Podcast appearances and mentions of Conrad Schnitzler

Today on Line Noise, something of a Krautrock special as we speak to Wolfgang Seidel, the former drummer in Eruption, a group founded by (former Tangerine Dream and Kluster member) Conrad Schnitzler, that was once described as “a thinktank for the then explosive Krautrock scene”. Seidel is also the author of a new book: Krautrock Eruption – An Introduction To German Electronic Music 1970-1980, which I thoroughly recommend. Obviously, we spoke about Krautrock, its influences today, about alternative histories, Kraftwerk, capitalism and more. Enjoy it and just remember - Line Noise comes to you with the support of Cupra.

Today on Line Noise, something of a Krautrock special as we speak to Wolfgang Seidel L, the former drummer in Eruption, a group founded by (former Tangerine Dream member and then current Kluster member) Conrad Schnitzler, that was once described as “a thinktank for the then explosive Krautrock scene”. Seidel is also the author of a new book: Krautrock Eruption – An Introduction To German Electronic Music 1970-1980, which I thoroughly recommend. Obviously, we spoke about Krautrock, its influences today, about alternative histories, Kraftwerk, capitalism and more. Enjoy it and just remember - Line Noise comes to you with the support of Cupra.

Episode 138 Electronic Music of Conrad Schnitzler—A Retrospective, Part 1. Playlist Time Track Time* Start Introduction –Thom Holmes 06:06 00:00 Conrad Schnitzler, “Meditation” from Rot (Red) (1973 Conrad Schnitzler Self-released. Composed, performed, recorded, and produced by Conrad Schnitzler. 19:44 08:28 Conrad Schnitzler, “Die Rebellen Haben Sich In Den Bergen Versteckt” from Blau (Blue) (1974 Conrad Schnitzler Self-released. Composed, performed, recorded, and produced by Conrad Schnitzler. 18:44 28:06 Conrad Schnitzler, “05/1975 B (6:11),” “05/1975 A (4:29),” “12/1975 A (1:53),” “14/1975 A (2:21),” “03/1975 A” from Filmmusik 2 (2017 Bureau B). Composed, performed, recorded, and produced by Conrad Schnitzler.These works were for composed for films that did not yet (most never) existed. They date from 1975 and fill an interesting niche in his work from the time. These shorter works contrast nicely to the extended works that he was producing up until this time. 18:47 45:40 Conrad Schnitzler + Wolf Sequenza, “Nächte In Kreuzberg” (3:48), “Humpf” (2:51), “M5-477” (4:39), “Pendel” (4:16), “Wer Geht Da?” (3:46), and “Copacabana” (5:17) from Consequenz (1980 Conrad Schnitzler Self-released). Composed, performed, recorded, and produced by Conrad Schnitzler and  Wolf Sequenza (Wolfgang Seidel). 24:36 01:05:22 Note: These are all complete album sides. For Filmmusic 2 and Consequenz, the album sides include several individual tracks and the timings for each are shown in parentheses in the descriptions above. Opening background music: Conrad Schnitzler, “Untitled” (excerpt, side A) of the Red Cassette (1974 Conrad Schnitzler Self-released) (09:08).   Introduction to the podcast voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.      

CITR's 24 Hours of Radio Art in a snack-sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something. This Friday night's broadcast features Starterra, Tomoyoshi Date / Bill Seaman, Dave Phillips, Abdullah Miniawy, Kloob, SILENI, Vioro Vio, Conrad Schnitzler, Moskitoo, Toni Dimitrov / Stefan Christoff's “Balkan Winds“, Bestia Astrum, The Sea Of Wires, and Vancouver's Stefan Smulovitz.

CITR's 24 Hours of Radio Art in a snack-sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something. This Friday night's broadcast features CONRAD SCHNITZLER, LARMSCHUTZ, HANS CASTRUP / JAMES HILL, BVDUB, and v/a INVISIBLE COMMA - TRIESTE SCIENCE + FICTION FESTIVAL.

This edition's lineup brings many of the regular artist's new albums we've supported over many years. With David Wright's 30th solo release ‘Fade', his music drifts between waves of gentle ambience and the dynamism of pulsating sequences. Hailing from the mystical isles of New Zealand, long-established Spotted Peccary Music artist Rudy Adrian. Steve Hillman has always been drawn to early music from the Medieval period onwards into the Renaissance and beyond, and this is shown in his new album ‘Vestiges'. Jarguna, the Italian sonic alchemist Marco Billi's new release ‘Hanami' shimmers with luminous electronic ambience. Flip-Flap is pleased to announce the series of works chosen by Conrad Schnitzler and John 3:16 nine-track album The Pact, in which the American producer shows an enormous aptitude for combining different sound concepts such as industrial, post-metal, or dark wave. We kick off with ‘Life Sidereal,' which represents Erothyme's journey, under the aegis of Blue Tech, into the world of analogue and modular synthesis. Download Bios: https://we.tl/t-OgSzMtnRCF Playlist No 250 00.59 Erothyme ‘Weightless Time' (album Life Sidereal) https://erothyme.bandcamp.com 04.59 Erothyme ‘Earth Analogue' 09.46 Erothyme 'Soft Landing On Violet Exoflora' 12.20 Erothyme ‘Boundless Again' 14.36 Ehsan Gelsi ‘Exploration' (album Ephemera) *** https://ehsangelsi.bandcamp.com/album/ephemera 25.33 David Wright ‘Sleeper At The Gates Of Dawn' (album Fade) www.admusicshop.com 30.00 David Wright ‘Crossing The Threshold' 36.14 David Wright ‘Planet Nine' 39.25 David Wright ‘Rogue' 40.26 Blue Is Nine ‘Weaving Threads Through the Fabric of Reality' (album Ubiquity) https://blueisnine.bandcamp.com/album/ubiquity 48.49 Rudy Adrian ‘Mirror Island/Lunar Shadow/The Belt Of Orion' (album Reflections On A Moonlit Lake) https://rudy-adrian.bandcamp.com 58.28 Aglaia ‘Senses & Ideograms' (album Inner Inchantments) https://www.projekt.com 01.07.14 Subclavian 'Subclavian II' (album Subclavian I) *** https://phobos.bandcamp.com 01.16.49 Cosmic Ground ‘Eternal Autumn/Melted Past' (Melt) https://cosmicground.bandcamp.com 01.25.14 Stephen Parsick ‘Impact 2024 remix radio edit' (EP impact single mixes) https://stephenparsick.bandcamp.com 01.28.25 Plant 43 ‘Jagged Circles' (album Partials III, Various) https://frequencydomain.bandcamp.com/album/partials-iii 01.33.13 Jo Johnson ‘Marked By Chaos' (album Partials III, Various) https://frequencydomain.bandcamp.com/album/partials-iii 01.38.42 Polypores ‘There Are Other Worlds' (album Infinite Interiors) https://polypores.bandcamp.com/album/wf-67-infinite-interiors 01.44.10 JOHN 3:16 ‘Prince of Lies/King Of The Night' (album The Pact) https://alrealonmusique.bandcamp.com 01.50.43 JOHN 3:16 ‘E'en Hell Hath Its Peculiar Laws' 01.52.04 RL Hubert ‘Restless Sun/Underneath/Inverted Horizon'(album Memories Of Falling) https://rlhuber.bandcamp.com/album/memories-of-falling 01.59.33 Conrad Schnitzler ‘Aufzug 03/07/10' (album Aufzug) https://flip-flap.bandcamp.com 02.10.57 Thaneco ‘HAT-P-11b' (album Ocean Worlds) https://thaneco.bandcamp.com 02.19.35 Roger Clark Miller ‘Dream Interpretation #20'(album Eight Dream Interpretation) https://cuneiformrecords.bandcamp.com/album/eight-dream-interpretations-for-solo-electric-guitar-ensemble 02.24.12 Medievalus ‘The Darkest Morning/Sanctuary/Amor Triumphat' (album Vestiges) https://stevehillman.bandcamp.com/album/vestiges 02.33.13 Ivan Black ‘Lost City Lights/‘The Gentle Assassin' (album Lost City Lights) https://ivanblack.bandcamp.com 02.47.33 Thaneco ‘Remembering Vangelis' 02.52.10 Christian Wittman ‘Moon Liberation' (album The Story Of The Sun, Moon, and Stars) https://christianwittman.bandcamp.com/album/ 02.56.23 Jarguna ‘Hanami (428Hz)' (album Hanami) https://projektrecords.bandcamp.com Edit ***

Episode 110 Before and After Ambient, Part 1 Playlist Erik Satie, “Vexations” (1893-94), First, we will hear two piano versions (1 and 4) of this short work that was intended to be played repeatedly in one sitting 840 times in succession. The piano version was performed by Jeroen van Veen on the album Satie, Complete Piano Music (2016 Brilliant Classics). Then, we will hear an electronic version by Bhutan from Vexations (2016 Venado). Argentinean group Bhutan realized this electronic version of the Erik Satie piece in 2016. I thought it would be fitting to open the program with this because Satie's was one of the first works to be recognized in recent times as a kind of proto ambient composition. Satie preferred the term “furniture music” and thought that it would be suitable for background sound during a dinner party. The Bhutan version, realized in electronic instrumentation, is a fitting bridge of the old and the new when it comes to ambient compositions. John Cage, “In A Landscape” (1948) from In A Landscape played by Victoria Jordanova (2007 Arpaviva Recordings). This early Cage work was originally arranged either for piano or harp. It is very much the interpretation that makes this akin to ambient music. I selected this version for electric harp because it maintains the original's sense of suspended time and energy. I also like William Orbit's version but he took the orchestration to greater lengths and transforming it into something not so ambient. There is also a really quiet piano version by Stephen Drury which remains true to Cage's original intent of being “soft and meditative” with “resonances” being sustained by depressing both pedals throughout the performance. But I included this version for electric harp by Jordanova because it is more in tune with the electronic nature of the music we feature in this program. Morton Feldman, “Projection 1” (1950) from Arne Deforce, Yutaka Oya, Patterns In A Chromatic Field (2009 Aeon). Cello, Arne Deforce; Piano, Yutaka Oya; composed by, Morton Feldman. This is an acoustic work by Feldman (I couldn't find any electronic renditions) but I include it to draw similarities to the work of Harold Budd, also a pianist. In fact, Feldman was a long-standing favorite of Budd. Raymond Scott, “Sleepy Time” from Soothing Sounds for Baby, Volume 1 (1964 Epic). This legendary work is from a set of electronic and ambient records that Scott produced in the early 1960s as background music to help babies go to sleep. The electronic music was produced with his own creation, the Electronium, a from-scratch built custom synthesizer that combines electronic sequencing with tone generation and various filters. Eliane Radigue, “Vice - Versa, Etc. (Mix 1)” (1970) from (2013 Vice - Versa, Etc.). Processed tape reorder feedback. Realized at the composer's studio in Paris. Premiered in 1970 at Galerie Lara Vincy in Paris, on the occasion of a group exhibition. The stereo synthesis presented here was made in Lyon at Studio Fluorescent between 2010 and 2011 by Emmanuel Holterbach. Produced, composed, recorded using feedback by Eliane Radigue. Originally conceived as a sound installation, using several reel-to-reel tape players controlled through a mixing desk. The tapes could be played at different speeds, either forward or backward, right channel only, left channel only or simultaneously. The audience could create their own mix. Teresa Rampazzi (N.P.S.), “Environ” (1970) from Musica Endoscopica (2008 Die Schachtel). Created in 1970, this work represents a kind of reproduction in electronic sound of an ambient environment, peppered with noise and even voice. Rampazzi was a pioneering female composer of electronic music who founded the N.P.S. (Nuove Proposte Sonore) group and studio, where this was realized. Harmonia, “Hausmusik” from Harmonia (1974 Brain). Recorded and produced June - November '73 in the Harmonia home studio. Guitar, Piano, Organ, electronic percussion, Michael Rother; Organ, Keyboards, Guitar, electronic percussion, J. Roedelius; Synthesizer, Guitar, electronic percussion, D. Moebius. Brian Eno, “Discreet Music” (excerpt) from Discreet Music (1976 Obscure). Synthesizer with Digital Recall System, Graphic Equalizer, Echo Unit, Delay, Tape, Brian Eno. Brian Eno (b. 1948) worked with tape delay much in the manner defined by Oliveros for I of However, he expressed a somewhat indifferent attitude toward the outcome. He described the realization of Discreet Music (1975): “Since I have always preferred making plans to executing them, I have gravitated toward situations and systems that, once set into operation, could create music with little or no intervention on my part. That is to say, I tend toward the roles of planner and programmer, and then become an audience to the results.” Eno's composition consisted of a diagram of the devices used to generate the music. His approach was identical to that of Oliveros except that the sound material was specifically melodic and he did not modify or interact with the sound once the process was set in motion. The result in Discreet Music is the gradual transformation of a recognizable musical phrase. These 10 minutes are excerpted from the beginning of the extended work lasting 31 minutes. Brian Eno, “Through Hollow Lands (For Harold Budd)” from Before and After Science (1977 Island). Bass, Paul Rudolph; Vocals, Bell, Mini-Moog, CS80, AKS synthesizers, piano, guitar, Brian Eno. This is one of the only tracks that I would consider to be ambient from this album. Robert Ashley, “Automatic Writing” (excerpt) (1974–79) from Automatic Writing (1979 Lovely Music). This work was much talked about when it was released on record by Lovely Music Ltd. in 1979. Ashley wrote it over a five-year period after having just come back from his self-imposed exile from composing in the early 1970s. He performed it many times in various formative stages with the Sonic Arts Union before finally committing it to disc. It does indeed have a vocal, but it is also imbued with quiet, ASMR kinds of sounds that mesmerize. The basic musical material of Automatic Writing was the spoken voice, closely miked, uttering what Ashley characterized as “involuntary speech”: random, seemingly rational comments that might not make sense at all, depending on the context in which they were heard. These 10 minutes are excerpted from the beginning of the extended work lasting 46 minutes. Sri Dinesh, “Le Chant Des Étoiles” from Para Symphonie (1978 Alain Grima). French album of music to accompany meditation. It consists largely of short, repeated organ patterns and falls within the frame of mind for which ambient music was intended. Brian Eno, “2/2” from Ambient 1: Music for Airports (1978). Engineer, Conny Plank (yes, the producer of Kraftwerk). Composed, conceptualized, produced and engineered by Brian Eno. Theresa Rampazzi, “Atmen Noch” (1980) from from Musica Endoscopica (2008 Die Schachtel). Conrad Schnitzler, “Control B” from Control (1981 Dys). Edition of 1000 copies. An electronic work by Schnitzler, who played the devices, produced, and recorded the music. Opening background music: Brian Eno and Peter Chilvers, Bloom 3.2 (10) (2014 Opal Ltd.). Bloom is a generative music application that composes ambient music. This recording was made using Bloom running in “Classic” mode on a Macbook Pro running Ventura 13.5.2. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.  

Diese "elektro beats"-Ausgabe hat Olaf Zimmermann mit "Only Vinyl" überschrieben. Er spielt ausschließlich Musik von Platten und macht auch noch einmal eine Nachlese zum diesjährigen "Record Store Day". Mit dabei sind Nabihah Igbal, Leftfield, Daniel Myer, The Orb, Amorphous Androgynous, Anika, Conrad Schnitzler, St.Raumen, Daft Punk, Moderat, LP Giobbi und Brian Eno. Er ist ab Oktober erstmal auf Tournee mit der Liveaufführung seines Albums "The Ship". Aus dem ist eine komplette LP-Seite zu hören.

Bernd Kistenmacher kennt man als Musiker und Labelbetreiber. Seit jüngster Zeit ist er auch Autor. Aktuell ist das 800 Seiten umfassende Buch "Ferne Ziele: Geschichten über die Berliner Schule der elektronischen Musik" erschienen. In dieser "elektro beats"-Ausgabe begrüßt Olaf Zimmermann Bernd Kistenmacher als seinen Studiogast. Es geht um seine Biografie, die in den ersten Kapiteln eine Rolle spielt und die zahlreichen Protagonisten, die er für das Buch interviewt hat und von denen in der Sendung auch ganz viel Musik zu hören sein wird. Dazu zählen Klaus Schulze, Harald Großkopf, Agitation Free, Michael Hoenig, Manuel Göttsching, Conrad Schnitzler, Clara Mondshine, Tangerine Dream, Ash Ra Tempel, Gilles Zeitschiff, Cluster, Günter Schickert und Titel von Bernd Kistenmacher selbst.

With a third of the year already gone by, the so-called pandemic has quietly dropped out from the main media news, but more worrying is the war continuing in Ukraine with no end in sight. As you know, we've supported Ukraine & Russian musicians with no malice to the latter, any music from them kept out of the politics of this war. The lineup for this edition is mostly names that have appeared before on Sequences, except for Alpha Romeo's sublime mixes of retro synth urban vibes with quality production. Beatless mixtures of treated guitar and electronics inspired by nature and effects treatments by Trem 77. On Tone Science no 7 are modular synthesists Andrew Ostler, three aspects of drones sequences & audio processing, with Dark Sparkler creating a stormy shipwreck of a patch with siren calls & turbulent water., finally Shajan on the relaxing subtle and multi-faceted music from another excellent compilation from BSC Music. The vintage track comes from the prolific German experimental musician Conrad Schnitzler associated with West Germany's Kraut rock movement, who joined Tangerine Dream for their debut album Electronic Meditation in 1970 and the founder of the band Kluster. Conrad passed away in 2011. Playlist no 231 02.18 Alpha Romeo ‘Open Your Mind-Stereo Dwarf Mix' (album In The Mix )https://alpharomeomusic.bandcamp.com 10.21 Thaneco ‘The Face Of Cydonia' (album Structures Of Mars) https://thaneco.bandcamp.com 18.04 Thaneco ‘Telepathy' (album Nemesis) https://thaneco.bandcamp.com 28.43 Stan Dart with Colin Rayment ‘Future Dream State'(album Dreams) https://standartmusicbox.bandcamp.com 37.48 Stan Dart ‘Darkness' 45.46 The Allegorist ‘Born In The River' (album Tekhenu) https://theallegorist.bandcamp.com/album/tekhenu 48.16 The Allegorist ‘Howling With The Wolf' 52.07 Cosmic Ground ‘Space Seed' (album Entropy) https://cosmicground.bandcamp.com/album/entropy 01.01.30 Stratosphere ‘Cyclus 2' (album Cyclus) https://projektrecords.bandcamp.com 01.11.14 Wilma Hulten & Elif Yalvac 'Orchestra Of Light' (album My Heart Of Noise) //mollerrecords.bandcamp.com/album/my-heart-of-noise 01.17.34 Kristoffer Lislegaard & Elif Yalvac “Gate Check' (album My Heart Of Noise) 01.23.26 Conrad Schnitzler ‘Zug' (album Con) https://conradschnitzler.bandcamp.com/album/con B.F.T.P. 01.28.52 Frore ‘Algae Bloom' (album Biome) https://frore-spm.bandcamp.com/album/biome 01.37.28 Andrew Ostler ‘Hecataea' (album Tone Science Module No7: Cause & Effect) www.DiN.org.uk 01.44.18 Dark Sparkler ‘Flutter' (album Tone Science Module No7: Cause & Effect) 01.50.41 Ivan Black ‘Erato' (album The Muses) https://ivanblack.bandcamp.com 01.58.27 Anantakara ‘After The Rain' (album Before Completion) https://anantakara.bandcamp.com/album/before-completion 02.03.50 Anantakara ‘In Her Open Eyes' 02.10.37 Shajan ‘Mantra Healing Circle' (album v/a Imagine) www.bscmusic.com 02.13.59 Vamadeva ‘Cosmic Dream' (album v/a Imagine) 02.18.36 Gleisberg ‘Landscape' (album v/a Imagine) 02.20.35 Bernd Scholl 'Time Stands Still' (album v/a Imagine) 02.24.12 Jarguna ‘Gamma Grain' (album Granular Day In The Blue) *** www.projekt.com 02.34.16 Jarguna ‘A Perfect Hazy Day' *** 02.41.47 Romerium ‘The Sense of Peace and Tranquility' (album Greenfields) https://romerium.bandcamp.com 02.48.21 Trem77 ‘Flowers & Ruins' (EP Intertwine) https://trem77.bandcamp.com/album/intertwine-ep 02.52.09 Nimrod Scott ‘Binary Tydes' (album Binary Tydes) https://aegyre.bandcamp.com/album/binary-tydes

Hanté par le vacarme des bombardements de la seconde guerre mondiale, et par les bruits des machines d'usines, Conrad Schnitzler grandit dans une Allemagne en reconstruction et tourne ses oreilles vers les expérimentations électroacoustiques de Karlheinz Stockhausen. À la fin des années 60, il fonde à Berlin un laboratoire artistique, le Zodiac Club (ou Zodiac Free Arts Lab), installé dans un théâtre de Kreuzberg. Là-bas, il s'y livre avec quelques usuals suspects de la scène arty berlinoise, à des expérimentations sonores, des improvisations bruitistes et enregistre quelques signes avant-coureurs du Krautrock, le penchant psyché allemand du rock. Dans cette traque, on croisera des groupes phares du mouvement, Agitation Free, Kluster, Tangerine Dream, Ashra Temple, avec quelques clins d'œil appuyé à Kraftwerk les Beatles, ou Salvador Dali. 

Alle fünf Jahre braucht Dan Snaith eine Pause von Caribou, um mit seinem spannenderen Nebenprojekt **Daphni** die tanzbaren und roughen Seiten seiner Sample-House-Musik auszuloten. Aber wie nahe sind sich die Projekte mittlerweile eigentlich und lohnt die Differenzierung noch? **Loraine James** ist derweil zum zweiten Mal in diesem Jahr Thema bei uns und präsentiert eine Hommage an den früh verstorbenen, queeren Komponisten Julius Eastman, der als Schwarzer Mann in den 80ern zu Unrecht aus dem Gedächtnis der alternativen und minimalen Klassik gestrichen wurde. Spalter der Ausgabe ist der Glam-Post-Punk der Amerikaner*innen von **Thus Love**, während die verschollen geglaubte Musik von Jamie Hodge alias **Born Under A Rhyming Planet** frickeligen und fast sensationellen Ambient-Jazz zutage befördert und **Conrad Schnitzlers** Archiv dank der Arbeit von Baal & Mortimer einen neuen Anstrich erhält. Plus 17 neue Songs im Track17 Musikpodcast inkl. LCD Soundsystem, Clark, Carla dal Forno, Sorry, Crack Cloud, Perera Elsewhere, Gold Panda uvm. Alle Songs zu allen Folgen auf unserer Playlist [Playlist auf Spotify "Track17 - Playlist zum Podcast"](https://open.spotify.com/playlist/7AtwymJUY4fJxsIlWedMGB?si=a5e668c2155a4d74) [Setlist] - [00:00:00] Intro + die letzten Ausgaben - [00:02:42] Zuletzt gehört: Zum Tod von Pharoah Sanders - [00:05:28] **Daphni // Cherry (Jialong)** - [00:15:06] Playlist Part 1: Perera Elsewhere, Christina Vantzou, Sorry, James K - [00:19:38] **Loraine James // Building Something Beautiful For Me (Phantom Limb)** - [00:31:55] **Thus Love // Memorial (Captured Tracks)** - [00:40:21] Playlist Part 2: Carla dal Forno, Gold Panda, A+A, Crack Cloud - [00:43:06] **Born Under A Rhyming Planet // Diagonals (DDS)** - [00:50:51] **Conrad Schnitzer + Baal & Mortimer // Con-Struct (Bureau B)** - [00:58:27] Playlist Part 3: Ryuichi Sakamoto & Thundercat, Mogwai, LCD Soundsystem, Clark - Jetzt auf Spotify abonnieren.

Wir besprechen und empfehlen wieder die spannendste Musik der letzten Wochen. In Folge 37: Auf seinem Warp-Debütalbum „Loggerhead“ vermischt der Londoner** Wu-Lu** Hip- und TripHop, Post Punk, Screamo und Electronica zu einer sehr eigenwilligen Gemengelage. Die US-Koreanerin **Yaeji** veröffentlicht ihre beiden ersten EPs aus dem Jahr 2017 als Compilation-Album und zeigt damit, dass House und HipHop gut zusammengehen können, wenn's dabei nicht unbedingt auf die 12 geht. Mit einer Vielzahl an akustischen Percussion-Instrumenten und wortlosen Stimmen erzeugt das Duo **Salamanda** aus Südkorea auf „Ashbalkum“ eine traumhafte Musik aus Ambient, koranischem Folk und Minimal Music. Die Trompeterin Jaimie Branch und der Schlagzeuger Jason Nazary haben mit dem dritten **Anteloper**-Album „Pink Dolphins“ ein Monster aus Jazz, Elektronik und experimenteller Weirdness geschaffen. Ähnlich monströs vermischt das **Robocobra Quartet** aus Nordirland Jazz, Post-Punk und Sprechgesang zu einer ganz besonderen Art von Future Indie. Dazu stellen wir 12 weitere Songs des Monats vor: Breakbeats von luis, No Wave von Automatic, Bass und Techno von Objekt, RnB aus Österreich von Wandl, Synth Punk von screensaver, ein neuer Actress-Remix uvm. Alle Songs zu allen Folgen auf unserer Playlist "Track17 - Playlist zum Podcast" [Setlist] - [00:00:00] Intro - [00:03:30] Zuletzt gehört: The Go-Betweens und Techno-Tipps durch Plattenläden in Marseille - [00:07:58] **Wu-Lu // Loggerhead (WARP)** - [00:16:33] Playlist Part 1: luis, Ellen Arkbro, Automatic, Luke Vibert - [00:19:57] **Yaeji // EPs 1+2 (self-released)** - [00:29:42] **Salamanda // Ashbalkum (Human Pitch)** - [00:37:49] Playlist Part 2: Conrad Schnitzler, Christina Vantzou, screensaver, Objekt - [00:40:50] **Anteloper // Pink Dolphins (International Anthem)** - [00:48:56] **Robocobra Quartet // Living Isn't Easy (First Taste)** - [00:56:25] Playlist Part 3: Wandl, Carmen Villain, Pyrolator, Low End Activist - Jetzt auf Spotify oder Apple Music abonnieren. **Neue Songs auf der Playlist:** Wu-Lu - Road Trip Yaeji – Full Of It Salamanda - Catching Tails Anteloper – Baby Bota Hallocenation Robocora Quartet - Wellness luis - we still or nah Johan Graden, Ellen Arkbo - Close Automatic – Teen Beat Luke Vibert – Partron screensaver - repeats Objekt - Bad Apples Conrad Schnitzler – Bis die blaue Blume blüht (Bureau B Edit) Christina Vantzou / Michael Harrison / John Also Bennett – Harp Of Yaman Low End Activist - Get Get Wandl – Phase U Carmen Villain – Carmen Villain (Actress Remix) Pyrolator – Djehuti

Well, it's back to the lab again, yo — that is, the Zodiak Free Arts Lab ... where today we find Edgar Froese, Conrad Schnitzler, and Klaus Schulze, banging out five-hour live sets in the first incarnation of Tangerine Dream.**SUPERGROUP ALERT****SUPERGROUP ALERT**Crackling raw acid rock with hammer-drop organs, shaken dried peas, and a train ticket read backward?  Klaus Schulze on drums?  Creation, cremation, rebirth, and a side journey through a burning brain?  Sign us up!MACHT DAS OHR AUF, listeners, as we talk about TD's debut album, Electronic Meditation!

Conrad Schnitzler, Brian Eno, Michael Rother, Conny Plank.  All the cool kids wanted to hang with Moebius and Roedelius — so naturally we do, too. What time is it, listeners?  Is it time for the CBK  bus to take a turn "im Suden?"  Is it time to tap into Roe's pastoral Romanticism and Moe's sparky bleeps and blips?  Time to put Eric Clapton into "the Krautock meat grinder?"   Is it, indeed, time to check in on CLUSTER?   Damn straight, Brüder und Schwestern:  it's SUGARTIME.

CONRAD SCHNITZLER, MISSILES OF OCTOBER

Episode 45 Made at Home—Electronic Music Basement Tapes Playlist Jean-Michel Jarre, “Happiness is a Sad Song” from Rarities (2011 Disques Dreyfus). This track is from 1968, before Jarre began studying at the GRM music program directed by Pierre Schaefer. This piece was composed at home using only a microphone, two tape recorders, and splicing tape and was included on this collection of his early works. 5:49 Deuter, “Der Turm/FluchtPunkt” from D (1971 Kuckuck). Home recordings of music composed and played by Georg Deuter. Lots of echo applied to ambient sounds, instrumental drones, and percussion. 4:29 Geodesium, “Free Fall” from Geodesium (1977 Loch Ness Monsters Productions). EMS Synthi AKS synthesizer, Mellotron, Mark C. Petersen. Music composed, self-produced and recorded at home. This music was featured in shows at the Fiske Planetarium at the University of Colorado. 5:20 Don Slepian, “Glimmerings” from Electronic Music From The Rainbow Isle (1978 Don Slepian self-released cassette). EML 400/401 Sequencer, double-speed piano, ARP Odyssey, bass, phase-shifted lap steel guitar, strings, Don Slepian; drums, Ron Jacobs. Don produced this music for a dance by Akiko Masuda and released it on a 7-inch vinyl in 1981. Slepian came from Santa Monica, California and released several albums on cassette until the late 1980s. 3:31 Don Schertz, “Mockin' Bird Hill” from BITS.AND.BYTES (Bach, Binary & Boolean) (1978 Schertz Computer Music). LP programmed by Donald Schertz and synthesizer builder John Pratt. This is a fascinating computer music album dating from the very dawn of home computing used for music making. The music was written in software to be performed by the Altair 8800A using three identical voice circuits and used control techniques of the voltage-controlled synthesis. Storage and routines were loaded using cassette. The timing of the notes and the assignment of scales are completely variable, which gives this experiment such a funky and complex sound. From Monterey, California. 1:20 Archie Ulm, “MacArthur Park” from Experience (1979 Archie Ulm self-released album). Yamaha EX-1 electronic keyboard, mixing, production, Archie Ulm. After Hugo Montenegro's Moog rendition of this Jimmy Webb song, I like this one. The EX-1 was one of the most expensive and rarest of synthesizers, costing about $35,000 in 1977 when Archie Ulm used it. The EX-1 featured two five-octave fully polyphonic keyboards, organ style tabs and polyphonic analog synthesizer sounds, which could be slaved; a topmost three octave mini-keyboard for monophonic synthesizer which could also be slaved to the upper organ manual; and a monophonic analog synthesizer bass played by pedals or slaved to the lower keyboard. It also featured a drum machine, arpeggiator, and chord accompaniment. Ulm was connected to various Yamaha keyboard competitions and took this instrument on the road for his night club act. I think Archie is still active. I have seen notices of his organ playing for churches and wine tastings from Colorado to California. 4:32 Men-Eject, “Apologize” from Apologize/Draw (1980 Men/Eject self-released 7” 45). The only known recording from this New York group with the Cabaret Voltaire sound. I don't know who was actually in the group. The single came packaged with a photocopy sleeve and oversized lyric sheet stuffed inside. Engineered by Takashi Tsuruta and Naka Suzuki. 3:38 Zach Swagger, “Empty Highways” and “Going Going Gone” from Empty Highways (1980 It's Gone). Privately released 7-inch 45 by Zach Swagger. All sounds and effects by Zach Swagger. Ambient sounds, tape loops, verging on noise/industrial style. 3:20 and 3:29 Delta, “Mr. E. Chaos” from Diagrams Of Women (1981 Classified Records 7-inch 45). Synthesizer, Melodica, Vocals, Dee McCandless; Synthesizer, Gene Menger; Bass, Rude B.; Guitar, Vocals, Jonathan Hearn. Versions with triangle shaped picture sleeve. 3:07 Hidden Combo, “Driving Through Frankie Valley” from King Of Siam/Music From A Sophomore (1981 Phantom Plaything 7-inch 33-1/3). Bass Guitar, Bob Dickie; Guitar, Jacy Webster; Buchla Electric Music Box, Charles Cohen. Comes in an oversized folder-style picture sleeve, with folded insert. This track was recorded “live at home.” 3:01 Wrinklemüzik, “Rein” from Wrinklemüzik: A Move To The Right (1981 Kenn Lowy self-released 7-inch 33-1/3). Synthesizers, electronic guitar, energy bow, rhythm machine, Kenn Lowy. Recorded live at the “public access synthesizer studio,” New York City. 6:33 Tone Poets, “Pente” from Pente/No Work Today! (1983 Millet Music). A Self-released, single-sided flexi-disc by David Mandl. Flexi-disc made by Eva-tone, which was an affordable alternative to vinyl releases. Drum programming, synthesizer, David Mandl. According to a note from Mr. Mandl at the time, this was “recorded in my home 8-track studio and is available for $1.00.” 2:49 Vox Populi, “Ectoplasmies II, I, III, IV” from Ectoplasmies (1983 VP 231). Self-produced 7-inch 33-1/3 from France. Synthesizer, Effects, Tape, Voice, Percussion, Flute, Bass, Gnouf Tap; synthesizer, B. Wolf. Four synth tracks from this French industrial-leaning group. 6:47 Projekt Electronic Amerika, “Round Trip (Reprise)” and “Year 90-10” from Tanzmusik (1985 Projekt). Limited private release LP of 250 copies. This was an elaborate solo project by artist Sam Rosenthal who played all of the instruments and recorded the music. He also drew the cover art. Equipment used: Korg Poly-61 (non-MIDI); Realistic Moog synthesizer on the track “Round Trip (Reprises);” Boss DR-110 Dr. Rhythm Graphic; Aphex Aural Exiter; Roland SDE-1000 and SDE-2000 digital delays; Forman Reverb. 1:51 and 5:30 Conrad Schnitzler, “Die Rebellen Haben Sich In Den Bergen Versteckt” from Blau (1974 Conrad Schnitzler self-released album). Electronic rhythms, manual filtering, modular synthesis, phase effects on tape. Minimalist and original. Schnitzler kept it simple, no elaborate embellishments or musical arrangements needed. 18:45 Background music used during this episode (excerpts): Conrad Schnitzler, “Untitled” from The Red Cassette (1973 Conrad Schnitzler self-released cassette). Electronic rhythms, manual filtering, modular synthesis, phase effects on tape. Excerpt. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog Noise and Notations.

On today's episode I talk to musician Hans-Joachim Roedelius. A pioneer in the field of electronic music, Hans-Joachim Roedelius is considered one of the founders of contemporary popular electronic music. Born in Berlin in 1934, Hans-Joachim starred as a child in a number of UFA films, and during the war was an unwilling member of the German Youngsters in the Hitler Youth, membership being mandatory for all boys from the age of ten. During this time, he also appeared in several propaganda films. He fled Berlin in 1943, moving from one place to another before being conscripted into the National People's Army of East Germany. Again he took flight, only to end up in prison. WHen he got out, he trained as a male nurse, then as a hospice orderly. Having relocated from East to West Berlin, he went on to meander through Europe (as a thatcher, detective, masseur, bartender, janitor and many other things), before finally becoming a freelance artist, with avant-garde music his prime focus. In 1968, Hans-Joachim co-founded the music commune known as "Human Being" and co-formed Zodiak Free Arts Lab, the center of Berlin's underground culture at the time, with conceptual artist Conrad Schnitzler. He formed Cluster a year later, and then Harmonia with Neu! guitarist Michael Rother. In the decades since then, he recorded dozens upon dozens of albums, both solo and in collaboration with everyone from Brian Eno to Tim Story (their album Lunz 3 from 2019 is spectacular), and his latest album Drauf Und Dran, an album of piano compositions, was released late last year. This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter.

Die Zonic Radio Show ist die hör-mediale Erweiterung der Kulturerscheinung Zonic. ## Silberäpfel und andere Freakfrüchte 1. Conrad Schnitzler - Electric Garden – Con – Egg 2. Conrad Schnitzler, Frank Bretschneider - Klirrfaktor – Con-Struct – Bureau B 3. Silver Apples - Oscillations – s/t – Kapp Records 4. Silver Apples - You and I – Contact – Kapp Records 5. Silver Apples - Dancing Gods – s/t – Kapp Records 6. Morton Subotnick - Silver Apples of the Moon (Part One, Ausschnitt) – Silver Apples of the Moon – Nonesuch 7. Laika - Coming Down Glass – Silver Apples of the Moon – Too Pure 8. Third Eye Foundation - I Have Known Love – Electronic Evocations A Tribute To The Silver – Enraptured Apples 9. Silver Apples - Tabouli Noodle – The Garden – Chicken Coop Recordings 10. Jakub Ziołek - Misty Mountain – One Louder – Instant Classic 11. Fedorov & Kruzenshtern - At The Bottom Of The Grass – V Trave – Auris Media 12. John Zorn - Verlaine: Part 2 La Bleue – V.A.: Caged/Uncaged - A Rock/Experimental Homage To John Cage – Get Back 13. Heiner Goebbels / Alfred Harth ‎– Berlin, Q-Damm 12.4.81 – Der Durchdrungene Mensch / Indianer Für Morgen – Riskant 14. TV Personalities - Apples and Oranges – V.A.: Beyond The Wildwood - A Tribute To Syd Barrett – Imaginary Records 15. Anima-Sound - Traktor go go go – Musik für alle – Alga Marghen * Sendung vom 9. September 2020 ## Zonic Radio Show Süd Die Zonic Radio Show ist die hör-mediale Erweiterung der Kulturerscheinung Zonic. Thematisch frei zwischen Musik, Literatur und Kunst changierend, gibt es von tieftauchenden popkulturellen Features über experimentelle Klangstücke oder Sound & Poetry- Mixe bis zum Hangeln durch den News-Jungle eines extrem offenen musikalischen Spektrums alles zu hören, was potentielle Relevanz im stetig sich ausbreitenden Zonic-Kosmos hat. Und über dessen Rand hinaus! Die Wort- & Musikauswahl liegt bei Zonic-Herausgeber Alexander Pehlemann. * http://www.zonic-online.de

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Thunder, Lightening and Rain by Walt Disney Sound Effects Group on Chilling, Thrilling Sounds of the Haunted House (Walt Disney Records) 1′07″ The Last Stop by Uilos on I: Dark Night of the Soul (So Called Hell ) 5′40″ Afterlife/Judgement by John Bence on Kill - Single (Thrill Jockey Records ) 7′46″ She fell asleep somewhere outside the world by David Toop on Apparition Paintings (Room40) 11′50″ A Long Paleness by Graeme Miller & Steve Shill on The Carrier Frequency (Finders Keepers) 16′08″ Truth by Isolating on Perennial (Agnes / 4GN3S ) 17′30″ Music For Three Combs by Lisa Lerkenfeldt on Collagen (Shelter Press ) 21′10″ Hymn For 2020 by Magik Markers on 2020 (Drag City Records ) 24′18″ Spirits of Redeemer by Summer of Seventeen on Summer of Seventeen (Karlrecords) 27′57″ Tropy by Samutek on Omamy (Evening Chants ) 34′18″ Nightmare Moon Desert by Karwan Marouf on Oskar & Lily – Where No One Knows Us (Original Motion Picture Soundtrack) (Ronahi Records ) 35′14″ Alone by Timo van Luijk & Mark Harwood on Vang Circular (Penultimate Press) 39′12″ Le Hable a la ola del mar by Mint Field on Sentimiento Mundial (felte) 40′27″ Toom by Rojin Sharafi on Zangaar (Zabte Sote ) 45′42″ Scamming Shaman Pin by Jesse Osborne-Lanthier on Left My Brain @ Can Paixano (La Xampanyeria) Ost (Haunter Records ) 47′50″ Fog Constellation (Approaching) by Kassel Jaeger on Swamps/Things (Shelter Press ) 51′25″ Point Zero (feat. Bob Stohl & Kat Epple) by Barry Cleveland on Stones of Precious Water (Telephone Explosion Records ) 53′15″ Mass for the Endangered by Gabriel Crouch & Gallicantus on Sarah Kirkland Snider: Mass for the Endangered (Nonesuch Records) 56′38″ Tranq by Buttechno on Psy X (Gost Zvuk) 58′40″ Them (Prologue) [feat. Malibu] by Oliver Coates on A Little Night Music: Aural Apparitions from the Geographic North (Geographic North) 61′30″ Avuls I by Only Now X Orogen on Avuls (Sucata Tapes) 66′44″ Early Morning Mist by Daniel O'Sullivan on Electric Māyā: Dream Flotsam and Astral Hinterlands (VHF) 68′00″ Klirrfaktor by Conrad Schnitzler & Frank Bretschneider on Con-Struct (Bureau B) 70′20″ Sat by Désaccord Majeur on Sunquake (A Colourful Storm ) 74′16″ Sunder by Nicolas Jaar on Cenizas (Other People) 77′00″ Burning Feather by Eartheater on Phoenix: Flames Are Dew Upon My Skin (PAN) 78′20″ To Lonely Shores by Locust on After the Rain (Channel Of Light ) 82′48″ Black Wind, Pt. 1 by Only Now on Black Wind / Merciless Destiny (Kush Arora Publishing) 85′40″ Ker P.O.G. itw by Principles of Geometry on Tigersushi Demos 2000-2020 (Tigersushi Records) 87′40″ Palermo, June 1848 by Guy Hobsbawm on Communes Qui Poussent Comme Des Champignons Après Le Déluge (Mysteries of the Deep) 89′40″ Barnacles by Hyph11E on Barnacles (SVBKVLT) 92′00″ Kiss of the Phoenix by Eartheater on Phoenix: Flames Are Dew Upon My Skin (PAN ) 94′55″ Nora by Samutek on Omamy (Evening Chants) 98′06″ Wisdom Has a Certain Innocence To It (feat. Anthony Baldino) [feat. Anthony Baldino] by Valance Drakes on Freedom Is Its Own Kind of Salary (LAAPS) 100′20″ Drifting Off To Birds by Erik K Skodvin on Anbessa (Miasmah Recordings) 101′37″ Berceuse by Penelope Trappes on Eel Drip (Houndstooth) 105′10″ Inertia by Ossia on Devil’s Dance (Blackest Ever Black) 107′25″ End of Summer, Pt. 3 (with Hildur Gudnadottir & Robert Aiki Aubrey Lowe) by Jóhann Jóhannsson on End of Summer (with Hildur Gudnadottir & Robert Aiki Aubrey Lowe) (Sonic Pieces) 112′36″ Shenandoah, Texas by J D Emmanuel on New Neighborhoods (Freedom To Spend) 118′32″ The Great Pumpkin Waltz by Vince Guaraldi on It's the Great Pumpkin, Charlie Brown (Craft Recordings) Check out the full archives on the website.

CITR’s 24 Hours of Radio Art in a snack sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something.This morning's show Zero K's MUSIC FOR ABANDONED COLD WAR PLACES, CONRAD SCHNITZLER / FRANK BRETSCHNEIDER and GUNTHER WUESTHOFF.Starting at 11 AM Pacific on CITR FM 101.9, streaming at PLAYER.CITR.CA

Michele Mercure's musical activities began in the 1980s with her experimental theatre scores and 10-second animated bumpers for the burgeoning MTV. Drawn into the community of tape trading, she became pen pals with Conrad Schnitzler, The Nightcrawlers, and a pre fame Yanni. Michele’s self released cassettes have recently been reissued by labels such as RVNG and Pete Swanson’s Freedom to Spend, who made her album Eye Chant their inaugural release. She has now returned with a recharged motivation to share her creations from these fertile early years and move forward with even more to come in 2020.

Hope you all enjoyed our split edition of Sequences. Strangely on one of the music sites the ambient side had more hits, which I didn’t expect, anyway, back to our usual mix of EM. We welcome Robert Scott Thompson with a preview of his up and coming albums ‘Pluviophilia’ 1 & 2, combining his mastery of electro acoustic contemporary instrumental & advance grade genres. Louis Sterling from Mick’s original hometown in the UK, showing capacious acoustics, washed with soft reverb and distant voices, creating a dream-like atmosphere. “Linear A” by zZyzx, electro-acoustic compositions featuring harp & cello. The overlapping overtone textures and the sounds created by the piano’s intricate mechanism, by Jan Wagner, another majestic score from Andy Pickford, with a ton more sequencers & arpeggiator sounds. New to Syngate, Japanese musician Shinpal, with the track we chose ‘Boundary Of Nature’ which has roots in the music of Manuel Gottsching, just a few of the players to show a wealth of diverse electronics, not to everyones taste, but as Kauto said: “open your mind…………..” Blast from the past comes from the legendary Conrad Schnitzler, a more accessible track from the album “Gelb”, sadly he passed away in 2011. Enough of the blurb, lets the music begin with Caterina Barbieri, giving us hypnotic modular patterns, live in Helsinki. Playlist No 154 02.34 Caterina Barbieri ‘Immersive Modular Live Set | Boiler Room x Genelec’ https://caterinabarbieri.com 12.05 Baltes & Erbe ‘One Time In History’ (album A-11) www.erbemusic.com 22.30 Baltes & Erbe ’Site Selection Board’ 27.09 Andy Pickford ‘Panoticon part 1’ (album Panopticon) www.andypickford.bandcamp.com 38.26 Andy Pickford ‘Panoticon Part 6’ 45.55 Jan Wagner ’Nummer A’ (album Nummern) www.janwagner.bandcamp.com 49.19 Jan Wagner ‘Nummer L’ 53.26 Robert Scott Thomson ‘Dryline Chaser’ (album Pluviophilia Disc 1) www.aucourantrecords.com 59.48 Robert Scott Thompson ‘Kuiper’s Ultima Thule’ (album Pluviophilia Disc 2) 01.07.26 Louis Sterling ‘Adisceda’ (album Adisceda) www.louissterling.bandcamp.com 01.10.55 Louis Sterling ‘The Pillars Of Serene’ 01.13.42 The zZyzx Society ‘Linear A’ (album The zZyzx Society) www.thezzyzxsociety.bandcamp.com 01.20.07 Miles Richmond/Peter Grenader: feat Steve Roach ‘Point Of View’ (album POV) www.povmusic2.bandcamp.com 01.31.36 Shinpal ‘Boundary from Nature’ (album Seven Lights) www.syngate.net 01.39.08 Michael Neil ‘Destination Point’ (album After The Wall) www.michaelneil.bandcamp.com 01.43.55 Michael Neil ‘Nebel Kinder’ 01.50.25 Jos D’Almeida ’Sunrise Stone’ (album Aspheres) www.josdalmeida.bandcamp.com 01.56.50 Jos D’Almeida ‘Eta Carinae’ 02.05.34 Ivan Black ‘Mare Tranquillitatis‘ (album @Ambient On Line) www.ivanblack.bandcamp.com 02.15.09 Ivan Black ‘Aristarchus Crator’ 02.21.50 Cosmic Project ‘Senglea’ (album Arcane Island) www.ganom.bandcamp.com 02.27.59 Cosmic Project ‘Fontana’ 02.34.31 Church Of Hed ‘Q Ching’ www.quarkspace.bandcamp.com 02.38.50 Conrad Schnitzler ‘Gelb 5’ (album Gelb) https://www.facebook.com/Conrad-SCHNITZLER-15698279659/ 02.43.49 Opium Moon ‘How Can I Pray When the Beloved Is All’ (album Opium Moon) https://music.apple.com/us/album/opium-moon/1394847900

This episode is an ode to collaborations and their importance in the everyday creative practice. The first and most significant treated in this episode is the life-long partnership between Dieter Moebius and Hans-Joachim Roedelius, the two prolific pioneers of teutonic electronic music and fathers of Krautrock. They’ve been working together, since the early 70’s, making music as a duo as well as teaming up with Conrad Schnitzler (under the name Kluster), Michael Rother (forming Harmonia), Conny Plank, Brian Eno (in Harmonia 76), Gerd Beerbohm, Karl Renziehausen and many more. The sonic heritage that they created influenced the subsequent generations of german artists, including some who are featured in this episode. Last but not least, this tracklist is a brief extract from the rich catalogue of the defunct Hamburg based label Sky Records, born from the experience of Brain that today evolved into Bureau B. The episode features: Dennis Young, Eno Moebius Roedelius, Hearts No Static, Roedelius & Schneider, Asmus Tietchens, Conrad Schnitzler, Cluster, Moebius & Beerbohm, Harald Grosskopf, Vono, Faust and Qluster.

Episode 417: May 27, 2019 (In memory of,...) playlist: Vainio Vaisanen Vega, "Sick Sick USA" (Endless) 1998 Mute Conrad Schnitzler, "Klavierhelm 2" (Klavierhelm) 2006 Important Sharon Jones and the Dap-Kings, "Sail On!" (Soul Of A Woman) 2017 Daptone Tactile, "Grief (feat. John Balance)" (Borderlands) 1999 Sentrax The Horizontalist, "Twenty Feet Behind" (Hybrid) 2001 Horizontal Johann Johannsson, "Escape" (And in the endless pause there came the sound of bees) 2009 NOTV Broadcast, "The Book Lovers" (The Book Lovers EP) 1996 Duophonic Magnolia Electric Co., "Don't Fade On Me" (Nashville Moon) 2006 Secretly Canadian The Threshold HouseBoys Choir, "As X Is To Geff" (Amulet Edition) 2008 Threshold House Aube, "Aqua Syndrome 1" (Aqua Syndrome) 1997 Manifold Glenn Branca, "Fifth Movement (In the late 20th Century, the Impossible Becomes Possible) (Short Excerpt)" (Symphony No. 2 (The Peak of the Sacred)) 1982 Atavistic Pauline Oliveros, "Three Pieces I" (Reverberations: Tape and Electronic Music 1961-1970) 2012 Important Jack Rose, "Cathedral Et Chartres" (I Do Play Rock And Roll) 2008 Three Lobed Tod Dockstader, "Finale" (Aerial #3) 2006 Sub Rosa Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

  As is usually the case with these mixes, one song sets me on the path towards a new collection. In this case it was the song T by Dan Lissvik.   https://danlissvik.bandcamp.com/track/t   It keep popping up on a few of my playlists and I always thought it had kind of kraut rock feel to it. I realized that I've never made a kraut rock mix and that needs to be rectified.   I don't want to get into a debate about what is and isn't kraut rock. There are tracks from kraut rock classics like Neu! and Can. But there are also three cuts from new artists like Dan Lissvik, Sankt Otten and Kilchhofer. Those new tunes are in there because I thought they fit with the kraut rock vibe.    The rest of the mix contains artists like Cluster, Ashra, Popol Vuh, Holger Czukay, Conrad Schnitzler, Bernard Szajner and Gunter Schickert. I'm exactly sure which ones would qualify as kraut rock but I think they're all close enough.   Cheers!   T R A C K L I S T : 00:00    Neu! - Isi(1975) 04:55    Dan Lissvik - T(2016) 09:55    Conrad Schnitzler - Ballet Statique(1978) 14:00    Holger Czukay - Persian Love(1982) 18:55    Ashra - Shuttle Cocks(1977) 25:10    Cluster - Sowiesoso(1976) 31:55    Sankt Otten - Zwischen Demut und Disco(2018) 37:24    Bernard Szajner - The Memory(1980) 41:30    Can - Future Days(1973) 46:00    Kilchhofer - Lubbari(2018) 49:20    Ashra - Blackouts(1977) 53:35    Gunter Schickert - Guitarre Wlaurniam(1983) 57:25    Neu! - Weissensee(1972) 63:25    Popol Vuh - Hoere, Den Du Wagst(1978) 69:00    Cluster - Zum Wohl(1976) 75:20    Bernard Szajner - A Kind of Freedom(1980) 78:07    end    

Music today is mainly distributed through digital platforms that use algorithms to advise people what to listen to. This episode has been compiled combining pieces from records suggested by Discogs, the biggest record marketplace, that sends algorithm-based suggestions through its daily newsletter. The episode features: Babyfather, David Behrman, Iury Lech, David Rosenboom, Lori Goldston, The Lost Jockey, Laurie Spiegel , Insiememusicadiversa, The Durutti Column, Chris & Cosey, Gregor Schnitzler and Conrad Schnitzler, Wire and Joseph Beuys.

  Rare Frequency Podcast 60 1 Goh Lee Kwang, "untitled 1" __, and Vice Versa (Herbal International) 2011 CD Time: 00:00-01:44 2 Jon Mueller, "A" A Magnetic Center (Rhythmplex) 2015 cassette/mp3 Time: 01:45-20:18 3 Coppice, "Flut (Tighter)" Preamble to Newly Cemented Dedication to Freedom (Aposiepese) 2016 CDr/EP/mp3 Time: 20:18-24:48 4 Olivia Block, "Dissolution BDissolution (Glistening Examples) 2016 LP/mp3 Time: 24:47-38:18 5 W. Zabarkas, "Autumn Invades the House" The Origin of Dreams (Glistening Examples) 2016 LP/mp3 Time: 38:18-46:40 6 Kassel Jaeger / Jim O’Rourke, "Side A" Wakes on Cerulean (Editions Mego) 2016 LP Time: 46:23-56:18 7 Linda Catlin Smith, "Part 14" Dirt Road (Another Timbre) 2016 CD Time: 56:25-1:05:59 8 Morgan Evans-Weiler, "Ensemble 3" Endless Overtones in Relational Space (Suppedaneum) 2016 CD Time: 1:00:59-1:13:20 9 Conrad Schnitzler & Pole, "Drachenbäume sind friedliche Wesen" Con-Struct (Bureau B) 2017 CD Time: 1:15:38-end

CONRAD SCHNITZLER, MISSILES OF OCTOBER

Arch, el responsable de Femur, firma nuestro undécimo podcast. Todo un referente de la noche madrileña más arriesgada, regenta una de las sesiones de más éxito en la capital. Esta vez nos entrega un podcast poco convencional que vuelve a demostrar su extensa y cuidada paleta sonora. Arch comenzó a coleccionar música cuando era un adolescente a primeros de los 90. Sus primeros pinitos como DJ los dio a finales de los 90; En un primer momento enfocado a sonidos mas cercanos a la música clubbing; pero posteriormente fue trabajando otros lenguajes musicales y artísticos. En 2006 se muda a Madrid tras pasar una temporada en el extranjero, y comienza a hacerse un hueco en la escena electrónica underground de la capital pinchando en algunos de los mejores clubs como Oui, Flesh o o Specka. En 2010 inicia junto a dos amigos su primer proyecto serio llamado DIE BUNKER enfocado a sonoridades Wave y minimal synth y un año despues en 2011 decide comenzar un proyecto, todavia en activo, en solitario llamado FEMUR mas enfocado a sonoridades electronicas de corte vintage. _tracklist 1) The Residents "The walrus hunt" 2) Cluster "Plas" 3) Pyrolator "Inland 3" 4) Andrew Liles "Ethernal" 5) Charles Cohen "Tubs" 6) Steve Moore "The ritual continues" 7) Conrad Schnitzler "Zug" 8) Cabaret Voltaire "Premonition" 9) Experimental audio research "Synchrondipity" 10) Asmus Tietchens "Herzlicht" 11) Raudive bunker experiment "Exorcism" 12) Klinik "Decay" 13) Monoton "Room of 1=1" 14) Enema Syringe "Därför Måste Jag Försova Mig" 15) Ssleeperhold "F.I.S.T." 16) Panasonic "Terrasmoto" 17) Frak "Out trip ______________________________________________ https://www.mixcloud.com/aitorillo/ www.traumacollective.com

Arch, el responsable de Femur, firma nuestro undécimo podcast. Todo un referente de la noche madrileña más arriesgada, regenta una de las sesiones de más éxito en la capital. Esta vez nos entrega un podcast poco convencional que vuelve a demostrar su extensa y cuidada paleta sonora. Arch comenzó a coleccionar música cuando era un adolescente a primeros de los 90. Sus primeros pinitos como DJ los dio a finales de los 90; En un primer momento enfocado a sonidos mas cercanos a la música clubbing; pero posteriormente fue trabajando otros lenguajes musicales y artísticos. En 2006 se muda a Madrid tras pasar una temporada en el extranjero, y comienza a hacerse un hueco en la escena electrónica underground de la capital pinchando en algunos de los mejores clubs como Oui, Flesh o o Specka. En 2010 inicia junto a dos amigos su primer proyecto serio llamado DIE BUNKER enfocado a sonoridades Wave y minimal synth y un año despues en 2011 decide comenzar un proyecto, todavia en activo, en solitario llamado FEMUR mas enfocado a sonoridades electronicas de corte vintage. _tracklist 1) The Residents "The walrus hunt" 2) Cluster "Plas" 3) Pyrolator "Inland 3" 4) Andrew Liles "Ethernal" 5) Charles Cohen "Tubs" 6) Steve Moore "The ritual continues" 7) Conrad Schnitzler "Zug" 8) Cabaret Voltaire "Premonition" 9) Experimental audio research "Synchrondipity" 10) Asmus Tietchens "Herzlicht" 11) Raudive bunker experiment "Exorcism" 12) Klinik "Decay" 13) Monoton "Room of 1=1" 14) Enema Syringe "Därför Måste Jag Försova Mig" 15) Ssleeperhold "F.I.S.T." 16) Panasonic "Terrasmoto" 17) Frak "Out trip ______________________________________________ https://www.mixcloud.com/aitorillo/ www.traumacollective.com

Decades of history with an electronic music pioneer.

Decades of history with an electronic music pioneer.

Egba, Soft Rocks, Hawkwind, Jona Lewie, Laurie Anderson, Graham Gouldman, Bill Nelson, Conrad Schnitzler, PIL, Supertramp, Janne Schaffer, Magnus Uggla, Judas Priest, bob hund, Holger Czukay, The Police, Belbury Poly, Dag Vag, Steve Miller Band, Roger Rönning, Soundforce, Asmus Tietchens, Richard Wahnfried, Cube, Pas de Deux, Anna Dobiey, Azymuth, The The, Robert Palmer and more...

http://headxones.podomatic.com/ while undergoing a bit of reconstructive surgery including modified and oddified sounds extracted from PiL (link leads to video of their live lip[s]hip-syncing appearance on American Bandstand - featuring the songs ODDified in this mix) ::: with voiceover commentary from guru, Alan Watts ::: overlapped with the parallel play of otherworldly space explorations, Becalmed in Amber by Lovecraft's Adjectives ::: and ::: Chrenrezig by Eleven Shadows ::: continuing into noise-sculptures by Kamel Niece ::: and ::: Kit Clayton ::: blending into the electro-acoustic percussive piece, Fork Variable by composer Paul Hogan ::: while grafting Ladytron into the mix with extracts of their song, Destroy Everything You Touch ::: along with the usual sprinkling of sample fairy dust and oh yeah, commentary by Conrad Schnitzler from the fascinating documentary covering Kraftwerk as well as their predecessors and influential contemporaries :::

http://headxones.podomatic.com/ Another modular episode with a collage of audio extractions derived from various webmedia - all slightly oddified, poly-modified and/or alter-vivified by yours truly. In this instance, VS. denotes simultaneous play of two more tracks while X = crossfaded or blended tracks... Intro - cameo appearances from Firesign Theatre - Don't Crush That Dwarf, Hand Me The Pliers :- ) and Alan Watts- Out Of Your Mind: The Inevitable Ecstasy - The Meaningless Life -x- Prime Time Sublime Community Orchestra - A Life in A Day of A Microrganism - X - Burn Notice - television series - Teamwork -x- with Starkillers - Discoteka and Conrad Schnitzler - documentary interview - Kraftwerk and the Electronic Revolution ::::: Dr. Who Dat? - Beat Journey - Follow VS. Luie Luie - Touchy - El Touchy - X - Hrvatski - Swarm & Dither - EWC4 incl. Underground Tunnels In Philadelphia - Labyrinth - WHYY documentary :::: The Juju Orchestra - Brazilectro Session 7 (disc 1) by Various Artists - Kind Of Latin Rhythm -X- Jonathan Richman - Jonathan Sings -This Kind Of Music -X - Cristian Vogel -Dungeon Master (Disc 1) - Diggin Fo Da Earth Gamba :::: Spanky & Our Gang - [multiple releases] - Like To Get To Know You -x- Eric Parker- video clip - Driving on Salvia vs. Tsukimono - Van Venue Hotel - Kyoto whoopee vs. Saturnia - [undetermined] - Interstellar Rainbow Lung vs. Sub Dub - Original Masters 1993-95 ::: The Monkees - television series - Daily Nightly

  Rare Frequency Podcast 48: Grey A podcast for a grey May. Please pardon the spring-cold-induced sniffling. 1 Conrad Schnitzler, "Gelb 08" Gelb (Captain Trip) CD 2010 Time: 00:00-5:02 2 Rene Hell, "C.G. Mask" Porclain Opera (Type) CD 2009Time: 4:58-9:27 3 Work/Death, "Like Two Little Magnets" Tender Comrades (Semata) CD 2011 Time: 9:26-16:23 4 Francisco Lopez, "Untitled For RLW" Nowhere: Short Pieces, 1983-2003 (Blossoming Noise) 10CD 2008 Time: 16:45-23:00 5 Seth Cluett, "Objects in Stillness" Objects of Memory (Line) CD 2011 Time: 22:50-30:10 6 Mem1 + Stephen Vitiello, "Protophasma" Age of Insects (Dragon’s Eye) CDr 2011 Time: 30:06-37:34 7 Cyclo, "id#8" ID (raster-noton) CD 2011 Time: 38:19-43:51 8 Felix Kubin, "Dead End Brain" Bruder Luzifer (Omni Recordings) CD 2011 Time: 43:51-46:11 9 Scubadeath, "Side A" Demon Seed (YDLMIER/Semata) Cassette/LP 2010 Time: 46:11-57:00 10 Alexander Rishaug, "Things That Disappear" Shadow of Events (Dekorder) CD 2011 Time: 57:30-1:02:20

Our journey through aural space and time begins with Stephen Hawking's black hole warning from the new Eurock release, Analog Planetfall. Archie then offers up a sonic time capsule of German impressionist electronic music, with selections from Human Being (Live at the Zodiac 1968) and 2 new Conrad Schnitzler releases Kluster 2008 (with a K) and his new solo disc Windvogel. The segment concludes with excerpts off the brand new Cluster (with a C) album. It’s their first studio release in 14 years. Next up are "Taste It" and "Fruits of Fantasy" the two new projects by Robert Schroeder. They are followed by selections from 2 different and unique electronic works (Radiate) by Jeffrey Koepper and (Shade) by Parallel Worlds. In a more melodic, romantic mode, Archie features music from new discs by former Supersister front man Robert Jan Stips: "Rond" and "Was It Love?" The last musical segment of Eurock Live Podcast #13 features Germany's Embryo, world touring masters of ethnic fusion for over four decades. The program closes with a final selection by Doktor Bob from "Analog "Planetfall".

  Rare Frequency Podcast 34: Falling Forward (opening music: Robert Rietty, “Transmission Begins,” Albert Elms, “Breakfast,” The Prisoner [File #2] (Silva Screen) CD) 1 Ryoji Ikeda, "Test Pattern #1111" Test Pattern (Raster Noton) CD 2008 2 Headhunter, "Baseflow" Nomad (Tempa) CD 2008 3 Lawrence English, "Figure’s Lone Static" Kiri No Oto (Touch) CD 2008 4 Brian Grainger, "Night Smoke Memory" Nine Billion Names (Milieu) CDr 2008 5 Conrad Schnitzler & Wolf Sequenza, "Copacabana" Consequenz (Captain Trip) CD 2008 6 Lithops, "Mound Magnet Part II" Caribbean Circuits (Killer Pimp) CD 2008 7 Anthony Pateras, "76755 III" Chromatophore (Tzadik) CD 2008 8 Robbie Avenaim, "Bodyrocking" Rhythmic Movement Disorder (Room 40) CD 2008 9 James Devane, "32-39" s/t (Bremsstrahlung) CD 2008 (album currently available for download on label website!) 10 Calvin “Bubbles” Cameron, "Moses" Wareika Hill Sounds (Honest Jon’s) CD 2007

This Eurock Live Special podcast features the music and wisdom of Conrad Schnitzler, an early member of Tangerine Dream. In his own words and sonic wizardry, Con tells of his personal approach to creating with sound in his pioneering group Kluster. Archie has chosen interludes from a number of Con's albums, including some of the latest from Kluster 2007 with Michael Thomas Roe and Masato Ooyama. Be sure to check at www.eurock.com for the Online Historical Addendum to this Eurock Live time capsule.

This Eurock Live Special Podcast features a retrospective tour of the music of Cluster and a free-ranging interview with German electronic musicians, Dieter Moebius and Joachim Roedelius. The two reminisce about their early days with Human Being and Kluster (with Conrad Schnitzler) before they founded Cluster. Also featured is a taste of their more recent work, including a new album from Roedelius and American musician Tim Story, who also talks about their collaboration. Another sonic time capsule from Archie Patterson and Eurock!

The second Eurock Live podcast continues with in-depth coverage of new electronic releases from Germany by Ashra's Manuel Gottsching, Conrad Schnitzler, and "doombient synthie sculptors" Ramp and friends. We introduce Russian electronic composer Mikhail Chekalin in his first American release.We also include some great new Dutch EM from Emmens & Heij and FSP, as well as a brand new Interview, a chat with the US electro-duo, Parasites of the Western World. The Interview feature will morph into a full-blown mini-podcast series in the near future. So download, plug in your headphones and enjoy!

Classic German electronica from Johannes Schmoelling, Conrad Schnitzler, Peter Baumann and Tangerine Dream.

Classic German electronica from Johannes Schmoelling, Conrad Schnitzler, Peter Baumann and Tangerine Dream.

  In honor of this week's holiday preemption, RF gives thanks with music, both old and new. There are no musical turkeys here. Rare Frequency Podcast 14: You Charcoal It, Chamberlain 1 My Fun, "The Pursuit of Old Pleasures" Idyll EP (Test Tube) mp3 2006 2 Harmonia, "Ahoi!" Musik von Harmonia (Lilith) CD 2006 3 Priscilla McLean, "Archangels" Electronic Landscapes (Em Records) CD 2006 4 Harvester, "Nar Lingonen Mognar" Hemat (Silence) CD 2001 5 Autistici, "Attaching Softness to a Shell (A)" Blueprints (12k) CD 2006 6 Marc McNulty, "00011 " Faraday Cage (Earphone) CDr 2006 7 Conrad Schnitzler, "Untitled 03 " Conrad & Sohn (Creel Pone) CD 2005 8 Goodiepal, "Time and Money" 60 Sound Artists Protest the War (ATAK) CD 2005 9 R. Tilsley, "Sexy Sox" Music DeWolfe Vol. 1 (Megaphone) CD 2006