Podcast appearances and mentions of Woody Allen

Llegamos al episodio 157 para hablar de los artistas que mas nos decepcionaron con su vida personal. ¿Hay que separar el arte del artista? Paseamos por varias polémicas de estrellas de Hollywood y artistas famosos: La relación de John Lennon con su hijo, el chisme de Lilly Allen y su nuevo álbum West End, Brad Pitt y Angelina Jolie, Woody Allen y Michael Jackson, entre otros

Esta semana, temos na estante “Volúpia. A nona arte: a gastronomia”, de Alberto Forjaz Sampaio; as fotografias de Daniel Blufuks, em “Tentativa de Esgotamento (depois do adeus); o primeiro documento oficial do Papa Leão, com o título “Dilexi Te”; e o romance de estreia de um nosso velho conhecido, WoodyAllen, com o título “que se passa com o Baum?”See omnystudio.com/listener for privacy information.

'Baía dos Tigres' é a mais recente longa-metragem de Carlos Conceição. O realizador aclamado em festivais de cinema como Cannes, Berlinale ou Locarno, decidiu apresentar 'Baia dos Tigres', em estreia mundial, recentemente, no festival DocLisboa. Nas palavra de Carlos Conceição, “o filme tenta ir atrás dessa ideia que está a ser gravada uma nova existência por cima de uma existência prévia, mas estão lá fantasmas abstratos, sobrespostos, ruidosos, e que são fantasmas da história do século XX transversais a várias culturas.” Baia dos Tigres foi inteiramente rodado em Angola, país onde Carlos Conceição nasceu e que serviu de fonte de inspiração. A RFI falou com o realizador na capital portuguesa. Carlos Conceição começa por explicar como surgiu o filme 'Baia dos Tigres'. Carlos Conceição: O filme surgiu numa fase que eu, agora, já considero ultrapassada da minha carreira. Uma fase em que eu não tinha grandes perspectivas de como subsidiar o meu trabalho e que, por isso, apostava em ideias que eu conseguisse concretizar com pouco, com elementos que fossem reduzidos, mas intensos, como uma boa malagueta, que é capaz de fazer o melhor por um prato, só aquela malagueta. E a Baía dos Tigres sempre foi um mito para mim. Eu ouvia falar na Baía dos Tigres enquanto sítio desde que era criança. E por volta de 2015, 2016, provavelmente, fiquei, por portas e travessas, familiarizado com duas histórias que acabaram por ter uma grande ressonância na minha vida, ambas japonesas. Uma é o significado da palavra johatsu, que significa evaporação. É uma prática que acontece exclusivamente no Japão e, muitas vezes, com a ajuda de empresas especializadas. Consiste na pessoa eclipsar-se da sociedade, desaparecer. Essa empresa trata do desaparecimento total desta personagem, desta pessoa que os contrata. Isto acaba por ter um contorno que talvez seja comparável aos programas de proteção de testemunhas, porque todas estas pessoas acabam por assumir uma nova identidade, uma nova vida, uma nova história, um novo passado. Escolhem desaparecer pelas mais diversas razões, uma relação fracassada, dívidas de jogo, dívidas ao banco. Aquela coisa muito asiática que é a honra e que nós, na Europa, perdemos no século XV. Parece-me um conceito que, não estando completamente disseminado, não sendo exterior à cultura japonesa, parece-me um conceito interessante para os tempos de hoje. Não me interessa a mim como cidadão, interessa-me como leitor, como espectador, fazer uma história sobre uma pessoa que faz isso, que resolve desaparecer, que organiza o seu desaparecimento. E, paralelamente a isso, a descoberta da história verdadeira do soldado Hiroo Onoda, que foi um soldado japonês que esteve 30 anos perdido numa ilha das Filipinas, convencidíssimo por não ter contato nenhum com ninguém, aliás, inicialmente ele não estava sozinho, mas acabou por ficar, porque os dois companheiros com quem ele estava acabaram por morrer, e ele sozinho permaneceu 30 e tal anos nessa ilha selvagem, nas Filipinas, convencido que a guerra (2ª Guerra Mundial) continuava, e completamente fiel aos seus propósitos e àquilo que tinha sido formado para fazer. Foi uma grande dificuldade convencer o Onoda, quando ele foi descoberto, de que o assunto da Guerra Mundial já tinha acabado, e que aqueles credos todos dele estavam ultrapassados há 30 anos. Isto também é uma ideia que me interessa, como é que uma personagem percebe o tempo quando está isolada. Uma, no caso de uma das personagens do filme, é o desejo que o tempo pare, e, no caso da outra personagem, o desejo que o tempo ande mais depressa. Portanto, acho que o filme é sobre essa diferença, a diferença entre querer que o tempo pare e querer que ele ande mais depressa. RFI: A Baia dos Tigres é em Angola, no sudoeste de Angola. O que é que levou o Carlos Conceição a escolher ir filmar em Angola? Qual é a linha que se constrói que liga Angola a esta personagem? Ou a estes personagens, pois são dois personagens. Carlos Conceição: Podem ser, ou duas versões da mesma personagem. Eu filmo em Angola da mesma maneira que o Woody Allen filma Manhattan, ou o João Rosas filma Lisboa. É natural para mim, porque foi onde eu cresci. É mais fácil para mim filmar em Angola, em particular no sul, em particular no deserto, do que filmar em Lisboa. Para mim é mais difícil enquadrar em Lisboa. Ali sinto que estou muito seguro e, para onde quer que eu olhe, eu sei como é que o plano deve acontecer. E as narrativas que a maioria das vezes me surgem para contar são de alguma forma relacionadas com a minha própria vivência e, como tal, Angola está sempre envolvida de alguma maneira. Portanto, os meus filmes têm tido essa relação com Angola pelo menos os últimos três. O Serpentário, que é a minha primeira longa, e o Nação Valente, acima de tudo, e este filme. Que seria logo seguinte ao Serpentário, mas que estreia depois do Nação Valente, porque a vida dá muita volta, porque as coisas atrasam-se e metem-se pandemias e metem-se prazos e coisas do género. Mas acho que são dois filmes que são feitos num só gesto, de certa forma. Acho que a questão da Baía dos Tigres tem a ver com misticismo. Desde criança que eu ouvia falar da Baía dos Tigres como sendo uma ilha deserta, uma aldeia abandonada, uma cidade fantasma, como algumas que se vê nos westerns, relativamente perto, mas muito inacessível, muito difícil de lá chegar. Sempre foi uma ambição minha conhecer o sítio em si. E quando conheci, a primeira coisa que senti foi ... isto é um filme inteiro, este sítio é um filme. Eu já sei qual é o filme e tenho-o dentro de mim, tenho de o fazer e se não fizer vou morrer. Foi assim que o filme surgiu. Curiosamente, houve duas fases de rodagem. Na primeira nós não chegámos a conseguir ir à Baía dos Tigres. Estivemos na Floresta do Maiombe, em Cabinda. Estivemos no Uige, estivemos em Malanje, nas Quedas de Calandula, as Cataratas de Calandula. Depois filmámos muitas coisas à volta da zona onde eu cresci, que foi no Lubango, na Comuna da Huíla, na zona do ISPT, que é o Instituto Superior Politécnico de Tundavala e que tem uma mata enorme atrás, usámos como backlot. Obviamente, só depois disso é que conseguimos, numa segunda  viagem, organizar a chegada à Baía dos Tigres, que envolve toda uma logística complicadíssima. Entre muitas aventuras possíveis, chegar à Baía dos Tigres, à Ilha dos Tigres, que tem cerca de 30 km de comprimento por uns 11 Km de largura, mas que tem construções concentradas... chegar de barco implicava sair da povoação mais próxima, num barco, que provavelmente seria uma traineira, que levaria 6 a 7 horas a chegar à ilha. Fazer um percurso longitudinal desde o Parque Nacional da Reserva Natural do Iona até ao embarcadouro, que se usa para ir para a Ilha dos Tigres, seria impensável porque a costa continental é toda cheia de poços de areia movediça. Então, a única maneira de chegar ao embarcadouro, sem ser engolido pelas areias movediças, é fazê-lo a uma certa hora da manhã, quando durante cerca de 50 minutos a maré está baixa. Temos de ir quase em excesso de velocidade, em veículos 4x4, pela zona molhada de areia, a partir da cidade do Tômbua, e fazer um percurso que demora mais de uma hora a fazer dentro daquela janela temporal. Caso contrário, ficamos ou atolados pelas ondas ou atolados na areia, onde, aliás, se conseguem ver muitos destroços de experiências fracassadas neste género. Ao chegar ao tal embarcadouro, que é um sítio muito tosco, muito improvisado, está lá alguém com quem nós marcamos. É uma pessoa que se contrata com um barco, uma espécie de lancha. Depois fazemos um percurso de quase uma hora de barco por entre bancos de areia, num mar muito, muito agressivo, cheio de fauna, orcas, focas que espreitam da água a olhar para nós, pássaros que passam rasantes, chuva constante, até que, de repente, começa no horizonte a surgir aquela cidade fantasma, assim, meio embrulhada no nevoeiro.  Vê-se logo uma igreja amarela, uma coisa assim … , parece uma aparição. Há um misticismo à volta da experiência de lá chegar que o meu filme nunca conseguirá mostrar, por mais que eu me esforce, e que é muito difícil de captar. Eu tento, no filme, captar esse misticismo e essa fantasmagoria de maneiras diferentes. Criando alegorias, como o filme tem esta ideia da memória que se apaga. Eu imagino o filme um bocadinho como uma cassete ou uma bobina daquelas antigas, que tem de ser desmagnetizada, mas às vezes não fica completamente desmagnetizada, e, por isso, quando vamos gravar algo em cima, sobram restos de fantasmas de gravações passadas. Fisicamente, o filme tenta ir atrás dessa ideia que está a ser gravada uma nova existência por cima de uma existência prévia, mas estão lá fantasmas abstratos, sobrespostos, ruidosos, e que são fantasmas da História do século XX, transversais a várias culturas. RFI: São fantasmas do período em que a Angola estava colonizada por Portugal? São fantasmas da Guerra da Libertação? Carlos Conceição: É impossível não serem também esses fantasmas. Mas eu acho que são fantasmas do mundo contemporâneo, são fantasmas de 2025, são fantasmas do que está a acontecer em Gaza, do que está a acontecer na Ucrânia, são fantasmas deste ressurgimento da extrema-direita, são fantasmas do novo espaço que as ditaduras estão a ganhar, são fantasmas de coisas que deviam estar enterradas e não estão, e são fantasmas com várias origens. O filme tem, em certos momentos, elementos sonoros que vêm de discursos do Hitler, de Mussolini, de Oliveira Salazar, o Savimbi, a voz da Hanoi Hannah, que era uma vietnamita que transmitia mensagens aos soldados americanos a dizer, “vão-se embora, porque vocês vão morrer, o vosso governo traiu-vos”, e ela também aparece como um fantasma neste filme. Portanto, são esses fantasmas todos que, vindos do passado, constroem o presente. O momento presente que nós estamos a viver no mundo, é todo feito desses restos, na minha opinião, mal enterrados. RFI: O cinema é uma ferramenta para lidar com esses fantasmas? Carlos Conceição: Há uma certa obrigação antropológica em algum cinema, há uma responsabilidade histórica que o cinema deve atentar, mas eu não creio que o cinema deva ser uma arte utilitária exclusivamente. Acho que o cinema é mais interessante quanto mais livre for, e se calhar quanto mais fútil for. Eu vejo o cinema como uma espécie daqueles discos que se gravam e se mandam para o espaço, e acredito que daqui a uns anos, quando nós já cá não estivermos, vai aparecer uma espécie alienígena qualquer, ou uma espécie mais inteligente que nós, que tem estado aí escondida, que não aparece por nossa causa, e que vai descobrir uma carrada de filmes, e vai dizer, olha que interessante que era esta espécie que se autodestruiu. E é para isso que eu acho que o cinema serve. Eu vejo cada filme que faço como uma espécie de filho, até porque fazer um filme é uma espécie de gestação, dura o tempo de uma gestação, alguns mais, alguns trazem as minhas dores de cabeça comparáveis. E às vezes nós perguntamos para quê. Para mim essa é a resposta: é para deixar qualquer coisa, para deixar um legado, para deixar uma marca. Para deixar qualquer coisa que ajude a perceber como é que as coisas eram, como é que deviam ter sido, como é que não foram, por aí fora. RFI: Os primeiros filmes do Carlos Conceição foram curtas-metragens, os últimos três trabalhos foram longas-metragens. Não há uma vontade, não pode haver um desejo de voltar às curtas? Carlos Conceição: Eu penso que o universo das curtas, a existência cultural das curtas, é interessante, mas limitada. Eu fui muito feliz a fazer curtas-metragens, cheguei a dizer que me apetecia fazer curtas para sempre. O meu penúltimo filme, na verdade, não é uma longa-metragem, é uma média-metragem, tem 59 minutos, e eu tenho outro filme com 59 minutos para lançar em 2026. Esse formato de uma hora, para mim, é perfeito. Permite-se uma estrutura de curta-metragem em que nem tudo precisa de lá estar, de ser causa e efeito, nem de estar pejado de consequências, nem hiper-explicado, e ao mesmo tempo também não abusa das boas-vindas que recebe do público.Portanto, gosto de filmes que contêm esse universo mais curto, de certa forma. Para além do filme de 59 minutos que quero estrear para o ano que vem, se tiver sorte, também tenho uma ideia para uma curta-metragem que é toda feita com material que eu já tenho filmado, e que tem a ver com Angola também, curiosamente. Mas é uma curta muito mais sensorial e vai ser como música visual, vai ser baseado em ritmos de planos, e tempos e durações de planos, e o que é que corta para onde. Isso é um exercício que eu sinto que me agrada e que é uma coisa que eu quero fazer, que eu consigo fazer sozinho também. Até porque acho que estou precisando tirar umas férias depois desta maratona que têm sido os últimos três anos, talvez. RFI: Fazer sozinho é? Carlos Conceição: Quando eu digo fazer sozinho, às vezes refiro-me a ser só eu com uma câmera na mão, por exemplo, mas isso não quer dizer que depois a montagem vá ser eu sozinho. Eu gosto de pedir opinião às pessoas e depois já me aconteceu em determinados projetos eu saber exatamente como é que a montagem tende a acontecer, e seria eu dizer à pessoa que está comigo a montar que devíamos fazer assim, devíamos fazer assado, de forma a ir ao encontro da minha ideia. Já me aconteceu, como também acontece em particular no filme Baía dos Tigres, eu ter uma ideia e ficar à espera de ver o que é que a Mariana Gaivão tem para propor dentro da mesma ideia, enquanto montadora o que é que ela me vai contra-propor. E ela diz-me, dá-me dez minutos e volta daqui a dez minutos. E eu volto e ela tem uma proposta para fazer. A maioria das vezes estamos completamente síncronos. Acho que é muito importante essa parceria. Portanto, nós nunca estamos realmente sozinhos. Quando eu digo que posso fazer essa curta sozinho, eu acho que é material que eu fui juntando de outras rodagens, de outras coisas que não utilizei no Nação Valente, de coisas que não utilizei neste filme, e que eu acho que consigo sozinho em casa juntar e criar algo interessante com aquilo. É nesse sentido que digo fazer sozinho. Mas a verdade é que eu dependo sempre, obviamente, do meu colega Marco Amaral, que é o colorista que vai depois pôr aquilo com bom aspecto porque eu não sou diretor de fotografia, por isso ele tem de me salvar, de certa forma. Dependo, obviamente, de quem vai ajudar a fazer a montagem de som e a mistura de som. E, normalmente, eu trabalho com um núcleo muito duro, quase sempre a mesma família. Portanto, quando digo sozinho, às vezes posso estar a dizer que estou a autoproduzir, ou posso estar a dizer que é algo que eu consigo, se calhar, manufaturar, fazer de uma forma menos comunitária, menos convencional, menos industrial. RFI: O Carlos Conceição gosta de trabalhar com um núcleo duro, um núcleo próximo, o ator João Arraias faz parte desse núcleo. O que é que o faz investir nessa relação? Carlos Conceição: Há duas, três dimensões na resposta que eu posso dar. Em primeiro lugar, o João é um ator com capacidades únicas, que eu reconheço como muito valiosas e isso para um realizador é ouro. Pedir a um ator uma ação com meia dúzia de palavras e ele dar-nos exatamente aquilo ou, se calhar, melhor, não acontece todos os dias. Portanto, quando um ator tem esse super poder, nós agarramos nele e nunca mais o deixamos ir. A segunda questão tem a ver com o facto que eu me revejo imenso no João. Ele tem menos de 15 anos do que eu, quase 16, e houve uma altura, quando ele tinha 16, 17, era impossível, para mim, olhar para ele e não me estar a ver a mim. Houve vários filmes que surgiram por causa disso, nomeadamente o Versalhes, o Coelho Mau, e o Serpentário sem dúvida nenhuma. A terceira coisa é que nós somos muito amigos e trabalhar com amigos é o maior prazer do mundo. RFI: Baía dos Tigres teve a estreia mundial no Festival Internacional de Cinema DocLisboa, na origem dedicada aos documentários. Podemos identificar a Baía dos Tigres como um documentário? Carlos Conceição: O Godard dizia que todos os filmes são documentários sobre a sua rodagem, o seu processo de serem feitos. O Baía dos Tigres é uma ficção filmada segundo alguns credos do documentário. É tudo quanto posso dizer. Por ser o realizador do filme e o argumentista do filme, talvez não seja a pessoa mais indicada para o definir nesse sentido. Aliás, os filmes, normalmente, e é uma ideia que eu costumo tentar vender, os filmes não são como são por acidente ou por ingenuidade ou porque a pessoa que os fez não soube fazer melhor. Os filmes são normalmente resultado de um período de deliberação que é longo, ardo, obsessivo e desgastante para o seu realizador. Portanto, não há filme nenhum que seja como é porque o realizador não sabia fazer melhor. Isso quer dizer que, de certa forma, cada filme dita a sua própria gramática. E eu acho que é muito interessante que possa haver fusões entre os sistemas clássicos narrativos e as formas do documentário, o cinema mais contemplativo. Eu gosto, por exemplo, do cinema do Andy Warhol. Eu nunca me sentei a ver o Empire State Building durante oito horas, mas só saber que existe … Eu já vi aos bocados, não é? Mas saber que este filme existe e que pode ser visto dessa maneira, para mim, é uma fonte de inspiração enorme. Da mesma maneira, o James Benning, vários filmes da Chantal Akerman, tudo isso são manifestações cinematográficas de fusão que eu considero que quebram todas as gaiolas e acho que importante, se calhar, para lutar contra o mainstream. Eu acho o mainstream um bocadinho o inimigo principal do crescimento da arte. O mainstream obriga a fazer comparações, obriga a manuais. Acho que não há nada melhor para quebrar com essas gaiolas do que revisitar estes filmes de que eu estava a falar. RFI: Em relação a novos projetos, o que é que está a acontecer? Em off, tinham-me falado de um projeto sobre ópera. O que é que está para vir? Carlos Conceição: Eu tenho, neste momento, três projetos para serem lançados. Um é uma media-metragem de 59 minutos, do qual já tínhamos falado há pouco. O outro é um filme, uma longa-metragem que é uma experiência em linguagem mainstream, por assim dizer, que se chama Bodyhackers. E o terceiro projeto. que é o mais recente, ao qual eu dediquei os últimos 14 meses da minha vida, é um projeto para televisão e para cinema que envolve ópera. São narrativas separadas, autónomas, todas elas com um compositor português, algumas baseadas em fontes literárias, algumas dessas óperas, mas são essencialmente segmentos operáticos que resultarão simultaneamente num filme e numa série de televisão. RFI: O Carlos Conceição nasceu em Angola, viveu em Angola até hoje 22 anos, vai frequentemente a Angola. Qual é a imagem que tem do cinema produzido em Angola? Como é que olha para aquilo que acontece em Angola a nível da produção cinematográfica? Carlos Conceição: Gostava de ver mais, gostava de ver em mais sítios e gostava de ver mais pluralidade. Acho que estamos num momento perfeito para que se revelem novos talentos e comecem a aparecer mais pessoas e mais pessoas arrisquem. Qualquer pessoa com um telemóvel, neste momento, consegue fazer um filme e acho que não deve haver o medo de partir para essa aventura. Hoje em dia temos o HD disponível nos nossos telemóveis, nos smartphones, até nos mais corriqueiros. O que eu acho é que o cinema mais interessante, às vezes, surge daí, surge justamente daquela recusa à inércia. Há um filme dentro de nós, ele pode sair de qualquer maneira e sai. Basta nós queremos que ele saia e ele vem cá para fora. RFI: Já teve oportunidade de visionar algum produto assim feito, feito em Angola? Carlos Conceição: Sim, em particular um filme que eu comprei num semáforo em DVD e que me parece que não era uma versão final de montagem porque tinha a voz do realizador a dar instruções aos atores. Era um filme absolutamente inacreditável sobre uma mãe e umas filhas à procura de vingança por uma coisa que lhes tinha acontecido. Uma mulher que tinha sido injuriada a vida inteira, que usava uma pala no olho e as filhas quando tinham um desgosto morriam com uma hemorragia através da pele. O filme é de tal maneira incrível na sua imaginação que eu fiquei absolutamente estarrecido, senti-me uma formiga perante aquele filme que foi feito num subúrbio de Luanda para ser consumido num subúrbio de Luanda. Eu senti que a genialidade por trás daquilo era uma coisa que devia ser descoberta e valorizada. Ou seja, isso existe em Angola, por isso acho muito importante ir à descoberta disso.

Woody Allen is an Academy Award-winning filmmaker, writer, and comedian. Beginning in stand-up and television before turning to film, Allen became a defining voice of 1970s cinema with Annie Hall, the romantic comedy that earned him four Oscars including Best Picture and Best Director. Over his six decade career, he has written and directed more than 50 films exploring themes of love, irony, and existential doubt, from Manhattan and Hannah and Her Sisters to Midnight in Paris. ------ Thank you to the sponsors that fuel our podcast and our team: Squarespace https://squarespace.com/tetra Use code 'TETRA' ------ LMNT Electrolytes https://drinklmnt.com/tetra Use code 'TETRA' ------ Athletic Nicotine https://www.athleticnicotine.com/tetra Use code 'TETRA' ------ Sign up to receive Tetragrammaton Transmissions https://www.tetragrammaton.com/join-newsletter

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EPISODE 111 -  “CELEBRATING DIANE KEATON: THE HIDDEN GEMS OF A HOLLYWOOD ORIGINAL” - 10/27/25 When DIANE KEATON passed away on October 11, 2025, she left behind an incredible legacy of important films and stunning performances that were some of the best of the era. Her youthful effervescence, her fashion style, everything about her belied mortality.  Most people think of her masterful, Oscar-winning performance in Annie Hall, (1977) but her career is so much more than that one role. Over the past five decades, her filmography is a study in contrasts: farce, heart wrenching dramas, rom-coms with a twist — she's taken risks, playing complicated women (even in the lighter faire), and made some really interesting choices. In this episode, we're going to take a look at some of the films Diane Keaton made that don't always get the spotlight they deserve. Watching these films, whether for the first time or a revisit, you realize just how bold and varied her work was. Whether in a quiet drama focusing on an intimate character study, a quirky comedy, or something completely unexpected, Diane Keaton always brought a mix of honesty, humor, and heart that was entirely her own.  So, today we honor the life and legacy of the multifaceted Diane Keaton. SHOW NOTES:  Sources: Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Play It Again, Sam (1972), starring Woody Allen, Diane Keaton, & Tony Roberts; Looking For Mr, Goodbar (1977), starring Diane Keaton, Tuesday Weld, William Atherton, Richard Gere, Richard Riley, Allen Fienstein, Tom Berenger,  Priscilla Pointer, & LaVar Burton; Interiors (1978), starring Diane Keaton, Mary Beth Hurt, Kristin Griffith, Geraldine Page, E.G. Marshall, Richard Jordan, Sam Waterston, & Maureen Stapleton; Shoot The Moon (1978), starring Diane Keaton, Albert Finney, Dana Hill, Karen Allen, Peter Weller, Tracy Gold, Tina Yothers, & Viveka Davis; Marvin's Room (1996), starring Diane Keaton, Meryl Streep, Leonardo Di Caprio, Robert DeNiro, Gwen Verdon, Hume Cronyn, & Hal Scardino; Sometime's Gotta Give (2003), starring Diane Keaton, Jack Nicholson, Keanu Reeves, Amanda Peet, Frances McDormand, & Jon Favreau; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

We begin this episode by acknowledging the passing of a truly incredible actress — one who played a pivotal role in the life and legacy of Woody Allen, among many others in Hollywood and beyond. Diane Keaton (1946–2025) will be deeply missed.     She passed away the very next day after we recorded this episode, and I (Don) actually found out during the editing phase. Soon after, James and I spoke about it briefly, and we'll be dedicating a few special episodes to Diane — the next one after this, for sure.     Until then, we send our warmest thoughts to the Keaton family as we remember and celebrate a wholly original, endlessly inspiring woman — an actress, mother, friend, and creative spirit unlike any other.     ______________________________________________________     On this episode of Woody Adjacent, we're taking on another Reddit request — and likely the last for a while since we've got a long list of adjacent films ahead!     French Girl (2024), starring Zach Braff, Evelyne Brochu, and Vanessa Hudgens, directed by James A. Woods and Nicolas Wright is our focus today.     It's a film that's divided audiences but also carved out an interesting little niche fanbase... it certainly gave us plenty to talk about!     James and I dig into whether it's a modern Meet the Parents, a Canadian Two Days in Paris, or something else entirely — and how its blend of sincerity and slapstick comedy tries to makes a case that love really is the most confusing language of all.   Was this case made for the film.... well... let's discuss!   Links Mentioned In This Episode__________________   Woody Allen Free Press Interview   https://youtu.be/xc9tEipzWUk?si=zFlYjWKnnfL3wExb     Diane Keaton - Remembering Diane Keaton By ET   https://youtu.be/n9M6Z8Xnmus?si=kwox6GVaTK6KM785     For full cast details, user reviews, and more background on the film, check out:  

Il giorno è infine giunto e quindi ecco la lunga filmografia di Woody Allen, regista e autore di un cinema tragicomico e che parla per davvero di noi esseri umani e delle nostre vulnerabilità.Non furono probabilmente anni felici o spensierati per Allen quelli in cui realizzò "La rosa purpurea del Cairo", un film amaro e romantico ma anche leggermente cinico che inaugurò una fase sofferente e crudele della carriera del nostro.Un capitolo cupo del cinema di Woody Allen che forse solo l'amore per il Cinema poteva illuminare.

Hoy rememoramos la vida de una de las musas de Woody Allen, una de las actrices que más películas tiene en la lista de las 100 mejores películas de la historia del cine, hoy recordamos a Diane Hall Keaton. La pequeña Diane nació en Los Ángeles el 5 de enero de 1946, que menos mal que allí se celebra Papá Noel, que si no iba a tener por su cumpleaños menos regalos que Doña Sofía en su aniversario de Boda. Diane fue la mayor de 4 hermanos, la que conseguiría uno de los derechos adquiridos menos reconocido en el ámbito familiar: que los hermanos chicos se puedan recoger más tarde. Su padre, John Newton Ignatius Hall, era agente inmobiliario e ingeniero civil y su madre, Dorothy Keaton, ama de casa y fotógrafa aficionada, porque ahí todavía se podía criar a 4 niños, pagar el alquiler, tener un coche y tele por cable con un sueldo. Cuando era niña, a la madre le dieron el premio “Sra. de los Ángeles” para amas de casa en un evento tan teatral que parecía el descanso de la Superbowl, decidiendo desde ese día dedicarse a la actuación. Y porque le gustaba Audrey Hepburn, pero ese motivo no podía darlo porque ella ya tenía gafas y espejos en su casa. Ya desde chica eran tan resabía que en las comidas de Acción de Gracias en su casa eran los cuñaos los que ponían excusas para no ir. Y así fue como Diane tuvo la niñez, adolescencia y juventud más aburridas que las cartas de Pablo a los Corintios. Eso sí, su gran talento junto al estudio de múltiples técnicas, su preparación en tantas universidades y academias güenas y un gorro bastó para triunfar en Hollywood con esa cara que tenía. Inició su carrera en el teatro en Nueva York a finales de los 60 y luego le gustó a Woody Allen que eso es como que te toque el sueldazo de Nescafé. Aunque hay que decir que con su 1.69 Allen casi la descarta por ser 4 cm más alto que él y por tener menos autoestima que Natalie Portman en el Cisne Negro. Diane se cambió el apellido al de soltera de su madre pq cuando se inscribió en el sindicato de actores ya había una Diane Hall inscrita, que triunfó menos que el Nesquik de fresa. En los años 70 inició su carrera en el cine: hizo de la novia de Corleone en las películas de El Padrino y se lió con Al-Pacino. Fue la co-protagonista de Annie Hall y se emparejó con Woody Allen. Menos mal que no la llamaron pa Torrente. Ya en esta época, como había ganao el Óscar le daba tó iguá, así que se plantó las gafas de pasta y un gorro grande que le tapaba la frente, que eso era como el mostrador de cristal de la charcutería del Supersol. Nunca se casó y como a los 50 quería vivir emociones fuertes adoptó dos niños, que también te digo Diane, que si lo que tu quería era una emoción fuerte haberte montao en la noria de cualquier feria nivelá con dos tacos de madera. Desgraciadamente, el pasado 11 de octubre, Diane Keaton se quedó en los 79 años y se perdió el paseo de la cabra de la legión aunque ustedes siempre podrán recordarla cada vez que vean el descanso de la Superbowl o lean una carta de Pablo a los Corintios.

This conversation was originally recorded for Modi's podcast And Here's Modi (episode #106), where Uri appeared as a guest with Arthur Luxenberg. We're honored to share it here with Modi's permission. What unfolds is a funny, heartfelt, and deeply human dialogue about fearless communication, self-acceptance, and the power of belief. Follow @modi_live and tune-in @ahm_podcast See everything Modi: https://modilive.com/ - The voice you're trying to fix might just be the one the world most needs to hear. Every pause, every stumble, every moment of silence can hold a lesson in courage. And when someone — maybe a mother, a teacher, or a grandmother — believes in you before you believe in yourself, that belief can rewrite the entire story of who you become. In this powerful conversation, Uri Schneider joins world-famous comedian Modi Rosenfeld and renowned trial attorney Arthur Luxenberg to explore how two kids who grew up stuttering learned to speak fearlessly: one on stage, the other in the courtroom. Together, they open up about the emotional and practical realities of overcoming stuttering, the lifelong process of finding your voice, and the courage it takes to keep showing up, even when words don't come easily. Today's episode is a little different than usual. It was originally recorded for Modi Rosenfeld's podcast And Here's Modi (episode #106), where Uri appeared as a guest. What unfolds is a funny, heartfelt, and deeply human dialogue about fearless communication, self-acceptance, and the power of belief.  The conversation also features a remarkable story about Uri's father, Dr. Phil Schneider, and his sacred encounters with the Lubavitcher Rebbe — a profound reminder that communication isn't only about words; it's about presence, connection, and honoring the dignity behind every voice. This episode is a reminder that our voice is never the problem. Our belief in it is. Keep talking. Keep listening. And keep transcending.   In this episode on the power of belief, we discuss: Why overcoming stuttering isn't about perfect speech, but it's about being heard The four pillars of Uri's Transcending Stuttering framework: self-knowledge, self-adjustment, self-acceptance, and self-advocacy The incredible story of Dr. Phil Schneider's speech therapy work with the Lubavitcher Rebbe after his stroke How belief from one person can change the entire trajectory of a child's life What comedians and trial attorneys can teach us about fearless communication Practical do's and don'ts for supporting a child who stutters, without shame or pressure   TIMESTAMPS 00:00 – Introduction: The Fear We All Share and the Power of Belief 00:01:46 – Meet Modi Rosenfeld and Arthur Luxenberg: Two Kids Who Stuttered and Found Their Voice 00:03:45 – The Story Behind Schneider Speech and the Meaning of “Transcending Stuttering” 00:05:41 – Why Overcoming Stuttering Is About Talking More, Not Less 00:07:33 – From Silence to Self-Expression: Arthur's Journey and His Grandmother's Influence 00:12:31 – The Sacred Encounter: Dr. Phil Schneider and the Lubavitcher Rebbe 00:19:59 – What the Rebbe Taught About Dignity, Connection, and Communication Beyond Words 00:21:29 – The Four Pillars of the Transcending Stuttering Framework 00:26:40 – How Comedy, Courtrooms, and Courage Shape Fearless Communicators 00:38:28 – Practical Do's and Don'ts for Supporting People Who Stutter 00:44:56 – Why Belief Can Change a Life and How to Keep Talking Even When It's Hard 00:56:45 – Closing Reflections: The World Needs to Hear Your Voice   ABOUT THE GUEST: MODI ROSENFELD Voted one of the top 10 comedians in New York City by The Hollywood Reporter, Modi Rosenfeld is one of the comedy circuit's most sought after performers. Featured on HBO, CBS, NBC, ABC, Comedy Central, Howard Stern, and E! Entertainment, Modi has received rave reviews in The New York Times, Time Out NY and The New York Post.  Born in Tel Aviv, Israel, Modi emigrated with his family to the United States at the age of seven and was raised on Long Island. After graduating from Boston University, he worked as an investment banker until his first open-mic night made him realize that stand-up was his true calling.  Equipped with a sharp wit and a knack for reading an audience, Modi has gone on to become a successful fixture in New York's vibrant comedy scene, often doing bits that incorporate his heritage, and he is a hit with diverse Jewish audiences as well as fans of all backgrounds and beliefs.  Now a regular performer at the New York and Los Angeles comedy clubs, Modi also headlines around the country and across the globe. Modi has played himself on HBO's Crashing and Netflix's When Jews Were Funny. He's also appeared in several feature films and played leading roles in two: Waiting for Woody Allen, which won the LA Film Festival, and Stand Up, a feature-length film. In 2018, Mayor Bill De Blasio declared June 26th 'Mordechi Modi Rosenfeld Day' in the city of New York for his accomplishments and contributions to the artistic community. Modi is also the host of ‘And Here's Modi', the podcast.   ABOUT THE GUEST: ARTHUR LUXENBERG Arthur M. Luxenberg is an attorney and co-founder of Weitz & Luxenberg P.C., one of New York City's leading mass-tort and personal injury law firms. He serves on judicial screening and disciplinary committees for the New York State Supreme Court, Appellate Division, and has held leadership roles with the New York State Trial Lawyers Association and the New York City Bar Association. A committed philanthropist, Arthur and his wife, Randi, actively support charitable and humanitarian initiatives worldwide. QUOTES “The most important thing for people who stutter is to keep talking. And for the world to learn to listen.” “The danger of stuttering is less about the words and sounds getting stuck. It's more about not saying what you really want to say.” “Looking in the mirror and seeing you're worth it. You're perfectly imperfect, just like every other human being. That's the way we're made.”   ABOUT THE HOST Uri Schneider, M.A. CCC -SLP is co-founder and leader at Schneider Speech; creator and host of Transcending Stuttering; and former faculty at the University of California, Riverside School of Medicine.   SEE ALL SHOW NOTES http://www.transcendingx.com/podcast LEARN MORE at http://www.transcendingx.com and http://www.schneiderspeech.com

This week on the pod, Amy is on the “struggle bus”. The highs are high and the lows are low. She's decided that she and her husband need a wife like Betty Draper in Mad Men. She also describes a terrible nightmare. Maya jumps in with her recurring nightmares. Amy's husband accidentally goes to a BDSM lounge. Animal Report: Rat Hole Update. We lost some greats this month—Diane Keaton, Ace Frehley, and D'Angelo. Maya confesses she never watched Annie Hall, and Amy admits she turned it off. The ladies have some very strong opinions about Woody Allen. In other news, Pete Davidson came to town for the  Paul McCartney show. Let's just admit that Ringo Starr is the lesser Beatle, but he's still a Beatle. Amy does her slot machine impression. Amy reviews Taylor Swift's new album, The Life of a Showgirl. Approved/Denied: Tyra Banks' “hot ice cream”, Reading Rainbow returns! Gen Z is bringing their parents to job interviews. 

Edoardo Leo e Giacomino si incontrano per parlare di cinema, ma finiscono per parlare di vita. Dai 31 anni di gavetta ai set con Woody Allen e Liliana Cavani, Edoardo racconta la sua storia con la naturalezza di chi non ha mai smesso di osservare il mondo con curiosità. C'è l'eredità di Gigi Proietti, l'amore per il teatro, il coraggio di mettersi in gioco e la consapevolezza che ridere — anche di sé stessi — è la forma più alta di saggezza. Tra aneddoti irresistibili e riflessioni sincere, Edoardo condivide l'anima dietro i ruoli, la memoria come atto d'amore e la forza di restare umani anche nel successo. Un episodio che celebra la commedia come linguaggio dell'anima. Produced by Corax Learn more about your ad choices. Visit megaphone.fm/adchoices

Con un valore di oltre 470 miliardi di dollari, seppur in lieve calo, per il 13esimo anno consecutivo Apple è il brand più potente al mondo. Lo rivela Best Global Brands 2025, la classifica firmata Interbrand che ogni anno mette in fila le 100 marche di maggior valore a livello globale. La classifica di quest'anno conferma anche gli altri due brand sul podio, Microsoft e Amazon, ma contiene molte sorprese che, tra le righe, raccontano le profonde trasformazioni che il mondo dei consumi sta attraversando. Ne abbiamo parlato con Manfredi Ricca, Global Chief Strategy Officer di Interbrand.La crisi economica si misura anche con l'orlo delle gonne: se sale e le gonne, quindi, si accorciano non c'è da preoccuparsi, se scende e le gonne si allungano arriva la recessione. È solo uno degli elementi del "guardaroba della recessione", tendenza protagonista del focus sui trend di questa settimana, che abbiamo mappato con Elena Marinoni, senior trend researcher di Nextatlas.Omaggio a Diane Keaton nella riflessione finale con il sociologo dei consumi Francesco Morace. Attrice straordinaria, musa di Woody Allen, ma anche icona di stile, con quell'uso ironico ed elegante dei capi maschili - la camicia, la cravatta, il panciotto - simbolo di emancipazione e libertà.

¡Vótame en los Premios iVoox 2025! Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Acceso anticipado para Fans - Como las grandes obras de la humanidad este programa es fruto de un malentendido. Cuentan que Gabri propuso hacer un programa con un divertido juego de conceptos pero acabaron hablando de un tema tan específico como autobiografías de cómicos. Llegado a ese punto lo fácil habría sido hablar de aquellas más famosas y sobre todo más cortitas, como la de Groucho o Woody Allen, pero continuando la tónica inicial cada uno ha pillado la autobiografía más voluminosa, de tal forma que hablamos largo y tendido de Harpo Marx, Gila y los Monty Python. No sé si es el mejor programa sobre ellos pero desde luego es el programa que os merecéis. Como siempre, tras el canción final llega la escena post créditos.Escucha este episodio completo y accede a todo el contenido exclusivo de La Cueva de la Macaca. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/29407

Chaque samedi dans CLAP !, Laurie Cholewa revient sur l'actualité du Septième art, en compagnie d'invités.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Wendy Harmer has enjoyed huge success over four decades as a comedian, tv host and as a radio presenter.  A long way from her origins in country Victoria, where she was born with a facial disfigurement, into a struggling family.When her mother left, Wendy often had to look after her young siblings.After her talent for writing was spotted by a lecturer at Deakin University, Wendy became a cadet journalist at the Geelong Advertiser.And then Wendy's life was transformed one night in Melbourne when she saw stand-up comedy for the first time and decided to try it herself.She bought records of Joan Rivers, Whoopi Goldberg and Woody Allen, and studied their acts.The first night she stood up at an open mic night for her 5 minute set, she knew it was the perfect role for her.Soon she was headlining her own shows at the Melbourne comedy venue the Last Laugh, and her life set off on a completely different path.Further informationWendy's memoir is called Lies My Mirror Told MeThis episode of Conversations was produced by Nicola Harrison, the Executive Producer was Carmel Rooney.It explores family, separation, cleft lip and palate, facial surgery, siblings, poverty, alcoholism, physical abuse, journalism, comedy, broadcasting, writing for children, country Victoria, stand up comedy, television, memoir.To binge even more great episodes of the Conversations podcast with Richard Fidler and Sarah Kanowski go the ABC listen app (Australia) or wherever you get your podcasts. There you'll find hundreds of the best thought-provoking interviews with authors, writers, artists, politicians, psychologists, musicians, and celebrities.

 “What's the first thing that made you laugh today?”That's how Sandy kicks off this episode, setting the tone for a morning packed with unexpected stories, quirky trends, and laugh-out-loud moments. Joined by his quick-witted wife Trisha, Sandy dives into the chaos of “Fake Fall” in Texas, where sweater weather in the morning turns into heat stroke by noon. This episode's centerpiece is a jaw-dropping gorilla story from Omaha's Henry Doorly Zoo. Sandy and Trisha recount their up-close encounter with a territorial silverback who snatched a female's food bowl—only to make a dramatic statement by peeing in it! Their storytelling brings the scene to life, blending humor and empathy for the gorilla's “sad gorilla heart.” Trisha's background as a lifelong animal lover and zoo enthusiast adds depth and authenticity to the tale, making it a must-hear for anyone who loves wild animal antics. Other highlights include:The Pope's baseball loyalty: Hear how Pope Leo, a Chicago native, hilariously defends his beloved White Sox in Vatican City, roasting a Cubs fan with a quick-witted response.Pumpkin coffee trend: Discover the bizarre new craze at Starbucks—customers bringing hollowed-out mini pumpkins for their drinks—and why some baristas are not amused.Grubhub's snooze insurance: Sandy and Trisha debate whether college students should get a do-over meal if they fall asleep before their food arrives, and share their own stories about the high cost of food delivery.Diane Keaton's Hollywood connections: Learn the surprising link between Michael Keaton, Diane Keaton, and Woody Allen's classic film “Annie Hall,” including one of Sandy's favorite movie quotes.Notable Quotes:“Sweaters in the morning and heat stroke by noon. I get you, doesn't it?”“He was all very banging his chest, running into the room, grabbing the bowl. He did a little spin as he moved into the next room and then just full on peed in her bowl.”“Okay, we can walk to the curb from here.”Guest Insights:Trisha's love for animals and her knack for storytelling shine throughout the episode, making her the perfect co-host for tales of zoo drama and everyday absurdities. Call to Action Love what you hear? Subscribe to The Sandy Show, leave us a review, and share this episode with your friends! Your support helps us keep the stories coming and the laughs rolling. Don't forget to catch every episode on the iHeartRadio app!

Matthew Bannister onPeter Gurney, the George Medal winning bomb disposal expert who regularly risked his life to defuse explosive devices, including the mortars that were fired at 10 Downing Street by the IRA in 1991.Diane Keaton, the actor best known for her collaboration with Woody Allen in Annie Hall and Manhattan.Peter Hall, the pioneering English winemaker from Sussex who turned his Breaky Bottom grapes into acclaimed sparkling wines.Angela Bond, who saved the much-loved Bush Theatre in West London from closure. The director Josie Rourke and the writer Jack Thorne pay tribute.Producer: Ed Prendeville Assistant Producer: Ribika Moktan Researcher: Jesse Edwards Editor: Glyn TansleyArchive used: BBC News, BBC, 07/02/1991; Newsnight, BBC, 26/10/1981; It's My Story: The Long Walk, BBC Radio 4, 26/03/2012; The Food Programme: A Vintage Year for Homegrown Wine, BBC Radio 4, 22/11/2018; Food and Drink, BBC, 10/08/1982; Annie Hall, MGM, 1977; Cast: Diane Keaton; Director: Woody Allen; Producers: Fred T. Gallo, Robert Greenhut, Jack Rollins, Charles H. Joffe; Screenwriters: Woody Allen, Marshall Brickman; Woman's Hour, BBC Radio 4, 15/11/2011; Front Row, BBC Radio 4, 19/06/2017; Diane Keaton – Seems Like Old Times, Columbia Pictures, 1980

In this edition of Copeland's Corner, Brian discusses a variety of issues with guests Monique Marvez and Bill Jubran, Brian Mallow. They cover a wide range of hot talk topics, from the recent attempts to introduce an alternative Super Bowl halftime show and its racial undertones, to the upcoming Louisiana vs. Callais case before the Supreme Court, which could affect minority voting rights through gerrymandering. The gang also delves into the refusal to seat an elected congressional representative in Arizona, potentially tied to the Epstein files, and the controversial public image of celebrities like Sylvester Stallone and Woody Allen. They also touch on gun control and the current political climate. --Connect with our Guests...#BillJubran - YouTube Channel or @BillJubran23 on Instagram#MoniqueMarvez - MoniqueMarvez.com & @MoniqueMarvez on Instagram#BrianMalow - ScienceComedian.com#SuperBowl60 #SuperBowl2026 #SuperBowlHalftimeShow #EpsteinFiles #MinorityVotingRights #CelebrityPublicImages #SupremeCourt #SylvesterStalonge #WoodyAllen #BrianCopeland #CopelandsCorner #HeadlinersOnTheHeadlines#CopelandUnfiltered #ComedyCommentary #PodcastersOfYouTube #ComicsOnAir #TalkPodcast#PoliticalHumor #PoliticalPodcast #HotTalkTopicsPodcast Hosted by the Bay Area's own Brian Copeland, a longtime Actor, Comedian, Author, Playwright, Television and Radio Personality. Brian and The Copeland's Corner Network of content creators provide a weekly mashup of news, interviews and comedy.--For more from Brian...Visit his website: www.BrianCopeland.comFollow on Social Media: Instagram - @CopelandsCorner & @BrianCopieEmail: BrianCopelandShow@Gmail.com --Copeland's Corner is Created, Hosted, & Executive Produced by Brian Copeland. This Show is Recorded & Mixed by Charlene Goto with Go-To Productions. Visit Go-To Productions for all your Podcast & Media needs.Our Booking Producer is Tom Sawyer. For any show inquiries, please email CopelandsCornerPodcast@gmail.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The incomparable Diane Keaton died last week at age 79. Her career spanned more than five decades and 60 film and TV roles, including standout performances in Marvin's Room, Reds, The First Wives Club and Something's Gotta Give. But it was her starring role in the Woody Allen classic Annie Hall that made Keaton an American film icon. The Oscar-winning actor spoke with Terry Gross in 1997 about finding the character's voice, her audition for The Godfather, and what she wants in a director. Also, TV critic David Bianculli reviews a new documentary about SCTV and Spaceballs star John Candy. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Actor/Director Helen Hunt & Actor singer/songwriter psych/mythology PHD phd Helen Slater discuss a deep friendship and love, growing up in art, the beginning of their friendship on a trip to russia, Winnie The Pooh,, growing beyond your first dream, parenting, parenting artists, Helen H. introducing Helen S. to her husband, improv, acting styles, baseball, French Fries, & clown school.Bio: Helen Hunt has enjoyed a distinguished career not only as an award-winning actor, but as an accomplished writer, director, and producer. As an actress, her extensive and diverse body of work includes roles in film, theater, and television.      Hunt enjoyed a residency at The Old Vic Theatre in EUREKA DAY, a story about parents on the Executive Committee of a progressive private school in Berkeley, California. While taking pride in their ability to accept everyone, a public health scare erupts, testing their tolerance and revealing their true colors. Written by Jonathan Spector and directed by Katy Rudd. It was the European premiere of a multi award-winning story. Hunt performed alongside Kirsten Foster, Mark McKinney, Ben Schnetzer and Susan Kelechi Watson. In television, Hunt can most recently be seen as Winnie Landell in HACKS, created by Paul W. Downs, Lucia Aniello, and Jen Statsky. She can also be seen as Rainey in Daveed Diggs and Rafael Casal's BLINDSPOTTING, a show based on the film with the same title. In 2022 it was nominated for a Film Independent Spirit Award for Best New Scripted Series. The second season was released in April 2023. Hunt returned to the stage this February in Susan V. Booth's major revival of Pinter's famed masterwork BETRAYAL at Chicago's Goodman Theatre. The Oscar, Emmy, and Golden Globe Award winner currently stars in the play alongside Tony nominee and Outer Critics Circle Award winner Ian Barford, respectively playing Emma and Robert. In 2019, Hunt revived her role as Jamie Buchman for another season of the hit show MAD ABOUT YOU opposite Paul Reiser. The show returned as a limited series on Spectrum Originals with all episodes available on demand.    In 2012 Hunt's performance in THE SESSIONS earned her an Independent Spirit Award for Best Supporting Female and notations in the same category by the Academy Awards, Golden Globe Awards, SAG Awards, Broadcast Film Critics' Awards and the BAFTA Awards.  The film premiered in competition at the 2012 Sundance Film Festival and took home the Audience Award as well as the jury prize for Best Ensemble.  Other film credits include: Netflix's Comedy CANDY JAR, RIDE (which Hunt also co-wrote, produced, and directed), DECODING ANNIE PARKER, SOUL SURFER, EVERY DAY, BOBBY, THEN SHE FOUND ME (which Hunt again also co-wrote, produced, and directed), AS GOOD AS IT GETS, WHAT WOMEN WANT, CASTAWAY, A GOOD WOMAN, Woody Allen's THE CURSE OF THE JADE SCORPION, Robert Altman's DR. T AND THE WOMEN, PAY IT FORWARD, and TWISTER. Hunt can last be seen in HOW IT ENDS, Michael Cristopher's THE NIGHT CLERK and Adam Randall's thriller I SEE YOU. Early career film credits are: THE WATERDANCE, KISS OF DEATH, MR. SATURDAY NIGHT, PEGGY SUE GOT MARRIED, NEXT OF KIN, GIRLS JUST WANNA HAVE FUN, PROJECT X. and MILES FROM HOME.     Additional television credits include “MAD ABOUT YOU” and the critically acclaimed HBO Miniseries EMPIRE FALLS. For her role as Jamie Buchman in MAD ABOUT YOU, Hunt garnered four Emmy Awards, four Golden Globe Awards (three as lead actress and one as Producer for Best Comedy), and a Screen Actors Guild Award.  She was also named “Best Actress” for her role in the film AS GOOD AS IT GETS for which Hunt won a Golden Globe Award, a Screen Actors Guild Award, and an Oscar.     Helen Slater is an American actress and singer-songwriter. In 1982 she was cast in the title role of the film Supergirl (1984) opposite Peter O'Toole and Faye Dunaway. Other credits include The Legend of Billie Jean (1985), Ruthless People (1986), The Secret of My Success (1987), City Slickers (1991), Sticky Fingers (1988), Lassie (1994), No Way Back (1995), The Steal (1995), Seeing Other People (2004) and most recently, Confetti (2021). Slater starred in the Fox original movie 12:01 (1993), Hallmark Hall of Fame's Best Friends for Life (1998), Toothless (1997) and Lifetime's The Good Mother (2013). She was also a part of the all-star ensemble cast of Showtimes guided improvisational films Chantilly Lace (1993), Parallel Lives (1994) and most recently completed filming the sequel Chantilly Bridge (2021). In series television, Helen starred in ABC's The Lying Game (2011-2013), Gigantic (2010-2011) and the CW series Supergirl (2015-2022). As a guest star, she has appeared on such series as Seinfeld, Caroline in the City, HBO's Dream On, CBS' Michael Hayes, Will and Grace, Grey's Anatomy, Private Practice, Supernatural, Smallville and the series finale episode of Madmen. Slater appeared in the off-Broadway plays Almost Romance (1987), Responsible Parties (1988), and starred in the Pasadena Playhouse's world premiere production of The Big Day (1990). She is a co-founder of the theatre group The Naked Angels and one of the founding members of the Los Angeles improvisational group, The Bubalaires, and SHPLOTZ!   She is also a member of Turbine Arts Collective  (https://www.turbine-arts.org/), a non-profit arts organization dedicated to the exploration of creativity.

Diane Keaton died over the weekend at the age of 79, and it's been fascinating to read her various obituaries and memories of her being shared.  Also interesting to contemplate what a singular presence she was for more than 50 years on stage and screen.  'Annie Hall' won Diane Keaton her only Academy Award, although she was also nominated for 'Reds', 'Marvin's Room' and 'Something's Gotta Give', which shows you the range she had as an actor.  Revisiting here was a pleasure and reminded me of what we've lost as a movie-going culture of late.  Smart, funny comedies that don't talk down to an audience but also play as mass entertainments seem in such short supply, as do superlative onscreen personalities like Diane Keaton. This quickie episode isn't mean to be expansive or complete..just an excuse to watch one of her most famous roles in a film named after her character and drawn from her real-life romance with Woody Allen some years before the film was made.

The incomparable Diane Keaton died last week at age 79. Her career spanned more than five decades and 60 film and TV roles, including standout performances in Marvin's Room, Reds, The First Wives Club and Something's Gotta Give. But it was her starring role in the Woody Allen classic Annie Hall that made Keaton an American film icon. The Oscar-winning actor spoke with Terry Gross in 1997 about finding the character's voice, her audition for The Godfather, and what she wants in a director. Also, TV critic David Bianculli reviews a new documentary about SCTV and Spaceballs star John Candy. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Whitney Cummings joins Mark and Sam for a wild one packed with sharp takes and unfiltered laughs — from Woody Allen and cancel culture to body image, internet addiction, and old-man groping scandals. They dive deep into pet peeves, parenting chaos, overcommitment, and why men love confrontation but never fix their hair. Plus, Whitney opens up about sobriety, losing her laptop in a NYC cab, and the art of being “too busy to actually get anything done.” Sponsored by: Cancel your unwanted subscriptions with Rocket Money https://www.rocketmoney.com/DRUNK Chill out: 30% off your first Cornbread Hemp order https://www.cornbreadhemp.com/DRUNKS — code DRUNKS Subscribe to We Might Be Drunk: https://bit.ly/SubscribeToWMBD Merch: https://wemightbedrunkpod.com/ Clips Channel: https://bit.ly/WMBDClips Sam Morril: https://punchup.live/sammorril/tickets Mark Normand: https://punchup.live/marknormand/tickets Check out That Sounds Right — the comedy panel show hosted by the producer of WMBD: https://www.youtube.com/@thatsoundsrightshow Produced by Gotham Production Studios: https://www.gothamproductionstudios.com @GothamProductionStudios | Producer: https://www.instagram.com/mrmatthewpeters #WeMightBeDrunk #WhitneyCummings #MarkNormand #SamMorril #ComedyPodcast #StandUpComedy #BodegaCatWhiskey Learn more about your ad choices. Visit megaphone.fm/adchoices

E dopo le contraddizioni della tregua di Gaza oggi partiamo dalla sanità italiana con Raffaella Troili e da come le Regioni cercano di risolvere o eludere il problema delle liste d'attesa, quindi la trattativa sui dazi tra Cina e America spiegata da Angelo Paura, per lo sport la storia di Massimo Boccucci ci porta in bici evocando Fausto Coppi, la morte di Diane Keaton ha colto tutti di sorpresa soprattutto Woody Allen e l'esperta di cinema Gloria Satta ci spiega il motivo.

La pareja trabajó junta en ocho películas, incluidas Annie Hall y Manhattan, ganadoras del Oscar.

Best Pick with John Dorney, Jessica Regan and Tom Salinsky Episode 18: Annie Hall (1977) recorded live at the London Podcast Festival. Released 26 September 2018. Rereleased 12 October 2025. For this episode – which we are re-running in honour of Diane Keaton – we watched Annie Hall, written by Woody Allen and Marshall Brickman and directed by Allen, who also starred alongside Diane Keaton, Tony Roberts, Carol Kane and Paul Simon. The film won four Academy Awards including Best Actress for Diane Keaton and Best Screenplay for Allen and Brickman. Star Wars Despecialized https://www.youtube.com/watch?v=mGrXO2RDzLg&vl=en Kathy Griffin's Woody Allen story https://www.youtube.com/watch?v=6i62GcGDgI4 Thanks to Zoe, Sally and everyone at the London Podcast Festival for making this happen. Tom's new podcast ALL BRITISH COMEDY EXPLAINED is now available here in audio: https://podfollow.com/all-british-comedy-explained and here in video: https://www.youtube.com/@AllBritishComedyExplained BEST PICK the book is available now from all the usual places, and the paperback is out now. From the publisher https://tinyurl.com/best-pick-book-rowman UK Amazon https://amzn.to/3zFNATI US Amazon https://www.amzn.com/1538163101 UK bookstore https://www.waterstones.com/book/9781538163108 US bookstore https://www.barnesandnoble.com/w/best-pick-john-dorney/1139956434 Audio book https://www.audible.co.uk/pd/Best-Pick-Audiobook/B09SBMX1V4 To send in your questions, comments, thoughts and ideas, you can join our Facebook group, email us on bestpickpod@gmail.com, or find us on Bluesky. You can also visit our website at https://bestpickpod.com and sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n. If you enjoy this podcast and you'd like to help us to continue to make it, you can now support us on Patreon for as little as £2.50 per month.

Mark and special guest host horror director Dustin Ferguson welcomed the star of Halloween III : Season of the Witch Stacey Nelkin to the lighter side of the dark side. Stacey candidly talked about everything in her extraordinary life and career from dating Woody Allen, Warren Beatty, Bill Wyman, Barry Bostwick and Perry King to acting with Malcolm McDowell, Martin Mull, John Cleese, Eric Idle, Ron Liebman, Bette Midler, Mick Jagger, Tony Danza and Danny Devito, what it was like to act with a chimp and smoke weed with Cheech and Chong, as well as answering all sorts of questions about Halloween III from her "no nipple clause" to acting with her head sticking up from a hole in the ground. Get Dark Mark Show merch at teepublic.com/user/dms This show is sponsored by Raze Energy Drinks Go to https://bit.ly/2VMoqkk and put in the coupon code DMS for 15% off the best energy drinks. Zero calories. Zero carbs. Zero crash Renagade CBD Go to renagadecbd.com for all of your CBD needs Tactical Soap Smell Great with Pheromone infused products and drive women wild with desire! Go to https://grondyke-soap-company.myshopify.com/?rfsn=7187911.8cecdba

In episode 43, Johnny talks to Stefan Moon, the General Manager and Programmer at Auckland's Academy Cinemas.Their chat covers a long, lengthy (and mostly spoiler-free) discussion on Paul Thomas Anderson's One Battle After Another, which they put into context with PTA's other films, they tiptoe around the Woody Allen situation and whether it'll ever be a good time to sing the praises of the 1998 animated film Antz, and after 43 episodes, Johnny finally gets to reveal his connection to George Clooney's Ocean's 11.This conversation was recorded face to face in early October of 2025.Thanks to James Van As who wrote and performed the brilliant podcast music (check out James' ⁠⁠⁠⁠⁠Loco Looper⁠⁠⁠⁠⁠ game) and to Willow Van As who designed the amazing artwork and provided general podcast support.You can contact My Movie DNA on Facebook, Instagram or Twitter @mymovieDNA or email mymovieDNA@gmail.com.Check out Johnny's new podcast series, ⁠⁠⁠⁠500 Films: A Journey Through Genre Cinema⁠⁠⁠⁠, available wherever you get your podcasts. 

President Trump's Middle East envoy has told a packed rally of relatives of Israeli hostages and their supporters in Tel Aviv that they were coming home. Steve Witkoff's remarks come ahead of Monday's expected release of 48 living and dead hostages by Hamas, as part of the Gaza peace deal. Mr Witkoff praised President Trump -- to cheers -- as well as the Israeli prime minister, Benjamin Netanyahu -- whose name was booed. We speak to a doctor at one of the Israeli hospitals where they're expected to arrive.Also, protests in Madagascar, where at least twenty two people have been killed in recent weeks. And the Hollywood actress Diane Keaton has died. She was 97. Known for her versatility, Diane Keaton first became famous in the early 1970s when she appeared in the Godfather films. She later won an Oscar for her role as Woody Allen's love interest in the 1977 romantic comedy, Annie Hall. (Photo: U.S. Special Envoy to the Middle East Steve Witkoff speaks at "Hostages square", flanked by Jared Kushner and Ivanka Trump, after a ceasefire between Israel and Hamas in Gaza went into effect, in Tel Aviv, Israel, October 11, 2025. Credit: Reuters)

With the sad passing of Diane Keaton today, we remember her legacy in this one from the vault. This long ago episode delves into the one and only Diane Keaton, and all her spiderwebs! Dominick Dunne interviewed Keaton in 1985, in both New York City and Los Angeles, and this piece provides so much sub-text to so much of Hollywood. Certainly, the story is about the reclusive Diane Keaton, but also leads into our investigation Woody Allen, Mia Farrow, Jack Nicholson, Warren Beatty and many, many more! To advertise on Done & Dunne, please reach out to info@amplitudemediapartners.com⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Veja também em youtube.com/@45_graus Maria Antónia Oliveira nasceu em Viseu em 1964. Dedica-se desde 2002 ao género biográfico. Escreveu o livro Os Biógrafos de Camilo (2010, tese de doutoramento), uma biografia de Alexandre O’Neill, Uma Biografia do Ar.Co (2014) e está atualmente a trabalhar numa biografia de Cesário Verde. É professora de Escrita de Biografia na Universidade Nova de Lisboa -- que eu saiba, a única cadeira sobre este tema em Portugal. _______________ Índice: (0:00) Introdução (3:16) O que é uma Biografia? | Woody Allen (11:56) Porque a Inglaterra tem tanta tradição? | Livro: Winston Churchill: My Early Life | Estruturalismo e morte do autor (21:31) Como se escolhe a pessoa a biografar? | Episódio In Our Time BBC | Alexandre O’Neill (28:14) Camilo Castelo branco (33:03) A Biografia tem algo de romance? | O desafio de dar ou não contexto ao leitorSee omnystudio.com/listener for privacy information.

(00:44) «What's with Baum?» – Woody Allens erster Roman erzählt auf neue Art den immer gleichen Stoff. Weitere Themen: (04:48) Conrad Ferdinand Meyer – früher Pflichtlektüre in der Schule – heute fast vergessen. Eine Ausstellung in Zürich bringt den Schweizer Schriftsteller nun zurück ins Gespräch. (09:09) Pferde, Mord und sehr viel Geld: Eine Graphic Novel erzählt das wilde Leben des Foto-Pioniers Eedweard Muybridge. (14:09) «STÜTZLIWÖSCH SUPERTRANS» – Ein Theaterstück am Schauspielhaus Zürich über Genderidentität, das funktioniert.

This week Tom and Julie chat with our new friend Dennis, the CEO of Drink Labs, to help us create our very own Double Threat beverage! Plus they listen to autotuned trap remixes of Woody Allen's "What's With Baum?" audio book reading, and more!This episode is sponsored by BetterHelp. Give online therapy a try at ⁠betterhelp.com/tomandjulie⁠⁠⁠⁠ and get on your way to being your best self.Make your own drink with Drink Labs at https://thedrinklabs.com and give their socials a follow at https://www.instagram.com/thedrinklabs/Full Woody Allen "What's With Baum?" remixes coming to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/doublethreatpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ VERY SOON!Patreon is the best way to support Double Threat! Your support keeps the show going and we appreciate it more than we can say. Plus you get weekly bonus episodes, access to monthly livestreams, and more!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/doublethreatpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠WATCH VIDEO CLIPS OF DOUBLE THREAT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@doublethreatpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠JOIN THE DOUBLE THREAT FAN GROUPS*Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://discord.com/invite/PrcwsbuaJx⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠*Reddit⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.reddit.com/r/doublethreatfriends/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠*Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/groups/doublethreatfriends⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SEND SUBMISSIONS TO⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DoubleThreatPod@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FOLLOW DOUBLE THREAT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/doublethreatpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/doublethreatpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DOUBLE THREAT IS A FOREVER DOG PODCAST⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://foreverdogpodcasts.com/podcasts/double-threat⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Theme song by Mike KrolArtwork by Joe Frontel00:00 Intro06:34 King Gizzard x Dairy Queen17:03 We're FINALLY making our own drink!54:24 Woody Allen "What's With Baum?" remixes01:19:45 OutroSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hollywood has a History of Corrupt practices, including Bribery, Manipulation, and cover-ups to protect powerful figures like Bill Cosby, Kevin Spacey, Jerry Seinfeld, Karl Malone, Woody Allen, and many more. Black Cube, a private Intelligence Agency staffed by former Mossad Operatives were hired to discredit the victims. We also discuss the claim of Chester Bennington and Chris Cornell exposing an elite pedophile ring. To watch the podcast on YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/TheoriesOfTheThirdKindYT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - Get instant access to 200+ bonus Audio episodes - Sign up here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://theoriesofthethirdkind.supercast.com⁠⁠⁠⁠⁠⁠ To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

What do horse head bookends, a gangly super bendy Gumby-like dude, and heavy breathing have in common? They're all parts of Student Bodies, the the first horror spoof movie, in the nature of Friday the 13th and Airplane!. Released in 1981 and written and directed by Mickey Rose, childhood friend of Woody Allen, it does a good send-up of the young slasher genre.

SEASON 2 - EPISODE 160 - Mark Friedberg - Production Designer In this extended (and funny) episode of the Team Deakins Podcast, we speak with production designer Mark Friedberg (CAUGHT STEALING, JOKER, THE UNDERGROUND RAILROAD). A native New Yorker, it wasn't until returning to the city after Jack Kerouac-ing around the country that Mark (and his dog) first found work in the film industry as a driver for the Woody Allen production team. Mark was eventually let out of the van, and, throughout our conversation, he reveals how he thought through many of the challenges in his long and impressive career as a designer. Mark is also a staple in Barry Jenkins' (Season 2, Episode 156) stable of collaborators, and we learn how Mark's daughter convinced her father to break his own rules to initially meet with the director. We also discuss technology's place in Mark's design process, and he shares why he rehired the millennial gamers who built MUFASA's Africa to digitally visualize the sets of JOKER: FOLIE À DEUX before physically constructing them.  - Recommended Viewing: THE ICE STORM - This episode is sponsored by Sandstorm & Aputure

Amorós analiza con Federico la primera novela de Woody Allen, ¿Qué pasa con Baum?.

#1,085 - Tony Lyons Tony Lyons joins The Paul Leslie Hour. Are you here? Confirmed! You're here tuned into a personal interview with Tony Lyons on episode number 1,085 of The Paul Leslie Hour. Tony Lyons is the Director of MAHA Action, or Make America Healthy Again Action, which is fighting for a healthier America. He's also the President of Skyhorse Publishing, known for the boldest and most talked about titles around, from authors ranging from Woody Allen to Robert F. Kennedy, Jr. to Robert Malone and our friend Christina Bobb...which by the way are all past guests on this show! Ok, let's dive into this one! Tony Lyons awaits! The Paul Leslie Hour is a talk show dedicated to “Helping People Tell Their Stories.” Some of the most iconic people of all time drop in to chat. Frequent topics include Arts, Entertainment and Culture.

What does the Jimmy Kimmel episode reveal about free speech in America? Ilya Shapiro, Charles Fain Lehman, John Ketcham, and Rafael Mangual unpack the controversy surrounding the cancellation of Kimmel's ABC show and explore how government influence, corporate media decisions, and public protest movements intersect in shaping the national discourse. The panel also discusses controversial figures like Woody Allen and what their continued relevance says about shifting political and cultural norms.

Luis Herrero analiza con José Luis Garci, Pedro García Cuartango y Luis Enríquez la novela del cineasta que sale a la venta el 25 de septiembre.

We kick things off by discussing the recent FCC controversy with Jimmy Kimmel, sharing stories of our fond memories of broadcasting, public access television, and journalism ethics classes. We can't help but laugh about Chuck Schumer's and his lack of action this week. We check in with Woody Allen's thoughts on cancel culture. We see how AI is keeping the memories of Charlie Kirk and Hulk Hogan alive. Also, Steve Harvey is over cancel culture!Watch the episode on Youtube for free. Join our Patreon and get two bonus episodes each month, and other behind-the-scenes goodies. More info here.Follow us on: Twitch, Instagram, Facebook, Twitter, Youtube and our Discord Chat. Also don't forget about our Spotify playlist. We also have merch if you're into that kind of sharing. Hosted on Acast. See acast.com/privacy for more information.

You know the name Woody Allen. Everyone does. He's made some of the most acclaimed films ever made: Annie Hall, Hannah and Her Sisters, Crimes and Misdemeanors—he list goes on and on and on. He's made an astonishing 50 movies. You see his influence everywhere, from sitcoms to stand-up to just about every rom-com made since Annie Hall premiered in 1977. And in the process, he turned himself into America's most unlikely leading man: short, thinning hair, bespectacled, and exceptionally neurotic. Now, at age 89, Allen is out with his first novel, What's With Baum? Its protagonist is an anxious, smart Jewish writer with a messy personal life who gets himself in a great deal of trouble. Yes, it's like a Woody Allen movie in book form. It's also funny and delightful, and touches on a major theme of our age: the idea that an accusation, once made, is as good as a conviction. Allen knows something about that. In 1992, his longtime romantic partner Mia Farrow discovered that Allen had begun a relationship with her adopted daughter, Soon-Yi Previn. Allen was in his 50s at the time, Previn was just 21. All hell broke loose, with Farrow accusing Allen of grooming and preying on her daughter. The scandal became fodder for tabloids and late-night talk shows but soon took a much darker turn, with Farrow accusing Allen of molesting their 7-year-old daughter Dylan in August 1992. The charges were never proven in court—indeed they were twice dismissed—but the court of public opinion was another matter. Today on Honestly, we get into everything about Allen—from the accusations to his subsequent cancellation in the MeToo era to his childhood in Brooklyn and his climb from Flatbush to the commanding heights of American comedy, film, and culture. We delve into how he's changed and the many ways in which he hasn't. We talk about his marriage to Previn, which is still going strong after 28 years. His thoughts on President Donald Trump, NYC mayoral candidate Zohran Mamdani, The New York Times, and American politics more broadly. We'll hear what he thinks about life, death, and aging as he approaches 90, and much, much more. A special thanks to our sponsors: New episodes of The Isabel Brown Show can be viewed on DailyWire+ here: ⁠⁠www.dailywire.com/show/the-isabel-brown-show⁠⁠Follow Isabel on X: ⁠⁠www.x.com/theisabelb⁠⁠Follow Isabel on Instagram: ⁠⁠www.instagram.com/theisabelbrown Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Tom and Julie finally take a look at Woody Allen's appearance on Club Random, watch Mickey Rooney's starring role as an old man baby in "The Milky Life," plus they put Carson up to "The Farrelly 45" challenge, and more!This episode is sponsored by BetterHelp. Give online therapy a try at ⁠betterhelp.com/tomandjulie⁠⁠⁠⁠ and get on your way to being your best self.Get more in depth Woody on Club Random analysis on How Was Your Week? at https://podcasts.apple.com/us/podcast/woody-allens-most-random-moments-on-club-random/id424991092?i=1000725087121CLIPS FROM THIS WEEK'S EPISODE: -Woody Allen on Club Randomhttps://www.youtube.com/watch?v=yaNryNkjPm0-Mickey Rooney's adult baby erahttps://www.instagram.com/p/DOYU4qZErx_/Patreon is the best way to support Double Threat! Your support keeps the show going and we appreciate it more than we can say. Plus you get weekly bonus episodes, access to monthly livestreams, and more!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/doublethreatpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠WATCH VIDEO CLIPS OF DOUBLE THREAT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@doublethreatpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠JOIN THE DOUBLE THREAT FAN GROUPS*Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://discord.com/invite/PrcwsbuaJx⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠*Reddit⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.reddit.com/r/doublethreatfriends/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠*Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/groups/doublethreatfriends⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SEND SUBMISSIONS TO⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DoubleThreatPod@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FOLLOW DOUBLE THREAT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/doublethreatpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/doublethreatpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DOUBLE THREAT IS A FOREVER DOG PODCAST⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://foreverdogpodcasts.com/podcasts/double-threat⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠00:00 Intro03:25 Something's not right about Carson's friend Jim...19:37 Woody Allen on Club Random46:54 The Farrelly 4501:01:27 Mickey Rooney's adult baby era01:16:04 OutroSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It's that time of year. Tracie tells Rich the stories of two victims of 9/11. Also, Jack Osbourne speaks out after his dad's death, Mariah Carey is forced to sing live at a VMAs afterparty, and Woody Allen farted on Bill Maher's YouTube show.To access video episodes, bonus episodes and our premium series WAWU check out our Patreon.Pot Psych merch is available at Pipe Dreams, where there is a big sale on smoking accessories.Check out potential drama and our Diamond Girls on our Instagram. ★ Support this podcast on Patreon ★

Robert Kelly, Luis J. Gomez, Joe List, and Dan Soder discuss the moral of Jack and the Giant Beanstalk, if you should tip a maid, the Saudi Comedy festival, what a Dubai Chocolate is, the knife that killed Luis' dad, the rules of dogs on lawns, Raja Rampage assaulting Syko Stu, which cereal is the best and why it is cream of farina, Woody Allen as a guest, and more! Presented by YKWD and GaS Digital. LISTEN ON APPLE PODCASTS https://podcasts.apple.com/us/podcast/the-regz/id1700969607 SOCIALS Robert Kelly @ykwdpodcast https://robertkellylive.com/ https://www.instagram.com/robertkellylive/ Luis J. Gomez https://luisofskanks.com/https://www.instagram.com/gomezcomedy/ https://twitter.com/luisjgomez Joe List https://twitter.com/JoeListComedyhttps://www.instagram.com/joelistcomedy/ Dan Soder https://www.dansoder.com/ https://www.instagram.com/dansoder/  SPONSORS  CashAppUse code Family10 and send $5 within 14 days and get $10 in your account PrizePicks Get $50 in lineups after placing your first $5 lineup Cornbread Hemp Get 30% off your first order w/ code "REGZ" Lucy Get 20% off first order w/ code “REGZ” Small Batch CigarUse code REGZ10 for 10% off plus 5% rewards BodyBrain Coffee Use code REGZ25 to get 25% off Learn more about your ad choices. Visit megaphone.fm/adchoices

Dana and David cover a lot! First, Dana breaks down his “workout routine” of walking four miles around David's house, while David relives the heroic saga of killing the “fly on the wall” in his shower. The guys break into Woody Allen and JFK impressions, reminisce about Mickey Rooney's acting classes, and detour into a poop-themed restaurant. They also tackle what fast fashion really looks like and why Michael Jordan refuses to sign autographs.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Bill Maher is getting some pretty big guests who don't do a lot of interviews lately. This week he has comedy legend Woody Allen and Bill decides to tell Woody all about himself. Does Woody agree? Not really. But that never slows Bill down.  Adam Busch is on to help us decide if AI will allow Woody Allen to live forever. We started with “Is It Gay?” to accommodate Megan's schedule. Aaron on Steel Toe got $300 and screams at people who aren't watching; the man is cracking. Stuttering John decides to come back yet again and attempts to clown Anthony Cumia. That was a bad decision because Anthony came back and gave John a proper dressing down and really put him in his place. Opie is back in NYC and he's getting reacquainted with the neighborhood by bothering a homeless guy, harassing a young girl who is making a video, and looking for used mattresses for Ron the Waiter. We finish up with Annie playing a round of “To Poke a Dabbler,” a reminder of Gary in San Diego's voicemails, and many tributes to Gary from our callers.  Tickets on sale for WATP with Anthony Cumia at The Villa Roma Resort in Callicoon, New York on September 5th – ⁠http://watplive.com/ ⁠ Support us, get bonus episodes, and watch live every Saturday and Wednesday: ⁠http://bit.ly/watp-patreon⁠ ⁠https://watp.supercast.tech/⁠ Watch this episode here: https://youtube.com/live/vzrJ3QJyVK0  Learn more about your ad choices. Visit megaphone.fm/adchoices

We contained multitudes this week with Tim crashing out and lashing out at Vic, a look at Alex Jones doing the same to his former co-worker, the question of the day: did Woody Allen fart on Bill Maher's Club Random, and punk-rap group Ho99o9 blasting our studio roof off with "Godflesh" from their forthcoming album "Tomorrow We Escape." Support Office Hours, watch or listen to another hour of today's episode including a full hang with theOGM and Yeti Bones from Ho99o9, a surprise zoom-in from the internet's busiest music nerd Anthony Fantano and Doug's Number Bands game with OFFICE HOURS+. Get a FREE seven-day trial at patreon.com/officehoursliveCheck out Marion's Wish: The Endless Threads of Gregg, Mark and Tim at marionswish.com. Find everything else including the merch store at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠officialofficehours.com.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Rich Zeoli Show- Hour 3: 5:05pm- On Tuesday, President Donald Trump held a press conference from the Oval Office—announcing that Space Command headquarters will move from Colorado to Alabama. While taking questions from reporters, Trump addressed ridiculous rumors circulating on BlueSky claiming that he had died over the weekend. The president also vowed to deploy National Guard and ICE to Chicago as part of an effort to crackdown on crime and illegal immigration. 5:15pm- Why aren't Governor JB Pritzker and Mayor Brandon Johnson willing to accept help from the federal government? According to The Washington Post, D.C. Mayor Muriel Bowser has issued an executive order welcoming federal law enforcement's presence with no expiration date. Bowser, a Democrat, emphasized her “shared priorities” with President Trump to crackdown on violent crime. Rich emphasizes this is more proof Trump's plan is working. 5:20pm- Co-Director of Harvard CAPS/Harris polling Mark Penn notes that there is a “favorable” response from Americans—regardless of political party—for Trump's crackdown on violent crime. 5:30pm- While endorsing Zohran Mamdani for Mayor, New York Attorney General Letitia James explained that Mamdani is qualified because he once served as Vice President of his high school class. 5:40pm- Matt is still watching “Leave It To Beaver” reruns—he's now on Season 3, in case anyone was wondering (you probably weren't). Plus, can he even name a Woody Allen movie? 5:50pm- We debut Newman Price's brand-new song (maybe his best one ever): “When Friday Rolls Around, Zeoli is Off.”