Podcasts about Edo

For many of us, travel to Japan is something we do once in a while. We save and plan, then journey to a country that offers so much to our mokuhanga practice. But for others, the trip becomes extended, and Japan becomes a place to build a life and make work. Japan becomes central to who they are and how they see the world. On this episode of The Unfinished Print: A Mokuhanga Podcast, I speak with Sarah Brayer, a visual artist who has made her home in Kyoto, where she has created a wide range of visual art such as mokuhanga, poured washi, fusuma murals, and aquatint. In our interview, we focus on Sarah's mokuhanga history, her studies with Toshi Yoshida, her life in Kyoto and how the city shapes her work. We also discuss her mokuhanga work, how she views the medium and where it fits into her life today.  Sarah Brayer - website, Instagram River Mist Kyoto (1982) 7" x 21" aquatint - is an intaglio printmaking technique used to create rich tonal effects rather than lines alone. By dusting a metal plate with fine resin particles and then heating it to adhere the grains, the artist creates a textured, acid-resistant surface. When the plate is placed in acid, the exposed areas etch around the resin particles, producing a range of tones similar to watercolor washes. By stopping out areas and etching in stages, printmakers can build subtle gradients, deep shadows, and layered atmospheres, making aquatint especially popular for expressive, painterly prints. etching - is an intaglio printmaking process in which an image is created by using acid to bite lines into a metal plate. The plate is first coated with a waxy, acid-resistant ground, and the artist draws through this ground with a needle to expose the metal beneath. When the plate is submerged in acid, the exposed lines are etched into the surface. After the ground is removed, ink is worked into these incised lines, the surface is wiped clean, and dampened paper is pressed onto the plate with a high-pressure press, transferring the inked image. Etching allows for incredibly fine detail, expressive line quality, and a wide range of textures. raku yaki - raku ware is a traditional Japanese pottery style that originated in 16th-century Kyoto and is closely tied to the tea ceremony. Characterized by hand-shaped forms, low-temperature firing, and simple glazes that embody wabi-sabi, it was historically cooled in the open air and produced by the Raku family lineage. In contrast, Western raku refers to a later adaptation in which red-hot pieces are placed into combustible materials to create dramatic crackle and metallic effects, a process distinct from the original Japanese method.  Kyoto Seika University - located in Kyoto, Japan, is a leading private institution specializing in art and design education. It offers undergraduate and graduate programs in fields such as painting, sculpture, graphic design, and manga. Known for its rigorous curriculum, Kyoto Seika emphasizes both practical skills and creative expression. With a strong tradition of nurturing talented artists and designers, the university fosters a dynamic environment that encourages innovation and artistic growth. ukiyo-e - is a multi colour woodblock print generally associated with the Edo Period (1603-1867) of Japan. What began in the 17th Century as prints of only a few colours, evolved into an elaborate system of production and technique into the Meiji Period (1868-1912). With the advent of photography and other forms of printmaking, ukiyo-e as we know it today, ceased production by the late 19th Century. Torii Kyomasu II (1706-1763)  Mary Cassatt (1844–1926) was an American painter and printmaker who became a prominent figure in the French Impressionist movement. Known for her intimate portrayals of women and children, she used soft yet expressive color, loose brushwork, and innovative printmaking techniques to capture everyday domestic life. Living much of her career in Paris, she exhibited with artists like Degas, who influenced her approach to composition and perspective. Cassatt's work remains celebrated for its sensitivity, modernity, and groundbreaking representation of women's experiences. Ren Brown Collection -  is gallery in Bodega Bay, California featuring contemporary Japanese prints, handmade ceramics and jewelry, Japanese antiques, and works by California artists and sculptors. Each piece reflects a dedication to quality, cultural heritage, and creative expression. Micah Schwaberow (1948-2022) - was an American mokuhanga printmaker who fused Western and Eastern imagery to create a unique perspective. His work often featured landscapes, portraits, and cultural themes. Celebration (2015) 10" x 5 1/2" bokashi - is a mokuhanga technique, where the pigment fades from a heavy colour to a softer, broad colour. Made famous by prints designed by Hokusai and Hiroshige, this technique is, for me, the most popular technique utilized by  mokuhanga printmakers. There are various types: Ichimoji-bokashi or straight line graduation, used in the above mentioned Hiroshige and Hokusai prints. Ichimoji-mura-bokashi or straight line gradation with uneven edge. Ō-bokashi or wide gradation, Ate-nashi-bokashi or gradation without definition. Futa-iro-bokashi or two tone gradation, and ita-bokashi or softer-edge gradation, where the block is cut in a specific way to achieve this style of gradation. All of these styles of bokashi technique take practice and skill but are very much doable. A wonderful example of bokashi in the sky can be found below, in a print by Paul Binnie.  Acropolis - Night (2007) 11.85" × 16.46" Utagawa Hiroshige (1797-1858) - born in Edo, Hiroshige is famous for his landscape series of that burgeoning city. The most famous series being, One Hundred Famous Views of Edo (1856-1859), and the landcape series, Fifty-Three Stations of the Tōkaidō (1833-1834). His work highlights bokashi, and bright colours. More info about his work can be found, here.  Sumidagawa (from Forty-Eight Famous Views of Edo)  (ca. 1861) 8 7/8" x 6 7/16" Kawase Hasui (1883-1957), a designer of more than six hundred woodblock prints, is one of the most famous artists of the shin-hanga movement of the early twentieth century. Hasui began his career under the guidance of Kaburaki Kiyokata (1878-1971), joining several artistic societies early on. However, it wasn't until he joined the Watanabe atelier in 1918 that he began to gain significant recognition. Watanabe Shōzaburō (1885-1962) commissioned Hasui to design landscapes of the Japanese countryside, small towns, and scenes of everyday life. Hasui also worked closely with the carvers and printers to achieve the precise quality he envisioned for his prints. Honmonji Temple in Snow at Ikegami (1931) 15.5" x 10.25" Daniel Kelly - is a visual artist and printmaker based in Kyoto, Japan. Daniel Kelly has shown all over the world, and is many museum collections as well. More information can be found, here. Three Persimmons (2015) 12″ x 40.5″ nezumi ban - otherwise known as the "mouse block" or "grey block," this is usually the first base color in a mokuhanga design. Because mokuhanga relies on building color through layered printing, the grey block forms the foundation of the image. This technique was widely used during the golden age of ukiyo-e in the Edo period (1603–1868) and the shin-hanga (new print) period (1910-1960). Mendocino Art Center - is a creative retreat and cultural landmark and is a place where artists and visitors alike can explore art, and connect in a profoundly inspiring coastal environment. More info, here.  sizing/dosa - is a liquid form (prepared) animal glue which is brushed onto your washi, hanji, or other natural papers to stiffen the paper and prepare it for keeping the colour in your woodblock print. It has come to pass that size tends to be acidic and will break down the print over time. It's a bit of a double edged sword. Recipes for size can be found, here. arches - is a brand of Western watercolour paper that is acid-free. Tōsai Pigment Paste - is a brand of pigments manufactured by Holbein, Japan. They were conceived by mokuhanga printmaker Richard Steiner. Tōsai is the name given to Richard by his teacher. Richard's invteriew with The Unfinished Print can be found, here. Kathy Caraccio - is a master printer, artist, curator, professor, and collector who has collaborated with hundreds of artists from around the world. Through her studio, she has fostered a vibrant, supportive community rooted in shared creativity and craft. More info can be found, here.  Oriental Bleak  - mixed media collage 22" x 22" fusuma - is a traditional Japanese sliding panel used as a door or room divider in homes, temples, and tea rooms. Made with a wooden frame covered in layers of paper or cloth, fusuma slide along wooden tracks and can be removed or rearranged to change the layout of a space. They are often decorated with painted landscapes, patterns, or calligraphy.  © Popular Wheat Productions logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :)    

La mia app per restare informato - https://play.google.com/store/apps/details?id=com.edodusi.coderoutine&hl=itDimentica la Dot-Com. Oggi siamo di fronte a miliardi di investimenti circolari e a una crisi energetica che sta ridefinendo il compute. Edo analizza i dati e svela perché la vera eredità della Bolla AI non sono i modelli, ma l'infrastruttura fisica.00:00 Intro01:50 Siamo in una bolla?04:46 Confronto con bolla dot-com08:41 La bolla AI cosa ci lascia?12:48 Conclusioni#ai #aibubble #economia

This episode we look at many of the natural events and talk about those observing and writing things down, and why they may have wanted to do so. For more, check out our podcast blogpage:  https://sengokudaimyo.com/podcast/episode-139   Rough Transcript: Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua and this is episode 139: Observing the "Natural" World. Members of the Onmyou-ryou, dressed in the official robes of their office, sat around in their observation tower, measuring the location of the stars.  They kept their light to a minimum, just enough so that they could write down their observations, but not so much that it would destroy their vision.  As they looked up, suddenly they saw a strange movement: a streak through the sky.  They waited, and observed, and then there was another, and another after that.  It was as if the stars themselves were falling from the heavens.  They watched as it seemed that the constellations themselves were melting and falling apart.  Quickly they scribbled down notes.  Tomorrow, with the light of day, they would consult various sources to see just what it could mean.  For now, their role was simply to observe and record.   Welcome back, everyone.  It is the height of holiday season in the US as I record this, and in our narrative we are in the middle of the reign of Ohoama, aka Temmu Tennou, who came to power in 672 and who has been shoring up the Ritsuryo state instigated by his late brother, Naka no Oe, aka Tenji Tennou.  We have talked in recent episodes about how Ohoama put a lot of the state under the control of members of the royal family, or at least those with claims to royal blood, and how he had also begun work on the Chronicles—the very works that we have been using to try and understand the history of this and earlier periods.   It seems clear that Ohoama and his cohorts were doing their best to solidify their control and, in the process, create what they felt was a modern state, leveraging the continental model, but not without their own local flavor.  After all, they were also investing in the kami based rituals of state and specifically in Ise shrine, which they claimed as an ancestral shrine for their lineage. This episode, let's dig into another thing that was getting reported around this time.  And that is… science!  Or at least observations of the world and indications of how people were interacting with it. Before going into the subject, I want to acknowledge that "science", or "Kagaku" in modern Japanese, may not look like what we think of as "science" today.  The word "Kagaku" itself appears to come about in the late Edo period, and became associated with the western idea of "Science" in the Meiji period.  Today we think of it as observations, yes, but also testing via the scientific method. I think it might be more appropriate to categorize a lot of earlier science under a term like "learning" or "study", and it seems to have encompassed a wide range of topics of study, some of which we would include as "science" and some which we might refer to more as "arts".  There is also a very fine line with religion and philosophy as well. From a modern perspective, I think one could fairly argue that "science"—particularly the so-called "hard" sciences—refers to something that can be empirically tested via the scientific method.  So you can see something, form a hypothesis, create a test, and then that test should produce the same results no matter who conducts it, assuming you account for the variables. And please don't @ me about this… I know I am simplifying things.  This isn't a podcast about science unless we are talking about the social sciences of history and archaeology. In contrast to our modern concept of science, much of what we see in the Asuka era is built around using our reasoning to arrive at the truth of something.  In cases where we are dealing with clearly physical phenomena that have observable causes and effects, this can lead to remarkably reliable results.  One example of this is calendrical science—it isn't that hard to observe the passing of days and seasons.  Even the rotation of the earth and the movements of stars and even something with as large a period as comets could be observed and tracked, especially if you had centuries of data to comb through.  In fact, they often would predict things that it turns out they couldn't, themselves, see.  They could predict that an eclipse would occur, for example, even when that eclipse was only visible somewhere else.  And they didn't have to calculate gravitational pull, mass, or distances between different heavenly bodies for that to occur. Similarly, in the agricultural sphere: you had so many people who observed the seasons and would figure out new ways of doing things.  It doesn't take an understanding of chlorophyl to know that plants generally do better when exposed to sunlight. I believe the leap happens when you get to things that go beyond purely observable means.  Sickness, for example—how do you explain viruses or germs without equipment like microscopes to see what our eyes alone cannot?  And if such "invisible" things could cause so much damage, then why could there not be other "invisible" elements, such as kami and boddhisatvas?  And as humans we are driven to make connections.  It is one of the things that has driven our technological innovation and rise, but it is also something that can easily go awry.  Like when you are sitting in a dark house, alone, and you hear a noise.  Rationally, you might know that houses settle and creak, but that doesn't necessarily stop your brain from connecting it with thoughts that someone must be in the house making that noise. Or even how we make judgments based on nothing more than how someone talks or what they look like, because our brains have made connections with those things, for good or ill. A large part of the rationalization that was accomplished in Asian thought had to do with concepts of Yin and Yang, the negative and the positive, the dark and the light.  This was thought of as a kind of energy—qi or ki—that was embedded in things.  We discussed this somewhat back in episode 127, because yin yang theory, along with the five element theory, known as Wuxing or Gogyou in Japanese, became embedded in the idea of the calendar.  Why was summer hot, except that it was connected with an excess of fire energy?  And the cold, dark days of winter would be associated with an excess of water, naturally. I should note that while this is one of the more comprehensive philosophical systems in use, it was not the only means by which various phenomena and effects were rationalized.  After all, it had to be imposed on a framework of how the world otherwise worked, and descriptions of the world came from a variety of places.  There was, for example, the Classic of Mountains and Seas, or Sanhaijing, which detailed the world as envisioned in the period before the Qin dynasty, although there were occasional updates.  The Sanhaijing  described regular plants and animals in the same breath as gods and monsters.  There were also various buddhist sutras, which brought their own cosmological view of the universe that had to be squared with other visions, including those passed down locally describing the archipelago as the "Reed Plain" and giving particular importance to eight of the islands—though which eight depends on which variant of the creation myth you are referencing. To categorize the study of the natural—and what we would consider the supernatural—world around them, the Ritsuryou set up specific bureaus.  One of these was the Onmyou-ryou, the Bureau of Yin-yang, also known as the Onyo no Tsukasa.  This Bureau oversaw divination, astronomy, time, and calendars.  At its head was the Onmyou-no-kami.  Below them were the various scholars studying the core subjects, as well as technical practitioners to carry out the rites and divination. On the continent, priority was generally given to astronomical and calendrical studies, and many of the more magical practices or rituals would fade away, likely because there were local Taoist institutions who could take up much of that work.  In Japan, however, it seems that the calendrical studies tended to ossify, instead, while onmyoji came to fill a role not just for the state but also among the population for divination and other such practices.  Even into the Edo period one could find private onmyoji, and the Bureau itself lasted until the very beginning of the Meiji period. Another important institution of the Ritsuryo government for learning was the Daigakuryou, the Bureau of Great Learning.  Students of Japanese may recognize the term "Daigaku" referring, today, to universities. The original concept for the Daigaku-ryou, or Daigaku no Tsukasa, was focused on the study of those things that were considered perhaps a bit more practical and necessary to anyone who might want a political career.  Since this was founded on concepts of Confucian government, it is little wonder that it was originally designed to focus on Confucian studies, among other things.  This fits into the idea of a supposed meritocracy, where one's education was part of the examination.  You may recall from Episode 115 we talked about the National University in Chang'an, which is likely something that the Daigaku Ryou could only ever dream of becoming. Early arts taught at the Daigaku Ryou included the Confucian classics, mathematics, writing, and Chinese pronunciation.  These were all things that you would need to know to become a part of the bureaucracy The idea of a school may have been born along with the early institution of the government, with mention as early as 671, in the last year of Naka no Oe's reign, but we don't have it clearly established in the code until later.  Full operations may have been somewhat delayed due to the tumultuous events of Ohoama's accession to power in 672, but we do see it explicitly mentioned in the year 675.  On the first day of the year we are told that Students from the Daigaku Ryou, along with students from the Onmyou-Ryou and from the Gaiyaku Ryou, the Bureau of External Medicine; along with the Woman of S'ravasti, the Woman of Tara, Prince Syeonkwang of Baekje, and Silla labourers offered presents of drugs and various rarities. We talked about the first two, the Daigaku-ryou and the Onmyou-ryou, but the Gaiyaku Ryou doesn't seem to have a lot of information out there beyond this mention.  Later there would a "Ten'yaku Ryou", or Bureau of Medicine, established in the code.  Since we don't have any extant codes from this period beyond what was written down in the Nihon Shoki, we don't know for certain what the Gaiyaku-ryou was , and it is possible that the Gaiyaku-Ryou was a precursor to the Ten'yaku Ryou.  "GAI" means "outside" or "external", leading me to wonder if this referred to external medicine in contrast to internal medicine, or if it meant medicine or drugs from outside teh archipeloago. I would point out that these students are found with the Woman of S'ravasti, or Shae; the Woman of Tara; a Baekje prince and Silla labourers.  In other words, they were all people from outside of the archipelago.  This is not entirely surprising as it was from outside that much of the learning was coming into the country. "Yaku" or "Kusuri", which can be translated as either "Drugs" or "medicine", could refer to a number of things.  How effective they were is somewhat questionable. Almost certainly some of them had confirmed medicinal efficacy, but others may have been thought to have been effective due to things like their connection to the five elements, or wuxing, theory. For example, something red might be assumed to have a warming effect because of the presumed presence of the fire element.  And the power of the placebo effect no doubt made them seem at least partially effective.  Consider, for example, how many people will swear by certain remedies for the common cold when all it really does is distract you, or perhaps make you a bit more comfortable, until the symptoms pass on their own. A more certain science was probably that of Astronomy, which we've mentioned a few times.  The passage of the stars through the sky was something that could be easily observed.  There is a theory that some of the first lines in the Yijing, or book of changes, may actually be a description of the changing of seasons as different aspects of a given constellation rise over the horizon, and the placement of certain stars would help in the adjustment of the lunar calendar, since the moon's orbit does not match up exactly with the solar year, and year the solar year was quite important to things like agriculture and even sailing to the mainland. This all makes 675 a seemingly banner year for science, as four days after the presentation of medicine to the throne, the government erected a platform by which to observe the stars.  This wouldn't need to be much—it could have been an earthen mound, or just a tower, from which one could get above the ground, presumably see over any buildings, to the horizon.  Granted, Asuka might not be the best place for such observations, with the nearby mountains meaning that the true horizon is often obstructed.  Nonetheless, it may have been enough to make calculations. Astronomy platforms, or Tenmondai, would continue to be used up until at least the Meiji period.  Without a telescope, observations were somewhat limited—though they also didn't have the same level of light pollution that we have today.  Remember, many woke just before dawn and went to sleep not too long after the sun went down, which only makes sense when you are living in a place where creating light, while doable, also ran the risk of burning your entire house to the ground. It is worth noting that the sky for the ancient Japanese was likely quite different than what most of us see when we look up, unless you are fortunate enough to live in a place with very little light pollution.  For many of those living today in the cities and suburban landscape, go outside at night and you might see the moon and some of the brightest stars, but for most of the ancient Japanese, they would look up and see the heavenly river, the Amakawa, or Milky Way.  They would have looked up at a sky glittering with myriad dots of light, as well as planets and more.  It was both familiar and strange—something one saw regularly and yet something that was also extremely inaccessible. Astronomical observations would have been important for several reasons, as I've mentioned.  They would have been used to keep the calendar in check, but they would also have likely been used to help calibrate the water clock, which helped to tell time.  Of course, going back to the five elements and yin yang theory, it is also believed that the energy, the qi or ki, changed with the seasons and the movements of the stars and planets—planets were not known as such, of course, but their seemingly erratic movements compared to bright lights in the sky meant they were noticed and assigned values within the elemental system. One of the things that came with the changing seasons, the heavenly movements, and the flow of ki was a concept of "kata-imi", literally directional taboos.  There were times when certain directions might be considered favorable or unfavorable for various actions.  This could be something as simple as traveling in a given direction.  In the centuries to come this would spawn an entire practice of kata-tagae, or changing direction.  Is the north blocked, but you need to travel there, anyway?  Well just go northwest to say hello to a friend or visit your local sake brewery, and then travel due east.  Ta-da!  You avoided going directly north!  There were also mantra-like incantations that one might say if they had to travel in an inauspicious direction to counteract the concept of bad influences. This also influenced various other things, and even today you will often see dates where a year and month might be followed by simply the character for "auspicious day" rather than an actual day of the month. So observing the heavens was important, and it was also important that they tostudy the works of those on the continent, whose records could help predict various astronomical phenomena.  Except that there was one tiny problem:  I don't know if you've noticed, but Japan and China are in two different locations.  Not all astronomical phenomena can be observed from all points of the globe.  The Northern Lights, for example, are rarely seen in more southerly latitudes, and while eclipses are not too rare, a total eclipse only impacts certain areas of the earth, along relatively narrow paths. I mention this because it isn't always clear if the records we get in the Nihon Shoki are about phenomena they directly observed or if they are taking reports from elsewhere and incorporating them into the narrative.  One such event is the comet of 676. The entry in the Nihon Shoki tells us that in the 7th lunar month of the 5th year of Temmu Tennou, aka 676 CE, a star appeared in the east that was 7 or 8 shaku in length.  It disappeared two months later. We've mentioned some of this before, but the sky was divided up into "shaku", or "feet", though how exactly it was measured I'm not entirely sure.  It appears to be that one foot was roughly 1.5 degrees of the sky, give or take about a quarter of a degree, with 180 degrees from horizon to horizon.  So it would have been about 10 to 12 degrees in the sky.  Another way to picture it is if you hold out your arm towards the object, and spread your index and little finger, it would probably fit between those two points.  This comet hung around for some time, and a great part about a comet like this is that it was viewable from multiple locations.  After all, as the earth turned, different areas were exposed to the comet as it passed through our part of the solar system.  Thus we have records of it from not just the Nihon Shoki:  We also find it in the Anglo-Saxon chronicles, where it was thought to have foretold the end of Bishop Wilfred's control of Northumbria.  We also see it in Tang, Silla, and Syrian sources. These sources aren't always in complete agreement.  For one thing, they noted when they first saw it, which might have been impacted by local conditions.  And then conversion between lunar and solar calendars can also sometimes get in the way.  Roughtly speaking, we have the Nihon Shoki providing dates of somewhere from about August or September of 676, on the Western calendar, to October or November. Tang sources put it from 4 September to 1 November.  Silla Chronicles claim that it first appeared in the 7th lunar month, so between August and September.  A Syrian Chronicle notes a comet from about 28 August to 26 October in the following year, 677, but this is thought to have been a mistake.  European sources generally seem to claim it was seen in August and lasted for three months.  All of these sightings put it at roughly the same time. Working with that and with known comets, we think we actually know which comet this is:  The Comet de Cheseaux also known as the Comet Klinkenberg-Cheseaux.  And I should mention this is all thanks to a research paper by M. Meyer and G. W. Kronk.  In that paper they propose that this is the comet with the designation of C/1743 X1, or the common names I just mentioned.  If so, based on its trajectory, this comet would have been visible in 336, 676, 1032, 1402, 1744, and is next predicted to show up in 2097.  And no, those aren't all exactly the same amount of time.  It is roughly every 350 years or so, but with the movements of the solar system, the planets, and various gravitational forces that likely slow or speed up its movement, it doesn't show up on exactly regular intervals.  Still, it is pretty incredible to think that we have a record of a comet that was seen the world over at this time, by people looking up from some very different places. Comets were something interesting for early astronomers.  They may have originally been seen as particularly ominous—after all, in the early eras, they were hardly predictable, and it would take years to get enough data to see that they were actually a somewhat regular occurrence.  In fact, it is likely that early astronomers were able to figure out eclipse schedules before comets.  Still, they seem to have come to the realization that comets were in fact another type of natural and reoccurring phenomenon.  That isn't to say that they didn't have any oracular meaning, but it did mean they were less of an obvious disturbance of the heavenly order. We have another comet mentioned in the 10th lunar month of 681, but that one seems to have had less attention focused on it, and we don't have the same details.  Then in the 8th lunar month of 682 we have an entry about a Great Star passing from East to West—which was probably a shooting star, rather than a comet.  Comets, for all that they appear to be streaking across the sky thanks to their long tails, are often relatively stable from an earthbound perspective, taking months to appear and then disappear again. Then, on the 23rd day of the 7th month of 684 we get another comet in the northwest.  This one was more than 10 shaku in length—about 15 degrees, total, give or take.  Given the date, we can be fairly confident about this one, as well: it was the famous Halley's comet.  Halley's comet is fascinating for several reasons.  For one, it has a relatively short period of about 72 to 80 years, though mostly closer to 75 to 77 years in between sightings.  The last time it visited the earth was in 1986, and it is expected back in 2061.  Halley's comet has been recorded since the 3rd century BCE, and, likely because of its short period, it was the first periodic comet to be recognized as such.  There are other periodic comets with short periods, but many of them are not visible with the naked eye.  Halley's comet is perhaps the most studied comet, given its regular and relatively short periodicity.  It is also connected to the famous writer, humorist, and essayist, Samuel Langhorne Clemens, aka Mark Twain.  He was born only a few days after the comet reached perihelion in 1835 and died a day after it reached the same point again in 1910, and while he may not have visited Japan in his lifetime, it was a period of great change both in his home country of America and in Japan.  America, of course, would undergo a Civil War over the issue of slavery in the early 1860s, and shortly after that Japan would have its own civil war in the form of the Meiji Revolution.  And while he never visited—and translation could only do so much to capture the art of his prose—Mark Twain's works were apparently quite influential in Japan in the early 20th century. Of course, comets were just one of the celestial phenomena to be observed.  The astronomers were interested in just about anything happening in the sky.  We have accounts of both solar and lunar eclipses, and not necessarily full eclipses either.  We even have notice of the movement of some planets, such as in 681, when they noted that the planet mars "entered" the moon. Obviously the astronomers weren't recording every raincloud that came through—at least not in the main chronicles—but they did capture a fair number of events.  They did record particularly memorable storms.  For instances, in the 8th lunar month of 675 there was a storm that is said to have caused sand to fly and which then damaged houses.  This sounds like a wind storm without rain—after all, if there was rain, you would expect that the sand would have been wet and tamped down.  It is possible to have hurricane level winds without the rain.  While typhoons typically bring rain, especially as they usually build up their strength at sea, it is possible to have the winds alone, as I've experienced, myself, in Tokyo.  This most likely happens in an isolated area—there is water and rain somewhere, but the typhoon can be large, so parts of it may only get the wind and little or no rain.  I wonder if something like that happened in this instance.  It is also possible that this record refers to actual sand being brought across from the continent.  In some instances, sand can be lifted up from as far away as Mongolia and carried all the way to Japan, though it is pretty rare. And it wasn't just wind and sand.  We get accounts of hail coming down as large as peaches, torrential rainstorms, and even ash, likely from a volcanic eruption that was otherwise unrecorded.  There are also accounts of snow, though typically recorded in times where you wouldn't expect to see it, such as the third lunar month, which would mean snow in late April or early May. Mostly these storms are mentioned in terms of how they affected the immediate fortunes of the living, but sometimes storms did even more damage.  In 682, for example, a hoar-frost was reported in both Shinano and Kibi in the 7th lunar month.  On its own, this probably wouldn't have been worth mentioning, but the chroniclers add that because of storms the "five grains had not formed".  So storms had diminished the crops and the hoar-frost was apparently the killing blow.  The harvest that year would be lean, and it would not be a happy time for many that winter. And then, just as important as what was happening was what was not.  There are several mentions of droughts, particularly towards the end of Spring, early Summer.  This is traditionally a drier period, and if it is too dry it could harm the harvest.  And so the government was expected to find a way to bring the rain—a tall order, the general resolution to which seems to be prayers and rituals designed to bring rain.  In a place like Japan, I suspect that it was usually just a matter of time before the prayers were "successful", thus reinforcing their presumed efficacy. Some of the things that they recorded were a bit more mysterious.  For example, in the second lunar month of 680 we are told that a sound like drums was heard from the East.  There are many things this could theoretically be, from rumbles of thunder to some other phenomenon, though the following year we have a note about thunder in the West, so theoretically they knew the difference between thunder and drums.  Later that same year, 680, we are told that there was a "brightness" in the East from the hour of the dog to the hour of the rat—about 8pm to midnight.  Was this some kind of aurora?  But wouldn't that have been in the north, rather than the east?    Could it have been some kind of lightning?  But that is a long time for a lightning storm to hang around.  And there are other strange things, some of which seem impossible and we have to doubt.  For example, in 684 they said that, at dusk, the seven stars of the Big Dipper drifted together to the northeast and sank.  Unless they are just recording the natural setting of the stars of the big dipper.  Certainly, over time the constellation appears to rotate around the north star, and it dips down to or below the horizon in the autumn months.  So were they just talking about the natural, yearly setting of the stars, or something else? There may be some clues in that the 11th lunar month, when that was recorded, we see several other heavenly phenomena recorded.  Two days after the Big Dipper set, at sunset, a star fell in the eastern quarter of the sky that we are told was as large as a jar.  Later, the constellations were wholly disordered and stars fell like rain.  That same month, a star shot up in the zenith and proceeded along with the Pleiades until the end of the month.  While this sounds like shooting stars and a possible meteor shower, a later commenter suggested that this was all a heavenly omen for the state of the court, showing the "disordered" state of the nobility at this time.  Of course, this was also a year and change before the sovereign's eventual passing, so there is also the possibility that the Chroniclers were looking at events later and ascribing meaning and importance after the fact. In another account of something seemingly wonderous: in 682 we are told that something shaped like a Buddhist flag, colored like flame, was seen by all of the provinces and then sank into the Japan sea north of Koshi.  A white mist is also said to have risen up from the Eastern mountains. There are various things that could be going on here.  It strikes me that the white mist could be a cloud, but could also be something volcanic.  And the flame colored prayer flag makes me think about how a high cloud can catch the light of the rising or setting sun.  That could look like a flag, and can seem extremely odd depending on the other conditions in the sky. Or maybe it was aliens. Okay, it is unlikely that it was aliens, but I think that these do give an idea of the kinds of records that were being made about the observed phenomena.  Obviously the Nihon Shoki is recording those things that were considered particularly significant for whatever reason.  This could just be because it was something odd and unexplained, or perhaps it was more well known but rare.  It may have even had religious connotations based on some aspect, like evoking the image of Buddhist flags.  And it is possible that it was thought to have had significant impact on events—perhaps even an impact that isn't clear to us today, many centuries removed from the events. Some things were clear, however.  Lightning strikes are often mentioned specifically when they strike something of note.  In 678, we are told that a pillar of the Western Hall of the New Palace was struck by lightning, though apparently the building itself survived.  Then, in 686, Lighting appeared in the southern sky with a large roar of thunder.  A fire broke out and caught the tax cloth storehouse of the Ministry of Popular affairs, which immediately exploded in flames.  After all, a thatched roofed, wooden building filled with kindling in the form of cloth—and likely a  fair amount of paper and writing supplies to keep track of it all—sounds like a bonfire waiting to happen.  There were reports that the fire had actually started in Prince Osakabe's palace and then spread to the Ministry of Popular Affairs from there. It is also worth noting that recording of such events was still somewhat new to the archipelago as a whole. They were learning from the continent, but also defining their own traditions. Observations of natural phenomena weren't just relegated to celestial occurrences or weather.  After all, there was something else that one could observe in the sky:  birds.  Now this wasn't your average bird-watching—though I'm not saying that there weren't casual birders in ancient Japan, and if we ever find someone's birding diary from that era I think that would be so cool.  But there were some things that were significant enough to be mentioned. For example, in 678 we get a report of "atori", or bramblings.  Bramblings are small songbirds which are found across Eurasia.  Notably they are migratory, and are known to migrate in huge flocks especially in the winter time, and sure enough on the 27th day of the 12th month we are told that the bramblings flew from the southwest to the northeast, covering the entire sky.  This makes me think about some of the other mass migrations that used to occur that have largely been reduced significantly due to habitat loss, disruption to traditional migratory routes, and other population pressures on various bird species.  Still, having so many birds that it blocked out the sky certainly seems a significant event to report on.  We later see a similar account in 680, with the flock moving from southeast to northwest.  Given the location of Asuka it sounds like they were flocking in the mountains and heading out over the Nara Basin, perhaps seeking food in another mountainous area. In 682, the birders were at it again.  This time, around midday on the 11th day of the 9th lunar month, several hundreds of cranes appeared around the Palace and soared up into the sky.  They were there for about two hours before they dispersed.  Once again, cranes are migratory and known to flock.  Cranes are also known as a symbol of long life and joy—and I can understand it.  Have you ever seen a flock of cranes?  They are not small birds, and they can be really an incredible sight.  Flocks of cranes themselves were probably not that rare, and it was no doubt more about so many gathering around the palace which made it particularly special. It wasn't just birds in the sky that were considered important symbols, though.  Birds often are noted as auspicious omens.  Usually strange birds, plants, or other such things are found in various provinces and presented to the throne.    So in 675, Yamato presented auspicious "barn-door fowl", likely meaning a fancy chicken.  Meanwhile, the Eastern provinces presented a white falcon and the province of Afumi presented a white kite.  Chickens are associated with the sun and thus with the sun goddess, Amaterasu, and albino versions of animals were always considered auspicious, often being mentioned in Buddhist sources.  Later, in 680, we see a small songbird, a "Shitodo", also described as white, and probably albino, sent to the court from nearby Settsu. Then, in 681 there is mention of a red sparrow.  Red coloration is not quite the same as albinism, though it is something that does occur at times, when the brownish coloration comes out more red than brown, and I suspect this is what we are talking about.  This is most likely just a recessed gene or genetic mutation, similar to causes for albinism, but just in a different place in the DNA.  As for why it was important:  I'd first and foremost note that anything out of the ordinary (and even some ordinary things) could be considered a sign.   Red was also seen as an auspicious color, so that may have had something to do with it as well.  And then there is the concept of Suzaku, the red bird of the south.  Suzaku is usually depicted as an exotic bird species of some kind, like how we might depict a phoenix.  But it was also just a "red bird", so there is that, and perhaps that was enough.  Not that this red sparrow was "Suzaku", but evoked the idea of the southern guardian animal.  A year prior, in 680, a red bird—we aren't told what kind—had perched on a southern gate, which even more clearly screams of the Suzaku aesthetic. It is probably worth noting here that in 686, towards the end of the reign, not that anyone knew it at the time, Ohoama decided to institute a new nengo, or regnal period.  It was called Shuuchou—red or vermillion bird—and it likely referred to Suzaku.  This nengo was cut short, however, with Ohoama's death that same year.  Nengo were often chosen with auspicious names as a kind of hope for the nation, so clearly "red bird" was considered a good thing. A month after the red sparrow, Ise sent a white owl, and then a month after that, the province of Suwou sent a red turtle, which they let loose in the pond at the Shima palace.  Again, these were probably just examples of animals seen as auspicious, though they would have likely been recorded by the Onmyou-ryou, who would have likely combed through various sources and precedents to determine what kind of meaning might be attached to them. Color wasn't the only thing that was important.  In 682, the Viceroy of Tsukushi reported that they had found a sparrow with three legs.  There are numerous reasons why this could be, but there is particular significance in Japan and Asia more generally.  A three legged bird is often associated with the sun Andusually depicted as a black outline of a three legged bird inside of a red sun.  In Japan this was often conflated with the Yata-garasu, the Great Crow, which is said to have led the first mythical sovereign, Iware Biko, to victory in his conquest of Yamato.  Thus we often see a three legged crow depicted in the sun, which was an object of particular veneration for the Wa people from centuries before.  And I suspect that the little three-legged sparrow from Tsukushi  I suspect that this had particular significance because of that image. Animals were not the only auspicious things presented to the throne.  In 678, Oshinomi no Miyatsuko no Yoshimaro presented the sovereign with five auspicious stalks of rice.  Each stalk, itself, had other branches.  Rice, of course, was extremely important in Japan, both from a ritual and economic sense, so presenting rice seems appropriate.  Five stalks recalls things like the five elemental theory—and in general five was consider a good number.  Three and five are both good, prime numbers, while four, pronounced "Shi", sounds like death and is considered inauspicious.  Three, or "San" is sometimes associated with life, and five is associated with the five elements, but also just the fact that it is half of ten, and we have five fingers on one hand and in so many other ways, five is regarded as a good number in much of Asia. That the stalks had multiple branches likely referred to them bearing more than the usual amount of rice on them, which seems particularly hopeful.  Certainly the court thought so.  In light of the auspicious gift, all sentences of penal servitude and lower were remitted.  In 680, Officials of the Department of Law gave tribute of auspicious stalks of grain, themselves.  I'm not sure, in this case, that it was all that they hoped, however, as that began three days straight of rain and flooding. A year earlier, in 679, we are told that the district of Ito, in Kii, immediately south of Yamato, sent as tribute the "herb of long life".  We are told that it "resembled" a mushroom—probably meaning it was a mushroom, or maybe something formed into a mushroom shape.  But the stem was about a foot long and the crown was two spans, about 6 feet in diameter.  This is pretty incredible, and I have to wonder if there is a bit of exaggeration going on here. Another tribute was a horn found on Mt. Katsuraki.  It branched into two at the base, was united at the end, and had some flesh and hair still attached, about an inch in length.  They claimed it must be horn or a Lin, or Kirin, sometimes referred to as an Asian unicorn—a mythical creature considered to be quite auspicious and benevolent.  This was on the 26th day in the 2nd lunar month of the year 680, probably around March or April.  I highly suspect that what they found was an oddly shaped bit of antler from  a buck whose antlers had begun to come in and which might have been taken out by wolves or bears or something else altogether.  The fact that the ends were said to be fused together could just be referring to some kind of malformation of the antlers.  The fur and flesh could mean that the antlers were still growing—antlers would probably just be coming in around early spring time.  Still, there is no telling how long it was there, so it could have been from the previous year as well.  Attributing it to a kirin seems a bit of a stretch, but it was clearly something unusual. Animals and plants were recorded in tribute, but also when something odd happened.  Fruiting out of season was one such occurrence, which we've seen elsewhere in the chronicles as well.  There was even a record when the famous Tsuki tree outside of Asukadera had a branch fall down.  Presumably it was a large and noticeable branch, and by now this appears to have been a tree with a bit of age to it that had seen a lot, so it makes sense it got a mention. Finally, we go from the heavens to the earth.    Perhaps the most numerous observations in the Chronicles were the earthquakes.  We've noted in the past that Japan is extremely active, volcanically speaking, so it makes sense that there are multiple accounts of earthquakes each year, especially if they were compiling reports from around the country.  Most of these are little more than just a note that there was an earthquake, but a few stand out. The first is the 12th lunar month of 678.  We are told that there was a large earthquake in Tsukushi—modern Kyushu. The ground split open to the width of about 20 feet for more than 30,000 feet.  Many of the commoners' houses in the area were torn down.  In one place there was a house atop a hill, and though the hill crumbled down the house somehow remained intact.  The inhabitants had apparently been home and must have been oblivious, as they didn't realize anything had happened until they woke up the next morning. Again, probably a bit of hyperbole in here, but if we think back to things like the 2016 Kumamoto earthquake, where large areas of land shifted noticeably along the fault lines, it is likely that this was a similar or even more catastrophic event.  And here I'll give a quick plug for Kumamoto, which is still working to rebuild from the earthquake, and if you ever get a chance, I recommend a visit to the Kumamoto Earthquake Memorial Museum or Kioku, where you can see for yourself just how powerful mother nature can be. Another powerful earthquake was mentioned in the 10th lunar month of 684.  If the earthquake in Tsukushi had hit mostly agricultural areas, based on the description, this seems to have hit more populated regions.  We are told that it started in the dark of night, the hour of the boar, so about 10pm, give or take an hour.  The shaking was so bad that throughout the country men and women cried out and were disoriented—they could not tell east from west, a condition no doubt further hindered by the dark night sky.  There were mountain slides and rivers changed course, breaking their banks and flooding nearby areas.  Official buildings of the provinces and districts, the barns and houses of the common people, and the temples, pagodas, and shrines were all destroyed in huge numbers.  Many people and domestic animals were killed or injured.  The hot springs of Iyo were dried up and ceased to flow.  In the province of Tosa, more than 500,000 shiro of cultivated land sank below sea level.  Old men said that they had never seen such an earthquake.  On that night there was a rumbling noise like that of drums heard in the east—possibly similar to what we had mentioned earlier.  Some say that the island of Idzu, aka Vries Island, the volcanic island at the entrance of Edo Bay, increased on the north side by more than 3,000 feet and that a new island had been formed.  The noise of the drums was attributed to the gods creating that island. So here we have a catastrophic quake that impacted from Iyo, on the western end of Shikoku, all the way to the head of Edo Bay, modern Tokyo.  This appears to be what seismologists have labelled a "Nankai Trough Megathrust Earthquake".  Similar quakes have occurred and are predicted to occur in the future., along a region of Japan from the east coast of Kyushu, through the Seto Inland Sea, including Shikoku, through the Kii peninsula and all the way to Mt. Fuji.  The Nankai Trough, or Southern Sea Trough, is the area where the continental shelf drops down, and where the Philippine tectonic plate slips underneath the Eurasian—or more specifically the Amuric—plate.  As these plates move it can cause multiple events all along the trough at the same time.  Since being regularly recorded, these quakes have been noted every 100 to 150 years, with the last one being the Showa Nankai quakes of 1944 and 1946. For all of the destruction that it brought, however, apparently it didn't stop the court.  Two days after this devastating quake we are told that Presents were made to the Princes and Ministers.  Either they weren't so affected in the capital, or perhaps the date given for one of the two records is not quite reliable.  Personally, I find it hard to believe that there would be presents given out two days later unless they were some form of financial aid.  But what do I know?  It is possible that the court itself was not as affected as other areas, and they may not have fully even grasped the epic scale of the destruction that would later be described in the Chronicles, given the length of time it took to communicate messages across the country. Which brings us back to the "science" of the time, or at least the observation, hoping to learn from precedence or piece out what messages the world might have for the sovereign and those who could read the signs.  While many of the court's and Chronicler's conclusions may give us pause, today, we should nonetheless be thankful that they at least decided to keep notes and jot down their observations.  That record keeping means that we don't have to only rely on modern records to see patterns that could take centuries to reveal themselves.  Sure, at this time, those records were  still a bit spotty, but it was the start of something that would be remarkably important, and even though these Chronicles may have been focused on propaganda, the fact that they include so many other references are an incalculable boon to us, today, if we can just see to make the connections.  And with that, I think I've rambled enough for this episode.  We still have a couple more to fully cover this period. Until then, if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website,  SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.  

In this episode of the Specialty Matcha Podcast, hosts Ryan and Zongjun (Sam) talk with with Dr. Rebecca Corbett, a historian specializing the history and practice of Japanese tea culture (chanoyu), and early modern Japanese women's history. Dr. Corbett shares her personal journey into the world of tea and discusses the complexities of gender roles within tea practices. The conversation also touches on the influence of the Urasenke school, the secretive nature of knowledge transmission in Chanoyu, and the institutionalized sexism present in Japanese society. Dr. Corbett's book, Cultivating Femininity: Women and Tea Culture in Edo and Meiji Japan, sheds light on the women who were written out of tea history and disproves orthodox narratives perpetuated by the largest and most powerful schools of tea ceremony in the world. https://libraries.usc.edu/person/rebecca-corbetthttps://theconversation.com/green-gruel-pea-soup-what-westerners-thought-of-matcha-when-they-tried-it-for-the-first-time-263014?utm_medium=article_clipboard_share&utm_source=theconversation.comhttps://library.oapen.org/handle/20.500.12657/30216https://globaltea.ucdavis.edu/

Episode Overview In this episode of the Develop This! Podcast, host Dennis Fraise sits down with one of the most respected voices in economic development—Jay Garner of Garner Economics and a long-standing Site Selectors Guild member. Jay brings decades of experience in corporate location advisory work and economic strategy, offering listeners a deep dive into today's site selection environment and the most pressing trends shaping business investment. A centerpiece of the conversation is the Site Selectors Guild's Guild Partner Program, an innovative initiative designed to strengthen connections between site selection consultants and economic development organizations. As a proud partner of the Site Selectors Guild, Develop This! continues to highlight leading voices and provide economic developers with insider-level access to the industry's most influential practitioners. Jay also discusses the trajectory of his firm, the unusually high volume of activity in sectors like food and beverage, and why certifications continue to matter. He wraps by sharing insights from the second edition of his widely acclaimed book, Economic Development is Still Not for Amateurs, which has now surpassed 10,000 copies sold. Whether you're an emerging EDO professional or a seasoned leader, this is a must-listen conversation packed with strategy, context, and candid wisdom. Key Takeaways Garner Economics specializes in corporate location advisory services and economic development strategy, serving both communities and private-sector clients. The current site selection landscape is exceptionally active, with robust movement particularly in the food and beverage industries. The Site Selectors Guild was founded to foster collaboration, ethical standards, and a collegial environment among vetted site selection professionals. The new Guild Partner Program provides curated, high-impact networking opportunities exclusively for economic development organizations. Participation in the program enhances visibility by giving EDOs featured profiles on the Guild's website, placing them in front of active site selection consultants. Guild partners gain access to exclusive VIP networking events, creating meaningful and direct connections with Guild members. The Site Selectors Guild maintains an exceptionally high retention rate, underscoring the value members find in the organization. Jay emphasizes the continued importance of certifications as a signal of professionalism and commitment within the economic development field. His book, Economic Development is Still Not for Amateurs, is designed to help community leaders, elected officials, and stakeholders understand the realities of economic development work. The book's second edition has sold over 10,000 copies, a testament to its impact and relevance.

In this episode of Develop This!, host Dennis Fraise sits down with Bruce Takefman, Founder and CEO of Research FDI, to explore how technology, AI, and global trends are reshaping the future of investment attraction. Bruce shares his personal journey and lessons learned from years of helping communities and economic development organizations (EDOs) compete in a rapidly evolving global marketplace. From AI-powered tools like FDI 365 to training programs that strengthen EDO outreach, Bruce highlights the strategies that separate high-performing organizations from the rest. Listeners will gain insights into: Why a clear investment attraction plan is essential for success How smaller communities can leverage their unique assets The growing role of AI and data analytics in investment outreach How to measure success beyond leads—through site visits and job creation The importance of diversity, inclusion, and global perspective in building competitive teams Whether you're leading a regional partnership or managing a local EDO, this conversation delivers actionable takeaways to elevate your investment attraction efforts and prepare for what's next.

Rob McKenna on President Trump's failed defamation lawsuit against CNN // Xavier Walton on the blocking of Texas Republicans' attempts at a new Congressional map // Ed O'Keefe on the vote to release the Epstein Files, the Saudi Crown Prince in D.C. and the blocking of the GOP-led Congressional Map // Charlie Commentary with a reminder of a local sexual assault cover-up, in light of the vote on the release of the Epstein Files // Scott Sistek with an extended forecast for weather on Thanksgiving and into December // Gee Scott on an uptick in job applications to previously "unwanted" jobs

Edo ci ha messo 16 anni a completare un video di 90 secondi. Mentre Fede lancia un esperimento su LinkedIn: foto stock + ChatGPT = storie fake che fanno piangere nei commenti (e nessuno capisce che è tutto inventato). C'è anche chi spopola su YouTube con video (assurdi) sul birdwatching.E Ivan di Tua Energia ci spiega finalmente come funziona il mercato dell'energia e come evitare le truffe telefoniche.Ascolta la puntata per scoprire tutti i link!

Opnieuw spanning en mysterie in de derde aflevering van Wie is de Mol?. In deze aflevering van De T Kijkt TV bespreken Max van den Broek en Karlijn Bernoster, samen met oud-winnaar Edo Brunner, uitgebreid wat hen allemaal opviel. De lasergame-opdracht bevatte volgens Max opnieuw een aantal mooie en subtiele details, waardoor er veel te bespreken valt. Uiteraard zijn er wederom meerdere hints die de aandacht trekken, en Edo lijkt bij bijna elke hint opnieuw te twijfelen over wie de Mol zou kunnen zijn. Daarnaast wordt er tijdens deze aflevering zelfs een mogelijke nieuwe hint bedacht, wat de zoektocht alleen maar spannender maakt.See omnystudio.com/listener for privacy information.

This week Frank celebrates his birthday in the studio with Jon, keeps the vibes relaxed, and still manages to pack in a full slate of geek news and debates. The two kick things off with updates on Shogun Season 2, breaking down the ten year time jump, the politics of feudal Japan, and how Western audiences connect with Asian history and tropes on screen. From there they pivot to Valve's newly announced Steam Machine concept and what it means for the future of consoles, PC gaming, and cloud streaming. Then it is trailer time. Frank and John react to the new Fallout Season 2 trailer and its New Vegas setting, the Super Mario Galaxy movie trailer from Illumination, and the first official images from the live action Legend of Zelda movie. They also dig into Disney's Moana live action remake and use it as a springboard to talk about when fans want faithful recreations and when they actually want a fresh take. In the second half, Frank launches a new recurring bit called Shallow Dives, a timed debate game where one host takes a position and the other plays devil's advocate. Topics this round include whether physical media is really coming back, if critic and audience scores should be hidden for a movie's first week, and how central cosplay is to modern fandom. The episode wraps with recommendations for Welcome to Derry and a timely revisit of V for Vendetta. Timestamps and Topics 00:00 – Birthday intro, in person recording, and why this episode is more relaxed 01:00 – Shogun Season 2 news, ten year time jump, and how the show handles Japanese history and European trade politics 05:30 – Valve's new Steam Machine concept, console vs PC, and why price point might decide its fate 11:20 – Fallout Season 2 trailer reaction, New Vegas connections, Elvis ghoul Kings, and Macaulay Culkin's role 15:40 – Super Mario Galaxy movie trailer, Bowser in a jar, Bowser Jr, Rosalina, and Illumination's animation style and music 18:20 – First look at the live action Legend of Zelda movie and a deeper talk about faithful adaptations vs reinterpretations 24:00 – Moana live action trailer, shot for shot remakes, green screen fatigue, and who these remakes are really for 28:15 – Introducing Shallow Dives, the 5 minute debate game and how it might work at conventions 29:30 – Shallow Dive 1: Is physical media actually making a comeback or is streaming still king 35:00 – Shallow Dive 2: Should critic and audience scores be hidden for the first week of release 41:00 – Shallow Dive 3: Is cosplay a core part of fandom or its own parallel hobby 46:20 – Weekly recommendations: Welcome to Derry and why V for Vendetta still matters 48:10 – Wrap up and sign off Key Takeaways Shogun Season 2 will jump ten years into the Edo era, exploring what it means for Toranaga to not just conquer Japan but govern it while foreign powers like Portugal and Britain push for control. For Western viewers, Shogun can be a gateway into Asian history and storytelling, with Frank and John comparing it to Game of Thrones style politics filtered through a real world lens. Valve's new Steam Machine raises real questions about timing and audience, but John argues that if the device hits the right price and lives in the living room it could appeal to younger PC focused players and convention setups. The Fallout Season 2 trailer leans hard into New Vegas iconography, from Elvis themed ghoul factions to Roman inspired forces, while doubling down on the tension between Lucy's idealism and the brutal wasteland reality. The Super Mario Galaxy movie and the Zelda live action first look both seem to be chasing a very faithful visual style, keeping game aesthetics intact while polishing them for film, especially through music and world design. Moana's live action remake sparks a bigger conversation about when fans want a nearly shot for shot remake and when they want a reinterpretation, with both hosts skeptical about the flat, overly digital look of some recent remakes. In the Shallow Dives segment, the physical media debate lands on a nuanced middle ground: streaming is convenient, but physical and local digital collections still matter for ownership, longevity, and curation. The discussion about scores leads Frank to explain why Geek Freaks removed numeric ratings from posts, preferring to describe how a story feels instead of flattening it to a single number. On cosplay, both hosts agree that it might be its own fandom as much as a subset of any one property, but it absolutely boosts the sense of community and safety at cons by signaling "you are with your people." Memorable Quotes "I would rather put out a relaxed episode than no episode." "Each vault in Fallout is just a wild experiment, and that weirdness is the charm of the show." "Physical media might not be for everyone anymore, but owning a copy means nobody can pull it off your shelf overnight." "Reviews should tell you how a story makes you feel, not just slap a number on it." "Cosplay is like an instant signal that you are in a safe place to be as nerdy as you want." Call To Action If you enjoyed this episode, make sure to subscribe to Geek Freaks on your favorite podcast app, leave a rating and review on Apple Podcasts, and share the show with a friend who loves Fallout, Zelda, or Disney animation. Spread the word using the hashtag #GeekFreaksPodcast so we can see what you think of the new Shallow Dives segment. Links and Resources All the news and stories we discuss come from our coverage at: GeekFreaksPodcast.com Follow Us Stay connected with Geek Freaks across the web: Facebook: https://www.facebook.com/thegeekfreakspodcast Twitter: https://twitter.com/geekfreakspod Instagram: https://www.instagram.com/geekfreakspodcast/ Threads: https://www.threads.net/@geekfreakspodcast Patreon: https://www.patreon.com/GeekFreakspodcast Listener Questions Have a question, hot take, or Shallow Dive topic you want us to debate next time Send your thoughts and prompts to us on social media or through GeekFreaksPodcast.com and we might feature your idea in a future episode. Apple Podcasts Tags Geek Freaks, TV and Film, Entertainment News, Pop Culture, Shogun Season 2, Fallout TV Series, Fallout Season 2, Super Mario Galaxy Movie, Legend of Zelda Movie, Moana Live Action, Video Games, Cosplay, Physical Media, Movie Reviews, Streaming Services, Stephen King, Welcome to Derry, V for Vendetta, Alan Moore

@nigeriasbest and @phoenix_agenda were joined by @womivThey discussed:PDP expulsion of Wike, Fayose and others for anti-party activitiesISWAP ambushed military convoyWike faces off with military officer over land disputeMOWAA launch shelved due to Edo controversy

Edo Politics; Ex Governor Obaseki Aide Albert Obaze Attacked-In UKhttps://osazuwaakonedo.news/edo-politics-ex-governor-obaseki-aide-albert-obaze-attacked-in-uk/#Breaking News #edo #Manchester #MOWAA #Obaseki #Obaze #UK ©November 17th, 2025 ®November 17, 2025 7:11 am Politics of obvious and apparent personal vendetta among some youths in Edo State which has been on-going for years most especially since the immediate former Governor of the State, Godwin Obaseki left office on November 12, 2024 took a new twist on Sunday night in the city of Manchester in the United Kingdom, as a yet to be properly identified man walked into an event hall where the former Governor, Godwin Obaseki and his wife, Betty were scheduled to meet Edo people, and attacked-one of their main political and media supporters, Albert Obaze, who probably had been in the bad books of some Edo youths sequel to his ways of always defending the ex governor Obaseki and exchanging words with those against the ex governor. #OsazuwaAkonedoNigerian Army Confirms 4 Dead As Terrorists Ambush Brigade In Wajirokohttps://osazuwaakonedo.news/nigerian-army-confirms-4-dead-as-terrorists-ambush-brigade-in-wajiroko/#Nigerian Army #Borno #Wajiroko ©November 16th, 2025 ®November 16, 2025 3:01 am Nigerian Army authority has confirmed the killing of four persons with the inclusion of two soldiers and two civilian JTF when members of the Islamic State West Africa Province, Iswap terrorists on Friday evening ambushed a brigade of Nigeria army, personally led by the Brigade Commander, Brigadier General M Uba around Wajiroko community in Azir Multe area of Damboa local government area of Borno State, which, according to HumAngle news media, the Iswap terrorists opened fired on a convoy of  several military and civilian joint taskforce vehicles, causing the Brigade of the Armed Forces of Nigeria an apparent full destabilization, leading to the Brigadier General missing in action for several hours but started responding to WhatsApp messages few moments later, but, the Nigerian Army authority insisted that the Brigadier General and the commander of the 25 Task Force Brigade personally led the Nigerian Army Troops back to base, after an apparent failed attempt to rescue communities that are probably still under terrorists control in the areas close to Sambisa Forest. #OsazuwaAkonedoZelenskyy Orders PM To Involve Police In Mass Audits Of Ukrainian Companieshttps://osazuwaakonedo.news/zelenskyy-orders-pm-to-involve-police-in-mass-audits-of-ukrainian-companies/#World News #Denmark #Finland #Svyrydenko #Ukraine #Zelenskyy ©November 15th, 2025 ®November 15, 2025 7:52 am President Volodymyr Zelenskyy has ordered the new Prime Minister of Ukraine, Yuliia Svyrydenko to involve law enforcement agencies including the anti-corruption police in the mass audits of Ukraine state-owned companies, Zelenskyy who gave the order this week while in one-on-one meeting with the Female Prime Minister, said, the law enforcement agencies of Ukraine must take immediate action based on the outcome or results of the audits being initiated by Yuliia Svyrydenko, the current Prime Minister of Ukraine who assumed office on July 17, 2025, after being confirmed by the Verkhovna Rada, meaning, Ukraine's parliament, following President Volodymyr Zelenskyy nomination of Svyrydenko as part of a major government reshuffle, replacing the previous Prime Minister, Denys Shmyhal, who became the new Minister of Defense and Svyrydenko previously served as the First Deputy Prime Minister and Minister of Economic Development and Trade, the new position made her the second woman in Ukraine's history to hold the position of Prime Minister, meanwhile, during the week, Zelenskyy also announced that the Nordic countries;  Denmark, Finland, Iceland, Norway – along with other Baltic friendly countries of Ukraine, have decided to commit an additional $500 million to the Prioritized Ukraine Requirements List, PURL initiative, a NATO-led initiative to expedite the supply of critically needed US manufactured weapons to the country, which, Zelenskyy said will be of a substantial help. #OsazuwaAkonedoBecome a supporter of this podcast: https://www.spreaker.com/podcast/osazuwaakonedo--4980924/support.Kindly support us for more productivity and efficiency in news delivery.Visit our donation page: DonateYou can also use our Mobile app for more news in different formats: CLICK TO DOWNDLOAD ON GOOGLE PLAY STORE 

Edo Politics; Ex Governor Obaseki Aide Albert Obaze Attacked-In UKhttps://osazuwaakonedo.news/edo-politics-ex-governor-obaseki-aide-albert-obaze-attacked-in-uk/#Breaking News #edo #Manchester #MOWAA #Obaseki #Obaze #UK ©November 17th, 2025 ®November 17, 2025 7:11 am Politics of obvious and apparent personal vendetta among some youths in Edo State which has been on-going for years most especially since the immediate former Governor of the State, Godwin Obaseki left office on November 12, 2024 took a new twist on Sunday night in the city of Manchester in the United Kingdom, as a yet to be properly identified man walked into an event hall where the former Governor, Godwin Obaseki and his wife, Betty were scheduled to meet Edo people, and attacked-one of their main political and media supporters, Albert Obaze, who probably had been in the bad books of some Edo youths sequel to his ways of always defending the ex governor Obaseki and exchanging words with those against the ex governor. #OsazuwaAkonedoNigerian Army Confirms 4 Dead As Terrorists Ambush Brigade In Wajirokohttps://osazuwaakonedo.news/nigerian-army-confirms-4-dead-as-terrorists-ambush-brigade-in-wajiroko/#Nigerian Army #Borno #Wajiroko ©November 16th, 2025 ®November 16, 2025 3:01 am Nigerian Army authority has confirmed the killing of four persons with the inclusion of two soldiers and two civilian JTF when members of the Islamic State West Africa Province, Iswap terrorists on Friday evening ambushed a brigade of Nigeria army, personally led by the Brigade Commander, Brigadier General M Uba around Wajiroko community in Azir Multe area of Damboa local government area of Borno State, which, according to HumAngle news media, the Iswap terrorists opened fired on a convoy of  several military and civilian joint taskforce vehicles, causing the Brigade of the Armed Forces of Nigeria an apparent full destabilization, leading to the Brigadier General missing in action for several hours but started responding to WhatsApp messages few moments later, but, the Nigerian Army authority insisted that the Brigadier General and the commander of the 25 Task Force Brigade personally led the Nigerian Army Troops back to base, after an apparent failed attempt to rescue communities that are probably still under terrorists control in the areas close to Sambisa Forest. #OsazuwaAkonedoZelenskyy Orders PM To Involve Police In Mass Audits Of Ukrainian Companieshttps://osazuwaakonedo.news/zelenskyy-orders-pm-to-involve-police-in-mass-audits-of-ukrainian-companies/#World News #Denmark #Finland #Svyrydenko #Ukraine #Zelenskyy ©November 15th, 2025 ®November 15, 2025 7:52 am President Volodymyr Zelenskyy has ordered the new Prime Minister of Ukraine, Yuliia Svyrydenko to involve law enforcement agencies including the anti-corruption police in the mass audits of Ukraine state-owned companies, Zelenskyy who gave the order this week while in one-on-one meeting with the Female Prime Minister, said, the law enforcement agencies of Ukraine must take immediate action based on the outcome or results of the audits being initiated by Yuliia Svyrydenko, the current Prime Minister of Ukraine who assumed office on July 17, 2025, after being confirmed by the Verkhovna Rada, meaning, Ukraine's parliament, following President Volodymyr Zelenskyy nomination of Svyrydenko as part of a major government reshuffle, replacing the previous Prime Minister, Denys Shmyhal, who became the new Minister of Defense and Svyrydenko previously served as the First Deputy Prime Minister and Minister of Economic Development and Trade, the new position made her the second woman in Ukraine's history to hold the position of Prime Minister, meanwhile, during the week, Zelenskyy also announced that the Nordic countries;  Denmark, Finland, Iceland, Norway – along with other Baltic friendly countries of Ukraine, have decided to commit an additional $500 million to the Prioritized Ukraine Requirements List, PURL initiative, a NATO-led initiative to expedite the supply of critically needed US manufactured weapons to the country, which, Zelenskyy said will be of a substantial help. #OsazuwaAkonedoBecome a supporter of this podcast: https://www.spreaker.com/podcast/osazuwaakonedo--4980924/support.Kindly support us for more productivity and efficiency in news delivery.Visit our donation page: DonateYou can also use our Mobile app for more news in different formats: CLICK TO DOWNDLOAD ON GOOGLE PLAY STORE 

Edo Politics; Ex Governor Obaseki Aide Albert Obaze Attacked-In UKhttps://osazuwaakonedo.news/edo-politics-ex-governor-obaseki-aide-albert-obaze-attacked-in-uk/#Breaking News #edo #Manchester #MOWAA #Obaseki #Obaze #UK ©November 17th, 2025 ®November 17, 2025 7:11 am Politics of obvious and apparent personal vendetta among some youths in Edo State which has been on-going for years most especially since the immediate former Governor of the State, Godwin Obaseki left office on November 12, 2024 took a new twist on Sunday night in the city of Manchester in the United Kingdom, as a yet to be properly identified man walked into an event hall where the former Governor, Godwin Obaseki and his wife, Betty were scheduled to meet Edo people, and attacked-one of their main political and media supporters, Albert Obaze, who probably had been in the bad books of some Edo youths sequel to his ways of always defending the ex governor Obaseki and exchanging words with those against the ex governor. #OsazuwaAkonedoBecome a supporter of this podcast: https://www.spreaker.com/podcast/osazuwaakonedo--4980924/support.Kindly support us for more productivity and efficiency in news delivery.Visit our donation page: DonateYou can also use our Mobile app for more news in different formats: CLICK TO DOWNDLOAD ON GOOGLE PLAY STORE 

Ever wonder how Japanese tattoos went from sacred symbols to signs of crime—and back again? Grab your matcha and settle in, because we're diving deep (and painfully) into the history of Yakuza tattoos. From ancient fishermen warding off sea monsters to the full-body masterpieces of Edo Japan, this episode of For the Love of History gets under your skin—literally. TK takes us on a wild ride through Japan's criminal ink, exploring the ancient roots of irezumi, the artistry behind traditional hand-tapped tattoos, and how Japan's obsession with “purity” turned body art into a mark of shame. Spoiler: chisels were involved. (Yes, chisels.) You'll learn how: Ancient fishermen believed tattoos could protect them from giant man-eating fish

In this episode of Geek Freaks Headlines, we break down everything we know about Shogun Season 2. From the confirmed January 2026 filming start in Vancouver to the ten year time jump into a fragile Edo era, we look at how the story is evolving beyond the original book. We discuss the return of Toranaga and Blackthorne, the expanded ensemble cast, the creative team coming back, and why the long shoot likely points to a 2027 release. 00:00 - 00:05Shogun Season 2 confirmed and quick recap of how big Season 1 was00:05 - 00:18Filming starts January 2026 in Vancouver and what that means for production00:18 - 00:30Ten year time jump, deeper into the Edo era, and a more fragile political landscape00:30 - 00:40Toranaga and Blackthorne return, original supporting cast back, new faces joining00:40 - 00:52Creative team returning, the cost of big sets and costumes, and why the release will likely land in 202700:52 - 00:58Final thoughts and excitement for Season 2Shogun is officially getting a second season with filming set for January 2026 in Vancouver.The story jumps ten years ahead, placing us deeper into the Edo era with Toranaga in power but on unstable ground.Expect fewer large scale battles and more political maneuvering as Toranaga manages a fragile new alliance.Both Toranaga and Blackthorne return, played again by Hiroyuki Sanada and Cosmo Jarvis, alongside the original supporting cast and many new characters.The creative team, including key writers and directors from Season 1, is back, even though the show is now telling an original story beyond the book.The scale and cost of production suggest a long post production window, making a likely release sometime in 2027.“It kind of gives us an era when Toranaga is in power, but it is fragile.”“It will probably be less battles and more juggling this fragile new alliance that he is building.”“They are no longer pulling from the book, they are beyond that at this point.”“With the very expensive and long shoot, it is probably not going to release till 2027, but cameras are rolling.”“We have something happening that is incredible. I cannot wait for another season of Shogun.”If you enjoyed this breakdown of Shogun Season 2, make sure you subscribe to Geek Freaks Headlines on your favorite podcast app so you never miss a TV or movie news update. Leave us a review and rating to help more geeks find the show, and share this episode on social media using the hashtag #GeekFreaksHeadlines.For more news, articles, and updates, visit our home base at GeekFreaksPodcast.com.Facebook: https://www.facebook.com/thegeekfreakspodcastThreads: https://www.threads.net/@geekfreakspodcastTwitter: https://twitter.com/geekfreakspodInstagram: https://www.instagram.com/geekfreakspodcast/Patreon: https://www.patreon.com/GeekFreakspodcastHave a question or a take on Shogun Season 2 you want us to read on the show? Send your thoughts to us on social or through the contact page at GeekFreaksPodcast.com and you might be featured in a future episode of Geek Freaks Headlines.Apple Podcasts TagsShogun, Shogun Season 2, Geek Freaks Headlines, TV news, FX series, Samurai drama, Streaming news, Geek Freaks Podcast, Hiroyuki Sanada, Cosmo JarvisTimestamps And TopicsKey TakeawaysMemorable QuotesCall To ActionFollow Geek Freaks

Date Masamune makes a desperate, white-knuckle trip to reach Edo before death claims him. The nation mourns the dragon's passing. And at Otamaya, just south of Mount Aoba on the banks of the Hirose, the making of a legend is completed.Script and sources available at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://riverside-wings.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Riversidewings on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or buy ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠some merch at Fourthwall⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. (Music is "Shinshun Ryoutei," "Kyoto no Ohayashi," "Hokora Uta," and "Yamagami no Yashiro," from 「MOMIZizm MUSiC（もみじば）｜フリーBGM 」)

Un brainstorming creativo tra Edo e Fede che condividono le loro idee più strampalate e geniali: dal social network anti-scrolling al gratta e vinci ecologico, passando per WhatsApp che ti salva dalle figure di merda notturneGuarda la puntata completa su Spotify.▫️ Hacking Creativity adesso è anche un libro, e ti aiuta a sbloccarti in 600 modi diversi! Ordinalo qui

Ed O'Keefe on the Senate vote to end the government shutdown-LIVE // Casey McNerthney with "Crime and Punishment" — Local crime report // Charlie Commentary on a possible new era in Seattle with the close mayoral race-LIVE //  Republican Strategist Randy Pepple on who believes will win the Seattle mayoral race-LIVE // Gee Scott on the Seahawks dominant win yesterday-LIVE

On today's episode of Eat. Talk. Repeat. we're back and fired up — literally. ✈️ John returns from his long vacation — sunburned, opinionated, and ready to rant.

Data is everywhere. But making sense of it? That's where the real work begins. In episode 99 of Brand Story, Laura Grover, Senior Vice President and Head of Client Solutions at EDO, Inc., shares why traditional metrics like reach and clicks don't always tell the full story. She also discusses how AI is reshaping search and measurement, what marketers can learn from sports audiences, and why curiosity is still the most valuable skill in a data-driven world.This is Brand Story, a podcast celebrating the stories of real people who are making an impact on brands, business, and the world around them. Episodes feature guests from a variety of backgrounds who bring their own unique perspectives to the conversation.Brand Story is created and produced by Gravity Group, a full-service brand and marketing agency, and is hosted by Gravity Group President, Steve Gilman.Links and Information From the Episode Here: https://www.gravitygroup.com/podcast/marketings-measurement-reset/Continue the conversation on social:For more of Brand Story, check out our LinkedIn (https://www.linkedin.com/company/gravitygroupmarketing), where we'll post previews and highlights of shows, behind-the-scenes sneak peeks, plus other marketing news you can use.We're also on: Instagram — https://www.instagram.com/gravitygroupFacebook — https://www.facebook.com/gravitygroupmarketing(00:00) Introduction to Laura Grover, EDO, and Marketing Measurement(03:06) The Importance of Meeting Clients Where They Are(05:57) Evolution of Advertising Metrics(09:01) The Role of AI in Search and Measurement(11:55) Measuring NFL Advertising Effectiveness(15:08) The Impact of Women's Sports on Advertising(18:00) Programmatic Advertising and Client Success Stories(20:25) Maximizing Creative and Media Efficiency(24:12) The Evolution of Measurement in Advertising(27:40) Confidence in Analytics and Asking Questions(29:08) Advice for Newcomers in Measurement(32:44) The Importance of Generalist Skills in Measurement(34:56) Harnessing AI for Creative Analysis(36:12) Outcomes as a New Standard of Measurement

Send us a textIn this chilling episode of Supernatural Japan, we journey to Mount Unzen in Nagasaki Prefecture—one of Japan's most haunted and tragic places. From volcanic eruptions and the Christian martyrdoms of the Edo era to modern ghost sightings near the mountain's hot springs, Mount Unzen's dark past lingers in the mist. Discover how history, faith, and folklore intertwine to create one of Japan's most powerful supernatural legends.Follow the podcast: Instagram: https://www.instagram.com/supernaturaljapanBluesky: https://bsky.app/profile/madformaple.bsky.socialX: https://x.com/MadForMapleFacebook: https://www.facebook.com/groups/supernaturaljapanEmail: supernaturaljapan@gmail.comTales from Kevin Podcast:https://podcasts.apple.com/us/podcast/tales-from-kevin/id1767355563Support the podcast (Help fund the creation of new episodes) MEMBERSHIPS NOW AVAILABLE!: https://buymeacoffee.com/busankevinYouTube: https://www.youtube.com/@BusanKevinNEW podcast companion blogs! https://justjapanstuff.com/Website: https://supernaturaljapan.buzzsprout.comSupport the show

Fluent Fiction - Japanese: Otsukimi Delights: Haruto's Creative Culinary Journey Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2025-10-27-22-34-02-ja Story Transcript:Ja: 江戸の賑やかな市場の通りに、秋の爽やかな風が吹いていました。En: In the bustling market streets of Edo, a refreshing autumn breeze was blowing.Ja: 提灯の柔らかい光に照らされた屋台は、色とりどりの野菜や香辛料、珍しい食材であふれていました。En: The stalls illuminated by the soft light of lanterns were overflowing with colorful vegetables, spices, and rare ingredients.Ja: 人々はお月見の準備で忙しく、あちこちから活気と期待の声が聞こえます。En: People were busy preparing for the Otsukimi, and from all around came voices filled with excitement and anticipation.Ja: そんな賑わいの中、若い男が人混みを掻き分けて歩いていました。En: Amidst the lively scene, a young man was making his way through the crowd.Ja: 彼の名は春人。En: His name was Haruto.Ja: 彼は家族に見事な料理を振る舞いたくて、お月見のための特別な食材を探していました。En: He wanted to prepare a splendid meal for his family and was searching for special ingredients for Otsukimi.Ja: 春人は実家の伝統を重んじながらも、自分らしいひと工夫を加えたいと思っていました。En: Haruto wanted to honor his family's traditions while adding his own touch of creativity.Ja: 「美味しい材料を探していますか？」突然、明るい声が春人の耳に飛び込みました。En: "Are you looking for delicious ingredients?" A bright voice suddenly caught Haruto's attention.Ja: 振り返ると、元気な笑顔の女性がいました。En: Turning around, he saw a woman with a cheerful smile.Ja: 彼女の名は明美、どんな食材でもその由来まで知っている市場の達人です。En: Her name was Akemi, a market expert who knew the origins of every ingredient.Ja: 「そうです。お月見のための料理を考えていて…」春人は説明しました。En: "Yes, I'm thinking about dishes for Otsukimi..." Haruto explained.Ja: 「それなら、少し変わったものがおすすめよ。」明美は言いながら、彼を自分の屋台に案内しました。En: "In that case, I recommend something a bit unusual," Akemi said, leading him to her stall.Ja: 屋台の隅には、珍しい色合いの豆が並んでいました。En: In the corner of the stall, there were beans with unusual hues.Ja: 「これは？」春人は興味深く訊ねました。En: "What are these?" Haruto asked curiously.Ja: 「これは『月見豆』よ。昔から、お月見にはこの豆を使うと美味しくなると信じられているわ。」明美は自信満々に説明しました。En: "These are 'moon-viewing beans'," Akemi confidently explained.Ja: 買うかどうか迷っていた春人でしたが、彼女の勧めに従うことに決めました。En: Although Haruto hesitated at first, he decided to trust her advice.Ja: 予算は限られていましたが、明美の確かな知識に信頼を置きました。En: Despite a limited budget, he placed his confidence in Akemi's knowledge.Ja: 市場から帰ると、春人はさっそく料理を始めました。En: Upon returning from the market, Haruto immediately started cooking.Ja: 明美の助言を元に、豆を使った豊かな味わいの料理が出来上がりました。En: Following Akemi's suggestions, he prepared a dish with the beans that had a rich flavor.Ja: そして、月が空高く昇ったお月見の夜、春人はその料理を家族に振る舞いました。En: On the night of Otsukimi, with the moon high in the sky, Haruto served the dish to his family.Ja: 家族や客たちは新しい味に驚き、そしてその美味しさに感動しました。En: His family and guests were surprised by the new taste and moved by its deliciousness.Ja: 春人はただの伝統ではなく、自分らしい工夫でみんなを喜ばせることができたと確信しました。En: Haruto was convinced that he could delight everyone not just with tradition, but with his own creative touches.Ja: その夜、春人は初めて、自分が文化遺産だけでなく、その中に住まう自分自身を見出したように感じました。En: That night, for the first time, Haruto felt as if he had discovered himself not just as part of a cultural heritage, but as an individual within it.Ja: 自身の手で作り上げた料理で、彼は自分の役割と家族の一員としての誇りを感じたのです。En: Through the dish he crafted with his own hands, he felt a sense of pride in his role as a family member.Ja: その後も、春人は新しい混合のアイディアを試しながら、伝統と現代の融合を楽しむようになりました。En: Afterward, Haruto continued to enjoy blending tradition and modernity by experimenting with new ideas.Ja: そして、彼の家族の食卓には、いつも笑顔と新しい発見が溢れていました。En: His family's dining table was always filled with smiles and new discoveries. Vocabulary Words:bustling: 賑やかなrefreshing: 爽やかなautumn: 秋のbreeze: 風illuminated: 照らされたlanterns: 提灯overflowing: あふれていましたrare: 珍しいanticipation: 期待amidst: そんな中splendid: 見事なhonor: 重んじるcreativity: ひと工夫unusual: 変わったhues: 色合いcuriously: 興味深くconfidently: 自信満々にhesitated: 迷っていたsuggestions: 助言moved: 感動しましたdelight: 喜ばせるdiscovered: 見出したheritage: 文化遺産blending: 混合modernity: 現代experimenting: 試しながらfusion: 融合dining table: 食卓smiles: 笑顔discoveries: 発見

Send us a textIn this episode of Supernatural Japan, we explore one of Japan's most unsettling urban legends—the Jinmenken, or Human-Faced Dog. From eerie Edo-period sightings to modern reports of ghostly, talking dogs speeding down Tokyo highways, the Jinmenken continues to blur the line between folklore and fact. Discover its mysterious origins, cultural symbolism, and how this bizarre creature still haunts Japan's pop culture today.Follow the podcast: Instagram: https://www.instagram.com/supernaturaljapanBluesky: https://bsky.app/profile/madformaple.bsky.socialX: https://x.com/MadForMapleFacebook: https://www.facebook.com/groups/supernaturaljapanEmail: supernaturaljapan@gmail.comTales from Kevin Podcast:https://podcasts.apple.com/us/podcast/tales-from-kevin/id1767355563Support the podcast (Help fund the creation of new episodes) MEMBERSHIPS NOW AVAILABLE!: https://buymeacoffee.com/busankevinYouTube: https://www.youtube.com/@BusanKevinNEW podcast companion blogs! https://justjapanstuff.com/Website: https://supernaturaljapan.buzzsprout.comSupport the show

Edo e Fede analizzano i leggendari consigli pubblicitari di David Ogilvy del 1972 e li confrontano con le sfide della comunicazione digitale moderna, dall'AI alla ricerca dell'autenticità

1    In this episode of Develop This!, host Dennis Fraise sits down with Emily Benjamin, the President and CEO of the Lee County Economic Development Group (LCEDG)—the very role Dennis once held. Together, they explore the realities of leadership transition, organizational change, and the evolution of community-focused economic development. Emily shares her non-linear career journey into the field, how a strategic overlap period helped ensure a smooth handoff, and what it's been like stepping into leadership of a small but impactful economic development organization. From navigating board dynamics and community expectations to fostering team trust and strategic growth, this episode offers an honest and practical look at what it takes to lead and evolve within the ever-changing world of community and economic development. Key Takeaways Leadership transitions require planning, patience, and trust to succeed. An overlap period can help both outgoing and incoming leaders align on priorities and culture. Board relationships and clear communication are essential for stability and success. Economic development leadership means balancing community expectations with organizational capacity. Adaptability and quick thinking are vital in a small EDO environment. Support from a committed board and engaged stakeholders makes all the difference. Understanding the organization's history and community context builds credibility and confidence.

This week, we're talking about one of the oddest moments of the final years of feudalism: a spontaneous outbreak of dancing and religious worship collectively referred to as the "Ee Ja Nai Ka" movement. What was it, what motivated it, and how much can we even answer those questions to begin with? Show notes here.  

Edo e Fede condividono tecniche pratiche per migliorare le proprie abilità di negoziazione nel lavoro, dalla preparazione all'uso di domande aperte, fino ai trucchi per non perdere mai la bussola durante una trattativa.

What if the real breakthrough in AI isn't the model itself, but the data that gives it knowledge? In this episode of Tech Talks Daily, I sit down with Edo Liberty, founder and Chief Scientist of Pinecone, to unpack how vector databases have quietly become the backbone of modern AI infrastructure. We explore why retrieval-augmented generation (RAG) works so effectively out of the box, and why fine-tuning large models often adds complexity without real-world value. Edo shares how Pinecone's research revealed that different models—from OpenAI to Anthropic—require differently structured context to perform well, a discovery that's reshaping how enterprises think about AI implementation. As the former Director of Research at Yahoo and AWS, Edo offers a grounded perspective on where the real innovation is happening. He explains how the shift from traditional data structures to vector representations is redefining how machines “know” and retrieve information, creating smarter, context-aware systems. We also touch on his recent transition to Chief Scientist, his excitement for returning to hands-on research, and why he believes the convergence of AI and data represents the defining technological shift of our lifetime. So, what does it mean for developers, business leaders, and anyone building with AI when knowledge becomes an accessible layer of infrastructure? Can we build systems that truly “know” as humans do? Join the conversation, and after listening, I'd love to hear your thoughts—do you think the future of AI lies in the models or in the data that feeds them?

Cassie, Daurie, Laura, and special guest Daniel dive deep into the first two episodes of the 2000 miniseries The 10th Kingdom, starring Kimberly Williams, John Larroquette, Scott Cohen, Dianne Weist, Ed O'Neill, and more. They discuss fairy tale characters in the real world and real world characters in fairy tale land, debate how to properly format magic wishes, and analyze what approaches and storylines would be handled differently if this story was told today.Join our community! View all of the benefits of joining our Patreon including the Official Of Slippers and Spindles Newsletter, bonus episodes, exclusive polls, Zoom hangouts, and more! https://patreon.com/ofslippersandspindles Visit our our merch store, Facebook group, Instagram, Discord, and more! https://linktr.ee/ofslippersandspindles This episode was edited by Brianna Jean.We love to hear from you! You can reach us at ofslippersandspindles@gmail.com Music: Through The Woods by Shane Ivers - https://www.silvermansound.com 

Send us a textA centuries-old mermaid mummy rests in Enjuin Temple, Okayama—said to bring luck, warning, or eternal life. In this episode of Supernatural Japan, we dive into the strange tale of this relic, the legend of Yao Bikuni, and Japan's long tradition of yokai hoaxes and supernatural curiosities from the Edo era. Discover the truth behind one of Japan's most haunting maritime mysteries.Follow the podcast: Instagram: https://www.instagram.com/supernaturaljapanBluesky: https://bsky.app/profile/madformaple.bsky.socialX: https://x.com/MadForMapleFacebook: https://www.facebook.com/groups/supernaturaljapanEmail: supernaturaljapan@gmail.comTales from Kevin Podcast (My personal diary podcast):https://podcasts.apple.com/us/podcast/tales-from-kevin/id1767355563Support the podcast (Help fund the creation of new episodes) MEMBERSHIPS NOW AVAILABLE!: https://buymeacoffee.com/busankevinYouTube: https://www.youtube.com/@BusanKevinNEW podcast companion blogs! https://justjapanstuff.com/Website: https://supernaturaljapan.buzzsprout.comSupport the show

Ever wonder how cats went from desert hunters to divine house gods? In this episode of For the Love of History, host TK digs her claws into the fascinating history of cats — from their mysterious beginnings in the Fertile Crescent to their worship in ancient Egypt and beyond. Meet Bastet, the Egyptian goddess of cats who went from lioness warrior to goddess of home, music, and pleasure. Sail down the Nile to the ancient city of Bubastis, where people once threw wild festivals in her honor (think: ancient Coachella with more fur and fewer rules). Then, follow the whiskers east to Japan to meet Maneki Neko, the lucky cat statue that isn't Chinese at all, but a beloved Japanese symbol of prosperity with a legend that began during the Edo period. You'll also meet Crimean Tom, a war hero tabby who saved lives during the Crimean War, and Tomiu, the first-named cat in recorded history — a fur baby so loved that she received her own limestone sarcophagus. Whether you're a lifelong cat devotee or just tolerate your feline overlord's 3 a.m. zoomies, this episode will convince you that cats have always been — quite literally — divine. You'll Learn: When and where cats were first domesticated (hint: not Egypt!) Why Bastet ruled ancient Egypt as both warrior and nurturer The real history behind Japan's beckoning Maneki Neko The heroic and heartwarming tales of real-life historical cats As Carl Van Vechten wrote in The Tiger in the House, “I do not wonder that some people love cats. I am only surprised that all people do not love cats.” After this episode, you might just agree.

Welcome to Season 5, Episode 40! In this episode, we explore the flavorful transformation of teriyaki—from its roots in Edo-period Japan as a fish-glazing technique to a global flavor phenomenon. We trace how teriyaki made its way across the Pacific, evolved in Hawaiʻi through Japanese immigrant innovation, and exploded in popularity thanks to the Seattle-style chicken teriyaki plate introduced by Toshihiro “Toshi” Kasahara. Along the way, we compare the Hawaiian plate lunch to the traditional Japanese bento, examine bottled sauce pioneers like Kikkoman, Soy Vay, and Mr. Yoshida's, and share stats on North American teriyaki consumption (It's a lot!). The episode also features quotes from food writers and chefs like Sonoko Sakai, Roy Choi, Soleil Ho, David Chang, and Sheldon Simeon (whom we had a conversation with way back on S02E24), as we discuss how reframing teriyaki from a method into a flavor has fueled its growth. Whether in burgers, tacos, wings, or jerky, teriyaki has truly become a taste that transcends borders. In our recurring segment, we have another installment of Obscure API Comic Book Characters. Today we bring you the DC hero Shiny Happy Aquazon, a water-based hero of Japanese origin created by Grant Morrison and J.G. Jones. We open the episode with some current events that include celebrations of Shohei Ohtani, Jessica Sanchez, and Arthur Sze.  If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or our links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com. Segments 00:25 Intro and Celebrations: Shohei Ohtani, Jessica Sanchez, and Arthur Sze 04:55 The History and Evolution of Teriyaki: From Glaze to Global Icon 16:09 Obscure API Comic Book Characters: Shiny Happy Aquazon AKA Kim Kimura Photo Credits: Top Teriyaki Tofu from Nora Cooks

Lone Wolf and Cub: Sword of Vengeance (1972) might be the most outrageous and hardcore samurai film we've covered yet. Former shogunate executioner Ogami Ittō becomes a disgraced wanderer, pushing his infant son through Edo-period Japan in a baby cart full of hidden weapons. Along the way, he faces betrayal, conspiracies, and blood-soaked battles that helped inspire everything from The Mandalorian to Ghost of Yōtei. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week, the Kawai family has finally made good in the world of feudal Wakayama--just in time for that world to come down around their ears. How did the family finally make it to the top, and what was it like for them to watch the shogunate and the samurai class itself implode? Show notes here. 

After a long hiatus, the diary of Kawai Koume picks back up in 1853, a year of absolutely no world-shaking importance in Japanese history whatsoever-wait, I'm hearing from our producers that, in point of fact, some pretty crazy things are about to go down. And Kawai Koume, like many others, is frantically going to be trying to follow the latest news about it all while living her own life as best she can--and dealing with more than her share of tragedies. Show notes here. 

Two chance encounters with Spaniards in Edo leads to the longest of Date Masamune's attempted long shots. A visitor from afar praises Sendai Castle. And a man named Hasekura Tsunenaga enters our story. Script and sources available at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://riverside-wings.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Riversidewings on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or buy ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠some merch at Fourthwall⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. (Music is "Shinshun Ryoutei," "Kyoto no Ohayashi," "Hokora Uta," and "Yamagami no Yashiro," from 「MOMIZizm MUSiC（もみじば）｜フリーBGM 」)

Los kamon son los blasones o insignias familiares que identifican a cada familia o clan. Surgen en el periodo Heian sólo para nobles pero se acaban extendiendo a toda la población en el periodo Edo. En este Japonesamente damos más detalles sobre su historia y hablamos de los 5 kamon más famosos y de algunos otros muy populares, además de contarte cuáles son sus usos más frecuentes. Seguro que cuando visites Japón no podrás dejar de verlos. ¡Mata ne! ¿Quieres colaborar con el programa? - Colabora en Patreon - Únete a la Comunidad Japonismo - Reserva hoteles en Japón (y en todo el mundo) - Consigue seguro de viajes (¡no sólo para Japón!) - Busca los mejores vuelos - Lleva Internet (pocket wifi o SIM) - JR Pass para viajes ilimitados en tren ---- Continúa la conversación en: - Web: https://japonismo.com - Discord: https://discord.gg/hZrSa57 - Facebook: https://facebook.com/japonismo - Twitter: https://twitter.com/japonismo - Instagram: https://instagram.com/japonismo - Pinterest: https://pinterest.com/japonismo - Newsletter semanal: http://eepurl.com/di60Xn

On this episode of Japan Station, we're talking about the history of font design in Japan, the history of the Nintendo font and how Daniel Kaihatsu became a type face designer in Japan.

What happens when samurai sword fights meet hip hop beats? In 2004, director Shinichirō Watanabe followed up Cowboy Bebop with Samurai Champloo: a wild mashup of Edo-era Japan, breakdance-inspired swordplay, and lo-fi counterculture. Two decades later, Champloo still feels fresh, and its influence now echoes in Ghost of Yōtei with the brand-new Watanabe Mode, blending lo-fi hip hop into your samurai journey. MonteCristo and DoA dive into how Samurai Champloo revolutionized anime, the genius of Nujabes' soundtrack, and why this series still matters for both anime and gaming. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week, we'll look at the first chunk of Kawai Koume's diary, which deals with life in the 1830s--or as she knew it, the Tenpo Era. What can we learn about the lives of samurai and commoners in Wakayama during the final decades before the great crises that would end feudalism in Japan? Show notes here.

Welcome to Wabi Sabi. Have we been kind to the Japanese? Do we deserve Japanese 7-Elevens in NY? How about asking a Japanese- American? In Today's episode is about reflection, learning, and appreciation. There is so much to learn from Japanese history — from the Edo period, to the U.S. Occupation, to the reawakening of Japanese hearts in the 20th century, and the complex but resilient relationship between Japan and the U.S. If you ask me, we shouldn't learn about Japan — we should learn from Japan. That means supporting Japanese voices, reading books by Japanese and Japanese American authors, and buying Japanese products, foods, beauty, and cultural traditions directly from their source. The research and care that goes into each episode can take me weeks, even months, to create. So if you enjoy listening, please subscribe, leave a comment, and share this podcast with two of your best friends. Now — what can we learn from the obliteration of matcha in the Western world? What can we learn from the history of Japanese Americans, wrongfully imprisoned in concentration camps during World War II, accused of crimes they did not commit? What can we learn from the resilience of a culture that endured deep suffering, only for us to now enjoy its traditions, artistry, and cuisine in all their beauty, novelty, and kawaii? We are able to appreciate Japanese culture today only because our ancestors paid a dear price. This is something we must honor, reflect on, and consider deeply in today's episode. Thanks for listening. —Candice Kumai

Back-to-back throwback energy on Father Hoods, and this time the crew is joined by the legendary Edo. G! The episode kicks off with DJ EFN shining light on Operation Underground Railroad, an org dedicated to rescuing victims of sex trafficking. From there, Ed takes us inside the story behind his iconic album “Be A Father To Your Child”—written before he was even a dad—explaining how it was a message to men about stepping up and doing right by their kids. Now that he's a father himself, he reflects on how his journey has reshaped the way he connects to that music. The conversation dives deep into Ed's family dynamics, from navigating life as a stepdad to raising his own kids. He shares his thoughts on today's music scene, breaks down his documentary “I Gotta Have It,” and opens up about growing up fatherless while being heavily influenced by his mother's love for music. The crew also gets real about the pandemic, parenting talks, disciplining kids, and the hurdles of raising teenagers. With raw stories, timeless perspective, and gems for every parent, this episode is packed with lessons that hit across generations! What You'll Hear in This Episode: [00:02:30] Operation Underground Railroad [00:04:33] Be A Father To Your Child [00:15:27] Mic Check, Dad Check [00:22:58] I Gotta Have It [00:29:15] Dad on the Mic [00:35:07] Raising with Respect [00:42:00] Surviving the Teen Years Why Listen: Zero cap, all real talk. DJ EFN, Manny Digital & KGB serve raw dad stories, laughs on deck, and gems you won't hear anywhere else. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we wrap up our series on Hiroshige with a few lingering questions about his career. How much does his "artistic borrowing" really matter? What's his relationship to Hiroshiges II and III? What about his second marriage and daughter? And ultimately, what makes him so damn famous--and what can we learn from that? Show notes here. 

Dr. Hancock was raised in the San Francisco Bay Area, where she was active in Pony Club, competing in lower level three day eventing. Dr. Hancock completed her studies at Colorado State University, graduating with a BS in Equine Science, an MS in Anatomy and Neurobiology, and a Doctorate of Veterinary Medicine in 2003. She spent 10 years as general equine practitioner in Eastern North Carolina where she built her skills in emergency, dentistry, performance horse and lameness evaluation, reproduction, preventative medicine and integrative health. She also trained with the International Veterinary Acupuncture Society and completed her EDO certification with the Vluggen Institute to become an equine osteopath. Eager to offer progressive and superior services, she continually strives to improve her veterinary diagnostic, integrative medicine, and performance horse education. In 2013, Dr. Hancock purchased Rectortown Equine and permanently relocated the practice to Warrenton, Virginia at which point the practice changed to True North Equine Veterinary Services. Dr. Hancock's goal is to nurture successful partnerships with horses and their owners that can last a lifetime.

Japan's summer heat is inescapable, driving people to seek relief at the beach. But what if I told you there are supernatural dangers lurking along Japan's 14,125 islands that make rip currents seem harmless? In this episode, I share what I discovered about two particularly deceptive coastal yōkai: the iso-onna (coastal woman) who drains visitors of their blood, and the terrifying nure-onna - part woman, part massive snake, who uses cunning tricks to lure unsuspecting beach-goers. You'll hear authentic ocean waves Richard and I recorded while researching this episode, plus stories from the Edo period about encounters with these shape-shifting entities who use beauty as their weapon. Featured yōkai: iso-onna (coastal woman), nure-onna (wet woman) [Please Note: Some of the links are affiliate links (both Amazon and other). This means that at no cost to you, if you use and purchase through them I receive a small compensation. This is paid by the retailer. It also helps support me and my artistic endeavors. Thank you.] Follow Uncanny Japan Patreon Uncanny Japan Website Thersa Matsuura Website Books on Amazon YouTube Facebook Instagram Buy Me a Coffee (one-time contribution) Subscribe on Spotify Subscribe on Apple Podcasts Credits Music by Julyan Ray Matsuura About SpectreVision Radio SpectreVision Radio is a bespoke podcast network at the intersection between the arts and the uncanny, featuring a tapestry of shows exploring creativity, the esoteric, and the unknown. We're a community for creators and fans vibrating around common curiosities, shared interests and persistent passions. spectrevisionradio.comlinktr.ee/spectrevisionsocial Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we're covering Hiroshige's emergence as an artist, which took 20 years after he finished his apprenticeship in the Utagawa school. Why the long gap? And what changed to finally allow him to break out artistically? Show notes here.

On Today's Menu:You can now submit your own pet peeves on our website (eattalkrepeat.com)! John unveils his updated Where to Eat & Why list for 2025 — including the best 36 restaurants right now and the worst meals of the year so far.Big shakeups at the Palms: Mabel's BBQ, Vetri Cucina, and Rojo Lounge all on their way out — what went wrong?EDO's ambitious expansion plans: new brasserie, Seattle opening, and more — genius growth or dangerous brand dilution?Nicole Brisson's “Make Italian American Food Great Again” menu at Brezza — revival of red sauce classics.The latest food news: COTE Vegas sets an October opening, Bazaar Meat reopens, Xiao Long Dumpling expands, Shang Artisan Noodle goes downtown, Leticia Mitchell opens another spot, and more.Rapid-fire reviews: from Le Cafe Central's French café vibes to Tamba's standout curries, Delmonico's burger-as-appetizer, and the week's 0-for-3 duds (TRES Cantina, Ramen Boys, and Zaytinya).Listener comments, YouTube shoutouts, and one very hot take… John's Pet Peeve of the Week — Burning Man.Questions, comments, hate mail? Email us at cheers@eattalkrepeat.com! Thanks for tuning into today's episode! If you enjoyed this episode, subscribe to the show, & make sure you leave us a 5-star review. Visit us at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Eat. Talk. Repeat.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on social:Twitter:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠@EatTalkRepeat⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠@EatingLasVegas, &⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠@AshTheAttorney⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠@EatTalkRepeatLV⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠@JohnCurtas⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, &⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠@AshTheAttorney⁠