Podcasts about perez art museum

On this episode of The Truth In This Art, I welcome back artist, Terry Thompson. Terry is a self-taught American artist, born in Chicago, Illinois, and currently working in Baltimore, Maryland. We discuss his artistic evolution, his balancing of his art with his DJ work, and the importance of experimentation in his creative process. Terry shares how his experiences from Chicago to Baltimore and his travels have influenced his vibrant artwork, which is inspired by dance culture, dreamscapes, and experimental vistas. He also highlights his approach to managing his time between creating visual art and DJing, and his philosophy on embracing mistakes as part of the artistic journey.If you're interested in an artist's evolution, the intersection of art and music, or the value of experimentation, this episode is a must-listen. Tune in to hear Terry's insights and artistic journey.Don't miss "A Deep House of Soulful Vision: The Paintings of Terry Thompson" at the Baltimore Museum of Art on April 10th! Hear Terry Thompson in conversation with Franklin Sirmans, director of the Perez Art Museum. Listen to his previous episode here. Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis. Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcast The Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode Platemark, I talk with Leslie Diuguid, owner and founder of Do-Good Press in Bed-Stuy, Brooklyn. Leslie shares her journey as a screenprinter and discusses the intricacies of screenprinting, including processes, challenges, and the nuances of halftone and moiré patterns. We talk about how much math comes into the enterprise, especially about the relationship of mesh counts of screens and the frequency modulation of dot patterns. We explore Leslie's deep connection with her community, her unique approach to remembering names by sketching neighborhood visitors, and her experiences moving from a bedroom workshop to a storefront space. Leslie also details various projects, such as printing on glass, working with unique materials, and producing one-off prints in collaboration with artists like Selena Kimball and Rose Salane. We touch on the importance of sharing knowledge, community engagement, and the future of printmaking. This enriching conversation highlights Leslie's passion for her craft and her innovative contributions to the printmaking world. https://du-goodpress.com/ IG @dugoodpress IG @little_mouse_diuguid Article in Bomb Magazine about Selena Kimball: https://bombmagazine.org/articles/2023/09/20/selena-kimball-interviewed/ Leslie's Omaha show: https://www.u-ca.org/exhibition/meet-me-at-the-fence-ok-bye Nyssa Chow information: https://www.tellinghistories.com/trace Du-Good Press published Simon Benjamin's Crown and Anchor, which was acquired by the Perez Art Museum: https://www.instagram.com/p/DDNPhswRslT/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA%3D%3D Platemark website Sign-up for Platemark emails Leave a 5-star review Support the show Get your Platemark merch Check out Platemark on Instagram Join our Platemark group on Facebook Leslie Diuguid priming canvas with open mesh at Du-Good Press, Brooklyn, NY. One-off set up for artist Simon Benjamin at Du-Good Press, Brooklyn, NY. Shepard Fairey. Tribal Anniversary, 2024. Screenprint. 24 x 18 in. Signari Gallery, Temecula, CA. Selena Kimball standing on screenprinting table getting ready to work with Andrea “Nina” Knoll in the background. Selena Kimball inspecting work in progress. Andrea “Nina” Knoll pouring ink as Selena Kimball holds the squeegee and prepares to print. Selena Kimball with Leslie Diuguid pointing out details in Selena's work in progress. Installation shot of Leslie Diuguid's exhibition, Meet me at the fence ok bye. February 10–April 13, 2024. The Union for Contemporary Art, Omaha. Courtesy of the Artist. Leslie Diuguid (American, born 1986). Eduardo, Chanel, and Jessica, 2024. Screenprints on canvas (12 x 12 in. each) installed in Leslie Diuguid's exhibition, Meet me at the fence ok bye. February 10–April 13, 2024. The Union for Contemporary Art, Omaha. Courtesy of the Artist. Installation shot of Leslie Diuguid's exhibition, Meet me at the fence ok bye. February 10–April 13, 2024. The Union for Contemporary Art, Omaha. Courtesy of the Artist. Leslie Diuguid (American, born 1986). 12,528, 2024. Screenprint on canvas. 30 x 40 in. Courtesy of the Artist. Installation shot of Leslie Diuguid's exhibition, Meet me at the fence ok bye. February 10–April 13, 2024. The Union for Contemporary Art, Omaha. Courtesy of the Artist. Leslie Diuguid (American, born 1986). These Are Leslie's Hands, 2024. Screenprint on canvas. 30 x 40 in. Courtesy of the Artist. Leslie Diuguid (American, born 1986). Screamie, 2024. Screenprint. 30 x 40 in. Courtesy of the Artist. Leslie Diuguid (American, born 1986). Emily, 2024. Screenprint. 30 x 40 in. Courtesy of the Artist. Leslie Diuguid (American, born 1986). 942-0733, 2024. Screenprint. 30 x 40 in. Courtesy of the Artist. Rose Salane. 64,000 Attempts at Circulation, 2022. Five screenprints, counterfeit metal coins, and steel tables. Overall: 106 13/16 × 232 × 131 in. Whitney Museum of American Art, New York. Tiona Nekkia McClodden. Black Insanity on the Ledge of a Death Star, 2022. 2-color screenprint. 18 x 24 in. Printed by Du-Good Press; published by 52 Walker. Alake Schilling (American, born 1993). Spotty Dotty Dog House, 2023. Color screenprint. 16 x 16 in. Published by Printed Matter; printed by Du-Good Press, Brooklyn.  Printed Matter Char Jeré. The Periodic Table of Black Revolutionaries, 2021. 10-color screenprint. 18 x 24 in. Printed and published by Du-Good Press, Brooklyn. Kai Jenrette (American, born 2001). I'm Perfect Life's Perfect I Love Being Me, 2024. 2-color screenprinted zine. Unfolded: 16 x 20 in. Printed and published by Du-Good Press, Brooklyn.  

Unlock the secrets to effective triathlon training and immerse yourself in a world of vibrant athleticism with our special guest, Mark, an age-group triathlete who juggles his regimen between the sun-soaked streets of Miami and the bustling avenues of Washington, DC. Hear Mark's firsthand account of the unique hurdles and perks of Miami's flat landscapes, paired with the perks of its warm winters and thriving swimming and cycling communities. Plus, get a peek into Mark's amusing strategies for balancing remote work and training, including his innovative use of a magnetic screen door for dog training during DC's sweltering heatwave. Experience the adrenaline rush of the Clash Miami triathlon through Mark's eyes as we uncover the race's intriguing history and ever-evolving course. Discover what it takes to conquer the Miami distance—a unique challenge that sits between an Olympic distance and a half Ironman. Mark shares indispensable advice on hydration and nutrition to combat the intense Miami heat, especially during the grueling run segment. Gain insights into pacing strategies that can make or break your race performance, all while navigating the unusual race setting of a spring-fed lake within a NASCAR track. But racing in Miami is about more than just the competition; it's an adventure for the whole family. From the cultural riches of the Perez Art Museum to the lush expanses of the Everglades, Miami offers an array of activities that extend the triathlon experience beyond the race. We highlight the city's cosmopolitan allure, with its rich Cuban and Latin American influences, making it an ideal destination to blend sport with travel. Tune in and get ready to be inspired by Mark's stories and find out why supporting diverse race venues like Clash can add an exciting new dimension to your triathlon journey.

Join us for an inspiring episode of Cut to the Chase: podcast as we dive into the latest chapter of Dennis Scholl's career.    From accountant, lawyer, preservationalist, serial entrepreneur, philanthropist, art collector, award winning film maker, wine maker, to helping artists advance their careers, what else could be left for him to achieve but to make his own art (and films).    How could anyone make so many significant career transitions?   On this episode, we go through some of Dennis' philosophies that helped him transform himself in such significant ways.   But before we go onto his third and (what he predicts) will be his final chapter-his own art work, I must pay my respect to Dennis and do what he prefers I not do-highlight some of his amazing achievements which have shaped so many lives and the art world.    The Miami art scene has become a global phenomenom in large part due to Dennis.      From 2009-2015, Dennis was the vice president for the arts at the Knight Foundation.   Launching the foundations arts program and leading it to national prominence, Dennis helped steer close to $200 million in grants to artists and cultural organizations.   Helping these artists launch and advance their careers has been one of Dennis' biggest joys in life.   Almost out of left field, Dennis decided to take what many of us would consider a mid life crisis into a remarkable journey into documentary film making.    Before the world knew it, Dennis had become an award-winning documentary filmmaker focusing on arts and culture creating 87 films and winning over 20 regional Emmys, including from Sundance and SXSW.   His films have been shown in over 100 film festivals.   You can even catch some of his films on Netflix.   My favorite was his first feature documentary called Deep City-the Birth of Miami Sound.    For those R & B fans that think Motown WAS R & B, think again.   Deep City showcases some of the amazing musical R & B talent that came from the 305. In almost a parallel universe while making these films (and wine), Dennis was brought into Oolite Arts as their CEO where he ran that amazing art support organization where he continued to help award millions of dollars to local artists.    One of the major accomplishments he achieved at Oolite Arts was the creation of the Ellies.    The Ellies, named after Ellie Schneiderman, who opened the South Florida Art Center back in 1984 when Lincoln Road could not even find tenants.   The Ellies is now an annual competition which funds local art teachers, artists projects, exhibitions, public artworks and even film. His farewell achievement for Oolite will be the opening of the  soon to be state of the art $30 million headquarters that is scheduled to open in Little River in 2025.     The space will provide, among other things, 21 free artists studios, rooms for art classes, a theatre and large gallery.  In this episode, we'll explore Dennis's journey from being an accountant, then a lawyer to becoming a pivotal figure in the Miami art scene to his current art work and upcoming films. Discover how he embraced a new chapter in his life, reinventing himself as an art collector turned filmmaker, and gain insights into his views on the future of art in the age of AI.   I know Dennis right now is upset at us rehashing his past so I won't go over all his amazing and various work (including his extremely successful wine making venture) and his various contributions to world art world, including the Guggenheim, the Tate Modern and the Perez Art Museum.   Instead of going into  all the amazing art work he has created over the past decade and continues to create AND his upcoming films AND his own philosophies that have enabled him to transform himself so dramatically so often, you will need to listen to this episode for such nuggets.    As a native Miamian who has seen first hand how Dennis has helped make Miami so special, myself and several others owe him the tremendous gratitude. Join Dennis and I as we discuss: Dennis's transition from law to the arts and its profound impact on his life and career.The importance of embracing change and pursuing passions later in life. Fostering creativity and innovation.. The evolving landscape of filmmaking and the influence of AI.Dennis's commitment to nurturing young artistic talent and giving back to the community.His skepticism about the long-term impact of NFTs on the art world. Key Takeaways: Embrace change and pursue your passions, no matter your age. Find activities that bring you joy and fulfillment, embracing the concept of "flow" in life. Get involved in your community and share your expertise and inspiration with others. Consider integrating cultural insights into your legal practice for innovative problem-solving. Stay open to learning and flexible in your career path to adapt to new industries and technologies. Join us for a fascinating conversation with Dennis Scholl as we explore the power of reinvention and the endless possibilities that await, even in the later chapters of life. Connect with Dennis Scholl: Check out all of Dennis Scholl's art on his instagram via @schollcreative and learn more about his work on his website https://schollcreative.com/.

Francesca DiMattio is an artist born in NYC who lives and works between Manhattan and Upstate New York. Recent solo exhibitions include Wedgwood at Pippy Houldsworth Gallery, London (UK), Sèvres at Nina Johnson, Miami (FL), Boucherouite at Salon 94 Bowery, New York (NY); Francesca DiMattio: Housewares at the Blaffer Art Museum, Houston (TX) and Vertical Arrangements at the Zabludowicz Collection, London (U.K.). Her work is in the collections of the San Francisco Museum of Modern Art, San Francisco (CA), the Ruth and Elmer Wellin Museum of Art at Hamilton College, Clinton (NY); the Perez Art Museum, Miami (FL); the Frances Young Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs (NY); the Saatchi Gallery, London (U.K.); the Bass Museum of Art, Miami Beach (FL) and the Zabludowicz Collection. Francesca DiMattio's work has been covered by the New York Times, Art Newspaper, T Magazine, The New Yorker, Vogue, W Magazine and World of Interiors, among others.

Marie Vickles tells us about bringing the arts to people — and people to the arts. She is the director of education at the Perez Art Museum and she's also the curator-in-residence at the Little Haiti Cultural Complex.

In her own words...“I read in the Washington Post article about how teen girls are at an increased risk of suicide today,” says Marissa Alma Nick. "Layla, the protagonist of REBEL IN VENUS, I believe may have been written for them, to give them hope, to allow them to feel seen, and to see themselves as their own hero. Possibly, REBEL IN VENUS can inspire them to believe they have a right to unburden themselves from internalized shame, and self-hatred.”In the words of others...The Cuban-German author graduated from the New World School of the Arts, received her BFA from the University of South Florida, and was selected for the Creative Capital Continued Education Program (host: Miami Dade Department of Cultural Affairs). She's moved to Los Angeles straight out of college, and signed to MSA dance agency where she worked as a freelance dancer in various music videos, commercials, tv shows, and movies. Then in 2012, Marissa moved back to Miami to start her own dance-theatre company Alma Dance Theater and became the founding artistic director for the festival: ScreenDance Miami.While in Miami she's been an adjunct professor for the University of Miami's Musical Theater Department and has produced, choreographed, and directed live shows for Art Basel Miami, Faena Miami, Tigertail Productions, Vizcaya Museum, Perez Art Museum, Showfields Miami, and Together Arts.

Photographer, Anastasia Samoylova joins Michael to talk about the 2023 CatchLight Visual Storytelling Summit: The Change We Want to See. This year's summit emphasizes the unique power of photography, visual journalism, and creative practices to drive social impact. Ana will be talking about her book, Floodzone published by Steidl along with photographer, Rafael Vilela. Their panel is titled Picturing New Frontiers: Environmental Storytelling. Ana and Michael talk about how Ana went from photography to Environmental Design, and back to photography and how her experiences growing up in Russian and living in Florida shapes her work and how she thinks about art and activism. RSVP for CatchLight Summit: https://airtable.com/shrz8sfXJWVrqciWX https://www.catchlight.io/2023-visual-storytelling-summit https://www.anasamoylova.com Anastasia Samoylova (b. 1984, USSR) is a Russian born American artist who moves between observational photography and studio practice. Her work explores notions of environmentalism, consumerism and the picturesque. Recent exhibitions include Fundación Mapfre; C/O Berlin; Eastman Museum; Chrysler Museum of Art; The Photographer's Gallery, London; Kunst Haus Wien; HistoryMiami Museum; and Museum of Fine Arts, Le Locle. In 2022 Samoylova was shortlisted for the Deutsche Börse Photography Foundation Prize. Her work is in the collections at the Perez Art Museum, Miami; the High Museum of Art, Atlanta and Museum of Contemporary Photography, Chicago; among others. Published monographs include Image Cities (Fundación Mapfre / Hatje Cantz, 2023), Floridas (Steidl, 2022) and FloodZone (Steidl, 2019). This podcast is sponsored by the Charcoal Book Club, a monthly subscription service for photobook enthusiasts. Begin Building your dream photobook library today at https://charcoalbookclub.com. CATCHLIGHT VISUAL STORYTELLING SUMMIT 2023: THE CHANGE WE WANT TO SEE April 29, 2023 - https://www.catchlight.io - Minnesota Street Project, San Francisco The non-profit media organization CatchLight will hold its 2023 Visual Storytelling Summit on the theme “The Change We Want to See.” Organized with Elizabeth Krist, curator and formerly a longtime photo editor at National Geographic, the event will feature a portfolio review in the morning, followed by presenters and topics spanning artificial intelligence imagery, reporting on environmental issues, reproductive rights, racial justice, and how local journalists are holding power accountable at a time when trust in public institutions is at an all-time low. CatchLight Global and Local Fellows—including Rafael Vilela and Harika Maddala, among others—will discuss their projects along with artists, founders, technologists, and innovative creatives working at the nexus of art, media, journalism, technology, and social impact. This year's theme, “The Change We Want to See,” reflects the unique power of photography, visual journalism, and creative practices to drive social impact. “Images are instrumental to how we understand our world,” says Elodie Mailliet Storm, CEO of CatchLight. “Not only do they connect people emotionally to issues, they also promote deeper understanding, build trust, and spark action. I want the Summit to be a place where the global community of visual storytellers, media, and technology leaders can gather, share ideas, and push the field forward through partnership and innovation.” Speakers will include Jonas Bendiksen, Adrian Burrell, Pamela Chen, Hany Farid, Isadora Kosofsky, Lynn Johnson, Sarahbeth Maney, Anastasia Samoylova, Ashima Yadava, Alexey Yurenev. Support Real Photo Show with Michael Chovan-Dalton by contributing to their tip jar: https://tips.pinecast.com/jar/real-photo-show

This episode we are excited to be joined the pioneering artist and activist Marilyn Minter. Minter deftly explores American culture's pathology of glamor through painting, photography, and video works which focus primarily on the female body and its treatment in popular media. Well known for her meticulous technical mastery, Minter's details often highlight natural corporeal qualities that are omitted in mass-media depictions of women, such as body hair and stretch marks. Born in Shreveport, Louisiana in 1948, Minter earned a Bachelor of Arts from the University of Florida at Gainesville and a Master of Fine Arts from Syracuse University before moving to New York in 1976, where she now lives and works. Her work is included in the permanent collections of the Museum of Modern Art in New York; the Tate Modern in London; the Museum of Contemporary Art in Los Angeles; and the Perez Art Museum in Miami - just to name a few. In addition, Minter is the recipient of numerous prestigious awards, including the Louis Comfort Tiffany Grant, Guggenheim Fellowship, and the National Endowment for the Arts, Artist's Fellowship Grant - among many others. Marilyn is represented by LGDR, New York, Regen Projects, Los Angeles and Baldwin Gallery, Aspen. Some artists discussed in this episode: Jackson Pollock Lizzo Lana Wachowski and Lilly Wachowski Bruce Nauman Diane Arbus Joan Mitchell David Hammons Helen Frankenthaler Robert Gober John Currin Jenna Gribbon Cindy Sherman Laurie Simmons Kara Walker Jessica Stockholder Larry Clark For images, artworks, and more behind the scenes goodness, follow @artfromtheoutsidepodcast on Instagram. Enjoy!

Philip Smith is an acclaimed visual artist from Miami where he was born and currently resides. Philip's work has been widely exhibited in the US and abroad, including in the Whitney and Beijing Biennials, and he is represented in permanent collections of the Whitney, Museum of Fine Arts Dallas, the Perez Art Museum, among many others. Philip also served for a short while as Managing Editor for GQ Magazine in New York where he hobnobbed with the glitterati. He wrote an exquisite memoir, “Walking Through Walls,” published by Simon and Schuster. It details his extraordinary childhood growing up with a curious and eccentric father who discovers that he can talk to the dead and heal people. His memoir is currently under development for a weekly tv series. Why I had to carve out a mundane public identity. What happens to you when your parents lead a madcap life. How my Dad introduced me to spirit communication. How I choose my intention as an artist in these very troubled times. https://www.philipsmithart.com/ (www.philipsmithart.com)

Welcome back to the She's Wild Podcast! I'm so excited to have Brooke May, Vice President of Construction of Belpointe as our guest for today's episode. Prior to her current position, Brooke served as Vice President of Residential Construction at Strategic Property Partners working solely at Water Street Tampa. She has over 19 years of experience in the construction industry working in multiple roles including as a subcontractor, general contractor, and developer. Prior to SPP, Brooke worked as a Sr. Project Manager with Moss and Associates overseeing multifamily and hotel projects. She also worked with Reinforced Structures, Inc. and helped build iconic projects such as The Perez Art Museum in Miami, FL and The Salvadore Dali museum in St. Petersburg, FL.In today's episode Brooke and I talk about her extensive career experience. She's open, honest, and provides excellent insight into her career and she shares tips on what she's learned about what it takes to be successful as a woman in the construction & development industries. We also discuss challenges she faces on projects, such as supply chain issues, and what she does to overcome them.Memorable Moments:7:03 - It's very cool to have a tangible product at the end of what you do. I mean, even with the development side, you might think you're just turning and burning dirt. But when it's all said and done, you took that dirt, and you helped develop the building, even if you weren't a part of the construction. For me, the tangibility has always been fantastic.16:46- I've never had the fear of No. No is not a punishment, no is just no.17:32- If you're not happy where you are, you're not getting the satisfaction from where you are, the only thing you can do is change. You can't expect everybody else to change for you.42:01 Learn your stuff and know your stuff. Because if you don't, they will walk all over you.42:16 Take the job, do the work. Construction as a whole; you got to have five solid years underneath you doing the grunt work just to even understand how multiple buildings go together, not just one. You can't just be on one project and think you know, it all.42:54- There's a lot of men who are opening up to it when realizing how thorough and detailed women are, and needing that on their team. Women are being sought after for the positions in construction.Connect with Nancy:Instagram: https://instagram.com/nancysurakLinkedIn: https://www.linkedin.com/in/nancysurak/Website: www.nancysurak.comConnect with BrookeLinkedIn: https://www.linkedin.com/in/brooke-may-70161143/Brooke's Book Recommendations:What Men Don't Tell Women About Business- Christopher Flett via Amazon: https://amzn.to/3a7ZkpUWork With Me- Barbara Annis and John Gray via Amazon: https://amzn.to/3LZaryHShe's WILD Sound Production by:Luke Surak, Surak Productions: surakproductions@gmail.com

Episode 104 features painter Lavar Munroe (b. 1982, Nassau, Bahamas). He earned his BFA from Savannah College of Art and Design in 2007 and his MFA from Washington University in 2013. In 2014, Munroe was awarded a postdoctoral research fellowship at the University of North Carolina at Chapel Hill. He was included in Prospect.4: The Lotus in Spite of The Swamp, the New Orleans triennial curated by Trevor Schoonmaker, and the 12th Dakar Biennale, curated by Simon Njami, in Senegal. In 2015, Munroe's work was featured in All the World's Futures, curated by Okwui Enwezor as part of the 56th Venice Biennale. His work has been included in museums such as the Nasher Museum of Art in Durham; Perez Art Museum, Miami; National Gallery of Bahamas, Nassau; MAXXI Museum of Art, Rome; Museum of the African Diaspora, San Francisco; Virginia Museum of Modern Art, Virginia Beach; Ichihara Lakeside Museum Ichihara, Japan; and The Drawing Center, New York. Munroe was awarded residencies at the Skowhegan School of Painting and Sculpture, MacDowell Colony, the Headlands Center for the Arts, Joan Mitchell Center, Thread: Artist Residency & Cultural Center (a project of the Josef and Anni Albers Foundation), a recipient of the Joan Mitchell Foundation Painters and Sculptors Grant. and was an inaugural Artists in Residence at the Norton Museum of Art. He is included in upcoming exhibitions at The Centre Pompidou-Metz (France) , The Zeitz Museum of Contemporary Art Africa (South Africa) and a solo exhibition in London, among others things. Lavar Munroe lives and works between Baltimore, Maryland and Nassau, Bahamas. Headshot photo credit: Thomas Towles Artist https://lavar-munroe.com/home.html Joan Mitchell foundation https://www.joanmitchellfoundation.org/lavar-munroe M+B https://www.mbart.com/exhibitions/216/overview/ Jack Bell Gallery https://www.jackbellgallery.com/artists/64-lavar-munroe/works/7963-lavar-munroe-today-the-last-boy-2020/ ArtForum https://www.artforum.com/picks/lavar-munroe-84697 Artnet http://www.artnet.com/artists/lavar-munroe/ Wikipedia https://en.wikipedia.org/wiki/Lavar_Munroe Baltimore Art News https://bmoreart.com/2021/06/lavar-munroe-2021-sondheim-finalist.html Kampala Art Biennale 2020 https://kampalabiennale.org/artists-3/masters2020/ Culture VOLT https://www.culturevolt.co/thebusinessofart/2020/9/15/lavar-munroe

Episode No. 541 of The Modern Art Notes Podcast features artist Shahzia Sikander. This weekend the Museum of Fine Arts Houston opens "Shahzia Sikander: Extraordinary Realities," a survey of the first 15 years of Sikander's career, from roughly the mid-to-late 1980s and until the early 2000s. It was curated by Jan Howard and Marny Kindness, and at the MFAH by Dena M. Woodall. The exhibition will remain on view through June 5, when it will travel to the RISD Museum in Providence, RI. The RISD Museum and Hirmer have published an excellent book of the same title in association with the exhibition. It was edited by Sadia Abbas and Jan Howard. Indiebound and Amazon each offer it for about $45. Sikander came to prominence by melding Indo-Persian manuscript painting traditions with contemporary life and issues such as feminism, cultural identity, and more. Among the dozens of museums that have presented solo shows of her work are the Perez Art Museum in Miami, the Asian Art Museum in San Francisco, the Smithsonian American Art Museum, and the Museum of Contemporary Art in Tokyo.

Today's episode was recorded live on November 22nd, 2021-- we start with our open mic and then jump into our headliners. First is, Raven Daniels, a Brooklyn bred, New Orleans based artist, poet and teacher on a quest to understand themself and the world they live in. Using analog photography and poetry as a tool to question the nuance and parallels of identity, spirituality and ancestry. Then we hear from Ray, an 18 yr old youth poet from the city of Miami. Her work tries hard to reflect the world around her. She writes on blackness, queerness, religion, and having a body. She recently performed a piece at the Perez Art Museum in answer to their newest art exhibition The Artist as Poet. She continues to be as active as possible in the poetry community and is a part of a local poetry collective called "Voices: Poetry for the People."

As founding Executive Director of the Elevate Prize Foundation, which identifies social heroes around the world, providing them with transformational resources to amplify their impact and elevate humanity by igniting a chain reaction of goodness. Over the past two decades, García Jayaram has led national institutions and initiatives dedicated to enriching and shaping social-impact, philanthropic and cultural communities across the United States. She most recently served as CEO & President of the National YoungArts Foundation and, prior to that, as President & CEO of United States Artists, where she helped manage $25M in unrestricted awards to this country's most accomplished artists and spearheaded a $20M operating endowment campaign. García Jayaram was also Executive Director of the Chicago Artists Coalition (CAC). While there, she was a member of Mayor Rahm Emmanuel's Cultural Advisory Council and was named “Chicagoan of the Year in the Arts” by the Chicago Tribune. Her philanthropic work extends to serving on the Board of Directors for Guitars Over Guns, the Advisory Council for Ruth's List Florida (which aims to elect progressive women to public office in Florida) and on the Latin American and LatinX Committee for the Perez Art Museum. Garcia Jayaram received her JD (with honors) from the University of Miami School of Law, where she is now an Adjunct Professor as well as a member of the Advisory Committee for the Law School's Art + Sports Law LLM program. She has also studied not-for-profit management at Harvard Business School. In 2019, she delivered the commencement speech at Broward College and received an honorary degree for her commitment to community service and leadership. Carolina Garcia Jayaram on Linked In Elevate Prize Website Elevate Prize on Instagram Elevate Prize on Twitter Elevate Prize on FaceBook

In this episode of The Artist Business Plan we sit down with Heidi Horowitz. Heidi shares a powerful story about overcoming trauma and confronting it to lead a better life. It is an inspiring story that can touch all you artists out there. There is hope and art heals. Guest: Heidi Horowitz's photographs have been featured in exhibitions and venues worldwide, including the Louvre Museum and Art Basel. Heidi has been featured in numerous publications, including Rangefinder, Musee, CultureHeARTs, and Artnet to name a few. She was recently chosen by the Perez Art Museum of Miami as a “PAMM PICKS” while exhibiting her work at Superfine during Art Week. https://www.heidihorowitz.com/ (https://www.heidihorowitz.com/) For more information on applying to Superfine Art Fair as well as recordings of this and all of our past podcasts, just visit http://www.superfine.world/ (www.superfine.world ) IG: https://www.instagram.com/superfineartfair/?hl=en (@superfineartfair) IG: https://www.instagram.com/heidihorowitz21/ (@heidihorowitz21) If you want to submit a listener question you can email it to kelsey@superfine.world for a chance of it being answered by Alex, James, and our guest! Hosted and Executive Produced by James Miille and Alexander Mitow Executive Producer/Producer : Kelsey Susino Written by: Kelsey Susino, Alexander Mitow, and James Miille Audio Edited by: Estaban del Sol

Christy Gast photo credit: Keil Troisi (Amenia, New York) is an artist based in New York whose sculptures and video installations focus on issues of politics and aesthetics with regard to landscape. Her work has been exhibited at MoMA/P.S.1 Contemporary Art Center, Performa, Exit Art and Artist’s Space in New York, Perez Art Museum of Miami, Bass Museum, de la Cruz Collection and Nina Johnson Gallery in Miami, Matucana 100 and Patricia Ready Gallery in Santiago, CL, and the Kadist Art Foundation in Paris.     Cucú and Her Fishes (Act 1) Binational Seminar on Patagonian Peat Bogs

ALI is the bold all caps fashionista and local super volunteer who has a lot to teach each of us about developing a more complete sense of agency. Born in Long Beach, Long Island, into a Brooklyn based family with roots in Miami, Vegas, & Cuba, she won an academic scholarship to study education & conceptual art at NYU, getting her MFA and also studying a bit at Parson's School of Design. She was a design director at Limited Express (now known as Express) in its early days, and even started her own fashion company, with an exciting life traveling everywhere from Hong Kong to Milan to the Middle East. After moving to Florida for 4 years ago, Ali has discovered how to live a fulfilling life here, filled with volunteer work in spaces and worlds she cares about, from the Miami Beach Botanical Garden to the Perez Art Museum, to the Adrienne Arsht Center, to the New World Symphony, and even to the local jazz station WDNA. She is an inspiration both to other retirees, and to each one of us who has yet to schedule a weekly time for service in our busy calendars. Open to some help finding a fun and rewarding volunteer opportunity? Text DOWNTOSERVE to our Local Voices (Miami) Volunteer Hotline at (833) 901-0927, to figure out what opportunities might sync with your vibe and schedule. Find out what you love and go serve there. We look forward to hearing from you.

Why show art to an infant? Why should we encourage our children to “get lost” in paintings? What’s the art and social justice connection? Who are some of the African-American artists whose work we and our children should get to know? Franklin Sirmans, director of Miami’s Perez Art Museum, answers these questions and many more in this lively discussion about art and art education.

What can Miami's tourism industry learn about environmental sustainability from a museum? In an interview with UC Berkeley urban innovation Professor Molly Turner, Veronica explores the nuances of sustainability in tourism with a focus on Miami's Perez Art Museum of Miami.

Today, we’re talking about symbolic statues and monuments. In this moment, many are demanding the removal of memorials believed to perpetuate a legacy of systemic racial and ethnic injustice. Recent acts of violence against Blacks in the United States have brought these memorials to the center of a nationwide debate.                                                                         On Memorial Day, in the year 2020, Minneapolis police killed a Black man named George Floyd. The public incident ignited the resurgence of a 21st century civil rights movement known as Black Lives Matter. In 2013, with use of the hashtag BlackLivesMatter, thousands responded on social media to the acquittal of a white man, George Zimmerman. He had been charged with the shooting death of Black teen Trayvon Martin.   Black Lives Matter is now the leading force behind massive protests across the U.S. and abroad. Crowds are toppling statues honoring colonizers, slaveholders, and Confederate heroes. The controversial figures have become a cultural flashpoint.   Social justice advocates have contested these iconic sculptures for decades. Let’s look back to 2014, for one example, when artist william cordova and his collaborators staged an unannounced public declaration of liberty and justice. They chose to make their statement at the site of a towering statue of confederate leader Robert E. Lee in New Orleans.     Born in Lima, Peru, and based in Miami, New York and Lima, cordova is known as a cultural practitioner. We call him to hear the story behind this prescient intervention.    Sound Editor: Anamnesis Audio | Special Audio: silent parade, 2014    Related episodes: Black in America, Modern Black Portrait of Florida, Amy Sherald on New Racial Narratives, Amy Sherald on New Racial Narratives,  Sanford Biggers on Time and the Human Condition, Fahamu Pecou on Art x Hip-Hop, Theaster Gates on Meaning, Making and Reconciliation, Jefferson Pinder on Symbols of Power and Struggle   Related links: silent parade, The Soul Rebels, william cordova, now's the time:narratives of southern alchemy, Perez Art Museum, Miami, 2018, Prospect New Orleans, Headlands Center for the Arts, Black Lives Matter

Exploring Race and Femininity in Caribbean and Mexican Cultures with Perez Art Museum Miami’s Curator, María Elena Ortiz Click HERE to make sure that you get our upcoming episodes! What is it like being the only woman in the workplace? What is Classism vs. Racism like in Latin America? How does race impact art? Why should artists be funded by the government? What is it like being an Afro Latina in Mexico? How does surrounding yourself with a positive company affect you? What is it like to live in Mexico?In this interview with María Elena Ortiz, a curator at the Perez Art Museum Miami (PAMM), we learned so much about Afro Caribbean art and culture. She shared her adventures around the English speaking Caribbean; growing up in a progressive Puerto Rican household; living in Mexico and Miami, and what it’s like for her to be a Black Puerto Rican woman in the art world. This episode is sponsored by the Knight Foundation on behalf of PAMM’s Fund for African American Art. CLICK HERE to learn more.Please note that this episode was recorded prior to the Coronavirus pandemic and the current fight for valuing Black lives in America and the world. However, it is timely as we had a great discussion on the dynamics of race in the Caribbean and art.María Elena is originally from Puerto Rico, born in San Juan and raised in Catalina by her mother and father. She’s lived in Mexico City, Mexico and currently resides in Miami, FL, USA. María Elena has spent an extensive amount of time in the Caribbean Islands conducting research on Afro Caribbean Art for her book and PAMM exhibition both titled “The Other Side of Now”. CLICK HERE to read more and to get all of the links for Maria's recommendations.So, what is a question María Elena would ask other women? “How do you feel today?”How does María Elena define a woman?“To be powerful, and to own our power and use it.”Make a donation for Perez Art Museum Miami Fund for African American Art (All donations go towards an endowment for purchasing art from the African Diaspora):https://pamm.org/artfund Where to find Mariahttps://instagram.com/contemporarychica/Where to find Erica and Collective Drifthttps://collectivedrift.comhttps:/instagram.com/collectivedrift/https://youtube.com/collectivedriftClick HERE to make sure that you get our upcoming episodes! https://collectivedrift.com/stayintouchThe Collective Drift platform was created by Erica Knowles to celebrate all women, the beauty of their cultures, and international travel experiences.

“Pretending was too much work”, as expressed by interdisciplinary artist Nyugen Smith, a hybrid of both Haitian and Trinidadian blood. He graced SQR Podcast with transparency as he delved into his upbringing in Trinidad; including his cultural adjustment after moving back to America during his most formative years, how art chose him, and the visual and physical influences he attributes toward embracing his own aesthetics. Coming from a broken family in Trinidad to attend a boarding school in Pennsylvania, he desperately tried to fit in. This even included trying to lose his innate accent. Realizing it was easier to be himself, he eventually found acceptance in college via a group of Haitians- an ancestry he was far disconnected from (an emotion better heard and felt at the end of the podcast in his spoken word). Smith, a scholar with straight A’s and B’s as a Political Science major, had his schoolwork all mapped out; until he took two pivotal art classes to fill up his electives. Those two classes flipped his world upside down. Art became his language. Soon after, he was invested in rapping, theater, painting and sculpture, and his evolution since has been anything but dull. From traveling to study art in Florence, Italy, to selling his art to college administrators and eventually hosting his own art show, Smith says it’s all about his support system. Without support from peers, friends, and family, he claims he would be nowhere. His whole life story is wrapped into this podcast, as he leaves us with the biggest jewel on this episode: “For those who are struggling to find themselves, and to find that thing in life that makes you want to get up every day, I wish they find that thing because there’s nothing like it.” With his work currently on display at Perez Art Museum, and being part of The Other Side of Now: Foresight in Contemporary Caribbean Art, this is just the tip of the iceberg for Nuygen Smith. We hope you appreciate his narrative as much as we did. Enjoy.

January 12 – March 5, 2015Kathleen O. Ellis Gallery and UVP EversonArtist Talk: Tuesday, January 27, 6:30pmReception: Wednesday, January 28, 5-7pmLight Work and Urban Video Project are proud to present Accumulations and Number Sixteen, concurrent exhibitions featuring the work of multidisciplinary artist Xaviera Simmons.The works within these exhibitions present an artist working with— and through— formal languages of performance, video, sculpture, photography, and social and art histories.Accumulations presents a group of photographs from Simmons’s Index/ Composition series. At first glance, the images emerge as a series of complex and abstract sculptural collages. Closer inspection reveals something else: textiles pulled taught over what appears to be a torso, with a barrage of objects hanging from the body. Fabric, a cache of photographic texture and imagery, feathers, palm fronds and other diverse materials tumble across the center of each photograph—composing an explosion referent to the sculptural within the photographic. Accumulations works to both obscure and define the formal qualities of photography by using elements of sculpture, assemblage, chance, and other methods to produce the works.Number Sixteen is an hour-long, unedited video documenting a performance produced without an audience which engages endurance, abstraction, and the energies beneath abstraction. In the video, a vocalist and performer work together in a studio space. The video’s audience becomes witness to a layered convergence: materials and texts, script and chance, sound and image, time and space, the body and its limits. Like the photographic and sculptural works in Accumulations, Number Sixteen reveals a complex network of accumulated inspirations, cultural allusions, and visceral histories.lg.ht/XavieraSimmons—Xaviera Simmons received her BFA from Bard College in 2004 after spending two years on a walking pilgrimage retracing the Trans Atlantic Slave Trade with Buddhist Monks. She completed the Whitney Museum’s Independent Study Program in Studio Art in 2005 while simultaneously completing a two-year actor-training conservatory with The Maggie Flanigan Studio. Simmons has exhibited nationally and internationally. Major exhibitions and performances include The Museum of Modern Art, NYC; MoMA PS1, NYC; The Studio Museum In Harlem, NYC; The Contemporary Arts Museum Houston, Houston, TX; The Public Art Fund, NYC; David Castillo Gallery, Miami, FL; among many others. Her works are in major museum and private collections including Deutsche Bank, UBS, The Guggenheim Museum, The Agnes Gund Art Collection, The Museum of Contemporary Art Chicago, The Studio Museum in Harlem, MOCA Miami, and The Perez Art Museum, Miami.davidcastillogallery.com/xaviera-simmons—Special thanks to Marcia Dupratmarciaduprat.comSpecial thanks to Daylight Blue Mediadaylightblue.comLight Worklightwork.orgUrban Video Projecturbanvideoproject.comMusic: "Vela Vela" by Blue Dot Sessionssessions.blue See acast.com/privacy for privacy and opt-out information.

On this weeks episode of Culturation™ we speak with the Awe-Inspiring Artist, Moncho 1929. We discuss carving out your path, sacrificing for your passion and staying outside of the box. Originally from South Bronx, Moncho 1929's practice expands to London, Milan, Los Angeles and Seoul. Being deeply influenced by global aesthetics and the urban artwork that surrounds his daily life, Moncho 1929's practice continues to evolve yet stays true to challenging contemporary societal notions.  His work has been featured in various solo and group exhibitions all over the United States, and the world such as the Perez Art Museum in Miami, or Gallery Ann in Seoul, Korea. Today, his artwork can be found in the multiple private, city, and corporate collections; from Google to the French Consulate of the US, and from Paramount and Universal Pictures, to the Public Art collections of cities like Glendale, Los Angeles, and West Hollywood.  Most recently, Moncho 1929's work was acquired for the permanent collection of The Figge Museum of Art and he was included in the juried BP Portrait Awards for The National Portrait Gallery in the United Kingdom.  He currently lives and works out of Los Angeles.  #Moncho1929 #Culturation #PoweredByPremier #Artist #Painting #StreetArt #ContemporaryArt #LosAngeles #JustinEpstein

Octavia Yearwood is an arts educator, motivational speaker, choreographer, and an overall entrepreneur from New York City. She relocated to Miami in 2012 to expand her arts services company, Team Ohhh. Through Team Ohhh she provides dance and visual art enrichment programming in public schools, private schools and dance studio’s around the world. She has been an educator for the last 15 years, using the arts to bridge the gap between community and academia. She recently became Program Director for South Florida Cares Mentoring Movement where she has been able to work and build relationships with notable arts, education and community organizations like the Perez Art Museum, ICA Miami, URGENT Inc, University of Miami, Rush Philanthropic and local artist to bring transformational experience to the youth of Miami-Dade and Broward County. From curating exhibitions that commission local artist to bring fine arts to the city of Miami Gardens or collaborating with those artist to bring free arts programing to the children of Overtown, Octavia moves forward in using the arts to fortify our youth. Within those years she has also taken her craft and program to Barbados, Haiti, India, Nepal and most recently France where she worked on a photography series to support her book, “How The Hell Did You Do That?” that serves as a guide book for foster youth and other youth suffering from a traumatic childhood. In 2016 Octavia received the American Express Emerging Leaders Award and was honored by Legacy Magazine as one of Miami’s 40 Black Leaders Under 40. 1. Talk to us about the very beginning where were you born and what was your family dynamic like? 2. You entered into the foster care system at a very young age, tell us about that. 3. Your book “How The Hell Did You Do That” was written with the intention to help foster youth and those who have endured traumatic childhoods- walk us through the process of self-healing, what are some of the tools you provide to rise back up from painful experiences.

Jamaican-born artist Nadine Hall introduces Diaspora Vibe: Art with Caribbean Roots, a personally significant episode from her Fresh Art playlist. First published on July 26, 2017, this segment reveals the complex and diverse influence of the Caribbean on contemporary art. Franklin Sirmans, director of the Perez Art Museum, Miami, talks about the pivotal role of art from the Global South in the triennial art exhibition known as Prospect New Orleans. Prospect returns to the Crescent City in November 2020. Diaspora Vibe Cultural Arts Incubator founder and curator Rosie Gordon Wallace and Miami-affiliated artists describe how the Caribbean is embedded in their work. In November 2019, DVCAI spotlights the region’s cultural impact in the collaborative exhibition Inter | Sectionality: Diaspora Art from the Creole City, at George Washington University’s Corcoran School of the Arts and Design, in Washington, DC. Nadine Hall writes: The Diaspora Vibe episode from the Fresh Art archive is my favorite—a dream-come-true story to share. Cathy Byrd recorded a conversation with me in summer 2017, just before I traveled outside my homeland Jamaica for the first time. Diaspora Vibe Cultural Arts Incubator had invited me to Miami, to spend one month at Fountainhead Residency. Two years later, I’ve returned to South Florida. I’m here to pursue an MFA in sculpture at the University of Miami, with a three-year scholarship. In this episode, you’ll hear my voice, and the story behind the first step in my incredible journey.   Sound Editor: 2019 Anamnesis Audio, 2017 Guney Ozsan | Special Audio: Los Jaichackers, Jorge Martillo, Ashley Teamer   Related Episodes: Mapping Caribbean Cultural Ecologies, Live from Trinidad: Where Digital Culture Thrives, Live from Dominican Republic with Tilting Axis, Miami’s Caribbean Arts Remix, Art of the Everyday, Diaspora Vibe: Art with Caribbean Roots   Related Links: Franklin Sirmans, Perez Art Museum, Miami, Diaspora Vibe Cultural Arts Incubator, Asser Saint-Val, Gerard Caliste, Ashley Teamer, Nadine Hall, Los Jaichackers, Jorge Martillo  

In this episode, we revisit one of our live studio sessions from 2018: The Art of Obsolete Media. Web streaming on Jolt Radio, we introduce four Miami-based artists passionate about bygone technology: Barron Sherer, Kevin Arrow, Martha Raoli and Terence Price. The initial spark for this conversation was Obsolete Media Miami (O.M.M.), a shared studio space and repository for all kinds of old media that Barron Sherer and Kevin Arrow launched and operated from 2015-2018. On Fresh Art International, you’ll hear Sherer introduce the work of legendary filmmaker Jonas Mekas, and talk about his own complex film and video installation projects— presented in Miami, Florida, and Queens, Australia in 2018. Sherer opened a new studio space in February 2019. In 2020, he’ll launch the Moving Image Alliance, a nonprofit media arts resource and service organization to support contemporary moving image arts based on pre-digital cinema practices and technologies. Kevin Arrow takes us on a tour of the Obsolete Media Miami space at the edge of Miami’s Design District. In early 2019, Arrow established Media and Archival Studies (M.A.S.), Miami with Stephanie Marie, the Manager of Special Collections and Archives at the Miami-Dade Public Library System. Among his upcoming local collaborations are a live “cinema + sound” experience at Bakehouse Art Complex, the activation of a planetarium dome at Booker T. Washington High School and the screening of a Maya Deren film at the North Miami Museum of Contemporary Art. Artist and writer Martha Raoli talks about her 2018 performance with a manual typewriter at the Perez Art Museum, Miami. In 2019, Raoli launched her own radio show featuring live theremin performance. You can listen to "Etherwave Hour" on Jolt Radio every Saturday at 2pm. Obsolete media inspired photographer Terence Price to create an entire body of work from family photo albums and home movies. After presenting his solo exhibition "Dancing in the Absence of Pain,” in early 2019, at Art Center South Florida (now Oolite Arts), he’s been preparing for upcoming shows and completing a residency with Oolite that will end in December 2019. These Miami-based artists represent a penchant for the pre-digital among creatives the world over. Their bygone tech-infused pursuits emphasize the ongoing relevance of obsolete media in the field of contemporary art. Sound Editor: Anamnesis Audio | Special Audio: Courtesy Jonas Mekas, Barron Sherer, Kevin Arrow, Martha Raoli, Terence Price Related Episodes: Turning Analog Technology into Sound Sculpture, Inside Miami's Sound Chamber, ORLAN on Art Tech Related Links: Obsolete Media Miami, Terence Price, Martha Raoli, Barron Sherer

Part 2 of our two-part focus on everything Miami.  Bill Talbert, President of the GMCVB joins us for insights on Great Miami’s cultural offerings.  Learn about the fascinating neighborhoods to explore along with historic landmarks, music and art.  What are the best month’s to come and try out some of the best restaurants and spoil yourself with a massage or facial?  Listen in and get the inside scoop on the hot spots in Greater Miami.

On this episode, I went to the Andy Warhol Museum to meet up with José Carlos Diaz, the Chief Curator there. We used the office meeting rooms late one summer day, just as the sun began to fall towards the horizon line. Prior to the Warhol, José was the Curator of Exhibitions at the Bass Museum of Art in Miami Beach, where he helped program shows with artists such as Rachel Harrison and El Anatsui. Before the Bass Museum, he worked at Tate Liverpool and on the Liverpool Biennial. José received an M.A. in Cultural History from the University of Liverpool and a B.A. in Art History from San Francisco State University. In 2016, José was listed as one of the 20 most influential young curators in the US by Artsy. José’s first saw me in the first week of his working at the Warhol. I happened to be giving a talk at the museum with Jessica Beck, also a curator at the Warhol. José and I connected shortly after over some tacos and we’ve been hanging out ever since. José’s constant hustling never ceases to amaze me and I’m surprised he somehow makes the time to hang out with little ol’ me. As you can imagine, I was quite excited to chat with José. Our conversation touches upon José’s meandering path to becoming a curator, diversity in the curatorial museum world, and the differences between Miami and Pittsburgh. In any case, I hope you enjoy this. Links Mentioned: José’s Instagram José’s Twitter The 20 Most Influential Young Curators in the United States NYtimes article on museum diversity Rujeko Hockley Larry Ossei-Mensah Akili Tommasino Naomi Beckwith Lucky Diaz and the Family Jam Band Rubell Collection Hans Ulrich Obrist’ Laboratorium Tania Bruguera The transatlantic slave trade in Liverpool Liverpool’s Chinatown Jose’s Gold Show at the Bass Museum Andy Warhol: Revelation Follow Seeing Color: Seeing Color Website Subscribe on Apple Podcasts Facebook Twitter Instagram

¡Primera vez que el #podcast de viaje aterriza en USA! Hacemos playa, compras, comemos hamburguesas y donas, y nos peleamos por querer salir a bailar reggaetón. Si ya fueron (o si tienen ganas de conocer), ¡pasen a escuchar! Uno de nuestros destinos preferidos en el mundo: MAIAMEEEE. **Glosario #EnModoAvión** * South Pointe beach * Citi bikes * Perez Art Museum * Lincoln Rd * Ocean Drive * La #shopping experience: recomendaciones para alquilar autos y malls. * Dolphin Mall: IKEA * Sawgrass Mills * Wynwood - The Salty Donut, Wynwood Walls, galerías de arte. * Miami Design District * Bayside Marketplace * Jardín Botánico * Comidas: Las Olas, Spitfire, Wynwood Diner, Versailles en Little Havanna, Diner on 8th, El Palmar, Los Fuegos, Panther Coffee. —————— #viajeros #podcast #podcasteros #podcastdeviaje #podcastenespañol #turistas #nomadasdigitales #digitalnomad #viajeroslatinos #argentinosporelmundo #wanderlust #ondemand #podcasting #miamibeach #miami

Polly Apfelbaum is an artist living and working in NYC. In 2018, Polly had solo exhibitions at the Belvedere 21 in Vienna, Austria and Ikon Gallery in Birmingham, UK, which travels to the Kemper Museum of Contemporary Art, Kansas City, MO, in 2019. She has exhibited widely since the 1980s, including one-person exhibitions at the National Museum of Women in the Arts, Washington, DC, the Otis College of Art and Design, Los Angeles, CA at Bepart in Waregem, Belgium, the Worcester Art Museum in Worcester, MA, the lumber room in Portland, OR and at the Mumbai Art Room, Mumbai, India. A major mid-career survey of her work opened in 2003 at the Institute for Contemporary Art in Philadelphia, PA, and traveled to the Kemper Museum of Contemporary Art, Kansas City, MO, and Contemporary Arts Center, Cincinnati, OH, both in 2004. Her work has been featured in numerous group exhibitions including Pattern and Decoration, Ornament as Promise, Ludwig Forum for Internationale Kunst in Aachen, Germany , An Irruption of the Rainbow at the Los Angeles County Museum of Art, Wall to Wall at MOCA Cleveland in Cleveland, OH, Pretty Raw: After and Around Helen Frankenthaler at the Rose Art Museum, , Three Graces at the Everson Museum of Art in Syracuse, NY,  Pathmakers: Women in Art, Craft and Design, Midcentury and Today at the Museum of Art and Design in New York , AMERICANA: Formalizing Craft at the Perez Art Museum in Miami, FL, Regarding Warhol: Sixty Artists, Fifty Years at the Metropolitan Museum of Art in New York, amongst many, many others. 

Polly’s work is in numerous permanent collections including the Albright-Knox Art Gallery, Buffalo, NY; Blanton Museum of Art, Austin, TX; Brooklyn Museum, New York; Carnegie Museum of Art, Pittsburgh; Dallas Museum of Art; Everson Museum of Art, Syracuse, NY; Los Angeles County Museum of Art; Museum of Contemporary Art Chicago; The Museum of Modern of Art, New York; Pennsylvania Academy of Fine Arts, Philadelphia, PA; Pérez Art Museum Miami; Philadelphia Museum of Art; Princeton University Art Museum, Princeton, NJ; Tang Teaching Museum, Saratoga Springs, NY; and Whitney Museum of American Art, New York. She was the recipient of a Pollock-Krasner Foundation Grant in 1987, a Guggenheim Fellowship in 1993, an Artist's Fellowship from the New York Foundation for the Arts in 1995, an Anonymous Was a Woman Award in 1998, a Richard Diebenkorn Fellowship in 1999, a Joan Mitchell Fellowship in 1999, an Academy Award from the American Academy of Arts and Letters in 2002, and the Rome Prize in 2012. Brian stopped by Polly’s loft in lower Manhattan where she’s lived and worked for the last 40 years for a talk about early influence, the Pennsylvania Dutch, Philadelphia funk, craft, design, endless drive and so much more.

Today, we invite artists, curators, a media specialist, and an invigilator to talk about complex art that challenges the resources of traditional exhibition spaces. Their backstories reveal how building relationships—through eco-systems, architecture, choreography, media archaeology and virtual community engagement – make exceptional art encounters possible. Featured voices: Brian Sonia-Wallace, Sarah Oppenheimer, Dara Friedman, Rene Morales, Kevin Arrow/Obsolete Media Miami, María José Arjona, Alexandra Pirici, Rea McNamara Sound Editor: Anamnesis Audio | Special sound: María José Arjona, Alexandra Pirici, Rea McNamara, and Tony Halmos | Photography courtesy María José Arjona, The New Museum, New York and Art Basel Cities Week Buenos Aires Related Episodes: Dara Friedman on the Theater of Your Mind, Sarah Oppenheimer on Space and Light, Sarah Oppenheimer on Architectural Interventions Related Links: Pierre Huyghe: UUmwelt, Serpentine Galleries, Pierre Huyghe, LACMA, Sarah Oppenheimer, Baltimore Museum of Art, Sarah Oppenheimer: S-281913, Perez Art Museum, Miami, Dara Friedman: Perfect Stranger, Perez Art Museum, Miami, Marina Abramović: The Artist is Present, Museum of Modern Art, NY, María José Arjona: To Be Known as Infinite, Alexandra Pirici, Leaking Territories, Skulptur Projekte Münster, Alexandra Pirici: Co-natural, New Museum, NY, Alexandra Pirici: Aggregate, Art Basel Cities, Buenos Aires, Brian Sonia-Wallace, Dreamlands: Immersive Cinema and Art, 1905-2016, Sheroes, Obsolete Media Miami

Death Show: Communication With The Departed How can we send and receive messages to our beloved family members & friends who are no longer with us? Our three featured experts will offer several tools and techniques on how you can communicate with those who are in spirit. Featuring in order of appearance: 03:31 – Dr. Allan Botkin 27:43 – Philip Smith 46:26 – Psychic Medium Patricia Mischell =================================== Philip Smith Philip Smith is author of the Bestseller “Walking Though Walls” and an artist with works in the permanent collection of the Whitney, Boston Museum of Fine Art, Dallas Museum of Art, Perez Art Museum among others. Website:  Dr. Allan Botkin Clinical psychologist Allan Botkin worked for 20 years treating combat veterans with post-traumatic stress disorder (PTSD). In 1995 he accidentally discovered that a variation of the therapy he was using (called EMDR) reliably resulted in his patients' experiencing an after death communication with the deceased person they were grieving. The healing associated with these experiences went well beyond what has even been considered possible in the fields of trauma and grief work. Since then, Dr. Botkin has further developed and refined his method. He calls this therapy Induced After Death Communication, or IADC. In 2003 Dr. Botkin founded the Center for Grief and Traumatic Loss, LLC, and shifted his focus to the treatment of civilian grief and trauma. He is the author of the book, “Induced After Death Communication: A Miraculous for Healing Grief and Loss,” and has now trained many therapists all over the world in his procedure. Website:  Patricia Mischell Patricia Mischell is a psychic medium who facilitates communication with those who are in spirit Website:  death show, communication with the dead, channeling spirits, after death communication, psychic medium, Philip Smith, Dr. Allan Botkin, Patricia Mischell, Outer Limits of Inner Truth, afterlife, heaven

Art and Sports? Curator Franklin Sirmans brings them together in The World’s Game exhibition at the Perez Art Museum, Miami. Immersive installations, paintings, sculptural objects, photographs and videos by forty artists reveal how the universal language of this transnational game can define beauty, make social statements, create a sense of community and express a shared passion. Timed to coincide with the 2018 FIFA World Cup in Russia, the exhibition celebrates soccer as the portal to a world of contemporary art. Sound Editor: Anamnesis Audio | Special audio: Stephen Dean, Volta and Perez Art Museum, Miami 

How does Miami continue to expand on and elevate the international conversation about contemporary art that the world’s premiere art fair sparked in 2002 by launching Art Basel Miami Beach? On this live streaming show broadcast from the Jolt Radio studio, Miami, Florida, meet artists and curators who are making this city a year round destination for art. We introduce exhibitions you can visit in renovated and new art spaces, the presentation of work by emerging artists in a historic building downtown and an art fair with no art for sale that will take place inside a luxury shopping center in the heart of the business district. Field recordings:A conversation at Perez Art Museum with artist Dara Friedman and curator Rene Morales on Dara’s mid-career survey “Perfect Stranger”A site visit with curators Alex Gartenfeld and Stephanie Seidel before the opening of the new Institute of Contemporary Art Miami space Studio guests:Curator Leilani Lynch talks about Mika Rottenberg‘s interventions at the Bass MuseumArtist Lauren Shapiro introduces the ephemeral project she brings to RAW, a Young Artist Initiative pop-up experience in the Historic Post Office buildingArtist Nathalie Alfonso describes the live performance she presents at Fair., a free art fair where nothing’s for sale, featuring work by women artists at Brickell City Center

Some might think that art descends on Miami just once a year in December for Art Week. In fact, this city has a year round cultural life. On our radio show, meet a few of the curators, gallerists and artists who animate South Florida’s year round contemporary art scene. Listen to locals in conversations about urban development and gentrification, racial and social issues, and experimental music and sound art. Featuring Gustavo Matamoros and Alba Triana (subtropics24/ArtCenter/South Florida), Anthony Spinello and Natalie Alfonso of Spinello Projects and Maria Elena Ortiz, Perez Art Museum Miami. Sound Editor Guney Ozsan | Special audio features courtesy Cara Despain, Sinisa Kukec, Mirza Haroon, Alba Triana and subtropics | Photo credits in gallery Cathy’s notes: An Miami field trip gave me the idea for this show’s theme… Four local galleries staged a progressive brunch one Sunday in late June. Mindy Solomon, Spinello Projects, Emerson Dorsch and RedDot welcomed a steady flow of visitors to experience four unique exhibitions in the Little Haiti and Little River Arts Districts. Riffing on the Sunday brunch concept, each gallery offered a special dish simultaneously over from 11am to 3pm. Their goal? To highlight their exhibitions and invite visitors to linger for conversations about art. One of those conversations will give you an idea of the experience. I recorded with gallerist Anthony Spinello and gallery manager Natalie Alfonso inside the exhibition titled Mere Façade. The word ‘façade’ has a couple of meanings that come into play: one is the face of a building, the side that looks onto a street or open space. Façade also refers to an outward appearance that conceals something unpleasant or insubstantial. From outside Miami looking in, the word might make you think about the superficial side of this city… Another exhibition that opened this summer invites visitors to play dominoes. Curator Maria Elena Ortiz brought the show about a favorite pastime in Miami—to the Perez Art Museum. In a curatorial collaboration with Arden Sherman of the Hunter College Gallery in New York, Maria Elena shows us that there’s a lot more to dominoes than meets the eye. Also at PAMM, curator Diana Nawi invited London-based artist Haroon Mirza to create an immersive sound experience in the museum’s double-height gallery. You enter a darkened project space to experience A C I D GU E S T. A specialized technical system transmits an electrical current through speakers and light-emitting diodes (LEDs) activated by noise frequencies. sound and light experience based on a concrete poem he wrote. A C I D G E S T takes its name from the phrase “acid test”, (refering to the parties held in the 1960’s where groups of people would come together to legally experiment with LSD). The last segment of our show features subtropics, the experimental music and sound art biennial at ArtCenter/SouthFlorida organized by sound artist Gustavo Matamoros. Alba Triana tells the story behind her sound and light installation Microcosmos and Gustavo introduces sound art and experimental music performances by David Dunn, Olivia Block, Carles Santos and Abbey Rader.

This week Favy chats with art curator Maria Elena Ortiz from the Perez Art Museum in Miami. They talk about Latinx identity, "pigmentocracy," the Real Houswives and much much more!

The Outer Limits Of Inner Truth proudly presents and in depth interview Phillip Smith about his Father, Lew Smith – a psychic healer who helped thousands of individuals. Smith is author of the Bestseller “Walking Though Walls” – a book we thoroughly enjoyed even more that a NY slice of pizza or five minutes of silence in marriage. Philip Smith is an artist with works in the permanent collection of the Whitney, Boston Museum of Fine Art, Dallas Museum of Art, Perez Art Museum among others. The interview with Mr. Smith was one of our favorites and the Virtues do a forensic soul analysis on both Phillip and his Father Lew. ------------------------------------------------------------------------------------------ Running with Scissors meets Bewitched in this irresistible memoir, as Philip Smith describes growing up in 1960s Miami with his decorator father, who one day discovers he has the miraculous power to talk to the dead and heal the sick. After a full day of creating beautiful interiors for the rich and famous, Lew Smith would come home, take off his tie, and get down to his real work as a psychic healer who miraculously cured thousands of people. For his son, Philip, watching his father transform himself, at a moment's notice, from gracious society decorator into a healer with supernatural powers was a bit like living with Clark Kent and Superman. Walking Through Walls is Philip Smith's astonishing memoir of growing up in a household where séances, talking spirits, and exorcisms were daily occurrences, and inexplicable psychic healings resulted in visitors suddenly discarding their crutches and wheelchairs or being cured of fatal diseases.

As Miami’s sparkling new Perez Art Museum hosts a big retrospective of the Chinese artist’s work, the FT’s arts writer reflects on culture’s role in challenging oppression See acast.com/privacy for privacy and opt-out information.