Podcasts about Arabic

This week, Pete Hegseth and Donald Trump addressed the top military brass and indicated that U.S. cities should be used as a training ground for the military to fight the “enemy within.” Russell Moore, Mike Cosper, and Clarissa Moll discuss the implications. Then, Liam Karr from the American Enterprise Institute joins us to give context to Bill Maher's claims that Americans are ignoring Christian genocide in Nigeria. Finally, Michael Wear stops by to talk about the federal government shutdown and who it will hurt the most.   GO DEEPER WITH THE BULLETIN:  - Join the conversation at our Substack.  - Find us on YouTube.  - Rate and review the show in your podcast app of choice.    ABOUT THE GUESTS:   Liam Karr is the Africa team lead for the Critical Threats Project at the American Enterprise Institute. He covers sub-Saharan Africa and specializes in the Sahel and Somalia. He graduated from the University of Notre Dame with a B.A. in Political Science, History, and Arabic and an International Security Studies Certificate. Michael Wear is the founder, president, and CEO of the Center for Christianity and Public Life. Wear is the author of The Spirit of Our Politics: Spiritual Formation and the Renovation of Public Life. He writes for The Atlantic, The New York Times, The Washington Post, Catapult magazine, Christianity Today, and other publications on faith, politics, and culture. ABOUT THE BULLETIN:  The Bulletin is a twice-weekly politics and current events show from Christianity Today moderated by Clarissa Moll, with senior commentary from Russell Moore (Christianity Today's editor in chief) and Mike Cosper (director, CT Media). Each week, the show explores current events and breaking news and shares a Christian perspective on issues that are shaping our world. We also offer special one-on-one conversations with writers, artists, and thought leaders whose impact on the world brings important significance to a Christian worldview, like Bono, Sharon McMahon, Harrison Scott Key, Frank Bruni, and more.    The Bulletin listeners get 25% off CT. Go to https://orderct.com/THEBULLETIN to learn more.    “The Bulletin” is a production of Christianity Today  Producer: Clarissa Moll  Associate Producer: Alexa Burke  Editing and Mix: TJ Hester Graphic Design: Rick Szuecs Music: Dan Phelps  Executive Producers: Erik Petrik and Mike Cosper   Senior Producer: Matt Stevens Learn more about your ad choices. Visit podcastchoices.com/adchoices

The 2025 World Conference on Lung Cancer brings together leading experts, researchers, and oncologists to showcase the latest advancements in lung cancer research. To reach a global audience, IASLC has recorded podcast episodes on WCLC 2025 in world languages. In this episode, host Dr. Nagla Abdel Karim moderates a discussion in Arabic about highlights from the conference with Dr. Riad Abdeljalil, Dr. Khaled Abdel Aziz, Dr. Ashraf Abdel Ghani, Dr. Ahmed Rabea, and Dr. Hussein Soudy.

In this episode, Charles Gambetta introduces his innovative bass position system that addresses traditional limitations in fingerboard comprehension. His method combines Roman numerals with Arabic numbers to provide contextual information that enhances physical and mental connections during play. Charles explains how starting students at the 'primary lock' position and focusing on finger placement and shift intervals improves intonation. He also demonstrates how this approach benefits various playing styles and has transformed his teaching approach. Enjoy, and be sure to check out Charles' article on this approach in the New York ASTA Journal.   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us all things double bass double bass merch double bass sheet music   Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today!   Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here.   theme music by Eric Hochberg

NHK WORLD RADIO JAPAN - Arabic News at 15:00 (JST), October 02

First,let me thank you for your many, many prayers as we traveled this past week anda half to Egypt, to Jordan, and to Slovakia. And because of your prayers, wefelt like we had a prosperous journey. That's what Paul would ask the churchesto pray for him. He often asks prayer for safety, for deliverance from evilpeople, and also for the opportunity to share the gospel. Read the epistleswith Paul asking for prayers. My friend, prayers are answered when we believeGod for wonderful things that are according to His will. And so, I thank you somuch. It was a wonderful trip.  Someof you might remember I started a story, and I said, "You'll get the restof the story when I get back." So today, let me just finish the story ofJanet, the Egyptian lady that sat next to us in the airport at Istanbul on a three-hourlayover there. It appeared to us that just randomly, she sits next to us.  She didn't speak any English. We didn't speakany Arabic. And she sat for a while, and as we said, she asked for help withgetting a connection to her iPhone that was dead. We were able to help her withthat. Then a little later we noticed she was reading an Arabic Bible.  Sowe struck up a conversation and immediately the first thing she did was show usthe passage of scripture that she was reading and that was Colossians 1:15-18where she was reading: “He is the image of the invisible God, speaking ofJesus the firstborn over all creation for by Him all things were created thatare in heaven and that are on earth visible and invisible whether thrones ordominions or principalities or powers. All things were created through Him andfor Him. And He is before all things. And in Him all things consist. And He isthe head of the body, the church, who is the beginning, the firstborn from thedead, that in all things He may have the preeminence”. And she just keptsaying, "Jesus, Jesus, Jesus, Jesus." Like Jesus is everything.  Itwas difficult to understand exactly what she was saying, but my nephew Jasonbegan using his iPhone app translator with AI and we were able to then recordwhat she was saying, and it would translate it to us. And the first thing she mentioned,and was translated was: “The first time I saw him, God told me to go sit besidehim safely.” So that just amazed us that she's sharing with us is that she satthere because God told her to. And then when we asked about whether she was afollower of Jesus Christ, she replied with these words.  “Myname is Janet. I married this man when I was miles from God. Didn't even know him.(She was apparently speaking of her husband that she had married). He wouldhurt me. He was harsh, cruel stuff. Slap me, drag me by my hair, once even useda knife. And me, I wasn't blameless: cursing, lying, living rotten through andthrough. His cruelty isn't an excuse. But God helped me find a pastor, put himin my path, and I poured out everything to him, everything. And today, I thankChrist because He picked up someone like me anyway.”  Aswe began to go back and forth with her with a translator and she shared more ofher story, she said, "I need you to pray for me, my sons Tamous and Daniel,that they would know Christ." Tamius, he's been all alone since his daddied three years now. Haven't seen him. He's down with a wrong crowd. Hash anddrugs and always wanting cash. I don't live anymore without him coming back. Ijust want him to repent and turn to Jesus.” Itrust you'll put this young man Tamous in your prayers and also her son Daniel.Janet actually lives in the States in Richmond, Virginia and works in a Walmartthere. And I'm still just amazed that without any knowledge of the Englishlanguage, but thank God she's a born-again follower of Jesus Christ. What awonderful story. In Cairo we had another amazing experience at the Monastery ofSt. Simon. Our guide there told us of a miracle that took place where an entiremountain was moved by prayer alone!!!!

Twenty years ago, director Ridley Scott returned to the historical epic, the same genre that won him an Oscar in 2000 for Gladiator. Swapping the Roman colosseum for the Middle East in the time of the Crusades, Scott assembled an all-star cast including Orlando Bloom, Eva Green, Jeremy Irons, David Thewlis, Brendan Gleeson, Liam Neeson, and an uncredited Edward Norton. A post-9/11 movie about Christians fighting Muslims would have seemed an easy win at the box office, but the film performed poorly stateside while doing well in Arabic-speaking countries, especially Egypt. Scott blamed the failure on studio meddling; he has since disowned the theatrical cut, and claims instead that his director's cut is the definitive version. But art, like peace in the Middle East, can be elusive. Join us as we walk into battle with the Lord for Kingdom of Heaven.    For more geeky podcasts visit GonnaGeek.com    You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com    Show Music:Danger Storm by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/

You can also find the video version of this episode on our YouTube channel here: "How to Find Authentic Cultural Experiences in Morocco"Azdean is joined again by producer Ted to chat about the rich variety of cultural activities available to visitors, something that is often requested by Destination Morocco's guests. Travellers want to experience Morocco's real culture, whether it's the cooking, the music, the language or even the landscape, but framed around a vivid society dating back thousands of years.Step one is having a local guide with you as much as possible. It's your guide who separates your experience from the average tourist, sharing stories and insight that would never be found on your own. Guides help you connect with locals, make the most of your time and itinerary, help translate and explain certain phrases, and help your journey go so much smoother.We talk about the various cultural activities available, including music, dance and visits to traditional villages, and highlight some of the lesser-known regions of Morocco that provide authentic experiences, away from the typical tourist paths. We also take a look at language, as a lot of our guests are interested in learning a few phrases and understanding the differences (and similarities) between Moroccan Darija, Morocco's dialect of Arabic, and Tamzight: the Amazigh language. The key to your experience: have zero expectations. Have dreams and ideas for sure, but the more open you are to whatever may come, to discoveries and adventure, the more you'll find that memorable cultural immersion that you're looking for.Find our special series on the Darija language here, made exclusively for podcast listeners!  Do you dream of exploring the enchanting land of Morocco?Destination Morocco is your ultimate travel experience for those seeking luxury and adventure. We specialize in crafting bespoke itineraries tailored to your unique tastes and desires.If you're a discerning traveler who values an immersive, curated adventure, visit www.destinationsmorocco.com, and let us bring your dream Moroccan vacation to life.Learn more about Azdean and Destination Morocco.Explore our Private Tours and Small Group Tours!

Over the past few decades, archaeologists have excavated the remnants of a little-known Muslim kingdom from beneath hotels, parking lots, and even a convent in the Spanish city of Murcia. Cast into the shadows by the splendors of Granada, in its heyday Murcia was a flourishing kingdom that welcomed both Sufi mystics and Italian merchants. The main figure responsible for this was a man of many names. He was officially known on the coins he minted as Muhammad ibn Saʿd, but he was more widely known in Arabic by the mysterious moniker Ibn Mardanish. And to the Christians of Spain—who were often his allies—he was el Rey Lobo: the Wolf King. In this episode, we take a historical tour of medieval Murcia and the stylish palace of Ibn Mardanish, before tracing how in later centuries his memory was burdened with various competing messages.  Nile Green talks to Abigail Krasner Balbale, author of The Wolf King: Ibn Mardanish and the Construction of Power in al-Andalus (Cornell University Press, 2022).

In this special two-part series, we're celebrating Dash Arts' 20th birthday by looking back at how politics has impacted our work over the past two decades.In episode one, join Josephine Burton as she explores how artists and creative activists respond to the urgency of our times. Hear from storyteller Sophie Austin on our production of One Thousand and One Nights, which challenged preconceived notions of Arabic culture, and from musician Sasha Ilyukevich who performed in our Dash Arts Dachas, some of which were covertly visited by the Russian Embassy. Discovering how our mission to challenge the way we see the world is woven into our DNA, and how life and global politics have consistently broken down the walls into the theatre.With music from Sasha Ilyukevich & The Highly Skilled Migrants entitled KOLYA - КОЛЯ.Our intro music is Fakiiritanssi by Marouf Majidi Hosted on Acast. See acast.com/privacy for more information.

NHK WORLD RADIO JAPAN - Arabic News at 15:00 (JST), October 01

Isaiah 62:6-65:25, Phil 2:19-30, Ps 73:1-28, Pr 24:13-14

In this edition of Plein Publiek, Ianthe Mosselman interviews theatre and film director Tea Tupajić. She survived the Bosnian war as a girl and twenty years later spoke with dozens of Dutch veterans about their experiences. In July 1995, 8.400 Bosnian Muslim men and boys were killed by Bosnian Serb forces, an act that was later declared genocide by the International Criminal Tribunal in The Hague. Her impressive book Zwarte Zomer is a poetic account of conversations with six veterans who were present.Tea Tupajić (Sarajevo, 1984) is a Croatian theatre and film director. Her works have been presented across Europe and The United States to international acclaim. In The Netherlands, about the Dutchbat she created the performance “DARK NUMBERS” and film “Darkness There and Nothing More” which premiered at IDFA2021 competition deserving the nominations for Best Dutch Film and Best First Feature.Tea Tupajić is a published writer and has served as a guest editor for the arts magazine Frakcija. Her texts have been translated into English, German, Dutch, Polish, Arabic and Hebrew. Zwarte zomer is her first book.Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

09/28/25 Fr Tariq Eissa - 4th Sunday of Elijah | 1st Sunday of the Cross (Arabic) by St. Peter's Chaldean Catholic Diocese

09/28/25 Fr Yousif Jazrawy - 4th Sunday of Elijah | 1st Sunday of the Cross (Arabic) by St. Peter's Chaldean Catholic Diocese

NHK WORLD RADIO JAPAN - Arabic News at 15:00 (JST), September 30

Isaiah 60:1-62:5, Phil 1:27-2:18, Ps 72:1-20, Pr 24:11-12

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Today I have the real pleasure of speaking with Maytha Alhassen and Halah Ahmad, two prominent feminist activists, writers, and scholars deeply committed to exploring the connections between the Arabic language, storytelling, and political agency, from the historical past to the present. We talk about the continuity of storytelling forms and techniques that bridge generations and support and convey a durable set of values and beliefs that resist western appropriation and distortion. These phenomena have everything to do with continuing and advancing the struggle for Palestinian rights and the celebration of Palestinian life.Halah Ahmad is a Harvard and Cambridge-trained writer, researcher, and political strategist whose work has appeared in multiple outlets from The Hill to Vox and the New York Times. She writes for Al-Shabaka, The Palestinian Policy Network and provides research and communications services to Palestinian and economic rights organizations across the country. Much of her work focuses on narrative change through storytelling in organizing and media. At a recent Stanford event, Halah discussed the historic forms of Palestinian storytelling, the Hakawati tradition, and the ways it has evolved and continued to be relevant amid the ongoing genocide. As a practitioner in the world of policy and politics, she grapples with the limitations of present avenues for Palestinian storytelling.Maytha Alhassen is a journalist, poet, community organizer, and scholar whose work bridges media, justice advocacy, research, and artistic expression. She's a Co-Executive Producer on Hulu's award-winning Ramy, Executive Producer of the award-nominated PBS docu-series American Muslims: A History Revealed, a Pop Culture Collaborative Pluralist Visionaries Fellow, TED Resident, and Harvard Religion and Public Life Art and Pop Culture Fellow (2021–2024), lectures at Stanford University's Center for Comparative Studies in Race and Ethnicity, and is currenlty a Research Fellow at the Center for Scholars and Storytellers at UCLA. As a journalist, she has hosted on Al Jazeera English, reported for CNN, Huffington Post, Mic, and The Baffler, and written for Boston Review and LA Review of Books. Her work explores how storytelling shapes cultural and political belonging, with a focus on Muslim representation and equity in popular culture. She co-edited Demanding Dignity: Young Voices from the Front Lines of the Arab Revolutions, authored Haqq and Hollywood: Illuminating 100 Years of Muslim Tropes and Traps and How to Transform Them, and has published widely in academic journals. She earned her Ph.D. in American Studies & Ethnicity from USC, an M.A. in Anthropology from Columbia, and a B.A. in Political Science and Arabic & Islamic Studies from UCLA. 

discover effective strategies and tips for learning Arabic

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learn how to write ء (hamza)

الحكمه حارسة اللطف  -  الجزء الثاني

09/21/25 Fr Sabri Kejbo - 3rd Sunday of Elijah (Arabic) by St. Peter's Chaldean Catholic Diocese

09/21/25 Msgr Philip Najim - 3rd Sunday of Elijah (Arabic) by St. Peter's Chaldean Catholic Diocese

Yousif Abbas is an internationally acclaimed Iraqi virtuoso Oud player, composer and cinematic music specialist. He's known for blending traditional Arabic music with modern cinematic language. He's the youngest oud instructor in the Arab world. His music has been featured in major Arabic dramas and he's won the Iraqi Prime Minister's Award for Artistic Innovation. And he's the lead composer for the TV series “Debriefing the President”, in which he also acts.My featured song is “Out Of Tahini”, from the album Play by my band Project Grand Slam. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH YOUSIF:www.yousifabbas.com—----------------------------------------ROBERT'S NEWEST SINGLE:“SUNDAY SLIDE” is Robert's newest single. It's been called “A fun, upbeat, you-gotta-move song”. Featuring 3 World Class guest artists: Laurence Juber on guitar (Wings with Paul McCartney), Paul Hanson on bassoon (Bela Fleck), and Eamon McLoughlin on violin (Grand Ole Opry band).CLICK HERE FOR ALL LINKSCLICK HERE FOR THE OFFICIAL VIDEO—-------------------------------------------ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

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learn 10 high-frequency expressions, including vocabulary for meals and ingredients

J.J. and Dr. Lital Levy explore the Jewish Nahda, and the border-ignoring breadth of the Haskalah. Follow us on Bluesky @jewishideaspod.bsky.social for updates and insights!Please rate and review the the show in the podcast app of your choice.We welcome all complaints and compliments at podcasts@torahinmotion.org  For more information visit torahinmotion.org/podcastsLital Levy is Associate Professor of Comparative Literature at Princeton University, where she teaches literature, critical theory, and intellectual history, with specializations in Hebrew, Arabic, Jewish studies and Middle Eastern studies. Her research encompasses the modern intellectual and cultural history of Arab Jews, literature and film from Israel/Palestine, the interface of Jewish literature and world literature, global Jewish literary history, and comparative non-Western literary modernities. She is the author of the award-winning book Poetic Trespass: Writing between Hebrew and Arabic in Israel/Palestine (Princeton UP, 2014) as well as numerous scholarly articles, and is co-editor of Unsettling Jewish Knowledge: Text, Contingency, Desire (University of Pennsylvania Press, 2023). She is completing a book about the Arabophone Jewish writer Esther Azhari Moyal (1873–1954) and is engaged in another book project on the Global Haskalah.

Falling Star Music Video https://www.youtube.com/@ElieAlHajjELYFacebookBioElie Al Hajj, known to fans as ELY, is a romantic at heart, a passionate musician, and a deeply emotional artist whose life experiences shine through every note he creates. A believer in love, a champion of heartfelt storytelling, and a devoted filmmaker, Elie has spent decades channeling his journey into art. His latest release, My Falling Star, captures the essence of that journey with raw honesty and lyrical beauty.Born on July 8, 1982, in Beirut during Lebanon's civil war, Elie was raised in a Christian Orthodox family where resilience and creativity flourished despite hardship. His father, Michael, a carpenter, instilled discipline and hard work, while his mother, Raymonda, encouraged his early love for singing even though she had set aside her own musical dreams. From an early age, Elie was captivated by the vibrant sound of 1980s hits, but it was the timeless melodies of The Beatles that truly ignited his passion. Inspired, he picked up an electric guitar and began composing songs that carried both joy and introspection.By 1996, Elie was refining his craft, and in 2000 he began performing publicly with his first band, Viceversa. These early years with classic rock cover bands laid the foundation for his later evolution into original, deeply personal compositions. His debut album, The Reflection of Changes (2012), showcased this growth while his parallel passion for cinema led him to direct and produce several feature-length films and shorts—works that, like his music, are rich in emotion and storytelling.After stepping away for a period to focus on film and personal milestones, Elie returned to music in 2025 with renewed energy. He began releasing songs in Arabic, culminating in My Falling Star, a song born from heartbreak yet filled with hope. Written after a profound breakup in 2024, the track draws inspiration from a night by the sea when Elie and his former partner witnessed a shooting star together. That fleeting, magical moment, later tinged with loss, became the foundation for a song that captures longing, reflection, and the fragility of human connection.For Elie, songwriting is cathartic. “I write from the heart,” he explains. “I've written more than 15 songs about my ex-girlfriend because every time we went through a breakup, a new song emerged. It's not all heartbreak—some songs capture happiness too. But the ones born from heartbreak carry the most intensity because solitude allows my feelings to flow freely.”The music video for My Falling Star heightens the song's emotional impact. Filmed at a historic seaside location in Lebanon during sunset, it reflects both vulnerability and strength. Elie recalls the exhilaration of performing on a massive stone wall with his custom-made guitar and a vintage 70s drum set, drawing inspiration from the timeless sound of bands like The Beatles and Keane.With decades of experience at the crossroads of music and cinema, Elie Al Hajj remains committed to creating art that resonates both emotionally and visually. His vision is clear: to leave a legacy as a kind, honest, and perfectionist artist whose work offers beauty in both joy and sorrow.My Falling Star is now available on YouTube.About Elie Al HajjElie Al Hajj is a Lebanese musician, composer, singer, producer, actor, and director. Known for blending heartfelt music with cinematic storytelling, he draws inspiration from personal experiences, classic rock influences, and a lifelong passion for film. His work reflects an unwavering commitment to authenticity, emotional resonance, and artistry.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

NHK WORLD RADIO JAPAN - Arabic News at 15:00 (JST), September 26

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In this episode, Samia interviews Eloise Parrab from the Tenants Union of NSW about tenant entitlements, law changes and what is to come. The interview is followed by a brief translation in Arabic and then in Urdu.

As a teenager in Cairo in the early 1940s, Inji Efflatoun made two great discoveries: art and the Communist Party. Although she was from an elite French-speaking background, Efflatoun chose to “re-Egyptianize” herself, pursue painting and throw herself full-heartedly into anti-imperialist, feminist and leftist agitation. She was eventually arrested during President Nasser's repression of Communists in the early 1960s. It was in prison that she embarked upon the most productive stage of her career as an artist. Today, her prison portraits and the vibrant, luminous paintings of Egyptian rural life she painted after her release are iconic. In this episode we speak to Ahmed Gobba and Avery Gonzales, co-translators of Efflatoun's 1993 memoir, “The Memoir of Inji Efflatoun: From Childhood to Prison.” The memoir is the nucleus of a new book, The Life and Work of Inji Efflatoun, published by SKIRA and edited by Sultan Sooud Al-Qassemi and Suheyla Takesh. It comes out in the US on October 7 and is available to pre-order now. You can view a digitalized collection of Efflatoun's work on the Barjeel Art Foundation's website and read a review of the book in the National by Razmig Bedirian. This episode was produced in collaboration with the Barjeel Art Foundation -- an independent Sharjah-based institution, founded in 2010 by Sultan Sooud Al-Qassemi to preserve, exhibit and research one of the most extensive collections of modern and contemporary art from the Arab World. One of the Barjeel Art Foundation's objectives is developing a public platform to foster critical dialogue around art practices, to convey nuanced Arab histories beyond the borders of culture and geography. For more information about the Barjeel Art Foundation's activities and exhibitions, please visit www.barjeelartfoundation.org You can subscribe to BULAQ wherever you get your podcasts. Follow us on Twitter @bulaqbooks and Instagram @bulaq.books for news and updates. If you'd like to rate or review us, we'd appreciate that. If you'd like to support us as a listener by making a donation you can do so at https://donorbox.org/support-bulaq. BULAQ is co-produced with the podcast platform Sowt. Go to sowt.com to check out their many other excellent shows in Arabic, on music, literature, media and more. For all things related to Arabic literature in translation you should visit ArabLit.org, where you can also subscribe to the Arab Lit Quarterly. If you are interested in advertising on BULAQ or sponsoring episodes, please contact us at bulaq@sowt.com. Hosted on Acast. See acast.com/privacy for more information.

learn how Arabic words created

Isaiah 45:11-48:11, Eph 4:1-16, Ps 68:19-35, Pr 24:3-4

In our new episode of ROPESCAST, we feature Rabbi Elhanan Miller, founding director of People of the Book, an educational non-profit that teaches Jewish faith and culture to Muslim audiences. Our guest offers a unique perspective on bridging religious divides through digital outreach that has reached remarkable scale - boasting some 500,000 subscribers and millions of monthly hits, primarily across the Arab Middle East. With remarkable insight, Miller shares his approach to breaking down stereotypes through viral social media content and discusses the critical importance of Arabic language learning, religious understanding, and the practical challenges of meaningful interfaith dialogue in today's Middle East.

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Isaiah 43:14-45:10, Eph 3:1-21, Ps 68:1-18, Pr 24:1-2

Arabic Sunday Sermon - 2nd Sunday of Thoout @ St. Reweis Coptic Orthodox Church - Wesley Chapel, FL ~ September 21, 2025 | Thoout 11, 1742

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Textual Life: Islam, Africa, and the Fate of the Humanities (Columbia University Press, 2025), is a groundbreaking book that recasts the role of knowledge in the making of a colonial and postcolonial nation. It makes a case for a new literary and intellectual-historical approach to Islam in Africa. The Senegalese Muslim scholar Shaykh Musa Kamara (1864–1945) wrote History of the Blacks, a monumental history of West Africa, in a time when colonial discourses asserted that Africans lacked both writing and history. He sought to publish a bilingual Arabic and French edition of the book by working with humanists in colonial institutions, but the project was ultimately undermined by the disregard of the French state. Textual Life considers Kamara's story as a parable about the fate of the humanities amid epistemic and technological change. Wendell H. Marsh argues that Kamara's scholarship reflected what he calls the textual attitude, an orientation to the world mediated by reading. Colonial humanists shared this attitude even while upholding racial and religious hierarchies, and they took an interest in African texts and traditions. The bureaucrats and technocrats who succeeded them, however, disdained such dialogue—for reasons that bear a striking resemblance to the algorithmic antihumanism that is ascendant today. Drawing on Kamara's body of work, colonial archival documents, and postcolonial knowledge production within Senegal, Textual Life offers a decolonial vision of the humanities. By engaging with African and Muslim intellectual resources, Marsh shows how thinkers like Kamara who were subjected to colonialism can help us find a future after empire. Wendell Marsh is Associate Professor of African Literature and Philosophy at Mohammed VI Polytechnic University. Madina Thiam is Fannie Gaston-Johansson Assistant Professor of History and Africana Studies at Johns Hopkins University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Textual Life: Islam, Africa, and the Fate of the Humanities (Columbia University Press, 2025), is a groundbreaking book that recasts the role of knowledge in the making of a colonial and postcolonial nation. It makes a case for a new literary and intellectual-historical approach to Islam in Africa. The Senegalese Muslim scholar Shaykh Musa Kamara (1864–1945) wrote History of the Blacks, a monumental history of West Africa, in a time when colonial discourses asserted that Africans lacked both writing and history. He sought to publish a bilingual Arabic and French edition of the book by working with humanists in colonial institutions, but the project was ultimately undermined by the disregard of the French state. Textual Life considers Kamara's story as a parable about the fate of the humanities amid epistemic and technological change. Wendell H. Marsh argues that Kamara's scholarship reflected what he calls the textual attitude, an orientation to the world mediated by reading. Colonial humanists shared this attitude even while upholding racial and religious hierarchies, and they took an interest in African texts and traditions. The bureaucrats and technocrats who succeeded them, however, disdained such dialogue—for reasons that bear a striking resemblance to the algorithmic antihumanism that is ascendant today. Drawing on Kamara's body of work, colonial archival documents, and postcolonial knowledge production within Senegal, Textual Life offers a decolonial vision of the humanities. By engaging with African and Muslim intellectual resources, Marsh shows how thinkers like Kamara who were subjected to colonialism can help us find a future after empire. Wendell Marsh is Associate Professor of African Literature and Philosophy at Mohammed VI Polytechnic University. Madina Thiam is Fannie Gaston-Johansson Assistant Professor of History and Africana Studies at Johns Hopkins University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

Textual Life: Islam, Africa, and the Fate of the Humanities (Columbia University Press, 2025), is a groundbreaking book that recasts the role of knowledge in the making of a colonial and postcolonial nation. It makes a case for a new literary and intellectual-historical approach to Islam in Africa. The Senegalese Muslim scholar Shaykh Musa Kamara (1864–1945) wrote History of the Blacks, a monumental history of West Africa, in a time when colonial discourses asserted that Africans lacked both writing and history. He sought to publish a bilingual Arabic and French edition of the book by working with humanists in colonial institutions, but the project was ultimately undermined by the disregard of the French state. Textual Life considers Kamara's story as a parable about the fate of the humanities amid epistemic and technological change. Wendell H. Marsh argues that Kamara's scholarship reflected what he calls the textual attitude, an orientation to the world mediated by reading. Colonial humanists shared this attitude even while upholding racial and religious hierarchies, and they took an interest in African texts and traditions. The bureaucrats and technocrats who succeeded them, however, disdained such dialogue—for reasons that bear a striking resemblance to the algorithmic antihumanism that is ascendant today. Drawing on Kamara's body of work, colonial archival documents, and postcolonial knowledge production within Senegal, Textual Life offers a decolonial vision of the humanities. By engaging with African and Muslim intellectual resources, Marsh shows how thinkers like Kamara who were subjected to colonialism can help us find a future after empire. Wendell Marsh is Associate Professor of African Literature and Philosophy at Mohammed VI Polytechnic University. Madina Thiam is Fannie Gaston-Johansson Assistant Professor of History and Africana Studies at Johns Hopkins University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

“Poetry is like one of the great loves of my life, and I think it's probably the longest relationship I'll ever have. I read a lot of poetry. I also wrote these short stories even when I was pretty young, like in second grade, and the stories kept getting shorter and shorter. My family used to go to Damascus in Syria and Lebanon every summer for three months until 2011, when the Civil War broke out in Syria. In 2015, we made our first return after that gap, and my father and I went to Lebanon for two weeks. It's the first time I felt that I belong. To the extent that was true or not, I'm obviously irrevocably American. I speak broken Arabic. I don't think I could ever live in Lebanon or Syria. But for what it was worth at 15 years old, it was a life-changing trip. I wrote my first official poem on the plane back to San Diego from that trip, and I feel that was a formative moment for me. I felt that I had a story to tell and wanted to put it to paper in the form of poetry.”In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liutalks with poet Maya Salameh about her poetry collection, How to Make an Algorithm in the Microwave, which won the prestigious Etel Adnan Poetry Prize in 2022. The judges remarked, “Maya Salameh's poetry stood out for its inventiveness in cracking the code of life ‘between system and culture'…The turns and swerves the poems make are astonishing; the expectations they upend are remarkable… It's a testament to the aesthetic boundaries and intellectual revolt poets of Arab heritage are pushing, breaking, and reinventing.” We talk about what led her to both technology and poetry, language and story-telling, and the challenges and joys of representing life in the diaspora. In a time of war and genocide, Salameh's poetry shows how patterns of life and reproduction and desire persist. In her readings and discussions of three poems, we find a new lexicon and a new grammar.Maya Salameh is the author of MERMAID THEORY (Haymarket Books, 2026), HOW TO MAKE AN ALGORITHM IN THE MICROWAVE (University of Arkansas Press, 2022), winner of the Etel Adnan Poetry Prize, and the chapbook rooh (Paper Nautilus Press, 2020). She has received fellowships from the National Endowment for the Arts, Sewanee Writers' Conference, Bread Loaf Environmental Writers' Conference, and the President's Committee for the Arts and Humanities, and served as a National Student Poet, America's highest honor for youth poets. Her work has appeared in The Offing, Poetry, Gulf Coast, The Rumpus, AGNI, Mizna, and the LA Times, among others. @mayaslmhhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

“Poetry is like one of the great loves of my life, and I think it's probably the longest relationship I'll ever have. I read a lot of poetry. I also wrote these short stories even when I was pretty young, like in second grade, and the stories kept getting shorter and shorter. My family used to go to Damascus in Syria and Lebanon every summer for three months until 2011, when the Civil War broke out in Syria. In 2015, we made our first return after that gap, and my father and I went to Lebanon for two weeks. It's the first time I felt that I belong. To the extent that was true or not, I'm obviously irrevocably American. I speak broken Arabic. I don't think I could ever live in Lebanon or Syria. But for what it was worth at 15 years old, it was a life-changing trip. I wrote my first official poem on the plane back to San Diego from that trip, and I feel that was a formative moment for me. I felt that I had a story to tell and wanted to put it to paper in the form of poetry.”In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liutalks with poet Maya Salameh about her poetry collection, How to Make an Algorithm in the Microwave, which won the prestigious Etel Adnan Poetry Prize in 2022. The judges remarked, “Maya Salameh's poetry stood out for its inventiveness in cracking the code of life ‘between system and culture'…The turns and swerves the poems make are astonishing; the expectations they upend are remarkable… It's a testament to the aesthetic boundaries and intellectual revolt poets of Arab heritage are pushing, breaking, and reinventing.” We talk about what led her to both technology and poetry, language and story-telling, and the challenges and joys of representing life in the diaspora. In a time of war and genocide, Salameh's poetry shows how patterns of life and reproduction and desire persist. In her readings and discussions of three poems, we find a new lexicon and a new grammar.Maya Salameh is the author of MERMAID THEORY (Haymarket Books, 2026), HOW TO MAKE AN ALGORITHM IN THE MICROWAVE (University of Arkansas Press, 2022), winner of the Etel Adnan Poetry Prize, and the chapbook rooh (Paper Nautilus Press, 2020). She has received fellowships from the National Endowment for the Arts, Sewanee Writers' Conference, Bread Loaf Environmental Writers' Conference, and the President's Committee for the Arts and Humanities, and served as a National Student Poet, America's highest honor for youth poets. Her work has appeared in The Offing, Poetry, Gulf Coast, The Rumpus, AGNI, Mizna, and the LA Times, among others. @mayaslmhhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

“Poetry is like one of the great loves of my life, and I think it's probably the longest relationship I'll ever have. I read a lot of poetry. I also wrote these short stories even when I was pretty young, like in second grade, and the stories kept getting shorter and shorter. My family used to go to Damascus in Syria and Lebanon every summer for three months until 2011, when the Civil War broke out in Syria. In 2015, we made our first return after that gap, and my father and I went to Lebanon for two weeks. It's the first time I felt that I belong. To the extent that was true or not, I'm obviously irrevocably American. I speak broken Arabic. I don't think I could ever live in Lebanon or Syria. But for what it was worth at 15 years old, it was a life-changing trip. I wrote my first official poem on the plane back to San Diego from that trip, and I feel that was a formative moment for me. I felt that I had a story to tell and wanted to put it to paper in the form of poetry.”In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liutalks with poet Maya Salameh about her poetry collection, How to Make an Algorithm in the Microwave, which won the prestigious Etel Adnan Poetry Prize in 2022. The judges remarked, “Maya Salameh's poetry stood out for its inventiveness in cracking the code of life ‘between system and culture'…The turns and swerves the poems make are astonishing; the expectations they upend are remarkable… It's a testament to the aesthetic boundaries and intellectual revolt poets of Arab heritage are pushing, breaking, and reinventing.” We talk about what led her to both technology and poetry, language and story-telling, and the challenges and joys of representing life in the diaspora. In a time of war and genocide, Salameh's poetry shows how patterns of life and reproduction and desire persist. In her readings and discussions of three poems, we find a new lexicon and a new grammar.Maya Salameh is the author of MERMAID THEORY (Haymarket Books, 2026), HOW TO MAKE AN ALGORITHM IN THE MICROWAVE (University of Arkansas Press, 2022), winner of the Etel Adnan Poetry Prize, and the chapbook rooh (Paper Nautilus Press, 2020). She has received fellowships from the National Endowment for the Arts, Sewanee Writers' Conference, Bread Loaf Environmental Writers' Conference, and the President's Committee for the Arts and Humanities, and served as a National Student Poet, America's highest honor for youth poets. Her work has appeared in The Offing, Poetry, Gulf Coast, The Rumpus, AGNI, Mizna, and the LA Times, among others. @mayaslmhhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

“Poetry is like one of the great loves of my life, and I think it's probably the longest relationship I'll ever have. I read a lot of poetry. I also wrote these short stories even when I was pretty young, like in second grade, and the stories kept getting shorter and shorter. My family used to go to Damascus in Syria and Lebanon every summer for three months until 2011, when the Civil War broke out in Syria. In 2015, we made our first return after that gap, and my father and I went to Lebanon for two weeks. It's the first time I felt that I belong. To the extent that was true or not, I'm obviously irrevocably American. I speak broken Arabic. I don't think I could ever live in Lebanon or Syria. But for what it was worth at 15 years old, it was a life-changing trip. I wrote my first official poem on the plane back to San Diego from that trip, and I feel that was a formative moment for me. I felt that I had a story to tell and wanted to put it to paper in the form of poetry.”In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liutalks with poet Maya Salameh about her poetry collection, How to Make an Algorithm in the Microwave, which won the prestigious Etel Adnan Poetry Prize in 2022. The judges remarked, “Maya Salameh's poetry stood out for its inventiveness in cracking the code of life ‘between system and culture'…The turns and swerves the poems make are astonishing; the expectations they upend are remarkable… It's a testament to the aesthetic boundaries and intellectual revolt poets of Arab heritage are pushing, breaking, and reinventing.” We talk about what led her to both technology and poetry, language and story-telling, and the challenges and joys of representing life in the diaspora. In a time of war and genocide, Salameh's poetry shows how patterns of life and reproduction and desire persist. In her readings and discussions of three poems, we find a new lexicon and a new grammar.Maya Salameh is the author of MERMAID THEORY (Haymarket Books, 2026), HOW TO MAKE AN ALGORITHM IN THE MICROWAVE (University of Arkansas Press, 2022), winner of the Etel Adnan Poetry Prize, and the chapbook rooh (Paper Nautilus Press, 2020). She has received fellowships from the National Endowment for the Arts, Sewanee Writers' Conference, Bread Loaf Environmental Writers' Conference, and the President's Committee for the Arts and Humanities, and served as a National Student Poet, America's highest honor for youth poets. Her work has appeared in The Offing, Poetry, Gulf Coast, The Rumpus, AGNI, Mizna, and the LA Times, among others. @mayaslmhhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

Mike welcomes Emirati filmmaker Majid Al Ansari to discuss The Vile (2025), his long-awaited return to the director's chair after nearly a decade. Known as Hoba in Arabic, the film is a psychological horror story about Amani, a wife and mother whose world collapses when her husband brings home a second wife with seemingly supernatural powers. Drawing on myths and superstitions surrounding polygamy, Al Ansari literalizes whispered fears into a chilling tale of possession, betrayal, and domestic dread. Mike and Majid talk about his journey from his acclaimed debut Zinzana to producing and directing for television, his cinephile passions, and how The Vile takes folklore and turns it into unnerving, cinematic horror.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth