Art forms that create works that are primarily visual in nature
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SEASON 2 - EPISODE 144 - Philip Barantini - Director In this episode of the Team Deakins Podcast, we speak with director Philip Barantini (ADOLESCENCE, BOILING POINT, ACCUSED). Originally from Liverpool, Philip couldn't have felt further away from the film industry, but after developing an interest in drama and acting, he soon found himself as a working actor. After dropping out of the business and regaining his sobriety, he eventually overcame his self-doubt and built his career as a director from the ground up. Philip shares how he made the jump from making shorts to developing the television series BOILING POINT, and we learn how he found financing for the project and executed the single-shot aesthetic just as the world was shutting down at the beginning of the COVID-19 pandemic. We later learn about the genesis and development of ADOLESCENCE, and Philip reflects on the extensive rehearsal process for each episode. Philip also reveals how he created an environment within each episode that empowered the show's actors to improvise, and he shares how young actor Owen Cooper exceeded all expectations for his first role in front of the camera. - Recommended Viewing: ADOLESCENCE - This episode is sponsored by Profoto & Aputure
This episode of The Other Side of the Bell, featuring trumpet performer, teacher and internet sensation Eric Baker, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Eric Baker trumpet interview" About Eric Baker: Eric Baker grew up in Ft. Worth, TX, and began playing the trumpet at age 11. He received his B.M. in Music Education from the University of Texas at Arlington and earned his master's degree in Trumpet Performance from Arizona State University. Mr. Baker moved to Odessa, TX in 2006 to begin his tenure as Co-Principal trumpet with the West Texas Symphony. He has also performed with the Big Spring Symphony, San Angelo Symphony, Abilene Philharmonic, the Legend Brass Quintet, the West Texas Trumpet Workshop, and the Salt River Brass Band. Eric performs regularly with the Lone Star Brass Quintet, Current Nine, The Pinstripes Jazz Quartet, and Emily & the Rhumba Kings. He performed with the touring production of the hit Broadway musical Chicago and has performed on stage with The Temptations, The Four Tops, Mannheim Steamroller, and Marie Osmond. He freelances all over West Texas and is a highly sought-after performer and private teacher. He is a founding member of the "Lone Star State" chapter of the International Trumpet Guild. He is the Director of Community Engagement for Music and Visual Arts at The University of Texas Permian Basin. He also serves as President of the West Texas Jazz Society. Eric's wife, Emily, is the director of the Voices of the Permian Basin. They have three daughters, Piper, Keller, and Harper. Podcast listeners! Enter code "podcast" at checkout for 15% off any of our Gard bags! Visit trumpetmouthpiece.com for more info. Episode Links: Website: West Texas Symphony Trumpets Mic'd Up on Instagram (@ebtrumpet) Trumpets Mic'd Up on TikTok (@eb_trumpet) William Adam Trumpet Festival, June 19-22, Clarksville, Tennessee. williamadamtrumpet.com Sign up sheet for valve alignments: bobreeves.com/williamadam Podcast Credits: “A Room with a View“ - composed and performed by Howie Shear Podcast Host - John Snell Cover Art - courtesy of Eric Baker Audio Engineer - Ted Cragg
This is The Digital Story Podcast 1,002, June 3, 2025. Today's theme is, "Photographers Talking About Podcasting and More." I'm Derrick Story. Opening Monologue You wouldn't think that photography and podcasting would go together so well. But this week's guests confirm what I already knew: they are beautiful together. We'll hear from Randal Schwartz and Frederick Van, plus a few words from Arron Hockley. Add a dash of camera industry news, and I have a full-bodied episode baked and ready to enjoy. I hope you stick around. thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address. Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation. Red River Paper - And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs. See you next week! You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.
Moiya and J talk about art pieces inspired by space and the methods astronomers use to turn their data into stunning visualizations. Guest Star: J Wright is an artist. Follow them on bluesky @JWXMessagesBecome a star and join the patreon at patreon.com/palebluepod!Go supernova and support Pale Blue Pod on PayPalGet your Pale Blue Pod Merch Listen to Wow if True every other WednesdayFind Us OnlineWebsite: palebluepod.comPatreon: patreon.com/palebluepodTwitter: twitter.com/PaleBluePodInstagram: instagram.com/palebluepodCreditsHost Dr. Moiya McTier. Twitter: @GoAstroMo, Website: moiyamctier.comEditor Mischa Stanton. Twitter: @mischaetc, Website: mischastanton.comCover artist Shae McMullin. Twitter: @thereshaegoes, Website: shaemcmullin.comTheme musician Evan Johnston. Website: evanjohnstonmusic.comAbout UsPale Blue Pod is an astronomy podcast for people who are overwhelmed by the universe but want to be its friend. Astrophysicist Dr. Moiya McTier and comedian Corinne Caputo demystify space one topic at a time with open eyes, open arms, and open mouths (from so much laughing and jaw-dropping). By the end of each episode, the cosmos will feel a little less “ahhh too scary” and a lot more “ohhh, so cool!” New episodes every Monday.Pale Blue Pod is a member of the Multitude Collective.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
## Support TransOhio!In this episode, we're back to checking out a bunch of great live and URL sets from Sanctuary 2025, a charity show for the TransOhio Emergency Fund organized by Nostalgia Lounge in March of 2025. We go through sets that cover everything from classic vaporwave, to house and techno, breakcore, and beyond. Join us on our musical journey through Sanctuary 2025!Artists! If we have not gotten to your set or if you have a public link to your Sanctuary 2025 set that we missed in either episode please let us know! We just want to make sure you get the credit you deserve. Thanks to everyone for their hard work contributing to this and other charity shows.Sanctuary 2025 Part OneEpisode 126: A Sanctuary SamplerOutro SampleSEIKO М А Ш И Н А from
In this intimate conversation hosted at Don't Look Projects for her solo show By the Company They Keep, the Chenhung Chen traces a path from formative memories of classroom murals in Taiwan to a tactile, spiritually inflected sculptural practice rooted in the poetics of material and memory. Drawing on a lifetime of cross-cultural experience—born in Taiwan, educated in New York at the School of Visual Arts, and now based in California—Chen reflects on the diasporic transformations that shaped her worldview, her practice, and her understanding of artistic responsibility. Over the course of the episode, she speaks candidly about the lasting impact of calligraphy, the subtle power of Taoist and Confucian thought, and the slow labor of crochet and wire weaving as acts of embodied meditation. Her early engagement with Chinese ink painting, which emphasizes the expressive qualities of line and brushstroke, has evolved into three-dimensional constructions made from recycled electrical wires and cables—materials charged both with literal energy and symbolic resonance. The conversation explores the artist's conceptual relationship to “order and chaos,” how her sculptural forms emerge from stream-of-consciousness gestures, and the intuitive logic behind her use of nontraditional materials. She discusses how her experiences as a medical and legal interpreter have revealed the porous boundaries between cultures and languages, underscoring the interconnectedness of all people. Throughout, she emphasizes the importance of embracing contradiction, translating cultural tension into visual rhythm, and honoring what she describes as “the inner world”—a central tenet of her creative methodology. Themes of hybridity, displacement, and the invisible labor of women recur throughout the dialogue, as the artist describes her attraction to utilitarian crafts like crochet and basketry, her reverence for nature, and her use of everyday materials—paper, staples, hair, and cables—as repositories of lived experience. The result is a body of work that operates like a visual diary: both diaristic and durational, deeply rooted in personal memory and shaped by global histories. From reflections on the Cultural Revolution and Renaissance painting to the pandemic-era shift toward domestic intimacy, this episode offers a nuanced meditation on what it means to make art across geographies, traditions, and states of being. For Chenhung Chen, to create is to process—an act of digestion as much as construction. “Everything I see, I take in,” she says. “And then it comes out.” — Listen now on Apple Podcasts, Spotify, or your preferred platform.
Nani Muñoz (Sevilla, 1994) es dramaturga, periodista y guionista. Se ha formado en la Universidad de Sevilla y en la School of Visual Arts de Nueva York. Fue finalista del Premio Romero Esteo en 2019 y ha estrenado obras como Con capas y a lo bollo (Premio Nazario Revelación 2019) y el musical 30/20 en FeSt 2021. Colabora con compañías como Al-Alba Teatro y Viento Sur Teatro. En 2024 ha ganado el Premio Alfonso Jiménez Romero por su obra La paradoja de la ciénaga. Gracias a la Biblioteca Julia Uceda y a la Red de Bibliotecas de Sevilla por hacer posible este encuentro con autoras y autores alrededor de la figura de la poeta que le da nombre a la biblioteca.
Singer/Songwriter Alyssa Haze is back on the podcast to talk about her NEW Ep "Mind of Mine"Alyssa Haze: @alyssahaze.officialAlbert Shivers: @albertshiverswww.albertshivers.com
The journey from discarded material to transcendent art forms the foundation of our conversation about Leonardo Drew, one of contemporary art's most physically committed and philosophically profound creators. Drew's remarkable journey began in the most unlikely of places—playing in a dump as a child in Tallahassee, Florida—a formative experience that would later inform his artistic sensibility and material relationship.What strikes you immediately about Drew is the joyful contradiction between his ebullient personality and the weighted gravity of his installations. His work appears weathered, aged, and discovered rather than created, yet as we learn, this is a carefully orchestrated illusion. "I don't work with found objects," Drew reveals. "Most of my material I actually create in the studio... I become the weather." This transformation process, where new materials are methodically distressed until they appear to carry centuries of history, speaks to Drew's profound understanding of time, memory, and physical transformation.Perhaps most compelling is Drew's pivotal turning point at age fifteen, when a black-and-white reproduction of a Jackson Pollock painting changed everything. Despite being courted by Marvel and DC Comics for his extraordinary illustrative talents, Drew abandoned this promising commercial path to pursue fine art—a decision requiring remarkable courage. "I decided it was time for me to stop using what I did well," he explains, essentially tying his hands to discover what existed beyond his comfort zone. This willingness to abandon mastery in pursuit of deeper questions characterizes his entire approach.Drew's extraordinary work ethic—rotating between seven projects simultaneously like "crying babies" needing attention—and his seven-year disappearance into the studio to develop his voice demonstrate a commitment few artists match. His perspective on creative struggle as "the most beautiful part of the journey" reminds us that art-making thrives on questions rather than answers. Experience Drew's transformative installations in person to understand why his work commands such reverence among artists and audiences alike.Sources:Leonardo Drew in "Investigation" - Season 7 - "Art in the Twenty-First Century" | Art21https://www.youtube.com/watch?v=ymMGgOCoK8k&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqR&index=5An Interview with Leonardo Drew | Wadsworth Antheneumhttps://www.youtube.com/watch?v=-75fm_UzhYg&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqR&index=4Woodcuts: Leonardo Drew | useum of Arts and Design (MAD)https://www.youtube.com/watch?v=4N3S2nvDcvU&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqR&index=3Artist Talk: Leonardo Drew | Amon Carter Museum of American Art Fort Worthhttps://www.youtube.com/watch?v=LtsqaHfEYxc&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqRCarrie Scott, SEEN Podcast | Leonardo Drewhttps://open.spotify.com/episode/1a54U1cidMrWratJewuyFy?si=27cd5abd710f4439Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg
SEASON 2 - EPISODE 143 - Phil Alden Robinson - Writer / Director In this episode of the Team Deakins Podcast, we speak with writer and director Phil Alden Robinson (THE GOOD FIGHT, THE SUM OF ALL FEARS, FIELD OF DREAMS) about many of his films. Phil was initially interested in politics and journalism, but he eventually made his way to Los Angeles and found his way into a writer's room based on the strength of a spec script. Phil soon found two of his feature scripts in production, and he reflects on the impact of being treated as badly as possible and as well as possible simultaneously. Later, Phil breaks down how FIELD OF DREAMS came together as a project, and we learn how he overcame an overwhelming sense of stress through the support of his cast and key crew members, including cinematographer John Lindley (Season 1, Episode 34) and production designer Dennis Gassner (Season 1, Episode 131). In addition to his work in features, Phil also directed documentaries for Nightline in a number of war zones, and we discuss the value of living life and taking time off from making movies. We also discuss the ubiquitousness of VFX in cinema today, and Phil shares what he feels to be the real lesson to take away from a film like the original STAR WARS. - Recommended Viewing: FIELD OF DREAMS, THE SUM OF ALL FEARS - This episode is sponsored by Aputure & Profoto
In this video podcast interview I'm chatting with fellow post graduate student and soon-to-be Dr Kim Percy. Kim is a multi-media artist, designer, educator, curator and photographer who in the process of completing her PhD by research. Her studio was just down the hall from mine at uni and we've become great friends during my time as a post-grad artist. Kim'spractice-based research for her PhD focusses on Dyslexia and Kim has produced an incredible body of artwork for her graduating exhibition, alongside a brilliant thesis, outlining her discoveries. Today we are chatting all about it alongside giving a look inside her exhibition. This episode is a video podcast, so while it's a greatstand-alone podcast episode, I encourage you to pop on over to my YouTube channel to check out all the lovely footage of her exhibition: https://youtu.be/erwl6OfzuXs?si=k8gvatJCLtnMx9YOLinks for Kim: Website:https://www.kimpercy.com/phd-exhibition Emails: kim@designscope.com.au,k.percy@federation.edu.au Instagram:https://www.instagram.com/kimpercyartist/ Facebook: https://www.facebook.com/KimPercyArt Linkedin:https://www.linkedin.com/in/kimpercy/ Links for Susan
This is The Digital Story Podcast 1,001, May 27, 2025. Today's theme is, "Half Digital, Half Analog - The Fujifilm X half Review." I'm Derrick Story. Opening Monologue 2025 is establishing itself as the year of the creative camera. We started with the Sigma BF, then Fujifilm GFX100RF, and now the Fujifilm X half. Nothing boring in this lot! And whether or not you decide to purchase the new X half, you're bound to appreciate the thought that went in to it. I'll share my highlights in today's TDS Photography Podcast. I hope you enjoy the show.
This episode is about the closure of Evergreen Community SPACES. First, we hear the story of Evergreen up to now from Executive Director Sean Fraser. https://www.ecspaces.com/ Then, 5 different artists who call Evergreen home tell their stories: Ashley Brodeur from Maven Movement https://maven-movement.com/ Ishita Singla from Madhuban Performing Arts https://madhubanperformingarts.com/ Nick Driscoll from Evergreen Theatre https://www.evergreentheatre.com/ Claire Bolton from Full Circle Theatre https://aflimsyplan.com/full-circle-theatre/ Allara Gooliaf from Three Left Feet https://threeleftfeet.ca/ The Reddit post that has the statement from Evergreen for those who don't use Facebook: https://www.reddit.com/r/Calgary/comments/1kejq9h/evergreen_theatre_and_community_spaces_announces/
In Her Image: Finding Heavenly Mother in Scripture, Scholarship, the Arts, & Everyday Life
In this enlightening conversation, Meg Rittmanic hosts Douglas and Fiona Phillips, a couple celebrating 50 years of marriage. They discuss the profound partnership in their relationship, the spiritual depth of Fiona's art. The couple shares personal challenges, including a health crisis in their family, and how they navigated these together. Fiona's passion for mental health awareness is highlighted through her art, and they explore the symbolism in her painting 'Firstborn,' depicting Heavenly Mother and Father. Doug shares a poetic reflection on divine design, emphasizing the importance of recognizing the roles of both Heavenly Parents in our lives. In this conversation, Meg, Doug, and Fiona explore the themes of love, compassion, and the divine feminine, particularly focusing on the role of Heavenly Mother in their lives and relationships. They discuss the foundational principles that have allowed their marriage to flourish over 50 years, acknowledging the diverse experiences of others in relationships. The conversation emphasizes the importance of agency, personal growth, and the evolution of understanding within the Church regarding Heavenly Mother, while also recognizing the need for voices to speak out about these experiences.Fiona Phillips is a retired art professor, proud mom of five, and grandma to 13 wonderful grandkids. She is blessed to be married to Douglas, the love of her life! Originally from England, she moved to California with her family when she was just a pre-teen. Her art studio focuses on themes of water, women, nostalgia, and spirituality. One of her standout projects focused on raising awareness of the stigma surrounding mental illness was shown at DSU, Art Access Gallery and the OMA. She created 50 large portraits of adults, teens, and children, many of whom were personally affected by mental health challenges. Fiona's paintings explore themes of faith, our relationship to our Heavenly Parents, and our equality as children of God. Her work has been featured in three International Art Exhibitions by The Church. her paintings and poetry have been published in The Ensign, Liahona, and Exponent II magazines. Most recently Fiona has shown with the Oceanside Museum of Art, the Restore Conference, the Compass Gallery and galleries in California.She's earned numerous “Best of Show” awards and has had solo exhibits in Utah, California, Nevada, and Arizona. She has also earned two master's degrees—an MA in Humanities/Art and an MFA in Visual Art.Dr. Douglas Phillips is a multifaceted individual whose journey blends faith, music, medicine, and a deep connection to his roots. Born and raised in Southern California,Douglas joined the Church of Jesus Christ when he was 18 then embarked on a mission to Spain, an experience that deeply influenced his personal and professional life. Shortly after his return he was married to Fiona, his high school sweetheart.Before pursuing medicine, Dr. Phillips was immersed in the music scene, playing piano and writing songs for a pop music group. This creative outlet honed his discipline and collaborative skills, which would later serve him well in his medical career.He earned his Doctor of Medicine degree from Northwestern University Feinberg School of Medicine , followed by radiology specialty training at the University of California, San Francisco.Now retired, Dr. Phillips enjoys life in Southern California, where he continues to explore his passions and contribute to his community. His unique blend of experiences offers a rich perspective on the intersections of faith, creativity, and medicine.Douglas and Fiona have served 2 senior missions together, a member/leader service mission in a Spanish Ward in West Valley UT and as the Area Mission Medical Advisor and Assistant serving the 9 mission units in Southern California.https://fionabphillips.com/https://fionabphillips.com/faith/https://www.patreon.com/c/InHerImagePodcast
Episode 475 / Banks VioletteBanks Violette is an artist born in Ithaca, NY who lives and works in Ithaca, NY. He recieved his BFA from the School of Visual Arts and an MFA from Columbia University. He's had numerous solo shows including ones at MoCa, Connecticut, Gladstone Gallery, Blum & Poe, Thaddeus Ropac, Maureen Paley, Team Gallery, Rodolphe Janssen, and the Whitney Museum to name just a few. He's had scores of group shows all over the globe from the Museum of Modern Art to the Warhol Museum and his work is in the collections of The Coppel Foundation, MexicoThe Ellipse Foundation, Portugal, The Centre Pompidou, Paris, France, Frank Cohen Collection, Manchester, England The Jumex Foundation, Mexico, Los Angeles County Museum of Art, Los Angeles, Migros Museum für Gegenwartskunst, Zurich, Switzerland Musée d'Art Moderne et Contemporain, Geneva, Switzerland Museum of Contemporary Art, Los Angeles, Museum of Modern Art, New York, The OverHolland Collection, Amsterdam, The Netherlands The Saatchi Collection, London, UK, The Solomon R. Guggenheim Museum, New York, Frederick R. Weisman Art Foundation, Los Angeles and the Whitney Museum of American Art, New York.
Join me for conversation with Dr. Jaleh Mansoor (Associate Professor of Art History in the Department of Art History, Visual Art, and Theory, University of British Columbia) about her book Universal Prostitution and Modernist Abstraction: A Counterhistory (Duke University Press, 2025). Our discussion brought us to topics like the artists' muse, the modern laborer, and other figures precariously suspended between the object/subject dialectic. In Universal Prostitution and Modernist Abstraction, Dr. Mansoor provides a counternarrative of modernism and abstraction and a reexamination of Marxist aesthetics. Mansoor draws on Marx's concept of prostitution—a conceptual device through which Marx allegorized modern labor—to think about the confluences of generalized and gendered labor in modern art. Analyzing works ranging from Édouard Manet's Olympia and Georges Seurat's The Models to contemporary work by Hito Steyerl and Hannah Black, she shows how avant-garde artists can detect changing modes of production and capitalist and biopolitical processes of abstraction that assign identities to subjects in the interest of value's impersonal circulation. She demonstrates that art and abstraction resist modes of production and subjugation at the level of process and form rather than through referential representation. By studying gendered and generalized labor, abstraction, automation, and the worker, Mansoor shifts focus away from ideology, superstructure, and culture toward the ways art indexes crisis and transformation in the political economic base. Ultimately, she traces the outlines of a counterpraxis to capital while demonstrating how artworks give us a way to see through the abstractions of everyday life. This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Join me for conversation with Dr. Jaleh Mansoor (Associate Professor of Art History in the Department of Art History, Visual Art, and Theory, University of British Columbia) about her book Universal Prostitution and Modernist Abstraction: A Counterhistory (Duke University Press, 2025). Our discussion brought us to topics like the artists' muse, the modern laborer, and other figures precariously suspended between the object/subject dialectic. In Universal Prostitution and Modernist Abstraction, Dr. Mansoor provides a counternarrative of modernism and abstraction and a reexamination of Marxist aesthetics. Mansoor draws on Marx's concept of prostitution—a conceptual device through which Marx allegorized modern labor—to think about the confluences of generalized and gendered labor in modern art. Analyzing works ranging from Édouard Manet's Olympia and Georges Seurat's The Models to contemporary work by Hito Steyerl and Hannah Black, she shows how avant-garde artists can detect changing modes of production and capitalist and biopolitical processes of abstraction that assign identities to subjects in the interest of value's impersonal circulation. She demonstrates that art and abstraction resist modes of production and subjugation at the level of process and form rather than through referential representation. By studying gendered and generalized labor, abstraction, automation, and the worker, Mansoor shifts focus away from ideology, superstructure, and culture toward the ways art indexes crisis and transformation in the political economic base. Ultimately, she traces the outlines of a counterpraxis to capital while demonstrating how artworks give us a way to see through the abstractions of everyday life. This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
Join me for conversation with Dr. Jaleh Mansoor (Associate Professor of Art History in the Department of Art History, Visual Art, and Theory, University of British Columbia) about her book Universal Prostitution and Modernist Abstraction: A Counterhistory (Duke University Press, 2025). Our discussion brought us to topics like the artists' muse, the modern laborer, and other figures precariously suspended between the object/subject dialectic. In Universal Prostitution and Modernist Abstraction, Dr. Mansoor provides a counternarrative of modernism and abstraction and a reexamination of Marxist aesthetics. Mansoor draws on Marx's concept of prostitution—a conceptual device through which Marx allegorized modern labor—to think about the confluences of generalized and gendered labor in modern art. Analyzing works ranging from Édouard Manet's Olympia and Georges Seurat's The Models to contemporary work by Hito Steyerl and Hannah Black, she shows how avant-garde artists can detect changing modes of production and capitalist and biopolitical processes of abstraction that assign identities to subjects in the interest of value's impersonal circulation. She demonstrates that art and abstraction resist modes of production and subjugation at the level of process and form rather than through referential representation. By studying gendered and generalized labor, abstraction, automation, and the worker, Mansoor shifts focus away from ideology, superstructure, and culture toward the ways art indexes crisis and transformation in the political economic base. Ultimately, she traces the outlines of a counterpraxis to capital while demonstrating how artworks give us a way to see through the abstractions of everyday life. This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
Local Spotlight
This is The Digital Story Podcast 1,000, May 20, 2025. Today's theme is, "A 20 Year Celebration Episode." I'm Derrick Story. Opening Monologue The TDS Podcast debuted on Oct. 5, 2005. It was my side hustle. During the weekdays I was an online editor for O'Reilly Media. As part of my job I met interesting people and traveled to fascinating locations. I wanted to share those experiences and build a community of photographers. So at night I worked on my website and recorded those early shows. Fast forward 20 years later to this episode, number 1,000. With a little help from my friends, it's time to tell the story about how we all ended up here, together. I hope you enjoy the show.
What drives you to translate your innermost thoughts into visual expression? Visual artist Lana Abraham-Murawski shares her creative journey and how her unique cultural heritage shaped her artistic style. In this intimate conversation, Lana reveals the transformative power of mentorship in her development and her thoughtful approach to balancing artistic ambitions with family life. She takes us behind the scenes of her striking piece 'Meeting of the Mind,' exploring how she weaves themes of nature, society, and human connection into her work. Through personal anecdotes and reflections, Lana illustrates how art becomes not just a form of self-expression but a powerful bridge between identity, community, and the natural world. Chapters 00:00 Introduction to Lana Abraham Moravsky 03:03 Lana's Artistic Journey and Background 06:10 Exploring Identity Through Art 08:52 The Evolution of Artistic Style 11:56 Transitioning from College to Professional Art 15:02 Balancing Art and Life 17:50 Deep Dive into Specific Art Pieces 20:48 The Concept Behind 'Meeting of the Mind' 26:41 Exploring Imagination Through Art 27:47 The Evolution of Artistic Expression 29:30 Symbolism in Art: The Peregrine Orbs 35:20 Nature and Identity in Artistic Creation 40:25 Cultural Roots and Artistic Influence 45:04 Finding Community and Collectors 47:26 Advice for Aspiring Artists Connect with Our Guest: Lana's Website: Lana Abraham Follow Lana on Instagram: Lana Abraham-Murawski on Instagram Support the Show Website: Martine SeverinFollow on Instagram: Martine | This Is How We CreateSubscribe to the Newsletter: Martine's Substack Production Credits This episode was produced by Martine Severin. This episode has been edited by Santiago Cardona and Daniel Espinosa.
The Star Report
Welcome back to another episode of The Art of It All! This week I caught up with Djali Brown-Cepeda, a cultural preservationist and award-winning filmmaker from Lenapehoking (New York City), working within archival, film, and television spaces to preserve Black and Brown stories. As an Afro-Indígena Caribeña and Olorisa Yemayá (initiated priestess of the Lucumí tradition), her work is rooted in remembrance, reclamation, and rematriation, centering oral tradition and lived experiences as pathways toward cultural restoration. She is the founder of NuevaYorkinos, a digital archive and multimedia project documenting Latino and Caribbean New York City through family photographs, videos, and stories. Thanks for tuning in! Follow Djali Brown-Cepeda on Instagram here and on Substack here.Follow NuevaYorkinas on Instagram and check out the website for more info on how to submit your story. This conversation was edited for length and clarity. Follow the show on IG at @theartofitallshow and follow the host at @dariasimoneharper! Don't forget to rate, review, and subscribe. Sharing an episode with a friend never hurts either;)
The Star Report
Local Spotlight
Chellayipuram—famed for hosting the most exhilarating jallikattu contests of strength between man and bull. This year, Pichi, from distant Usilanoor, is here to face the Kaari bull, the zamindar's pride, both menacing in appearance and undefeated in the bull-taming contest. It's been two years since his father Ambuli had been gored to death by this same beast. In the billowing dust of the arena, as Pichi grabs hold of the Kaari's horn in an attempt to make it bow its head, watching the contest from his high perch with narrowing eyes is the zamindar. Will his prize animal—and, by association, the zamindar himself—be finally humbled by this ordinary young man? Vaadivaasal—The Arena is a story of revenge, pride and power. This gripping graphic adaptation of the modern literary classic by International Booker Prize-nominated author Perumal Murugan and critically acclaimed graphic novelist Appupen is a story of violence, death and vengeance… by a Gandhian! In Collaboration with: Simon & Schuster India In this episode of BIC Talks, Perumal Murugan and Appupen will be in conversation with Subodh Sankar. This is an excerpt from a conversation that took place in the BIC premises in February 2025. Subscribe to the BIC Talks Podcast on your favorite podcast app! BIC Talks is available everywhere, including Apple Podcasts, Spotify, Google Podcasts, Castbox, Overcast, Audible, and Amazon Music.
I am so excited to say that my guest on the GWA Podcast is the esteemed American artist, Lorna Simpson. Working across photography to painting, video to collage, Simpson is a multimedia artist who – since the 1980s – has gained widespread acclaim for her pioneering approach to conceptual photography. Whether it's fusing text with image, obscuring her subject's identity, using techniques such as repetition, collage or manipulation – Simpson has conjured a plethora of ways to reinvent the image, and, by doing so, raises questions about gender, race, memory, and history. Her work, mostly centred on the female body, is full of seemingly open-ended narratives – as she has said: “I think the idea of identity or persona is interesting to me in that it is malleable and fluid. And that has always been part of the work in terms of [thinking about] who gets to determine who we are. Do we get to determine that, and what are the parameters of that, given the society that we live in?” Engaging with found images and objects, whether that be cut-outs from Ebony or Jet Magazines, or photographs she finds on eBay, which she melds with inks or collages of jewels, Simpson has continuously reconfigured what painting and photography means. Born in 1960, and raised in Queens and Brooklyn in a childhood that put the arts first, Simpson received her BFA from the School of Visual Arts, New York, and following that, an MFA from the University of California San Diego, where she began to focus on the portraits of Black women she found in magazines, adding suggestive phrases from elsewhere. By 1990, she had a major exhibition at MoMA, and throughout the decades has continued to push boundaries with her seemingly limitless approach to materials. But in 2015, she turned to painting, showing her first nine-feet-tall canvases at the Venice Biennale, and this month will present a major exhibition – that considers the entirety of her painting practice – at the Metropolitan Museum of Art here in New York – where we are recording today. Titled “Source Notes”, it will feature Simpson's monumental and spellbinding paintings, which, steeped in monochromatic blues, silvers, blacks and greys, appear in settings that evoke the cosmological or natural world. An extension of her photographic work, Simpson's paintings see the manipulated figure and body pressed into landscapes akin to waterfalls or meteorites, and I can't wait to find out more… https://lsimpsonstudio.com/ Lorna Simpson: Source Notes – https://www.metmuseum.org/exhibitions/lorna-simpson-source-notes?utm_source=google&utm_medium=cpc&utm_campaign=&utm_term=lorna%20simpson%20art&utm_content=39536&mkwid=s&pcrid=743882408399&pmt=b&pkw=lorna%20simpson%20art&pdv=c&slid=&product=&gad_source=1&gad_campaignid=22399716678&gbraid=0AAAAADmlGN7UtMbglt7UAR4dicGAOa9Vx&gclid=CjwKCAjw24vBBhABEiwANFG7ywIA72_JjPaxVUdfQSWW_h8NFYNWzddlSHz6KV38M9zgiG4rs_9UNxoCVFkQAvD_BwE https://www.hauserwirth.com/artists/2860-lorna-simpson/ -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Mikaela Carmichael Music by Ben Wetherfield
Welcome true believers to X-Men Horoscopes where each week our host Lodro Rinzler is in conversation with a special guest to discuss the X-Men issue that aligns with a significant month and year from their life and what that issue reveals about their future. This week we are joined by Agustin Rodriguez, aka Skin from Generation X! We go over a classic original five X-Men comic that matches with his birth month and year where the Mimic takes on the Super Adaptoid! Also in this episode: what it was like on the set for Generation X everything was menacing in the 60s Cyclops has something he has to do alone Xavier's backyard is full of villain lairs the Super Adaptoid has the powers of some of the least powerful Avengers (and is also bad at ice skating) the X-Men love to gaslight Bobby the Mimic is a jerk What does any of this mean for Agustin's future? Tune in to find out! Agustin Rodriguez is a well known actor and director, born and raised in New York City. He first pursued illustration at the School of Visual Arts, but his true passion emerged when he stepped into the world of acting. He trained at HB Studio and built his foundation in NYC's vibrant theater and indie film community. A career-defining role in Final Analysis—opposite Richard Gere, Kim Basinger, and Uma Thurman—took him to Hollywood, where he carved out a successful career in film and television, collaborating with some of the industry's best. He may be best known to listeners of this podcast for his portrayal of Angelo "Skin" Espinosa in the 1996 television film "Generation X.” After more than a decade away from the screen, Agustin is back—stronger than ever. He recently headlined the thriller FETTERED, was featured in the upcoming series Heavy Hitters, and just appeared in Law & Order. More of Lodro Rinzler's work can be found here and here and you can follow the podcast on Instagram at xmenpanelsdaily where we post X-Men comic panels...daily. Have a question or comment for a future episode? Reach out at xmenhoroscopes.com
Mrs. Ebert and Mrs. Boyer spent over 70 years combined teaching Music and Visual Art. In this podcast we sit down in two parts to learn about their fantastic careers. First Part: Mrs. EbertSecond Part: Mrs. Boyer
SEASON 2 - EPISODE 141 - DP & VFX Relationship - with Greig Fraser & Paul Lambert In this episode of the Team Deakins Podcast, cinematographer Greig Fraser (Season 1, Episodes 29, 57, 63, 69 & Season 2, Episodes 50, 51, 100) and VFX supervisor Paul Lambert (Season 1, Episode 107) return to talk about the modern relationship between the cinematography and visual effects departments. Throughout the episode, we frequently refer to Paul's and Greig's collaboration on both DUNE films, and they reveal how they realized several scenes and overcame the endless challenges of shooting the film with the support of one another. They share why they utilized painted backings to assist in set extension over blue screens or LED walls, and we later swap strategies for figuring out how to maintain the illusion of a flying helicopter. Greig also reveals what makes him proud about a particular all-CG shot in DUNE: PART II, and Paul breaks down what an audience really means when they see “bad CGI” in a film. Towards the end, we discuss the merging of animation and live-action filmmaking, and we look ahead to what the future may bring. - Recommended Viewing: DUNE (2021), DUNE: PART II (2024) - This episode is sponsored by Aputure & Profoto
It's been a long time, I shouldn't have left you…without a dope beat to step to! (Word to Timbaland!) But I'm so glad to be back and to get things started, I'm kicking it solo. On this week's episode you'll hear a little bit about what you can expect from the show going forward. I also share my perspective on the recent defunding and dismantling of federal arts, cultural, and education agencies. To close, I leave listeners (and myself!) with a few questions around the art we create and how it reflects the world around us. Read below to visit the sources referenced throughout the episode, and other resources. Update: Senior leaders and other employees, including all ten directors who oversee grants across various disciplines of the arts, left the National Endowment for the Arts (NEA) the week of May 5th, 2025. Read more here:Protect My Public MediaInside Harvard's lawsuit against the Trump administration : NPRTrump signs executive actions on education, including efforts to rein in DEITrump sets sights on national African American history museumUrge Congress to Save IMLS and NEH (For museums, staff, and board members)Arts Directors Exit the National Endowment for the Arts Follow the show on IG at @theartofitallshow and follow the host at @dariasimoneharper! Don't forget to rate, review, and subscribe. Sharing an episode with a friend never hurts either;)
Steve Heller is arguably the world's best-known design educator, with over 200 books on graphic design, illustration, and political art. I interviewed him for my 2025 book Learning to See. His books include Design Literacy: Understanding Graphic Design; Teaching Graphic Design; and The Education of an Illustrator (with Marshall Arisman). He's spent most of his career at the School of Visual Arts in New York City, where he's now the Special Assistant to the President and the Co-Founder and Co-Chair Emeritus of the MFA Design Department. He's won numerous awards including Cooper-Hewitt's National Design Mind Award; Smithsonian Design Museum; National Endowment for the Arts; AIGA Medal for Lifetime Achievement; and many others. For 33 years, he was an art director at the New York Times and the New York Times Book Review. In this interview, he gives amazing insights about how to teach graphic design and illustration. For more information: Steve Heller's web site Book: Teaching Graphic Design Book: The Education of an Illustrator Sawyer's book Learning to See Music by license from SoundStripe: "Uptown Lovers Instrumental" by AFTERNOONZ "Miss Missy" by AFTERNOONZ "What's the Big Deal" by Ryan Saranich Copyright (c) 2025 Keith Sawyer
Local Spotlight
This is The Digital Story Podcast #999, May 13, 2025. Today's theme is, "New Nik Collection 8 and Capture One 16.6 Beta." I'm Derrick Story. Opening Monologue Two venerable photo software packages have rolled out new versions. Nik Collection 8 is available for purchase now, and Capture One 16.6 is an open beta that you can test. We'll take a look at the highlight features to help you decide if an upgrade is in your future. Plus, additional industry news, an Inner Circle Bold update, and more. I hope you enjoy the show.
Gene and cohost Tim Swartz present a return visit from documentary filmmaker Christopher Garetano. He is the creator and director of the award-winning docudrama, Montauk Chronicles (2015). He is also co-creator, co-director, executive producer and co-host of the History Channel's The Dark Files (2017). In 2019, Christopher created, executive produced, directed and hosted his eight-episode investigative series, Strange World for the Travel/Discovery Channel networks. During this interview, Christopher will reveal his journey into films, and his various influences over the years. He'll also talk about what he sees as the future of the film industry in light of new technologies. Christopher is also the host and creator/producer of the ongoing weekly podcast, Off To The Witch and is preparing to release the first feature-length chapter (A Haunting We Will Go) of his new, TV docuseries. He is also the writer/creator South Texas Blues (originally published in Fangoria Magazine) comic and book. Christopher was born in New York and grew up marveling at the galaxy of discoveries within his parents' video store; while immersed in special effects makeup, creature features and moviemaking since he was five years old. He is a graduate of the School of Visual Arts with a degree in film. One of his upcoming projects is a feature-length horror movie, Bury Me In A Nameless Grave.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-paracast-the-gold-standard-of-paranormal-radio--6203433/support.
Colin Williams, an award-winning talented photographer, was born as a twin in Trinidad and Tobago and raised in the vibrant urban landscape of New York City. His parents, Noel and Eastlyn Williams, instilled in him a strong sense of identity and connection to his Caribbean roots, with deep familial ties to Trinidad, tracing lineage back to his great-grandfather Paul Williams, who immigrated from Martinique to Trinidad and was pivotal in the cultural movement known as the #SoulBoys Growing up. Colin excelled in sports, notably as a member of the basketball team at Arima Senior Comprehensive in Trinidad. He is a devoted father to three beautiful daughters, often likening them to "a box of chocolates" Colin attended the Germain School of Photography and the New School of Visual Arts. His initial foray into the creative world began with modeling, in the high-profile fashion industry of Japan. He secured notable campaigns for brands like Suzuki, Nikon, and FILA. Professional Achievements: With over 40 years of experience in the film and photography industry, Colin served as a first and second assistant director, location manager, and freelance photographer for esteemed publications such as @nytimes NewyorkDailyNews, Essence.com. He has worked with companies and celebrities such as: Conrad New York Hotel, @amex Citibank, @lancomeusa AIG, @bloomingdales @macys @iflycaribbean jetBlue, @Forbes InStylemagazine, Ocean Style Magazine, Vanguard Media, BAHAMAS TOURISM AUTHORITIES, Barbuda Tourist Board, Caribbean Tourism Organization, Trinidad and Tobago Tourism, Brooklyn Chamber Of Commerce, The City Of New York, Berggruen Institute [Think Tank company]…… @AlJarreau Alvin Ailey, @missGraceJones @isaachayes Judith Jamison, @LilKim @MarthaStewart @methodman @barackobama Penny Commissiong, Quincy Jones, @whoopigoldberg + HARRY BELAFONTE @harrybelafonteofficial who has praised Colin for his impactful work. He founded the Eric Williams Appreciation Day through the Dr. Eric Williams Preservation, Prime Minister of Trinidad and Tobago. He has volunteered with The Center for Arts Education, creating photography workshops for youth in New York City. Colin received the Nina Simone Young Gifted and Black Entrepreneurial Award in January 2010, recognizing his contributions to the arts and entrepreneurship. Colin has actively campaigned to promote Trinidad and Tobago's visibility. Colin's projects focus on historical figures and events significant to Trinidad and Tobago, such as the four Olympians who represented the nation in the 1960s and the legacy of Eric Williams. Colin dedicates much of his time to researching, documenting, and narrating stories that shape the identity of #trinidadandtobago fostering a cultural pride that transcends generations. Colin Williams is a passionate advocate for Caribbean #culture and #history -a steward of the stories that define his heritage, and a mentor to the younger generation. Colin inspires others to appreciate and celebrate the vibrant tapestry of Trinidad and Tobago's cultural landscape.For more on Colin Williams, go to -Inside The Call at: https://www.onthecallpodcast/insidethe call... To explore his portfolio, visit his website at (https://www.colinwilliamsphotography.com) or connect with him on social media @colinwphoto. Phone: 646-552-5521 Email: colinNwilliams@gmail.com
Local Spotligyht
Episode 473 / Sarah Martin-Nuss (b. 1992, Corpus Christi, Texas) is an interdisciplinary artist working across painting, drawing, performance, and sound. Her work draws from biological systems, philosophical post-humanist thought, and the intricate web of ecological relationships, exploring themes of interconnectivity, transformation, and time. Martin-Nuss received her MFA in Painting and Drawing from Pratt Institute in 2024 and her BA in Fine Art and English Literature from Austin College in 2014. Martin-Nuss also studied visual arts at the Collège International de Cannes in Cannes, France and performance, sound, and video art at the School of Visual Arts in New York. In addition to her visual arts education, Martin-Nuss trained with the Meredith Monk Ensemble and is the producer, songwriter and vocalist for the avant-pop duo Dancing In Tongues. Her recent solo exhibitions include Future Currents, Rachel Uffner Gallery, New York, New York (2025); Pouring Water Into Water, Rachel Uffner Gallery, New York, New York (2024); and Open Systems, Prince & Wooster, New York, New York (2023). Her recent group exhibitions include The Figure Abstracted, Prince & Wooster, New York, New York (2024);The Blue Hour, PhillipsX, New York, New York (2024); Unfixed Ecosystems: Obsidian/Yarrow, Pfizer Factory, Brooklyn, New York (2024); What In The World, Steuben Gallery, Brooklyn, New York (2023); and Creative Distancing, Art Museum of South Texas, Corpus Christi, Texas (2020). Her work has been featured in Two Coats of Paint, Cultbytes, Art Spiel and New American Paintings and is included in the JPMorganChase Art Collection. Born in Corpus Christi, Texas, Martin-Nuss now lives and works in Brooklyn, New York.REGISTER FOR TONIGHT's TALK AT FUTURE FAIR HEREWHY I MAKE ART with Brian Alfred, Associate Professor of Art, Penn State and Host of Sound & Vision Podcast, Liz Nielsen, artist and exhibitor (Elijah Wheat Showroom), and artist E.E. Kono. THU, MAY 8, 5:45 PM; SPECIAL PROJECT 2 AT FUTURE FAIR
Born in Los Angeles in 1986, Sable Elyse Smith works across a variety of media, including photography, painting, and sculpture, to investigate the US prison-industrial complex and its role in and effects on society.Her work has been featured at numerous prestigious institutions including the Museum of Modern Art, New Museum, Guggenheim Museum, and ICA Boston - among many others. In 2022, she participated in the Whitney Biennial and the 59th Venice Biennale. Smith is a recipient of several distinguished awards from Creative Capital, Skowhegan School of Painting and Sculpture, Louis Comfort Tiffany Foundation, and most recently - the 2026 Suzanne Deal Booth / FLAG Art Foundation Prize - just to name a few.She is currently an Assistant Professor of Visual Art at Columbia University.Follow along with all Art from the Outside updates on Instagramhttps://www.instagram.com/artfromtheoutsidepodcast
SEASON 2 - EPISODE 140 - Jon Alexander - Compositing Supervisor In this episode of the Team Deakins Podcast, we speak with compositing supervisor and visual effects artist Jon Alexander (DEADPOOL & WOLVERINE, AVENGERS: AGE OF ULTRON, THE PHANTOM MENACE). Jon was witness to a number of milestones in the history of visual effects, and throughout the episode, Jon shares numerous stories from his long career at Industrial Light & Magic (ILM), granting us insight into a time he likens to as the Italian Renaissance. From optical printers to artificial intelligence, Jon shares his experiences working with the many pieces of technology responsible for manipulating images, and he reveals the level of focus he and his colleagues at ILM shared when it came to problem-solving (even during an earthquake!). In addition to his work in film, Jon has also worked on projects for The Sphere in Las Vegas, and he shares what he believes to be the distinctive traits of and the possible uses for the new technology. Jon also reveals what he saw as a groundbreaking advancement in visual effects while working on HOWARD THE DUCK, and we compare past and present VFX techniques. Plus, we break down how optical visual effects are actually made. - This episode is sponsored by Profoto & Aputure
This is The Digital Story Podcast #998, May 6, 2025. Today's theme is, "New Photos Masterclass - And How to Get a Coupon to Waive the Tuition." I'm Derrick Story. Opening Monologue With iPhone photography becoming a bigger part of our overall imaging world, the Photos app also grows in importance because of its tight integration with the iPhone. Many photographers dismiss this free software because they view it as too basic. But in reality, sophisticated technology powers its user-friendly interface. Here's how to tap it. I hope you enjoy the show.
Data is apolitical and always useful, right? Then why is the caste census so controversial? Pranay Kotasthane and Raghu S Jaitley join Amit Varma in episode 417 of The Seen and the Unseen to discuss its history, context and implications. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Pranay Kotasthane on Twitter, LinkedIn, Amazon and the Takshashila Institution. 2. Anticipating the Unintended — Pranay Kotasthane and Raghu Sanjaylal Jaitley's newsletter. 3. Missing In Action: Why You Should Care About Public Policy — Pranay Kotasthane and Raghu S Jaitley. 4. Puliyabaazi — Pranay Kotasthane's podcast (with Saurabh Chandra & Khyati Pathak). 5. The Long Road From Neeyat to Neeti — Episode 313 of The Seen and the Unseen (w Pranay Kotasthane & Raghu S Jaitley). 6. Pranay Kotasthane Talks Public Policy — Episode 233 of The Seen and the Unseen. 7. Raghu Sanjaylal Jaitley's Father's Scooter — Episode 214 of The Seen and the Unseen. 8. All episodes of The Seen and the Unseen w Pranay Kotasthane: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13. 9. Some Slopes Are Slippery For Real -- RSJ and Pranay's last debate (Sep 2024) on the caste census. 10. जातीय जनगणना होनी चाहिए या नहीं? -- The Puliyabaazi episode (May 2023) on the caste census. 11. Other posts of Pranay and RSJ's newsletter that touch on this subject: 1, 2, 3. 12. Look Beyond Quotas for Equality -- Pranay Kotasthane and Nitin Pai. 13. Caste, Capitalism and Chandra Bhan Prasad — Episode 296 of The Seen and the Unseen. 14. Early Indians — Tony Joseph. 15. Tony Joseph's episode on The Seen and the Unseen. 16. Who We Are and How We Got Here — David Reich. 17. Alice Evans Studies the Great Gender Divergence — Episode 297 of The Seen and the Unseen. 18. The Forces That Shaped Hinduism -- Episode 405 of The Seen and the Unseen (w Manu Pillai). 19. How the BJP wins: Inside India's Greatest Election Machine — Prashant Jha. 20. The BJP's Magic Formula — Episode 45 of The Seen and the Unseen (w Prashant Jha). 21. Badri Narayan on Wikipedia and Amazon. 22. Terms of Trade: Mandal wins, por ahora -- Roshan Kishore. 23. Caste questions for Rahul Gandhi -- Pratap Bhanu Mehta. 24. The mirage of social justice -- Pratap Bhanu Mehta. 25. Affirmative Action Around the World: An Empirical Study -- Thomas Sowell. 26. The Grammar of Anarchy -- Babasaheb Ambedkar. 27. Policy Paradox -- Deborah Stone. 28. Why Does the Indian State Both Fail and Succeed? — Devesh Kapur. 29. The Life and Times of Vir Sanghvi — Episode 236 of The Seen and the Unseen. 30. The BJP Before Modi — Episode 202 of The Seen and the Unseen (w Vinay Sitapati). 31. The Forgotten Greatness of PV Narasimha Rao — Episode 283 of The Seen and the Unseen (w Vinay Sitapati). 32. An Area of Darkness -- VS Naipaul. 33. India: A Million Mutinies Now -- VS Naipaul. 34. Upstream -- Zheng Xu. 35. The Sea Hawk -- Manohar Malgonkar. 36. Ideas of India -- Shruti Rajagopalan's podcast. 37. The Great Power Show -- Manoj Kewalramani's podcast. 38. May December -- Todd Haynes. 40. Hard Truths -- Mike Leigh. 41. Secrets and Lies -- Mike Leigh. 42. A Real Pain -- Jesse Eisenberg. 43. Orbital -- Samnatha Harvey. 44. How Music Works -- David Byrne. 45. Visual Arts in the 20th Century -- Edward Lucie-Smith. Applications are open for the Takshashila Institution's Post-Graduate Programme in Public Policy, where Pranay will be one of your teachers! Amit Varma and Ajay Shah have launched a new course called Life Lessons, which aims to be a launchpad towards learning essential life skills all of you need. For more details, and to sign up, click here. Amit and Ajay also bring out a weekly YouTube show, Everything is Everything. Have you watched it yet? You must! And have you read Amit's newsletter? Subscribe right away to The India Uncut Newsletter! It's free! Also check out Amit's online course, The Art of Clear Writing. Episode art: ‘Count' by Simahina.
This is The Digital Story Podcast #997, April 29, 2025. Today's theme is, "Outdoor Gear Guide 2025." I'm Derrick Story. Opening Monologue As we stand at May's doorstep, thoughts of outdoor adventure enter our minds. Yes, we want to take pictures. But we also looking forward to enjoying being in nature. And we can do so comfortably with just a few outdoor accessories. And that's what I'm going to share with you today. I hope you enjoy the show.
Nothing beats the thundering energy and human drama that unfolds across the surface of an automotive racetrack. Photographers who specialize in this adrenaline-fueled niche are best served by nerves of steel and the high endurance to lug multiple cameras and the long lenses needed to freeze the action. In today's show, we plunge headfirst into what it takes to cover the many facets of auto racing with two of the finest professionals in the field, photographers Camden Thrasher and Jamey Price. From stories of unexpected hurdles to access when scouting an unfamiliar course to the mix of visual stimulation and extreme exhaustion that accompanies a 24-hour endurance race, our chat is full of real-world insights. We also discuss the gear these photographers rely on and the wear and tear that comes with hard core use. And for listeners who've always wanted to try their hand at motor sports photography, Jamey Price shares some parting advice. “You don't build a portfolio by getting credentials,” he says. “You build a portfolio by going to races as a fan, bringing your camera, and making cool pictures from fan areas. Tell stories, do something different.” Guests: Camden Thrasher & Jamey Price Episode Timeline: 3:46: Jamey's start as a jockey and making comparisons between photographing horse racing and motorsports 8:29: Camden's early start attending auto races, then discovering photography through exploring his father's film camera as a cool mechanical device. 10:25: Both photographers share their trajectory from starting out as a motor sports photographer to making it into a career. 18:04: A race day timeline and the many variables involved in motor sports photography. 27:28: Camaraderie & competition between photographers working the circuit, etiquette when shooting, and the importance of individual style. 37:24: The thrill of endurance racing and how photographing these 24-hour-long races differs from other types of motor sporting events. 43:38: Episode Break 45:10: Camden and Jamey's go-to camera gear, the long lenses they lug, plus how often they use manual focus, especially when panning through people or trees. 54:50: Getting otherworldly visuals when faced with adverse weather conditions or unique atmospheric effects, despite the physical challenges. 59:15: Wear and tear on camera gear due to the unfriendly environment at the track, plus using broken gear or common objects for creative visual effects. 1:056:08: Camera settings and creative techniques when panning, plus accounting for variables of relative distance combined with motion and speed to achieve a desired result. 1:16:27: Camden & Jamey discuss the use of their motor sports photos and licensing their images to clients. 1:24:13: Parting advice to fans interested in becoming a credentialed motor sport photographer—bring your camera to a race as a fan, and start making pictures! Guest Bios: Camden Thrasher is a motor sports photographer with a distinctive ability to capture unique scenes of fast action. Growing up in Vancouver, Washington, it was the sound of engines from a nearby racetrack that first drew him to motor sports. After becoming a fixture at the track with his camera during high school, Camden studied automotive design and engineering in college, expecting to work as an engineer or on a pit crew. But the money he was making as a side hustle with his camera convinced him to stick with photography, and he hasn't looked back since. Using a unique slow shutter speed method, perfected over many exposures, Camden revels in showcasing the abstract qualities of gleaming metal, bright lights, and dynamic action that are hallmarks of this sport. Now based out of Atlanta, Georgia, Camden's work has been commissioned by top racing teams and featured in a wide range of media, from print magazines to automotive branding campaigns. Jamey Price is an automotive photographer based in Charlotte, North Carolina, whose motor sports work has taken him to more than 25 countries, and across most of the continental US. Jamey's photography career began while he was competing as a thoroughbred horse racing jockey and exercise rider. During this time, he completed more than 50 races, notching 11 wins in the saddle. His life in horse racing was eventually compiled into the self-published book Chasing: Racing Life in England & Ireland. Yet, in 2011, Jamey's photography career switched from horses to horse-power. Since he began chasing race cars, his images have been published worldwide in magazines, distributed by sports imagery wire services, and featured by top commercial clients. Additionally, Jamey is a LEXAR Elite Artist, since 2014. Stay Connected: Camden Thrasher Website Camden Thrasher Instagram Camden Thrasher Facebook Camden Thrasher Flickr Camden Thrasher on B&H Explora Jamey Price Website Jamey Price Instagram Jamey Price Twitter Jamey Price YouTube Jamey Price TikTok Jamey Price Lexar -------- Host: Derek Fahsbender Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens
SEASON 2 - EPISODE 138 - Suzie Davies - Production Designer In this episode of the Team Deakins Podcast, we speak with production designer Suzie Davies (CONCLAVE, SALTBURN, MR. TURNER). Suzie once thought she'd be a sheep farmer, but after working for model-makers on commercials, she found herself drawn to the art department and filmmaking. A frequent collaborator with director Mike Leigh (Season 1, Episode 76), Suzie reveals how they first met and how she works with him within his unique process. We also learn how the boundaries of production inform Suzie's general approach to design, and she shares how she tries to help directors realize their creative visions within these limits. Later, Suzie reflects on the challenge of finding period locations in the modern world, and we discuss how she augments locations to suit the film's reality. Suzie also shares what made the estate in SALTBURN so unique as a location, and we learn how she balanced the production of that film with weekend location scouts in Rome for CONCLAVE. Throughout the episode, Suzie reflects on how she made the most of the opportunities presented to her throughout her career, and we discuss the enduring appeal of being just a sheep farmer. - This episode is sponsored by Aputure
Can design shape not just how things look, but how we see the world? Debbie Millman, host of the legendary "Design Matters" podcast and chair of the Masters in Branding program at the School of Visual Arts, answers this question and more in this captivating conversation. From her childhood drawings predicting her future career to her insights on what makes brands truly connect with audiences, Millman shares wisdom cultivated over decades in the field. She explores why so many companies fail at design despite its proven value, discusses the evolution of her all-black wardrobe, and reveals how her podcast journey began by paying for airtime at a fledgling internet radio network. Discover why branding is "a profound manifestation of the human spirit" and why anything worthwhile takes time.---Guy Kawasaki is on a mission to make you remarkable. His Remarkable People podcast features interviews with remarkable people such as Jane Goodall, Marc Benioff, Woz, Kristi Yamaguchi, and Bob Cialdini. Every episode will make you more remarkable.With his decades of experience in Silicon Valley as a Venture Capitalist and advisor to the top entrepreneurs in the world, Guy's questions come from a place of curiosity and passion for technology, start-ups, entrepreneurship, and marketing. If you love society and culture, documentaries, and business podcasts, take a second to follow Remarkable People.Listeners of the Remarkable People podcast will learn from some of the most successful people in the world with practical tips and inspiring stories that will help you be more remarkable.Episodes of Remarkable People organized by topic: https://bit.ly/rptopologyListen to Remarkable People here: **https://podcasts.apple.com/us/podcast/guy-kawasakis-remarkable-people/id1483081827**Like this show? Please leave us a review -- even one sentence helps! Consider including your Twitter handle so we can thank you personally!Thank you for your support; it helps the show!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
As a longtime staff writer at The New Yorker, Hilton Als's essays and profiles of figures like Toni Morrison, Joan Didion, and Richard Pryor have redefined cultural criticism, blending autobiography with literary and social commentary. Als is also a curator. His latest gallery exhibition is The Writing's on the Wall: Language and Silence in the Visual Arts, at the Hill Art Foundation in New York. The exhibit brings together the works of 32 artists across a range of media to examine how artists embrace silence. The show asked a powerful question: What do words — and their absence — look like? The Pulitzer Prize-winning writer spoke with Tonya Mosley. Also, Ken Tucker reviews new music from Lucy Dacus and Jeffrey Lewis.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
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