Podcasts about not know

Dr. Patrick discusses natural law, cultural confusion, the crisis among young people seeking meaning, and how modern autonomy and behavior-driven illnesses highlight a deeper spiritual void. He also revisits classic works like The Hound of Heaven and What We Can't Not Know, linking literature, theology, and medical ethics in a rich, interdisciplinary reflection.   // LINKS // Website: https://www.johnpatrick.ca/ Podcast: https://doctorjohnpatrick.podbean.com/ Biblical Literate Quiz: https://www.johnpatrick.ca/meaning-metaphor-and-allusion/ Recommended Reading list: https://www.johnpatrick.ca/book-list/ Ask Doctor John: https://www.johnpatrick.ca/ask/ LINKS: https://beacons.ai/doctorjohnpatrick

Shallow and Jiunta unpack six hard lessons from years in the game, from charging what you're worth to surviving when shit doesn't go as planned. If you're a coach, this episode might save you years of trial and error. PSL1 Registration is NOW LIVE. Sign Up at https://www.pre-script.com/psl1 FREE Coach's Field Guide: https://www.pre-script.com/coachs-field-guide We've got a new sponsor! Marek Health is a health optimization company that offers advanced blood testing, health coaching, and expert medical oversight. Our services can help you enhance your lifestyle, nutrition, and supplementation to medical treatment and care. https://marekhealth.com/rxd Code RXD Don't miss the release of our newest educational community - The Pre-Script ® Collective! Join the community today at www.pre-script.com. For other strength training, health, and injury prevention resources, check out our website, YouTube channel, and Instagram. For more episodes, subscribe and tune in to our podcast. Also, make sure to sign up to our mailing list at www.pre-script.com to get the first updates on new programming releases. You can also follow Dr. Jordan Shallow and Dr. Jordan Jiunta on Instagram! Dr. Jordan Shallow: https://www.instagram.com/the_muscle_doc/ Dr. Jordan Jiunta: https://www.instagram.com/redwiteandjordan/ Lesson 1: Not Everyone Responds the Same (00:01:13) Lesson 2: Sit in Discomfort, Don't Flinch (00:04:00) Lesson 3: It's Okay to Not Know (00:08:52) Lesson 4: Most People Know Nothing About Fitness (00:13:01) Lesson 5: Charge Based on Value, Not Your Interests (00:20:04) Lesson 6: Worldview Shapes Your Client Relationships (00:24:19)

Topics: OSAS, Once Saved Always Saved, Stop Sinning, Only Saved Until Sinning Again, Nobody Would Be Saved, Romans 6:23, Wages of Sin is Death, Free Gift of Eternal Life In Christ Jesus Our Lord, Paul Explains Death and Eternal Life, Both Opposites, Goal Isn't To Stop Sinning But To Enjoy Free Gift of Eternal Life, Downplaying Free Gift and Ignoring Wages of Sin, Stop Ignoring the Wages, They Think They Are Preaching Sin But They Aren't, If They Preached Sin They'd Preach Death, Stop Comparing Sins And Realize They're Hopeless, Stopping Sinning Doesn't Keep You Saved, Go to Church, Read Your Bible, Have Quiet Time, Jews Went to Temple Read Scriptures and Meditated on Them, Still Would Hear Depart From Me Apart From Faith in Christ, Early Church Didn't Have Buildings Bibles or Quiet Time, Lukewarm Christians, Spit You Out, I Know Your Deeds, Neither Hot or Cold Revelation 3:15-16, On Fire For the Lord, Hot Serves Purpose, Cold Serves a Purpose, Lukewarm Serves No Purpose, People Who Sin Less or Not as Bad, If Gospel Weren't True One Sin Would Mean They Aren't Saved Any Longer, Rewards In Heaven, Reward of the Inheritance, Colossians 3:24, Parable of Vineyard Workers, Matthew 20:1-16, Parable of the Talents, Matthew 25:14-30, Wicked and Lazy Servant, No Longer Servants, John 15:15, Blot Out of Book of Life, Revelation 3:5, It Says Never Blot You Out, Comforting Passage Not Scary Passage, If He Blot You Out He'd Have to Remember Your Sins, Hebrews 8:12, Remembers Your Sins No More, He'd Have To Hold Your Sins Against You, 2 Corinthians 5:19,  2 Peter 2:21, Better to Not Know the Way Than to Know It And Turn Back, Dog Returns to Vomit, Pig to the Mud, False Teachers, 2 Peter 3 Say Scoffers, Mark Baker Quote, Once Alive Always Alive, Life Lost In the Garden, I Have Come So You May Have Life, John 10:19, You Were Saved By the Life of Christ, Christ Will Never Die Again, Hebrews 7:25, John 14:19, Romans 5:10, Romans 8:1, Since Christ Raised From the Dead Cannot Die Again, Death No Longer Has Mastery, Romans 6:9 Support the showSign up for Matt's free daily devotional! https://mattmcmillen.com/newsletter

It's Mind Change Monday, and Leanne Ellington is going to help us jump into Action April!Leeanne Ellington has an incredible story of chasing healing through silence, and finding God in the process. In her own words, she describes her faith journey:Picture this: a skeptical, bacon-loving, Hebrew-speaking Jew, embarking on a quest to explore faith after a transformative 100-pound weight loss and a series of "quarter-life crisis".It began with a whisper in my heart: "I think I might want God?!" But not wanting to go back to the old days of temple and rabbi sermons, I found a non-denominational church in vibrant Nashville, TN that turned into a miraculous journey that filled a void in my spiritual landscape and met ME in my skepticism, doubt, and curiosity in all aspects of life.All of a sudden this "God guy" that everyone ELSE was talking about that I had never met, and frankly never cared to meet…...suddenly appeared to ME --and revealed, completed, and healed parts of my story I didn't even know needed attention.Leanne has two incredible podcasts, What's God Got to Do With It? and Outweigh. She is an online coach and guide into applying neuroscience and faith to healing from body image and self-esteem issues, and we had an incredible talk. You're going to love this one! (00:01) - Introduction to Action April (01:58) - Meeting Leanne Ellington (03:01) - Technical difficulties in recording (03:46) - Shoutout to Maddie Jackson-Smith (04:01) - Leanne's 30,000-foot view of her life (06:48) - Leanne's journey to finding God (07:09) - Leanne's transition from Judaism to Christianity (10:14) - Turning off left brain to embrace faith (15:43) - Transition from knowledge to faith (16:01) - Leanne's pivotal moment on a paddleboard (19:59) - Unpacking Depth (21:28) - Identity Crisis (23:17) - The Call to Action (25:20) - Navigating Grief (26:54) - Shifting Perspectives (27:27) - Teaching Transformation (29:30) - Recipe of Change (31:30) - Embracing Identity (33:04) - Seeking Change (36:36) - Recognizing Disordered Thinking (38:28) - Permission to Not Know (40:00) - Action April Begins (41:01) - Hope for Recovery

Resources for Palestine, Congo, and Sudan: Resources for Palestine, Congo, Sudan    Welcome to our seventh episode of our third season! Different from our usual format, we're giving you a fun but educated lecture on creating characters of color from a writing and drawing standpoint in animation. Animation is no stranger to POC-centered stories, however, more work needs to be done in order to create and improve on authentic narratives for all marginalized communities. This ever evolving discussion on representation, specifically race and culture,  in animation cannot be spoken upon without the tools to start off with, so think of it as a guide! Let us know in the comments about your thoughts and if you have any questions! Thanks for watching! Below are some resources that we suggest you should look through: Art sources:  MONDO COOL — I get asked a lot for tips with coloring black...  https://chuwenjie.tumblr.com/post/158694460814/a-compilation-of-stuff-i-know-about-drawing-asian  https://www.instagram.com/p/CtCHvS1vHVw/?igshid=MzRlODBiNWFlZA%3D%3D 6480 Drawings — disclaimer: I am east asian. if anyone who is not...

Can we just pause for a moment and try to grasp the reality of the world we live in is? How everything around us was created? Our homes, cars, airplanes, GPS, television, smart phones…   EVERYTHING started first in someone's imagination… WHAT CAN YOU IMAGINE CREATING?   People did NOT KNOW “how” it was going to happen… but they had to rely on the PICTURE in their imagination in order to accomplish the thing! IT WAS ONLY IN THEIR MIND, THEIR IMAGINATION.   We are part of the universe's intelligence… but too often we just don't think about it enough to grasp the powerful beings we are… our capabilities.  All that we can do All that we are capable of doing of creating   There's a reason we're here right now… you, me, us!! Our imagination is the portal through which we enter into our greatness, our potential What you can become or do, comes from your mind… it's that simple!   So what is possible for you to imagine and create? Who can benefit from your creation?  I know one thing… someone out there is now just waiting for you to come tell them you can help them!   No matter how small our contribution, even IF we can start by helping just one person at a time… it'll make a world of difference to that ONE person… who can then go on to impact others, in their lives BECAUSE you showed up. That's powerful!   How to begin… start with the simplest part, the easiest part of your mental picture… your mind will lead you. Trust your intuition, your imagination, and move forward… the way will open up before you.   And before you know it, you'll be creating something from a thought you had… And the more you think the more you can create!   IMPORTANT: If you are in an abusive relationship and you don't feel safe, call the National Domestic Violence Hotline! National Domestic Violence Hotline Hours: 24/7. Languages: English, Spanish and 200+ through interpretation service  800-799-7233 OR text START to 88788 Learn more   Let's connect on social media! INSTAGRAM: @women.rising.together https://www.instagram.com/women.rising.together/ PRIVATE & FREE FACEBOOK COMMUNITY: WomenRisingTogether2021 (link below) Women Rising Together | Facebook --- Send in a voice message: https://podcasters.spotify.com/pod/show/addie970/message Support this podcast: https://podcasters.spotify.com/pod/show/addie970/support

Do you know what I realized during my chat with Cami Travis-Groves? Our role as coaches is like Yoda's role for Luke Skywalker. We're not the heroes, we're the guides helping our clients see their own potential, asking questions that can lead them to their desired destination. And every so often, we have to embrace being disruptors, challenging the status quo for the better. #CoachingInsights #BeTheGuide In a nutshell, Coach Cami Travis-Groves helps creatives get the hell out of their own way. Clients come wanting help with common issues: how to make more money, how to tap into greater creativity, or how to navigate career changes. She describes these issues as just symptoms and a direct reflection of what's going on inside. In this podcast episode, Kimberly Spencer interviews Cami Travis-Groves, a transformational coach and founder of The Freelance CEO. They discuss the concept of bringing good juju into businesses and explore topics such as vulnerability, curiosity, and embracing discomfort for personal and professional growth. Cami emphasizes the importance of self-comparison and celebrating personal progress, while Kimberly adds that choosing joy is a conscious decision and a powerful way to approach life. They also touch on the role of coaches as guides and mirrors, the significance of diversity in thought and perspective, and the transformative power of coaching. Enjoy, sovereigns! Listen to the episode on Apple Podcasts, Spotify, Google Podcasts, Amazon Music, or your favorite podcast listening platform. You can also watch the episode on Youtube. Moments of Note: The transformation process [00:05:20] Discussion on the process of transforming from a fear and scarcity mindset to an abundance mindset. The power of belief [00:12:18] Exploring the impact of belief and the practice of trusting the process and taking steps towards abundance. Practicing abundance mindset [00:09:01] Tips on practicing and shifting towards an abundance mindset, including reframing thoughts and taking action despite fear. Vulnerability and Growth [00:13:52] Discussion on the importance of curiosity, practice, and failure in personal growth and learning. Courage to Not Know [00:19:45] Exploration of the courage required to embrace uncertainty and let go of the need to know all the answers. Expanding Comfort Zones [00:22:01] Explanation of the benefits of stretching comfort zones gradually and the false belief that one must know what they're doing or get it right the first time. The power of celebrating milestones [00:24:11] Discussion on the importance of looking back and celebrating accomplishments and growth. Choosing joy and happiness [00:26:09] Exploring the mindset of choosing happiness and the positive impact it can have on success and well-being. Observing and designing your thoughts [00:32:19] The significance of noticing and being in control of your thoughts is to shape your emotions, behavior, and reality. The Detachment from Launching [00:35:31] Kimberly shares her personal experience of detaching from the idea of launching and finding a new direction for her business. Being the Guide, Not the Hero [00:38:17] Cami and Kimberly discuss the role of coaches as guides in helping clients become the heroes of their own stories. Accepting and Embracing the Challenger [00:41:18] Cami shares her journey of accepting and embracing her role as a challenger and disruptor in her work. The After Picture [00:47:27] Discussion on the importance of sharing goals and vision, and painting a clear picture of the desired outcome. The Power of Diversity [00:49:16] Exploration of the value of diversity in teams, including diversity of thought and perspective. Creativity and Constraints [00:50:26] Insights on how diverse and divergent thinking in teams can lead to more creative ideas, with the use of constraints and time limits. Mentions + Additional Resources: Connect with Cami Travis-Groves WEBSITE: https://www.cami.coach/ FACEBOOK: https://www.facebook.com/goodjujucami INSTAGRAM: https://www.instagram.com/goodjujucami/ TWITTER: https://twitter.com/goodjujucami LINKED IN: https://www.linkedin.com/company/coachcami/ APPLE PODCASTS: ‎https://podcasts.apple.com/gb/podcast/deep-dive-coaching-for-creatives/id1551664653 ____________

Ted, Ted, and Ted's accidental initiation into The Psychonauts began as a result of the friends, originally three Fraternity Brothers and Recent Graduates of UCLA attending festivals consistently together, each using various Mind-Altering substances to attract (“preferably female”) partygoers. Over the course of the series in short (often light and comedic) scenes, where the trio often stumble into reality-shattering situations by sheer coincidence or seemingly random occurrences. But as we later learn about the multilayered world of interdimensional existence, Everything happens for a reason; Nothing is Impossible, Never Say Never, Be Careful what You Wish For-- and, of course-- there are no coincidences. These three seemingly simple-minded creatures begin as “wooks”, Shirtless Party Boys eager to rave. Often [irresponsibly] experimenting with copious amounts of psychedelics, the boys often find themselves unknowingly transported through various wormholes, teleportals, time warps, and Voids created through the music at each festival they attend, sometimes confusedly landing them in alternate parallels and altered dimensions of reality, sometimes even spiraling into three separate dimensions at once, thus creating new points along The Grid, from which the parallels and dimensions are woven together and interconnected through, time, space, circumstance, and choice in any conscious--ultimately (though, most often by dumb luck or happy accidents) expanding the universe, prompting the Ascended Masters to scout Ted, Ted, and Ted as a unified team to be inducted into The Psyconauts, eventually becoming an integral and important Dillon (Theodore) Francis, while working towards an Alliance between the Bampheramphs and Psychonauts uses his bewittingly bestowed middle name to act as an Alternate ‘Ted', or sometimes work jointly as The QuadraSquad, a “pop-up” rave squad which acts as a recruitment team, and on emergency search-and-rescue missions, collecting key components along the collapse and collision of worlds and within the fabric of space, time, and reality. Chak Chel and Dillon Francis put the Teds through a rigorous (and extremely senseless) crash-course in DJing, forming a popular Trio, whose name varies depending on the dimensions in which they will preform, secretly setting tactical bassdrops, emitting coded frequencies to communicate covertly with other entities, opening intentional time warps, portals, and wormholes through their DJ sets. Time holes where the Trio are in two (or sometimes, more, and alternately infinite) places at once are placed as easter eggs throughout the series; In some cases, The Three Teds are even festival attendees at the festivals which in a neighboring reality they are also headlining, even at points transporting their own selves through timespace--whether intentionally, or coincidentally. As the Teds reach the high ranks of The Psychonauts, even eventually (and unwillingly) becoming separated by the obligation of duty, being assigned to separate sanctions of Leadership by skillset as a “draft” is enacted to strengthen their forces, as they prepare for The FInal Battle (actually multiple (infinite) battles occurring concurrently throughout the expanse of reality, even stretching into the outer realms of ‘inexistence' as the collective consciousness grows, reaching Ascension, and allowing certain realities to reach the New Paradigm. Though evolved over time as the series progresses, The Teds maintain their quirky wookness, questionable (sometimes inappropriate) sense of fashion, and hilariously signature fratboy attitudes and antics, reunifying as a powerful Trio once more towards the conclusion of the series, appearing elementally in various ways at most crucial plot points, revealing the creation through all of their endeavors and shenanigans, a brand new universe within The Infinite Multivetrse. (“TED”, where everything/everyone is “Ted”, This universe collides with “Everyone's A DJ”, and, as an infinitely expanding and integral part of the universe, appears optically as “TBD” (To Be Determined, Where Cliffhangers, Plot Holes, Continuity Errors and other traditional elements of Theatrical Film are represented throughout the SUPA Saga and overall festival project.) During the Wookness: Ted: Yo, how much for this? (Points To Kandi Cuff) ...How much-what? Ted: How much is it? Like what, $50 bucks? 50 bucks?! Ted: Oh shit, my bad--festival prices, huh? Sorry yo, I got a $50, the rest is big bills. Doyou have an online shop? Are you trying to buy my kandi? You can't *buy* kandi! Ted: Pssshhh! Ted: All I buy is Kandi! YOu can't sell kandi, youre supposed to trade it.. That's why you make it. Ted: Yeah bro, I've done trades. (Flashback) Raver Girl: Wanna Trade Kandi? Ted: Show Us your Titties! The girl looks to her friend, as if to say “should I?” her friend, wearing dark Ray Bans, and sternly nods her head in approval, her friend shrugs drunkenly as if to say“fuck it, why not?” While the friend swiftly pulls out her iPhone, the other lifts her shirt, flashing the happy Teds, dancing in Fratboy Delight; Ted, standing adjacent to the straight-faced girl in Sunglasses, sneakily scrunches down to get a good picture; their [Tri-Lens] iPhone cameras now directly aligned. face to face, (or rather, eye-to-eye) ((Or, eye-to-eye, rather,)) (((Rather, eye-to-eye,))). snapping his picture, as the flash from her camera blinds him Ted:UH, Yeah you can..They sell it online. Online? Whats--what? SELL? Ted: Fuck yeah dude. Ted: YEEE, KANDI KID 4 LIFE YOU ARE NOT A KANDI--Ki--YOU CAn'T SELL KANDI. Woah, chill. No “chill” no selling Kandi! NO! NO! What Chak Chel's Bedtime Stories Chak Chel, the GOOGLE kids' favorite babysitter, tells stories of infinitely expanding adventures of the multidimensions of timespace -Honey, I Killed Myself. -Honey, I Shrunk The Skrillex -Who Killed Sunni Blu? -Who Killed SupaCree? -The Curious Case of SupaCree -DILLONCEPTION Trapped in an intensely infinite and ever-expanding and/or consistently densening Vividly Lucid Multidimensionally (And Musically) Interconnected Omni-Galactic Eternal Space-Time “Loop”, [DJ] Dillon Francis must frustratingly attempt to multitask through an “apparently unlimited”[ (I TOLD YOU, IN-FIN-ITE. INFINITY.)] battle his Masked nemesis, Key: Brackets [] Director's Notes, Production Details, typically indicating a tie-in with other entries, or crossovers from other consecutively (or, sometimes, alternately) running series in the saga, more frequently as the “Multiverse” expands, or as the (Technical Omniverse, Eventually) in which the series' specific “(U)niverse” ‘collapsing', being progressively stated repeatedly throughout the series to be both compressing, and expanding respectively; However, as the Bill and Ted's Excellent Adventure... Dill and Ted's Excellent Adventure (They cross paths with Bill and Ted, in their search for Two of the missing Teds; Alternately Ted and Ted discover how ‘Three's a Crowd” makes sense, as they happily gallavant frat-tastically through the galaxy, in search of a Sexy Space-Alien Rave Bae (The Amazonian Women from futurama, live action, Saved by the Heroes from futurama) (on) Having ascended into the dimension after her most recent death, SupaCree (not yet known as SupaCree), lands “God”, an Ascended Dimension where she can actually communicate clearly with the Ascended Masters, being closer to ‘God' (her)self, but not directly being able to interact with her; conversely, she can scan the plains of reality from “above”, though later we learn there is no “up” or “down” in “Total Omnipotence”, the post-conscience Infinite Existence Experienced in the Limitless (INFINITE) Energy of Being Everything, Everyone, and Everywhere at once; Simultaneously Nonexistant, Being “Nothing”, “Nobody” and “Nowhere” at once, all represented variously through the concept of infinite multidimentionality, in our “3” dimensional “Uni-Multi-Omni-Versal” (apparently, I've just been told) SupaCree exists in a Tri-Verse, unbeknownst to even God (her)self to its true Origins, the “final(e)” (but not, ever) (e) In a random and nearly collapsed alternate fabric of timespace, where the spelling of the name “Cree” is pronounced the same, but spelled simply “Cre”, (though, specifically equally--”by the exact number of times, actually”--mispronounced”, One of the only similarities between the two, sharing the same planetary alignments and cosmic significance and the same parents--however having been conceived with completely different genetic markers: As a result, this alternate version of herself is physically not “opposite”, but differs in physical appearance drastically--at least, for the most part--as more ideally attractive which to The Original's mind-blowing dissatisfaction, (and, also stagnantly egotistical “Very Satisfied” Satisfaction), But the feeling soon fades when she learns that this reality is on the verge of imminent collapse after the discovery that one subtle, singular synchronicity shared in her actual reality(s)(realities) (which one?) ((Multiple “actual-realities, actually”)) (((Multiple Synchronized Individual Existence Theory, one of the multiple Theories (I) Use to Conceive the (Law) of Evolutionary Infinite Omnipotence, (Everything is Everything/Nothing is Nothing/ God is, as I am/ I am U/All Are One) the aforementioned suggesting the absolute possibility of any circumstance which allows a singular subject with (apparently) “limited” existence, total and complete synchronization at “exact” moment of “Creation”, or “Origin”, and any circumstantially coinciding consecutive synchronizations beyond the limitations eo each respective individual's actual existence or reality.)(Satisfaction, Benny Benassi) (And Apparently, The Biz--because, literally, writing in real-time (What is time) with google. (What's The Biz???) Travelling to 2003, where the event which ties this frail and “practically non-existent” fabric of reality to her own, she eagerly races against the clock (in real time?) ((maybe, unreal time)) (((I am time.))) “I don't believe in time”, later corrected, after being stuck in a Godless world to “The human concept of “time”,/God's not real, or opting to state the phrase more subjectively, “I don't [really}/I kinda don't believe in time,” though as she evolves more rapidly through her progressive Ascension and Elemental Mastery, quickly Surpassing Ascended Mastery as a skilled sorcerer,Visionary Seer, helping her rapidly strengthen the art of Cosmic Alchemy, mastery of (eventually, instant, and respectively infinite manifestation, and matter/antimatter movement and/or manipulation;i.e. The art of Creation. I.E., Do you even know what “i.e' stands for? I'll look it up later, I know what its used for. Look it up. [Googles i.e, clicks on top most commonly searched] I.e. and e.g. are both Latin abbreviations. E.g. stands for exempli gratia and means “for example.” I.e. is the abbreviation for id est and means “in other words.” Remember that E is for example (e.g.) and that I and E are the first letters of in essence, an alternative English translation of i.e. The Original Cree sits perched behind a red (Ugh, red…) ...A red laptop computer; the love light lost from her dark eyes, through the clear lenses of her cheap, brandless (Medicaid.) ...brandless black glasses, narrow framed and unbecoming over the shape of her face, the Album ‘Who Killed Matt Maeson” softly plays a somber song, to which she'd normally--at least, if left alone or rarely, in “comfortable company” (That's, someone you don't necessarily “like”, but still feel comfortable enough to sing around.) The Scientist, in a higher realm, peaking down through her microscope, watches contently, curiously, and concisely, dialing its lens by a couple turns, as she ponders aloud, Hm. Wonder what makes that happen, exactly? That's...huh...Hm. [Her project, a mystery hidden from the audience. She pushes herself back from the desk, reaching for her notebook and jotting quickly her findings, stopping only turn on some [] Music, which blends seamlessly as we fade back into the scene of the drab and unflattering, somewhat “sickeningly” lit, reminiscent of the stagnancy most often observed in a petri dish.] As the song ‘Cringe' begins to play in the background, the clear picture of the laptop screen fades into a blurred obscurity, as her focus shifts sharply to the warm glowing array of colors of her speaker light her otherwise nearly lifeless eyes, as she is Slightly and softly hypnotized into a series of several simultaneous vivid memories; separate and specifically assorted scenes form, as she remembers “everything” quite at once, A vision weaved into her conscious memories, just as seamlessly; A Web Wrapped with the Fragile Fabric of “Time”, the invisible energy of musical frequencies awaken ones senses and sensibilities--invisible, for some...at least. The light on the speaker, a golden tone, as we cascade into the eye mind; A flash to a blurry memory, 2017; A slender and handsome longhaired surfer, resurfaces from submersion under the waves, flipping his long hair back with the graceful and slowmotionly seductive snap of the neck, as the sunlight gleaming a golden glow, in the eye of his admirer. A Flash Of: The Golden Light of the Shining Sun over Santa Monica A Flash, As she Gently Weeps, as the tears leaving her eyes leave (in a flash of scenes) drops onto her jeans, the sidewalk--all the while, A tiny ant carries a giant leaf, as the spider weaves beneath the tree whose leaves leak streams of pretty streaking and speckled, and leaves glassy droplets stuck in the strings of the spider, still weaving; the rain floods the streams into rivers, which bleed, eventually in the ocean, fanning out into the Seven Seas. (pacifically, eventually) Are we reading this, or is this stage direction--production notes? What is this? Who is “we”? WE AVE A whole flashback unfolds: A steamy shower, thick with the smell sweet candles, leaving steam-less spots of mirror in the flickering heat; A seamless and synchronized transition, as the More Cheery and Upbeat Strings, Beat and melody in the previously playing version, fades seemingly into the steam, as ‘Cringe, Stripped” leads us into the memory, where she sings with the heartbreakingly haunting and soulful sadness, the harmony, her voice blending perfectly over the recording as if it were meant to be; The Duality of Grief. Not quite flashing back, but seen as a translucent overlay, another flash; The Seats of a theatre, the scene in black and white, as the stage lights washout, the flickering dremlike scene, the steam so thick we barely see the details of the singing, with the passion that seems to bleed out the ache of her broken, barely beating heart. The song rings out, evolving into what just may be, the beginnings of a remix, as more quick flashes slam back-to-back A flash of: The Scene In The Mercedes A flash of an ambulance, sirens blaring! A flash as the scene of A spider sleeping peacefully beneath a leaf, shielded from the rain, which leaves droplets on the strings, on the opposite side of the same tree; Blissfully unaware of the bird, perched just above lurking or something to eat. Neither the spider, nor the other, or the bird or ant are aware of any one-another, or any other world other besides the tree, the flash of a longshot which we see, is unassumingly and unimpressively, “just a tree” a grey and stormy day; A plane takes off up into the heavy rain, droplets changing shape through the window, looking out as the plane lifts off the ground. The next layer of memories unfold as voiceovers from various quotes, accompanying the song still playing, now beginning to blend with first the stripped version, then the album/studio version, which for a moment, is singularly heard, as the flash of a scene from a more recent memory flashes: The Digital Clock in the Car Reads, 88.1 in red, The volume is low, almost so low that it can't be heard: she stares out the window on a grey and overcast day, eyes lost and pondering--though they light when her finely tuned ears catch the pitch of the song ‘Cringe', as she excitedly turns the volume up eagerly, listening for a moment--a range of joyful surprise in her expressions, happily pushing up the Translucent Pink Frames, sighing with a smile, as she exclaims, “WHAT? THIS SONG IS ON THE RADIO NOW?!” The driver, taken aback but having caught her contagious beam of “happy” I almost forgot about this song. That was a long time ago... “Oh...do you know this song?” I haven't heard it in forever...I forgot it existed. [pause] I can't believe it took that long… “yeah , it's pretty popular. It's like always on.” ...I can't believe this song...daaaaamn...her excitement settles, as she looks back out of the window, at the grey and rainy day. So, that's how long it takes… The blending and fading of the song creates an array of rapidly changing scenes faded, flashing, cut and becoming somehow closer, yet further away at the same time. Colors and shapes, as the sounds that the songs all being played which remain the same, but change, as they create new sound waves; The Three Songs are arranged and rearranged, as are the scenes, pictures, videos, of entertainment stages through the ages, The Festival Culture highlighted in the Inception since The Dawn of Rave, to present day. [Each quote, a voiceover played by an ensemble cast, each made to read any/every line specifically, if unaccompanied by a name.] The Clips and Sound Combine with Colorful Psychedelic and neon in some scenes even in 3D, (ideally, actually, up to 9D) as music, theatre, television, and flashes of memories and scenes of everything, as the shifting screen changes slightly and steadily with the music, now something of an electronic-meets-acoustic symphony (:UNPLUGGED), still cleanly and seamless in the colorful chaos that is everything, though visually intensely overwhelming, a sensory-stimulating synthesis of “Sound That You Can See”[ *go back for quote from song] The Sountrack now taking us on a Journey through sound, (ideally surround sound, even having speakers and subs somehow mounted from the ceiling, pointing down, pointing up from the ground. With Live Theatre Production Experiences combine more elements representative of the 9 Dimensions, by arranging speakers set outside of the theatre itself--perhaps, if in a Live Theatre setting, where the movie is projected onto a screen or skrim on stage, additional screens canbe projected onto the walls of the theatre, creating potential to use the audience interactively, perhaps arranging for actors seated amongst the audience members, interjecting at the intersections of crossing dimensions with both improvised and rehearsed actions, and or carrying out specific tasks as it related to the plot, the audience, even becoming the stage, as the stage is re-arranged; even becoming a mirror image of the theatre, filling with patrons and gazing into the audience, where cast members reflect a multidimensional portrayal, an interpretive alternate reality of what is happening on stage, unseen off stage, while the film still plays somewhere (or even sometimes, nowhere) as light and sound design give the viewer an experience of senselessness and sensory stimulus, Explaining through experience, representations of conditions; Much like a masterful DJ mixes musical elements in a live setting by reading the crowd, The Ideal Live Production of this Film has the ability to Unify the audience through various interactive activities; an energy-based planned, or even sporadic--based on the audience itself, monitored by The Ringmaster, an unseen (cast) Omnipitence, or ‘The Universe” itself, , as we apply the Values of Peace, Love, Unity, and Respect as the Ultra-Fine Line between “Everything” and “Nothing”, in simpler terms: Light and Dark, and finding the balance which allows us, in the “present” to explore and experience The Voids, shattering reality as the Linear plot unravels into a non-linar Uncontrolled Experiement, Allowing for Manuverability within the variables and simulating a Synesthesia-Inspired Simulation of Multidimensional Time and Space Travel, using music as the constant connection; as the finale transforms the theater in entirety into both a theatrical interpretation of a full-scale music festival--and a real-life miniature dance scene, inviting real-life ravers to fill the space to capacity, as the final scenes of the film unfold as the our present reality Expanding, Ascending, Compressing, and Collapsing All at Once, Explosions and Implosions as Conscious and Unconscious Collide in the Cosmos; Darkness having never known Light, and Life is the balance we find as they collide, tied in tightly by Time through the rhymes and iambic pentameters, patterns, passion, perception; we find the Power of the Divine is the awareness of one's existence as Everything and/or Nothing at once, As the Reflection of both the inward and outward selves must balance, and harmonize in time, to realize The Difference between Paradise and The Prison of Purgatory, is the illusion of Division between the two Divine Eyes; The strength behind them lights the … Ted, Ted, and Ted's accidental initiation into The Psychonauts began as a result of the friends, originally three Fraternity Brothers and Recent Graduates of UCLA attending festivals consistently together, each using various Mind-Altering substances to attract (“preferably female”) partygoers. Over the course of the series in short (often light and comedic) scenes, where the trio often stumble into reality-shattering situations by sheer coincidence or seemingly random occurrences. But as we later learn about the multilayered world of interdimensional existence, Everything happens for a reason; Nothing is Impossible, Never Say Never, Be Careful what You Wish For-- and, of course-- there are no coincidences. These three seemingly simple-minded creatures begin as “wooks”, Shirtless Party Boys eager to rave. Often [irresponsibly] experimenting with copious amounts of psychedelics, the boys often find themselves unknowingly transported through various wormholes, teleportals, time warps, and Voids created through the music at each festival they attend, sometimes confusedly landing them in alternate parallels and altered dimensions of reality, sometimes even spiraling into three separate dimensions at once, thus creating new points along The Grid, from which the parallels and dimensions are woven together and interconnected through, time, space, circumstance, and choice in any conscious--ultimately (though, most often by dumb luck or happy accidents) expanding the universe, prompting the Ascended Masters to scout Ted, Ted, and Ted as a unified team to be inducted into The Psyconauts, eventually becoming an integral and important Dillon (Theodore) Francis, while working towards an Alliance between the Bampheramphs and Psychonauts uses his bewittingly bestowed middle name to act as an Alternate ‘Ted', or sometimes work jointly as The QuadraSquad, a “pop-up” rave squad which acts as a recruitment team, and on emergency search-and-rescue missions, collecting key components along the collapse and collision of worlds and within the fabric of space, time, and reality. Chak Chel and Dillon Francis put the Teds through a rigorous (and extremely senseless) crash-course in DJing, forming a popular Trio, whose name varies depending on the dimensions in which they will preform, secretly setting tactical bassdrops, emitting coded frequencies to communicate covertly with other entities, opening intentional time warps, portals, and wormholes through their DJ sets. Time holes where the Trio are in two (or sometimes, more, and alternately infinite) places at once are placed as easter eggs throughout the series; In some cases, The Three Teds are even festival attendees at the festivals which in a neighboring reality they are also headlining, even at points transporting their own selves through timespace--whether intentionally, or coincidentally. As the Teds reach the high ranks of The Psychonauts, even eventually (and unwillingly) becoming separated by the obligation of duty, being assigned to separate sanctions of Leadership by skillset as a “draft” is enacted to strengthen their forces, as they prepare for The FInal Battle (actually multiple (infinite) battles occurring concurrently throughout the expanse of reality, even stretching into the outer realms of ‘inexistence' as the collective consciousness grows, reaching Ascension, and allowing certain realities to reach the New Paradigm. Though evolved over time as the series progresses, The Teds maintain their quirky wookness, questionable (sometimes inappropriate) sense of fashion, and hilariously signature fratboy attitudes and antics, reunifying as a powerful Trio once more towards the conclusion of the series, appearing elementally in various ways at most crucial plot points, revealing the creation through all of their endeavors and shenanigans, a brand new universe within The Infinite Multiverse. (“TED”, where everything/everyone is “Ted”, This universe collides with “Everyone's A DJ”, and, as an infinitely expanding and integral part of the universe, appears optically as “TBD” (To Be Determined, Where Cliffhangers, Plot Holes, Continuity Errors and other traditional elements of Theatrical Film are represented throughout the SUPA Saga and overall festival project.) During the Wookness: Ted: Yo, how much for this? (Points To Kandi Cuff) ...How much-what? Ted: How much is it? Like what, $50 bucks? 50 bucks?! Ted: Oh shit, my bad--festival prices, huh? Sorry yo, I got a $50, the rest is big bills. Doyou have an online shop? Are you trying to buy my kandi? You can't *buy* kandi! Ted: Pssshhh! Ted: All I buy is Kandi! You can't sell kandi, you're supposed to trade it.. That's why you make it. Ted: Yeah bro, I've done trades. (Flashback) Raver Girl: Wanna Trade Kandi? Ted: Show Us your Titties! The girl looks to her friend, as if to say “should I?” her friend, wearing dark Ray Bans, and sternly nods her head in approval, her friend shrugs drunkenly as if to say“fuck it, why not?” While the friend swiftly pulls out her iPhone, the other lifts her shirt, flashing the happy Teds, dancing in Fratboy Delight; Ted, standing adjacent to the straight-faced girl in Sunglasses, sneakily scrunches down to get a good picture; their [Tri-Lens] iPhone cameras now directly aligned. face to face, (or rather, eye-to-eye) ((Or, eye-to-eye, rather,)) (((Rather, eye-to-eye,))). snapping his picture, as the flash from her camera blinds him Ted:UH, Yeah you can..They sell it online. Online? Whats--what? SELL? Ted: Fuck yeah dude. Ted: YEEE, KANDI KID 4 LIFE YOU ARE NOT A KANDI--Ki--YOU CAn'T SELL KANDI. Woah, chill. No “chill” no selling Kandi! NO! NO! What Chak Chel's Bedtime Stories Chak Chel, the GOOGLE kids' favorite babysitter, tells stories of infinitely expanding adventures of the multidimensions of timespace -Honey, I Killed Myself. -Honey, I Shrunk The Skrillex -Who Killed Sunni Blu? -Who Killed SupaCree? -The Curious Case of SupaCree -DILLONCEPTION Trapped in an intensely infinite and ever-expanding and/or consistently densening Vividly Lucid Multidimensionally (And Musically) Interconnected Omni-Galactic Eternal Space-Time “Loop”, [DJ] Dillon Francis must frustratingly attempt to multitask through an “apparently unlimited”[ (I TOLD YOU, IN-FIN-ITE. INFINITY.)] battle his Masked nemesis, Key: Brackets [] Director's Notes, Production Details, typically indicating a tie-in with other entries, or crossovers from other consecutively (or, sometimes, alternately) running series in the saga, more frequently as the “Multiverse” expands, or as the (Technical Omniverse, Eventually) in which the series' specific “(U)niverse” ‘collapsing', being progressively stated repeatedly throughout the series to be both compressing, and expanding respectively; However, as the Bill and Ted's Excellent Adventure... Dill and Ted's Excellent Adventure (They cross paths with Bill and Ted, in their search for Two of the missing Teds; Alternately Ted and Ted discover how ‘Three's a Crowd” makes sense, as they happily gallavant frat-tastically through the galaxy, in search of a Sexy Space-Alien Rave Bae (The Amazonian Women from futurama, live action, Saved by the Heroes from futurama) (on) Having ascended into the dimension after her most recent death, SupaCree (not yet known as SupaCree), lands “God”, an Ascended Dimension where she can actually communicate clearly with the Ascended Masters, being closer to ‘God' (her)self, but not directly being able to interact with her; conversely, she can scan the plains of reality from “above”, though later we learn there is no “up” or “down” in “Total Omnipotence”, the post-conscience Infinite Existence Experienced in the Limitless (INFINITE) Energy of Being Everything, Everyone, and Everywhere at once; Simultaneously Nonexistant, Being “Nothing”, “Nobody” and “Nowhere” at once, all represented variously through the concept of infinite multidimentionality, in our “3” dimensional “Uni-Multi-Omni-Versal” (apparently, I've just been told) SupaCree exists in a Tri-Verse, unbeknownst to even God (her)self to its true Origins, the “final(e)” (but not, ever) (e) In a random and nearly collapsed alternate fabric of timespace, where the spelling of the name “Cree” is pronounced the same, but spelled simply “Cre”, (though, specifically equally--”by the exact number of times, actually”--mispronounced”, One of the only similarities between the two, sharing the same planetary alignments and cosmic significance and the same parents--however having been conceived with completely different genetic markers: As a result, this alternate version of herself is physically not “opposite”, but differs in physical appearance drastically--at least, for the most part--as more ideally attractive which to The Original's mind-blowing dissatisfaction, (and, also stagnantly egotistical “Very Satisfied” Satisfaction), But the feeling soon fades when she learns that this reality is on the verge of imminent collapse after the discovery that one subtle, singular synchronicity shared in her actual reality(s)(realities) (which one?) ((Multiple “actual-realities, actually”)) (((Multiple Synchronized Individual Existence Theory, one of the multiple Theories (I) Use to Conceive the (Law) of Evolutionary Infinite Omnipotence, (Everything is Everything/Nothing is Nothing/ God is, as I am/ I am U/All Are One) the aforementioned suggesting the absolute possibility of any circumstance which allows a singular subject with (apparently) “limited” existence, total and complete synchronization at “exact” moment of “Creation”, or “Origin”, and any circumstantially coinciding consecutive synchronizations beyond the limitations eo each respective individual's actual existence or reality.)(Satisfaction, Benny Benassi) (And Apparently, The Biz--because, literally, writing in real-time (What is time) with google. (What's The Biz???) Travelling to 2003, where the event which ties this frail and “practically non-existent” fabric of reality to her own, she eagerly races against the clock (in real time?) ((maybe, unreal time)) (((I am time.))) “I don't believe in time”, later corrected, after being stuck in a Godless world to “The human concept of “time”,/God's not real, or opting to state the phrase more subjectively, “I don't [really}/I kinda don't believe in time,” though as she evolves more rapidly through her progressive Ascension and Elemental Mastery, quickly Surpassing Ascended Mastery as a skilled sorcerer,Visionary Seer, helping her rapidly strengthen the art of Cosmic Alchemy, mastery of (eventually, instant, and respectively infinite manifestation, and matter/antimatter movement and/or manipulation;i.e. The art of Creation. I.E., Do you even know what “i.e' stands for? I'll look it up later, I know what its used for. Look it up. [Googles i.e, clicks on top most commonly searched] I.e. and e.g. are both Latin abbreviations. E.g. stands for exempli gratia and means “for example.” I.e. is the abbreviation for id est and means “in other words.” Remember that E is for example (e.g.) and that I and E are the first letters of in essence, an alternative English translation of i.e. The Original Cree sits perched behind a red (Ugh, red…) ...A red laptop computer; the love light lost from her dark eyes, through the clear lenses of her cheap, brandless (Medicaid.) ...brandless black glasses, narrow framed and unbecoming over the shape of her face, the Album ‘Who Killed Matt Maeson” softly plays a somber song, to which she'd normally--at least, if left alone or rarely, in “comfortable company” (That's, someone you don't necessarily “like”, but still feel comfortable enough to sing around.) The Scientist, in a higher realm, peaking down through her microscope, watches contently, curiously, and concisely, dialing its lens by a couple turns, as she ponders aloud, Hm. Wonder what makes that happen, exactly? That's...huh...Hm. [Her project, a mystery hidden from the audience. She pushes herself back from the desk, reaching for her notebook and jotting quickly her findings, stopping only turn on some [] Music, which blends seamlessly as we fade back into the scene of the drab and unflattering, somewhat “sickeningly” lit, reminiscent of the stagnancy most often observed in a petri dish.] As the song ‘Cringe' begins to play in the background, the clear picture of the laptop screen fades into a blurred obscurity, as her focus shifts sharply to the warm glowing array of colors of her speaker light her otherwise nearly lifeless eyes, as she is Slightly and softly hypnotized into a series of several simultaneous vivid memories; separate and specifically assorted scenes form, as she remembers “everything” quite at once, A vision weaved into her conscious memories, just as seamlessly; A Web Wrapped with the Fragile Fabric of “Time”, the invisible energy of musical frequencies awaken ones senses and sensibilities--invisible, for some...at least. The light on the speaker, a golden tone, as we cascade into the eye mind; A flash to a blurry memory, 2017; A slender and handsome longhaired surfer, resurfaces from submersion under the waves, flipping his long hair back with the graceful and slowmotionly seductive snap of the neck, as the sunlight gleaming a golden glow, in the eye of his admirer. A Flash Of: The Golden Light of the Shining Sun over Santa Monica A Flash, As she Gently Weeps, as the tears leaving her eyes leave (in a flash of scenes) drops onto her jeans, the sidewalk--all the while, A tiny ant carries a giant leaf, as the spider weaves beneath the tree whose leaves leak streams of pretty streaking and speckled, and leaves glassy droplets stuck in the strings of the spider, still weaving; the rain floods the streams into rivers, which bleed, eventually in the ocean, fanning out into the Seven Seas. (pacifically, eventually) Are we reading this, or is this stage direction--production notes? What is this? Who is “we”? WE AVE A whole flashback unfolds: A steamy shower, thick with the smell sweet candles, leaving steam-less spots of mirror in the flickering heat; A seamless and synchronized transition, as the More Cheery and Upbeat Strings, Beat and melody in the previously playing version, fades seemingly into the steam, as ‘Cringe, Stripped” leads us into the memory, where she sings with the heartbreakingly haunting and soulful sadness, the harmony, her voice blending perfectly over the recording as if it were meant to be; The Duality of Grief. Not quite flashing back, but seen as a translucent overlay, another flash; The Seats of a theatre, the scene in black and white, as the stage lights washout, the flickering dremlike scene, the steam so thick we barely see the details of the singing, with the passion that seems to bleed out the ache of her broken, barely beating heart. The song rings out, evolving into what just may be, the beginnings of a remix, as more quick flashes slam back-to-back A flash of: The Scene In The Mercedes A flash of an ambulance, sirens blaring! A flash as the scene of A spider sleeping peacefully beneath a leaf, shielded from the rain, which leaves droplets on the strings, on the opposite side of the same tree; Blissfully unaware of the bird, perched just above lurking or something to eat. Neither the spider, nor the other, or the bird or ant are aware of any one-another, or any other world other besides the tree, the flash of a longshot which we see, is unassumingly and unimpressively, “just a tree” a grey and stormy day; A plane takes off up into the heavy rain, droplets changing shape through the window, looking out as the plane lifts off the ground. The next layer of memories unfold as voiceovers from various quotes, accompanying the song still playing, now beginning to blend with first the stripped version, then the album/studio version, which for a moment, is singularly heard, as the flash of a scene from a more recent memory flashes: The Digital Clock in the Car Reads, 88.1 in red, The volume is low, almost so low that it can't be heard: she stares out the window on a grey and overcast day, eyes lost and pondering--though they light when her finely tuned ears catch the pitch of the song ‘Cringe', as she excitedly turns the volume up eagerly, listening for a moment--a range of joyful surprise in her expressions, happily pushing up the Translucent Pink Frames, sighing with a smile, as she exclaims, “WHAT? THIS SONG IS ON THE RADIO NOW?!” The driver, taken aback but having caught her contagious beam of “happy” I almost forgot about this song. That was a long time ago... “Oh...do you know this song?” I haven't heard it in forever...I forgot it existed. [pause] I can't believe it took that long… “yeah , it's pretty popular. It's like always on.” ...I can't believe this song...daaaaamn...her excitement settles, as she looks back out of the window, at the grey and rainy day. So, that's how long it takes… The blending and fading of the song creates an array of rapidly changing scenes faded, flashing, cut and becoming somehow closer, yet further away at the same time. Colors and shapes, as the sounds that the songs all being played which remain the same, but change, as they create new sound waves; The Three Songs are arranged and rearranged, as are the scenes, pictures, videos, of entertainment stages through the ages, The Festival Culture highlighted in the Inception since The Dawn of Rave, to present day. [Each quote, a voiceover played by an ensemble cast, each made to read any/every line specifically, if unaccompanied by a name.] The Clips and Sound Combine with Colorful Psychedelic and neon in some scenes even in 3D, (ideally, actually, up to 9D) as music, theatre, television, and flashes of memories and scenes of everything, as the shifting screen changes slightly and steadily with the music, now something of an electronic-meets-acoustic symphony (:UNPLUGGED), still cleanly and seamless in the colorful chaos that is everything, though visually intensely overwhelming, a sensory-stimulating synthesis of “Sound That You Can See”[ *go back for quote from song] The Sountrack now taking us on a Journey through sound, (ideally surround sound, even having speakers and subs somehow mounted from the ceiling, pointing down, pointing up from the ground. With Live Theatre Production Experiences combine more elements representative of the 9 Dimensions, by arranging speakers set outside of the theatre itself--perhaps, if in a Live Theatre setting, where the movie is projected onto a screen or skrim on stage, additional screens canbe projected onto the walls of the theatre, creating potential to use the audience interactively, perhaps arranging for actors seated amongst the audience members, interjecting at the intersections of crossing dimensions with both improvised and rehearsed actions, and or carrying out specific tasks as it related to the plot, the audience, even becoming the stage, as the stage is re-arranged; even becoming a mirror image of the theatre, filling with patrons and gazing into the audience, where cast members reflect a multidimensional portrayal, an interpretive alternate reality of what is happening on stage, unseen off stage, while the film still plays somewhere (or even sometimes, nowhere) as light and sound design give the viewer an experience of senselessness and sensory stimulus, Explaining through experience, representations of conditions; Much like a masterful DJ mixes musical elements in a live setting by reading the crowd, The Ideal Live Production of this Film has the ability to Unify the audience through various interactive activities; an energy-based planned, or even sporadic--based on the audience itself, monitored by The Ringmaster, an unseen (cast) Omnipitence, or ‘The Universe” itself, , as we apply the Values of Peace, Love, Unity, and Respect as the Ultra-Fine Line between “Everything” and “Nothing”, in simpler terms: Light and Dark, and finding the balance which allows us, in the “present” to explore and experience The Voids, shattering reality as the Linear plot unravels into a non-linar Uncontrolled Experiement, Allowing for Manuverability within the variables and simulating a Synesthesia-Inspired Simulation of Multidimensional Time and Space Travel, using music as the constant connection; as the finale transforms the theatre in entirety into both a theatrical interpretation of a full-scale music festival--and a real-life miniature dance scene, inviting real-life ravers to fill the space to capacity, as the final scenes of the film unfold as the our present reality Expanding, Ascending, Compressing, and Collapsing All at Once, Explosions and Implosions as Concious and Unconcious Collide in the Cosmos; Darkness having never known Light, and Life is the balance we find as they collide, tied in tightly by Time through the rhymes and iambic pentameters, patterns, passion, perception; we find the Power of the Divine is the awareness of one's existence as Everything and/or Nothing at once, As the Reflection of both the inward and outward selves must balance, and harmonize in time, to realize The Difference between Paradice and The Prison of Purgatory, is the illusion of Division between the two Divine Eyes; The strength behind them lights the … I'm tired. Something about a third eye, right? I don't know. I think they closed mine. Who's “they” I am. “I prefer the gloominess to the sun. I don't know why.” (From, The Beatles, Love: Sun, Sun, Sun…) “‘I told the spider i'd write it!” (A quick clip of spiderman) ‘'Ohh, she spida” Okay, literally what the FUCK is my life. Are you alive? Not even. This doesn't make sense. How much sense is it supposed to make. It is making sense. It's making 6th sense. How did he DO that? Just him? THEY. Oh, shit. I know you're workin for it. Nah, I don't even think that's right? What's right? Something Doesn't Feel Right, I've had enough for one night. Yo, how is this happening? I don't know. They said it was a 9-Dimensional Song. WHAT even IS the 9th Dimension? What are any of the DImensions? I don't know. Google it. I did. And? And I have ADD. I dont know. So, go! GOH.. Aw, FUCK. This is getting weird. It's been weird. How is it, I can quit Skrillex, but Skrillex can't quit me. What? It was just a coincidence. There are no coincidences. How is that song even on the radio. Look what money can do! Money can do anything! I guess taht explains why you can't. it DOES. Do they want me to kill myself? Do you want you to kill yourself? Not really. I'd rather just die of natural causes, so I don'thave to be punished. Are you being punished. I commit suicide, and-- I already told this story. I'm not telling it again. How many times have you really told it. I've been telling it. I've been living it. I'm over it. Youre not over it. You're panicking. I'm writing. Youre fasting. I'm hungry. Why are you fasting? Because nothing makes sense. I have no money, I have no music-- You have music. I have nothing. I'm fucked. There are no coincidences. Don't you think I know? I quit listening to Skrillex, all of a sudden he's on the radio?! Yes. Is he even aware of my existence?! Is he? What the fuck is happening right now. Where's Scary Monsters? In my head. What's the plot? It's...somewhere. You've got to clean up these documents somehow. I don't have the focus. Try crystal meth. No. Try adderall. ...I don't have any money. Try a doctor. I did. I tried over and over and over. For depression. For Anxiety. For ADD. Everything they give me just makes me WORSE. That's hy you NEVER say you're runnin for President. I'm NOT. But you said it. Now you're really fucked. I am. So that's it. That has to be it. They want me dead so I can't run. That's the only way it's going to happen. What's going to happen. Either thing. I'm not running for President. You're not killing yourself. Psh. Watch me. We have been. Who is we. We-YOU. IT doesn't matter. nobody would believe any of it. the whole story sounds made up. How is this supposed to work out? They used Skrillex to get me to kill myself? That's...that's deep. Or…? Or...they used Skrillex to get me to... Get you to…? I don't know. I'm pretty worthless. All I do is...this. And what's this? And who is THIS? That was Chak Chel, I guess. What the fuck did getter DO? What did Getter do? What are they doing? I think the better question is: Why? WHY In-- Who's name? I'm not God. Until you are. And then I'm Avicii. Or Skrillex. Skrillex isn't dead yet. Yet. What the fuck. Don't . I didn't. But you did. Fuck this. Fuck That. Fuck that, too. Wait, does the Roomba say “fuck that” or “fuck you?” It says “Fuck you-fuck you-fuck you-fuck you-” Because it's a vacuum, so it's literally ‘eating shit'. See. Classic. Occult Classic. It is, all in my head. Until it isn't. I already fucked up. I sent a fucking suicide letter to-- A suicide letter. One of hundreds. Yeah. So they know i'm fucked up. Because they didn't know already? How would they know? How would they NOT KNOW? They've been with you all year. That's all in my head. Is it? I mean--Is it? Seems like it. Look at the evidence. I am the evidence. Look at last year--everywhere you went in the rave world, something happened. Lots of somethings happened. Eventually culminating in-- In? Tents. So what the FUCK am I supposed to do. Well, not kill yourself. Then what? Not starve yourself. I'm too fat. But you can lose weight. You can do anything, I can't do anything. You can. Then, I already have. Right. What am I supposed to do? What is this supposed to mean? Maybe it's time for a jump start. I was saving that. You were supposed to blast off at the STRAT and had McDonalds instead. I ordered a Muder-Suicide, with the intention of finishing in Suicide. But? But I went into a food coma. So maybe rather than the enemy, McDonalds is a friend. McDonalds is a friend to no one. Saved your life. Prolonged my life. As it always seems to. Think to the last few times you've ordered the Suicide Meal. It's only been twice. And? Both times I fell asleep before I could do it. So. So there's something in McDonalds that...I don't know. Takes away the ache. It is an ache, isn't it. It is. Now think--you're not the only suicidal person on the planet. No, I'm not. Think harder. I just did. And where did you go? To The Mountain. Where--? Where Tim said-- And how is it that you're on a first name basis with someone you've never met? I'm pretty sure i'm just crazy. Avicii came to you how? Through the music. And Sonny came to you how? ... How? Through the music. What did his mother say? Can I write this? Either someone's reading it, or they aren't. And if they are? Then, what does that make you? Crazy. But they're reading your words. They're just words. What did she say? I know what she said. I don't think I can write it. This is why The Untold Prophecy Remains Untold. This is all ridiculous. Isn't it. Whose birthday is it? Mine. Happy Birthday. Thanks. How old are you? I remember someone asked that... Who? What did Getter Do? Just Getter? What...does Pasqualle Do? Just Pasqualle? ...What do I... What are you? I don't know. Did you ever? Would You Ever? I can't help it. What can you help? I don't know. Why me? Y-U, Y-U, Y-U-- What was that, anyway? {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2023 ALL RIGHTS RESERVED. © -U.

Ted, Ted, and Ted's accidental initiation into The Psychonauts began as a result of the friends, originally three Fraternity Brothers and Recent Graduates of UCLA attending festivals consistently together, each using various Mind-Altering substances to attract (“preferably female”) partygoers. Over the course of the series in short (often light and comedic) scenes, where the trio often stumble into reality-shattering situations by sheer coincidence or seemingly random occurrences. But as we later learn about the multilayered world of interdimensional existence, Everything happens for a reason; Nothing is Impossible, Never Say Never, Be Careful what You Wish For-- and, of course-- there are no coincidences. These three seemingly simple-minded creatures begin as “wooks”, Shirtless Party Boys eager to rave. Often [irresponsibly] experimenting with copious amounts of psychedelics, the boys often find themselves unknowingly transported through various wormholes, teleportals, time warps, and Voids created through the music at each festival they attend, sometimes confusedly landing them in alternate parallels and altered dimensions of reality, sometimes even spiraling into three separate dimensions at once, thus creating new points along The Grid, from which the parallels and dimensions are woven together and interconnected through, time, space, circumstance, and choice in any conscious--ultimately (though, most often by dumb luck or happy accidents) expanding the universe, prompting the Ascended Masters to scout Ted, Ted, and Ted as a unified team to be inducted into The Psyconauts, eventually becoming an integral and important Dillon (Theodore) Francis, while working towards an Alliance between the Bampheramphs and Psychonauts uses his bewittingly bestowed middle name to act as an Alternate ‘Ted', or sometimes work jointly as The QuadraSquad, a “pop-up” rave squad which acts as a recruitment team, and on emergency search-and-rescue missions, collecting key components along the collapse and collision of worlds and within the fabric of space, time, and reality. Chak Chel and Dillon Francis put the Teds through a rigorous (and extremely senseless) crash-course in DJing, forming a popular Trio, whose name varies depending on the dimensions in which they will preform, secretly setting tactical bassdrops, emitting coded frequencies to communicate covertly with other entities, opening intentional time warps, portals, and wormholes through their DJ sets. Time holes where the Trio are in two (or sometimes, more, and alternately infinite) places at once are placed as easter eggs throughout the series; In some cases, The Three Teds are even festival attendees at the festivals which in a neighboring reality they are also headlining, even at points transporting their own selves through timespace--whether intentionally, or coincidentally. As the Teds reach the high ranks of The Psychonauts, even eventually (and unwillingly) becoming separated by the obligation of duty, being assigned to separate sanctions of Leadership by skillset as a “draft” is enacted to strengthen their forces, as they prepare for The FInal Battle (actually multiple (infinite) battles occurring concurrently throughout the expanse of reality, even stretching into the outer realms of ‘inexistence' as the collective consciousness grows, reaching Ascension, and allowing certain realities to reach the New Paradigm. Though evolved over time as the series progresses, The Teds maintain their quirky wookness, questionable (sometimes inappropriate) sense of fashion, and hilariously signature fratboy attitudes and antics, reunifying as a powerful Trio once more towards the conclusion of the series, appearing elementally in various ways at most crucial plot points, revealing the creation through all of their endeavors and shenanigans, a brand new universe within The Infinite Multivetrse. (“TED”, where everything/everyone is “Ted”, This universe collides with “Everyone's A DJ”, and, as an infinitely expanding and integral part of the universe, appears optically as “TBD” (To Be Determined, Where Cliffhangers, Plot Holes, Continuity Errors and other traditional elements of Theatrical Film are represented throughout the SUPA Saga and overall festival project.) During the Wookness: Ted: Yo, how much for this? (Points To Kandi Cuff) ...How much-what? Ted: How much is it? Like what, $50 bucks? 50 bucks?! Ted: Oh shit, my bad--festival prices, huh? Sorry yo, I got a $50, the rest is big bills. Doyou have an online shop? Are you trying to buy my kandi? You can't *buy* kandi! Ted: Pssshhh! Ted: All I buy is Kandi! YOu can't sell kandi, youre supposed to trade it.. That's why you make it. Ted: Yeah bro, I've done trades. (Flashback) Raver Girl: Wanna Trade Kandi? Ted: Show Us your Titties! The girl looks to her friend, as if to say “should I?” her friend, wearing dark Ray Bans, and sternly nods her head in approval, her friend shrugs drunkenly as if to say“fuck it, why not?” While the friend swiftly pulls out her iPhone, the other lifts her shirt, flashing the happy Teds, dancing in Fratboy Delight; Ted, standing adjacent to the straight-faced girl in Sunglasses, sneakily scrunches down to get a good picture; their [Tri-Lens] iPhone cameras now directly aligned. face to face, (or rather, eye-to-eye) ((Or, eye-to-eye, rather,)) (((Rather, eye-to-eye,))). snapping his picture, as the flash from her camera blinds him Ted:UH, Yeah you can..They sell it online. Online? Whats--what? SELL? Ted: Fuck yeah dude. Ted: YEEE, KANDI KID 4 LIFE YOU ARE NOT A KANDI--Ki--YOU CAn'T SELL KANDI. Woah, chill. No “chill” no selling Kandi! NO! NO! What Chak Chel's Bedtime Stories Chak Chel, the GOOGLE kids' favorite babysitter, tells stories of infinitely expanding adventures of the multidimensions of timespace -Honey, I Killed Myself. -Honey, I Shrunk The Skrillex -Who Killed Sunni Blu? -Who Killed SupaCree? -The Curious Case of SupaCree -DILLONCEPTION Trapped in an intensely infinite and ever-expanding and/or consistently densening Vividly Lucid Multidimensionally (And Musically) Interconnected Omni-Galactic Eternal Space-Time “Loop”, [DJ] Dillon Francis must frustratingly attempt to multitask through an “apparently unlimited”[ (I TOLD YOU, IN-FIN-ITE. INFINITY.)] battle his Masked nemesis, Key: Brackets [] Director's Notes, Production Details, typically indicating a tie-in with other entries, or crossovers from other consecutively (or, sometimes, alternately) running series in the saga, more frequently as the “Multiverse” expands, or as the (Technical Omniverse, Eventually) in which the series' specific “(U)niverse” ‘collapsing', being progressively stated repeatedly throughout the series to be both compressing, and expanding respectively; However, as the Bill and Ted's Excellent Adventure... Dill and Ted's Excellent Adventure (They cross paths with Bill and Ted, in their search for Two of the missing Teds; Alternately Ted and Ted discover how ‘Three's a Crowd” makes sense, as they happily gallavant frat-tastically through the galaxy, in search of a Sexy Space-Alien Rave Bae (The Amazonian Women from futurama, live action, Saved by the Heroes from futurama) (on) Having ascended into the dimension after her most recent death, SupaCree (not yet known as SupaCree), lands “God”, an Ascended Dimension where she can actually communicate clearly with the Ascended Masters, being closer to ‘God' (her)self, but not directly being able to interact with her; conversely, she can scan the plains of reality from “above”, though later we learn there is no “up” or “down” in “Total Omnipotence”, the post-conscience Infinite Existence Experienced in the Limitless (INFINITE) Energy of Being Everything, Everyone, and Everywhere at once; Simultaneously Nonexistant, Being “Nothing”, “Nobody” and “Nowhere” at once, all represented variously through the concept of infinite multidimentionality, in our “3” dimensional “Uni-Multi-Omni-Versal” (apparently, I've just been told) SupaCree exists in a Tri-Verse, unbeknownst to even God (her)self to its true Origins, the “final(e)” (but not, ever) (e) In a random and nearly collapsed alternate fabric of timespace, where the spelling of the name “Cree” is pronounced the same, but spelled simply “Cre”, (though, specifically equally--”by the exact number of times, actually”--mispronounced”, One of the only similarities between the two, sharing the same planetary alignments and cosmic significance and the same parents--however having been conceived with completely different genetic markers: As a result, this alternate version of herself is physically not “opposite”, but differs in physical appearance drastically--at least, for the most part--as more ideally attractive which to The Original's mind-blowing dissatisfaction, (and, also stagnantly egotistical “Very Satisfied” Satisfaction), But the feeling soon fades when she learns that this reality is on the verge of imminent collapse after the discovery that one subtle, singular synchronicity shared in her actual reality(s)(realities) (which one?) ((Multiple “actual-realities, actually”)) (((Multiple Synchronized Individual Existence Theory, one of the multiple Theories (I) Use to Conceive the (Law) of Evolutionary Infinite Omnipotence, (Everything is Everything/Nothing is Nothing/ God is, as I am/ I am U/All Are One) the aforementioned suggesting the absolute possibility of any circumstance which allows a singular subject with (apparently) “limited” existence, total and complete synchronization at “exact” moment of “Creation”, or “Origin”, and any circumstantially coinciding consecutive synchronizations beyond the limitations eo each respective individual's actual existence or reality.)(Satisfaction, Benny Benassi) (And Apparently, The Biz--because, literally, writing in real-time (What is time) with google. (What's The Biz???) Travelling to 2003, where the event which ties this frail and “practically non-existent” fabric of reality to her own, she eagerly races against the clock (in real time?) ((maybe, unreal time)) (((I am time.))) “I don't believe in time”, later corrected, after being stuck in a Godless world to “The human concept of “time”,/God's not real, or opting to state the phrase more subjectively, “I don't [really}/I kinda don't believe in time,” though as she evolves more rapidly through her progressive Ascension and Elemental Mastery, quickly Surpassing Ascended Mastery as a skilled sorcerer,Visionary Seer, helping her rapidly strengthen the art of Cosmic Alchemy, mastery of (eventually, instant, and respectively infinite manifestation, and matter/antimatter movement and/or manipulation;i.e. The art of Creation. I.E., Do you even know what “i.e' stands for? I'll look it up later, I know what its used for. Look it up. [Googles i.e, clicks on top most commonly searched] I.e. and e.g. are both Latin abbreviations. E.g. stands for exempli gratia and means “for example.” I.e. is the abbreviation for id est and means “in other words.” Remember that E is for example (e.g.) and that I and E are the first letters of in essence, an alternative English translation of i.e. The Original Cree sits perched behind a red (Ugh, red…) ...A red laptop computer; the love light lost from her dark eyes, through the clear lenses of her cheap, brandless (Medicaid.) ...brandless black glasses, narrow framed and unbecoming over the shape of her face, the Album ‘Who Killed Matt Maeson” softly plays a somber song, to which she'd normally--at least, if left alone or rarely, in “comfortable company” (That's, someone you don't necessarily “like”, but still feel comfortable enough to sing around.) The Scientist, in a higher realm, peaking down through her microscope, watches contently, curiously, and concisely, dialing its lens by a couple turns, as she ponders aloud, Hm. Wonder what makes that happen, exactly? That's...huh...Hm. [Her project, a mystery hidden from the audience. She pushes herself back from the desk, reaching for her notebook and jotting quickly her findings, stopping only turn on some [] Music, which blends seamlessly as we fade back into the scene of the drab and unflattering, somewhat “sickeningly” lit, reminiscent of the stagnancy most often observed in a petri dish.] As the song ‘Cringe' begins to play in the background, the clear picture of the laptop screen fades into a blurred obscurity, as her focus shifts sharply to the warm glowing array of colors of her speaker light her otherwise nearly lifeless eyes, as she is Slightly and softly hypnotized into a series of several simultaneous vivid memories; separate and specifically assorted scenes form, as she remembers “everything” quite at once, A vision weaved into her conscious memories, just as seamlessly; A Web Wrapped with the Fragile Fabric of “Time”, the invisible energy of musical frequencies awaken ones senses and sensibilities--invisible, for some...at least. The light on the speaker, a golden tone, as we cascade into the eye mind; A flash to a blurry memory, 2017; A slender and handsome longhaired surfer, resurfaces from submersion under the waves, flipping his long hair back with the graceful and slowmotionly seductive snap of the neck, as the sunlight gleaming a golden glow, in the eye of his admirer. A Flash Of: The Golden Light of the Shining Sun over Santa Monica A Flash, As she Gently Weeps, as the tears leaving her eyes leave (in a flash of scenes) drops onto her jeans, the sidewalk--all the while, A tiny ant carries a giant leaf, as the spider weaves beneath the tree whose leaves leak streams of pretty streaking and speckled, and leaves glassy droplets stuck in the strings of the spider, still weaving; the rain floods the streams into rivers, which bleed, eventually in the ocean, fanning out into the Seven Seas. (pacifically, eventually) Are we reading this, or is this stage direction--production notes? What is this? Who is “we”? WE AVE A whole flashback unfolds: A steamy shower, thick with the smell sweet candles, leaving steam-less spots of mirror in the flickering heat; A seamless and synchronized transition, as the More Cheery and Upbeat Strings, Beat and melody in the previously playing version, fades seemingly into the steam, as ‘Cringe, Stripped” leads us into the memory, where she sings with the heartbreakingly haunting and soulful sadness, the harmony, her voice blending perfectly over the recording as if it were meant to be; The Duality of Grief. Not quite flashing back, but seen as a translucent overlay, another flash; The Seats of a theatre, the scene in black and white, as the stage lights washout, the flickering dremlike scene, the steam so thick we barely see the details of the singing, with the passion that seems to bleed out the ache of her broken, barely beating heart. The song rings out, evolving into what just may be, the beginnings of a remix, as more quick flashes slam back-to-back A flash of: The Scene In The Mercedes A flash of an ambulance, sirens blaring! A flash as the scene of A spider sleeping peacefully beneath a leaf, shielded from the rain, which leaves droplets on the strings, on the opposite side of the same tree; Blissfully unaware of the bird, perched just above lurking or something to eat. Neither the spider, nor the other, or the bird or ant are aware of any one-another, or any other world other besides the tree, the flash of a longshot which we see, is unassumingly and unimpressively, “just a tree” a grey and stormy day; A plane takes off up into the heavy rain, droplets changing shape through the window, looking out as the plane lifts off the ground. The next layer of memories unfold as voiceovers from various quotes, accompanying the song still playing, now beginning to blend with first the stripped version, then the album/studio version, which for a moment, is singularly heard, as the flash of a scene from a more recent memory flashes: The Digital Clock in the Car Reads, 88.1 in red, The volume is low, almost so low that it can't be heard: she stares out the window on a grey and overcast day, eyes lost and pondering--though they light when her finely tuned ears catch the pitch of the song ‘Cringe', as she excitedly turns the volume up eagerly, listening for a moment--a range of joyful surprise in her expressions, happily pushing up the Translucent Pink Frames, sighing with a smile, as she exclaims, “WHAT? THIS SONG IS ON THE RADIO NOW?!” The driver, taken aback but having caught her contagious beam of “happy” I almost forgot about this song. That was a long time ago... “Oh...do you know this song?” I haven't heard it in forever...I forgot it existed. [pause] I can't believe it took that long… “yeah , it's pretty popular. It's like always on.” ...I can't believe this song...daaaaamn...her excitement settles, as she looks back out of the window, at the grey and rainy day. So, that's how long it takes… The blending and fading of the song creates an array of rapidly changing scenes faded, flashing, cut and becoming somehow closer, yet further away at the same time. Colors and shapes, as the sounds that the songs all being played which remain the same, but change, as they create new sound waves; The Three Songs are arranged and rearranged, as are the scenes, pictures, videos, of entertainment stages through the ages, The Festival Culture highlighted in the Inception since The Dawn of Rave, to present day. [Each quote, a voiceover played by an ensemble cast, each made to read any/every line specifically, if unaccompanied by a name.] The Clips and Sound Combine with Colorful Psychedelic and neon in some scenes even in 3D, (ideally, actually, up to 9D) as music, theatre, television, and flashes of memories and scenes of everything, as the shifting screen changes slightly and steadily with the music, now something of an electronic-meets-acoustic symphony (:UNPLUGGED), still cleanly and seamless in the colorful chaos that is everything, though visually intensely overwhelming, a sensory-stimulating synthesis of “Sound That You Can See”[ *go back for quote from song] The Sountrack now taking us on a Journey through sound, (ideally surround sound, even having speakers and subs somehow mounted from the ceiling, pointing down, pointing up from the ground. With Live Theatre Production Experiences combine more elements representative of the 9 Dimensions, by arranging speakers set outside of the theatre itself--perhaps, if in a Live Theatre setting, where the movie is projected onto a screen or skrim on stage, additional screens canbe projected onto the walls of the theatre, creating potential to use the audience interactively, perhaps arranging for actors seated amongst the audience members, interjecting at the intersections of crossing dimensions with both improvised and rehearsed actions, and or carrying out specific tasks as it related to the plot, the audience, even becoming the stage, as the stage is re-arranged; even becoming a mirror image of the theatre, filling with patrons and gazing into the audience, where cast members reflect a multidimensional portrayal, an interpretive alternate reality of what is happening on stage, unseen off stage, while the film still plays somewhere (or even sometimes, nowhere) as light and sound design give the viewer an experience of senselessness and sensory stimulus, Explaining through experience, representations of conditions; Much like a masterful DJ mixes musical elements in a live setting by reading the crowd, The Ideal Live Production of this Film has the ability to Unify the audience through various interactive activities; an energy-based planned, or even sporadic--based on the audience itself, monitored by The Ringmaster, an unseen (cast) Omnipitence, or ‘The Universe” itself, , as we apply the Values of Peace, Love, Unity, and Respect as the Ultra-Fine Line between “Everything” and “Nothing”, in simpler terms: Light and Dark, and finding the balance which allows us, in the “present” to explore and experience The Voids, shattering reality as the Linear plot unravels into a non-linar Uncontrolled Experiement, Allowing for Manuverability within the variables and simulating a Synesthesia-Inspired Simulation of Multidimensional Time and Space Travel, using music as the constant connection; as the finale transforms the theater in entirety into both a theatrical interpretation of a full-scale music festival--and a real-life miniature dance scene, inviting real-life ravers to fill the space to capacity, as the final scenes of the film unfold as the our present reality Expanding, Ascending, Compressing, and Collapsing All at Once, Explosions and Implosions as Conscious and Unconscious Collide in the Cosmos; Darkness having never known Light, and Life is the balance we find as they collide, tied in tightly by Time through the rhymes and iambic pentameters, patterns, passion, perception; we find the Power of the Divine is the awareness of one's existence as Everything and/or Nothing at once, As the Reflection of both the inward and outward selves must balance, and harmonize in time, to realize The Difference between Paradise and The Prison of Purgatory, is the illusion of Division between the two Divine Eyes; The strength behind them lights the … Ted, Ted, and Ted's accidental initiation into The Psychonauts began as a result of the friends, originally three Fraternity Brothers and Recent Graduates of UCLA attending festivals consistently together, each using various Mind-Altering substances to attract (“preferably female”) partygoers. Over the course of the series in short (often light and comedic) scenes, where the trio often stumble into reality-shattering situations by sheer coincidence or seemingly random occurrences. But as we later learn about the multilayered world of interdimensional existence, Everything happens for a reason; Nothing is Impossible, Never Say Never, Be Careful what You Wish For-- and, of course-- there are no coincidences. These three seemingly simple-minded creatures begin as “wooks”, Shirtless Party Boys eager to rave. Often [irresponsibly] experimenting with copious amounts of psychedelics, the boys often find themselves unknowingly transported through various wormholes, teleportals, time warps, and Voids created through the music at each festival they attend, sometimes confusedly landing them in alternate parallels and altered dimensions of reality, sometimes even spiraling into three separate dimensions at once, thus creating new points along The Grid, from which the parallels and dimensions are woven together and interconnected through, time, space, circumstance, and choice in any conscious--ultimately (though, most often by dumb luck or happy accidents) expanding the universe, prompting the Ascended Masters to scout Ted, Ted, and Ted as a unified team to be inducted into The Psyconauts, eventually becoming an integral and important Dillon (Theodore) Francis, while working towards an Alliance between the Bampheramphs and Psychonauts uses his bewittingly bestowed middle name to act as an Alternate ‘Ted', or sometimes work jointly as The QuadraSquad, a “pop-up” rave squad which acts as a recruitment team, and on emergency search-and-rescue missions, collecting key components along the collapse and collision of worlds and within the fabric of space, time, and reality. Chak Chel and Dillon Francis put the Teds through a rigorous (and extremely senseless) crash-course in DJing, forming a popular Trio, whose name varies depending on the dimensions in which they will preform, secretly setting tactical bassdrops, emitting coded frequencies to communicate covertly with other entities, opening intentional time warps, portals, and wormholes through their DJ sets. Time holes where the Trio are in two (or sometimes, more, and alternately infinite) places at once are placed as easter eggs throughout the series; In some cases, The Three Teds are even festival attendees at the festivals which in a neighboring reality they are also headlining, even at points transporting their own selves through timespace--whether intentionally, or coincidentally. As the Teds reach the high ranks of The Psychonauts, even eventually (and unwillingly) becoming separated by the obligation of duty, being assigned to separate sanctions of Leadership by skillset as a “draft” is enacted to strengthen their forces, as they prepare for The FInal Battle (actually multiple (infinite) battles occurring concurrently throughout the expanse of reality, even stretching into the outer realms of ‘inexistence' as the collective consciousness grows, reaching Ascension, and allowing certain realities to reach the New Paradigm. Though evolved over time as the series progresses, The Teds maintain their quirky wookness, questionable (sometimes inappropriate) sense of fashion, and hilariously signature fratboy attitudes and antics, reunifying as a powerful Trio once more towards the conclusion of the series, appearing elementally in various ways at most crucial plot points, revealing the creation through all of their endeavors and shenanigans, a brand new universe within The Infinite Multiverse. (“TED”, where everything/everyone is “Ted”, This universe collides with “Everyone's A DJ”, and, as an infinitely expanding and integral part of the universe, appears optically as “TBD” (To Be Determined, Where Cliffhangers, Plot Holes, Continuity Errors and other traditional elements of Theatrical Film are represented throughout the SUPA Saga and overall festival project.) During the Wookness: Ted: Yo, how much for this? (Points To Kandi Cuff) ...How much-what? Ted: How much is it? Like what, $50 bucks? 50 bucks?! Ted: Oh shit, my bad--festival prices, huh? Sorry yo, I got a $50, the rest is big bills. Doyou have an online shop? Are you trying to buy my kandi? You can't *buy* kandi! Ted: Pssshhh! Ted: All I buy is Kandi! You can't sell kandi, you're supposed to trade it.. That's why you make it. Ted: Yeah bro, I've done trades. (Flashback) Raver Girl: Wanna Trade Kandi? Ted: Show Us your Titties! The girl looks to her friend, as if to say “should I?” her friend, wearing dark Ray Bans, and sternly nods her head in approval, her friend shrugs drunkenly as if to say“fuck it, why not?” While the friend swiftly pulls out her iPhone, the other lifts her shirt, flashing the happy Teds, dancing in Fratboy Delight; Ted, standing adjacent to the straight-faced girl in Sunglasses, sneakily scrunches down to get a good picture; their [Tri-Lens] iPhone cameras now directly aligned. face to face, (or rather, eye-to-eye) ((Or, eye-to-eye, rather,)) (((Rather, eye-to-eye,))). snapping his picture, as the flash from her camera blinds him Ted:UH, Yeah you can..They sell it online. Online? Whats--what? SELL? Ted: Fuck yeah dude. Ted: YEEE, KANDI KID 4 LIFE YOU ARE NOT A KANDI--Ki--YOU CAn'T SELL KANDI. Woah, chill. No “chill” no selling Kandi! NO! NO! What Chak Chel's Bedtime Stories Chak Chel, the GOOGLE kids' favorite babysitter, tells stories of infinitely expanding adventures of the multidimensions of timespace -Honey, I Killed Myself. -Honey, I Shrunk The Skrillex -Who Killed Sunni Blu? -Who Killed SupaCree? -The Curious Case of SupaCree -DILLONCEPTION Trapped in an intensely infinite and ever-expanding and/or consistently densening Vividly Lucid Multidimensionally (And Musically) Interconnected Omni-Galactic Eternal Space-Time “Loop”, [DJ] Dillon Francis must frustratingly attempt to multitask through an “apparently unlimited”[ (I TOLD YOU, IN-FIN-ITE. INFINITY.)] battle his Masked nemesis, Key: Brackets [] Director's Notes, Production Details, typically indicating a tie-in with other entries, or crossovers from other consecutively (or, sometimes, alternately) running series in the saga, more frequently as the “Multiverse” expands, or as the (Technical Omniverse, Eventually) in which the series' specific “(U)niverse” ‘collapsing', being progressively stated repeatedly throughout the series to be both compressing, and expanding respectively; However, as the Bill and Ted's Excellent Adventure... Dill and Ted's Excellent Adventure (They cross paths with Bill and Ted, in their search for Two of the missing Teds; Alternately Ted and Ted discover how ‘Three's a Crowd” makes sense, as they happily gallavant frat-tastically through the galaxy, in search of a Sexy Space-Alien Rave Bae (The Amazonian Women from futurama, live action, Saved by the Heroes from futurama) (on) Having ascended into the dimension after her most recent death, SupaCree (not yet known as SupaCree), lands “God”, an Ascended Dimension where she can actually communicate clearly with the Ascended Masters, being closer to ‘God' (her)self, but not directly being able to interact with her; conversely, she can scan the plains of reality from “above”, though later we learn there is no “up” or “down” in “Total Omnipotence”, the post-conscience Infinite Existence Experienced in the Limitless (INFINITE) Energy of Being Everything, Everyone, and Everywhere at once; Simultaneously Nonexistant, Being “Nothing”, “Nobody” and “Nowhere” at once, all represented variously through the concept of infinite multidimentionality, in our “3” dimensional “Uni-Multi-Omni-Versal” (apparently, I've just been told) SupaCree exists in a Tri-Verse, unbeknownst to even God (her)self to its true Origins, the “final(e)” (but not, ever) (e) In a random and nearly collapsed alternate fabric of timespace, where the spelling of the name “Cree” is pronounced the same, but spelled simply “Cre”, (though, specifically equally--”by the exact number of times, actually”--mispronounced”, One of the only similarities between the two, sharing the same planetary alignments and cosmic significance and the same parents--however having been conceived with completely different genetic markers: As a result, this alternate version of herself is physically not “opposite”, but differs in physical appearance drastically--at least, for the most part--as more ideally attractive which to The Original's mind-blowing dissatisfaction, (and, also stagnantly egotistical “Very Satisfied” Satisfaction), But the feeling soon fades when she learns that this reality is on the verge of imminent collapse after the discovery that one subtle, singular synchronicity shared in her actual reality(s)(realities) (which one?) ((Multiple “actual-realities, actually”)) (((Multiple Synchronized Individual Existence Theory, one of the multiple Theories (I) Use to Conceive the (Law) of Evolutionary Infinite Omnipotence, (Everything is Everything/Nothing is Nothing/ God is, as I am/ I am U/All Are One) the aforementioned suggesting the absolute possibility of any circumstance which allows a singular subject with (apparently) “limited” existence, total and complete synchronization at “exact” moment of “Creation”, or “Origin”, and any circumstantially coinciding consecutive synchronizations beyond the limitations eo each respective individual's actual existence or reality.)(Satisfaction, Benny Benassi) (And Apparently, The Biz--because, literally, writing in real-time (What is time) with google. (What's The Biz???) Travelling to 2003, where the event which ties this frail and “practically non-existent” fabric of reality to her own, she eagerly races against the clock (in real time?) ((maybe, unreal time)) (((I am time.))) “I don't believe in time”, later corrected, after being stuck in a Godless world to “The human concept of “time”,/God's not real, or opting to state the phrase more subjectively, “I don't [really}/I kinda don't believe in time,” though as she evolves more rapidly through her progressive Ascension and Elemental Mastery, quickly Surpassing Ascended Mastery as a skilled sorcerer,Visionary Seer, helping her rapidly strengthen the art of Cosmic Alchemy, mastery of (eventually, instant, and respectively infinite manifestation, and matter/antimatter movement and/or manipulation;i.e. The art of Creation. I.E., Do you even know what “i.e' stands for? I'll look it up later, I know what its used for. Look it up. [Googles i.e, clicks on top most commonly searched] I.e. and e.g. are both Latin abbreviations. E.g. stands for exempli gratia and means “for example.” I.e. is the abbreviation for id est and means “in other words.” Remember that E is for example (e.g.) and that I and E are the first letters of in essence, an alternative English translation of i.e. The Original Cree sits perched behind a red (Ugh, red…) ...A red laptop computer; the love light lost from her dark eyes, through the clear lenses of her cheap, brandless (Medicaid.) ...brandless black glasses, narrow framed and unbecoming over the shape of her face, the Album ‘Who Killed Matt Maeson” softly plays a somber song, to which she'd normally--at least, if left alone or rarely, in “comfortable company” (That's, someone you don't necessarily “like”, but still feel comfortable enough to sing around.) The Scientist, in a higher realm, peaking down through her microscope, watches contently, curiously, and concisely, dialing its lens by a couple turns, as she ponders aloud, Hm. Wonder what makes that happen, exactly? That's...huh...Hm. [Her project, a mystery hidden from the audience. She pushes herself back from the desk, reaching for her notebook and jotting quickly her findings, stopping only turn on some [] Music, which blends seamlessly as we fade back into the scene of the drab and unflattering, somewhat “sickeningly” lit, reminiscent of the stagnancy most often observed in a petri dish.] As the song ‘Cringe' begins to play in the background, the clear picture of the laptop screen fades into a blurred obscurity, as her focus shifts sharply to the warm glowing array of colors of her speaker light her otherwise nearly lifeless eyes, as she is Slightly and softly hypnotized into a series of several simultaneous vivid memories; separate and specifically assorted scenes form, as she remembers “everything” quite at once, A vision weaved into her conscious memories, just as seamlessly; A Web Wrapped with the Fragile Fabric of “Time”, the invisible energy of musical frequencies awaken ones senses and sensibilities--invisible, for some...at least. The light on the speaker, a golden tone, as we cascade into the eye mind; A flash to a blurry memory, 2017; A slender and handsome longhaired surfer, resurfaces from submersion under the waves, flipping his long hair back with the graceful and slowmotionly seductive snap of the neck, as the sunlight gleaming a golden glow, in the eye of his admirer. A Flash Of: The Golden Light of the Shining Sun over Santa Monica A Flash, As she Gently Weeps, as the tears leaving her eyes leave (in a flash of scenes) drops onto her jeans, the sidewalk--all the while, A tiny ant carries a giant leaf, as the spider weaves beneath the tree whose leaves leak streams of pretty streaking and speckled, and leaves glassy droplets stuck in the strings of the spider, still weaving; the rain floods the streams into rivers, which bleed, eventually in the ocean, fanning out into the Seven Seas. (pacifically, eventually) Are we reading this, or is this stage direction--production notes? What is this? Who is “we”? WE AVE A whole flashback unfolds: A steamy shower, thick with the smell sweet candles, leaving steam-less spots of mirror in the flickering heat; A seamless and synchronized transition, as the More Cheery and Upbeat Strings, Beat and melody in the previously playing version, fades seemingly into the steam, as ‘Cringe, Stripped” leads us into the memory, where she sings with the heartbreakingly haunting and soulful sadness, the harmony, her voice blending perfectly over the recording as if it were meant to be; The Duality of Grief. Not quite flashing back, but seen as a translucent overlay, another flash; The Seats of a theatre, the scene in black and white, as the stage lights washout, the flickering dremlike scene, the steam so thick we barely see the details of the singing, with the passion that seems to bleed out the ache of her broken, barely beating heart. The song rings out, evolving into what just may be, the beginnings of a remix, as more quick flashes slam back-to-back A flash of: The Scene In The Mercedes A flash of an ambulance, sirens blaring! A flash as the scene of A spider sleeping peacefully beneath a leaf, shielded from the rain, which leaves droplets on the strings, on the opposite side of the same tree; Blissfully unaware of the bird, perched just above lurking or something to eat. Neither the spider, nor the other, or the bird or ant are aware of any one-another, or any other world other besides the tree, the flash of a longshot which we see, is unassumingly and unimpressively, “just a tree” a grey and stormy day; A plane takes off up into the heavy rain, droplets changing shape through the window, looking out as the plane lifts off the ground. The next layer of memories unfold as voiceovers from various quotes, accompanying the song still playing, now beginning to blend with first the stripped version, then the album/studio version, which for a moment, is singularly heard, as the flash of a scene from a more recent memory flashes: The Digital Clock in the Car Reads, 88.1 in red, The volume is low, almost so low that it can't be heard: she stares out the window on a grey and overcast day, eyes lost and pondering--though they light when her finely tuned ears catch the pitch of the song ‘Cringe', as she excitedly turns the volume up eagerly, listening for a moment--a range of joyful surprise in her expressions, happily pushing up the Translucent Pink Frames, sighing with a smile, as she exclaims, “WHAT? THIS SONG IS ON THE RADIO NOW?!” The driver, taken aback but having caught her contagious beam of “happy” I almost forgot about this song. That was a long time ago... “Oh...do you know this song?” I haven't heard it in forever...I forgot it existed. [pause] I can't believe it took that long… “yeah , it's pretty popular. It's like always on.” ...I can't believe this song...daaaaamn...her excitement settles, as she looks back out of the window, at the grey and rainy day. So, that's how long it takes… The blending and fading of the song creates an array of rapidly changing scenes faded, flashing, cut and becoming somehow closer, yet further away at the same time. Colors and shapes, as the sounds that the songs all being played which remain the same, but change, as they create new sound waves; The Three Songs are arranged and rearranged, as are the scenes, pictures, videos, of entertainment stages through the ages, The Festival Culture highlighted in the Inception since The Dawn of Rave, to present day. [Each quote, a voiceover played by an ensemble cast, each made to read any/every line specifically, if unaccompanied by a name.] The Clips and Sound Combine with Colorful Psychedelic and neon in some scenes even in 3D, (ideally, actually, up to 9D) as music, theatre, television, and flashes of memories and scenes of everything, as the shifting screen changes slightly and steadily with the music, now something of an electronic-meets-acoustic symphony (:UNPLUGGED), still cleanly and seamless in the colorful chaos that is everything, though visually intensely overwhelming, a sensory-stimulating synthesis of “Sound That You Can See”[ *go back for quote from song] The Sountrack now taking us on a Journey through sound, (ideally surround sound, even having speakers and subs somehow mounted from the ceiling, pointing down, pointing up from the ground. With Live Theatre Production Experiences combine more elements representative of the 9 Dimensions, by arranging speakers set outside of the theatre itself--perhaps, if in a Live Theatre setting, where the movie is projected onto a screen or skrim on stage, additional screens canbe projected onto the walls of the theatre, creating potential to use the audience interactively, perhaps arranging for actors seated amongst the audience members, interjecting at the intersections of crossing dimensions with both improvised and rehearsed actions, and or carrying out specific tasks as it related to the plot, the audience, even becoming the stage, as the stage is re-arranged; even becoming a mirror image of the theatre, filling with patrons and gazing into the audience, where cast members reflect a multidimensional portrayal, an interpretive alternate reality of what is happening on stage, unseen off stage, while the film still plays somewhere (or even sometimes, nowhere) as light and sound design give the viewer an experience of senselessness and sensory stimulus, Explaining through experience, representations of conditions; Much like a masterful DJ mixes musical elements in a live setting by reading the crowd, The Ideal Live Production of this Film has the ability to Unify the audience through various interactive activities; an energy-based planned, or even sporadic--based on the audience itself, monitored by The Ringmaster, an unseen (cast) Omnipitence, or ‘The Universe” itself, , as we apply the Values of Peace, Love, Unity, and Respect as the Ultra-Fine Line between “Everything” and “Nothing”, in simpler terms: Light and Dark, and finding the balance which allows us, in the “present” to explore and experience The Voids, shattering reality as the Linear plot unravels into a non-linar Uncontrolled Experiement, Allowing for Manuverability within the variables and simulating a Synesthesia-Inspired Simulation of Multidimensional Time and Space Travel, using music as the constant connection; as the finale transforms the theatre in entirety into both a theatrical interpretation of a full-scale music festival--and a real-life miniature dance scene, inviting real-life ravers to fill the space to capacity, as the final scenes of the film unfold as the our present reality Expanding, Ascending, Compressing, and Collapsing All at Once, Explosions and Implosions as Concious and Unconcious Collide in the Cosmos; Darkness having never known Light, and Life is the balance we find as they collide, tied in tightly by Time through the rhymes and iambic pentameters, patterns, passion, perception; we find the Power of the Divine is the awareness of one's existence as Everything and/or Nothing at once, As the Reflection of both the inward and outward selves must balance, and harmonize in time, to realize The Difference between Paradice and The Prison of Purgatory, is the illusion of Division between the two Divine Eyes; The strength behind them lights the … I'm tired. Something about a third eye, right? I don't know. I think they closed mine. Who's “they” I am. “I prefer the gloominess to the sun. I don't know why.” (From, The Beatles, Love: Sun, Sun, Sun…) “‘I told the spider i'd write it!” (A quick clip of spiderman) ‘'Ohh, she spida” Okay, literally what the FUCK is my life. Are you alive? Not even. This doesn't make sense. How much sense is it supposed to make. It is making sense. It's making 6th sense. How did he DO that? Just him? THEY. Oh, shit. I know you're workin for it. Nah, I don't even think that's right? What's right? Something Doesn't Feel Right, I've had enough for one night. Yo, how is this happening? I don't know. They said it was a 9-Dimensional Song. WHAT even IS the 9th Dimension? What are any of the DImensions? I don't know. Google it. I did. And? And I have ADD. I dont know. So, go! GOH.. Aw, FUCK. This is getting weird. It's been weird. How is it, I can quit Skrillex, but Skrillex can't quit me. What? It was just a coincidence. There are no coincidences. How is that song even on the radio. Look what money can do! Money can do anything! I guess taht explains why you can't. it DOES. Do they want me to kill myself? Do you want you to kill yourself? Not really. I'd rather just die of natural causes, so I don'thave to be punished. Are you being punished. I commit suicide, and-- I already told this story. I'm not telling it again. How many times have you really told it. I've been telling it. I've been living it. I'm over it. Youre not over it. You're panicking. I'm writing. Youre fasting. I'm hungry. Why are you fasting? Because nothing makes sense. I have no money, I have no music-- You have music. I have nothing. I'm fucked. There are no coincidences. Don't you think I know? I quit listening to Skrillex, all of a sudden he's on the radio?! Yes. Is he even aware of my existence?! Is he? What the fuck is happening right now. Where's Scary Monsters? In my head. What's the plot? It's...somewhere. You've got to clean up these documents somehow. I don't have the focus. Try crystal meth. No. Try adderall. ...I don't have any money. Try a doctor. I did. I tried over and over and over. For depression. For Anxiety. For ADD. Everything they give me just makes me WORSE. That's hy you NEVER say you're runnin for President. I'm NOT. But you said it. Now you're really fucked. I am. So that's it. That has to be it. They want me dead so I can't run. That's the only way it's going to happen. What's going to happen. Either thing. I'm not running for President. You're not killing yourself. Psh. Watch me. We have been. Who is we. We-YOU. IT doesn't matter. nobody would believe any of it. the whole story sounds made up. How is this supposed to work out? They used Skrillex to get me to kill myself? That's...that's deep. Or…? Or...they used Skrillex to get me to... Get you to…? I don't know. I'm pretty worthless. All I do is...this. And what's this? And who is THIS? That was Chak Chel, I guess. What the fuck did getter DO? What did Getter do? What are they doing? I think the better question is: Why? WHY In-- Who's name? I'm not God. Until you are. And then I'm Avicii. Or Skrillex. Skrillex isn't dead yet. Yet. What the fuck. Don't . I didn't. But you did. Fuck this. Fuck That. Fuck that, too. Wait, does the Roomba say “fuck that” or “fuck you?” It says “Fuck you-fuck you-fuck you-fuck you-” Because it's a vacuum, so it's literally ‘eating shit'. See. Classic. Occult Classic. It is, all in my head. Until it isn't. I already fucked up. I sent a fucking suicide letter to-- A suicide letter. One of hundreds. Yeah. So they know i'm fucked up. Because they didn't know already? How would they know? How would they NOT KNOW? They've been with you all year. That's all in my head. Is it? I mean--Is it? Seems like it. Look at the evidence. I am the evidence. Look at last year--everywhere you went in the rave world, something happened. Lots of somethings happened. Eventually culminating in-- In? Tents. So what the FUCK am I supposed to do. Well, not kill yourself. Then what? Not starve yourself. I'm too fat. But you can lose weight. You can do anything, I can't do anything. You can. Then, I already have. Right. What am I supposed to do? What is this supposed to mean? Maybe it's time for a jump start. I was saving that. You were supposed to blast off at the STRAT and had McDonalds instead. I ordered a Muder-Suicide, with the intention of finishing in Suicide. But? But I went into a food coma. So maybe rather than the enemy, McDonalds is a friend. McDonalds is a friend to no one. Saved your life. Prolonged my life. As it always seems to. Think to the last few times you've ordered the Suicide Meal. It's only been twice. And? Both times I fell asleep before I could do it. So. So there's something in McDonalds that...I don't know. Takes away the ache. It is an ache, isn't it. It is. Now think--you're not the only suicidal person on the planet. No, I'm not. Think harder. I just did. And where did you go? To The Mountain. Where--? Where Tim said-- And how is it that you're on a first name basis with someone you've never met? I'm pretty sure i'm just crazy. Avicii came to you how? Through the music. And Sonny came to you how? ... How? Through the music. What did his mother say? Can I write this? Either someone's reading it, or they aren't. And if they are? Then, what does that make you? Crazy. But they're reading your words. They're just words. What did she say? I know what she said. I don't think I can write it. This is why The Untold Prophecy Remains Untold. This is all ridiculous. Isn't it. Whose birthday is it? Mine. Happy Birthday. Thanks. How old are you? I remember someone asked that... Who? What did Getter Do? Just Getter? What...does Pasqualle Do? Just Pasqualle? ...What do I... What are you? I don't know. Did you ever? Would You Ever? I can't help it. What can you help? I don't know. Why me? Y-U, Y-U, Y-U-- What was that, anyway? {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2023 ALL RIGHTS RESERVED. © -U.

Ted, Ted, and Ted's accidental initiation into The Psychonauts began as a result of the friends, originally three Fraternity Brothers and Recent Graduates of UCLA attending festivals consistently together, each using various Mind-Altering substances to attract (“preferably female”) partygoers. Over the course of the series in short (often light and comedic) scenes, where the trio often stumble into reality-shattering situations by sheer coincidence or seemingly random occurrences. But as we later learn about the multilayered world of interdimensional existence, Everything happens for a reason; Nothing is Impossible, Never Say Never, Be Careful what You Wish For-- and, of course-- there are no coincidences. These three seemingly simple-minded creatures begin as “wooks”, Shirtless Party Boys eager to rave. Often [irresponsibly] experimenting with copious amounts of psychedelics, the boys often find themselves unknowingly transported through various wormholes, teleportals, time warps, and Voids created through the music at each festival they attend, sometimes confusedly landing them in alternate parallels and altered dimensions of reality, sometimes even spiraling into three separate dimensions at once, thus creating new points along The Grid, from which the parallels and dimensions are woven together and interconnected through, time, space, circumstance, and choice in any conscious--ultimately (though, most often by dumb luck or happy accidents) expanding the universe, prompting the Ascended Masters to scout Ted, Ted, and Ted as a unified team to be inducted into The Psyconauts, eventually becoming an integral and important Dillon (Theodore) Francis, while working towards an Alliance between the Bampheramphs and Psychonauts uses his bewittingly bestowed middle name to act as an Alternate ‘Ted', or sometimes work jointly as The QuadraSquad, a “pop-up” rave squad which acts as a recruitment team, and on emergency search-and-rescue missions, collecting key components along the collapse and collision of worlds and within the fabric of space, time, and reality. Chak Chel and Dillon Francis put the Teds through a rigorous (and extremely senseless) crash-course in DJing, forming a popular Trio, whose name varies depending on the dimensions in which they will preform, secretly setting tactical bassdrops, emitting coded frequencies to communicate covertly with other entities, opening intentional time warps, portals, and wormholes through their DJ sets. Time holes where the Trio are in two (or sometimes, more, and alternately infinite) places at once are placed as easter eggs throughout the series; In some cases, The Three Teds are even festival attendees at the festivals which in a neighboring reality they are also headlining, even at points transporting their own selves through timespace--whether intentionally, or coincidentally. As the Teds reach the high ranks of The Psychonauts, even eventually (and unwillingly) becoming separated by the obligation of duty, being assigned to separate sanctions of Leadership by skillset as a “draft” is enacted to strengthen their forces, as they prepare for The FInal Battle (actually multiple (infinite) battles occurring concurrently throughout the expanse of reality, even stretching into the outer realms of ‘inexistence' as the collective consciousness grows, reaching Ascension, and allowing certain realities to reach the New Paradigm. Though evolved over time as the series progresses, The Teds maintain their quirky wookness, questionable (sometimes inappropriate) sense of fashion, and hilariously signature fratboy attitudes and antics, reunifying as a powerful Trio once more towards the conclusion of the series, appearing elementally in various ways at most crucial plot points, revealing the creation through all of their endeavors and shenanigans, a brand new universe within The Infinite Multivetrse. (“TED”, where everything/everyone is “Ted”, This universe collides with “Everyone's A DJ”, and, as an infinitely expanding and integral part of the universe, appears optically as “TBD” (To Be Determined, Where Cliffhangers, Plot Holes, Continuity Errors and other traditional elements of Theatrical Film are represented throughout the SUPA Saga and overall festival project.) During the Wookness: Ted: Yo, how much for this? (Points To Kandi Cuff) ...How much-what? Ted: How much is it? Like what, $50 bucks? 50 bucks?! Ted: Oh shit, my bad--festival prices, huh? Sorry yo, I got a $50, the rest is big bills. Doyou have an online shop? Are you trying to buy my kandi? You can't *buy* kandi! Ted: Pssshhh! Ted: All I buy is Kandi! YOu can't sell kandi, youre supposed to trade it.. That's why you make it. Ted: Yeah bro, I've done trades. (Flashback) Raver Girl: Wanna Trade Kandi? Ted: Show Us your Titties! The girl looks to her friend, as if to say “should I?” her friend, wearing dark Ray Bans, and sternly nods her head in approval, her friend shrugs drunkenly as if to say“fuck it, why not?” While the friend swiftly pulls out her iPhone, the other lifts her shirt, flashing the happy Teds, dancing in Fratboy Delight; Ted, standing adjacent to the straight-faced girl in Sunglasses, sneakily scrunches down to get a good picture; their [Tri-Lens] iPhone cameras now directly aligned. face to face, (or rather, eye-to-eye) ((Or, eye-to-eye, rather,)) (((Rather, eye-to-eye,))). snapping his picture, as the flash from her camera blinds him Ted:UH, Yeah you can..They sell it online. Online? Whats--what? SELL? Ted: Fuck yeah dude. Ted: YEEE, KANDI KID 4 LIFE YOU ARE NOT A KANDI--Ki--YOU CAn'T SELL KANDI. Woah, chill. No “chill” no selling Kandi! NO! NO! What Chak Chel's Bedtime Stories Chak Chel, the GOOGLE kids' favorite babysitter, tells stories of infinitely expanding adventures of the multidimensions of timespace -Honey, I Killed Myself. -Honey, I Shrunk The Skrillex -Who Killed Sunni Blu? -Who Killed SupaCree? -The Curious Case of SupaCree -DILLONCEPTION Trapped in an intensely infinite and ever-expanding and/or consistently densening Vividly Lucid Multidimensionally (And Musically) Interconnected Omni-Galactic Eternal Space-Time “Loop”, [DJ] Dillon Francis must frustratingly attempt to multitask through an “apparently unlimited”[ (I TOLD YOU, IN-FIN-ITE. INFINITY.)] battle his Masked nemesis, Key: Brackets [] Director's Notes, Production Details, typically indicating a tie-in with other entries, or crossovers from other consecutively (or, sometimes, alternately) running series in the saga, more frequently as the “Multiverse” expands, or as the (Technical Omniverse, Eventually) in which the series' specific “(U)niverse” ‘collapsing', being progressively stated repeatedly throughout the series to be both compressing, and expanding respectively; However, as the Bill and Ted's Excellent Adventure... Dill and Ted's Excellent Adventure (They cross paths with Bill and Ted, in their search for Two of the missing Teds; Alternately Ted and Ted discover how ‘Three's a Crowd” makes sense, as they happily gallavant frat-tastically through the galaxy, in search of a Sexy Space-Alien Rave Bae (The Amazonian Women from futurama, live action, Saved by the Heroes from futurama) (on) Having ascended into the dimension after her most recent death, SupaCree (not yet known as SupaCree), lands “God”, an Ascended Dimension where she can actually communicate clearly with the Ascended Masters, being closer to ‘God' (her)self, but not directly being able to interact with her; conversely, she can scan the plains of reality from “above”, though later we learn there is no “up” or “down” in “Total Omnipotence”, the post-conscience Infinite Existence Experienced in the Limitless (INFINITE) Energy of Being Everything, Everyone, and Everywhere at once; Simultaneously Nonexistant, Being “Nothing”, “Nobody” and “Nowhere” at once, all represented variously through the concept of infinite multidimentionality, in our “3” dimensional “Uni-Multi-Omni-Versal” (apparently, I've just been told) SupaCree exists in a Tri-Verse, unbeknownst to even God (her)self to its true Origins, the “final(e)” (but not, ever) (e) In a random and nearly collapsed alternate fabric of timespace, where the spelling of the name “Cree” is pronounced the same, but spelled simply “Cre”, (though, specifically equally--”by the exact number of times, actually”--mispronounced”, One of the only similarities between the two, sharing the same planetary alignments and cosmic significance and the same parents--however having been conceived with completely different genetic markers: As a result, this alternate version of herself is physically not “opposite”, but differs in physical appearance drastically--at least, for the most part--as more ideally attractive which to The Original's mind-blowing dissatisfaction, (and, also stagnantly egotistical “Very Satisfied” Satisfaction), But the feeling soon fades when she learns that this reality is on the verge of imminent collapse after the discovery that one subtle, singular synchronicity shared in her actual reality(s)(realities) (which one?) ((Multiple “actual-realities, actually”)) (((Multiple Synchronized Individual Existence Theory, one of the multiple Theories (I) Use to Conceive the (Law) of Evolutionary Infinite Omnipotence, (Everything is Everything/Nothing is Nothing/ God is, as I am/ I am U/All Are One) the aforementioned suggesting the absolute possibility of any circumstance which allows a singular subject with (apparently) “limited” existence, total and complete synchronization at “exact” moment of “Creation”, or “Origin”, and any circumstantially coinciding consecutive synchronizations beyond the limitations eo each respective individual's actual existence or reality.)(Satisfaction, Benny Benassi) (And Apparently, The Biz--because, literally, writing in real-time (What is time) with google. (What's The Biz???) Travelling to 2003, where the event which ties this frail and “practically non-existent” fabric of reality to her own, she eagerly races against the clock (in real time?) ((maybe, unreal time)) (((I am time.))) “I don't believe in time”, later corrected, after being stuck in a Godless world to “The human concept of “time”,/God's not real, or opting to state the phrase more subjectively, “I don't [really}/I kinda don't believe in time,” though as she evolves more rapidly through her progressive Ascension and Elemental Mastery, quickly Surpassing Ascended Mastery as a skilled sorcerer,Visionary Seer, helping her rapidly strengthen the art of Cosmic Alchemy, mastery of (eventually, instant, and respectively infinite manifestation, and matter/antimatter movement and/or manipulation;i.e. The art of Creation. I.E., Do you even know what “i.e' stands for? I'll look it up later, I know what its used for. Look it up. [Googles i.e, clicks on top most commonly searched] I.e. and e.g. are both Latin abbreviations. E.g. stands for exempli gratia and means “for example.” I.e. is the abbreviation for id est and means “in other words.” Remember that E is for example (e.g.) and that I and E are the first letters of in essence, an alternative English translation of i.e. The Original Cree sits perched behind a red (Ugh, red…) ...A red laptop computer; the love light lost from her dark eyes, through the clear lenses of her cheap, brandless (Medicaid.) ...brandless black glasses, narrow framed and unbecoming over the shape of her face, the Album ‘Who Killed Matt Maeson” softly plays a somber song, to which she'd normally--at least, if left alone or rarely, in “comfortable company” (That's, someone you don't necessarily “like”, but still feel comfortable enough to sing around.) The Scientist, in a higher realm, peaking down through her microscope, watches contently, curiously, and concisely, dialing its lens by a couple turns, as she ponders aloud, Hm. Wonder what makes that happen, exactly? That's...huh...Hm. [Her project, a mystery hidden from the audience. She pushes herself back from the desk, reaching for her notebook and jotting quickly her findings, stopping only turn on some [] Music, which blends seamlessly as we fade back into the scene of the drab and unflattering, somewhat “sickeningly” lit, reminiscent of the stagnancy most often observed in a petri dish.] As the song ‘Cringe' begins to play in the background, the clear picture of the laptop screen fades into a blurred obscurity, as her focus shifts sharply to the warm glowing array of colors of her speaker light her otherwise nearly lifeless eyes, as she is Slightly and softly hypnotized into a series of several simultaneous vivid memories; separate and specifically assorted scenes form, as she remembers “everything” quite at once, A vision weaved into her conscious memories, just as seamlessly; A Web Wrapped with the Fragile Fabric of “Time”, the invisible energy of musical frequencies awaken ones senses and sensibilities--invisible, for some...at least. The light on the speaker, a golden tone, as we cascade into the eye mind; A flash to a blurry memory, 2017; A slender and handsome longhaired surfer, resurfaces from submersion under the waves, flipping his long hair back with the graceful and slowmotionly seductive snap of the neck, as the sunlight gleaming a golden glow, in the eye of his admirer. A Flash Of: The Golden Light of the Shining Sun over Santa Monica A Flash, As she Gently Weeps, as the tears leaving her eyes leave (in a flash of scenes) drops onto her jeans, the sidewalk--all the while, A tiny ant carries a giant leaf, as the spider weaves beneath the tree whose leaves leak streams of pretty streaking and speckled, and leaves glassy droplets stuck in the strings of the spider, still weaving; the rain floods the streams into rivers, which bleed, eventually in the ocean, fanning out into the Seven Seas. (pacifically, eventually) Are we reading this, or is this stage direction--production notes? What is this? Who is “we”? WE AVE A whole flashback unfolds: A steamy shower, thick with the smell sweet candles, leaving steam-less spots of mirror in the flickering heat; A seamless and synchronized transition, as the More Cheery and Upbeat Strings, Beat and melody in the previously playing version, fades seemingly into the steam, as ‘Cringe, Stripped” leads us into the memory, where she sings with the heartbreakingly haunting and soulful sadness, the harmony, her voice blending perfectly over the recording as if it were meant to be; The Duality of Grief. Not quite flashing back, but seen as a translucent overlay, another flash; The Seats of a theatre, the scene in black and white, as the stage lights washout, the flickering dremlike scene, the steam so thick we barely see the details of the singing, with the passion that seems to bleed out the ache of her broken, barely beating heart. The song rings out, evolving into what just may be, the beginnings of a remix, as more quick flashes slam back-to-back A flash of: The Scene In The Mercedes A flash of an ambulance, sirens blaring! A flash as the scene of A spider sleeping peacefully beneath a leaf, shielded from the rain, which leaves droplets on the strings, on the opposite side of the same tree; Blissfully unaware of the bird, perched just above lurking or something to eat. Neither the spider, nor the other, or the bird or ant are aware of any one-another, or any other world other besides the tree, the flash of a longshot which we see, is unassumingly and unimpressively, “just a tree” a grey and stormy day; A plane takes off up into the heavy rain, droplets changing shape through the window, looking out as the plane lifts off the ground. The next layer of memories unfold as voiceovers from various quotes, accompanying the song still playing, now beginning to blend with first the stripped version, then the album/studio version, which for a moment, is singularly heard, as the flash of a scene from a more recent memory flashes: The Digital Clock in the Car Reads, 88.1 in red, The volume is low, almost so low that it can't be heard: she stares out the window on a grey and overcast day, eyes lost and pondering--though they light when her finely tuned ears catch the pitch of the song ‘Cringe', as she excitedly turns the volume up eagerly, listening for a moment--a range of joyful surprise in her expressions, happily pushing up the Translucent Pink Frames, sighing with a smile, as she exclaims, “WHAT? THIS SONG IS ON THE RADIO NOW?!” The driver, taken aback but having caught her contagious beam of “happy” I almost forgot about this song. That was a long time ago... “Oh...do you know this song?” I haven't heard it in forever...I forgot it existed. [pause] I can't believe it took that long… “yeah , it's pretty popular. It's like always on.” ...I can't believe this song...daaaaamn...her excitement settles, as she looks back out of the window, at the grey and rainy day. So, that's how long it takes… The blending and fading of the song creates an array of rapidly changing scenes faded, flashing, cut and becoming somehow closer, yet further away at the same time. Colors and shapes, as the sounds that the songs all being played which remain the same, but change, as they create new sound waves; The Three Songs are arranged and rearranged, as are the scenes, pictures, videos, of entertainment stages through the ages, The Festival Culture highlighted in the Inception since The Dawn of Rave, to present day. [Each quote, a voiceover played by an ensemble cast, each made to read any/every line specifically, if unaccompanied by a name.] The Clips and Sound Combine with Colorful Psychedelic and neon in some scenes even in 3D, (ideally, actually, up to 9D) as music, theatre, television, and flashes of memories and scenes of everything, as the shifting screen changes slightly and steadily with the music, now something of an electronic-meets-acoustic symphony (:UNPLUGGED), still cleanly and seamless in the colorful chaos that is everything, though visually intensely overwhelming, a sensory-stimulating synthesis of “Sound That You Can See”[ *go back for quote from song] The Sountrack now taking us on a Journey through sound, (ideally surround sound, even having speakers and subs somehow mounted from the ceiling, pointing down, pointing up from the ground. With Live Theatre Production Experiences combine more elements representative of the 9 Dimensions, by arranging speakers set outside of the theatre itself--perhaps, if in a Live Theatre setting, where the movie is projected onto a screen or skrim on stage, additional screens canbe projected onto the walls of the theatre, creating potential to use the audience interactively, perhaps arranging for actors seated amongst the audience members, interjecting at the intersections of crossing dimensions with both improvised and rehearsed actions, and or carrying out specific tasks as it related to the plot, the audience, even becoming the stage, as the stage is re-arranged; even becoming a mirror image of the theatre, filling with patrons and gazing into the audience, where cast members reflect a multidimensional portrayal, an interpretive alternate reality of what is happening on stage, unseen off stage, while the film still plays somewhere (or even sometimes, nowhere) as light and sound design give the viewer an experience of senselessness and sensory stimulus, Explaining through experience, representations of conditions; Much like a masterful DJ mixes musical elements in a live setting by reading the crowd, The Ideal Live Production of this Film has the ability to Unify the audience through various interactive activities; an energy-based planned, or even sporadic--based on the audience itself, monitored by The Ringmaster, an unseen (cast) Omnipitence, or ‘The Universe” itself, , as we apply the Values of Peace, Love, Unity, and Respect as the Ultra-Fine Line between “Everything” and “Nothing”, in simpler terms: Light and Dark, and finding the balance which allows us, in the “present” to explore and experience The Voids, shattering reality as the Linear plot unravels into a non-linar Uncontrolled Experiement, Allowing for Manuverability within the variables and simulating a Synesthesia-Inspired Simulation of Multidimensional Time and Space Travel, using music as the constant connection; as the finale transforms the theater in entirety into both a theatrical interpretation of a full-scale music festival--and a real-life miniature dance scene, inviting real-life ravers to fill the space to capacity, as the final scenes of the film unfold as the our present reality Expanding, Ascending, Compressing, and Collapsing All at Once, Explosions and Implosions as Conscious and Unconscious Collide in the Cosmos; Darkness having never known Light, and Life is the balance we find as they collide, tied in tightly by Time through the rhymes and iambic pentameters, patterns, passion, perception; we find the Power of the Divine is the awareness of one's existence as Everything and/or Nothing at once, As the Reflection of both the inward and outward selves must balance, and harmonize in time, to realize The Difference between Paradise and The Prison of Purgatory, is the illusion of Division between the two Divine Eyes; The strength behind them lights the … Ted, Ted, and Ted's accidental initiation into The Psychonauts began as a result of the friends, originally three Fraternity Brothers and Recent Graduates of UCLA attending festivals consistently together, each using various Mind-Altering substances to attract (“preferably female”) partygoers. Over the course of the series in short (often light and comedic) scenes, where the trio often stumble into reality-shattering situations by sheer coincidence or seemingly random occurrences. But as we later learn about the multilayered world of interdimensional existence, Everything happens for a reason; Nothing is Impossible, Never Say Never, Be Careful what You Wish For-- and, of course-- there are no coincidences. These three seemingly simple-minded creatures begin as “wooks”, Shirtless Party Boys eager to rave. Often [irresponsibly] experimenting with copious amounts of psychedelics, the boys often find themselves unknowingly transported through various wormholes, teleportals, time warps, and Voids created through the music at each festival they attend, sometimes confusedly landing them in alternate parallels and altered dimensions of reality, sometimes even spiraling into three separate dimensions at once, thus creating new points along The Grid, from which the parallels and dimensions are woven together and interconnected through, time, space, circumstance, and choice in any conscious--ultimately (though, most often by dumb luck or happy accidents) expanding the universe, prompting the Ascended Masters to scout Ted, Ted, and Ted as a unified team to be inducted into The Psyconauts, eventually becoming an integral and important Dillon (Theodore) Francis, while working towards an Alliance between the Bampheramphs and Psychonauts uses his bewittingly bestowed middle name to act as an Alternate ‘Ted', or sometimes work jointly as The QuadraSquad, a “pop-up” rave squad which acts as a recruitment team, and on emergency search-and-rescue missions, collecting key components along the collapse and collision of worlds and within the fabric of space, time, and reality. Chak Chel and Dillon Francis put the Teds through a rigorous (and extremely senseless) crash-course in DJing, forming a popular Trio, whose name varies depending on the dimensions in which they will preform, secretly setting tactical bassdrops, emitting coded frequencies to communicate covertly with other entities, opening intentional time warps, portals, and wormholes through their DJ sets. Time holes where the Trio are in two (or sometimes, more, and alternately infinite) places at once are placed as easter eggs throughout the series; In some cases, The Three Teds are even festival attendees at the festivals which in a neighboring reality they are also headlining, even at points transporting their own selves through timespace--whether intentionally, or coincidentally. As the Teds reach the high ranks of The Psychonauts, even eventually (and unwillingly) becoming separated by the obligation of duty, being assigned to separate sanctions of Leadership by skillset as a “draft” is enacted to strengthen their forces, as they prepare for The FInal Battle (actually multiple (infinite) battles occurring concurrently throughout the expanse of reality, even stretching into the outer realms of ‘inexistence' as the collective consciousness grows, reaching Ascension, and allowing certain realities to reach the New Paradigm. Though evolved over time as the series progresses, The Teds maintain their quirky wookness, questionable (sometimes inappropriate) sense of fashion, and hilariously signature fratboy attitudes and antics, reunifying as a powerful Trio once more towards the conclusion of the series, appearing elementally in various ways at most crucial plot points, revealing the creation through all of their endeavors and shenanigans, a brand new universe within The Infinite Multiverse. (“TED”, where everything/everyone is “Ted”, This universe collides with “Everyone's A DJ”, and, as an infinitely expanding and integral part of the universe, appears optically as “TBD” (To Be Determined, Where Cliffhangers, Plot Holes, Continuity Errors and other traditional elements of Theatrical Film are represented throughout the SUPA Saga and overall festival project.) During the Wookness: Ted: Yo, how much for this? (Points To Kandi Cuff) ...How much-what? Ted: How much is it? Like what, $50 bucks? 50 bucks?! Ted: Oh shit, my bad--festival prices, huh? Sorry yo, I got a $50, the rest is big bills. Doyou have an online shop? Are you trying to buy my kandi? You can't *buy* kandi! Ted: Pssshhh! Ted: All I buy is Kandi! You can't sell kandi, you're supposed to trade it.. That's why you make it. Ted: Yeah bro, I've done trades. (Flashback) Raver Girl: Wanna Trade Kandi? Ted: Show Us your Titties! The girl looks to her friend, as if to say “should I?” her friend, wearing dark Ray Bans, and sternly nods her head in approval, her friend shrugs drunkenly as if to say“fuck it, why not?” While the friend swiftly pulls out her iPhone, the other lifts her shirt, flashing the happy Teds, dancing in Fratboy Delight; Ted, standing adjacent to the straight-faced girl in Sunglasses, sneakily scrunches down to get a good picture; their [Tri-Lens] iPhone cameras now directly aligned. face to face, (or rather, eye-to-eye) ((Or, eye-to-eye, rather,)) (((Rather, eye-to-eye,))). snapping his picture, as the flash from her camera blinds him Ted:UH, Yeah you can..They sell it online. Online? Whats--what? SELL? Ted: Fuck yeah dude. Ted: YEEE, KANDI KID 4 LIFE YOU ARE NOT A KANDI--Ki--YOU CAn'T SELL KANDI. Woah, chill. No “chill” no selling Kandi! NO! NO! What Chak Chel's Bedtime Stories Chak Chel, the GOOGLE kids' favorite babysitter, tells stories of infinitely expanding adventures of the multidimensions of timespace -Honey, I Killed Myself. -Honey, I Shrunk The Skrillex -Who Killed Sunni Blu? -Who Killed SupaCree? -The Curious Case of SupaCree -DILLONCEPTION Trapped in an intensely infinite and ever-expanding and/or consistently densening Vividly Lucid Multidimensionally (And Musically) Interconnected Omni-Galactic Eternal Space-Time “Loop”, [DJ] Dillon Francis must frustratingly attempt to multitask through an “apparently unlimited”[ (I TOLD YOU, IN-FIN-ITE. INFINITY.)] battle his Masked nemesis, Key: Brackets [] Director's Notes, Production Details, typically indicating a tie-in with other entries, or crossovers from other consecutively (or, sometimes, alternately) running series in the saga, more frequently as the “Multiverse” expands, or as the (Technical Omniverse, Eventually) in which the series' specific “(U)niverse” ‘collapsing', being progressively stated repeatedly throughout the series to be both compressing, and expanding respectively; However, as the Bill and Ted's Excellent Adventure... Dill and Ted's Excellent Adventure (They cross paths with Bill and Ted, in their search for Two of the missing Teds; Alternately Ted and Ted discover how ‘Three's a Crowd” makes sense, as they happily gallavant frat-tastically through the galaxy, in search of a Sexy Space-Alien Rave Bae (The Amazonian Women from futurama, live action, Saved by the Heroes from futurama) (on) Having ascended into the dimension after her most recent death, SupaCree (not yet known as SupaCree), lands “God”, an Ascended Dimension where she can actually communicate clearly with the Ascended Masters, being closer to ‘God' (her)self, but not directly being able to interact with her; conversely, she can scan the plains of reality from “above”, though later we learn there is no “up” or “down” in “Total Omnipotence”, the post-conscience Infinite Existence Experienced in the Limitless (INFINITE) Energy of Being Everything, Everyone, and Everywhere at once; Simultaneously Nonexistant, Being “Nothing”, “Nobody” and “Nowhere” at once, all represented variously through the concept of infinite multidimentionality, in our “3” dimensional “Uni-Multi-Omni-Versal” (apparently, I've just been told) SupaCree exists in a Tri-Verse, unbeknownst to even God (her)self to its true Origins, the “final(e)” (but not, ever) (e) In a random and nearly collapsed alternate fabric of timespace, where the spelling of the name “Cree” is pronounced the same, but spelled simply “Cre”, (though, specifically equally--”by the exact number of times, actually”--mispronounced”, One of the only similarities between the two, sharing the same planetary alignments and cosmic significance and the same parents--however having been conceived with completely different genetic markers: As a result, this alternate version of herself is physically not “opposite”, but differs in physical appearance drastically--at least, for the most part--as more ideally attractive which to The Original's mind-blowing dissatisfaction, (and, also stagnantly egotistical “Very Satisfied” Satisfaction), But the feeling soon fades when she learns that this reality is on the verge of imminent collapse after the discovery that one subtle, singular synchronicity shared in her actual reality(s)(realities) (which one?) ((Multiple “actual-realities, actually”)) (((Multiple Synchronized Individual Existence Theory, one of the multiple Theories (I) Use to Conceive the (Law) of Evolutionary Infinite Omnipotence, (Everything is Everything/Nothing is Nothing/ God is, as I am/ I am U/All Are One) the aforementioned suggesting the absolute possibility of any circumstance which allows a singular subject with (apparently) “limited” existence, total and complete synchronization at “exact” moment of “Creation”, or “Origin”, and any circumstantially coinciding consecutive synchronizations beyond the limitations eo each respective individual's actual existence or reality.)(Satisfaction, Benny Benassi) (And Apparently, The Biz--because, literally, writing in real-time (What is time) with google. (What's The Biz???) Travelling to 2003, where the event which ties this frail and “practically non-existent” fabric of reality to her own, she eagerly races against the clock (in real time?) ((maybe, unreal time)) (((I am time.))) “I don't believe in time”, later corrected, after being stuck in a Godless world to “The human concept of “time”,/God's not real, or opting to state the phrase more subjectively, “I don't [really}/I kinda don't believe in time,” though as she evolves more rapidly through her progressive Ascension and Elemental Mastery, quickly Surpassing Ascended Mastery as a skilled sorcerer,Visionary Seer, helping her rapidly strengthen the art of Cosmic Alchemy, mastery of (eventually, instant, and respectively infinite manifestation, and matter/antimatter movement and/or manipulation;i.e. The art of Creation. I.E., Do you even know what “i.e' stands for? I'll look it up later, I know what its used for. Look it up. [Googles i.e, clicks on top most commonly searched] I.e. and e.g. are both Latin abbreviations. E.g. stands for exempli gratia and means “for example.” I.e. is the abbreviation for id est and means “in other words.” Remember that E is for example (e.g.) and that I and E are the first letters of in essence, an alternative English translation of i.e. The Original Cree sits perched behind a red (Ugh, red…) ...A red laptop computer; the love light lost from her dark eyes, through the clear lenses of her cheap, brandless (Medicaid.) ...brandless black glasses, narrow framed and unbecoming over the shape of her face, the Album ‘Who Killed Matt Maeson” softly plays a somber song, to which she'd normally--at least, if left alone or rarely, in “comfortable company” (That's, someone you don't necessarily “like”, but still feel comfortable enough to sing around.) The Scientist, in a higher realm, peaking down through her microscope, watches contently, curiously, and concisely, dialing its lens by a couple turns, as she ponders aloud, Hm. Wonder what makes that happen, exactly? That's...huh...Hm. [Her project, a mystery hidden from the audience. She pushes herself back from the desk, reaching for her notebook and jotting quickly her findings, stopping only turn on some [] Music, which blends seamlessly as we fade back into the scene of the drab and unflattering, somewhat “sickeningly” lit, reminiscent of the stagnancy most often observed in a petri dish.] As the song ‘Cringe' begins to play in the background, the clear picture of the laptop screen fades into a blurred obscurity, as her focus shifts sharply to the warm glowing array of colors of her speaker light her otherwise nearly lifeless eyes, as she is Slightly and softly hypnotized into a series of several simultaneous vivid memories; separate and specifically assorted scenes form, as she remembers “everything” quite at once, A vision weaved into her conscious memories, just as seamlessly; A Web Wrapped with the Fragile Fabric of “Time”, the invisible energy of musical frequencies awaken ones senses and sensibilities--invisible, for some...at least. The light on the speaker, a golden tone, as we cascade into the eye mind; A flash to a blurry memory, 2017; A slender and handsome longhaired surfer, resurfaces from submersion under the waves, flipping his long hair back with the graceful and slowmotionly seductive snap of the neck, as the sunlight gleaming a golden glow, in the eye of his admirer. A Flash Of: The Golden Light of the Shining Sun over Santa Monica A Flash, As she Gently Weeps, as the tears leaving her eyes leave (in a flash of scenes) drops onto her jeans, the sidewalk--all the while, A tiny ant carries a giant leaf, as the spider weaves beneath the tree whose leaves leak streams of pretty streaking and speckled, and leaves glassy droplets stuck in the strings of the spider, still weaving; the rain floods the streams into rivers, which bleed, eventually in the ocean, fanning out into the Seven Seas. (pacifically, eventually) Are we reading this, or is this stage direction--production notes? What is this? Who is “we”? WE AVE A whole flashback unfolds: A steamy shower, thick with the smell sweet candles, leaving steam-less spots of mirror in the flickering heat; A seamless and synchronized transition, as the More Cheery and Upbeat Strings, Beat and melody in the previously playing version, fades seemingly into the steam, as ‘Cringe, Stripped” leads us into the memory, where she sings with the heartbreakingly haunting and soulful sadness, the harmony, her voice blending perfectly over the recording as if it were meant to be; The Duality of Grief. Not quite flashing back, but seen as a translucent overlay, another flash; The Seats of a theatre, the scene in black and white, as the stage lights washout, the flickering dremlike scene, the steam so thick we barely see the details of the singing, with the passion that seems to bleed out the ache of her broken, barely beating heart. The song rings out, evolving into what just may be, the beginnings of a remix, as more quick flashes slam back-to-back A flash of: The Scene In The Mercedes A flash of an ambulance, sirens blaring! A flash as the scene of A spider sleeping peacefully beneath a leaf, shielded from the rain, which leaves droplets on the strings, on the opposite side of the same tree; Blissfully unaware of the bird, perched just above lurking or something to eat. Neither the spider, nor the other, or the bird or ant are aware of any one-another, or any other world other besides the tree, the flash of a longshot which we see, is unassumingly and unimpressively, “just a tree” a grey and stormy day; A plane takes off up into the heavy rain, droplets changing shape through the window, looking out as the plane lifts off the ground. The next layer of memories unfold as voiceovers from various quotes, accompanying the song still playing, now beginning to blend with first the stripped version, then the album/studio version, which for a moment, is singularly heard, as the flash of a scene from a more recent memory flashes: The Digital Clock in the Car Reads, 88.1 in red, The volume is low, almost so low that it can't be heard: she stares out the window on a grey and overcast day, eyes lost and pondering--though they light when her finely tuned ears catch the pitch of the song ‘Cringe', as she excitedly turns the volume up eagerly, listening for a moment--a range of joyful surprise in her expressions, happily pushing up the Translucent Pink Frames, sighing with a smile, as she exclaims, “WHAT? THIS SONG IS ON THE RADIO NOW?!” The driver, taken aback but having caught her contagious beam of “happy” I almost forgot about this song. That was a long time ago... “Oh...do you know this song?” I haven't heard it in forever...I forgot it existed. [pause] I can't believe it took that long… “yeah , it's pretty popular. It's like always on.” ...I can't believe this song...daaaaamn...her excitement settles, as she looks back out of the window, at the grey and rainy day. So, that's how long it takes… The blending and fading of the song creates an array of rapidly changing scenes faded, flashing, cut and becoming somehow closer, yet further away at the same time. Colors and shapes, as the sounds that the songs all being played which remain the same, but change, as they create new sound waves; The Three Songs are arranged and rearranged, as are the scenes, pictures, videos, of entertainment stages through the ages, The Festival Culture highlighted in the Inception since The Dawn of Rave, to present day. [Each quote, a voiceover played by an ensemble cast, each made to read any/every line specifically, if unaccompanied by a name.] The Clips and Sound Combine with Colorful Psychedelic and neon in some scenes even in 3D, (ideally, actually, up to 9D) as music, theatre, television, and flashes of memories and scenes of everything, as the shifting screen changes slightly and steadily with the music, now something of an electronic-meets-acoustic symphony (:UNPLUGGED), still cleanly and seamless in the colorful chaos that is everything, though visually intensely overwhelming, a sensory-stimulating synthesis of “Sound That You Can See”[ *go back for quote from song] The Sountrack now taking us on a Journey through sound, (ideally surround sound, even having speakers and subs somehow mounted from the ceiling, pointing down, pointing up from the ground. With Live Theatre Production Experiences combine more elements representative of the 9 Dimensions, by arranging speakers set outside of the theatre itself--perhaps, if in a Live Theatre setting, where the movie is projected onto a screen or skrim on stage, additional screens canbe projected onto the walls of the theatre, creating potential to use the audience interactively, perhaps arranging for actors seated amongst the audience members, interjecting at the intersections of crossing dimensions with both improvised and rehearsed actions, and or carrying out specific tasks as it related to the plot, the audience, even becoming the stage, as the stage is re-arranged; even becoming a mirror image of the theatre, filling with patrons and gazing into the audience, where cast members reflect a multidimensional portrayal, an interpretive alternate reality of what is happening on stage, unseen off stage, while the film still plays somewhere (or even sometimes, nowhere) as light and sound design give the viewer an experience of senselessness and sensory stimulus, Explaining through experience, representations of conditions; Much like a masterful DJ mixes musical elements in a live setting by reading the crowd, The Ideal Live Production of this Film has the ability to Unify the audience through various interactive activities; an energy-based planned, or even sporadic--based on the audience itself, monitored by The Ringmaster, an unseen (cast) Omnipitence, or ‘The Universe” itself, , as we apply the Values of Peace, Love, Unity, and Respect as the Ultra-Fine Line between “Everything” and “Nothing”, in simpler terms: Light and Dark, and finding the balance which allows us, in the “present” to explore and experience The Voids, shattering reality as the Linear plot unravels into a non-linar Uncontrolled Experiement, Allowing for Manuverability within the variables and simulating a Synesthesia-Inspired Simulation of Multidimensional Time and Space Travel, using music as the constant connection; as the finale transforms the theatre in entirety into both a theatrical interpretation of a full-scale music festival--and a real-life miniature dance scene, inviting real-life ravers to fill the space to capacity, as the final scenes of the film unfold as the our present reality Expanding, Ascending, Compressing, and Collapsing All at Once, Explosions and Implosions as Concious and Unconcious Collide in the Cosmos; Darkness having never known Light, and Life is the balance we find as they collide, tied in tightly by Time through the rhymes and iambic pentameters, patterns, passion, perception; we find the Power of the Divine is the awareness of one's existence as Everything and/or Nothing at once, As the Reflection of both the inward and outward selves must balance, and harmonize in time, to realize The Difference between Paradice and The Prison of Purgatory, is the illusion of Division between the two Divine Eyes; The strength behind them lights the … I'm tired. Something about a third eye, right? I don't know. I think they closed mine. Who's “they” I am. “I prefer the gloominess to the sun. I don't know why.” (From, The Beatles, Love: Sun, Sun, Sun…) “‘I told the spider i'd write it!” (A quick clip of spiderman) ‘'Ohh, she spida” Okay, literally what the FUCK is my life. Are you alive? Not even. This doesn't make sense. How much sense is it supposed to make. It is making sense. It's making 6th sense. How did he DO that? Just him? THEY. Oh, shit. I know you're workin for it. Nah, I don't even think that's right? What's right? Something Doesn't Feel Right, I've had enough for one night. Yo, how is this happening? I don't know. They said it was a 9-Dimensional Song. WHAT even IS the 9th Dimension? What are any of the DImensions? I don't know. Google it. I did. And? And I have ADD. I dont know. So, go! GOH.. Aw, FUCK. This is getting weird. It's been weird. How is it, I can quit Skrillex, but Skrillex can't quit me. What? It was just a coincidence. There are no coincidences. How is that song even on the radio. Look what money can do! Money can do anything! I guess taht explains why you can't. it DOES. Do they want me to kill myself? Do you want you to kill yourself? Not really. I'd rather just die of natural causes, so I don'thave to be punished. Are you being punished. I commit suicide, and-- I already told this story. I'm not telling it again. How many times have you really told it. I've been telling it. I've been living it. I'm over it. Youre not over it. You're panicking. I'm writing. Youre fasting. I'm hungry. Why are you fasting? Because nothing makes sense. I have no money, I have no music-- You have music. I have nothing. I'm fucked. There are no coincidences. Don't you think I know? I quit listening to Skrillex, all of a sudden he's on the radio?! Yes. Is he even aware of my existence?! Is he? What the fuck is happening right now. Where's Scary Monsters? In my head. What's the plot? It's...somewhere. You've got to clean up these documents somehow. I don't have the focus. Try crystal meth. No. Try adderall. ...I don't have any money. Try a doctor. I did. I tried over and over and over. For depression. For Anxiety. For ADD. Everything they give me just makes me WORSE. That's hy you NEVER say you're runnin for President. I'm NOT. But you said it. Now you're really fucked. I am. So that's it. That has to be it. They want me dead so I can't run. That's the only way it's going to happen. What's going to happen. Either thing. I'm not running for President. You're not killing yourself. Psh. Watch me. We have been. Who is we. We-YOU. IT doesn't matter. nobody would believe any of it. the whole story sounds made up. How is this supposed to work out? They used Skrillex to get me to kill myself? That's...that's deep. Or…? Or...they used Skrillex to get me to... Get you to…? I don't know. I'm pretty worthless. All I do is...this. And what's this? And who is THIS? That was Chak Chel, I guess. What the fuck did getter DO? What did Getter do? What are they doing? I think the better question is: Why? WHY In-- Who's name? I'm not God. Until you are. And then I'm Avicii. Or Skrillex. Skrillex isn't dead yet. Yet. What the fuck. Don't . I didn't. But you did. Fuck this. Fuck That. Fuck that, too. Wait, does the Roomba say “fuck that” or “fuck you?” It says “Fuck you-fuck you-fuck you-fuck you-” Because it's a vacuum, so it's literally ‘eating shit'. See. Classic. Occult Classic. It is, all in my head. Until it isn't. I already fucked up. I sent a fucking suicide letter to-- A suicide letter. One of hundreds. Yeah. So they know i'm fucked up. Because they didn't know already? How would they know? How would they NOT KNOW? They've been with you all year. That's all in my head. Is it? I mean--Is it? Seems like it. Look at the evidence. I am the evidence. Look at last year--everywhere you went in the rave world, something happened. Lots of somethings happened. Eventually culminating in-- In? Tents. So what the FUCK am I supposed to do. Well, not kill yourself. Then what? Not starve yourself. I'm too fat. But you can lose weight. You can do anything, I can't do anything. You can. Then, I already have. Right. What am I supposed to do? What is this supposed to mean? Maybe it's time for a jump start. I was saving that. You were supposed to blast off at the STRAT and had McDonalds instead. I ordered a Muder-Suicide, with the intention of finishing in Suicide. But? But I went into a food coma. So maybe rather than the enemy, McDonalds is a friend. McDonalds is a friend to no one. Saved your life. Prolonged my life. As it always seems to. Think to the last few times you've ordered the Suicide Meal. It's only been twice. And? Both times I fell asleep before I could do it. So. So there's something in McDonalds that...I don't know. Takes away the ache. It is an ache, isn't it. It is. Now think--you're not the only suicidal person on the planet. No, I'm not. Think harder. I just did. And where did you go? To The Mountain. Where--? Where Tim said-- And how is it that you're on a first name basis with someone you've never met? I'm pretty sure i'm just crazy. Avicii came to you how? Through the music. And Sonny came to you how? ... How? Through the music. What did his mother say? Can I write this? Either someone's reading it, or they aren't. And if they are? Then, what does that make you? Crazy. But they're reading your words. They're just words. What did she say? I know what she said. I don't think I can write it. This is why The Untold Prophecy Remains Untold. This is all ridiculous. Isn't it. Whose birthday is it? Mine. Happy Birthday. Thanks. How old are you? I remember someone asked that... Who? What did Getter Do? Just Getter? What...does Pasqualle Do? Just Pasqualle? ...What do I... What are you? I don't know. Did you ever? Would You Ever? I can't help it. What can you help? I don't know. Why me? Y-U, Y-U, Y-U-- What was that, anyway? {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2023 ALL RIGHTS RESERVED. © -U.

COPYRIGHT PROTECTED INTELLECTUAL PROPERTY / CONTENT Ted, Ted, and Ted's accidental initiation into The Psychonauts began as a result of the friends, originally three Fraternity Brothers and Recent Graduates of UCLA attending festivals consistently together, each using various Mind-Altering substances to attract (“preferably female”) partygoers. Over the course of the series in short (often light and comedic) scenes, where the trio often stumble into reality-shattering situations by sheer coincidence or seemingly random occurrences. But as we later learn about the multilayered world of interdimensional existence, Everything happens for a reason; Nothing is Impossible, Never Say Never, Be Careful what You Wish For-- and, of course-- there are no coincidences. These three seemingly simple-minded creatures begin as “wooks”, Shirtless Party Boys eager to rave. Often [irresponsibly] experimenting with copious amounts of psychedelics, the boys often find themselves unknowingly transported through various wormholes, teleportals, time warps, and Voids created through the music at each festival they attend, sometimes confusedly landing them in alternate parallels and altered dimensions of reality, sometimes even spiraling into three separate dimensions at once, thus creating new points along The Grid, from which the parallels and dimensions are woven together and interconnected through, time, space, circumstance, and choice in any conscious--ultimately (though, most often by dumb luck or happy accidents) expanding the universe, prompting the Ascended Masters to scout Ted, Ted, and Ted as a unified team to be inducted into The Psyconauts, eventually becoming an integral and important Dillon (Theodore) Francis, while working towards an Alliance between the Bampheramphs and Psychonauts uses his bewittingly bestowed middle name to act as an Alternate ‘Ted', or sometimes work jointly as The QuadraSquad, a “pop-up” rave squad which acts as a recruitment team, and on emergency search-and-rescue missions, collecting key components along the collapse and collision of worlds and within the fabric of space, time, and reality. Chak Chel and Dillon Francis put the Teds through a rigorous (and extremely senseless) crash-course in DJing, forming a popular Trio, whose name varies depending on the dimensions in which they will preform, secretly setting tactical bassdrops, emitting coded frequencies to communicate covertly with other entities, opening intentional time warps, portals, and wormholes through their DJ sets. Time holes where the Trio are in two (or sometimes, more, and alternately infinite) places at once are placed as easter eggs throughout the series; In some cases, The Three Teds are even festival attendees at the festivals which in a neighboring reality they are also headlining, even at points transporting their own selves through timespace--whether intentionally, or coincidentally. As the Teds reach the high ranks of The Psychonauts, even eventually (and unwillingly) becoming separated by the obligation of duty, being assigned to separate sanctions of Leadership by skillset as a “draft” is enacted to strengthen their forces, as they prepare for The FInal Battle (actually multiple (infinite) battles occurring concurrently throughout the expanse of reality, even stretching into the outer realms of ‘inexistence' as the collective consciousness grows, reaching Ascension, and allowing certain realities to reach the New Paradigm. Though evolved over time as the series progresses, The Teds maintain their quirky wookness, questionable (sometimes inappropriate) sense of fashion, and hilariously signature fratboy attitudes and antics, reunifying as a powerful Trio once more towards the conclusion of the series, appearing elementally in various ways at most crucial plot points, revealing the creation through all of their endeavors and shenanigans, a brand new universe within The Infinite Multivetrse. (“TED”, where everything/everyone is “Ted”, This universe collides with “Everyone's A DJ”, and, as an infinitely expanding and integral part of the universe, appears optically as “TBD” (To Be Determined, Where Cliffhangers, Plot Holes, Continuity Errors and other traditional elements of Theatrical Film are represented throughout the SUPA Saga and overall festival project.) During the Wookness: Ted: Yo, how much for this? (Points To Kandi Cuff) ...How much-what? Ted: How much is it? Like what, $50 bucks? 50 bucks?! Ted: Oh shit, my bad--festival prices, huh? Sorry yo, I got a $50, the rest is big bills. Doyou have an online shop? Are you trying to buy my kandi? You can't *buy* kandi! Ted: Pssshhh! Ted: All I buy is Kandi! YOu can't sell kandi, youre supposed to trade it.. That's why you make it. Ted: Yeah bro, I've done trades. (Flashback) Raver Girl: Wanna Trade Kandi? Ted: Show Us your Titties! The girl looks to her friend, as if to say “should I?” her friend, wearing dark Ray Bans, and sternly nods her head in approval, her friend shrugs drunkenly as if to say“fuck it, why not?” While the friend swiftly pulls out her iPhone, the other lifts her shirt, flashing the happy Teds, dancing in Fratboy Delight; Ted, standing adjacent to the straight-faced girl in Sunglasses, sneakily scrunches down to get a good picture; their [Tri-Lens] iPhone cameras now directly aligned. face to face, (or rather, eye-to-eye) ((Or, eye-to-eye, rather,)) (((Rather, eye-to-eye,))). snapping his picture, as the flash from her camera blinds him Ted:UH, Yeah you can..They sell it online. Online? Whats--what? SELL? Ted: Fuck yeah dude. Ted: YEEE, KANDI KID 4 LIFE YOU ARE NOT A KANDI--Ki--YOU CAn'T SELL KANDI. Woah, chill. No “chill” no selling Kandi! NO! NO! What Chak Chel's Bedtime Stories Chak Chel, the GOOGLE kids' favorite babysitter, tells stories of infinitely expanding adventures of the multidimensions of timespace -Honey, I Killed Myself. -Honey, I Shrunk The Skrillex -Who Killed Sunni Blu? -Who Killed SupaCree? -The Curious Case of SupaCree -DILLONCEPTION Trapped in an intensely infinite and ever-expanding and/or consistently densening Vividly Lucid Multidimensionally (And Musically) Interconnected Omni-Galactic Eternal Space-Time “Loop”, [DJ] Dillon Francis must frustratingly attempt to multitask through an “apparently unlimited”[ (I TOLD YOU, IN-FIN-ITE. INFINITY.)] battle his Masked nemesis, Key: Brackets [] Director's Notes, Production Details, typically indicating a tie-in with other entries, or crossovers from other consecutively (or, sometimes, alternately) running series in the saga, more frequently as the “Multiverse” expands, or as the (Technical Omniverse, Eventually) in which the series' specific “(U)niverse” ‘collapsing', being progressively stated repeatedly throughout the series to be both compressing, and expanding respectively; However, as the Bill and Ted's Excellent Adventure... Dill and Ted's Excellent Adventure (They cross paths with Bill and Ted, in their search for Two of the missing Teds; Alternately Ted and Ted discover how ‘Three's a Crowd” makes sense, as they happily gallavant frat-tastically through the galaxy, in search of a Sexy Space-Alien Rave Bae (The Amazonian Women from futurama, live action, Saved by the Heroes from futurama) (on) Having ascended into the dimension after her most recent death, SupaCree (not yet known as SupaCree), lands “God”, an Ascended Dimension where she can actually communicate clearly with the Ascended Masters, being closer to ‘God' (her)self, but not directly being able to interact with her; conversely, she can scan the plains of reality from “above”, though later we learn there is no “up” or “down” in “Total Omnipotence”, the post-conscience Infinite Existence Experienced in the Limitless (INFINITE) Energy of Being Everything, Everyone, and Everywhere at once; Simultaneously Nonexistant, Being “Nothing”, “Nobody” and “Nowhere” at once, all represented variously through the concept of infinite multidimentionality, in our “3” dimensional “Uni-Multi-Omni-Versal” (apparently, I've just been told) SupaCree exists in a Tri-Verse, unbeknownst to even God (her)self to its true Origins, the “final(e)” (but not, ever) (e) In a random and nearly collapsed alternate fabric of timespace, where the spelling of the name “Cree” is pronounced the same, but spelled simply “Cre”, (though, specifically equally--”by the exact number of times, actually”--mispronounced”, One of the only similarities between the two, sharing the same planetary alignments and cosmic significance and the same parents--however having been conceived with completely different genetic markers: As a result, this alternate version of herself is physically not “opposite”, but differs in physical appearance drastically--at least, for the most part--as more ideally attractive which to The Original's mind-blowing dissatisfaction, (and, also stagnantly egotistical “Very Satisfied” Satisfaction), But the feeling soon fades when she learns that this reality is on the verge of imminent collapse after the discovery that one subtle, singular synchronicity shared in her actual reality(s)(realities) (which one?) ((Multiple “actual-realities, actually”)) (((Multiple Synchronized Individual Existence Theory, one of the multiple Theories (I) Use to Conceive the (Law) of Evolutionary Infinite Omnipotence, (Everything is Everything/Nothing is Nothing/ God is, as I am/ I am U/All Are One) the aforementioned suggesting the absolute possibility of any circumstance which allows a singular subject with (apparently) “limited” existence, total and complete synchronization at “exact” moment of “Creation”, or “Origin”, and any circumstantially coinciding consecutive synchronizations beyond the limitations eo each respective individual's actual existence or reality.)(Satisfaction, Benny Benassi) (And Apparently, The Biz--because, literally, writing in real-time (What is time) with google. (What's The Biz???) Travelling to 2003, where the event which ties this frail and “practically non-existent” fabric of reality to her own, she eagerly races against the clock (in real time?) ((maybe, unreal time)) (((I am time.))) “I don't believe in time”, later corrected, after being stuck in a Godless world to “The human concept of “time”,/God's not real, or opting to state the phrase more subjectively, “I don't [really}/I kinda don't believe in time,” though as she evolves more rapidly through her progressive Ascension and Elemental Mastery, quickly Surpassing Ascended Mastery as a skilled sorcerer,Visionary Seer, helping her rapidly strengthen the art of Cosmic Alchemy, mastery of (eventually, instant, and respectively infinite manifestation, and matter/antimatter movement and/or manipulation;i.e. The art of Creation. I.E., Do you even know what “i.e' stands for? I'll look it up later, I know what its used for. Look it up. [Googles i.e, clicks on top most commonly searched] I.e. and e.g. are both Latin abbreviations. E.g. stands for exempli gratia and means “for example.” I.e. is the abbreviation for id est and means “in other words.” Remember that E is for example (e.g.) and that I and E are the first letters of in essence, an alternative English translation of i.e. The Original Cree sits perched behind a red (Ugh, red…) ...A red laptop computer; the love light lost from her dark eyes, through the clear lenses of her cheap, brandless (Medicaid.) ...brandless black glasses, narrow framed and unbecoming over the shape of her face, the Album ‘Who Killed Matt Maeson” softly plays a somber song, to which she'd normally--at least, if left alone or rarely, in “comfortable company” (That's, someone you don't necessarily “like”, but still feel comfortable enough to sing around.) The Scientist, in a higher realm, peaking down through her microscope, watches contently, curiously, and concisely, dialing its lens by a couple turns, as she ponders aloud, Hm. Wonder what makes that happen, exactly? That's...huh...Hm. [Her project, a mystery hidden from the audience. She pushes herself back from the desk, reaching for her notebook and jotting quickly her findings, stopping only turn on some [] Music, which blends seamlessly as we fade back into the scene of the drab and unflattering, somewhat “sickeningly” lit, reminiscent of the stagnancy most often observed in a petri dish.] As the song ‘Cringe' begins to play in the background, the clear picture of the laptop screen fades into a blurred obscurity, as her focus shifts sharply to the warm glowing array of colors of her speaker light her otherwise nearly lifeless eyes, as she is Slightly and softly hypnotized into a series of several simultaneous vivid memories; separate and specifically assorted scenes form, as she remembers “everything” quite at once, A vision weaved into her conscious memories, just as seamlessly; A Web Wrapped with the Fragile Fabric of “Time”, the invisible energy of musical frequencies awaken ones senses and sensibilities--invisible, for some...at least. The light on the speaker, a golden tone, as we cascade into the eye mind; A flash to a blurry memory, 2017; A slender and handsome longhaired surfer, resurfaces from submersion under the waves, flipping his long hair back with the graceful and slowmotionly seductive snap of the neck, as the sunlight gleaming a golden glow, in the eye of his admirer. A Flash Of: The Golden Light of the Shining Sun over Santa Monica A Flash, As she Gently Weeps, as the tears leaving her eyes leave (in a flash of scenes) drops onto her jeans, the sidewalk--all the while, A tiny ant carries a giant leaf, as the spider weaves beneath the tree whose leaves leak streams of pretty streaking and speckled, and leaves glassy droplets stuck in the strings of the spider, still weaving; the rain floods the streams into rivers, which bleed, eventually in the ocean, fanning out into the Seven Seas. (pacifically, eventually) Are we reading this, or is this stage direction--production notes? What is this? Who is “we”? WE AVE A whole flashback unfolds: A steamy shower, thick with the smell sweet candles, leaving steam-less spots of mirror in the flickering heat; A seamless and synchronized transition, as the More Cheery and Upbeat Strings, Beat and melody in the previously playing version, fades seemingly into the steam, as ‘Cringe, Stripped” leads us into the memory, where she sings with the heartbreakingly haunting and soulful sadness, the harmony, her voice blending perfectly over the recording as if it were meant to be; The Duality of Grief. Not quite flashing back, but seen as a translucent overlay, another flash; The Seats of a theatre, the scene in black and white, as the stage lights washout, the flickering dremlike scene, the steam so thick we barely see the details of the singing, with the passion that seems to bleed out the ache of her broken, barely beating heart. The song rings out, evolving into what just may be, the beginnings of a remix, as more quick flashes slam back-to-back A flash of: The Scene In The Mercedes A flash of an ambulance, sirens blaring! A flash as the scene of A spider sleeping peacefully beneath a leaf, shielded from the rain, which leaves droplets on the strings, on the opposite side of the same tree; Blissfully unaware of the bird, perched just above lurking or something to eat. Neither the spider, nor the other, or the bird or ant are aware of any one-another, or any other world other besides the tree, the flash of a longshot which we see, is unassumingly and unimpressively, “just a tree” a grey and stormy day; A plane takes off up into the heavy rain, droplets changing shape through the window, looking out as the plane lifts off the ground. The next layer of memories unfold as voiceovers from various quotes, accompanying the song still playing, now beginning to blend with first the stripped version, then the album/studio version, which for a moment, is singularly heard, as the flash of a scene from a more recent memory flashes: The Digital Clock in the Car Reads, 88.1 in red, The volume is low, almost so low that it can't be heard: she stares out the window on a grey and overcast day, eyes lost and pondering--though they light when her finely tuned ears catch the pitch of the song ‘Cringe', as she excitedly turns the volume up eagerly, listening for a moment--a range of joyful surprise in her expressions, happily pushing up the Translucent Pink Frames, sighing with a smile, as she exclaims, “WHAT? THIS SONG IS ON THE RADIO NOW?!” The driver, taken aback but having caught her contagious beam of “happy” I almost forgot about this song. That was a long time ago... “Oh...do you know this song?” I haven't heard it in forever...I forgot it existed. [pause] I can't believe it took that long… “yeah , it's pretty popular. It's like always on.” ...I can't believe this song...daaaaamn...her excitement settles, as she looks back out of the window, at the grey and rainy day. So, that's how long it takes… The blending and fading of the song creates an array of rapidly changing scenes faded, flashing, cut and becoming somehow closer, yet further away at the same time. Colors and shapes, as the sounds that the songs all being played which remain the same, but change, as they create new sound waves; The Three Songs are arranged and rearranged, as are the scenes, pictures, videos, of entertainment stages through the ages, The Festival Culture highlighted in the Inception since The Dawn of Rave, to present day. [Each quote, a voiceover played by an ensemble cast, each made to read any/every line specifically, if unaccompanied by a name.] The Clips and Sound Combine with Colorful Psychedelic and neon in some scenes even in 3D, (ideally, actually, up to 9D) as music, theatre, television, and flashes of memories and scenes of everything, as the shifting screen changes slightly and steadily with the music, now something of an electronic-meets-acoustic symphony (:UNPLUGGED), still cleanly and seamless in the colorful chaos that is everything, though visually intensely overwhelming, a sensory-stimulating synthesis of “Sound That You Can See”[ *go back for quote from song] The Sountrack now taking us on a Journey through sound, (ideally surround sound, even having speakers and subs somehow mounted from the ceiling, pointing down, pointing up from the ground. With Live Theatre Production Experiences combine more elements representative of the 9 Dimensions, by arranging speakers set outside of the theatre itself--perhaps, if in a Live Theatre setting, where the movie is projected onto a screen or skrim on stage, additional screens canbe projected onto the walls of the theatre, creating potential to use the audience interactively, perhaps arranging for actors seated amongst the audience members, interjecting at the intersections of crossing dimensions with both improvised and rehearsed actions, and or carrying out specific tasks as it related to the plot, the audience, even becoming the stage, as the stage is re-arranged; even becoming a mirror image of the theatre, filling with patrons and gazing into the audience, where cast members reflect a multidimensional portrayal, an interpretive alternate reality of what is happening on stage, unseen off stage, while the film still plays somewhere (or even sometimes, nowhere) as light and sound design give the viewer an experience of senselessness and sensory stimulus, Explaining through experience, representations of conditions; Much like a masterful DJ mixes musical elements in a live setting by reading the crowd, The Ideal Live Production of this Film has the ability to Unify the audience through various interactive activities; an energy-based planned, or even sporadic--based on the audience itself, monitored by The Ringmaster, an unseen (cast) Omnipitence, or ‘The Universe” itself, , as we apply the Values of Peace, Love, Unity, and Respect as the Ultra-Fine Line between “Everything” and “Nothing”, in simpler terms: Light and Dark, and finding the balance which allows us, in the “present” to explore and experience The Voids, shattering reality as the Linear plot unravels into a non-linar Uncontrolled Experiement, Allowing for Manuverability within the variables and simulating a Synesthesia-Inspired Simulation of Multidimensional Time and Space Travel, using music as the constant connection; as the finale transforms the theater in entirety into both a theatrical interpretation of a full-scale music festival--and a real-life miniature dance scene, inviting real-life ravers to fill the space to capacity, as the final scenes of the film unfold as the our present reality Expanding, Ascending, Compressing, and Collapsing All at Once, Explosions and Implosions as Conscious and Unconscious Collide in the Cosmos; Darkness having never known Light, and Life is the balance we find as they collide, tied in tightly by Time through the rhymes and iambic pentameters, patterns, passion, perception; we find the Power of the Divine is the awareness of one's existence as Everything and/or Nothing at once, As the Reflection of both the inward and outward selves must balance, and harmonize in time, to realize The Difference between Paradise and The Prison of Purgatory, is the illusion of Division between the two Divine Eyes; The strength behind them lights the … Ted, Ted, and Ted's accidental initiation into The Psychonauts began as a result of the friends, originally three Fraternity Brothers and Recent Graduates of UCLA attending festivals consistently together, each using various Mind-Altering substances to attract (“preferably female”) partygoers. Over the course of the series in short (often light and comedic) scenes, where the trio often stumble into reality-shattering situations by sheer coincidence or seemingly random occurrences. But as we later learn about the multilayered world of interdimensional existence, Everything happens for a reason; Nothing is Impossible, Never Say Never, Be Careful what You Wish For-- and, of course-- there are no coincidences. These three seemingly simple-minded creatures begin as “wooks”, Shirtless Party Boys eager to rave. Often [irresponsibly] experimenting with copious amounts of psychedelics, the boys often find themselves unknowingly transported through various wormholes, teleportals, time warps, and Voids created through the music at each festival they attend, sometimes confusedly landing them in alternate parallels and altered dimensions of reality, sometimes even spiraling into three separate dimensions at once, thus creating new points along The Grid, from which the parallels and dimensions are woven together and interconnected through, time, space, circumstance, and choice in any conscious--ultimately (though, most often by dumb luck or happy accidents) expanding the universe, prompting the Ascended Masters to scout Ted, Ted, and Ted as a unified team to be inducted into The Psyconauts, eventually becoming an integral and important Dillon (Theodore) Francis, while working towards an Alliance between the Bampheramphs and Psychonauts uses his bewittingly bestowed middle name to act as an Alternate ‘Ted', or sometimes work jointly as The QuadraSquad, a “pop-up” rave squad which acts as a recruitment team, and on emergency search-and-rescue missions, collecting key components along the collapse and collision of worlds and within the fabric of space, time, and reality. Chak Chel and Dillon Francis put the Teds through a rigorous (and extremely senseless) crash-course in DJing, forming a popular Trio, whose name varies depending on the dimensions in which they will preform, secretly setting tactical bassdrops, emitting coded frequencies to communicate covertly with other entities, opening intentional time warps, portals, and wormholes through their DJ sets. Time holes where the Trio are in two (or sometimes, more, and alternately infinite) places at once are placed as easter eggs throughout the series; In some cases, The Three Teds are even festival attendees at the festivals which in a neighboring reality they are also headlining, even at points transporting their own selves through timespace--whether intentionally, or coincidentally. As the Teds reach the high ranks of The Psychonauts, even eventually (and unwillingly) becoming separated by the obligation of duty, being assigned to separate sanctions of Leadership by skillset as a “draft” is enacted to strengthen their forces, as they prepare for The FInal Battle (actually multiple (infinite) battles occurring concurrently throughout the expanse of reality, even stretching into the outer realms of ‘inexistence' as the collective consciousness grows, reaching Ascension, and allowing certain realities to reach the New Paradigm. Though evolved over time as the series progresses, The Teds maintain their quirky wookness, questionable (sometimes inappropriate) sense of fashion, and hilariously signature fratboy attitudes and antics, reunifying as a powerful Trio once more towards the conclusion of the series, appearing elementally in various ways at most crucial plot points, revealing the creation through all of their endeavors and shenanigans, a brand new universe within The Infinite Multiverse. (“TED”, where everything/everyone is “Ted”, This universe collides with “Everyone's A DJ”, and, as an infinitely expanding and integral part of the universe, appears optically as “TBD” (To Be Determined, Where Cliffhangers, Plot Holes, Continuity Errors and other traditional elements of Theatrical Film are represented throughout the SUPA Saga and overall festival project.) During the Wookness: Ted: Yo, how much for this? (Points To Kandi Cuff) ...How much-what? Ted: How much is it? Like what, $50 bucks? 50 bucks?! Ted: Oh shit, my bad--festival prices, huh? Sorry yo, I got a $50, the rest is big bills. Doyou have an online shop? Are you trying to buy my kandi? You can't *buy* kandi! Ted: Pssshhh! Ted: All I buy is Kandi! You can't sell kandi, you're supposed to trade it.. That's why you make it. Ted: Yeah bro, I've done trades. (Flashback) Raver Girl: Wanna Trade Kandi? Ted: Show Us your Titties! The girl looks to her friend, as if to say “should I?” her friend, wearing dark Ray Bans, and sternly nods her head in approval, her friend shrugs drunkenly as if to say“fuck it, why not?” While the friend swiftly pulls out her iPhone, the other lifts her shirt, flashing the happy Teds, dancing in Fratboy Delight; Ted, standing adjacent to the straight-faced girl in Sunglasses, sneakily scrunches down to get a good picture; their [Tri-Lens] iPhone cameras now directly aligned. face to face, (or rather, eye-to-eye) ((Or, eye-to-eye, rather,)) (((Rather, eye-to-eye,))). snapping his picture, as the flash from her camera blinds him Ted:UH, Yeah you can..They sell it online. Online? Whats--what? SELL? Ted: Fuck yeah dude. Ted: YEEE, KANDI KID 4 LIFE YOU ARE NOT A KANDI--Ki--YOU CAn'T SELL KANDI. Woah, chill. No “chill” no selling Kandi! NO! NO! What Chak Chel's Bedtime Stories Chak Chel, the GOOGLE kids' favorite babysitter, tells stories of infinitely expanding adventures of the multidimensions of timespace -Honey, I Killed Myself. -Honey, I Shrunk The Skrillex -Who Killed Sunni Blu? -Who Killed SupaCree? -The Curious Case of SupaCree -DILLONCEPTION Trapped in an intensely infinite and ever-expanding and/or consistently densening Vividly Lucid Multidimensionally (And Musically) Interconnected Omni-Galactic Eternal Space-Time “Loop”, [DJ] Dillon Francis must frustratingly attempt to multitask through an “apparently unlimited”[ (I TOLD YOU, IN-FIN-ITE. INFINITY.)] battle his Masked nemesis, Key: Brackets [] Director's Notes, Production Details, typically indicating a tie-in with other entries, or crossovers from other consecutively (or, sometimes, alternately) running series in the saga, more frequently as the “Multiverse” expands, or as the (Technical Omniverse, Eventually) in which the series' specific “(U)niverse” ‘collapsing', being progressively stated repeatedly throughout the series to be both compressing, and expanding respectively; However, as the Bill and Ted's Excellent Adventure... Dill and Ted's Excellent Adventure (They cross paths with Bill and Ted, in their search for Two of the missing Teds; Alternately Ted and Ted discover how ‘Three's a Crowd” makes sense, as they happily gallavant frat-tastically through the galaxy, in search of a Sexy Space-Alien Rave Bae (The Amazonian Women from futurama, live action, Saved by the Heroes from futurama) (on) Having ascended into the dimension after her most recent death, SupaCree (not yet known as SupaCree), lands “God”, an Ascended Dimension where she can actually communicate clearly with the Ascended Masters, being closer to ‘God' (her)self, but not directly being able to interact with her; conversely, she can scan the plains of reality from “above”, though later we learn there is no “up” or “down” in “Total Omnipotence”, the post-conscience Infinite Existence Experienced in the Limitless (INFINITE) Energy of Being Everything, Everyone, and Everywhere at once; Simultaneously Nonexistant, Being “Nothing”, “Nobody” and “Nowhere” at once, all represented variously through the concept of infinite multidimentionality, in our “3” dimensional “Uni-Multi-Omni-Versal” (apparently, I've just been told) SupaCree exists in a Tri-Verse, unbeknownst to even God (her)self to its true Origins, the “final(e)” (but not, ever) (e) In a random and nearly collapsed alternate fabric of timespace, where the spelling of the name “Cree” is pronounced the same, but spelled simply “Cre”, (though, specifically equally--”by the exact number of times, actually”--mispronounced”, One of the only similarities between the two, sharing the same planetary alignments and cosmic significance and the same parents--however having been conceived with completely different genetic markers: As a result, this alternate version of herself is physically not “opposite”, but differs in physical appearance drastically--at least, for the most part--as more ideally attractive which to The Original's mind-blowing dissatisfaction, (and, also stagnantly egotistical “Very Satisfied” Satisfaction), But the feeling soon fades when she learns that this reality is on the verge of imminent collapse after the discovery that one subtle, singular synchronicity shared in her actual reality(s)(realities) (which one?) ((Multiple “actual-realities, actually”)) (((Multiple Synchronized Individual Existence Theory, one of the multiple Theories (I) Use to Conceive the (Law) of Evolutionary Infinite Omnipotence, (Everything is Everything/Nothing is Nothing/ God is, as I am/ I am U/All Are One) the aforementioned suggesting the absolute possibility of any circumstance which allows a singular subject with (apparently) “limited” existence, total and complete synchronization at “exact” moment of “Creation”, or “Origin”, and any circumstantially coinciding consecutive synchronizations beyond the limitations eo each respective individual's actual existence or reality.)(Satisfaction, Benny Benassi) (And Apparently, The Biz--because, literally, writing in real-time (What is time) with google. (What's The Biz???) Travelling to 2003, where the event which ties this frail and “practically non-existent” fabric of reality to her own, she eagerly races against the clock (in real time?) ((maybe, unreal time)) (((I am time.))) “I don't believe in time”, later corrected, after being stuck in a Godless world to “The human concept of “time”,/God's not real, or opting to state the phrase more subjectively, “I don't [really}/I kinda don't believe in time,” though as she evolves more rapidly through her progressive Ascension and Elemental Mastery, quickly Surpassing Ascended Mastery as a skilled sorcerer,Visionary Seer, helping her rapidly strengthen the art of Cosmic Alchemy, mastery of (eventually, instant, and respectively infinite manifestation, and matter/antimatter movement and/or manipulation;i.e. The art of Creation. I.E., Do you even know what “i.e' stands for? I'll look it up later, I know what its used for. Look it up. [Googles i.e, clicks on top most commonly searched] I.e. and e.g. are both Latin abbreviations. E.g. stands for exempli gratia and means “for example.” I.e. is the abbreviation for id est and means “in other words.” Remember that E is for example (e.g.) and that I and E are the first letters of in essence, an alternative English translation of i.e. The Original Cree sits perched behind a red (Ugh, red…) ...A red laptop computer; the love light lost from her dark eyes, through the clear lenses of her cheap, brandless (Medicaid.) ...brandless black glasses, narrow framed and unbecoming over the shape of her face, the Album ‘Who Killed Matt Maeson” softly plays a somber song, to which she'd normally--at least, if left alone or rarely, in “comfortable company” (That's, someone you don't necessarily “like”, but still feel comfortable enough to sing around.) The Scientist, in a higher realm, peaking down through her microscope, watches contently, curiously, and concisely, dialing its lens by a couple turns, as she ponders aloud, Hm. Wonder what makes that happen, exactly? That's...huh...Hm. [Her project, a mystery hidden from the audience. She pushes herself back from the desk, reaching for her notebook and jotting quickly her findings, stopping only turn on some [] Music, which blends seamlessly as we fade back into the scene of the drab and unflattering, somewhat “sickeningly” lit, reminiscent of the stagnancy most often observed in a petri dish.] As the song ‘Cringe' begins to play in the background, the clear picture of the laptop screen fades into a blurred obscurity, as her focus shifts sharply to the warm glowing array of colors of her speaker light her otherwise nearly lifeless eyes, as she is Slightly and softly hypnotized into a series of several simultaneous vivid memories; separate and specifically assorted scenes form, as she remembers “everything” quite at once, A vision weaved into her conscious memories, just as seamlessly; A Web Wrapped with the Fragile Fabric of “Time”, the invisible energy of musical frequencies awaken ones senses and sensibilities--invisible, for some...at least. The light on the speaker, a golden tone, as we cascade into the eye mind; A flash to a blurry memory, 2017; A slender and handsome longhaired surfer, resurfaces from submersion under the waves, flipping his long hair back with the graceful and slowmotionly seductive snap of the neck, as the sunlight gleaming a golden glow, in the eye of his admirer. A Flash Of: The Golden Light of the Shining Sun over Santa Monica A Flash, As she Gently Weeps, as the tears leaving her eyes leave (in a flash of scenes) drops onto her jeans, the sidewalk--all the while, A tiny ant carries a giant leaf, as the spider weaves beneath the tree whose leaves leak streams of pretty streaking and speckled, and leaves glassy droplets stuck in the strings of the spider, still weaving; the rain floods the streams into rivers, which bleed, eventually in the ocean, fanning out into the Seven Seas. (pacifically, eventually) Are we reading this, or is this stage direction--production notes? What is this? Who is “we”? WE AVE A whole flashback unfolds: A steamy shower, thick with the smell sweet candles, leaving steam-less spots of mirror in the flickering heat; A seamless and synchronized transition, as the More Cheery and Upbeat Strings, Beat and melody in the previously playing version, fades seemingly into the steam, as ‘Cringe, Stripped” leads us into the memory, where she sings with the heartbreakingly haunting and soulful sadness, the harmony, her voice blending perfectly over the recording as if it were meant to be; The Duality of Grief. Not quite flashing back, but seen as a translucent overlay, another flash; The Seats of a theatre, the scene in black and white, as the stage lights washout, the flickering dremlike scene, the steam so thick we barely see the details of the singing, with the passion that seems to bleed out the ache of her broken, barely beating heart. The song rings out, evolving into what just may be, the beginnings of a remix, as more quick flashes slam back-to-back A flash of: The Scene In The Mercedes A flash of an ambulance, sirens blaring! A flash as the scene of A spider sleeping peacefully beneath a leaf, shielded from the rain, which leaves droplets on the strings, on the opposite side of the same tree; Blissfully unaware of the bird, perched just above lurking or something to eat. Neither the spider, nor the other, or the bird or ant are aware of any one-another, or any other world other besides the tree, the flash of a longshot which we see, is unassumingly and unimpressively, “just a tree” a grey and stormy day; A plane takes off up into the heavy rain, droplets changing shape through the window, looking out as the plane lifts off the ground. The next layer of memories unfold as voiceovers from various quotes, accompanying the song still playing, now beginning to blend with first the stripped version, then the album/studio version, which for a moment, is singularly heard, as the flash of a scene from a more recent memory flashes: The Digital Clock in the Car Reads, 88.1 in red, The volume is low, almost so low that it can't be heard: she stares out the window on a grey and overcast day, eyes lost and pondering--though they light when her finely tuned ears catch the pitch of the song ‘Cringe', as she excitedly turns the volume up eagerly, listening for a moment--a range of joyful surprise in her expressions, happily pushing up the Translucent Pink Frames, sighing with a smile, as she exclaims, “WHAT? THIS SONG IS ON THE RADIO NOW?!” The driver, taken aback but having caught her contagious beam of “happy” I almost forgot about this song. That was a long time ago... “Oh...do you know this song?” I haven't heard it in forever...I forgot it existed. [pause] I can't believe it took that long… “yeah , it's pretty popular. It's like always on.” ...I can't believe this song...daaaaamn...her excitement settles, as she looks back out of the window, at the grey and rainy day. So, that's how long it takes… The blending and fading of the song creates an array of rapidly changing scenes faded, flashing, cut and becoming somehow closer, yet further away at the same time. Colors and shapes, as the sounds that the songs all being played which remain the same, but change, as they create new sound waves; The Three Songs are arranged and rearranged, as are the scenes, pictures, videos, of entertainment stages through the ages, The Festival Culture highlighted in the Inception since The Dawn of Rave, to present day. [Each quote, a voiceover played by an ensemble cast, each made to read any/every line specifically, if unaccompanied by a name.] The Clips and Sound Combine with Colorful Psychedelic and neon in some scenes even in 3D, (ideally, actually, up to 9D) as music, theatre, television, and flashes of memories and scenes of everything, as the shifting screen changes slightly and steadily with the music, now something of an electronic-meets-acoustic symphony (:UNPLUGGED), still cleanly and seamless in the colorful chaos that is everything, though visually intensely overwhelming, a sensory-stimulating synthesis of “Sound That You Can See”[ *go back for quote from song] The Sountrack now taking us on a Journey through sound, (ideally surround sound, even having speakers and subs somehow mounted from the ceiling, pointing down, pointing up from the ground. With Live Theatre Production Experiences combine more elements representative of the 9 Dimensions, by arranging speakers set outside of the theatre itself--perhaps, if in a Live Theatre setting, where the movie is projected onto a screen or skrim on stage, additional screens canbe projected onto the walls of the theatre, creating potential to use the audience interactively, perhaps arranging for actors seated amongst the audience members, interjecting at the intersections of crossing dimensions with both improvised and rehearsed actions, and or carrying out specific tasks as it related to the plot, the audience, even becoming the stage, as the stage is re-arranged; even becoming a mirror image of the theatre, filling with patrons and gazing into the audience, where cast members reflect a multidimensional portrayal, an interpretive alternate reality of what is happening on stage, unseen off stage, while the film still plays somewhere (or even sometimes, nowhere) as light and sound design give the viewer an experience of senselessness and sensory stimulus, Explaining through experience, representations of conditions; Much like a masterful DJ mixes musical elements in a live setting by reading the crowd, The Ideal Live Production of this Film has the ability to Unify the audience through various interactive activities; an energy-based planned, or even sporadic--based on the audience itself, monitored by The Ringmaster, an unseen (cast) Omnipitence, or ‘The Universe” itself, , as we apply the Values of Peace, Love, Unity, and Respect as the Ultra-Fine Line between “Everything” and “Nothing”, in simpler terms: Light and Dark, and finding the balance which allows us, in the “present” to explore and experience The Voids, shattering reality as the Linear plot unravels into a non-linar Uncontrolled Experiement, Allowing for Manuverability within the variables and simulating a Synesthesia-Inspired Simulation of Multidimensional Time and Space Travel, using music as the constant connection; as the finale transforms the theatre in entirety into both a theatrical interpretation of a full-scale music festival--and a real-life miniature dance scene, inviting real-life ravers to fill the space to capacity, as the final scenes of the film unfold as the our present reality Expanding, Ascending, Compressing, and Collapsing All at Once, Explosions and Implosions as Concious and Unconcious Collide in the Cosmos; Darkness having never known Light, and Life is the balance we find as they collide, tied in tightly by Time through the rhymes and iambic pentameters, patterns, passion, perception; we find the Power of the Divine is the awareness of one's existence as Everything and/or Nothing at once, As the Reflection of both the inward and outward selves must balance, and harmonize in time, to realize The Difference between Paradice and The Prison of Purgatory, is the illusion of Division between the two Divine Eyes; The strength behind them lights the … I'm tired. Something about a third eye, right? I don't know. I think they closed mine. Who's “they” I am. “I prefer the gloominess to the sun. I don't know why.” (From, The Beatles, Love: Sun, Sun, Sun…) “‘I told the spider i'd write it!” (A quick clip of spiderman) ‘'Ohh, she spida” Okay, literally what the FUCK is my life. Are you alive? Not even. This doesn't make sense. How much sense is it supposed to make. It is making sense. It's making 6th sense. How did he DO that? Just him? THEY. Oh, shit. I know you're workin for it. Nah, I don't even think that's right? What's right? Something Doesn't Feel Right, I've had enough for one night. Yo, how is this happening? I don't know. They said it was a 9-Dimensional Song. WHAT even IS the 9th Dimension? What are any of the DImensions? I don't know. Google it. I did. And? And I have ADD. I dont know. So, go! GOH.. Aw, FUCK. This is getting weird. It's been weird. How is it, I can quit Skrillex, but Skrillex can't quit me. What? It was just a coincidence. There are no coincidences. How is that song even on the radio. Look what money can do! Money can do anything! I guess taht explains why you can't. it DOES. Do they want me to kill myself? Do you want you to kill yourself? Not really. I'd rather just die of natural causes, so I don'thave to be punished. Are you being punished. I commit suicide, and-- I already told this story. I'm not telling it again. How many times have you really told it. I've been telling it. I've been living it. I'm over it. Youre not over it. You're panicking. I'm writing. Youre fasting. I'm hungry. Why are you fasting? Because nothing makes sense. I have no money, I have no music-- You have music. I have nothing. I'm fucked. There are no coincidences. Don't you think I know? I quit listening to Skrillex, all of a sudden he's on the radio?! Yes. Is he even aware of my existence?! Is he? What the fuck is happening right now. Where's Scary Monsters? In my head. What's the plot? It's...somewhere. You've got to clean up these documents somehow. I don't have the focus. Try crystal meth. No. Try adderall. ...I don't have any money. Try a doctor. I did. I tried over and over and over. For depression. For Anxiety. For ADD. Everything they give me just makes me WORSE. That's hy you NEVER say you're runnin for President. I'm NOT. But you said it. Now you're really fucked. I am. So that's it. That has to be it. They want me dead so I can't run. That's the only way it's going to happen. What's going to happen. Either thing. I'm not running for President. You're not killing yourself. Psh. Watch me. We have been. Who is we. We-YOU. IT doesn't matter. nobody would believe any of it. the whole story sounds made up. How is this supposed to work out? They used Skrillex to get me to kill myself? That's...that's deep. Or…? Or...they used Skrillex to get me to... Get you to…? I don't know. I'm pretty worthless. All I do is...this. And what's this? And who is THIS? That was Chak Chel, I guess. What the fuck did getter DO? What did Getter do? What are they doing? I think the better question is: Why? WHY In-- Who's name? I'm not God. Until you are. And then I'm Avicii. Or Skrillex. Skrillex isn't dead yet. Yet. What the fuck. Don't . I didn't. But you did. Fuck this. Fuck That. Fuck that, too. Wait, does the Roomba say “fuck that” or “fuck you?” It says “Fuck you-fuck you-fuck you-fuck you-” Because it's a vacuum, so it's literally ‘eating shit'. See. Classic. Occult Classic. It is, all in my head. Until it isn't. I already fucked up. I sent a fucking suicide letter to-- A suicide letter. One of hundreds. Yeah. So they know i'm fucked up. Because they didn't know already? How would they know? How would they NOT KNOW? They've been with you all year. That's all in my head. Is it? I mean--Is it? Seems like it. Look at the evidence. I am the evidence. Look at last year--everywhere you went in the rave world, something happened. Lots of somethings happened. Eventually culminating in-- In? Tents. So what the FUCK am I supposed to do. Well, not kill yourself. Then what? Not starve yourself. I'm too fat. But you can lose weight. You can do anything, I can't do anything. You can. Then, I already have. Right. What am I supposed to do? What is this supposed to mean? Maybe it's time for a jump start. I was saving that. You were supposed to blast off at the STRAT and had McDonalds instead. I ordered a Muder-Suicide, with the intention of finishing in Suicide. But? But I went into a food coma. So maybe rather than the enemy, McDonalds is a friend. McDonalds is a friend to no one. Saved your life. Prolonged my life. As it always seems to. Think to the last few times you've ordered the Suicide Meal. It's only been twice. And? Both times I fell asleep before I could do it. So. So there's something in McDonalds that...I don't know. Takes away the ache. It is an ache, isn't it. It is. Now think--you're not the only suicidal person on the planet. No, I'm not. Think harder. I just did. And where did you go? To The Mountain. Where--? Where Tim said-- And how is it that you're on a first name basis with someone you've never met? I'm pretty sure i'm just crazy. Avicii came to you how? Through the music. And Sonny came to you how? ... How? Through the music. What did his mother say? Can I write this? Either someone's reading it, or they aren't. And if they are? Then, what does that make you? Crazy. But they're reading your words. They're just words. What did she say? I know what she said. I don't think I can write it. This is why The Untold Prophecy Remains Untold. This is all ridiculous. Isn't it. Whose birthday is it? Mine. Happy Birthday. Thanks. How old are you? I remember someone asked that... Who? What did Getter Do? Just Getter? What...does Pasqualle Do? Just Pasqualle? ...What do I... What are you? I don't know. Did you ever? Would You Ever? I can't help it. What can you help? I don't know. Why me? Y-U, Y-U, Y-U-- What was that, anyway? {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2023 ALL RIGHTS RESERVED. © -U.

What did your child NOT KNOW when they left home that you assumed they knew how to do?

In our continuing study of Romans today Pastor Mark leads us through the next couple of verses in chapter 8. As with the past 2 weeks, the continuing theme involves groaning. Consider with us that the Holy Spirit helps us in our weakness of not knowing what to pray by interceding with groans according to the will of the Father.

#FAITH #PRAYER #BIBLE (Like & Share for a wider reach!)

Karla was talking about how she took a midday shower, and found out that SO MANY PEOPLE think you should shower twice a day. What else did we NOT KNOW is gross? 

Zeus & Dante on a roll with these funny ass episodes & yall get to just kick back & enjoy! THIS WEEK: Show Recap, Dante's NDE, Celeb Culture, Poll Results (Know or Not Know), Dantes Inferno & More! Connect with Black Zeus: Website / Youtube  / Instagram / Twitter / Facebook Connect with Dante: Production / Creative

How many times have you "accidentally" had dinner with a white supremacist?  George and callers discuss former President Trump's dinner with Kanye, Nick Fuentes and others.  After the 2022 midterms, Fuentes said the US needs to become a dictatorship so people like him can force the country to believe what he does and reshape our society.  Do you think Trump was caught unaware?  Why hasn't he expressed that instead of his camp saying he was impressed by Fuentes?  Mar-A-Lago isn't Denny's, you don't just walk in and have dinner with Trump.  There is a security screening.  How did Trump and his people NOT KNOW about Fuentes?   See omnystudio.com/listener for privacy information.

While reading my scriptures, I came upon a phrase that I hadn't really thought much about. The scripture said, "And thus Laman and Lemuel, being the eldest, did murmur against their father. And they did murmur because they knew not the dealings of that God who had created them."  My mind then started thinking about other individuals that KNEW and did NOT KNOW. Join my today as I share some scriptures and thoughts on how we can come to KNOW God.  Knowing God requires effort on our part and faith. bethnewellcoaching.com bethnewellcoaching@gmail.com

While reading my scriptures, I came upon a phrase that I hadn't really thought much about. The scripture said, "And thus Laman and Lemuel, being the eldest, did murmur against their father. And they did murmur because they knew not the dealings of that God who had created them."  My mind then started thinking about other individuals that KNEW and did NOT KNOW. Join my today as I share some scriptures and thoughts on how we can come to KNOW God.  Knowing God requires effort on our part and faith. bethnewellcoaching.com bethnewellcoaching@gmail.com

We discuss three desperate, pleading, bottom of the barrel ideas to halt climate disaster: nuclear war, dim the sun with chemicals in the air, and blow up the moon (for real). Celebs be private jetting too much (and Jason learns about just how far LA really is from NYC). Biden gets covid again. The CDC hates your fucking guts. Amazon expands its Cthulhu-like tentacles into the medical industry.  Bank of America fucking hates your guts. Child labor in Alabama. WH Press Secretary has a mind-bogglingly stupid "Who's On First?"-type exchange with a reporter about the border wall that Biden's building, not  finishing...or finishing, not  building...? Biden keeps his research staff busy pretending not to find things. The nation is thriving. Andrew Yang created an idiotic political party beyond parody.Commiserate on Discord: discord.gg/aDf4Yv9PrYSupport: patreon.com/heatdeathpodNever Forget: standwithdanielhale.orgGeneral RecommendationsJason's Recommendation: A Theory of JusticeJNM's Recommendations: 1) Decision to Leave 2) Thirst 3) Retraction: Primitive Tech Vids Are Almost All FakeFurther Reading, Viewing, ListeningNuclear War Reverse Global WarmingAs 1.5C warming nears, interest in sun-dimming tech heats upThe Professor Who Wanted To Blow Up The Moon To Solve All Of Life's ProblemsProfessor wanted to the blow up the Moon with nukes - to improve weather on EarthBiden Tests Positive for Coronavirus Again in ‘Rebound' CaseHead of the CDC explains why some people deserve better medical treatment than othersAmazon Joins The Medicare Privatization SpreeHyundai subsidiary has used child labor at Alabama factoryHilarious Answer to Straightforward Questions About Biden Continuing to Build Trump's WallBiden Admin Keeps Pretending to Not Know the Legality of Waiving Student DebtNew batch of US troops enters Yemen's energy-rich Mahra provinceI'm living in my car to beat the housing crisis — here's how I blend inHigh gas prices push family to take out loans for gas to drive daughter to cancer treatmentsAndrew Yang's "Forward Party" Aspirations...are hilarious.

I have been thinking about what makes for meaningful conversations with people. This thought was prompted by a quote I saw in a desk calendar my daughter gave me for this year. It's the quote for May 16th which reads: “You cannot talk butterfly language with caterpillar people.” It's the topic of today's episode. To access future episodes it's easiest if you go to JohnCertalic.com, and scroll halfway down the page where you enter your name and email address. Then click on the follow or subscribe button. You'll get a brief email each week from me with a link to the latest episode, together with a description of what it's about. A useful metaphor For today I want to think out loud about this idea of meaningful conversations, and several ways of considering this based on the quote I mentioned in the beginning, “you cannot talk butterfly language with caterpillar people.” I like this butterfly/caterpillar metaphor for a couple of reasons. One way of looking at it would suggest butterfly people have a language caterpillar people don't understand because they haven't quite arrived yet like Butterfly people have. It may not be what the author intended, but it comes off a bit condescending. I've been in conversations where the person talking clearly views themself as a butterfly person looking down their nose at the caterpillars in the group. I bet you've seen this too. It's hard to have a meaningful conversation when this is dynamic is present. On the other hand, there is something beautiful about a butterfly person who remembers what it was like to be a caterpillar with all its limitations, and who has a great appreciation for the metamorphosis he or she has been through. These are the patient people among us, usually older and wiser. People tolerant and understanding of those in a stage of life where they once were. Meaningful conversations with butterfly people like this are often filled with grace and wisdom. They understand caterpillar people haven't yet been through what they've been through. They don't have the words, the language, to process what Butterfly people have come to experience. An obstacle to meaningful conversations Another example of an obstacle to a meaningful conversation is when parents try to reason their young children into obedience using butterfly language. When they explain the logic and motives behind their well-meaning directives. It usually doesn't work, because young kids are caterpillars and they don't understand butterfly language. Instead, parents need to speak caterpillar language to kids that goes something like this, “you need to obey what I'm telling you because you need to obey. That's your job right now, simply to obey, regardless of what you want to do. When you get older and are able to understand, I'll explain why I'm telling you to obey. But for now, you don't need to know why, you just need to obey.” This issue of teaching children to obey is an important one that we'll talk about in a future episode. The "curse of knowledge" hinders communication Another reason it's hard to have meaningful conversations sometimes is because of the curse of knowledge. It's the concept that you know something so well, so intimately, that it's difficult to imagine what it was like to NOT KNOW what you know. And because you can't imagine what it's like to not know something, you have difficulty in passing on your knowledge to someone who doesn't have it. You try, but it's hard because you forgot what it's like to be on the other side of the knowledge. Computer people are like this. They have the curse of knowledge because they assume you know what they know, or at least have a piece of rudimentary knowledge of technical stuff. They talk in butterfly language, but you only speak caterpillar. So there's a disconnect and a barrier to a meaningful conversation when it comes to fixing a computer problem. On an interpersonal level, relationships can be difficult when people speak different emotional languages. Janet and I have a friend who grew up in a dysfunctional family, where everything revolved around pleasing Mom. Keeping Mom happy was the mission of her husband and each of the 3 kids. And Mom let everyone know when she wasn't happy and who in the family failed in their role of keeping her happy. Guilt and shame were dished out as regularly as a weekly allowance. A friend who learned butterfly language As an adult, our friend went for counseling to deal with this emotional baggage, and over time grew healthy because she learned a butterfly language that helped her process her experience in healthy ways. She even learned how to speak her mother's caterpillar language which on occasion even led to meaningful conversations. Sadly, her siblings didn't do the same. As adults, they continue trying to please Mom. But it's never enough. It never is with people who live to be served, rather than to serve. Unlike our friend who went for counseling to learn a new language, her siblings moved to other parts of the country so as to have as little contact with Mom as possible. They continue to speak caterpillar to this day. Let's go back to parenting for a moment. Parents sometimes suffer from the curse of knowledge. We can't remember what it was like to be a kid. To be afraid as a child. To be rejected by one's friends. Or to be frustrated with not knowing how to do something your peers do with ease. This curse of knowledge can get in the way of meaningful conversations between parents and their children. So what does all this mean for YOU? If you're a butterfly person in your relationships, it would really help if you thought back to what it was like when you were a caterpillar. Back then, you didn't know what you didn't know. The same is true for the caterpillar people in your life right now. They don't know what they don't know, either. So cut them some slack, give them a break. They probably won't respond as well to you TELLING them how fulfilling it is to be a butterfly in your relationships. Show them instead. In relationships, caterpillar people crawl. Show them as a butterfly person they can fly! And if you're a caterpillar right now, watch the butterfly people around you. Do what they do to have meaningful conversations. Don't stay stuck in your relationships. Break out of your cocoon. You were made for something more. Don't settle for crawling when you could be flying. Here's the main takeaway I hope you remember from today's episode A path to meaningful conversations between people starts with working to understand others and their frame of reference, even when it's very different from your own. To learn to speak the language of another is work, but it's worth it. Closing In closing, I'd love to hear any thoughts you have about today's episode. I hope your thinking was stimulated to work toward being a butterfly person with compassion for the caterpillars in your life. For when you do, it will help you experience the joy of relationships God intends for you. Because after all, You Were Made for This. Well, that's it for today. Please consider telling others about this podcast if you think it would be interesting and helpful to them. And don't forget to spread a little relational sunshine around the people you meet this week. Spark some joy for them. And I'll see you again next time. Another episode you may want to listen to 139: Why Should I Listen to This Podcast? Our Sponsor You Were Made for This is sponsored by Caring for Others, a missionary care ministry. The generosity of people like you supports our ministry. It enables us to continue this weekly podcast and other services we provide to missionaries around the world.

In this episode, The Mentors Radio Host Tom Loarie talks with Guest Mentor J. Budziszewski, Ph.D., an internationally renowned philosopher at the University of Texas and the author of several books including his newest book, How and How Not Be Happy. They explore and discuss the 13 myths of happiness, talk about "imperfect happiness," and identify the one simple key to true joy and a happy life. Listen to this episode below (link will post after first show airing on Saturday), Listen on ANY podcast platform ("The Mentors Radio") ..Don't miss an episode: Subscribe -FREE-here. SHOW NOTES: J. Budziszewski, PhD: BIO: https://law.utexas.edu/faculty/j-budziszewski/BOOKS:How and How Not Be Happy - by J. Budziszewski, PhDWhat We Can't Not Know: A Guide - by J. Budziszewski, PhDIn this new revised edition of his groundbreaking work, Professor J. Budziszewski questions the modern assumption that moral truths are unknowable. With clear and logical arguments he rehabilitates the natural law tradition and restores confidence in a moral code based upon human nature. What We Can't Not Know explains the rational foundation of what we all really know to be right and wrong and...read more>The Revenge of Conscience: Politics and the Fall of Man - by J. Budziszewski, PhDHow to Stay Christian in College - (a popular guide for young people) - by J. Budziszewski, PhDWritten on the Heart: The Case for Natural Law - by J. Budziszewski, PhDNatural Law for Lawyers - by J. Budziszewski, PhDThe Line Through the Heart: Natural Law as Fact, Theory, and Sign of Contradiction - by J. Budziszewski, PhDOn the Meaning of Sex - by J. Budziszewski, PhDCommentary on Thomas Aquinas's Treatise on Law - by J. Budziszewski, PhDCommentary on Thomas Aquinas's Virtue Ethics - by J. Budziszewski, PhDCommentary on Thomas Aquinas's Treatise on Happiness and Ultimate Purpose - by J. Budziszewski, PhDCommentary on Thomas Aquinas's Treatise on Divine Law - by J. Budziszewski, PhD

Doctor John Patrick talks about why you should start a book club. Book Recommendations CS Lewis, The Abolition of Man - https://amzn.to/3yd00UJ Lesslie Newbigin, Foolishness to the Greeks - https://amzn.to/3bhHX6M Peter Kreeft, A Refutation of Moral Relativism - https://amzn.to/3xPy8EE Beckwith and Koukl, Relativism: Feet Firmly Planted in Mid-Air - https://amzn.to/3n7iEXR J. Budziszewski, What We Can't Not Know - https://amzn.to/3HJkojg Dietrich Bonhoeffer, The Cost of Discipleship - https://amzn.to/3nb5l8Q Rodney Stark, For the Glory of God - https://amzn.to/3ymaW2B Alisdair MacIntyre, After Virtue - https://amzn.to/3yczmLB For a more in depth book list - click below https://www.johnpatrick.ca/book-list/

It's Mara Thomas in conversation with artist and educator Luan Joy Sherman! Mara connected with Luan through the http://schoolofthealternative.com/ (School of the Alternative) (SotA) an immersive, non-hierarchical learning environment that seeks to “create conditions necessary for a present-day community of pioneering artists and critical thinkers.” During this year's SotA session, Luan facilitated a class titled, “Fertile Fear" which Mara and Luan discuss in this episode. The description of Fertile Fear: "A class focused on making friends with fear/avoidance and using these instructive feelings as a door into our true desires. Compassion, vulnerability, emotional safety, and community support are the ideal ingredients for accessing bravery. We'll discuss dimensions of fear, the power of vulnerability, and create guidelines for how we can cultivate bravery together." One of the tools Luan shares in this episode is what he calls his “Daily Practice” – identifying things that he needs to connect with on a daily basis to help him feel emotionally, physically, and creatively healthy. Luan discusses how his Daily Practice came to be, how it was received in creative community, and the tendency that can creep in around using tools like this as a form of self-judgment. BIO: Luan Joy Sherman (he/him) is a white, queer, trans masculine, neurodivergent artist, writer, performer, teacher, and energy worker. He works with School of the Alternative; an experimental art school / world-building project located in Black Mountain, NC as a community facilitator and Board Member. He's taught four classes at SotA: Fertile Fear, Physical Education- The Joy of Having a Body, How to Not Know, and Queering Masculinity.  Luan earned an MFA in Sculpture from the School of the Art Institute of Chicago in May 2020 and is certified in Compassion Cultivation, Mental Health First Aid, and as a Trauma Support Specialist. https://share.descript.com/view/EPOAUkcEQEX (Transcript) Quote Mentioned in Episode: “Being content is perhaps no less easy than playing the violin well; and requires no less practice.” – Alain de Botton LISTEN TO ASBX AUDIO DRAMAS:https://artistsoapbox.org/masterbuilder/ (Master Builder) https://www.thenewcolossuspodcast.com/ (The New Colossus) https://artistsoapbox.org/declaration-of-love/ (Declaration of Love audio anthology) https://artistsoapbox.org/audio-dramas/asbx-shorts/ (ASBX Shorts) CONNECT AND FOLLOW: Artist Soapbox on social media: Twitter: https://twitter.com/artist_soapbox (@artist_soapbox) Instagram: @https://www.instagram.com/artistsoapbox/ (artistsoapbox) Facebook: https://www.facebook.com/artistsoapboxpodcast/ (https://www.facebook.com/artistsoapboxpodcast/) CONTRIBUTE: Soapboxers are the official patrons of the Artist Soapbox podcast. http://www.patreon.com/artistsoapbox (Get on the Soapbox with us at Patreon )or make a one-time donation via Ko-fi at https://ko-fi.com/artistsoapbox (https://ko-fi.com/artistsoapbox) or via PayPal at https://www.paypal.me/artistsoapbox?ppid=PPC000628&cnac=US&rsta=en_US(en_US)&cust=A55YE26SQPDL8&unptid=bcec7a46-337d-11e8-9bbe-9c8e992da578&t=&cal=cb540804e2cda&calc=cb540804e2cda&calf=cb540804e2cda&unp_tpcid=ppme-social-user-profile-created&page=main:email&pgrp=main:email&e=op&mchn=em&s=ci&mail=sys (PayPal.Me/artistsoapbox.) If you would like to make a tax-deductible donation, please consider our non-profit https://fundraising.fracturedatlas.org/soapbox-audio-collective (Soapbox Audio Collective).

Hi, I'm Kylee and I'm a business coach for women! I specialize in helping women make money while still balancing their families. Learn more about my courses and coaching options at kyleeannphotography.com/coaching FIND US HERE: kyleeannphotography.com/podcast instagam.com/kyleeanncoaching Get the show notes to your inbox: bit.ly/KMMpodcast SHOW NOTES: Today I feel inspired to share about my INSANELY CRAZY week from the beginning of this month. Sabotage just hit at full force and was relentless. It just seems like hard times are never ending and life is not letting up. So I want to speak to sabotage and pushing through those hard times. So let me paint the picture for you: Earlier this month I had a packed week after coming back from vacation. It was a full schedule with 50 mothers days sessions, content day, and regular family sessions... I knew how my week was going to go, but what I did NOT KNOW was that on Monday I was going to end up with a torn ligament in my ankle - probs will need surgery from that... The next day I popped a rib out, and this was 10 hours before I was meeting 50 moms and their children for mothers day sessions... Content day was two days later, and by now you probably know about my phobia/insane fear of throw up. Well someone threw up at content day and that just sent me. But then three days later, my son got bit by a dog and that was a whole episode filled with emergency doctor appointments. There was something at least everyday that sent me into flight or fight. I had no idea what was up with the week, but it reminded me of the importance of mindset work to get through the sabotaging moments. When everything's going wrong, it's easy to forget the mindset stuff and go straight into survival mode. And that's where I was during that insane week. Eventually I made the decision to get up early, do my mindset work so I didn't have to keep living in that negative space. Don't let life happen to you! Be proactive and put your mindset first. Today I talk about some things you need to do to get out of sabotage!

Join Pastor Aaron and Pastor David as they discuss education and how we can prepare ourselves, our parents, and the next generation to understand the biblical worldview so that they can stand in a culture that seeks to cancel Christianity. Resource Links: Christianity at the Crossroads by Michael J. Kruger https://www.amazon.com/dp/0830852034/ref=cm_sw_em_r_mt_dp_8CTQ50A96VX1QEBYEC2A The Wisdom Pyramid by Brett Mccracken https://www.amazon.com/dp/1433569590/ref=cm_sw_em_r_mt_dp_YZZT019WQ9A7VNSXBGB4 The Universe Next Door by James W. Sire https://www.amazon.com/dp/0830849386/ref=cm_sw_em_r_mt_dp_NNA878YD0RA2KR8AMQ13 What We Can't Not Know by J. Budziszewski https://www.amazon.com/dp/1586174819/ref=cm_sw_em_r_mt_dp_12QW544CFYPWCT17ZQ2G The Magnify Podcast is a production of Grace Baptist Church in Santa Clarita, CA. For more information about service times and events, head to our website. https://www.gracebaptist.org

Do we live in a post-truth world? Have we lost truth? If there is truth, who gives it? Join Aaron Miller, Pastor of Equipping, and Senior Pastor David W. Hegg as they dive into the topic of truth from a biblical worldview. Resource Links: The Rise and Triumph of the Modern Self by Carl R Trueman https://www.amazon.com/dp/1433556332/ref=cm_sw_em_r_mt_dp_dl_3WGZF3SVHBW2G035YR2D?_encoding=UTF8&psc=1 The Wisdom Pyramid by Brett McCraken https://www.amazon.com/dp/1433569590/ref=cm_sw_em_r_mt_dp_8JZWD0XGJ6X95ECT72P3 What You Can't Not Know by J. Budziszewski https://www.amazon.com/dp/1586174819/ref=cm_sw_em_r_mt_dp_5KN210PPXGQ3SJ69EFV6 The Magnify Podcast is a production of Grace Baptist Church. For more information about service times and events, head to our website https://www.gracebaptist.org

Episode 10 How Do I Handle Questions From Clients I Don't Know The Answer To? 01: 02 - It's Okay to Not Know the Answer 01:34 - Making a Lie and Making Something Up 02:49 - Faking That You Know the Answer 02:58 - The Temptation to Lie Without Lying 05:05 - Cultivating the Fear Response 06:05 - Clients May Start Doubting You 07:43 - Don't Be Afraid that You Don't Know the Answer 07:58 - Protecting Your Integrity 09:33 - Charging Clients for the Extra Work Outside of the Sessions 11:20 - Determining the Value of Your Extra Work 13:28 - What to Do When You Don't Know the Answer 15:09 - Having Resources that You Trust 19:38 - Relying on Experts and Other Professionals 21:05 - Having a Niche and Connecting with the Right People 24:58 - Taking Time to do Research to Determine if Something is Missing 26:34 - Helping Clients Think and Ask Questions to Have Better Understanding 27:36 - Providing Value to Clients Resources mentioned in this episode: Internal Revenue Service Website: https://www.irs.gov/ Knowledge Center in Launch: http://financialcoachesnetwork.com/knowledge-center. AFC: https://www.afcpe.org/certification/accredited-financial-counselor/ Want help building or growing a successful financial coaching business? Find resources below based on where you're at in your journey: Deciding whether Financial Coaching is right for you? Join our free Facebook Community with over 5000 current and aspiring financial coaches! https://www.facebook.com/groups/financialcoachescommunity Already decided you're going to be a Financial Coach and want to learn more? Get 30+ tips and best practices in our free 8-part email series! https://www.financialcoachesnetwork.com/pre-launch-email-series Ready to Launch your Financial Coaching business? Join FCN Launch, our step-by-step program that will help you successfully launch your business in four months and grow it to a consistent part-time income. https://www.financialcoachesnetwork.com/launch Are you already coaching clients and want to grow your business to a full-time income? Join FCN Grow, our program that helps you scale your business to a full-time income. https://www.financialcoachesnetwork.com/grow

Challengers welcome back to Challenge Me 4 U! Are You Privileged and Not Know that you are ? It's okay, this is not about shaming or guilt tripping anyone. This is about becoming aware of our privileges or the lack of it to advocate for bridging the gaps. The gaps in understanding the barriers experienced by marginalized or disenfranchised groups to help build opportunities and resources while expanding upon diversity and inclusion. Please listen to this episode as I share with you an article on the 5 types of Privileges.

Leila Miller is a Catholic author and speaker. She's written four bestselling books, Primal Loss; Raising Chaste Catholic Men; Made this Way; and her latest, "Impossible" Marriages Redeemed. Leila lives in Phoenix, AZ with her husband and children.   Follow Leila's Work:  https://www.leilamiller.net/ (https://www.leilamiller.net/)  https://www.facebook.com/profile.php?id=100063495013732 (https://www.facebook.com/profile.php?id=100063495013732)  The things we mentioned on the show:   Ark Encounter – Williamstown, KY   https://arkencounter.com/   What We Can't Not Know, by Professor J. Budziszewski  https://www.ignatius.com/What-We-Cant-Not-Know-P2669.aspx 

There's no way Bob Ross can be evil, right? How can someone live in your house for over a year and you NOT KNOW?! After one listener's call AJ & McCall are now terrified someone is living in their house without their knowledge. After being asked to keep an eye out for his neighbor's ex, can AJ tell his neighbor he doesn't like the vibe from the new guy? What are the levels of Facebook stalking? Some break ups are so bad they stick or linger to start Cache Valley Secrets, but AJ only confesses to offset his apology. How have you been break up shamed for the Debate At 8? As bad as AJ's confession is, McCall is the one that found out she might be a D-Bag?

In this episode, I am joined by Dr. Keith Stanglin of the Center for Christian Studies in Austin, Texas and the author of a new book entitled Ethics Beyond Rules: How Christ's Call to Love Informs our Moral Choices.Meet Dr. Stanglin: Keith D. Stanglin (PhD, Calvin Theological Seminary) is Director of the Center for Christian Studies in Austin, Texas, and professor of theology at Heritage Christian University in Florence, Alabama. He is author of several books, including The Letter and Spirit of Biblical Interpretation, The Reformation to the Modern Church, and Jacob Arminius: Theologian of Grace.Resources:Ethics Beyond Rules by Keith StanglinWhat We Can't Not Know by J. BudziszewskiThe Rise and Triumph of the Modern Self by Carl TruemanBrave New World by Aldous Huxley1984 by George OrwellFahrenheit 451 by Ray BradburyAmusing Ourselves to Death by Neil PostmanTechnopoly by Neil Postman“A conversation with Dr. Carl Trueman on the modern self and the sexual revolution“

Praise and Worship: with , Crowder, Mandisa, Chairty Gale, Jamie Kimmett, Off The Curb.Wind Song if Ancient of Days; A Voice Cryiny Out In Repentancr, Cry With a Loud Voiceb Rise Shine Wind Song if Ancient of Days; A Voice Cryiny Out In Repentancr, Cry With a Loud Voice Rise Shine, For He Hasth Shined, Definide, Em signed Love that LIFE, Shines in the Heart full of void a empty dark darkness that; I shant, I shall nougjt, And Wraught By Death Under Near Neath Death and Below Death Hell Hath NO NeverNo and Nevermore, Never Reach the Promise Land,Which is Every Wayward Wanting , Searching Naught What you Deciced to Reek Havaco once , Sound The Alarm in Zion, Sound the Trumpet of Trumpets, But First Sound, A Mightty Rushing Wind, Tounges as tounges of Cloven Tounges of FIRE,7 Trumpet Voices Christ in the Head and Victor orver Sounds 7 Trumpets Triumph, Silas So Sight by physical capitolitipallate You ABLE? Do you know the Creator God, Almighty Omnipotent, Omnipresent, and Ommiscience, The Omnipotent Living God Everlasting Ever Forever More, Spirit of boldness, Spirit of Fire Hot That Sendewin to Cinder to Horrifiuant Significant, Christ Jesue, The Way The Restored Reborn Wrongfully to Death, and into a Holy Spirit of Truth, Fire Burn The Fire, Till ReCalled You Unto He Whom God Almithty Forvermore Eternal IN FiN I TAE I NO i Knaoall a my sol, sol Sol, soild, so sool sin nature Into the Skin and Center Colloidal Collomas Post to deny the Host of Host of Highly Host of the High Most, Of the u tudddi to tha Tut to Tutt TuddiettRotten.. Marrow Blood Full No Longer Strong, On Bended KNEE I Humbly Bow, Bought Not that Breatheth the Destolate Dry Dast to Wind it is Not Know for it Not a Mite uopn a Jot, o Tittle, nor Dash not thy head not had not 1 no not one break into small piece of Bone Splay, splatter , Tattered to dust bone dry to the underbelly of sand to dust to Dark to Dead dot doth do da deg of the dag of day until thouest thou Be Know, Stand Standleg Standdaatone, Cornerstone That the Builders Mason tu tut tutt spilt the tounge Speak Ngh Nor Hiss the StolStudStup Stud Stud Dud Nudd No Buttlard the Dud Of The Dud Do Dut aDidnt Noth BUT Bu Bu Buyyyy and buyyyyy ojoooj bye bye De drudged the Dearh Nudged Buget the Entre Dead Toll Bridge that Leadedeth to A LIE thst is The Wicked U holy UnHoly Ungodly to Delusuon thst Daluge did the World Blue and White turn to doubt, No Faith Brings A spirit of fear to make you doubt a darkess of The Unutterer Tounge Other Oth Outter Utter Darkness of Lite, that Life is not aeem steam Esteemed ESIGN Ever Being Of Everwas EverAre and Eternal Everlasting Everything Ever Eve could seeth nor hath a ear to Hear what THE SPIRITAL.FACTUAL un fracture Nip nor naut of spec of dust dash nil mil i ti i opta out ought a n! (ñi) 'lne eni nig nauight bite ljt tit no od nom aotm auto tu i t i etta et e El O Diamm Dio Deageo No Tatumn nuh Good God Almighty Holy Glory Righeous To All Honour and Glory To WHOMeth Didt Met Unmetterrer Nom Nunn do motu mot moot No longer Lost, Weighted in the Balance and Found Wanting, Lacking And Doubt La Deagae Deggo Diao AD Nio dio i ddinoi Ada no ah El Shadia Eh Noae Oe O no Oooooo Know that through Know that you know.Wind Song if Ancient of Days; A Voice Cryiny Out In Repentancr, Cry With a Loud --- Send in a voice message: https://anchor.fm/matteroffacts/message

Sining in sync with The Saved Redeemed Born Again Child Of aGOD Eternal LIVING FaTher E Tirune Deity Of Divinity Divine All in All Whom He Is An Ever Shall Be Is And Forever Shall Be GOD , The Seed of Life the Father of The Ever forever EVER AFTER evermore so here after the yester Year Of Yesterday Today Is He Salvation Sath Saved He Saved the Soul of All Human IT itt e , For Wr Know The Soul of All Mankind In Kin Indine Forever In finieta infintae Iiei lo aolloway wayah , Withoughy a Doubt ot Drouhgh Draudraught, Dead Shadow of Turning of the Ever Yearning Never WHOLE FULL WiLL Thea WILL LAW JUST Dt IS AM That AM I AM A GREAT GrAND Heavanly Father Whom Humble Humbly gental meak Bendet The Iron Will Un w3ieldeth Wind Song if Ancient of Days; A Voice Cryiny Out In Repentancr, Cry With a Loud Voice Rise Shine, For He Hasth Shined, Definide, Em signed Love that LIFE, Shines in the Heart full of void a empty dark darkness that; I shant, I shall nougjt, And Wraught By Death Under Near Neath Death and Below Death Hell Hath NO NeverNo and Nevermore, Never Reach the Promise Land,Which is Every Wayward Wanting , Searching Naught What you Deciced to Reek Havaco once , Sound The Alarm in Zion, Sound the Trumpet of Trumpets, But First Sound, A Mightty Rushing Wind, Tounges as tounges of Cloven Tounges of FIRE,7 Trumpet Voices Christ in the Head and Victor orver Sounds 7 Trumpets Triumph, Silas So Sight by physical capitolitipallate You ABLE? Do you know the Creator God, Almighty Omnipotent, Omnipresent, and Ommiscience, The Omnipotent Living God Everlasting Ever Forever More, Spirit of boldness, Spirit of Fire Hot That Sendewin to Cinder to Horrifiuant Significant, Christ Jesue, The Way The Restored Reborn Wrongfully to Death, and into a Holy Spirit of Truth, Fire Burn The Fire, Till ReCalled You Unto He Whom God Almithty Forvermore Eternal IN FiN I TAE I NO i Knaoall a my sol, sol Sol, soild, so sool sin nature Into the Skin and Center Colloidal Collomas Post to deny the Host of Host of Highly Host of the High Most, Of the u tudddi to tha Tut to Tutt TuddiettRotten.. Marrow Blood Full No Longer Strong, On Bended KNEE I Humbly Bow, Bought Not that Breatheth the Destolate Dry Dast to Wind it is Not Know for it Not a Mite uopn a Jot, o Tittle, nor Dash not thy head not had not 1 no not one break into small piece of Bone Splay, splatter , Tattered to dust bone dry to the underbelly of sand to dust to Dark to Dead dot doth do da deg of the dag of day until thouest thou Be Know, Stand Standleg Standdaatone, Cornerstone That the Builders Mason tu tut tutt spilt the tounge Speak Ngh Nor Hiss the StolStudStup Stud Stud Dud Nudd No Buttlard the Dud Of The Dud Do Dut aDidnt Noth BUT Bu Bu Buyyyy and buyyyyy ojoooj bye bye De drudged the Dearh Nudged Buget the Entre Dead Toll Bridge that Leadedeth to A LIE thst is The Wicked U holy UnHoly Ungodly to Delusuon thst Daluge did the World Blue and White turn to doubt, No Faith Brings A spirit of fear to make you doubt a darkess of The Unutterer Tounge Other Oth Outter Utter Darkness of Lite, that Life is not aeem steam Esteemed ESIGN Ever Being Of Everwas EverAre and Eternal Everlasting Everything Ever Eve could seeth nor hath a ear to Hear what THE SPIRITAL.FACTUAL un fracture Nip nor naut of spec of dust dash nil mil i ti i opta out ought a n! (ñi) 'lne eni nig nauight bite ljt tit no od nom aotm auto tu i t i etta et e El O Diamm Dio Deageo No Tatumn nuh Good God Almighty Holy Glory Righeous To All Honour and Glory To WHOMeth Didt Met Unmetterrer Nom Nunn do motu mot moot No longer Lost, Weighted in the Balance and Found Wanting,LA king Lacking And Doubt La Deagae Deggo Diao AD Nio dio i ddinoi Ada no ah El Shadia Eh Noae Oe O no Oooooo Know that through Know that you know. --- Send in a voice message: https://anchor.fm/matteroffacts/message

Not only do we NOT KNOW the OUTCOMES of all of our individual endeavors- WE CANNOT DEPEND on our capabilities and abilities, but we MUST TRUST the LORD and DEPEND upon Him for the outcomes- but more than that, we MUST acquiesce and submit ourselves to God's governing providence in our lives and in that which He brings to pass.-- Listen- there will be times when WE HAVE TRAINED and PREPARED and PRAYED for good success, but NOTHING will go the way that WE PLANNED-

This one podcast could possibly get you more than you ever wanted from creative real estate than any other thing known to man kind! In fact, I would dare to say ... if you are not equipped with what we are about to cover today, your traction for success will inevitably lengthen by LARGE margin. By crystallizing very clearly what we are about to cover, you will definitely maximize your potential, and achieve everything you want from your real estate activity. I would also go as far to say, it will improve any business who applies it! The discovery boils down to the two key roles that make things happen, but completely different from each other, and most investor's don't know this internal battle is going on, and, because of this "NOT-KNOW" are doing things backwards. Plus, until you are like Disney, Henry Ford, and Ray Croc with McDonald's, you will stay small and struggle until you break-through this invisible barrier. So lets take this journey together, so we can discover what you prefer and embrace for success!

The Ideas and Concepts Mastermind (Facebook Group)SecondMix.netmatt@secondmix.netFeatured:The Good All Around Us PodcastI wasted a lot of time in my life – truly 30 years – because I didn't understand that I had the capacity to learn all that I needed to learn. I would decide that I wanted to be a graphic artist, for example, and I would begin to design things, and as soon as I ran up against something that I didn't understand, I was defeated. And in my head, I think I was comparing my current ability to the abilities of people who were already successful in this area. So I would think, well I can understand how THAT person has the ability to do this, and be an expert. But I just can't do it. My comprehension of what I could become was limited to the skills and abilities that I had at the time – not the things that I could do. I did NOT KNOW that I could just dive in and get my hands dirty and ask questions. And that's how you learn. Ignorance is not bliss, and what you don't know can hurt you. But if you have the mindset to be unstoppable, the mindset to say, “I can learn this, and I will,” then you have started down a new path, a new course of achieving that thing that you say you want. 

Episode 8: Respect These are all our favorites... in the weirdest way, but hey, we're here for that!!  This week we show respect to our favorite podcasts, non-profits, and do-gooder types. We talk about personal experiences and stories involving murderers, and tell stories of who we think are the worst of the worst. Krissy chose a pair from England, and Nat chose serial killer Israel Keyes.  Krissy's "Little Mermaid" (that Nat acts out) moment ends up in laughter when Nat says she can't breathe out of water. How'd we get there during a murdersode?!  “Murder. Death. Kill.” “We're gonna get sued!” ”NATILIE!! Can we get off of that and think how did we NOT KNOW this STORY?” Nod to a Non: Drake's Place https://m.facebook.com/pages/category/Child-Care-Service/Drakes-Place-102438968123421/ (https://m.facebook.com/pages/category/Child-Care-Service/Drakes-Place-102438968123421/) Check out where we got our info!!  https://en.wikipedia.org/wiki/Israel_Keyes (https://en.wikipedia.org/wiki/Israel_Keyes) https://www.fbi.gov/news/stories/new-information-released-in-serial-killer-case (https://www.fbi.gov/news/stories/new-information-released-in-serial-killer-case) https://www.adn.com/alaska-news/crime-courts/2018/05/18/unsealed-interviews-detail-two-lives-of-alaska-serial-killer-israel-keyes/ (https://www.adn.com/alaska-news/crime-courts/2018/05/18/unsealed-interviews-detail-two-lives-of-alaska-serial-killer-israel-keyes/) https://murderpedia.org/male.K/k/keyes-israel.htm (https://murderpedia.org/male.K/k/keyes-israel.htm) https://dnadoeproject.org/ (https://dnadoeproject.org/) https://www.familytreedna.com/ (https://www.familytreedna.com/) https://inews.co.uk/news/uk/james-bulger-killers-jon-venables-robert-thompson-murder-now-221759 (https://inews.co.uk/news/uk/james-bulger-killers-jon-venables-robert-thompson-murder-now-22175) https://en.m.wikipedia.org/wiki/Murder_of_James_Bulger (https://en.m.wikipedia.org/wiki/Murder_of_James_Bulger) Socials: Facebook: Rainbows and Thunderstorms Pod; Nat Beck; Krissy Smith Hulsopple Twitter: @randtpod; @natiliebeck; @husslepop Instagram: @randtpod; @natiliebeck; @husslepop Email: rainbowsandthunderstormspod@gmail.com; kristin.hulsopple@gmail.com

Everyone agrees this time is unlike any other that most, if not all of us, have ever experienced. We (collectively) have created powerful opportunities to create incredible, paradigm shifting change. We are in a time of tremendous upheaval. We are in a time of quantum growth. Because we (individually and collectively) have never been here before, we are learning and experiencing as we go. We have created challenges that are; quite literally, beyond our brains ability to solve, or even completely comprehend. While that sounds daunting, it is really about each of us working a daily practice that supports our alignment and connection to God, All That Is, The I Am, The Universe or Divine Intelligence in order to open our energies up to 'other' solutions. Part of that process is understanding the impact of power of the state of 'Not Know'- the willingness to put the ego to bed, stand in a space of clarity even when we have no idea where its going. It is part of what I call "feeling my way into" all the opportunities and experiences. To follow the ENERGY to our solutions. Get ready for this adventure! Ready to dive in? We deeply appreciate your support! Please subscribe to our YouTube page and like us on Facebook using the links provided. We would love to hear from you. Please comment with your thoughts, questions and ideas, and any topic you'd like us to explore. Show Intro created and produced by Loren Michaels Harris. Find him here: www.lorenmichaelsharris.com **************************************************************************************** TO ORDER MY NEW BOOK "Fear Is A Choice: Unraveling The Illusion of Our Separation From Love" head over to www.adventuresintruth.com. Also through Amazon, Barnes and Noble, IndieBound, and Kindle **************************************************************************************** LISTEN: iTunes, Podcast Addict, Stitcher, Deezer, Spotify, Ganna, Jio Saavan, Amazon Music, Google Podcasts, Podcast Index, Podchaser- Adventures in Truth Podcast Website: https://adventuresintruthpodcast.com/ YouTube- https://www.youtube.com/channel/UCzX3... Facebook- @Aitpodcast WATCH: FB Live, YouTube, Roku, AppleTV, Fire, Amazon, Periscope, Andriod e360tv- www.e360tv.com (LIVECAST Wed @ 8a pst and Fri @ 4p pst)

In this relaunch episode, Levi and Aaron join forces in catching up after a lengthy hiatus and looking at evidence for the existence of God in the very nature of humanity. Books Referenced Christian Theology by Miiliard Erickson (https://www.amazon.com/Christian-Theology-Millard-J-Erickson/dp/0801036437/ref=sr_1_1?crid=FPV4J6J4S347&dchild=1&keywords=christian+theology+millard+erickson&qid=1610078549&sprefix=christian+theol%2Caps%2C190&sr=8-1) What You Can't Not Know by J. Budziszewski (https://www.amazon.com/What-We-Cant-Not-Know/dp/1586174819/ref=sr_1_1?crid=XANB2P6OM3LI&dchild=1&keywords=what+you+cant+not+know&qid=1610078624&sprefix=what+you+cant+%2Caps%2C180&sr=8-1) About Your Hosts Levi Moore (https://www.allthemoore.com/hosts/levi) is a husband, associate pastor @everettbaptist (https://www.everettbaptist.org), former science teacher, musician, aspiring theologian @SWBTS (https://www.swbts.edu), Linux advocate, and a child of the One True King. Aaron Moore (https://www.allthemoore.com/hosts/aaron) is a husband, pastor, farmer, research plant pathologist, musician, and a disciple of Jesus Christ @NOBTS (https://www.nobts.edu). Social Media Facebook: All the Moore (https://www.facebook.com/allthemoore) Twitter: All the Moore (https://twitter.com/allthemoore) Twitter: Levi Moore (https://twitter.com/levihmoore) Twitter: Aaron Moore (https://twitter.com/AaronTheM00RE) The Scripture Unless otherwise noted, all Scripture read in this podcast is read from the English Standard Version (ESV) of the Bible. If you would like more information about the ESV, you may read the FREE online version at esv.org (https://www.esv.org/Hebrews+11/). Seminaries Southwestern Baptist Theological Seminary (https://www.swbts.edu) One of the largest seminaries in the world, Southwestern Baptist Theological Seminary equips men and women with a strong theological foundation to fulfill God’s calling on their lives since 1908. Preach the Word. Reach the World New Orleans Baptist Theological Seminary (https://www.nobts.edu) Since 1917, New Orleans Baptist Theological Seminary has prepared students to Answer God's Call.

In episode 028, Danielle and I chat about what it takes to become a travel influencer + content creator + entrepreneur in the online space. While it's not easy, and there are a lot of misconceptions about it, she breaks down the steps she took to reach her goals. Since then, she's built a successful brand/business and now, has decided to pivot her passions into new ones. If there is anything certain in this world, it's that things will always change. Danielle gives us the inside scoop on why it's so important to evolve with your business, explore new ideas, and get the hell out of your comfort zone. She does an amazing job explaining how travel played a role in her journey--if you need some inspiration, this episode is for you!

You have a Climate- the Environment you Create with your Demeanor / Mood You Usually do NOT Know what Your Climate is Your Climate Dictates the Forecast- “What you Sow, you will Reap”

What did you learn a little TOO LATE? On this episode of the Fit Couple Show, we continue our ongoing monthly series called OFF THE RECORD and this time it's Zack's turn to sit on the hot seat. Julia came up with some really thoughtful and insightful questions that are sure to bring value and new perspectives to you, and Zack requested to NOT KNOW what she was going to ask prior to the show. Some of the other questions she asked were; What are you currently working on in your own self-awareness practice? What is your #1 fitness myth? If you only had one phase to the world before you die, what would it be? There are 10 QUESTIONS TOTAL, so make sure to listen in and wait until the end when we announce the WINNER of the August Monthly Giveaway!JULIA'S LINKSCustomized ProgramsBuff Babe Academy Customized Programs: https://www.buffbabeacademy.com/my-programs Social LinksYou Tube: https://www.youtube.com/channel/UCoYOXiV-3Aj659_-JpU0opg Instagram: https://www.instagram.com/_juliarene/​ Tik Tok: https://bit.ly/3kmlB2R​ ZACK'S LINKSCustomized ProgramsContest Prep: https://www.iamsupergiver.com/ Weight Loss: https://www.iamsupergiver.training/start  Social LinksInstagram: https://www.instagram.com/zackblakeney/ Facebook: https://www.facebook.com/zack.blakeney1/ Facebook Group: https://www.facebook.com/groups/supergiversacademy Support the show (http://paypal.me/thealphapump)

Which Catholic Moral Teaching Do You Reject? Questions Covered: 17:00 – I do not understand why the Catholic Church does not support gay marriage.   33:42 – I reject Catholic moral teaching on natural law.  44:50 – I question Catholic teaching on NFP and contraception.  Resources Mentioned: What We Can’t Not Know by J Bud Budziszewski Evidence for Catholic Moral Teaching by Trent Horn Made This Way: How to Prepare Kids to Face Today’s Tough Moral Issues  Inseparable: Five Perspectives on Sex, Life, and Love in Defense of Humanae Vitae …

My podcasts with Pat Flynn often delve into philosophical tangents and fortunately, have become especially popular. The concepts we cover don’t just apply to fitness either. They can affect your whole mindset and offer life-changing benefits. So, why not embrace the asides and dive even deeper? In this episode, Pat and I talk about … - What relativism is and whether or not truth is objective - The purpose of freedom - The nature of morality - Modern politics and the trajectory of America’s 2-party system - Our obligations towards others and ourselves in regards to health - And more … If you enjoy philosophical discussions that can give you something to scratch your chin about, listen to this podcast! 7:13 - What is your background? 14:29 - What is the purpose and point of freedom? 19:52 - What is relativism and should we take it seriously? 34:13 - What is a syllogism? 41:45 - What is the other option? 57:33 - Why do we have freedom? 62:55 - What are the cardinal virtues? 1:16:04 - What is morality and why is it important in our lives? 1:20:15 - How would you describe yourself now politically? 1:26:45 - Do we have moral obligations to others? 1:34:32 - What are some of the consequences of not acting responsibly? --- Mentioned on The Show: Pat’s Podcast (The Pat Flynn Show): podcasts.apple.com/us/podcast/the-…ow/id1253261458 Pat’s Website (Chronicles Of Strength): www.chroniclesofstrength.com/ Pat’s Newest Book (How to Be Better at Almost Everything): www.amazon.com/gp/product/194688…667fa8215d7914530 What We Can’t Not Know by J. Budziszewski: https://www.amazon.com/What-We-Cant-Not-Know/dp/1586174819 Books by Mike Matthews: legionathletics.com/products/books/ --- Want to get my best advice on how to gain muscle and strength and lose fat faster? Sign up for my free newsletter! Click here: www.legionathletics.com/signup/

In this episode of Student Success Stories we hear a profound conversation between undergraduate students Chris, a Senior, and Carla, a Freshman. They give us insight into their experiences as current students, and share why it's so important to join organizations early and take big steps to get yourself out there. Hearing their stories about branching out and making connections will inspire you to do the same and take those strides you may think are too risky. Listen to all three chapters! Chapter 2 “It's OK to Not Know” :00 - Connections through Branching Out 4:06 - Making Your Own Way 5:15 - It's Okay to Not Know 8:20 - Involving yourself in Class Contributors: Carla Ellis (storyteller), Chris Andre (storyteller), Ariah Matias (sound editor), James Ashley (sound editor), Derick Pilgrim (sound editor), Alejandra Bronfman (postproduction), Ilka Kressner (postproduction), Chris Andre (postproduction), Joanna Dreby (preproduction), Carmen Serrano (Editor/Executive Producer). UAlbany Student Success Stories, Episode 4 [Podcast]. Music from El Pañuelo de Pepa by Javier Colina and Pepe Rivero. José Cruz, Executive Producer --- Send in a voice message: https://anchor.fm/ualbanypodcastteam/message

Decisive Podcast Munich Exclusive episode #56,Its my pleasure to introduce to you a young gentleman I met nearly 4 years ago, while shopping for studio gear in Munich. We introduced ourselves then quickly got into a conversation about his dj analog dj mixer (Urei) that needed repair or modified. He goes by the name Constantin Wittgenstein, born in 1994 in Munich, Germany and is currently studying Creative Music Technology at the Metropolitan in London, Uk. He started playing piano and the drums at the age of 5 and discovered the love for jazz, electronic and minimalistic music later on in school. From 12 on, he started with his own productions being influenced by jazz, funk, disco, soul, techno and house. He also works as a DJ since nine years continuously digging and exploring “music for the mind, body and soul”. Over the last couple of years he played at various clubs including the late Bob Beaman, Munich and Brilliant Corners, London. Thanks to Wittgenstein for this spiritual vibe and welcome to the Decisive Family.Tracklist:1. Black Jazz Consortium Resonate feat. Christina Wheeler (Evolutionof Light) PS003, November 8, 20192. Black Jazz Consortium Be and Not Know feat. Christina Wheeler(Codes and Metaphors 2) SPMCM002, December 6, 20123. Strictly Jazz Unit Passing You By (The Tempest) SJU Muzic US,July 5 20194. Unknown Artist IIAPEKOG (Russian) Handstamp in Blue (LimitedEdition) 20195. IO Mulen Denote (MULENLP1.2) April 26, 20196. Black Jazz Consortium ? Focus feat. Christina Wheeler (Evolution ofLight) PS003, November 8, 20197. Jay Daniel No love Lost (Scorpio Rising EP) Sound Signature-SS0151, September 20138. Freddy Fresh ? Take Your Time (Child Eight) October 25, 20199. Ge-Ology Escape On The Lodge Freeway (Moon Circuitry EP)Sound Signature SS058, October 30, 2015This Mix is dedicated to all the wonderful people I had the possibility of meeting and sharing many musical memories. (Viktor, Laura, Leonille, Mark, David, Alex and many more).Many thanks to Roberto for giving me the opportunity to share the music and be part of the Decisive Network.This mix has various musical textures with something old and new. Exploring the music from Chicago, New York and Detroit from 1980 til present. I like the music to be conscious and to make the listener aware of all different kind of frequencies. -Music for your Mind, Body and Soul-Links:https://soundcloud.com/constantinwittgenstein https://www.mixcloud.com/BrilliantCorners/wittgenstein-270318/ https://www.facebook.com/simplyjefferson/Facebook Group Members - http://tinyurl.com/yb9zl5q5 Facebook Artist Page - http://tinyurl.com/yb9vf8z3 Twitter - twitter.com/#!/robertoIngram contact@inspiration-network.com roberto@inspiration-network.com

Decisive Podcast Munich Exclusive episode #56, Its my pleasure to introduce to you a young gentleman I met nearly 4 years ago, while shopping for studio gear in Munich. We introduced ourselves then quickly got into a conversation about his dj analog dj mixer (Urei) that needed repair or modified. He goes by the name Constantin Wittgenstein, born in 1994 in Munich, Germany and is currently studying Creative Music Technology at the Metropolitan in London, Uk. He started playing piano and the drums at the age of 5 and discovered the love for jazz, electronic and minimalistic music later on in school. From 12 on, he started with his own productions being influenced by jazz, funk, disco, soul, techno and house. He also works as a DJ since nine years continuously digging and exploring “music for the mind, body and soul”. Over the last couple of years he played at various clubs including the late Bob Beaman, Munich and Brilliant Corners, London. Thanks to Wittgenstein for this spiritual vibe and welcome to the Decisive Family. Tracklist: 1. Black Jazz Consortium Resonate feat. Christina Wheeler (Evolution of Light) PS003, November 8, 2019 2. Black Jazz Consortium Be and Not Know feat. Christina Wheeler (Codes and Metaphors 2) SPMCM002, December 6, 2012 3. Strictly Jazz Unit Passing You By (The Tempest) SJU Muzic US, July 5 2019 4. Unknown Artist IIAPEKOG (Russian) Handstamp in Blue (Limited Edition) 2019 5. IO Mulen Denote (MULENLP1.2) April 26, 2019 6. Black Jazz Consortium ? Focus feat. Christina Wheeler (Evolution of Light) PS003, November 8, 2019 7. Jay Daniel No love Lost (Scorpio Rising EP) Sound Signature- SS0151, September 2013 8. Freddy Fresh ? Take Your Time (Child Eight) October 25, 2019 9. Ge-Ology Escape On The Lodge Freeway (Moon Circuitry EP) Sound Signature SS058, October 30, 2015 This Mix is dedicated to all the wonderful people I had the possibility of meeting and sharing many musical memories. (Viktor, Laura, Leonille, Mark, David, Alex and many more). Many thanks to Roberto for giving me the opportunity to share the music and be part of the Decisive Network.This mix has various musical textures with something old and new. Exploring the music from Chicago, New York and Detroit from 1980 til present. I like the music to be conscious and to make the listener aware of all different kind of frequencies. -Music for your Mind, Body and Soul- Links: https://soundcloud.com/constantinwittgenstein https://www.mixcloud.com/BrilliantCorners/wittgenstein-270318/ https://www.facebook.com/simplyjefferson/ Facebook Group Members - http://tinyurl.com/yb9zl5q5 Facebook Artist Page - http://tinyurl.com/yb9vf8z3 Twitter - twitter.com/#!/robertoIngram contact@inspiration-network.com roberto@inspiration-network.com

Decisive Podcast Munich Exclusive episode #56, Its my pleasure to introduce to you a young gentleman I met nearly 4 years ago, while shopping for studio gear in Munich. We introduced ourselves then quickly got into a conversation about his dj analog dj mixer (Urei) that needed repair or modified. He goes by the name Constantin Wittgenstein, born in 1994 in Munich, Germany and is currently studying Creative Music Technology at the Metropolitan in London, Uk. He started playing piano and the drums at the age of 5 and discovered the love for jazz, electronic and minimalistic music later on in school. From 12 on, he started with his own productions being influenced by jazz, funk, disco, soul, techno and house. He also works as a DJ since nine years continuously digging and exploring “music for the mind, body and soul”. Over the last couple of years he played at various clubs including the late Bob Beaman, Munich and Brilliant Corners, London. Thanks to Wittgenstein for this spiritual vibe and welcome to the Decisive Family. Tracklist: 1. Black Jazz Consortium Resonate feat. Christina Wheeler (Evolution of Light) PS003, November 8, 2019 2. Black Jazz Consortium Be and Not Know feat. Christina Wheeler (Codes and Metaphors 2) SPMCM002, December 6, 2012 3. Strictly Jazz Unit Passing You By (The Tempest) SJU Muzic US, July 5 2019 4. Unknown Artist IIAPEKOG (Russian) Handstamp in Blue (Limited Edition) 2019 5. IO Mulen Denote (MULENLP1.2) April 26, 2019 6. Black Jazz Consortium ? Focus feat. Christina Wheeler (Evolution of Light) PS003, November 8, 2019 7. Jay Daniel No love Lost (Scorpio Rising EP) Sound Signature- SS0151, September 2013 8. Freddy Fresh ? Take Your Time (Child Eight) October 25, 2019 9. Ge-Ology Escape On The Lodge Freeway (Moon Circuitry EP) Sound Signature SS058, October 30, 2015 This Mix is dedicated to all the wonderful people I had the possibility of meeting and sharing many musical memories. (Viktor, Laura, Leonille, Mark, David, Alex and many more). Many thanks to Roberto for giving me the opportunity to share the music and be part of the Decisive Network.This mix has various musical textures with something old and new. Exploring the music from Chicago, New York and Detroit from 1980 til present. I like the music to be conscious and to make the listener aware of all different kind of frequencies. -Music for your Mind, Body and Soul- Links: https://soundcloud.com/constantinwittgenstein https://www.mixcloud.com/BrilliantCorners/wittgenstein-270318/ https://www.facebook.com/simplyjefferson/ Facebook Group Members - http://tinyurl.com/yb9zl5q5 Facebook Artist Page - http://tinyurl.com/yb9vf8z3 Twitter - twitter.com/#!/robertoIngram contact@inspiration-network.com roberto@inspiration-network.com

Cody Snodgres, CIA Munitions OKC Murray, Truth Suppression NSA CIA FBI 5 Eyes MI5 MI6 Project Omega, Social Media Tentacles of Intel Global Beast Octopus, Trump Barr GOP Change Suits Vs. Social Media, US Aircraft Carrier to Gulf Vs. Iran, Iranian Closure of Strait of Hormuz, Iran Mines Strait of Hormuz, Kim Use of Short Range Missile To Impress Putin, Putin Venezuelan Nukes, Truth Re Congressman Mario Diaz-Balart, Pretends to Not Know of Russian Nukes in La Orchila Island, Dangers of China Trade Tarriffs with Troops Special Ops China in Venezuela, End of Mr Nice Trump to Russia China Dems, Prosecutions of DOJ FBI Intel Media Coming Soon, Huber and Horowitz Report June 2019, Covenant with Death June 2019 Kushner After Ramadan,Dr Bill Deagle MD AAEM ACAM A4M, NutriMedical Report Show, www.NutriMedical.com, www.ClayandIRON.com, www.Deagle-Network.com,NutriMedical Report Show, For information regarding your data privacy, visit Acast.com/privacy See acast.com/privacy for privacy and opt-out information.

We recorded this Personal Log a few months back, but since the movie is on the horizon, decided it's time to air it! Can you believe that Peter the Intern did NOT KNOW that there is a new Han Solo movie on it's way? Trek Yourself (before you wreck yourself) Podcast is a recorded show dedicated to all things Star Trek. It is not an episode review show. Think of it as a combination of breakdown and analysis with a large splash of improv comedy and a side of reality show. Starting with a basis in Star Trek and adding other pop culture elements, this podcast informs, entertains and inspires. Well, probably not inspires, but hopefully entertains. Trek Yourself Podcast Hosts: Kevan Guinn, Luke Broddle & Peter Carney Executive Producer: Kevan Guinn Content Manager: Luke Broddle Intern: Peter Carney Send us your feedback! Twitter: @trekyourselfpod Facebook: @trekyourselfpod Email: trekyourselfpodcast@gmail.com Visit our website: www.trekyourselfpodcast.com Support the Show! Patreon: www.patreon.com/trekyourselfpodcast Merchandise on Spreadshirt: shop.spreadshirt.com/trekyourselfpodcast/ Music provided by 'Bus Station Brown' Find them on Spotify, iTunes, Amazon and wherever you love to listen! STAR TREK and related marks are trademarks of CBS Studios Inc. All Rights Reserved. Trek Yourself Podcast is not endorsed by nor affiliated with CBS Studios Inc. And for that matter - any other crap we use isn't our property and stuff…

Show Notes The following links on on subjects featured on today's show. Cool or Not Cool Bai em if you must - https://www.amazon.com/Cocofusions-Coconut-Pineapple-Antioxidant-Beverage/dp/B0160Q086I/ Fantasy Football Guide - http://bleacherreport.com/articles/2723439-2017-fantasy-football-draft-guide-the-ultimate-blueprint The English Premier League - https://www.premierleague.com Exports and the Olympics - http://www.pbs.org/newshour/rundown/2024-olympics-include-competitive-video-gaming/ The Nature of our Nature Teleology - https://en.m.wikipedia.org/wiki/Teleology Dysteleology - https://en.m.wikipedia.org/wiki/Dysteleology What we can't Not Know, A Guide by J. Budziszewski - https://www.amazon.com/What-We-Cant-Not-Know/dp/189062649X/ Asteroid Fly by - http://www.cnn.com/2017/08/31/us/asteroid-florence-earth-fly-by-trnd/index.html Psalm 19 - https://www.esv.org/Psalm+19/ Mark 4:35-41 - https://www.esv.org/Mark+4/ Matthew 8 - Healing of the Centurion's Servant - https://www.esv.org/Matthew+8/ Harvey Relief Links Red Cross - http://www.redcross.org/about-us/our-work/disaster-relief/hurricane-relief/hurricane-harvey-relief-information Send Relief - https://www.namb.net/send-relief/disaster-relief/hurricane-harvey Clear Creek Relief - http://clearcreekrelief.org Take em to Church Choosing Church by Marilyn McEntyre - https://www.cardus.ca/comment/article/5114/choosing-church/

Today’s expression and dialog: before my time I heard you like Al Green! Yeah, so? Isn’t that a little before your time? It is, but his music is timeless.   Some of my favorite movies... Ghostbusters, Rambo, Big...Oh, those were some excellent movies, right? What? You never heard of those movies?  HOW can you NOT KNOW those movies??? Well, if you do not know those movies, then you need to learn today's expression!! Please listen, share, enjoy, come back tomorrow and have a SUPER weekend!!     Coach Shane   Please subscribe on iTunes and get this podcast EVERY DAY! Support Coach Shane by giving $1 a month! Our sponsors: Click on JOIN CLASSES and get ALL the information! (Get a free AUDIO BOOK!) Our YouTube channel:     Today's Daily Easy English Expression PODCAST is UP and READY for YOU!! #LearnEnglish #ESL #Twinglish

UNIVERSITY OF EXCELLENCEWWW.UOFE.ORG Prince HandleyPresident / Regent THE EMBARRASSMENT OF FAITHHOW TO BE USED GREATLY BY GODYou can listen to this message NOW.Click on the pod circle at top left. (Allow images to display.) Email this message to a friend. Subscribe to this Ezine teaching by Email: princehandley@gmail.com(Type “Subscribe” in the “Subject” line.) 24/7 release of Prince Handley teachings, BLOGS and podcasts > STREAM Text: “follow princehandley” to 40404 (in USA)Or, Twitter: princehandley _________________________________ THE EMBARRASSMENT OF FAITHHOW TO BE USED GREATLY BY GOD Somebody reading this message today has received a promise from G-d with instructions to START a unique and powerful service for the LORD. As a matter of fact, the revelation to you is so BIG, you are questioning as to whether it is really G-d. You also are concerned as to what others . . . even believers in Messiah . . . will think of you if you obey. If you want to be greatly used by G-d, you will have to always . . . each time . . . be willing to take a STEP, or make a MOVE, of faith. It will NOT be walking out on a limb (of a tree) by faith and then sawing off the limb. However, it WILL be sawing the limb off first, and then walking out by faith. Noah sawed the limb off when he STARTED building the Ark. Thus did Noah; according to all that G-d commanded him, so did he. (Torah: Genesis 6:22) Notice that Noah obeyed G-d in ALL the things in which he was instructed by G-d. There is a reason G-d gives us instructions in detail. However, sometimes He may give us at first general, or nonspecific, leading; and later, when we arrive at the place for new instructions, He will be more specific. Why should God give all the plans out when we havent taken the FIRST step and started to carry out His instructions. Notice that the great leaders and deliverers which G-d used to impact and save humanity were required to do what seemed FOOLISH in the eyes of the world. Noah STARTED BY building the Ark, and he and his family were probably laughed at and scorned for 120 years. What he did probably seemed crazy in the eyes of the community. Abraham left his fathers wealth and the false gods and idols of his people to follow the True G-d that his relatives and friends could NOT see. He STARTED by heading out to a place he had never been, and didnt know where it was. It was a place that G-d said He would show Abraham.  "Now the LORD G-d said unto Abram, Get out of your country, and from your kindred, and from your father's house, unto the land that I will show you." (Torah: Genesis 12:1 ASV) Concerning WHAT has G-d been speaking to YOU? Whatever it is, you may have to be willing to accommodate the embarrassment of faith. That is, you may have to adapt to, or fit in with, self-consciousness, uncomfortableness, and uneasiness. You may have people look down upon you with pity or shame. If you dont allow yourself to walk in the Spirit, you may even feel awkward; especially if you allow yourself to objectively look at the situation in the natural. During Abrahams walk of faith, after he had STARTED, at one point G-d promised to give him a son and then descendants as numerous as the stars in the sky and the sand on the sea shore.  "Who against hope (Abraham) believed in hope, that he might become the father of many nations, according to that which was spoken (by G-d): So shall your descendants be." (Brit Chadashah: Romans 4:18) "And being not weak in faith, he considered not his own body now dead, when he was about a hundred years old, neither yet the deadness of Sarahs womb." (Verse 19) Abraham was 100 and Sarah was 90 when Isaac was born. "He staggered not at the promise of G-d through unbelief; but was strong in faith, giving glory to G-d; and being fully persuaded that, what he had promised, he was able also to perform." (Verse 20) WHAT HAS G-D PROMISED YOU? WHAT STEP OR MOVE HAS G-D REQUIRED OF YOU? WHAT IS THE EMBARRASSMENT OF FAITH YOU MAY PROBABLY ENCOUNTER? I have a word for you from G-d. After you START in this faith endeavor which G-d has promised to perform, you will not care what people think about you. You will be so overwhelmed with JOY and the ANOINTING of the Holy Spirit that you are oblivious to what people . . . even some followers of Messiah Yeshua . . . think or say. If G-d is going to do the work through you by HIS GRACE, it is going to have to be by YOUR FAITH. You will have to BELIEVE and START: take the action, make the move! If you really believe G-d CAN and WILL do what He has told you, then be willing to encounter the embarrassment of faith. G-d told Abraham: "I have made you a father of many nations, before whom Abraham believed, even G-d, who makes alive the dead, and calls those things which be not as though they were (already)." -- Verse 17 If you are involved in a project or endeavor where others have joined you, G-d will be good to at times give you encouragement, even FAITH LEADING, through them. Do NOT discount the advice of others who are with you in the faith project the LORD has assigned you. The only time you should NOT listen is when you definitely know what God wants you to do at that stage of the game, and other advice is conflicting. This requires you to follow your spirit, the voice of your inner man. If you do NOT KNOW it is G-d, then dont do it. I promised G-d at a particular juncture in my life and ministry that I would never do anything that I wasnt sure He wanted me to do. Study the BLOG titled, If Youre Not Sure ... Dont! Also, study these resources: “Follow Your Heart – Part 1” “Follow Your Heart – Part 2” “Follow Your Heart – Part 3” Recently I prayed for a lady to conceive. When I prayed, the power of G-d came upon me. There was NO doubt; the anointing of the Spirit was so strong upon me that I could feel it in my arms. His presence was intense. I have prayed for several barren women to conceive who conceived in 30 days. G-d knows how to fulfill His promises without our help. We just need to use our faith. Sarah, after many years of being barren suggested to Abraham that he lay with her maidservant, Hagar, and that way they could have a child. In other words, she thought they could help G-d keep His word, or promise, to Abraham! G-d doesnt need help in keeping His Word. If He promised you something, then just do what He told you: obey in faith. However, notice that about 14 years later, it was Sarahs faith that brought about her MIRACLE CONCEPTION of Isaac. "Through faith also Sarah herself received strength to conceive seed (at the age of 90), and was delivered of a child when she was past age, because she judged him faithful who had promised. Therefore sprang there even of one, and him (Abraham, age 100) as good as dead, so many as the stars of the sky in multitude, and as the sand which is by the sea shore innumerable."  (Brit Chadashah: Hebrew 11:11-12) In Hebrews 11:11, when the scripture says, "Through faith also Sarah, herself ..." The Greek word for "herself" implies "something remarkable: that Sarah would manifest this faith." She had laughed years before at even the suggestion by Abraham of G-d's promise through a divine visitation. (Genesis 18:1-15) But now, years later, she had grown in her trust in G-d, probably through living with Abraham. Abraham was now 100 and Sarah was 90. (Genesis 17:17 and 18:11) Even though Sarah influenced Abraham to make a bad decision 14 years earlier to try to help G-d in the FLESH (Brit Chadashah: Galatians 4:23) with the subsequent birth of Ishmael, she later through FAITH was the instrument God used to bring about the PROMISE of the child Isaac! And, with the result of not only millions of descendants of Abraham, but the establishment of the seed line through which Messiah Yeshua (Jesus) would come to earth through a MIRACLE VIRGIN BIRTH 2,100 years later. Your obedience to the promise of G-d, exercised through your START - your step of faith and subsequent walk of faith - even though making you an exhibition to the world ... and the resulting EMBARRASSMENT of faith ... will result in the PROMISE of God being performed to bless YOU, your descendants, and the nations of the world. Die to the embarrassment of faith and bring resurrection LIFE to you, your family, your associates, and the world. Many will join you later and thank you for both the privilege of working with you and being under your leadership! I'm going to pray for you right now. Baruch haba b'Shem Adonai. Your friend, Prince HandleyPresident / RegentUniversity of Excellence Podcast time: 10 minutes, 30 seconds. _______________ 24/7 Prince Handley BLOGS, teachings, and podcastsClick the Dove above_______________World ServicesBox ADowney, California 90241 USA University of Excellence http://www.uofe.org/Prince Handley Portal http://www.princehandley.comSubscribe to The Healing and Miracle Podcast here: SUBSCRIBESubscribe to The Voice of Israel Podcast here: SUBSCRIBEHealing and Miracle Podcast: http://www.healing.libsyn.comVoice of Israel Podcast: http://www.podcastsatellite.libsyn.com/Rabbinical Studies: http://www.realmiracles.com/rabbinical.htmIsrael News and Prophecy: http://www.podcastsatellite.com/If you need healing, deliverance, or prayer, email to: princehandley@gmail.com

Dr. Chris and Fr. Andrew discuss J. Budziszewski's book on the Natural Law, What We Can't Not Know The post https://www.sfcatholic.org/prc-episode-71-what-we-cant-not-know/ (PRC Episode #71: What We Can’t Not Know) appeared first on https://www.sfcatholic.org (Catholic Diocese of Sioux Falls).

--{ The Economic System: High Prophets of Profit, What's the Plan? Conquer the Mind to Conquer Man, Upgrade Program Time to Time, Adaptation Guaranteed into New Paradigm: "Genesis, Exodus, Leviticus, Numbers, Deuteronomy, Census-Takin' and Taxation for a Planned Economy, Patriotism, Nationhood, Clever Talkers Wrapped in Flag, Each Tax a Dropper in the Coffer, Conquest Musn't Lag, Military-Industrial Complex, Profits from Each War, P.R. Specialists Tell Youth What the Fighting's For, Pentagon Funds Movies, Where the Arab is the Lout, Fat Men Smile at the Pile of Loot They Will Take Out, And While the War's Ongoing, Many More's in the Plan, Punch-Drunk We Go, So You'll Not Know, War is All on Man" © Alan Watt }-- New World Order, Planned Society, Scientific Rule - Eugenics, Survival of the Fittest, Malthus - Bringing "Civilization", Monetary System, Building Projects - Weighed Silver and Gold, Minting of Coin - Bank of Canada - Old World Order, Religions and Priesthoods - Plato's Cave - Dehumanization and Desensitization. Use of Patriotism - Armies of Occupied Countries - UN Blue-Beret Army - Movement of Empires - Elite Supercities - Marxism - Man Trained like an Animal - World Bureaucratic Class - CFR/RIIA, Three Regional Blocs under Global Governance System, IMF - EU, Greece, Takeover of National Budgets - Planned Crisis - Ends Justify Means, Mentality of Psychopath - Quotes of Elite on Depopulation, Use of War, Famine, Disease. (See http://www.cuttingthroughthematrix.com for article links.) *Title/Poem and Dialogue Copyrighted Alan Watt - April 20, 2010 (Exempting Music, Literary Quotes, and Callers' Comments)