Podcasts about Chinatown

When families have support, children and youth do better at home, in school and in their communities. Yet many conversations about “student success” focus narrowly on classrooms and test scores, overlooking the pregnancy, early childhood, housing, mental health, special‑needs and basic‑needs supports that shape whether children can show up ready to learn in the first place. This program will explore how family resource centers and other family support services operate in San Francisco, drawing on the experiences of community leaders and parents who know these systems firsthand. Through stories from their work and lives, the panel will highlight how family support helps families navigate complex systems, build stability, and prevent crises before they escalate. The conversation will also consider what we can all do to support cradle‑to‑career supports for families, so that all San Francisco children and youth can thrive.About the Speakers Our moderator will be Kula Koenig, the chief policy officer at Safe & Sound, where she leads policy, advocacy and strategic partnerships to strengthen child abuse prevention through upstream investment, cross-sector collaboration, and systems change that centers families most impacted by inequities. She directly oversees Safe & Sound's role as the backbone organization of the Family Services Alliance, working to make San Francisco a place where all children, youth, and families can thrive. Kula grounds her leadership in the belief that prevention and civic engagement must be inclusive, accessible and healing. She brings more than 15 years of leadership experience at the intersection of public health, early childhood, and racial equity, including senior roles at Public Health Advocates, United Way, and the American Heart Association. She is also the founder and executive director of Social Justice PolitiCorps. Kula holds a B.A. from UCLA and an MBA from The George Washington University. Gloria Tan has been the executive director of the San Francisco nonprofit Gum Moon since 1986. Gum Moon operates a residence hall in Chinatown for survivors of domestic violence and human trafficking. In addition, Gum Moon has 3 family resource centers in the Chinatown, Richmond and Sunset neighborhoods. The FRC's are all funded through the San Francisco Department of Early Childhood's Family Resource Center Initiative. Originally from Singapore, Gloria came to the United States for college and earned a Business Administration degree from the University of San Francisco. In 2020, the Chinese Culture Center of San Francisco honored her with its Lifetime Achievement Award in Community Building for her decades-long community leadership. In May 2026, the San Francisco Human Rights Commission recognized her contributions on behalf of women, children, immigrant families and underserved communities across the city. She is also an active member of the Family Services Alliance. Vicente Milan is a proud San Franciscan, born and raised. A former U.S. Army Specialist who deployed to Iraq, Vicente later worked in landscaping before stepping into his most important role: primary caregiver to three young boys in a blended family. Vicente and his family have turned to Compass Family Services' Family Resource Center for parenting support, help with one of his children's special needs, and housing stability services.  He now serves as a parent leader in Compass's “Repeat and Repair” group and brings to this panel the perspective of a father who has seen how family resource centers can strengthen families and improve children's outcomes. He loves taking his kids to museums and connecting with other parents.  A Social Impact Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums. ORGANIZER Virginia Cheung Learn more about your ad choices. Visit megaphone.fm/adchoices

Shamus Toomey, Editor in Chief and co-founder of Block Club Chicago, joins Bob Sirott to share the latest Chicago neighborhood stories. Shamus has details on: Meet The Welles Park Grubs, A Little League Team Embracing Its Buggy Ball Field: The city and locals have tried for years to remove the beetle larvae from the Lincoln Square […]

In this episode of 2 Dads 1 Car, we speak with Mike Tan, a good friend of mine who works in the tech and finance spaces, and also devotes his time as a passionate advocate for marginalized communities and owner of a kung fu school. In this episode, Mike and I focus on our experiences and thoughts on navigating the commitments of fatherhood with budding professional careers. Mike shares the stigma that new parents can sometimes face in corporate environments, and how his commitment to being fully present for his family steered him towards the path of a fractional practice in finance and tech. Upon making this career shift, Mike discusses how his newfound flexibility is allowing him to serve as a board member of the BC Provincial Health Services Authority, continue his advocacy for the Chinatown community, and run his kung fu school while supporting his family. Big thanks to Mike for taking the time to share his story with us today! Please check out our website at 2dads1car.com and follow us on Instagram @2dads1car for our latest updates. I hope you love this episode!Credits:Podcast Guest: Mike TanPodcast Host: Steven NgoPodcast Producer: Baron Hsueh

From designing the world's best structures to music videos and winning international swing competitions with only one shoe! A hilarious strategy for Pickle Roulette, the brutal aftermath of winning a chilli-eating contest, and the brilliant, completely free life hack for experiencing London in a whole new way.We are joined by the incredible Lesta Woo, a world-class architect, award-winning jazz dancer, and talented artist. She also happens to be visually impaired. Lesta shares her extraordinary journey.Follow and subscribe to BEST OF LONDON for links on ALL the platforms including Apple, Amazon music, Audible, Instagram, Twitter / X / Facebook. Click here for links to all of those :⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/bestolondon⁠⁠⁠⁠⁠⁠Episode Highlights:The Power of Echolocation: How Lesta uses the continuous rhythm of jazz music to "see" the dance floor, avoid collisions and more.Dancing with The Stars: Behind the scenes of a massive three-day music video shoot with one of the world's most successful recording artistsWinning International Dance Competitions: Taking first place at the Upside Down Festival in Ghent—despite her shoe flying off mid-routine.Pickle Roulette & The Ring of Fire: Lesta's fearless approach to buying mystery £1 pickles in Chinatown, and the terrifying realities of the Red Dog Saloon spicy wing challenge.The Ultimate London Life Hack: The best way to uncover the hidden magic, smells, and textures of the city.EXCLUSIVE BRAND NEW PARODY TRACKS THROUGHOUT THE EPISODE INCLUDING IN THE OUTRO AND AT THE VERY ENDPeople Mentioned in This Episode:Ed Sheeran: Global music superstar whose Azizam music video featured Lesta shaking her bum.David Attenborough: Legendary broadcaster, mentioned for featuring the Gardens by the Bay Supertrees on Planet Earth.Mike Figgis: Oscar-winning director of Leaving Las Vegas, who directed Lesta in the film London Tango.Romano Viazzani: Musician, producer of London Tango, and former Best of London guest.Amir Giles: Choreographer Kate Flatt: Artistic director and the original choreographer for Les Misérables.Jay Adegbenro: Lesta's dance partner.Shivangee Agrawal: Audio describer for the contemporary dance show Plieu.Chris McCausland: Comedian and Strictly Come Dancing winner.Rosie Jones: Comedian whom Lesta spotted at the Scope Disability Awards.Sir Robin Miller: The blind chair of the disability equality charity Scope.Alice Gregory: Lesta's dance partner for the disability and nightlife exhibition at the Museum of London Docklands.Best of London Picks include: The Crystal in Royal Victoria, Pleu The Place London School of Conemporary Dance, Jamboree in King's Cross (where Lesta teaches) and the inspiring Scope Awards at the Kia Oval. Her mum's kitchen for unmatched wontons, Peppers & Spice in Dalston for incredible Caribbean patties and goat curry. Chinatown supermarkets (for Tiger Paw buns!), and K-Miso in Greenwich Market for Korean product, Clissold Park for chilling under a tree, grabbing a coffee, and saying hello to the deer.Lesta Woo:Instagram: Follow Lesta at @dis_swing_thingExhibition: See the new disability and nightlife exhibition at the Museum of London Docklands. FOLLOW and SUBSCRIBE to  BEST OF LONDON we have great shows coming up. For links click here:⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/bestolondon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ E-mail:⁠⁠⁠⁠⁠⁠⁠ben@lifemac.com⁠⁠⁠⁠⁠⁠⁠ I read and reply to all your e-mails.Intro and Outro music lyrics and compositions by Ben HollandBest of London is presented and produced by Ben Holland and Ben Afleck.Ben's instagram: ⁠⁠⁠⁠⁠⁠https://www.instagram.com/benpodz/⁠⁠⁠⁠⁠⁠ Ben's TikTok: ⁠⁠https://www.tiktok.com/@benpodz⁠⁠⁠⁠⁠⁠Ben's X:⁠⁠⁠⁠⁠⁠ https://x.com/benpodz⁠⁠⁠⁠⁠⁠Logo by the brilliant bob@recolodesign.comFollow and subscribe to BEST OF LONDON for links on ALL the platforms including Apple, Amazon music, Audible, Instagram, Twitter / X / Facebook. Click here for links to all of those :⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/bestolondon⁠⁠⁠⁠⁠

Los Angeles in the late nineteenth century was bustling with the rise of industrialization, but the growing labor force that propelled it, mostly consisting of Mexican and Chinese men, was met with exclusion policies and deportation campaigns. Nevertheless, Chinese and Mexican women, children, and men built vibrant residential and business districts—until they were all but eradicated in the 1930s. In her compelling and textured history, Urban Borderlands: Multiracial Histories and Gendered Borders in Los Angeles, Dr. Isabela Seong Leong Quintana unearths the entwined stories of Chinatown and Sonoratown through the everyday lives of their residents. In this conversation, we talk about the significance of comparative Latinx and Asian American Studies, the importance of spatial analysis in urban history, and the methodological challenges of locating Mexican and Chinese women and children in the archives. Dr. Quintana is an Associate Professor of Asian American Studies at the University of California, Irvine, with affiliations in Culture & Theory and Chicané/Latiné Studies. Her work explores the interconnected histories of Asian Americans and Chicanés/Latinés, centering women and children within U.S. borderlands and recovering unarchived voices. Quintana also co-directs The Five Chinatowns Project at the Chinese Historical Society of Southern California, a community-based research initiative documenting Chinese American Los Angeles through oral histories, archival creation, and youth mentorship. She is the author of Urban Borderlands: Multiracial Histories and Gendered Borders in Los Angeles (University of North Carolina Press, 2026). Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latino-studies Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Participants: John Steppling, Brecht Jonkers, Hiroyuki Hamada, and Dennis Riches. Topics covered: Trump in the rubble on 9/11, 2001? purge at the Smithsonian, the compatible left, the loss of cinema literacy, the problematic history of the IAEA, two histories of American empire—continental and global, report on the Commonwealth of World Chinatowns and the Penang Peace Dialogue, September 5-6, 2026, the myth of the thin blue line. Music track: “Chinatown” by The Mills Brothers (public domain). See Aesthetic Resistance on Substack for links to some sources mentioned in the discussion.

This is the 4 p.m. All Local for Thursday, September 10, 2026.

Meherwan Irani has been sharing wisdom about Indian street food since first appearing on this show in 2019. That would be vada pav's genius, naan's overratedness, and his mom's three-lentil dhansak. Now it's all in his debut cookbook, No. 1 Best Indian Cookbook in the World, alongside the two decades' journey of building Chai Pani, Botiwalla, and Spicewalla. In this episode, Matt catches up with his old friend (and recent India travel companion) about auntie holdbacks, striking a balance between tradition and invention, and what he means about his strong stance on naan. And it's the return of Three Things, where Aliza and Matt discuss what's interesting them in the world of food including food in the movie “Teenage Sex and Death at Camp Miasma” is really fun. Plus: check out the movie box office podcast, B.O. Boys, from our producer Clayton. Also: Matt returns to Traverse City, Michigan and visits Farm Club. He also drops by Penny in NYC for another amazing meal. Aliza has great rice rolls at Sun Hing Lung in Manhattan's Chinatown (and check out the Chinatown Records live streams), and visits Conwell Coffee Hall in the Financial District. And speaking of coffee, Matt checks out Heist Coffee and its ¼ caffeinated glory. Subscribe: ⁠⁠Apple, ⁠⁠Spotify⁠⁠, ⁠⁠YouTube⁠⁠  Learn more about your ad choices. Visit megaphone.fm/adchoices

Love the show? Have any thoughts? Click here to let us know!This week, we're heading to Colorado for two stories filled with murder, mystery, and some seriously unsettling history. First, Kenzie takes us inside Denver's historic Lumber Baron Inn, where the beautiful Victorian mansion hides a much darker past. In 1970, when the building had been divided into apartments, Cara Lee Knoche and best friend Marianne Weaver were brutally murdered inside, and more than 50 years later, their killings remain unsolved. Today, the restored mansion is said to be haunted, with some believing Cara and Marianne may still linger in the place where their lives were tragically cut short. Then, Lauren dives into the bizarre and disturbing history of the Mother of God cult, a Colorado-based spiritual group whose leader claimed to be a divine being. Join us as we explore an unsolved double murder, a haunted mansion, and a cult story that only gets stranger the deeper you go.Follow us on Social Media and find out how to support A Scary State by clicking on our Link Tree: https://instabio.cc/4050223uxWQAl--Have a scary tale or listener story of your own? Send us an email to ascarystatepodcast@gmail.com! We can't wait to read it!--Thinking of starting a podcast? Thinking about using Buzzsprout for that? Well use our link to let Buzzsprout know we sent you and get a $20 Amazon gift card if you sign up for a paid plan!https://www.buzzsprout.com/?referrer_id=1722892--Works cited!https://docs.google.com/document/d/1VgqLQokaZhiy7s7tspN6_4aueaVSW-TOsuZYM_iPjd4/edit?usp=sharing --Intro and outro music thanks to Kevin MacLeod. You can visit his site here: http://incompetech.com/. Which is where we found our music!

Episode 411 •  0:00 – Intro & banter (which Logan is this?) •  1:00 – Steakhouses, anniversary dinner, fancy chicken & dumplings + Oreo lasagna recipe •  4:00 – Skyline Chili discussion (Cincinnati vs. Texas) •  6:00 – Cooking backgrounds (sword-flipping Mongolian BBQ) •  7:40 – Controversial take: Inception is overrated •  12:00 – Logan's infamous movie ladder picks (Hundreds of Beavers, Maximum Overdrive) •  15:00 – How Logan watches ~10 movies a month •  15:50 – Favorite “good-bad” movies (Tremors and sequels) •  18:00 – Recent celebrity deaths •  18:30 – Noir recommendations (Chinatown, Brick) •  21:00 – Pitch Black praise •  23:00 – What got Logan into board games (HeroScape → Dominion/Catan) •  24:30 – Why he loves games: connecting with people •  25:20 – Korean horror deep-dive •  28:00 – Scary movie trauma stories •  30:00 – Becoming a therapist + observing people through games •  31:30 – ZooVadis story (the $1 betrayal) •  32:40 – Games that disappoint: Scythe •  35:00 – Terraforming Mars (and why it's overrated/long) •  37:10 – Recent plays: Sniper Elite, Leaf, Space Base •  41:00 – Gateway/next-step games (Dewan, Ticket to Ride alternatives) •  44:00 – Light card games (Rebel Princess, Velomino, etc.) •  46:00 – Royals first impressions •  47:30 – Fast & Furious debate (story vs. no story, Tokyo Drift, space) •  50:30 – Armageddon (drillers in space + Steve Buscemi) •  53:00 – Ben Affleck's co-star death curse •  54:00 – Aquaman, Marvel fatigue, She-Hulk, Secret Wars, etc. •  59:40 – Logan's go-to gateway recommendation: Aquatica •  1:01:15 – Outro & thanks Enjoy the episode!   Our Patreon: https://www.patreon.com/bgsnobs Email: boardgamesnobs@gmail.com Follow/join us at: Board Game Snobs YouTube Board Game Snobs Discord https://www.instagram.com/boardgamesnobs/ Board Game Snobs Facebook Group

Tough New York City police captain Stanley White, a Vietnam War veteran, becomes obsessed with destroying an emerging Chinese-American Triad drug ring in Manhattan's Chinatown.Mickey Rourke plays White and he sure does hate the Asians and says racist stuff constantly, all while cheating on his wife with a young asian reporter. At least he is sweet to her (just kidding, he's awful). Has Michael Cimino struck gold in this, his fourth film? Has he made another masterpiece? Tune in and find out!

Hey Vintage Sand fans! Hope the summer was relaxing, fun, and adventurous. An offbeat recommendation to begin—even if you're not a fan, as a film lover you must see the first half hour of this summer's "Minions and Monsters", which pays gentle comic tribute to the entire history of film from Muybridge's experiments through "Citizen Kane", name-checking the Lumieres, Méliès, Chaplin, Keaton, and Lloyd, and riffing like "Singin' in the Rain" and "Babylon" on the impact of the arrival of sound in Hollywood. Love or hate the little yellow guys, here are some filmmakers who truly love film and film history! For the sixth time in the history of the podcast, Team Vintage Sand returns to one of its most popular formats: the Hidden Gems episode. As we did in episodes 11, 30, 40, 53, and 64 (take notes—there will be a quiz), we each choose one film to discuss that we feel has been underappreciated and overlooked by the madding crowd yearning to see anything besides a prequel, sequel, spinoff, or reboot. This time around, by pure coincidence, the episode features three films that are relatively similar in their lightness of tone, though only one might be described as a pure comedy, albeit a dark one. That would be Michael's pick, Lawrence Kasdan's "I Love You to Death" from 1990. Featuring an unbelievable cast including Kevin Kline (fresh off his Oscar win for "A Fish Called Wanda"), the sublime Tracey Ullman in her first big-screen performance, as well as Joan Plowright (who steals the film), River Phoenix, Keanu Reeves and William Hurt, the film puts a black comedy twist on the real-life story of a pizzeria-owning, philandering husband, and his wife, who makes repeated and increasingly violent unsuccessful attempts to kill him. John shines the spotlight on "The Nice Guys", the 2016 action comedy by Shane Black starring Ryan Gosling and a heavyset, Bronx-accented Russell Crowe. The film features a stellar supporting cast including Keith David, Margaret Qualley, Kim Basinger, and a wonderful performance by Angourie Rice as Gosling's daughter. Set in LA in 1977, it is a compendium of every noirish LA film ever made, from "Chinatown" to "Lebowski" to "Boogie Nights" to "Pulp Fiction" to "The Long Goodbye". As always with Black, the writing can be clunky and the tonal shifts are sometimes awkward. But the film is more than worthwhile for every priceless moment that Gosling and Crowe are together on screen; they are probably the best buddy pair featured in Black's long list of buddy action comedies. I focus on the film that brought an abrupt end to the roll Alan Rudolph was on in the mid-80's, from which the Altman disciple and wannabe never really recovered: 1987's "Made in Heaven". The story of a romance (featuring Tim Hutton and Kelly McGillis) kindled in the Afterlife but which extends from this world to the next, the film, like another 1987 release "The Princess Bride", unironically and sweetly makes the case for the power of True Love, even over death. How you feel about that idea will largely determine your reaction to Rudolph's film; there are plot holes as wide as the Pearly Gates themselves, and some questionable writing here and there. But the other thing the film has going for it is its focus on music, especially the concluding song “We've Never Danced”, written by Neil Young (who has a cameo) and sung by the wondrous Martha Davis, the lead singer of early-80's faves The Motels. So please enjoy visiting and/or revisiting these films, check out that opening of the Minions film, and celebrate the new school year by recommitting to your love of film and seeing movies in theaters. And whatever the rest of 2026 brings us in the world of film, count on Team Vintage Sand to be your trusty sherpas for the journey.

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Linktree: ⁠⁠https://linktr.ee/Analytic⁠⁠Join The Normandy For Ad-Free NME, Additional Bonus Audio And Visual Content For All Things Nme+! Join Here:⁠⁠ ⁠⁠https://ow.ly/msoH50WCu0K⁠⁠ In this Notorious Mass Effect segment, Analytic Dreamz breaks down PARTYNEXTDOOR's “Some of Your Love,” the 2016 OVO demo officially released August 21, 2026 on P3 (10-Year Edition). Produced by G. Ry and sampling Wild Nothing's “Chinatown,” the late-night R&B cut about conflicted lust converted a decade of leaks, 400K+ TikTok creations and 756K Shazams into ~1.72M first-day Spotify streams (Global No. 64), 11.7M early streams, plus chart peaks of No. 22 New Zealand, No. 32 Australia and No. 41 UK.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/exclusive-contentPrivacy & Opt-Out: https://redcircle.com/privacy

Along a busy Chinatown street, confusion remains over a curb that many businesses and delivery drivers rely on in front of Cindy’s Lei Shoppe on Maunakea Street. Plus, law enforcement officials are issuing a second warning in two weeks about fentanyl.See omnystudio.com/listener for privacy information.

Recessions, trade wars, labor unrest — in moments of societal crisis in the United States, Asian-Americans have been perennially targeted, from the destruction of Chinatowns by white mobs, to the mass internment of Japanese-Americans during WW2, to attacks against Asians during Covid. Historian Scott Kurashige reflects on more than 175 years of anti-Asian violence and its connection to U.S. empire abroad and a divided working class at home. (Encore presentation.) Scott Kurashige, American Peril: The Violent History of Anti-Asian Racism UC Press, 2026 Photo by Jason Leung on Unsplash The post U.S. Capitalism, Empire, and Anti-Asian Violence appeared first on KPFA.

Good morning. Many times in the past few years, including the dark times of 2020, I have thought how easy it is to turn your face to the sun, if you remember it is there and if you choose to. I watched the sunrise just before I recorded this for you. My mother had died two days earlier, there is always a lot to do in the wake of someone's death, and it was the first time I was alone and thinking of her, and also how much she would have liked the hot tub I was in at that moment and which we bought the year before, how she for sure would have been getting in and out of it and insisting on doing so naked and not caring who saw her. Mom, she had a thing for being naked, to wit:Mom [around 1998]: Nancy, I am going to a nudist camp, why don't you come with me?Me: Oh my god mom, no…Mom: It will be fun! You can write about it.I declined, with prejudice. Mom of course went. She never flagged in her commitment to walking around without her clothes on.Anyone following along here knows my mom has been leaving us for several years, what I have come to think of as the long linger. At least a half-dozen times I drove away from the property thinking, that is the last time I will see her… But it never was, she was the unsinkable Kathy Hayes until this past Monday. As my friend Deb later said, “She found her way home.” I am taking a lot of comfort from that.As you will hear in the audio, I was given a sign the day before…This one's a freebie. Subscribe for weekly Pie Talks, Smoking Diaries, and all other Smoke ‘Em episodes and nicetiesI started seeing hawks as messengers just after Tim's dad died. We were with him when he passed, in a hospital in Houston, which I wrote about in a “Modern Love” essay. I would be running in, say, Griffith Park, thinking about something difficult, and there a hawk would be, circling above me. Since Tim's death in 2019, he's taken over the messengering. At least that's what I think. Anyway, this hawk was going at it all day last Sunday. There are a gazillion birds upstate but a hawk's cry is very distinct.On Monday afternoon, I was just coming back from a visit with Jon Ronson—whose latest book, The Castle: Adventures in the World of Unraveling Me, drops next week so go get that—when I pulled into the driveway and saw the hawk sitting there. It was a red-tailed hawk, in no hurry to move. It eventually did, keening as it flew north, then came back in the early evening, while I was sitting on the front steps soon after learning about my mom's death. Cooking for me is comfort and a solace. I don't think it was that way for Mom, she was too hyper, a get-'er-done cook as opposed to a lingerer, read all about it, and her.I gave you all the recipe for her red sauce on Pie Talk #4, in March 2023. Many changes since, including the featured image of the Melania painting now hanging in the studio where The Fifth Column guys record, and the Chinatown apartment being no more, or no more for me, though it has passed on to someone in the extended chosen family, which makes us all happy, it's a rad pad with very, very good juju. For now, I leave you with Mom's Red Sauce. Please do make it, her gift to you. Let me know how it turns out xx “Your Mom's Red Sauce”I'm calling it this because that's how people always ask me for it. You are making a lot of sauce here, enough for several meals and several quarts for the freezer. This is also enough for one honkin' big lasagna, and about that: When making lasagna, go for full-fat ricotta and mozzarella. How you make lasagna, you say? Like this: In a very large baking pan, layer sauce, al dente cooked lasagna noodles, egg-size globs of ricotta, slices of mozzarella, repeat and repeat. The finished product will weigh about 8 pounds. Bake it at 350, loosely covered with foil, for about an hour, then remove foil and bake another 30 minutes, until top layer of cheese is all melty and browning. This will feed at least 10 - 12 people, who as the years go by will ask you please to make it again x* Olive oil, 4 - 6 T.* 2 large yellow onions, chopped* 2 cloves garlic, chopped* 2 pounds hamburger meat, 80/20% fat* 5 cans (29-ounce) Hunt's Tomato Sauce. Yes, I know some of you want to use an Italian brand, or something organic. You do you but that's not the sauce, and if I had a nickel for every person I've given this recipe to who later said,”It didn't taste like yours...” and then admitted they did not, as specifically instructed, use the Hunt's, I'd have about 65-cents. Try it this way first and then go fancify!* 2 T. dried oregano, 1 T. dried basil if you have some, 2 bay leavesIn a large heavy-bottom sauce pot (not “sauce pan” as I repeatedly said in the audio), heat the olive oil over medium-heat. Add the onion and cook until translucent and with some brown bits, stirring occasionally. Add garlic and cook about a minute, stirring. Try not to burn the garlic (... she writes, often doing so herself.)Break up hamburger with your fingers and drop into the cooking onions. Don't break it up too much; you want some hunks the size of whole walnuts, and don't stir too much. Cook until the meat loses its pink and there are some brown bits.Pour in the sauce, crunch in the oregano and basil between your fingers, and add bay leaves. Stir the meat up from the bottom and bring the sauce to a simmer. Once it simmers, turn the flame as low as it will go, cover the pot but leave a tiny crack for steam to escape, and simmer, at least two hours, stirring from the bottom every 20 minutes or so, to avoid meat sticking to the bottom and scorching. Depending on your burner, a flame-tamer may be in order. The sauce originally called for three hours of simmering and by all means, go for it, but two hours is also fine.Remove from heat, eat some right away on hot pasta, let the rest cool and freeze or otherwise save for another day.Things people have added to good effect: Italian sausages for last hour of cooking (my mom), a splash of red wine and red pepper flakes (my former husband).Things people have put this sauce on other than pasta: bread in a bowl (everyone), salad (my late stepfather). This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit smokeempodcast.substack.com/subscribe

Chinatown has a long history of grassroots activism, fighting against displacement and inequality. A new art project highlights the advocacy of the neighborhood's female elders.

Guest: Kyle QuinnHost:  Christopher KardambikisRecorded on May 20, 2026Raw Meat is an independent publishing house, art gallery, and bookstore based in Chinatown, New York. The project was founded in 2015 by artist Kyle Quinn, who continues to run the collective today. Raw Meat works with a wide range of established and emerging contemporary artists across mediums including photography, painting, sculpture, collage, and installation.While the press primarily publishes artist books, Raw Meat also produces photography editions, exhibition catalogues for independent artists and galleries, and a wide range of fine art ephemera ranging from print to sculpture.Their mission is to create space for and amplify the voices of LGBTQ+ and femme contemporary artists through the documentation and dissemination of their work. Raw Meat focuses on crafting visually compelling editions that explore—through a romantic and critical lens—themes of sorrow, identity politics, queer history, vulnerability, and subversion. Through exhibitions and publications, they aim to foster dialogue with audiences and encourage viewers to reconsider preconceived ideas surrounding happiness, community, identity, and sexuality.Raw Meat is dedicated to supporting projects that might otherwise go unpublished—work that many institutions shy away from due to its rawness, intimacy, or vulnerability. These are productions that deserve an audience willing to engage with their power and beauty. Raw Meat strives to create books and exhibitions that inspire the current queer generation—artists, students, educators, and audiences alike—to create new work boldly and without fear.Over the years, Raw Meat has collaborated with universities, museums, art book fairs, galleries, and curators around the world. 

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LISTEN and SUBSCRIBE on:Apple Podcasts: https://podcasts.apple.com/us/podcast/watchdog-on-wall-street-with-chris-markowski/id570687608 Spotify: https://open.spotify.com/show/2PtgPvJvqc2gkpGIkNMR5i WATCH and SUBSCRIBE on:https://www.youtube.com/@WatchdogOnWallstreet/featured  From political grift and runaway national debt to partisan loyalty and institutional failure, Chris argues that the outrage no longer surprises him: “Forget it, Jack. It's Chinatown.” But history offers some hope that America can recognize when it's headed in the wrong direction and, God willing, find a way to course correct.

This week we're in Chinatown chowing down at 00 Pie & Pub and talking to Erica Bell. Also: Al previews next week's long conversations with Paymon Raoff and David Wondrich. You'll also hear from Jean Francoise Blais of Lester's Deli at its grand opening. Chefs Matt Silverman and Matt Piearski give us an audio tour of the construction on their new spot, Significant Other. And of course, a Happy Hour Report from Andrew, some news and some restaurant reports.

Send us Fan MailI do say, it's been a week of Sundays since last we here at The Good, The Pod, and The Ugly last heard from our fairer counterparts, but don't you worry your pretty little head holes, listener, Season 17's concluding 1x1s will remedy this sad misfortune with a movie celebrating all the major Christian holidays of the South along with its beauty parlor culture, that is, to let the proverbial cat out the bag or to shoot a literal arrow strapped with fireworks into a tree, STEEL MAGNOLIAS (1989) to be commented on by pod regulars without one ounce of Y-chromosome in either of their bodies: Andi and Meg.    Joined by regular host Thomas after his first-time watch, these three explore the teased up big and modishly short hair of the movie's six main ladies who span the three generations of womanhood, and determine whom among their present friend group fits to each character. There's the two-time Academy Award-winning Sally Field as M'Lynn, mother to then-nearly-unknown Juila Roberts' diabetic but baby-crazy character Shelby whose relationship will provide the main drama. But also in M'Lynn's and Shelby's respective age brackets, Dolly Parton as the salon owner and logistically-challenged Easter egg mogul Truvy and her young new hire, the desperately abandoned-turned-holly-roller convert Annelle played by a two-eyed, samurai-swordless, and purposely figureless Daryl Hannah who will also get herself hitched and preggers after Shelby's corresponding life milestones during the flick. And rounding out the six, as the matriarchs, the feisty friends Clairee and Ouiser (not to be confused with the homophonous California rock band Weezer), the former who cares about Olympia Dukakis when we can talk about how Shirley MacLaine who played the latter didn't wear makeup for the role in order to appear more age appropriate and how the playwright who adapted his play for the screen said he was afraid the locals from his hometown upon which this mildly fictionalize account derives (his diabetic sister died from ongoing complications after childbirth) would identify and be upset when in fact many of the older women vied to claim herself as the basis for the Ouiser character.    The film is directed by someone who got his start as a Broadway choreographer and, reportedly, was less than gentlemanly toward the actresses in the movie. It was shot on location by John A. Alonzo, the lenser of such greats as Harold and Maude, Scarface, The Bad News Bears, and Chinatown.    This episode is no lead petunia. Our two guest-hosting, real-life Southern belles this week explain the movie's title, the phenomena of home churches, and the veracity of a groom's cake; take the listener on a food tour of the movie; spill tea from the town where the events of the play and later film occured; and overquote the movie from memory, all this after Meg gives the shortest plot summary of this, and perhaps any prior, season.     Spoiler, there might be cannibalism in Fried Green Tomatoes.  THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

This episode is from the live event we did back in May as part of KALW's celebration of AAPI Heritage Month with all around brilliant delightful human Bonnie Tsui, author of American Chinatown, On Muscle, and Why We Swim.  Bonnie shares her experiences growing up in Long Island, what it was like having an endless supply of imperfect fortune cookies (and their schoolyard trading value!) and her continued trek back to family in Queens.  She shares about her natural (or nurtured?) affinity for Chinatowns, how it led her to write her book, and Freesia and Sam share their own (sometimes overlapping) experiences with two of the Chinatowns in Bonnie's book. We also talk about Bonnie's semi-successful experience making fortune cookies at home, about what the best type of fortune cookie is, and some audience members share their fortunes! We hope they came true!  Special thanks to: Charles Lighthouse for hosting and recording Michelle Liu for taking photos Sara Corbett for additional assistance

  A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Hosts Miko Lee & Guest Host Mia Nakano celebrate Bayanihan in Ballhalla. Bayanihan is a core Filipino cultural value of community unity, and Balhalla is the home arena of the Golden State Valkyries. Apex Express was invited to join Filipino Heritage Night at the Valkyries game. We speak with the community behind this cultural celebration. That includes Al Perez, artists Venazir Martinez and Kristian Kabuay, and coach Carolyn Sideco about the history of Philippines and basketball. Links for more information: More information on our guests: Golden State Valkyries Al Perez, President of the Filipino American Arts Exposition Artist Venazir Martinez DJ P-LO Cultural Practitioner Kristian Kabuay Carolyn Sideco Coaching Kapwa Raquel Redondiez SOMA Pilpinas     Show Transcript: [00:00:00] Opening: Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express. [00:01:13] Miko Lee: Welcome to Apex Express. I'm your host, Miko Lee, and tonight is Bayanihan in Ballhalla. Bayanihan is a core Filipino cultural value of community unity, and Balhalla is the home arena of the Golden State Valkyries. Apex Express was invited to join Filipino Heritage Night at the Valkyries game. Tonight, please join me and my guest host, Mia Nakano, as we speak with the community behind this cultural celebration. That includes Al Perez, artists Venazir Martinez and Kristian Kabuay, and coach Carolyn Sideco about the history of Philippines and basketball. Join us. Today I have the honor of having my bestie with me who's gonna co-host Welcome to Apex, Mia Nakano.  [00:01:59] Mia Nakano: Hi, Miko. Thank you for having me.  [00:02:01] Miko Lee: I was invited to a Valkyries game, and I said, “Oh, my gosh, I need somebody with me that can speak basketball.” And so I thought of you.  [00:02:10] Mia Nakano: And here we are. And the Valkyries do put on a show. That's one of the things that makes them so great.  [00:02:15] Miko Lee: Yeah, it was super fun. It was Filipino Heritage Night, and so we got a chance to talk with the different artists that are there, what is the night about, what's the cultural celebration. What were some of the things that stood out to you?  [00:02:28] Mia Nakano: I think that it really got to the roots of, one, what a great sports city San Francisco and then just the broader Bay Area is, and two, the deep connections to the Filipino community that exists within the Bay Area. When you look at how historically the Warriors really came up and the fan shots from when they were at Oracle Arena, the huge fan base that was there initially was the Filipino community. To see that translate in a very different way as the Valkyries are coming up in the WNBA as this incredible team, second year, on their way to probably making the playoffs for the second year in a row, bringing that community back, particularly with all the connections of the artists, the activations, and even the food that they have in Chase Arena brings it full circle. [00:03:26] Miko Lee: Having Natalie Nakase as the coach there is so powerful and important representation for Asian Americans as well. The other thing that stood out to me was I did not know there was this history of basketball in the Philippines, and then to talk to the different guests on our show tonight about what that history represents, where it comes from, the connection to colonization, and then also how it's really developed into its own cultural phenomena in the Philippines. [00:03:55] Mia Nakano: I played basketball- All throughout junior high and high school and was very immersed in it in Southern California, but I had no idea that basketball was the national sport of the Philippines. After we came back from the game, I did a little a bit of a deep dive, and it was really wonderful to see that it actually started in the Philippines as a women's sport? And it was making sports more accessible to folks, and also very clearly connected to,, roots of colonization and religion. But to still have that anchor and connection there, and then this interesting juxtaposition where right now there has still never been a Filipina player in the WNBA. There are folks who people really thought were almost gonna make it. So there's still that one last phase that they need to break into this sport that is their national sport, but in the United States they're not quite there yet in terms of representation.  [00:04:55] Miko Lee: And talking with Coach Caroline, which people can hear later in the episode, about that history and how it was intended to be this women's sport in the Philippines because it was easier. They thought they'd give it to the women to play. But the men were watching going like, “Oh, this looks fun. This looks more fun than baseball. So it really just took off. I love that transition for that it went and across the country. A few of our guests talked about tenement basketball courts. It's just so wildly different from this country.  [00:05:25] Mia Nakano: I think that that is contextually just how sports are played in a lot of different countries in the world where they don't have access. When you think about people playing football, right, like soccer, in different areas where they are playing barefoot. They are playing in dirt or, like, fields that are not necessarily fields. I think that in the context of playing basketball differently in the Philippines versus the United States or even in European leagues, when the United States goes to play in the Olympics, even though you have the USA women's team, USA men's teams who are supposed to be the best of the best in the world, the way that the game is played at that particular level and arena is quite different. And so they all have to adjust to the physicality, to how calls are called just slightly differently. With smaller players in the WNBA what I find really incredible, and this is what Carolyn talks about a little bit, is like the layup packages? When you get close to the rim, you don't have a Filipino who just goes up and makes a regular layup. They do it with flair, right? There's a part of that maybe is a little bit of showmanship, but also it's a part of trying to sneak your way around bigger players so that you can get the basket. And anybody that you play against, even in a league that is familiar to you, you're gonna have to change your game up, and play to your strength, and also just know what you can't do in the game, and go to another person who has more of those strengths  [00:07:03] Miko Lee: One of the other things that stood out to me in talking with one of the artists, Christian, who was there in the outside, in the cultural area, and he was doing, pre-Filipino writing with folks, and we'll interview him later in the episode. He was saying how he does this activity at a lot of different games, but it was very different. That was the first time at the Valkyries, and he said the crowd was so different, that it felt like back in the day. It felt like community. There weren't tech bros. You feel like it, The audience was way more women, As someone that goes to Warriors' and Valkyries' games, do you notice a difference in the audience?    [00:07:41] Mia Nakano: The first Valkyries game that I had the opportunity to go to last year was their Pride Night, and that is the game that my wife and I always go to for the Warriors. It's a special feeling there. I noticed there was a whole parking lot area for strollers on different levels. There was such great energy, and people just talking about the game, people cheering or rooting for players on the other team. There was not a lot of negative energy going around. When Christian mentions, the tech bro energy, the people rolling around with Patagonia shirts, and sweatshirts, that is so true. You truly feel this family environment that's also very queer friendly. There's so many folks of color, and they're not just there because the team's winning, because last year we didn't know if the team was gonna win or not. They were just showing up. The Valkyries have really created such a strong culture that is team based. That's what you see with the Valkyries, but I also think that that's a testament to the coach, to the players, who really trust in one another, and to the community that we have in the Bay Area. I think even the players did not understand when they came here what they were stepping into, and they talk about talking to other players on opposing teams who are like, “Is it always like this? Is it every night?” They're like, “Every single night, this is how our fans are, and we love it.”  [00:09:14] Miko Lee: So it's in different WNBA hometowns it's not like that? [00:09:18] Mia Nakano: Absolutely not. The Valkyries have sold out every single game from day one. They are the first WNBA team, and I think the first women's professional sports team, to reach $100 billion in valuation. then you see other teams, like the Atlantic Dream, who are playing in arenas of 3,500, or the Dallas Wings, who are playing in much smaller arenas, even though they have all these franchise players like Angel Reese and Paige Bueckers and AZ Fudd. The Dallas Wings are actually moving to the same arena that the Mavericks are gonna play in next year. It's an interesting juxtaposition given where the context of our world is at, who's in office right now, the battles that we're having to fight to keep women's rights, queer rights, trans rights in the forefront and not have them stripped away. Yet on the other side of this, we have this huge, meteoric rise of women's sports, and it's not just basketball. It's baseball. It's hockey. It's all these different leagues that are starting to emerge and have huge fan bases where you can watch women's professional sports all year round. They're nationally televised games. [00:10:31] Miko Lee: Thank you for the history lesson and current events of women's sports. I love it. One of the other things that was really special for this Filipino heritage night was the halftime show where they had DJ P-Lo playing. And then they brought onto the court, the director of SOMA Pilipinas, Raquel Redondiez, and she runs San Francisco's Filipino Cultural Heritage District. She got her name on a Valkyries jersey, and was announced in the halftime moment as a big show. [00:11:05] Mia Nakano: I had a conversation with her said, ” the work that you are doing, particularly in this moment, bringing together the artists, the culture of Filipinos and Filipino history is so critical right now because so many of our communities, cultures, and stories are getting erased, that we are the culture bearers and culture keepers, and so thank you for doing that work.” [00:11:31] Miko Lee: SOMA Pilipinas, for those that don't know, was established as a Filipino cultural heritage district in 2016 and was one of the first in the state designated as an arts district by California Arts Council in 2017. So they do so much great work, they host great things from the, United States of Asian America Festival every year. Self-defense workshops for women. I've taken those in Kapwa Gardens that were amazing. They do mental health services for Filipino folks and provided groceries and COVID education and, Filipino language training, and then artists, as you were saying. They pulled together all these different folks, for this wonderful night to introduce a sense of heritage and a sense of pride that was really powerful. [00:12:19] Mia Nakano: , It's a really lovely connection back to the Filipinos banding together with Chinese American folks in Chinatown that really helped create the broader Asian American movement and what that word and power even means. [00:12:38] Miko Lee: From the I-Hotel to today [00:12:40] Mia Nakano: exactly, and all of that being really anchored and rooted in San Francisco, as well as everything that Larry Itliong did with union organizing that I think has just recently started to get recognized in the broader social justice movement.  [00:12:58] Miko Lee: I'll put links to past shows that we've done on the I-Hotel, on Larry Itliong, because folks, if they don't know about either of those movement le- leaders and huge moments in our Asian American history, they should. It's powerful part of our labor and housing rights history. Were there other things that stood out to you at this Valkyries game? [00:13:20] Mia Nakano: I know that this is probably not gonna be a surprise to you, but the fact that we honestly just got to go behind the scenes and see the inner workings of what the Valkyries, the tunnels and getting lost and trying to figure out where we're going. [00:13:34] Miko Lee: It was a maze down there, by the way. It was like, which direction? Go to this press room. No, this press room. This place. It was very much kind of, in theater-wise, it's like going backstage and seeing how the tech is done.  [00:13:46] Mia Nakano: The thing that was the most exciting about this unique experience was being able to see Natalie Nakase talk after the game, and the snippet in here is really incredible because it shed light into not just who she is as a coach and how she approached the game, but her investment in people, and the importance of seeing people for their full selves, and the importance of the whole WNBA as a league, as a business. They have a lot of money and power, so who are we gonna lift up? It's a always a very intentional choice of what is happening at Chase Arena, at the Valkyries nights, these heritage nights that really uplift so many wonderful communities that are doing incredible work.  [00:14:36] Miko Lee: We're gonna get a chance to do an interview with Coach Natalie in a different episode, so stay tuned for that. Is there anything else that you would like to share with our audience?  [00:14:45] Mia Nakano: Go see a Valkyries game. Go to Balhalla. It will change your life.  [00:14:50] Miko Lee: Experience Balhalla. Okay. Thank you for joining me, and hopefully you'll join me back when we do an interview with Coach Natalie too.  [00:14:59] Mia Nakano: Oh, absolutely.  [00:15:00] Miko Lee: To frame the conversation, we start with Valkyries coach Natalie Nakase, the first Asian American woman to coach a WNBA team. Last year, she was named WNBA Coach of the Year, and at the post-game presser, a reporter asked her, “Tonight is Filipino National Heritage Night, so can you talk a little bit about what it means for fans to be seen around the league?” This is her response. [00:15:25] Natalie Nakase: Yeah. It's huge. I love the fact that we can celebrate and acknowledge different cultures. I'm really big on that. I think it gives people almost like a superpower or a confidence for, you know, the day to be recognized like that and to be celebrated for everything that their, their culture brings. it also, I think, educates people about different cultures. And so I love the fact that we're super intentional about that because I think we have to do that more than not. And, it's exciting. I think this world needs more celebration. I think this world needs more love, more care, especially when some people are not seen as much. [00:16:01] Miko Lee: In the very loud outdoor Chase Arena area, we spoke with several of the folks involved in Filipino Heritage Night at the Valkyries. Please note that the sound quality is due to the nature of being outside a really excited fan base at the game. First off, listen in as we hear from Al Perez, who helped to curate this community celebration. [00:16:23] Al Perez: Hello, my name is Al Perez. I am a community organizer. I'm serving as president of a nonprofit called the Filipino American Arts Exposition, and we partnered with the Valkyries to help curate their cultural activation for Filipino Heritage Night tonight. [00:16:41] Miko Lee: Since the Valkyries are named after women warriors, is there a Filipina version of a woman warrior? [00:16:48] Al Perez: Absolutely. We have one that's local. Her name is Victoria Manalo Draves. She was the first American woman to win two Olympic golds in the Olympics in nine- 1928. She happens to be Filipina-American. So yeah, she was born and raised here in, in San Francisco Bay Area, so we're very proud of her to be, to represent us and be the warrior and an inspiration for all of us.  [00:17:11] Miko Lee: Excellent. And since Valhalla or Valhalla is the space that we want to get to, what is the Filipino version of that place you want to see? [00:17:19] Al Perez: Wow. [00:17:20] Miko Lee: That perfect world you wanna get to. [00:17:21] Al Perez: I think for us, we have this tradition called bayanihan. That's when we help each other towards a common goal. Yes. No matter how Herculean that task is, it's just coming together to help each other. So it's not necessarily a destination. It's more like an attitude of, coming together as a community towards a common goal, towards a cultural pride and community empowerment. [00:17:46] Miko Lee: Great. And tell us what you're doing here today with all these groups. [00:17:47] Al Perez: So we have an outreach table here because we're part of the organizing committee to curate tonight's event. So we actually have an event next weekend called the Pistahan Parade and Festival. It's the largest Filipino cultural celebration in the country, happening August 8th and 9th at the Yerba Buena Gardens, so please come check us out. There's a big parade down Market Street on Saturday to kick off the festival weekend, and then the festival's at the Yerba Buena Gardens, 11 to 5. We're here to promote that event as well as all our other upcoming events in the fall. We're also curating the Filipino Heritage Night with the Golden State Warriors, with the Giants, San Jose Sharks, and San Jose Earthquakes. And then one more. October is Filipino American History Month in the country. So we also produce official celebration proclamation by the mayor at City Hall. So we have a reception, we have entertainment, and we light the City Hall building with Philippine flag colors.  [00:18:42] Miko Lee: And when folks are coming out to these Filipino nights, what should they expect? What's happening?  [00:18:47] Al Perez: Our goal is to be here to be in community, to help showcase our beautiful culture, our traditions. So when these events happen, we usually have, cultural performances, either a pre-game or a halftime. Tonight you're gonna see, P-Lo, a Filipino rapper and a hip hop singer. Here in the plaza we have some basketball hoops, because basketball is a big thing in the Philippines, our national sport. There's also, Sarap Shop is a concession inside. They have Filipino food there. Our goal is to get people a little taste of our Filipino culture, so hopefully they'll be inspired to, to learn more about our community and our culture. [00:19:29] Miko Lee: And what's your dream for the game tonight?  [00:19:31] Al Perez: Of course, to win, right? Number, yeah, number one, Valkyries to win. And also, I hope that people will come and learn about our culture, and to appreciate it more. Maybe it will inspire them to try some Filipino food, or even come to our Pistahan Festival next weekend. Also Señor Sisig is right here in the plaza. They also do fusion Filipino food. I'm hoping that, by being here, people can get to be a little bit more familiar and curious about Filipino culture and community. We have such a, vibrant and diverse culture, we love to be in community. Our food's delicious, and entertainment's fantastic. So come check us out wherever and whenever you can.  [00:20:14] Mia Nakano: I'm wondering if you could talk a little bit about the artists who are here and the community organizations that are here tonight.  [00:20:19] Al Perez: So there's several of us nonprofit organizations here. Our group's the Filipino American Arts Exposition, our mission is more about broadening awareness and deepening understanding of Filipino culture and traditions by doing these cultural events. There's another group here called Young Filipino Professionals Association, or YFPA. They're more about, , uplifting young entrepreneurs, young career-minded, individuals to help them on their path to being more successful. There's also SoMa Pilipinas Cultural District is here. That's a new, relatively new, neighborhood in San Francisco. You know, there's Chinatown, there's Japantown, there's North Beach, so now we also have a Filipino community. It's called SoMa Pilipinas, they're also celebrating their 10th anniversary this year as being, designated as a cultural district. There's also Venazir is a visual artist. She's doing live art mural here inspired by Filipino culture and the intersection of culture and basketball. So it's a great way for people to kind of learn about our fine arts, our visual arts, and our he- heritage. Kristian Cabuay is doing script writing of traditional pre-colonial Philippine script. You know, Chinese and Japanese have their own script writing. The Phi- Filipino community also did before we were colonized by Spain. It's kind of almost forgotten and almost wiped out, so there's a few people now that's trying to revive that, that old tradition of writing .. It's called Baybayin.    [00:21:42] Mia Nakano: Can you talk a little bit about the history or why basketball is the national sport of the Philippines?   [00:21:48] Al Perez: Yeah. It's interesting. Yeah, why is basketball the national sport? I'm not sure exactly, but I think it has to do when after the Philippines was colonized by Spain, and then it, the country became, a commonwealth of the United States, right? And during that time, a lot of Americans came to the Philippines, to establish educational institutions, and one of them is sports. It just got introduced to us, and somehow it clicked. Everybody loves basketball. No matter where you are in the Philippines, in every little barrio, every little town, there's always a game happening [00:22:21] Miko Lee: So are people playing in school, like they start in elementary school, or is it more community based?  [00:22:26] Al Perez: I think it's both. It's just kinda grow, ingrown when you're just a kid growing up in your community. There's always basketball around you, surrounded by basketball. And then of course in more, elementary, high school, it became more teams dynamic, and you got competitions , intramural games. Even between little neighborhoods and little towns, they also have competitions. It's really a big deal. In fact, they love NBA. All the American basketball players are so popular. Everybody knows who they are. [00:22:54] Miko Lee: Al mentioned artist Venazir Martinez, and we pulled her away from the beautiful mural she was creating to talk with us. Again, this is outside, so the sound is quite loud. Venazir is a muralist and a visual anthropreneur. She weaves a tapestry of narratives that explore the connections between human traditions and the ever-changing landscapes that shape them. Listen as she tells us about her work and how she utilizes a symbolic red thread [00:23:25] Venazir Martinez: I'm Venazir Martinez. I am a muralist and a visual entrepreneur, and I am invited to create a live painting for the Golden State Valkyries. [00:23:36] Miko Lee: What has inspired you to create this work of art? [00:23:39] Venazir Martinez: So first and foremost, of course, women empowerment, and we have a lot of very talented Filipino Americans who play basketball. In the Philippines, because I grew up in the Philippines, basketball is such a huge deal. Everywhere in the most promote areas in the Philippines, basketball is their way of enjoying themselves and just pretty much having a time of their life. Basketball tenements are everywhere in the most remote areas in the Philippines. There's this concept of Filipino resiliency that I wanted to incorporate in my work, there are basketball hoops that is made out of wood scraps and like discarded metals. I wanted to highlight that part of Philippine ingenuity. That's why I'm here is to just shed light on that beautiful concept of Filipino ingenuity that we have.  [00:24:40] Miko Lee: I love that. Thank you for sharing. Can you break down what a basketball tenement is?  [00:24:44] Venazir Martinez: Oh, basketball tenement. So tenement courts, these are,.. How do I say this? In America, there's basketball courts that is, like, roofed. Okay. With a roof, and-  [00:24:54] Miko Lee: Like in a gymnasium.  [00:24:56] Venazir Martinez: In a gymnasium, yes. But in the Philippines, anywhere can be a basketball tenement court. They'll just put up a basketball hoop in a pole, like an electricity pole, and they can already play basketball in that area. [00:25:12] Miko Lee: So their court's just made up anywhere. Yeah. Anywhere in the community.  [00:25:14] Venazir Martinez: Anywhere in the community, in the most remote areas in the Philippines, they do that all the time. I grew up in the Philippines, so, it's that really is an immersive experience of having to see basketball really change lives for young people in our community. [00:25:32] Miko Lee: So we're at a WNBA game, and I'm wondering if there was a woman basketball player that you looked up to when you were growing up.  [00:25:39] Venazir Martinez: Growing up, my dad plays basketball. That's the only experience I know that, remembering what basketball is like. ‘Cause I'm mostly in martial arts. But here I am trying to experience a different, like, more empowering way of sports. And it's when I came to America that I experienced this kind of really, it's kind of empowering.  [00:26:01] Miko Lee: And since the Valkyries are women warriors, is there a Filipina equivalent of the woman warrior? Is there a Filipina equivalent of a woman warrior? [00:26:01] Venazir Martinez: There's a lot. There's a lot of very empowering Filipina. First and foremost, it's the Filipina community leaders that I know of in the Bay Area. They are my women warriors. They helped me from the ground up. They created a home for me. They, you know, so they welcomed me. The filipina community in the Bay Area welcomed me. They're all women.  [00:26:31] Miko Lee: Who would you say are some of those folks, some of those women?  [00:26:34] Venazir Martinez: Sonia Villarin, she wears so many hats. She's president of Filipina Food Movement, founder of summer camp in the University of the Philippines Alumni Association in San Francisco. She was the, senior vice president for Bank of America Global Leasing, and she welcomed her home to me and, pretty much, helped me establish my life here as an artist. So those are my women warriors. [00:27:00] Miko Lee: And when people see your beautiful work, what do you want them to walk away with feeling? [00:27:05] Venazir Martinez: I want them to take a second look again in my work, because these, my work pretty much talks about Filipino immigrants, and immigration at large, and pretty much our contributions and the harvested hopes that we have contributed in this cultural landscape,  [00:27:28] Miko Lee: this show is a pop-up tonight, so where can folks find out more about your work or see your work in the community? [00:27:34] Venazir Martinez: I have a huge, huge mural, 2,500 square feet mural in 5th and Folsom in San Francisco, downtown San Francisco in SoMa. It's called Ani, meaning to harvest. There's one in downtown Santa Cruz. There is one in Yuba City. There are multiple murals in Michigan, in New York, mostly in Queens. It's pretty much everywhere, but if you follow the red thread, which is my signature, my artist signature, you'll know that it's my work.  [00:28:08] Miko Lee: Thank you so much. Thank you so very much. Appreciate you taking the time. Another artist presenting their work was Kristian Kabuay working on pre-Philippines calligraphy. His line was so long that we ended up interviewing him separately. Christian is an artist, entrepreneur, futurist who specializes in endangered writing systems and tattoos from the Philippines. Hello, and welcome to Apex Express. Can you tell me your name, your background and what you were doing at the Valkyries Filipino Heritage Night? [00:28:40] Kristian Kabuay: Yeah. My name is Kristian Kabuay. I'm a cultural practitioner specializing in our old, uh, pre-colonial, I say pre-Philippine, writing system and tattooing traditions. I was at the Valkyries, Filipino Heritage Night to interact with the community. I've done a lot of work with the Warriors, you know, going back to Oracle for these cultural nights, the Giants, as well. So most of the teams in the Bay Area, but it was my first time with the Valkyries, and it was quite different. [00:29:16] Miko Lee: How was it different?  [00:29:17] Kristian Kabuay: The vibe was, um… I'm telling everybody that it was my first Valkyries game, too. So the vibe was different. It reminds me of the old Oracle, it wasn't full of, like, tech money that are, you know, Patagonia vests watching the game. It felt very homegrown and it just brought me back to those days in old Oakland A's and when the Warriors were in Oracle. [00:29:42] Miko Lee: What does that evoke for you? What is that feeling like?  [00:29:46] Kristian Kabuay: It gives me a stronger sense of community and the audience is different. The demographics is different. There isn't that toxic male energy. I don't have to worry about someone being drunk and going off and, it was very homey and welcoming. It brings back, as a kid, when I used to watch A's games in the bleachers, watching at Oracle, the community, and not everyone was there to be seen. They were really there for the team.  [00:30:15] Miko Lee: Oh, I love that. I actually do feel like it is, it's such a we're together community vibe. [00:30:20] Kristian Kabuay: Yeah. They even had the wave. I know some snooty teams, they don't have the wave, so-  [00:30:26] Miko Lee: That wave went on for a long time, too.  [00:30:29] Kristian Kabuay: Exactly. I've been to a lot of games. They're, “Oh, I don't wanna look stupid,” or whatever? So that's a big part of my childhood.  [00:30:36] Miko Lee: So I was gonna try and talk with you at the game like I did the other artists, but you had a huge line waiting to see you and talk to you. Talk with me a little bit more about your art form and this pre-clo colonization form of writing.  [00:30:52] Kristian Kabuay: Yeah. Most civilizations had a writing system. It was prior to the land alphabet when the Spanish came and colonized the Philippines in the 1500s. We have this writing. There's only one ethnolinguistic group left in the Philippines that writes it. I come from a background of calligraphy, graffiti and abstract art. When I started to practice it, I incorporated those things. Later I found that I had to become an educator. Then starting to do the cultural festivals. Then you make your parents proud. It wasn't until I started to interact with the community that, there was this responsibility. I didn't come from a highly academic background, but I was being invited to Stanford and Berkeley to give talks about this. So, you know, that imposter syndrome kicked in. Because of the efforts that I've started in, 2010s, the idea of education around this specific writing system, my service isn't really needed. It's out there. Wikipedia, even AI can do it now, and there's a lot of influencers on TikTok that are, building on the stuff that I did 10 years ago. It goes in line with my idea of putting myself out of business. ‘Cause if it's a cultural practice, then you shouldn't be this gatekeeper, this apex of this this knowledge or this practice. It needs to be spread  [00:32:15] Miko Lee: What is the writing system called?  [00:32:17] Kristian Kabuay: A couple names. One of the popular names is Baybayin, and that literally means to spell. It's an adverb, but then it became a noun. So there's many different names depending on the languages in the Philippines.  [00:32:30] Miko Lee: And you said that there's a village of folks that still utilize it. Have you been there?  [00:32:34] Kristian Kabuay: Yeah, I was there in 2016 with a research trip. I stayed with them for a few days to learn, a bit about more about the culture and to donate some time and volunteer, 'cause there's the Mangyan Heritage Foundation. I did some technology work with them. But then also meet with the elders that were there. The village elder did an interview for a film project that I'm doing, but also met the heirs, the daughters in the family that ultimately inherited this practice. [00:33:02] Miko Lee: And so they know that you're teaching this cultural practice around the world, and what is their opinion of that? What do they think?  [00:33:09] Kristian Kabuay: They like it, because it's a different perspective, and a lot of questions. When I go home they go, “Oh, why are you interested in this?” It's a totally different perspective. ‘Cause out here, we have our identity, and the diaspora issues. But back home, because of circumstances, colonization, et cetera, then, the priority is to eat, to live, not to preserve these cultural practices. I've had some indigenous elders tell me that when People come over there, to do their dissertation and they need to figure out their paper to get their PhD. They ask them, “What are you doing to preserve this?” It's kind of extractive or, like, information gathering. Honestly, it really is you strip it down, it is, survival: food, clothing, and shelter.  [00:33:52] Miko Lee: When people were standing in line for you at the actual Valkyrie's game, what were they asking you to write? Were they asking you to write notes or their name, or what was the request?  [00:34:03] Kristian Kabuay: Yeah. Yeah, the line… I was telling people I've never had a line that long when I've done the Warriors. So- … you know, it's kind of different.  [00:34:10] Miko Lee: That's interesting. Just saying [00:34:11] Kristian Kabuay: Yes. I was writing mainly people's names- Mm um, and some words. Maybe a, a good third were non-Filipino, some were there just curious and asking and cultural sharing. Someone knows a Filipino and they go, “Oh, can you write mahal kita?” Like, I love you. And so, we pick up things, just here in the Bay Area. I have conversations with people wanna hear a family name that I never heard about. I say, “Whoa, where's your family from?” Kids learn the stories on how they combine names and some of the origins. It's always interesting when I do this with folks. [00:34:44] Miko Lee: I love that. And you're also a tattoo artist. Do you use some of this writing in your tattoo artistry?  [00:34:51] Kristian Kabuay: Yeah, I do. And that's where the separation between the art and the cultural practice is. Where the writing wasn't tattooed traditionally, but that's where I kind of balance the art. And I separate those two where art is my expression, my personal expression on paper or maybe even on a body, but a cultural practice is more about them and their lineage. So I have to be clear to make those two distinctions.  [00:35:20] Miko Lee: So a question I've asked all the different people that have been involved in this night is that the Valkyries are based on women warriors, and I wonder if there's a Filipina woman warrior that comes to mind to you? [00:35:32] Kristian Kabuay: Yeah, there is. There's one that, part of the lore. Where my dad's from, in his area called Pangasinan, the land of the salt. There's a princess warrior named Princess Urduja that was thought of as a great warrior. This specific Princess Urduja has that Valkyrie's spirit. All the artwork that you see and Academics will say, “Oh, it's you're romanticizing,” and things like that. But you know what? We need a little romance in our lives, right? And romance leads to action.  [00:36:03] Miko Lee: Ah, we certainly do. I'm wondering, with all those people, the long line that stood waiting for you, and you're having these conversations, what would you like them to walk away with after interacting with you?  [00:36:14] Kristian Kabuay: Yeah. That's why there was a sign, and I took a picture of it. It doesn't say, Philippine writing. So it says pre-Philippine calligraphy. I made that term up in 2007 as a way to jolt someone's idea of what pre-Hispanic, pre-colonial is. ‘Cause those things kinda just fly overhead. But if I said pre-Philippines, people, they take a step back and they, “What's that mean?” Or they try to have a smart comeback, “Well, what were we before then?” And my question's always then, “Well, I don't know. Let's talk about it.” That gray area, that being uncomfortable, leads to more curiosity, and ultimately, that's what I want folks to go ahead and, you know… oh, I have this banana leaf. I ran out of index cards. I brought 100 of them. I had these banana leaves that I just meant to decorate the table. I said, “You know what? Let me write on these banana leaves like how our ancestors did.” People are asking, “Oh, what, we wrote on banana leaves?” I'm all, “Yeah, we wrote on, organic materials.” So this thing is probably gonna wilt away in a few weeks or a month or so, but that's how it is. So it's a metaphor for our physical selves, but then also, the message. Maybe they can go ahead and learn how to write it themselves or until we reconnect again. [00:37:31] Miko Lee: Hmm. That's beautiful. And how can our audience find out more about you and your work?  [00:37:36] Kristian Kabuay: Yeah, you can just search for me online. My last name's K-A-B-U-A-Y. First name's Kristian, both with a K. All over the internets and the socials, pretty easy to find.  [00:37:46] Miko Lee: Thank you. And we'll put links to your website in our show notes, so thank you so much for chatting with me today. [00:37:52] Kristian Kabuay: Thanks, Miko [00:37:54] Miko Lee: I honestly didn't know that basketball was such a revered sport in the Philippines. So wanting to find out more, I reached out to a bunch of community folks, and multiple people said, “Reach out to Coach Carolyn Sudeco. She's the one. She's in the know.” So talking to me from her vacation spot halfway around the world is Coaching Kapwa's Carolyn Sudeco. Welcome, Carolyn Sideco, to Apex Express. I'm so happy to have you here.  [00:38:19] Carolyn Sideco: Thank you for having me.  [00:38:21] Miko Lee: Can you first start by telling me who are your people and what legacy do you carry with you? [00:38:27] Carolyn Sideco: Oh my gosh, my people are, collectively, folks who identify as, Philippinics, Filipina, Filipino, and American, and, migratory, and those who claim blood relation and those who I'm still looking for. I live in San Francisco, California, Ohlone land, and also in the land of Choctaw Bulbancha, which is New Orleans, Louisiana. Those are the two places I reside.  [00:39:04] Miko Lee: Can you share about your work with Coaching Kapwa?  [00:39:08] Carolyn Sideco: Coaching Kapwa is what I love to do, and my background professionally is as a certified athletic administrator. I'm a physical educator at the high school level by profession, by certification, by training. But really what I love to do, and so what I do in my consultancy, is I explore and I examine and I think about and learn about everything related to sports cultures and how the culture of sports in all its various ways affect our societies. Specifically, I geek out over learning about my own Filipino American histories and other peoples. Learning that through the concept or the constructs of culture and how sports really is, for me, the funnest way to investigate who I am and who we are to each other. I call myself a sports relationship coach. I am a sports cultures consultant. I also like to identify as a sports liberator. [00:40:16] Miko Lee: Ooh, can you break down what a sports liberator is? [00:40:20] Carolyn Sideco: Miko, I took that from a friend of mine, Danya Cabello, also from the East Bay. Played at Cal, played professionally, and when I first met her years ago, she identified as such, and I said, “That is exactly the kind of person that I wanna be, like, in sports.” I wanted sports to be a way that I could share with people who we are to one another. I wanted to teach young people that they can express themselves in a way that helps make them feel free. With my background in sports administration, I was feeling like the sports industrial complex was really the antithesis of that. And what a lot of people in my profession were striving for was this success that was not defined in the same way that I was defining what my liberation was, and what I felt through sports. So I adopted that. I asked Dania, “Can I call myself a sports liberator too?” And she said, “Girl, you call yourself whatever you want.” So that's what I go by.  [00:41:37] Miko Lee: Ooh, thank you for sharing. That's so interesting in the midst of our kind of capitalization of sports, how corporate it has become. Interesting. Thanks. I also wanted to thank you for sharing with me, Rafe Bartholomew's Hoop Nation and Cassidy Hubbard's, Hoop's Paradise. So those, along with your YouTubes, really gave me a grounding in the connection to between basketball and the Philippines. I'll put a link to those in the show notes for other people that like to do deep dives like me. But can you just give our audience a sense of why basketball is so popular in the Philippines?  [00:42:10] Carolyn Sideco: I learned about the history of basketball and Filipino culture in the Philippines through various people, Rafe Bartholomew one of them, and his book Pacific Rims. A friend of mine here in the San Francisco Bay Area, Kevin Santos, was doing his master's thesis on the history of basketball in the Philippines, and putting an ethnic studies frame on it, so he was the one who actually, practiced his thesis and presentation with me, and I learned a lot through him, and through other people as I was learning about this myself, and how basketball when it was initially, or as we, the modern game of basketball was invented, by Dr. Naismith in Massachusetts with the peach tree basket. Most of us are familiar with that history, but also that was around the time of the Philippine-American War, and US colonization was at its beginning. And so what did the United States export, was its culture, and a lot of that was through sports, mainly baseball, 'cause baseball was already the national pastime. Basketball was relatively new, and basketball was taught in the Philippines also, like in conjunction with the American education system by teachers, by the Thomasites, and by others who were using that form of colonization. They gave basketball to the women and the girls, because it was the lesser sport. It was the newer sport, so it was the lesser sport. They gave it to the women. The men were supposed to play baseball. The Philippines is a collective society- Baseball is a spread out sport, and people aren't close to one another. You're out on a field, it's hella hot, and it's boring. [00:44:17] Miko Lee: Agree. Totally agree …  [00:44:19] Carolyn Sideco: it's easy, to make this assumption that these people playing baseball were watching the girls and women play basketball, and it's faster. Close to one another. It's easy to make a space. So they started playing basketball.  [00:44:39] Miko Lee: Also, you don't need all the things. You need a ball. [00:44:41] Carolyn Sideco: Exactly. In the early days, you didn't even need shoes. Yeah. So it took off in that way because basketball already itself was an activity that Filipino people, kinda took hold of already, and they made it their own. Trained teams started forming and the Philippines had national teams that were already very successful in Asian context, so Asian tournaments they were dominating. In 1975, the Philippine Basketball Association became the first men's, basketball league in Asia, and the first after the NBA in America. So the Philippines has had a long history of relationship with the sport of basketball, but because it's been so long, the sport itself was formed in response to all the cultural aspects that were already existing, right? a lot of town squares had basketball courts 'cause it was so easy to put there. So the same plazas, meeting spaces where people would have their town gatherings, social places, were also courts  [00:45:56] Miko Lee: And why do you think or just surmise that basketball has taken off more than, football or American term soccer, which is developed so much in other countries, which is also a little bit more communal? [00:46:08] Carolyn Sideco: My opinion is that American colonization, in the United States dictated, much more the United States cannot dictate because football or soccer is a more global sport, and the US didn't have as much stake in guiding that as a colonization tool as they did basketball. [00:46:29] Miko Lee: Hmm. Interesting. Speaking of the colonization and politics, I'm wondering about the connection between basketball and politics. In, Cassidy's podcast, they were talking about a politician who released their own basketball shoe, which is wild to me. Yes. So I wonder if there's other connections between basketball or politics, and if that's generally somebody who's more on the colonizer's viewpoint or more conservative viewpoint. Hmm.  [00:46:58] Carolyn Sideco: Hmm. Interesting. I, hmm, I go back and forth with this a lot, Miko, the colonizing tool that is sports, especially the capitalistic sort of, extraction, of sports, right? Of its players, who I like to think of as workers. They're also workers, right? The professional, Philippine Basketball Association is not much different than even professional sports in America with the way they're set up, right? You have owning groups or companies, and so you have these ways that exploitation and that workers' rights are… how do I say it? Because it's at the professional level, these concepts are very much at play, excuse the pun. The Philippines also has a governmental arm related to sports. So sports in and of itself is recognized, right? It doesn't have as much of this sort of altruistic thing as, as we say in the United States, like the sports is like the good of mankind, like that sort of thing. Like, I think, you know-  [00:48:08] Miko Lee: The kind of Olympic idea of unity, it brings us all together. [00:48:11] Carolyn Sideco: Right, like that, those conceptual sorts of virtues.  [00:48:15] Miko Lee: Mm-hmm.  [00:48:15] Carolyn Sideco: Yeah. So in the Philippines, I think it's so much more practical because it's fun, and you could get in a game anywhere, and it's accessible. Mm-hmm. It's accessible to all strata, economic strata, right? You see basketball courts everywhere, in rural areas in cities. Everywhere you'll see basketball courts. The Philippines itself as a country- I think that relationship to sports is something different than the American relationship to professional sports, where dominance and, winning and, beating others and making as much money as possible in that is at the forefront. In the United States even with youth sports now. I do some consulting work, especially in youth sports spaces, and the privatization and the extraction of the youth sports space is, is… We could go on all day about that. I think, this is obviously from a Filipino American perspective. For sure. I've never lived in the Philippines. I was born in the Philippines, but my relationship to the Philippines is also, being mitigated by how I experience American sports, right? So when I think about how I've experienced basketball when I've gone to the Philippines, , and it's the same as any aspect of that culture, right? It's warm, it's welcoming, it's friendly, and those are the cultural aspects that kind of, , supersede the fact that basketball… Basketball has its place, but it's in service to the cultural needs, right? To the need to be social, to participate in a town gathering. It's so sociopolitical.- And because it is, it's still a colonizing tool, right? But it's still mitigated in a way that I think just like Filipino basketball players are so, like, quick. They're known for quickness, agility, and finesse, and, like, drama, right? I used to joke around, like, you can always tell where a Filipino basketball player is in the United States 'cause no Filipino who has Filipino blood in them can do a regular layup. Like they have to make it all fancy. I think that, those sorts of aspects that are not tangible, that bring to light, the way a culture of people affect the sport. it enables a culture to push out through the boundaries of that sport what was given to them. What was given to them is, “This is how you play. These are the rules,” and all that kinda stuff, and that's great, but Filipino history of basketball is always, like, how do you integrate all the really cool things about your culture? It's something that's very different, and it emerges as something that's not quite American. [00:51:36] Miko Lee: Thank you so much. I'm wondering how our audience can find out more about you and your work.  [00:51:43] Carolyn Sideco: They can, follow me on Instagram at coachingkapwa, K-A-P-W-A. Kapwa is the Filipino word for the concept of interrelationship, interconnectedness. And so everything I learned about being, being a person really is through being a good teammate, and sports is the funnest way, like I've said before to practice being a good teammate  [00:52:12] Miko Lee: Thank you so much, Coach, for sharing with me about Sports Liberation and your work, and I'll put links to all that in our show notes. And I thank you so much for joining us on Apex Express.  [00:52:23] Carolyn Sideco: Thank you, Miko [00:52:25] Miko Lee: Please check out our website, kpfa.org/program/apexexpress to find out more about our show and our guests tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world because your voices are important. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Miata Tan, Preti Mangala-Shekar and Swati Rayasam. Tonight's show was produced by me Miko Lee, and edited by Ayame Keane-Lee. Have a great night.    The post APEX Express – 8.13.26 – Bayanihan in Ballhalla appeared first on KPFA.

Len Davis was a New Orleans police officer known in the Desire projects as Robocop and the Desire Terrorist. In 1994 he ordered the murder of Kim Groves, a 32-year-old mother of three who had filed a brutality complaint against him — and he's since been called the most corrupt cop in the city's history. What brought him down was Operation Shattered Shield, and at the center of it was an undercover FBI agent posing as a high-level drug dealer, known only as J.J.His name is Juan Jackson. He was one of roughly 300 Black agents in an FBI of 11,000 when he entered the Academy in 1983, trained under Joe Pistone of Donnie Brasco fame, and spent two decades undercover — as a hitman for hire in Chinatown, an arms dealer, a money launderer, and a drug kingpin in Waterbury, Connecticut. He tells us how he got Len Davis to strip to his underwear in a wired hotel room at the New Orleans Hilton, and why, testifying for two and a half weeks, he couldn't stop smiling.Subscribe to our newsletter: ⁠https://jedlipinski.substack.com/⁠ Connect with Jed Lipinski:⁠https://www.instagram.com/gonesouthpodcast/⁠https://www.facebook.com/groups/gonesouthpodcast/⁠⁠https://www.linkedin.com/in/jed-lipinski/

Kail and Becky are officially in their London era. They recap soccer games, Chinatown, Camden Market, questionable Indian food, Jamaican beef patties, Becky's chaotic train ride, and why London might actually be one of their favorite cities yet.Kail also gives an update on the confusing back-and-forth surrounding her celiac testing, while the conversation somehow spirals into drunk cigarettes, souvenir guilt, vintage shopping, DNA results, carbonated coffee, and whether either of them is British enough to claim citizenship. Then Elliott joins in for a very questionable lesson in English history before everyone gets ready for the London live show and starts plotting where Karma & Chaos should go next.Get your Fatherless Behaviour Tour Tickets hereFor full videos head to patreon.com/kaillowry Follow Becky at Hayter25 and subscribe to For The HaytersThank you for supporting the show by checking out our sponsors! Quince: Go to quince.com/karma for free shipping on your order and 365-day returns. RO: Go to ro.co/karma for your free insurance check. That's ro.co/karma to see if your insurance covers GLP-1s for free.Zenni: That scratched up pair has done its job. Upgrade today with Zenni! Go to zenni.com/podcast and use code PODCAST15 for 15% off your first order, plus free shipping on all US orders over $65. Progressive: Try Progressive's AutoQuote Explorer® today at progressive.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On the August 11 edition: A Dekalb County teacher died saving a young child from drowning; Mike Collins is on the campaign trail; And as cyclospora continues to worry people, doctors have some extra advice to avoid food-borne illnesses.  

For the first time since the 1990s, Chinese immigrants have surpassed Dominicans as New York City's largest foreign born population. CUNY Baruch College professor Kenneth Guest explains what is driving that growth, how Chinese communities are expanding beyond Manhattan's Chinatown and what the shift could mean for services, political influence and the future of immigrant New York. -Got any questions, comments or story ideas? Send us a message at NYCNow@WNYC.org Photo Cred: Selcuk Acar/Anadolu via Getty Images Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

From the Best of What On Earth – Wildfire smoke has choked Canadians across the country this summer. Air purifiers are expensive, but there's a cheaper way to clean your air indoors. We visit a workshop teaching seniors in Vancouver's Chinatown to build DIY air cleaners, and get some tips for how you can make one yourself.

Federal prosecutors are seeking to detain Maui Police Lt. Michael Vaituulala without bail, arguing he is a danger to the community following his arrest by FBI agents on charges that he accepted bribes to protect drug traffickers, illegal chicken fighters, and illegal fireworks distributors. Meanwhile, a 72-year-old woman who spent years living on the streets of Chinatown now has her own room at the Leahi Behavioral and Medical Respite center in Kaimuki — one of the first positive outcomes tied to Hawaii’s new MH-3 program.See omnystudio.com/listener for privacy information.

Suffolk County prosecutors collected 23 voluntary DNA samples in Manhattan's Chinatown as part of a new effort to identify “Asian Doe,” an unidentified murder victim whose remains were discovered near the Gilgo Beach killings in 2011 and whose death has not been charged to Rex Heuermann. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Description: Julian Mu, who goes by Mubereats on social media, has hundreds of thousands of Instagram followers and millions of TikTok likes, and he pays for every single meal he reviews. He joins us to talk about how he got started, why he only covers small and local businesses, and to play a game of “NYC Chow”, picking his favorite spot in each borough. Follow Julian on Instagram: https://www.instagram.com/mubereats -Got any questions, comments or story ideas? Send us a message at NYCNow@WNYC.org Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Gov. Joe Lombardo says he can't control Nevada's affordability crisis, but is that actually true, or is he ducking responsibility? Then, Clark County commissioners are considering an ordinance that would prohibit platforms like Airbnb and VRBO from processing bookings for unlicensed short-term rentals, a move that could significantly reduce the number of problem properties in the valley. Chinatown is also finally getting its first direct county investment through a $1.5 million corridor improvement grant program for local businesses, which got us thinking about our favorite spots to eat in Chinatown. Host Jesse Merrick breaks it all down with Nevada Current reporter Michael "MJ" Lyle and local filmmaker and food correspondent Jason Harris. Learn more about the sponsors of this Thursday, August 6th episode: Touching Hearts Want to get in touch? Follow us @CityCastVegas on Instagram, or email us at lasvegas@citycast.fm. You can also call or text us at 702-514-0719. For more Las Vegas news, make sure to sign up for our morning newsletter. Learn more about becoming a City Cast Las Vegas Neighbor at membership.citycast.fm. Looking to advertise on City Cast Las Vegas? Check out our options for podcast and newsletter ads at citycast.fm/advertise.

In this episode we welcome Venus Moore from the New York City Problem Gambling Resource Center and Amanda Pham from the Chinatown 360 Prevention Community Coalition to discuss the connection between gambling harm and the Asian American and Pacific Islander (AAPI) community.What is the experience of working in the Harmony Task Force?What misconceptions might people have when it comes to AAPI communities and gambling harm?How do we avoid stigma as it relates to the AAPI community when we're discussing gambling harms?How do organizations make prevention, education and treatment of gambling harms more welcoming and culturally responsive?How can communities make it easier to ask for support?How can community members help praise awareness of gaming harms and resources?What is the most important takeaway for the listeners working with the AAPI communities?If you find yourself struggling with gambling harm, or if you suspect someone you know is facing such challenges, don't hesitate to seek help. For 24/7 support, call the NYS OASAS HOPEline at 1-877-846-7369 or text 467369. Or choose your county using our interactive map on our NYProblemGamblingHELP.org HOME PAGE to see the contact information for the Problem Gambling Resource Center (PGRC) in your region.

Welcome to The DMF — Discovering Meaning in Film and Acting. I'm Justin Younts, and in this episode I sit down with Mel Mack for part three of our conversation.This one gets into the things actors don't always talk about openly, starting with crying on cue. We get into the different ways actors get there, from external aids like menthol to genuinely tapping into real emotion, and why it's worth being honest with yourself about which one you're actually using.We also talk routines, morning and night, and how much they shape a performance. Meditation, fitness, the small habits that keep you grounded before you step in front of a camera. From there it's special skills and the risk of overstating them on a resume, audition prep, and a detour into the music and movies that shaped us — Taylor Swift, Jack Nicholson, Chinatown, and Uncut Gems.In this episode we discuss:Crying on cue and the techniques actors use to get thereMorning and night routines, meditation, and fitnessSpecial skills and the risk of overstating themAudition preparationJack Nicholson, Chinatown, and Uncut GemsHow to reach Mel Mack Acting StudioMel Mack Acting Studio: https://melmackactingstudio.com/00:00:00 - Crying on Cue 00:01:57 - Daily Routines, Meditation, and Fitness 00:06:26 - Special Skills and the Risks of Exaggerating 00:09:37 - Books, New York, and Audition Preparation 00:11:42 - Music and Taylor Swift's Influence 00:16:10 - What Mel's Watching 00:16:31 - Jack Nicholson, Movie Legends, and Being an Extra 00:19:28 - Chinatown, Marty Supreme, and Uncut Gems 00:20:51 - How to Reach Mel Mack Acting Studio#ActingTips #CryingOnCue #JackNicholson #TaylorSwift #AuditionPrep #ActingPodcast

There were anxious whispers behind the scenes ahead of the Bake Club July recipe reveal. Concerns floated around that it might have been a bit too esoteric. Sweet corn in a cake? And not just any cake but a delightfully bouncy butter mochi made with sweet rice flour. Senior Test Kitchen editors Shilpa Uskokovic and Jesse Szweczyk were bracing for the reactions in the comments section when Shilpa's Sweet Corn Butter Mochi With Coconut Crunch recipe finally dropped. “We were not slightly worried. I was like, "This is gonna flop." This is it for us,” recalls Jesse on the BA Bake Club Podcast. But, the Bake Club community once again proved themselves to be the confident, curious bakers we know and love. The cake is a hit! “I hope you guys know how much it means to us,” says Shilpa. “I'm very touched every month when you guys bake our recipes, and we see you in the Substack chat and you post these pictures. So, this is very heartwarming for me.” The love fest continues as we award Baker of the Month to one bake clubber who dared to pair his Sweet Corn Butter Mochi with dinner, not dessert.  Plus, we (virtually) jetted off to Hawaii to catch up with Katherine Yang, who ran the incredibly successful by-order cake bakery, Gigi Blue, and is currently executive pastry chef at Mille Fête in Honolulu's Chinatown. To learn about the dessert scene in Hawaii and pick up a few tips for the perfect butter mochi cake, give the episode a listen.  You can find Katherine Yang on social media at GigiBlueNYC and millefete. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The new documentary short “YU & ME” follows Lucy Yu, the owner of Yu & Me Books, as she rebuilds her Chinatown bookstore with the help of her community following a fire. Yu and filmmaker Esther Chan discuss the short, which makes its New York premiere at the Asian American International Film Festival this Friday. Photo by user Horizon206 (CC BY-SA 3.0) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

To kick off our 10th anniversary micro-series celebrating the Asian American Center at Fuller Seminary, we sit down with Dr. Tim Tseng, Asian American church historian and director of the Asian American Christian History Institute (AACHI). Tim takes us back to 1972 and the founding of PACTS (the Pacific and Asian American Center for Theology and Strategies), tracing a lineage of Asian American Christian leadership that runs decades deeper than any single institution's anniversary can capture. The origins of PACTS: a 1972 gathering of Bay Area pastors trained in mainline Protestant seminaries who began questioning assimilation and erasure within their denominations The newly republished PACTS Reader, edited by Roy Sano and now available through Claremont Press—the story behind bringing this out-of-print, historically significant text back into circulation AACHI's mission and the "pearl divers" metaphor for surfacing hard-to-find Asian American Christian stories The Third World Liberation Front strikes at San Francisco State (1968) and the birth of ethnic studies as a backdrop to the Asian American Christian movement How the Civil Rights Movement and Black Power shaped Asian American Christian consciousness, and PACTS' relationship to (and distinction from) liberation theology The story of Mabel Lee, a pioneering unordained church leader and suffrage advocate in New York's Chinatown at the turn of the century The danger of "Columbusing"—claiming to discover ideas and movements that our elders were already engaging with over fifty years ago Tim's reflection on being forced out of theological academia in 2005, and what nearly 20 years in local church ministry taught him about listening to God's people at the grassroots We hope you enjoy this series! Tim Tseng https://aac.fuller.edu/post/person/timothy-tseng-phd/ The PACTS Reader (Claremont Press) https://claremontpress.com/uploads/3/4/8/4/34846481/theologies_of_asian_americans_and_pacific_peoples_final_.pdf https://claremontpress.com/theologies-of-asian-americans-and-pacific-peoples.html PACTS Archive https://cdm15837.contentdm.oclc.org/digital/collection/p15837coll16 AACHI www.pearldive.net Sign up to receive more updates from the AAC: https://aac.fuller.edu/newsletter/ If you appreciate the work we do at the Asian American Center at Fuller Seminary, please consider supporting us! Your monetary support sustains our vital work and expands Asian American research, leadership development, and pastoral formation for the Church in the year ahead. Donate here: fuller.edu/giveaac.

San Francisco police have successfully broken up a persistent pickpocket crew operating within the city's historic Chinatown neighborhood, utilizing departmental drones to track and apprehend the suspects. FOX On Tech has the details on how aerial surveillance is changing urban law enforcement tactics and helping crack down on street-level crime. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sideya Sherman, director of the Department of City Planning and chair of the City Planning Commission, talks about the department's new report on the demographic makeup of New York City's immigrants, which found that China has caught up to the Dominican Republic as the two leading places where immigrants to the city come from. Photo: NEW YORK, NY - JULY 23: Tom Ellis films on set for the TV show "CIA" in the Chinatown neighborhood of Queens on July 23, 2026 in New York City. (Photo by Jose Perez/Bauer-Griffin/GC Images) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jeff and Phil welcome Alice Chu, President of the legendary Great Star Theater in San Francisco's Chinatown -- the oldest Chinese theater in North America -- and David Chiu, City Attorney of San Francisco, to talk about the rich history, legacy and future of the Great Star and Chinatown at large. They talk about the mission to preserve and revitalize the century-old performing arts venue to serve the community; the continuing resilience of Chinatown businesses during the COVID-19 pandemic and beyond; and the Great Star's interesting connection to this podcast's namesake, Bruce Lee. Also: The Good, The Bad, and The WTF of San Francisco Chinatown's historic legacy.

Another mind bending podcast. Just prior to going on the air, I happened upon a quote from John McCain's daughter that I thought was silly, hostile - misplaced anger. But as sometimes happens in my world, my reaction included feeling as if John McCain wanted to respond to my reaction - and I actually said "I don't want to talk about this." Which is pretty funny.  (And perhaps happens more than we know with folks stopping by?)   But Luana brought him in - Jennifer mentioned his named, literally minutes after I had this conversation (albeit a brief one.)  I couldn't make it up if I tried. He brought #AmeliaEarhart with him. For fans of the podcast they know she's a frequent visitor - and the book SHE WAS NEVER LOST: The Amelia Earhart Saga is filled with data, research and conversations we've had since I first met Jennifer (12 years ago.) Her story hasn't changed. The research hasn't changed.  Read the book, don't read the book - it's not an argument. Amelia's plane was found on June 18, 1944.  See this podcast (or search for "Electra" "Hacking the Afterlife" for some clips).  https://youtu.be/Idh35NFrZwc?si=9MKG2obiVuP0IIdY Then it gets interesting. My old boss, Oscar winning writer Robert Towne shows up with his dog Hira talking about the #ChristopherNolan film #TheOdyssey - I have seen it twice, I do recommend it, and we've heard before that our loved ones on the flipside can watch a movie alongside of us - (and their tickets are free!) So Robert talks about HIS FAVORITE SCENE IN THE MOVIE which Jennifer Shaffer has not seen. Let me say it again. Jennifer gives a review of The Odyssey from Robert Towne, Oscar winning writer of Chinatown, for a film SHE HAS NEVER SEEN and she talks specifically about the scene with the dog, and the scene when the son recognizes his father. For those who've seen the movie - they know what this refers to. For those who've read the book - they know what this refers to. For those who haven't seen the movie - when they see this scene they will know what Robert is referring to. Everyone is available. Life goes on. They're not gone; they're just not here. Something to wake up to the facts of. Happy to share the footage, data, research that shows consciousness continues, that we can access them, as demonstrated in my 14 books, including FLIPSIDE, ARCHITECTURE OF THE AFTERLIFE, DIVINE COUNCILS IN THE AFTERLIFE, the lates AI AND THE FLIPSIDE... and the documentaries on Amazon Prime or Gaia FLIPSIDE, TALKING TO BILL PAXTON and HACKING THE AFTERLIFE. Enjoy another mind bending podcast. Please subscribe, like, share!!!  (Not with Christopher Nolan, he doesn't own a smart phone.) But his pals do.

Seattle's downtown is emptying out — and the bill is landing on homeowners. Office vacancy in the city has hit crisis levels, and as commercial property values crater, the tax base quietly shifts onto residential owners already stretched thin. It's a textbook doom loop: businesses leave, assessments fall, and the people who stayed get to pay more.Katie Wilson and the progressive coalition running Seattle have no credible answer. Their policy response has been more regulation, more spending, and more rhetoric about equity — none of which fills empty office towers or halts the death spiral of a city that can't get out of its own way. The tax shift is the inevitable consequence of chasing out the businesses that were supposed to fund it all.Sean breaks down the vacancy numbers, the political deflection, and what this means for homeowners trying to hold on in a city that keeps making it harder to stay.CHAPTERS0:00 Seattle office vacancy crisis shifts…1:30 Seattle Office Vacancy Shifts Tax Burden2:19 Seattle's Payroll Tax Shed 30,000 Jobs3:46 Half of Downtown Seattle Now Vacant5:22 Seattle Eyes Capital Gains Tax Hike6:51 John Scholes on Seattle's Tax Problem8:25 What Seattle Must Do to Recover9:18 Bellevue Up 7% While Seattle Plummets10:43 Oklahoma City Plans America's Tallest…11:57 Amazon and Starbucks Leaving Seattle13:31 Mayor Wilson's Policies Drive…15:55 Empty Offices Push Seattle Rent Higher19:22 Oklahoma City's Affordable American…22:26 Crime Overruns Seattle's Chinatown…25:35 Defund Police and the Rent ReckoningSubscribe to @reasonablenews for daily conservative and libertarian news commentary from the Pacific Northwest. New episodes every weekday.#NFRP #Seattle #KatieWilsonGO PREMIUM WITH REASONABLE+ FOR UNCENSORED ACCESS

A beloved dim sum restaurant in Seattle's Chinatown-International District is scaling back to weekend-only service after ten years — and owner Vince Zhao isn't mincing words: crime drove this. His restaurant sits blocks from 12th and South Jackson, the city's most notorious open-air drug corridor. Seattle scrubbed its downtown for the FIFA World Cup but never touched the International District, and the businesses that stayed through all of it are now paying the price.Sean walks through what Zhao documented firsthand: drug dealing in front of the restaurant while he was out with his son during the World Cup, a homeless complex nearby feeding the street market, and a neighborhood the city has quietly decided can absorb whatever gets pushed out of everywhere else. The contrast with Bellevue — where Sean works commercial appraisal and restaurants are thriving — is impossible to ignore.The pattern Sean keeps returning to: if this were happening in any other ethnic neighborhood, there would be outrage. Instead, Seattle's Chinatown gets a racism framing from city hall instead of a law enforcement response. Katie Wilson and the city council are passing the hot potato while a ten-year institution winds down and China Harbor sits empty up the street.CHAPTERS0:00 Popular dim sum spot in Chinatown…1:23 Chinatown Restaurant Curtails Hours…2:21 Crime at 12th and Jackson Closes…2:53 International District Crime Drives…4:13 Open-Air Drug Market Ruins Chinatown…5:16 Owner Vince Zhao Cuts Weekday…7:23 Filming Drug Dealing During the World…8:10 Crime Killed This Restaurant, Not the…9:05 Daniel Lurie Cleans Up San Francisco…10:05 Seattle Made Chinatown Its Crime…11:10 Empty Dining Rooms Force Weekday…13:17 Bellevue Restaurants Booming While…14:27 Katie Wilson Faces Seattle's Law…16:11 City Fines Businesses While Chinatown…18:36 Seattle's Neglect of Chinatown Is RacismSubscribe to @reasonablenews for daily Pacific Northwest coverage the local media won't touch — hit the notification bell so you don't miss an episode.#NFRP #SeattleChinatown #InternationalDistrictGO PREMIUM WITH REASONABLE+ FOR UNCENSORED ACCESS

In today's episode, Norris and I hit pause on the doomscroll and talk about simple joys and summer adventures around Detroit. We talk about everything from Belle Isle walks and Southwest soccer nights to Chinatown block parties, rooftop bars, and getting lost on the scenic route instead of the freeway. Follow the show on Apple Podcasts, Spotify, or wherever you get shows! If you've got feedback, including what you plan on doing this summer, let us know - dailydetroit@gmail.com or 313-789-3211

Jean Kwok ventured into writing fantasy after her own divorce, which we discuss, in addition to how she grew up working in sweatshops in Chinatown and ended up at Harvard. Jean, a Read with Jenna pick, is one of the most effusive, lovely authors who is constantly lifting others up. ** Want more? Become a part of my community! Sign up for Zibby's Highlights, which includes a free weekly newsletter, event livestreams, most anticipated book lists, personal essays, and a new essay platform with stories from all of you about what chapters you're in (inspired by my upcoming book Between Chapters: How I Started Over, Took Some Chances, and Found the Plot, 9/22/26). And follow me on Instagram @zibbyowens. But really, keep listening here. If you love my show, please tell a friend! Hosted on Acast. See acast.com/privacy for more information.

We're taking a break from True Sunlight this week, but we hope you enjoy this episode of 'Wherever It Leads... Milan' Follow the show at staypes.ky/wherever Tourists sprint to Rome and Florence while one of Europe's most alive cities hums quietly in the north — and that's exactly what makes Milan extraordinary.  This week, writer, author, and Milanese insider Marta Mondelli pulls back the curtain on a city of hidden courtyards, wooden streetcars, world-class aperitivo, and jasmine-soaked springs.  She explains why cappuccino after 11am is a “crime”, why the Milanese party as hard as they work, and why spring open days unlock palaces most visitors never see.  Journalist Mandy Matney and producer David Moses share their own Milan memories — late-night dumplings in Chinatown, a train through the Alps, streets packed on a Tuesday like it was Saturday — while Marta weighs in on Lee Gilley's asylum claim in nearby Turin and Italy's growing conversation around feminicide.  Plus: Lake Como, Turin, and the art of spending your tourism money where it actually matters. Learn More about Marta Mondelli: @martamondelli Reset Stories Podcast @resetstoriespodcast Episode Resources: Festina Lente Milano — Marta's handcrafted candle shop in the Isola neighborhood