Podcasts about nbc studios

In questo episodio vi porto nel cuore di Manhattan, alla scoperta di uno dei complessi architettonici più iconici di New York: il Rockefeller Center.Un miracolo dell'Art Déco nato durante la Grande Depressione, simbolo del capitalismo americano e al tempo stesso scrigno di tesori artistici accessibili a tutti. Esploreremo la visione di John D. Rockefeller Jr., che trasformò un terreno destinato all'Opera in un complesso di 19 edifici che ha ridefinito lo skyline della città.Vi racconterò le storie nascoste dietro i maestosi murales, i bassorilievi e le sculture che decorano ogni angolo del complesso, compresa la controversa vicenda del murale di Diego Rivera, distrutto perché conteneva un ritratto di Lenin. Dal leggendario albero di Natale alla pista di pattinaggio su ghiaccio, dall'osservatorio Top of the Rock con la sua vista a 360° sulla città ai leggendari NBC Studios: scopriremo insieme i mille volti di questo luogo simbolo di New York.Passeggeremo lungo il Channel Gardens, visiteremo la statua dorata di Prometeo, e saliremo sul rooftop garden nascosto al grande pubblico. Un viaggio attraverso quasi un secolo di storia americana, con consigli pratici su come visitare al meglio questo microcosmo di Manhattan, evitando le code e scoprendo angoli poco conosciuti del complesso che ha fatto da sfondo a innumerevoli film e serie TV.Per saperne di più leggi la mia guida.

NBC Sports' Mike Tirico gets a tour of 30 Rockefeller Center and NBC Studios as he fills in for Craig as co-anchor for the week. Also, Glamour editor-in-chief Sam Barry shares a guide to denim and how to pick the best styles to complement your body type. Plus, a closer look at the powerful legacy of the Pontifical Sacred Music Institute and the lasting influence of its music a century later. And, chef Mario Carbone shares a delicious chicken Vesuvio recipe.

With over 50 years in the industry, Steve Terry has been a driving force in entertainment lighting technology and standards. As Director of Standards and Industry Relations at ETC, he has shaped global protocols like DMX512, RDM, and ACN and contributed to the National Electrical Code (NEC) Panel since 1994.Previously, he led Production Arts Lighting, engineering major projects for Broadway, NBC Studios, Disney, and top Las Vegas resorts. A USITT Fellow and ETCP Certified Electrician, Steve continues to innovate and influence the future of lightingSummaryIn this conversation, Steve Terry emphasizes the significance of building relationships and networking within the Broadway lighting design industry. He discusses how one's attitude and approachability can greatly influence career opportunities and collaborations.This episode is brought to you by ETC and Artistry In Motion

Last night, Mikal Bridges was traded for 5 drafts picks. Sixers fans are a bit panicked about it, thinking the Sixers are doomed because the Knicks got a very good player, who is not an All-Star. The Best Show Ever (with Bill Colarulo filling in for Ricky Bo) try to calm people down by pointing out the Sixers are 1) not done yet, and 2) would have been in terrible shape had they made that trade. Later in the show, Andrew Salciunas from the Morning Show joins the program to defend himself after some texters wanted Tyrone to rip up the peace treaty signed with that show. Amy Fadool also joins the show from the NBC Studios to give her thoughts on the Bridges trade, the frustration of Sixers fans, and what she wants to see the Sixers do now. Jayson Stark joins the show to talk about the greatness of Bryce Harper, and what the Phillies will do with the 5th starter if both Turnbull and Walker are hurt Follow The Station x.com/975TheFanatic instagram.com/975thefanatic/ https://www.facebook.com/975thefanatic/   Follow The Show x.com/975BestShowEver https://x.com/TyJohnsonNews https://x.com/rickybottalico https://x.com/sylvanakell   Support the Show 975thefanatic.com/shows/the-best-show-ever/

Last night, Mikal Bridges was traded for 5 drafts picks. Sixers fans are a bit panicked about it, thinking the Sixers are doomed because the Knicks got a very good player, who is not an All-Star. The best Show Ever (with Bill Colarulo filling in for Ricky Bo) try to calm people down by pointing out the Sixers are 1) not done yet, and 2) would have been in terrible shape had they made that trade. Amy Fadool also joins the show from the NBC Studios to give her thoughts on the Bridges trade, the frustration of Sixers fans, and what she wants to see the Sixers do now. Jayson Stark joins the show to talk about the greatness of Bryce Harper, and what the Phillies will do with the 5th starter if both Turnbull and Walker are hurt Follow The Station x.com/975TheFanatic instagram.com/975thefanatic/ https://www.facebook.com/975thefanatic/   Follow The Show x.com/975BestShowEver https://x.com/TyJohnsonNews https://x.com/rickybottalico https://x.com/sylvanakell   Support the Show 975thefanatic.com/shows/the-best-show-ever/

Barry and Abigail discuss Twilight Time by Bennie Wallace and sample Time Stands Still, Twinger, Mangoes At Work, and They Call Me Baltastic from Hiatus Brewing Company in Ocala, Florida. Barry has a personal connection to Bennie Wallace through his friend “Uncle” Steve Moore, whose Oscar-nominated animated short “Redux Riding Hood” features a score written by Bennie. Watch "Redux Riding Hood" or read Uncle Steve's blog post about its production! Many thanks to Lucas Frank, owner and brewer of Hiatus Brewing Company, for sitting down with us to talk about the history and the branding of the brewery! Barry shared his other Los Angeles jazz experiences at Chadney's, across the street from the NBC Studios. One memorable performance was by trombone player Matt Finders, who was part of Tonight Show with Jay Leno Band led by Kevin Eubanks. Check out Barry's playlist of the songs that were covered by Bennie Wallace on this album! Abigail could not help but hear Silver Bells in The Tennessee Waltz. Abigail and Barry compared Willie Mae to Linus and Lucy by Vince Guaraldi Trio, from the soundtrack to “A Charlie Brown Christmas.” Up next… Diorama by Silverchair, submitted to our Virtual Jukebox by Ian Rees Jingles are by our friend Pete Coe. Visit Anosmia Awareness for more information on Barry's condition. Follow Barry or Abigail on Untappd to see what we're drinking when we're not on mic! Leave us a rating or a review on Apple Podcasts or Spotify! Facebook | Instagram | X | YouTube | Website | Email us | Virtual Jukebox --- Send in a voice message: https://podcasters.spotify.com/pod/show/pops-on-hops-podcast/message

Ep 29---Welcome to another edition of  the Voices of Boyle, where we bring you local stories. In this episode, we delve into the incredible journey of Dean Taylor, a seasoned professional who has traveled the world, witnessed history unfold, and captured it all through a lens.Dean's career began at an early age when they started assisting their father, who worked as an engineer for NBC. From sound, lighting, and editing to working on shoots and gaining experience, Dean quickly honed their skills in the industry.They emphasise the importance of practical experience, recommending aspiring professionals to create portfolios, offer their services for free, and seize every opportunity to learn and grow.Throughout his career, Dean has been involved in numerous projects, from covering royal events to exploring conflict zones like Iraq, Syria, and Ukraine. He shares his experiences of being on the ground during pivotal moments in history, reminding us of the power of journalism and the importance of seeing the world from various perspectives.One remarkable story Dean recounts is his encounter with a group of gorillas deep within the rainforest. Against all odds, he found himself up close and personal with these majestic creatures, capturing the moment through his lens. The adrenaline rush and awe-inspiring experience left a lasting impact on Dean, demonstrating the incredible beauty and diversity our world has to offer.But it's not all adventure and exhilaration for Dean. He also shares some of the behind-the-scenes challenges, such as working in high-pressure live TV production environments. From coordinating with studios in New York to lugging around heavy equipment and ensuring seamless communication during live broadcasts, Dean's role is pivotal in delivering top-notch quality to viewers worldwide.Join us in this episode of Voices of Boyle as Dean Taylor takes us on an extraordinary journey filled with exciting anecdotes, heartwarming moments, and invaluable insights into the world of media and journalism.Check out the accompanying blog post by visiting: (https://www.voicesofboyle.com/deantaylor/)Join us on:( Facebook ) ( Instagram ) You can support the Voices of Boyle Podcast by clicking here. If you'd like to be on the show or if you know someone who would like to chat with us, then drop us an email at ( info@voicesofboyle.com ) Thanks to Brendan O' Dowd for creating and recording the musical piece for the podcast.

Did you miss Taylor Swift's The Eras Tour or Beyoncé's Renaissance World Tour? Fear not Swifties and fans of Queen Bey as they both have concert films due out soon. Concert films are nothing new. Since "Woodstock" in 1970 — and even some earlier films that The Beatles did as they slowed and stopped touring — films have captured important festivals and tours, and provided insight into bands as well as the fans during specific time periods. And even acclaimed directors have gotten into the act. Martin Scorsese has directed some of the most notable concert and musician biopics of all-time when not busy with gritty dramas. Crank up the volume as co-hosts Bruce Miller and Terry Lipshetz talk about their favorite concert films of all time, discuss the marketing genius that is Taylor Swift, and share additional stories and thoughts as well.  Where to watch "Taylor Swift: The Eras Tour" in theaters Oct. 13 "Renaissance: A Film By Beyoncé" in theaters Dec. 1 "Woodstock" (1970) "One Direction: This Is Us" (2013) "The Last Waltz" (1978) "No Direction Home: Bob Dylan" (2005) "George Harrison: Living in the Material World" (2011) "Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese" (2019) "Michael Jackson's This Is It" (2009) "Diana Ross" Live in Central Park" (1983) "The Song Remains the Same" (1976) "Led Zeppelin: Celebration Day" (2012) "A Hard Day's Night" (1964) "Help!" (1965) "Gimme Shelter" (1970) "Les Misérables 25th Anniversary Concert at the O2" (2010) "Springsteen on Broadway" (2018) "U2: Rattle and Hum" (1988) "Medusa: Dare to Be Truthful" (1991) "Hamilton" (2020) "1991: The Year Punk Broke" (1992) Contact us! We want to hear from you! Email questions to podcasts@lee.net and we'll answer your question on a future episode! About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Headliner and may contain misspellings and other inaccuracies as it was generated automatically: Terry Lipshetz: Welcome, everyone, to another episode of Streamed and Screened an entertainment podcast about movies and TV from Lee Enterprises. I'm Terry Lipshetz, a senior producer at Lee and co host of the program with our band leader Bruce Miller, editor of the Sioux City Journal and a longtime entertainment reporter. So if you're John Lennon, does that. Bruce Miller: Make me Ringo? No Paul McCartney. Oh, I'mccartney you get to be the big one. Why not go for the good one, right? Terry Lipshetz: Exactly. Taylor Swift's concert film is coming out next week Terry Lipshetz: So music. Taylor this is the week. Bruce Miller: This is the week. Did you know this? If you were a Swiftie, you would know these kinds of things, and that is that Taylor Swift's movie is coming out in the next week, and it's based on her era's tour. What I like to look at this as those of us who couldn't afford or get tickets to her tour will be able to see it without having to really bust a hump. Terry Lipshetz: That's the best part to me about concert films is that it's a great way to get you to the show, if you can't get to the show, because sometimes some of these tour stops and, I mean, you're in Iowa, so for you, how often does I mean, you'll get shows. Sure, come to Iowa, but not something this big, right? Bruce Miller: Yeah. Terry Lipshetz: You got to travel. You got to go to Chicago or, Minneapolis. Bruce Miller: I had friends tell me they spent $12,000 to see Taylor Swift. Terry Lipshetz: Holy cow. Bruce Miller: $12,000. Someday this will sound like I'm, absurd thinking that that's a lot of money, but in this day, it's a lot of money. It factors in the price of the tickets, the cost of getting there, the hotel room you have to have. I mean, it's like, I don't know that there's anybody on this earth that I would spend $12,000 to see. Terry Lipshetz: I don't have that kind of spending cash. Bruce Miller: But knowing that it is coming out on film, on DVD, I'm sure eventually all those kinds of things, it's an opportunity for all of us to enjoy whatever it was that was put out there and then maybe be even a little more critical about what they saw. Because I think they were all caught up in the enthusiasm of the moment. So I don't know. Maybe it isn't that good. Maybe 44 songs is too many. Who knows? Terry Lipshetz: It sounds like, from what I've heard, it's a really good show. I've seen a lot of clips of it. If you like Taylor Swift, I think it's definitely a show you want to see. I keep hearing 44 songs, but it's not like she performs them in full. There are some snippets here and there, and she kind of goes through the eras. No word if there is ranch dressing involved. Did you hear about no, no. So she's dating or at least seeing Travis Kelsey from the Kansas. You can't escape. Bruce Miller: Right. Terry Lipshetz: So every little thing she does now gets dissected, and on social media. They were looking when she was at the Chiefs game in her luxury suite, somebody spotted a picture of her with a chicken finger on a plate with what appeared to be ketchup and then a white substance that was labeled as seemingly ranch. Seemingly ranch. So ranch dressing companies, are like, running with it. Taylor eats ranch dressing. Bruce Miller: Who knew that she had such clout? Right. Terry Lipshetz: Right. It's crazy. Bruce Miller: Anything she does when she was here, she did play here way back in the early, early days when she was considered a country artist, if you dare say that. And, the thing I found most amazing about her is that she didn't do her t shirt in one style. She did the look of it in like five different colors. So these fans would want all five of them. And I thought that is a brilliant marketing decision by somebody that you weren't just getting the tour shirt, you were getting all of them. Because, if I'm going to get one, I got to have them all. What color do I pick? How do I pick? What am I going to do? So marketing genius. I think she's far more skilled at selling herself than she is at anything else. And that is not a diss. That means that she is just a genius at it. She should be teaching this at Harvard. Terry Lipshetz: Well, you know, with me, I'm, a record collector because you've seen my music collection and stuff in the background. Taylor. It extends to releasing physical media. So with the, album, actually, all of her recent albums, she'll release it on vinyl on a standard black edition. Limited. Limited, but well, the black is always that's standard. You can get that anytime you want. But then there is a different colored version that you can buy at Target. And then you can buy four different versions with four different album covers on four different colors through her website. And she puts them up at these intervals, like for the next 48 hours, only you can buy this one. And then it goes away. And then people freak out because they're like, you're making me buy it multiple times and you're charging me shipping multiple times. Why can't you just put it all up? But people will do that. I've seen people on social media sharing out. She's only got it's not like she's got 35 albums. She's got a solid catalog of a dozen different albums or so. But each one has like five or six or ten variants. Like you could literally have a, ah, collection of 200 Taylor Swift records. And it's just like a dozen albums. Bruce Miller: At this point, which is kind of unreal. That is crazy. Terry Lipshetz: And people buy like Taylor's army. They will buy it. And it's like, as I said, I'm a record collector. I do have multiple copies of certain albums, but it's less about like, I need a black version and I need a green version and a red version. It's like I've got the original pressing, an early pressing of Born to Run by Bruce Springsteen. I have a Japanese copy. I have a UK copy. They're pressed in different places, so the sound might be a little bit different. Bruce Miller: Are they unplayed? Do you keep them so that nobody touches them? Terry Lipshetz: No, I play them. And that's a little bit of the difference with some of the Taylor Swift fans is they might play one copy, but then they've got 13 that sit on a shelf or they hang on a wall or something. Bruce Miller: That could end up being the Beanie Babies of our era. It's going to be, should I say eras? Terry Lipshetz: eras. yes, Beanie Babies of our so. But yeah, like shameless self promotion. Beyoncé's film drops after the end of her tour Terry Lipshetz: Bruce, if you do want to check me out on social media, my Instagram handle is at vinyl underscore Terry. And you can just see what music I'm listening to. Bruce Miller: I will look. That's great. Check it out. The Beehive is also or the Beehive, I should say, is going to have its film in. Know, she's once she sees what Taylor does, she's got to do one better. Terry Lipshetz: well, and her strategy is a little different. So with Taylor, she's a little bit on hiatus at the moment. She's taking a small break in her tour. Right. Well, she goes I think in another month she heads down to South America. She's going to do like, Argentina and all that. So her film is going to drop October 13, I believe. And then, with Queen Bey, her tour is over. So she's going to drop hers on, I believe it's December 1 and it's going to air in theaters on Thursdays, Fridays, Saturdays, and Sundays for about four weeks. So it's going to be like a limited run month of December. But her tour is done. So it's not like right. You either saw it and want to relive the moment or you missed it and here's your opportunity. Whereas with Taylor, this is just kind of just another opportunity to see her. And then you can fly off to South America or you can wait for her to circle back in North America next summer. Bruce Miller: We've got to spend $12,000 and follow her around. Terry Lipshetz: Yeah. Bruce Miller: And then go to all the, Chiefs games to make sure that we see that in case she happens to wave to the audience from the skybox. You know how it is. Well, I must tell you, I have followed these kinds of films for know going Back to Woodstock was probably the first good concert ish film because it did give you a sense of it and made me glad I never went there because I don't think I could have withstood Mud and all that kind of whatever crap was invited. I was in California one summer and I was invited. I think it was summer. It either was summer or January, but it was the, preview of, One Direction's film. One Direction had a film called this Is US. I think it is. This is us. Terry Lipshetz: Okay? Bruce Miller: And they were having this sneak in the Grove, which is a kind of upscale shopping center in Los Angeles, okay? And somehow the word got out that this was going on and all these little girls who were fans of One Direction gathered there. They were outside this theater like you couldn't believe. It was like the scene in Frankenstein where the villagers are going to storm the castle because they want in. And they had heard that One Direction was going to be there. That they were going to turn up for, this screening that they weren't invited to that they couldn't get into. And so I'm sitting in the theater, right? And we get the manager of the theater looking just really whipped and he says, whatever you do, do not leave your seat. If you leave your seat and you leave the theater, you will not get your seat back. Because if somehow they break in and they start sitting in the seats where there aren't people, we can't kick them out, huh? We have no way of doing it. So please do not leave your seat. And we heard people pounding at the door outside and this made news. You'll find if you want to go back and look it up, pounding at the door, insistent that Harry Styles was in there somewhere and we were keeping them from meeting him. It was unlike any situation I've ever been in that's, a preview of anything. Was the movie okay? I have no clue. I was worried that I was going to be beaten by a twelve year old at some point because I was in there sitting and watching this movie that meant so much to them. Terry Lipshetz: But they weren't well, they, didn't show up, right? Bruce Miller: They were out there, but the cops came and the cops kept them and got them out of the theater. So they were not in the theater at all. And then when we walked out, you could see that there was like you who was in there? Who was in there with you? Did you see Niall? Was he in there with were the kids were real questioning. I thought they could kill people. I think they really could kill people. Terry Lipshetz: They probably could if you're determined. If you're determined. Bruce Miller: And so then I said, oh, it was wonderful. You've got to see this film. It's just so yeah, yeah. Scorsese directed a documentary about Bob Dylan's 1975 concert tour Terry Lipshetz: Woodstock, though. That's probably the first concert film I had ever seen. It was actually one I'm trying to think when my dad let me see it because it's a know, there's some language in it, there's some drug use in it, there's definitely some nudity in it. And it may have even been the first movie I had seen with nudity. But it's really a fascinating look at what went on. I think my dad always had a real connection with it too, because he bought tickets with friends to Woodstock. Yeah, he didn't get to it. He got stuck on the New York State throughway and eventually had to turn around because they left a little too late on whatever day it was. And by that time it was crazy. People had stormed the grounds. It had become a free concert. And he was angry. So he did what any other person who bought a ticket tickets? No, he sent it back and got a refund. And he regrets it. he regretted it for the rest of his life because he wished he could have had that ticket stub of like, I actually bought a ticket and I couldn't get there. But yeah, it was all of his favorite bands were playing. It's an incredible thing. So I think he always wanted us to, my siblings to really feel that connection with him, with Woodstock. But it's a fascinating film too, because Woodstock, up until that movie, was just a financial disaster. And it took that movie to kind of help them break even, basically. Bruce Miller: Well, and it showed you how acts that they weren't counting on turned out to be the stars really made their fortunes for them. Whereas other ones that they were counting on, it's like, well, not so sure here. This is not necessarily the star. Terry Lipshetz: Yeah. And you know who, not a director of the film, but one of the film editors of it. Do you know what famous, director Scorsese was? One of his earliest, works was as a film editor on Woodstock. Bruce Miller: See what happens see what happens when you're available and you can get to that place. Terry Lipshetz: Right. Bruce Miller: Only but he wouldn't have gotten a t shirt because he probably weren't selling any. Terry Lipshetz: yeah, but Marty, and we know Martin Scorsese by Marty because we're. Bruce Miller: He'S one of our pals, right, right. Terry Lipshetz: But he's got a long history in doing movies, documentaries, know musicians. He directed The Last Waltz, which was the final concert of the Band. He did, ah, no Direction Home, which was the documentary about the early life of Bob Dylan. They captured him leaving Minnesota and then going to New York and kind of rising through the folk scene. And then it kind of ended, when he plugged in. He did a documentary on, George Harrison. did you ever see the one he did called, Rolling Thunder Review a Bob Dylan Story. Do you remember that one? Bruce Miller: No. Terry Lipshetz: So he directed this and it was the most bizarre thing. So it's based on Dylan's concert tour during I think it was 1975, it was a transitional stage in Dylan's career. But he went out with this huge group of people. It was like 20 people on stage. It was almost like a circus dylan painted his face. He had like white makeup on every night and wore a big hat. And it captures a lot of those performances. But the film that Scorsese did was almost part fiction because it plays into the myth that is Dylan. And it talks like, I think Sharon Stone was in it and she talks about how she was a groupie during but she wasn't, she wasn't on the tour with Dylan at all. But they added in, for whatever reason, different moments of fiction to what was actually supposed to be a documentary of his tour of the mid seventy s. So it's kind of a crazy oh, my crazy thing. Yeah. Bruce Miller: One that I am fascinated by is the Michael Jackson one. Supposed to be about his last concert tour. And they kind of created it into that tour. I mean, if you were there, you would see all of the numbers that they were planning to do, but you realize in the course of that somewhere, there was no way he was going to be able to produce this every night. He couldn't. He didn't have the energy, he didn't have the stamina. I mean, it was fascinating when they did each number, but you'd think somebody's got to go get some oxygen at some point because it's just way too much. And it's telling because it shows how talented he was, but also how old he was. And the idea that you can do that maybe past your prime is unreal. But if you haven't seen that one, please watch it because it's unbelievable. Terry Lipshetz: This is it, right? Yeah. And that came out in 2009. I remember watching that one and it was really fascinating because it took you inside of the prep for the tour. But it was also really sad too, because you were seeing his decline basically too at the time. Obviously, in retrospect, when you see it, you're like, well, okay, that makes sense. But at the time you probably didn't even realize that he was nearing the end of his life. Bruce Miller: Right? Well, I think it's one of those things where he thought, too, I'm not going to do it. I'm not going to be able to do this. This isn't going to happen. Instead of doing it once and doing it for film it and then you never have to do it again, why know, right. Do you remember when HBO was real big about doing these live, specials? And there was a Diana Ross one live from Central Park, and it started to rain, and it was like the worst rain ever. And not as bad as the one they've had recently, but it was bad so that the people were like, well, she just kept on going. She was the bunny and wouldn't let it up and come on, everybody, sing with me. And it's like, wow, this is real. But I think they like that document of their time because it is a way to mark certain hallmarks of their career. And then also it's a way for fans to say, you know what, she or he really was that good. Terry Lipshetz: Yeah, I won't watch every concert documentary out there. But if it's a musician that I at least either like or respect, I like to check it out. Because it's always a good time capsule to kind of see what happens. Led Zeppelin's concert films bookend two eras Terry Lipshetz: An interesting one for me is, The Song Remains the Same, the documentary concert film, about the, Led Zeppelins tour from 1973, where they filmed it at Madison Square Garden. And here is that band at, really the height of their popularity, right? It's middle of their career. Things are crazy. And it captures the moment. And that came out in 76. And then years, years later, they did another concert film. And it's called Celebration Day. And that came out in 2012. Now, this is after John Bonham had died. And after John Bonham died, the band broke up. And they swore, we're never getting back together. And there were little things here and there, like Robert Plant and Jimmy Page did a side project together. But they never really went back out. I think they had that one off, like at Live Aid, where they came together and played. But they never again really did any sort of tour or anything. They swore we're never going to reunite. But then they ended up doing, a benefit concert at the Two Arena in London. And it was just a one off. And they said, we're going to do it. We're doing this benefit. It's for one of their early managers or promoters. So that's the only reason we're going to do it. And it's sold out in minutes. And the cool thing about it, though, is that they brought in Jason Bonham, who is John Bonham's son, to play on drums. And I always thought it was cool watching that concert. Know, you knew that this is know, you're not going to be able to see them again. They're never going to get back again. But they opened it up with the song Good, Times, Bad Times. And it was very much like a drum driven song. So we're going to open it up. We're going to let Jason Bonham kind of take center stage in honor of his dad kind of thing. And then they kind of tore through like 16 songs after that. So it was a really nice moment. And there's a band that kind of had two ends of the spectrum. Like one at the height of craziness in the we're like grandparents now. But this is us. We're going to get back to one more time. We're going to honor a friend of ours and do it one more time. And I thought that was pretty cool. Bruce Miller: Well, and we look at the Beatles really did concert films too. They just did them more like music videos, right, with all of their kind of help and you name it, Let It Be, all that kind of stuff. Had a moment. They never really sat it down and did, something that we're seeing a lot of, but so we still have that kind of record of their time on earth. The Rolling Stones, however, had, give me shelter. Terry Lipshetz: And do you? Bruce Miller: That was like, wow, yeah, those times. I don't know that I would have been eager to go to those concerts at the time. But in retrospect, as an older person with more hopefully smarts about what I'm doing, I can appreciate it much more than I would have at the time. I would have been worried about getting out. Are we getting out time? Ah, is the parking going to be bad? Do I have to worry about all that? You know what I mean? Now it's a lot of fun to watch it, and especially when they're still performing. I'm sure every move they make now when they're in concert is photographed somewhere, somehow. We didn't have social media back in the day, so everybody wasn't holding a phone up and, recording it. They were just appreciating what it was at the time. Terry Lipshetz: The Beatles, it's an interesting example because they had several movies that are still popular to this know, like A Hard Day's Night, and there were concert elements within the film, but it was more of a traditional film. But it captured Beetlemania, ah, at the height of Beetlemania. So if you weren't there in the experience, Beetlemania, even though it's kind of a light hearted film, you still got the essence of it. And then you got some of the goofiness with help and all that. But it's really a shame with them because they stopped touring in the mid 60s because they couldn't hear themselves. And if you ever get a chance, I have like a bootleg DVD of their Shay Stadium concert. And it's the craziest thing. It's like a 25 minutes concert. I mean, that's all their concerts were back there. They would do 20 songs in 25 minutes and then they were done. Bruce Miller: Wow. I've been to the theater, the Ed Sullivan Theater, where they did their big performance on television, the first one. And the place is small. It's really small. And I remember seeing people in the balcony, like they were jumping up and down and were so excited that they thought it was going to come down. And you realize, wow, we were really kind of duped back in the day thinking that it was just this huge Madison Square Garden kind of experience. And it was just a small you know, the cameras made it look like it was much bigger than it actually was. Terry Lipshetz: If you ever get a chance in New York City, you take the NBC Studios tour and they usually will take you to a couple different sets, including it's like they always do Saturday Night Live, and then they'll give you like, one or two. And I remember when I took the tour one time we went to the Saturday Night Live set, and you're just kind of blown away because you realize you actually can't see some of if you're in that studio audience. Because of the way they have to arrange the floor. They might be filming part of it off to the side where the audience can't actually see it. And you have to watch it on monitors. You just see where they come out for the monologue and you see where the band performs. But then some of the other configurations are all over the place. And then we also went out to, I think it was Conan O'Brien's when he was still it was before he the Tonight Show, and he had that late, night program. And I remember going there and we saw the Max Weinberg drum kit sitting out there and Conan's desk. But it's tiny. It's a tiny little. Bruce Miller: Sneaky. Yes. Bruce Miller: you mentioned Saturday night. I was lucky enough to have been there during the early years. I saw an episode that, I don't know if you remember any of these things, but there was a dance that Gilda Radner and Steve Martin did and they were, like, going all around the whole area and they came near me, and I was able to get on camera at some point with them. So if you ever have access to that, go back and look. But it was fascinating because you could not see all of the skits. There could be a skit right down below you, but, you can't lean in and look at that. And so you'd basically get to see a couple and that's about it. But, the flurry of activity that's going on between the skits is just amazing. And then the sound is really good for, the guest artist, whoever is singing that week or whatever. It's really good. a couple of times I've gotten to go to Saturday Night Live. It's like the most impossible ticket to get because, at best, you're going to get a rehearsal ticket at this point because they do a rehearsal before they do the final show, right? And, somehow they'll let people in there. But you really need to know somebody if you're going to go to the actual show itself. So put that on a bucket list. It's really worth it. Bruce Miller: You had mentioned back a little bit earlier about the two this huge venue in London, and, every year, it seems they're rerunning this on PBS. And that's the Les Miz anniversary special. And it's just unbelievable. I love the show. Les Miz arabla. As a musical, it's wonderful. But this they combined a whole bunch of old stars, people who had been in it before, made this kind of masterful thing. And then you saw these people walking up the aisles of this show and it was like, oh my God, I can't believe this. And those are those once in a lifetime experiences that somehow need to be captured on film. But The Two is a place where they all play at some point. Look at all the things they did when Prince Charles and, when Queen Elizabeth had her anniversary. You name it, they did something there. And it's a place I'd love to go to just to see what it's like in person. Terry Lipshetz: Yeah, that would be a fun one. And then you think about entertainment destinations now, too, with The Sphere in Las Vegas with U Two and U Two, because U Two is such a visual band that they're able to utilize the interior. I mean, that's just amazing. It's just a giant Led screen, basically. But they had a concert film as well. I don't know. Do you remember Ratle and Hum? Bruce Miller: Oh, yes, I think we got them. And get it free. If you had like, some Apple product, they gave it to you. Terry Lipshetz: I don't know, you might have, but no, I think that might be something else. But Ratle and the Hum came out in, I think it was 1988. And it was a combination, album. It was like a live album that came out after The Joshua Tree. And it also had a companion film that went with it. The companion film. Some people love it, some people hate it. I don't know if there's very many people that are kind of like in the middle on this one. It's really bizarre. So on one hand, you get a lot of performances from the Joshua Tree tour, which is really at that know, they had a few earlier albums that did were critically acclaimed, but they didn't necessarily explode commercially. But The Joshua Tree exploded commercially and they had huge hits. So they documented parts of this tour and they shot a lot of it in black and white. But then near the end, they went into color. But then they had these intermittent weird side journeys where they went to Graceland and they talked about their love for Elvis and they met with BB. King and they did this. And it was just kind of a strange document of the time. I would have been happier with. Just give me 25 songs of a straight YouTube concert. If you got to take a few performances from a few different shows, so be it. But, I don't know. I could probably have done without the side commentary. Yeah, exactly. Because I love you two and I've seen them in concert and I have all their albums. But Bono has a certain way about them, I guess is a way of saying it. And it's just like they're a little bit too over the top sometimes, even for me. I think Rattle and Hum really, it sums up that time, at least, even though. Bruce Miller: All those little pop stars. Anna Montana, right? bieber had one. I think it was 3D. Katy Perry, you name them, they all get these movies at some point. And it's somebody saying, you know, here's how we can make the budget on that tour. That didn't go so well. We'll put out a movie, and then we'll make up the difference that we lost in, know, having that big set piece that you had. There was a great mockumentary about Madonna's tour. Remember how Madonna had the cone bra and all that? And Julie Brown. Not the Julie Brown that you remember from MTB, but a different Julie Brown who was a comedian, did her spoof of was. So I think she called herself Medusa or something. Terry Lipshetz: Okay. Yeah. Bruce Miller: But if you ever get to see that, it is such a hoot. It makes fun of these in the best way. The best way. And Madonna had to have loved it. And she's another one who should look at those things and say, I'm glad I have this document. I really am. Because I don't know that her tours now are as iconic as they should be. Gaga she has done things. She's done films or specials, but I don't know that she's done one of these kind of big movie things that would have told all or showed all or whatever. And maybe she's ripe for one. Terry Lipshetz: Maybe. You know which one I really like, too. And this was an opportunity because I couldn't get to New York, and I'm a huge Springsteen fan. And then this is like my other Broadway. Yeah. In my other shameless self promotion, I have another Instagram account called at Bruce Springsteen Collection, where I document all of the Springsteen albums in my collection. And I'm not just talking about the regular stuff. I've got some things that were not officially released that I show off on this thing. Bruce Miller: But does Bruce know? Terry Lipshetz: He knows this stuff is out there. Bruce Miller: Okay. Terry Lipshetz: but, yeah, no, I'm a huge hardcore. I've seen him in concert 1314 times at this point. Bruce Miller: Why didn't you go to the Broadway show? Come on. Terry Lipshetz: Yeah, I mean, I really wanted to, but the cost for tickets, I got to travel from the Midwest to the city. Yeah, it's an expensive show. So, when Netflix made the deal to air, know, one of the performances of Spring Scene on Broadway, it was a really good opportunity. And I would have loved to have gone to the Walter Kerr Theater to see it live. But I think in this type of setting, the way they filmed it, you felt like you were right there. Terry Lipshetz: It was a very well done documentary, know, whatever you want to call it. it captured the know, it was kind of like, with Hamilton, because if you couldn't see the original cast, you at least got to see it on Apple TV. And I think that was a good second opportunity. And I think that's what this is. Bruce Miller: I told you my story about Hamilton, right? That I was determined to see Hamilton no matter what. Terry Lipshetz: No, I don't think I heard this one. Bruce Miller: Oh, do you mind if I go ahead. Story. The thing about me is I have to see the original cast. I have to see the original actor in a Broadway show or I don't feel like if it's a big thing sure. And I knew that Hamilton was going to be a big thing even before Hamilton was a spark on anybody's radar. And then it got out there and I thought, I've got to go, but when am I going and how do I get tickets? And it was like this whole thing where I couldn't get the tickets. The tickets were just outrageous. And I decided I was going to go on StubHub. And so StubHub I went on, and it was like, 1000 something for the tickets, and am I going to spend $1,000? And then I start rationalizing all these things. Well, life is short. You're not going to be around that much longer. You want to see it, you should go. The original cast was breaking up after that. I was rationalizing. Terry Lipshetz: Right. You played it out, like, 15 steps and you're like, I'm on board. Bruce Miller: And it got down to the point where it was $777. Terry Lipshetz: Oh, you got to do it. Bruce Miller: And I did it. I jumped. And then I was at a hotel and we had to add, you know, how this thing is where you print out the tickets, but you're not really sure about all this, and you think, oh, they're going to take money to the cleaners and I'm going to lose $700, and it's going to be just the worst, right? Terry Lipshetz: Yes. Bruce Miller: And so I went to the business office at the hotel and they said, yeah, these are pretty good. You should be all right. You shouldn't have a problem. But if I were you, I'd get to the theater early, because if somebody sold this ticket twice, which could happen, you won't be the one who gets in. It'll go the one who got in before you. I made a beeline to that theater as fast as I could. And when I heard that M of the ticket, it was like, yes. So I get to my seat, and the seat was really good. And I'm talking to the people next to me. And there was a family from Los Angeles who came because the daughter had been listening to the album all along and wanted to see this. Right. This was her goal. And they gave up going to any other shows. They weren't going to any kind of theme parks. They weren't doing anything but Hamilton. And they spent $10,000. And they were sitting next to me. And we talked to people, like, in the row before us. They spent nothing. Somebody handed them tickets at the theater. So there were all these kind of stories that were going around among the people, and you felt lucky. You felt like, I have won the lottery. I am here. And then you hear and you think, this is, like, the most unbelievable experience I've ever been in my life. It was everything. And then a little bit more. And I'll tell you an, intermission. I ran to the merchandise table and bought $200 worth of crap just because I wanted to prove that I had been to Hamilton, right? So it was my thing. And I realized, you know what? It was money well spent. It was really money well spent. Now, when I saw the Apple version of or I mean, the Disney version, disney plus version of, Hamilton, it was perfect. It lived up to all of the things that I remember, because after that cast, the original cast left. I did go see it again, and it did not live up to the hype. But having seen the original cast and then seeing the original cast do the filmed version of Was, if you want to know how good it was, watch that. It was very good. And I think they did a great job of capturing that whole moment. But, yeah, that's cool. My Hamilton story. So for the next year after that, I got more Hamilton crap from people because they said, well, you're the one that really likes Hamilton, don't you? Here's a hamilton. Whatever. But I had talked to Lin Manuel Miranda before he was even writing it. He was on a TV series as, like, a third stringer. And I said, well, what are you working on? Because he had done some other stuff for the theater. And that if you know anything about me, I'm just a hardcore theater person. I live for that. And he said, well, I'm working on a little thing I call the Hamilton mixtape. It's a show about Alexander Hamilton, but it's done with rapid hip hop and that kind of stuff. He says, we'll see where it goes. And I'll look where it went. Terry Lipshetz: We'll see where it goes. It may pan out. Who knows? Bruce Miller: It's a fascinating story. And then to even take it further, while he was doing Hamilton, he was writing the songs for Moana. He would do zoom calls with the directors of Moana, who one of them happens to be from Sioux City. And he would tell me about how yeah, he'd come after before they start the show or during an intermission or whatever, and they would like, work well, this song needs to be this, and this song needs to be that. Okay, I'll work on it, and I'll get you another one. And then he'd go out and do the show. Terry Lipshetz: That's crazy. Bruce Miller: Yeah, it's weird, but there's your $0.02 worth on those kind of direct to the screen versions. Bruce Miller: But you know what? I think these are ways for all of us to enjoy entertainment that we maybe don't have the access to. Terry Lipshetz: Absolutely. Bruce Miller: It's an affordable way and you still get all the bells and whistles. And even if you had a bad seat at the show itself, if you did go, here's a way to see things that maybe you didn't see. Terry Lipshetz: Yeah, and it's a cool way too, because it captures the moment of the time. So if you're like me, who I'm in my later forty s and I was born after Woodstock. I can see what m people of my parents age looked like and acted like ah, as youngsters and realized that some of the things that they yelled at me for, they were doing them also back in. Bruce Miller: As someone who was around, I will tell you they were just as bad, if not worse than we see kids today. Terry Lipshetz: Yeah, exactly. And then I look back at something like 1991, the film The Year Punk Broke, which looks at bands like Sonic Youth and Nirvana when they exploded in the early ninety s. And I watched those and I'm like, oh, did I really dress that way in high school? Yeah. Oh man. Bruce Miller: No, it's fascinating. I was talking to a college student today, and she was doing a project for one of her design classes. And she says, I am going back to the I'm trying to kind of conjure all those things that were big in the some of these things that you're coming up with weren't in the little careful, because I don't remember this stuff. And I remember the 70s like nobody. Terry Lipshetz: You do. Yeah, you absolutely remember them. So again, we've got October 13, Taylor Swift's, the Era's tour film, coming out. Beyonce has her film coming out in December. And check out some of these films that we talked about opportunities like Woodstock, Ratle and lot of like Scorsese has done a lot of if you're into like like you know, he's got a lot of things besides, the gangster films. He loves music and it plays into all of his films and he's done quite a few, so a lot of good things. And he's got a new movie coming up and then we have another episode coming out next week. You have an interview with that, right? Bruce Miller: With Goosebumps? Yeah. Get ready. We're getting closer to Halloween and they've rebooted Goosebumps. They had a series where they would do a different book for each episode. Now they've created a kind of a mashup where they put the characters together and they're telling stories from four or five different books in the course of a season. And you'll get a chance to hear the producers talk about why they did what they did with this. And it's a little more adult than you may remember the Goosebumps book being. So look for that. That's next week when we come back on Streamed and Screened. Terry Lipshetz: Sounds good. So we'll talk about Goosebumps and we'll talk about maybe some other family friendly ish kind of Halloween things that we can dive into if you must. Bruce Miller: If you're not we're talking about saw. Terry Lipshetz: I will tap out. If we're talking horror movies, I am tapping out before we get started. We won't do saw. None of that stuff. I like to get a solid night's sleep, Bruce. I don't need horror things flashing through my head. That stuff's scary. I don't like scary things. Bruce Miller: Yeah, we'll play the Springsteen white noise machine, and you'll be able to go to sleep. Terry Lipshetz: Sounds good. All right. We'll be back again next week with another episode of Streamed and Screened.See omnystudio.com/listener for privacy information.

In this episode of the "Work From Your Happy Place" podcast, host Belinda Ellsworth interviews Howie Zales, an Emmy Award-winning former camera operator turned entrepreneur. Howie shares his journey from working in local sports coverage to building a successful career in TV production and live streaming events. He emphasizes the importance of taking advantage of every opportunity, as even a small encounter can lead to significant financial success. Howie also highlights the power of live streaming events, especially after the COVID-19 pandemic, as it allows people to connect and participate in important moments, even if they can't be physically present. Overall, this episode offers valuable insights into seizing opportunities, the power of live streaming, and the importance of knowing oneself in a career journey. Join Belinda's membership program and discover the art of creating and sharing amazing experiences with like-minded people, all from the comfort of your own home. You get to connect with others online, learn new skills and techniques, and grow your network without ever having to leave your computer screen. To know more, click on the link https://workfromyourhappyplace.com/vip/ Key Learnings: [00:05:45] Manifestation leads to first sports TV job, leading to more opportunities. [00:08:06] Show up, give 200%, and seize opportunities. [00:13:07] HJZ Productions hired for West Point graduation. [00:16:35] Cheaper live streaming replaces traditional TV broadcasts. [00:21:04] Importance of knowing one's limitations and hiring wisely. [00:23:20] Camera operator to entrepreneur. [00:25:33] Adding emotional aspects to an inventory sheet, resulting in a quick and colorful description of items. Advice for aspiring professionals to pursue a career in television production. About Howie Zales - Howie Zales, a high school student with dreams of playing professional baseball, found himself in need of an elective course. Realizing the importance of having a backup plan, he decided to enroll in a TV production class. Little did he know this decision would change his life forever. During a field trip to NBC Studios, Howie witnessed the taping of a TV show and immediately developed a passion for TV production. Recognizing the potential to combine his love for sports, particularly baseball, with television, he made a deliberate choice to only apply to colleges with TV production programs. After graduating college, Howie faced uncertainty about how to break into the TV production industry. However, fueled by his passion, he pursued opportunities that would allow him to showcase his skills and knowledge. Contact Howie Zales: https://www.howiezales.com/ About the Host: Belinda Ellsworth is a Speaker, Trainer, Best-Selling Author, and Podcaster She has been a professional speaker, mover, and shaker for more than 25 years. Having built three successful companies, she has helped thousands of entrepreneurs make better decisions, create successful systems, and build business strategies using her "Four Pillars of Success" system. Belinda has always had a passion and zest for life with the skill for turning dreams into reality. How to Connect with Belinda: Facebook -https://www.facebook.com/workfromyourhappyplace LinkedIn - https://www.linkedin.com/in/belindaellsworth Instagram -https://www.instagram.com/workfromyourhappyplace/ Website - www.workfromyourhappyplace.comThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4939248/advertisement

This Morning, Scooby and friends get into a bear fight, Former NBC Page Shelley Herman joins us to talk about her time working for NBC Studios, we see what's been going on in the Niagara Falls Police Blotter, and Murr from the Impractical Jokers joins us ahead of his Helium Comedy shows going from July 13th- 15th. See omnystudio.com/listener for privacy information.

Rog travels to the NBC Studios for the first annual Men in Blazers American Football Awards, Presented by Bud Light. He's joined by Rebecca Lowe and Robbie Earle to presented the American Premier League Player of the Year and the American American Player of the Year awards. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today on the show we have returning champion RB Botto.For many, the holy grail of television has become Netflix. It's a titan in the industry, and with over 200 million subscribers worldwide, no one can put out content quite like them. Just look at the recent hit show BRIDGERTON, which has already been seen by a massive 80 million households (!!) since its release. If you're a writer or creator, getting your series onto Netflix's platform can spell success in a big way. But first there's the matter of getting your series in front of them and pitching it effectively.It should be a comfort to know that you're not the only one who wants your series on Netflix. Netflix wants that too! Netflix execs are constantly on the lookout for exciting new voices and new series to fill their slate. Yet it takes more than just a good series or a good pilot script to get on Netflix's radar; you need to be able to communicate it well and pitch it in a way that will get their team excited. This certainly takes some work, but it's absolutely achievable. If you're interested in getting your show on Netflix, it's time to learn directly from the source what it will take to make that happen.In an effort to reach more writers and find more content, Netflix has joined forces with Stage 32 to present a FREE and invaluable workshop on what it is that they're looking for in new shows and how you can best pitch your series to their executives. In Stage 32's continued effort to help level the playing field for content creators worldwide, we felt it's important that we help you get tools you need to be able to make sure that you can pitch effectively.Kicking off the workshop will be Stage 32 CEO, Richard "RB" Botto (@rbwalksintoabar), and hosting this presentation will be Stage 32's Managing Director Amanda Toney with Netflix's Director of Creative Talent Investment and Development for International Originals Christopher Mack. Christopher was previously Senior Vice President of Scripted Content for Stage 13, overseeing all of the brand's original scripted series and development slates across multiple genres, including Emmy nominated Netflix series' SPECIAL and IT'S BRUNO. Before Stage 13, Chris headed the Warner Bros. Workshop, the writing and directing program for professionals looking to start and/or further their careers in television. Over a period of 10 years in this role, Chris curated a roster of close to 100 writers and 50 directors representing the breakthrough emerging voices working on high-profile television shows today. In addition to these responsibilities, Chris has covered hit shows such as TWO AND A HALF MEN and SMALLVILLE for the Current Programs department.Prior to joining Warner Bros., Chris spent seven years writing on various one-hour dramas including ER, THE PRACTICE and THE NEW TWILIGHT ZONE. After graduating from Loyola Law School, Chris got his start in television at NBC Studios as an associate and he quickly rose to becoming an executive. During his time at the newly created NBC Studios, he oversaw a varied list of shows including: THE FRESH PRINCE OF BEL AIR and IN THE HOUSE, among others.In this exclusive Stage 32 workshop, Christopher will delve into what exactly makes a television pitch work at Netflix.He'll discuss the essentials you'll need to catch Netflix's eye and will zero in on how to write an effective pitch document.He'll pose questions you be able to answer and communicate for your series and give you ideas on how best to communicate your show's overview, world, tone, and characters. Christopher will then discuss how season summaries should be built and give you ideas on how to think about and present potential episodes. Finally, you will have the invaluable opportunity to ask Christopher your own questions. You will leave this presentation with the understanding of how to structure and present your series, not in theory, but directly from the source.Enjoy my epic conversation with RB Botto.

TODAY ROBERT PAISOLA IS WITH A VIP GUEST, MR RICK PARTY FROM 104.3 JAMS in CHICAGO and STAR 101.5 in SEATTLE! In todays episode, we are taking a look under the hood and trying to figure what it takes to hit the big time in Podcasting… Being Monetized! As always our host is Robert Paisola, The CEO and President of Western Capital International. From Wikipedia 2021 Robert Paisola, (born December 3, 1972), is an American business Motivational Speaker, philanthropist, and the Chief Executive Officer of Western Capital and VP DEVELOPMENT, A National Commercial Builder (See VPDNevada.com) Based in Las Vegas, Nevada and Salt Lake City, Utah Robert Paisola is the founder of the Robert Paisola Foundation and serves as its Chairman. Twitter @RobertPaisola Contact: RobPaisola.com Paisola is a noted media analyst and a National Media Guest on the topics of the Recession, Foreclosure In America, and the business of Timeshare. A noted Author, CEO and Motivational Speaker, Robert Paisola is an International Personality speaking around the world on the Principles of The Hit Movie "THE SECRET" Robert Paisola is driven by a passion for people--motivating them to reach for the highest standards of success. As founder and president of many International Corporations including Western Capital and The Success Training Network, and now, Western Capital Multimedia, the parent company of Rene Magazine located at www.ReneMagazine.com. Our guest is Mr Rick Party, who is a Voiceover Artist Master, as well as a noted celebrity as the voice of 104.3 JAMS in Chicago and STAR 101.5 in Seattle Check out Rick as he broadcasts around the globe at www.RickParty.com Todays show is sponsored bt Mercedes Benz USA and is being broadcast worldwide in 4 languages from the NBC Studios in Honolulu Hawaii. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/changeyourmindandlife/message

This is @Author Alan Roger Currie (The Mode One Approach) speaking at The 21 Convention of Orlando Florida in 2017, and 2018, as well as his two interviews on The 21 Report, and his appearance on the 21 Studios podcast with Socrates and Richard Cooper from @Entrepreneurs in Cars Learn more from Alan at http://directapproachdating.com Subscribe to @Author Alan Roger Currie (The Mode One Approach) on Youtube at https://www.youtube.com/c/AuthorAlanR... Support him on Patreon at https://www.patreon.com/modeone #modeone #redpill #relationshipadvice #relationships #datingadvice #dating Alan Roger Currie (born March 3, 1963) is an American dating coach, self-help author, motivational speaker, and YouTube personality. He has written advice books on dating and interpersonal relationships, verbal communication skills, identifying various manipulative "mind games" employed between the genders, seduction, erotic dominance & submission (BDSM), and engaging in erotically explicit "dirty talk" with women. Background Currie was born on March 3, 1963, in Gary, Indiana, the son of Dr. Clarence R. Currie, one of the first two African-American graduates of the Indiana University School of Optometry, and Mildred R. Currie, an art teacher in the Gary Community School Corporation. [4] He started writing his own original comic books when he was six years old, which he sold for $0.05 to $0.15 to his classmates. He attended William A. Wirt High School where he served as president of the student body during his senior year, and was also elected president of the entire high school population of Gary, Indiana. [4] Currie attended Indiana University (Bloomington) where he earned Dean's List Scholar honors and a B.A. in Economics. He was a member of the predominantly African-American fraternity Kappa Alpha Psi. Career In the mid-1980s, Currie began to land roles in local, regional, and national television commercials. In 1989, he won the Miller Lite Comedy Search contest for up-and-coming comedians held in Chicago. He started his brief career as a comedian as the opening act for Robin Harris during the 1989 Circle City Classic in Indianapolis, Indiana. He has made brief appearances on The Morning Show with Mike and Juliet, The Oprah Winfrey Show, The Phil Donahue Show, and The Steve Harvey Television Talk Show. In the mid-to-late 1990s, Currie shifted from acting and stand-up comedy to writing and screenwriting. In May 1994, after completing one year in the Kelley School of Business MBA Program, Currie moved to Los Angeles, California, to pursue a career as a screenwriter and filmmaker. He was hired into the NBC page program in Burbank, California and began working for NBC Studios. He later worked for Twentieth Century Fox in their Guest Relations and Special Events department. Newsletter: https://21studios.com Support the channel https://21studios.com/donate/ Live events https://21studios.com/21-summit/ Exclusive videos https://21university.com More exclusive content https://21studios.locals.com Merch https://www.the21store.com Make Women Great Again℠ https://22convention.com Follow us on Rumble https://rumble.com/c/21Studios Follow ADJ on Twitter https://twitter.com/beachmuscles Follow us on Bitchute https://www.bitchute.com/21studios/ Follow us on Odysee https://odysee.com/@21:7 Follow us on Gab https://gab.com/21studios Follow us on Twitter https://twitter.com/21Convention Follow us on Instagram https://www.instagram.com/21Convention/ Follow us on Facebook https://www.facebook.com/the21convention Become a channel member: https://t21c.com/21sytm Subscribe to Red Man Group: https://t21c.com/rmgsub21 Direct donation to 21 Studios https://t21c.com/donate21

Welcome back for episode 39 of the Monday Night MasterDebaters where I was joined by Ryan from Dangerous World Podcast, Boia Chris & Big Country from the Whiskey Beer & Conspiracies Podcast. As usual we bounced around from current events/politics to entertainment to conspiracies. We looked at the attack on police & overall destabilization agendas, Dr Fauci retiring, Tavistock Bilderberg CFR, How do you push back, have we reached the tipping point, $cience worship, Stranger Things, Ivana Trump, Shadow Government, Fourth Reich, Martha & Snoop, Orlando Brown drops truth on Hollyweird, 2024 election, one hit wonders, and last but not least Corey Feldman's cringy musical performance on GMA. Corey Feldman on GMA: https://www.youtube.com/watch?v=BZX7UJSXCiU 'Go 4 It' - Buy the song and album 'Angelic 2 the Core' on iTunes now! Support the band so you can see us in a town near you!! m/ ✌

ANYTHING GOES COMPOSER: Cole Porter LYRICIST: Cole Porter BOOK: Guy Bolton and P.G. Wodehouse, revisions by Howard Lindsay & Russell Crouse DIRECTOR: Howard Lindsay CHOREOGRAPHER: Robert Alton PRINCIPLE CAST: William Gaxton (Billy), Ethel Merman (Reno), Victor Moore (Moonface) OPENING DATE: Nov 21, 1934 CLOSING DATE: Nov 16, 1935 PERFORMANCES: 420 SYNOPSIS: Set on a luxury liner that is sailing from New York to London, Billy, a lovelorn stock broker, attempts to win back his true love, Hope, while being guided in matters of the heart by brassy entertainer Reno Sweeney.  Robert W. Schneider argues that the oft-revived, oft-edited book musical, Anything Goes, houses a depth of social and political satire that was so topical and current upon its premiere that it is regularly overlooked by artists and audiences approaching the work. An in-depth analyses of Cole Porter's lyrics for select list songs in the show reveal commentary on American pop culture which align with the themes in the piece and suggest characters' milieu but, when studied more closely, hint at more subversive implications and taboo practices. The breakdowns demonstrate how a close reading of Anything Goes' score may provide readers with a sense of Porter's views on American life as well as his prowess as a lyricist. Robert W. Schneider holds academic appointments at Penn State University, New York Film Academy, and Mount Union University, as well as serving as the Artistic Director for The J2 Spotlight Musical Theater Company and as an original programming producer at Feinstein's/54 Below in New York City. He is the host of the podcasts Behind The Curtain: Broadway's Living Legends, Gay Card Revoked, and This Was A Thing. For the past fifteen years Robert has been one of the most prolific leaders of online education in the arts. He is a proud member of SDC, AEA, and AGVA. SOURCES Anything Goes, London Symphony Recording. Angel Records (1989) Anything Goes, starring Bing Crosby and Ethel Merman, directed by Lewis Milestone. Paramount Pictures (1936) The Colgate Comedy Hour: Anything Goes, starring Frank Sinatra and Ethel Merman, directed by Sid Smith. NBC Studios (1954) Just About Anything Goes: The National Theatre at Work by Robert Butler, published by NT Publications (2002) Learn more about your ad choices. Visit megaphone.fm/adchoices

We dive deep into the NCAA Mens basketball team, the Saint Peter's Peacocks and NBC Studios, Peacock TV. Plus March Madness Sweet 16 lineups and predictions. Pat has his what's trending topic, this week it's Kylie Jenner's baby name change. Baseball is back and we are discussing Aaron Judge, Trevor Story, Carlos Correa and the upcoming MLB season.

Today on the show we have returning champion RB Botto.For many, the holy grail of television has become Netflix. It's a titan in the industry, and with over 200 million subscribers worldwide, no one can put out content quite like them. Just look at the recent hit show BRIDGERTON, which has already been seen by a massive 80 million households (!!) since its release. If you're a writer or creator, getting your series onto Netflix's platform can spell success in a big way. But first there's the matter of getting your series in front of them and pitching it effectively.It should be a comfort to know that you're not the only one who wants your series on Netflix. Netflix wants that too! Netflix execs are constantly on the lookout for exciting new voices and new series to fill their slate. Yet it takes more than just a good series or a good pilot script to get on Netflix's radar; you need to be able to communicate it well and pitch it in a way that will get their team excited. This certainly takes some work, but it's absolutely achievable. If you're interested in getting your show on Netflix, it's time to learn directly from the source what it will take to make that happen.In an effort to reach more writers and find more content, Netflix has joined forces with Stage 32 to present a FREE and invaluable workshop on what it is that they're looking for in new shows and how you can best pitch your series to their executives. In Stage 32's continued effort to help level the playing field for content creators worldwide, we felt it's important that we help you get tools you need to be able to make sure that you can pitch effectively.Kicking off the workshop will be Stage 32 CEO, Richard "RB" Botto (@rbwalksintoabar), and hosting this presentation will be Stage 32's Managing Director Amanda Toney with Netflix's Director of Creative Talent Investment and Development for International Originals Christopher Mack. Christopher was previously Senior Vice President of Scripted Content for Stage 13, overseeing all of the brand's original scripted series and development slates across multiple genres, including Emmy nominated Netflix series' SPECIAL and IT'S BRUNO. Before Stage 13, Chris headed the Warner Bros. Workshop, the writing and directing program for professionals looking to start and/or further their careers in television. Over a period of 10 years in this role, Chris curated a roster of close to 100 writers and 50 directors representing the breakthrough emerging voices working on high-profile television shows today. In addition to these responsibilities, Chris has covered hit shows such as TWO AND A HALF MEN and SMALLVILLE for the Current Programs department.Prior to joining Warner Bros., Chris spent seven years writing on various one-hour dramas including ER, THE PRACTICE and THE NEW TWILIGHT ZONE. After graduating from Loyola Law School, Chris got his start in television at NBC Studios as an associate and he quickly rose to becoming an executive. During his time at the newly created NBC Studios, he oversaw a varied list of shows including: THE FRESH PRINCE OF BEL AIR and IN THE HOUSE, among others.In this exclusive Stage 32 workshop, Christopher will delve into what exactly makes a television pitch work at Netflix.He'll discuss the essentials you'll need to catch Netflix's eye and will zero in on how to write an effective pitch document.He'll pose questions you be able to answer and communicate for your series and give you ideas on how best to communicate your show's overview, world, tone, and characters. Christopher will then discuss how season summaries should be built and give you ideas on how to think about and present potential episodes. Finally, you will have the invaluable opportunity to ask Christopher your own questions. You will leave this presentation with the understanding of how to structure and present your series, not in theory, but directly from the source.Enjoy my epic conversation with RB Botto.

This week we review 30 Rock (Series 1 Episode 2) Liz Lemon, head writer of a sketch comedy show, has to deal with her arrogant boss and eccentric stars. Regardless, she must run the TV show successfully without losing her mind.Created by Tina Fey, it's based on her experiences as head writer for Saturday Night Live. It takes place behind the scenes of a fictional live sketch comedy show depicted as airing on NBC.The series' name refers to 30 Rockefeller Plaza in New York City, the address of the now Comcast Building, where the NBC Studios are located.The series stars Fey with a supporting cast that includes Alec Baldwin, Tracy Morgan and Jane Krakowski.Tonally, it uses surreal humour to parody the complex corporate structure of NBC and its then parent company General Electric and has been described as adopting the manic pacing of a live-action cartoon and has been influential in its extensive use of cutaways. It also became known for its dedication to making sets extremely elaborate, once showing a set that took three days to build for only six seconds.Written by Tina FeyProduced by Jeff Richmond & Jerry KupferDirected By Adam BernsteinA Broadway Video / Little Stranger Inc production for NBC Universal.30 Rock is available here: https://bit.ly/3BJeqvL The Comedy Slab Podcast is available on Apple Podcasts, Spreaker, Stitcher, iHeart Radio, Spotify and Youtube. Subscribe for a new episode each Tuesday. Get in touch - we're @ComedySlab on Twitter and ComedySlab on Facebook.

Today on the show we have returning champion RB Botto. For many, the holy grail of television has become Netflix. It's a titan in the industry, and with over 200 million subscribers worldwide, no one can put out content quite like them. Just look at the recent hit show BRIDGERTON, which has already been seen by a massive 80 million households (!!) since its release. If you're a writer or creator, getting your series onto Netflix's platform can spell success in a big way. But first there's the matter of getting your series in front of them and pitching it effectively.It should be a comfort to know that you're not the only one who wants your series on Netflix. Netflix wants that too! Netflix execs are constantly on the lookout for exciting new voices and new series to fill their slate. Yet it takes more than just a good series or a good pilot script to get on Netflix's radar; you need to be able to communicate it well and pitch it in a way that will get their team excited. This certainly takes some work, but it's absolutely achievable. If you're interested in getting your show on Netflix, it's time to learn directly from the source what it will take to make that happen.In an effort to reach more writers and find more content, Netflix has joined forces with Stage 32 to present a FREE and invaluable workshop on what it is that they're looking for in new shows and how you can best pitch your series to their executives. In Stage 32's continued effort to help level the playing field for content creators worldwide, we felt it's important that we help you get tools you need to be able to make sure that you can pitch effectively.Kicking off the workshop will be Stage 32 CEO, Richard "RB" Botto (@rbwalksintoabar), and hosting this presentation will be Stage 32's Managing Director Amanda Toney with Netflix's Director of Creative Talent Investment and Development for International Originals Christopher Mack. Christopher was previously Senior Vice President of Scripted Content for Stage 13, overseeing all of the brand's original scripted series and development slates across multiple genres, including Emmy nominated Netflix series' SPECIAL and IT'S BRUNO. Before Stage 13, Chris headed the Warner Bros. Workshop, the writing and directing program for professionals looking to start and/or further their careers in television. Over a period of 10 years in this role, Chris curated a roster of close to 100 writers and 50 directors representing the breakthrough emerging voices working on high-profile television shows today. In addition to these responsibilities, Chris has covered hit shows such as TWO AND A HALF MEN and SMALLVILLE for the Current Programs department.Prior to joining Warner Bros., Chris spent seven years writing on various one-hour dramas including ER, THE PRACTICE and THE NEW TWILIGHT ZONE. After graduating from Loyola Law School, Chris got his start in television at NBC Studios as an associate and he quickly rose to becoming an executive. During his time at the newly created NBC Studios, he oversaw a varied list of shows including: THE FRESH PRINCE OF BEL AIR and IN THE HOUSE, among others.In this exclusive Stage 32 workshop, Christopher will delve into what exactly makes a television pitch work at Netflix.He'll discuss the essentials you'll need to catch Netflix's eye and will zero in on how to write an effective pitch document.He'll pose questions you be able to answer and communicate for your series and give you ideas on how best to communicate your show's overview, world, tone, and characters. Christopher will then discuss how season summaries should be built and give you ideas on how to think about and present potential episodes. Finally, you will have the invaluable opportunity to ask Christopher your own questions. You will leave this presentation with the understanding of how to structure and present your series, not in theory, but directly from the source.Enjoy my epic conversation with RB Botto. 

James Coker is all about nostalgia, so where do shows like Mad Men, Battlestar Galactica and Game of Thrones fall on his TV BFF Criteria? In this episode James shares how formative Mr. Show with Bob and David was for him and why 30 Rock will always be near and dear to his heart. And then we have a wild Lightning Round that will delight all the comedy nerds out there, and we discuss the mysterious Muppet Pipes hidden inside NBC Studios... Leave us a review if you're loving the show and SEND US YOUR SIX - let us know your BFF Criteria or email us at tvbffpodcast@gmail.com  

#541: Today Shann is speaking with Cody Edner and David Gandelman from the Energy Matters Academy about the power of meditation and energy work for anxiety relief.   Cody Edner has been teaching meditation, energy healing, and intuitive awareness for over 35 years. He is the founder of IntuitiveVision.net, co-host of the Energy Matters podcast, and currently travels and teaches advanced training programs, workshops and seminars.   David Gandelman is the founder of Meditation School. He is also the co-host of the Energy Matters podcast, and teaches meditation at Cornell University and NBC Studios. He connects energetic experience, ancient wisdom traditions, and humor, to create a safe atmosphere for people interested in learning to meditate, and developing their natural spiritual abilities. Show Notes: How the pandemic has changed the way Cody and David support their students. How meditation and energy work provide relief from anxiety. The impact of intuitive awareness on our daily lives. What can our listeners do right now to improve their lives? Find + Feel + Face + Heal Listen to the Energy Matters podcast at the Energy Matters Academy.  

This week The TV Boys sit down to discuss Tina Fey and see how well we can read our outline. Her work is some of the best in television. Whether she is creating shows, performing on screen or both, her work is second to none.

Cody Edner has been teaching meditation, energy healing and intuitive awareness for over 35 years. He is the founder of IntuitiveVision.net, co-host of the Energy Matters podcast, and currently travels and teaches advanced training programs, workshops and seminars. He is also the former director of the Berkeley Psychic Institute of Santa Rosa and Aesclepion Wellness Center. David Gandelman is the founder of Meditation School. He is also the co-host of the Energy Matters podcast, Grounded Sleep Podcast, and teaches meditation at Cornell University and NBC Studios. His meditations have been streamed for over 30 million minutes on the meditation app, Insight Timer. He connects energetic experience, ancient wisdom traditions, and humor, to create a safe atmosphere for people interested in learning to meditate, and developing their natural spiritual abilities. Check out their links to find more info on the work they do! https://energymattersacademy.com https://www.intuitivevision.net/ https://www.meditationschool.us/

Estimados amigos reciban un saludo muy cordial en este programa vamos a escuchar las canciones producidas por Fundación NBC STUDIOS, en esta oportunidad el clamor de juventud, un tema de la autoría de Js Suárez & la compañía de Yeferson Caldas. Ministry The RCSHA Colombia. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

For episode homepage, resources, free download and links, visit: https://kristenmanieri.com/episode102/    Description This week I’m joined by David Gandelman, meditation teacher and founder of Meditation School. For 60 minutes, David answers all of my questions about how and why to meditate, what makes it hard and how to make it easier. Take everything you think you know about meditation and join this conversation with fresh ears. There's a reason why this ancient stress reliever has gone mainstream; it works!   Guest Bio David Gandelman is the founder of Meditation School. He is also the co-host of the Energy Matters podcast, Grounded Sleep Podcast, and teaches meditation at Cornell University and NBC Studios. His meditations have been streamed for over 30 million minutes on the meditation app, Insight Timer. He connects energetic experience, ancient wisdom traditions, and humor, to create a safe atmosphere for people interested in learning to meditate, and developing their natural spiritual abilities.   Host Bio Kristen Manieri is a Certified Mindfulness and Resilience Teacher specializing in: stress reduction, energy management, mindset, resilience, meditation, habit formation, rest rituals, and self-care. As the host of the weekly 60 Mindful Minutes podcast, an Apple top 100 social science podcast, Kristen has interviewed over 100 authors and thought leaders about what it means to live a more conscious, connected, intentional and joyful life. Learn more at https://kristenmanieri.com/work-with-me/.   Mentioned in this Episode Guest’s website: https://www.meditationschool.us/ https://www.davidgandelman.com/   Four Doorways into Meditation https://www.youtube.com/watch?v=nD_qIfpFFbg   Workbook & 28 Day Practice Guide https://kristenmanieri.com/shop/ Connect with the 60 Mindful Minutes podcast   Web: https://kristenmanieri.com Email: Kristen@kristenmanieri.com   Facebook: https://www.facebook.com/60MindfulMinutes Instagram: https://www.instagram.com/kristenmanieri_/ Pinterest: https://www.pinterest.com/kristenmanieri/

On this Mindfulness at Work episode, we talk to David Gandelman, who is a spiritual teacher, about meditation and how it changed his life. David teaches meditation to over 100,000 students on the Insight Timer App, at Cornell University, and at his studio in Los Angeles. He is also the founder of Meditation School where he helps people learn to calm down, ways to get more sleep, and helps them discover what they want to heal. The reason people first explore meditation is to lower their anxiety by 20%. They do learn to turn off their anxiety and find inner peace but they also learn a lot more. This can be scary, so many people give up because when we first start meditating, the outer noise of our lives comes inside. People become uncomfortable but if we can forge through and continue practicing, we can eventually use it as a teaching tool for a deeper awareness of ourselves. David says, "Anxiety is the icing on the cake so it would be great to uncover what’s beneath it." Sticking to a meditation practice is the hardest part because it's unfamiliar. We all try to avoid any initial discomforts in our lives but in facing the discomfort we create growth and learning for a better way of living. Meditation is energetic maintenance. It's as if we are cleaning our "inner pipes" when we acknowledge our deeper feelings. Those feelings turn into thoughts, which turn into beliefs that are exhibited in our behaviors. This is because our feelings ruminate in our heads, and we try to figure things out based on those feelings. Meditations break through those patterns that aren’t necessary and reset our energy. We often look outward for validation in life and begin to believe things like money matters more, love matters less. When we turn those outer eyes inwards and look inside, we grow and see what really matters to us. David has learned 4 steps that meditation helps: 1) Find it 2)Feel it 3)Face it 4)Heal it And 5th- is to ask yourself, Now What? He has learned that often our thoughts are using us instead of us using them. He uses meditation to figure out how he can remain the master of his thoughts. David encourages working parents to meditate to clear energy, to be in the present moment, and to bring higher energy. They will then find the answers they seek. He believes parents automatically treat their kids the same way their parents treated them, even if it's damaging. Actually they should get to know their child’s 10,000 year-old wisdom soul. Kids want to be seen by their parents - He asks, "Can you see them for the spirit they are inside their body?" He shares what his own parents think of him being on the Insight Timer App with David Brand and Elizabeth Gilbert. They were thrilled and very proud of him. They appreciate his entrepreneurial spirit. In fact, he teaches entrepreneurship meditation as well as, speed dating and relationship meditations. He believes there’s a way to find your balance and fulfillment through meditating in all areas of your life. David Gandelman is also the co-host of the Energy Matters podcast, Grounded Sleep Podcast, and teaches meditation at Cornell University and NBC Studios. His meditations have been streamed for over 30 million minutes on the meditation app, Insight Timer. He connects energetic experience, ancient wisdom traditions, and humor, to create a safe atmosphere for people interested in learning to meditate, and developing their natural spiritual abilities. To reach him: https://energymattersacademy.com https://www.davidgandelman.com/ https://www.meditationschool.us/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/carapollard/support

E9: Standing in Front of a BoyE9.1 My Heart Will Go OnEmma and Chloe confront the ghosts of pretty boys past, in this episode where they look at white masculinity in the 1990s and its legacy. They explore the careers of Leonardo DiCaprio and Hugh Grant, and how their careers and reputations have survived into the present while others’ didn’t. They also consider the ‘grunge’ movement, and how claims for the dissolution of the boundaries between men and women, despite some success, also left many women behind.LinksJames Hibberd, “Vanilla Ice throwing Fourth of July concert: 'We didn't have coronavirus' in the '90s,” Entertainment Weekly, 1 July 2020, https://ew.com/music/vanilla-ice-4th-of-july-concert-coronavirus/?utm_campaign=entertainmentweekly_entertainmentweekly&utm_content=new&utm_medium=social&utm_source=twitter.com&utm_term=5efd1c86621aa70001d0241aAlan Riding, “Why 'Titanic' Conquered the World,” The New York Times, 26 April 1998, https://www.nytimes.com/1998/04/26/movies/why-titanic-conquered-the-world.htmlTatiana Siegel, “"His Brand Is Excellence": How Leonardo DiCaprio Became Hollywood's Last Movie Star,” Hollywood Reporter, 22 July 2019, https://www.hollywoodreporter.com/features/how-leonardo-dicaprio-became-hollywoods-last-movie-star-1225416Jason Rodrigues, “Hugh Grant arrested with sex worker 20 years ago,” The Guardian, 26 June 2015, https://www.theguardian.com/film/from-the-archive-blog/2015/jun/26/hugh-grant-arrest-prostitute-divine-brown-20-1995#_=_Darragh McManus, “Just 20 years on, grunge seems like ancient history,” The Guardian, 1 November 2008, https://www.theguardian.com/music/musicblog/2008/oct/31/grungeChioma Nnadi, “Why Kurt Cobain Was One of the Most Influential Style Icons of Our Times,” Vouge, 8 April 2014, https://www.vogue.com/article/kurt-cobain-legacy-of-grunge-in-fashionDouble J, “The 50 most important female artists of the 90s,” ABC Online, 16 June 2017, https://www.abc.net.au/doublej/music-reads/features/the-50-most-important-female-artists-of-the-90s/10267896Allison Yarrow, “How the ’90s Tricked Women Into Thinking They’d Gained Gender Equality,” Time, 13 June 2018, https://time.com/5310256/90s-gender-equality-progress/Evelynn McDonnell and Elisabeth Vincentelli, “Riot Grrrl United Feminism and Punk. Here’s an Essential Listening Guide,” The New York Times, 6 May 2019, https://www.nytimes.com/interactive/2019/05/03/arts/music/riot-grrrl-playlist.htmlEl Hunt, “A brief history of Riot Grrrl – the space-reclaiming 90s punk movement,” NME, 27 August 2019, https://www.nme.com/blogs/nme-blogs/brief-history-riot-grrrl-space-reclaiming-90s-punk-movement-2542166Hugh Grant on The Tonight Show with Jay Leno, 1995, NBC Studios & NBC ProductionsWayne’s World, 1992 Paramount PicturesTitanic, 1997 Paramount Pictures, 20th Century Fox and Lightstorm Entertainment

E9: Standing in Front of a BoyE9.2 Oopsy DaisyEmma and Chloe confront the ghosts of pretty boys past, in this episode where they look at white masculinity in the 1990s and its legacy. They explore the careers of Leonardo DiCaprio and Hugh Grant, and how their careers and reputations have survived into the present while others’ didn’t. They also consider the ‘grunge’ movement, and how claims for the dissolution of the boundaries between men and women, despite some success, also left many women behind.LinksJames Hibberd, “Vanilla Ice throwing Fourth of July concert: 'We didn't have coronavirus' in the '90s,” Entertainment Weekly, 1 July 2020, https://ew.com/music/vanilla-ice-4th-of-july-concert-coronavirus/?utm_campaign=entertainmentweekly_entertainmentweekly&utm_content=new&utm_medium=social&utm_source=twitter.com&utm_term=5efd1c86621aa70001d0241aAlan Riding, “Why 'Titanic' Conquered the World,” The New York Times, 26 April 1998, https://www.nytimes.com/1998/04/26/movies/why-titanic-conquered-the-world.htmlTatiana Siegel, “"His Brand Is Excellence": How Leonardo DiCaprio Became Hollywood's Last Movie Star,” Hollywood Reporter, 22 July 2019, https://www.hollywoodreporter.com/features/how-leonardo-dicaprio-became-hollywoods-last-movie-star-1225416Jason Rodrigues, “Hugh Grant arrested with sex worker 20 years ago,” The Guardian, 26 June 2015, https://www.theguardian.com/film/from-the-archive-blog/2015/jun/26/hugh-grant-arrest-prostitute-divine-brown-20-1995#_=_Darragh McManus, “Just 20 years on, grunge seems like ancient history,” The Guardian, 1 November 2008, https://www.theguardian.com/music/musicblog/2008/oct/31/grungeChioma Nnadi, “Why Kurt Cobain Was One of the Most Influential Style Icons of Our Times,” Vouge, 8 April 2014, https://www.vogue.com/article/kurt-cobain-legacy-of-grunge-in-fashionDouble J, “The 50 most important female artists of the 90s,” ABC Online, 16 June 2017, https://www.abc.net.au/doublej/music-reads/features/the-50-most-important-female-artists-of-the-90s/10267896Allison Yarrow, “How the ’90s Tricked Women Into Thinking They’d Gained Gender Equality,” Time, 13 June 2018, https://time.com/5310256/90s-gender-equality-progress/Evelynn McDonnell and Elisabeth Vincentelli, “Riot Grrrl United Feminism and Punk. Here’s an Essential Listening Guide,” The New York Times, 6 May 2019, https://www.nytimes.com/interactive/2019/05/03/arts/music/riot-grrrl-playlist.htmlEl Hunt, “A brief history of Riot Grrrl – the space-reclaiming 90s punk movement,” NME, 27 August 2019, https://www.nme.com/blogs/nme-blogs/brief-history-riot-grrrl-space-reclaiming-90s-punk-movement-2542166Hugh Grant on The Tonight Show with Jay Leno, 1995, NBC Studios & NBC ProductionsWayne’s World, 1992 Paramount PicturesTitanic, 1997 Paramount Pictures, 20th Century Fox and Lightstorm Entertainment

E9: Standing in Front of a BoyE9.3: CassandraEmma and Chloe confront the ghosts of pretty boys past, in this episode where they look at white masculinity in the 1990s and its legacy. They explore the careers of Leonardo DiCaprio and Hugh Grant, and how their careers and reputations have survived into the present while others’ didn’t. They also consider the ‘grunge’ movement, and how claims for the dissolution of the boundaries between men and women, despite some success, also left many women behind.LinksJames Hibberd, “Vanilla Ice throwing Fourth of July concert: 'We didn't have coronavirus' in the '90s,” Entertainment Weekly, 1 July 2020, https://ew.com/music/vanilla-ice-4th-of-july-concert-coronavirus/?utm_campaign=entertainmentweekly_entertainmentweekly&utm_content=new&utm_medium=social&utm_source=twitter.com&utm_term=5efd1c86621aa70001d0241aAlan Riding, “Why 'Titanic' Conquered the World,” The New York Times, 26 April 1998, https://www.nytimes.com/1998/04/26/movies/why-titanic-conquered-the-world.htmlTatiana Siegel, “"His Brand Is Excellence": How Leonardo DiCaprio Became Hollywood's Last Movie Star,” Hollywood Reporter, 22 July 2019, https://www.hollywoodreporter.com/features/how-leonardo-dicaprio-became-hollywoods-last-movie-star-1225416Jason Rodrigues, “Hugh Grant arrested with sex worker 20 years ago,” The Guardian, 26 June 2015, https://www.theguardian.com/film/from-the-archive-blog/2015/jun/26/hugh-grant-arrest-prostitute-divine-brown-20-1995#_=_Darragh McManus, “Just 20 years on, grunge seems like ancient history,” The Guardian, 1 November 2008, https://www.theguardian.com/music/musicblog/2008/oct/31/grungeChioma Nnadi, “Why Kurt Cobain Was One of the Most Influential Style Icons of Our Times,” Vouge, 8 April 2014, https://www.vogue.com/article/kurt-cobain-legacy-of-grunge-in-fashionDouble J, “The 50 most important female artists of the 90s,” ABC Online, 16 June 2017, https://www.abc.net.au/doublej/music-reads/features/the-50-most-important-female-artists-of-the-90s/10267896Allison Yarrow, “How the ’90s Tricked Women Into Thinking They’d Gained Gender Equality,” Time, 13 June 2018, https://time.com/5310256/90s-gender-equality-progress/Evelynn McDonnell and Elisabeth Vincentelli, “Riot Grrrl United Feminism and Punk. Here’s an Essential Listening Guide,” The New York Times, 6 May 2019, https://www.nytimes.com/interactive/2019/05/03/arts/music/riot-grrrl-playlist.htmlEl Hunt, “A brief history of Riot Grrrl – the space-reclaiming 90s punk movement,” NME, 27 August 2019, https://www.nme.com/blogs/nme-blogs/brief-history-riot-grrrl-space-reclaiming-90s-punk-movement-2542166Hugh Grant on The Tonight Show with Jay Leno, 1995, NBC Studios & NBC ProductionsWayne’s World, 1992 Paramount PicturesTitanic, 1997 Paramount Pictures, 20th Century Fox and Lightstorm Entertainment

In this episode I talk about being forced to move back to Canada, the mandatory lockdowns and quarantines going into effect worldwide, that time I broke into NBC Studios, and Scott burning an impossible burger. --- Support this podcast: https://anchor.fm/markclearview/support

On this episode of Ratified, MarketScale's podcast on the intersection of policy and business, Voice of B2B Daniel Litwin takes a trip back in time – and to the modern-day legal battleground emerging under President Trump's DOJ – to examine the 1948 Paramount Decision.To get you up to speed, that 1948 decision by the U.S. Supreme Court came about in a time when block-cooking, blind-buying and circuit dealing were rampant in the film industry. Litwin goes into exactly what those terms mean, but the gist is this – vertical integration in the film industry was dominant, and major companies created monopolies and stifled competition.An initial suit in 1938 bloomed into the 1948 decision, which saw the Supreme Court rule that film studios could no longer legally own their own theaters. This led to a boom for independent theaters and creators.Now, the Department of Justice is looking to reverse course on the decades-old ruling.Essentially, the argument boils down to this – the Antitrust Division of the DOJ believes these restrictions are no longer relevant in a media landscape that has so drastically shifted away from the theater experience of even a decade or two ago.To examine the implications of a potential rollback, Litwin welcomed the University of Southern California's Dr. John Connor to get some historical perspective, highlight economic structures in modern filmmaking and distribution, where independent media would go in the wake of a reversal, and more.UCLA School of Theater, Film and Television's Tom Nunan, former president of NBC Studios, among a laundry list of high-profile roles in the film industry, also joined the program to bring insights from the perspective of the country's largest studios.

Nolan's back and better than ever. We give you our intellectual Mount Rushmore and talk at length about someone overdrawing their account and then calling the police when the restaurant wouldn't give them their food. We also talked about NBC Studios and a different Chinese restaurant in Iowa. If you'd like to submit a review to the podcast or a song to be played during our break, go ahead and send us a screenshot or a link/download to onestarcast@gmail.com and make sure to let us know where the place is and the place the review is for. Music this week is brought to you by listener Alex, the song is called Longhorn and was made by his project Tablesaw Techniques. you can check out some of his other songs here: https://m.soundcloud.com/tablesawtechniques

Nolan's back and better than ever. We give you our intellectual Mount Rushmore and talk at length about someone overdrawing their account and then calling the police when the restaurant wouldn't give them their food. We also talked about NBC Studios and a different Chinese restaurant in Iowa. If you'd like to submit a review to the podcast or a song to be played during our break, go ahead and send us a screenshot or a link/download to onestarcast@gmail.com and make sure to let us know where the place is and the place the review is for. Music this week is brought to you by listener Alex, the song is called Longhorn and was made by his project Tablesaw Techniques. you can check out some of his other songs here: https://m.soundcloud.com/tablesawtechniques

Lauren Stockmon Brown (Host & Founder of TMCNP) asks Marquel Love ('19 graduate from NYU, former college athlete, NBC Studios employee, Page Program recipient) to take us through her hair-care experiences, the pressures of working in the corporate world right after undergrad, dating primarily white men and why. 

How did Byron Allen go from teenage stand-up to highly successful media mogul and entrepreneur? Byron thinks it has everything to do with growing up in Detroit, watching his dad working at Ford and internalizing that factory worker mentality. Of course, his mom was a big help too, working as a tour guide at NBC Studios so young Byron could watch and learn from Johnny Carson, Redd Foxx, Richard Pryor and many others. Byron tells Marc how he found The Comedy Store, how he put in the hard work to get his own show on television, and how he came to own a media empire that includes The Weather Channel. This episode is sponsored by South Park and Crank Yankers on Comedy Central, the Hella Mega Tour, and BetterHelp. See acast.com/privacy for privacy and opt-out information. Sign up here for WTF+ to get the full show archives and weekly bonus material! https://plus.acast.com/s/wtf-with-marc-maron-podcast.

On this week's show, we're in midtown Manhattan to tour the ACTUAL NBC Studios! Visit us at www.CFSAS.com Contact us at podcast@cfsas.com Follow us on Twitter @CentralFLSAS Like us on Facebook! Subscribe to us on YouTube! Please rate and review!

On this week's show, we're in midtown Manhattan to tour the ACTUAL NBC Studios! Visit us at www.CFSAS.com Contact us at podcast@cfsas.com Follow us on Twitter @CentralFLSAS Like us on Facebook! Subscribe to us on YouTube! Please rate and review!

On this week's show, we're in midtown Manhattan to tour the ACTUAL NBC Studios!   Visit us at www.CFSAS.com Contact us at podcast@cfsas.com Follow us on Twitter @CentralFLSAS Like us on Facebook! Subscribe to us on YouTube!   Please rate and review!

It’s Shark Week on Pod Sematary! Chris & Kelsey celebrate their nation’s Independence Day by trekking to the beach to become shark food instead of doing the sensible thing and staying indoors at all times! But it’s okay: they’re fighters! The Classic Film: Jaws (1975) "When a [great white] shark unleashes chaos on a beach community, it's up to the local [police chief], a marine biologist, and an old seafarer to hunt the beast down.” (IMDb.com). I mean… it’s Jaws. This is one of Chris’ favorite movies of all time, so watch it for him, won’t you? The Modern Film: The Shallows (2016) “A mere 200 yards from shore, surfer Nancy is attacked by a great white shark, with her short journey to safety becoming the ultimate contest of wills” (Sony Pictures Entertainment). The Shallows is more survival-thriller than the adventure-drama of Jaws, so it avoids becoming just another Spielberg wannabe. Come to this one for the beautiful landscapes and the badass silliness of the scenarios instead of quality storytelling and you may be pleasantly surprised.  Get more at podsematary.com! Read our afterthoughts for this episode at https://twitter.com/PodSematary/status/1145078763446652928 Audio Sources: "Blow" produced by New Line Cinema, et al. "Clerks" produced by View Askew Productions & Miramax "Finding Nemo" produced by Pixar Animation Studios and Walt Disney Pictures "Jaws" produced by Universal Pictures & Zanuck Brown Productions "Jaws: The Inside Story" produced by A+E Television Networks "Josie and the Pussycats" produced by Universal Pictures, et al. "Kevin Spacey/Beck" (Saturday Night Live S22E10) produced by NBC Studios and Broadway Video "The Land Before Time" produced by Universal Pictures, et al. "Live Free or Die Hard" produced by Twentieth Century Fox, et al. "Pet Sematary" written by Dee Dee Ramone & Daniel Rey and performed by The Ramones "se7en" produced by New Line Cinema, et al. "The Shallows" produced by Columbia Pictures, et al.

As Executive Vice-President of EUE/Screen Gems Studios in Wilmington, Bill Vassar runs the largest full-service film and television production facility east of California. Vassar got his start in radio as a teenager, worked at NBC Studios in New York with David Letterman and Saturday Night Live, before joining EUE/Screen Gems. He later moved to the North Carolina coast, seeing productions like One Tree Hill, Iron Man 3 and Good Behavior use his studio.

eSports—competitive video-gaming—are gaining in popularity in the United States among males under age 25. As a result, new venues are being built to accommodate live video-game competitions. One venue took over NBC Studios in California; another is being built in Texas. eSports are starting to catch on in the United States; we’ll also review how to use the phrasal verb “catch on.” Read the full transcript of this episode at http://www.plainenglish.com/32      Transcripts are always free and available now! ¿Hablas español? Você fala português? Parles-tu français? 你会说中文吗？ The episode transcripts include instant translations from English to Spanish, Portuguese, French and Chinese. Hover over or tap a highlighted word for the translation. Connect with Jeff on Twitter (@PlainEnglishPod) and Facebook (PlainEnglishPod). Or e-mail jeff@plainenglish.com If you like the program, please leave a review or rating wherever you listen. It will help others discover the program. Never miss an episode! Sign up to receive updates from Plain English at http://www.plainenglish.com/mail  Subscribers get exclusive links for further reading and additional practice with common English words and phrases. Learn English with podcasts! Use Plain English and other podcasts to build your English vocabulary, improve your listening skills, and speak English better.

This week on StoryWeb: Chad Everett’s TV show, Medical Center. If only I could start with the theme song to Medical Center! If I were telling you this story in person, I’d risk humming a few bars, complete with an ambulance-like scream of notes. But alas, I’m left with mere words to conjure up for you the magic that was Medical Center, an hour-long weekly hospital drama starring Chad Everett as the hip, young Dr. Joe Gannon. Chad Everett and Medical Center were literally my claims to fame when I was in college in the early 1980s at the University of Missouri-St. Louis, commonly known as UMSL. By this time, the 1970s-era television show was in late-night reruns. My boyfriend and I got hooked on the show when we’d catch it after getting home from our night shifts at work. We got home about 12:30, and Medical Center came on at 1:00. That theme song was a siren call of another sort, calling to us to put away the cares of the day and join Chad in fighting for the welfare of yet another patient. It became a game between us to see who could guess the outcome of the episode first, and I learned to play the theme song on my violin. Both of us were involved in student government, and as we sat in the Student Government Association office one day, we wondered aloud just how ridiculous a group could get recognized by Student Affairs and become eligible for student activity funding. My boyfriend seized on an idea. “Let’s propose forming the Chad Everett Fan Club of UMSL,” he said. “You can be president, and I’ll be vice president.” The rest, as they say, is history. In no time at all, we developed a patter, a shtick about why a university needed a fan club dedicated to Chad Everett. We emphasized Chad’s appeal to pre-med students, theater students, and history majors who might want to trace Chad’s role in the country’s transition from the wet look to the dry look. For it was true: in the first season of Medical Center, Chad sported hair full of Brill Cream, but in the second season, he had hair blown dry into a perfect coif. And when anyone questioned the sincerity of our club, we’d sum up by saying that even a third-world country had named itself after Chad. The club was – as we had suspected it would be – quickly approved as a recognized student organization, and while we never applied for funding, we could have. In the ensuing months, we held club meetings at our apartment and even got the Dean of Student Affairs in on things. We’d say, “Hi, Dean, how’s it going?” He would respond correctly, “We won’t know until we run more tests.” Soon a story about the Chad Everett Fan Club was published in the student newspaper. (You can still read the original article online.) Then a national publication for university students, Nutshell, got in on the action. Before I knew it, Rip and Read wire dispatch, known for its zany stories, had picked up the news. It seemed the Chad Everett Fan Club was a sensation. A month or so before graduation, I got an unexpected phone call. The woman calling introduced herself as Mira Velimirovic, a researcher for Late Night with David Letterman. It was 1983, and Letterman was still a relative newcomer to late-night TV. His show was a huge hit, so I couldn’t believe it when Mira said that she’d read the Rip and Read article about my club and that she wanted to book me on the show. Everything happened at lightning speed. I sent Mira all the clips I had about the Chad Everett Fan Club, and we talked another time or two on the phone, as I regaled her with one Chad joke after another. I told her that yes, we did have club meetings and that club members liked to sport surgical smocks. (Conveniently enough, they were also a quite popular fashion item at the time.) I told her we were all thinking of getting vanity plates so that when we lined up our cars, you’d see “I’m only thinking of the welfare of my patient,” a sentiment Chad as Dr. Joe Gannon expressed in virtually every episode. I made arrangements for my boyfriend to fly out to New York with me, and two of our friends – also officers in the club – drove across country and met us in Manhattan. We stayed – all four of us – in my room at the Berkshire Place Hotel. It was my first time to New York, and I was on cloud nine. But I was nervous, too. I was going to be on national TV! The morning after we arrived, I got a call from the producer of my segment (who shall remain nameless). He wanted to chat about the segment, which would be taped with the rest of the show that afternoon at 4:00. I immediately launched into my Chad banter. The producer was silent on the other end of the line. Finally, he said we’d have to talk more about my segment later and that he’d meet me while I was in makeup at the NBC studios. My boyfriend and I went to the studio – and our friends made their plans to be in the studio audience. As I was finishing getting my makeup on, here came the segment producer, wearing – of all things! – a green surgical smock. We chatted for a couple of minutes, with me inserting my one-liners along the way. Finally, the producer looked me in the eye and said, “Wait. Be straight with me. You are the president of a legitimate fan club, aren’t you?” I held his gaze, not blinking. “No, it’s a joke. I’ve been very clear in all the things I’ve sent Mira and all the conversations I’ve had with her.” It became painfully obvious that he hadn’t looked at anything I’d sent. Apparently, he hadn’t even talked to Mira. He walked my boyfriend and me to the green room – and then said pointedly, “I’ll leave you here to think about what you want to do.” The producer had made it clear that I needed to go on the show and act like the president of an actual, straight-up fan club. My boyfriend and I sat in the green room, joined by character actor Calvert DeForest, who played Larry “Bud” Melman, a regular on the show. Also on hand was actor Daniel Stern. They’d be on the show as well that day. Together, my boyfriend and I talked about what to do. No way was I willing to be the butt of my own joke. We finally decided I’d try to play things in such a way that viewers wouldn’t quite be able to tell if I was the president of a bona fide fan club – or not. Dave announced me in his opening monologue, so this was really going to happen. I was really in the NBC Studios in New York City, and I was about to appear on one of the most popular television shows at the time. As the time for my segment approached, I grew more and more nervous. I had been anxious enough about appearing on national TV, but now I had the added worry of figuring out how to play things. At long last, I was brought to the staging spot – the place where you stand until you are tapped on the shoulder and told to walk on the set. My heart pounded. My throat was in my mouth, which of course was completely dry. How was I going to do this? Suddenly, without warning, the segment producer was at my side. “Look,” he said, “we don’t have people like you on the show to be funny. That’s Dave’s job.” I looked at him, waited. “I’m canceling the segment,” he said finally. “Thank God!” I breathed a huge sigh of relief. “Why did you say that? No one’s ever said that before!” I didn’t bother to answer. I’d had enough of this guy. I returned to the green room just in time to hear David Letterman say, “Linda Tate’s been taken out back and beaten senseless.” When the audience groaned, he said, “No, no. We’ve simply run out of time. We’ll have her on a future show.” With that, the show was over. We posed for pictures with Larry “Bud” Melman and Paul Shaffer, the band leader. David Letterman came backstage to greet me. Somehow in our brief conversation, it came out that I went to college full time and worked full time. “That’s not possible,” he said, completely dismissing my reality. After the taping was over, Mira sought me out to see what had happened. I wasn’t in tears, but I was shaken up. Mira was outraged on my behalf, completely blamed the producer for not doing his homework for the segment. She went into their music library and pulled the Chad Everett record album the show owned. It was eponymously titled Chad. My boyfriend and I owned All Strung Out, the other of Chad’s two albums. Mira was delighted to give me the show’s copy of Chad – so now we had a full Chad Everett discography. Let me just say that it’s a good thing Chad was a decent television actor because he surely wasn’t going to make it as a singer. My particular “favorite” was Chad’s cover of “Ain’t No Sunshine.” A classic! Mira wanted to do more to make it up to me, so she told me to take a cab all over Manhattan to see the city and to send her the bill. She would see that the show reimbursed me. Over the years, I followed Chad’s career until his death in 2012. Though Chad had guest star roles on a number of made-for-TV movies, shows such as Murder, She Wrote and Touched by an Angel, and Airplane II: The Sequel, he never again hit it as big as he did when he played Dr. Joe Gannon. Even today, I would enjoy pulling up a seat in front of a TV playing Medical Center. It would take me back to our digs at Lucas-Hunt Village Apartments in St. Louis, those late nights when classes and work were done and all we had left to do was figure out how Chad was going to save the patient. There you have it – a true story of your StoryWeb host’s first foray into mass media – bringing her love for Chad to national TV. Want to add a few Chad collectibles to your own celebrity collection? You can buy the complete Medical Center series on DVD, a publicity poster of Chad, and vinyl versions of his record albums, Chad and All Strung Out. For more on Chad, check out Warner’s “16 Facts About Medical Center’s Dr. Joe Gannon, Chad Everett.” Visit thestoryweb.com/Everett for links to all these resources and to watch a clip from a typical episode of Medical Center and to hear the Medical Center theme song. Finally, no celebration of Chad’s career would be complete without listening to his rendition of “Ain’t No Sunshine.” Find it at thestoryweb.com/Everett too.    

Dale Earnhardt Jr. and Mike Davis sit down with special guest Steve Letarte in the NBC Studios to discuss Phoenix, hot drivers, sweatpants and flying squirrels on this special edition of the Dale Jr. Download. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Joe Scarborough and Mika Brzezinski share a morning TV news show— and a life. For over a decade, they've co-hosted Morning Joe on MSNBC, along with Willie Geist. Soon they'll take on new titles: husband and wife. Katie and Brian head to NBC Studios in New York to talk with Mika and Joe about the criticism they've faced for their coverage of Donald Trump, the evolution of the GOP, and why they think the 25th Amendment should be invoked. Plus, their account of New Year’s at Mar-a-Lago. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

On today's episode, we recap Day 1 of our time in New York City! I sat down with Christopher James at our hotel, Pod 51, in New York to talk about our incredible experiences during our first day in town. This is Christopher's first time in New York, but I had a great time being able to show him around the city. He's absolutely terrified of rats and is convinced he's going to see one, and for my own sadistic humor sake, I really hope he does.  During our Day 1 recap, we talk about Christopher's bad flight experience, arriving to the city, our new hotel, visiting NBC Studios and 30 Rock, the Empire State Building, talking to Seth Meyers, and so much more!  This first day was absolutely incredible! This episode is a little but shorter of an episode since it was just our first day, but the next episode will cover quite a bit. Day 2 and 3 and so much packed into them as well. Stay tuned for Part 2 of our New York coverage in next weeks episode! Check out our social media pages for all of the pictures and updates from our time in New York City.  Enjoy the episode! FOLLOW TIM ON TWITTER: @timdrake FOLLOW TIM ON INSTAGRAM: @timdrake42 FOLLOW CHRISTOPHER ON TWITTER: @FatGuyPunchLine FOLLOW CHRISTOPHER ON INSTAGRAM: @christopherjamescomedy

Timm Matthews, Frank Bassett & Laura Bryna welcome Ben Feldman, Star of NBC's Hit Show "SuperStore" for an exclusive interview on the set of NBC Studios, Burbank...

Break out the boxing gloves! It’s a combative episode of GleeKast as Erica and Emily battle it out over the divisive Choke. There’s hair pulling and everything! Also, enjoy a typically insulting discussion of Smash and hear Erica try really hard to convince Emily to see Thor. Email us atgleekast@gmail.com, join our exclusive club at Facebook, send a soul to Katherine McPhee at NBC Studios, and wish Erica a happy birthday at Tuesday.

“The 3 Steps of Color Correction” Terence Curren is the Founder and President of AlphaDogs, a post production facility and design studio located in the heart of Burbank's Media District, mere blocks from the Walt Disney Company and NBC Studios. His future in the film and television business was prefigured by an early fascination with […] The post Interview: Colorist Terence Curren, Part 2 first appeared on TaoOfColor.com.