts (2023) *Twenty Years Later (1984) The Big Shave (1967) The Longest Day (1962) Cleopatra (1963) Halloween (1978) La Jetée (1962) Green Vinyl (2004) *Gremlins (1984) *The Host (2006) E.T. The Extra-terrestrial (1982) Poltergeist (1982) The Texas Chainsaw Massacre (1974) Indiana Jones and the Temple of Doom (1984) *The Fly (1986) *Do The Right Thing (1989) Jungle Fever (1991) Other Notable Items Our Patreon! The Hollywood Food Coalition Francois Truffaut Wagner Moura Udo Kier The Lord of the Rings franchise Pedro Pascal Enzo Nunes Nicholas Roeg Ted Kotcheff Philip Kaufman The Criterion Collection TFH Guru Roger Corman Klaus Kinski Werner Herzog Nicolas Cage The Cologne Film Festival The French new wave Don Siegel Sofia Coppola Clint Eastwood Geraldine Page Paul Thomas Anderson Robert Altman Elliott Gould Jack Davis Mad Magazine Mark Rydell Roman Polanski Adam Sandler The Cannes Film Festival Columbia Pictures Philip Seymour Hoffman Robert Elswitt Emily Watson John Carpenter Kim Richards Scream franchise Eduardo Coutinho  João Pedro Teixeira Martin Scorsese The Vietnam War Bong Joon Ho Jerry Goldsmith Steven Spielberg Tobe Hooper Dick Miller Polly Holliday Phoebe Cates David Cronenberg Spike LeeThis list is also available on Movies Unlimited. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 401: At the start of the twentieth century, Vancouver, B.C., was a fast-growing Pacific port. Most residents were white settlers of British or European descent, but Chinese and Japanese communities were already well established and growing. They lived, worked, and built businesses in neighbourhoods like Chinatown and Powell Street, playing a central role in the city's economy while being denied political rights and social acceptance. By 1907, economic anxiety and racial resentment had hardened into open hostility. Asian workers were blamed for falling wages and job insecurity, a message repeated by newspapers, politicians, and organized exclusionary groups. The riots that followed on September 7 were not sudden outbursts, but the result of years of public rhetoric that treated entire communities as threats. This episode examines how those ideas gave rise to violence on Vancouver's streets. Sources:The 1907 Racist Riots – Union Zindabad!The Asiatic Exclusion League Riot, 1907 — Published by BC Labour Heritage CentreThe Vancouver Anti-Asian RiotsCauses of the 1907 anti-Asian riots :The Lessons of the Anti-Asiatic Riot"Images" and "Issues" : the portrayal of Asians in the Vancouver Daily Province and the Vancouver Daily World, 1907 to 1908Anti-Asian Riots of 1907 - British Columbia - An Untold HistoryMayor Ken SimDavid LamChinese Immigration ActChinese Head Tax in Canada1907 Vancouver anti-Asian riotsAsian Labour History in British ColumbiaA White Man's Province by Patricia Roy | Internet ArchiveW.L. Mackenzie King's 1907 Report on Japanese Losses in Vancouver RiotsW.L. Mackenzie King's 1907 Report on Chinese Losses in Vancouver RiotsThe History of Canada Series: Trouble on Main Street: Mackenzie King Reason Race And The 1907 Vancouver Riots Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Julia and Steve welcome guest host Sam Adams to deconstruct the aggravating, yet strangely charming, table tennis phenom on the make that is Marty Supreme. Played with “BDE off-the-charts” (Steve's words) by Timothée Chalamet, the unceasingly shameless hustler may just be an avatar for our age. Speaking of avatars, we can't avoid discussing Avatar: Fire and Ash, the latest installment of James Cameron's immersive mega-franchise. Once again, the big blue folks peopling Pandora drew boku bucks at the box office… but do the Avatar films have any “cultural impact”? And what does “cultural impact” even mean? New Yorker staff writer Michael Schulman steps into the cultural cage match to debate this long-simmering internet argument. On this week's bonus episode for Slate Plus subscribers, the hosts take up a listener question about “cultural bran muffins,” the bits of culture you know would be good for you if only you could get them down. The hosts confess their bran secrets. Endorsements Steve: The essay "Two Pins and a Lollipop" about Judy Garland by Bee Wilson in the London Review of Books. Sam: The album Penthouse by the band Luna, particularly the song  "Chinatown." Julia: Slate's beloved annual tradition Movie Club which for its 2025 edition gathers film critics Bilge Ebiri, Alison Wilmore, Justin Chang, and our very own Dana Stevens for a rollicking exchange about the year in film. --- Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's the wedding of the century! LuAnn and Tom finally get married on this week's episode of "Real Housewives of New York," and to sweeten the deal, LuAnn even released a new single! We have the world premiere on our show.Also, talk of Chinatown, oysters, tissue paper, and all the usual crazy stuff on this show. *This episode originally aired June 2017