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4 episodes with paint it
3 episodes with paint it
2 episodes with paint it
2 episodes with paint it
In questo episodio confesso quale sia il mio esempio virtuoso e... scoprirai, se frequenti i miei corsi, che probabilmente lo conosci anche tu!Ecco l'elenco degli splendidi brani che ho ascoltato in auto oggi: Album Highway 61 Revisited: Like a Rolling Stone, Tombstone Blues, It Takes a Lot to Laugh, It Takes a Train to Cry, From a Buick 6, Ballad of a Thin Man, Queen Jane Approximately, Highway 61 Re;Altri partiti dopo in automatico: Rocket Man (I Think It's Going To Be A Long, Long Time) – Elton John, Sultans Of Swing – Dire Straits, Piano Man – Billy Joel, Leopard-Skin Pill-Box Hat – Bob Dylan, All Along the Watchtower – The Jimi Hendrix Experience, Paint It, Black – The Rolling Stones, Wish You Were Here – Pink Floyd, I Want You – Bob Dylan, America – Simon & Garfunkel, Lady Midnight – Leonard Cohen, My Sweet Lord – George Harrison, Hurricane – Bob Dylan, Brown Eyed Girl – Van Morrison, Here Comes The Sun – Richie Havens, Sunshine Superman – Donovan, The Times They Are A-Changin' – Bob Dylan, American Pie – Don McLean, Come Together (Remastered 2009) – The Beatles, The Sound of Silence (Electric Version) – Simon & Garfunkel, Tangled Up in Blue – Bob Dylan, Dancing Barefoot – Patti Smith Group, If Not for You (2020 Mix) – George Harrison, Wild World (2020 Mix) – Cat Stevens, Pledging My Time – Bob Dylan, Brown Sugar (Remastered 2009) – The Rolling Stones, Mrs. Robinson (From "The Graduate" Soundtrack) – Simon & Garfunkel, The Weight (Remastered 2000) – The Band, Don't Think Twice, It's All Right – Bob Dylan, Dead Flowers (2009 Mix) – The Rolling Stones, Perfect Day – Lou Reed, The Boxer – Simon & Garfunkel, Rainy Day Women #12 & 35 – Bob Dylan, (I Can't Get No) Satisfaction (Original Single Mono Version) – The Rolling Stones, Walk On the Wild Side – Lou Reed, Heart of Gold (2009 Remaster) – Neil Young, Just Like a Woman – Bob Dylan, Something (Remastered 2009) – The Beatles, Turn! Turn! Turn! – The Byrds, Me and Bobby McGee – Janis Joplin, One of Us Must Know (Sooner or Later) – Bob Dylan.
No habían vuelto a hablar de grabar el programa desde hacía unos cinco años, y habría estado más feliz si hubiera seguido así. Eran casi las 21:00 y yo preparaba el micrófono mientras me conectaba a Skype con el gesto torcido. La semana anterior Edu Sesé acabó en el hospital y hace un par de horas, Fer García causaba baja por gripe. Cuando conseguí comenzar el programa, los programas técnicos se adueñaron del mismo. Me había convertido en uno de los protagonistas de la obra de Brubaker y Phillips. ¡¡Atención!! Este podcast contiene todo lo relacionado a Criminal, Reckless, The Fade Out, Sleeper, Fatale... que siempre quisiste saber y no te atreviste a preguntar. Colaboradores: Edu Sesé, Tristan Cardona y Sergio Fernández Atienza Edición y publicidad: Sergio Fernández Atienza Portadas: Jordi T. Pardo Suscríbete a nuestro podcast en... iVoox - https://bit.ly/znpivoox Spotify - https://bit.ly/znpspo Apple Podcasts - http://bit.ly/znpapple Google Podcast - http://bit.ly/znpgoogle Y búscanos en tu app de podcast favorita. Música de entrada y salida: "IkouZe ! - acoustic" de Sumashu - https://bit.ly/ZNPintro Música de intermedio: "Paint It, Black" de Rolling Stones - https://www.youtube.com/watch?v=EBUFtoC2oj4 Música de publicidad: "El diario de Laura Palmer, Twin Peaks" por The Hollywood Prime Time Orchestra - https://www.youtube.com/watch?v=3GYEfmX8OJc&list=OLAK5uy_kjzgzCowTlBA3NHORpTITf4WKHzKhm3bc Para estar al día de todo el mundo del cómic y sus galaxias cercanas, ¡visita Zona Negativa!
It's Day 2 of The #ForbiddenWorldsFilmFestival 2024! The films shown were #KinDzaDza #CapricornOne #Stargate #AttackOfThe50FootWoman #FemalePrisoner701Scorpion. Listen to me as I confuse Watergate with Watershed, describe Soviet Star Wars meets Mother Russia Monty Python and marvel at giant aliens in medieval tunics? #PrepareForPrattle If you want to subscribe to Forbidden World's newsletters or anything else visit their website... https://www.forbiddenworldsfilmfestival.co.uk Check out their Youtube channel to see their exclusive intros from the featured film's cast and crew... https://www.youtube.com/@FWFilmFestival%E2%81%A0 Follow Mark Bould, Emmeline Rodman & Harriet Taylor here https://x.com/MarkBould3 here https://x.com/emmrodman & here https://www.instagram.com/switchbriz/ Follow Espensen Spirits & Jim'll Paint It here https://www.instagram.com/espensenspirit/ https://x.com/EspensenSpirit & here https://www.instagram.com/jimllpaintit/ https://x.com/Jimllpaintit Follow Kinza & Jamie here https://www.instagram.com/kinzaleah/ https://x.com/KinzaLeah & here https://www.instagram.com/jamie_rambles/ https://x.com/Jamie_Reviews Want to hear my more in depth thoughts on #FemalePrisoner701Scorpion? Check out my Top 5 Prison Movie podcast with Max! https://pod.fo/e/1123d2 Want to hear my thoughts on #XMen97? Start here! https://pod.fo/e/227387 Where to find the Spider-Dan & The Secret Bores Podcast… Follow this link to find your preferred podcast catcher of choice pod.link/danbores Facebook: https://www.facebook.com/secretbores Twitter: https://twitter.com/dan_bores?lang=en Tiktok: http://www.tiktok.com/@dan_bores Instagram: https://www.instagram.com/spiderdansecretbores/?hl=en Discord: https://discord.com/invite/CeVrdqdpjk IMDB: https://www.imdb.com/title/tt22023774/?ref_=nv_sr_srsg_0 Letterboxd: https://letterboxd.com/spiderdan_2006/ Like, share, comment, subscribe etc. and don't forget to use the #PrepareForPrattle when you interact with us. Please subscribe to The Pop Culture Collective newsletter to find out what myself, Comics In Motion and all the other related podcasts are up to week by week https://pccnewsletter.com/ I'd like to thank my patrons on #Patreon for their continuing donations it is very much appreciated and helps PrattleWorld keep turning and if you ever find yourself in a position to help the podcast please consider it. https://www.patreon.com/spiderdanandthesecretbores If you would like to make a one off donation head over to https://ko-fi.com/spiderdanandthesecretbores If you want to #JoinThePrattalion and to be briefed in full on the #SecretBores head over to #PrattleWorld https://www.spiderdanandthesecretbores.com/
This week's items slapped on the rock and roll barbecue and lightly grilled include … … why Eurovision will never avoid political controversy. … when AI does David Hepworth! … what's the secret of NTS radio? … “there are two types of wedding disco, ones that start with Abba's Dancing Queen and terrible ones.” … Tony Hall's prophetic preview of Revolver in May '66 – “they shatter convention and may well have a far-reaching effect on the whole future of music”. … when listening to the radio was a group activity. … Daniel Kramer, Dezo Hoffman, Robert Freeman, Anton Corbijn and other photographers who shaped the way music looked. ... the rogue punctuation of "Paint It, Black". … songs that start with the chorus. … Elvis's unrepeatable train journey from New York to Memphis in 1956. … “there's glass in the back of my head and my toenails don't fit properly” – Dylan's '66 London press conference. …. and hurry hurry hurry to Lot 71 in Danny Baker's record auction, a snip at only £70! Danny Baker's record auction …https://bid.omegaauctions.co.uk/auction/details/a230a-the-danny-baker-collection/?au=162&g=1Subscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content, plus a whole load more!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
This week's items slapped on the rock and roll barbecue and lightly grilled include … … why Eurovision will never avoid political controversy. … when AI does David Hepworth! … what's the secret of NTS radio? … “there are two types of wedding disco, ones that start with Abba's Dancing Queen and terrible ones.” … Tony Hall's prophetic preview of Revolver in May '66 – “they shatter convention and may well have a far-reaching effect on the whole future of music”. … when listening to the radio was a group activity. … Daniel Kramer, Dezo Hoffman, Robert Freeman, Anton Corbijn and other photographers who shaped the way music looked. ... the rogue punctuation of "Paint It, Black". … songs that start with the chorus. … Elvis's unrepeatable train journey from New York to Memphis in 1956. … “there's glass in the back of my head and my toenails don't fit properly” – Dylan's '66 London press conference. …. and hurry hurry hurry to Lot 71 in Danny Baker's record auction, a snip at only £70! Danny Baker's record auction …https://bid.omegaauctions.co.uk/auction/details/a230a-the-danny-baker-collection/?au=162&g=1Subscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content, plus a whole load more!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
This week's items slapped on the rock and roll barbecue and lightly grilled include … … why Eurovision will never avoid political controversy. … when AI does David Hepworth! … what's the secret of NTS radio? … “there are two types of wedding disco, ones that start with Abba's Dancing Queen and terrible ones.” … Tony Hall's prophetic preview of Revolver in May '66 – “they shatter convention and may well have a far-reaching effect on the whole future of music”. … when listening to the radio was a group activity. … Daniel Kramer, Dezo Hoffman, Robert Freeman, Anton Corbijn and other photographers who shaped the way music looked. ... the rogue punctuation of "Paint It, Black". … songs that start with the chorus. … Elvis's unrepeatable train journey from New York to Memphis in 1956. … “there's glass in the back of my head and my toenails don't fit properly” – Dylan's '66 London press conference. …. and hurry hurry hurry to Lot 71 in Danny Baker's record auction, a snip at only £70! Danny Baker's record auction …https://bid.omegaauctions.co.uk/auction/details/a230a-the-danny-baker-collection/?au=162&g=1Subscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content, plus a whole load more!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
In the tapestry of modern music, blues has woven its influence far and wide, but perhaps one of its most intriguing impacts lies in the grunge movement of the late 20th century. This chapter explores how the raw emotion and musical techniques of blues formed the backbone of grunge, a genre that defined a generation. Grunge music, emerging in Seattle in the late 1980s, was more than a genre—it was a cultural phenomenon. Its roots, however, were firmly planted in the blues tradition. The genre's signature sound—characterized by heavy guitar distortion, aggressive drumming, and emotive lyrics—echoed the raw, unfiltered essence of blues. The influence of blues is evident in the guitar techniques and lyrical themes of grunge. The emotional depth and soul-bearing honesty found in the works of blues legends like Robert Johnson and Muddy Waters resonated in the grunge movement. Songs like Johnson's "Cross Road Blues" exemplified the expressive power of blues, which grunge artists like Nirvana mirrored in tracks such as "Smells Like Teen Spirit." Blues was not just a precursor to grunge; it was the foundation upon which rock music was built. The genre's influence on rock icons like The Rolling Stones, as seen in "Paint It, Black," laid the groundwork for the heavier, introspective sound that would become grunge's hallmark. Contemplating a world without blues offers a stark perspective on its influence. The introspective and often somber tone of grunge lyrics, as well as the genre's complex musical structures, owe much to the blues tradition. Without this influence, songs like Soundgarden's "Black Hole Sun" might have lacked the depth and emotive resonance that define them. The legacy of grunge, deeply rooted in the blues, continues to resonate in modern music. Artists like Gary Clark Jr., with songs such as "Bright Lights," showcase the ongoing relevance of blues, while bands like Foo Fighters demonstrate grunge's lasting influence on the rock genre. The journey from blues to grunge is a testament to the enduring power of musical evolution. This chapter highlights how blues, often unseen, has been a guiding force in shaping the sound and soul of grunge, leaving an indelible mark on the landscape of modern music. --- Send in a voice message: https://podcasters.spotify.com/pod/show/theblueslegacy/message
Label: Rolling Stones 19100Year: 1971Condition: M-Price: $20.00This is one of the greatest of the Stones two-sided monster hits. Well, the B side didn't actually chart, but it's so great it really should have. Presumably, radio just wasn't ready to play a song called "Bitch" yet... though they were prepared by 1975 when Elton John hit the Top 10 with "The Bitch Is Back." OK, trivia time again... "Brown Sugar" was one of eight #1 U.S. singles by the Stones. The group also had eight chart-toppers in their native England, though over there they garnered all of those hits during the 1960s. Here is the list of the Stones' #1 U.S. singles: (I Can't Get No) Satisfaction (1965) Get Off My Cloud (1965) Paint It, Black (1966) Ruby Tuesday (1967) Honky Tonk Women (1969) Brown Sugar (1971) Angie (1973), and Miss You (1978) For comparison's sake, here are their #1 U.K. hits. You'll notice that the group gained monster popularity about a year earlier than they did in the U.S., same as the Beatles. It's All Over Now (1964) Little Red Rooster (1964) The Last Time (1964) (I Can't Get No) Satisfaction (1965) Get Off My Cloud (1965) Paint It, Black (1966) Jumpin' Jack Flash (1968) Honky Tonk Women (1969) Note: This copy comes in a vintage Atlantic/Atco Records factory sleeve. This copy has a drillhole, not shown in the scan.
We are starting September with some affirmations; say them twice cause you know I meant them! Feel free to use these and add your own to the mix. Let this month be abundant, joy, peace, love, and happiness. I love you. TRACKLIST: Argel MDR - Lose Myself Again E.R. James Harden Summer Eyes - All We Are RED. - PAINT IT... Mstrbstrd - It's So Hard, Baby Tayos - Nine ZDBT, Prado Monroe, Slim Media Player - ELASTIC Sade Awele - Jo Serena Sun - On The Surface DOUR - Dirty Tricks Jay Portal - skin & bones stacy dreamstar - Bat Signal eaija - I WANNA BE FAMOUS Tee Krispil - Winning Patrik Kabongo, Homerun Hitz, Kenfrom24 - HOMETOWN SHARUK - RIGHT OR WRONG --- Support this podcast: https://podcasters.spotify.com/pod/show/chillroseradio/support
Regresamos al mundo del cine con este programa en el que repasamos algunos estrenos, tanto en salas como en plataformas, de las temáticas y géneros más variados. Acción, animación, fantasía, drama... para todos los gustos. También comentamos la iniciativa de Cinesa para crear una tarifa plana en cines. Este es el contenido del programa... -Facenews: Cinesa y su tarifa plana (00:04:50) -Super Mario Bros. (00:19:02) -Tetris (00:29:05) -John Wick 4 (00:45:05) -Close (00:57:54) -El oso vicioso (01:05:41) -Fenómenas (01:16:05) -Dragones y Mazmorras (01:25:20) -The Quiet Girl (01:37:07) -The Voyeurs (01:42:00) La canción final es la versión en francés de Paint It, Black... interpretada por Marie Laforêt, que podemos disfrutar en John Wick 4 Y recordad que estamos 24/7 en www.hellofriki.com además de en las redes y en nuestro canal de Telegram
INSTAGRAM: https://www.instagram.com/throughtheweb.podcast/WATCH THE VIDEO: https://www.youtube.com/@throughthewebFollow us on Twitter to engage with our work: https://twitter.com/throughtheweb00:00 Intro02:36 TTW Intro Music 05:03 GTA 6 Leaks07:25 Music Acoustics 8:33 Listening Parties 12:58 Jim'll Paint It 20:11 - Comments from the Adani Video29:12 - Elon Apologises36:52 - Twitter's Future41:14 - Black Mirror Dystopia 50:50 - Meta Slashing Reels 1:03:07 - OutroProduced by: Dagogo Altraide, Tawsif AkkasShot and edited by: Brayden Laffreyhttps://www.braydenlaffreymedia.com/
What's up Rotters! This week I'm joined by internet art sensation Jim of Jim'll Paint It! We're taking it back to 1981 to discuss the satanic tech Trashterpiece - Evil Speak. This video nasty wound up banned in the UK for quite some time and so it's only right to give it the Brain Rot treatment. Apologies for my audio quality during the interview, I recorded the wrong microphone input but it doesn't cause too much distraction. Toodles! Follow us on socials, join our Patreon and grab some merch at SteveisBrainRot.com
Raised By Owls is an extreme metal band hailing from the heavy metal county of Derbyshire. They have their music which is an extreme sound mixed with their own brand of warped comedy and their incredibly funny viral videos looking at the silly side of Metal fandom. Welcome to the sixty-fourth edition of The Chronicles of Podcast, these are The Chronicles of Raised By Owls We are joined by Sam Fowler, the vocalist and one of the founding members of the band. Raised By Owls career has led them to play music festivals like Bloodstock, charity Christmas singles, two studio albums and several viral videos, all this from starting a band for some fun with your friends. We talk to Sam all about how the band met, the bands inspirations, working with famous internet artist 'Jim'll Paint It', what a Raised By Owls live show looks like including 'Mr Blobby', the feedback of their skits from the metal community and so much more, including of course.... Sam's mom! All this and more inside this edition of 'The Chronicles of Podcast' including Callum's Treachings, Tom's Journal & Jamie's Audience Participation challenge. If you like what you hear here then please don't hesitate to like and share this show with your friends and please make sure to follow us on all social medias and maybe even a little rating and review on your favourite podcasting apps. Official Website - The Chronicles of Podcast Official Sponsor - Stay Cozy Clothing Affiliate Charity - Sophie Lancaster Foundation Band Camp - Raised By Owls
¡Nuevo Podcast Negativo! Par está ocasión nos hemos juntado para cerrar la trilogía que empezó con el Podcast de la JSA, prosiguió con el podcast dedicado a la película de Black Adam y en el que un antihéroe es protagonista. Motivados por esta circunstancia, nos lanzamos a hablar de algunos delos antihéroes de DC. Un listado donde no están todos, pero si algunos de los más relevantes. Hemos dejado fuera a otros universo como el de Watchmen y Vertigo. Como siempre pasa en las listas, siempre se puede añadir o quitar, por eso os invitamos a comentar cuales creéis que sobran y cuales pueden faltar. Y por supuesto no olvidéis darle al play para disfrutar de tres horas de viaje DC. Colaboradores: Enrique Doblas, Román de Muelas y Gustavo Higuero. Edición: Gustavo Higuero. Publicidad: Raúl Gutierrez. Suscríbete a nuestro podcast en... iVoox - https://bit.ly/znpivoox Spotify - https://bit.ly/znpspo Apple Podcasts - http://bit.ly/znpapple Google Podcast - http://bit.ly/znpgoogle Y búscanos en tu app de podcast favorita. Música de entrada y salida: "IkouZe ! - acoustic" de Sumashu - https://bit.ly/ZNPintro Música de intermedio: "Paint It, Black" de The Rolling Stones - https://www.youtube.com/watch?v=zUlBNeaP8Fw Para estar al día de todo el mundo del cómic y sus galaxias cercanas, ¡visita Zona Negativa!
¡Nuevo programa de cine! Hoy toca hablar del más reciente estreno del universo cinemático de Warner Bros. y DC Studios. La primera adaptación a la gran pantalla de Black Adam, el carismático villano circunscrito a la mitología de Shazam creado en 1945 por Otto Binder y Charles Clarence Beck. Su estreno nos sirve como excusa para debatir sobre la actualidad de las producciones de DC Studios después del reciente fichaje de James Gunn como CEO de la compañía y también nos permite hacer un ejercicio de crítica analizando cada uno de los apartados de esta cinta. Dirigida por el español y catalán Jaume Collet-Serra y protagonizada por Dwayne Johnson, Black Adam marca el reinicio del universo cinemático de DC Comics. ¡Coged las palomitas que empezamos! Colaboradores: Gustavo Higuero, Mònica Rex, Enrique Doblas y Jordi T. Pardo Edición: Jordi T. Pardo Publicidad: Mònica Rex y Jordi T. Pardo Suscríbete a nuestro podcast en... iVoox - https://bit.ly/znpivoox Spotify - https://bit.ly/znpspo Apple Podcasts - http://bit.ly/znpapple Google Podcast - http://bit.ly/znpgoogle Y búscanos en tu app de podcast favorita. Música de entrada y salida: "IkouZe ! - acoustic" de Sumashu - https://bit.ly/ZNPintro Música de intermedio: "Paint It, Black" de The Rolling Stones - https://www.youtube.com/watch?v=zUlBNeaP8Fw Para estar al día de todo el mundo del cómic y sus galaxias cercanas, ¡visita Zona Negativa!
Los penúltimos blockbuster del año ya han llegado, con supervillanos como protagonistas y con el terror también, por aquello de Halloween. Como siempre, reservamos hueco al cine de animación. Y se nos quedan varias en el tintero por aquello de la falta de tiempo! Dani, Marta, Raúl, Maite y Giacco os hablan de estas películas... -Facenews: fallece Angela Lansbury (00:05:11) -Black Adam (00:10:41) -Werewolf by Night (00:26:41) -Tren Bala (00:40:19) -Smile (00:49:30) -Entergalactic (00:56:36) -El teléfono del Sr. Harrigan (01:06:37) -Blonde (01:16:00) -Cerdita (01:28:37) -Belle (01:36:04) Y como canción final, nada menos que "Paint It, Black" de los Rolling Stones... por aquello de que suena en una de las escenas más potentes de la película Black Adam. Y recordad que estamos 24/7 en nuestra web, www.hellofriki.com además de en todas las redes sociales. También os podéis unir a nuestro canal de Telegram y charlar con nosotros. -
Label: Rolling Stones 19100Year: 1971Condition: M-Last Price: $20.00. Not currently available for sale.This is one of the greatest of the Stones two-sided monster hits. Well, the B side didn't actually chart, but it's so great it really should have. Presumably, radio just wasn't ready to play a song called "Bitch" yet... though they were prepared by 1975 when Elton John hit the Top 10 with "The Bitch Is Back." OK, trivia time again... "Brown Sugar" was one of eight #1 U.S. singles by the Stones. The group also had eight chart-toppers in their native England, though over there they garnered all of those hits during the 1960s. Here is the list of the Stones' #1 U.S. singles: (I Can't Get No) Satisfaction (1965) Get Off My Cloud (1965) Paint It, Black (1966) Ruby Tuesday (1967) Honky Tonk Women (1969) Brown Sugar (1971) Angie (1973), and Miss You (1978) For comparison's sake, here are their #1 U.K. hits. You'll notice that the group gained monster popularity about a year earlier than they did in the U.S., same as the Beatles. It's All Over Now (1964) Little Red Rooster (1964) The Last Time (1964) (I Can't Get No) Satisfaction (1965) Get Off My Cloud (1965) Paint It, Black (1966) Jumpin' Jack Flash (1968) Honky Tonk Women (1969) Note: This beautiful copy comes in a vintage Atlantic/Atco Records factory sleeve. The B side audio sounds Mint despite some surface scuffs. (This scan is a representative image from our archives.)
Meet Me In The Graveyard (Full Hardcore Album) I've put a lot time into this project over the past couple of months but it's about that time to release it into the wilds. Have fun and enjoy Made by Michael B Ford © July 05, 2022 Tracklist: 01. Sad But True (Hardstyle) 02. The Doctor Is Calling 03. Battery 04. Holy Wars... The Punishment Due 05. Poison Heart 06. Paint It, Black 07. Don't Cry 08. Painkiller 09. Medusa 10. Infinite Dreams 11. Children of the Damned 12. Angry Again 13. A Secret Place 14. Lord of the Flies 15. Nothing Else Matters 16. Caught Somewhere In Time 17. Congratulations 18. Family Tree 19. Paradise City 20. A Tout Le Monde Support Link: www.paypal.com/paypalme/HardcoreMicky Soundcloud: https://soundcloud.com/micky_hardcore
Bienvenidos amantes de la música, Charles Robert Watts nació en Londres el 2 de junio de 1941. Siempre quiso ser baterista, definió su forma de tocar con sutileza, swing y un sólido groove. Descubrió el jazz a los 12 años y escuchaba a Miles Davis, Duke Ellington, Charles Mingus y Charlie Parker. Cultivó un gran éxito con Rolling Stones pero el verdadero amor de Watts era el jazz, y entre las grabaciones y giras con los Stones tocaba con bandas de de jazz con quienes hacía conciertos y editaba discos. De esas grabaciones hemos hecho una selección de su disco con la Big Band de la Radio Danesa (2017) y una pista de su Tributo a Charlie Parker (1992) Los temas son: 1. Molasses 2. (Satis) Faction 3. Paint It, Black Bonus track 4. Bluebird (A Tribute to Charlie Parker With Strings) *Suscríbete a nuestro canal. Si ya lo has hecho, considera apoyarnos como mecenas para hacer sustentable nuestro programa y mantener nuestro viaje en vuelo. (Podrás acceder a material exclusivo y primicias que publicaremos regularmente) * En viajealmundodeljazz.com encuentra un reproductor de Jazz Moderno y Jazz Clásico * Me gusta, Comparte y Comenta.
No 40° episódio desta temporada, o Rock com Ciência conta com a participação especial da Livia Scienza e do Matheus Lewi para explicar como os videogames podem nos impactar de diversas formas. Como jogar videogame pode ser benéfico? Os jogos deixam as pessoas mais violentas? Que tipo de habilidades podemos aprender e melhorar com os videogames? Como isso pode influenciar no desenvolvimento das crianças? Aperte o play e descubra a resposta para estas e outras perguntas em nosso novo episódio! Participantes: Francisco Sassi (@sassichico), Igor Lemes (@igorlemes84), Matheus Lewi (@drkLewi) e Livia Scienza (@LiviaScienza). Edição por: Beatriz Alonso Aconselhamos o uso de fones de ouvido para uma melhor experiência! Rock 1: Game Over - Falling In Reverse Rock 2: 18 And Life - Skid Row (80's edition) Rock 3: Paint It, Black - The Rolling Stones Ah, você não gosta das músicas? É uma pena, mas não tem problema! Agora você pode ouvir a versão sem músicas! Esse é o nosso Lado B! Assine o Lado B para sempre ter acesso ao episódio editado sem as músicas! Gostou do episódio? Não gostou do episódio? Encontrou alguma falha gritante (ou pequena que seja)? Envie seu comentário! Pode ser aqui mesmo no site ou pelo email rock@rockcomciencia.com.br. Ou ainda pelo Twitter (@rockcomciencia) ou Facebook (https://www.facebook.com/rockcomciencia/)! Links mencionados durante o episódio: https://www.theesa.com/video-game-impact-map/wp-content/uploads/sites/2/2020/12/Video-Games-in-the-21st-Century-2020-Economic-Impact-Report-Final.pdf https://tecnologia.ig.com.br/2021-04-25/51--dos-gamers-no-brasil-sao-mulheres--mas-elas-sao-maioria-so-nos-celulares.html DLC Ciência (YouTube): https://www.youtube.com/c/DLC_ciencia Programa - Divulgação Científica na Pandemia (S12E15): https://rockcomciencia.crp.ufv.br/arquivos/3731 Livia Scienza - Contato: Twitter: https://twitter.com/LiviaScienza Instagram: https://www.instagram.com/livia.scienza/ Youtube: https://www.youtube.com/channel/UCqvIpZJPIbXXI0QKY1hi6Fw Email: liviascienza@estudante.ufscar.br
Todo empezó en la extraordinaria década de 1960. Una década convulsa que cada uno vivió como pudo. Cuando en el mundo empieza a venderse la píldora anticonceptiva, Kruschev monta el show de los zapatos en el XXV aniversario de las naciones unidas, mientras la crisis de los misiles amenaza con iniciar una tercera guerra mundial y es asesinado el presidente John F. Kennedy, en España, concretamente en la localidad de Palomares (Almería), nos caen del cielo, bueno, de un bombardero nuclear B-52, 3 bombas de Hidrógeno de 70 kilotones, hecho que nos proporciona la impagable ocasión de ver a Fraga en calzoncillos, pero también llegó el 600, y el boom turístico. En fin, que en este contexto, y gracias a la radio, siempre la radio, con programas como Europa Musical, o Discograma, se empieza a promocionar a nuevos artistas que emulan a otros que nos llegan de más allá de nuestras franquistas fronteras y que, sin que yo quiera desmerecerla, dejan atrás a la copla para acercarse a las nuevas tendencias que hacen furor en Europa y EEUU. Festivales, revistas y clubs de fans dan a Barcelona una actividad mucho mayor que a cualquier otra parte de España en estos primeros y balbuceantes pasos del rock and roll. Y es allí, en Barcelona, donde aparecen grupos como los Pajaros Locos, Lone Star, los Sirex, los Mustang y nuestros invitados de hoy: LOS SALVAJES. Los Salvajes Recopilatorio Mi bigote, CD 2, corte 05 Mi bigote, una de las primeras canciones propias del grupo. Los Salvajes, o sea, Andy, Gaby, Delfin, Sebastian y Francisco, nacieron musicalmente en Barcelona en 1962 y fueron el contrapunto de otros grupos más modositos, como los Brincos en Madrid, erigiéndose, para toda la eternidad, como los Rollings Stones nacionales, aunque, realmente, ellos querían ser los Who. El grupo su formó en el Poble Sec, en el taller del padre de Gaby, el carismático cantante del grupo. Coetáneos de los Sirex, empezaron haciendo versiones de cantantes italianos, Pepino de Capri o Tony Dallara, pero pronto descubrieron el Rock and Roll escuchando a Johnny Hallyday, Eddy Mitchell y los Shadows y entonces cambió todo. Empezaron a tocar en un garito, El Pinar se llamaba, un garaje durante la semana y sala de conciertos los sábados, donde se juntaba lo mejor de cada casa. De allí pasaron a tocar en la Costa Brava donde un manager alemán se interesó por ellos y se los llevó a Alemania, concretamente a Kiel donde debutaron. No me puedo controlar, una muy buena versión del I Can’t Control Myself, de The Troggs. Los Salvajes Recopilatorio No me puedo controlar, CD 2, corte 04 Su paso por Alemania fue todo menos bonito. En la primera audición ya les dijeron que podían volverse a España, su desfase era evidente. Su repertorio tenía diez años de antigüedad y, según palabras de su representante, “sonaba a música de puticlub”. Tras muchas súplicas consiguieron que los mandasen de gira por los pueblos con otros grupos ingleses para que aprendieran, y vaya que si aprendieron. A los dos meses, después de bregarse en locales inmundos y con públicos que estaban al mismo nivel, con nueva indumentaria, nuevos peinados y con repertorio de Little Rihard y Chuck Berry, ya parecían un grupo inglés. Y así, con nueva imagen y nuevo sonido, volvieron a España. Es mejor dejarlo como está, versión del éxito de los Four Tops. Los Salvajes Recopilatorio Es mejor dejarlo como está, CD 2, corte 03 A mediados de 1964 volvieron a España atraídos por una oferta de la compañía EMI y por un concierto en el que actuaron de teloneros de Moody Blues y en el que, según las crónicas, no desmerecieron en absoluto. Emi quería que Los Salvajes hicieran con los Stones lo que los Mustang hacían con los Beatles. Versiones. Llegaron a un acuerdo para hacer también canciones propias, una mínimo en cada disco. Resultó que luego funcionaron mejor que las versiones, que a su vez, ya funcionaban mejor a veces que los originales, como «Todo negro», o el famoso “Satisfacción”, así, en español, de los Stones. Estas imposiciones de las compañías eran el pan nuestro de cada día. Y es que, en esa época, esta compañías, algunos programas de TV y algunos de radio, abusaban de su posición de privilegio y exclusividad en los medios de comunicación exprimiendo hasta la extenuación a los artistas. Los dueños de estos programas tenían, además, cadenas de discotecas, salas de conciertos, vaya, que movían el cotarro y si querías salir en sus programas, si querías que tu disco sonara, tenías que tocar gratis en sus locales. En fin… Vamos a escuchar una de las versiones que hemos citado: Todo negro, Paint It, black Los Salvajes Recopilatorio Todo negro, CD 2, corte 06 Pero, además de las presiones de los medios, estaba el sindicato vertical. Claro que esto no afectaba solamente a los Salvajes, afectaba a todo aquel que quisiera dedicarse al mundo del espectáculo. Para actuar en España en cualquier sala de fiestas, así se llamaban entonces los bailes, el artista debería estar en posesión del carnet del sindicato vertical de músicos, un carnet blanco que te habilitaba. Para obtenerlo había que pasar un examen de música, o sea, leer un partitura. La inmensa mayoría de los grupos no tenían ni idea de música por lo que debían optar por otro carnet, uno rosa, que era el correspondiente a “circo y variedades”. Como si fuera un domador de leones. Pero ojo, si tocabas con el carnet rosa, la gente no podía bailar y si te pillaban, multa al canto. Bueno…, cosas de la época. Una de las canciones propias de su repertorio, Fuera de mi corazón, una producción propia al mejor estilo de James Brown. Los Salvajes Recopilatorio Fuera de mi corazón, CD 2, corte 06 Los Salvajes vivían de los directos, las ventas de discos nunca dieron para ello, por eso, cuando llegaron las discotecas, se acabó lo que se daba. Salas atractivas, equipos de sonido de última generación y música enlatada de cualquier país del mundo. ¿Que grupo podía igualar la oferta? A esto habría que añadir que la discográfica empezó a pedirles pop más ligero, tipo Fórmula V o Los Diablos, un estilo que estaba años luz del suyo. Así que, todo esto, el cansancio acumulado, alguna mala crítica y el mal royo entre los miembros del grupo hizo que Gaby, el cantante, abandonara el grupo. El resto siguió unos meses más para finalmente separarse en 1970. Vivir sin ti, otra producción propia. Los Salvajes Recopilatorio Vivir sin ti, CD 2, corte 07 Desde entonces, Los Salvajes han permanecido, de forma intermitentemente, en activo y por sus filas han pasado infinidad de músicos pero Delfín Fernández, batería de la formación desde el primer día, sigue al frente de la banda. Para todos aquellos, bueno, con una cierta edad, que en algún momento de nuestra vida hemos querido formar parte de un grupo, la referencia de Los Salvajes, ha sido una constante. Típica banda de garaje, golfos hasta la médula, músicos hechos así mismos, con las ventajas e inconvenientes que ello puede tener, fagocitados por la industria y, como tantos otros, por las rencillas internas. Sobre su reiteradas vueltas a los escenarios no me voy a manifestar. Yo soy de la opinión de que las cosas tienen su momento y que forzar etapas puede resultar patético. Me quedo con los salvajes de la primera época, el grupo en el que me hubiera gustado estar. El bote que remo, una versión de la canción de Neil Diamond. Los Salvajes Recopilatorio El bote que remo, CD 2, corte 08 Vamos a despedirnos de nuestros, a su pesar, Rolling Stones particulares, con una de sus mejores versiones, Algo de títere, o lo que es lo mismo: Jumping Jack Flash. Los Salvajes Recopilatorio Algo de títere, CD 2, corte 14 Y nada más por hoy. Nos lo hemos pasado muy bien recordando a un grupo español de los sesenta, que marcó distancias con su coetáneos diseñando una imagen y un sonido que muchos que vinieron después han sabido aprovechar. Gracias a todos por la atención y os esperamos aquí el próximo jueves. Os esperamos con más música, más músicos y más historias. Hasta entonces, … ¡¡¡buenas vibraciones!!!.
Route 66 (Camden Theatre, London 3-19-1964)It's All Over Now (Civic Auditorium, Santa Monica, CA 10-29-1964)(I Can't Get No) Satisfaction (ABC Theatre, Belfast 9-4-1965)The Last Time (UK Tour March 1965)Everybody Needs Somebody To Love (UK Tour March 1965)19th Nervous Breakdown (City Hall, Newcastle-Upon-Tyne 10-1-1966)Have You Seen Your Mother Baby, Standing In The Shadow (The Colston Hall, Bristol 10-7-1966)No Expectations (Intertel Studios, Wembley 12-11-1968)Love In Vain (Hyde Park, London 7-5-1969)Prodigal Son (Madison Square Garden, New York City, NY 11-27-1969)Honky Tonk Women (Madison Square Garden, New York City, NY 11-28-1969)Sympathy For The Devil (Altamont Speedway, Livermore, CA 12-6-1969)Live With Me (Roundhouse, London 3-14-1971)Dead Flowers (Leeds University, Leeds 3-13-1971)Bitch (Marquee Club, London 3-26-1971)Sweet Virginia (Tarrant County Convention Center, Fort Worth, TX 6-24-1972, early show)Rip This Joint (Tarrant County Convention Center, Fort Worth, TX 6-24-1972, late show)Dancing With Mr. D (Forest National, Brussels 10-17-1973)Brown Sugar (Sportpaleis Ahoy, Rotterdam 10-13-1973)Street Fighting Man (Empire Pool, Wembley 9-9-1973)Doo Doo Doo Doo Doo (Heartbreaker) (L.A. Forum, Inglewood, CA 7-13-1975)Fingerprint File (Maple Leaf Gardens, Toronto 6-17-1975)Wild Horses (Knebworth Park, Hertfordshire 8-21-1976)Crackin' Up (El Mocambo, Toronto 3-4-1977)Shattered (Will Rogers Auditorium, Fort Worth, TX 7-18-1978)When The Whip Comes Down (Masonic Temple, Detroit, MI 7-6-1978)Let's Spend The Night Together (Sun Devil Stadium, Tempe, AZ 12-13-1981)Let Me Go (Capital Centre, Largo, MD 12-8-1981)Beast Of Burden (Rosemont Horizon, Chicago, IL 11-25-1981)Twenty Flight Rock (Hampton Roads Coliseum, Hampton, VA 12-18-1981)Going To A Go-Go (Roundhay Park, Leeds 7-25-1982)Start Me Up (Memorial Stadium, Clemson, SC 11-26-1989)Happy (Convention Center, Atlantic City, NJ 12-19-1989)Ruby Tuesday (Tokyo Dome, Tokyo 2-26-1990)Sad Sad Sad (Stadio Delle Alpi, Turin 7-28-1990)2000 Light Years From Home (Estadi Olimpic De Montjuic, Barcelona 6-13-1990)Almost Hear You Sigh (Wembley Stadium, London 7-6-1990)Love Is Strong (Tokyo Dome, Tokyo 3-12-1995)All Down The Line (Giants Stadium, East Rutherford, NJ 8-14-1994)Tumbling Dice (Joe Robbie Stadium, Miami, FL 11-25-1994)Black Limousine (Brixton Academy, London 7-19-1995)Connection (Paradiso, Amsterdam 3-26-1995)Midnight Rambler (L'Olympia, Paris 7-3-1995)Flip The Switch (TWA Dome, St. Louis, MO 12-12-1997)Under My Thumb (Soldier Field, Chicago, IL 9-23-1997)Gimme Shelter (Capitol Theatre, Port Chester, NY 10-25-1997)You Got Me Rocking (Weserstadion, Bremen 9-2-1998)You Can't Always Get What You Want (River Plate Stadium, Buenos Aires 4-5-1998)Before They Make Me Run (San Jose Arena, San Jose, CA 4-19-1999)Let It Bleed (Madison Square Garden, New York City, NY 1-18-2003)Respectable (L'Olympia, Paris 7-11-2003)Rocks Off (Twickenham Rugby Ground, London 8-24-2003)Jumpin' Jack Flash (Downsview Park, Toronto 7-30-2003)Oh No, Not You Again (Phoenix Concert Theatre, Toronto 8-10-2005)Miss You (Delta Center, Salt Lake City, UT 11-22-2005)Rough Justice (Copacabana Beach, Rio de Janeiro 2-18-2006)Paint It, Black (River Plate Stadium, Buenos Aires 2-21-2006)She's So Cold (Zilker Park, Austin, TX 10-22-2006)She Was Hot (Beacon Theatre, New York City, NY 11-1-2006)Get Off Of My Cloud (Prudential Center, Newark, NJ 12-15-2012)Doom And Gloom (Hyde Park, London 7-6-2013)Can't You Hear Me Knockin' (w/Mick Taylor, Glastonbury Festival 6-29-2013)Sway (Fonda Theatre, Los Angeles, CA 5-20-2015)Out Of Control (Estadio Ciudad De La Plata, Buenos Aires 2-10-2016)You Got The Silver (Estadio Monumental, Lima, Peru 3-6-2016)It's Only Rock ‘N' Roll (Ciudad Deportiva, Havana, Cuba 3-25-2016)She's A Rainbow (U Arena, Paris 10-25-2017)Monkey Man (Soldier Field, Chicago, IL 6-25-2019)Shine A Light (Arena, Amsterdam 9-30-2017)
Charlie Watts, som døde i august 2021, 80 år gammel, passede trommerne i The Rolling Stones i 58 år. Han regnes generelt for en af rockepokens mest ikoniske musikere, og hans forbilledligt enkle stil, generelt støvsuget for overflødigheder og blær, blev meget efterlignet, men sjældent overgået. Trods udgangspunkt i jazzen, der forblev hans musikalske kærlighed, besad han en intuitiv fornemmelse for blues og rock og han kom til at præge begge genrer.Privat var han en beskeden mand med en knastør humoristisk sans og stor forkærlighed for skræddersyede jakkesæt.Rockhistorier har samlet nogle af hans største øjeblikke med The Rolling Stones – både nogle af de mere kanoniserede og enkelte private favoritter, suppleret med et par koncertoptagelser. 1. ”Little Red Rooster” (1964) 2. "(I Can't Get No) Satisfaction" (1965)3. "Get Off of My Cloud" (1965)4. “19th Nervous Breakdown" (1966)5. "Paint It, Black" (1966)6. “She's a Rainbow” (1967)7. “Stray Cat Blues” (1968)8. "Sympathy for the Devil" (1968)9. "Honky Tonk Women" (1969)10. “Gimme Shelter” (1969)11. “Can't You Hear Me Knocking” (1971)12. “Rip This Joint” (1972)13. “Shake Your Hips” (1972)14. “Street Fighting Man” (Live 1973)15. “If You Can't Rock Me” (1974)16. “Tumbling Dice” (Live 1976)17. “Miss You” (1978)18. “Beast of Burden” (1978)19. “Dance (Pt. 1)” (1980)20. “Undercover of the Night” (1983)21. “Moon Is Up” (1994)22. “Commit a Crime” (2016)
今日は、 ローリング・ストーンズの曲「Paint It, Black」を聞いた感想から 好きなことが見つからない人の共通点と、実際に見つける方法について解説を しました。 【無料Ebookで初公開！】 社会不適合の僕が１年で 「収入の不安から抜け出した方法」 に興味はありませんか？ ↓ ↓ ↓ 詳しくはこちらをクリックして下さい 無料でZoom相談やライブ配信で質問が出来る FBグループ「ADHDの自分に投資する会」は下記から ↓ ↓ ↓ 詳しくはこちらをクリック ADHDの僕が「独立して起業する」といったとき、皆は笑った。 だけど、僕が始めたビジネスが３ヶ月後には売上７２万円、 ９ヶ月後には月収１００万を突破すると、、、 ↓ ↓ ↓ 詳しくはこちらをクリックして下
This is Today" features the stories that make this day unique. It's Friday, June 11, 2021, and here is what we talk about today:King Kamehameha DayNational Corn on the Cob DayNational Flip Flop DayGeorge WallaceProtestingPaint It, BlackHelp to support this podcast:Become a Patron!This post was proofread by Grammarly.Subscribe to Learning More Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.
The Hofbeats won an award for Outstanding Mix for Michael O'Malley for Paint It, Black opb The Rolling Stones. Check out their entry here: https://www.youtube.com/watch?v=YIk9AVrNL4w.
The Hofbeats won an award for Outstanding Mix for Michael O'Malley for Paint It, Black opb The Rolling Stones. Check out their entry here: https://www.youtube.com/watch?v=YIk9AVrNL4w.
Label: Rolling Stones 19100Year: 1971Condition: M-Last Price: $24.00. Not currently available for sale.This is one of the greatest of the Stones two-sided monster hits. Well, the B side didn't actually chart, but it's so great it really should have. Presumably, radio just wasn't ready to play a song called "Bitch" yet... though they were prepared by 1975 when Elton John hit the Top 10 with "The Bitch Is Back." Note: This beautiful copy has a drillhole and comes in a Rolling Stones "tongue" sleeve. Despite an odd "dimple" from manufacture, the audio sounds pristine Mint, both sides! OK, trivia time again... "Brown Sugar" was one of eight #1 U.S. singles by the Stones. The group also had eight chart-toppers in their native England, though over there they garnered all of those hits during the 1960s. Here is the list of the Stones' #1 U.S. singles: (I Can't Get No) Satisfaction (1965) Get Off My Cloud (1965) Paint It, Black (1966) Ruby Tuesday (1967) Honky Tonk Women (1969) Brown Sugar (1971) Angie (1973), and Miss You (1978) For comparison's sake, here are their #1 U.K. hits. You'll notice that the group gained monster popularity about a year earlier than they did in the U.S., same as the Beatles. It's All Over Now (1964) Little Red Rooster (1964) The Last Time (1964) (I Can't Get No) Satisfaction (1965) Get Off My Cloud (1965) Paint It, Black (1966) Jumpin' Jack Flash (1968) Honky Tonk Women (1969) (This scan is a representative image from our archives.)
Good Morning, This is Louise. Episode 100 - Levitation featuring soundworks by Akio Suzuki and Lawrence Englishwith music by Melii, Glenn Branca, Glenn Branca, The New York Chamber Sinfonia & Glen Cortese, Tomppabeats, Jung Jaeil, Jon Brion, Mulatto, Mother Superia, Redman & KRS-One, Trina, Yaeji, Moondog, Zbigniew Preisner, Leila, Cliff Martinez, Sudan Archives, Dawn Richard, Susumu Yokota, Marianne Moore, Muslimgauze, The Alchemist, Mariah, Sergiu Celibidache & Munich Philharmonic, Kaitlyn Aurelia Smith, Phoelix, Lucky Daye, Theater 1, Elysia Crampton, Blossom & HOT16, Arlo Parks, Bill Evans Trio, and Remy Ma.also with sound and voices from the flight crew of a 2014 Virgin Atlantic Boeing 747 200 Classic.programmed and produced by @small_ernst / touch touch publishingNamo Guan Shi Yin Pusa Thank you for listening
Label: Rolling Stones 19100Year: 1971Condition: MLast Price: $18.00. Not currently available for sale.This is one of the greatest of the Stones two-sided monster hits. Well, the B side didn't actually chart, but it's so great it really should have. Presumably, radio just wasn't ready to play a song called "Bitch" yet... though they were prepared by 1975 when Elton John hit the Top 10 with "The Bitch Is Back." OK, trivia time again... "Brown Sugar" was one of eight #1 U.S. singles by the Stones. The group also had eight chart-toppers in their native England, though over there they garnered all of those hits during the 1960s. Here is the list of the Stones' #1 U.S. singles: (I Can't Get No) Satisfaction (1965) Get Off My Cloud (1965) Paint It, Black (1966) Ruby Tuesday (1967) Honky Tonk Women (1969) Brown Sugar (1971) Angie (1973), and Miss You (1978) For comparison's sake, here are their #1 U.K. hits. You'll notice that the group gained monster popularity about a year earlier than they did in the U.S., same as the Beatles. It's All Over Now (1964) Little Red Rooster (1964) The Last Time (1964) (I Can't Get No) Satisfaction (1965) Get Off My Cloud (1965) Paint It, Black (1966) Jumpin' Jack Flash (1968) Honky Tonk Women (1969) Note: This beautiful copy has Mint labels and pristine sound. This is a second pressing with "Warner Communications" in the perimeter print.
Episode ninety-six of A History of Rock Music in Five Hundred Songs looks at "The Loco-Motion" by Little Eva, and how a demo by Carole King's babysitter became one of the biggest hits of the sixties. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on "Duke of Earl" by Gene Chandler. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ ----more---- Resources As always, I've created a Mixcloud streaming playlist with full versions of all the songs in the episode. There are no biographies of Little Eva, so I've used a variety of sources, including the articles on Little Eva and The Cookies at This Is My Story. The following books were also of some use: A Natural Woman is Carole King's autobiography. Always Magic in the Air: The Bomp and Brilliance of the Brill Building Era by Ken Emerson is a good overview of the whole scene. Girl Groups by John Clemente contains potted biographies of many groups of the era, including articles on both Little Eva and The Cookies. There are no decent CDs of Eva's material readily available, but I can recommend two overlapping compilations. This compilation contains Little Eva's only sixties album in full, along with some tracks by Carole King, the Cookies, and the Ronettes, while Dimension Dolls is a compilation from 1963 that overlaps substantially with that album but contains several tracks not on it. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript A quick note before this begins -- there is some mention of domestic violence in this episode. If that's something that might upset you, please check the transcript of the episode at 500songs.com if reading it might be easier than listening. A couple of months back, we talked about Goffin and King, and the early days of the Brill Building sound. Today we're going to take another look at them, and at a singer who recorded some of their best material, both solo and in a group, but who would always be overshadowed by the first single they wrote for her, when she was still working as their childminder. Today, we're going to look at Little Eva and "The Loco-Motion", and the short history of Dimension Records: [Excerpt: Little Eva, "The Loco-Motion"] The story of Little Eva is intertwined with the story of the Cookies, one of the earliest of the girl groups, and so we should probably start with them. We've mentioned the Cookies earlier, in the episode on "What'd I Say", but we didn't look at them in any great detail. The group started out in the mid-fifties, as a group of schoolgirls singing together in New York -- Dorothy Jones, her cousin Beulah Robertson, and a friend, Darlene McRae, who had all been in the choir at their local Baptist Church. They formed a group and made their first appearance at the famous Harlem Apollo talent contests, where they came third, to Joe Tex and a vocal group called the Flairs (not, I think, any of the Flairs groups we've looked at). They were seen at that contest by Jesse Stone, who gave them the name "The Cookies". He signed them to Aladdin Records, and produced and co-wrote their first single, "All-Night Mambo". That wasn't commercially successful, but Stone liked them enough that he then got them signed to Atlantic, where he again wrote their first single for the label. That first single was relatively unsuccessful, but their second single on Atlantic, "In Paradise", did chart, making number nine on the R&B chart: [Excerpt: The Cookies, "In Paradise"] But the B-side to that record would end up being more important to their career in the long run. "Passing Time" was the very first song by Neil Sedaka and Howie Greenfield to get recorded, even before Sedaka's recordings with the Tokens or his own successful solo records: [Excerpt: The Cookies, "Passing Time"] But then two things happened. Firstly, one of the girls, Beulah Robertson, fell out with Jesse Stone, who sacked her from the group. Stone got in a new vocalist, Margie Hendrix, to replace her, and after one more single the group stopped making singles for Atlantic. But they continued recording for smaller labels, and they also had regular gigs as backing vocalists for Atlantic, on records like "Lipstick, Powder, and Paint" by Big Joe Turner: [Excerpt: Big Joe Turner, "Lipstick, Powder and Paint"] "It's Too Late" by Chuck Willis: [Excerpt: Chuck Willis, "It's Too Late"] And "Lonely Avenue" by Ray Charles: [Excerpt: Ray Charles, "Lonely Avenue"] It was working with Ray Charles that led to the breakup of the original lineup of the Cookies -- Charles was putting together his own group, and wanted the Cookies as his backing vocalists, but Dorothy was pregnant, and decided she'd rather stay behind and continue working as a session singer than go out on the road. Darlene and Margie went off to become the core of Charles' new backing group, the Raelettes, and they would play a major part in the sound of Charles' records for the next few years. It's Margie, for example, who can be heard duetting with Charles on "The Right Time": [Excerpt: Ray Charles, "The Right Time"] Dorothy stayed behind and put together a new lineup of Cookies. To make sure the group sounded the same, she got Darlene's sister Earl-Jean into the group -- Darlene and Earl-Jean looked and sounded so similar that many histories of the group say they're the same person -- and got another of her cousins, Margaret Ross, to take over the spot that had previously been Beulah's before Margie had taken her place. This new version of the Cookies didn't really start doing much for a couple of years, while Dorothy was raising her newborn and Earl-Jean and Margaret were finishing high school. But in 1961 they started again in earnest, when Neil Sedaka remembered the Cookies and called Dorothy up, saying he knew someone who needed a vocal group. Gerry Goffin and Carole King had become hot songwriters, and they'd also become increasingly interested in record production after Carole had been involved in the making of "Will You Love Me Tomorrow?" Carole was recording her own demos of the songs she and Goffin were writing, and was increasingly making them fully-produced recordings in their own right. The first record the new Cookies sang on was one that seems to have started out as one of these demos. "Halfway to Paradise" by Tony Orlando sounds exactly like a Drifters record, and Orlando was, at the time, a sixteen-year-old demo singer. My guess, and it is only a guess, is that this was a demo intended for the Drifters, that it was turned down, and so the demo was released as a record itself: [Excerpt: Tony Orlando, "Halfway to Paradise"] That made the lower reaches of the Hot One Hundred, while a British cover version by Billy Fury made number three in the UK. From this point on, the new lineup of the Cookies were once again the premier session singers. They added extra backing vocals to a lot of the Drifters' records at this time, and would provide backing vocals for most of Atlantic's artists, as the earlier lineup had. They were also effectively the in-house backing singers for Aldon Music -- as well as singing on every Goffin and King demo, they were also singing with Neil Sedaka: [Excerpt: Neil Sedaka, "Breaking Up is Hard to Do"] But it was Goffin and King who spent the most time working with the Cookies, and who pushed them as recording artists in their own right. They started with a solo record for Dorothy, "Taking That Long Walk Home", a song that was very much "Will You Love Me Tomorrow?" part two: [Excerpt: Dorothy Jones, "Taking That Long Walk Home"] The Cookies were doing huge amounts of session work, working twelve hours a day, seven days a week. Dorothy Jones described being in the studio working on a King Curtis session until literally fifteen minutes before giving birth. They weren't the only ones working hard, though. Goffin and King were writing from their Aldon offices every single day, writing songs for the Drifters, the Shirelles, Bobby Rydell, Bobby Vee, Gene Pitney, the Crickets, the Everly Brothers, and more. And on top of that they had a child and Carole King was pregnant with a second one. And, this being the very early 1960s, it never occurred to either Goffin or King that just because Carole King was working the exact same number of hours as Goffin, that might mean she shouldn't also be doing the housework and looking after the children with no help from Goffin. There was only one way they could continue their level of productivity, and that was to get someone in to help out Carole. She mentioned to the Cookies that she was looking for someone to help her with the children, and Earl-Jean mentioned that a nineteen-year-old acquaintance -- her friend's husband's sister -- had just moved to New York from North Carolina to try to become a singer and was looking for any work she could get while she was trying to make it. Eva Narcissus Boyd, Earl-Jean's acquaintance, moved in with Goffin and King and became their live-in childminder for $35 a week plus room and board. Goffin and King had known that Eva was a singer before they hired her, and they discovered that her voice was rather good. Not only that, but she blended well with the Cookies, and was friends with them. She became an unofficial "fourth Cookie", and was soon in the studio on a regular basis too -- and when she was, that meant that Eva's sister was looking after the kids, as a subcontracted babysitter. During this time, Don Kirshner's attitude was still that he was determined to get the next hit for every artist that had a hit. But that wasn't always possible. Cameo-Parkway had, after the success they'd had with "The Twist", fully jumped on the dance-craze bandwagon, and they'd hit on another dance that might be the next Twist. The Mashed Potato was a dance that James Brown had been doing on stage for a few years, and in the wake of "The Twist", Brown had had a hit with a song about it "(Do the) Mashed Potatoes", which was credited to Nat Kendrick & the Swans rather than to Brown for contractual reasons: [Excerpt: Nat Kendrick and the Swans, "(Do the) Mashed Potatoes"] Cameo-Parkway had picked up on that dance, and had done just what Kirshner always did and created a soundalike of a recent hit -- and in fact they'd mashed up, if you'll pardon the expression, two recent hits. In this case, they'd taken the sound of "Please Mr. Postman", slightly reworked the lyrics to be about Brown's dance, and given it to session singer Dee Dee Sharp: [Excerpt: Dee Dee Sharp, "Mashed Potato Time"] That had gone to number two on the pop charts and number one on the R&B charts, and even inspired its own rip-offs, like "The Monster Mash" by Bobby "Boris" Pickett: [Excerpt: Bobby "Boris" Pickett and the Crypt-Kickers, "The Monster Mash"] So Kirshner just assumed that Sharp would be looking for another dance hit, one that sounded just like "Mashed Potato Time", and got Goffin and King to write one to submit to her. Unfortunately for him, he'd assumed wrong. Cameo-Parkway was owned by a group of successful songwriters, and they didn't need outside writers bringing them hits when they could write their own. Dee Dee Sharp wasn't going to be recording Goffin and King's song. When he listened to the demo, Don Kirshner was astonished that they hadn't taken the song. It had "hit" written all over it. He decided that he was going to start his own record label, Dimension Records, and he was just going to release that demo as the single. The Cookies went into the studio to overdub another layer of backing vocals, but otherwise the record that was released was the demo Eva -- now renamed "Little Eva" -- had sung: [Excerpt: Little Eva, "The Loco-Motion"] The record went to number one, and made Little Eva a star. It also made Gerry Goffin a successful producer, because even though Goffin and King had coproduced it, Goffin got sole production credit on this, and on other records the two produced together. According to King, Goffin was the one in the control room for their productions, while she would be on the studio floor, and she didn't really question whether what she was doing counted as production too until much later -- and anyway, getting the sole credit was apparently important to Gerry. "The Loco-Motion" was such a big hit that it inspired its own knockoffs, including one song cheekily called "Little Eva" by a group called "The Locomotions" -- so the record label would say "Little Eva, The Locomotions", and people might buy it by mistake. You'll be shocked to learn that that one was on a Morris Levy label: [Excerpt: The Locomotions, "Little Eva"] That group featured Leon Huff, who would later go on to make a lot of much better records. Meanwhile, as Little Eva was now a star, Carole King once again had to look for a childminder. This time she insisted that anyone she hired be unable to sing, so she wouldn't keep having to do this. Dimension Records was soon churning out singles, all of them involving the Cookies, and Eva, and Goffin and King. They put out "Everybody's Got a Dance But Me" by Big Dee Irwin, a song that excerpted "The Loco-Motion", "Wah Watusi", "Hully Gully" and "Twist and Shout" among many others, with the Cookies on backing vocals, and with Goffin as the credited producer: [Excerpt: Big Dee Irwin, "Everybody's Got a Dance But Me"] That wasn't a hit, but Dimension soon released two more big hits. One was a solo single by Carole King, "It Might as Well Rain Until September", which went to number twenty even though its only national exposure was a disastrous appearance by King on American Bandstand which left her feeling humiliated: [Excerpt: Carole King, "It Might as Well Rain Until September"] Her solo performing career wouldn't properly take off for a few more years, but that was a step towards it. The Cookies also had a hit on Dimension around this point. Goffin and King had written a song called "Chains" for the Everly Brothers, who had recorded it but not released it: [Excerpt: The Everly Brothers, "Chains"] So they gave the song to the Cookies instead, with Little Eva on additional vocals, and it made the pop top twenty, and the R&B top ten: [Excerpt: The Cookies, "Chains"] Several people have pointed out that that lyric can be read as having an element of BDSM to it, and it's not the only Goffin and King song from this period that does -- there's a 1964 B-side they wrote for Eva called "Please Hurt Me", which is fairly blatant: [Excerpt: Little Eva, "Please Hurt Me"] But the BDSM comparison has also been made -- wrongly, in my opinion -- about one of the most utterly misguided songs that Goffin and King ever wrote -- a song inspired by Little Eva telling them that her boyfriend beat her up. They'd asked her why she put up with it, and she said that he only hit her because he loved her. They were inspired by that to write "He Hit Me (And It Felt Like A Kiss)", an utterly grotesque song which, in a version produced by Phil Spector for the Crystals, was issued as a single but soon withdrawn due to general horror. I won't be excerpting that one here, though it's easy enough to find if you want to. (Having said that, I should also say that while people have said that Goffin & King's material at this point flirts with BDSM, my understanding of BDSM, as it has been explained to me by friends who indulge in such activities, is that consent is paramount, so I don't think that "He Hit Me" should be talked about in those terms. I don't want anything I've said here to contribute to the blurring of distinctions between consensual kink and abuse, which are too often conflated). Originally, Eva's follow-up to "The Loco-Motion" was going to be "One Fine Day", another Goffin and King song, but no matter how much Goffin and King worked on the track, they couldn't come up with an arrangement, and eventually they passed the song over to the Tokens, who solved the arrangement problems (though they kept King's piano part) and produced a version of it for the Chiffons, for whom it became a hit: [Excerpt: The Chiffons, "One Fine Day"] Instead, Goffin and King gave Eva "Keep Your Hands Off My Baby". This is, in my opinion, the best thing that Eva ever did, and it made the top twenty, though it wasn't as big a hit as "The Loco-Motion": [Excerpt: Little Eva, "Keep Your Hands Off My Baby"] And Eva also appeared on another Cookies record, "Don't Say Nothing Bad About My Baby", which made the top ten: [Excerpt: The Cookies, "Don't Say Nothing Bad About My Baby"] The Cookies, Eva, and Goffin and King were such a package deal that Dimension released an album called Dimension Dolls featuring the first few hits of each act and padded out with demos they'd made for other artists. This hit-making machine was so successful for a brief period in 1962 and 63 that even Eva's sister Idalia got in on the act, releasing a song by Goffin, King, and Jack Keller, "Hula Hoppin'": [Excerpt: Idalia Boyd, "Hula Hoppin'"] For Eva's third single, Gerry Goffin and Jack Keller wrote a song called "Let's Turkey Trot", which also made the top twenty. But that would be the last time that Eva would have a hit of her own. At first, the fact that she had a couple of flop singles wasn't a problem -- no artists at this time were consistent hit-makers, and it was normal for someone to have a few top ten hits, then a couple at number 120 or something, before going back to the top. And she was touring with Dick Clark's Caravan of Stars, and still in high demand as a live performer. She also, in 1963, recorded a version of "Swinging on a Star" with Big Dee Irwin, though she wasn't credited on the label, and that made the top forty (and made number seven in the UK): [Excerpt: Big Dee Irwin, "Swinging on a Star"] But everything changed for Little Eva, and for the whole world of Brill Building pop, in 1964. In part, this was because the Beatles became successful and changed the pop landscape, but by itself that shouldn't have destroyed the careers of Eva or the Cookies, who the Beatles admired -- they recorded a cover of "Chains", and they used to play "Keep Your Hands Off My Baby" in their live sets. But Don Kirshner decided to sell Aldon Music and Dimension Records to Columbia Pictures, and to start concentrating on the West Coast rather than New York. The idea was that they could come up with songs that would be used in films and TV, and make more money that way, and that worked out for many people, including Kirshner himself. But even when artists like Eva and the Cookies got hit material, the British Invasion made it hard for them to get a footing. For example, Goffin and King wrote a song for Earl-Jean from the Cookies to record as a solo track just after Dimension was taken over by Columbia. That record did make the top forty: [Excerpt: Earl-Jean, "I'm Into Something Good"] But then Herman's Hermits released their version, which became a much bigger hit. That sort of thing kept happening. The Cookies ended up splitting up by 1967. Little Eva did end up doing some TV work -- most famously, she sang a dance song in an episode of the Hanna-Barbera cartoon Magilla Gorilla: [Excerpt: Little Eva "Makin' With the Magilla"] But Dimension Records was not a priority for anyone -- Columbia already owned their own labels, and didn't need another one -- and the label was being wound down. And then Al Nevins, Don Kirshner's partner in Aldon, died. He'd always been friendly with Eva, and without him to advocate for her, the label sold her contract off to Bell Records. From that point on, she could no longer rely on Goffin and King, and she hopped between a number of different labels, none of them with any great success. After spending seven years going from label to label, and having split up with her husband, she quit the music business in 1971 and moved back to North Carolina. She was sick of the music industry, and particularly sick of the lack of money -- she had signed a lot of bad contracts, and was making no royalties from sales of her records. She worked menial day jobs, survived on welfare for a while, became active in her local church, and depending on which reports you read either ran a soul-food restaurant or merely worked there as a waitress. Meanwhile, "The Loco-Motion" was a perennial hit. Her version re-charted in the UK in the early seventies, and Todd Rundgren produced a version for the heavy metal band Grand Funk Railroad which went to number one in the US in 1974: [Excerpt: Grand Funk Railroad, "The Loco-Motion"] And then in 1988 an Australian soap star, Kylie Minogue, recorded her own version, which went top five worldwide and started Minogue's own successful pop career: [Excerpt: Kylie Minogue, "The Loco-Motion"] That record becoming a hit got a series of "where are they now?" articles written about Eva, and she was persuaded to come out of retirement and start performing again -- though having been so badly hurt by the industry, she was very dubious at first, and she also had scruples because of her strong religious faith. She later said that she'd left the contracts on her table for eight months before signing them -- but when she finally did, she found that her audience was still there for her. For the rest of her life, she was a popular performer on the oldies circuit, performing on package tours with people like Bobby Vee and Brian Hyland, playing state fairs and touring Europe. She continued performing until shortly before her death, even after she was diagnosed with the cancer that eventually killed her, as she once again connected with the audiences who had loved her music back when she was still a teenager. She died, aged fifty-nine, in 2003.
This weekend, we celebrate Nollywood. And to help us with that, our faves shared with us their best Nigerian movie. Music credit - PAINT IT, No Copyright Music Nicolai Heidlas
Galen and Alex take a step back, looking into some of the Rolling Stones’ earliest songs, and the key early tracks that were released as singles instead of being on albums. These include some of the most iconic songs in rock history, such as “(I Can’t Get No) Satisfaction” and “Paint It, Black.” This episode covers more than four years, yielding an incredibly diverse collection of music. Please share your thoughts on the Stones by reaching out to us on Twitter at @doctorgc and @akmccarthy.
Wednesdays 2pm-4pm EST Today’s Bombshell (Bombshell Radio) Bombshell Radio Jazzamatazz Double Header FRIDAYS 1pm-3pm EST 6pm-8pm BST 10am-12pm PDT bombshellradio.com Sundays 7pm-8pm ESTSmiling Sixties is a collection of non-stop hits & classics from the 1960s. A blend of Rock'n'Roll,Soul,Pop,Beat,Rock & lots more groovy sounds from a great decade of music. 22 tracks that still put smiles on faces over half a century later. Volume 14.#oldies, #pop, #rock, #soul, #r&b, #classics, #rocknroll1 Going Up The Country Canned Heat 2 Poor Me Adam Faith 3 Sweet Soul Music Arthur Conley 4 Tainted Love Gloria Jones 5 Paint It, Black The Rolling Stones 6 In the Country Cliff Richard & The Shadows 7 Happy Birthday Sweet Sixteen Neil Sedaka 8 Piece Of My Heart Big Brother & The Holding Company 9 A Well Respected Man The Kinks 10 Good Vibrations The Beach Boys 11 It Takes Two Marvin Gaye & Kim Weston 12 Twenty Four Hours from Tulsa Gene Pitney 13 I Put A Spell On You Alan Price 14 Runaround Sue Dion 15 When My Little Girl Is Smiling Craig Douglas 16 I Saw Her Standing There The Beatles 17 Tell Me When The Applejacks 18 Surfin USA The Beach Boys 19 Who Are You The Who 20 The Wind Cries Mary The Jimi Hendrix Experience 21 Come Together The Beatles 22 L.A. Woman The Doors
Vor etwa 6 Wochen fuhr ich nach Budapest, um mir ein neues Konzept im Freizeitbereich anzuschauen und persönlich auszuprobieren. Die Intention dahinter: Herausfinden, ob das Konzept etwas für uns und den österreichischen Markt wäre. Und was soll ich sagen? Am 4.10. startete nun „Paint It“ in Graz. Es handelt sich dabei um eine Kunstmalschule, bei der Laien unter professioneller Anleitung innerhalb von drei Stunden berühmte Kunstwerke auf die Leinwand bringen und anschließend stolz mit nach Hause nehmen können. In der letzten Woche fanden im Standort in Graz bereits erste Kurse statt. Mein Augenmerk liegt nun darin, den Kundensupport in Form von Social Media Kanälen, Newsletter und anderen Marketingstrategien vorzubereiten. Mir ist es besonders wichtig, dass die Teilnehmer rundum zufrieden sind und das bestmögliche Kundenerlebnis zu haben. Für mich der zentralste Faktor eines erfolgreichen Unternehmens.
The High Holidays are over and the book is closed for another year as the singer and guitar player from the neo-psychedelic band Bipolaroid steps into the Ring Room. Glover talks about their new record, Paint It, Blacker, as well as their legal dispute with the Polaroid company and on-hold music. A steam room invitation is proffered. Topics include a struggle, a barber, pages of guests, impeachment season, Kimba the White Lion, the staff physician, a bank job, band evolution, a camel story update, methadone, a stage mishap, a birthday gig, Get Hip Records, the Gories, vinyl, early influences, band discord, a Henry Rollins video, Kim Shattuck, Rip Taylor, the Johnny Carson show, Renée Zellweger as Judy Garland, a Susan Cowsill show, a hoax, and much more. Subscribe, review, and rate in Apple Podcasts or most podcast platforms. Follow and share on social media and spread the Troubled Word. Intro music: Styler/Coman Outro music: “Back In the Old Black” by Bipolaroid from the new release “Paint It, Blacker”
The High Holidays are over and the book is closed for another year as the singer and guitar player from the neo-psychedelic band Bipolaroid steps into the Ring Room. Glover talks about their new record, Paint It, Blacker, as well as their legal dispute with the Polaroid company and on-hold music. A steam room invitation is proffered. Topics include a struggle, a barber, pages of guests, impeachment season, Kimba the White Lion, the staff physician, a bank job, band evolution, a camel story update, methadone, a stage mishap, a birthday gig, Get Hip Records, the Gories, vinyl, early influences, band discord, a Henry Rollins video, Kim Shattuck, Rip Taylor, the Johnny Carson show, Renée Zellweger as Judy Garland, a Susan Cowsill show, a hoax, and much more. Subscribe, review, and rate in Apple Podcasts or most podcast platforms. Follow and share on social media and spread the Troubled Word. Intro music: Styler/Coman Outro music: “Back In the Old Black” by Bipolaroid from the new release “Paint It, Blacker”
In part 2 of Volume 72 the Bucket Hat Boys (Ty and Jesse) continue answering Facebook submitted relationship questions with special guest, Courtney. Part 2 topics: *How to promote personal growth without sounding condescending. *Is it okay to talk about poop with your man. *Should you have rules in an open marriage? *Shared Facebook accounts. *Age difference in relationships. *Being friends with their friends. and more! Soundtrack: "Belong In The Sun" by Teo? "Paint It" by Lucky Daye "MF Groove" by Smino ft Ravyn Lenae
Mr. Royce covers the Grammys, Nicki Minaj vs BET, Valentine's Day and how to avoid arguing with your spouse! Tune in and Turn up! It's Tuesday! Music Pick of the Week: Lucky Daye "Paint It" Arin Ray "Reckless"
Episode 084 – LVO and Cult of Paint It was tough to find time to record and to match schedules and as a result Neil is only on for the first half. However we do get to chat about his weekend away learning skills from the Cult of Paint class and then a solo segment of Greg chatting about the LVO. We look forward to the Weekender so apologies for those listening afterwards and all our general chat as well. 00:00:00 – 00:44:49 – Intro and all the usual chatter. 00:44:49 – 01:11:04 – Cult of Paint 01:11:04 – 01:59:37 – LVO 01:59:37 – 02:09:34 – Close the show with a bit more info. The Iceni Schism: https://www.facebook.com/events/183823352179878/ The Heresy Camp: https://www.facebook.com/groups/802689253242521/ CK Studios: If you want to support the show then consider purchasing from Element Games. http://elementgames.co.uk/?d=10057 Don't forget you can use the codes for extra crystals, mine is GRE259 You can also support the Patreon here: https://www.patreon.com/TheImperialTruth If you enjoyed the show then please leave a positive review on Itunes. You can contact the show via Greg@TheImperialTruth.com Or Neil@TheImperialTruth.com You can follow us on Twitter: Show – @Imperial_Truth Greg – @ChildofFang Neil - @NeilPaints Also our facebook page: https://www.facebook.com/the.imperial.truth.au And our facebook group https://www.facebook.com/groups/436768449815184/
Well, the boys are at it again as they talk about what happens when you click Like buttons (goblins steal your shoes) and also what happens when you combine Settlers of Catan with Time n' Space (goblins return your shoes). Really, the whole thing was just an experiment to figure out what goblins do sometimes. Also: broccoli. Intro Gag: Comin' to ya live from the buffalo farm, I'm Johannes Stauffer and with me as always are freshly-sprouting buffalo, far as the eye can see, and this is the Mildly Alarming Podcast. Episode 6.8: Well, Heck, You Can't Paint It! Segment 1: Liking Things Is Bad How the Like Button Ruined the Internet Episode Sponsor: Mildly Alarming Radio News Breaking News Break Segment 2: Remaking the Game - Settlers of Catan Important Videos on YouTube Warning: We didn't watch all of them. Advance past the first few at your own peril. Outro Gag: Thundermittens
Beck, Temples, Lê Almeida, The Rolling Stones, Hellacopters, Boogarins, Perro, Strokes, Stone Roses e várias outras bandas em nossa Mixtape 56, faça o download agora. (clique com o botão direito e selecione salvar). Para ouvir outras músicas do artista clique nos links. 01 – Strange Or Be Forgotten – Temples 02 – She Bangs the Drums – The Stone Roses 03 – 6000 Dias – Boogarins 04 – The Daily Planet – Love 05 – Paint It, Black – The Rolling Stones 06 – You’re Gonna Miss Me – 13th Floor Elevators 07 – Radio Kids – Strand of Oaks 08 – I Bleed – The Pixies 09 – Bad Vibes – Lê Almeida 10 – Game of Pricks – Guided By Voices 11 – Devils Haircut – Beck 12 – Under Cover Of Darkness – The Strokes 13 – Lock All The Doors – Noel Gallagher’s High Flying Birds 14 – I Wanna Destroy You – The Soft Boys 15 – La Reina de Inglaterra – Perro 16 – Treason – Naked Raygun 17 – Joker In The Pack – The Adicts 18 – Born With a Tail – The Supersuckers 19 – (Gotta Get Some Action) Now! – The Hellacopters A próxima mixtape vai pro ar no dia 10/03/2017.
This week, Stefan reports on Chicago's new 'Public School Brunch Program', and Chartreuse investigates the 'Booze It and Paint It' franchise. Feat. Levi Petree (NPR) and Joe Porter (UCB). Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.
Show#591 05.17.15 Beardo Is Still Ill !!! B.B. King - when my heart beats like a hammer from The Blues 1958 (2:50) B.B. King & Eric Clapton - When My Heart Beats Like a Hammer from Riding with the King 2000 (7:09) Sonny Terry & Brownie McGhee - Doggin' My Heart Around from Walk On (The Blues Collection Vol.39) (2:56) Lowell Fulson - Cold Hearted Woman from The Birth Of Rock'n'Roll Disc 01 (2:52) John Nemeth - Heartbreak With a Hammer from Name the Day! 2010 (4:09) Chris Youlden - You Got A Hold Of My Heart from Second Sight 1991 (3:20) Bluesscatters - heart and soul from Heart and Soul 1998 (3:25) Mark Ford - Heart of Stone from Mark Ford & the Blue Line 1998 (5:34) Snatch It Back - Heart of Stone from Red Hot & Blue 1993 (3:13) Kid Ramos - Open Up Your Heart from Kid Ramos 1999 (3:32) Ellis Hooks - Hole in My Heart from Undeniable 2002 (3:23) Eddie Hinton - Hymn For Lonely Hearts from Dear Y'all: The Songwriting Sessions 2000 (4:18) The Nighthawks - Heartbreak Radio from Hot Spot 1984 (3:21) Candye Kane - Club of the Foolish Hearts from Guitar'd and Feathered 2007 (2:37) Trampled Under Foot - desperate heart from Badlands 2013 (4:07) Al Basile - Airlift My Heart from The Tinge 2008 (5:42) Dave Alvin - Brand New Heart from Blue Blvd 1991 (3:37) Jimi Hendrix - Bleeding Heart from Blues 1994 (3:26) Collard Greens and Gravy - Look How You Broke My Heart from Juke Joint Boogie 2012 (3:34) Al Kooper - The Heart Is A Lonely Hunter from Championship Wrestling 1982 (4:22) John Hiatt & The Guilty Dogs - Icy Blue Heart from Hiatt Comes Alive at Budokan? 1994 (5:42) Jimbo Mathus & The Tri-State Coalition - Useless Heart from White Buffalo 2013 (3:37) Melody Gardot - Your Heart Is As Black As Night from My One And Only Thrill 2009 (2:41) Welsh T Band - Place In My Heart from Where the Road Leads 2013 (4:36) Gina Sicilia - You Set My Heart on Fire from Allow Me to Confess 2007 (3:55) Big Pete (ft. Johnny Dyer) - Left Me With A Broken Heart from Choice Cuts 2011 (4:23) 13;Lester Butler - Black Hearted Woman (Feat. Lester Butler) from 13 Featuring Lester Butler 2011 (4:38) Joe Louis Walker - Heart Of Stone from Paint It, Blue - Songs Of The Rolling Stones 1997 (4:34) Frank Zappa - Directly From My Heart To You from Weasels Ripped My Flesh 1970 (5:16) Ronnie Earl - Follow Your Heart from Deep Blues 1985 (3:42) Paul Butterfield Blues Band - One More Heartache from The Resurrection of Pigboy Crabshaw 1967 (3:38) Kris Pohlmann Band - only one heart from New Resolution 2009 (4:27) Dutch Tilders - Knocking on the door of Youre Heart from Mine and Some I Adopted 2005 (2:50) Tom Principato - here, in my heart from Really Blue 1997 (2:23) The Matt Schofield Trio - Heart Don't Need A Compass from Ear To The Ground 2007 (6:49)
In Episode 18 (not 17) of the show... We talk about Queen's post-Freddie woes. We talk a little about the plans for The Crazy Train over December. We talk our love of what-would-i-say.com We pitch some more Deadliest Warrior episodes. We talk about Gandhi and Brian Blessed. We talk about whether Brad is coming back. We discuss our love of Jim'll Paint It. We talk a new business plan for HMV. Brad can now lay Creme Eggs. We decided. We enthuse about another Internet thing. We talk social media. Spike talks classic TV atrocities. We give a shout out to our number 1 super fan, Paul J. Crouch and Spike get a chance to weigh in on their recent gig. Crouch, Spike and Omer talk phonecall etiquette. We joke about some Omer-related merchandise. The bands of The Crazy Train have a dick measuring contest (with a difference) Spike and Crouch bemoan the local scene. We talk a broader sense of the Internet and stuff, which links into the grander discussion. We talk fun. We talk tech. Omer tells the story of how he shut down The Wrestling Channel (finally) Starring: Rob Wade, Blake Harmer, Omer Ibrahim, Sour Crouch, Spike Direction
Kole, Ben, Dennis, and David talk about this disappointing new next gen era, the Dark Souls II beta, and ask you about Easter Eggs. The Brief PSN and Amazon. Knack panned. CoD gets dedicated servers again. GTA V Beach Bum Expansion. The Grind: Ben: Batman: Arkham Origins. David: Batman: Arkham City. Dragon's Dogma. Dennis: Dokuro. Star Wars Pinball. Dark Souls II Beta. Kole: Dark Souls II Beta. Paint It, Back. Multiplayer: What are your favorite codes/easter eggs?
On this episode of the show it's the king carnivore of the ocean, warriors in the air and a man with a memory problem. First up we catch up with one of the deadliest creatures in the ocean with the blu-ray review of Great White Shark : A Living Legend (Courtesy of BBC Home Entertainment) where a man swims cageless with the great beast. Then we catch up with the further animated adventires of Hiccup and his friends in the dvd review of Dreamwork's Dragons : Riders of Berk Part 1 & 2 (Courtesy of Fox Home Video) based on the How to Train Your Dragon movie. It's the next chapter from the creators of Avatar the Last Airbender with the blu-ray review of Nickelodeon's The Legend of Korra (Courtesy of Paramount Home Video) as a teenage girl takes up the mantle Ang left behind. It's a case of lost memories and love with the blu-ray review of Trance (Courtesy of Fox Home Video) starring James McAvoy (X-Men First Class), Vincent Cassel and Rosario Dawson. Music for this episode features the songs Bride of the Dragon by Man Bites Dog, Airplane Eyes by The Upsidedown and Paint It by Os Improvaveis, they can all be found at www.famemusic.com. Other instrumental music is by the band Mr. Burns (www.mrburnsmusic.com). As always your comments and suggestions are welcome and encouraged.
The High Holidays are over and the book is closed for another year as the singer and guitar player from the neo-psychedelic band Bipolaroid steps into the Ring Room. Glover talks about their new record, Paint It, Blacker, as well as their legal dispute with the Polaroid company and on-hold music. A steam room invitation is proffered. Topics include a struggle, a barber, pages of guests, impeachment season, Kimba the White Lion, the staff physician, a bank job, band evolution, a camel story update, methadone, a stage mishap, a birthday gig, Get Hip Records, the Gories, vinyl, early influences, band discord, a Henry Rollins video, Kim Shattuck, Rip Taylor, the Johnny Carson show, Renée Zellweger as Judy Garland, a Susan Cowsill show, a hoax, and much more. Subscribe, review, and rate in Apple Podcasts or most podcast platforms. Follow and share on social media and spread the Troubled Word. Intro music: Styler/Coman Outro music: “Back In the Old Black” by Bipolaroid from the new release “Paint It, Blacker”
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