Podcast appearances and mentions of James Bond

Ny episode av Rad Crew denne uka også! Vi snakker Gamescom, James Bond-kloner i gaming, Guilty Gear Strive sin nyeste patch, Resident Evil 8, Destiny 2, WoW og mye mer! Med: Linn, Are, Stian, … Les mer

HT2361 - All Dressed Up and Ready to Dance Here on the first day of my 2-month travel adventure, I had a chance to stop at the Fenimore Museum in Cooperstown, New York for a second look at the Peter Federman show, The Power of Photography. I couldn't put my finger on what made some of these images so special, but they definitely are. The thought I kept circling back to was James Bond in a tuxedo. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

The GGACP team celebrates the birthday (b. August 24) of Emmy-winning writer, comedian, actor, podcaster and film buff Dana Gould with this ENCORE of an interview from 2016. In this episode, drops by the studio to chat about everything from Hollywood “fixers” to werewolf transformations and to regale Gilbert and Frank with stories about everyone from Dwight Frye to Mark Hamill. Also, Dana meets Merv Griffin, mimics Adam West, befriends Vampira and remembers Roddy McDowall. PLUS: “Mars Attacks!” The genius of Dan Curtis! The sexism of James Bond! Gregory Peck meets Gopher! And the mysterious death of Albert Dekker! Learn more about your ad choices. Visit megaphone.fm/adchoices

IO Interactive after an experimental and mostly successful Hitman trilogy now, packaged "World of Assassination" are now taking another agent under their wing. That agent is Bond, James Bond. Chris Trio and Anthony Ragucci break down how IOI approached the Hitman Trilogy and what needs to change for their upcoming Bond game. While Agent 47 and James Bond share similarities, they're not interchangeable. Certain systems and mechanics can carry over, but others must be retooled to fully capture 007's character and the world he inhabits in First Light. 00:00 - 2:28 Intro 2:29 - 22:23 Gamescom 2025 ONL quick thoughts and reactions 22:24 - 59:59 What we're watching, playing and doing 1:00:00 - 1:42:31 Main Topic 1:42:32 - 1:43:35 Outro Hosts: Chris Trio & Anthony Ragucci Join our community! https://discord.gg/sTwgsXYGwc Watch us live on twitch at https://twitch.tv/delconerdnetwork Follow Us! https://linktr.ee/delconerds Intro and Outro Music by Alex Rome. https://www.youtube.com/AlexRome Lower Thirds By Alejandro Hernandez https://alejandrojhernandez.com Table by House of Me https://www.instagram.com/athomewithelm/ https://www.athomewithelm.com/

Hello Wholigans! On today's episode of Who's There, our weekly call-in show, we learn about Roz Pike and Shania Twain's budding friendship before taking some more urgent calls regarding two iconic twinks, three iconic rabbits, one potential James Bond, a lawsuit that could bring down Kroger and its Wellness Experience forever, and more! As always, call in at 619.WHO.THEM to leave questions, comments & concerns for a future episode of Who's There?. Get a ton of bonus content over on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/WhoWeekly⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Jess here! A while back, Sarina and KJ talked about how much they enjoyed Tess Gerritsen's novel, The Spy Coast, and Sarina reassured KJ she'd enjoy book two of the series even more. I had never read a Tess Gerritsen novel, and while I'd heard her name before and vaguely understood she wrote thrillers, I was starting from square one when I downloaded the audio version of The Spy Coast. Now, I'm not an international spy thriller kind of gal. In the abstract, I understand the allure of books like Tinker Tailor Soldier Spy or Six Days of the Condor. Spies! Intrigue! International [almost exclusively men] of mystery! But they have never really floated my proverbial boat. That said, I loved Tess Gerritsen's spies and the world they inhabit. There's a sense of place - nay, a downright LOVE of place - and a retiring, rural New England domesticity that spoke to this retiring, rural New England reader. Book two, The Summer Guests, is even more rooted in Maine, on its history and the social dynamics of its natives and its summer people. Once I tore through those first two books, I went back to Gerritsen's first book, The Surgeon, one of Time Magazine's top 100 thriller/mystery books of all time and the first in the Rizzoli & Isles series, consequently made into a long-running television series. Gerritsen has a fascinating career trajectory, lots to talk about regarding pantsing and plotting, where the ideas come from, and lots of other geeky details about the writing life. I hope you enjoy it as much as we did. Find Tess at Tessgerritsen.com, or on Bluesky, @TessGerritsen Transcript below!EPISODE 462 - TRANSCRIPTJennie NashHey everyone, it's Jennie Nash, founder and CEO of Author Accelerator, the company I started more than 10 years ago to lead the emerging book coaching industry. In October, we'll be enrolling a new cohort of certification students who will be going through programs in either fiction, nonfiction, or memoir, and learning the editorial, emotional, and entrepreneurial skills that you need to be a successful book coach. If you've been curious about book coaching and thinking that it might be something you want to do for your next career move, I'd love to teach you more about it, you can go to bookcoaches.com/waitlist to check out the free training I have—that's bookcoaches.com/waitlist. The training is all about how to make money, meaning, and joy out of serving writers. Fall is always a great time to start something new. So if you're feeling called to do this, go check out our training and see if this might be right for you. We'd love to have you join us.Multiple SpeakersIs it recording? Now it's recording, yay. Go ahead. This is the part where I stare blankly at the microphone. I don't remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay, now—one, two, three.Jess LaheyHey, this is Jess Lahey, and this is the Hashtag AmWriting Podcast. This is the podcast about writing all the things—short things, long things, poetry, prose, narrative nonfiction, fiction, creative nonfiction, queries, proposals. This is the podcast about writing all the things. More than anything else, this is the podcast about the writing life and about getting the work done. I am Jess Lahey. I'm the author of The Gift of Failure and The Addiction Inoculation. And you can find my journalism at The Atlantic and The Washington Post, and my bi-weekly (formerly bi-weekly) column at The New York Times, The Parent-Teacher Conference, ran for about three years I am joined today by Sarina Bowen, who has written 50-odd books. She has written lots and lots of romance, and her most recent addition to the world of publishing has been her thrillers, Dying to Meet You and The Five Year Lie. And she has a book coming out this fall called Thrown for a Loop. The reason I am recording this intro on my own—which, as you may know if you've been listening, is highly unusual for us—is because I know myself. And I know when I'm really excited to talk to someone on the podcast; I'm going to flub the intro. I'm going to forget something. I'm going to forget to introduce them altogether. So today, I'm doing that first, so I don't mess it up. A while ago on the podcast, you may have heard Sarina and KJ read some books by an author named Tess Gerritsen. I had heard of Tess Gerritsen, but I had never read any of her books. I just hadn't yet. I haven't read Nora Roberts yet. I haven't read—there are lots of authors I haven't read yet. And sometimes you don't even know where to start. So when Sarina and KJ recommended Tess Gerritsen's new series set in Maine—the first one being The Spy Coast and the second one being The Summer Guests—I figured I had a good place to start. And you know, as a New Englander, I love a good book about New England, and that was the start of my interest in Tess Gerritsen's work. I have gone back to the beginning and started with her book The Surgeon, which was her first book in the series that became the Rizzoli and Isles Series, as well as a television show. Tess Gerritsen has a—she's written through 33 books at this point. And as I now know, she has also directed a documentary called Magnificent Beast about pigs, which I listened to this morning while I was vacuuming the house. I loved it. She also—she has a lot to say about genre, about publishing, about second careers, about a writing place, and about process. So let's just jump right into it. I am so excited to introduce to you today, Tess Gerritsen. So from the perspective of what our listeners love—this podcast, the Hashtag AmWriting Podcast —is super geek. People who love the nuts and bolts and the dorky details of the writing life. Sarina has a past life in finance, and so she tends to be, like, our “no, but let's talk about the numbers” kind of person. I'm just the research super dork, which is why I spent my morning watching your documentary about pigs.Tess GerritsenOh my god! (Laughing)Jess LaheyMagnificent Beast. I—I've joked in the past that if I could, I would probably just research things in—in, you know, maybe there'll be a book out there, maybe there won't, but I would research things and—and just learn as much as I could. And so I loved—loved—your Magnificent Beast documentary. I thought it was fantastic. But one of the reasons that we wanted to talk to you, just from the very beginning, is that we feel like you do some pretty incredible world-building and relationship-building with your places and your characters. And so I just—I would love to start there, mainly with the idea of starting with the real nuts and bolts stuff, which is, like, what does an average writing day look like for you? And how do you, sort of—how do you set that up? What does it look like, if you have an average writing day? Maybe you don't.Tess GerritsenWell, it's hard to describe an average writing day, because every day is—there are days when you sit at your desk and you just, you know, pull your hair. And there are days when you get distracted by the news. And there are many days when I just do not want to write. But when I'm writing, the good days are when my characters are alive and talking to me. And it's—it's—you talked about world-building and character-building. That is really key to me. What are they saying to me? Can I hear their voices? And it sounds a little—a little crazy, because I am hearing voices. But it's those voices that really make characters come alive.Jess LaheyI—You have said in other interviews that you are very much—sorry to those of you who hate the terms—that you are very much a pantser. And you are sitting on this interview with a consummate plotter. Sarina is our consummate plotter. So could you talk a little bit about how those character—how those voices—influence, you know, the pantsing of the—of the book, and—and how that works for you?Tess GerritsenWell, I mean, it is weird that I am a pantser. And it's funny—I think that people who are plotters tend to be people who are in finance or in law, because they're used to having their ducks lined up, you know. They—they want everything set up ahead of time, and it makes them feel comfortable. And I think a large part of becoming a pantser is learning to be comfortable with unpredictability. Learning to just let things happen, and know you're going to take wrong turns, know you're going to end up in blind alleys—and yet just keep on forging ahead and change direction. So I suppose that what helps me become a pantser, as I said, is hearing a character's voice. If, for instance, when I wrote The Spy Coast, the first thing I heard about that book was Maggie Bird's voice. And she just said, “I'm not the woman I used to be.” And that's an opening there, right? Because you want to find out, Maggie, who did you used to be? And why do you sound so sad? So a lot of it was just—just getting into her head and letting her talk about what a day-to-day life is, which is, you know, raising chickens and collecting eggs and becoming—and being—a farmer. And then she does something surprising in that very first chapter. There's a fox that's killing her chickens, so she grabs her rifle and kills it with one shot. And that opens up another thing, like—how are you, a 62-year-old woman, able to take out a rifle and kill a fox with one shot? So it's—it's those things. It's those revelations of character. When they come out and they tell you something, or they show you they—they have a skill that you weren't aware of, you want to dig deeper and find out, you know, where did they get that skill?Sarina BowenAnd that is a really fun way to show it. I mean, you're talking today with two people who have also kept chickens.Multiple Speakers(All laughing)Jess LaheyAnd had foxes take their chickens, actually.Sarina BowenOh yes, because the two go together.Tess GerritsenYes.Sarina BowenBut yes, I admit I have never shot a fox, and maybe wouldn't.Jess LaheyI have yelled very loudly at a fox, and he actually—I have to say—really mad respect for the fox, because he took one look at me—he did drop the chicken that I was yelling at him for grabbing—and then he went across the street, around the neighbor's house, around the back of the other neighbor's house, and came at the exact same chicken from the other side of the house, where I couldn't see him out the window.Tess GerritsenOh, they are so smart. They are so smart.Jess LaheySo smart. Sarina, it sounded like you had something— you had something you wanted to add, and I interrupted you when we were talking about pantsing and we were talking about world-building and characters speaking to you.Sarina BowenWell, I just had thought that it was a lovely moment to explain why I was so excited to read this book after I heard Tess speak at Thriller Fest 2024, in a packed room where there was nowhere to sit except on the floor. You told the audience a little bit of a story from your real life that—that made you want to write that book. And I wonder if you could tell us what that was, because for me—I mean, we were only five minutes into your talk, and I'm like, oh, I'm—I'm going to download that tonight.Tess GerritsenWell, yes, it was. A lot of my books come from ideas that I've been stewing over for years. I have a folder called the ideas folder. It's an actual physical manila folder. And if I see something in an article or a newspaper or a magazine, I'll just rip it out and stick it in there, and it sometimes takes a long time before I know how to turn this into a book. So the idea for The Spy Coast is a little bit of obscure knowledge that I learned 35 years ago, when I first moved to Maine. My husband is a medical doctor. He opened up a practice, and when he would bring in new patients, he would always get an occupational history. And he used to get this answer—this very strange answer—from his new patients. They would say, “I used to work for the government, but I can't talk about it.” And after he heard that three times, he thought, what town did we land in? And who are these people? And we later found out that on our very short street, on one side of us was a retired OSS person, and on the other side was retired CIA. A realtor told us that our town was full of CIA retirees. So, I mean, of course you want to ask, why did they get here? What are they doing here? What are their lives like? I knew there was a book in there, but I didn't know what that book was. I needed 35 years to come up with the idea. And what I really needed to do was become old and—and realize that as you get older, especially women, we become invisible. People don't pay attention to us. We are over the hill. You know, everybody looks at the young, pretty chicks, but once you start getting gray hair, you fade into the background. And with that experience myself; I began to think more and more about what it's like to be retired. What is it like to be retired from a job that was maybe dangerous, or exciting, or something that you really risked your life to—to achieve? So that was—that was the beginning of The Spy Coast. What happens to CIA retirees—especially women—who are now invisible? But that makes them the best spies of all.Jess LaheyYeah, and we have—we did this really cool thing, this really fun thing for us on the Hashtag AmWriting Podcast. It's like a supporter-only thing, where we call First Pages, where very brave authors—very brave writers—submit their first page to us, and we talk about it and decide whether or not we'd want to turn the page. And you have an incredible skill on your first pages. You're very, very good at first pages. And I was thinking about The Summer Guests, that you had this wonderful line that I'm going to read now:Purity, Maine, 1972. On the last day of his life, Purity police officer Randy Pelletier ordered a blueberry muffin and a cup of coffee at the Marigold Café,Which immediately reminded me of my very, very favorite line from all of literature—my very favorite first line—which is Irving's first line from A Prayer for Owen Meany, in which he ruins the story for you right there in the first line:I am doomed to remember a boy with a wrecked voice—not because of his voice, or because he was the smallest person I ever knew, or even because he was the instrument of my mother's death, but because he is the reason I believe in God.There is this incredible power to first lines. And I'm sort of wondering where—how first lines happen for you. Do they happen first? Do they happen last? Do they happen along the way?Tess GerritsenFirst lines usually happen last. I—it's—I will write the whole book, and I'll think, something's missing in that first chapter. How do I open this up? And, you know, there are things that make lines immediately hypnotic, and one of those things is an inherent contradiction—something that makes you think, wait, okay, you start off this way, but then all of a sudden, the meaning of that line switches. So, yeah, it starts off with, you know, this guy's going to die. But on that last day of his life, he does something very ordinary. He just orders coffee at the local café. So I think it's that contradiction that makes us want to read more. It's also a way to end chapters. I think that—that if you leave your reader with a sense of unease—something is about to go wrong, but they don't know what it is yet—or leave them with an unanswered question, or leave them with, as I said, a contradiction—that is what's page-turning. I think that a lot of thriller writers in particular mistake action for—for being—for being interesting. A car chase on the page is really very boring. But what's interesting is something that—you could feel that tension building, but you don't know why.Sarina BowenI have joked sometimes that when I get stuck on a plot, sometimes I will talk at my husband and—and say, “you know, I'm stuck here.” And he always says, “And then a giant squid attacked.” And it—of course I don't write books that take place where this is possible, so—but it never fails to remind me that, like, external action can sometimes be just, you know, totally pointless. And that if you're stuck, it's because one of your dominoes isn't leaning, you know, in the right spot. So...Tess GerritsenYeah, it's—it's not as much fun seeing that domino fall as seeing it go slowly tilting over. You know, I really learned this when I was watching a James Bond movie. And it starts off—you know, the usual James Bonds have their cold open to those action and chasing and death-defying acts. I found that—I find that really, in that movie anyway—I was like, Ho hum. Can we get to the story? And I found the time when I was leaning forward in my theater seat, watching every moment, was really a very quiet conversation aboard a train between him and this woman who was going to become his lover. That was fascinating to me. So I think that that transfers to book writing as well. Action is boring.Jess LaheyYou and Sarina do something that I feel, as a writer; I would probably not be very good at, which is creating that unease. I—Sarina in particular does this thing... I've read every one of Sarina's books, as a good friend is supposed to do. And I text her, and I say, Why don't they just talk about it and just deal? Get it out in the open! And she's like, you know, we just got to make these people uncomfortable. And you both have this incredible talent for helping—keeping the reader, uh, along with you, simply because there is this sense of unease. We're slightly off-kilter the whole time. And yet in me, as a people pleaser, that makes me very uncomfortable. I want people to be happy with each other. So how do you—if you get to a place where you feel like maybe things aren't off-kilter enough, or things aren't off-balance enough—how do you introduce a little bit of unease into your—into your story?Tess GerritsenWell, I think it comes down to very small points of conflict—little bits of tension. Like, we call it micro-tension. And I think those occur in everyday life all the time. For instance, you know, things that happen that really don't have any big consequence, but are still irritating. We will stew about those for—for a while. And, you know, I used to write romance as well, so I understand entirely what Sarina is doing, because romance is really about courtship and conflict. And it's the conflict that makes us keep reading. We just—we know this is the courtship. So there's always that sense of it's not quite there, because once the characters are happy, the story is over, right?Sarina BowenYeah.Multiple Speakers(All laughing)Sarina BowenAlso, writing the ends of romance novels is the least interesting part. Like, what...? Once the conflict is resolved, like, I cannot wait to get out of there.Tess GerritsenRight, exactly. You know, I—I pay attention to my feelings when I'm reading a book, and I've noticed that the books that I remember are not the books with happy endings, because happiness is so fleeting. You know, you can be happy one second, and then something terrible will happen. You'll be unhappy. What lasts for us is sadness, or the sense of bittersweet. So when I read a book that ends with a bittersweet ending—such as, you know, Larry McMurtry Lonesome Dove—I ended up crying at the end of that book, and I have never forgotten that ending. Now, if everybody had been happy and there had been nobody to drag all those miles at the end, I would have forgotten that book very quickly. So I think—I try—I always try to leave the end of the book either bittersweet—I mean, you want to resolve all the major plot points—but also leave that sense of unease, because people remember that. And it also helps you, if you have a sequel.Sarina BowenThat's so interesting you've just brought up a couple of really interesting points, because there is a thriller—I actually write suspense now—and one of the books that so captured my attention about five years ago was killing it on the charts. And I thought it was actually a terrible book, but it nailed the bittersweet ending. Like, the premise was solid, and then the bittersweet ending was perfect, and the everything between the first chapter and the last chapter was a hot mess, but—but—um, that ending really stuck with me. And I remember carrying it around with me, like, Wow, they really nailed that ending. You know, and—and maybe that has, like, legs in terms of, like, talking about it. And, you know, if it—if—if it's irritating enough, like, the tension is still there—enough to, like, make people talk about it—it could actually affect the performance of that book. But also, um, one thing that I really love about this series—you have—what is the series title for the...?Tess GerritsenMartini—The Martini Club.Sarina BowenThe Martini Club, right? So The Martini Club is two books now. I inhaled the first one last summer, and I inhaled the second one this summer. And The Martini Club refers to this group of friends—these retired spies. And of course, there are two completely different mysteries in book one and book two. And I noticed a couple of things about the difference between those mysteries that was really fun. So in the first case—or in one of the two cases, let's see—in one of them, the thing that happens in their town is actually, like, related to them. And in the other one, it's kind of not. So to me, that felt like a boundary expansion of your world and your system. But also, I just love the way you leaned into the relationship of these people and their town in such a way. And how did you know to do that? Like, how—what does your toolbox say about how to get that expansiveness in your character set? Like, you know, to—to find all the limits of it?Tess GerritsenThat—you know, so much is like—it's like asking a pole-vaulter how they do it. They just—they have just—I guess its muscle memory. You don't really know how you're doing it, but what I did know was—with age, and because I love these characters so much—it really became about them and about what is going to deepen their friendship? What kind of a challenge is going to make them lean into each other—lean on each other? That's really what I was writing about, I think, was this circle of friends, and—and what you will do, how much you will sacrifice, to make sure your friends are safe. No, you're right—the second book is much more of a classic mystery. Yeah—a girl disappears. I mean, there was—there were—there were CIA undertones in that, because that becomes an important part of the book. But I think that what people are—when people say they love this book—they really talk about the characters and that friendship. And we all want friends like this, where we can go and—and—and have martinis together, and then if we—one of us needs to—we'll go help them bury a body.Multiple Speakers(All laughing)Tess GerritsenThat's—they all have shovels, and they're willing to do it. That's the kind of friendship—friends—we want.Jess LaheyWell, and that's funny you mention that—I had an entire question—it wasn't even a question, it was a statement—in here about friendships and being grateful to you for the reminder about the importance of relationships. And this entire podcast was born out of the fact that we were talking writing all the time, and we just wanted an official way to sit down once a week and actually talk about the work. And your work is suffused with just these incredible relationships—whether that's the Rizzoli and Isles—you know, in your first—in the one of your other series—and I'm just—I'm very grateful for that, because we—especially—I think I re—I really crave books about female relationships, especially about older female relationships. And I have been loving your books, and I've—like, as I may have mentioned to you in my initial email—I had—I'm so sorry—never read your books before. And I admitted in the introduction that there are lots of very, very famous authors whose books I have never read. And it's always so exciting to me to dive into someone's series and realize, oh, this person really touches on themes that mean a lot to me, and I can already tell that I'm going to be enjoying a lot of their books to come forward. So thank you for all of the great descriptions of relationships and how we do rely on each other for various aspects of just how we get through all of this stuff.Tess GerritsenYeah—get through life. But you know what's funny about it is that it didn't start that way. For instance, let's go back to Rizzoli and Isles. The very first time they both appear in a book is in The Apprentice. And they don't start off being friends. They start off being—they're so different. As the TV producer once said, “you've really written about Captain Kirk and Mr. Spock.” That's okay—they are—in the books. They are not natural friends. But like real-life friendships, sometimes—just kind of develop slowly, and—and they have their ups and downs. So there are times when—when Jane and Maura are barely speaking to each other because of conflicts they have. But by the time book twelve comes around—or maybe book seven comes around—you know that they would risk their lives for each other. So I think that if you're writing a series like Rizzoli and Isles, or like The Martini Club, it really helps to develop the friendship on the fly and see how they react to certain stresses. The next book, which I just turned in, called The Shadow Friends—it even put—pushes them even further, and it really—it really strains a marriage, because it's—it's more about Ingrid, and an old lover comes back into her life. She used to—they were both spies—and he is, like, hot, hot, hot—Antonio Banderas kind of guy. And here's Ingrid, married to Lloyd, you know, who's just a sweet analyst who cooks dinner for her every night. And I—when I was coming up with that story, I thought, I want to write a book about their marriage. So it wasn't—the plot wasn't about, oh, you know, international assassinations, even though that does occur in the book. It's really about the story of a marriage.Jess LaheyAnd it gives you, it gives you added unease. You know, if you have your two characters not speaking to each other, and you know your readers love those characters and crave those characters to be getting along at some point, then that's just another reason that we're following along. I was just thinking about, uh, Michael Connelly, uh, book the other day, because I really, really like the series he did with Renée Ballard and her relationship with the Bosch character, and how that series is totally about crime, but yet it's also very much about the relationship. And I think I follow—I continue to read those because of the relationship between those two human beings, and less so because of the murder mystery sort of stuff.Tess GerritsenI think it really becomes important if you're dealing also with Hollywood television series. I still remember what the producer first said when he called me up about Rizzoli and Isles. He said, "I love your girls, and I think they belong on TV.” He didn't say, I love your plots. He didn't say, I love your mysteries, you know, all your intricate ups and downs. It was really about the girls. So if you hope to sell to a television series, really, it's about characters again.Jess LaheyAbsolutely.Sarina BowenI was going to ask about longevity, because you have so many books, and you're so obviously still invigorated by the process, or there wouldn't be a book three that you just turned in. So how have you been able to avoid just being sick to death of—of writing suspense novel after suspense novel?Tess GerritsenI refused. That's what it is. You know, I—I don't—I guess I could say that I have a little bit of ADHD when it comes to—to the books I write. I cannot—after 13 books of Rizzoli and Isles, I just had a different idea. And it takes—it takes a certain amount of backbone to say no to your publisher, to your editor, to people who are going, well, when's the next one in this series coming out? And to be able to say, I need a break. I need to do something completely different. So over—how many years I've been a writer—almost 40 now—I've written science fiction and historicals and a ghost story and romantic suspense and spy novels and medical thrillers and crime novels. I've been all over the place, but each one of those books that took me out of what I was expected to do was so invigorating. It was a book that I needed to write. As an example, I wrote a book called Playing with Fire. Nobody wanted that book. Nobody expected that book. It was a historical about World War II, and about music—about the power of music—and having to do with the death camps. I remember my publisher going, "What are you doing?" And, you know, it's—it's true—they're—they—they are marketers, and they understood that that book would not sell as well, and it didn't. But it still remains one of my favorite books. And when you want to write a book, you need to write that book. That's all—even—even if nobody wants it.Jess LaheyI actually was—I'm so pleased that this came up, because that was actually going to be my question, because both you and Sarina have done this—done, you know, 90 degrees—whether it's out of, you know, one genre into another—and that, to me, requires an enormous amount of courage. Because you know you have people expecting things from you. And you in particular, Tess, have people saying, "No, I want the next one. I love this relationship. I want the next one." And—and dealing—you're not just dealing with the disappointment of whether it's an agent or an editor, but the disappointment of fans. And that's a pressure as well. So when I used to do journalism, I remember a question I asked of another journalist was, "How do you continue to write without fear of the comment section?" And essentially, for us, that's our—you know, those are our readers. So how do you find that thing within yourself to say, no, this really is the thing that I need to be writing now?Tess GerritsenWell, that is a really—it's a really tough decision to buck the trend or buck what everybody's expecting, because there's a thing in publishing called the death spiral. And if your book does not sell well, they will print fewer copies for the next one. And then that won't sell well. So you start—your career starts to go down the drain. And that is a danger every time you step out of your tried and true series and do something out of—you know, completely out of the ordinary. I think the reason I did it was that I really didn't give a damn. It was—it was like, Okay, maybe this will kill my career, but I've got to write this book. And it was always with the idea that if my publisher did not want that, I would just self-publish. I would just, you know, find another way to get it out there. And I—I was warned, rightly so, that your sales will not be good for this book, and that will—it will hurt the next contract. And I understood that. But it was the only way I could keep my career going. Once you get bored, and you're—you're trapped in a drawer, I think it shows up in your writing.Jess LaheyI had this very conversation with my agent. The—my first book did well. And so then, you know, the expectation is, I'll write like part two of that, or I'll write something for that exact same audience again. And when I told my agent—I said, "You know, this book on substance use prevention and kids—I—it's—I have to write it. And I'm going to write it even, you know, if I have to go out there and sell it out of the trunk of my car." And she said, "Okay, then I guess we're doing this." And yes...Tess Gerritsen(Laughing) They had their best wishes at heart.Jess LaheyAnd honestly, I love—I loved my book that did well. But The Addiction Inoculation is the book I'm most proud of. And, you know, that's—yeah, that's been very important to me.Tess GerritsenI often hear from writers that the book that sold the fewest copies was one that was—were their favorites. Those are the ones that they took a risk on, that they—I mean, they put their heart and soul into it. And maybe those hurt their careers, but those are the ones that we end up being proud of.Jess LaheyI like to remind Sarina of that, because I do remember we text each other constantly. We have a little group, the three of us, a little group text all day long. And there was—I remember when she first wrote a male-male romance, she was scared. She was really scared that this was going to be too different for her readers. And it ended up being, I think, my favorite book that she's ever written, and also a very important book for her in terms of her career development and growth, and what she loves about the work that she does. And so I like to remind her every once in a while, remember when you said that really scared you and you weren't sure how your readers were going to handle it?Sarina BowenRight? Well, I also did that in the middle of a series, and I went looking for confirmation that that is a thing that people did sometimes, and it was not findable. You know, that was...Jess LaheyWhat? Change things up in terms of—change things up in the middle of a series?Sarina BowenIn the middle of a series. And anyway, that book still sells.Tess GerritsenThat is a great act of courage, but it's also an act of confidence in yourself as a writer. There are ways to do it. I think some writers will just adopt a different pen name for something that's way out there.Jess LaheyIt's funny you should say... it's funny you should say that.Sarina BowenWell, no, and I never have done that, but, um—but anyway, yeah, that's hard. I, uh...Jess LaheyYeah.Sarina BowenIt's hard to know. Sometimes...Jess LaheyWe entertain it all the time. We do talk about that as an option all the time. Shouldn't we just pick up and do something completely different? One of the things that I also—I mentioned at the top of the podcast about, you know, you went off—not only have you done lots of different things in terms of your writing—but you went off and you did an entire documentary about pigs. I have—I have to ask you where on earth that came from and why. And it is a total delight, as I mentioned, and I have already recommended it to two people that I know also love the topic. But, you know, to go off—and especially when you usually, as some of us have experienced—our agents saying, so when am I going to see more pages? or when am I going to see the next book? And you say, I'm really sorry, but I have to go off and film this documentary about pigs.Tess GerritsenYes. Well, you know, I was an anthropology major in college, and I've always been interested in the pig taboo. You know, back then, everybody just assumed it was because, yeah, it was disease or they're dirty animals—that's why they're forbidden food. It never quite convinced me, because I'm Chinese-American. Asia—you know, Asia loves pork. Why aren't they worried about all that? So I was in Istanbul for a book tour once, and I remember I really wanted bacon, and, you know, I couldn't get bacon. And then I thought, okay, I really need to find out why pork is forbidden. This is a—this is a cultural and historical mystery that never made sense to me. The explanations just never made sense to me. It cannot be trichinosis. So I told my son that—my son is—he does—he's a filmmaker as well. And he just said, "Well, let's do it. Let's—we will pose it as a mystery," because it is a mystery. So it took us probably two years to go and—you know, we interviewed anthropologists and pet pig owners and archaeologists, actually, just to find out, what do they say? What is the answer to this? And to us, the answer really just came down to this cultural desire for every—every tribe—to define us versus them. You know, they eat pigs. They're not us, so therefore they're the enemy. And it was fascinating because we—we ended up finding out more about pigs than I was expecting, and also finding out that people who have pet pigs can sometimes be a little unusual.Jess LaheyAnd the people who purchase the clothes for the pigs are also crazy.Tess GerritsenYes. Sew outfits for their pigs and sleep with their pigs. And there was—there was one woman who had—she slept on the second floor of her house, so she had an elevator for her pig who couldn't make it up the stairs, and, you know, ramps to get up onto the bed because they've gotten so fat—they've been overfed. But it was—for me, at the heart of it was a mystery.Jess LaheyAs a nonfiction author whose whole entire reason for being is, "I don't know—let's find out," I think that's just the most delightful thing. And I loved your framing as, "I don't know, we have this question, let's go out there and just ask people about it and find the experts." And that's—oh, I could just live on that stuff. So...Tess GerritsenSo could I. You know, research is so enticing. It's enticing. It is—it can get you into trouble because you never write your book. Some of us just love to do the research.Jess LaheySarina actually has taken skating lessons, done glass blowing—what else have you done? Yoga classes and all—all kinds of things in the pursuit of knowledge for her characters. And I think that's a delight.Sarina BowenYes. If you can sign up for a class as part of your research, like, that is just the best day. Like, you know, oh, I must take these ice skating lessons twice a day for five months, because—yeah—or twice a week, but still.Tess GerritsenYou must be a good ice skater then.Sarina BowenI'm getting better.Tess GerritsenSo you never gave them up, I see.Jess LaheyWell, it's fun because she usually writes about hockey, but she has a figure skater coming up in this book that's coming out this fall. And she's like, "Well, I guess I'm just going to have to learn how to figure skate."Tess GerritsenYeah.Sarina BowenI also—one time I went to see Rebecca Skloot speak about her big nonfiction The Immortal Life of Henrietta Lacks.Tess GerritsenOh, okay.Sarina BowenAnd she said that all her best ideas had come from moments in her life when she went, "Wait, what?!"Tess GerritsenYes. Yep.Sarina BowenIncluding for The Immortal Life of Henrietta Lacks. Like, she learned about the cells in high school—she was in high school biology class—and the teacher said, like, "This woman died in the '60s, but we're still using her cells," and she said, "Wait, what?!" And that's—that's what you made me think of with the pigs. Like, I think...Jess LaheyWell, and also your folder of ideas. I mean, I immediately texted Sarina after listening to a podcast where I heard an ad, and the ad made me go, "Oh that could be creepy." And then I'm like, "Okay, this is—this is a plot. This is going in the folder somewhere." And so you have to just think about how those things could unfold over time. And I love the idea of—and even in journalism—there are articles that I've written where I said, this just isn't their time. And then, like, five years later, I'll hear something out there, and I'm like, okay, finally, it's the time for this thing. And there's a reason you put that article in your idea—in your paper—manila folder of ideas.Tess GerritsenWell, I think writers are—we have to be curious. We have to be engaged in what's going on around us, because the ideas are everywhere. And I have this—I like to say I have a formula. It's called "two plus two equals five." And what that means is, sometimes you'll have a—you'll have a piece of information that, you know, there's a book here, but you haven't figured out what to do with it. And you wait for another piece of information from some completely different source, and you put them together, and they end up being like nuclear fusion—bigger than the…Sarina BowenYes!Jess LaheyYes!Tess GerritsenSome of the parts.Sarina BowenMost every book I've ever written works like that. Like, I have one idea that I drag around for, like, five years, and then I have this other idea, and one day I'm like, oh, those two things go together.Tess GerritsenYep.Jess LaheyYeah, absolutely. I think Stephen King mentioned that about Carrie. I think it was like, telekinesis, and that usually starts about the time of menstruation, and it was like, boom, there was Carrie. You know, those two things came together. I love that so much. So you mentioned that you have just handed in your next book, and we don't—we do not, as a rule, ask about what's next for an author, because I find that to be an incredibly intimidating and horrifying question to be asked. But I would love to hear; you know, is this—is this series one that you hope to continue working on? The main series, mainly because we have quite fallen in love with your little town in Maine—in Purity, Maine. Fantastic name for your town, by the way. It's really lovely. It creates such a nice dichotomy for these people who have seen and heard things during their careers that maybe are quite dark, and then they retire to a place called Purity. Is this a place where we can hopefully spend a little bit of time?Tess GerritsenWell, I am thinking about book number four now. I have an idea. You know, it always starts with—it starts with an idea and doodling around and trying to figure out what—you know, you start with this horrible situation, and then you have to explain it. So that's where I am now. I have this horrible situation, I have to explain it. So, yeah, I'm thinking about book four. I don't know how—you never know how long a series is going to go. It's a little tough because I have my characters who are internationally based—I mean, they've been around the world—but then I can't leave behind my local cop who is also a part of this group as well. So I have to keep an eye out on Maine being the center of most of the action.Sarina BowenRight, because how many international plots can you give Purity, Maine?Tess GerritsenThat's right, exactly. Well, luckily…Jess LaheyLook, Murder, She Wrote—how many things happened to that woman in that small town?Tess GerritsenExactly, exactly. Well, luckily, because I have so many CIA retirees up here, the international world comes to us. Like the next book, The Shadow Friends, is about a global security conference where one of the speakers gets murdered. And it turns out we have a global security conference right here in our town that was started by CIA 40 years ago. So I'm just—I'm just piggybacking on reality here. And—not that the spies up here think that's very amusing.Sarina BowenThat is fantastic, because, you know, the essential problem of writing a suspense novel is that you have to ground it in a reality that everyone is super familiar with, and you have to bring in this explosive bit of action that is unlikely to happen near any of us. And those two things have to fit together correctly. So by, um, by putting your retired spies in this tiny town, you have sort of, like, gifted yourself with that, you know, precise problem solver.Tess GerritsenYeah, reminding us.Sarina BowenYeah.Tess GerritsenBut there's only so far I can take that. I'm not sure what the limits... I think book four is going to take them all overseas, because my local cop, Jo, she's never been out of the country—except for Canada—and it's time for her dad to drag her over to Italy and say, "Your dead mom wanted to come to Italy, so I'm taking you." And, of course, things go wrong in Italy for Jo.Jess LaheyOf course, of course. Well, we're going to keep just banging on about how much we love these books. I think we've already mentioned it in three podcast episodes so far in our “What have you been reading lately that you've really loved?” So we're—we're big fans. And thank you so much for sitting down to talk with us and to—you know, one of the whole points of our podcast is to flatten the learning curve for other authors, so we hope that that's done a little bit of that for our listeners. And again, thank you so much. Where can people find you and your work if they want to learn a little bit more about Tess Gerritsen—her work?Tess GerritsenYou can go to TessGerritsen.com, and I try to post as much information there as I can. But I'm also at Bluesky, @TessGerritsen, and what is now called “X”—a legacy person on X—@TessGerritsen, yes.Jess LaheyThank you so, so much again. And for everyone out there listening, keep your butt in the chair and your head in the game.The Hashtag AmWriting Podcast is produced by Andrew Perella. Our intro music—aptly titled Unemployed Monday—was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

NJ ordinance holds parents responsible for children's criminal behavior TX activist judge releases violent criminal on PR bond…Proceeds to commit two felonies (10:00) Newsmax to pay $64 million to Dominion (18:10) FL GOP & Deportation Depot merch (20:10) CDC shooting, RFK & Chris Pratt (24:40) Trump - Vance & his kayak trip/Putin/Trans service members & their retirement benefits/Sues UC for $1 billion dollars/Subpoenas Leticia James/Declares DC a public safety emergency/Mail in voting/Gives political appointees control of Federal grants (34:45) Helen Mirren on whether James Bond should be a woman (1:08:15) Terence Stamp dies (1:13:10) Megadeth announces last album & farewell tour

#DLHughley sparks a heated debate over men dating younger women! Plus, Dame #HelenMirren isn't here for a female James Bond? We go thirst trapping with #JenniferTilly, #Ludacris, #LilJon!

New Zealand's first-ever conviction for attempted espionage has been handed down, but the solider at the centre of the case was less James Bond and "maybe more like a bumbling wannabe-spy" A former New Zealand soldier convicted of attempted espionage wanted to defect to a foreign country. Instead, he'll serve time in military detention, and is likely to have his name suppression removed.Find The Detail on Newsroom or RNZ Go to this episode on rnz.co.nz for more details

Listen here meow, Super Troopers 3 is coming, but not right meow. Gamescom is in full swing, and opening night live did not disappoint. PlayStation is joining its rivals, in raising prices on its 5 year old console, but at least the ODSTs are dropping into Helldivers 2? Plus Casting news for Scary Movie 6, The Hunt for Gollum and Avengers Doomsday. That and more, come take a listen,

Old things return in new places on this week's Moviecast. Will Pierce Brosnan return as James Bond in the new movie? Scary Movie 6 marks the return of the franchise's main characters. Street Fighter's upcoming movie gets shaken up. Video games adaptations reign supreme as we see Fallout's second season teased, a Splinter Cell series coming to Netflix, and a Sekiro adaptation for Crunchyroll. #falloutnewvegas #jamesbond #scarymovie6 #sekiro #streetfighter  #splintercell #tv #netflix #streaming #allyoucangeek #aycg

Do we want "James Bond" to be female? DIRT ALERT: "Ketamine Queen" enters guilty plea, BOOB TUBE: "Fit For TV: The Reality of The Biggest Loser," and zombie squirrels and rabbitsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Burnie and Ashley discuss the Academy Awards on YouTube, new LOTR, sports blackouts, George RR Martin, The Storm Sword Champions, James Bond, Russia's Number Two guy, and worst jobs in the world.Support our podcast at: https://www.roosterteeth.comFor the link dump visit: http://www.morningsomewhere.comFor merch, check out: http://store.roosterteeth.com

Helen Mirren has a lot of thoughts on who the new James Bond should be. 

SEASON 4 EPISODE 4: COUNTDOWN WITH KEITH OLBERMANN A-Block (1:45) SPECIAL COMMENT: Hey have fun watching Trump's "listening exercise" with Putin in Alaska today. No, Russia. No, Alaska. I don’t know any more. Listening exercise.” Trump listening to Putin telling him what to do. No crap. This is simple. Trump and Putin will leave this photo-op having agreed on something utterly agreeable to Putin. Like the cease fire Axios reports Trump told European leaders yesterday he really wants. You know what THAT could be: Putin will agree to a cease-fire if Ukraine will stop annoying Putin by defending its territory. Then Trump will claim a victory. Then Ukraine will reject it – although President Zelensky’s real play is to say it is too naïve an idea to even merit a comment, and any child can see that – then Trump will blame Zelensky and say he resolved the war except for the war part. That Zelensky screwed it up. Actually it may be worse. The Times of London headline: “US and Russia ‘propose West Bank-style occupation of Ukraine." Per its source close to the U.S. national security council: "It’ll just be like Israel occupies the West Bank. With a governor, with an economic situation that goes into Russia, not Ukraine. But it’ll still be Ukraine, because … Ukraine will never give up its sovereignty. But the reality is it’ll be occupied territory and the model is Palestine.” THIS IS THE TEST MARKETING OF THE MILITARY DICTATORSHIP: Trump says sure he'll go to Congress to get the use of troops authorized in DC past the 30-day limit. Or he'll just declare a national emergency. He boasts he closed the border and didn't get anybody's permission. He is moving towards the takeover. We are this close to him in the Kim Jong Un hat. THE TRUMPSTEIN COVER-UP CONTINUES: Karoline "Noble Prize" Leavitt explains Trump “wants to see credible evidence released." The part she leaves out is that of course he wants to make sure that this evidence is NOT released. Some of the evidence about Ghislaine Maxwell's transfer has been revealed and somebody tampered with her prisoner status and she may now be free to leave Club Fed during the day. AND JUST WHEN YOU THOUGHT Marjorie Taylor Greene wasn't the dumbest of them all - oh yes she is. B-Block (34:03) THE WORST PERSONS IN THE WORLD: CNN's Kasie Hunt says sure crime is down by a quarter in DC but does it FEEL like it's down? Andrew Cuomo finds another opponent he can beat: Muhammad Ali's most famous quote. And if OK! Magazine has the story right, Jeff Bezos has found the next Bond Girl: MRS. Jeff Bezos, Lauren Sanchez. C-Block (56:00) THINGS I PROMISED NOT TO TELL: Missed the anniversary by twelve days but it's always in the back of my mind anyway. Literally one month into my career and only the seventh time my bosses trusted me enough to leave me alone on a sportscasting shift at our 1,000-station radio network, Thurman Munson - catcher and captain of the New York Yankees - was killed when the plane he was still learning how to fly crashed at an Ohio airport. And the news came across my wire one minute before my sportscast.See omnystudio.com/listener for privacy information.

James Gunn has officially announced the story for the next Superman film, kicking off what he's calling The Superman Saga! On today's episode of The Kristian Harloff Show, Kristian Harloff and Steph Sabraw break down what Gunn revealed, how it sets the tone for DC's future, and what fans can expect from this highly anticipated project. But that's not all—there's a ton of other big movie news to cover. Paramount is moving forward with Top Gun 3, new Star Trek and World War Z plans. We'll also dig into the latest James Bond casting rumors that have caused plenty of confusion. Plus, Cate Blanchett says she's open to working with David Fincher on a Squid Game project, and Universal has officially secured the Bourne rights in perpetuity.

El audio es un segmento de un programa de radio, "Buenos Días Javi y Max", edición verano. Incluye música y conversaciones humorísticas. Se discuten anécdotas como una gata que apagaba la alarma del despertador de su dueña, incidentes vergonzosos en el trabajo con compañeros, y momentos divertidos en relaciones de pareja, incluyendo hábitos curiosos. También mencionan el tema de ser un nuevo James Bond.

A native of Wroclaw, Poland, Martin started his career as an international sportswriter, broadcaster and author, spending two decades covering NBA games and publishing two acclaimed books on basketball. It was during this time that he met the late Kobe Bryant, who encouraged him to follow his passion for performance. Inspired by that advice, and an obsession with classic films, James Bond thrillers, and the work of Robert De Niro, Martin began training as an actor in his 30s, studying intensively at the Stella Adler Theater and the Beverly Hills Playhouse. He officially made the leap to full-time acting in his early 40s and quickly built an impressive resume, appearing in hit series like Stranger Things (Netflix), The Marvelous Mrs. Maisel (Amazon), Better Call Saul (AMC), and Young Sheldon (CBS). His film credits include James Gunn's reboot of Superman, Amsterdam, The Gray Man, The Hunt, and Red Notice, where he played a prison tower sharpshooter. He's also recognized for his villainous turn as Lt. Nikolai Zybulski in TNT's post-apocalyptic series The Last Ship. In addition to his on-camera work, Martin does significant voice work for computer and video games, most notably as fan-favorite “Krueger” in the Call of Duty video game franchise. A lifelong rock music fan, he once fronted a heavy metal band in Poland called Army of Darkness. He's also an avid art collector, with a particular interest in South American contemporary art and 18th-century English portraiture.   want to watch: YouTube Meisterkhan Pod (Please Subscribe)

In this episode of The Other Half podcast, the boys watched an unofficial Bond movie starring Sean Connery! He's back and showing that he can still keep up with the latest James Bond, Roger Moore. This movie is a remake of Thunderball and is going for a much different tone than what the EON films were trying to go for. Gone are a lot of Bond's signature trademarks, including an opening of a dude walking into a gun barrel. But what we're left with instead is a movie directed by Irvin Kershner, who made The Empire Strikes Back. Is this set up to be one of the best James Bond films?Don't forget to join our Discord for movie nights and additional podcast discussions!Support this podcast at — https://redcircle.com/the-other-half/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week, Craig and Roland welcome Joseph Darlington to the Fully Booked podcast. One of the best-known figures in the James Bond fandom, Joseph is the author of a successful 2015 non-fiction book called Being James Bond, which was written to help make the skills and experiences of the world's most famous superspy accessible to everybody. But after ten years in print, it was time for an update—and in this episode, Joseph explains the thinking and process behind updating and expanding his 2015 book into a dynamic new second edition; incorporating additional segments, making important revisions, and leveraging his now-larger social media footprint to reach an even larger global audience of James Bond fans. If you're a veteran of the self-publishing industry and want to breath new life into some of your older titles, you'll find this episode a really useful perspective on how to improve, expand, and recapture the excitement that inspired you to write those books in the first place.  Joseph Darlington https://www.beingjamesbond.com/   Hidden Gems Need our help publishing or marketing your book?  https://www.hiddengemsbooks.com/author-services/   All episode details and links:  https://www.hiddengemsbooks.com/podcast

In this edition of Trump Hosts The Trendedy Center Awards, Miles and special guest co-host Pallavi Gunalan discuss Trump hosting the Kennedy Center Honors ceremony, DOGE's actual saving being a fraction of what was reported, Ye's upcoming documentary 'In Whose Name', 'War of the Worlds' finally achieving a 3% on RT, Bezos being "obsessed" with getting his new wife in the next James Bond movie, a LaBuBu-based crime report and much more!See omnystudio.com/listener for privacy information.

Should you use ChatGPT to solve an Escape Room? Also is this man on a flight a villain or a hero? We talk about Jeff Bezos pushing for Lauren Sanchez to be in the new James Bond movie, a woman announcing her engagement to her AI chatbot, and lots more!

The Baller Lifestyle Podcast – Ep. 587 Title: Billion-Dollar Bond Girls, RIPs, and Dildos at the WNBA Summary:Brian Beckner and Ed Daly are back with a packed episode covering everything from Jeff Bezos' rumored plan to cast fiancée Lauren Sanchez in the James Bond franchise to RIPs for cultural figures and athletes. They break down Hollywood ego purchases, bizarre casting choices, the tangled rights history of 007, and the economics of ego. Plus: a new horror movie review, celebrity net worth guessing, Deion Sanders' questionable parenting, Mariano Rivera's unfortunate Old-Timers Day injury, the crypto-bro dildo conspiracy in the WNBA, and listener voicemails. As always—unfiltered, hilarious, and occasionally informative. Topics & Timestamps: 0:00 – Patreon RSS feed issues & shoutouts 5:00 – Jeff Bezos' James Bond buyout and Lauren Sanchez controversy 16:45 – The Broccoli family, Barbara Broccoli's power move, and “The Grocer” nickname 27:30 – Weapons movie review (Julia Garner, Josh Brolin) 31:20 – RIP segment: Jim Lovell, Lena Bina, Kelly Mack, and more 52:00 – TV shows that overstayed their welcome (Ozark, Walking Dead, The Leftovers) 1:01:00 – How F***ing Rich Is This Guy? – Norman Reedus edition 1:12:00 – Sports: Crypto-bro dildo conspiracy at WNBA games, Deion Sanders rejects son's jersey gift, Mariano Rivera Achilles tear, John Cena's hair transplant, Mo Salah glow-up 1:42:00 – Listener voicemail: bowling's two-handed scourge 1:46:00 – Email bag: NFL RedZone to ESPN, pet donations at the zoo, funniest Onion headlines 2:04:00 – Bonus Patreon: Dean Cain joins ICE, Tommy Lee's shower habits, and more celebrity absurdities Links & Mentions: Patreon: patreon.com/TheBallerLifestylePodcast Follow Brian on Instagram for show updates and behind-the-scenes content Movie Rec: Weapons (2024) Support the Show: Subscribe on Apple Podcasts & leave a 5-star review Share with friends who love pop culture, sports, and irreverent comedy

Dan and Tom compare the GOLDFINGER – novel vs movie.  How close is the movie to the novel, and how did the novel impact the franchise? Listen to find out! Many of the early Eon Productions James Bond movies were based on the novels written by Ian Fleming. Ian Fleming's seventh novel, “Goldfinger,” was used as the basis for the third Eon Productions James Bond movie of the same name.  In this episode, we decode the major differences between the novel and the movie.  We also look at some other James Bond movies that were influenced by the “Goldfinger” novel. Some of the things we discuss include: ·         The opening sequence in Miami ·         Catching Goldfinger cheating ·         Investigating Goldfinger ·         The Golf Match ·         Tilly Masterton/Masterson ·         James Bond's torture scene ·         The differing plots at Fort Knox ·         What was the poison GB from the novel? ·         Pussy Galore's role ·         What happened on Goldfinger's plane at the end ·         And of course, there are more. Links to episodes mentioned in this episode: ·         Our trip to Indiana University (Ian Fleming's manuscripts) ·         University of Iowa (Richard Maibaum Collection) Tell us what you think about our decoding GOLDFINGER – Novel vs Movie Finally, have you read the “Goldfinger” novel?  If so, did we miss any major differences? Which of these items were you surprised to see? Let us know your thoughts, ideas for future episodes, and what you think of this episode. Just drop us a note at info@spymovienavigator.com.  The more we hear from you, the better the show will surely be!  We'll give you a shout-out in a future episode!   You can check out all of our CRACKING THE CODE OF SPY MOVIES podcast episodes on your favorite podcast app or our website. In addition, you can check out our YouTube channel as well.   Episode Webpage: http://bit.ly/45pvdU4

What's on your mind? Let CX Passport know...Can complaints actually be your company's greatest asset?In this *Greatest Hits* episode of CX Passport, Scott Lee Holloway shares his CX journey…from a teenage pet shop employee in the UK to leading customer experience strategy for APS Bank in Malta.Originally aired as Episode 167, this conversation continues to resonate. Scott breaks down the cost of poor CX, why unstructured feedback matters, and how creativity (including a James Bond-style internal launch video) can drive serious CX results.CHAPTERS  00:00  The cost of poor CX  02:29  Malta and the road to APS Bank  05:29  Support ≠ inefficiency  08:03  Getting skeptics on board  10:06  Loving complaints  15:52  CX maturity in Malta  18:08  First Class Lounge  23:50  Extracting value from unstructured data  26:58  Building a CX team from scratchEpisode resources:  Connect with Scott Lee Holloway on LinkedIn: https://www.linkedin.com/in/scottleeholloway  Visit Scott's site: https://www.scottleeholloway.com  If you like CX Passport, I have 3 quick requests:✅ Subscribe to the CX Passport YouTube channel https://www.youtube.com/@cxpassport  ✅ Join other “CX travelers” with the weekly CX Passport newsletter https://cxpassport.kit.com/signup  ✅ Bring

Miguel Anómalo se imagina qué hubiera pasado si Ian Fleming hubiera tenido fobia a los pájaros y no hubiera puesto nombre a James Bond por una revista ortnitológica. Además, entrevista a Vanesa Fernández, psicóloga, sobre fobias y cómo superarlas.

Dan Prosser and Andrew Frankel are joined by legendary development driver Matt Becker. After learning his craft at Lotus, where he was responsible for some of the world's great sports cars, Matt moved to Aston Martin and then to Jaguar Land Rover. Matt's career has spanned simple sports cars to ultra-sophisticated performance SUVs using the latest technologies, with GTs, luxury 4x4s and saloons in between. Having been an apprentice at Lotus as a teenager, he now has almost 500 people reporting into him. Matt reflects on how the job has changed over the years, what it takes to produce cars with world-class ride and handling characteristics, and how new technologies will make next-generation cars even better to drive.He also explains his father Roger's role as a stand-in stunt driver on a James Bond film. Use coupon code pod20 at checkout to get 20% off an annual subscription to The Intercooler's online car magazine for the first year! Listen to this podcast ad-free, and enjoy a subscriber-only midweek podcast too. With a 30-day free trial, you can try it risk-free – https://www.the-intercooler.com/subscribe/Find out more about JBR Capital here – https://www.jbrcapital.comUse coupon code Ti10 to get 10% off your Supernatural Car Care order – https://supernaturalcarcare.com/ Hosted on Acast. See acast.com/privacy for more information.

Welcome to the Scottish Watches Podcast Episode 699! We're starting the week with Oliver Al-Falla of The Limited Edition. If you've been anywhere near The Limited Edition social media and... The post Scottish Watches Podcast #699 : When James Bond Turns You Into A Watch Collector appeared first on Scottish Watches.

Kathryn Sargent made history as the first woman to open her own tailoring house on London's legendary Savile Row — a street long regarded as the stronghold of bespoke menswear. In this powerful episode, she shares her journey from art-loving Leeds teenager to master cutter and internationally respected business owner.We dive into the traditions, challenges, and quiet revolutions of bespoke tailoring. Kathryn opens up about the gender barriers she faced, the emotional depth behind each suit, and how she now tailors for everyone from CEOs to creatives — with more women coming through her doors than ever before.It's a conversation about slow mastery, style as identity, and what it really means to break the rules with purpose. Key TakeawaysTailoring isn't about fashion — it's about identity, confidence, and expressionKathryn was the only woman in a class of 60 on Savile Row — and still carved a space through grit and craftShe spent 10 years training, often unpaid, learning by watching and staying lateClients today are 40% women — many of whom had never considered a bespoke suit an optionShe sees suits as emotional containers: worn at weddings, funerals, new jobs — milestones of lifeBeing the "first woman" was never her goal — doing great work always wasHer dream client? James Bond — and she has the sketches readyKathryn co-founded Women in Tailoring to give women support she never hadHer best advice: Dare to say no to what doesn't align with you — and always keep going Timestamps00:00 — Intro: Kathryn's childhood in Leeds and obsession with clothes04:21 — Why menswear? Kathryn's early style icons and influence from her dad08:53 — The Savile Row break — winning an award and standing out with bright Harris Tweed11:37 — Apprenticeship realities: being the only woman in a room of 60 men16:41 — “They said we're a masculine brand” — why she left and started her own house22:10 — Becoming a master cutter and opening on Savile Row under her own name28:45 — The shift: 40% of her clients are now women35:33 — Bespoke as emotional work — Kathryn shares the intimacy behind tailoring41:20 — What happens in a fitting room stays there: suit stories you'd never expect47:12 — Why we still need suits — and how the uniform can still empower52:00 — Dream client: James Bond — and her playful take on redesigning the classic suit56:11 — Growing to Edinburgh and expanding the business with a different pace1:03:10 — Kathryn's dare for women: say no, trust yourself, and stay on your own path Hosted on Acast. See acast.com/privacy for more information.

Grab your sour-patch straws, stop sour punching your straw, and join us as we slip into the impeccably tailored, morally dubious world of The Man from U.N.C.L.E., where Henry Cavill smirks his way through the Cold War and Armie Hammer glowers in various shades of “angry Russian.” We talk about the opening Berlin chase, the world's suavest tablecloth yank, and why Guy Ritchie clearly decided style was more important than historical accuracy—or sometimes, basic physics. Also, everyone is ridiculously good-looking, and yes, we noticed. Repeatedly. Somewhere between the CIA, the KGB, and whatever Hugh Grant is doing in this movie, there's a plot about nuclear warheads, a fake engagement, and a fashion show that doubles as spycraft. We pick apart the “unlikely partners” dynamic, try to decide if Gaby is the actual MVP, and get distracted by the soundtrack every time Roberta Flack or Nina Simone shows up. (Seriously, this might be the most our Spotify queues have been influenced by a rewatch.) Naturally, we wander into side quests: our rankings of cinematic buddy duos, a brief tangent about how many spy movies would be ruined if the characters had iPhones, and Elise's theory that Cavill's Solo is basically James Bond on a heavy sedative. Somewhere in there we debate who in the group could actually pull off a 1960s double-breasted suit. Spoiler: not all of us. By the end, we're in Istanbul, the team's assembled, and we're low-key mad this stylish mess never got a sequel. If you're into slick visuals, flirty banter, and the occasional implausible stunt involving vintage cars, you might want to give this one another spin—preferably with a drink in hand and your sharpest spy outfit on standby. https://www.imdb.com/title/tt1638355

How dare you? That's the first question KJ asked Ally Carter, whose name is “synonymous with hilarious action and heart-pounding romance” (TRUE). Is KJ outraged? Hell no. It's a legit question. Ally's books are so so much fun, with wild action scenes befitting a Bond movie (or a Jason Bourne, OBVIOUSLY) and plots that trot the globe while dancing backwards in high heels and KJ really wants to know—how did Ally give herself permission to just go there? To write the dreamy, wild, sure it could happen but also we don't even care because we're so in it story that scares many of us (especially ex-journo KJ, who wastes far far too much time on such non dramatic questions as “but how would someone with that job pay for health insurance? and “technically, how much snow could that unit make in one night?). Also asked: how did you learn to write action so well? Do you take all kinds of crazy self defense classes? Or dissect movie fight scenes in slo-mo? Are you fun to watch a spy movie with, or terrible?I would have asked her if she used to BE a spy…but then she would have had to kill me.LINKSNational Spy MuseumThe Blonde Who Came In from the ColdThe Most Wonderful Crime of the YearThe Blonde IdentityAlly CarterAlly's rec: Netflix: The ResidenceInstagram @theallycarter The newsletterHey everyone, it's Jenny Nash. This episode happens to feature an Author Accelerator book coach. Author Accelerator is the company I founded more than 10 years ago to lead the emerging book coaching industry. If you've been curious about what it takes to become a successful book coach, which is to say, someone who makes money, meaning, and joy out of serving writers, I've just created a bunch of great content to help you learn more. You can access it all by going to bookcoaches.com/waitlist. We'll be enrolling a new cohort of students in our certification program in October, so now's a perfect time to learn more and start making plans for a whole new career.Transcript below!EPISODE 460 - TRANSCRIPTJennie NashHey everyone, it's Jennie Nash, founder and CEO of Author Accelerator, the company I started more than 10 years ago to lead the emerging book coaching industry. In October, we'll be enrolling a new cohort of certification students who will be going through programs in either fiction, nonfiction, or memoir, and learning the editorial, emotional and entrepreneurial skills that you need to be a successful book coach. If you've been curious about book coaching and thinking that it might be something you want to do for your next career move, I'd love to teach you more about it, you can go to bookcoaches.com/waitlist to check out a free training I have—that's bookcoaches.com/waitlist. The training is all about how to make money, meaning and joy out of serving writers. Fall is always a great time to start something new. So if you're feeling called to do this, go check out our training and see if this might be right for you. We'd love to have you join us.Multiple SpeakersIs it recording? Now it's recording. Yay! Go ahead. This is the part where I stare blankly at the microphone. Try to remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay. Now, one, two, three.KJ Dell'AntoniaHey, I'm KJ Dell'Antonia, and this is Hashtag AmWriting the weekly podcast about writing all the things—short things, long things, pitches, proposals, fiction, nonfiction. We're the podcast about getting things done. And I'm going to be solo this week because I am interviewing, and I'm so excited to interview one Ally Carter, whose name, I'm stealing this from her bio, because it was such a great line—is synonymous with hilarious action and heart-pounding romance. And as someone who's read much of it, I can vouch kids. So Ally's most recent big book that you've probably seen around was The Blonde Identity . Her current book that you're going to want to go straight out and grab is The Blonde Who Came In from the Cold, and her other book that she wrote just for me—because it was like exactly what I needed in a book in that moment and I really appreciate it. I'm glad other people got to read it, but it was really, for me— The Most Wonderful Crime of the Year those are her adult books. She's got a ton of young-adult books, also with heart pounding action and hilarious...wait, heart-pounding romance, hilarious action. I feel those are exchangeable. And even some middle grade if you've got some kids who might be reading in those lines. So Ally does all the things, and we're going to find out how, and immediately be able to do it ourselves. Ha! Ally, thanks for coming.Ally CarterThank you so much for having me, KJ. I appreciate it.KJ Dell'AntoniaWe are super excited.Ally CarterI also wrote The Most Wonderful Crime [The Most Wonderful Crime of the Year] just for me, because it's— that's like, I love a mystery, and I pick them up, and I'm like, this would be great. Where's the romance? And then I love a romance, and I pick it up, and I'm like, where's the mystery? And so that's, that's how Most Wonderful Crime [The Most Wonderful Crime of the Year ] came to be. It is two great genres better together.KJ Dell'AntoniaAlso, it's writers in a—like writers in a mansion, with secrets and surprise identities, and things people can do that no one knows they can do, which is my jam. Yeah, really enjoyed it.Ally CarterThank you.KJ Dell'AntoniaThank you for that. Not that I didn't I love The Blonde Identity. My daughter has it right now, and she's super excited, because I can give her The Blonde Who Came In from the Cold, early, because I might have gotten an early copy. So she'll be reading that on the beach next week after she finishes the first one.Ally CarterThat is some good cool mom points right there.KJ Dell'AntoniaWell, it is, yeah, and they're rare. But that is a great thing about your—I mean, my daughters are 21 and 19, so they're older, but I would have given the blonde books and The Most Wonderful Crime to, you know, a 16... ?... like, they're not—not that I don't actually give some pretty steamy stuff to my kids, but if you're not somebody who does that, they're steamy, but they're not—anyway...Ally CarterYeah, there are books that, like, grandma and mom and daughter can all read togetherKJ Dell'AntoniaYeah, I was just going to say I would give them to my mom too. Yeah. I mean, they're just super fun. Because sometimes the better test is not “Would I give it to my daughter?” It's “Would I give it to my mom?”Ally CarterYou're exactly right. Agreed, agreed.KJ Dell'AntoniaSo my first question is this: how dare you?! Okay, and now you're like, wait, what?! No, seriously, like, your books are—the plots are so out there, and glorious, and outrageous, and the action scenes are wild, and they're sort of everything you fantasize about in a spy romance novel. And as a former journalist, I spend a lot of time sitting around staring at my plot thinking things like, yes, but how would this person have health insurance? And I feel like you've transcended that. So can you talk to me and all of us about how you've, you know, embraced this world of the wild, glorious, fun, and outrageous in your plotting?Ally CarterYou know, that's a—thank you. First of all, that's a lovely compliment. I really credit it toward, you know, how most things are in my life and my career—it was total accident and sheer dumb luck. So 20 years ago—I realized not long ago—like, literally 20 years ago this spring, I saw it. I'd Tell You I Love You, But Then I'd Have to Kill You. And I was, you know, big dumb kid, didn't know what I was doing, sheer dumb luck, had this amazing idea. And most of all, I had an amazing idea at a time when the YA [young adult] genre was just expanding exponentially—like the shelves of shelf space at Barnes and Noble was getting bigger and bigger and bigger. And so it was a big tent, and there was room for everybody. And so I was lucky in that I got in there. I was especially lucky because I had a brilliant editor named Donna Bray. And Donna could see, like the shift coming—like, she could see Twilight and the, like, the move to paranormal, and the move to, you know, moving away from contemporary fiction to genre fiction. And she was like, we have to get this out fast. And so we crashed it. And so I sold it in, like, April or May of 2005, and then I had to go to copy editing in October, and I had—I had 32 pages.KJ Dell'AntoniaSorry, (laughing)Ally CarterAnd a day job!KJ Dell'AntoniaOh, my goodness!Ally CarterSo I had the summer of absolute deadline. I would come home from my day job, I would eat a fast dinner, and I would write till midnight. But this was also back, like, before we really had smartphones in our pockets all the time—definitely pre, like, social media—and so that's what you did. And I'm like, man, if I did that every day, think about how much writing I would get done today.KJ Dell'AntoniaYeah.Ally CarterBut because I was so fast, the turnaround there was so fast, I didn't have time to, like, go down a rabbit hole of, well, exactly what type of nylon cord would they use to rappel into such and such—you know, I just got—I made it up, and I got away with it. And so I realized that, you know, I would—I did do a lot of research on actual tradecraft.KJ Dell'AntoniaRight.Ally CarterSo the things like the girl—there's a scene where the girls have to go through the boy's garbage. And there's this—you know, there are scenes where they're, you know, planting bugs and those types of things. Those—I watched documentaries, I read a lot of, like, actual decommissioned, sort of old CIA handbooks and things.. The International Spy Museum has a wonderful reference section, and you can actually order...KJ Dell'AntoniaOh, that's cool.Ally CarterOld, like, World War Two training manuals and things. It's really greatKJ Dell'AntoniaI did not know that.Ally CarterSo I did do that. What I did not do was I didn't worry about, like, the brand name of what you might call it. So as a general rule, I tell my readers, like, the more specific something is in the book, the more likely it is I made it up. So when I'm like, well, then she did the one death ski maneuver—and, like, I don't know what the one death ski maneuver is, but they don't either—I made it up. But the actual sort of bones of what the school would teach and how they would teach, it was very accurate.KJ Dell'AntoniaWell, it must have come in handy because you have another school in the current book.Ally CarterYeah. And it's—it was a little harder, because it is, you know, it's not for kids, and so it has to have a little bit more of an air of sophistication. And I wanted to base it off of the actual CIA training facility, “The Farm,” which is at Camp Peary—which is in the book, what I couldn't figure out were things like, do they sleep in apartments? Do they have a dorm? Is there a are there barracks? Are there, you know, is there, like, a big cafeteria? Are they?KJ Dell'AntoniaVery few people will know what's real, and they can't tell you, right?Ally CarterThey can't tell me. And so I actually, when I was on tour for The Blonde Identity, I was in D.C., and I did a wonderful event, had hundreds of readers there, and they were like my Gallagher Girls who had grown up and now they all are spies. I mean, they like, literally work for the CIA. They're literally with, you know, "I'm with Homeland Security." You know, several of them were like, I can't actually tell you where I work, but you were very popular there and so, and I actually did a like, show of hands, like, if you can say so, how many of you have been to The Farm and, like, multiple hands went up.KJ Dell'AntoniaOh, wow!Ally CarterAnd I'm like we're talking when this is finished. So I got a little bit, but not very much, you know. And I guess the thing also with “The Farm” is, you know, they bring in, like, their actual undercover operatives to train there, but there are a lot of different groups that also use that facility. So, for example, I think I'm not dreaming this. I think this is true. Like, if you are an ambassador or an ambassador's family, and you and you are going, maybe not like the ambassador to London, but if you're going to, like, you know, someplace that could be a little bit dangerous, they'll send you there for, like, evasive driving training and things like that. So you get a little bit of training. So it's not just spies who train at Camp Peary, it's multiple groups.KJ Dell'AntoniaI have a new life goal now, which is to never need evasive driving training.Ally CarterRight?! And see, I kind of want to learn how to do it. I don't want to need it…KJ Dell'AntoniaYeah no, no but no, it's not to need it. I don't want to need it.Ally CarterI want to know how to do it.KJ Dell'AntoniaYeah. Well, yeah, you could, you could use it. Yeah, I just—it. I miss—your books inspire the writer in me to remember, like you said, that very few people care what brand of nylon rope you would use to repel, and from there, it's a pretty short step to, you know, whether or not you can really stop a cable car halfway.Ally CarterYeah.KJ Dell'AntoniaYeah, we're and we're not going to but.. It's just...Ally CarterAnd the way I see it is, if you are the person who knows what brand of rope it is... even if i get the rope right, i could get everything else wrong.KJ Dell'AntoniaYou're either not reading this, or you don't care.Ally CarterYeah. There... This is, this is not for them, probably.KJ Dell'AntoniaOr if it is, it they've they're there, like...Ally CarterThey're there.KJ Dell'AntoniaThat's fine.Ally CarterYou either buying in or you're out. And that's fine. And I—and nothing but respect to the people who do know that? Because now, I grew up on a farm, and so I can't read, like, cowboy books, because I'm like, oh gosh, geez Louise, of course, your barn burned down. You put that hay in there way too soon—you are you really baling green hay?KJ Dell'AntoniaThey're literally haying in my field right now.Ally CarterRight. You know, I'm like, seriously, seriously. This is, you know, you're, you're, you're not. You didn't do a semen test on your bull? Like—you know?"KJ Dell'Antonia"You are not milking that cow. I know how you're supposed to hold your hands."Ally CarterExactly!KJ Dell'AntoniaSee I did.Ally CarterYeah, I'm, I'm not, I'm not here for and so I'm, like, this is the same thing. Like spies have no reason be reading me. I have no reason reading the things that I do know about. Because it's, you know, it's, it's just, you're also, it's not exciting to me. And so I'm sure most spies, you know, there's a line in...KJ Dell'AntoniaYeah it's not a fantasy.Ally CarterYeah, so…KJ Dell'AntoniaIt can't be a fantasy, because you're too stuck on, you know, the...Ally CarterExactly, and so...KJ Dell'AntoniaThe reality that our hay baling chute is broken, and therefore we will need multiple people tomorrow to go around and pick up each individual bale…Ally CarterYeah.KJ Dell'AntoniaAnd put it on a flatbed truck, and drive to the barn, and take each individual bale off the flatbed truck, and then stack them in the barn. Y'all are missing my arm gestures, but Ally knows of which I speak.Ally CarterI know, I know those gestures. You got to buck it up with your knee. It's a whole—it's—it is not easy work. It is very hard work. And so…KJ Dell'AntoniaYeah, I'm hoping not to go out there, but I know I will.Ally CarterOh no, you don't want to do that, and you will itch for days.KJ Dell'AntoniaI've done it. I've done it for years and I know I'm going to end up there. It's my birthday tomorrow too.Ally CarterOh no, that's not the…Yeah, so it's the reality. I think it's very easy—also, when reading, as a reader—I hate it when it's very clear that an author has done a ton of research and they're not going to let it go to waste. Yeah. And so there's like, you know, they'll introduce the thing, and then they'll have, like, a paragraph explaining all of the things that they have learned. I'm like, this serves no purpose whatsoever.KJ Dell'AntoniaI also thank my editor for my leaving out the entire history of Prohibition-era alcohol rules between Kansas and Missouri in The Chicken Sisters.Ally CarterYep. See, if you, if you want to write that, the nonfiction is right there, you can— you've got it. So I like to do enough research to inform the story. And, you know, there are definitely things, you know, scenes and lines and wonderful things that have come from the research. But I never do research just so I know, like, what kind of rope it is.KJ Dell'AntoniaRight.Ally CarterI—you know, that's that I think then, then, then also, are you doing research, or are you procrastinating?KJ Dell'AntoniaWell...Ally CarterBecause I think most people are just procrastinating.KJ Dell'AntoniaWe all know the answer to that. So how about the action scenes? You write such great action scenes, but I am also not a reader who's like picturing, well, clearly at this point, he's upside down and her hand. You know, that's not how I read anything. I just kind of go (shwoop) through that. So how do you handle writing them? Are you like slowing down action films so you can dissect the movies?Ally CarterNo, I really don't like writing action scenes. They are hard, and it feels like I've done everything, like they're okay. Well, hey, here we are. We're doing that again, but there. They are. They come with the job. And so I think most of all, you just have to remember, sort of the blocking of it. Like, okay, who is where? The other hard thing that that comes and, you know, movies have it so much easier. Like, you don't need a name for the for the six bad guys, that black Willow...KJ Dell'AntoniaRight,, the one on the right, and the one behind... Yeah, yeah, no.Ally CarterAnd so I'm like, Okay, but how is the reader keeping these different so, you know, like, well, one of them has a has glasses, and the other one has a goatee. Okay, well, then from that point forward, I the author just call them glasses...KJ Dell'AntoniaGlasses and goatee. Right.Ally CarterAnd so you have to remember, like, okay, glasses is down. Goatees still at large, you know, or whatever.KJ Dell'AntoniaIs there a special copy editor for that?Ally CarterThey're not special, but that is definitely can fall into a copy editor's purview, especially things like during that fight sequence. Okay, well, it was 100 pages ago, but it was also yesterday that your heroine got shocked. Is she really fighting at full strength? Oh, ouch, you know. So that type of thing, because, again, reader wise, that's, that was, I've, that was the midpoint. I'm to the climax now. But timeline wise, no, that was yesterday.KJ Dell'AntoniaRight.Ally CarterAnd so the...KJ Dell'AntoniaAnd probably with some readers, reader wise, that was an hour ago.Ally CarterYeah! So...KJ Dell'AntoniaI mean you know, we're eating this up.Ally CarterExactly.KJ Dell'AntoniaSo much faster to read than to write.Ally CarterSo you have to think about those types of things. Like I wrote that two months ago, but nope, it's still right there.KJ Dell'AntoniaYeah.Ally CarterSo that's the kind of thing that, you know, again, you can't really worry about in a first draft. Like, let that. That's future-use problem.KJ Dell'AntoniaYeah. Now, in contrast to, you know, the wild plotting and the crazy, enjoyable, delicious action, your people feel, you know super, super real. They have, ah, big reasons for being the way that they are, but the feelings feel real. I think that is an amazing um, contrast. Do you start with the, do you start with, like, you know, the person's flaw, or what it would there's some term of art for this which I have forgotten. Or do you start with, I need a person who, or does it vary book by book?Ally CarterThank you. I, you know, it's I spend a lot of time with that.KJ Dell'AntoniaThat's why they work.Ally CarterThank you.KJ Dell'AntoniaNo, seriously, no one. I mean, The Blonde Identity would maybe be fun if it wasn't also, like, you really want her to figure out who she is, and you really want to know why is this happening, and what is up with and like, you want all that for the character you believe in, in her.Ally CarterAnd that's always I find as much about tone as anything, this particular sub- genre, it can go wacky or kooky really fast, like it's very easy. You know, I like to say that spy movies exist on a spectrum that range from get smart to Zero Dark Thirty.KJ Dell'AntoniaYeah.Ally CarterAnything along that spectrum is a spy movie. But those could not be more different. And so are we? Are we doing like James Bond, like he's cool and suave, but he also has gadgets, or are we doing like he's, you know, kind of bumbling with gadgets? Or are we doing it's very realistic?KJ Dell'AntoniaWell are we doing Roger Moore James Bond, or are we doing … um…guy who now models for…Ally CarterDaniel Craig?KJ Dell'AntoniaThank you—oy vey—Daniel Craig, which are very different. James Bonds really…Ally CarterVery different James Bonds, because I've heard people the James Bond people talk about the Daniel Craig, James Bond doesn't exist without Jason Bourne.KJ Dell'AntoniaYeah.Ally CarterThat's who they looked at and so all of these things, you know. And so when I'm trying to figure it out, and I think that's one of the hardest things about genre bending romance, whether you're bending fantasy and romance or horror and romance, or romance and mystery or romance and action, or whatever, you could only really write in the Venn diagram space, where there's overlap. And so I couldn't, you know, the realistic version of this is not something where people are falling in love, like it's, you know, it's too dark. And it's definitely not a comedy, definitely not a comedy. So you're, you have to find the place where, no, they're in real, actual peril. This is really terrible. This is... they really might dieKJ Dell'AntoniaAnd they understand that.Ally CarterAnd they understand that they get that and also, but they still have time to, you know, okay, well, now I'm going to, you know, now we're going to slow dance, you know, you still have to find those times. And the other thing is, you know, you have to figure out just where on the spectrum you want to be and lean into that. Like, if you want to write, like, the kooky, sort of Agent Cody Banks of it all, then you have to do that. But then you have to realize the other parts of the spy kind of world that you can't touch. And so it's—you're just—you're always threading needles. It's, it is a, it is a task of, of absolutely threading needles all the time.KJ Dell'AntoniaI think that, yeah, when it comes to tone, where on the spectrum do you want to be, is like, like maybe one of the greatest questions that I have heard. And it's just one that, you know, I think we all wrestle with.Ally CarterWell, and I've had people that really don't—people who should get it—who don't get it. So, you know, I was in a meeting one time with some Hollywood producers who were looking at some of my stuff, and I said, “Well, tonally, where do you want it to be?” And they were like, “What do you mean?” I said, “Well, do you want it to be like, you know, Mr. and Mrs. Smith or Bourne Identity?” And they said, “Well, those are the same thing.” And I was like…KJ Dell'AntoniaNo, no, no, no!Ally Carter“This meeting is over. Thank you very much”.KJ Dell'AntoniaYeah.Ally CarterIt's... I don't understand how people don't get that, but to me, I spend 90% of my time worried about it. Oh, I remember now what I was going to say earlier. I got my start—and I'm never going to be, like, a full-time or big-time of this—but I've done some screenwriting. . And so there's a screenwriting podcast [Scriptnotes] by two guys who are very big, very dominant—dominant—screenwriter. One of them did, like, the Charlie's Angels movies and the Aladdin remake and all those. The other one does The Last of Us and a bunch of big, like, HBO shows. And, um, they always talk about "the Want song". So in every Disney musical, the first—the first song—sets up the world. It's "Belle," you know, like, you know, wandering through town. The second song is the "whatever she wants." And so, you know Moana, you know, "See the line where the sky and the sea meet, it calls me"—like, Moana wants to travel. She wants adventure. And so I spend a lot of time, when I'm setting up these characters, thinking about what their "Want song" would be. And so, like, for The Most Wonderful Crime of the Year, her "Want song" is, "I want to be Eleanor."KJ Dell'AntoniaRight.Ally CarterYou know she wants to be Eleanor Ashley [from The Most Wonderful Crime of the Year], who is my, like, fake off-brand Agatha Christie, and so that's, that's what you have to think about a lot like, you know, what Alex [from The Blonde Who Came in from the Cold] wants is to sort of be free like she wants, she wants to be enough. She wants to pay her—you know? She has paid her debt for—you know, sort of having been born strong and healthy, where her identical twin has been born very, very sick. And so she, she wants—and she wants to never lay eyes on Michael Kingsley [also from The Blonde Who Came in from the Cold], ever again, who was her, you know, on again, off again, partner, slash love interest. And so that's—you know, that I always start with that, what is their wound? What is the thing that hurt them in the past that they're trying to get over? And what is their want?KJ Dell'AntoniaYeah.Ally CarterAnd almost always, what would they realize over the course of the book is that the thing that they want is not the thing that they need.KJ Dell'AntoniaYeah.Ally CarterAnd so that's, that's an Ally Carter book. That's an Ally Carter character progress.KJ Dell'AntoniaThat's it. Now everyone can do it.Ally CarterYeah.KJ Dell'AntoniaYeah. Oh, but if it were that easy, everyone would do it, right? Um, no, this... this is amazing and delightful. I hope really helpful for people. I got distracted by taking some notes on what you just said. So, people—for me, for the Post-its on my computer, as well as, oh my gosh, so many Post-its, so many Post-its—let's talk just a little bit about the difference between YA [young adult] and adult when you're—fundamentally—I mean, some people sort of switch genres entirely. You were writing very similarly toned books for different audiences. How? How do you think of that evolution?Ally CarterThat's—in a way—yes, I did switch audiences. In another way, they're the exact same readers. And so that's—that's an interesting and weird thing about YA is, about every three years, you have to make all new readers because they have grown up and they've aged out of you. And even if they haven't aged out of you, they have what I call "cooled out of you."KJ Dell'AntoniaYeah, yeah.Ally CarterAnd they're like, I liked those books when I was a little kid, and so current me can't possibly like those books, because those are little kid books. And so I was on the phone during the pandemic with my friend Rachel Hawkins and Rachel had written YA for a long time, and then she switched to adult. And I was talking about... do I...? What do I...? I need to sell something. Do I sell another middle grade? Do I sell a YA [young adult]? Like, what do I sell? And she says, you sell an adult. You sell an adult book that appeals to your Gallagher Girl readers. And I, I said, oh, Rachel, I've spent, you know, 15 years building a career in YA, I've got, you know... And she said, your readers aren't there anymore. They are the girls who read you when they were 12, ten years ago, and are 22 now. And I'm like, oh, that's right, they are. They've grown up. And so I—and I had the idea for “the spy twins” and had tried to do it as YA, and then at one point I even tried to do it as middle grade, and I could never make it work. And the problem wasn't, one of the twins wakes up with amnesia and somebody's trying to kill her—that I could pull off. The problem was, how and why is her identical twin on the run? And what does she have? And, like, you know, she...KJ Dell'AntoniaShe needs a longer history than you can have as a teenager.Ally CarterYeah, exactly. Like, is she actually working for the CIA, like, because then again, we get into Agent Cody Banks territory, then it's, you know, well, we've got a super-secret branch of the CIA who recruits kids. I'm like, no, you don't that's stupid. Like so...KJ Dell'AntoniaAnd she's been there since she was 10, and now she's on the lam.Ally CarterExactly.KJ Dell'AntoniaYou know, and then at age 12, she went rogue.Ally CarterYeah. And then you've got, like, well, no, you know, it's a Parent Trap situation, and one of them was raised by a spy and one of them was raised by ordinary people. I'm like, oh, maybe... I don't know, but, you know, I just couldn't quite make it work. And so I was talking to Rachel, and I said, what am I supposed to do? Just dust off that old spy twin idea, except now, instead of a super-secret organization, she's just on the run from the CIA? And then I was like, wait a second.KJ Dell'AntoniaWell yes!Ally CarterIf she's 30... she can—so every single problem and logic challenge that I had with that premise went away once those characters became 30. And so I just—and it was the easiest writing I've ever done. I feel almost guilty about how easy that book was to write; because I'd been, I'd been working at it and hammering at that idea for so long. And so it was almost like, instead of starting it at the beginning, I started it at the end of the writing process, where you have that one, like, little linchpin thing that you think, oh, but what if I do this? And then the whole plot just...KJ Dell'AntoniaRight.Ally CarterSo I started it there. I started at the...KJ Dell'AntoniaWow!Ally CarterDomino moment. And I'm spoiled, because it'll never be that easy again. But that's, that's how the transition went. And, you know, it's been great because my readers, they're so excited to see me. It's like, they're, I hear from readers all the time, they're like, you know, it feels like you wrote this just for me. I grew up with you, and now you're writing books for me again, and that has been very full circle and very, very fulfilling.KJ Dell'AntoniaThat, that's great. Well, you're writing them for me too. So, love that, and I think for a lot of our listeners—who I really think are going to enjoy this episode.Ally CarterThank you.KJ Dell'AntoniaSo before I let you go, can I ask you what you have read and loved lately?Ally CarterOh, sweet mercy. I have been so underwater, on a—on a book, and it's been the kind of—it's been the kind of deadline and the kind of book... You know how the old adage is so true that you never learn how to write a book—you just learn how to write the book you're writing right now. And so this one has just... and when I get that way, I don't enjoy reading because my inner critic can't turn off. But I will share a show that I loved, and I—they just announced that they're not doing a season two, and I'm heartbroken over it. And that is, on Netflix, there's a Shonda Rhimes show called The Residence, and it's a murder mystery set at the White House. You know, somebody drops dead during a state dinner. And it's got kind of a kooky detective and a wonderful, colorful cast, and it's very, very funny, but it also—it threads that tonal needle, where, like, no, no, there was a murder. This is still serious, but, oh, by the way, I'm going to go look at the body, but first I saw a bird I want to check out, you know. And so it's just—tonally and voice-wise—it does really amazing things. And so if any of your listeners are looking for a really great, like, eight-episode series, it's great. I could not recommend it more—The Residence on Netflix.KJ Dell'AntoniaThat sounds super fun. Well, I am in the midst of The Blonde Who Came In from the Cold. So, you know, I don't normally recommend a book until I know if the writer is going to stick a landing. But I feel quite confident in this one, and have enjoyed—as you can obviously hear from the podcast—the rest of Ally's work. So I am going to just push all of you listeners to, you know, head out there, grab the new one, grab the old one, and have a good time with them.Ally CarterAww, thank you.KJ Dell'AntoniaYou're welcome. Thanks so much for being here. Oh, should people follow you on social media? Do you do anything fun? Are you...?Ally CarterI do nothing fun. I'm not fun at all. I'm mostly on Instagram; I guess at this point I'm the Ally Carter over there. I have a couple of kind of defunct Facebook pages that I update occasionally. I just updated it for the first time, evidently, in two years. So that was fun. I'm on Threads very seldom. I used to be on Twitter and I still have that account I don't update it very often. Um, but yeah—and of course, my newsletter, like the newsletter is—I think we need to come back. We all need to get back to the newsletter, because it will deliver the news directly to your inbox. And so if you want to make sure you don't miss any like, you know, tour events, which, by the way, I'm coming to Boston on tour in a couple of weeks. So looking forward to that a lot. I think its Lovestruck Books? Is that Boston?KJ Dell'AntoniaProbably yeah.Ally CarterYeah.KJ Dell'AntoniaThat's the new romance bookstore there. I've been with Sarina a couple of times, and yeah, it's a great—it is a beautiful store. Like, every detail. Their bathrooms are phenomenal. That's how wonderful this store is. So, very cool. All right, I will link up the newsletter in the show notes, and yeah, about, you know, once every week, I decide to just cancel all the rest of my social media and only do my AmReading email. And then I imagine what my agent would say. And yeah, I don't do it, but...Ally CarterIt's, you know, and I feel like I'm such a broken record, like, oh, you know, go buy my book. Oh, go, you know, I'm going to be here on tour. Oh, this is how you get signed books. But—and I just say over and over and over again—and then inevitably, and this really happened to me one time, I was sitting at the LAX Airport waiting on a flight home, and I got an irate message from a reader that I never come to LA. And I was like, I did an event here last night—like, I was at the Barnes and Noble at The Grove or wherever—last night. And so we said, we—it feels like we are just beating a dead horse letting people know about these things, but it's so easy for things to get lost. And so...KJ Dell'AntoniaYeah! Jess tells the story—that's one of my other co-hosts—about, you know, someone who had come up to her, really one of her biggest fans, “Good new book.” And, “I get your idea, I love this, and I love that you wrote, like, knew a lot.” And then she said, “Oh, well, did you enjoy my latest book?” And they're like, “You have a new book?!”Ally CarterIt happens every time. And so, you know, it's—it's just part of the business at this point.KJ Dell'AntoniaYou've got to do it—it's just part of the business. All right. Well, thank you again...Ally CarterThank you.KJ Dell'AntoniaAnd as always, listeners until next week keep your butt in the chair and your head in the game.Jess LaheyThe Hashtag AmWriting Podcast is produced by Andrew Perella. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Grab your interdimensional eye shadow and meet us in the cosmetics section for an all new LIVE! Guess what, morons? The Boiz are revisiting a classic this week, and if you know you know. Plus, they reveal their 20th-11th favorite movies of the 21st century (so far). Matt does not ponder The Simpsons Movie. Pat puffs when he walks. Plus, why don't they put scales on boats? Did Matt own a Garden State lunchbox? Can Pat name five James Bond movies? These ghosts need a job and it all happens LIVE!

This is just a small taste of our W❤️M episode on Casino Royale! To go all-in, click through here and sign up for our Patreon. Unlock this show, along with hours, upon hours of exclusive shows and commentaries you can't get anywhere else! “If a dummy's taking a fall, I'm clapping, I'm loving it!” - Eric on stunt work On this month's W❤️M, we're chatting about the fantastic flick that kicked off Daniel Craig's reign as James Bond, Casino Royale! Ultimately, was “sweaty hand-to-hand combat Bond” a good idea? How great is Mads Mikkelsen in this all-time villain performance? Is it weird that they're just playing poker and not something a bit sexier like baccarat? How hilarious is that bottomless chair gag? And how much does Jeffrey Wright kick ass in these movies? PLUS: Blofeld tries to steal the Bond family peanut butter recipe!  Don't sleep on snagging your tickets to our 15th Anniversary show this December where we're talking all things Arnold in Total Recall! It's gonna be a gas and we wanna see you there! Click through for tickets now! Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

Welcome to Multiverse News, Your source for Information about all your favorite fictional universesWith the MCU's latest big screen offering now in theaters, as rabid fans, it only makes sense to look to the future, and apparently Marvel and Sony agree, as myriad fresh details surrounding the franchise's next film, Spider-Man: Brand New Day began hitting the internet all weekend. First, last Friday morning Sony released a 9-second video teasing features of Spidey's new suit, which was quickly followed up with a 23-second video with star Tom Holland, in suit, performing some minor acrobatics the next day. Finally, The Hollywood Reporter confirmed the longstanding rumor that Mark Ruffalo is reprising his role as Bruce Banner/The Hulk for the film, while Better Call Saul actor, Michael Mando, was also announced to be returning as Mac Gargan/The Scorpion.The Fantastic Four: First Steps continued its box office reign, raking in $39.6 million its second weekend for a $368 million total global haul. While far from a defeat, the staggering 67% drop from the flick's first weekend presents a significant loss in momentum and is in stark contrast with expectations, which were largely fueled by positive reception and strong word of mouth among critics and fans. Elsewhere, Superman crossed the $550 million milestone internationally, and Jurassic World: Rebirth passed $750 million at the global box office after 5 weeks in theaters, becoming only the third film of 2025 to do so behind Lilo & Stitch and A Minecraft Movie. Amazon MGM's upcoming James Bond film being directed by Dune's Denis Villeneuve, is quickly coming together as Peaky Blinders creator Steven Knight has been hired to pen the script. Apart from Peaky Blinders, Knight has enjoyed a storied career on the small screen as a screenwriter, director and producer involved with projects such as Apple TV's See and Netflix's All The Light We Cannot See, while also co-creating Who Wants To Be A Millionaire? As far as big screen contributions, he wrote the screenplays for Eastern Promises and Spencer, which were both Oscars-nominated, and directed the films Hummingbird, Locke and Serenity, the 2019 film starring Matthew McConaughey and Anne Hathaway. Considering candidates for our new Bond, as if we could ever get enough of Tom Holland, the actor went on record to voice his reverence for the role as the “pinnacle” for British actors, while seemingly disqualifying himself by announcing another break from acting in 2027.Per Deadline, Matt Smith has joined the cast of Shawn Levy's Star Wars: Starfighter in a villain role, set to appear alongside Ryan Gosling and Mia Goth in the film set for May 28, 2027. The House of the Dragon star gets another shot at the Star Wars universe after previously being cast in The Rise of Skywalker but ultimately not appearing in the final film.John Krasinski announced he's returning to direct, write and produce A Quiet Place Part III, set for release on July 9, 2027; no cast or story details have been revealed.Disney and Lucasfilm announced Star Wars: A New Hope will return to theaters on April 30, 2027, to celebrate the 50th anniversary of the film.Aaron Sorkin has his sights set on Oscar winner Mikey Madison and Emmy winner Jeremy Allen White to star in The Social Network Part II, with Madison potentially playing a whistleblower and White as journalist Jeff Horwitz behind the explosive Facebook Files exposé. While no formal offers have been made, sources say these are Sorkin's top choices for the sequel that will explore Facebook's role in various controversies rather than serving as a direct continuation of the 2010 film.

Let's talk about our new superhero: Chaotic. He's the lovechild of James Bond and Rambo, drinks tariffs straight from the bottle, and his theme song is played by a mariachi band on the border wall. He doesn't just drain swamps — he turns them into commercial real estate.This isn't your grandpa's Republican leadership. This is post-bureaucratic Trump. The kind of guy who unties himself from a torture chair, penis-whips the villain, kisses the girl, and still finds time to negotiate a bilateral trade deal. Democrats call it chaos. We call it Tuesday.Now they're furious that the GOP learned the rules and decided to play better. Republicans are drawing maps with actual math, while Democrats are over there with a Ouija board, trying to summon a majority from the grave.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome to the Rock! This week Jack and Corey are joined by the hosts of Physical Therapy: A Movie Podcast Kurt Schmidt and Sam Grimes to talk about Michael Bay's action-packed extravaganza THE ROCK (1996)! The four talk physical media, Postal Service vs Death Cab, Michael Bay as an auteur, crying in movies, making VHS art, buying R rated movies, surprising Criterion selections, Nicolas Cage's re-writes, Sean Connery's immense charm, Ed Harris as a great bad guy, Skibidi Toilet, Michael Bay's biological father, Hans Zimmer's incredible score, VX gas, James Bond, scary blooper reels and Pearl Harbor.Support the pod by joining our Patreon at patreon.com/cinemapossessedpod and unlock the Cinema Possessed Bonus Materials, our bi-monthly bonus episodes where we talk about more than just what's in our collection.Instagram: instagram.com/cinemapossessedpodTikTok: https://www.tiktok.com/@cinemapossessedpodEmail: cinemapossessedpod@gmail.com Hosted on Acast. See acast.com/privacy for more information.

In this episode of The Other Half podcast, the boys watched two different halves of (sigh) Octopussy. It's time for the worst-named James Bond film we've ever seen. But it does have the circus in it and feels like an Indiana Jones movie at times!Bond is sent to figure out what's up with these fake Faberge Eggs and how they are connected to Russia wanting to take a land grab in Europe. Ethan also struggles with his memory and his notes about how a particular 00 agent dies. This feels like the second to last Roger Moore film in more ways than one, mostly the lack of budget. The 80s were crazy.Support this podcast at — https://redcircle.com/the-other-half/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

#524 On Speed Oddities: The 2025 Gareth Jones On Speed Summer Music Compilation. Strange & curious tunes in the style of some unexpected artists. Gareth gathers together some of the more unusual songs created for the podcast over the last 20 years.

The Summer crew of HOBI is reeling from their second-place podcast finish so they have plenty of time to review Final Destination: Bloodlines, How to Train Your Dragon, Fantastic Four and more! Plus the gang revists after-school television shows, draft a new James Bond film, giving up on Bitcoin, I'm Meghan returns and list Top Five Historical Events You Would Want to Witness!  This episode is sponsored by the Cincinnati Comic Expo.

Blake Lively is losing sleep over the possibility that Taylor Swift’s next breakup anthem could include a not-so-subtle jab at her. Meanwhile, Sydney Sweeney’s invite to the White House has Hollywood in chaos. Insiders are torn over her rising political profile and rumored GOP ties. And Jeff Bezos and Leonardo DiCaprio’s headline-making bromance is sparking a new rumor: could Leo be the next James Bond? Rob’s best pal Delaina Dixon from DivaGalsDaily's joins him today. Don't forget to vote in today's poll on Twitter at @naughtynicerob or in our Facebook group.See omnystudio.com/listener for privacy information.

Join Dan and Tom as they decode 20 things you missed in GOLDFINGER! How many of these did you miss?  You will be surprised. Listen to find out!  Every movie has questionable sequences and stuff that you miss, especially on your first time viewing the movie.  Well, in this episode, we're going to put a golden hue on this topic and give you 20 things you missed in GOLDFINGER.  We're sure there are more, but these are our favorites. Some of the things we discuss have to do with: ·         The golf outing ·         The raid on Fort Knox ·         The Aston Martin DB5 – there are a few things with this car to discuss ·         James Bond quips ·         James Bond spying ·         Golf Balls ·         A cola promotion – you have to love product placement ·         Oddjob's skills ·         Continuity issues ·         Disappearing men ·         Men appearing out of nowhere ·         And of course, there are more. We find that by looking for these types of things, you watch the movie more closely, especially when watching a movie for the second or third time. And, some of these things you miss are continuity issues, so EON Productions missed them, too. Tell us what you think about our list of 20 Things You Missed in GOLDFINGER? Finally, this video covers our top 20 things you likely missed.   Did you know about any of these already? Are there some we missed?  If so, drop us a note and let us know. Let us know your thoughts, ideas for future episodes, and what you think of this episode. Just drop us a note at info@spymovienavigator.com.  The more we hear from you, the better the show will surely be!  We'll give you a shout-out in a future episode!   You can check out all of our CRACKING THE CODE OF SPY MOVIES podcast episodes on your favorite podcast app or our website. In addition, you can check out our YouTube channel as well.   Episode Webpage: https://bit.ly/4fhA4Lq

Another Monday, another episode of Bottom of the Stream with Adam and Nick! This is the best place for all the latest news in the world of streaming and movies. This time we talk K-pop; James Bond; Chris Rock and the new AI that lets you create your own show. We answer a question of the week and discuss what we have been watching at the top of the stream!   Please consider supporting the show on Patreon, If you do we will give you lots of bonus content including early access to the episodes. Check it out over at www.patreon.com/bottomofthestream   We also have a discord so join us to hang out https://discord.gg/wJ3Bfqt  

On this episode of THE GEEK BUDDIES, John Rocha and Michael Vogel carry on without Shannon McClung to talk all the big entertainment news of the week from James Bond to the new Spider-Man suit, the trailers for Avatar Fire and Ash, Zootopia 2, and GOAT. And debate Variety's ranking of all 54 MCU Movies and TV Shows! Remember to Like and Share this episode on your social media and to Subscribe to The Outlaw Nation YouTube channel below. #marvel #superman #starwars #jamesbond #jamesgunn #kevinfeige #thegeekbuddies ____________________________________________________________________________________ Chapters: FOLLOW THE GEEK BUDDIES: Twitter: https://twitter.com/Geek_Buddies Follow John Rocha: https://twitter.com/TheRochaSays​​​​​ Follow Michael Vogel: https://twitter.com/mktoon Follow Shannon McClung: https://twitter.com/Shannon_McClung Learn more about your ad choices. Visit megaphone.fm/adchoices

FOLLOW RICHARD Website: https://www.strangeplanet.ca YouTube: @strangeplanetradio Instagram: @richardsyrettstrangeplanet TikTok: @therealstrangeplanet EP. # 1235 The Alien Mirror: How 2,500 Years of Cosmic Imagination Shapes Who We Are Today on Strange Planet, we embark on a 2,500-year journey through humanity's obsession with aliens—not as sci-fi oddities, but as profound reflections of ourselves. Astrobiologist and bestselling author Mark Brake reveals how ancient philosophers, satirists, and dreamers imagined alien empires, Moon serpents, and interstellar wars long before Roswell or SETI. His new book, The Science of Aliens, is a cosmic romp through history, myth, and science, challenging everything we think we know about the alien question. Are we searching for others—or just projecting our hopes and fears into the stars? GUEST: Mark Brake is an astrobiologist, science communicator, and pioneer in the public understanding of science and science fiction. He created the world's first university course on life in the universe and collaborated with the London Science Museum's Science of Aliens exhibition. Brake has taught science fiction and cosmology across five continents and authored bestselling books including The Science of Star Trek and The Science of James Bond. His latest work, The Science of Aliens, explores 2,500 years of humanity's fascination with extraterrestrial life, blending history, philosophy, and science in a provocative and entertaining narrative. WEBSITE: https://www.skyhorsepublishing.com BOOKS: The Science of Aliens: The Real Science Behind the Gods and Monsters from Space and Time The Science of The Beatles The Science of Jurassic World The Science of James Bond The Science of Superheroes The Science of Science Fiction The Science of Star Trek SUPPORT OUR SPONSORS!!! ⁠BUTCHERBOX⁠ ButcherBox delivers better meat and seafood straight to your door – including 100% grass-fed beef,free-range organic chicken, pork raised crate-free, and wild-caught seafood.Right now, ButcherBox is offering our listeners $20 off their first box and free protein for a year. Go to ⁠ButcherBox.com/strange⁠ to get this limited time offer and free shipping always. Don't forget to use our link so they know we sent you. HIMS - Making Healthy and Happy Easy to Achieve Sexual Health, Hair Loss, Mental Health, Weight Management START YOUR FREE ONLINE VISIT TODAY - HIMS dot com slash STRANGE https://www.HIMS.com/strange ⁠⁠RingBoost⁠⁠ The largest provider of custom phone numbers since 2003 ⁠⁠https://www.ringboost.com⁠⁠ If you're ready to sound like the business people want to call, head over to ⁠⁠https://www.ringboost.com⁠⁠ and use promo code STRANGE for an exclusive discount. QUINCE BEDDING Cool, Relaxed Bedding. Woven from 100% European flax linen. Visit QUINCE BEDDING to get free shipping on your order and 365-day returns. BECOME A PREMIUM SUBSCRIBER!!! https://strangeplanet.supportingcast.fm Three monthly subscriptions to choose from. Commercial Free Listening, Bonus Episodes and a Subscription to my monthly newsletter, InnerSanctum. Visit https://strangeplanet.supportingcast.fm Use the discount code "Planet" to receive one month off the first subscription. We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. By using our website and services, you agree to our use of cookies as described in our Cookie Policy. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://strangeplanet.supportingcast.fm/

On this week's episode, we welcome actor and comedian, Flula Borg (Pitch Perfect 2, The Suicide Squad), to chat about old snacks, Killer Instinct characters, amish mercantiles, his new album with Go Banana Go! (Slippery When Peeled), and more!Listen to Slippery When Peeled!See Jordan at Cape & Cowl Con on August 24th!Donate to Al Otro Lado, any amount helps right now.Buy signed copies of Youth Group and Bubble from Mission: Comics And Art!~ NEW JJGo MERCH ~Jordan's new Spider-Man's comic is out now!Order Jordan's new Godzilla comic! Be sure to get our new ‘Ack Tuah' shirt in the Max Fun store.Or, grab an ‘Ack Tuah' mug!The Maximum Fun Bookshop!Follow the podcast on Instagram and send us your dank memes!Check out Jesse's thrifted clothing store, Put This On.Follow brand new producer, Steven Ray Morris, on Instagram.Listen to See Jurassic Right!

Andy takes a nap! Carolyn finds Lemons! Kara steals a pen! High stakes action it's more James Bond! Carolyn Faye Kramer – James Bond Kara Strait – Vivienne Leroux Andy Hoover – Sir Reginald Plumtree Paulo Quiros – DM

What does it really take to disappear in 2025? In this episode, we dive into the surreal world of extreme-privacy consultants, people who charge tens of thousands to make you untraceable. From 191 virtual debit cards to fake dogs and burner phones in Faraday bags, these modern-day Disappearers help CEOs, crypto millionaires, and paranoid civilians vanish from the grid. But in a world where your face, heartbeat, and mouse movements can be tracked, is total privacy even possible anymore? This isn't James Bond, it's much weirder. This is only the first half of the episode on how to disappear. To get the full episode (audio and video), exclusive AMAs, and more, subscribe to The Zach Show 2.0 today: https://thezachshow.supercast.com/ THE ZACH SHOW LINKS: Spotify: https://spoti.fi/3zaS6sPYouTube: https://bit.ly/3lTpJdjThe Zach Show 2.0: https://auxoro.supercast.com/Website: https://www.auxoro.com/Instagram: https://www.instagram.com/auxoro If you're not ready to subscribe to The Zach Show 2.0, all good! Rating the show on Spotify or Apple Podcasts is free and massively helpful. It boosts visibility, helps new listeners discover the show, and keeps this chaos alive. Thank you:  Rate The Zach Show on Spotify: https://bit.ly/43ZLrAtRate The Zach Show on Apple Podcasts: https://bit.ly/458nbha 

In this wild and wonderful follow-up, powerhouse actress and former attorney Stacie Greenwell returns to join Pol' Atteu and Patrik Simpson for an unforgettable episode of hot tea, Armenian Coffee, deep truths, and fierce fashion. From lawsuits to lube, no topic is safe!

To celebrate the recent "Fun for All Ages" podcast about the 1966-'68 "Batman" series, GGACP presents this ENCORE of a 2014 interview with the caped crusader of Gilbert and Frank's childhoods, the legendary ADAM WEST. In this episode, Adam shares memories of everyone from Gary Cooper to Jackie Gleason and jokes about some of his more “challenging” gigs (“Voodoo Island” anyone?). Also, Adam duets with Dino, makes history with William Shatner and pays Gilbert one of the greatest compliments of his career. PLUS: The origin of the Batusi! Liberace gets tough! Adam turns down the part of James Bond! And the Riddler goes to an orgy! Learn more about your ad choices. Visit megaphone.fm/adchoices