Podcast appearances and mentions of Brian De Palma

En 1947, le corps mutilé d'Elizabeth Short est retrouvé dans un terrain vague de Los Angeles. Surnommée “Le Dahlia Noir”, la jeune femme devient au cœur de l'une des affaires criminelles les plus célèbres et mystérieuses des États-Unis. Entre enquête chaotique, suspects inquiétants, rumeurs médiatiques et théories encore débattues aujourd'hui, découvrez l'histoire vraie d'un crime qui continue de fasciner l'Amérique.❤️ Soutenez La Petite Histoire sur Patreon!

This week, we're stepping into the stylish, seductive, and deeply divisive world of Dressed to Kill. Released at the height of Brian De Palma's fascination with voyeurism, identity, and cinematic sleight of hand, the film is both a love letter to classic thrillers and a provocation in its own right. Drawing heavily from the work of Alfred Hitchcock (that's putting it mildly) while pushing further into sex, violence, and dreamlike excess, Dressed to Kill quickly became one of the most controversial films of its era. We discuss how De Palma's visual style helps put a new spin on familiar material, dig into the film's elaborate set pieces, and of course, attempt to unpack its depiction of gender and identity. Apple Podcasts | Spotify | Facebook | Instagram Chris's Instagram | Kristen's Instagram Chris & Kristen's Web Series: The Strange Case of Lucy Chandler Chris's new EP on Spotify and Bandcamp

Hello agents! The GoodTrash Oops All Marathons Year of Marathons continues (that's a lot to unpack)! This month starts a new operation: Cinematic Syndication. And we kick off this new marathon with the 1996 action blockbuster-turned-long running franchise Mission: Impossible. That's right, Brian De Palma and Tom Cruise are on the docket today as we take a look at the simple origins of what has become Cruise's signature IP. How does it hold up? What does it have going on under the hood? Will it blow up in our faces? Tune in to find out. Join us now as Mission Impossible hits the analysis table — this podcast will self destruct in...

Nobody Gets Off This Staircase: Krissy, Nathan, and Pete Take On The UntouchablesWelcome to this episode of The Most Excellent 80s Movies. Hosts Krissy Lenz and Nathan Blackwell are joined by special guest Pete Wright—podcast impresario and pod boss at TruStory FM—to dig into Brian De Palma's The Untouchables (1987), where the real question isn't whether Al Capone goes down, but how far a straight-arrow fed is willing to bend to make it happen.The central tension here is a juicy one: Kevin Costner's deliberately bland Elliot Ness surrounded by Sean Connery's full-voltage Obi-Wan energy and Andy Garcia's silk-jacketed handsomeness. Is Costner's wooden earnestness a character choice or just… Costner being Costner? The gang has feelings. Meanwhile, Pete makes a compelling case that David Mamet is at his very best when someone else is in the director's chair—and that De Palma's camera (hello, split diopter) transforms stilted period dialogue into something genuinely cinematic.What keeps the conversation sparking is the sheer audacity of the filmmaking: an improvised staircase sequence that became the movie's most iconic scene, Armani-clad gangsters that make everyone want to buy overcoats for a city they don't live in, and a baby carriage that shows up twice in two consecutive episodes of the pod. The episode stays premise-level throughout, so you can jump in clean and still feel every gut punch.TruStory FM | Membership (early, ad-free access + bonus content): Join | Socials: Facebook | Instagram | Bluesky | Learn more about the hosts: Neighborhood Comedy Theatre | Squishy StudiosIf you could only pick one scene from this movie to show someone who'd never seen it, which one would you choose—and why? ---Learn more about supporting this podcast by becoming a member. It's just $5/month or $55/year. Visit our website to learn more.

To prepare you for the genius of John Lithgow before we tackle The Trinity Killer.

In this episode I chat with visual effects supervisor, second unit director and digital pre-visualisation pioneer David Dozoretz about a career that traces the entire arc of how modern filmmaking shifted from analogue to digital — and how, somewhere in the middle of that shift, pre-vis went from a curious side experiment to a fundamental part of how films get planned and shot. David talks about growing up in Phoenix, falling in love with cinema the day his sister snuck him into the projection booth at the Cine Capri during The Empire Strikes Back asteroid sequence, and how a chance encounter with a Lucasfilm coffee-table book in a university bookstore set him on the path to ILM. He arrived at ILM in 1991 as an intern, became known as "the computer nerd in the art department and the art nerd in the computer department," and ended up bridging the gap between the two as digital began to take over.We get into his first feature — the original Jurassic Park — his year-long apprenticeship in the legendary ILM art department alongside Doug Chiang, Ty Ellingson, Harley Jessup, Mark Moore and Stefan Dechant, and the time he had to split a $1,400 piece of 3D software into two $700 purchase orders to get round ILM's general-manager sign-off threshold. It's a small story but it tells you everything about the era — digital tools were arriving faster than the institutions running things knew what to do with them.A big part of the conversation focuses on the early years of digital pre-visualisation. David did the first major digital previs sequence in mainstream cinema — the train and helicopter sequence in Brian De Palma's Mission: Impossible, the work John Knoll asked him to do that's now credited as one of the reasons the sequence got greenlit. From there he went on to spend four years working with George Lucas on The Phantom Menace, building the entire pod race in previs (a 25-minute version that almost no one has ever seen got whittled down to the 9-and-a-half-minute final), establishing his now-famous three rules of previs (no textures, no motion blur, no shadows) and then immediately having to break all three of them to convey the sense of speed and floating in the pod race itself.There are some lovely George Lucas stories too, including the time George walked into the editing room and reacted to David's droid-factory post-vis with "honestly, I was a little worried about that one — looks like it's gonna work," and the moment when George trailed off mid-sentence trying to describe a desert landscape and David — a 21-year-old kid — finished the thought with "John Ford?", which David thinks is the moment Lucas decided he could trust him. Later in the conversation we move into David's own company, Persistence of Vision, and his work on Titan A.E., Behind Enemy Lines, JJ Abrams' Mission: Impossible III, the 2009 Star Trek reboot (including the previs realisation that Vulcan being orange meant the costumes — originally designed to evoke 70s NASA — had to be completely redesigned) and Journey to the Center of the Earth 3D, where David served as second unit director on the first digital stereoscopic film and the production was effectively beta-testing the cameras Jim Cameron was building for Avatar. We finish on Zafari, David's 52-episode children's animated series rendered almost entirely in Unreal Engine — one of the earliest large-scale uses of real-time rendering in mainstream animation, which saved 30% of the production budget — and on a wider conversation about AI, the future of filmmaking, the importance of human authenticity, and David's lovely closing thought: study the art and history of cinema, study the drawing, not just the pencil. The tools will keep changing. The language won't. Topics coveredGrowing up in Phoenix and the Cine Capri projection-booth moment during EmpireDiscovering The Art of Special Effects book and the road to an ILM internshipJoining the ILM art department in 1991 alongside Doug Chiang, Ty Ellingson, Harley Jessup and Mark MooreBridging the art and computer departments as digital arrived at ILMThe $1,400 / two-$700-purchase-orders workaround for buying 3D softwareWorking on the original Jurassic Park as his first featureDoing previs for the Star Wars Special Editions (the dewback shots, Mos Eisley fly-bys)John Knoll asking him to previsualise the train-and-helicopter sequence on Mission: ImpossibleHow that previs is credited as one of the reasons the sequence got greenlitJoining the new Skywalker Ranch art department under George LucasFour years on The Phantom Menace and the 25-minute version of the pod raceThe three rules of previs (no textures, no motion blur, no shadows) — and breaking all of them to make the pod race workGeorge Lucas reacting to the droid factory post-vis ("looks like it's gonna work")The Jake Lloyd head-turn morph that saved a reshootWhy pod racers go 500 mph in some shots and 2,000 mph in othersThe cinematographer who declared previs "shit" — and was overruled by the studioFounding Persistence of Vision and the move from Lucas to wider HollywoodTitan A.E. and the Don Bluth / Gary Goldman Phoenix animation studioBehind Enemy Lines and pre-vising aerial actionMission: Impossible III with JJ Abrams — the Shanghai building swing and the windmill helicopter sequenceThe Star Trek reboot orbital skydive — and how previs forced a costume redesign because Vulcan was orangeJourney to the Center of the Earth 3D as second unit director, using Jim Cameron's pre-Avatar camerasZafari, Unreal Engine, and saving 30% of an animated TV budget through real-time renderingThe shift from analogue to digital to 3D to real-time to AI — and what stays constantDennis Muren's wisdom on authenticity at the Jurassic Park wrap partyWhy a human premium will remain in an AI-augmented filmmaking worldGeorge Lucas, John Ford and the moment a 21-year-old earned a director's trustThe advice David gives to young filmmakers: study the drawing, not just the pencilSupport the Podcast This podcast is completely independent and made possible by listener support. If you'd like to help me keep making these episodes, you can join my Patreon community here: patreon.com/jamiebenning Watch on YouTube Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: youtube.com/filmumentariesThis podcast is completely independent and made possible by listener support. If you'd like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning Watch more on YouTube:Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentariesAll my links

Physical media fans from the 1980s will have a lot to rejoice upon this week (if you still carry a fondness for certain films of your youth) but Erik Childress and Peter Sobczynski have plenty from various decades to add to your library this week. They include Bob Fosse's take on a free speech icon and the recent Academy Award winner for Best International Feature. Robert Wise's legendary haunted house film and a collection of classic cartoons. There is early work from Brian DePalma plus Art Carney as a private eye and Tony Randall in six roles. Plus, Peter finally caught up with Harry Hole. But for the nostalgia fans there is also the complete set of Sylvester Stallone's troubled war hero and Kevin Costner as the famed robber of the rich. John Lithgow adopts Bigfoot, Dan Aykroyd invades John Candy's vacation and Ron Howard delivers one of the quintessential comedies about family and parenting. Horror fans can take another New Years train ride with Jamie Lee Curtis or finally watch the “real” scenes of death your parents or video store may not have let you or lent you. Finally, a look at Joe Dante's Gremlins follow-up that 40+ years later still delights and still seeks a bigger audience.1:10 - Criterion (Lenny (4K), Sentimental Value (4K))13:19 - ClassicFlix (Fleischer Cartoons: Greatest Hits, Volume 1)15:20 - Shout Factory (The Haunting (1963) (4K))23:07 - Warner Archive (The 7 Faces of Dr. Lao, The Late Show)38:39 - Radiance (Hi, Mom! (4K))47:40 - Universal (Parenthood (4K))56:46 - Arrow (Robin Hood: Prince of Thieves (4K))1:07:32 - Lionsgate (Rambo (Complete Collection) 4K)1:18:35 - Kino (Brit Noir: Collection I, Terror Train (4K), The Great Outdoors (4K), Harry and the Hendersons (4K), The Snowman (4K))2:16:38 - Vinegar Syndrome (Faces of Death 4K, Explorers 4K)2:42:25 - New Theatrical Titles On Blu-ray (Nirvanna the Band the Show the Movie, If I Had Legs I'd Kick You, Heel, Anything That Moves)2:44:54 - New Blu-ray AnnouncementsCLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCAST OR BUY FROM MOVIEZYNGBe sure to check outErik's Weekly Box Office Column – At Rotten TomatoesCritics' Classics Series – At Elk Grove Cinema in Elk Grove Village, ILChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations.USE COUPON “MOVIEMADNESS” TO GET 10% OFF ALL DUBBY PRODUCTSSIGN UP FOR AUDIBLE This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

Actor Stephen Baldwin joins Bill to discuss his famous family, politics, and fame.  Baldwin talks about his famous brothers, his faith, and navigating Hollywood. 0:00 — Intro 1:20 — The Baldwin family (Alec, Bill, and Daniel) and politics 8:10 — Born again 10:30 — Entering into politics 12:03 — Casualties of War, Sean Penn, Michael J. Fox, Brian DePalma, John C. Reilly, Clint Eastwood, and Jack Nicholson 18:45 — One Bad Movie podcast, Brian Austin Green, Hollywood 21:33 — Usual Suspects, Benicio Del Toro 23:13 — Baldwin's acting family 24:20 — Hailey Bieber, fatherhood 30:30 — Baldwin personalities and Jerry Seinfeld 33:40 — Rumer Willis, Bruce Willis, and Moonlighting 35:35 — Movies, Transformers, and James Bond 39:40 — Movie roles, Christianity, and Mel Gibson Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on an extra special PROM episode of FREAKQUELS, the dastardly Elle and Jon Snow have rigged the ballots so that EJ and Rory will be named king and queen of the jerks! Once on stage, the Snows plan to dump pigs blood on Rory and EJ because…ya know...cruelty. To kill time until they execute their nefarious deed, the Snows discuss the Brian De Palma masterpiece, “CARRIE!” EJ and Rory also discuss the film because shut up!

Nel 1996 Mission: Impossible arrivava al cinema e trasformava una vecchia serie televisiva in una delle saghe action più longeve, folli e resistenti della storia di Hollywood. Trent'anni dopo, Il Brutto Il Cattivo torna al primo film della saga: quello diretto da Brian De Palma, con Tom Cruise ancora lontano dall'icona acrobatica definitiva ma già pronto a prendersi il cinema d'azione sulle spalle, possibilmente appeso a un filo in una stanza piena di sensori.Una puntata dedicata al fascino paranoico del primo Mission: Impossible, tra spionaggio, doppi giochi, maschere, floppy disk, telefoni enormi, tradimenti assortiti e quella sequenza alla CIA diventata patrimonio emotivo dell'umanità cinefila. Parliamo di come De Palma abbia trasformato il blockbuster in un gioco di specchi, di quanto Ethan Hunt fosse diverso dal supereroe stuntman dei capitoli successivi e di come questo film abbia costruito, quasi senza volerlo, il mito moderno di Tom Cruise.Tra nostalgia anni Novanta, rilettura critica e inevitabili domande fondamentali – tipo: ma qualcuno ha mai capito davvero tutta la trama al primo giro? – celebriamo i 30 anni di Mission: Impossible, il film che ha acceso la miccia di una saga ancora oggi capace di correre, saltare, esplodere e rifiutarsi ostinatamente di invecchiare.

A true scream queen, Janus Blythe has appeared in numerous horror films, but none more celebrated than Wes Craven's “The Hills Have Eyes.” Tune in to hear all about playing Ruby (the only compassionate member of Papa Jupe's cannibal clan), what it was like working with three iconic horror directors — Craven, Brian De Palma on “Phantom of the Paradise,” and Tobe Hooper on “Eaten Alive” — and what she really thought of Ruby's ending in “The Hills Have Eyes Part II.” Check out Janus Blythe's online store at https://janusblythe.bigcartel.com/ And join her fan page on Facebook at https://www.facebook.com/Blythdiva

Send us Fan MailYou Send Our Podcast to the Hospital, We Send Your Podcast to the Morgue. That's the Grumpy Nostalgia Way.  The boys go full OG this week reliving Brian De Palma's 1987 classic.  In a time when Americans couldn't drink, we learn that baseball bats, police brutality, and casual Italian-American racism could deliver us to moral clarity.  Fresh new face, Costner, nearly pulls his weight against a legendary performance from Oscar winner Connery here. The boys are so impressed by the end that they decide to cover their other favorite gangster movies that aren't the Godfather.

Welcome to another episode of Death Don't Do Fiction, the AIPT Movies podcast! The podcast about the enduring legacy of our favorite movies! It's May, which means it's time for the AIPT Movies podcast's “Mayhem” series! Where we cover movies that kick ass in the literal sense! In this week's episode, Alex, Tim, and guest Tony Sedani discuss Robert Rodriguez's shockingly accurate depiction of life as a traveling musician, 1995's Desperado! One of the best "walking away from an explosion" shots in movie history! An incredible opening scene! Action yoga! A 90s cell phone! A sudden ponytail! Family drama! An unfortunate case of mistaken identity! Mismatched shoes! Lots of slow motion! Tons of squibs and environmental destruction! Surprisingly loyal bandmates! Guitar case Miniguns! The biggest hand cannon you've ever seen! Shadow-based mystical powers and guns that appear from nowhere! Music from Los Lobos! A shocking explanation for disgusting public toilets! A cast that includes Quentin Tarantino playing a creep, Cheech Marin, Steve Buscemi, Danny Trejo dialing a phone with a knife, the original El Mariachi Carlos Gallardo, Salma Hayek causing car accidents, and Antonio Banderas being effortlessly cool! All this and more in a classic action movie with kinetic direction and visual storytelling from Robert Rodriguez that tells the story of an artist who must learn to work his magic in a completely different medium: death! In addition, Tony shares his spoiler-free thoughts on Spider-Man: Homecoming, Brian De Palma's Phantom of the Paradise, 2021's Mortal Kombat, and Robert Rodriguez's El Mariachi, while Alex does the same for the documentary Everyone Is Lying to You for Money, the Netflix survival thriller Apex, Bob Odenkirk's Normal, and Over Your Dead Body! You can find Death Don't Do Fiction on Apple Podcasts, Spotify, or wherever you get your podcasts. As always, if you enjoy the podcast, be sure to leave us a positive rating, subscribe to the show, and tell your friends! The Death Don't Do Fiction podcast brings you the latest in movie news, reviews, and more! Hosted by supposed “industry vets,” Alex Harris and Tim Gardiner, the show gives you a peek behind the scenes from two filmmakers with oddly nonexistent filmographies. You can find Alex on Twitter, Bluesky, or Letterboxd @actionharris. This episode's guest, Tony Sedani, can be found on Instagram @tsedani and information on Tony and Alex's upcoming comic book can be found on Instagram @overforce_x_hellrazors. Tim can't be found on social media because he doesn't exist. If you have any questions or suggestions for the Death Don't Do Fiction crew, they can be reached at aiptmoviespod@gmail.com, or you can find them on Twitter or Instagram @aiptmoviespod. Theme song is “We Got it Goin On” by Cobra Man.

Ken Carman and Anthony Lima break down why the cult classic film Scarface fails to live up to the heights of other mob masterpieces like The Godfather. They analyze Brian De Palma's directorial style and share stories about meeting rock legends like the vocalist from the Rolling Stones' Gimme Shelter. 01:00 - Summer Vacation Plans 04:04 - Scarface Hot Take 08:55 - De Palma Films 13:23 - Comparing Great Directors 16:14 - Rock And Roll Stories

Celebrate 50 years of horror history as Jamie Apps and Corrina Mabey revisit Brian De Palma's Carrie (1976) on this week's episode of The Commentary Booth. Few horror films have left a cultural mark quite like Carrie. Adapted from Stephen King's first published novel and released just two years later, the film transformed a chilling coming-of-age story into one of cinema's most unforgettable nightmares. From the infamous prom bloodbath to Sissy Spacek's haunting performance as Carrie White, this episode unpacks why the film still resonates half a century later.Jamie and Corrina dive into the film's lasting legacy as both a horror classic and a brutally honest reflection of bullying, isolation, religious extremism, and teenage trauma. They discuss how the film holds up 50 years on, the surprisingly bold filmmaking choices of the 1970s, and the moments that still feel unsettlingly relevant in 2026.Highlights Breakdown: - Why Carrie (1976) remains one of the greatest Stephen King adaptations ever made - The film's disturbing portrayal of bullying, isolation, and religious abuse - Sissy Spacek and Piper Laurie's Oscar-nominated performances - The legacy of the iconic prom scene and shocking ending - How Carrie compares to later remakes and sequels - 1970s filmmaking choices that would never happen todayThe pair also break down the performances from Sissy Spacek, Piper Laurie, Amy Irving, and a young John Travolta, while exploring behind-the-scenes trivia, practical effects mishaps, Stephen King adaptation history, and whether any remake has ever come close to matching the original.If you've ever wondered why Carrie remains one of the most iconic horror films of all time, this episode is for you.This week's episode is brought to you byAustralian Wrestling CardsCheck out more great content from Pario Magazine on our website.-------------------------------------------------------------SUPPORT PARIO MAGAZINE & THE COMMENTARY BOOTH- PATREON- BUY MERCH- AMAZON PRIME VIDEO- TUBEBUDDY- Subscribe to AEW Plus using my code (q0yydoz) to earn $10 in FITE credit- Shop Online With Honey- Shop Online With SatechiMY EQUIPMENT- Elgato Facecam- Rode PodMic- Elgato Wave Mic Arm LP- Streamlabs Talk StudioFOLLOW JAMIE ON SOCIAL MEDIA- Twitter- Facebook- Instagram- TikTokFOLLOW PARIO MAGAZINE ON SOCIAL MEDIA- Twitter- Facebook- Instagram

On this episode of The Video Store Podcast, I am recommending four movies about the people who get called when somebody has made a mess, crossed the wrong person, or needs a situation to go away quietly. The movies this week are Sweet Smell of Success (1957), Wise Guys (1986), La Femme Nikita (1990), and Pulp Fiction (1994). They all deal with that idea in different ways, from a press agent trying to stay useful, to mob errand boys trying to stay alive, to handlers working inside a government machine, to a man who arrives with a plan when everyone else is panicking.I start with Sweet Smell of Success (1957), which may be the coldest movie on this list. Tony Curtis plays Sidney Falco, a press agent who is always working an angle and always trying to stay useful to Burt Lancaster's J. J. Hunsecker. Hunsecker has the power, but Falco is the fixer. He is the one moving through restaurants, clubs, offices, and sidewalks trying to make things happen for people who would rather not get their own hands dirty. The film was directed by Alexander Mackendrick, with cinematography by James Wong Howe and music by Elmer Bernstein. It was shot partly on the streets of New York, and it still feels like a movie made out of cigarette smoke, bad favors, and late night anxiety.Then I move to Wise Guys (1986), a Brian De Palma comedy that feels a little odd in his filmography, which is part of what makes it interesting. Danny DeVito and Joe Piscopo play low level mob guys who are useful until they are not. They run errands, take orders, and try to read the room, but the room keeps changing on them. Harvey Keitel, Dan Hedaya, Ray Sharkey, Frank Vincent, and Captain Lou Albano are all in the cast, which gives the movie a nice mix of mob movie faces and broad comedy. It is not De Palma in thriller mode, but you can still see his interest in people trapped inside systems they do not fully control.The third recommendation is La Femme Nikita (1990), Luc Besson's French action thriller about a young woman pulled into a government program that turns her into an assassin. The fixer here is not only one person. It is the whole structure around her. Tchéky Karyo's Bob is part handler and part threat, someone who can seem kind while reminding Nikita that her new life is not really hers. Jeanne Moreau also appears as Amande, who helps shape Nikita into someone who can move through polite society while carrying a completely different life underneath. Anne Parillaud won the César Award for Best Actress for the role, and you can see why. She has to play the violence, the fear, and the strange sadness of someone being rebuilt for other people's purposes.The last movie is Pulp Fiction (1994), where Harvey Keitel's Winston Wolf may be the cleanest example of this week's theme. He arrives, assesses the problem, gives instructions, and leaves before the movie can turn him into something bigger. That is part of why the character works so well. He does not need a long backstory. He is there because somebody called the right number. The movie is full of people talking themselves into and out of danger, but Mr. Wolf is different. He does not talk around the problem. He handles it.So this week, the shelf has a bitter New York classic, an oddball mob comedy, a French thriller, and one of the defining crime films of the 1990s. Four very different rentals, all built around people who know what to do when the situation has gone bad.Thanks for reading Video Store Podcast! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

On the two hundred and ninety-fourth episode of THE THIRD ACT PODCAST, the crew journey into the heart of darkness.Christian and Jericho continue their auteurography series on the films of Brian De Palma with reviews of 1987's Prohibition-era gangster smash hit THE UNTOUCHABLES and 1989's somber Vietnam war drama, CASUALTIES OF WAR.They also discuss the upcoming MINIONS & MONSTERS, circle back on LEE CRONIN'S THE MUMMY, and debate movie theater etiquette, bootlegging, war movie fatigue, and the act of witnessing tragedy.Subscribe to Jericho's Substack: symbioticreviews.substack.comKeep in touch with us on Instagram and email us anytime at: TheThirdActPodcast@gmail.com  

Welcome to another episode of Death Don't Do Fiction, the AIPT Movies podcast! The podcast about the enduring legacy of our favorite movies! It's April, so that means it's time for our “No EscApril” series, where we celebrate the wonder of thrillers! Not quite horror, not quite action, that sweet spot in the middle where danger is afoot, and lives are still on the line! In this week's episode, Alex, Tim, and guest K-Tron discuss Brian De Palma's 1984 entry in the “pro-peeping tom propaganda” subgenre, Body Double! Excessive voyeurism! Open disdain for subtlety! Inept cops! A hotdog-shaped hotdog store! A bizarre and touchy acting class/therapy session! Troy McClure's weird Chemosphere house from The Simpsons! An insane Frankie Goes To Hollywood music video in the middle of the movie! Hide and seek-related trauma! A claustrophobic sardine who can't scream! A platinum blonde 80s vampire! Motion sickness-inducing bed drinking! A blatantly labeled door! Cultural insensitivity! A dizzying and confusing makeout session! A disturbing drill with a surprisingly short power cord! The Gone with the Wind of adult films!  A random Nostromo hat from Alien! R-rated end credits! Rear projection and matte paintings! Great cinematography and camerawork, including several split diopter shots! An excellent musical score from Pino Donaggio! A fun cast that includes Dennis Franz, Barbara Crampton in her first role, Craig Wasson being convincingly pervy, and a fearless Melanie Griffith! All that and more in this unapologetically 80s thriller that explores the seedy underbelly of Hollywood, and may be the pinnacle of HitchSchlock! In addition, Tim recommends Sam Raimi's Send Help, K-Tron discusses the trippy 1961 film The Mask, while Alex gives his spoiler-free thoughts on Lee Cronin's The Mummy, the new Faces of Death, The Super Mario Galaxy Movie, and the Netflix shark thriller Thrash! You can find Death Don't Do Fiction on Apple Podcasts, Spotify, or wherever you get your podcasts. As always, if you enjoy the podcast, be sure to leave us a positive rating, subscribe to the show, and tell your friends! The Death Don't Do Fiction podcast brings you the latest in movie news, reviews, and more! Hosted by supposed “industry vets,” Alex Harris and Tim Gardiner, the show gives you a peek behind the scenes from two filmmakers with oddly nonexistent filmographies. You can find Alex on Twitter, Bluesky, or Letterboxd @actionharris. You can follow K-Tron on Letterboxd @puddingtaco. Tim can't be found on social media because he doesn't exist. If you have any questions or suggestions for the Death Don't Do Fiction crew, they can be reached at aiptmoviespod@gmail.com, or you can find them on Twitter or Instagram @aiptmoviespod. Theme song is “We Got it Goin On” by Cobra Man.

Mission: Impossible follows IMF agent Ethan Hunt as he goes rogue to expose a mole within his own organization after being framed for the deaths of his entire team.Mission: Impossible was released on May 22, 1996, and stars Tom Cruise. It was directed by Brian De Palma.Follow:SSC on InstagramTim on Letterboxd

The music made us do it! Glam up and join us at The Paradise as we discuss Brian De Palma's Phantom of the Paradise this week with our longtime friend Kristin Lipska.CMP on Instagram and BlueskyClapperboard Cuties on InstagramKristin on LetterboxdMatt on Instagram, Bluesky, and LetterboxdAnthony on Instagram, Bluesky and Letterboxd

Le point commun entre Orson Welles, Alfred Hitchcock, François Truffaut et Brian de Palma ? La musique, entêtante et d'une grande originalité, qui a fait de Bernard Herrmann durant de nombreuses années l'homme-orchestre indispensable d'Hollywood.Franck Ferrand nous plonge dans la vie fascinante de Bernard Herrmann, l'un des plus grands compositeurs de musique de film du XXe siècle. Découvrez comment ce génie new-yorkais a marqué à jamais l'histoire du cinéma grâce à ses collaborations légendaires avec des réalisateurs tels qu'Orson Welles et Alfred Hitchcock.Né dans une famille d'immigrants juifs russes à New York, Bernard Herrmann montre très tôt un talent exceptionnel pour la musique. Après des études à l'Université de New York et à la Juilliard School, il se fait rapidement remarquer dans le milieu de la radio et se voit confier la direction de l'orchestre de la CBS. C'est là qu'il rencontre le jeune prodige Orson Welles, avec qui il va vivre une collaboration fructueuse et mouvementée.Ensemble, ils vont révolutionner la musique de film avec leur travail sur des chefs-d'œuvre comme Citizen Kane et La Splendeur des Amberson. Herrmann développe alors un style musical unique, fait de motifs courts et obsédants qui viennent souligner l'intensité des images à l'écran.

Carrie, el gran éxito de terror de Brian De Palma, es objeto de debate con la escritora Mayte Navales. En este nuevo episodio de Par Impar los presentadores Juanma González y Dani Palacios reciben a la escritora Mayte Navales para conversar sobre Carrie, la gran adaptación de Stephen King que realizó Brian De Palma, y también de su nuevo proyecto, la novela La ahorcada, una obra de terror con la que podemos establecer similitudes. Carrie, la adaptación cinematográfica que Brian De Palma realizó sobre la primera novela de Stephen King. Los contertulios analizan la figura de la protagonista de La ahorcada en relación con el arquetipo que representa Carrie White. Ambas historias presentan a mujeres que transitan de ser víctimas de un entorno hostil a convertirse en ejecutoras implacables. ¿Como se lleva en la actualidad el tema de la venganza femenina tras años de abusos, soledad y fanatismo religioso?. Al igual que en la obra de King, el componente sobrenatural actúa como un catalizador de la furia acumulada contra una sociedad que carece de compasión. Durante la conversación, se rememoran anécdotas fascinantes sobre la producción de Carrie en 1976. Se menciona cómo Stephen King llegó a tirar el manuscrito a la basura, siendo rescatado por su esposa, Tabitha. También se destaca la entrega de Sissy Spacek, quien se presentó al casting con el pelo sucio y un vestido de marinera para convencer a De Palma de que ella era la actriz idónea para encarnar la vulnerabilidad y el terror de la joven Carrie. Los presentadores elogian la iconografía religiosa presente en el filme, especialmente la muerte de la madre, interpretada por Piper Laurie, que evoca una versión macabra de San Sebastián. Un punto clave de la charla es la técnica visual de Brian De Palma. Se discute el uso del split-screen y los planos secuencia, herramientas que el director utilizó para generar una tensión insoportable en escenas icónicas como el baile de graduación. Navales comenta que en la película de La ahorcada también se ha buscado esa elegancia visual, alejándose del simple susto fácil para construir una atmósfera de terror gótico contemporáneo. La autora señala que su historia es, en esencia, un relato sobre la maldad humana y cómo esta se ensaña con los más débiles. La estética de los años 70 también es objeto de análisis. Los presentadores observan que los adolescentes en las películas de esa época, como en Carrie, lucían mucho más maduros que los de series actuales como Stranger Things o Euphoria. Este realismo sucio y adulto de la década de los 70 aportó a la película una crudeza que la convirtió en un clásico de culto instantáneo. Además, se resalta la banda sonora de Pino Donaggio, capaz de alternar melodías románticas con sonidos estridentes y pesadillescos, una dualidad que Navales también ha intentado reflejar en su obra mediante referencias a músicos como Eric Clapton y Raimundo Amador. Hacia el final del programa, se discute el impacto del final inesperado de Carrie, un recurso que marcó una tendencia en el género de terror. Maite Navales explica que La ahorcada también juega con las expectativas del espectador, ofreciendo un desenlace que invita a la reflexión sobre el ciclo de la violencia. Para cerrar el episodio, los participantes disfrutan de temas musicales emblemáticos como Carrie de la banda Europe y el clásico Because the Night de Patti Smith, celebrando el talento de Navales para revivir la esencia del terror clásico en el panorama editorial y cinematográfico actual.

Welcome to another episode of Death Don't Do Fiction, the AIPT Movies podcast! The podcast about the enduring legacy of our favorite movies! It's April, so that means it's time for our “No EscApril” series, where we celebrate the wonder of thrillers! Not quite horror, not quite action, that sweet spot in the middle where danger is afoot, and lives are still on the line! In this week's episode, Alex, Tim, and returning guest K-Tron discuss Brian De Palma's 1981 Hitchcockian giallo that asks “what if Rear Window but with sound,” Blow Out! Embarrassingly bad screams! Chekhov's scream! Abundant split diopter shots split screens! A movie within a movie! A realistic college experience! Liberty Bell-based festivities! A car racing through a parade! A hitman who maybe enjoys his job a little too much! Artistic stabbing! Original music that Quentin Tarantino reused in Death Proof! A tense accident scene with a wonderful Jaws-style jumpscare! Questionable concussion protocol! Government corruption! Everpresent smoking! Excessive Ben Franklin! An incredibly strong audio cable! Possibly the least subtle shot in movie history involving an American flag! A sleep-deprived John Travolta using analog sound tech to play Sound Detective while wearing fingerless Sound Gloves! All that and more in this stylish thriller that also features a murderable Nancy Allen, an evil John Lithgow, and Dennis Franz as a creepy slob! In addition, Alex shares his spoiler-free thoughts on the Zazie Beetz horror-action movie They Will KIll You, Project Hail Mary, Hulu's Mike & Nick & Nick & Alice, and the Chinese action movie Fight Against Evil 2! You can find Death Don't Do Fiction on Apple Podcasts, Spotify, or wherever you get your podcasts. As always, if you enjoy the podcast, be sure to leave us a positive rating, subscribe to the show, and tell your friends! The Death Don't Do Fiction podcast brings you the latest in movie news, reviews, and more! Hosted by supposed “industry vets,” Alex Harris and Tim Gardiner, the show gives you a peek behind the scenes from two filmmakers with oddly nonexistent filmographies. You can find Alex on Twitter, Bluesky, or Letterboxd @actionharris. You can follow K-Tron on Letterboxd @puddingtaco. Tim can't be found on social media because he doesn't exist. If you have any questions or suggestions for the Death Don't Do Fiction crew, they can be reached at aiptmoviespod@gmail.com, or you can find them on Twitter or Instagram @aiptmoviespod. Theme song is “We Got it Goin On” by Cobra Man.

Violence escalates, loyalties fracture, justice turns brutally personal.In Part Two of their deep dive into The Untouchables, Sean and co-host Sarah break down the explosive second half of Brian De Palma's Prohibition-era crime classic. If Part One explored myth-making and morality, this episode tackles consequence, sacrifice, and the film's unforgettable climax.From the emotional weight of Sean Connery's Oscar-winning performance to the operatic violence that defines De Palma's directing style, we analyse how the story of Eliot Ness versus Al Capone reaches its dramatic peak.We explore the tension between justice and revenge, the cost of incorruptibility, and whether the film earns its legendary status among gangster cinema greats.Starring Kevin Costner, Sean Connery, and Robert De Niro, this 1987 crime epic blends Hollywood spectacle with historical myth.But does the courtroom finale deliver? Does the violence feel operatic or excessive? And does The Untouchables still hold up for modern audiences?In this episode, we discuss:The emotional impact of Malone's arcThe morality of Ness's final choicesThe famous Union Station sequence and De Palma's visual storytellingThe balance between historical fact and cinematic legendWhether The Untouchables deserves its classic statusIf you're searching for:The Untouchables 1987 reviewThe Untouchables podcast discussionBrian De Palma film analysisSean Connery Oscar performance breakdownGangster movie deep dive podcast…this episode delivers sharp film criticism, humour, debate, and honest takes.Sarah returns as co-host for this two-part breakdown. (No external projects to plug this week—just pure film conversation and classic cinema appreciation.)Why Listen?Whether you're a long-time fan of The Untouchables or revisiting it decades later, this episode will make you rethink its themes, performances, and cultural legacy. Expect passionate disagreement, strong opinions, and thoughtful analysis of one of the most iconic crime films of the 1980s.If you enjoy deep-dive movie reviews, classic film discussion, and spirited debate — this is the podcast for you.Please Note: There are direct quotes used in this review, which include the use of contextual slurs/stereotypes. These are used purely as quotes from the film and to aid discussion, as the film's dialogue reflects the bigoted, harsh atmosphere of 1930's Prohibition-Era Chicago. There is no intention to cause offence or distress.Follow & Contact Review It YourselfStay connected and join the conversation:Instagram: https://www.instagram.com/reviewityourselfpodcast2021X / Twitter: https://twitter.com/YourselfReviewBlueSky: https://bsky.app/profile/reviewityourself.bsky.socialThreads: https://www.threads.net/@reviewityourselfpodcast2021Email: reviewityourselfpodcast@gmail.comWe love hearing your thoughts, episode suggestions, and hot takes.Support the PodcastIf you enjoy Review It Yourself and want to help us grow:Subscribe on Apple Podcasts, Spotify, or your favourite platformLeave a 5-star rating and written review on Apple Podcasts (this massively boosts discoverability)Share this episode on social mediaRecommend the podcast to fellow film fansYour support helps the show reach new listeners and continue producing in-depth film reviews every week.Listen now and decide for yourself: is this crime epic truly untouchable? Hosted on Acast. See acast.com/privacy for more information.

Corruption, crime, and Connery—diving deep into De Palma's classic.In this episode of Review It Yourself, we break down the first half of The Untouchables—the iconic Prohibition-era crime thriller directed by Brian De Palma. Joined by co-host Sarah, we explore the film's powerful opening act, its larger-than-life characters, and why this stylish gangster epic still commands attention nearly four decades later.From the tense cat-and-mouse battle between federal agent Eliot Ness and Chicago crime boss Al Capone, to the unforgettable performances by Kevin Costner, Sean Connery, and Robert De Niro, we unpack what makes this film such a standout in the gangster genre. Is it the script? The score? The mythologising of law enforcement? Or Connery's scene-stealing gravitas?Expect thoughtful film analysis, sharp opinions, historical context around Prohibition-era Chicago, and a discussion about how Hollywood reshapes real-life events into cinematic legend. Whether you're a long-time fan of classic crime dramas or discovering this film for the first time, this episode offers insight, debate, and plenty of appreciation for one of the 1980s' most celebrated gangster movies.We discuss:The film's themes of justice, morality, and myth-makingThe dynamic between Ness and MaloneDe Palma's directorial style and use of tensionPerformances that elevate the materialHow The Untouchables compares to other mob classicsIf you love deep-dive movie reviews, classic cinema breakdowns, and honest film discussion, this episode is for you.Please Note: There are direct quotes used in this review, which include the use of contextual slurs/stereotypes. These are used purely as quotes from the film and to aid discussion, as the film's dialogue reflects the bigoted, harsh atmosphere of 1930's Prohibition-Era Chicago. There is no intention to cause offence or distress.Follow & Contact Review It Yourself:Instagram: https://www.instagram.com/reviewityourselfpodcast2021X / Twitter: https://twitter.com/YourselfReviewBlueSky: https://bsky.app/profile/reviewityourself.bsky.socialThreads: https://www.threads.net/@reviewityourselfpodcast2021Email: reviewityourselfpodcast@gmail.comSupport the Podcast:If you enjoy Review It Yourself, please:Subscribe on Apple Podcasts, Spotify, or your favourite podcast platformLeave a 5-star rating and written review on Apple Podcasts to help boost visibilityShare this episode with fellow film fansFollow us on social media for updates and future episodesYour support helps the podcast grow, reach new listeners, and continue producing in-depth film reviews.Part Two of our The Untouchables discussion available now—where we continue analysing the film's most iconic sequences and its lasting legacy in crime cinema.Listen now and decide for yourself… is The Untouchables truly untouchable? Hosted on Acast. See acast.com/privacy for more information.

On the two hundred and ninety-first episode of THE THIRD ACT PODCAST, the crew are feeling claustrophobic inside their podcasting coffins.Christian and Jericho continue their auteurography series on the films of Brian De Palma with reviews of 1984's erotic Hitchcockian thriller BODY DOUBLE and 1986's slapstick gangster comedy WISE GUYS.They also discuss email correspondence subject line "dirtbag cinema", internalized misogyny, the Jake Scully/Jake Sully impotent connection, and fake tropical tans.Subscribe to Jericho's Substack: symbioticreviews.substack.comKeep in touch with us on Instagram and email us anytime at: TheThirdActPodcast@gmail.com  

Send us Fan MailWrapping up our threesies with the third installment of the "X" trilogy. You like 80's? You like pseudo-giallo/pseudo Brian DePalma? You like movies about movies that are about movies? Well, then this one is fro you! Ti West's "Maxxxine" is available for rent!Look at  us on InstagramFollow us on Twitter (or don't we're not really there  - and you probably shouldn't be either. And yeah, we know, the dumb name changed)Hit us up with comments and suggestions at horrorcurious@gmail.comRate! Review! Recommend!

We conclude the Star Warped Tour Week with another special on filmmaker Brian De Palma: his Crime Conspiracy Movies!   MOVIES DISCUSSED: The Fury, Dressed to Kill, Blow Out, Wise Guys (1986), The Untouchables, Casualties of War, Snake Eyes, Femme Fatale (2002), Redacted (2007) & Domino (2015)     TALKING POINTS: *Did Curtis Hanson, David Fincher and Denis Villeaneuve take influence from De Palma or just the same filmmakers he was imitating?   *Does De Palma suffer from much of the same issue as George Lucas by relying on the actors to do all the backstory work but not coach them on what he wants personally?   *All that and how no one should dislike BLOW OUT unless their name is Ted Kennedy!       PODCAST GUESTS: Film Critic Sean Patrick (I Hate Movie Critics Podcast, Sean At The Movies Blog), Anthony Francis (The Movie Revue) & James Bruno     MUSIC INTROS: "Main Theme" by John Williams (from The Fury) "The Strength Of The Righteous(Main Title)" by Ennio Morricone (from The Untouchables)  

Me and other fellow guests dig into the WTF worthy films in the divisive filmmaker Brian De Palma's diverse career.   Does Brian do Meta Movies better than actual spoof films? What would infamous movies like Showgirls be like under De Palma's stylish direction? Let's find out after this deep dive!   MOVIES DISCUSSED: Greetings, Hi Mom!, Phantom of the Paradise, Obsession, Raising Cain,  Body Double, Sisters & Bonfire of the Vanities   GUESTS: Film Critic Sean Patrick (I Hate Movie Critics Podcast, Sean At The Movies Blog), James Bruno & Kristin Battelstella (Therefore Horror on Twitter)      INTRO CLIP:  De Palma and Scorsese on Welles and Hitchcock: The Dick Cavett Show 

In this very special episode, joining John Mathews and myself are Imprint Cast Family Members Suzanne Boleyn, Paul Berriman, our newest family member, Ron Pettersson and very special guest, writer and Director Sam Irvin.In this episode we do a deep dive of the horror masterpiece, Carrie and we also discuss the career of Director Brian De Palma.Sam was the perfect guest to join us in this episode as he was Brian De Palma's personal assistant from 1978-1981, who wrote about his experiences working with him in his latest Rondo Award Nominated book, Confessions of a Brian De Palma Protégé. We discuss the book, our favourite De Palma films, Sam's stories on working with Brian De Palma and of course, Carrie.

The new-ish ANTM documentary gave us one reason to fear a trenchcoat, and this movie from 1980 will give you another!  Pick your best outfit and make sure your razor is sharpened as we slice through the questionable representation in Dressed to Kill.***CONTENT WARNING: discussion of transphobia, sexual violenceFollow us on Instagram at @thewhorrorspodcastEmail us at thewhorrorspodcast@gmail.comArtwork by Gabrielle Fatula (gabrielle@gabriellefatula.com)Music: Epic Industrial Music Trailer by SeverMusicProdStandard Music License Sources: “Definition & Meaning of ‘Dressed to Kill' in English.” Picture Dictionary, LanGeek, 2024, dictionary.langeek.co/en/word/55563?entry=dressed+to+kill. Accessed 11 Feb. 2026. Dressed to Kill (1980 Film) Wiki: https://en.wikipedia.org/wiki/Dressed_to_Kill_(1980_film) Dressed to Kill (1980) IMDB: https://www.imdb.com/title/tt0080661/ Tobias, Scott. “Dressed to Kill at 40: Brian De Palma's Thrilling yet Problematic Shocker.” The Guardian, 25 July 2020.

Episode 125 - Pack your bags, and make sure to pack some bootlegged whiskey, because we are headed to prohibition times Chicago to wrap up DePalma month. This week we watch and discuss The Untouchables (1987) which is one of DePalma's more well know films, stars Kevin Costner, Sean Connery and Robert DeNiro. Based on the story of Elliot Ness vs Al Capone and the the war on illegal booze in the 20's, Deniro once again tackles the ganster subgenre. Speaking of which, we dive into Carlito's Way as the supplemental. Not only that, Brian reveals next month's theme.So tune in soon for Gene Gone Wilder month!and email us at mracfilmclub@gmail.com

This week we wrap our time with the X/Pearl trilogy with the final divisive film in that puts Maxine Minx in 1985 Hollywood with MaXXXine. Journey with us as we discuss this horror/thriller and how it pays homage to the Italian Giallo and the films of Brian De Palma. We discuss all the unique call backs to the series and the satire on Hollywood itself. Is this the weakest film in the trilogy or is it completely misunderstood? So pour some rye, VHS copy of The Puritan, and get ready to become a movie star. Cheers!

On this episode, Austin and Tim have another stowaway on board, this time it's Austin's friend Patricia, making her watch 7 movies that she probably never would have watched if she didn't sneak on board the time machine. She had to endure: a silly martial arts flick Force:Five, Alan Alda's directorial debut The Four Seasons, a horror film starring Albert Finney Wolfen, Brian De Palma's Blow Out, Zorro The Gay Blade, Ringo Starr in Caveman, and Roger Moore as James Bond in For Your Eyes Only. Check out our biggest and longest episode yet!

Episode 124 - Pack your bags because we are headed to Los Angeles CA, a departure for DePalma and his East Coast set thrillers. This week we are watching and discussing Body Double (1984), which is about a struggling actor who is looking for an apartment and ends up stumbling into quite the situation when he witnesses an eyeful from the window of the home he is house sitting for in the Hollywood hills. This is a wild discussion and the opinions of some of us may surprise you. We are also joined by our old friend Chris Bartoli who is the founder of the 6 timers club for his appearances on MRAC. It's always a blast when he joins us so listen in for the fun. Join us next time when we wrap up DePalma Month with The Untouchables (1987)and you can always email us at mracfilmclub@gmail.com

El aniversario de esta semana nos lleva a recordar a un director estadounidense de indudable talento pero poco conocido por el gran público: Robert Rossen, autor de películas como “Cuerpo y alma”, “El político” o “El buscavidas”. La actriz que acompañaba a Paul Newman en “El buscavidas” precisamente, Piper Laurie, pone rostro también a la villana de esta semana en nuestra serie “Esos tipos a los que nos encanta odiar”. Se trata de Margaret White, la fanática religiosa que hacía la vida imposible a Sissy Spacek en “Carrie” de Brian De Palma. Charlamos con la actriz Elena Furiase y en la sección dedicada al cine de aventuras tenemos una película ochentera: “Tras el corazón verde”, dirigida por Robert Zemeckis y protagonizada por Katheleen Turner y Michael Douglas.

Episode 123 - It's week 3 of DePalma Month, and we are bringing out the big guns for this one. We welcome DePalma fan and horror podcasting legend, the southern gentleman himself Gregamorits from the Land of the Creeps podcast. Greg helps us break down the conspiracy thriller Blow Out (1981), as well as some discussion of the supplemental Snake Eyes (1998). We had a lot of fun with this one and really broke it down. Blow Out is the story of a film sound engineer )played by John Travolta) who saves a woman (played by Nancy Allen) from drowning and as a result stumbles into more than he bargained for. This film is one of the lesser known gems of DePalma. Did Pete find any flaws with it? Tune in to find out.And tune in next week as we break down the film Body Double (1984) and the supplemental Dressed to Kill (1981). Will we be joined by another special guest? Tune in to find out.email us at mracfilmclub@gmail.com

Hey, you creepy lovebirds! it's Friday the 13th: Valentine's Day Eve! And that can mean only ONE thing: Episode 97: RAISING CAIN (1992)! Brian DePalma doing as he pleases in this psychological baby-snatching thriller. We talk about chicken, the Epstein Files, raising better men, art classes, sleep hygiene, night thoughts, and SO much more!

The season 8 finale is upon us. And it's finally time to talk Brian De Palma. Listen up as the podcast duo examines Will's pick for the week, the hallmarks of De Palma's style, the ways in which Body Double is both an extravagant auteur statement and a self-critical piece of genre academia, and much more! RELAX, sit back, and celebrate eight seasons of AnotherLook with us.

Brian De Palma's soaring 1987 crime drama The Untouchables nearly went in some very different directions. Jack Nicholson as Eliot Ness? Bob Hoskins as Al Capone? And what's more, the film's legendary sequence on the steps of Chicago's Union Station was pretty much made up on the fly. The story is told in this episode, as well as the brief attempt to get a prequel movie - Capone Rising - off the ground as well. If you enjoy this, please like and subscribe. Doesn't half help independent podcasts when you do that... Learn more about your ad choices. Visit megaphone.fm/adchoices

On the two hundred and eighty-seventh episode of THE THIRD ACT PODCAST, the crew are getting fucked by capitalism.Christian and Jericho continue their Auteurography series on the films of Brian De Palma with reviews of 1981's paranoid thriller BLOW OUT and 1983's epic gangster satire, SCARFACE. They also discuss conspiracy theories, political resignation, having a tiger for a pet, cocaine-fueled clarity, and Sam Raimi's 2026 dark comedy/horror thriller SEND HELP in the Recently Watched segment.Subscribe to Jericho's Substack: symbioticreviews.substack.comKeep in touch with us on Instagram and email us anytime at: TheThirdActPodcast@gmail.com  

Update on our week: In this week's episode of Free Form Radio, Daniel, Andy, and Noel kick things off by comparing Midwest winter chaos before diving into a full slate of movies, TV, and gaming talk. Noel starts us off with a detailed breakdown of Carlito's Way—its legacy, performances by Al Pacino and Sean Penn, Brian De Palma's direction, and why the film still stands tall among classic crime dramas. He also shares why it's absolutely worth revisiting, especially for fans of Scarface or Vice City. The crew then pivots into The Walking Dead: Daryl Dixon spinoff, with Noel reviewing Seasons 1–3 and explaining why the new France and Spain settings give the show fresh atmosphere and tension. Zombie fans, especially those who loved Resident Evil 4, will want to tune in. Next up: gaming talk. Noel wraps up his 100-hour journey through Horizon Forbidden West and its Burning Shores DLC—praising the world and gameplay while discussing some narrative choices that felt forced and out of charcter for Aloy. Andy and Daniel dive into the newly released trailer for Masters of the Universe. They discuss the visuals, accuracy to the original source material, whether He-Man is buff enough, and why this reboot looks more promising than past attempts. Finally, Daniel gives us his thoughts on the Stranger Things season 5 series finality.  The internet is buzzing about it, what does Daniel think about it?  He also watches an older movie in Uncle Buck.  A classic, but it looks like it is not one of Daniels top movies. A packed episode with movies, TV, gaming, nostalgia, and a whole lot of Midwest winter complaining—just the way Free Form Radio likes it. Article for the week: Who's Listening? A Demographic Breakdown of the 2025 Podcast Audience https://commandyourbrand.com/whos-listening-a-demographic-breakdown-of-the-2025-podcast-audience/ Warning: May have Strong Language and Content.   ========== Thank you to everyone who enjoys what we do.  If you like what we do, please spread the word of our show. Email questions or suggestions to ffnquestions@gmail.com ========== Follow us on TWITTER (X) https://twitter.com/FreeFormNetwork Follow us on FACEBOOK https://www.facebook.com/profile.php?id=61557790516078 ========== Free Form Network and all our podcast are available on many platforms including STITCHER, ANDROID, IPHONE, IPAD, IPOD TOUCH and PODBEAN   IPHONE, IPAD & IPOD TOUCH http://itunes.apple.com/us/podcast/free-form-network/id995998853 SPOTIFY https://open.spotify.com/show/0QKRhkXDmQ9cxItaiu49Vy IHEART RADIO https://www.iheart.com/podcast/338-free-form-network-94075820/ TUNE IN RADIO http://tunein.com/radio/Free-Form-Network-p784190/ PLAYER FM https://player.fm/series/3326348 TUMBLR https://freeformnetworkpodcast.tumblr.com/ WORDPRESS https://freeformnetwork.wordpress.com/ YOUTUBE https://www.youtube.com/channel/UCj0LNZRJHyW7sQwM5ZdOCQg DEEZER https://www.deezer.com/us/show/1857582 PODCHASER https://www.podchaser.com/podcasts/free-form-network-97539 PODCAST ADDICT https://podplayer.net/?podId=2920676 PANDORA https://www.pandora.com/podcast/free-form-network/PC:53088 AMAZON MUSIC https://music.amazon.com/podcasts/41213756-a9ad-46bc-8d6c-ea2d30bd2fb9/free-form-network LISTEN NOTES https://www.listennotes.com/podcasts/free-form-network-free-form-network-ElG1hW2tS3v/ GOOGLE PODCAST https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkLnBvZGJlYW4uY29tL2ZyZWVmb3JtbmV0d29yay9mZWVkLnhtbA PODBEAN DESKTOP http://freeformnetwork.podbean.com/ PODBEAN MOBILE http://freeformnetwork.podbean.com/mobile   ========== Free Form Radio - Episode 264- 02/08/2026 Hosted by Daniel, Andy and Noel ==========   FREE FORM NETWORK

Holly splits into multiple personalities while Raising Cain (1992), director Brian De Palma's return to the thriller genre after several bruising failures, reuniting with John Lithgow, who stars as a child psychologist with a more than a couple deadly family secrets. Listen as we dread fear from sharp sundials, infidelity, smoking around children, and satirical psychobabble on this week's exciting episode! Hosted on Acast. See acast.com/privacy for more information.

Send us a textAfter witnessing his parents' brutal murder on Christmas Eve, Billy transforms into a Killer Santa, delivering a yearly spree of calculated, chilling violence. This year, his blood-soaked mission collides with a guest spot on his favorite podcast, as the hosts challenge him to confront his childhood trauma. On Episode 706 of Trick or Treat Radio our featured film discussion is Silent Night, Deadly Night (2025) from director Mike P. Nelson! We also pay tribute to a recently lost comedy legend, talk about the January and February dumping grounds, and check out the trailers for the films; Bone Keeper, and Attack of the Killer Tomatoes: Organic Intelligence! So grab your nazi killing axe, try not to drive into a ditch, and strap on for the world's most dangerous podcast!Stuff we talk about: A24, Texas Chainsaw Massacre, JT Mollner, sequels reboots requels remakes, Hook and Pull Gang, Spooky World, dangerous and rough around the edges, Terrifier IV, Mickey Rooney, the dumping grounds, Invasion of the Body Snatchers, Cherry 2000, Serpent and the Rainbow, The Vanishing, Teenage Zombie House Massacre, House of the Damned, The Great Gazoo, Harvey Korman, The Star Wars Holiday Special, Virtual Porn with Diahann Carroll, Brittany Allen, It Stains the Sands Red, Dead Before Dawn, Stillborn, Underworld, Slaughterhouse Rules, Apostle, Laura Linney, Primal Fear, The Exorcism of Emily Rose, The Mothman Prophecies, Edward Norton, Richard Gere, Jennifer Jason Leigh, Possessor, Single White Female, Christopher Guest, Michael McKean, Dick Warlock, Dark Shadows, Ghost Story, Christine, Firestarter, Pumpkinhead, Swamp Thing, HR Geiger, John Carradine, House of Frankenstein, The Sentinel, Spinal Tap, Barry Bostwick, RIP Catherine O'Hara, SCTV, Schitt's Creek, Beetlejuice, Home Alone, Black Christmas, Cannibal Girls, Ivan Reitman, Eugene Levy, Splash, Nightmare Before Christmas, After Hours, Waiting for Guffman, Jeffrey Tambor, Brendan Gleeson, God's Hate, AEW, +1, Bryce Remsburg, MZ's monocle, Criterion Collection, Ran, Akira Kurosawa, Dreams, Brian De Palma, Sisters, The Durning Point, John Rhys-Davies, Bone Keeper, Attack of the Killer Tomatoes: Organic Intelligence, Raiders of the Lost Ark, Daniel Roebuck, David Kochner, John Astin, Eric Roberts, Bill Bixby, TVs Street Hawk, Mel Brooks, Richard Pryor, Eyes Wide Shut, clean and jerk, getting stuck in a snow bank, stuck in a ditch, Summer School, Silent Night Deadly Night, Blinkbuster Video, The Monkey, Ruby Modine, Rohan Campbell, impish and whimsical, passion and a plucky spirit, Weapons, Venom, Tom Hardy, Baby Blood, “the enthusiastic wave”, violence against kids, Advent Calendar, Garbage Day, 1922, We Bury the Dead, Zak Hilditch, Daisy Ridley, A Psycopath with a Consciousness, A Bad Case of the Naughties, Can't Kill All the Time, The White Power Christmas Massacre, and Razor Kenobi.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: Support the show

Hello! And welcome to season 15 of the Dana Gould Hour Podcast. Fasten your enthusiasm harness, we are blasting off again. Mark Malkoff has a new book entitled Love, Johnny Carson: One Obsessive Fan's Journey To Find The Genius Behind The Legend. Johnny Carson is so larger than life now it's important to sometimes take a step back and appreciate his accomplishment. Unlike today, when there are 8,000 channels, and three network late night talk shows. Johnny Carson hosted The Tonight Show when there were around ten channels total and one, count 'em, one late night talk show, which he hosted for 30 years. He interviewed over 25,000 guests, navigated America's cultural conversation from President Kennedy through President Clinton. Mark's book covers the debuts of then-unknown comedians who are now household names. He talks about Johnny's feuds, and he had some. There were periods of time when William Shatner and Orson Welles were banned from the show. But Mark's book is very affectionate. It's honest without being exploitive. It dishes a lot of dirt but it's never bitchy, I can't recommend it enough. Mark Malkoff. Right here. In the human flesh.  The second interview is with two dudes who have written extensively about two films from a very special time in American cinema-going. Back in the 70's, you see, before cable and VHS tapes and streaming, if you wanted to see a movie, you had to wait and catch it on television. And if you wanted to see it uncut, you had to find it playing in a movie theater. And that's it. Because of this, more people went to more movies more often. And, since this was before multiplexes, movie theaters were more random. You didn't have 16 screens in one building. You had sixteen different movie theaters scattered around town.  John Gaspar has written a book about a very strange event at one such theater in one of my favorite cities in the goddamn world, and yours too, Minneapolis, Minnesota. The book is called Held Over: Harold And Maude At The Westgate Theater and it tells the story of Hal Ashby's 1971 black comedy Harold and Maude, that starred Ruth Gordon and Bud Cort, that ran for two years at the Westgate in the Minneapolis suburb of Edina. The film ran for so long, the neighbors protested, demanding a new movie! It's a terrific book about what movie going in America used to be like, before the multiplexes took over. John and I are joined by Ari Kahan, who is the archivist of The Swan Archives, which is I can best describe as a labyrinthine database covering all things pertaining to 1974's Brian DePalma cult classic, Phantom Of The Paradise. Don't know too much about Phantom Of The Paradise you say? No worries, you will by the time we get there, True Tales From Weirdsville takes us on a deep dive inside that mid 70's glam-rock Faustian gem, Phantom Of The Paradise.

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between.  Today we celebrate Canadian greatness. We celebrate Rachel McAdams! Our B-Sides include The Lucky Ones, The Time Traveller's Wife, Passion, and Every Thing Will Be Fine. We also spend some time on The Hot Chick, and do a couple of Rachel McAdams-inspired quizzes at the top of the episode. It's fun! We talk about her new Sam Raimi movie Send Help. We reflect on McAdams' stratospheric rise to stardom within the first few years (and films) of her career, that time she dated Ryan Gosling, and her many accents over the years. We also shout-out the sheer amount of great filmmakers she's worked with over the years: Wes Craven, Ira Sachs, Woody Allen, Terrence Malick, Brian De Palma, Cameron Crowe, Antoine Fuqua, Tom McCarthy, Wim Wenders, Mark Osborne (animated), Sam Raimi, and Kelly Fremon Craig. That's incredible! There's the limited amount of press she has done over the years (though this podcast episode is lovely, about her and her dear friend) and the fact that the hit movies she's starred in throughout her career are mostly not made for movie theaters anymore. We speak to her comedy chops and her constant alignment with the directors she works with. She's a pro! And finally, we show some appropriate respect to the Michael Sucsy-directed romance The Vow. The woman loves a movie wherein time is manipulated!

This week, Shat The Movies heads to Prohibition-era Chicago with Brian De Palma's The Untouchables, a glossy crime epic that somehow combines operatic violence, moral absolutism, and one of the most iconic staircases in movie history. Featuring Kevin Costner at his most upright, Sean Connery at his most Oscar-winning, and Robert De Niro going full scarface-with-a-bat, this film has long been considered a prestige gangster classic—but does it still earn its reputation? Gene and Big D break down Ennio Morricone's unforgettable score, De Palma's shameless love of excess, and whether Costner's Eliot Ness is compelling or just aggressively boring. Along the way, they revisit Connery's scene-stealing mentor role, De Niro's cartoonishly menacing Al Capone, and the film's "history-as-vibes" approach to law enforcement. Is The Untouchables a towering crime masterpiece—or just a stylish collection of unforgettable moments stitched together with slow-motion hero worship? Android: https://www.shatpod.com/android Apple/iTunes: https://www.shatpod.com/apple Help Support the Podcast Contact Us: https://www.shatpod.com/contact Commission Movie: https://www.shatpod.com/support Support with Paypal: https://www.shatpod.com/paypal Support With Venmo: https://www.shatpod.com/venmo Shop Merchandise: https://www.shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite

Hollywood:1975. Martin Scorsese sits in his apartment, enraged. He wants to literally kill the man who is ruining his to-be-released film, Taxi Driver. Scorsese's friends, filmmakers Stephen Spielberg, Brian De Palma, John Milius, and Paul Schraeder rush to Scorsese's side to talk him out of committing murder, but when they arrive, their friend Marty acts less like himself and more like his Travis Bickle character from the film he's trying to save. This is the story of that night.  Martin Scorsese is certainly one of the greatest filmmakers of all time. Jake wants to know: who is your favorite filmmaker? Tell us at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod. This episode contains content that may me disturbing to some listeners, including graphic depictions of violence and self-harm. This episode was originally published on February 25, 2025. To listen to Disgraceland ad free and get access to exclusive content and more, become a Disgraceland All Access member at ⁠disgracelandpod.com⁠ Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠GET THE NEWSLETTER⁠ Follow Jake and DISGRACELAND: ⁠Instagram⁠ ⁠YouTube⁠ ⁠X⁠ (formerly Twitter)  ⁠Facebook Fan Group⁠ ⁠TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Hollywood:1975. Martin Scorsese sits in his apartment, enraged. He wants to literally kill the man who is ruining his to-be-released film, Taxi Driver. Scorsese's friends, filmmakers Stephen Spielberg, Brian De Palma, John Milius, and Paul Schraeder rush to Scorsese's side to talk him out of committing murder, but when they arrive, their friend Marty acts less like himself and more like his Travis Bickle character from the film he's trying to save. This is the story of that night.  Martin Scorsese is certainly one of the greatest filmmakers of all time. Jake wants to know: who is your favorite filmmaker? Tell us at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod. This episode contains content that may me disturbing to some listeners, including graphic depictions of violence and self-harm. This episode was originally published on February 25, 2025. To listen to Disgraceland ad free and get access to exclusive content and more, become a Disgraceland All Access member at ⁠disgracelandpod.com⁠ Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠GET THE NEWSLETTER⁠ Follow Jake and DISGRACELAND: ⁠Instagram⁠ ⁠YouTube⁠ ⁠X⁠ (formerly Twitter)  ⁠Facebook Fan Group⁠ ⁠TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoicesSee omnystudio.com/listener for privacy information.

The Ringer's Bill Simmons, Sean Fennessey, and Van Lathan are the kings of the sewer after rewatching Brian De Palma's ‘Snake Eyes,' starring Nic Cage, Gary Sinise, and Carla Gugino. Producers: Craig Horlbeck, Chia Hao Tat, and Eduardo Ocampo This episode is brought to you by PayPal. Make the most of your money this holiday. Get 5% cash back when you Pay in 4 all holiday long, visit the PayPal app to save the offer. Expires 12/31. See paypal.com/promoterms. Subject to approval. Learn more at paypal.com/payin4. PayPal, Inc. NMLS #910457 Learn more about your ad choices. Visit podcastchoices.com/adchoices