Podcasts about Arabic

Egyptian print media has historically functioned as a cultural barometer, shifting from the early official bulletins of the 20th century into a relentless and aggressive form of capitalism on steroids. Professor Bahia Shehab discusses her book, "A Trade in Dreams: A Century of Egyptian Print Advertising", unpacking how visual culture has been both a witness to and a victim of political upheaval. Her research illuminates a century where advertising functioned as legalized psychological operations, deeply embedded in the daily life of Cairo. By dissecting the visual language of the past, she provides a necessary framework for understanding the mono-culture and flattening of aesthetic diversity in the modern era.   00:00 Introduction 01:32 Invention of the Egyptian Press 04:00 The Business Model of Early Advertising 05:50 Motivations for Researching Advertising History 08:20 Discoveries in Beauty Standards and Race 09:55 Sequential Chronology and Political Tectonic Shifts 12:13 Napoleon, Egyptomania, and Early Visual Communication 17:14 1920s–1940s: Agriculture and the Tobacco Export Industry 20:00 Professionalization and Multinational Ad Agencies 22:31 Hybrid Aesthetics: International vs. Local Design 27:21 The Nasser Era: Socialism and Nationalized Media 30:57 The Sadat Era: Peace Treaties and the Open Door Policy 32:33 Influential Figures and the Silencing of Female Voices 37:01 Domination of the Soap Industry 48:58 The 1940s: The Golden Age of Egyptian Advertising 57:04 Egypt's Leading Role in Regional Advertising 59:08 Book Tour and Future Perspectives   Bahia Shehab is a multidisciplinary artist, designer, political activist and historian whose work focuses on the interaction and intersection of modern identity and ancient cultural heritage. Her imaginative combination of calligraphy and Islamic art history produced cutting edge, beautiful, impactful street art during the Arab Spring and continues to inform her work as an educator and designer. Having always been concerned with identity and preserving cultural heritage, she investigates art history to reinterpret contemporary Arab politics, feminist discourse and social issues. Her culturally oriented work enables her to use history as a means to better understand the present and find solutions for the future. She believes that art may be employed for the purposes of social change and has explored this phenomenon through her artwork, which focuses on socially charged themes such as the Arab identity and women's rights. Her research is largely concerned with understanding the Arabic letters and has been preoccupied with Arabic calligraphy in much of her work. Her work has been displayed in exhibitions around the world and she has received several awards and recognition for her achievements.   Connect with Bahia Shehab

Lecture ~ 2026

Join the Chaldean Sisters, Daughters of Mary Immaculate for a daily journey through the Month of Mary. Each day, the Chaldean Sisters will share a short prayer and reflection drawn from the Chaldean liturgy and the wisdom of the Church Fathers. These meditations, thoughtfully compiled by Sr. Martina, invite you to grow closer to Jesus through His Blessed Mother. This series begins on May 1 and continues throughout the month, with daily reflections available in both English and Arabic. Music: "Shlama Illakh Mleetha" by Wisam Behnam and Valene Jadan

05/24/26 Msgr Philip Najim - Feast of Pentecost (Arabic) by St. Peter's Chaldean Catholic Diocese

05/24/26 Bp Saad Sirop - Feast of Pentecost (Arabic) by St. Peter's Chaldean Catholic Diocese

05/17/26 Bp Saad Sirop - Sunday After the Ascension (Arabic) by St. Peter's Chaldean Catholic Diocese

05/24/26 Fr Augustine Joseph - Feast of Pentecost (Arabic) by St. Peter's Chaldean Catholic Diocese

Send us Fan MailThis is Understanding Israel Palestine. I'm Margot Patterson, the producer of this week's episode. 'll be talking to Robert Malley again, Mideast peace negotiator and author of the recent book Tomorrow is Yesterday: Life, Death and the Pursuit of Peace in Israel/Palestine after news briefs.A yearlong Al Jazeera investigation found that as many as 51 countries armed Israel during its war on Gaza — including many that publicly condemned Israel, announced embargoes on weapons sales to the country, and demanded a ceasefire.These weapon transfers took place after the International Court of Justice warned on Jan. 26, 2024 that there was a plausible risk of genocide in Gaza and reminded states of of their obligations to act to prevent genocide under the Geneva Convention. All of the 51 states arming Israel were signatory to the convention, yet arms shipments to Israel actually increased after the warning. The Al Jazeera report was based primarily on an analysis of Israeli Tax Authority import data between 2022 and 2025. The 5 largest suppliers of military goods to Israel were the United States, India, Romania, Taiwan and the Czech Republic.A French activist shared on  live TV  what she experienced in Israeli detention after Israeli forces abducted members of the Global Summed Flottilla seeking to bring humanitarian aid to Gaza. The 428 activists on 54 boats were intercepted May 19th in international waters  and taken  to Israel where their mistreatment in Israeli custody stirred international outcry after National Security Minister Itamar Ben Gvir posted a video showing him taunting blindfolded, bound activists. On French TVMay 23, Merriam Hadjal said she was slapped, beaten, kneed in the ribs and repeatedly groped and sexually assaulted by multiple Israeli soldiers. Hadjal is one of numerous flotilla activists who have  come forward alleging sexual violence in Israeli custody, including claims of sexual assault and rape by Israeli soldiers. Flotilla organizers say at least 15 of the detained activists reported sexual assault.Israel conducted more than 120 air strikes on southern and eastern Lebanon on May 26, after IPrime Minister Benjamin Netanyahu said Israel will escalete  its  war on the Lebanese armed group Hezbollah.The  entire city of Tyre, and at least 10  southern villages in Lebanon have been ordered to evacuate. The expanding war violates  a nominal April 16 ceasefire between Lebanon and Israel and threatens to complicate negotiations between Iran and the U.S. IIran has said any agreement to end the war should end hostilities on all fronts, including Lebanon. Since March 2,  at least 32oo  have been killed in Lebanon and 9700 wounded. More than 1 million people in Lebanonhave been displaced.My guest today is Robert Malley,  a Middle East expert and specialist in conflict negotiation.. He served as Special Assistant to President Clinton for Arab-Israeli affairs from 1998-2001 and was among the peace negotiators at the Camp David Summit of 2000. He was a member of the National Security Council during the the Obama administration and  was lead negotiator of the Iran nuclear deal. He was President Biden's envoy to Iran and is now at Yale University's Jackson School of Global Affairs. His book,  Tomorrow is Yesterday: Life, Death and the Pursuit of Peace in Israel/Palestine, was co-authored with Hussein Agha and looks at how the Oslo Accords deteriorated into an endless peace process that became a joke and then a fraud. This is the second of a two-part conversation. The first part aired May 15. You can find it on our program page on the KKFI website at www. kkfi.org or listen to it on our podcast available on most streaming platforms. Robert Malley, thanks for coming on the program again. When we spoke earlier, you talked about how the two-state solution has always been more popular with the international community than with either Israelis or Palestinians. That made it a heavy lift from the get-go. Not impossible, but difficult.In your book, you paint a very honest, nuanced picture of Yasser Arafat, who succeeded in convincing Palestinians that a Palestinian state on 22% of historic Palestine was not a betrayal of their rights and aspirations but a worthy goal. Could you talk more about Arafat and how the very traits that enabled him to unify and lead the Palestinian people made him suspect in Israeli and American eyes? Malley: It's a great question because he is the target of such contradictory perceptions and images in the West. The fact that he never left his military garb, that he, sometimes insisted on carrying a gun, spoke in very militant terms, particularly when he spoke to his own audience, particularly when he spoke in Arabic. All of that convinced many Americans, and certainly a majority of Israelis, that he was somebody with whom ultimately a peace couldn't be made because he could never give up on the aspirations of being a fighter, a militant in their eyes, often a terrorist. Now, Palestinian eyes, those are the traits that made it possible for him to sell some compromises which otherwise would have been even more difficult to swallow. You just mentioned the principal one, which is that even though the fight that the Palestinians have waged from, 1948 onwards was not a fight for a state on 22% of historic Palestine, it was a fight for liberation of all the land. It was a fight for the return of the refugees. And so his efforts, which were to make the Palestinians view that compromise not as a defeat but as a triumph, not as surrender but as conquest, was in part due to the fact that he retained, in their eyes, precisely the image that the West and Israel found repugnant, which is the image of somebody who would not drop his gun, who would not trade in his military garb for a diplomatic outfit, who would not only speak in the diplomatic language, but in the language of a rebel, of a militant, of a revolutionary. In some ways, what made it possible for him to sell the compromise to his own people made it very difficult and sometimes impossible for other audiences, Israeli or Western, to believe a word he said. Q.: You note that Americans were very deferential to the political constraints facing different Israeli leaders, but ignored those affecting Palestinian leaders. That was true for Arafat, but also for Mahmoud Abbas, Arafat's successor and the man who has led the Palestinian Authority for umpteen years now. Abbas believed that nonviolence was the only way forward for the Palestinian cause and has lived that credo, but his efforts to advance statehood have gone nowhere. How did the United States unwittingly sabotage him? How do you think they failed him, and why haven't his efforts been able to go anyplace?Malley:  A word on your first point. The U.S. identifies much more closely with Israel; they are more familiar with its political system. We could debate how much a democracy it is, since today the majority of the people living under Israeli governance, half of the people, don't have the same rights as others and a large percentage, the Palestinians living in the West Bank and Gaza, have no political rights at all when it comes to Israel's political system. So you could debate how democratic Israel, is, but certainly from an American perspective, it's a system that runs through parliamentary elections an election system that we can understand with regular polling and regular elections. The Palestinian system is a very different one, and I think in the eyes of many Americans, and this doesn't just apply to the Palestinians, it applies to many other countries, and particularly many Arab countries, they view it as more of a one-man show, in the past, the one-man show of Arafat, then the one-man show of Abbas, in which they believe that even though sometimes there are the accoutrements of democracy, the elections don't mean all that much. The system can be run in a more autocratic way by the supreme leader, in this case the head of the PLO, Palestine Liberation Organization, head of Fatah, the main party, the head of the Palestinian Authority. They believe that Palestinian politics don't matter, that ultimately because they project this image of a system that is run by a single person or by a small group of people, that they can impose whatever they want on their own population. Public opinion doesn't really matter. You hear that when people speak about Saudi Arabia, when they speak about Egypt, when they speak about many of these countries that either are not democratic or don't have a form of democracy that the U.S .is accustomed to. Whereas in fact, it doesn't work that way at all. Precisely because the Palestinian leadership doesn't have, and Arafat didn't have, those regular mechanisms in which his authority could be validated at the polls, in which you had democratic institutions that would legitimize his rule, he was very dependent on a popular form of consensus for his decision-making, and he couldn't afford to stray too far away from that core center of gravity, that consensus, because then he would have no legitimacy at all. And that's been true of one Palestinian leader after another. I think there is this misperception that because Israel is more, quote-unquote, "democratic," we need to pay attention and sometimes excessive attention. I can't tell you how many times I heard American officials for whom I was working saying, "We can't do X or Y or Z because it will imperil the coalition in power because of the democratic institutions and processes that Israel has to go through." I never heard that when it came to the Palestinians. It was, if Arafat wants it, Arafat could get it. If the next leadership would want it, it could get it. If the next leadership would

Join the Chaldean Sisters, Daughters of Mary Immaculate for a daily journey through the Month of Mary. Each day, the Chaldean Sisters will share a short prayer and reflection drawn from the Chaldean liturgy and the wisdom of the Church Fathers. These meditations, thoughtfully compiled by Sr. Martina, invite you to grow closer to Jesus through His Blessed Mother. This series begins on May 1 and continues throughout the month, with daily reflections available in both English and Arabic. Music: "Shlama Illakh Mleetha" by Wisam Behnam and Valene Jadan

Get your learning gifts for the month of June 2026

From a young age, says Palestinian American poet and physician Fady Joudah, “I had such a fascination with the way the alphabet makes music in the mind.” We are thrilled to offer this thoughtful conversation between Pádraig and Fady, recorded when Fady received the 2024 Jackson Poetry Prize. Fady reads several poems — including two with the same name! — and speaks of how memory, time, history, faith, love, violence, and difference figure in his work. He says, “Ultimately for my existence as a Palestinian in the 20th or 21st century … I am also always, particularly in English, bridging a gap.” We invite you to subscribe to Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes. Fady Joudah is the author of six collections of poems and has translated several collections of poetry from Arabic. He is the editor and co-founder of the Etel Adnan Poetry Prize, and his most recent collection, [ … ], was published in 2024 by Milkweed Editions. This interview was recorded on the occasion of him receiving the 2024 Jackson Poetry Prize.  Find the transcript for this show at onbeing.org. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Join the Chaldean Sisters, Daughters of Mary Immaculate for a daily journey through the Month of Mary. Each day, the Chaldean Sisters will share a short prayer and reflection drawn from the Chaldean liturgy and the wisdom of the Church Fathers. These meditations, thoughtfully compiled by Sr. Martina, invite you to grow closer to Jesus through His Blessed Mother. This series begins on May 1 and continues throughout the month, with daily reflections available in both English and Arabic. Music: "Shlama Illakh Mleetha" by Wisam Behnam and Valene Jadan

Subscribe now for ad-free listening, early access, and bonus content! Every May, Israelis celebrate the anniversary of their independence. For Palestinians, their memories are of dispossession and displacement. Beginning in late 1947, months before the official creation of the Jewish state, Jewish forces expelled Palestinian Arabs and destroyed their homes and villages. By the time the Nakba, which means catastrophe in Arabic, was over, some 750,000 Palestinians had been expelled in one of the first ethnic cleansing operations of the post-WWII era. Yet it took generations for this story to receive the attention it deserves — an alarming erasure because today's conflict cannot be understood without this "other half" of Israel's origin story. Historian Mark LeVine of the University of California-Irvine is our guest. Further reading: Art Beyond the Edge: Creativity and Conflict in the World on Fire by Mark LeVine Overthrowing Geography: Jaffa, Tel Aviv, and the Struggle for Palestine, 1880-1948 by Mark LeVine

measure your progress with this video quiz

Join the Chaldean Sisters, Daughters of Mary Immaculate for a daily journey through the Month of Mary. Each day, the Chaldean Sisters will share a short prayer and reflection drawn from the Chaldean liturgy and the wisdom of the Church Fathers. These meditations, thoughtfully compiled by Sr. Martina, invite you to grow closer to Jesus through His Blessed Mother. This series begins on May 1 and continues throughout the month, with daily reflections available in both English and Arabic. Music: "Shlama Illakh Mleetha" by Wisam Behnam and Valene Jadan

learn 10 questions you should know

Yesterday, an incredibly timely webinar addressed perhaps the most important question of our time: “Is sharia a ‘religion of peace' or a strategy for war?”  The answer impacts everything from whether there is any prospect for a “peace deal” with Iran to whether sharia-adherent Muslims can be expected to support and defend the U.S. Constitution to the advisability of building more Islamic centers here and importing more foreign imams. The webinar established unmistakably that for fourteen hundred years, Islam's “prophet” Mohammed, his successors and untold numbers of their followers have adhered to a political-military-legal program they call “the path,” or sharia in Arabic. And its express goal is to use violence and other forms of jihad to impose sharia worldwide.  Sharia is, in short, a strategy for war and the compulsory submission to it of non-adherent Muslims and everyone else.  BanSharia.com. This is Frank Gaffney.

Join the Chaldean Sisters, Daughters of Mary Immaculate for a daily journey through the Month of Mary. Each day, the Chaldean Sisters will share a short prayer and reflection drawn from the Chaldean liturgy and the wisdom of the Church Fathers. These meditations, thoughtfully compiled by Sr. Martina, invite you to grow closer to Jesus through His Blessed Mother. This series begins on May 1 and continues throughout the month, with daily reflections available in both English and Arabic. Music: "Shlama Illakh Mleetha" by Wisam Behnam and Valene Jadan

Sara Pappalardo is an Italian Oriental and Bollywood dancer, choreographer, teacher, and festival organizer based in Catania, Sicily. Founder of the dance school Tery al Kubra and artistic director of the internationally recognized Khamsin Festival, Sara is known for blending strong technical foundations with expressive freedom and deep musical understanding. Specializing in Muwashahat, she has also developed her own teaching method for finger cymbals and rhythm, helping dancers build a stronger connection to Arabic music and musical interpretation. Alongside her work in oriental dance, Sara explores Indian dances and fusion styles, bringing warmth, humor, and a deeply personal teaching approach to students across Italy and internationally.In this episode you will learn about:- Living with endometriosis for over 20 years—and how belly dance became therapy, healing, and body acceptance- What studying Indian classical dance taught Sara about discipline, focus, and falling back in love with dance- Why good teachers should sometimes say “you're not ready yet”—and why that can be a gift- How finger cymbals can completely transform a dancer's understanding of rhythm and musicality- The beauty of fusion dance—and how mixing influences can become a way of expressing your full selfShow Notes to this episode:Find Sara Pappalardo on Instagram, YouTube and FB.Details the BDE shows and training programs are available at www.JoinBDE.comFollow Iana on Instagram, FB, and Youtube . Check out her online classes and intensives at the Iana Dance Club.Find information on how you can support Ukraine and Ukrainian belly dancers HERE.Podcast: www.ianadance.com/podcast

Join the Chaldean Sisters, Daughters of Mary Immaculate for a daily journey through the Month of Mary. Each day, the Chaldean Sisters will share a short prayer and reflection drawn from the Chaldean liturgy and the wisdom of the Church Fathers. These meditations, thoughtfully compiled by Sr. Martina, invite you to grow closer to Jesus through His Blessed Mother. This series begins on May 1 and continues throughout the month, with daily reflections available in both English and Arabic. Music: "Shlama Illakh Mleetha" by Wisam Behnam and Valene Jadan

Join the Chaldean Sisters, Daughters of Mary Immaculate for a daily journey through the Month of Mary. Each day, the Chaldean Sisters will share a short prayer and reflection drawn from the Chaldean liturgy and the wisdom of the Church Fathers. These meditations, thoughtfully compiled by Sr. Martina, invite you to grow closer to Jesus through His Blessed Mother. This series begins on May 1 and continues throughout the month, with daily reflections available in both English and Arabic. Music: "Shlama Illakh Mleetha" by Wisam Behnam and Valene Jadan

As a child growing up in Saudi Arabia, Saad Al-Munajem learned how to build a wall around himself. After being laughed at while trying to read aloud in class, he spent years hiding his stutter — avoiding speaking, overthinking every interaction, and quietly carrying the fear of being heard. But what happens when someone decides to stop hiding?In this episode of Proud Stutter, Saad shares the moments that slowly changed his relationship to his voice and led him to found Mutalaathem, a nonprofit creating community for Arabic-speaking people who stutter across the Middle East and North Africa. This is a conversation about fear, identity, disclosure, and the long process of tearing down the walls we build to protect ourselves.In this episodeArticle in Arab NewsProud Stutter (Short Film on YouTube)-----Big thanks to Proud Stutter's recurring supporters: Jennifer Bolen, Jerry Slaff, Josh Compton, Pablo Meza, Alexandra Mosby, Ingo Helbig, Jonathan Reiss, Jason Smith, Paige McGill, Wayne Engebretson, Swathy Manavalan, and Martha Horrocks.If you can become a monthly donor at $10 or more, we'll give you access to ad-free episodes and bonus Proud Stutter+ content as a token of our thanks! Make your tax deductible gift here. Proud Stutter is proudly fiscally sponsored by Independent Arts & Media.Want to lean more about what Proud Stutter has to offer? Sign up here to stay in the loop and take advantage of our upcoming events, actions, and educational materials.Support this podcast at — https://redcircle.com/proud-stutter/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

discover effective strategies and tips for learning Arabic

Join the Chaldean Sisters, Daughters of Mary Immaculate for a daily journey through the Month of Mary. Each day, the Chaldean Sisters will share a short prayer and reflection drawn from the Chaldean liturgy and the wisdom of the Church Fathers. These meditations, thoughtfully compiled by Sr. Martina, invite you to grow closer to Jesus through His Blessed Mother. This series begins on May 1 and continues throughout the month, with daily reflections available in both English and Arabic. Music: "Shlama Illakh Mleetha" by Wisam Behnam and Valene Jadan

Liturgy Sermon @ St. Arsanius Coptic Orthodox Church - Maadi, Egypt ~ May 21, 2026

Join the Chaldean Sisters, Daughters of Mary Immaculate for a daily journey through the Month of Mary. Each day, the Chaldean Sisters will share a short prayer and reflection drawn from the Chaldean liturgy and the wisdom of the Church Fathers. These meditations, thoughtfully compiled by Sr. Martina, invite you to grow closer to Jesus through His Blessed Mother. This series begins on May 1 and continues throughout the month, with daily reflections available in both English and Arabic. Music: "Shlama Illakh Mleetha" by Wisam Behnam and Valene Jadan

لا ينزع احد فرحكم منكم

Join the Chaldean Sisters, Daughters of Mary Immaculate for a daily journey through the Month of Mary. Each day, the Chaldean Sisters will share a short prayer and reflection drawn from the Chaldean liturgy and the wisdom of the Church Fathers. These meditations, thoughtfully compiled by Sr. Martina, invite you to grow closer to Jesus through His Blessed Mother. This series begins on May 1 and continues throughout the month, with daily reflections available in both English and Arabic. Music: "Shlama Illakh Mleetha" by Wisam Behnam and Valene Jadan

Join the Chaldean Sisters, Daughters of Mary Immaculate for a daily journey through the Month of Mary. Each day, the Chaldean Sisters will share a short prayer and reflection drawn from the Chaldean liturgy and the wisdom of the Church Fathers. These meditations, thoughtfully compiled by Sr. Martina, invite you to grow closer to Jesus through His Blessed Mother. This series begins on May 1 and continues throughout the month, with daily reflections available in both English and Arabic. Music: "Shlama Illakh Mleetha" by Wisam Behnam and Valene Jadan

Why do some hearts surrender to the truth while others resist it, even when they recognise it?In this episode of Quran Conversations, we are joined by Ustadh Fahd Yasin. Ustadh Fahd Yasin has been studying Quranic/Classical Arabic for the past decade. He has received ijazas (certifications) in Tajwid and grammar, and he is certified in Quranic Arabic linguistics. His current interests are in Quranic Analysis, Arabic Grammar, Rhetoric, Tazkiyah, and Tafsir. He has been a Quranic Arabic instructor at Fawakih Institute for the past 5 years. Ustadh Fahd Yasin is passionate about spreading Quranic linguistics to all of his students and everyone he meets! He wishes for everyone to experience the Light of the Quran and taste of the Quran's Secrets, Nuances, and Linguistic Subtleties.Dalia Mogahed and Ustadh Fahd Yasin reflect on Surah TaHa, ayah 105, exploring the destruction of the mountains on the Day of Judgment and the deeper meanings hidden within the Qur'an's precise language.What begins as a linguistic discussion unfolds into something far more personal: a reflection on certainty, ego, accountability, and the condition of the human heart. Why did the Qur'an choose mountains as its symbol? Why did the Quraysh feel so threatened by the Qur'an? And what separates the people who surrender to truth from those who fight against it?This episode explores how the Qur'an challenges the very things we rely on for stability and security, reminding us that even the mountains will one day disappear like dust.In this episode, you will learn:

“Before I came here, I dreamt about this land.”  —Jessie Jowers, Slow Life Family FarmThe third course in our series, Secondi, brings us to the tensions of resistance and surrender. In this episode of Fat of The Land, Ayana speaks with Jessie Jowers of Slow Life Family Farm and Deborah Zapparrata of Cooking Sicily. Here, the episode asks us to consider what social and domestic roles do to us. Focusing on women's stories, histories, and layers of expectations around femininity, the body, and even the earth, that come from this, the conversation considers the complexities of  lived and inherited wisdom; how they might be at odds, and where they may be reconciled. When women are told what we should desire, what we should have, what our expectations of life and family ought to be, are our experiences flattened? Asking questions of the land, the trading of spices and recipes, of the myths about women (from making ricotta from their breastmilk to liberate their cities to goddesses worshipped on the Sicilian coastline), Ayana, Jessie and Deborah contemplate how these histories may have been inherited (or, at times, rejected) by contemporary women. This episode grounds us in matrilineal connections that span generations Fat of The Land is a series that asks us what we mean when we look for connection between people and the land. Following a desire for real relation, for deliciousness, and for slowness, each episode traces what happens when we follow this desire. This episode is brought to you by generous sponsorships from Ritū, Terra Elaÿa, and Heyday Books.The featured music in this episode is “High Hill” by Evelyn Frances and For The Wild Studio.Thank you to Jessie of Slow Life Family Farm and Deborah of Cooking Sicily for joining us in conversation.Bios With a passion for the traditional uses of plants, Jessie Jowers brings a wealth of knowledge about local crafts, foods, and medicines to her farm's daily life. Deborah Zapparrata, nearly a decade ago, founded Cooking Sicily. It is a project born from a profound love for my island and its ancient roots. Alongside her family, her mother, three children, and her son-in-law, she has worked to preserve and share the true soul of our land. Cooking Siciliy explores Sicilian identity through its authentic flavors, rooted in a millennia-old history. Their cuisine is a unique Mediterranean tapestry, weaving together Greek, Arabic, Spanish, and French influences. Through local ingredients and ancestral heritage, Deborah invites the world to taste the living history of Sicily.Evelyn Frances is an experimental, avante garde musician and songwriter from Upstate New York, currently based in Seattle. Her work weaves in her foundation as a classical flutist and jazz musician, while moving forward into electronic exploration of sound. Lyrically, she touches on themes of climate change and human's relationship to nature, political rage, and her own struggles with mental illness.PartnersHeyday: Compassion in CrisisCrisis looms large in daily life. From failing public health infrastructure to resource shortages,  endless wars, and melting ice caps the crisis in education is inseparable from the crisis in loneliness, spurred on by the interests and fantasies of a small group of wealthy individuals, for whose sake whole swathes of our planet burn. Confronted with this situation, Kate Rose Weiner and Kailea Rose Loften began collaborating on what would become Compassion in Crisis: Building Disaster-Resilient Communities, a book that presents a strategy for catastrophe guided by values of curiosity and communal care. Readers will learn how to prepare baby formula in an emergency, how to best use stinging nettle or chamomile flowers for first-aid, alongside tips for paying attention to the different responses of our nervous systems to stress. You can purchase your copy of Compassion in Crisis here: https://www.heydaybooks.com/catalog/compassion-in-crisis/?utm_source=For+the+Wild&utm_medium=Podcast&utm_campaign=CINC&utm_id=FTW+promo RitūFat of The Land is a series about what it means to be in relationship with land, food, and the people who tend both across generations. Ritū was made with the same kind of care; six ancient plants, ground and blended into a morning cup that honors the land it comes from, delivered in a compostable bag that returns to the earth.Ritu has built a custom landing page for us and would like to offer For The Wild listeners 25% their first month with a discount code FORTHEWILD25. To order yourself some Ritu, head to drinkritu.com/forthewild.Terra ElaÿaThanks also to Elaÿa for the support of this series. Terra Elaÿa is a sanctuary where ancient ways meet the needs of our time. We emerge at this time of crossroads, standing as a space for the transformation, renewal, and re-enchantment of the human spirit. Located in the heart of southern Italy, we provide a place to come into a deeper relationship with life: to slow down, listen, and restore embodied wisdom.Head to terraelaya.com to learn more upcoming Elaÿa experiences or to host an event. Support the show

Join the Chaldean Sisters, Daughters of Mary Immaculate for a daily journey through the Month of Mary. Each day, the Chaldean Sisters will share a short prayer and reflection drawn from the Chaldean liturgy and the wisdom of the Church Fathers. These meditations, thoughtfully compiled by Sr. Martina, invite you to grow closer to Jesus through His Blessed Mother. This series begins on May 1 and continues throughout the month, with daily reflections available in both English and Arabic. Music: "Shlama Illakh Mleetha" by Wisam Behnam and Valene Jadan

Marisa Anderson returns to discuss her compelling new album, The Anthology of UnAmerican Folk Music Vol. 1, the joys of touring, responding to a Patreon subscriber's inquiry about her new band Ruminants, exploring the Bob Dylan Center and immersing herself in the private record collection of the late, famed cultural collector/curator, Harry Smith, how she landed on recording her own three-album set focussing on music from places that the United States of America has been in conflict with since 1970, including Southeast Asia, the USSR and the Arabic and Islamic regions of the world, why “UnAmerican” is such a loaded, multi-faceted term, upcoming shows, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven't already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #1075: Bill FrisellEp. #1034: Sean Wilentz on Bob Dylan's ‘Through The Open Window'Ep. #1008: Marc RibotEp. #982: Jake Xerxes FussellEp. #866: Jim White and Marisa AndersonEp. #828: ‘Bob Dylan: Mixing Up the Medicine' with Mark Davidson & Parker FishelEp. #718: Marisa AndersonEp. #686: Bob Dylan Center's Mark Davidson & Parker FishelEp. #633: Marisa Anderson & William TylerEp. #541: Jim White and Marisa AndersonEp. #405: Marisa AndersonEp. #293: Marisa AndersonSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

“I am haunted by history: the history of dictatorship, the history of empire, history as a whole,” declares the Iraqi novelist, poet, scholar, and literary translator Sinan Antoon near the start of this conversation about his most recent novel, Of Loss and Lavender. Sinan, speaking with Magalí and critic Michael Allan, goes on to say that “the novel allows for a more wholesome, in-depth confrontation with history.” That confrontation, in turn, requires narrative forms that are complex, sometimes fractured, and often non-linear in order to braid together a range of different perspectives on a particular moment or event. As Sinan observes in a discussion of the Arabic term nisyān—“forgetting” or “forgetfulness,” although its nuances in Arabic are not easily rendered in English—even memory itself is not static. And yet, shared histories of empire and imperialism make it possible to draw connections between far-flung locations, as Sinan does in Of Loss and Lavender by drawing together Iraq and Puerto Rico. From here, the conversation turns to the pleasures and challenges of translation, including some of Sinan's choices when translating his own work into English. This includes the effort to make legible the nuances of race, class, and other forms of difference across contexts; although, as Sinan notes, much of his younger readership in the Arab world today is often well-versed in US culture. The conversation concludes with a discussion of Sinan's frequent use of poems and songs in the novel, a device that points back to the multi-genre experiments of the premodern Arabic tradition, and a moving portrait of a teacher who transmitted to his students ideas about justice and equality despite the dictatorship under which he worked. Mentioned in this episode: About Baghdad The Baghdad Eucharist Mahmoud Darwish, In the Presence of Absence Darwish's “Memory for Forgetfulness” (on nisyān) The Book of Collateral Damage Elias Khoury and the use of dialect in contemporary Arabic fiction Quebecois literature Breaking Bad Um Kulthoum Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

discover effective strategies and tips for learning Arabic

“I am haunted by history: the history of dictatorship, the history of empire, history as a whole,” declares the Iraqi novelist, poet, scholar, and literary translator Sinan Antoon near the start of this conversation about his most recent novel, Of Loss and Lavender. Sinan, speaking with Magalí and critic Michael Allan, goes on to say that “the novel allows for a more wholesome, in-depth confrontation with history.” That confrontation, in turn, requires narrative forms that are complex, sometimes fractured, and often non-linear in order to braid together a range of different perspectives on a particular moment or event. As Sinan observes in a discussion of the Arabic term nisyān—“forgetting” or “forgetfulness,” although its nuances in Arabic are not easily rendered in English—even memory itself is not static. And yet, shared histories of empire and imperialism make it possible to draw connections between far-flung locations, as Sinan does in Of Loss and Lavender by drawing together Iraq and Puerto Rico. From here, the conversation turns to the pleasures and challenges of translation, including some of Sinan's choices when translating his own work into English. This includes the effort to make legible the nuances of race, class, and other forms of difference across contexts; although, as Sinan notes, much of his younger readership in the Arab world today is often well-versed in US culture. The conversation concludes with a discussion of Sinan's frequent use of poems and songs in the novel, a device that points back to the multi-genre experiments of the premodern Arabic tradition, and a moving portrait of a teacher who transmitted to his students ideas about justice and equality despite the dictatorship under which he worked. Mentioned in this episode: About Baghdad The Baghdad Eucharist Mahmoud Darwish, In the Presence of Absence Darwish's “Memory for Forgetfulness” (on nisyān) The Book of Collateral Damage Elias Khoury and the use of dialect in contemporary Arabic fiction Quebecois literature Breaking Bad Um Kulthoum Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

NHK WORLD RADIO JAPAN - Arabic News at 15:00 (JST), May 21

Join the Chaldean Sisters, Daughters of Mary Immaculate for a daily journey through the Month of Mary. Each day, the Chaldean Sisters will share a short prayer and reflection drawn from the Chaldean liturgy and the wisdom of the Church Fathers. These meditations, thoughtfully compiled by Sr. Martina, invite you to grow closer to Jesus through His Blessed Mother. This series begins on May 1 and continues throughout the month, with daily reflections available in both English and Arabic. Music: "Shlama Illakh Mleetha" by Wisam Behnam and Valene Jadan

In this episode of The Bible as Literature, Fr. Marc Boulos delivers a powerful Mother's Day homily and biblical reflection on the meaning of Baal, husbandry, empire, and the anti-imperial function of scripture. Beginning with the Semitic root ב־ע־ל / ب־ع־ل (b-ʿ-l), Fr. Marc explains how the biblical attack is not against the husband or father, but against the corruption of husbandry into domination, ownership, kingship, and institutional power, what he calls “Baalism.”Drawing on examples from Roman slavery, Baalbek, St. George, Ezekiel, Luke 9, Isaiah, Nahum, and the Qur'an, this episode explores how scripture dismantles empire and restores humanity to its proper place as caretaker of the land rather than master over it. Fr. Marc argues that the earth functions as mother, not as a goddess, and that Elohim alone is Father, King, and Lord.The second half of the episode turns to Luke 9:6 and the Greek verbs διέρχομαι, εὐαγγελίζω, and θεραπεύω, showing how the apostles do not possess healing as power, but cross through the land as slaves bearing witness to the coming judgment and kingdom of God. Through Hebrew and Arabic lexical correspondences, Fr. Marc demonstrates how biblical language functions not as abstract philosophy, but as enacted decree.This episode challenges modern assumptions about power, property, fatherhood, rights, religion, and institutional life, while presenting scripture as an ancient anti-imperial witness against tyranny and domination.Luke 9:6Εξερχόμενοι διήρχοντο κατὰ τὰς κώμας εὐαγγελιζόμενοι καὶ θεραπεύοντες πανταχοῦ“Departing, they began going throughout the villages, preaching the gospel and serving everywhere.” ★ Support this podcast on Patreon ★

Join the Chaldean Sisters, Daughters of Mary Immaculate for a daily journey through the Month of Mary. Each day, the Chaldean Sisters will share a short prayer and reflection drawn from the Chaldean liturgy and the wisdom of the Church Fathers. These meditations, thoughtfully compiled by Sr. Martina, invite you to grow closer to Jesus through His Blessed Mother. This series begins on May 1 and continues throughout the month, with daily reflections available in both English and Arabic. Music: "Shlama Illakh Mleetha" by Wisam Behnam and Valene Jadan

Listen To Full Sermon: "Importance of Spiritual Retreat" @ St. Karas Coptic Orthodox Church - Murfreesboro, TN ~ July 14, 2025https://on.soundcloud.com/Fh5ROfU4S22gCIAXjF

Join the Chaldean Sisters, Daughters of Mary Immaculate for a daily journey through the Month of Mary. Each day, the Chaldean Sisters will share a short prayer and reflection drawn from the Chaldean liturgy and the wisdom of the Church Fathers. These meditations, thoughtfully compiled by Sr. Martina, invite you to grow closer to Jesus through His Blessed Mother. This series begins on May 1 and continues throughout the month, with daily reflections available in both English and Arabic. Music: "Shlama Illakh Mleetha" by Wisam Behnam and Valene Jadan

Arabic Sermon - 5th Sunday of the Holy Fifty Days @ St. Philopateer Coptic Orthodox Church - Richardson, TX ~ May 17, 2026 | Pashons 9, 1742

Join the Chaldean Sisters, Daughters of Mary Immaculate for a daily journey through the Month of Mary. Each day, the Chaldean Sisters will share a short prayer and reflection drawn from the Chaldean liturgy and the wisdom of the Church Fathers. These meditations, thoughtfully compiled by Sr. Martina, invite you to grow closer to Jesus through His Blessed Mother. This series begins on May 1 and continues throughout the month, with daily reflections available in both English and Arabic. Music: "Shlama Illakh Mleetha" by Wisam Behnam and Valene Jadan

Join the Chaldean Sisters, Daughters of Mary Immaculate for a daily journey through the Month of Mary. Each day, the Chaldean Sisters will share a short prayer and reflection drawn from the Chaldean liturgy and the wisdom of the Church Fathers. These meditations, thoughtfully compiled by Sr. Martina, invite you to grow closer to Jesus through His Blessed Mother. This series begins on May 1 and continues throughout the month, with daily reflections available in both English and Arabic. Music: "Shlama Illakh Mleetha" by Wisam Behnam and Valene Jadan

Support Green and Red Podcast and get the latest at https://www.patreon.com/greenredpodcast.It's the 78th anniversary the Nakba. The Nakba, meaning "catastrophe" in Arabic, refers to the mass displacement, dispossession, and ethnic cleansing of roughly 750,000 Palestinian Arabs during the 1948 Arab-Israeli war. It marks the destruction of Palestinian society, the destruction of over 400 villages, and the prevention of return for refugees.We're reposting short audio from last year about Israeli terrorists blowing up the King David Hotel in Jerusalem to commemorate the Nakba. This incident was one of many terrorist actions by the Irgun that drove the British out of Palestine and led to the Nakba two years later.--------------On July 22, 1946, Terrorists from the Irgun, a Zionist paramilitary group in Palestine led by Menachem Begin, blew up part of the King David Hotel in Jerusalem, which was the headquarters of the British Mandate in Palestine. The explicit goal was to use terror to drive the British out of the region, and the blast killed 91--mostly civilians, about 30 Britons, and about 20 Jews. The attack met its goal as the British were driven out of Palestine and Israel was created 2 years later. The King David bombing showed that terrorism worked and set into motion 8 decades of continued terror from Israel, and it shows, again, that there is no historical basis for using October 7, 2023 as a point of origin to discuss this issue.———————

Join the Chaldean Sisters, Daughters of Mary Immaculate for a daily journey through the Month of Mary. Each day, the Chaldean Sisters will share a short prayer and reflection drawn from the Chaldean liturgy and the wisdom of the Church Fathers. These meditations, thoughtfully compiled by Sr. Martina, invite you to grow closer to Jesus through His Blessed Mother. This series begins on May 1 and continues throughout the month, with daily reflections available in both English and Arabic. Music: "Shlama Illakh Mleetha" by Wisam Behnam and Valene Jadan

Join the Chaldean Sisters, Daughters of Mary Immaculate for a daily journey through the Month of Mary. Each day, the Chaldean Sisters will share a short prayer and reflection drawn from the Chaldean liturgy and the wisdom of the Church Fathers. These meditations, thoughtfully compiled by Sr. Martina, invite you to grow closer to Jesus through His Blessed Mother. This series begins on May 1 and continues throughout the month, with daily reflections available in both English and Arabic. Music: "Shlama Illakh Mleetha" by Wisam Behnam and Valene Jadan

This week we explore the art and political history of embroidery in Palestine. Called tatreez in Arabic, the practice of embroidery has served as a form of communication between women for centuries across the region. Guest curator of the MoMu Antwerp exhibition Embroidering Palestine, Rachel Dedman, and Palestinian embroiderer, Fatima Abbadi, join us to speak about the language of tatreez. Want more Dressed: The History of Fashion?  Our ⁠⁠⁠⁠website⁠⁠⁠⁠ and ⁠⁠⁠⁠classes⁠⁠⁠⁠ Our ⁠⁠⁠⁠Instagram⁠⁠⁠⁠ Our ⁠⁠⁠⁠bookshelf⁠⁠⁠⁠ with over 150 of our favorite fashion history titles Learn more about your ad choices. Visit megaphone.fm/adchoices

1184. This week, we look at the history of lingua francas, from the original mix of Italian, French, Spanish, Arabic, and Turkish used during the Crusades to today's global English. Plus, we look at whether it's wrong to use "who" for animals, "that" instead of "who" for people, and "whose" for inanimate objects.The lingua franca segment was written by Alexandra Aikhenvald, a Professor and Australian Laureate Fellow at Jawun Research Institute, CQ University in Australia. It originally ran on The Conversation and appears here through a Creative Commons license.AI systems confusing dog faces with blueberry muffins.